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These shoes went on to included a boxâmade of layers of fabricâfor containing the toes, and a stiffer, stronger sole. They were constructed without nails and the soles were only stiffened at the toes, making them nearly silent. As the Pointe Shoe developed, so did Ballet itself.
These flat-bottomed predecessors of the modern pointe shoe were secured to the feet by ribbons and incorporated pleats under the toes to enable dancers to leap, execute turns, and fully extend their feet. The first dancers to rise up on their toes did so with the help of an invention by Charles Didelot in 1795.