(Point to head.)And right on top was a funny, old hat. (Chorus)She had two hairs in her head. (Hold up two fingers.)One was alive and the other was dead. (Chorus)She had two eyes in her head. (Point to eyes.)One was purple and the other was red. (Chorus)She had two teeth in her mouth.
Pointe is dangerous work, but if at right age, strength, and proper care, dancers do it. Please do not let your child go en pointe until further ballet training and she is in her early teens. Source(s): Almost 16 years ballet 11 years en pointe.
63,64 Hence looseâ dancers should spend less time stretching than tightâ dancers. Loose dancers should spend that time on strengthening exercises instead. It is important to avoid comparing the flexibility of one dancer with that of other dancers.Instead, work on what each individual dancer needs â strengthening/stabilizing exercise for the loose dancer, stretching/flexibility for the tight dancer.oose dancers should spend that time on strengthening exercises instead. It is important to avoid comparing the flexibility of one dancer with that of other dancers. Instead, work on what each individual dancer needs â strengthening/stabilizing exercise for the loose dancer, stretching/flexibility for the tight dancer.