In the day-to-day work of narrative therapy, we: 1  Start by seeking to join people in their particular experiential worlds (not by educating them about ours). 2  Listen to what they say as stories: not âfactsâ or clues to deep meaning or symptoms to diagnose, etc.
Melodic motion in which the interval between any two consecutive pitches is no more than a step, or, less strictly, where skips are rare, is called stepwise or conjunct melodic motion, as opposed to skipwise or disjunct melodic motion, characterized by frequent skips.
Conjunct, disjunct, triadic, scalic, arpeggio: These are all different kinds of melodic note patterns. Conjunct means that the notes in the melody move mainly by step: in other words they are mostly next to each other in pitch. A disjunct melody moves mainly by leaps â wide intervals between the notes. A triadic melody begins by using notes that belong to a triad â three note chord, which is usually the tonic chord which helps us work out what key we are in. A scalic melody is made up of notes that follow the order of a particular scale.