title: Baruch Zuckerman

texts:
<mask> (; June 26, 1887 – December 13, 1970) was a leading American-Israeli Zionist, one of the leading proponents of Yad Vashem, editor of Yiddishe Kempfer, and a leading figure in the Farband and Histadrut campaigns, and president of the Labor Zionist Organization of America. Early life
<mask> was born into a poor family in the Hassidic village of Kurenitz, near Vilnius (then in Russia), the son of a peddler. His parents were Vigdor Chait and Sara, nee Levin. Most of the family later immigrated to the United States and changed their surname to <mask>. <mask>, one of the leaders of the Warsaw Ghetto Uprising, wrote in his memoirs that <mask> was his relative. When <mask> was 15, he began to feel the first stirrings of Zionism. He became seriously interested in this fledgling ideology in August 1903 when he heard Theodor Herzl speak in Vilnius.Emigration to United States
In 1904, aged 16, <mask> arrived in the USA, where he initially worked in a sweatshop in New York's garment district for $2 per week. It was there that he learned to put together sleeves and cuffs for men's shirts. Later, he graduated to piece work. But his heart was not in the job. While <mask> had been propelled by an uncle towards the garment district, his father and older brother had gone into the scrap business. When his brother realized that there was no future for Zuckerman in the rag trade, he decided to set him up in an enterprise of his own and put a down payment on a candy store in his name. Zuckerman was not a success, and the candy store closed down after only nine months.In the meantime, it had become a popular venue for ideologists who gathered there to vent their Zionist fervour. They all belonged to transplanted Pinsk and Vilnius branches of Poale Zion as did <mask> himself. As his relationship with the candy store was drawing to a close, <mask> was elected a delegate to the founding convention of Poale Zion of America that took place on May 1, 1905. This was the beginning of his career as a servant of his people. As a key member of the Labor Zionist Movement of America, he was both a formulator of policy and one of its major exponents. Passionately committed to social welfare, <mask> dreamt of uniting it with Zionism. The Poale Zion movement enabled him to do so.He was executive director of the People's Relief Committee from 1915 to 1924 when it disbanded, and accompanied Herbert Hoover and investment banker Herbert Lehman to Poland to bring food and clothing to survivors of World War I. During that war, <mask> helped to organize the Jewish Legion and was also instrumental in setting up the American Jewish Congress. He was also the editor of Yiddishe Kempfer, and a leading figure in the Farband and Histadrut campaigns. In later years, he was elected Poale Zion representative to the Executive of the Jewish Agency in America and to the Executive of the World Jewish Congress. He was also president of the Labor Zionist Organization of America. A gifted writer and speaker, as well as an editor and journalist, he was one of the chief spokesman for the American Poale Zion around the world. Aliyah to Palestine
When the family came to Palestine in 1925, it was with the intention of settling permanently, but his daughter Avivah fell ill, a factor which forced the family to return to New York, where she could be properly treated.It was not until 1932 that the Zuckermans finally made aliyah, and Avivah who had been studying at Hunter College in New York enrolled at the Hebrew University, becoming one of its first students of bacteriology. While his wife and daughters remained in Palestine, <mask> <mask>'s many activities as an emissary precluded him from residing in Israel until his retirement in 1956. After the <mask>s moved to Jerusalem, where their daughter Nomi attended the Gymnasia Rehavia, their house became a meeting place for all the leading figures of the Zionist Movement. Golda Meir had to return to America with her two children because her daughter Sara had kidney trouble for which suitable treatment was not available in Palestine. Her husband, Morris Meyerson, stayed behind, and moved in with the Zuckermans. Return to United States
In August 1939, on the eve of Hitler's invasion of Poland, both <mask> and <mask> were delegates to the 21st Zionist Congress in Geneva. They took Nomi with them.The Congress plenum decided that given the circumstances, the Zuckermans were of more value to the Zionist movement operating from America, than from Jerusalem. So they returned to New York, taking Nomi with them. Nomi spent the major part of the war years studying - first at Columbia University, then at the Tyler School of Fine Arts before returning to Jerusalem with her parents at the end of 1945. Yad Vashem
The idea of establishing a memorial in Palestine for Jewish victims of the Nazi Holocaust was conceived during World War II, as a response to reports of the mass murder of Jews in Nazi-occupied countries. Yad Vashem was first proposed in September 1942, at a board meeting of the Jewish National Fund, by Mordecai Shenhavi, a member of Kibbutz Mishmar Ha'emek. In August 1945, the plan was discussed in greater detail at a Zionist meeting in London where it was decided to set up a provisional board of Zionist leaders with David Remez as chairman, Shlomo Zalman Shragai, <mask> <mask>, and Shenhavi. In February 1946, Yad Vashem opened an office in Jerusalem and a branch office in Tel Aviv and in June that year, convened its first plenary session.In July 1947, the First Conference on Holocaust Research was held at the Hebrew University in Jerusalem, where further plans were made for Yad Vashem. However, the outbreak in May 1948 of the War of Independence, brought almost all Yad Vashem operations to a standstill for two years. Later life
<mask> died in Jerusalem on 13 December 1970. Personal life
He married Nina Avrunin (born in Kiev). She was also a prominent Zionist. Their daughter Avivah <mask> was a gifted, prize-winning poet, Haganah activist and later a world-renowned Hebrew University professor of parasitology. Their daughter Nomi <mask> is a noted artist, poet and translator.References

Sources
 <mask> <mask>'s 1930 US passport, and a biography

1887 births
1970 deaths
American Zionists
Writers on Zionism
Emigrants from the Russian Empire to the United States
Politicians from Vilnius
Jewish activists
Jewish socialists
Jews of the Russian Empire
American Jewish Congress
American emigrants to Israel
Yad Vashem people
Labor Zionists
Zionists of the Russian Empire
Jewish American journalists
American editors

masks:
Baruch Zuckerman
Baruch
Zuckerman
Yitzhak Zuckerman
Baruch Zuckerman
Zuckerman
Zuckerman
Zuckerman
Zuckerman
Zuckerman
Zuckerman
Zuckerman
Baruch
Zuckerman
Zuckerman
Baruch
Nina Zuckerman
Baruch
Zuckerman
Zuckerman
Zuckerman
Zuckerman
Baruch
Zuckerman


title: Andrée de Jongh

type: original

texts:
Countess <mask> (30 November 1916 – 13 October 2007),  called Dédée and Postman, was a member of the Belgian Resistance during the Second World War. She organised and led the Comet Line (Le Réseau Comète) to assist Allied soldiers and airmen to escape from Nazi-occupied Belgium. The airmen were survivors of military airplanes shot down over Belgium or other European countries. Between August 1941 and December 1942, she escorted 118 people, including more than 80 airmen, from Belgium to neutral Spain from where they were transported to the United Kingdom. Arrested by the Nazis in January 1943, she was incarcerated for the remainder of World War II. After the war, she worked in leper hospitals in Africa. <mask> was the recipient of the George Medal from the United Kingdom and the Medal of Freedom with golden palms from the United States and many other medals for her work during World War II.In 1985 she was made a countess by the king of Belgium. Her exploits were described in or inspired several books, movies, and television shows. Early life

<mask> or Dédée <mask> was born in Schaerbeek in Belgium, then under German occupation during the First World War. She was the younger daughter of Frédéric <mask>, the headmaster of a primary school and Alice Decarpentrie. Edith Cavell, a British nurse shot in the Tir national in Schaerbeek in 1915 for assisting troops to escape from occupied Belgium to the neutral Netherlands, was a heroine in her youth. She trained as a nurse and became a commercial artist in Malmedy. Her nursing endeavours were inspired by Cavell.She was 23 years old when the Germans invaded and occupied Belgium. De Jongh was described by a British airman she helped as a "frail young girl who appears twenty years [old], very pretty, pleasant, kind, cheerful, and simple. She seems to have the carelessness of a young student who would go on vacation after passing her exams". Later, a British colonel would call her a
"pure heroine of legend". Origin of the Comet Line

After German troops invaded and occupied Belgium in May 1940, De Jongh moved to Brussels, where she became a Red Cross volunteer, ministering to captured Allied troops. In Brussels at that time, hiding in safe houses, were many British soldiers, those left behind at Dunkirk and escapees from those captured at Saint-Valery-en-Caux. De Jongh organised a series of safe houses for these soldiers, while also procuring civilian clothes so they would not be identified as well as false ID papers.Visiting the sick and wounded soldiers enabled her to make links with this network of safe-house keepers who were trying to work out ways to get the soldiers back to Britain. In spring 1941, <mask> Bliqui, Arnold Deppè, and <mask> <mask> organised a group of friends to help Allied soldiers and airmen escape occupied Belgium and return to Great Britain. This was the origin of what became known as the Comet Line, the largest of the escape and evasion lines in World War II. They initially called themselves the DDDs after their last names. De Bliqui was arrested in April 1941 and later executed after the group was infiltrated by Prosper Dezitter, a Belgian collaborator with the Germans. In June 1941, Deppé journeyed from Belgium to southwestern France where he had once lived to look for the means to smuggle Allied soldiers, downed airmen, and other people vulnerable to capture by the Germans out of Belgium. Deppé made contact with Elvire <mask> and her family and arranged for their help in getting people across the border.De Greef became known as "Tante Go" ("Auntie Go"). <mask> and Deppé, assisted by the <mask>reefs, attempted their first crossing of the Spanish border in July 1941 with ten Belgians and "Miss Richards," supposedly an English woman but actually a Belgian secret agent named <mask> Dupuich. After they successfully crossed the Pyrenees mountains on the Franco-Spanish border, <mask> and Deppé left their charges to fend for themselves and returned to Belgium. The ten Belgians and "Miss Richards" were arrested by Spanish police. Three Belgian soldiers among them were turned over to the Germans in France. From this experience, <mask>h realised that in future exfiltrations they must establish a relationship with the British Consulate in Bilbao to ensure the safety in Spain of the people they escorted out of occupied Belgian and France. In August, Deppé and <mask>h escorted another group of people, <mask>h taking a longer, more rural, and safer route with three men, including a British soldier, and Deppé a shorter, more dangerous route with six men.An informer betrayed Deppé and his party and they were arrested by the Germans. Deppé was imprisoned for the remainder of the war. De Jongh arrived safely at the <mask>f house in Anglet and crossed into Spain with a Basque smuggler as a guide. She appeared in the British consulate in Bilbao with a British soldier (James Cromar from Aberdeen) and two Belgian volunteers (Merchiers and Sterckmans), having travelled mostly by train from Brussels to Bayonne and then on foot over the Pyrenees through the Basque Country. The British diplomats were initially sceptical of <mask>h. It seemed unlikely to them that this young woman with three soldiers in tow had travelled from German-occupied Belgium, through occupied France, and over the Pyrenees to Spain, a straight-line distance of some  (and much further by the roundabout route they had taken). De Jongh promised to exfiltrate additional British soldiers and airmen if the British would pay the Comet Line's expenses which were 6,000 Belgian Francs and 1,400 Spanish Pesetas (the sum of the two currencies amounting to the equivalent of $2,000 in 2018 U.S. dollars) for each Allied airmen or soldier exfiltrated.After three weeks of doubt, suspicion that she was a German agent, and indecision by British authorities in Spain and England, the British agreed to her terms. Except for financial assistance, <mask>h turned down all other British offers of advice and assistance. She rejected efforts by the British and the Belgian government in exile to control or direct the Comet Line. Exfiltrating Allied airmen

The arrest of Arnold Deppé in August 1941 introduced a note of caution into the Comet Line. <mask> <mask> decided that Belgium was unsafe and thereafter worked and lived in Paris and Valenciennes, a French city on the border with Belgium. Her father Fernand took over some of her leadership duties in Belgium. In France, <mask>h received airmen from Brussels, cared for them in safe houses, escorted them by railroad to Bayonne or nearby cities near the Spanish border, and trekked with them across the Pyrenees to Spain.She escorted one group of three airmen in October 1941, another group of three in November, and two groups totaling 11 men in December 1941. That level of activity continued in 1942. Once she had successfully crossed the border, <mask>h turned her charges over to the British who would drive them to Gibraltar where they would be flown back to Great Britain. While the airmen proceeded onward, <mask>h met in San Sebastián with British diplomat Michael Creswell, ("Monday"), who gave her money for the Comet Line's expenses plus messages to take back to France. While returning to Paris she reinforced the system of safe houses and helpers along the route and paid necessary expenses, although most members of Comet Line never received any compensation for their expenses. Estimates of the number of times that <mask>h successfully escorted downed airmen across the border into Spain in 1941 and 1942 vary from 16 to 24 round trips. The number of persons, mostly airmen, she escorted successfully is about 118.Captured

Comet Line members and their families took great risks. The escape lines became more dangerous after November 1942, when southern France was occupied by the Germans and the whole of France came under direct Nazi rule. During the war members of the Comet Line were betrayed and  hundreds were arrested by the Geheime Feldpolizei and the Abwehr and were executed or deported to German prisons and concentration camps. In January 1943, <mask>h led three British airmen south by train from Paris to Saint-Jean-de-Luz. From the railway station they walked in rain for two hours to the village of Urrugne, in the French Basque country – the last stop on the escape line before the walk over the Pyrenees. With the airmen and <mask>h was her favorite Basque guide Florentino Goikoetxea, a smuggler wanted by the police on both sides of the border. They arrived at the safe house belonging to Frantxia Usandizanga, a Basque woman, intending to continue to the border,  distant.However, the river Bidasoa on the border was in flood and it would be too dangerous to attempt to cross. Goikoetxea went to another house to spend the night and <mask>h and the three airmen spent the night at Usandizanga's house. They next morning, 15 January 1943, <mask>h, the three airmen, and Usandizanga were arrested in the house by ten German soldiers. They had been betrayed, probably by a farm worker named Donato whom <mask>h knew but did not trust. De Jongh was sent first to Fresnes prison in Paris and eventually to Ravensbrück concentration camp and Mauthausen. She was interrogated 19 times by the Abwehr and twice by the Gestapo. Although she admitted being the leader of the Comet Line to protect her father who was under suspicion, the Germans did not believe that this slight, young woman was more than a minor helper in the Comet Line.Their underestimation of <mask>h's importance in the Comet Line probably saved her life. Later, while she was a prisoner in Ravensbrück, the Gestapo realized who she was and searched for her, but she eluded them by hiding her identify. In <mask>'s absence and under new leadership, the Comet Line continued to function and helped more than 700 Allied soldiers reach safety during the war. Although <mask>h survived in the concentration camps, she became gravely ill and undernourished by the time she was released by the advancing Allies in April 1945. Many of her colleagues died in captivity. Her father, Frédéric <mask> was arrested in Paris on 7 June 1943 and executed on 28 March 1944. The three airmen arrested with her survived the war in prisoner-of-war camps.Usandizanga was beaten to death in Ravensbrück by a guard shortly before the camp's liberation in April 1945. Goikoetxea continued to be the preferred Comet Line guide until wounded and captured by the Germans (but rescued by the <mask>f family) shortly before France was liberated by the Allies in 1944. Later life
Post-war, De Jongh finished her nursing studies and worked in leprosariums, first in the Belgian Congo, then in Cameroon, next in Addis Ababa, Ethiopia. and finally in Senegal. While <mask>h was working in Ethiopia, her mother was on her deathbed in Belgium and, in a measure of respect to her, the Royal Air Force made an unscheduled stop in Addis Ababa to take her to Belgium and later returned her to Ethiopia. In 1959, while working at a leper colony in Coquilhatville, she met English novelist Graham Greene. Greene recorded her candid account of her war experiences in his journal which was published in 1961.In In Search of a Character: Two African Journals, Greene wrote that he asked her why she had come to the Congo; she replied, "Because from the age of fifteen I wanted to cure lepers. If I had delayed any longer it would have been too late." In poor health she eventually returned to Belgium with her colleague, Thérèse <mask>. For her wartime efforts, she was awarded the United States Medal of Freedom with golden palms, the British George Medal on 13 February 1946, and became a Chevalier of the French Légion d'honneur. She also became a Chevalier of the Order of Leopold, received the Belgian Croix de Guerre/Oorlogskruis with palm, and was granted the honorary rank of lieutenant-colonel in the Belgian Army. In 1985, she was made a Countess in the Belgian nobility by King Baudouin. Death

The Countess <mask>h died on 13 October 2007, aged 90, at the Cliniques universitaires Saint-Luc, Woluwe-Saint-Lambert, Brussels.Her funeral service was held at the La Cambre Abbey, Ixelles, Brussels, and she was interred in the crypt of her parents at the Schaerbeek Cemetery. See also

 The Nightingale (2015) a historical fiction novel inspired by <mask>h's WW II experiences, written by Kristin Hannah. The Postwoman (2018) an historical fiction novel based on the story of <mask> <mask>'s life, written by Michael Kenneth Smith. Secret Army, a BBC television series is based on Comet Line operations in Belgium. Airey Neave of MI9 was responsible for supporting the Comet Line. His biography of <mask>h is titled The Little Cyclone. Notes

References

Further reading

Filmography

 The Last Passage, Lurre Telleria et Enara Goikoetxea, Moztu filmak & Amo films, 2010

External links

 Houston Chronicle: Countess who helped WWII pilots escape Nazis dies
 Andree <mask>, known as <mask>e tells Shirin Wheeler the story of the Comet Line

1916 births
2007 deaths
People from Schaerbeek
Belgian countesses
Belgian nurses
Belgian resistance members
Recipients of the George Medal
Recipients of the Medal of Freedom
Chevaliers of the Légion d'honneur
Recipients of the Croix de guerre (Belgium)
Belgian humanitarians
Women humanitarians
Women in World War II
Night and Fog program
Burials at Schaerbeek Cemetery
Belgian expatriates in the Democratic Republic of the Congo
Female resistance members of World War II
Ravensbrück concentration camp survivors
Red Cross personnel

masks:
Andrée Eugie Adrienne de Jongh
De Jongh
Andrée
de Jongh
de Jongh
Henri de
Andrée
de Jongh
de Greef
De Jongh
de G
Frederique
de Jongh
de Jong
de Jong
de Jong
de Gree
de Jong
de Jong
Andrée
de Jongh
de Jong
de Jong
de Jong
de Jong
de Jong
de Jong
de Jong
de Jong
de Jong
de Jong
de Jongh
de Jong
de Jongh
de Gree
de Jong
de Wael
de Jong
de Jong
Andrée
de Jongh
de Jong
De Jongh
Dede


title: Hans Martin Sutermeister

texts:
<mask> (29 September 1907  – 4 May 1977 pen name: <mask>) was a Swiss physician and medical writer, politician, and activist against miscarriages of justice. Life

Early years
<mask> was born to <mask> (1873-1934) and Maria Hunziker (1875-1947). His brothers include the writer Peter and composer Heinrich. His grandfather was the folklorist <mask>. A minister's son, <mask> studied theology in Germany, changing to medicine at University of Basel just before completing his degree. After his promotion with his uncle <mask>r in 1941, <mask> published, under the pseudonym “<mask>” (following the surname of his great-grandfather Christophe Moehrlen), an autobiographical novella about his life as a bachelor. The novella describes his philosophical change of direction towards a monist view of love and happiness, inspired by natural science; remarkably is its heartedness in times of war.In the following years, <mask> published a series on neopositivist medical thought. He was especially interested in psychosomatic medicine and music psychology. For example, according to him, “swing music is restful” because the brain becomes fatigued when it is worked too hard, as in acquiring knowledge of new facts. Both students and business men can benefit by such music … the best way to rest the brain after such fatigue is to “regress” to more basic or primitive forms of thought and feeling. During World War II, he worked for the United Nations Relief and Rehabilitation Administration in Germany, Poland and Czechoslovakia, as well as a physician at the Swiss border. After the war he wrote for medical journals and was an instructor in psychophysiology at the Volkshochschule (Folk high school) in Bern. In 1945, he opened his first a family medical practice in Bern.In order to get a venia legendi in History of Medicine and Medical Psychology (Psychosomatics), <mask> successively deposited, at the beginning of the 1950s, three post-doctoral theses at the Medical Faculty of the University of Berne:

 About the changes in the perception of the disease;
 Psychosomatics of laughter and crying (a philosophical-psychological and physiological work on the Freud's theory of humor);
 Schiller as physician: a contribution to psychosomatic medicine. <mask> was in contact with the medical historian Erich Hintzsche particularly because of his work Schiller as physician, and he participated in a seminar on medical history 1953 in Lugano. In a letter to Hintzsche, Henry E. Sigerist described <mask>'s review, published in 1955 as Volume 13 of the Berne contributions to the history of medicine and natural sciences, as “a very nice work … that is interesting even to literary historians.” The assessor Jakob Klaesi recommended to the Dean of the Faculty Bernhard Walthard to allow Sutermeister's habilitation allow for the government to issue <mask>'s habilitation as a lecturer in Medicine history and Psychosomatic medicine. Hintzsche, however, who decided jointly, rejected his habilitation. Politics

He joined the Ring of Independents political party and began his political career in the legislature of the Canton of Bern. From 1967 to 1971 he served as a member of the municipal executive, as well as director of the city's schools. As school director, he promoted comprehensive schools.Although he had a reputation as a progressive within his party, he also stirred some concern both inside and outside the party by fiercely criticizing The Little Red Schoolbook, an educational manifesto deriving from the 1968 student protest movement that urged students to reject societal norms. Der Spiegel quoted his warning to all educators: We will not permit our youth, who are today still healthy, and our freedom-based Western culture, to be undermined by such softening-up tactics, which are clearly controlled from the East, and made 'Ready for conquest' by Communism. and added that some schools banned the book; Radio Bern canceled a broadcast on it; and bookstores canceled orders; the city authorities determined that the book was not seditious, but with police assurance that they had the power to do so, banned it as posing a danger to minors. His actions revealed latent attitudinal and generational divisions within the party, and he was not re-elected in 1971. In 1972, he opened his new family medical practice in Basel. Activism against miscarriages of justice

In the 1960s, <mask> became interested in forensic pathology, and began to involve himself in investigating and attempting to right miscarriages of justice. He traveled widely and wrote analyses on false recognition, intimidation by prison inmates, uncritical acceptance of expert testimony, suggestibility and emotionalism in jurors and psychological errors by judges.His book Summa Iniuria, which treats hundreds of cases, is one of the most thorough German-language works in the field. He concerned himself particularly with the case of Pierre Jaccoud, whom he was convinced had been wrongly convicted of murdering Charles Zumbach based on faulty forensic work. At one point Pierre Hegg, the head of the police criminological laboratory, sued him for defamation. His efforts on behalf of Jaccoud made him a prominent and effective opponent of courtroom injustice, and he went so far as to assemble the funds to hire Horace Mastronardi and other lawyers to appeal Jaccoud's conviction. Despite his efforts, the case was never reopened. The criminal law expert Karl Peters puts <mask>'s Summa iniuria in the context of the earlier works of Erich Sello, Max Alsberg, Albert Hellwig, Max Hirschberg and Heinrich Jagusch and considers him as a "committed fighters for a constitutionally protected Criminal Justice". Bibliography

The bibliography of <mask> <mask> includes a fictional novel and around 150 scientific articles, essays and books, some of them Investigative journalism written by the Swiss writer <mask> <mask>, pen name <mask> (1907–1977).<mask> was a prolific writer on topics related to psychosomatic medicine, music psychology and history of medicine as well as contemporary Swiss society and cultural criticism, whom Karl Peters in 2008 declared "a fierce fighter for justice." <mask> is best remembered for his contradictory political as a both-left-and-rightwing libertarian-authoritarian presence in local media. Every line of work that he has written since 1942 seeming, directly or indirectly, in favour of a monist worldview. To that end, <mask> used his scientific writing to defend his political convictions, as shown in several book reviews. He first achieved acclaim with his non–fictional books from Psychologie und Weltanschauung (1944) to Schiller als Arzt (1955) and cemented his place in local history as one of the greatest Swiss pamphletists with the publication of Summa Iniuria: Ein Pitaval der Justizirrtümer shortly before his death. <mask> wrote non-fiction—including book reviews, editorials, and investigative journalism—for a variety of Swiss periodicals, mainly medical journals. He particularly wrote a book-length investigation of comprehensive schools in Switzerland and another of miscarriages of justice in the form of Summa Iniuria: Ein Pitaval der Justizirrtümer, a retrospective of criminal justice mainly in Switzerland and Germany.No attempts have been made until now to comprehensively collect the entirety of his miscellany. Books
<mask> composed one novel, Zwischen zwei Welten, which is autobiographical; it was inspired by his period working as a student during wartime; it records his experiences living and tramping in a town where he later finished his medical studies; the names are partially fictionalized:

  (Autobiographic novel, published under the pseudonym "<mask>"). 76 pages. Reprint by the Swiss National Library, Bern 2011, . Book reviews:
 Carl Heinrich in: Die Gefährten: Monatsschrift für Erkenntnis und Tat. Vol. 9–17, 1947, p. 69.Anton Schaller: Zwischen zwei Welten: Erinnerung an den Landesring oder was eine kleine Novelle bewirken kann Seniorweb.ch, 29 April 2012. Among his Non-fiction books are the writings of his Neopositivist period (1942–1945) which culminates in his article Der Neopositivismus als neue Einheitsweltanschauung (1945; see below):
 Nomen atque omen. Die Fortschritte der psychologischen Forschung und ihre weltanschauliche Tragweite (mit besonderer Berücksichtigung des Neuroseproblems). Buchdruckerei W. Friedli, Bern 1942, 92 pages. 184 pages. (<mask>ber: today Hogrefe.) Book reviews of:
<mask> Oehlhey: Review of "Psychologie und Weltanschauung".In: "Aufbau: Kulturpolitische Monatsschrift." Berlin W 8. vol. 3, 1947, nr. 3, p. 282-283. Agostino Gemelli in: „Scientia“: rivista di scienza, Vol. 83, 1948, p. 119–120; and in: Archivio di psicologia, neurologia e psichiatria, 7, 1946, p. 227.
? in: Zeitschrift für pädagogische Psychologie und Jugendkunde, Vol.45, 1944, p. 63.
? in: Universitas, Vol. 6, 1951, p. 383 (with a short biographic note). 140 pages. Der Alltag des Arztes. In: Ulrich Frey, <mask> <mask>, Werner Messerli (1910–1991): Der Arzt. Paul Haupt Verlag, Bern 1956, p. 20–31 (Gemeinnütziger Verein der Stadt Bern (Herausgeber): Die akademischen Berufe.Eine Schriftenreihe zur Erleichterung der Berufswahl. Vol. 3). *  Published by the Schuldirektion der Stadt Bern; 225 pages. The work is an exact reproduction with some extensions of the initial report Möglichkeiten und Grenzen einer stadtbernischen Bildungspolitik mit dem Ziel einer inneren und äusseren Schulreform („Gesamtschule“) published in January 1971. (810 pages). Reprint: Swiss National Library, Bern 2011, .Book reviews:
Karl Peters in: Zeitschrift für die gesamte Strafrechtswissenschaft. Vol. 26, “Band” 88, nr. 1, 1976, p. 993-995, ;
Klaus Volk in: Monatsschrift für Kriminologie und Strafrechtsreform. Vol. 60, 1977, p. 388;
Wolfgang Lorenz in: Archiv für Kriminologie. Vol.160, nr. 3/4, 1977;
Otto Scrinzi in: Ärztliche Praxis: Die Zeitung des Arztes in Klinik und Praxis. 1976/1977. (523 pages). Reprint: Swiss National Library, Bern 2011, . Book reviews:
Rémy Droz in: Psychologie: Schweizerische Zeitschrift für Psychologie und ihre Anwendungen, 35-36, 1976, p. 317;
? in: Psychotherapie und medizinische Psychologie, Vol.28, 1978, p. 180;
Otto Scrinzi in: Ärztliche Praxis: Die Zeitung des Arztes in Klinik und Praxis. Vol. 29, nr. 13, 12 February 1977;
? in: Psychiatrie, Neurologie und medizinische Psychologie, Volume 32, 1980, p. 122. Academic work
Doctoral dissertation:
 Das schweizerische Tuberkulosegesetz. Geschichte, Inhalt, Ausführung und Erfolg bis zur Gegenwart.Dissertation, Faculty of Medicine of the University of Basel. Benno Schwabe & Co., Basel 1941. At the University of Berne, <mask> presented subsequently three Habilitation theses, which were all rejected:

Articles
<mask> wrote

masks:
Hans Martin Sutermeister
Hans Moehrlen
Hans Martin
Freidrich Sutermeister
Otto Sutermeister
Hans Martin
Hans Hunzike
Sutermeister
Hans Moehrlen
Sutermeister
Sutermeister
Sutermeister
Sutermeister
Sutermeister
Sutermeister
Sutermeister
Hans Martin
Sutermeister
Hans Martin
Sutermeister
Hans Moehrlen
Sutermeister
Sutermeister
Sutermeister
Sutermeister
Sutermeister
Hans Moehrlen
Hans Hu
Hans Rudolf
Hans Martin
Sutermeister
Sutermeister
Sutermeister


title: Hans Martin Sutermeister

texts:
 dozens of essays and book reviews. His insights into history of medicine, literature, and politics (defending in particular anti-fascist, liberal socialist, freethought and somehow anti-communist ideas) during the following years. Since his death, many essays have disappeared, with the first attempt at a comprehensive collection being this list. Some of his essays, mainly during his time as member of the Ring of Independents political party, took the form of pamphlets and were published and distributed (by himself) independently. The following list contains the articles which are both registered in PubMed and can be considered as outstanding because of their scope, theme range or length:

 Verstehende oder erklärende Psychologie?Buchdruckerei W. Friedli, Bern 1942 (12 pages). Alte und neue Logik. Neuere Ergebnisse der psychologischen Forschung und ihre Tragweite (mit besonderer Berücksichtigung des Neuroseproblems). Buchdruckerei W. Friedli, Bern 1942 (19 pages). Neue Gesichtspunkte der medizinischen Psychologie. In: Praxis: Schweizerische Rundschau für Medizin. nr.45, 9 November 1944 (16 pages). Neue Gesichtspunkte in der Psychologie. In: Schweizerische Zeitschrift für Psychologie und ihre Anwendungen. Vol. 2, nr. 4, 1944, p. 307–312. ‘Wünsche an die Welt von morgen’: Gedanken zu einer Umfrage .In: Schweizerische Hochschulzeitung. Vol. 19, nr. 1, 1945/46 (2 pages). Zum gegenwärtigen Stand der Kropfforschung. In: Ars Medici: Organ des praktischen Arztes. Vol.35, nr. 12, 1945, p. 666–673, . With Étienne Grandjean: Föhn und Föhnkrankheit. In: Ars medici: Organ des praktischen Arztes. Vol. 35, 1945, nr. ?, p. 494.Krankheit, Wetter und Klima. In: Die Gesundheit: Korrespondenzblatt der Krankenkasse für den Kanton Bern. 1945, p. 2–3. Zur Kontroverse ‘Abstrakt-Konkret’. In: Abstrakt, konkret: Bulletin der Galerie des Eaux Vives. Vol. 11, 1945 (2 pages).Der Neopositivismus als kommende ‘Einheitsweltanschauung’? In: Der Freidenker: Organ der Freigeistigen Vereinigung der Schweiz. Vol. 28, 1945, nr.8 and 9. Zur Geschichte des Psychogeniebegriffs. In: Gesundheit und Wohlfahrt. vol.7, 1945, p. 377–410. Zum heutigen Stand des Erkältungsproblems. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 34, nr. 52, 27 December 1945, p. 746–753, . Die Dermatologie in der Allgemeinpraxis.In: Praxis: Schweizerische Rundschau für Medizin. Vol. 35, nr. 11, 15 March 1946 (22 pages). Erfahrungen aus der Lagermedizin. In: Praxis: Schweizerische Rundschau für Medizin. Vol.37, nr. 3, 22 January 1948, p. 44–51, . Über Speranskys ‘Neuralpathologie’ und ‘Neuraltherapie’. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 37, nr. 36, 9 September 1948, p. 670–673, .Zum Thema Mode und Medizin. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 37, nr. 46, 18 November 1948, p. 860–862, . Über Speranskys Krankheitslehre. Speranskys Neuralpathologie und Neuraltherapie.In: Ars Medici. Vol. 38, nr. 9, 1948, p. 554–562, . Über Speranskys Krankheitslehre. In: Schweizerische medizinische Wochenschrift. Vol.79, nr. 15, 16 April 1949, p. 345-348, . Über Rhythmusforschung in der Medizin. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 38, nr. 35, 1 September 1949, p. 743–750, .Nachwort zum Aufsatz über Speranskys Krankheitslehre. In: Medizinische Monatsschrift. Vol. 3, nr. 11, November 1949, p. 824, . Über Farben- und Musiktherapie. In: Gesundheit / Gesundheit und Wohlfahrt.Vol. 30, nr. 1, January 1950, p. 1, . Neue Gesichtspunkte in Medizin und Psychohygiene. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 39, nr.14, 6 April 1950, p. 297–302, . Film und Psychohygiene. In: Gesundheit und Wohlfahrt. Vol. 30, nr. 6, June 1950, p. 249–278, . Book review:
306.<mask>, H. Film und Psychohygiene. Movies and mental hygiene. In: Educational aspects and practical measures. In: The influence of the cinema on children and adolescents: An annotated international bibliography. Reports and Papers on Mass Communication, Nr. 31. Paris: UNESCO, 1961, p. 70.Über psychosomatische Medizin. In: Wiener Medizinische Wochenschrift. Vol. 100, nr. 29–30, 12 August 1950, p. 493–496, . Über den heutigen Stand der Sexualforschung. In: Praxis: Schweizerische Rundschau für Medizin.Vol. 39, nr. 37, 14 September 1950, p. 794–800, . Zur Psychologie des Kurpfuschers. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 39, nr.52, 28 December 1950, p. 1115–1122, . Reviev: Theodor Oettli: ‘’The quack problem; comments on points made by H. <mask>.’’ [Zum Kurpfuscherproblem; Gedanken zu den Ausfürhrungen von H. <mask>.] In: Praxis
Volume 40, Issue 6, 8 February 1951, Pages 121-122. Medizin und Presse. In: Der Bund, 1950. Musiktherapie.In: Universitas: Zeitschrift für Wissenschaft, Kunst und Literatur. Vol. 6, nr. 3, 1951, p. 307–318. Der heutige Stand der ‚psychosomatischen Medizin‘. In: Praxis: Schweizerische Rundschau für Medizin. Vol.40, nr. 38, 20 September 1951, p. 777–785, . Masse und Musik. In: Schweizerische Monatsschrift ‚Du‘. March 1952 (4 pages). Psychosomatik des Schmerzes (Der heutige Stand des Schmerzproblems). In: Praxis: Schweizerische Rundschau für Medizin.Vol. 41, nr. 32, 7 August 1952, p. 681–692, . Schiller als Arzt, sein Beitrag zur psychosomatischen Medizin. In: Praxis: Schweizerische Rundschau für Medizin, Vol. 42, nr. 33, 13 August 1953, , .Mit Werner Bärtschi-Rochaix: Zur Pathopsychologie des Lachens. In: Schweizer Archiv für Neurologie und Psychiatrie. Vol. 74, nr. 1–2, 1954, p. 416–419, . Über die Fortschritte der ‘psychosomatischen’ Forschung. In: Praxis: Schweizerische Rundschau für Medizin.Vol. 43, nr. 13, 1 April 1954, p. 269–279, . Zum heutigen Stand der Aphasienforschung. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 43, nr.41, 14. October 1954, p. 872–878, . In English. G. Ch. Lichtenberg und die Medizin. In: Münchner Medizinische Wochenschrift. Vol.97, nr. 39, 30 September 1955, p. 1288–1290, . Mit Werner Bärtschi-Rochaix: Zur Pathophysiologie des Lachens, zugleich ein Beitrag über licht-aktivierte Lachanfälle. In: Confinia Neurologica – Grenzgebiete der Neurologie. Vol. 15, nr. 1, 1955, p. 10–32, , .Über die Fortschritte der Sprachpsychologie und Sprachtherapie. In: Gesundheit und Wohlfahrt. 1955 (39 pages). Der heutige Stand der psychosomatischen Forschung. In: Ars Medici: Organ des praktischen Arztes. Vol. 45, nr.5 (pages 327–337) and nr.6 (pages 394–404). Film und Psychohygiene. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 44, nr. 15, 14 April 1955, p. 328–334, . Vom ärztlichen Ethos.In: Praxis: Schweizerische Rundschau für Medizin. Vol. 44, nr. 31, 4 August 1955, p. 708–711, . Das Rätsel um Robert Schumanns Krankheit. Ein Beitrag zum Genieproblem. In: Praxis: Schweizerische Rundschau für Medizin.Vol. 48, nr. 51, 17 December 1959, p. 1177–1185, . Kriminalpsychologie und Medizin. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 49, nr.23, 9 June 1960, p. 580–588, . Book review:
Rudolf Koch: Buchbesprechung von Kriminalpsychologie und Medizin (1960). In: International Journal of Legal Medicine. Vol. 51, nr. 1, p. 130. Das Föhnproblem im Rahmen der modernen Meteoropathologie.Ein Beitrag zur Psychosomatik der Wetterfühligkeit. In: Praxis: Schweizerische Rundschau für Medizin. Vol. 49, nr. 48, 1 December 1960, p. 1136–1142. Autohipnosis del espectador cinematográfico. In: Revista Latino-Americana de Hipnosis Clínica.1960, 1, p. 23-24. Zur Psychologie des Justizirrtums. In: Der Psychologe: Psychologische Monatsschrift. 1962. (The article includes a summary of the work Du und der Justizirrtum announced by Sutermeister (the later published Summa Iniuria: Ein Pitaval der Justizirrtümer.) Medizin im Schatten der Schlagworte. In: Therapie der Gegenwart: Monatsschrift für praktische Medizin.Vol. 102, nr. 10, October 1963, p. 1087–1097, . Psychosomatik des Musikerlebens. Prolegomena zur Musiktherapie. In: Acta Psychotherapeutica et Psychosomatica. Vol.12, nr. 2, 1964, p. 91–110, , . Der heutige Stand der psychosomatischen Medizin. In: Ars Medici. Vol. 54, nr. 7, 1964, p. 473–489.Justizirrtum um einen Mord. Zur Revision des Jaccoudprozesses. In: Beobachter. 1966. Dringliche Revision des schweizerischen Familienrechts betreffend Schutz der unehelichen Mutter und des unehelichen Kindes sowie betreffend Adoption. In: Praxis: Schweizerische Rundschau für Medizin. Vol.56, nr. 41, 12 October 1967, p. 1391–1394, . Zum Tag der Menschenrechte. Pamphlet, 10. December 1968. (In: <mask> <mask>: Summa Iniuria: Ein Pitaval der Justizirrtümer. Basel, 1976, p.659–660.) Dualismus: Psychoanalyse und Neuropsychiatrie. Der Versuch zu einer Synthese muß aus den Ansätzen kommen. In: Ärztliche Praxis: Die Zeitung des Arztes in Klinik und Praxis. Vol. 25, nr. 88, 3 November 1973, p. 3948.Brauchen wir ein Bundeskriminalamt? In: Ring (Magazine of the Ring of Independents). 1973. Die ‚Fristenlösung' und der Hippokrateseid. In: Schweizerische Rundschau für Medizin “Praxis”. Vol. 63, nr.36, 10 September 1974, p. 1101–1103, . Schutz– und Erholungsregressionen. Psychotische Bildnerei als Wegweiser zu einer „Kunsttherapie“. In: Ärztliche Praxis: Die Zeitung des Arztes in Klinik und Praxis. Vol. 29, nr. 18, 1 March 1977, p. 844–846.Other cultural manifestation

As a member of the so–called bernese nonconformists, <mask> spoke in the Junkere 37 (sometimes called Speakers' Corner of Bern). Some fragments of these manifestations are traceable in the Nonkonformismus Archiv Fredi Lerch. While <mask> was not known for his aesthetic work, he did compose two “little waltz” and a poem:

 <mask> (pseudonym): Kleiner Walzer für Violine und Piano. 1949. Published by the Swiss National Library, 2011. <mask> (pseudonym): Kleiner Walzer für Klavier. 1949.Published by the Swiss National Library, 2011. Kleiner Walzer arranged for piano accordion is available free of charge, under Creative Commons, Sutermeister Heirs. Medizynischer Liebeskummer (frei nach Heine). Published in Der Schweizerische Beobachter between 1961 and 1971. Personal life
<mask> married Ingeborg Marie Schulzke, with whom he had three daughters. References

External links

 156 publications of <mask> <mask> at WorldCat
 <mask> Stalder. Kontroverse um kleines rotes Schülerbuch.With Manfred Wettler and <mask>r. Antenne, July 1, 1970 (Memoriav)
 Jakob Klaesi. Betrifft Habilitationsgesuch des Dr. med. H. M. Sutermeister. Letter to Bernhard Walthard. September 6, 1954. Franz Keller.Lieber „Trotzdem–Freund“ Sutermeister! Letter to the editor. Schweizerisches Sozialarchiv, Ar. 128.3, Dossier “Leserbriefe, an die Redaktionen geschickte Texte”. 1907 births
1977 deaths
People from Kulm District
Alliance of Independents politicians
Swiss medical writers
Swiss activists
Swiss general practitioners
Freethought
Civil rights activists
University of Basel alumni
Swiss male

masks:
Sutermeister
Sutermeister
Sutermeister
Hans Martin
Sutermeister
Sutermeister
Sutermeister
Hans Möhrlen
Hans Möhrlen
Hans Martin
Hans Martin
Sutermeister
Hans Peter
Hans Mühlethale


title: Lou Barlow

texts:
<mask> (born July 17, 1966) is an American alternative rock musician and songwriter. A founding member of the groups Dinosaur Jr., Sebadoh and The Folk Implosion, <mask> is credited with helping to pioneer the lo-fi style of rock music in the late 1980s and early 1990s. His first band, which was formed in Amherst, Massachusetts, was Deep Wound. <mask> was born in Dayton, Ohio, and raised in Jackson, Michigan, and Westfield, Massachusetts. <mask> has released four solo albums, the latest of which is the May 28, 2021 release Reason to Live. Dinosaur Jr.

<mask> attended high school in Westfield, Massachusetts, where he met Scott Helland. The two formed the Massachusetts-based hardcore punk band Deep Wound.J Mascis joined the band after answering their ad for a "drummer wanted to play really fast". After becoming disillusioned with the constraints of hardcore, Deep Wound broke up in 1984. Mascis and <mask> reunited that year to form Dinosaur, later Dinosaur Jr. Mascis and <mask> had personality conflicts throughout Dinosaur Jr.'s early existence, and after the 1988 release of their third album, Bug, and the initial supporting tour, <mask> was kicked out of the band. In 2005, <mask> rejoined the band alongside the original drummer, Murph. Since then, the band has reissued its first three records, toured extensively worldwide and released five new records, Beyond, Farm, I Bet on Sky, Give a Glimpse of What Yer Not, and Sweep It Into Space . Sebadoh, Sentridoh and Folk Implosion

After his dismissal from Dinosaur Jr., <mask> turned his attention to his band Sebadoh, which he had formed earlier with multi-instrumentalist Eric Gaffney. The project featured low fidelity recording techniques and combined <mask>'s introspective, confessional songwriting with Gaffney's discordant noise collages.Bassist and songwriter Jason Loewenstein was added to the line-up in 1989. Sebadoh's early releases include The Freed Man (1989) and Weed Forestin' (1990), the latter of which was originally self-released under the name Sentridoh in 1987. Both albums were officially released by Homestead Records, as was the band's third album, Sebadoh III (1991), which helped establish the "lo-fi" subgenre and became a defining album of 90s indie rock. The band released several studio-recorded albums on Sub Pop Records throughout the 1990s. As Sebadoh grew in popularity and critical acclaim, <mask> continued work on the Sentridoh side project, which featured mostly home-recorded material similar to his output on the first three Sebadoh albums, but often recorded solo and with a less consistent sound quality. Sentridoh released a trio of cassette-only albums on Shrimper Records in the early 1990s, with the highlights later being collected on CD and vinyl compilations like Winning Losers: A Collection of Home Recordings 89–93 (1994) and Another Collection of Home Recordings (1994). In 1993, Sentridoh released a popular single for the song "Losercore," on the label Smells Like Records founded by Steve Shelley of the American rock band, Sonic Youth.<mask> has called it "the most finely executed of all my releases" thanks to Shelley, who "made sure this looked and sounded great." Numerous other Sentridoh releases on a variety of record labels followed, including releases on his own Loobiecore label. In 1994, <mask> formed the Folk Implosion with singer-songwriter John Davis. The band released several singles and EPs, and in 1995 reached the Top 40 with the song "Natural One", from the soundtrack to the film Kids by Larry Clark. It remains <mask>'s biggest commercial hit. After the release of Sebadoh's eighth album, The Sebadoh, in 1999, the band went on hiatus and its members went on to pursue other projects. <mask> continued to work with the Folk Implosion, releasing One Part Lullaby in 1999.<mask> took a break from the Folk Implosion in 2000 to collaborate on the album Subsonic 6 with Belgian musician, Rudy Trouvé. In 2003, <mask> released The New Folk Implosion featuring Imaad Wasif on guitar and Sebadoh drummer Russ Pollard on drums. The same year, he appeared as a musician in the film Laurel Canyon. In the spring of 2004, <mask> briefly reunited with Loewenstein for the "Turbo Acoustic" Sebadoh tour. During this tour, he also reunited with J Mascis for a performance of the song "Video Prick" with former Deep Wound vocalist Charlie Nakajima. This performance led to a full-fledged Dinosaur Jr. reunion in 2005, with original members <mask>, Mascis and Murph performing "The Lung" on The Late Late Show with Craig Ferguson on April 15, 2005, and a show at Spaceland in Los Angeles the following night. The band then played well-received tours of the U.S. and Europe throughout the rest of the year, and in 2006 headed to Japan, Australia and New Zealand.In 2007, <mask> reunited with Loewenstein and Gaffney to perform the first Sebadoh shows with the "classic" lineup in 14 years. In June 2013, Sebadoh released their first new music in 14 years; the music was released as an EP precursor to their new album, "Defend Yourself," which was released in September 2013. Both of the new EP and LP albums were released through Joyful Noise Recordings. Other collaborations
 Released the instrumental split album Subsonic 6 (2000) with Belgian musician, Rudy Trouvé
 Sings on the track "Some" by Sharon Stoned, on the album License to Confuse (1995)
 Sings on the tracks "My Brother Moves" and "Everything You Know Is Wrong" by Production Club, from the album Follow Your Bliss (2003)
 Sings on the track "In the City in the Rain" by the 6ths on Wasps' Nests 6 6/6"
 Plays bass on the track "Strange Song" by Supreme Dicks, on the album The Unexamined Life (1993)

Solo work
<mask> released the first album under his own name, Emoh, in January 2005 on Merge Records. It featured long-time collaborators such as Sebadoh members Jason Loewenstein and Russ Pollard and <mask>'s sister <mask>, and featured a higher production value than many of his previous solo releases. Jason Crock of Pitchfork called it "the most consistently strong record he's released since The Folk Implosion's One Part Lullaby" and wrote that "even if much of it was recorded at home, Emoh'''s 14 unassuming folk songs sound like they were created in a professional setting." In November 2005, <mask> toured the Iberian Peninsula to promote the album.<mask> released his second solo album, Goodnight Unknown, in October 2009 on Merge. It was produced by Andrew Murdock and featured numerous guest musicians, including Imaad Wasif on guitar and Dale Crover of the Melvins and Murph on drums. <mask> toured the album in the U.S. in the fall of 2009, opening for Dinosaur Jr. and backed by The Missingmen of Mike Watt + the Missingmen. <mask>'s third solo album, Brace the Wave, was released on September 4, 2015 on Joyful Noise Recordings. It was recorded in six days with Justin Pizzoferrato, who also worked as a sound engineer for Dinosaur Jr. at Sonelab Studios in Massachusetts. The tracks from Brace the Wave feature <mask>'s ukulele playing. <mask> also took 100 original Polaroid selfies to accompany the VIP vinyl edition of the album.On October 28, 2016, <mask> released a 5 track EP entitled "Apocalypse Fetish" on Joyful Noise Recordings

In April 2021, it was announced that a solo album entitled Reason to Live would be released on May 28 via Joyful Noise. Personal life
<mask>'s first marriage was to Kathleen Billus, with whom he has two children, Hendrix and Hannelore. In May 2015, he married knitwear designer Adelle <mask>, with whom he has a daughter, Izetta. Radio and podcast appearances
<mask> appeared on WTF with Marc Maron on episode 448 released December 2, 2013. <mask> appeared on comedian Ken Reid's TV Guidance Counselor Podcast on September 18, 2015. He has also appeared on episode 71 of the Duncan Trussell Family Hour Podcast on June 24, 2013. Discography
See also Deep Wound, The Folk Implosion, Sebadoh discography

Albums

 Singles

 EPs

Live

Compilation

Featured in compilations

with Dinosaur JrDinosaur (1985)You're Living All Over Me (1987)Bug (1988)Beyond (2007)Farm (2009)I Bet on Sky (2012)Give a Glimpse of What Yer Not (2016)Sweep It Into Space (2021)

Tribute
(2012) Just Gimme <mask>'' (A Paperheart Tribute to)

References

External links
 <mask>'s website

 Official Sebadoh website
 <mask> interview at Prefixmag
 Interview with <mask> (via Talk Rock To Me) August 17, 2012

1966 births
American indie rock musicians
Living people
Guitarists from Massachusetts
Musicians from Dayton, Ohio
Mint Records artists
American rock bass guitarists
American male bass guitarists
Dinosaur Jr. members
Sebadoh members
The Folk Implosion members
Guitarists from Ohio
20th-century American guitarists
Joyful Noise Recordings artists
21st-century American guitarists
Noise Addict members
Merge Records artists
Shrimper Records artists
Sub Pop artists
City Slang artists
Domino Recording Company artists

masks:
Louis Knox Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Lou
Abby Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Barlow
Louise Burda
Barlow
Barlow
Lou Barlow
Lou Barlow
Lou Barlow
Lou Barlow


title: Adel Abdessemed

texts:
<mask> (born 1971) is an Algerian contemporary artist. He has worked in a variety of media, including animation, installation, performance, sculpture and video. Some of his work relates to the topic of violence in the world. Biography
<mask> was born in Constantine, in eastern Algeria, to a Chaoui Berber family. He grew up in the area of the Aurès Mountains, and attended the  in Batna. He then studied at the  in Algiers. He left in 1994.Between 1994 and 1999, <mask> attended the École nationale supérieure des beaux-arts in Lyon, in eastern central France. He then lived and worked in the Cité internationale des arts in Paris. In 2000–2001 he was a resident artist at P.S.1 in New York. After spending some time in Berlin, he returned in 2004 to Paris. He is also a French citizen. He met his wife in a bar in Lyon called L’Antidote in the mid-1990s, an episode represented in the small replica of the venue in a vitrine in the exhibition at MAC in Lyon. Work

<mask> <mask> grew up in Algeria amid civil war tensions, and has been greatly affected by the media exposure of the Gulf War and its global impact.If the collapse of the machine and the first Big War at the beginning of the 20th Century contributed in no small part to the establishment of an art that was suddenly provoking and difficult to look at, the availability of images from the war front in the 1990s made the same process impossible. There is little point in trying to tackle brutality by denouncing it via a series of trite statements or graphic imagery. <mask> <mask> stated about his work «I think my work is actually positive. The world is violent – not me». <mask>'s life-size sculptural variations of iconic images, such as the nine-year-old Phan Thị Kim Phúc (nicknamed ‘the Napalm Girl’) running away naked from an explosion throughout the Vietnam War in 1972 or the French football player Zinedine Zidane headbutting Marco Materazzi during the 2006 FIFA World Cup Final (Headbutt) are only two examples of how the immediacy of such moments take on fresh meaning when solidified in a form designed to make them still and everlasting. And even in those moments when the relationship between subject and rendition is a bit more fluid, as for example with the combination of the Antonio Canova-inspired sculpture group Is Beautiful with the terracotta-made, hard working men depicted in Sham, the outcome doesn't seem to change. This is not a literal representation of reality, but rather a sublimation of iconic images to art that takes place.<mask> <mask> is known to have a special way to laugh. While studying art in Algeria, one of his professors defined it ‘The Devil’s Laugh’. 2012:
Je suis innocent, Centre Georges-Pompidou, Paris, France
Who’s Afraid of the Big Bad Wolf?, David Zwirner, New York, USA
Décor: <mask> Abdessemed, Musée Unterlinden, Colmar, France. 2011: NU, Dvir Gallery, Tel-Aviv, Israel
2010: Silent Warriors, Parasol Unit foundation for contemporary art, London, United Kingdom. 2009:
Le ali di dio, Fondazione Sandretto Re Rebaudengo, Turin, Italy. RIO, David Zwirner, New York, USA
2008:
Situation and Practice, MIT List Visual Arts Center, Cambridge, USA. Trust Me, The Common Guild, Glasgow, Scotland.Don't Trust Me, Walter and McBean Galleries, San Francisco Art Institute, San Francisco, USA. Drawing for Human Park, Le Magasin - Centre national d'art contemporain de Grenoble, France. 2007: Dead or Alive, PS 1 Contemporary Art Center, Long Island City, New York, USA. 2006 : Practice Zero Tolerance, La Criée, centre d'art contemporain, Rennes et Fonds régional d'art contemporain d'Île-de-France-Le Plateau, Paris, France. 2004: Le Citron et le lait, Musée d'art moderne et contemporain de Genève, Geneva, Switzerland. Habibi, Fonds régional d'art contemporain Champagne-Ardenne, Reims, France. 2003:
Nuit, Galleria Laura Pecci, Milan, Italy
Quarta Estacio Benifallet-Vassivière, Centre international d'art et du paysage de l'île de Vassivière, France
2002: <mask> Abdessemed, Institute of Visual Arts, University of Wisconsin-Milwaukee, Milwaukee, WI, USA
2001:
<mask> <mask>, Galleria Laura Pecci, Milan, Italy
<mask> <mask>, Project Room, Kunsthalle Bern, Bern, Switzerland

Special collaboration
 2015 : Retour à Berratham, Ballet Preljocaj, choreography and staging: Angelin Preljocaj, text: Laurent Mauvignier, scenography: <mask> <mask>, Cour d'honneur du Palais des papes, Festival d'Avignon, France.Group shows
2018: Echigo Tsumari Triennale, Japan. 2017:
Urban Glass Brooklyn, New York, USA. 15th Istanbul Biennial, Turkey. Oku-Noto Triennale, Suzu, Japan. Le Mois de la Photo, Montréal, Canada. Pallaksh Pallaksh (I don’t know just where I’m going), Dvir Gallery, Tel Aviv, Israel. The Restless Earth: Triennale de Milan, Nicola Trussardi Foundation, Milan, Italy.2016:
30th Anniversary, Alfonso Artiaco Gallery, Naples, Italy. The End of the World, Centro Pecci, Prato, Italy. Miracle Marathon, Serpentine Galleries, Second Home, London, United Kingdom. : Dancing with Myself. Selbstporträt und Selbsterfindung. Werke aus der Sammlung Pinault. Museum Folkwang, Essen, Germany.The New Human, Moderna Museet, Stockholm, Sweden. Cher(e)s ami(e)s. Nouvelle présentation des collections contemporaines. Hommage aux donateurs, Musée national d’art moderne – Centre Pompidou, Paris, France. Souviens-toi du temps présent, Centre d’art Le Lait, Albi, France. Money, Good and Evil: A Visual History of the Economy, Staatliche Kunsthalle Baden-Baden in collaboration with the Casino, Baden-Baden, Germany. Magie und Macht. Von fliegenden Teppichen und Drohnen, MARTa Herford, Germany.De Warhol à Basquiat. Les chefs d’oeuvre de la collection Lambert, Musée de Vence –Fondation Émile Hugues, Vence, France. Je Tu Il Elle, Dvir Gallery, Brussels, Belgium. Do It in Arabic, Sharjah Art Foundation's Bait Al Shamsi, United Arab Emirates. 2015:
Retour sur l’abîme – L’art à l’épreuve du génocide, Musées de Belfort, France. Drawing: The Bottom Line, S.M.A.K. Museum of Contemporary Art, Gent, Belgium.PICASSO.MANIA, Grand Palais, Paris, France. Le Cambrioleur, Riga Art Space, Riga, Latvia. Patrice Chéreau / Un musée imaginaire, Collection Lambert, Avignon, France. 56th Venice Biennial. 2014:
About Town, Ikon in partnership with Hippodrome Plus, Birmingham Hippodrome, Birmingham, United Kingdom. The Desire for Freedom, Art in Europe since 1945, MOCAK Museum of Contemporary Art in Kraków, Kraków, Poland. Narcisse, l'image dans l'onde, Fondation François Schneider, Wattwiller, France.Milch / Lait / Latte, Musée d'art du Valais, Sion, Switzerland. Made by... Feito por Brasileiros, Cidade Matarazzo, São Paulo, Brazil. Grandeur, Museum Beelden Aan Zee, The Hague, Holland. Utopian Days-Freedom, Total Museum of Contemporary Art, Seoul, South Korea
La disparition des lucioles, Collection Lambert, Prison Sainte-Anne, Avignon, France. Entre-Temps, l’artiste narrateur, Chengdu MOCA Museum of Contemporary Art, Chengdu, China. Myth / History: Yuz Collection of Contemporary Art, Yuz Museum, Shanghai, China. Ravaged, Art and Culture in Times of Con ict, Museum Leuven, Leuven, Belgium.Lampedusa : Dessins d’Adel Abdessemed & Dessins anciens, Saint Honoré Art Consulting, Paris, France. Futbol: The Beautiful Game, Los Angeles County Museum of Art, Los Angeles, USA. 2013: Prima Materia, François Pinault Foundation, Venice, Italy. 2012:
La Triennale, Intense Proximité, Paris, France. Explosion! Painting as Action, Moderna Museet, Stockholm, Sweden. 2011: Seeing is Believing, KW Institute for Contemporary Art, Berlin, Germany.2010: Triennale Aichi, Nagoya, Japan. 2009:
10th Havana Biennial, Cuba. Mapping the Studio; Artists from the François Pinault Foundation, Palazzo Grassi and Punta della Dogana, Venice, Italy. Transmission Interrupted, Modern Art Oxford, United Kingdom. 2008:
Traces du sacré, Centre Pompidou, Paris, France. 7th Gwangju Biennale. Airs de Paris, Centre Pompidou, Paris, France.52nd Venice Biennale, Italy. 2006: 27th São Paulo Biennial, Brazil. 2003: 49th Venice Biennale, Italy. 2001: Yokohama Triennale, Japan. 2000: Manifesta 3, Ljubljana, Slovienia. Collections
 Musée d'art moderne de la Ville de Paris, France
 Musée national d'art moderne Georges-Pompidou, Paris, France
 Fonds régional d'art contemporain, Champagne-Ardennes, Reims, France
 Collection Budi Tek, Shanghai, China
 Fondation François Pinault, Venice, Italy
 Musée d'art moderne et contemporain, Geneva, Switzerland

Bibliography

Catalogues
 Adel Abdessemed: Otchi Tchiornie / L’Antidote. Cat.Exp. Lyon, Musée d'Art Contemporain, 2018. Texts by Eric de Chassey, Denis Gielen, Donatien Grau, Mark Nash, Paul Ardenne, Kamel Daoud, Thierry Raspail, Michele Robecchi and Octavio Zaya. Adel Abdessemed: Conflit. Cat. Exp., Montréal, Musée des Beaux-Arts, 2017. Texts by Nathalie Bondil, Vincent Lavoie.Adel Abdessemed: Bristow, published by Hannah Barry, Donatien grau, Hans Ulrich Obrist, London, 2016
 Adel Abdessemed : Works 1988-2015, Foreword by Pier Luigi Tazzi. Introduction by Schwed. Texts by  Hans Belting, Giovanni Careri, Julia Kristeva, Tom McDonough, Hans Ulrich Obrist, Jacques Rancière, et al. Koenig Books, 2016
 Adel Abdessemed Par, Paris, Manuella éditions, 2015. Texts by Hans Belting, Emanuele Coccia, Elisabeth de Fontenay, Julia Kristeva, Tom McDonough, Philippe-Alain Michaud, Hans Ulrich Obrist, Jacques Rancière, Shva Salhoov
 <mask> Abdessemed. Jalousies – complicités avec Jean Nouvel, Paris, Éditions de l’Amateur / Collection Lambert, 2015. Correspondence between Jean Nouvel and <mask> Abdessemed.<mask> Abdessemed. From Here to Eternity, Venus Over Los Angeles, New York, 2015. Contributions by Francesco Bonami. <mask> Abdessemed. Dessins, Paris, Éditions Dilecta, 2015. Précédé d’une correspondence avec Jean-Jacques Aillagon. <mask> Abdessemed.Palace,, cat. exp., Malaga, CAC, 2015. Texts by Fernando Francés et Alberto Ruiz Samaniego. Adel Abdessemed. Solo,, cat. exp., Paris, Yvon Lambert, 2014. Letters from Hélène Cixous to <mask> Abdessemed. <mask> Abdessemed.Mon Enfant, cat. exp., Tel-Aviv, Dvir Gallery, 2014. Text by Shva Saloon. <mask> Abdessemed. L’âge d’or, cat. exp., Doha, Mathaf: Arab Museum of Modern Art / Silvana Editoriale, 2013. Texts by Abdellah Taïa, Pier Luigi Tazzi, Angela Mengoni, interview with Hans Ulrich Obrist.<mask> Abdessemed Je suis innocent,, cat. exp., Paris, Centre Pompidou / Steidl, 2012. Foreword by Alfred Pacquement. Texts by Emmanuel Alloa, Patricia Falguières, Pamela M. Lee, Tom McDonough et Philippe-Alain Michaud. Alanna Heiss (dir. ), <mask> Abdessemed, Dead or Alive, PS1 MoMA, New York, 2008. Contributions by Alanna Heiss and Neville Wakefield.Francesco Bonami (dir. ), <mask> <mask>, Les ailes de dieu / Le ali di dio, Fondazione Sandretto Re Rebaudengo, Turin, 2009. Contributions by Francesco Bonami, Edi Muka, et Massimiliano Gioni. Jane Farver (dir. ), <mask> Abdessemed, Situation and Practice, MIT Press, 2009. Contributions by Jane Farver, Tom McDonough, and Noam Chomsky. Larys Frogier, <mask> <mask>, Zürich, Switzerland, JRP Ringier, 2010 ()
 Ziba Ardalan (dir.), Silent Warriors, Parasol Unit/König, London/Cologne, 2010. Contributions by Ziba Ardalan, Gilanne Tawadros and Guy Tortosa. Frédérique Goerig-Hergott (dir. ), Décor, Éditions Xavier Barral, Paris, 2012. Contributions by François Pinault, Jean-Jacques Aillagon, Frédérique Goerig-Hergott, Eric de Chassey, and Giovanni Careri
 Philippe-Alain Michaud (dir. ), <mask> Abdessemed Je suis innocent, Steidl/Centre Pompidou, 2012. Contributions by Philippe-Alain Michaud, Emmanuel Alloa, Hou Hanru, Pamela M. Lee, Tom McDonough, et Patricia Falguières
 Pier Luigi Tazzi (dir.), L'âge d'or, Mathaf/Silvana, Doha/Milan, 2013 : book designed by M/M (Paris). Contributions by Abdellah Karroum, Pier Luigi Tazzi, Angela Mengoni, Abdellah Taïa, and an interview with Hans Ulrich Obrist

Collaborations
 Hélène Cixous, Les Sans Arche d’<mask> <mask>, Art et Artistes Galimard, Paris, 2018
 <mask> <mask> et Véronique Yersin, Charbon, édition Macula, Paris, 2017
 Hélène Cixous, Correspondance avec le mur, Galilée, Paris, 2017
 <mask> <mask> et Adonis, La Peau du chaos. Correspondance, Actes Sud, Paris, 2015
 Hélène Cixous, Corollaires d’un vœu, Abstracts et Brèves Chroniques du temps, Galilée, Paris, 2015
 <mask> <mask> et Hélène Cixous, Insurrection de la poussière, Galilée, Paris, 2013
 Hélène Cixous, Ayaï. Le cri de la littérature. Accompagné d'Adel Abdessemed, Galilée, Paris, 2013
 Adel Abdessemed et Adonis, Le Livre des AA, Yvon Lambert, Paris, 2014

See also
Headbutt
List of Algerian artists

References

External links

Official website

Algerian artists
French conceptual artists
1971 births
Living people
People from Constantine, Algeria
Chaoui people
Algerian emigrants to France
Algerian contemporary artists
French contemporary artists
French male artists

masks:
Adel Abdessemed
Abdessemed
Abdessemed
Adel
Abdessemed
Adel
Abdessemed
Abdessemed
Adel
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Adel
Adel
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title: Allen Forte

texts:
<mask> (December 23, 1926 – October 16, 2014) was an American music theorist and musicologist. He was Battell Professor Emeritus of the Theory of Music at Yale University and specialized in 20th-century atonal music and music analysis. Early life and education
<mask> was born in Portland, Oregon. At the age of ten he appeared "on a [local] radio show as a solo pianist among a bevy of similarly youthful performers," where he played the music of Cole Porter and others. He was in the US Navy and served in the Pacific Theatre toward the end of World War II. Afterwards, he relocated to New York City to study music at Columbia University where he received his bachelor's, master's, and doctoral degrees. There, he studied composition with Otto Luening and Vladimir Ussachevsky, although his main interests were forming around music theory and analysis.Academic career
In the late 1950s, Forte taught music at various New York institutions: Columbia University Teachers College, Manhattan School of Music, and Mannes College of Music. In fall 1959 he began his long-term appointment at Yale, where he eventually became the Battell Professor of Music (retiring in 2003). He was influential there as both scholar and teacher, and in the latter capacity served as advisor to seventy-two Ph.D. dissertations completed between 1968 and 2002. (Yale did not offer a Ph.D. in theory for the first several years Forte was there.) A list of all his advisees and their dissertation titles appears in David Carson Berry, "The Twin Legacies of a Scholar-Teacher: The Publications and Dissertation Advisees of <mask>," Gamut 2/1 (2009), 197-222. The list is ordered chronologically by submission, and each advisee is given an "FA" number to denote his or her ordering among the advisees. ("FA" stands for “Forte Advisee,” and is also a retrograde of <mask>'s initials.)<mask>'s notable students include Jeffrey Brooks. Publications
<mask> is well known for his book The Structure of Atonal Music (1973), which traces many of its roots to an article of a decade earlier: "A Theory of Set-Complexes for Music" (1964). In these works, he "applied set-theoretic principles to the analysis of unordered collections of pitch classes, called pitch-class sets (pc sets). [...] The basic goal of <mask>'s theory was to define the various relationships that existed among the relevant sets of a work, so that contextual coherence could be demonstrated." Although the methodology derived from <mask>’s work "has had its detractors ... textbooks on post-tonal analysis now routinely teach it (to varying degrees)." Forte published analyses of the works of Webern and Berg and wrote about Schenkerian analysis and music of the Great American Songbook. A complete, annotated bibliography of his publications appears in the previously cited article, Berry, "The Twin Legacies of a Scholar-Teacher."Excluding items for which <mask> was only an editor, it lists ten books, sixty-three articles, and thirty-six other types publications, from 1955 through early 2009. <mask> was also the editor of the Journal of Music Theory during an important period in its development, from volume 4/2 (1960) through 11/1 (1967). His involvement with the journal, including many biographical details, is addressed in David Carson Berry, "Journal of Music Theory under <mask>'s Editorship," Journal of Music Theory 50/1 (2006): 7-23. Honors and awards
He has been honored by two Festschriften (homage volumes). The first, in commemoration of his seventieth birthday, was published in 1997 and edited by his former students James M. Baker, David W. Beach, and Jonathan W. Bernard (FA12, FA6, and FA11, according to Berry's list). It was titled Music Theory in Concept and Practice (a title derived from <mask>'s 1962 undergraduate textbook, Tonal Harmony in Concept and Practice). The second was serialized in five installments of Gamut: The Journal of the Music Theory Society of the Mid-Atlantic, between 2009 and 2013.It was edited by <mask>'s former student David Carson Berry (FA72) and was titled A Music-Theoretical Matrix: Essays in Honor of <mask> (a title derived from <mask>'s 1961 monograph, A Compositional Matrix). It included twenty-two articles by <mask>'s former doctoral advisees, and three special features: a previously unpublished article by Forte, on Gershwin songs; a collection of tributes and reminiscences from forty-two of his former advisees; and an annotated register of his publications and advisees. Personal life
<mask> was married to the French-born pianist Madeleine (Hsu<mask>, emerita professor of piano at Boise State University. Bibliography (Books and seminal articles)
 (1955) Contemporary Tone-Structures. New York: Bureau of Publications, Columbia Univ. Teachers College. (1959) “Schenker's Conception of Musical Structure,” Journal of Music Theory, iii, 1–30.(1961) The Compositional Matrix. Baldwin, NY: Music Teachers National Assoc. (1962) Tonal Harmony in Concept and Practice (3rd ed., 1979). New York: Holt, Rinehart and Winston. (1967) SNOBOL3 Primer: An Introduction to the Computer Programming Language. Cambridge, MA: MIT Press. (1970) Musicology and the computer : musicology 1966-2000: a practical program : three symposia American Musicological Society, Greater New York Chapter 1965-1966 (with Barry S Brook) New York: City Univ.of New York Press. (1973) The Structure of Atonal Music. New Haven: Yale Univ. Press. (1978) The Harmonic Organization of The Rite of Spring. New Haven: Yale Univ. Press.(1978) “Schoenberg's Creative Evolution: the Path to Atonality,” The Musical Quarterly, lxiv, 133–76. (1980) “Generative Chromaticism in Mozart's Music,” The Musical Quarterly, lxvi, 459–83. (1982) Introduction to Schenkerian Analysis (with Steven E. Gilbert). New York: W. W. Norton. (1984) “Middleground Motives in the Adagietto of Mahler's Fifth Symphony,” 19th-Century Music, viii, 153–63. (1985) “Tonality, Symbol, and Structural Levels in Berg's Wozzeck,” The Musical Quarterly, lxxi, 474–99. (1987) “Liszt's Experimental Music and Music of the Early Twentieth Century,” 19th-Century Music, x, 209–28; repr.as “Liszt's Experimental Idiom and Twentieth-Century Music,” Music at the Turn of the Century, ed. J. Kerman (Berkeley, 1990), 93–114. (1988) “New Approaches to the Linear Analysis of Music,” Journal of the American Musicological Society, xli, 315–48. (1988) “Pitch-Class Set Genera and the Origin of Modern Harmonic Species,” Journal of Music Theory, xxxii, 187–270. (1990) “Musorgsky as Modernist: the Phantasmic Episode from Boris Godunov,” Music Analysis, ix, 1–42. (1991) “Debussy and the Octatonic,” Music Analysis, x, 125–69. (1991) “The Mask of Tonality: Alban Berg's Symphonic Epilogue to Wozzeck,” Alban Berg: Analytical and Historical Perspectives, ed.D. Gable and R.P. Morgan, Oxford: Oxford Univ. Press, 151–200. (1992) “Concepts of Linearity in Schoenberg's Atonal Music: a Study of the Opus 15 Song Cycle,” Journal of Music Theory, xxxvi, 285–382. (1993) “Foreground Rhythm in Early Twentieth-Century Music,” Early Twentieth-Century Music, ed. J. Dunsby Oxford: Oxford Univ. Press, 132–47.(1995) The American Popular Ballad of the Golden Era: 1924-1950. Princeton: Princeton Univ. Press. (1996) “The Golden Thread: Octatonic Music in Webern's Early Songs,” Webern Studies, ed. K. Bailey, Cambridge: Cambridge Univ. Press, 74–110. (1998) The Atonal Music of Anton Webern.New Haven: Yale Univ. Press. (2001) Listening to Classic American Popular Songs. New Haven: Yale Univ. Press. (2009) "Schoenberg as Webern: The Three Pieces for Chamber Orchestra: III (1910)," Schoenberg's Chamber Music, Schoenberg's World , ed. James K. Wright and Alan Gillmor, Hillsdale, NY: Pendragon Press, 55-64.See also
Forte number

References

External links
<mask>'s website
 The Allen Forte Treatise Collection at the Warren D. Allen Music Library at Florida State University
 Allen Forte Electronic Archive (AFEA): Unpublished papers, notes, sketches, and video clips available for viewing and download through the Center for Schenkerian Studies at the University of North Texas. American music theorists
Columbia University faculty
Yale University faculty
Yale Sterling Professors
1926 births
2014 deaths
Columbia University alumni
United States Navy personnel of World War II

masks:
Allen Forte
Forte
Allen Forte
Allen Forte
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Forte
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Allen Forte
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) Forte
Allen Forte


title: Josh Thole

texts:
<mask> (pronounced toll-EE) (born October 28, 1986) is an American former professional baseball catcher who played in Major League Baseball (MLB) for the New York Mets and Toronto Blue Jays. Early years
<mask> grew up in Breese, Illinois, and attended Mater Dei High School. In November 2004, he signed a letter of intent to play college baseball in NCAA Division II for Quincy University in Quincy, Illinois. Professional career

Minor leagues
<mask> was drafted by the New York Mets in the 13th round of the 2005 Major League Baseball draft. He was assigned to the Gulf Coast League Mets, where he played in 35 games and hit .269 with one home run and 12 runs batted in (RBI). He played the entire 2006 minor league season with the Rookie-Advanced Kingsport Mets, appearing in 36 games and batting .235 with one home run and 12 RBI. <mask> was assigned to the Class-A Savannah Sand Gnats in 2007, and played in a career-high 117 games.While he did not hit a home run that season, he hit .267 with 36 RBI and walked more than he struck out, with 61 and 57 respectively. <mask> was promoted to the Advanced-A St. Lucie Mets in 2008, where he was a mid-season and postseason All-Star. In 111 games that year, he would hit .300 with five home runs and 56 RBI. In the offseason, <mask> played in 19 games for the Peoria Saguaros of the Arizona Fall League, where he was named a Rising Star, batting .319 with two home runs and 17 RBI. He was assigned to the Double-A Binghamton Mets to open the 2009 season, and hit .328 with one home run and 46 RBI in 103 games. He was named a mid-season All-Star for the second consecutive season, and established himself as a solid singles hitter. New York Mets
After viewing <mask> in the 2009 spring training, Mets pitching coach Dan Warthen "gushed" about <mask>'s catcher skills.In 2009, <mask> stated, "My throwing is still coming along." On August 31, 2009, <mask> was called up to the major leagues. In his first major league at-bat, he singled to record his first major league hit. <mask> would play 17 games for the Mets in 2009, batting .321 with 9 RBI. During the offseason, <mask> played in 44 games for the Leones del Caracas of the Venezuelan Winter League, and hit .381 with three home runs and 28 RBI. After spending much of the 2010 season in Triple-A Buffalo, <mask> was called up to the Mets in June. On July 20, 2010, <mask> hit his first major league home run, a solo homer, off of Barry Enright in a game against the Arizona Diamondbacks at Chase Field.On October 1, 2010, he hit a walk-off home run off Tyler Clippard to give the Mets a 2-1 win. <mask> spent the entire season with the New York Mets as a catcher. He hit .268, drove in 40 runs and hit three home runs over 340 at bats. <mask> broke camp with the Mets as their starting catcher. On May 9, 2012, <mask> was placed on the seven-day disabled list after suffering a concussion in a plate collision with Phillies first baseman Ty Wigginton on May 7. On June 1, 2012, <mask> was reactivated and caught Johan Santana's no-hitter, the first in franchise history. Toronto Blue Jays

On December 17, 2012, the Mets traded <mask>, R. A. Dickey, and Mike Nickeas to the Toronto Blue Jays for Travis d'Arnaud, Noah Syndergaard, John Buck, and Wuilmer Becerra.On January 18, 2013, the Blue Jays announced that arbitration with <mask> had been avoided by signing him to a two-year contract worth $2.5 million, with a club option for the 2015 season at $1.75 million. On March 24, <mask> was reassigned to minor league camp and started the season with the Triple-A Buffalo Bisons. He was recalled by the Blue Jays on June 7 when Henry Blanco was designated for assignment. <mask> made his Blue Jays debut in the 16th inning of an 18 inning win against the Texas Rangers on June 8, going 0-2 at the plate. He finished the 2013 season batting just .175 with 1 home run and 8 RBI in 45 games. <mask> began the 2014 season in Toronto, as R. A. Dickey's personal catcher. He improved upon his results from 2013, finishing 2014 with a batting average of .252 with 7 RBI in 56 games played.On November 1, the Blue Jays picked up <mask>'s $1.75 million option for the 2015 season. After the signing of Russell Martin in the offseason, the Blue Jays entered 2015 spring training with 3 catchers on their roster. Martin began catching R. A. Dickey early in camp, and supplanted <mask> as his personal catcher. On March 31, <mask> was assigned to Triple-A Buffalo. On April 23, <mask> was recalled to the Blue Jays when Dioner Navarro was placed on the disabled list. He was optioned back to Buffalo on June 2. On August 23, <mask> was recalled from Buffalo.He played in 18 games in 2015, and batted .204 with two RBI. On December 2, 2015, <mask> was non-tendered by the Blue Jays, making him a free agent. He signed a one-year, $800,000 contract with the Blue Jays on December 4. <mask> made the Opening Day roster for 2016, once again serving as R. A. Dickey's personal catcher. He hit his first home run of the season on April 5, in the Blue Jays 5–3 win over the Tampa Bay Rays. After the Blue Jays reacquired Dioner Navarro from the Chicago White Sox on August 26, <mask>'s role with the team was brought into question. After catching Dickey's start on August 28, <mask> was designated for assignment by Toronto, who hoped that he would go unclaimed off waivers and be released, and could be re-signed on September 1 after the Major League roster expansion.<mask> elected free agency on August 30, and signed with the Blue Jays on August 31; thus maintaining his postseason eligibility. <mask> played in 50 games for the Blue Jays in 2016, hitting .169 with one home run and seven RBI. On November 18, <mask> cleared outright waivers and elected free agency. Later career
On January 23, 2017, <mask> signed a minor league contract with the Arizona Diamondbacks. He suffered a torn hamstring in a spring training game against the Chicago Cubs on March 8. On March 18, Diamondbacks manager Torey Lovullo stated that <mask> would likely require surgery and  miss the entire 2017 season. On January 11, 2018, <mask> resigned a minor league deal with the Arizona Diamondbacks.He was released on March 18, 2018. On May 29, 2018, <mask> signed with the New Britain Bees of the independent Atlantic League of Professional Baseball. On June 21, 2018, <mask>'s contract was purchased by the Detroit Tigers. He elected free agency on November 2, 2018. On January 16, 2019, <mask> signed a minor league contract with the Los Angeles Dodgers. On July 12, 2019, <mask> and Adam McCreery were traded to the Los Angeles Angels for cash considerations. He became a free agent following the 2019 season.On January 30, 2020, <mask> signed a minor league deal with the New York Yankees. He became a free agent on November 2, 2020. References

External links

1986 births
Living people
People from Breese, Illinois
Baseball players from Illinois
American expatriate baseball players in Canada
Major League Baseball catchers
New York Mets players
Toronto Blue Jays players
Buffalo Bisons (minor league) players
Gulf Coast Mets players
Kingsport Mets players
Savannah Sand Gnats players
St. Lucie Mets players
Binghamton Mets players
Leones del Caracas players
American expatriate baseball players in Venezuela
New Britain Bees players
Erie SeaWolves players
Tulsa Drillers players
Oklahoma City Dodgers players
Salt Lake Bees players
Peoria Saguaros players

masks:
Joshua Michael Thole
Thole
Thole
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Thole
Thole
Thole
Thole
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title: Albrecht Adam

texts:
<mask> (16 April 1786 – 28 August 1862) was a Bavarian painter, who accompanied Napoleon Bonaparte during the 1812 Russian campaign. He was attached as an official artist to the Bavarian contingent in Bonaparte's Grande Armée. Throughout the campaign he sketched, painted and depicted an important record of the campaign to Moscow. In his memoirs he described the carnage of Borodino and late into his career he was still painting battle scenes from the Napoleonic period. He became a well-known equine artist, a legacy continued by his grandson, <mask>. Life and career

<mask> was born in Nördlingen, then a small free state in southern Germany, to <mask> and Margaretha Thilo in 1786. His brother <mask> (1787–1862), also a painter was born the following year.<mask>'s talent for painting became apparent at an early age as by 1800 he was painting French troops as they marched through southern Germany. Initially apprenticed as a confectioner in Nuremberg, in 1803 he enrolled at the Academy of Fine Arts, Nuremberg where he was tutored in drawing by Christoph Zwinger (1764–1813). In July 1807 he moved to Munich where he learnt from the war and battle artist Johann Lorenz Rugendas II (1775–1826). and befriended fellow artists Margarethe Geiger and Sophie Reinhard, who later moved with him to Vienna. In 1809 Austria attacked Napoleon's ally Bavaria, an action that led to a short, unpleasant conflict that culminated in Austrian defeat by France and Bavaria at the Battle of Teugen-Hausen. <mask> who accompanied the victorious army to Vienna produced a series of military impressions of the conflict, beginning a theme that would dominate his career. It was during his brief residency in Vienna, that he met Prince Eugene de Beauharnais, the Viceroy of Italy and Bonaparte's stepson and his wife Princess Augusta of Bavaria.The young artist was asked to join Prince Eugene's household in Milan as a Court painter. His duties included accompanying Eugene and his staff on military campaigns across Europe. <mask> with The Grande Armée to Moscow

In 1812 <mask> accompanied Prince Eugene as an artist on the expedition to Russia. He was given a military officer's rank and attached to Eugene's Topographical Bureau, a small unit of engineers, cartographers and draughtsmen which had been established in 1801. <mask> travelled with IV Corps, composed mainly of Italian troops, on the long difficult journey to Moscow. As the Grande Armée progressed across Europe and into Russia <mask> wrote, sketched and painted. He was present at all the major actions and witnessed the triumphant march into the smouldering ruins of Moscow.There seems little doubt that <mask> was depressed, by what he had witnessed. After the key Battle of Borodino he described his feelings on visiting the battlefield.... The scene was one that filled me with horror. I felt paralysed and, only by calling to mind the countless other horrors I had been witness to in this frightful campaign, could I shake myself from my stupor .... He returned early from Moscow arriving in Munich in December 1812 thus missing the painful decimation of the Grande Armée as it retreated from Moscow. He remained on Prince Eugene's staff for a further three years during which time <mask> produced seventy-seven colour plates depicting the aftermath of the conflict. They show devastated landscapes, battlefields strewn with corpses, bewildered civilians, battle weary soldiers and razed towns.The memoirs that accompany each plate provide a frank composition to the war that <mask> witnessed. Post 1815 Career

In 1815, with the Napoleonic wars drawing to a close, <mask> relocated permanently to Munich, where he was court painter to Maximilian I Joseph of Bavaria, a position that allowed him to complete commissions for many prominent families in Bavaria and Austria. <mask> <mask>'s studio became a centre for aspiring artists not least his three painter sons: Benno, Eugen and Franz. Theodor Horschelt, who later became known for his paintings of the Russian Caucasian War
was a frequent visitor. In 1824, his former employer Prince Eugene died and <mask> began collating the images of the Russian Campaign gathering them together under the title  Voyage pittoresque et militaire. The lithographs published in Munich between 1828 and 1833, were based on the sketches he had taken during the campaign and remain of considerable historical significance. They proved a considerable commercial success and the images have been used many times since the first edition.A number of original drawings and images in oil are held by the Hermitage Museum in St. Petersberg. Royal patronage continued under Ludwig I with commissions including a painting of the Battle of Borodino for the Royal Munich Residenz in 1838. <mask> also painted, for Maximilian von Leuchtenberg, twelve battle scenes to hang in his palace in St Petersburg. On 18 March 1848, the Milanese rebelled against Austrian rule, during the so-called Five Days (Italian: Le Cinque Giornate). The Austrians were forced to withdraw from Milan whilst the insurgents sought military aid from The Kingdom of Sardinia. Austrians forces led by Field Marshall Joseph Radetzky regathered and defeated Sardinian forces at the first Battle of Custoza and again, at the Battle of Novara. <mask> <mask> painted a series of commissioned paintings that depicted the events including a rather flattering canvass showing Radetsky on a white horse (id est Napoleon) with his general staff before the fall of Milan.In 1859 <mask> followed the army of Napoleon III of France during the Italian campaign against Austria recording the action in a series of drawings and sketches. Returning to Munich he painted the Battle of Landshut 1809 (1859) and the Battle of Zorndorf 1758 (1860) for Maximilian II of Bavaria. He remained a significant military painter, often assisted by his sons, until his death in Munich on 16 August 1862. His brother Heinrich predeceased him by six months. In around 1850 <mask> is recorded as living at Sing Straße 13 in Munich. Illustrations of works

See also
 List of German painters

Notes

References

1786 births
1862 deaths
People from Nördlingen
Artists from Munich
People from the Kingdom of Bavaria
Equine artists
19th-century German painters
German male painters
19th-century male artists
German landscape painters
Court painters
Military art
19th-century war artists
19th-century painters of historical subjects

masks:
Albrecht Adam
Emil Adam
Albrecht Adam
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title: David Shoebridge

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<mask> is an Australian politician, environmental and social justice activist and former barrister. He has been a Greens member of the New South Wales Legislative Council since September 2010. Early life and career
<mask> was born in Sydney. He attended James Ruse Agricultural High School, before receiving a combined Bachelor of Arts (in 1993) and a Bachelor of Laws (Hons) (in 1995) at the University of Sydney. <mask> was admitted as a lawyer in 1998, and was admitted to the NSW Bar in 2003. <mask> started his professional career as an associate to Justice Eric Baker of the Family Court of Australia (from March 1996 to March 1998). Before entering parliament, <mask> worked as a lawyer for 13 years, the majority of this time as a barrister with a focus on personal injury law, employment, discrimination and tort law.Political career

Council politics
<mask> was elected to Woollahra Municipal Council in 2004 and reelected in 2008. After unsuccessfully running for the position of Deputy Mayor in April 2004 after his election, he served one term as Deputy Mayor of Woollahra from September 2004 to September 2005 under independent mayor, Geoffrey Rundle. He was an executive of the Local Government Association from 2008 to 2010 and an executive of the Holdsworth Community Centre in Woollahra from 2004 to 2008. He was Convenor of the Greens NSW from August 2008 to August 2010. He was the Greens candidate for the state seat of Vaucluse in the 2007 state election. State politics
He became a member of the Legislative Council in September 2010 after Sylvia Hale resigned from the Legislative Council. He was elected as a member of the Legislative Council at the 2011 state election after being preselected to the first position on the Greens' ticket.<mask> is currently the Chair of NSW Parliament's Public Accountability Committee, the Deputy Chair of the Portfolio Committee No. 5 - Legal Affairs, the Deputy Chair of the Select Committee on the High Level of First Nations People in Custody and Oversight and Review of Deaths in Custody, the Deputy Chair of the Select Committee on the Government's management of the Powerhouse Museum and other museums and cultural projects in New South Wales, a member of the Committee on Children and Young People, a member of the Portfolio Committee No. 3 - Education, a member of the Standing Committee on Law and Justice, a member of the Selection of Bills Committee and a member of the Select Committee on the impact of technological and other change on the future of work and workers in New South Wales. <mask> has worked with victims of child sexual abuse. In September 2012 at a public meeting in Newcastle, <mask> joined journalist Joanne McCarthy and police whistleblower Peter Fox to call for a Royal Commission into sexual abuse by the Catholic Church and other institutions. A Royal Commission into Institutional Responses to Child Sexual Abuse was established in January 2013. <mask> has also introduced legislation in Parliament to overturn the Ellis defence, remove the statute of limitations and reform sentencing procedures related to child sex abuse.On 2 June 2011, <mask> took the record for the longest speech in the NSW Legislative Council - while talking continuously for over five hours and 58 minutes against NSW government legislation that affected public sector wages and conditions. In 2012, <mask> advocated against proposed changes to workers' rights - as the NSW government made changes to the workers compensation system. Accompanied by the first general strike by fire-fighters since 1956, <mask> helped secure amendments to the legislation meaning that fire-fighters and paramedics retained the same cover as police officers. <mask> campaigned successfully in July 2013 for the abolition of the Game Council NSW by the NSW government. This followed the findings and recommendations of the Dunn Report into the Game Council's governance, called after senior Game Council figures were suspended after allegations of illegal hunting. In November 2013, <mask> moved the motion that established a Parliamentary Inquiry into the Bowraville murders. In November 2014 a unanimous report was handed down which made 15 recommendations including that the NSW Police Force reviews its processes, procedures and training programs that relate to Aboriginal people and that the NSW government reviews a relevant section of the Crimes (Appeal and Review) Act 2001.In May 2016, the then NSW Attorney-General sent an application for a retrial to the Court of Criminal Appeal. In November 2017 the Court of Criminal Appeal held four hearings into the case, and decided in 2018 against a retrial. <mask> worked closely with community groups such as the Better Planning Network to force the then O'Farrell government to withdraw its planning reforms in November 2013. In 2015, the Chinese consulate of Sydney warned members of parliament to not attend <mask>'s briefing on human rights abuses in China's organ trade. In 2016, <mask> introduced a bill outlawing organ trade in New South Wales. Starting in 2015 <mask> campaigned with community groups, residents and councillors across NSW against forced council amalgamations by the NSW Coalition government. Woollahra Council was a leader in the litigation against the NSW government - with the High Court granting it leave to appeal.In February 2017 the campaign had a major success with the Berejiklian government abandoning all pending forced amalgamations in the regions. In July 2017 the government backed down again abandoning all remaining council amalgamations in Sydney. Shoebridge has campaigned on police accountability. In 2014, as part of a broader campaign to curb the use of police drug dogs, Shoebridge launched Facebook page Sniff Off with individuals reporting drug dog locations at train stations, festivals and other public places in NSW. Through freedom of information and questions in Parliament <mask> obtained data that indicates drug dogs get it wrong up to 80% of the time. In 2017, <mask>, alongside Lee Rhiannon, defended the establishment of the anti-capitalist Left Renewal faction in the NSW Greens. Former Left Renewal activists allege the organisation sought to support the offices of Shoebridge and Rhiannon, although they were both not members of the organisation.Tom Raue, one of Shoebridge’s staffers, urged Greens' members to join Left Renewal, saying "our founding document explicitly mentions the anarchists and socialists that make up the party". On 12 April 2018, <mask> successfully moved the motion in the NSW parliament to force the government to release its business case for the relocation of the Powerhouse Museum from Ultimo. In so doing, <mask> secured the support of MPs from Labor and other parties, as well as one Liberal MP. On 15 May 2018, <mask> spoke at a pro-Palestinian rally, following the alleged deaths of possibly up to 60 Palestinians (according to Palestinian sources) during the 2018 Gaza border riots. In June 2020 a part-time member of Shoebridge's staff, Xiaoran Shi, was charged with defacing a statue of James Cook in Hyde Park, Sydney outside of work hours. <mask> declared he would not sack the staffer due to the actions being taken outside of work hours, and he was censured by the NSW Upper House for failing to condemn the act. <mask> condemned the public criticism on his staffer.In 2020/2021, <mask>lian's staff revealed to the inquiry that she most likely shredded and deleted documents relating to the Premier's approval of grants) as well as grants under the Bushfire Relief Fund (under the first round of which Blue Mountains received zero dollars). Federal politics
In February 2021, <mask> ran for the NSW Greens Senate preselection for the next Australian federal election. Following the preselection, <mask> was elected as the leading Greens candidate for the Senate in New South Wales. Personal life
<mask> lives in the Sydney suburb of Woollahra. He has two daughters with his partner Patricia. He founded the Greens Bushwalking Club (with the assistance of the National Parks Association). References

Year of birth missing (living people)
Living people
Australian Greens members of the Parliament of New South Wales
Members of the New South Wales Legislative Council
21st-century Australian politicians
Municipality of Woollahra
Deputy mayors of places in Australia

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