title: Seán Ó Riada

texts:
<mask> (; born John Reidy; 1 August 1931 – 3 October 1971), was an Irish composer and arranger of Irish traditional music. Through his incorporation of modern and traditional techniques he became the single most influential figure in the revival of Irish traditional music during the 1960s. <mask>n, compositions, writings and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he became particularly famous for his film scores Mise Éire (1959) and Saoirse?(1960). He left a lasting influence as founder and director of the ensemble Ceoltóirí Chualann (from 1961). His music still endures: his mass in Irish is still sung to this day in many churches in the Irish-speaking regions of Ireland. <mask> died in 1971, two months after his fortieth birthday. Early life

<mask> was born John Reidy in Cork City. He spent his early years in Adare, Co Limerick, where his father, a  Garda sergeant, was stationed. After beginning school in Adare, he later attended St Finbarr's College, Farranferris and whilst he was there he received musical education from Aloys Fleischmann (Senior).He moved to St Munchin's College in Limerick where he completed his Leaving Certificate in 1948. He played violin, piano and organ, and studied Greek and Latin classics at University College Cork, with Aloys Fleischmann (Junior) and graduated in 1952. While at college, <mask>da was the auditor of the UCC Philosophical Society. That year he became assistant director for Radio Éireann. He married Ruth Coughlan in 1953. During the evening he played piano with dance bands. In 1955 <mask>da spent several months in France and consolidated his interest in techniques of musical modernism.On his return in July he became music director of the Abbey Theatre, Dublin (until 1962), where he wrote, arranged and directed music for the small pit orchestra, also continuing his work in radio. Most of his original, modern orchestral compositions were also written in this time, which included his Nomos No. 1: Hercules Dux Ferrariae for string orchestra (1957), Nomos No. 4 for piano and orchestra (1958) and the Triptyche pour orchestre (1960) as well as an early version of his ambitious Nomos No. 2 for baritone solo, mixed choir and orchestra (1965). As his work with Ceoltóirí Chualann developed, his engagement with the modern musical avantgarde decreased, but was never abandoned. Mise Éire
<mask>iada composed and directed orchestral music for theatre and film, combining traditional Irish tunes and "sean-nós" (old style) songs in the classical tradition, similar to nationalist composers such as Dvořák (Czech), Bartók (Hungarian) and Ralph Vaughan Williams (English).In 1959 he scored a documentary film by George Morrison called Mise Éire ("I am Ireland"), about the founding of the Irish Republic. The recording is conducted by <mask>da himself. Mise Éire brought him national acclaim and allowed him to start a series of programmes on Irish radio called Our Musical Heritage. <mask>da told people that one should listen to sean-nós song either as a child would listen or as if they were songs from India. Ceoltóirí Chualann
Between 1961 and 1969 <mask>da led the Ceoltóirí Chualann group. They played in concert halls dressed in black suits with white shirts and black bow ties, but relied on traditional songs and tunes. An ordinary céili band or show-band would have musicians who competed with each other to grab the audience's attention.Ceoltóirí Chualann played sparse lucid arrangements. <mask>da sat in the middle at front playing a harpsichord and a bodhrán, a hand-held frame-drum. This was an instrument that had almost died out, being played only by small boys in street parades. Ceilí bands generally had jazz-band drum-kits. <mask>da also wanted to use the clarsach or wire-strung harp in the band, but as these were as yet unavailable, he played the harpsichord instead – in his opinion the nearest sound to a clarsach. The harpsichord he used on a regular basis was made by Cathal Gannon. Unknown to <mask> Chualann overlapped with that of The Chieftains. They recorded the soundtrack of the film Playboy of the Western World (original play by John Millington Synge) in 1962. Their last public performance was in 1969, the album was then called "Ó Riada Sa Gaiety". Final years
In 1963 <mask> was appointed lecturer in music at University College, Cork. He moved to Baile Bhúirne, and not Cúil Aodha (a common misconception) in West Cork, an Irish-speaking area, where he established Cór Chúil Aodha, a male voice choir. He turned toward choral church music, composing two settings of the Mass. Ceol an Aifrinn ("Music of the Mass") was the first Mass written in the Irish language.This featured the hymn "Ag Críost an Síol", which has become popular in its own right, and with such good phrasing, that it is (wrongly) thought by many today to be an ancient medieval tune. Aifreann 2 ("Mass 2") premiered posthumously in 1979. Further works in the "classical" tradition include Five Epigrams from the Greek Anthology (1958) and In memoriam Aloys G. Fleischmann (1964) to words by Hölderlin. <mask>da also set the poetry of Thomas Kinsella (Three Poems, 1954), who returned the favour by praising <mask>da in verse. He became involved in Irish politics and was a friend of several influential leaders. <mask>da and his wife Ruth drank regularly at a local pub which still advertises itself as being his local. Death
He suffered cirrhosis of the liver.He was flown to King's College Hospital, London, for treatment and died there. He is buried in St Gobnait's graveyard, Baile Bhuirne, County Cork. Willie Clancy played at his funeral. Legacy
<mask> <mask> and Ceoltóirí Chualann set to music the Peadar <mask>ín lyric Mná na hÉireann, which has been recorded or re-used by many artists. As performed by the Chieftains, it is used as a romantic overture throughout the Stanley Kubrick movie Barry Lyndon and is the basis of The Christians' 1989 single Words. <mask>da's daughter Liadh Ní Riada was elected as Sinn Féin Member of the European Parliament in 2014. She was the Sinn Féin candidate in the 2018 presidential election.The Irish poet Séamus Heaney included the poem "In Memoriam <mask> <mask>da" in his 1979 collection Field Work. In 2008, a life-sized statue was erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha. On 23 April 2010 Ceoltóirí Chualann reformed under the leadership of Peadar <mask>da to play a tribute concert to <mask> <mask> in Dublin's Liberty Hall. In 2011, A festival, Féile na Laoch, was organised in his honour by his son, Peadar, between 30 September and 3 October in the honour of heroes (laochra) from the seven 'Muses': Storytelling, Sport, Singing, Poetry, Music, Dancing and Acting centring on <mask>da. Two schools are named 'Scoil Uí Riada' after him: a Gaelscoil in Kilcock, Co. Kildare, and another, in Bishopstown, Cork City. Works
Opera
Spailpín a Rúin. Opera in 3 acts (1960).First performance: Dublin, Damer Theatre (St Stephen's Green), 15 September 1960. Orchestral
Overture Olynthiac (1955)
The Banks of Sulán. A Pastoral Elegy (1956)
Nomos No. 1: Hercules Dux Ferrariae for string orchestra (1957)
Nomos No. 4 for piano and orchestra (1958)
Aspects of Irish Traditional Music (1959)
Seoladh na nGamhan. Festival Overture (1959)
Triptyche pour orchestre symphonique (1960)
Nomos No. 6 (1966)

Voice with orchestra
The Lords and the Bards (Robert Farren) for narrator, soloists, chorus, orch.(1959)
Nomos No. 2 (Sophocles) for baritone, chorus, orch. (1963)

Choral music (without orchestra)
'Five Epigrams from the Greek Anthology (anon.) for flute, guitar and mixed chorus (1958)
Ceathramhhaintí Éagsamhla (author?) for satb choir a capella (1962)
Requiem for a Soldier (author?) for soloists, chorus and organ (1968)

Songs for voice and piano
Four Songs (1954). Contains: Autumn; Winter; Spring; Summer.Lustra (anon. Chinese in transl.) (1954)
Three Poems by Thomas Kinsella (1954). Contains: Classical; Night Song 1; Night Song 2. Serenade (author?) (1955)
Four Nursery Rhymes (trad.) (1956).Contains: Humpty Dumpty; Tom, Tom; Rockabye, Baby; Seothín Seó. In memoriam Aloys G. Fleischmann (Johann Christian Hölderlin) (1956). Contains: Die Heimath; Fragment; Hälfte des Lebens; An Zimmern. Hill Field (John Montague) (1965)
Sekundenzeiger (Hans Arp) (1966)
Lovers on Aran (Seámus Heaney) (1968)
Mná na hÉireann (Peadar <mask>irnín) (1968)

Piano
Eight Short Preludes (1953)
Five Epigrams (1954)
Piano Piece (1957)
Aon lá sa Mhuileann for harpsichord (1968)
Ceol (n.d.)

Film scores for orchestra
Mise Éire (1959)
Saoirse? (1960)
Kennedy's Ireland (1960)
The Death of a Lord Mayor (1960)
Young Cassidy (1965)
An Tine Bheo (1966)
Ceol na Laoi (c.1966)

Others
Suite of Greek Folksongs for flute, oboe, viola, cello, piano (1958)
Ceol Máirseála i gcóir Socraide for military band (1968)

Religious music
Ceol an Aifrinn / Ó Riada Mass (1968)
Aifreann nua / Aifreann 2 (1970)
Requiem Mass (1970)

Incidental music to several plays at the Abbey Theatre including An Crúiscín Lán (1956), The Playboy of the Western World (1956), Súgán Sneachta (1959), Mac Uí Rudaí (1961), Ulysses agus Penelope (1965). Recordings
Ceolta Éireann / Music of Ireland: Gael-Linn CEF 001 (LP, 1958), re-issued as Gael-Linn CEFCD 001 (CD, 2009). Contains eight traditional Irish songs arranged for baritone and piano.Mise Éire: Gael-Linn CEF 002 (EP, 1960); re-issued on Gael-Linn CEF 080 (LP & MC, 1979). Saoirse? : Gael-Linn GL 1 (EP, 1960); re-issued on Gael-Linn CEF 080 (LP & MC, 1979). Irische Volkslieder: Harmonia Mundi HMS 30691 (LP, 1965). Contains five traditional Irish songs arranged for chamber choir. An Tine Bheo: Gael-Linn GL 2 (EP, 1966); re-issued on Gael-Linn CEF 080 (LP & MC, 1979). Ceol na Laoi: Gael-Linn GL 14 (EP, 1966).Vertical Man: Claddagh Records CSM 1 (LP & MC, 1969). Contains: Nomos No. 1: Hercules Dux Ferrariae, Three Poems by Thomas Kinsella, In memoriam Aloys G. Fleischmann, Hill Field, Sekundenzeiger, Lovers on Aran. Ceol na hÉireann – Music of Ireland: Gael-Linn CEF 019 (LP, 1969). Contains: Slán le máigh, Feirmeoir an ghallbhaile (trad. arr. for orch.).Ceol an Aifrinn / Ó Riada Mass: Gael-Linn CB 3 (LP & MC, 1971). Aifreann nua / Aifreann 2: Gael-Linn CEF 081 (LP & MC, 1979). Mise Éire: Gael-Linn CEF CD 134 (CD & LP, 1987). Contains: Mise Éire, Saoirse?, An Tine Bheo. Romantic Ireland: Marco Polo 8.223804 (CD, 1995). Contains: The Banks of Sulán. <mask> <mask>da: Orchestral Works: RTÉ Lyric fm CD 136 (CD, 2011).Contains: Overture Olynthiac, The Banks of Sulán, Nomos No. 1: Hercules Dux Ferrariae, Seoladh na nGamhan, Nomos No. 4, Mise Éire. Recordings by Ceoltóirí Chualann
Reacaireacht an Riadaigh: Gael-Linn CEF 010 (LP, 1961). The Playboy of the Western World: Gael-Linn CEF 012 (LP, 1962). Ceol na nUasal: Gael-Linn CEF 015 (LP, 1967). ding dong: Gael-Linn CEF 016 (LP, 1967).Ó Riada sa Gaiety: (LP, 1971); currently available as Gael-Linn ORIADACD01. <mask>da's Farewell: Claddagh Records CC 12 (LP, 1972). Port na bPúcaí (<mask>da solo, but with trad. material, previously unreleased recordings): Gael-Linn ORIADACD07 (CD, 2014)

Bibliography
Charles Acton: "Seán <mask>iada: The Next Phase", in: Éire-Ireland 2 (1967) 4, pp. 113–22. Charles Acton: "Interview with <mask> <mask>da", in: Éire-Ireland 6 (1970) 4, pp. 106–15.Bernard Harris & Grattan Freyer: Integrating Tradition: The Achievement of <mask> O Riada (Ballina: Irish Humanities Centre & Keohanes, and Chester Springs, Penn. : Dufour Editions, 1981); . Thomas Kinsella & <mask> Cannain: Our Musical Heritage (Dublin: Dolmen Press, 1982); . Tomás <mask>ainn / Gearóid Mac an Bhua Gerard Victory: <mask> <mask>da: A Shaol agus a Shaothar (Blackrock, Co. Dublin: Gartan, 1993); . Harry White: The Keeper's Recital: Music and Cultural History in Ireland 1770–1970 (Cork: Cork University Press, 1998); . Tomás <mask>ainn: <mask> <mask>da: His Life and Work (Cork: Collins Press, 2003); . Harry White: "<mask>iada, Seán", in: The Encyclopaedia of Music in Ireland, ed.H. White & B.Boydell (Dublin: UCD Press, 2013), vol. 2, p. 803–6; . References

External links
 <mask>da's Vision at The Journal of Music

1931 births
1971 deaths
20th-century Irish people
20th-century classical composers
20th-century male musicians
20th-century musicologists
Alumni of University College Cork
Bodhrán players
Ceoltóirí Chualann members
Claddagh Records artists
Classical composers of church music
Deaths from cirrhosis
Irish classical composers
Irish film score composers
Irish male classical composers
Irish music arrangers
Irish musicologists
Male film score composers
Musicians from Cork (city)
People educated at St Munchin's College

masks:
Seán Ó Riada
Ó Riadaoltóí Chualan
Ó Riada
Ó Riada
Ó Ria
Ó Ria
Ó R
Ó Ria
Ó Ria
Ó Ria
Ó Ria
Ó Ria
Ó Riaí
Ó Riada
Ó Ria
Ó Ria
Ó Ria
Seán
Ó Riada
Ó Doirn
Ó Ria
Seán
Ó Ria
Ó Ria
Seán
Ó Riada
Ó Ria
Ó Do
Seán
Ó Ria
Ó Ria
Ó Ria
Ó R
Seán
Ó Ria
Seán
Tomas Ó
Ó Can
Seán
Ó Ria
Ó Can
Seán
Ó Ria
Ó R
Ó Ria


title: Maria Lähteenmäki

type: original

texts:
<mask>ki (born 9 June 1957 in Sodankylä) is a researcher of history, Jutikkala Professor at the University of Eastern Finland and Docent of Finnish and Scandinavian history at the University of Helsinki. She has produced many scientific monographs and textbooks and written a great number of articles. Career

In her research Lähteenmäki has specialized into the transnational regions (Lapland, the North Calotte, the Barents Euro-Arctic Region, North of Europe), 19th and 20th century's society history, history of women and social history of war. With her research Jänkäjääkäreitä ja parakkipiikoja. Lappilaisten sotakokemuksia 1939–45 (SKS 1999) Lähteenmäki earned the reward of the Väinö Tanner Foundation (2000), as well as the President Urho Kekkonen's 70th Anniversary Fund's prize from her research Kalotin kansaa. Rajankäynnit ja vuorovaikutus Pohjoiskalotilla 1808–1889 (SKS 2004). The research has been published in English under the title: The Peoples of Lapland.Boundary Demarcations and Interaction in the North Calotte from 1808 to 1889. It has been published in the Series of the Finnish Science Academy (2006). Lähteenmäki's latest monograph Maailmojen rajalla. Kannaksen rajamaa ja poliittiset murtumat 1911–1944 (SKS 2009) deals with Finland's and Russia's/Soviet Union's vulnerable border area Terijoki in the Karelian Isthmus from historical perspective. Lähteenmäki has caused a lot of debates with her daring interpretations. For example, when writing about the War of Lapland Lähteenmäki notes that Finnish military leaders agreed to surrender Lapland lightly to German warzone without giving a thought for fact that civilians were left to dangerous border areas (Helsingin Sanomat 29.3.1999, Suomen Kuvalehti 13.8.1999). From the basis of her Terijoki-research Lähteenmäki argues that memories of the lost Finnish Karelia are mainly based on childhood memories and have resulted in corrupted and one-sided picture from Karelia (Helsingin Sanomat 4.8.2009).Lähteenmäki has highlighted in different connections that Finland has been built from borders and that is why research of ordinary people living in border areas is important for national history research beside the research of elites and centers. Lähteenmäki graduated as baccalaureate from Sodankylä upper secondary school (1977) and studied at the University of Helsinki, Finnish history as her primary subject. Her dissertation concerns the history of women (Mahdollisuuksien aika. Työläisnaiset ja yhteiskunnan muutos 1910–30-luvun Suomessa, SKS. E-book:  ). Lähteenmäki archived docentship of Finnish and Scandinavian history in 1999. She worked as an assistant and lecturer of history in 1991-2001, and as professor in 2003 and 2007 at the University of Helsinki as well as Senior Researcher in the Finnish Academy in 2001-2009.<mask> has been a Professor of Finnish history and Jutikkala Professor at the University of Eastern Finland since the August 2009. Other publications of <mask>äki
Alueiden Lappi. Edited by <mask>ki. University publishing of Lapland. Rovaniemi 2006. Identiteetit liikkeessä. Suomalaisten kokemuksia Belgiasta.Edited by <mask>ki & Minna Aalto. Siirtolaisuusinstituutti. Turku 2007. Jänkäjääkäreitä ja parakkipiikoja 1999. E-book: http://helda.helsinki.fi/handle/10138/16047
Kansainvälinen naistenpäivä 1910–1990. Marjaliisa Hentilä & <mask>ki. E-book: http://helda.helsinki.fi/handle/10138/14104
Koteja vanhuksille.Ikäihmisten asuminen ja hoiva hyvinvointiyhteiskunnan haasteena. Vanhus- ja lähimmäispalvelun liitto ry. Helsinki 2003. Maa, seutu, kulmakunta. Näkökulmia aluehistorialliseen tutkimukseen. Edited by <mask>äki. SKS.Helsinki 2009. Naiset eduskunnassa. Irma Sulkunen & <mask>äki & Aura Korppi-Tommola. Suomen eduskunta 100 vuotta. Part 4. Edita. Helsinki 2006.Passages Westward. Edited by <mask>ki & Hanna Snellman. Studia Fennica. Ethnologica 9. SKS/FLS. Helsinki 2006. Pitkänsillan tuolla puolen... Puheenvuoroja työväenliikkeen historiasta, tilasta ja tulevaisuudesta.Edited by <mask>ki & Anu Suoranta. Työväen Arkiston julkaisuja 5. Helsinki 2010. Tarja Halonen: Mahtinaisen malli. Teoksessa Suuret suomalaiset. Otava. Helsinki 2004, 66–79.Terra Ultima. A Short History of Finnish Lapland. Otava. Helsinki 2006. The Flexible Frontier: Change and Continuity in Finnish-Russian Relations. Edited by <mask>äki. Aleksanteri Series 5/2007.Helsinki 2007. The North Calotte. Perspectives on the Histories and Cultures of Northernmost Europe. Edited by <mask>äki & Päivi <mask>. Publications of the Department of History 18. University of Helsinki. Puntsi.Inari 2005. Vuosisadan naisliike. Naiset ja sosialidemokratia 1900-luvun Suomessa. Sosialidemokraattiset Naiset. Helsinki 2000. E-book: http://hdl.handle.net/10138/16243
Yksi kamari – kaksi sukupuolta. Suomen eduskunnan ensimmäiset naiset.Edited by Pirjo Markkola & <mask>äki & Aleksandra Ramsay et alia. Eduskunnan kirjaston tutkimuksia ja selvityksiä 4. Helsinki 1997. Sources

<mask>mäki.Blog: http://marialahteenmakiblogi.blogspot.com
Autio Veli-Matti, Suomen Historiallisen Seuran matrikkeli 1875–2007. SKS. Helsinki 2007, 124–125. Homepages of University of Helsinki: http://www.helsinki.fi/historia/henkilokunta/lahteenmaki.html
Kinnunen Helena, Akatemiatutkija ja HS-toimittaja saivat UKK-palkinnot.Helsingin Sanomat 29.9.2005. Kuka kukin on. Otava. Helsinki 2009, 599. Lappalainen Tuomo, Oikea sota hävisi historiasta. Suomen Kuvalehti 13.8.1999, 24–27. Luukka Teemu, Ruohonjuuritason historioitsija.Helsingin Sanomat 9.10.2005. <mask> <mask>, Kevyesti luovutettu Lappi. Pohjois-Suomen erikoisasema toisen maailmansodan aikana on purkamaton tabu. Vieraskynä. Helsingin Sanomat 29.3.1999. Lähteenmäki <mask>, Kuva menetetystä Karjalasta on vinoutunut ja kuvitteellinen. Vieraskynä.Helsingin Sanomat 4.8.2009. Oksanen Emmi, Kipeä Karjala. Karjalainen 15.8.2009. Summa Markku, Muisti- ja tutkimustietoa yhdistämällä realistisempi kuva menetetystä Karjalasta. Karjala 13.8.2009. Finnish scientific academy's homepages, Toimintakertomus 2008: https://web.archive.org/web/20101122194124/http://www.acadsci.fi/toimintakertomus.htm
Tasala Markku, Mainettaan yhtenäisempi kalotin kansa. Lapin Kansa 12.2.2005.Vakkuri Marjukka, Valtavirtaa vastaan. Lapin Kansa 29.10.2005. 1957 births
Living people
People from Sodankylä
University of Eastern Finland faculty
Finnish women academics
Academics of the University of Helsinki

masks:
Maria Lähteenmä
Lähteenmäki
Maria Lähteenm
Maria Lähteenmä
Maria Lähteenmä
Maria Lähteenmä
Maria Lähteenm
Maria Lähteenm
Maria Lähteenmä
Maria Lähteenmä
Maria Lähteenm
Maria Lähteenm
Maria Pihlaja
Maria Lähteenm
Maria Läeen
Lähteenmäki
Maria
Maria


title: Sarah Andrews (cricketer)

texts:
<mask> (born 16 December 1981) is a retired female cricketer who played for Australia from 2006 to early 2010. She was a right-arm fast bowler and a right-handed lower-order batsman. After playing in the Second XI in 2000–01, <mask> made her debut for New South Wales in the 2001–02 Women's National Cricket League (WNCL). In her debut season, she was dropped multiple times and not given much of a workload with the ball. She took five wickets and was omitted for the first half of the next season before ending with six wickets despite never bowling a full quota of overs. At the end of the summer, she was selected for the Australian Under-23 team. In 2003–04, <mask> played a full season for the first time and took seven wickets.In the second final against Victoria, she bowled a full quota of overs for the first time, in her 21st match. On an Under-23 tour of Sri Lanka, she made her first-class debut against the hosts' senior team, taking four wickets. <mask> had a poor 2004–05 WNCL, taking only five wickets, and then started the following season poorly, taking only three wickets in the first six matches. She took career-best figures of 5/16 and followed it with 3/45 the next day, both against Victoria. She then took 3/32 in the first final against Queensland and ended with five for the finals series as New South Wales won the first of five consecutive titles. <mask> ended with 16 wickets for the tournament and was rewarded with selection for the national team, making her Test and One Day International (ODI) debut at the end of the season against India. She took 2/48 on her Test debut and 3/21 in her first ODI.After taking ten wickets in her first six ODIs, <mask> took 15 wickets in New South Wales' 2006–07 WNCL win. She struggled during a quadrangular series on the spin-friendly pitches of India and was used only sporadically, taking three wickets in four matches, but returned to form in the home Rose Bowl series against New Zealand, taking nine wickets in five matches. In 2007–08, <mask> was in and out of the Australian team and played in six ODIs, taking seven wickets. She was then dropped for the home series against India at the start of the 2008–09 season and was responded by taking 13 wickets in the WNCL to earn a recall. <mask> made sporadic appearances in the Rose Bowl series ahead of the 2009 World Cup, in which she played in four of Australia's seven matches, taking five wickets as Australia came fourth. She was selected for the 2009 World Twenty20 in England, and played in all of Australia's four matches, taking two wickets. In the subsequent bilateral series hosted by England, <mask> took her career best figures of 4/50 and ended with eight ODI wickets.<mask> took 14 wickets in the 2009–10 WNCL as New South Wales won again, and in the following Rose Bowl series, she bowed out of competitive cricket with ten wickets in seven ODIs as Australia swept the series. Early career

In January 2000, <mask> played for New South Wales in Under-19 interstate championships. She took 11 wickets at 6.00, with a best of 4/13 in the qualifying match against Victoria. New South Wales won all of their seven matches, defeating Victoria in the final. New South Wales' batting was rarely challenged by their outclassed opposition, so <mask> was only required to bat three times in the lower-order, scoring 15 runs at 7.50. She also took six catches. In 2000–01, <mask> played in three Second XI fixtures for New South Wales.She scored a total of 19 runs in three brief innings that all ended in not outs, and took two wickets at 38.50 and an economy rate of 3.34. Domestic debut

<mask> made her senior debut for New South Wales in the 2001–02 Women's National Cricket League, playing in seven matches, all of which ended in victory. Although she was a specialist bowler who batted at the end of the tail and was never required in matches during the season, she was not entrusted with a substantial workload with the ball, sending down an average of only four overs per match. She took 0/10 from five overs in her debut against South Australia, before taking her maiden wickets in the second match of the double-header, claiming 2/7 from three overs. She took only one wicket in the next two matches against Queensland and was dropped for the double-header against Western Australia, before being recalled for the last two round-robin matches against Victoria. She did not bowl in the first, and took 1/17 from six overs in the next. The two teams met again in the finals series, and <mask> was dropped for the first match, before being recalled and taking 1/16 from four overs in the next match as New South Wales won their sixth title in a row with a 2–0 triumph.<mask> ended her first season with five wickets at 16.80 and an economy rate of 3.00. At the end of the season, <mask> was selected for Australia Youth team to play against New Zealand and New Zealand A. She bowled her full quota of 30 overs in three matches, taking three wickets at 19.00 at an economy rate of 1.90. She also scored 21 runs at 21.00 in three innings. Her best performance was 2/13 in the last match against the senior New Zealand team. The following season, <mask> missed the first four matches of the WNCL. She took 3/18 in her second match of the season against Queensland and took one wicket in the three other group matches.In the first final against Victoria, Andrew took 0/15 from four overs in a three-wicket defeat. She was dropped for the second final, which Victoria won to end New South Wales' six-year run. <mask> ended with six wickets at 14.83 at an economy rate of 3.17 and scored 3 runs at 3.00. She averaged less than six overs a match. At the end of the summer, she played for the Australian Under-23 team against England; she took a total of 0/47 from 19 overs in a two-innings match and scored 21 in Australia's only innings. In 2003–04, <mask> played her first full season in the WNCL, taking to the field in all 11 of New South Wales' matches. She took only five wickets in the first five matches, including figures of 2/30 from seven overs in a tie against Victoria.She then went wicketless in the last three fixtures of the round-robin stage. In the first final against defending champions Victoria, she took 0/18 from five overs in a six-wicket defeat. She was retained for the second final despite the four consecutive wicketless matches, and took 2/28 from her ten overs to set up a five-wicket win. This was the first time in her 21 WNCL matches that <mask> had bowled a full quota of overs. In the deciding final, she was taken out of the attack after being hit for 17 runs in three overs; New South Wales ended up winning by three wickets to regain the WNCL title. <mask> ended the season with seven wickets at 36.14 at an economy rate of 3.51 and eight runs at 8.00. <mask> was selected for the Australia Youth team to play New Zealand A at the end of the season.She took three wickets at 35.00 at an economy rate of 3.00, and hit 54 in a six-wicket defeat in the fourth and final match of the series. Before the 2004–05 season started, <mask> toured Sri Lanka in September as part of the Australian Under-23s to play against the hosts' national team. Australia won three of the four one-dayers, the other was washed-out. <mask> took six wickets at 13.00, including 3/44 in the second match, and scored 10 not out and 31 not out in her only innings. The tour ended with a first-class match against the Sri Lankan team. <mask> took 3/24 and 1/11 in a 144-run win. She also made seven and a duck on her first-class debut.<mask> had a quiet and ineffective 2004–05 WNCL season, taking only five wickets at 44.80 at an economy rate of 3.01 from ten matches. Her best performance came in a round-robin match against Victoria, taking 2/29 in a four-wicket defeat. The teams met again in the finals. In the first match, she took 0/30 from nine overs in a 21-run win. The second match saw a fightback from the Victorian bowlers, who dismissed New South Wales for 71, <mask> making 19 not out in a tail-wagging performance. She then took 1/10 from six overs but Victoria reached their target with five wickets in hand to square the series. <mask> took 0/11 from six overs to help restrict Victoria to 6/159, but she made only one before being run out as the defending champions fell 50 runs short and ceded their title.<mask> ended the season with 23 runs at 23.00. The 2005–06 season started poorly for <mask>. She went wicketless in the first three matches, and took only three wickets in the first six matches. Her form turned around in the last two round-robin matches against Victoria. In the first match, having made ten with the bat, she took 5/16, her career best bowling performance, as New South Wales won by 48 runs. The next day, she took 3/45, helping to set up a five-wicket victory. New South Wales faced Queensland in the finals.In the first match, she took 3/35 to dismiss Queensland for 174, setting up a ten-wicket win. In the second final the following day, she made nine not out as New South Wales collapsed to be all out for 154. She took 1/32 from 10 overs as Queensland squared the series with a three-wicket victory. In the last final, <mask> could only make one as New South Wales capitulated to be all out for 146. She then took 1/18, taking the final wicket by bowling Megan White as New South Wales took a thrilling two-run win, sealing the WNCL title. <mask> ended with 20 runs at 10.00 and 16 wickets at 18.81 at an economy rate of 3.48.

International debut

<mask> was rewarded with selection for Australia for the home series against India held in Adelaide at the end of the season. She made her debut in the one-off Test at the Adelaide Oval, and came in at No.11 after Australia batted first. she made three from six balls before being run out as the hosts made 250. Opening the bowling with Cathryn Fitzpatrick, she took 2/29 from nine overs in the first innings. She had opener Monica Sumra caught by Karen Rolton in her second over, and then trapped the other opener Karu Jain for 21 to leave the Indians at 2/41. In the following over, without further addition to the score, <mask> took her maiden Test catch to dismiss leading Indian batsman and captain Mithali Raj from the bowling of Fitzpatrick. The Indians eventually collapsed to be all out for 93. Australia enforced the follow on and <mask> took 0/19 from 17 overs and caught Sunetra Paranjpe in the second innings as the tourists lost by an innings.After missing the first ODI, she made her debut in the second match, coming in at No. 11 and scoring four not out from seven balls in Australia's 173 all out. She then took 3/21 from six overs to help secure a 12-run win. In the next match she took 1/33 in a nine-wicket win and ended the series with four wickets at 13.50 and an economy rate of 3.33. <mask> is the 148th woman to play Test cricket for Australia, and the 106th woman to play One Day International cricket for Australia. At the start of the 2006–07 season, <mask> made her Twenty20 international debut against New Zealand at the Allan Border Field in Brisbane, having never played in the format at domestic level. She was attacked by the opposition batsmen, ending with 1/42 from four overs in a tied match.The rest of the Australians conceded their runs at 6.18 per over. After missing the first ODI, she returned to take two wickets in each of the next three matches before going wicketless in the fifth match. She ended with six wickets at 24.50 at the relatively high economy rate of 4.59; Australia won all of the last four matches. The second ODI was a close call as Australia won by one wicket?? from the ?? ball of the match. <mask> came in upon the fall of the eighth wicket and scored two from three balls before being run out, but ??and ?? saw Australia to victory. Having broken into international cricket, <mask> started the 2006–07 WNCL season strongly, taking 3/18 to set up a three-wicket win over Victoria in the opening matches of the season. In the fourth match of the tournament, against Queensland, she made a tail-wagging 16 and took 3/27 from her ten overs, but was not able to defend New South Wales' meagre 9/162 as they lost by six wickets. In the sixth match, she made an unbeaten 13 help New South Wales scrape home by two wickets against Western Australia. <mask> took 13 wickets in the eight qualifying matches. New South Wales reached the finals hosted by Victoria after winning five of their eight matches.She took 0/39 from nine overs as the hosts were dismissed for 136 in the first match. New South Wales struggled in the run-chase and <mask> made 17 in the lower order before the defending champions scraped home by one wicket. In the second final, New South Wales's batsmen against struggled and <mask> made 36 to push the total to 144. She took 0/31 from ten overs as the home team reached their target with eight wickets in hand. In the deciding match, <mask> took 2/40 to help restrict Victoria to 7/205 and then made one as New South Wales took a hard-fought three-wicket win and a second consecutive WNCL title. <mask> ended the season with 15 wickets at 22.60 and an economy rate of 3.53. She was also more prominent with the bat than in the past,

masks:
Sarah Joy Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews


title: Sarah Andrews (cricketer)

texts:
 scoring 107 runs at 21.40.After the end of the Australian season, <mask> was selected for the ODI team for a four-nations tournament in Chennai, India. In addition to the hosts and Australia, New Zealand and England were also participating, and each team played each other twice in round-robin phase. On dusty, slow and turning pitches conducive to spin, <mask> was overlooked for the first two matches before playing in four remaining qualifying matches. After going wicketless against England, she scored 21 not out—her only innings of the tournament—from 13 balls in the next match against New Zealand, having been promoted to No. 9. She struck three boundaries in her brief innings to help Australia to???. She then took 2/27 from five overs as Australia completed a 49-run win.After failing to take a wicket in the second match against England, she took 1/26 from five overs in the last round-robin match against India. Australia had won all four matches in which <mask> had played, but she was expensive, taking three wickets at 37.00 and registered an unfavourable economy rate of 4.82. She was left out of the final as Australia defeated New Zealand. In July 2007, Australia hosted New Zealand in a Rose Bowl series in the middle of the southern hemisphere winter by staging the matches in the tropical northern city of Darwin. <mask> had another expensive spell in the one-off T20 international, conceding 37 from her four overs while her colleagues averaged 4.37 runs per over. However, she was on hand in the run-chase scoring one not out as Australia reached the target with one wicket in hand. She was in better form in the ODIs, taking 2/22 in a seven-wicket win in the first match.After going wicketless in the next fixture, she was promoted to No. 8 for the only time in her career in the run-chase. She made 10 from 16 balls before??? as Australia lost by ????. she took 3/23, including five maidens in ten overs, helping to restrict New Zealand to 8/187 and setting up a six-wicket win. She took 2/34 in the next match and then scored an unbeaten 11 to help guide the Australians to a three-wicket win??? ?xxx, taking an unassailable 3–1 series lead.She took 2/29 in a four-wicket win in the next match, ending the series with nine wickets at 15.11 and an economy rate of 3.16 and scored 31 runs at 15.50, at a strike rate of 75.61. After going wicketless in the first two matches of the 2007–08 WNCL against South Australia, <mask> took 3/21 in the next match against Victoria to set up a seven-wicket win. She then took a wicket in each of the next two matches before claiming 2/30 and scoring 13 as New South Wales took a hard-fought two-wicket win over Queensland. She ended the eight-match season with eight wickets at 23.87 and an economy rate of 3.35 and scored 50 runs at 8.33. After winning their first seven matches, New South Wales lost the last match against Western Australia, but it was enough for them to qualify first to host the final. The decider against South Australia was abandoned due to rain and New South Wales were awarded the title for qualifying first. Interstate T20 matches were introduced and <mask> took 2/51 from a total of eight overs in two matches.<mask> was retained for Australia's international engagements against England and New Zealand at the end of the season. She started poorly, conceding 49 runs from five wicketless overs in an eight-wicket defeat at the hands of the Australian Under-21 team in a warm-up match at Kardinia Park in Geelong. <mask> failed to take a wicket in the one-off T20 international, and then conceded 29 runs from four overs before scoring 10 runs from as many balls in the first ODI as Australia lost by ??. She was then dropped. She was recalled for the final ODI, taking 1/31 in a 41-run win, ending the series with one wicket at 60.00 at an economy rate of 4.61. In the one-off Test in Bowral, <mask> batted at No. 9 and scored six as Australia were bowled out for 154.She then took 0/24 from 11 overs as England made 244 to take a 90-run lead. In the second innings, <mask> made nine not out as Australia declared at 9/231 to set the visitors a target of 142. She then took 0/9 from four overs as Australia lost by six wickets. The Australians then travelled to New Zealand for the Rose Bowl series held at the Bert Sutcliffe Oval in Lincoln. In the solitary T20 match, she scored 10 not out as Australia managed only 9/80 and took 0/15 from four overs in a four-wicket defeat. It was the first time in four T20 internationals that she had conceded less than 6.50 runs per over. <mask> played in four of the five ODI matches, taking 3/45 from nine overs in the final match to help set up an eight-wicket win.She ended the series with six wickets at 19.83 and a relatively high economy rate of 4.57 and also scored eight runs at 4.00. Omission and recall for the 2009 World Cup and World Twenty20

<mask> was dropped from the Australia team for the home series against India before the start of the 2008–09 WNCL season. She responded by taking 12 wickets in the first six matches of the WNCL season, including a haul of 3/23 in an eight-wicket win over Western Australia and 3/43 in a losing cause against South Australia. In these six matches, she conceded 3.10 runs per over. She was unable to maintain this form throughout the season, going wicketless in the final two round-robin matches against Victoria, which New South Wales won to earn hosting rights for the final. <mask> then took 1/11 from seven overs as New South Wales won by six wickets to take a fourth consecutive WNCL title. She ended with 13 wickets at 18.53 and an economy rate of 3.23 and made a duck in her only innings.<mask> was also effective in New South Wales's two T20 matches, taking four wickets at 5.75 at and economy rate of 3.28. <mask>' strong WNCL performances earned her a recall into the Australian team ahead of the 2009 Women's Cricket World Cup to be held in New South Wales and Canberra. Before the World Cup, the Australians headed to New Zealand for the Rose Bowl series. <mask> was called into the playing XI for the second match, but was ineffective taking 1/52 from ten overs. She was dropped before being recalled for the fourth match, taking 1/17 from four overs in a victory; the final ODI was washed out. In two warm-up matches ahead of the World Cup, <mask> had promising results although she bowled only briefly. She took 1/7 from three overs against England and then took 2/12 from four overs against Sri Lanka, as the hosts won both matches.Despite these results, <mask> was left out of the first two group matches against New Zealand and South Africa; Australia lost the first and won the latter and needed to win the last group match against the West Indies to ensure progression to the next round. <mask> took 1/34 from eight overs as Australia took a 47-run win. However, she was substantially more expensive than her colleagues—the run rate in the remaining 42 overs was 3.14—and was dropped for the first Super Six match against India, which Australia lost by 18 runs. She was recalled and took 1/20 from 7.1 overs against Pakistan in a 107-run win. By this time, Australia's two losses had already made it impossible to make the final. <mask> took 3/35 from 8.3 overs in the final super Six match against England, which Australia won by eight wickets, and they met India in the third-place playoff. <mask> batted for the only time in the tournament and was unbeaten on zero as Australia were out for 142.She took 0/23 from five overs as the hosts lost by three wickets. <mask> ended the World Cup with five wickets at 22.40 and an economy rate of 3.90. <mask> was selected for Australia's team for the inaugural Women's World Twenty20 held in England in 2009. The Australians hosted New Zealand for a three-match series in tropical Darwin at the beginning of June before the World Cup, and <mask> showed good form taking five wickets at 11.40 at an economy rate of only 5.70, with a best of 3/13 from three overs in the final match, helping Australia seal the series 2–1. However, she could not maintain the form. She took 0/31 from three overs in the team's only warm-up on English soil, against the hosts, and was retained for all the matches, despite taking only two wickets at 43.50 and taking an economy rate of 7.56. <mask> took 0/25 from three overs in a nine-wicket loss to New Zealand, but was retained for the match against the Western Indies, taking 2/19 from four overs in an eight-wicket win.She was again attacked in the group match against South Africa, taking 0/19 from two overs in a 24-run win that qualified Australia for the semi-finals. <mask> was retained and was again ineffective, taking 0/24 from 2.3 overs as the hosts won by eight wickets to reach the final, which they won. She did not bat in any of the matches in Australia or England. <mask> and the Australians stayed in England for a bilateral series against the hosts, who were the reigning world champions in both ODIs and T20s, after the end of the World Twenty20. She took 1/20 from her four overs as Australia upset England in the only T20 by 34 runs. She played in all of the five ODIs, taking eight wickets at 17.62 at an economy rate of 4.54 with a best of 4/50 from ten overs in the fourth match. She also scored 19 runs at 9.50, including 16 from 36 balls batting at No.11 in the first match at Chelmsford and delaying the eventual English victory by ??? by ????. England won all the ODI matches except the last, which was washed out. <mask> played in the one-off Test at County Road in Worcestershire. Batting at No. 11, she scored 11 from 14 balls in Australia's 309, before taking 1/32 from an economical display of 20.3 overs to help Australia take a 41-run lead. Having caught Lydia Greenway early in the innings, she then bowled the final English batsman Laura Marsh for 38, ending a last-wicket partnership of 59.She then made 4 not out as Australia were bowled out for 231 to set the hosts a target of 273 before the match was drawn. She took 1/22—dismissing opener Caroline Atkins for a duck—from 13 overs in the second innings, meaning that she had conceded less than two runs per over throughout the match. Final season

In the first match of the 2009–10 WNCL season, <mask> scored 22 to push New South Wales to 198 before taking 0/28 from seven overs in a 15-run win. The following day, she took 3/26 in a 19-run win. After taking only one wicket in the two matches against the Australian Capital Territory, <mask> claimed 2/21 and 3/29 in the two matches against Victoria. She took only one wicket in the double-header against Western Australia before taking 2/8 from six overs and 1/33 in the last two matches against South Australia, which New South Wales won to qualify for the final. <mask> scored two not out as the defending champions batted first and made 9/206.She then took 1/18 from 5.1 overs as they bowled the Victorians out for 147 to claim a fifth successive WNCL title. <mask> finished the season with 14 wickets at 19.28 and an economy rate of 3.22. She scored 42 runs at 14.00 for the season. During the season, the T20 matches were expanded into a six-round competition and final. <mask> played in all of New South Wales' seven matches and took five wickets at 21.20 and an economy rate of 4.60; she added 21 runs at 21.00. Her best bowling of 2/22 came from four overs in the qualifying match against Victoria, which New South Wales lost by seven runs. The two teams met again in the final and <mask> took 1/12 from four overs including a maiden as Victoria reached 5/127.In reply, <mask> made 15, one of the few batsmen to reach double figures as New South Wales capitulated for 75 and lost the title-deciding match. In the 2010 Rose Bowl series after the WNCL, <mask> played in the first four of the five ODIs during the Australian leg of the competition. She took 2/18 and 2/20, both from five overs as Australia won both of the matches at the Adelaide Oval. The series then moved to the Junction Oval in Melbourne and <mask> took 1/12 from four overs and 2/29 from nine overs in the next two matches. She was not required to bat and ended with seven wickets at 11.28 at an economy rate of 3.43 as Australia completed a clean sweep. The ODIs were followed by five T20 internationals, three at Bellerive Oval in Hobart and the last two in New Zealand. <mask> played in all but the last match, but had little success, taking one wicket at 97.00 and an economy rate of 6.46 and she batted once, scoring one not out.New Zealand won all five T20s. <mask> then played in all three ODIs on New Zealand soil, taking one wicket in each match as Australia completed a clean sweep. She ended with three wickets at 38.00 at an economy rate of 4.07. Upon returning to Australia, <mask> retired from competitive cricket. She took 54 ODI wickets at 21.14, ranking her equal ninth among all Australians. Notes

References
Cricinfo article on <mask>

1981 births
Australia women One Day International cricketers
Australia women Test cricketers
Australia women Twenty20 International cricketers
Cricketers from New South Wales
Living people
New South Wales Breakers cricketers
People from the South Coast (New South Wales)
Sportswomen from New

masks:
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Andrews
Sarah Andrews


title: Daniel Ndambuki

texts:
<mask>  <mask> also known as Churchill(born 30 October 1977) is a Kenyan comedian who hosts the comedy television show  Churchill Show on NTV Kenya on Sundays and Thursdays. Churchill was born in Kitui town, but moved to Machakos. He has worked in the comedy industry since 1996 and has now become a household name in Kenya. He launched the Churchill Live Comedy Show in September 2008 but was renamed Churchill Show during its third season in 2012. The show has given a platform to hundreds of comedians in the country, the most successful ones being Eric Omondi, Teacher Wanjiku, Professor Hammo, MCA Tricky, Jemutai, Magazine (DJ Shitii) and Dr. Kingori. Early life
<mask> aka Churchill is one of the few Kenyans to be on Who Is Who List. The Machakos County born comedian studied at Mumbuni High School.Among the films he has featured in include: The First Grader (2010) and (2007). Churchill, together with KJ, Kajairo, Mudomo Baggy and Nyambane, created “Red Kona”, a comedy show on Tv, which increased their fan-base. Churchill went to co-present with Maina Kageni on Classic 105 FM (Which he still does today) doubling up as “the Tea Lady-... Philigona” and as Mwalimu King’angi . He is rated number 7  among Kenya’s 100 most influential people with the current president topping the list. He has nurtured and  brand stand-up comedy. Churchill has cracked many Kenyan ribs with his "clean", family friendly shows. CNN recently classified him as one Africa's funniest comedians.Number One Show
Churchill has brought a new and fresh style of comedy to the Kenyan airwaves and mainstream media since the early 2000, that has garnered him hundreds of thousands to millions fans on radio, television and the Internet. Churchill is now a Kenyan household name. His wide recognition as a comedian started heightening in all-time hit comedy show “Redykyulass” in which he acted alongside Walter Mongare(Nyambane), Peter Kaimenyi (Kajairo), Maurice Otieno (Mdomo Baggy), John Kiarie (KJ) and Anthony Njuguna. He currently boasts a successive Live TV, the Churchill Live. His hit show Churchill Live has increasingly become East Africa’s most popular and hilarious TV Show in addition to gaining momentous international interest from comedy enthusiasts in the US, the UK, India, Germany, and rest of the world. He hosts a weekly NTV show "Churchill Show” with live recordings on Thursdays at the Carnivore Restaurant which has become “a must attend” event, Churchill's show is in its sixth edition and currently  the number one show in East and Central Africa with a viewership of  11,000,000 Kenyans  across the country, according to ratings. Top Facebook
Churchill became the first Kenyan to hit 1,000,000 likes on Facebook, by now he has garnered over 2,000,000 fan base in social network Facebook.the highest of any individual celebrity in Kenya. He is also the CEO of his company, Laugh Industry Kenya. Kids Festival
He has managed to win the hearts of Kenyan children and families by hosting a weekly segment on Churchill show dubbed “Toto’s corner” and also the hosting of Kids Festival which always sees a turnout of 55,000 plus kids and families. Churchill Show
Churchill Show Comedy TV program has featured influential personalities, politicians, big entertainment personalities and other remarkable people across the socio-economic continuum
“Interviews with Kenyan big names combined with a touch of Churchill's brand of comedy doused in comic brilliance on production makes it a programme on par with none. All the while not forgetting the lighter note in "Toto's corner"

Churchill Academy
Churchill as a mentor and pioneer in the industry of the genre, has managed to grow the comedy Industry in East Africa by scouting and nurturing talent. Initially with a talent search program dubbed ‘Top Comic’ that have put forward leading comedy brands, now there is the two weekly shows that air on TV i.e. #ChurchillShow & #ChurchillRaw…this offer a platform that acts as a spring board for the new talents and brands.Working with a creative team of 20 mentors. The academy has managed to create 73 new comedians and counting, that have so far entered the market and are becoming household names with a thousands others still in training and more signing up everyday!

masks:
Daniel
Ndambuki
Daniel Ndambuki


title: Luís Seoane

texts:
<mask> (1910–1979) was a lithographer and artist. Born in Buenos Aires, Argentina on June 1, 1910, of Galician immigrants, he spent much of his childhood and youth in Galicia (Spain). He was educated in A Coruña. His first exhibition was held in 1929. Returning to Argentina in 1936 to escape the Spanish Civil War, Seoane became an important cultural figure in Buenos Aires, where he was responsible for the creation of a number of murals and other public works of art. On his return to Galicia in 1960, he became a leading figure within the movement to revive Galician culture. He died in A Coruña in 1979.References

 "Seoane". Grial (Editorial Galaxia) (65). 1979. . Dieste, García-Sabell; Dónega; Carballo Calero; Díaz Pardo; Ledo; Piñeiro; Gómez Paz; Lorenzana; Paz-Andrade; Patiño; González Garcés; <mask>; García-Bodaño; Novoneyra; R. Ruibal; Blanco Amor; Fernández de la Vega; Cunqueiro; Losada; Tobío Fernández; Sucarrat Boutet; Fole; Girri and Odriozola. "<mask> López, <mask>". Diccionario enciclopédico galego universal 55. La Voz de Galicia. 2003–2004.p. 72. .
 "<mask> López, <mask>". Diciopedia do século 21 3. Do Cumio, Galaxia e do Castro. 2006. pp. 1915–1916. .
 "<mask> López, <mask>". Enciclopedia Galega Universal 15. Ir Indo.1999–2002. pp. 267–268. .
 "<mask> López, Luis". Gran Enciclopedia Galega Silverio Cañada (DVD). El Progreso. 2005. .
 "<mask> Seoane". Raigame: revista de arte, cultura e tradicións populares (33).2010. .
 Emigrante dun país soñado: <mask> Seoane entre Galicia e Arxentina. CCG. 2011. . Villares; Sarlo; Sobrino; Díaz; Núñez Seixas; Devoto; Romero; Wechsler; Gutiérrez Viñualez; Axeitos; Castiñeiras; Portela; Casas; Méndez Ferrín; Beramendi; Patiño and Montero. Luís Seoane no Museo de Belas Artes da Coruña: O legado de Maruxa Seoane. Xunta de Galicia. 2019. .
 Alonso Montero, Xesús (2002) [1994]. As palabras do exilio.Biblioteca Galega 120 n.º 114. La Voz de Galicia. .
 Axeitos, X. L.; <mask>, X. (1994). <mask> <mask> e o libro galego na Arxentina [1937-1978]. Deputación da Coruña. ——— (2004). A Academia no discurso exílico de <mask> <mask>.Real Academia Galega. .
 ———; Díaz; Patiño; Pérez; Seoane; Villares (2010). Dicionario Seonae. Fundación Luis Seoane. .
 Barreiro; Longueira; López; Monterroso. Do primitivo na arte galega ata Luis Seoane. Fundación. .
 Barro, David; Montero, Carmela (2018). <mask>. Deseño e diferenza.Santiago de Compostela: Dardo. .
 Braxe, L.; <mask>, X., eds. (1989). Galicia Emigrante (1954-1971). Escolma de textos da audición radial de <mask>. Ediciós do Castro. .
 ———; ———, (1990). Figuraciós, <mask> Seoane. Deputación da Coruña. .
 ———; ———, (1994).O cine e a fotografía. <mask> Seoane. Centro Galego de Artes da Imaxe. .
 ———; ——— (1996). <mask> <mask> e o teatro. Sada: Ediciós do Castro. .
 ———; ——— (1996). <mask> Seoane: textos sobre arte. Consello da Cultura Galega. .
 Capelán Rey, Antón (2010).<mask> Seoane en Compostela e outros ensaios. Edicións Laiovento. .
 Castiñeiras, Manuel A. (1995). "Luis Seoane: a pintura como sinal de identidade" Anuario Brigantino (18): 295–300. .
 Cid; Neira; Seoane; Axeitos (1994). <mask> <mask>, 1910-1979. Unha fotobiografía. Xerais. .
 Couceiro Freijomil, Antonio (1951-53).Diccionario bio-bibliográfico de escritores III. Bibliófilos Gallegos. p. 352. Cuba, Xulio (1994). <mask> <mask>: A forma da patria. Didáctica. A Coruña: Espiral Maior. .
 Díaz Arias de Castro, Xosé (1994).<mask> <mask>, a forxa da modernidade. Biblioteca Coruñesa. Vía Láctea. .
 ——— (2019). "Luis Seonae: unha vida e unha obra con Galicia ao fondo". Deputación da Coruña. Dep. legal: C 219–2019.——— (2019). "Significado de Luis Seoane no contexto da cultura galega do século xx" Cadernos de Estudos Xerais (A. C. Irmáns Suárez Picallo) (16). Díaz Pampín, María América (2004). <mask> Seoane. Notas ás súas cartas a Díaz Pardo 1957-1979. Ediciós do Castro. .
 Dónega, Marino (1994). Luis Seoane: vida e obra literaria.A Coruña: Real Academia Galega. .
 Fandiño, X. R.; López, Gloria, eds. (2010). <mask> Seoane: teórico do deseño gráfico. Alicerces n.º 18. Museo do Pobo Galego. .
 Fernández Freixanes, Víctor (1976). Unha ducia de galegos. Vigo: Editorial Galaxia.pp. 61–78. .
 García, S. (2020). "El diseño gráfico y la identidad gallega desde el exilio…" Actas del III Simposio FHD Design Museum of Barcelona. González Fernández, Helena (1994). <mask> Seoane. Vida e obra Agra Aberta. Editorial Galaxia. .
 López Bernárdez, C. (2005).Breve historia da arte galega - Breve historia del arte gallego. Nigratrea. .
 ——— (2015). Un pintor que sabía o que facía. Achegas á obra pictórica de Luís Seoane Edicións Laiovento. .
 ——— (2018). Identidade e universalidade. Lecturas de pintura galega Edicións Laiovento. .
 López Vázquez, J. M. (1990). Enciclopedia temática de Galicia.Arte 5. Barcelona: Nauta. pp. 225–227. .
 Lucie-Smith, Edward (1994). Arte latinoamericano del siglo XX. Barcelona: Ediciones Destino. .
 M. Vilanova, F. (1998). A pintura galega (1850-1950).Escola, Contextualización e Modernidade. Xerais. .
 Martínez-Romero, J. (2019). "Merecida homenaxe a un artista creador polifacético" Cadernos de Estudos Xerais (A. C. Irmáns Suárez Picallo) (14). Méndez Ferrín, Xosé Luis (1984). De Pondal a Novoneyra. Edicións Xerais de Galicia.pp. 100–102. .
 Pablos, Francisco (1981). Plástica Gallega. Caja de Ahorros Municipal de Vigo. pp. 300–301. .
 ——— (2003). A pintura en Galicia - La pintura en Galicia.Nigra Trea. pp. 138–141. .
 Pérez Rodríguez, Mª. Antonia (2003). Luis Seoane a través da prensa, 1929-1979. Sada: Ediciós do Castro. .
 Rey, G., ed. (2002).<mask> ilustra a Rosalía. Centro de Estudios Rosalianos. Fundación Rosalía de Castro. .
 Seoane Rivas, Xavier (1994). A voz dun tempo. <mask> Seoane: o criador total. Sada: Ediciós do Castro. .
 Squirru, Rafael (1976). Seoane (estudio crítico-biográfico).La Barca Gráfica. Buenos Aires: Dead Weight. Tilve, M. (2007). El despertar de la conciencia gallega en Buenos Aires: Luis Seoane y Galicia emigrante. Xeito Novo. .
 Varela Vázquez, Lorenzo (1948). Seoane. Buenos Aires: Botella al mar.Vázquez; García; Rosende; Ortega; Sobrino (1982). Historia del Arte Gallego. Madrid: Alhambra. .
 Vilavedra, Dolores, ed. (1995). Diccionario da literatura galega. Autores I. Vigo: Editorial Galaxia. pp.557–560. .
 ———, ed. (2000). Diccionario da literatura galega. Obras III. Vigo: Editorial Galaxia. p. 205. .
 Villares, Ramón (2019). Galicia.Una nación entre dos mundos. Pasado & Presente. .

1910 births
1979 deaths
Artists from Buenos Aires
Writers from Galicia (Spain)
Argentine artists
Argentine people of Galician descent
Lithographers
20th-century Argentine artists
20th-century lithographers

masks:
Luis Seoane
Seoane
Seoane
Luís
Seoane
Luís
Seoane
Luís
Seoane
Luís
Luís
Seoane
Luís
Seoane
Luís
Seoane
Luis Seoane
Seoane
Luis Seoane
de Luís
Luís
Luís
Seoane
Luís
Luís
Luís
Seoane
Luís
Seoane
Luís
Seoane
Luís
Luís
Luís
Luis Seoane
Luís


title: Andrey Filatov

texts:
<mask> (; born 18 December 1971) is a Russian entrepreneur. <mask> is chairman of the Board of Directors of Tuloma investment company, and a co-owner of the Globaltrans company. <mask> is also President of the Chess Federation of Russia (from 1992 to 2018 - Russian Chess Federation). He is Honorary Academician of the Russian Academy of Arts. Biography
<mask> completed secondary education at Junior Sporting School 9 in the city of Dnepropetrovsk, Ukraine, USSR. He was ranked Candidate for Master of Sport of the USSR (chess). In 1993, he graduated from the Academy of Physical Education and Sports of the Republic of Belarus (the Belorussian State University of Physical Culture) with the diploma of Sport Instructor and Chess Coach.At the academy, he met and made friends with such chess players as Ilya Smirin and Boris Gelfand. In 1996, together with his partners Konstantin Nikolaev and Nikita Mishin founded Severstaltrans. <mask> <mask> is a member of the Economic Council of the French-Russian Chamber of Commerce and Industry (CCIFR). In 2015 was awarded the title of Honorary Academician of the Russian Academy of Arts for his contribution to the development and popularization of Russian and Soviet art. <mask> <mask> is Chevalier of the French Legion of Honor Medal. Led by His Excellency the Ambassador of France to Russia Mr. Jean-Maurice Ripert, the official award ceremony took place on 2 March 2016, in the Chess Museum of Moscow. In 2016, for merits in development of physical culture and sports, <mask> <mask> was honored with the Russian Medal of the Order "For Merit to the Fatherland" (2nd class).The award was given to <mask> <mask> by Russian Prime Minister Dmitry Medvedev on 10 June 2016. <mask> <mask> was awarded with a bronze medal as senior trainer of the Russian men's team at the 42nd Chess Olympiad in Baku (2016), a bronze medal at the 43nd Chess Olympiad in Batumi (2018) and a silver medal at FIDE World Team Championships in Khanty-Mansiysk (2017), in 2020 and 2021 - gold medals for winning the first and second FIDE online Olympiads. In April 2021, he was awarded the Order of Honour for the success of the Russian national team at the first-ever FIDE Online Chess Olympiad (the order was presented on June 9, 2021, by the Minister of Sports of the Russian Federation Oleg Matytsin). In December 2021 he became the first recipient of the FIDE Certificate of Merit, a newly established award. On December 28, 2021, at the FIDE General Assembly in Warsaw, he was unanimously elected an honorary member of the organization. Estimated wealth
<mask> <mask>'s main asset is the Tuloma investment company. Не is also a co-owner of the railway companies Globaltrans and Transoil Ltd  (7%).In October 2015, <mask> announced consolidation into Tuloma Investment Company, which specializes in investing in Russian companies and shares, of his personal assets (other than Global Ports, Transoil and Globaltrans). Tuloma's investment portfolio includes stakes in Coal Mining Investments Ltd., Fabrikant, Pskovneft-Terminal, real estate development projects of Volgo-Okskaya Investment Company (VOIC), Pushkin, StroyEngineering Development, as well as shares in FosAgro, Novatek, MegaFon, LukOil, Surgutneftegas and Norilsk Nickel. In 2010, Finance magazine estimated <mask> <mask>'s wealth at $920 million. In 2011, the Russian version of Forbes magazine ranked Filatov 93rd among Russia's wealthiest business people with an estimated wealth of  $1.1 billion. In 2012, Forbes World Listing estimated <mask>'s wealth at $1.3 billion (ranked 960th globally). In November 2017, <mask> <mask> embarked on a PSA project to develop "25 Years of Independence", one of the largest gas deposits in Uzbekistan, with estimated reserves of 100 bcm. <mask>'s stake in the project is 37.5%.On 19 October 2018, <mask> <mask> and the chairman of the Board of Directors of Uzbekneftegaz JSC Bahrom Ashrafkhanov signed a supplemental agreement for the project to create a single investor and set the commercial conditions for the development of the field. Awards
 Jubelee medal “300 Years of the Russian Navy” (1997)
 Russian Presidential Certificate of Merit (21 January 2011) for active involvement of the transfer by the Republic of Korea of the Russian cruiser Varyag (1899) jack flag to the Russian Federation
 The Moscow Times Awards (10 December 2013) -  for sponsoring the startup of the first television channel dedicated exclusively to chess. Order of St Seraphim of Sarov, 3rd Class (25 June 2013)
 The most popular Russian sports manager of 2014 according to the Sport History and Statistics Fan Club (Russia) rating
 Five Continents Medal of UNESCO (26 May 2015)
 National Order of the Legion of Honour (2 March 2016)
 Medal of the Order "For Merit to the Fatherland", 2nd class (14 May 2016)
 Bronze medal (Russian men's team trainer) at the 42nd Chess Olympiad in Baku (2016)
 Silver medal (Russian men's team trainer) at FIDE World Team Championships in Kanty-Mansiysk (2017)
 Bronze medal (Russian men's team trainer) at the 43rd Chess Olympiad in Batumi (2018)
 Order of Friendship (2019)
 Order of Honour (2021)
 FIDE Gold Medal for the victory of the Russian national team at the first FIDE Online Olympiad (6 May 2021)
 FIDE Gold Medal for the victory of the Russian national team at the second FIDE Online Olympiad

Chess and public activities
<mask> <mask> is a member of the Economic Council of French and Russian Businesses of the Franco-Russian Chamber of Commerce and Industry (CCIFR). Filatov is a member of the Valaam Monastery Board of Guardians. He has been keen on chess since childhood. Filatov was the initiator and sponsor of the World Chess Championship 2012 held in Moscow in 2012, in the State Tretyakov Gallery. According to Filatov, "By holding the match in a museum we are attempting to emphasize the link between our favorite game and the arts, as well as pay tribute to the memory of great Russian artists in the broadest sense, including painters, writers, composers and musicians"..The game was played between Boris Gelfand and Viswanathan Anand. <mask> funded the restoration of the tombstone monument to one of the greatest chess players, Alexander Alekhine, the first world champion who was Russian by birth, in Paris. In memory of his first chess coach, Alexander Valerianovich Sinitsyn, <mask> set up the Sinitsyn Memorial international children chess festival, which has been held in Dnepropetrovsk since 2001. On 1 February 2014 at the 22nd congress of the Russian Chess Federation, <mask> <mask> was elected President of the Russian Chess Federation. On 13 August 2014, <mask> <mask>, the President of the Russian Chess Federation, was elected to the post of the vice president of the International Chess Federation (FIDE) at the world federation's congress in Norway's Tromsø. He hold office as vice president of FIDE from 2014 to 2018. From January 2016, <mask> is the senior coach of the Russian men's national chess team.The team won a bronze medal at the 42nd Chess Olympiad in Baku in September 2016, a silver medal in the team championship in Khanty-Mansiysk in June 2017, a bronze medal at the 43rd Chess Olympiad in Batumi in October 2018 and a gold medal at the World Team Championship in Astana in March 2019. In 2016 <mask> was awarded a title of FIDE Senior trainer. On 20 July 2018, <mask> <mask> announced the national team roster for the upcoming World Chess Olympiad in Batumi. The Olympiad became historically unprecedented by gathering the world's strongest chess teams. The Russian men's national team won bronze in the competition. <mask> is collecting pieces of art – painting, graphic works, and sculpture as well. In his collection are works of such painters as Igor Grabar, Pyotr Konchalovsky, Konstantin Korovin, Gely Korzhev, Viktor Popkov, Arkady Plastov, Nicolai Fechin, and Aleksandr Laktionov.The collection started with Portrait of the engraver J.Watts by Nikolai Fechin. This portrait in 1924 won the Thomas R. Procter prize of the National Academy of Design in the USA. <mask> <mask>'s favorite painter is Viktor Popkov. In 2014, <mask> became the owner of Château La Grace Dieu Des Prieurs, a French winemaker situated in Saint-Emilion, part of the Bordeaux winemaking region. The renowned oenological consultant Louis Mitjavile was invited to improve the winemaking process, while Jean Nouvel, one of the best-known French architects, created a unique design for the renovated château. Since 2017 the wine is branded as Art Russe Grand Cru and the wine label design includes reproductions of works from the Art Russe fund collection. In March 2021, Сuvée Elena by Chateau La Grace Dieu des Prieurs won the international design competition Red Dot Award in the Product Design category, subcategory Beverage Packaging.On 3 February 2018, <mask> <mask> was re-elected RCF President by the XIII Congress of the Russian Chess Federation. In June 2020, <mask> offered to acquire the monument to Theodore Roosevelt in New York City and the monument to Alexander Baranov in Sitka, AK, in the event that a decision was made to remove them. In August 2020, the Russian national team took gold in the first-ever FIDE Online Chess Olympiad., in September 2021, team Russia won second FIDE Online Olympiad. Art Russe Fund
In 2012, <mask> <mask> established the Filatov Family Art Fund, to collect Russian and Soviet paintings and sculptures found abroad. In June 2014, the Filatov Family Art Fund announced that it was rebranding to Art Russe as it prepared to open a new museum in London. Art Russe would continue the work of the Filatov Family Art Fund, but would take on a broader role, with the focus shifting from collecting art to showing the world the breadth and depth of the talent that thrived in Russia. On 29 July 2014, Art Russe became a Patron of the Serpentine Galleries, one of London's leading art galleries.The agreement demonstrates Art Russe's commitment to supporting international galleries, museums and exhibitions, as it planned to launch its own museum in London. To mark the 70th anniversary of Victory in Europe, in spring 2015 Art Russe arranged the art exhibition The Legacy of World War II in Russian Art at the Saatchi Gallery, London. The exhibition featured paintings and sculptures, most of which had never before been on public display in the UK, including Alexander Laktionov's Letter from the Front; the Tkachev brothers' By the Well; Igor Obrosov's Wartime Moscow 1941; Ivan Penteshin's The Defence of Leningrad; Evsey Moiseenko's Freedom; Gely Korzhev's The Reunion and Mai Danzig's monumental canvas And the World Remembers the Saviours. Foundation Art Russe became a Major Funder of the exhibition Astronauts: The Birth of the Space Age, which opened on 17 September 2015 at London's Science Museum. Several exceptionally rare pieces of space hardware relating to the Soviet space program, which had never travelled outside of Russia before, were brought to London for the exhibition, which subsequently toured internationally, including to Moscow. Among the objects: R-7 ballistic missile engines, R-7 spacecraft "Vostok 6 spacecraft", which carried the world's first woman cosmonaut Valentina Tereshkova into space, personal belongings of astronauts, the objects of their everyday life on board, and even a space cosmic souls shower. Art Russe has organized the first major exhibition of Russian and Soviet art of the twentieth century in the Middle East, which opened on 6 October 2015 in the capital of the United Arab Emirates, Abu Dhabi.The exhibition, entitled Art Russe Collection of 20th Century Russian and Soviet art Art of the XX century Art Russe: War and Peace and including more than 120 works, takes place under the patronage of the Minister of Culture, Youth and Social Development of the United Arab Emirates Sheikh Nahyan bin Mubarak Al Nahyan. The exhibition ran until February 2016. In February 2016, the painting Freedom! by Evsey Moiseenko was transferred to the exhibition at Yad Vashem, Israel's national memorial to the victims and heroes of the Holocaust, for a period of 15 years. In June 2016, the fund signed an agreement with the Montagu family to open a new permanent gallery of Russian art at Beaulieu, in Hampshire. In August 2016, Art Russe funded the creation of a tapestry to be woven from a watercolour painting by Prince Charles, Duke of Rothesay at Dovecot Studios in Edinburgh. In November 2016, Art Russe expanded its collection through the acquisition of seven paintings by some of the most iconic Russian artists.These paintings previously belonged to a European noble family. This followed last year's acquisition of eleven canvases from a European royal family. In December 2015 Art Russe signed the agreement to acquire paintings representing several influential movements in Russian art, such as Peredvizhniki. These works included The Religious Procession in Kursk Province, and Sadko by Ilya Repin, The Mother of God by Kuzma Petrov-Vodkin, Whirlwind by Filipp Malyavin, Alionushka by Viktor Vasnetsov, The Swan Princess by Mikhail Vrubel, watercolour study The Rape of Europa by Valentin Serov, and Ballet Dressing-room Snowflakes by Zinaida Serebriakova. References

External links
 Art Russe website
 Tuloma Investment Company website
 La Grace Dieu Des Prieurs website
 Article in "Canberra Times"
 Article in "New In Chess", No.1, 2013

Interviews
 <mask> Filatov interview with "Kommersant" "Kommersant"
 <mask> Filatov video interview with "Chessvibes"
 <mask> Filatov interview with "RBC daily"
 <mask> Filatov interview. "Europe Echecs"  "Europe Echecs"
 Europe-Echecs video interview <mask> Filatov the World Championship sponsor  "Europe Echecs"
 <mask> <mask> answers questions put to him by "CHESS Magazine" editor John Saunders, London Chess Centre
 <mask> <mask> interview with "CNN"
 <mask> Filatov interview with "Sport Express" "Sport Express"
 chessdailynews.com - <mask> <mask>, recently elected President of Russian Chess Federation, gave a long interview for the popular newspaper "Sport-Express" 7 February 2014 "Sport Express"
 <mask> Filatov: Chess is an efficient way to fight drugs // Andrey Filatov interview with "ITAR-TASS"
 Sport-Express. Andrey Filatov: Forbes overrates me // ruchess.ru, 23 May 2015
 Pablo Who?

masks:
Andrey Vasilievich Filatov
Filatov
Andrey Filatov
Filatov
Andrey
Filatov
Andrey
Filatov
Andrey
Filatov
Andrey
Filatov
Andrey
Filatov
Andrey
Filatov
Filatov
Andrey
Filatov
Filatov
Andrey
Filatov
Filatov
Andrey
Filatov
Andrey
Filatov
Filatov
Filatov
Andrey
Filatov
Andrey
Filatov
Filatov
Filatov
Andrey
Filatov
Filatov
Andrey
Filatov
Filatov
Andrey
Filatov
Filatov
Andrey
Filatov
Andrey
Andrey
Andrey
Andrey
Andrey
Andrey
Filatov
Andrey
Filatov
Andrey
Andrey
Filatov
Andrey


title: John Hutchinson (Roundhead)

texts:
Colonel <mask> (1615–1664) was an English politician who sat in the House of Commons of England from 1648 to 1653 and in 1660. He was one of the Puritan leaders, and fought in the parliamentary army in the English Civil War. As a member of the high court of justice in 1649 he was 13th of 59 Commissioners to sign the death-warrant of King Charles I. Although he avoided the fate of some of the other regicides executed after the Restoration, he was exempted from the general pardon, only to the extent that he could not hold a public office. In 1663, he was accused of involvement in the Farnley Wood Plot, was incarcerated and died in prison. He invested very successfully in buying paintings from the art collection of Charles I after his execution, spending very large amounts relative to his wealth. After a few years he resold them for substantial profits.<mask> was the son of Sir <mask> (1589–1643) of Owthorpe Hall and Margaret daughter of Sir <mask> of Newstead {she was a descendant of Sir William Sidney}. He was baptised on 18 September 1615. He was educated at Nottingham Grammar School, Lincoln Grammar School where he considered <mask> the Master 'a supercilious pedant',and Peterhouse, Cambridge. In 1636 he entered Lincoln's Inn to study law, but devoted himself to music and divinity rather than the study of law. Unlike his Royalist father, Sir <mask>, who represented Nottinghamshire in the Long parliament, he took, the parliamentary side. He first distinguished himself by preventing Lord Newark, the lord-lieutenant of the county, from seizing the county powder-magazine for the king's service. He next accepted a commission as lieutenant-colonel in the regiment raised by Colonel Francis Pierrepont, and became one of the parliamentary committee for Nottinghamshire.On 29 June 1643, at the order of the committee and of Sir <mask>, <mask> undertook the command of Nottingham Castle; he received from Lord Fairfax in the following November a commission to raise a foot regiment, and was finally appointed by Parliament governor of both town and castle. The town was unfortified, the garrison weak and ill-supplied, with the committee torn by political and personal feuds. The neighbouring royalist commanders, <mask>'s cousin (Sir Richard Byron), and William, Marquess of Newcastle, attempted to corrupt <mask>. Newcastle's agent offered him £10,000, and promised that he should be made "the best lord in Nottinghamshire", but <mask> indignantly refused to entertain such proposals. The town was often attacked. Sir Charles Lucas entered it in January 1644 and endeavoured to set it on fire, and in April 1645 a party from Newark captured the fort at Trent-bridges. <mask> succeeded in making good these losses, and answered each new summons to surrender with a fresh defiance.The difficulties were increased by continual disputes between <mask> and the committee, which were a natural result, in Nottingham as elsewhere, of the divided authority set up by Parliament. But there is evidence that <mask> was irritable, quick-tempered, and deficient in self-control. The Committee of Both Kingdoms endeavoured to end the quarrel by a compromise, which <mask> found great difficulty in persuading his opponents to accept. On 16 March 1646 <mask> was returned to Parliament as member for Nottinghamshire, succeeding to the seat held by his father, who had died on 18 August 1643. His religious views led him to attach himself to the Independent rather than the Presbyterian party. As governor he had protected the separatists to the best of his ability, and now, under his wife's influence, he adopted the main tenet of the Baptists. He was commissioner for exclusion from sacrament in 1646 and commissioner for scandalous offences in 1648.On 22 December 1648 <mask> signed the protest against the votes of the House of Commons accepting the concessions made by the king at the treaty of Newport, and consented to act as one of the judges at the trial of Charles I. According to his wife, he was nominated to the latter post very much against his will; "but, looking upon himself as called hereunto, durst not refuse it, as holding himself obliged by the covenant of God and the public trust of his country reposed in him". After serious consideration and prayer he signed the sentence against the king. From 13 February 1649 to 1651 <mask> was a member of the first two Councils of State of the Commonwealth, but he took no very active part in public affairs, and with the expulsion of the Long parliament in 1653 moved back to his family seat at Owthorpe near Nottingham and lived in retirement until 1659 when he was made High Sheriff of Nottinghamshire. His neighbours thought of electing him to the First Protectorate Parliament in 1656, but Major-general Whalley's influence induced them to change their minds. According to his wife <mask>, Cromwell attempted to persuade her husband to accept office, "and, finding him too constant to be wrought upon to serve his tyranny", would have arrested him had not death prevented the fulfilment of his purpose. The certificate presented in <mask>'s favour after the Restoration represents him as secretly serving the royalist cause during the Protectorate, but of this there is no independent evidence of this.The real object of his political action seems to have been the restoration of the Long parliament. He took his seat again in that assembly when the army recalled it to power (May 1659), and when <mask> expelled it (October 1659) prepared to restore its authority by arms, he secretly raised men, and concerted with Francis Hacker and others to assist George Monck and Arthur Hesilrige against Lambert and his party, In his place in parliament he opposed the intended oath abjuring the Stuarts, voted for the re-admission of the secluded members, and followed the lead of Monck and Cooper, in the belief that they were in favour of a Commonwealth. He retained sufficient popularity to be returned to the Convention Parliament as one of the members for Nottingham, but was expelled from it on 9 June 1660 as a regicide. On the same day he was made incapable of bearing any office or place of public trust in the kingdom, but it was agreed that he should not be excepted from the Act of Indemnity either for life or estate. In his petitions he confessed himself "involved in so horrid a crime as merits no indulgence", but pleaded his early, real, and constant repentance, arising from "a thorough conviction" of his "former misled judgment and conscience", not from a regard for his own safety. Thanks to this submission, to the influence of his kinsmen, Lord Byron and Sir Allen Apsley, to the fact that he was not considered dangerous, and that he had to a certain extent forwarded the Restoration, <mask> escaped the fate of most of the other regicides. Yet, as his wife owns, "he was not very well satisfied in himself for accepting the deliverance.… While he saw others suffer, he suffered with them in his mind, and, had not his wife persuaded him, had offered himself a voluntary sacrifice". In October 1663 <mask> was arrested on suspicion of being concerned in what was known as the Farnley Wood Plot. The evidence against him was far from conclusive, but the government appears to have been eager to seize the opportunity of imprisoning him. Imprisonment restored <mask>'s peace of mind. He regarded it as freeing him from his former obligations to the government, and refused to purchase his release by fresh engagements. During his confinement in the Tower of London he was treated with great severity by the governor, Sir <mask>, and threatened in return to publish an account of his malpractices and extortions. He even succeeded in getting printed a narrative of his own arrest and usage in the Tower, which is stated on the title-page to be "written by himself on the 6th of April 1664, having then received intimation that he was to be sent away to another prison, and therefore he thought fit to print this for the satisfying his relations and friends of his innocence".A warrant for <mask>'s transportation to the Isle of Man was prepared in April 1664, but he was finally transferred to Sandown Castle in Kent on 3 May 1664. The castle was ruinous and unhealthy, and he died of a fever four months after his removal to it on 11 September 1664. His wife obtained permission to bury his body at St Margaret's Church, Owthorpe. Assessment
In the opinion of the historian C. H. Firth that <mask>'s defence of Nottingham was a service of great value to the parliamentary cause, but his subsequent career in Parliament and the Council of State shows no sign of political ability. His fame rests on his wife (<mask>'s) detailed biography of his life and commemoration of his character, not on his own achievements. Family
He was married to Lucy, daughter of Sir Allen Apsley Lord Lieutenant of the Tower of London. <mask> and Lucy had 9 children,  including <mask> and Barbara.His wife was the author of his biography Memoirs of the life of colonel <mask>. Although the book was not published until several years after her death, she had known many of the people in that conflict and was in an ideal position to chronicle the events of the war. Notes

References

 <mask>, Lucy, b. 1620; <mask>, Julius; Halsall, Edward; Chisenhale, Edward, d. 1654, Memoirs of the life of Colonel <mask>, Governor of Nottingham Castle and Town, representative of the County of Nottingham in the Long Parliament, and of the Town of Nottingham in the first parliament of Charles the Second, with original anecdotes of many of the most distinguished of his contemporaries, and a summary review of public affairs. London : H. G. Bohn, 1863

Attribution

1615 births
1664 deaths
Alumni of Peterhouse, Cambridge
Regicides of Charles I
Roundheads
People from Rushcliffe (district)
High Sheriffs of Nottinghamshire
English MPs 1648–1653
English MPs 1660
English people who died in prison custody
English politicians convicted of crimes
People educated at Lincoln Grammar School

masks:
John Hutchinson
Life Hutchinson
Thomas Hutchinson
John Byron
John Clarke
Thomas Hutchinson
John Meldrum
Hutchinson
Hutchinson
Hutchinson
Hutchinson
Hutchinson
Hutchinson
Hutchinson
Hutchinson
Hutchinson
Hutchinson
Hutchinson
Lucy Hutchinson
Hutchinson
John Lambert
Hutchinson
Hutchinson
Hutchinson
John Robinson
Hutchinson
Hutchinson
Lucy Hutchinson
John
John
Hutchinson
Hutchinson
Hutchinson
Hutchinson


title: Beatrice M. Sweeney

texts:
<mask> "Beazy<mask> (–) was an American plant physiologist and a pioneering investigator into circadian rhythms. At the time of her death she was professor emerita at the University of California, Santa Barbara, where she had worked since 1961. Having started her career as a botanist, serendipity led her to dinoflagellate research. She investigated circadian rhythms in photoluminescent dinoflagellates, and other single celled organisms. Later in her career she served as a senior officer in many scientific organizations, including the American Association for the Advancement of Science and the American Institute of Biological Sciences. Early life and education
<mask> was born <mask> on  in Boston, Massachusetts, the daughter of Eleanor and Henry O<mask>. She gained her undergraduate degree at Smith College where she performed research into the effect of drugs on cytoplasmic streaming. She attended graduate school at Radcliffe College, where she investigated how auxin affected cytoplasmic streaming in Avena seedlings under the supervision of Kenneth V. Thimann.She was helped in her research by Folke K. Skoog, who was a postdoctoral fellow at Harvard at the time. She completed her Ph.D. degree in 1942. She married her first husband in 1932 and had four children. In 1961 married secondly the physicist Paul Hartmann Lee. Career
Following the completion of her Ph.D., she followed her first husband to Rochester, MD. She was initially unable to find an academic job in botany, so she worked as a lab technician. She then worked as a postdoctoral fellow at the Mayo Clinic.She again followed her husband to San Diego, and she found employment at the Scripps Institution of Oceanography, where she first began working with dinoflagellates, and began her investigations in circadian rhythms. In 1961 she moved to Yale, where she was appointed a lecturer in algal physiology. However, at Yale she was never given a permanent position, so in 1967, she returned to the west coast, with an appointment at the University of California, Santa Barbara, where she was made professor in 1971, and professor emerita in 1982. She served as the associate provost of College of Creative Studies from 1978 to 1981. While in Santa Barbara, <mask> gave a tour of the campus to the daughter of a family friend, future Nobel laureate Carol W. Greider, who was a high school student at the time. This led to Greider studying at the College of Creative Studies. <mask> introduced Greider to research during her freshman year, and mentored her throughout the rest of her time at UCSB.<mask> was president of the American Society for Photobiology in 1979, the American Institute of Biological Sciences in 1980, the pacific division of the American Association for the Advancement of Science in 1981, and the Phycological Society of America in 1986. In 1983, the Botanical Society of America awarded her the Darbaker Prize for Study of Microscopic Algae, with the citation as follows:

Dr. <mask> is a world-respected innovator in the study of circadian rhythms, particularly in the dinoflagellates. By bringing dinoflagellates into culture and by defining their multiple photoperiodic responses, especially the physiological and ultrastructural aspects of the circadian rhythms of their bioluminescence, she has influenced the research direction of many laboratories. She received honorary doctorates from Umeå University in 1985, and Knox College in 1986. She suffered a stroke on 30 June 1989 while traveling to the Gordon Conference on Chronobiology, while visiting the Marine Biological Laboratory at the invitation of her long time collaborator John Woodland Hastings, and fell into a coma. She died on 17 July 1989. Research
Upon arrival at the Scripps Institution, <mask> wanted to study photosynthesis of red and brown algae in different colors of light.However, she encountered delays in procuring the equipment, so on the suggestion of her colleague <mask> Sargent, she attempted to culture dinoflagellates. An early success was the discovery that Akashiwo sanguinea (then known as Gymnodinium splendens) requires vitamin B12 in order to grow. She was also able to culture Lingulodinium polyedra (then known as Gonyaulax polyedra), and became interested in its bioluminescence. She noticed that it luminesced in daily cycles, and presented this result at a conference. At that time, biological rhythms were known for a variety of assemblages of cells but <mask> noted that when such rhythms shifted, it was impossible to tell if all cells shifted or if the population became unsynchronized. To address this question, she studied single cells in Cartesian divers and found that rhythms occurred in single cells that responded similarly to resetting stimuli. John Woodland Hastings (known as Woody Hastings) heard <mask> present her work on rhythms at a conference in Asilomar in 1955 and became acquainted with her because he shared her interest in bioluminescent dinoflagellates.They began a collaboration, with Woodland joining her at the Scripps Institution during the summers of 1955 to 1957. Together with Woodland's student <mask> Karakashian, they characterized the circadian rhythm of the species. Later, at Yale, she used electron microscopy to image the internal structure of G. polyedra. In 1960, she joined an expedition from Cairns to Thursday Island aboard a crocodile hunting boat. She was able to collect a sample of Acetabularia, a green algae with the ability to survive for long periods without its nucleus, enabling her to determine that a nucleus was not required for the maintenance of a circadian rhythm. In 1969 and 1975, she went to sea aboard the NSF's RV Alpha Helix, and studied bioluminescence on voyages to New Guinea and South East Asia. She studied the red tides that killed fish, caused by dinoflagellate algae, and consulted with groups trying to combat these disasters.She continued her research into circadian rhythms for the rest of her career, publishing her monograph Rhythmic Phenomena in Plants in 1969, and a second edition in 1987. Publications
Over her career, <mask> was the author of 139 manuscripts. Selected publications

References

American women biologists
Radcliffe College alumni
University of California, Santa Barbara faculty
1914 births
1989 deaths
American microbiologists
20th-century American women
20th-century American people

masks:
Eleanor Beatrice Marcy
" Sweeney
Sweeney
Eleanor Beatrice Marcy
. Marcy Jr
Sweeney
Sweeney
Sweeney
Sweeney
Sweeney
Marston
Sweeney
Sweeney
Marlene
Sweeney