title: Greenleaf Fisk

texts:
<mask> (1807–1888) was a pioneer, known as "the Father of Brownwood, Texas". When a land and water dispute necessitated a new site for Brown County's seat of Brownwood, <mask> donated the land for the new location. He was a military veteran of the Texas Revolution and was a member of the Republic of Texas House of Representatives. <mask> was a Chief Justice when he lived in Bastrop, Texas. When he relocated his family to Brown County, he became a substantial land owner and served the people in several positions of local government. In 1968, the home of <mask>  <mask> was designated a Recorded Texas Historic Landmark. February 25, 2004, the home was put on the National Register of Historic Places.Early years

<mask> <mask> was born in Penfield (Monroe County), New York on May 19, 1807 to <mask> and Rebecca Canfield <mask>. At the age of 12, <mask> worked on a dairy farm in New Jersey. <mask> originally intended to enter the Presbyterian ministry and enrolled in Lane Theological Seminary in Cincinnati, Ohio. He furthered his education at  Hanover College in Indiana. Many have errorenously reported that <mask> <mask> was born in Albany, New York (225 miles from Penfield), and repeatedly cited these inaccurate reports. Texas

In 1834, <mask> moved to Bastrop County in the community of Mina, which eventually became the city of Bastrop, where he met and married his first wife, Mary Ann Manlove, daughter of Col. Bartholomew "Bat" Manlove. He built a stagecoach inn on his property at 1005 Hill Street in Bastrop, as a wedding present for his bride.The house is now on the National Historic Register (#78003353). He later sold it and two more veterans of San Jacinto lived in the house—Jesse Halderman and Campbell Taylor. <mask> enlisted in the company of Mina Volunteers, 49 Bastrop County men with Captain Jesse Billingsley, under Edward Burleson. <mask> missed participation in the Battle of San Jacinto that happened on April 21, 1836, due to the news of the defeat and death of James Fannin at the Goliad massacre on March 27, 1836. Upon hearing of the massacre, Burleson ordered several of the Mina Volunteers, including <mask>, to "guard the baggage at Harrisburg." But later, when he heard the settlers were in trouble on the Runaway Scrape, he ordered <mask>, John Holland Jenkins, and several other men to return to Bastrop to help the settlers who were fleeing the Mexicans. <mask>'s name is on the wall of the San Jacinto Monument as a participant and he received a land grant for his participation.The remaining Burleson troops pressed on to San Jacinto without <mask>. In 1838, <mask> served one year as a legislator for the Third Congress Republic of Texas,  became district court clerk in Bastrop, and in 1841 was named chief justice (now called county judge) for Bastrop County. <mask> was also elected mayor of Bastrop from 1839-1840. Other offices and areas of service for Fisk were: first county judge of Williamson and Brown Counties, chief surveyor of the Republic of Texas, district clerk and county surveyor for Bastrop and Brown Counties, Indian negotiator for the Comancheria, Mina Volunteer, Texas Ranger, and Mexican War veteran. Brown County

Fisk became a large landholder in Brown County, eventually owning over 14,000 acres, including the league that he inherited from his wife, Mary Ann Manlove <mask>. On November 18, 1847, Fisk obtained a grant of 1,240 acres of the Marcus Huling survey, Abstract 405, Patent 150, in Bastrop County. On December 8, 1847, Fisk obtained a grant of 4,605.50 acres of the E.D.Prewitt survey, Abstract 741, Patent 159, in Brown County. On June 7, 1848, <mask> obtained a grant of 1476.13 acres of the John Kellogg survey, Abstract 578, Patent 478, in Brown County. On June 17, 1862, <mask> obtained a grant of 320 acres of the H. Upchurch survey, Abstract 925, Patent 589, in Travis County. On August 21, 1862, <mask> obtained a grant of 949.30 acres of the Taylor Smith survey, Abstract 821, Patent 63, in Brown County. On November 25, 1870, <mask> obtained a grant of 288 acres in the William S. Mitchell survey, Abstract 632, Patent 288, in Brown County. On December 1, 1877, <mask> obtained a grant of 320 acres in the Juan Armendaris survey, Abstract 1004, Patent 253, in Brown County. In 1860, <mask> and his new family moved to Brown County and constructed a log house east of what is now Brownwood.In time, <mask> constructed a home of native limestone and added a gristmill. That home has now been designated with historic markers, both state and national. <mask> wore many hats, as county judge, justice of the peace, county surveyor, district clerk, county clerk, county treasurer, and teacher at Brownwood school, the county's first. <mask> also gave land and money at his death to help establish Daniel Baker College in Brownwood. His daughter Phoebe was later one of the first female students at the college. This college later merged with the Baptist college of Howard Payne University. The original site of Brownwood (county seat for Brown County) was on the east of Pecan Bayou.When a dispute arose over land and water rights, settlers were forced to find a new location. <mask> <mask> donated 60 acres to relocate the county seat to the west side of the bayou on what is now the current site of Brownwood, and 100 additional acres for county use. The town of Brownwood was incorporated in 1884 and was named for Henry Stevenson Brown, a commander at the Battle of Velasco. Personal life and death

Between May and July 1835, <mask> married Mary Ann Manlove, daughter of Colonel Bartholomew Manlove (first mayor of Bastrop, Texas) and Avarilla Perkins. Mary Ann was born in Kentucky, probably Bourbon County in 1811. They later moved from Bastrop County to Williamson County in 1848. Mary Ann inherited her father's league and labor in Williamson County, and Greenleaf and she owned around 27,000 acres in what is today Georgetown, Leander, and Liberty Hill, Texas.Mary Ann also owned a league of land in what is today Brown and Coleman Counties. This league was given to her as a replacement for land she lost in Bastrop County over a land dispute, after the Texas Revolution. Both <mask> and Mary Ann's children inherited this land after her death. <mask> and Mary Ann also gave land and money to what is today Southwestern University in Georgetown. This was to help finance the removal of the failed Methodist college from Reutersville and establish a new college at Georgetown. Later, <mask> and Mary Ann's son, James Bartholomew <mask>, married Mary Martha Rachel Euphemia "Feemie" Carothers, daughter of Col. Samuel Carothers of Georgetown. <mask>'s sister-in-law, Lizzie Carothers Weiss, saved the university in 1937, when it became destitute, by endowing it with $160,000 at her death.Lizzie, a lifelong Methodist, had graduated from Southwestern. She stipulated that the college be reorganized on a better financial footing, but she literally saved the college from extinction. Mary Ann and <mask> had seven children together. Mary Ann died in 1853. <mask> <mask> then married Mary Ann's sister, Margaret Jane Manlove (born in 1823) on January 20, 1855, in Williamson County, Texas. Margaret died in 1855 several days following the birth of a child (this baby died about two weeks later). Both Margaret Jane and the baby are also buried in the Fisk-Cashion Cemetery in Williamson County.On May 8, 1857, in Williamson County, Texas, Mary Piper Hawkins became the third wife of <mask> <mask>, and they had eight children together. The third Mrs. <mask> died in 1905 and is buried at Greenleaf Cemetery in Brownwood, Texas next to her husband. <mask> <mask> died on January 26, 1888, and is buried at Greenleaf Cemetery in Brownwood, Texas. At his death his family gave land for the establishment of Daniel Baker College. One of <mask>'s daughters was one of the first female students there. Later, the Baptist College, Howard Payne College, merged with Daniel Baker College and is today known as Howard Payne University. Its main building is located on Fisk Street in Brownwood.The day of <mask> <mask>'s funeral at the First Presbyterian Church of Brownwood, the entire town shut down in his honor. Two memorial cenotaphs for <mask> <mask> and his first wife Mary Ann Manlove can be found side by side at Texas State Cemetery. <mask>'s memorial was dedicated by the <mask> family on April 26, 2003, whereas Mary Ann's memorial was dedicated in 2009. References

1807 births
1888 deaths
People from Bastrop, Texas
People from Brown County, Texas
Recorded Texas Historic Landmarks
Politicians from Albany, New York
American city founders
Political office-holders in the Republic of Texas
Hanover College alumni
Lane Theological Seminary alumni
19th-century American politicians

masks:
Greenleaf Fisk
Fisk
Fisk
Greenleaf
Fisk
Greenleaf
Fisk
Nathan Fisk
Fisk
Fisk
Fisk
Greenleaf
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Fisk
Greenleaf
Fisk
Fisk
Greenleaf
Greenleaf
Greenleaf
Fisk
Fisk
Greenleaf
Greenleaf
Fisk
Greenleaf
Fisk
Fisk
Greenleaf
Fisk
Fisk
Greenleaf
Fisk
Greenleaf
Fisk
Greenleaf
Fisk


title: Pete Pihos

type: original

texts:
<mask> (; October 22, 1923August 16, 2011) was an American football player and coach. <mask> played college football, principally as an end and fullback, for Indiana University from 1942 to 1943 and 1945 to 1946. He was selected as a first-team All-American in 1942, 1943, and 1945. His college playing career was interrupted by service in the United States Army during World War II. He was inducted into the College Football Hall of Fame in 1966, the first Indiana player to be so honored. <mask> played professional football as an end in the National Football League (NFL) for the Philadelphia Eagles from 1947 to 1955. While with the Eagles, he helped the team win back-to-back NFL championships in 1948 and 1949.He was selected six times to play in the Pro Bowl (1950–1955) and six times as a first-team All-Pro (1948, 1949, 1952–1955). During his career, he was one of the NFL's leading receivers. He was named to the NFL 1940s All-Decade Team in 1969 and inducted into the Pro Football Hall of Fame in 1970. After his playing career was over, <mask> was the head football coach for National Agricultural College (later renamed Delaware Valley University) from 1956 to 1958. He also held coaching positions with Tulane University (assistant coach, 1959–1960) and the Richmond Rebels (head coach, 1964–1965). Early life
<mask> was born in 1923 in Orlando, Florida. His parents, Louis and <mask>, were Greek immigrants.In August 1937, when <mask> was 13 years old, his father, the operator of an all-night restaurant in Orlando, was murdered. His body was discovered behind the counter of the restaurant with his skull fractured in 12 places. Police concluded he had been struck with a meat cleaver or axe. A young truck driver was arrested and charged with the murder but was not convicted. <mask> attended Orlando High School where he played football as a tackle and basketball as a guard. When he was a junior in high school, his mother moved the family to Chicago, where he attended Austin High School. College and World War II

1942 and 1943 seasons
<mask> attended the Indiana University and played for the Indiana Hoosiers football team, first as an end in 1942 and 1943.As a sophomore in 1942, <mask> caught 17 passes for 295 yards. He scored the only touchdown in a 7–0 upset victory over the seventh-ranked Minnesota Golden Gophers, which came in the game's closing minutes and ended Minnesota's hope of a third straight Big Ten Conference title. He was named to the All-America team selected based on the votes of 1,706 fellow players, earned honorable mention on the United Press (UP) All-America team, and was a second-team selection on the UP's All-Big Ten team. As a junior in 1943, <mask> caught 20 passes for 265 yards and four touchdowns and scored two rushing touchdowns. He led the Hoosiers to a 34–0 victory over Wisconsin; after catching a touchdown pass from Bob Hoernschemeyer in the first half, head coach Bo McMillin moved him into the backfield for the second half where he scored two rushing touchdowns. He was named a first-team All-American by Sporting News, Collier's Weekly, and The New York Sun. He was also a unanimous selection by conference coaches as a first-team end on the 1943 All-Big Nine Conference football team.On January 1, 1944, <mask> and teammate Bob Hoernschemeyer played for the East team in the East–West Shrine Game, with Hoernschemeyer throwing a touchdown pass to <mask> in a 13–13 tie game. World War II
<mask> was drafted into the United States Army in January 1944. He served in the 35th Infantry Division under George S. Patton. Commissioned as a second lieutenant on the battlefield, he was awarded the Bronze Star and Silver Star medals for bravery. He was granted a furlough to return to Indiana University in September 1945 while awaiting his final discharge. 1945 and 1946 seasons
When <mask> returned to Indiana after his military service, he played at the fullback position for the 1945 Indiana Hoosiers football team that compiled the only undefeated record (9–0–1) in Indiana football history, won the program's first Big Ten Conference championship, and finished the season ranked No. 4 in the final AP Poll.He had only two days of practice before his first game back, Indiana's second game of the season, against Northwestern. He scored Indiana's only touchdown in the game, when he caught a pass at the Northwestern five-yard line and dragged three defenders with him over the goal-line. He scored the first two touchdowns in Indiana's 26–0 win over Purdue in the final game of the year. <mask> finished the season having carried the ball 92 times for 410 yards and seven touchdowns. He earned first-team All-America honors from Yank, the Army Weekly magazine, and finished eighth in voting for the Heisman Trophy. As a senior, <mask> played three positions (fullback, halfback, and quarterback) and was named the most valuable player on the 1946 Indiana Hoosiers football team. In a show of versatility, and despite suffering from a throat infection and thigh injury during the 1946 season, he carried the ball 76 times for 262 rushing yards, completed seven of 12 passes for 84 passing yards, had ten catches for 213 receiving yards, and scored eight touchdowns.He ended his college career by scoring three touchdowns against the Purdue Boilermakers, helping the Hoosiers win the Old Oaken Bucket for that year. <mask> finished third in the voting for the Chicago Tribune Silver Football as the most valuable player in the Big Nine Conference. In four seasons at Indiana, <mask> scored 138 points, which was then the school's all-time scoring record. He also broke Indiana career records for touchdowns and receptions. Bo McMillin, Indiana's head football coach since 1934, called <mask> "the greatest all-around football player our team has known in my time at Indiana." Professional football player
<mask> was selected by the Philadelphia Eagles in the fifth round (41st overall pick) of the 1945 NFL Draft, but he continued to play for Indiana in 1945 and 1946. In February 1947, he signed to join the Eagles after his graduation in June.In his first NFL season, he caught 23 passes for 382 yards and seven touchdowns. He also blocked a punt by Sammy Baugh and returned it 26 yards for a touchdown against the Washington Redskins. The Eagles made it to the NFL Championship Game in each of <mask>' first three seasons with the team. In 1947, the team captured its first division championship. In the playoff game against the Pittsburgh Steelers for the Eastern Division title, <mask> blocked a punt to set up the first touchdown in the Eagles' 21–0 win. The Eagles then lost 28–21 to the Chicago Cardinals in the 1947 NFL Championship Game. <mask> caught three passes for 27 yards in that game and intercepted a pass while playing defense.The Eagles then won consecutive NFL championship games in 1948 and 1949. <mask> scored the only offensive touchdown of the 1949 championship game via a 31-yard reception in the second quarter during a heavy downpour. <mask>' 766 receiving yards and 11 receiving touchdowns in 1948 were both the second-most in the NFL that season. He earned first-team All-Pro recognition in 1948 from United Press (UP), New York Daily News, Chicago Herald-American, and Pro Football Illustrated and in 1949 from the International News Service, UP, Associated Press, and New York Daily News. He was invited to his first of six-straight Pro Bowls after the 1950 season. In 1951, <mask> led the Eagles in receptions and receiving yards and intercepted two passes as a defensive end. <mask> caught only 12 passes and scored only one touchdown in 1952, causing the Eagles front office to suspect he was washed up.However, he still managed to make the Pro Bowl and earn first-team All-Pro honors by the AP as a defensive end. Not willing take a pay cut and be an exclusive defensive end, he trained heavily during the off-season prior to 1953. He went on to have his greatest statistical success over the next three seasons, which were ultimately his final three; he recorded similar statistics over that three-year span (185 receptions, 2,785 yards, and 27 touchdowns) to his first six seasons (188 receptions, 2,834 yards, and 34 touchdowns). <mask> led the NFL in receptions in each of his final three seasons, in receiving yards twice, and in receiving touchdowns once. In 1953, he became the third different player to record a "triple crown" in receiving; he led the NFL in receptions (63), receiving yards (1,049), and receiving touchdowns (10) that season. In November 1955, <mask> announced that the current season would be his last as a player. In his final NFL game, on December 11 against the Chicago Bears, he caught 11 passes for 114 yards.He retired after playing in the Pro Bowl that January, in which he caught four passes and scored the East's first touchdown by out-leaping defender Jack Christiansen to snag a 12-yard pass from Eddie LeBaron. During his nine seasons of play with the Eagles, <mask> missed just one game. Coaching career

National Agricultural
In March 1956, shortly after retiring from the NFL, <mask> was hired as the head football coach at National Agricultural College (later renamed Delaware Valley University) in Doylestown, Pennsylvania. He had been an advisory coach for the college in 1955 and also taught classes in business law. He remained in the position for three years and led the 1958 National Aggies to a 5–2–1 record. His contract was not renewed after the 1958 season. Tulane
In August 1959, <mask> was hired as an assistant coach under head coach Andy Pilney for the Tulane Green Wave football team.He was given responsibility for coaching the ends. He spent two years coaching at Tulane with the team compiling 3–6–1 records in both 1959 and 1960. In December 1960, <mask> resigned his position at Tulane. Cincinnati
In February 1961, <mask> was hired by a group seeking to secure a professional football franchise for Cincinnati in the American Football League (AFL) for the 1962 season. He was the general manager of the enterprise and was also slated to be head coach of the proposed team. However, when the AFL announced its expansion plans for 1962, Cincinnati was not awarded a franchise. Semipro and minor league football
In 1962 and 1963, <mask> served as the head coach of the Hammonton Bakers, a semipro football team in Hammonton, New Jersey.In 1964, <mask> served as the head coach of the Richmond Rebels of the Atlantic Coast Football League. He remained with the Rebels in 1965 as the team joined the Continental Football League. He led the Rebels to records of 8–5–1 in 1964 and 6–8 in 1965. He stepped down as the coach of the Rebels in February 1966. Honors
<mask> received numerous honors for his accomplishments as a football player. His honors include the following:
 In October 1961, he was named to the Helms Athletic Foundation's Major League Football Hall of Fame. In February 1966, he was elected to the College Football Hall of Fame.He was the first Indiana Hoosiers football player to receive the honor. In a halftime ceremony during the opening game of Indiana's 1966 season, the school presented <mask> with a special citation for his contribution to the university through football. In August 1969, as part of the NFL's 50th anniversary, the Pro Football Hall of Fame selected all-decade teams for each of the league's first five decades. <mask> was selected as an end on the NFL 1940s All-Decade Team. In February 1970, he was elected to the Pro Football Hall of Fame. At the induction ceremony in August 1970, a telegram was presented from Vice President Spiro Agnew calling <mask> "the golden Greek of football" and "the most durable and versatile football player" of his time. In 1978, <mask> was inducted into the Indiana Football Hall of Fame.In 1982, he was one of the inaugural inductees into the Indiana Hoosiers Hall of Fame. In November 1987, he was one of the 11 inaugural inductees into the Philadelphia Eagles Honor Roll. Family and later years
<mask> was married four times. In May 1944, he married Dorothea Lansing at the First Methodist Chapel in Bloomington, Indiana. <mask> was at that time a private in the Army stationed at Camp Reynolds. They met while both were students at Indiana University. She became a pediatrician.They were divorced in 1949. <mask> was next married in December 1949 to model Mary Cecile Clark, also known as Cecile Chandler. He and his second wife separated in 1965 and were divorced in 1967. He was married for a third time to Charlotte Berlings Wolfe in November 1967. His fourth marriage was to Donna Ballenger. After retiring from football, <mask> had a business career. As of 1970, he was a vice president of Regal Home Improvement Co. in Richmond, Virginia.In 1977, he was living in Fort Wayne, Indiana, and was employed as a vice president of Franklin National Life Insurance Co. In 2001, <mask> was diagnosed with Alzheimer's disease. In 2004, he was victimized by a con artist who acquired <mask>' lifetime collection of sports memorabilia in exchange for $30,000 in bogus checks. He spent his last years at the Grace Healthcare nursing home in Winston-Salem, North Carolina. He died there at age 87 in August 2011. His neurologist opined that <mask>' dementia was caused by blows to the head during his career as a football player. <mask> was buried at Bethel United Methodist Church Cemetery in Winston-Salem.<mask>' daughter <mask> made a series of documentary films about her father. She began in 2010 with a documentary short titled Dear Dad juxtaposing photos and footage from his days as a football player with images of him as he fought the disease. She also created Pihos: A Moving Biography, exploring aspects of her father's life and his struggle with Alzheimer's disease through film and dance. Her efforts culminated in a feature-length documentary titled Pihos: A Life in Five Movements. References

External links

1923 births
2011 deaths
American football ends
Continental Football League coaches
Delaware Valley Aggies football coaches
Indiana Hoosiers football players
Philadelphia Eagles players
Tulane Green Wave football coaches
Eastern Conference Pro Bowl players
College Football Hall of Fame inductees
Pro Football Hall of Fame inductees
United States Army personnel of World War II
American people of Greek descent
United States Army officers
Coaches of American football from Illinois
Coaches of American football from Florida
Players of American football from Chicago
Players of American football from Orlando, Florida
Deaths from Alzheimer's disease
Neurological disease deaths in North Carolina

masks:
Peter Louis Pihos
Pihos
Pihos
Pihos
Pihos
Mary Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Pihos
Melissa Pihos


title: William K. Lietzau

texts:
<mask><mask> is an American lawyer, former U.S. Marine Corps Judge Advocate, and the current Director of the Defense Counterintelligence and Security Agency. Personal life

<mask> grew up in Sudbury, MA. He graduated from the United States Naval Academy in 1983 and was commissioned as a 2nd Lieutenant and infantry officer in the Marine Corps. He later attended Yale Law School (Class of 1989). He and his wife have two adult children. Careers

Military career

After graduating from Yale, <mask> continued his military service as a Marine Corps Judge Advocate. Although Marine Corps judge advocates often are assigned to non-legal jobs, <mask>'s service was even more unusual.He began as an infantry officer and commanded a rifle company. He was the first lawyer to command a recruit training battalion, and immediately prior to being assigned to work for the National Security Council, Lietzau was the first judge advocate to command the Marine Corps installation at Henderson Hall (2007-2009). Civilian career

Lietzau served in the Obama Administration as the Deputy Assistant Secretary of Defense (DASD) for Deputy Assistant Secretary of Defense for Rule of Law and Detainee Policy. In this capacity, his official biography said he served as the principal advisor to the United States Secretary of Defense and the Under Secretary of Defense for Policy on matters ranging from creating a principled, credible, and sustainable detention policy for 21st century warfare, to balancing military and humanitarian interests with respect to specific weapons systems. He guided development of the Department's role in rule of law capacity building and was lead for the Department in implementing the President's National Action Plan on Women, Peace, and Security. He retired from the Marine Corps as a Colonel with 27 years of service prior to his appointment as DASD. From April 2009 to February 2010, Lietzau was assigned as Deputy Legal Counsel to the National Security Council at the White House.During that time, he addressed a variety of legal issues dealing with subjects such as international criminal law, counter-narcotics, interdictions, piracy, counterterrorism, weapons of mass destruction, non-proliferation, missile defense, foreign assistance, and treaty implementation. He was asked to serve on the national security staff by then-National Security Advisor General James L. Jones, who had been the Commander of U.S. European Command while Lietzau was the Staff Judge Advocate (the first Marine lawyer to hold the position) from 2005 to 2007. Over the course of his military career, Lietzau acquired interagency experience beyond that usually found in the Marine Corps. As Deputy Legal Adviser to the Chairman of the Joint Chiefs of Staff and Special Adviser to the General Counsel in the Office of the Secretary of Defense, Lietzau worked in both Democratic and Republican administrations and served on several United States delegations in multilateral treaty negotiations, including those adopting the Terrorist Bombing Convention, the Ottawa Convention banning anti-personnel landmines, the Second Protocol to the Hague Cultural Property Convention, and the Rome Statute for the International Criminal Court. He led the United States negotiating team responsible for defining war crimes for the International Criminal Court in the late 1990s and was called back to work on the crime of aggression, which was negotiated in Kampala in 2010. He taught international law as an adjunct professor at Georgetown University Law Center in the late 1990s. While in the Marine Corps, he served as the first acting chief prosecutor of the office of military commissions and developed policies and processes for the tribunals envisioned to try those who planned the September 11 attacks in 2001.The military commission regulatory structure <mask> crafted was adopted, in major part, by the various military commission laws that guide the conduct of commissions in the present day. In March 2014, <mask> published an Oped in the Wall Street Journal explaining his long-held positions on U.S. detention policy and the way to close the detention facility at Guantanamo Bay. Lietzau also served in a variety of traditional roles as a Marine lawyer, including as prosecutor, defense counsel, military judge, special assistant U.S. attorney, staff attorney, Chief of the Law of War Branch for the Department of the Navy's International Law Division, and chief of government appellate attorneys for the Department of the Navy. <mask> played a role in a diplomatic controversy in February 2012 when a writ of habeas corpus in the United Kingdom compelled the UK government to seek the return to them of a Pakistani national held by the United States in Afghanistan that the British had apprehended in Basra, Iraq, in 2004. They handed Rahmatullah over to American forces, who transferred him to the Bagram Theater Internment Facility. The UK Supreme Court ruled that his transfer was in violation of international law (see Secretary of State for Foreign and Commonwealth Affairs v Rahmatullah). On July 14, 2011, US forces accidentally released a secret form used to classify whether captives were an "Enduring Security Threat" to the American Civil Liberties Union.Lietzau explained that the accidental release posed a security threat to the United States as it
{| class="wikitable"
|
could have significant deleterious repercussions with respect to our diplomatic relationships with Afghanistan and various other countries....  EST criteria and determinations are not currently a topic in our sensitive bilateral discussions with other countries... revelation of EST criteria would likely complicate those discussions. |}

According to the New York Times in an interview in the late Summer of 2012 Lietzau said the USA was "on a trajectory to be able to comply" with an agreement to devolve control of the Bagram Theater Internment Facility to Afghan control by the agreed date of September 9, 2012. The New York Times noted that the Lietzau referred to September 9 as a "milestone", rejecting the word "deadline". It noted Lietzau said the agreement only applied to the captives who were in custody when the agreement was signed, and that the USA was nevertheless going to retain certain selected captives under permanent US control—including all the non-Afghan captives. Lietzau sent an email to his staff and colleagues in July 2013, letting them know he would step down from his position by September 1. He was offered a more senior policy position in the Pentagon that would have allowed him to retain authority over detention issues generally, but he could not commit to staying in any new job long enough. Lietzau has played a major role in shaping detention policies across two administrations.After the terrorist attacks of Sept. 11, 2001, when he was a uniformed lawyer for the Marine Corps, he served as an adviser in the creation of the first version of President George W. Bush's system of military commissions trials. In the Obama administration, he has been the primary official shaping policies for "law of war" detention at the prison at Guantánamo Bay and Bagram Air Base in Afghanistan. References

External links

Year of birth missing (living people)
Living people
American lawyers
United States Naval Academy alumni
Yale Law School alumni
United States Marine Corps officers
United States National Security Council staffers

masks:
William K
. Lietzau
Lietzau
Lietzau
Lietzau
Lietzau
Lietzau
Lietzau


title: Alfred M. Simpson

texts:
<mask> (4 April 1843 – 28 September 1917), invariably known as <mask><mask> or A. M<mask>, was a South Australian industrialist, a principal of the manufacturing firm of A. Simpson & Son. He was a member of the South Australian Legislative Council from 1887 to 1894. History
<mask><mask> was born in England, the son of silk hat manufacturer <mask> (1805 – 23 September 1891) and his wife <mask>, née Neighbour ( – 30 December 1874). The name "<mask>" or "<mask>" was bestowed on him in recognition of a business partner who proved unreliable, and thenceforth never mentioned by the family. After a series of financial setbacks the family emigrated, virtually penniless, to South Australia on the John Woodhall, arriving in January 1849, and in 1855 founded in Gawler Place the hardware firm that in April 1864 became A. Simpson & Son. The young <mask> was educated at Mr. <mask>'s school in Pirie Street 1855–6 or 1856–7. He was from age 14 apprenticed as a tinsmith at his father's shop and worked for his father until his 21st birthday, when he was made a partner in the business.He gradually took greater control of the business, replacing simple hand tools with power machinery of all kinds — drills, grinders, guillotines, mills and presses, all belt-driven from overhead shafts driven by steam engines. The company's workforce grew from half-a-dozen to 500. He installed a foundry which became the largest consumer of pig iron in the colony. The range of products of the factory was ambitious. A notable product was a safe, whose fire-resisting properties were satisfactorily proved at a trial in the Adelaide Parklands in 1866, and exhibited the following year at the Adelaide Jubilee International Exhibition. A later model of the <mask> safe, following a rash of safe-blowing by "dynamitards", featured an explosion-proof lock. <mask> safes were to be found in banks and offices for much of the century.Bakers' ovens introduced around the same time and employing similar technology, were similarly successful and durable. The precision frames for the ovens were cast at Samuel Strapps' foundry in Currie Street. In 1868 a new factory was built at the corner of Grenfell Street and Gawler Place. In 1871 another factory was built further south on Gawler place, in the old (1841) Congregational chapel, once the home of J. L. Young's Adelaide Educational Institution. In 1876 they purchased a section on the corner of Pirie Street and Gawler Place. In 1894 vacant land in Wakefield Street was purchased from C. G. Everard for another factory, which later occupied . A. M<mask> was a director and major shareholder in the short-lived "SA Iron and Steel Company", formed in response to a Government incentive, to mine and smelt iron ore at Mount Jagged on <mask>slin's property near Victor Harbor.Some ore was smelted in 1874 and exhibited at the Show that year, but after a solid plug of smelted iron formed at the base of the furnace the project was abandoned. Other directors were J. Acraman, A. Sidney Clark and J. G. Ramsay. For 49 years he held the reins as proprietor, and then passed most of the responsibilities onto his sons A. A<mask> and F. N<mask>, though retaining the role of managing director until his death. He continued to make visits to the company's head office in Gawler Place, and factories in Pirie street and Wakefield street. <mask>, first and foremost a business man, was reluctant to enter Parliament, but in 1887 (South Australia's jubilee year) he consented to contest a vacancy for the Central Division of the Legislative Council on behalf of the Protectionist Party. He signed the nomination paper on the Wednesday prior to the election, and did not address a single meeting, yet was returned at the head of the poll, as a colleague of J. H. Angas, also a Protectionist.He occupied the seat until 1894, then refused to nominate for the following election. He was a level-headed, straight politician of pronounced views. He not only opposed the introduction of payment of members, but, when that measure was carried, he gave the whole of his parliamentary allowance (£1,200) to be used as prize money for the encouragement of rifle shooting. Other interests
He was a prominent Freemason, and served in various high offices. He contributed generously to the erection of the Adelaide Masonic Temple. He was interested in military matters: at 18 years of age he joined the first volunteer regiment raised in the Colony, and later transferred to the Adelaide Rifles. In 1885 there was a fear that Great Britain and Russia would go to war, and when communication with Britain was interrupted due to a break in the submarine line, a scare arose that the Russians were about to invade.A. M<mask> had his factory on a war footing, making electrically detonated submarine mines. He invented a trench periscope and mobile kitchens for use in the Great War. In March 1916 he made a gift of £2,250 to the defence authorities, which was used to purchase an F.E. 2B fighter plane. He played a prominent part in the 1887 Adelaide Jubilee International Exhibition. He was President of the Royal Agricultural and Horticultural Society for two years. He was a member of the first committee of the Australian National Union (the forerunner of the Australian Natives' Association).He was a trustee of the State Bank. He was a member of the Board of Conciliation for many years. He was in 1876, with W. C. Buik, <mask>k as chairman, which position he held until its dissolution, when its assets were taken over by the Municipal Tramways Trust. He was also for a long time on the boards of the Port Adelaide Dock Company and the South Australian Gas Company. He was a member of the Board of Governors of the Adelaide Botanic Gardens from 1899 and also contributed in concrete ways: he funded the brick kiosk in the grounds and, with R. Barr Smith the "boy and swan" fountain behind the palm house. He was Treasurer of the Adelaide Unitarian Christian Church, Wakefield Street, from 1884 to 1900.He was Treasurer of the South Australian Institute for the Blind and Deaf and Dumb, Brighton, from 1896. He was an excellent chess player, taking part in the first Adelaide tournament in 1864. He helped found the Adelaide Chess Club, and was its President from 1892. He underwrote the costs involved in bringing the English champion J. H. Blackburne to Adelaide, whose fees alone were £25 (perhaps $20,000 in today's money). In a simultaneous game <mask> was the last to succumb to the champion, though the star of the evening was Henry Charlick, who conducted two games, winning one and drawing the other; Blackburne's only reverses. He was a good friend of the St. John Ambulance Association
and was for a long time Chairman of the Kalyra Sanatorium for Consumptives, and the associated Estcourt House. He was for many years, and up to the time of his death, a member of the council of the South Australian branch of the Royal Geographical Society of Australasia.He was, with Richard Smith and W. H. Holmes, a founder of the first Commercial Travellers and Warehousmen's Association, forerunner of the Commercial Travellers' Association, and its secretary until 1873, when it was wound up, and its cash assets passed to the Benevolent and Strangers' Friend Society. A. M<mask> owned the land which later became Unley Shopping Centre. The Eastwood Institute was made possible by his significant donation to the Unley Council. He suffered for a long time from defective eyesight, and died after some years suffering "a serious internal complaint", i.e. cancer. Legacy

The Simpson Rifle Trophy was established in 1893 with payments due to him as a member of Parliament, but would not personally accept. A plaque on the Jubilee 150 Walkway, North Terrace, was dedicated to him.Family
<mask><mask> (c. 1842 – 28 September 1917) married Catherine Allen ( – 16 October 1887) on 18 October 1871. She was a daughter of James Allen (c. 1815 – 11 August 1881) of Unley and Harriet Allen, née <mask> (c. 1814 – 12 July 1896), who arrived in South Australia with two sisters aboard the Lady Lilford in 1839, and married in 1844. Their children included:
<mask> <mask> (15 April 1875 – 27 November 1939) married Janet Doris Hübbe (1887 – 17 December 1950) on 6 January 1910. She was a daughter of educator Edith Agnes Hübbe
Frederick Neighbour <mask> (21 May 1877 – 19 March 1954) married <mask> Wilcox ( –1966) on 5 April 1910
<mask> (12 February 1882 – 1957) married Owen Crompton (1875–1923) on 27 September 1904. Owen was a son of industrialist Joseph Crompton
Catherine Harriet <mask> (18 June 1884 – ) married Cyril Howard Welch RAMC on 31 May 1920
Katie Allen <mask> (7 October 1887 – 1965) married Leonard Charles <mask> ( – 3 July 1953), a lieutenant of the Royal Artillery, in 1915. lived at 21 Rochester street, Leabrook. They were not cousins, but may have had the same great-grandfather. He married again, to Violet Laura Sheridan (c. 1847 – 28 June 1921) on 23 August 1888.She was a daughter of Frances Keith Sheridan and Dr. John Sheridan, M.D. of Edinburgh and sister of Alice F. Keith Sheridan. A sister, <mask> ( – 1 May 1917), married John Crawford Woods on 4 January 1882. References

Australian manufacturing businesspeople
Members of the South Australian Legislative Council
1843 births
1917 deaths
19th-century Australian businesspeople

masks:
Alfred Muller Simpson
Alfred M
. Simpson
. Simpson
Alfred M
. Simpson
Alfred Simpson
Sarah Simpson
Muller
Müller
Alfred
Martin
Simpson
Simpson
. Simpson
Ma
. Simpson
. Simpson
Politics Simpson
. Simpson
David Murrayui
Simpson
. Simpson
Alfred M
. Simpson
McKr
Alfred Allen
Simpson
Simpson
Myra Louise
Sarah Simpson
Simpson
Simpson
Simpson
Catherine Simpson


title: Dave Graney

texts:
<mask> is an Australian rock musician, singer-songwriter and author from Melbourne. Since 1978, Graney has collaborated with drummer-multi instrumentalist Clare Moore. The pair have fronted or been involved with numerous bands including The Moodists (1980 to 1987), <mask> and The White Buffaloes (1989 to 1990), <mask> and Coral Snakes (1987 to 1989, 1991 to 1997), The <mask> Show (1998 to 2003), <mask> and Clare Moore featuring the Lurid Yellow Mist or <mask> and the Lurid Yellow Mist (2004 to 2011) and <mask> and the mistLY. EVERYTHING WAS FUNNY, the album from 2021 was credited to <mask> and Clare Moore. He was awarded 'Best Male Vocalist' at the ARIA Music Awards of 1996 for his work on The Soft 'n' Sexy Sound, while "Feelin' Kinda Sporty" won 'Best Video' in 1997 and he has received seven other ARIA Award nominations. He has also co-presented a radio show since 2009 on Melbourne's Triple R 102.7 community radio station called Banana Lounge Broadcasting aka "BLB". Biography

Early years to The Moodists

<mask> grew up in Mount Gambier, South Australia.He attened St Marys primary school, Marist Brotehrs College, McDonalld park primary school and Mt Gambier High School. He fished school after Year 12. In 1978, he relocated to Adelaide and, as lead vocalist, he teamed with drummer Clare Moore to form Sputniks with Liz Dealey on bass guitar, Phillip Costello on guitar and Steve Miller on guitar. Sputniks released one single, "Second Glance" on an independent label before moving to Melbourne in 1979 where they disbanded. <mask>, Miller and Moore formed post-punk group The Moodists with Steve Carman on bass guitar in 1980. They released a single "Where the Trees Walk Downnhill"/"I Should Have Been Here" on the Au Go Go label. Carman was soon replaced by Chris Walsh (ex-Negatives, Fabulous Marquises) on bass guitar.This line-up released a single "Gone Dead"/"Chad’s Car", and an EP "Engine Shudder" on the Au Go Go label. In April 1983, Mick Turner (previously in Sick Things, Fungus Brains, later in Dirty Three) joined on guitar and they relocated to the United Kingdom in October. They released their studio album "Thirsty's Calling" in 1984 on the Red Flame label with Victor Van Vugt co producing with band along with engineer Tony Harris . Red Flame also released a six track mini album in 1985 called "Double Life". A single "Justice and Money Too" was released on the Creation label. Chris Walsh left in the same year, 1985. David McClymont – ex-Orange Juice – joined on bass and the band recorded two 12" EPs "Take the Red Carpet out of Town" and "Someone's Got to Give" on the T.I.M.label in the UK. The Coral Snakes and White Buffaloes
In late 1986, The Moodists ground to a halt and after taking a break <mask> and Clare Moore formed <mask> 'n' the Coral Snakes (also seen as <mask> with the Coral Snakes) in late 1987 and played in London pubs and clubs. Other members were Gordy Blair on bass guitar, Malcolm Ross (ex-Orange Juice, The Moodists) on guitar and Louis Vause on piano and keyboards. In 1988, with Barry Adamson (former member of Magazine, Nick Cave and the Bad Seeds) producing, they recorded enough material for an extended play, "At His Stone Beach" released in September on the Fire label. The cover had ornate Edwardian lettering by UK illustrator <mask>. By 1989, <mask> and Moore were ordered out of the country by UK immigration authorities. The four tracks, "World Full of Daughters", "Listen to Her Lovers Sing", "A Deal Made for Somebody Else" and "The Greatest Show in Town", were later included on CD version of the <mask> with the White Buffaloes album, "My Life on the Plains".Back in Melbourne, the couple formed <mask> with The White Buffaloes with Rod Hayward (ex-Little Murders) on guitar, Conway Savage (Boy Kings) on keyboards and Walsh (The Moodists) on bass guitar. <mask> sported an Edwardian/Western image, wearing snakeskin and brown suede, sporting a curled moustache and waxed goatee. The band released "My Life on the Plains" in 1989 with Phil Vinall producing. Vinall, a friend of <mask> and Moore, later worked with The Auteurs, Placebo and Magic Dirt (among others). The album included tracks written by other artists, such as Gene Clark, Fred Neil, Gram Parsons and the traditional "Streets of Laredo". In their live shows they included songs by Doug Sahm, Lou Reed, Buffy Sainte Marie and Tim Rose. The title was from an autobiographical tome by George Armstrong Custer in 1876, the year he died at Little Big Horn.The cover featured images of a young Jesse James, Custer and ornate Edwardian lettering by London artist <mask>, based on a Frederic Remington cowboy painting. It reflected <mask>'s obsession with wild western myth and late 1960s psychedelic bands with similar tastes, The Charlatans and Quicksilver Messenger Service from San Francisco. No singles were released from the album, although a video was shot by Tony Mahony for "Robert Ford on the Stage". Savage left to join Nick Cave and the Bad Seeds and they were joined on pedal steel guitar by Graham Lee (The Triffids). This line-up recorded "Codine", a live in the studio four track extended play, which was issued late in the year. It was later added to the CD version of the "I Was The Hunter... and I Was The Prey" album. "Codine" was written by Buffy Sainte-Marie and had been performed by The Charlatans in swaggering space cowboy style while the <mask> with the White Buffaloes cover version was equally tough.The EP sleeve was another <mask> illustration. During June 1990, <mask>, Moore and Hayward travelled to London and recorded "I Was the Hunter... and I Was the Prey" with Blair on bass guitar, Ross on guitar, and Vause on piano. The album was produced by Vinall at a Croydon home studio run by former Procol Harum organist Matthew Fisher. The cover by Western shows Graney with full 'Hickock' curled moustache and velvet pomp. It was not issued until May 1992, due to a crisis with indie distribution in the UK, under the name <mask> with the Coral Snakes. In mid-1991, the band had moved back to Melbourne with a line-up of Blair, <mask>, Moore, and Hayward; with Robin Casinader on keyboards (ex-the Wreckery). In July 1992, they released a live album, "Lure of the Tropics" on the Torn & Frayed label on Shock Records.It was recorded at St Kilda's Prince of Wales Hotel. The cover art was by Tony Mahony, the album featured three other improvised tracks (along with the title piece) and was originally mixed by Phil McKellar – it was re-released in 1997 with extra tracks and remixed by Tony Cohen. For their April 1993 album, Night of the Wolverine, the band signed with PolyGram, Andrew Picouleau (ex-Sacred Cowboys) provided the bass guitar and Tony Cohen co-produced. The album has been described as "a certified Australian rock classic. It captured <mask> at a new peak of his songwriting powers ... [tracks were] full of elegant and eccentric detail". Tex Perkins (The Cruel Sea) guested on lead vocals for "Night of the Wolverine II" with Amanda Brotchie on backing vocals. The title track and "You're Just Too Hip, Baby" reached No.48 and No. 59 on Triple J's Hottest 100 for 1993. Cover art was by Mahony who directed the video for "You're Just Too Hip, Baby". The band toured outside the inner city of Melbourne and Sydney for the first time backing Hunters & Collectors, then The Cruel Sea before heading their own national tour. The album and tours had raised their profile with mainstream music critics. "Night of the Wolverine" earned an ARIA Award nomination for 'Best Alternative Release' at the 1994 ceremony. It was released on the This Way Up label in the UK in 1996.The band's next album, "You Wanna Be There But You Don't Wanna Travel", which peaked at No. 10 on the Australian Recording Industry Association (ARIA) Album Charts, was released in June 1994. With Blair back on bass guitar, it was co-produced with Cohen. The singles from the album were, "I'm Gonna Release Your Soul" in April, and "You Wanna Be Loved" in August. A limited edition of the album included a bonus disc, Unbuttoned, with seven extra tracks. The promotional film clip for "I'm Gonna Release Your Soul", directed by Mahony, was nominated as 'Best Video' in 1995. The group's July 1995 album, The Soft 'n' Sexy Sound, was produced by Victor Van Vugt.It reached the Top 40 and earned Graney the 'Best Male Artist' accolade at the ARIA Music Awards of 1996. Graney was wearing a hot pink, crushed velvet suit and a wig and said (under his breath) 'King of Pop'. This was a reference to a 1970s pop award which was presented by teen magazine, Go-Set. The album also received nominations as 'Best Cover Art' for Mahony and 'Producer of the Year' for Victor Vaughan . "I'm not Afraid to Be Heavy" (June), "Rock 'n' Roll Is Where I Hide" (August) and "I'm Gonna Live in My Own Big World" (February 1996) were issued as singles. The limited edition album's bonus disc, Music for Colourful Racing Identities, featured seven live tracks. It was also accompanied by a media CD with an interview of Graney by HG Nelson called A Word in Yer Shell, Like.It was released in the UK and Europe on the This Way Up label in 1996. <mask> and Moore spent 6 months of the year recording and working in London. The next album, The Devil Drives, (May 1997), reached the Top 20. It was recorded in Melbourne and mixed in London at Maison Rouge studios and co-produced by <mask>, Moore and David Ruffy along with engineer Kenny Jones. It spawned the single, "Feelin' Kinda Sporty" (co-wriiten with Clare Moore) . The single won 'Best Video' by Mahony in 1997, the album was nominated for 'Best Cover Art' by Mahony and <mask> received a nomination as 'Best Male Artist'. The single was promoted with an appearance on the daytime soap Neighbours, in which <mask> sent up his sinister lounge-core persona in a pastel blue suit and a fedora – in one memorable scene holding the character Toadfish upside down and shaking him for the return of his mobile phone.It is unknown what if any impact this had on sales of the record. The second single was "A Man on the Make". The Devil Drives was the last studio album for <mask> and the Coral Snakes and with Universal Music as <mask> and Moore disbanded the group and parted ways with the label in December. Album also accompanied by a media CD with an interview with <mask> called Coffins Have no Pockets, which was part of a media booklet based on a Holden Monaro owner's manual. In 1997 <mask> released his first book, It is Written, Baby, a collection of his lyrics interspersed with fragments of journalism, memoir and opinion, with photographs by Mahony. <mask> 'n' the Coral Snakes released a compilation, The Baddest, in September 1999. It included an unreleased version of  "The Sheriff of Hell" from The Devil Drives which was re-recorded and remixed with Andrew Duffield (ex-Models) on keyboards, Phil Kenihan and Billy Miller (The Ferrets) on guitar and vocals.The same team had remixed "Feelin' Kinda Sporty" the previous year. It also featured an unreleased cover version of the AC/DC song "Show Business". Cover art was provided by Tony Mahony. The Dave Graney Show- the Royal Dave Graney Show – the Lurid Yellow Mist to the mistLY
Graney and Moore's next band was The <mask> Show (elaborated in 2003 to The Royal Dave Graney Show), which formed in early 1998 with Stuart Perera on guitar and Adele Pickvance (Robert Forster Band) on bass guitar. The single, "Between Times", and The Dave Graney Show were released in November on Festival Records. Guest musicians included Duffield, Sean Kelly (ex-Models) on backing vocals and Billy Miller. It was co-produced with Duffeild and Kenihan.In February 1999, "Your Masters Must Be Pleased with You" was released as a single and Billy Miller had permanently joined the line-up. The latter single's video was part of a twenty-minute film shot and edited by Mahony called Smile and Wave. This album saw half of it recorded and played by only <mask> and Moore, then the rest of the band was brought in to play the other half. <mask> and Moore continued to perform live around Australia and released material on their own Melbourne based label, Cockaigne. Cockaigne's first release was The Dave Graney Show's single, "Drugs are Wasted on the Young" in February 2000 ahead of the album, Kiss Tomorrow Goodbye in April. It was co-produced by <mask>, Moore and Adam Rhodes. Other singles were "Out of the Loop" (with Mahony video) and "Have You Heard About the Melbourne Mafia?", both with cover art by Mahony. <mask> described the album as "dark, brandy flavoured funk". It was released in the UK and Europe on Cooking Vinyl. A tour of Europe, with a line-up of <mask>, Moore and Perera, supporting Nick Cave and the Bad Seeds followed in 2001. It was during this tour that <mask> contracted a filthy lung infection which resulted in an operation at a hospital in Paris. (A vivid description of this episode opens his 2011 book 1001 Australian Nights). Clare Moore released her first solo album, The Third Woman, on Chapter Music in August.July 2002, saw the release of Heroic Blues, which was produced by <mask>, Moore and Adam Rhodes. The single, "Are We Goin' Too Fast For Love? ", was issued. The title track was recorded live at a sound check at the Tarwin Lower Pub earlier in the year. <mask> improvised the vocal about a performer playing to an empty room. He called it a "folk soul" album. Moore appeared with Melbourne band, The Sand Pebbles, on stage as well as on record.She contributed strings and keyboards to albums by Kim Salmon as well as the Wagons. She played on Robert Forster's (Go Betweens) covers CD I Had a New York Girlfriend. She appears with Jane Dust and the Giant Hoopoes, her own band the Dames and with jazz combination Henry Manetta and the Trip. <mask> and Moore engineered and mixed the debut albums by the Darling Downs (Salmon and Ron Peno) and the Muddy Spurs. They both played in Salmon, the seven guitar, two drummer heavy rock orchestra devised and led by Kim Salmon. In 2003, <mask> and Moore briefly reformed The Moodists – with Turner, Steve Miller and Walsh – for a limited number of performances in Melbourne to promote the release of a double compilation album, Two Fisted Art (1980 -1986). The album was released on the W.Minc label – run by Steve Miller – in 2003 and contains nineteen of the band's studio tracks on the first disc and sixteen previously unreleased live recordings (recorded in Sydney (March 1983), Melbourne (December 1984) and London (July 1985)) on the second disc.As <mask> and Clare Moore, the couple worked on the soundtrack for the feature film, Bad Eggs, and released Music from the Motion Picture – Bad Eggs in July. They received an ARIA nomination for 'Best Original Soundtrack Album' at the 2003 ceremony. The Brother Who Lived was released in 2003 by The Royal Dave Graney Show (a nod to the Royal Melbourne Show)  – with a line-up of <mask> on vocals, harmonica, organ, and bass, acoustic and electric guitars; Moore on drums, vocals, keyboards, percussion; Billy Miller on acoustic and electric guitars, and vocals; Perera on vocals and electric guitar; and Pickvance on vocals, percussion and bass guitar. It was

masks:
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
David John Graney
Graney
Dave Graney
Dave Graney
Dave Graney
Dave Western
Graney
Dave Graney
Dave Graney
Graney
Graney
Dave Western
Graney
Dave Graney
Dave Western
Graney
Dave Graney
Graney
Graney
Graney
Graney
Graney
Dave
Dave Graney
Graney
Dave Graney
Graney
Dave Graney
Dave Graney
Graney
Graney
Graney
Graney
Graney
Graney
Graney
Graney
Graney
Graney
Dave Graney
Graney


title: Dave Graney

texts:
 produced by <mask>, Moore and J Walker. Singles issued were "Midnight to Dawn" and "All Our Friends Were Stars". The latter had a video shot and edited by <mask>, Tony Mahony made a video for "The Brother Who Lived". The main part of the album was recorded, after The Moodists reunion, in a day with all the band in the studio together.Four other tracks were recorded and mixed by <mask> and Moore at their Melbourne studio. Pickvance left the group and bass guitar was taken up by Stu Thomas (Kim Salmon and the Surrealists, Kim Salmon and the Business, Salmon, The Stu Thomas Paradox) in 2004. <mask> contributed music to and played a small (musical) part in a stage production of the 1960s British play Stone in 2004. <mask> and Moore released a double album, Hashish and Liquor, in 2005, with the first disc, Hashish performed by Graney and the second, Liquor by Moore. Jazz pianist Mark Fitzgibbon played on a lot of the album and Warren Ellis (Bad Seeds-Dirty Three) guested on flute, mandolin and violin)

In 2006, <mask>'s Point Blank was recorded, which he described as "a song cycle of a life as a heavy entertainer", for which he was accompanied by jazz musician Mark Fitzgibbon (The Moodists) on piano and Clare Moore on vibraphone. Concurrently, a touring trio of <mask> (12-string, vocal), Moore (vibes, vocal) and Stu Thomas aka Stu D (baritone guitar, vocal) was formed, performing extensively across Australia, in support of the 2006 CD, Keepin' it Unreal on Cockaigne. This trio appeared in Europe in 2008 as opening act for Nick Cave and the Bad Seeds.In 2007 <mask> and Moore joined with guitarist, Perera, pianist Mark Fitzgibbon and bass player Stu Thomas to form The Lurid Yellow Mist featuring <mask> and Clare Moore (or as <mask> and the Lurid Yellow Mist). The name of the band, according to Moore, was based on the strange miasmic cloud that the man in the 1957 science fiction film, The Incredible Shrinking Man drove his speedboat through just before he started his transformation. As a collective they worked on a batch of new songs at the Yarraville Mouth Organ Band (YMOB) hall, before entering Sing Sing Studios in September where they laid down eight tracks in a day, virtually recording live. <mask> and Moore then mixed it at their home studio, Ponderosa, finishing in November. The resultant album, We Wuz Curious was released on the Illustrious Artists label on 14 June 2008. The first single, "I'm in the Future Now", issued in November 2007, had music written by Stu Thomas, who also made the video (filmed in Cocos Islands). A video was also made for "Let's Kill God Again", which received some radio promotion.AWarded Best Music Act at 2007 Melbourne Fringe for the show nPOINT BLANK. In May 2009, <mask> released his first album credited as a solo billing, Knock Yourself Out. Described by <mask> as an "electro boogie" album. It was produced, recorded and mixed by <mask>, with Moore co-writing some tracks, arranging and contributing instrumentation, with Thomas and Perera from The Lurid Yellow Mist as guest performers. A video was produced for the title track, "Knock Yourself Out", directed by Nick Cowan, it was shot in Hosier Lane and Smith Street, Melbourne. A follow up show to the narrative performance Point Blank was performed at the Butterfly Club in 2009, which was called Live in Hell. It featured songs by Graney with other Hell-related tunes by Elvis Presley, Roxy Music, the Fall and the Doors.Mostly without any amplification, the line-up was Perera on acoustic guitar, Thomas on bass guitar, Moore on a small drum kit and <mask> on vocals. In 2010, a third narrative style show was performed at the Butterfly Club. MC Bits featured the duo of <mask> accompanied by Mark Fitzgibbon on piano. 2010 saw the release of Supermodified, a remix and remastering compilation project where Graney went back to the 2001 and 2003 albums Heroic Blues and The Brother Who Lived to sing, play extra guitars and add keyboards and percussion and remix the songs. Previously unreleased tracks were included in the package of 18 tracks, with a Mahony illustration on the cover. 2011 saw the release of Rock'n'Roll is Where I Hide, on Liberation. The album was recorded at Soundpark in Melbourne by <mask> and the Lurid Yellow Mist and mixed by Victor Van Vugt in New York.A collection of re-recordings with the Lurid Yellow Mist of songs from his back catalogue. It was released with <mask>'s second book, 1001 Australian Nights, by Affirm Press, which concentrates on his life as an artist and performer. <mask> also began writing a monthly column for the Melbourne Review. <mask> and the mistLY Voted Best Live Act by readers of Fairfax for the Age EG Music Awards 2011. In 2012, the band's name was altered to <mask> & The mistLY, and the album You've Been in My Mind was released by Cockaigne. The lead single was "Flash in the Pantz", with an accompanying video of the band shot live at Meredith Music Festival 2011. A further video for "We Need a Champion" was filmed and edited by Nick Cowan.<mask> and Moore also played and recorded an album as rhythm section for Harry Howard and the NDE, a band fronted by old friend Harry Howard (These Immortal Souls, Crime and the City Solution, the Pink Stainless Tail) and Edwina Preston. A second album called "Pretty" was recorded and released in early 2013. A video for "Devil in a Garbage Can" was shot and edited by Nick Cowans. 2013 saw a series of digital only singles released as work was begun on a solo acoustic album. Clare Moore was also concentrating on the debut album of her band, The Dames. Digital only albums Point Blank and Live in Hell were also released. Documents of the "narrative shows" performed in 2006 and 2009 respectively.The Moodists undertook a show as part of the invitational only festival DIG IT UP, curated by the Hoodoo Gurus. This line-up featured the Blue Oyster Cult, the Flaming Groovies, Peter Case and the Buzzcocks. A fourth narrative show was also performed at the Butterfly Club in Melbourne. A solo show called Early Folk featured <mask> playing songs from across his career which had been inspired by the town of Mt Gambier. May 2014 saw the release of Fearful Wiggings, the second album to be credited as a "solo" album. Again, Clare Moore featured extensively on the album playing vibes and singing. UK guitarist Nick Harper played on two tracks and <mask> recorded all the lead vocals with Lisa Gerard (Dead Can Dance) at her studio in country Victoria.Three songs from the album had accompanying video clips. The song "Everything was Legendary with Robert" had a video made for it by film makers Donna McRae and Michael Vale, while a video for "Country Roads, Unwinding" was made by <mask>. This video featured footage of the drive along the Coorong between Adelaide and Mt Gambier shot by Heath Britton. 2015 saw the release of several digital only albums:
"Play mistLY for Me – Live Recordings vol 1", "<mask> – Night of the Wolverine Demos/Early 90s Songwriter Demos", and "Once I Loved The Torn Ocean's Roar – 80s/90s Demos Vol 2" . 2015 also saw the first of several reunion shows with <mask> 'n' the Coral Snakes, playing to sellout crowds in Melbourne, Sydney, Newcastle and Adelaide. The Melbourne annual Leaps and Bounds Festival honoured <mask> and Clare Moore as Living Legends and a concert was held at the Gasometer Hotel with many Melbourne musicians paying tribute to the pair by playing their songs. The performances went for 5 hours.2016 saw Cockaigne releases being updated in digital collections via online distributor, the Orchard. February the first of a monthly digital single release with "I'm A Good Hater". In March there was "This Is The Deadest Place I've Ever Died In". In April, "I Been Trendy", in May, "Drifting Donna Reed", in June "Are You Out of Your Mind? (Get Back In) and in July "You Need A Kleek, Klook". These singles continued through the year and were all released as an album in 2017 called Let's Get Tight, credited to <mask> and Clare Moore. The album featured guest appearances from Will Hindmarsh and Emily Jarrett from Go Go Sapien as well as mistLY bass player Stu Thomas.<mask> and the mistLY played an ATP Festival in Prestatyn, Wales, curated by comedian Stewart Lee, a long time supporter of their activities. They joined up with former guitarist Malcolm Ross and played shows in Edinburgh, Glasgow, Manchester (including a BBC6 session with dj Marc Riley) and continued on to dates in France, Holland, Belgium and London. In July 2016 there was a further return show for <mask> 'n' the Coral Snakes to a packed house in Melbourne. WORKSHY – Book. <mask>ey Memoir. Affirm Press October 2017. Nominated at the 2018 OZFLIX awards for best original soundtrack (with <mask>) for the Donna McRae film, LOST GULLY ROAD

In April 2019, <mask> and the mistLY released an album called Zippa Deedoo What Is/Was That/This?In November 2019 a digital only studio album was released by <mask> and Clare Moore called One Million Years DC. The album featured guest appearances by Shane Reilly from the Lost Ragas on pedal steel and Coral Snake Robin Casinader on mellotron. <mask> and Clare Moore inducted into South Australian Music Hall of Fame December 2019. 2020 digital album #1 – <mask> and ClareMoore 2020 digital album with Robin Casinader – IN CONCERT. 2020 digital album #2 – <mask> and ClareMoore 2020 digital album with Georgio "the dove" Valentino and Malcolm Ross. 2021 digital album release – <mask> and the mistLY – 2021 digital album – LYVE AT BYRDS

2021 physical album release – <mask> and Clare Moore 2021 album released on CD through Cockaigne. EVERYTHING WAS FUNNY.Other Performances
<mask> has played at the Big Day Out Festival on many occasions, as well as the Livid festival and the Falls Festival. He performed on the TV shows Recovery, Nomad, Smash Hits, Live and Sweaty, Denton, Midday with Kerry Anne, Jimeoin, Shaun Micallef's Micallef Tonight, Mornings with Bert Newton, AM with Denise Drysdale, Sale of the Century, The Games, RocKwiz, Spicks and Specks, Australia's Dumbest Musician, Neighbours (two-episode story), Review, and Roy and HG's Club Buggery (1996–1997). He wrote a lyric book, It Is Written, Baby (1997). With Moore, he composed and performed the score of the movie Bad Eggs (2003), and for Mahony's short film Ray (2005). <mask> contributed music to and played a small (musical) part in Stone (2004), a stage production of the 1960s British play. In September 2013, <mask> also sang on Nick Harper's CD (Riven) on a track called "The Beginning is Nigh". Bibliography

<mask>, <mask> (2017).Workshy: My Life As A Bludge. Mulgrave, Vic: Affirm Press. Discography

Albums
The Moodists
 Thirsty's Calling – Red Flame (206 308) (April 1984)
 Double Life – Red Flame (RFM 44) (1985)
 Two Fisted Art (1980 -1986) – W. Minc (WMINCD027) (2003)

<mask> with the White Buffaloes
My Life on the Plains – Fire Records (FIREUS3-1) (1989)

<mask> 'n' the Coral Snakes (aka <mask> with the Coral Snakes)
 I Was the Hunter... and I Was the Prey – Fire Records (FIRE11029, FIRE 33029) (May 1992)
 The Lure of the Tropics – Torn & Frayed Records (TORN CD!) (July 1992)
 Night of the Wolverine – Mercury Records (5321292) (April 1993)
 You Wanna Be There But You Don't Wanna Travel – Mercury Records (5223812) (June 1994) AUS No. 10
 The Soft 'n' Sexy Sound – Mercury Records (5284162) (17 July 1995) AUS No. 36
 Also packaged into a limited-edition box set with a 'best of' disc (in its own separate case):   The Soft 'n' Sexy Sound | Simply The Best 'El Supremo – Id (PolyGram)/Mercury  (5284162) (5284162) (25 November 1996)
 The Devil Drives – Mercury Records (5348032) (May 1997) AUS No. 81
 "You Wanna Be Loved" – Mercury (8561212) (August 1994)
 "I'm Going to Live in My Own Big World" – Mercury (8527042) (1995)
 "I'm Not Afraid to be Heavy" – Mercury (8520452) (1995)
 "Rock'n'Roll is Where I Hide" – Mercury (8523192) (1995)
 "You're Just Too Hip, Baby" – This Way Up (WAY4833) (1996)
 "Three Dead Passengers" – This Way Up (WAY5133) (1996)
 "Feelin' Kinda Sporty" – Mercury (5743162) (April 1997) AUS No.78
 "A Man on the Make" – Mercury (5747252) (September 1997)

The <mask> Show
 "Your Masters Must Be Pleased With You" – Festival (February 1999)
 "Drugs are Wasted on the Young" – Cockaigne (COCK001) (February 2000)
 "Out of the Loop" – Cockaigne (COCK003) (12 June 2000)
 "Have You Heard About the Melbourne Mafia?" – Cockaigne (COCK004) (25 September 2000)
 "Are We Going Too Fast For Love?" – Cockaigne (COCK006) (2002)
 "Midnight to Dawn" – Cockaigne (COCK007) (August 2003)
 "All Our Friends Were Stars" – Cockaigne (COCK009) (2004)

The Lurid Yellow Mist featuring <mask> and Clare Moore
 "68 Babe (name, Rank and Rock Scene)" - Re-action Recordings (29 October 2007)
 "I'm in the Future Now" - Independent (8 November 2007)

<mask> and Clare Moore FILM COMPOSERS

The Soundtrack to the feature movie BAD EGGS (written and directed by Tony Martin) 2003
Soundtrack to the short film RAY (written and directed by Tony Mahony) 2004. Several art documentaries for the ABC’s series called Paying It Back (art mentorship in action) 2006-8. Death of a Chook –  feature film by Robert Gibson (2009) . Johnny Ghost (2015) and Lost Gully Road (2017) by Donna McRae. Clare Moore also contributed the theme tune to Tony Martin's TV show, A Quiet Word With, in 2010.<mask> wrote and performed the music to the play STONE at a VCA production in 2004. Studio production work
Recording and mixing
 The Darling Downs
How Can I Forget This Heart of Mine? (2005)
 From One to Another (2007)
 Jane Dust
A Spray of Red From the Deep (2008)

Mixing
Kaye Louise Patterson
 International Travel (2007)

Awards and nominations

ARIA Awards
The ARIA Music Awards are presented annually from 1987 by the Australian Recording Industry Association (ARIA). <mask> and <mask> 'n' the Coral Snakes have won two awards from nine nominations. <mask> and Clare Moore inducted into the South Australian Music Hall of Fame in Adelaide December 2019. Notes

References

General

Specific

External links
<mask> & Clare Moore official website
 Rolling Stone Australia writing about the 2021 album Everything Was Funny. UK blog Different Noises in regard to 2021 album EVERYTHING WAS FUNNY .Your Music Radar writing about Zippa DeeDoo What Is/Was That/This? from 2019.
i94bar interview
http://davegraney.blogspot.com.au/
 Interview with <mask> and Clare Moore in regard to the Moodists https://web.archive.org/web/20160404171650/http://messandnoise.com/icons/4576645
 Audio interview with <mask> http://www.abc.net.au/local/stories/2011/06/21/3249377.htm
 Interview with <mask> from Melbourne 2013: http://www.theage.com.au/entertainment/music/early-sitting-for-a-journey-to-the-past-20130617-2oebz.html
 Podcast of conversation between <mask> and musician Lisa Gerrard across both their careers. APRA event June 2016
 Extensive Depth Perception Podcast two hour  interview with <mask> conducted in Sydney 2015
Interview with <mask>ey by UK podcaster David Eastaugh (C86) focussing on the 80s Moodists period. 1959 births
Living people
Musicians from Melbourne
ARIA Award winners
Australian musicians
People from Mount Gambier, South

masks:
Graney
Graney
Graney
Graney
Graney
Graney
Graney
Graney
Dave Graney
Dave Graney
Graney
Graney
Graney
Graney
Graney
Graney
Graney
Graney
Dave Graney
Dave Graney
Dave Graney
Graney
Dave Graney
Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Gran
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Graney
Graney
Graney
Graney
Dave
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Graney
Dave Gran


title: John P. Hermann

texts:
<mask>") <mask> (born 17 April 1947) is an American academic who specializes in Old English poetry; he is an emeritus professor at the University of Alabama. He is the author of Allegories of War: Language and Violence in Old English Poetry (1989), and an early proponent of the application of postmodern critical theory to Old English poetry, especially allegorical poems, to investigate the "intersection of spirituality and violence". The book was marked as a "turning-point in criticism of Old English poetry". <mask> is also a well-known critic of the Greek system at the University of Alabama, described by one journal as leading a "one-man crusade...to abolish what he calls an 'apartheid greek system'". Biography
<mask> is a 1973 graduate of the University of Illinois, and became professor of Old English language and literature at the University of Alabama in 1974, where he spent his entire academic career. With his colleague <mask> he edited a volume on Geoffrey Chaucer, the proceedings of a 1977 conference held at the University of Alabama (Signs and Symbols in Chaucer's Poetry, 1981), and he wrote a monograph on spiritual warfare in religious Old English poetry (Allegories of War: Language and Violence in Old English Poetry, 1989). A former track athlete, he was an adjunct track coach for the university.<mask> is also a well-known, longtime critic of the university's Greek system, which has drawn national attention for its long history of de facto segregation. <mask> considers the Greek system as profiting from "taxpayer-supported segregation". In 1991, he headed one of the committees charged with establishing an accreditation system for the university's fraternities and sororities; the new guidelines charged the organizations with helping to strive toward a more diverse campus, though <mask>'s committee had called for stronger language: "white Greek chapters must admit black and international members and vice versa". By 2001, however, The Journal of Blacks in Higher Education concluded that the guidelines had achieved nothing, and that not a single black student had ever been accepted by a white fraternity or sorority (there had been "a few white members" in black fraternities, it noted). <mask>, disappointed by what he perceived as inaction on the part of university president Andrew Sorensen, was prepared to go to court in a civil suit, and called on the university that they demand that white Greek organizations "accept a black member or be told to leave the university grounds" (the article noted that the Greek houses occupy university-owned land, which they rented for $100 per year—an annual "fair market rental value" for the real estate would add up to $600,000). In 2002, he supported black student Melody Twilley in her attempt to join a white sorority (he did so in 1996 already, for two black students who in the end decided not to rush); she was twice denied and drew national attention for her efforts: "She's bright, she's attractive, she's a member of the upper class,' <mask> says. In other words, someone whose exclusion could only be explained by race", wrote Jason Zengerle of The New Republic.Twilley was rejected by all fifteen sororities she applied to, to the dismay of Dean E. Culpepper Clark; <mask> commented, "Most students here are not racist at all...but now we're going to be seen as a racial disaster area". Allegories of War
Allegories of War was <mask>'s doctoral dissertation, and chapters of it were published as articles before the book was published by the University of Michigan Press in 1989. Taking the concept of psychomachia, "literature based on the premise of personified abstractions in combat", as a starting point, <mask> traces the reception of the Psychomachia by <mask> and other allegorical texts in Old English literature, examining the influence of the tradition of spiritual warfare in various religious texts. The second part of the book subverts the traditional allegoresis as a standard method in Old English studies, and investigates how "spiritual violence...is complicitous with social violence" in such texts as Elene, Andreas, and Judith. Psychoanalysis and postmodern theory (including the work of Sigmund Freud and Jacques Lacan) are combined to bear on literary texts and the history that produced them. In Judith, for instance, <mask> reads the decapitation of Holofernes not just as a symbolic castration but also allegorically, as Christian abnegation of the self, but also tropologically, as signifying the disclipining of especially sexual desire within a group, a notion he relates to the poem's monastic provenance. <mask>'s critique of "previous allegorical approaches" is still cited in Old English studies.In addition, <mask> takes aim at the reigning methods in Old English scholarship of the time, especially exegesis and the New Criticism, by examining the "sublation", his translation of the Hegelian term Aufhebung, the "subsuming of one term in a binary pair (devil/church, foreign evil/soldier of Christ) by the other in an operation that both negates and conserves the former (suppressed) concept". One of the goals of his analysis is to uncover the literal violence sublated in the poetic accounts of spiritual warfare: "in <mask>'s view, traditional exegetical and formalist readings have had the effect of obscuring a real (and reprehensible) commitment to violence and terror as instruments of forced cultural conversion in the early Middle Ages". This critical stance was taken within the profession as evidence that "the armies of modern critical theory stand at the gates of one of the last bastions of traditional philological discourse", in a book whose "discursive content is explicitly intended to serve a larger purpose—the dismantling of an established philological tradition which rests on the ideological alliance of modern exegesis and New Criticism". The book received very mixed reviews. Joseph Harris, in a review for Speculum, was not convinced by its supposed "efforts at a high-level Marxist historical analysis" and thought its deconstructionist theme "least satisfactory". Martin Irvine, in the South Atlantic Review, called it "an important contribution to current discussions of theory and method in Old English studies", to be read "profitably alongside other recent studies on Old English literature and critical practices by scholars such as Gillian Overing and Allen Frantzen". References

1947 births
Living people
Anglo-Saxon studies scholars
Place of birth missing (living people)
University of Alabama faculty
University of Illinois alumni

masks:
John Patrick ( Pat
Hermann
Hermann
Hermann
John Burke
Hermann
Hermann
Hermann
Hermann
Hermann
Hermann
Hermann
Hermann
Prudentius
Hermann
Hermann
Hermann
Hermann


title: Jim Moray

texts:
<mask> (born 1981) is an English folk singer, multi-instrumentalist and record producer. Recording artist
While studying classical composition at the Birmingham Conservatoire, <mask> released the home-recorded I Am Jim Moray EP. During 2002 he appeared at the Glastonbury festival and the Cambridge Folk Festival gaining notice in the music press. A nomination for the "Horizon Award" at the BBC Radio 2 Folk Awards 2003 followed before he began work on his first full-length album, Sweet England. The album was recorded in his bedroom while completing his final year of study. Sweet England was released in June 2003 on his own Niblick Is A Giraffe record label. At the BBC Radio 2 Folk Awards in 2004 he was presented with the Album of the Year Award for Sweet England and the Horizon Award for best newcomer.He was also nominated twice in the Best Traditional Song category for Early One Morning and Lord Bateman. <mask> recorded and released the single Sprig of Thyme in May 2004, and in the autumn appeared on the Oysterband's Big Session Volume 1 album. This gained yet more Folk Award nominations in 2005, including one for Cuckoo's Nest, which was sung, produced and mixed by <mask>. After a long gestation period, <mask>'s eponymous second album was released on 1 May 2006. Moving away from the electronic sound of Sweet England it features a more orchestral sound and denser song structures. On 6 July 2007, The Independent featured Sweet England in its "Cult Classic" series, affirming its impact and influence on the modern folk scene. <mask>'s third album, Low Culture, was released on 14 July 2008.On this album <mask> makes use of African kora, the melodeon and mandolin and mbira thumb-piano. Low Culture won the fRoots Critics Poll Album of the Year 2008 and was also the MOJO Folk Album of the Year 2008. It was also nominated for the Album of the Year Award in the BBC Folk Awards 2009. On 1 February 2010 it was announced that <mask>'s fourth album In Modern History would be given away as a covermount CD with the June edition of Songlines magazine, with a street date of 30 April 2010. It was also announced that the album would be available in a deluxe box set and standard editions on 7 June 2010. <mask>'s fifth studio album Skulk was released on Bandcamp with no build-up or warning in January 2012 going straight to number 1 on the Bandcamp chart. It received a full release on 9 April 2012.<mask> received three nominations in the BBC Radio 2 Folk Awards for Best Album, Folk Singer of the Year and Best Traditional Track (for Lord Douglas), winning the latter category. Along with singer and guitarist Sam Carter, in 2014 <mask> launched a new band named False Lights to play traditional music with electric instruments. Their album Salvor, produced by <mask>, was released in February 2015 and they announced headline shows at Folk East, Trowbridge Village Pump and Homegrown festivals. <mask>'s sixth album Upcetera was released on September the 30th 2016, featuring orchestral arrangements blended with electric rhythm section, electronic soundscapes and, on several tracks, viol played by Damon Albarn and Nico Muhly collaborator Liam Byrne. It was nominated for Best Album and Best Original Track for Sounds Of Earth at the 2017 BBC Radio 2 Folk Awards, at which he also performed the opening track Fair Margaret And Sweet William. On <mask>'s seventh album The Outlander he explored a more stripped down style of playing and arranging influenced by the British folk revival of the 1960s and 70s and featuring Bellowhead fiddle player Sam Sweeney on six tracks. It was released on 11th October 2019 and was <mask>'s first album to be released on vinyl as well as CD and download.Producer
Aside from all of his own albums <mask> has produced other artists, initially from his own studio in Bristol profiled in a Sound on Sound feature in 2006. <mask> produced and mixed the track "The Cuckoo's Nest" for the Oysterband Big Session in 2004. This was a live album, recorded over two nights, featuring a similar line-up to the tour he took part in in 2003. The track was nominated in the BBC Folk Awards that year. During 2005 <mask> produced and performed on James Raynard's debut album Strange Histories, released in September 2005 on One Little Indian records. In 2008 he wrote and produced the song The Wishfulness Waltz for his sister Jackie Oates' second album The Violet Hour, as well as playing all the instruments on the track. He subsequently produced and mixed her third album Hyperboreans which was released in September 2009 and nominated for three BBC Radio 2 Folk Awards (including best album), and MOJO magazine's top folk albums of 2009.In 2015 he produced and mixed her sixth album "The Spyglass And The Herringbone" as well as co-writing the majority of the tracks. <mask> produced and mixed the debut album Roodumdah by Kent-based folk-rock band Wheeler Street in autumn 2008. In 2010 he produced and mixed Find The Lady by Belshazzar's Feast. In 2014 he produced and mixed the second album by singer and songwriter Maz O'Connor, This Willowed Light. They worked together again on her third album The Longing Kind. In the same period he also produced the debut album by London folk band Tir Eolas, Stories Sung, Truths Told. <mask> produced Salvor, the debut album by False Lights – his collaboration with Sam Carter, in 2015.The band released Harmonograph, a second album also produced by <mask> in 2018. <mask> produced Art Brut's fifth album Wham! Bang! Pow! Let's Rock Out!, after previously collaborating with lead singer Eddie Argos on the lo-fi musical The Islanders at the Edinburgh Fringe in 2013. The album was released by Alcopop! Records in 2018.Live performer
<mask>'s early live shows frequently featured video projections and lighting effects, something relatively uncommon in British folk music. During 2001–2003 <mask> played as a solo performer, becoming well known for using a laptop and loop pedals live. After the release of Sweet England in 2003, he began playing with a variety of accompanying musicians, notably drummer Laurence Hunt. This flexible line-up toured extensively as an electric band, with <mask> playing electric guitar and supplemented by samples and sequences from laptops onstage. Following the <mask> album, during 2007–2008 Moray's line-up solidified around a core of melodeon player Nick Cooke and violinist James Delarre, frequently performing as an acoustic trio before eventually adding drummer William Bowerman in 2008. Bowerman left the band in summer 2009 to join electro-pop act La Roux and was replaced by Dave Burbidge. After puncturing both lungs, Cooke was replaced by Saul Rose for some festival appearances in summer 2009.In 2012 <mask> toured with an expanded "Skulk Ensemble" to play the Skulk album live, with added brass, bass and his sister Jackie Oates on backing vocals. In November 2013 <mask> staged a 10th Anniversary Performance of his first album Sweet England at the Union Chapel in Islington, London featuring a string section and special guests including Bella Hardy, Jackie Oates, Keston Cobblers Club and Maz O'Connor. In 2017 <mask> assembled a 10-piece band featuring strings, woodwind and an electric rhythm section to play the music from his Upcetera album on tour. This line up was invited to close the show at the 2017 BBC Radio 2 Folk Awards held at the Royal Albert Hall. As an opening act or collaborator, <mask> has toured with Oysterband, Eliza Carthy, Billy Bragg, Richard Thompson, Ani Di Franco, Bellowhead, The Cecil Sharp Project and John McCusker. He also performed as Orpheus in Anaïs Mitchell's folk opera, Hadestown in January 2011 at the Union Chapel in London. In 2012 <mask> wrote and performed music for the Bristol Old Vic produced show The Islanders, a collaboration with Art Brut frontman  Eddie Argos, and writer and performer Amy Mason.Discography

Performer
I Am <mask> (EP) (2001)
Sweet England (2003)
Sprig of Thyme (single) (2004)
<mask> (2006)
Barbara Allen (vinyl single) (2006)
Low Culture (2008)
Lucy Wan (single) (2009)
In Modern History (2010)
A Beginners Guide (compilation) (2010)
Big Love (single) (2011)
Skulk (2012)
Upcetera (2016)
The Outlander (2019)

Producer or guest musicianGlance – Rose Kemp (piano and programming) (2003); Rose Kemp later provided additional vocals for the album Jim MorayBig Session Vol. Bang! Pow! Let's Rock Out! - Art Brut (production/mixing) (2019)Vivaldi Sleep – Orchestra Of The Swan (vocals, arranging) (2021)Labyrinths'' – Orchestra Of The Swan (vocals, arranging) (2021)

References

External links
www.jimmoray.co.uk
 <mask> video interview

English folk musicians
Living people
1981 births
Alumni of Birmingham Conservatoire
English folk singers
21st-century multi-instrumentalists

masks:
Jim Moray
Moray
Moray
Moray
Moray
Jim Moray
Jim
Jim Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Moray
Jim Moray
Moray
Moray
Moray
Moray
Moray
Jim Moray
Jim Moray
Jim Moray


title: Lisa Walker

texts:
<mask> (born 1967, in Wellington) is a contemporary New Zealand jeweller. Education and training in New Zealand

<mask> graduated from Otago Polytechnic, Dunedin, in 1988 with a Certificate in Craft Design. In Dunedin her tutors included German-trained jeweller Georg Beer and Swiss-trained jeweller Kobi Bosshard. After completing her studies, <mask> moved to Auckland, where along with Areta Wilkinson, Anna Wallis and Helen O'Connor she established the jewellery workshop Workshop 6. Training and work in Germany

In 1995 <mask> moved to Germany, and from 1995 to 2001 studied under jeweller Otto Kunzli at the 'Klasse Kunzli' at the Akademie der Bildenden Künste München in Munich. In Munich, <mask> established a successful international career as a jeweller, including being recognised with the 2010 Françoise van den Bosch Award for "work of an outstanding quality that influences and appeals to younger generations of artists internationally". In 2009 <mask> returned to Wellington with her partner, jeweller Karl Fritsch.Work

<mask>'s work "questions conventional concepts about jewellery's beauty and wearability" by using second-hand items and materials found in hobby stores, as well as non-traditional techniques such as glueing materials together. Materials she has incorporated into her jewellery include rubber bands, wood dowelling, sequins, tape, leather, paua shell veneer, stuffed toys, artificial grass, freshwater pearls, steel, lacquer and fabric. Art historian Dionea Rocha-Watt observes that <mask> "may have abandoned some traditional skills but is still referencing the history of jewellery, with a great sense of colour and composition." In a review of a 2015 exhibition of <mask>'s work, art critic Warren Feeney wrote:

Over the past 20 years, <mask> has played a critical role in the development of contemporary jewellery in New Zealand and internationally, making work that confronts familiar perceptions about what a precious object might be. This ability to pose question after question about the possibilities of her work is apparent, not only in her comments about individual pieces, but equally in the range of materials, subjects, processes and scale of her jewellery. In 2015 <mask> joined the photo-sharing website Instagram. She has noted that the site provides a "huge hunting ground" for inspiration, and that currently she draws more from imagery she finds online than on objects in the physical world for starting points for her own making.She has also collaborated with performance art/music group Chicks on Speed, initially when she met the participants while studying in Germany, but also in shows in New Zealand, contributing pieces from unused costumes, or works specifically created for performances. A recent work by <mask> made of pieces of pounamu was included as an illustration in New Zealand historian Barbara Brookes' A History of New Zealand Women as an example of how contemporary New Zealand jewellery reflects a sense of place. Process

In a 2008 interview <mask> said:

I work on several ideas and pieces at once, and don't prepare for exhibitions − I show where I'm at, at that particular time. Sometimes I work with an idea, sometimes with a certain material. Sometimes an influence repeats itself in pieces over a few years, sometimes one piece is sufficient. Contemporary craft writer Andre Gali suggests that since her time as a student in Germany, <mask> has engaged with the concept of 'deskilling':

With her background as a goldsmith, we can imagine that <mask> could easily engage with the values and aesthetics of “doing something well.” However, deskilling and the use of readymades shift the value of the work away from craftsmanship—even though that is important as well—toward an artistic sensibility.Art historian Maya Love has commented on <mask>'s documentary process, stating that the artist "photograph[s] each piece against a white or grey background. She admits to hoarding materials now inclusive of digital imagery saved on social media or an Etsy wishlist."Collections and exhibitions

Her work is held in a number of public collections, including the Auckland War Memorial Museum, the Museum of New Zealand Te Papa Tongarewa, The Dowse Art Museum and the National Gallery of Victoria, Melbourne. Significant exhibitions include:

2009 Her Last Show Made in Munich, Nurnberg Museum of Art and Design, Germany
 2010 <mask> – Unwearable at Objectspace
2011 Wearable at the Cobra Museum of Modern Art, Netherlands
2013 Touch Me Baby I'm Bodycentric, A Multimodalplosion! with Chicks on Speed at City Gallery Wellington
2015 Love and Technique (with Karl Fritsch), Rosemarie Jäger Gallery, Hochheim
2015 Anna's Best Friend is Russian Bob's Mother, The National, Christchurch
2015 One Week Exhibition, Platina, Stockholm
2016 The End, Galerie Biro, Munich; 0 + 0 = 0, Christchurch Art Gallery
2018 <mask>: I want to go to my bedroom but I can’t be bothered, a survey exhibition of <mask>'s work, part of the suite of exhibitions marking the opening of the Museum of New Zealand Te Papa Tongarewa refurbished art galleries. For the 2018 Te Papa Tongarewa exhibition I want to go to my bedroom but I can’t be bothered, a guide co-authored by Isaac du Toit and Megan du Toit was produced. A Children’s Guide to the Jewellery (and Art) of <mask> showcased <mask>'s 30-year exploration of what "Jewellery" can be. In her 2021 iteration of the same exhibition at Te Uru Waitakere Contemporary Gallery, <mask>: She wants to go to her bedroom but she can't be bothered, "over 250 pieces [were] carefully displayed over gallery spaces that each loosely encompass[ed] a significant chapter in her career." Like the Te Papa Tongarewa exhibition, it was an ambitious retrospective looking at the artist’s 30-year career as a pioneer of contemporary jewellery.<mask>'s work was included in Collecting Contemporary (2011–2012)and Bone Stone Shell (2013–2014) at the Museum of New Zealand Te Papa Tongarewa. She was also included in Wunderrūma: New Zealand Jewellery, a touring exhibition that showed at Galerie Handwerk in Munich, The Dowse Art Museum and Auckland Art Gallery. For the Obstinate Object exhibition of contemporary sculpture at City Gallery Wellington in 2012 <mask> contributed a site-specific piece called BROOCH, where a brooch fastening and steel safety chain were affixed to a gallery ceiling, suggested a visitor could 'wear' the building. In 2015 <mask> presented a guest lecture on her past and current work at Nordiska museet, Stockholm, co-organised by Konsthantverkscentrum, the Röhsska Museum for Arts, Crafts, Design and Fashion, and The School of Design and Crafts under the Iaspis programme. Recognition

2007 Förderpreis der Stadt München (City of Munich scholarship)
2009 Francoise van den Bosch Award
2015 Laureate Award, Arts Foundation of New Zealand. References

Further reading

External links
 www.lisawalker.de
 Video interview with <mask>, Museum of New Zealand Te Papa Tongarewa
Victoria Wynne-Jones, Attuning to People, Places and Things: Neck Adornment and Contemporary Art, The Pantograph Punch, 1 June 2018
 Interview with <mask>, Standing Room Only, Radio New Zealand, 28 January 2018
Video interview with <mask> from the Jewellery Conversations series
Video interview with Lisa Walker Arts Foundation of New Zealand, 2015
Keriane Quick, <mask>: Put a cord on it, Art Jewelry Forum, 7 December 2011
 Eléna Gee, 'Open Heart: Contemporary New Zealand Jewellery', Lower Hutt: The Dowse Art Museum, November 1993. 1967 births
Living people
New Zealand artists
New Zealand jewellers
People from Wellington City
Otago Polytechnic alumni
New Zealand women artists

masks:
Lisa Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Walker
Lisa Walker
Lisa Walker
Walker
Lisa Walker
Lisa Walker
Lisa Walker
Walker
Walker
Walker
Lisa Walker
Lisa Walker
Lisa Walker
Lisa Walker