title: Susan Clancy

texts:
<mask><mask> is a cognitive psychologist and Associate professor in Consumer behaviour at INCAE as well as a Post-Doctoral Fellow at Harvard University. She is best known for her controversial work on repressed and recovered memories in her books Abducted and The Trauma Myth. Education

In 2001, <mask> received her PhD in experimental psychology from Harvard University. Career

<mask> joined the Harvard University psychology department as a graduate student in 1995. There she began to study memory and the idea of repressed memories due to trauma. The debate in this field was strong at the time, with many clinicians arguing that we repress memories to protect ourselves from trauma that would be too hard to bear. Many cognitive psychologists, on the other hand, argued that true trauma is almost never forgotten, and that memories brought up years later through hypnosis are most likely false.In 2003, <mask> remarked to Bruce Grierson of the New York Times that "nobody was doing research on the group that was at the center of the controversy -- the people who were reporting recovered memories. Memory function in that group had never been examined in the laboratory." <mask> hypothesized that there was a group of people who were more susceptible to false memory creation and that this tendency might be demonstrated in the lab by giving standard memory tests. The tests included giving participants lists of related words and then later asking them to recall the first list by circling words from a second list that included similar words. Her data strongly suggested that some people are more likely to "remember" seeing similar words to those on the lists that weren't an exact match, more so than a control group. Essentially "creating a recollection out of a contextual inference, a fact from a feeling." These findings were published in the journal Psychological Science in 2000.Her work was heavily criticized by some in the community. It was suggested that it could be possible that those with recovered memories of trauma, had such traumatic memories that they were not only repressed, but that they also manifested as cognitive impairment that could cause memory problems in test conditions like this study. Additionally, she received letters suggesting that even conducting this kind of research at all "cheers on child molesters" and ridicules the suffering of children. In 2000 when she was invited to speak at Cambridge Hospital, she was told that many in the psychiatric department protested her lecture. <mask> decided at this point to find a new group to study. She began studying alien abductees, whose stories could produce more methodologically clear study results. She began canvassing for participants until she found 11 willing abductees.This posed its own challenges because many of the study participants do not believe in repressed memories, but rather some kind of extraterrestrial interpretation, such as the aliens erasing their memories or controlling their minds in some manner. In 2003, <mask> took a position as a professor at the Harvard-affiliated Central American Business Administration Institute in Managua, Nicaragua. She went on to become the research director at the Harvard-affiliated Center for Women's Advancement, Development and Leadership in Nicaragua. Select bibliography

Abducted: How People Come to Believe They Were Kidnapped By Aliens

Published by Harvard University Press in 2005, <mask>'s book Abducted: How People Come to Believe They Were Kidnapped By Aliens was met with strong positive reviews. The book uses data derived from several memory studies on self described abductees that took place in the preceding few years. The book explores what mainstream experts believe to be the sources of abduction stories, such as sleep paralysis and the use of hypnosis techniques to "recover" forgotten memories. <mask> finds that previous interest in the paranormal and emotional investment also play a role in creating abduction memories.Benedict Carey of the New York Times believes the book is about more than just aliens, that "the book hints at a larger ambition, to explain the psychology of transformative experiences, whether supposed abductions, conversions or divine visitations." <mask> demonstrates that alien abduction stories give people meaning and a way to understand their own lives and circumstances. It also gives them a feeling that they are not alone in the universe. Carey's take away is that, "in this sense, abduction memories are like transcendent religious visions, scary and yet somehow comforting and, at some personal psychological level, true." Paul McHugh, of The Wall Street Journal also points out that, no matter how bad the experience, none of the abductees regret it happening. Many of them feel that they were special or "chosen" for having these experiences. Benedict Carey's only critique is that <mask> did not ask the abductees that she interviewed to share their religious beliefs, which he notes that <mask> herself regretted as well.He concludes that "when it comes to sounding the depths of alien stories, a scientific inquiry like this one may have to end with an inquiry into religion." In an interview with Madeleine Brand on the Day to Day radio show by NPR, <mask> responds to the question of how her interview subjects responded to the publishing of her book. She explains:

<mask>, in response to the idea that alien abduction experiences are similar to religious beliefs and experiences says:

The Trauma Myth: The Truth about the Sexual Abuse of Children—and its Aftermath

This book, published in 2010, got its beginning when <mask> was working on her graduate research project in the mid-1990s and she began interviewing adult survivors of childhood sexual abuse. Much to her surprise, she found that most of the victims of childhood abuse did not feel trauma, in the usual sense of the word, until they grew old enough to really understand what had happened. One of the most common feelings among her sample was self-blame. The majority of those interviewed never experienced violence or remembered feeling pain, rather it was mainly confusion at the time. But the psychological damage begins when they realize that their trust and innocence had been betrayed.It is this feeling of participation from the victim that causes the greatest distress later in life. <mask> says that ninety-five percent of childhood sexual abuse victims never seek treatment because of their false beliefs about what abuse should look like:

There was much outrage over the findings presented in this book. When questioned about the critique that her book could be arguing that children are not hurt by sexual abuse, <mask> says, "I will never say that. I could not be more clear. This is an atrocious, disgusting crime." Many have also accused <mask> and this book of encouraging child abusers. To this she responds that:

<mask> argues that her model is what may truly help the adult survivors of childhood sexual abuse.These survivors are often ashamed of their behavior and that they did not fight back, they blame themselves and often do not speak about the events or even believe that what happened to them can be considered abuse. She finds that it can be very beneficial for these survivors to learn that their experience and their reaction, or lack of reaction, was normal. According to an interview with <mask>, writing for The Globe and Mail in 2010, <mask> makes it clear through her book "that children are never at fault, that sexual abuse is always a crime and that the blame always rests with the adult." This book also addresses the idea of repressed memory. <mask> argues that the reason many children do not remember sexual abuse until later in life was that it simply was not memorable at the time. She says in an interview with Salon:

On how we should treat sexual abuse victims, <mask> says:

Journal articles

¿Por qué no hay más Mujeres en la Cima de la Escala Corporativa: Debido a Estereotipos, a Diferencias Biológicas o a Escogencias Personales? / Why aren’t more Women at the Top of the Corporate Ladder: Stereotypes, Biological Differences or Choices (2007)
Autobiographical memory specificity in adults reporting repressed, recovered, or continuous memories of childhood sexual abuse (2006)
Clinical characteristics of adults reporting repressed, recovered, or continuous memories of childhood sexual abuse (2006)
Sleep paralysis and recovered memories of childhood sexual abuse: A reply to Pendergrast (2006)
Who needs repression?Normal memory processes can explain “forgetting” of childhood sexual abuse (2005)
Sleep Paralysis, Sexual Abuse, and Space Alien Abduction (2005)
Sleep paralysis in adults reporting repressed, recovered, or continuous memories of childhood sexual abuse (2005)
Reality Monitoring in Adults Reporting Repressed, Recovered, or Continuous Memories of Childhood Sexual Abuse (2005)
Inhibiting retrieval of trauma cues in adults reporting histories of childhood sexual abuse (2004)
Psychophysiological Responding During Script-Driven Imagery in People Reporting Abduction by Space Aliens (2004)
Reconceptualizing the teaching team in universities: Working with sessional staff (2002)
Memory distortion in people reporting abduction by aliens (2002)
Directed forgetting of trauma cues in adults reporting repressed or recovered memories of childhood sexual abuse (2001)
False Recognition in Women Reporting Recovered Memories of Sexual Abuse (2000)
Personality profiles, dissociations, and absorption in women reporting repressed, recovered, or continuous memories of childhood sexual abuse (2000)
Cognitive processing of trauma cues in adults reporting repressed, recovered, or continuous memories of childhood sexual abuse (2000)
Effects of guided imagery on memory distortion in women reporting recovered memories of childhood sexual abuse (1999)
Cardiorespiratory Symptoms in Response to Physiological Arousal (1998)
Directed forgetting of trauma cues in adult survivors of childhood sexual abuse with and without posttraumatic stress disorder (1998)
Differential diagnosis of palpitations. Preliminary development of a screening instrument (1996)
Somatized Psychiatric Disorder Presenting as Palpitations. Archives of Internal Medicine (1996)

See also
Repressed memory
Hypnosis
Alien abduction
Experimental psychology

References

American women psychologists
Cognitive psychologists
Ufologists
Harvard University faculty
Harvard Graduate School of Arts and Sciences alumni
Year of birth missing (living people)
Place of birth missing (living people)
Living people
American women academics
21st-century American women

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title: Jasmin Stowers

type: original

texts:
<mask> (born September 23, 1991) is a former American track and field athlete, who competed in the 100-meter hurdles. Her personal best for the event is 12.35 seconds, set in 2015, which ranks her seventh on the world all-time lists. Stowers ran for Louisiana State University in collegiate competition and was the 2014 NCAA runner-up outdoors. She was the 2015 American indoor champion in the 60-meter hurdles. Stowers represented her country at the 2007 World Youth Championships in Athletics. <mask> announced her retirement from the sport in October 2020

Early life
Born to Ronald and Gena <mask>, she grew up in Pendleton, South Carolina and attended Pendleton High School. She performed well in her studies there and was a member of her school's academic honor roll five years running, as well as serving as the school president for the National Honor Society.She took up track and field while at school and made her first international appearance at the age of fifteen, competing at the 2007 World Youth Championships in Athletics. There she ran a personal record of 13.52 seconds in the 100 m hurdles qualifiers, but was slower in the final and finished fourth in the youth event. She placed third in the 60 m hurdles at the Nike Indoor Nationals that same year. She emerged at national level in 2008, winning the Nike Outdoor Nationals and taking second at the USATF Junior Olympics. She ranked as the number one high school athlete in the 2009 season, retaining her Nike Outdoor Nationals title in a time of 13.59 seconds and winning the Junior Olympics and Nike Indoor Nationals titles as well. College career
Stowers gained a scholarship to attend Louisiana State University and began to study Nutrition and Food Science there in 2010. She began to compete for the institution's LSU Lady Tigers track and field team and in her first major competition ranked sixth in the 60 m hurdles at the NCAA Indoor Women's Track and Field Championships with a personal best of 8.12 seconds.She was the winner of the Southeastern Conference (SEC) titles indoors and outdoors, setting a personal best of 12.88 seconds at the latter meet. She won at the Penn Relays and was a quarterfinalist at the NCAA Outdoor Women's Track and Field Championships. She also competed at the 2011 USA Outdoor Track and Field Championships, where she was a semi-finalist. In her second year at Louisiana State, Stowers defended both her SEC titles and was a finalist indoors and out in NCAA competition. She won the Penn Relays for a second year running and ended the year with a best of 12.92 seconds for the 100 m hurdles. Reflecting her focus on studying, she was listed on the SEC Academic Honor Roll that year. At the 2012 United States Olympic Trials she was a semi-finalist.In 2013, she retained her SEC indoor title for a third time – only the second person to do so for Louisiana after Lolo Jones. She was again an NCAA finalist both indoors and outdoors, managing a third-place finish in the 60 m hurdles indoors. She suffered from a hamstring injury during the middle of the year, which contributed her defeat at the SEC Outdoor Championships. She again featured on the SEC Academic Honor Roll in 2013. In her fourth and final college year Stowers featured in the top three in NCAA competition. At the 2014 NCAA Indoor Championships she ran a school record of 7.94 to take third place again in a tight race, where the top three (including Sharika Nelvis and Tiffani McReynolds) all finished within one hundredth of a second of each other. The 2014 NCAA Outdoor Championships bore similar results, as <mask> finished in a wind-assisted 12.54 seconds to place second behind Nelvis, who was just two hundredths ahead of her.She was usurped by Kentucky's Kendra Harrison in SEC competition, ranking second behind her both indoors and outdoors. Her third career win at the Penn Relays made her the first woman to achieve that feat. She ended the year on a high note at the 2014 USA Outdoor Track and Field Championships: after setting a personal record of 12.71 seconds in the qualifying round, she progressed to the final and finished in fourth place – her highest ever senior national ranking. <mask> finished her collegiate career with five titles in Southeastern Conference competition and seven All-American honors in NCAA competition. Professional career
<mask> made a strong start to her professional career with a national title at the 2015 USA Indoor Track and Field Championships. Her winning time of 7.84 seconds took a tenth of a second off her previous best for the 60 m hurdles. No longer having to do both academics and sport, her new focus on hurdling brought results at the Drake Relays, where she moved up to twelfth on the all-time lists with a new personal record of 12.40 seconds – three tenths faster than she had gone before.She also defeated former Olympic champion Dawn Harper-Nelson and world champion Brianna Rollins in the process. She improved one hundredth further at the Jamaica International Invitational, with a meeting record of 12.39 seconds. Her debut appearance on the 2015 IAAF Diamond League circuit established her as an elite international performer. She won the Doha Diamond League meeting in a series record time of 12.35 seconds – this moved her up to seventh on the all-time rankings for the 100 m hurdles. In October 2020, <mask> announced her retirement on Twitter, citing an ongoing spinal injury that had severely hampered her ability to train and compete at the highest level. Personal records
100-meter hurdles – 12.35 seconds (2015)
60-meter hurdles – 7.84 (2015)

National titles
USA Indoor Track and Field Championships
60-meter hurdles: 2015

International competitions

References

External links

Profile at Global Athletics

Living people
1991 births
People from Pendleton, South Carolina
Sportspeople from South Carolina
American female hurdlers
African-American female track and field athletes
LSU Lady Tigers track and field athletes
USA Indoor Track and Field Championships winners
21st-century African-American sportspeople
21st-century African-American women

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title: Dan Harmon

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<mask> (born January 3, 1973) is an American writer, producer, and actor. He is best known as the creator and producer of the NBC/Yahoo! Screen sitcom Community (2009–2015), creator and host of the comedy podcast Harmontown (2012–2019), co-creator of the Adult Swim animated sitcom Rick and Morty (2013–present) and its subsequent franchise along with Justin Roiland, and co-founder of the alternative television network and website Channel 101 along with Rob Schrab. Early life
<mask> was born in Milwaukee, Wisconsin, on January 3, 1973. He graduated from Brown Deer High School in Brown Deer, Wisconsin, and attended Marquette University. He briefly attended Glendale Community College in Glendale, California, an experience which would later form the basis of his sitcom Community. Career

Early career (1996–2008)

<mask> was a member of ComedySportz in Milwaukee, alongside Rob Schrab, a member of the sketch troupe The Dead Alewives.They produced an album, Take Down the Grand Master, in 1996. <mask> frequently appeared at Milwaukee's Safehouse free comedy stage early in his career. A notable routine was a song about masturbation. <mask> co-created the television pilot Heat Vision and Jack (starring Owen Wilson and Jack Black) and several Channel 101 shows, some featuring Black, Drew Carey, and Sarah Silverman. He co-created Comedy Central's The Sarah Silverman Program and served as head writer for several episodes. <mask> portrayed a highly fictionalized version of Ted Templeman on two episodes of the Channel 101 web series Yacht Rock, a satirical history of soft rock, featuring stories about Templeman's collaborations with The Doobie Brothers, Michael McDonald and Van Halen. He was the creator, executive producer, and a featured performer in Acceptable.TV, a Channel 101-based sketch show airing for eight episodes in March 2007 on VH1.He and Rob Schrab co-wrote the screenplay for the Academy Award-nominated film Monster House. He is credited with writing part of Rob Schrab's comic book series Scud: The Disposable Assassin, as well as the spin-off comic series La Cosa Nostroid. Community (2009–2012; 2014–2015)
In 2009, <mask>'s sitcom Community, inspired by his own community college experiences, was picked up by NBC to be in its fall lineup. <mask> served as executive producer and showrunner for 3 seasons until May 18, 2012, when it was announced that <mask> was being terminated from his position on Community as a result of creative conflicts between himself and Sony executives. On June 1, 2013, <mask> announced that he would be returning to Community, serving as co-showrunner along with Chris McKenna; this was confirmed by Sony Pictures on June 10. NBC cancelled the show after its fifth season in May 2014, after which <mask> announced on June 30, 2014 that Yahoo! had renewed the series for a 13-episode sixth season to air online on Yahoo!Screen. Harmontown and Harmonquest (2011–2019)
On May 23, 2011, <mask> began hosting a monthly live comedy show and podcast at Meltdown Comics in Hollywood called Harmontown. After his firing from Community, the show became weekly. The show is co-hosted by Jeff B. Davis. Notably, Harmontown has featured a regular segment where the hosts played an ongoing campaign of pen-and-paper role-playing games, first Dungeons & Dragons, and later Shadowrun, with the help of show Game Master Spencer Crittenden. The segment inspired the Seeso original animated series HarmonQuest. The show has featured guests such as Kumail Nanjiani, Curtis Armstrong, Bobcat Goldthwait, Mitch Hurwitz, Aubrey Plaza, Eric Idle, Greg Proops, Jason Sudeikis, Zoe Lister-Jones, Ryan Stiles, as well as <mask>'s then-wife, podcaster Erin McGathy.<mask> and Davis took the show on tour in early 2013, broadcasting from Austin, Nashville, Somerville, Massachusetts, Brooklyn, Rhode Island, and more. The tour became the subject of a documentary produced by director Neil Berkeley that follows <mask>, Davis, McGathy, and Crittenden. The documentary, also called Harmontown, premiered at the Austin Film Festival SXSW on March 8, 2014. On September 10, 2019, the Harmontown Twitter account announced that the podcast would be coming to an end, and its final episode was published on December 5, 2019. Starburns Industries (2010–present)
During the first season of Community, <mask> also co-founded Starburns Industries with several people including Dino Stamatopoulos, who played a character called Star-Burns on Community. In its first year, the company produced a stop-motion episode of Community which garnered the company an Emmy Award for Outstanding Achievement in Animation. Starburns Industries was then involved in the creation of Rick and Morty and animated films Anomalisa and Bubbles.It has also produced two more Adult Swim series, Moral Orel and Mary Shelley’s Frankenhole. In 2013, <mask> published the book You'll Be Perfect When You're Dead. Rick and Morty (2013–present)
Harmon and co-showrunner, Justin Roiland, began developing ideas for an animated show during <mask>'s yearlong break from Community. For its fall 2012 season, Adult Swim ordered a 30-minute animated pilot from <mask> and Roiland. The pilot, Rick and Morty, is about the adventures of a brilliant but mean-spirited inventor and his less-than-genius grandson. The show premiered on December 2, 2013 and was renewed for second and third seasons. The series' fourth season concluded in May 2020.<mask> voiced the recurring character of Bird Person. In May 2018, Rick and Morty was renewed for a further 70 episodes after <mask> and Roiland came to an agreement with Adult Swim. The Sirens of Titan and Krapopolis (2022)
It was announced in July 2017 that <mask> and Evan Katz would adapt Kurt Vonnegut's 1959 novel The Sirens of Titan into a television series. As of October 2021, no more details have been released. In February 2021, it was announced that Fox has greenlit an animated comedy series from <mask>. The series will be set in Ancient Greece and is a co-production between Fox Entertainment and Bento Box Entertainment. The series will be the first fully-owned Fox series and will premiere in 2022.On May 17, 2021, it was announced that the series would be titled Krapopolis. Writing style

"Story circle" technique

<mask> adapted the hero's journey, a well-known storytelling framework, for use in television; he calls this technique the "story circle". He began developing the technique while stuck on a screenplay in the late 1990s, and wanted to codify the storytelling process to unveil the "structure" that powers movies and TV shows. He said, "I was thinking, there must be some symmetry to this. Some simplicity." While working on Channel 101, he found that many of the directors he was working with claimed that they were unable to write plots for television shows. This prompted him to simplify Joseph Campbell's structure of the hero's journey into a circular eight-step process that would reliably produce coherent stories.The story circle can supposedly be applied to all stories. <mask> uses it whenever he is writing a new story, saying, "I can't not see that circle. It's tattooed on my brain." The circle is divided into eight segments, each representing a stage of the plot: a character is introduced, wants something, enters a new environment, adapts to that environment, achieves their goal, encounters problems as a result of this, leaves that world, and is changed as a result. He writes the steps as follows:

 A character is in a zone of comfort or familiarity. They desire something. They enter an unfamiliar situation.They adapt to that situation. They get that which they wanted. They pay a heavy price for it. They return to their familiar situation. They have changed as a result of the journey. Campbell's structure of the hero's journey is the main influence in <mask>'s technique. In a blog post detailing the second sector of the circle, <mask> explained, "The point of this part of the circle is, our protagonist has been thrown into the water and now it's sink or swim.In Hero with a Thousand Faces, Campbell actually evokes the image of a digestive tract, breaking the hero down, divesting him of neuroses, stripping him of fear and desire. There's no room for bullshit in the unconscious basement. Asthma inhalers, eyeglasses, credit cards, fratty boyfriends, promotions, toupees, and cell phones can't save you here. The purpose here has become refreshingly—and frighteningly—simple." The hero's journey has been adapted for screen and television writing before, most notably by former Disney developmental executive Christopher Vogler in his book The Writer's Journey: Mythic Structure for Writers. <mask> has noted this book as an influence on the technique, as well as the work of Syd Field. Star Wars is an examples of a film that consciously set out to use the hero's journey as a template for storytelling success.<mask> states that this circular structure of storytelling can be applied both to film and TV, suggesting in a Channel 101 blog that only the final intentions are different: "A feature film's job is to send you out of the theatre on a high in 90 minutes. Television's job is to keep you glued to the television for your entire life. This doesn't entail making stories any less circular (TV circles are so circular they're sometimes irritatingly predictable). It just means that the focus of step 8 is less riling-things-up and more getting-things-back-to-where-they-started." He has used the story circle technique extensively throughout projects such as Community and Rick and Morty. In an interview with Collider, writer Adam Chitwood said, "Rick and Morty debuted in 2013 to a serious degree of anticipation, as it marked a new animated venture for Community creator <mask>, but it was the marriage of <mask>'s adeptness for structure and character and co-creator Justin Roiland's insanely creative/sometimes insane mind that made Rick and Morty much more than just another animated TV series for adults." Influences
In an interview with Vulture, <mask> named a number of films, television shows, books, and artists that have shaped his writing style.This includes the films RoboCop and Network; the television shows Cheers, Mr. Show, Arrested Development, Second City Television, and Twin Peaks; the books Slaughterhouse-Five and The Hitchhiker's Guide to the Galaxy; the play Sexual Perversity in Chicago; and writers, artists, and comedians including Garry Shandling, George Lucas, Spalding Gray, Charlie Kaufman, Woody Allen, Tom Kenny, and Chris Elliott. In the same Vulture interview, <mask> mentioned Dungeons & Dragons, musician Tori Amos, and evolutionary anthropologist Elaine Morgan as influences. He singled out Morgan's aquatic ape hypothesis, calling it a "peaceful, interesting, mythical concept, and a scientific one, that maybe the origin of Homo sapiens was kind of a fairy tale". For Rick and Morty, <mask> and co-creator Justin Roiland listed a number of influences on the show's style, including The Simpsons, Ren & Stimpy, South Park, Saturday Night Live, The Hitchhiker's Guide to the Galaxy, Doctor Who, and the cult sci-fi film Zardoz. Awards
In July 2009, <mask> was nominated in two Emmy categories for his part in writing the 81st Academy Awards telecast: Outstanding Writing for a Variety Special and Outstanding Original Music and Lyrics, the latter of which he was awarded for "Hugh Jackman Opening Number" at the 61st Primetime Emmy Awards. In 2018 and 2020, <mask> won the Emmy for "Outstanding Animated Program" as the executive producer of Rick and Morty. He was also nominated with Chris McKenna for a Hugo award for writing the Community episode, "Remedial Chaos Theory".Personal life
In 2011, while writing the character Abed for Community, <mask> realized through researching the character's traits that he might have Asperger syndrome. He consulted a doctor about it and concluded that he himself is on the spectrum. On a podcast hosted by Kevin Pollak, he said, "I know I'm not normal, but I think the important thing is that [...] I started to discover that I had a lot more in common with Abed than I did with Jeff." <mask> proposed to his girlfriend Erin McGathy in December 2013, and they were married in November 2014. They announced they were divorcing in October 2015. In 2016, <mask> started dating Cody Heller. In January 2019, Heller proposed to <mask> and the couple are now engaged.Heller adapted a real-life experience with <mask> into the TV series Dummy, starring Anna Kendrick as Heller and Donal Logue as <mask>. Controversies

Sexual misconduct
On January 2, 2018, <mask> alluded to sexual misconduct from himself towards other people. Megan Ganz, a writer who worked with him on Community, named herself as a victim of his misconduct. He responded by attempting to apologize, and though Ganz said she appreciated his gestures, she refused to forgive him. After the exchange, he made a lengthy apology on his podcast Harmontown and went into detail about his wrongdoings, which included making advances on Ganz and then mistreating her after she turned him down. Ganz ultimately accepted his apology; she said that she felt vindicated by his admission, called it a "masterclass in how to apologize", and urged her Twitter followers to listen to it. Baby doll video
In July 2018, <mask> received criticism when a comedy skit from 2009 resurfaced.The video, titled "Daryl", was intended to be a parody of Dexter and featured <mask> acting out raping a baby. Vox noted that the video was dug up and circulated on 4chan as part of a co-ordinated attempt by the alt-right to smear public figures who were perceived as having leftist and liberal viewpoints. <mask> apologized for the video and said, "In 2009, I made a 'pilot' which strove to parody the series Dexter and only succeeded in offending. I quickly realized the content was way too distasteful and took the video down immediately. Nobody should ever have to see what you saw and for that, I sincerely apologize." Adult Swim released a statement criticizing the video, but appeared to be satisfied with <mask>'s apology. Multiple sources associated <mask>'s decision to delete his Twitter account with the backlash.However, on an episode of Harmontown in February 2019, he revealed that he had deleted his Twitter account prior to the backlash in response to Disney's firing of James Gunn for jokes that Gunn had made on Twitter between 2008 and 2012. He argued that this is what actually provoked 4chan users to target him, having assumed that he was trying to hide something from his past. Filmography

Film

Television

Web series

Bibliography

Story credits
 Scud: The Disposable Assassin #4–5, 8–9, 13–15 & 17–19 (co-writer and illustrator Rob Schrab, co-writer Mondy Carter, colorist Zac Rybaki, Fireman Press, 1994)
 La Cosa Nostroid #1–9 (illustrator Edward Clayton, Fireman Press, 1996)

References

External links

 Harmontown Podcast on iTunes

1973 births
21st-century American comedians
American comedy writers
American male comedians
American male screenwriters
American male voice actors
American television writers
Marquette University alumni
Glendale Community College (California) alumni
Living people
American male television writers
Primetime Emmy Award winners
Showrunners
Writers from Milwaukee
Screenwriters from Wisconsin
21st-century American screenwriters
21st-century American male writers
American people of Danish descent

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title: Jared Norris

texts:
<mask> (born July 19, 1993) is an American football linebacker for the Washington Commanders of the National Football League (NFL). He played football at Centennial High School in Bakersfield, California, where he was a three-year letterman and earned All-State honors during his senior year. <mask> played college football at Utah and signed with the Carolina Panthers as an undrafted free agent in 2016. Early years
<mask> played linebacker at Centennial High School in Bakersfield, California, where he was a three-year starter and three-year letterman. In his junior year, he was named Second Team All-Area, Second Team All-Southwest Yosemite League and Centennial High's co-Defensive Most Valuable Player. He also won the Hometown All-Stars Linebacker Award. He earned Second Team MaxPreps Division I All-State accolades as a senior.He was named the All-Area Defensive Player of the Year by The Bakersfield Californian and the Southwest Yosemite League Defensive Player of the Year. He also won the Bakersfield Jockey Club's Outstanding Athlete Award. He won the Hometown All-Stars Linebacker Award for the second consecutive year. He missed a few games his senior year due to Valley fever. He graduated from Centennial High School in 2011. He was teammates with future NFL player Cody Kessler at Centennial High. <mask> was a team captain as well.He also earned one letter in baseball. In the class of 2011, <mask> was rated a three-star recruit by Rivals.com, Scout.com, ESPN.com and 247Sports.com. He was also rated the No. 30 inside linebacker in the country by Rivals.com, the No. 29 middle linebacker in the country by Scout.com, the No. 37 inside linebacker in the country by ESPN.com, and the No. 28 inside linebacker in the country by 247Sports.com.He was also rated both a three-star recruit and the No. 28 inside linebacker in the country on 247Sports.com's composite rating, which takes into account the ratings of all the other major recruiting services in the country. <mask> committed to play college football for Utah in May 2010. He also received offers from California and New Mexico State. College career
<mask> played for the Utah Utes of the University of Utah from 2012 to 2015. He was redshirted in 2011. He was a three-year starter and four-year letterman.He played in seven games in 2012, recording two total tackles and a fumble recovery. He played in ten games and started seven of them in 2013. Five of his starts were at mac linebacker and two were at rover linebacker. He totaled 2 sacks, two pass breakups, two forced fumbles and 64 total tackles, 4.5 of which were tackles for loss. He missed two games due to injury. He earned Honorable Mention Academic All-Pac-12 honors. <mask> played in 13 games in 2014.All of his starts were at rover linebacker. He recorded 116 total tackles, which was the most on the team and fourth most in the Pac-12. He also averaged 8.9 tackles per game, which was third most in the Pac-12. He was named the 2014 Las Vegas Bowl Defensive "Out-Performer" of the game. He also had 13 tackles for loss, 4 sacks and one pass breakup. He earned Honorable Mention All-Pac-12 and Honorable Mention Academic All-Pac-12 accolades. He appeared in 12 games in 2015.All of his starts were at mac linebacker. He accumulated one sack, two forced fumbles, one fumble recovery, five pass breakups and 87 total tackles, 6.5 of which were tackles for loss. He missed one game due to injury. He was named Second Team All-Pac-12. In April 2015, he was named to the watchlist for the Lott IMPACT Trophy. Three months later, he was named to the watchlists for the Bednarik Award, the Bronko Nagurski Trophy and the Butkus Award. In October 2015, he was named a quarter-finalist for the Lott IMPACT Trophy.He was a team captain in 2015 as well. He also played in the 2016 Senior Bowl as part of the North team. Throughout his college career, <mask> played in 42 games and started 32 of them. He recorded 7 sacks, eight pass breakups, four forced fumbles, two fumble recoveries, and 269 total tackles, 24 of which were tackles for loss. He had at least 10 tackles in 11 games during his career. He graduated from Utah with a bachelor's degree in economics. Professional career
<mask> was rated the ninth best inside linebacker in the 2016 NFL Draft by NFLDraftScout.com.Lance Zierlein of NFL.com predicted that he would be selected in the sixth or seventh round. Zierlein said that "<mask> looks the part of a backup WILL inside linebacker in a 3-4 who has the potential to become an average starter down the road". Carolina Panthers
After going undrafted in the 2016 NFL Draft, <mask> signed with the Carolina Panthers on May 2, 2016. He played in 14 games in 2016, recording three solo tackles and three tackle assists. On December 5, 2017, <mask> was placed on injured reserve. He played in 11 games in 2017 and recorded four solo tackles. On October 12, 2018, <mask> was placed on injured reserve after suffering a toe injury in practice.On March 3, 2019, <mask> signed a two-year contract extension, but was waived during on August 31, 2019. Washington Football Team
On February 13, 2020, <mask> signed with the Washington Football Team, then known as the Redskins. He was waived on September 5, 2020 and signed to the practice squad the next day. He was elevated to the active roster on September 19 and September 26 for the team's weeks 2 and 3 games against the Arizona Cardinals and Cleveland Browns, and reverted to the practice squad after each game. He was promoted to the active roster on October 2, 2020. <mask> re-signed with the team on March 23, 2021. He was released on August 31, 2021, and re-signed to the practice squad the following day.He was promoted to active roster on September 11, 2021 after placing Curtis Samuel on injured reserve. He was placed on injured reserve on October 15 with a shoulder injury. Personal life
<mask> once attended Camp Woodward, a professional skateboarding camp. References

External links

 College stats
 Washington Football Team bio

1993 births
Living people
Players of American football from Bakersfield, California
American football linebackers
Utah Utes football players
Carolina Panthers players
Washington Redskins players
Washington Football Team players

masks:
Jared Scott Norris
Norris
Norris
Norris
Norris
Norris
Norris
Norris
Norris
Norris
Norris
Norris
Norris
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Norris


title: Philippe de Montebello

texts:
<mask> (born May 16, 1936 in Paris) is a museum director. He served from 1977 to 2008 as the director of the Metropolitan Museum of Art in New York. On his retirement, he was both the longest-serving director in the institution's history and the third longest-serving director of any major art museum in the world (first is Irina Antonova, who was the Director of the Pushkin Museum of Fine Arts in Moscow for 52 years, from 1961 to 2013, making her the oldest and the longest serving director of a major art museum in the world; second is Knud W. Jensen, who served as the director of Denmark's Louisiana Museum of Modern Art north of Copenhagen for 35 years, from 1958 to 1993). From January 2009, <mask> took up a post as the first Fiske Kimball Professor in the History and Culture of Museums at New York University's Institute of Fine Arts. Born to a French aristocratic family, <mask> immigrated to the United States of America in the 1950s, and became a naturalized citizen of the US in 1955. He was educated in New York City at the Lycée Français de New York, graduated from Harvard University with a degree in art history, and earned an MA from New York University, after which he embarked on a career in Fine Arts. He became the Director of the Metropolitan Museum in 1977 and has become widely known as the public face of the museum.He announced his retirement on 8 January 2008, stating that he intended to step down by the end of 2008 after more than 31 years at his post. Biography

Early life
Born <mask> Henri Lannes <mask> in Paris in 1936 to a family descended from the Napoleonic aristocracy, <mask> was the second of four sons. His father, Marquis André Roger Lannes <mask> (Biarritz, July 6, 1908 - New York City, December 2, 1986), was a portrait painter, art critic, and a member of the French Resistance during World War II. His mother, Germaine Wiener <mask> (born in Paris, October 26, 1913 and married in Paris, November 30, 1933), was a descendant of the <mask> <mask>, a daughter of the playwright <mask> Croisset, and a half-sister of the arts patron Marie-Laure <mask>. One of <mask>'s great-great-great-grandfathers was Jean Lannes, Duke of Montebello and Marshal of France. Both parents were involved in a project to develop a form of three-dimensional photography, and it was in search of venture capital for this enterprise that the family came to New York in 1951. Whereas his brothers would all eventually return to France to take up jobs in banking, <mask> stayed in the United States and became an American citizen in 1955.<mask> was educated at the Lycée Français in New York, where he received his baccalauréat in 1954. He then went on to study art history at Harvard University, graduating magna cum laude in 1958. During his freshman year, <mask> lived in Stoughton Hall. He continued his studies at the New York University Institute of Fine Arts, where he studied under Charles Sterling, an expert in French Renaissance art. Early career
In 1963, he began work for the Met as a curatorial assistant in the Department of European Paintings, rising to full curator. He then spent four-and-a-half-years (1969–1974) as Director of the Museum of Fine Arts in Houston, Texas, returning to the Met as vice director for curatorial and educational affairs. He became director in 1977.Family
On June 24, 1961 in New York, he married Edith Myles (born in New York, October 20, 1939), who is the financial-aid director of the Trinity School in New York City. They have three children:

 Marc André <mask> <mask> (born in New York, October 11, 1964), a New York University graduate and art dealer, married civilly at Choiseul and religiously at Marnes-la-Coquette, November 28, 1986 and divorced Laure Marie Dauphine <mask>bran-Pontèves (born at Neuilly, February 26, 1966), by whom he had a son Alexandre (born in New York, May 9, 1987). Laure <mask> (born in New York City, May 5, 1968), a Columbia University graduate and freelance writer, was married to Robert Bernstein, M.D., with two children, Claire and Maximilian (Max). She died in 2018 from complications of pancreatic cancer. <mask> <mask> (born in Houston, Texas, January 16, 1971), a New York University graduate and Grammy-winning sound engineer, married to Raasa Leela Shields (born in Richmond, Virginia) with two children, Kivlighan Finch and Everest Leo Myles. Curator of the Metropolitan Museum
Under <mask> Montebello's directorship the Metropolitan Museum has nearly doubled in size to two million square feet. Notable changes have included the opening of the Carroll and Milton Petrie European Sculpture Court in 1990, new galleries for Greek & Roman art, the recently opened  Ruth and Harold D. Uris Center for Education, the remodeled and reinstalled galleries for Oceanic and Native North American art, and expanded galleries for Chinese, Cypriot, Ancient Near Eastern, and Korean art.In 2007, the Metropolitan reopened its expanded galleries for 19th- and early 20th-century European paintings and decorative arts, formerly Modernist, in a historicizing Beaux-Arts style, and a new high-ceilinged gallery to show off Giovanni Battista Tiepolo's monumental paintings to their best advantage. Criticism of <mask>o has focused on his alleged conservatism regarding modern and contemporary art: in a 1999 op-ed piece in the New York Times he lauded the city's mayor Rudy Giuliani for rubbishing Chris Ofili's infamous painting The Holy Virgin Mary, which used elephant dung as one of its materials. In the early years of his tenure, the Department of Modern Art was said to lag behind the museum's other departments in its spending power. But in recent years, the Museum has purchased iconic works by Jasper Johns, Damien Hirst, and Robert Rauschenberg, and mounted exhibitions by contemporary artists like Johns, Rauschenberg, Tara Donovan, Sean Scully, and Kara Walker. Mr. <mask>o's other major building programs have included the expansion and renovation of period rooms and galleries for the decorative arts, the opening of new permanent exhibition galleries for drawings, prints, and photographs (supplemented in 2007 with the new Joyce and Robert Menschel Hall for Modern Photography), the conservation and installation of the Gubbio Studiolo, the opening of the Antonio Ratti Textile Conservation Center, the opening of the new Mary and Michael Jaharis Gallery for Byzantine art, and the installation of Coptic art in a crypt-like gallery carved out of former storage space beneath the museum's Great Hall staircase. Under <mask>'s directorship, the Met acquired many major private collections, notably the Jack and Belle Linsky Collection of European Paintings, sculpture, and decorative arts; the Heinz Berggruen collection of works by Paul Klee; the gift of 10 paintings by Clyfford Still by the artist's widow; the Annenberg Collection of Impressionist and Post-Impressionist paintings; the Florene Schoenborn collection of 20th-century works; the Jacques and Natasha Gelman Collection of modern paintings; the Gilman Paper Company Collection of 19th-century photographs; the Muriel Kallis Steinberg Newman Collection of Abstract Expressionist and other modern works; and most recently, the Diane Arbus archive. De Montebello also worked to acquire a number of individual masterpieces over the years, including works by Vermeer, Rubens, Guercino, and Nikolaus Gerhaert von Leyden.Among the most celebrated of these acquisitions have been the 11th-century gilt-bronze Cambodian deified king known as the "Golden Boy" in 1988; Vincent van Gogh's Wheat Field with Cypresses in 1993, Jasper Johns'  White Flag in 1998, and in 2004 the Madonna and Child by the Renaissance master Duccio di Buoninsegna. Throughout this period, the Met under <mask>'s leadership mounted some 30 special exhibitions annually, involving not only all the museum's 17 curatorial departments, but also presenting works of art on loan from public and private collections around the world (current shows listed on the museum's website, metmuseum.org). Many of the shows were accompanied by the publication of major catalogues. Under <mask>, the Met has become the leading art book publisher in the U.S., issuing some 25-30 illustrated volumes each year, most carrying an introduction by the director. Long the "voice of the Met," <mask> also narrates the Met's audio guides for both exhibitions and the permanent collection. He lectures on museological matters throughout the world, and has also given public readings of French poetry by Baudelaire, Rimbaud and others at the museum. Retirement
On January 8, 2008, he announced his intention to retire by the end of 2008 ().He was succeeded by Thomas Campbell in September 2008. Association of Art Museum Curators
<mask> assisted in the formation of the Association of Art Museum Curators in 2001, and later helped forge its policy on spoliated World War II-era art, advocating transparent research into the ownership history of museum collections, and testifying on Capitol Hill. In August 2006 he successfully negotiated the precedent-setting agreement with the Italian government that ended years of disputes regarding the legal ownership of several works in its Greek and Roman collections. Under the terms of the historic pact, Italy provided long-term loans to the Met in exchange for the return of these works. Teaching
<mask> is the first professor to teach the history and culture of museums at New York University's Institute of Fine Arts. In addition to being a full-time professor at the IFA, where he discusses topics such as the history of collecting and the progression and modernization of museums, <mask> also advises NYU on its planned overseas campus and curriculum in Abu Dhabi, scheduled to begin enrolling students in 2010. He began teaching at NYU in January 2009 as well as consulting and lecturing at several museums on the modernization of their collections.In 2012, <mask> served as the Humanitas Visiting Professor in the History of Art at the University of Cambridge. <mask> also serves as co-host of NYC-ARTS, a weekly program highlighting current New York City exhibitions, cultural institutions and profiling relevant contributors to the arts on Thirteen/WNET. In April, 2015 the Hispanic Society of America announced the appointment of <mask> <mask> to chair the Society's Board of Overseers and spearhead a major effort to roughly double the museum's size by renovating the now-vacant, adjacent, Beaux Arts, former building of the Museum of the American Indian. <mask> was named a Gold Medal Honoree of the National Institute of Social Sciences in 1989. Montebello was made a Chevalier de la Légion d'Honneur in 1991 (he was promoted to the rank of Officier in 2007). His adopted home country followed suit by awarding him the National Medal of Arts in 2002, the National Humanities Medal in 2010, and the Mayor's Arts Award in 2007. <mask> was elected to the American Philosophical Society in 2001 and the American Academy of Arts and Sciences in 2004.<mask> was also awarded the Order of Isabel la Catolica, Encomienda de Numero; the Spanish Institute Gold Medal Award; Knight Commander, Pontifical Order of St. Gregory the Great; the 2002 Blerancourt Prize; the 2004 Amigos del Museo del Prado Prize; and in 2007 the Order of the Rising Sun, Gold & Silver Star, from the Government of Japan. In 2017, <mask> received the Edmund Burke Award for Culture and Society, awarded by monthly cultural review The New Criterion. He has received honorary degrees from New York University, Dartmouth College, Lafayette College, Bard College, Iona College, the Savannah College of Art and Design, and his alma mater, Harvard. <mask> is a recipient of The International Center in New York's Award of Excellence. References

Sources
 Houghton, James R. et al., <mask> Montebello and The Metropolitan Museum of Art, 1977–2008, 184 pp,  New Haven: Yale University Press, 2009,

Further reading
  Rendez-vous with Art by <mask> <mask> and Martin Gayford. 2014, Thames and Hudson. External links
 The <mask> Montebello Years: Curators Celebrate Three Decades of Acquisitions Exhibition at the Metropolitan Museum of Art
 Biography, Dartmouth News
 Interview with <mask>, Apollo magazine
Transcript of <mask> <mask>'s Director's Selections audio tour at the Metropolitan Museum of Art

1936 births
Living people
American art curators
Harvard University alumni
New York University Institute of Fine Arts alumni
Directors of the Metropolitan Museum of Art
French emigrants to the United States
Directors of museums in the United States
Chevaliers of the Légion d'honneur
Recipients of the Order of the Rising Sun
National Humanities Medal recipients
New York University faculty
Lycée Français de New York alumni
Members of the American Philosophical Society

masks:
Philippe de Montebello
Montebello
de Montebello
Guy Philippe
de Montebello
de Montebello
de Montebello
de Croisset
Marquis de
Sade
Francis de
de Noailles
de Montebello
Philippe
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Marie de
Montebello
de Sa
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Charles de
Montebello
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de Montebell
de Montebell
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de Montebello
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de Montebello
de Montebello
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Philippe de
Montebello
Honors Montebello
De Montebello
De Montebello
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Philippe de
Philippe de
Montebello
Philippe de
de Montebello
Philippe de
Montebello


title: Arnold Fredrickson

texts:
<mask> (April 11, 1932 – November 27, 2017) was an American chemical engineer and Professor in the Department of Chemical Engineering and Materials Science (CEMS) at the University of Minnesota. He was known for his work in transport phenomena, bioengineering and population dynamics. <mask> was the author of over 100 scientific publications and advisor to over 50 graduate students. He was recognized for his contributions to chemical engineering with election as fellow to the American Association for the Advancement of Science (1997) and fellow and founding member of the American Institute of Medical and Biological Engineers (1993). Early life and education
<mask> was born and grew up in Faribault, Minnesota, located about 50 miles south of Minneapolis. In 1954, he completed his B.S with distinction in chemical engineering from the University of Minnesota, followed by a master's degree in chemical engineering from Minnesota in 1956. He then completed in 1959 a Ph.D. in chemical engineering at the University of Wisconsin, Madison, with Professor Robert Byron Bird in the field of fluid mechanics.His thesis was published in 1959 with the title, "Flow of Non-Newtonian Fluids in Annuli". During his time in graduate school, <mask> published two papers and a book chapter. A.G<mask>, R.B. Bird "Non-Newtonian Flow in Annuli", Industrial and Engineering Chemistry, 50, 347-352, (1958). A.G<mask>, R.B. Bird, William Wilcox "Correspondence:  Friction Factors for Axial Non-Newtonian Annular Flow", Industrial and Engineering Chemistry, 50, 1599-1600, (1958). A.G<mask>, R.B.Bird "Transport Phenomena in Multicomponent Systems", Sec. 6, 56 pp. in "Handbook of Fluid Dynamics," ed. by V.L. Streeter (New York: McGraw-Hill, 1961). Research and education at Minnesota
Following a year as a process engineer at ADM in Minneapolis, MN, in 1957, <mask> became an Assistant Professor of Chemical Engineering and Materials Science (1958-1963) at the University of Minnesota. He was promoted to Associate Professor in 1963 and full professor in 1966).At Minnesota he focused his research on the modeling of the dynamics and kinetics of the growth processes of microbes and cells. These models find applications in the impact of environmental pollution, particularly with regard to the bioprocesses occurring in the soil, lakes, and rivers. His research in particular addressed the modeling of the complexity of populations of organisms which could account for characteristics including cell size and protein content. He further expanded on modeling and numerical methods of population dynamics by connecting advanced numerical models with experimental population dynamics made available with advances in experimental flow cytometry. During his tenure as professor at the University of Minnesota, Professor <mask> advised over 50 graduate students including Professor Gregory Stephanopoulos at MIT. Awards, honors, and legacy
<mask>'s research and contributions to education and service have been highlighted with awards, many of which identify his focus for scholarship in directions that merged biology and chemical engineering with mathematics and modeling. In 1993, <mask> was elected a fellow of the American Institute for Medical and Biological Engineering.His AIMBE Fellows election citation noted:

Other awards and honors include:
American Chemical Society, Division of Industrial and EngineeringChemistry, Best Paper Award, 1967. University of Minnesota Institute of Technology Distinguished Teacher Award, 1971. O. A. Hougen Visiting Professor of Chemical Engineering, University of Wisconsin, 1986. Food, Pharmaceutical and Bioengineering Division of the AIChE, Annual Award, 1988. Elected Fellow of the American Association for the Advancement of Science, 1997. Visiting Professor, International Center for Cooperative Research in Biotechnology, Osaka University, Osaka, Japan, 1998.Publications
Arnie Fredrickson has authored numerous journal articles describing aspects of transport phenomena, biotechnology, and population dynamics. They include:

H. Ted Davis, Stuart A. Rice, Lothar Meyer "Growth Processes in a Cascade of Bioreactors: Mathematical Models", Bioengineering, Food and Natural Products, 45(1), 164, (2004). N.V. Mantzaris, P. Daoutidis, F. Srienc, A.G. Fredrickson "Growth Processes in a Cascade of Bioreactors: Comparison of Modeling Approaches", Bioengineering, Food and Natural Products, 45, 177, (1999). J. Liou F. Srienc, A.G. <mask> "Solutions of population balance models based on a successive generations approach", Chemical Engineering Science, 52(9), 1529-1540, (1997). P.J. Sweeney, F. Srienc, A.G. Fredrickson "Measurement of Unequal DNA Partitioning in Tetrahymena Pyriformis using Slit-Scanning Flow Cytometry", Biotechnology Progress, 10(1), 19-25, (1994).C. Hatzis, P.J. Sweeney, F. Srienc, A.G. Fredrickson "Determination of Cellular Rate Distributions in Microbial Cell Populations: Feeding Rates in Ciliated Protozoa ", Biotechnology & Bioengineering, 42(3), 284-294, (1993). A.G. Fredrickson "Growth processes in bioreactors with external sources of biomass: Application of structured, continuum models", AIChE Journal, 38(6), 835-846, (1992). D.P. Lavin, A.G<mask>, F. Srienc "Flow Cytometric Measurement of Rates of Particle Uptake from Dilute Suspensions by a Ciliated Protozoan", Cytometry, 11, 875-882, (1990). D.P. Lavin, A.G<mask>, F. Srienc "Segregated, structured, distributed models and their role in microbial ecology: A case study based on work done on the filter-feeding ciliateTetrahymena pyriformis.", Microb. Ecol., 1, 139-159, (1991). C. Hatzis, P.J. Sweeney, F. Srienc, A.G<mask> "A discrete, stochastic model for microbial filter feeding: a model for feeding of ciliated protists on spatially uniform, nondepletable suspensions. ", Math. Biosci., 102(2), 127-181, (1990). S. Pavlou, A.G. Fredrickson "Growth of microbial populations in nonminimal media: some considerations for modeling..", Biotechnology & bioengineering., 34(7), 971-989, (1989).References

External links
A Heritage of Excellence: the History of CEMS, UMN
Minnesota Chemical Engineering and Materials Science
Academic Tree - <mask>on

1937 births
2017 deaths
People from Faribault, Minnesota
American chemical engineers
American materials scientists
University of Minnesota faculty
University of Minnesota College of Science and Engineering alumni
 University of Wisconsin–Madison College of Engineering alumni
Minnesota CEMS
Writers from Minnesota

masks:
Arnold Gerhard Fredrickson
Fredrickson
Arnold
Arnold
. Fredrickson
. Fredrickson
. Fredrickson
Arnold
Fredrickson
Arnold
Arnold
Fredrickson
. Fredrickson
. Fredrickson
. Fredrickson
Arnold Fredricks


title: Boris Marshak

texts:
<mask> () (July 9, 1933 – 28 July 2006) was an archeologist who spent more than fifty years excavating the Sogdian ruins at Panjakent, Tajikistan. Biography

<mask> was born in Luga, Leningrad Oblast, Russian SFSR July 9, 1933. He received an MA in archaeology from Moscow University in 1956, his PhD in archaeology from the Institute of Archaeology, Leningrad in 1965 and a doctorate of historical sciences from Moscow University in 1982. <mask> began his work at the Sogdian ruins, which date from the 5th-8th century, at Panjakent in 1954. He became director of the archaeological expedition in 1978, a position he held until his death. <mask> was a leading authority on the history of Panjakent, the archaeology and art history of Central Asia, and medieval eastern silverware. In 1979 he became head of the Department of Central Asia and Caucasus at the Hermitage, in Leningrad.After the fall of the Soviet Union in 1991 <mask>'s job became significantly more difficult. Funding for fieldwork dried up and he instantly became a foreigner in the new state of Tajikistan at a time when ethnic Russians were fleeing Central Asia in mass. Marshak stayed on as director of the excavation of the Panjakent ruins, even during the years of civil war in Tajikistan from 1992 to 1997, while other archeological sites in the former Soviet Union were plundered by looters. Through close cooperation with the government of Tajikistan Marshak insured protection and continued excavation of the Panjakent ruins. In the 1990s and first decade of the 21st century <mask> received numerous honorariums from international organizations and taught, lectured and conducted fellowships in Italy, the United States, Austria and elsewhere. <mask> died 28 July 2006 on the site of the Panjakent ruins. He was buried at the site, as requested in his will.Honorary awards and memberships

 2002 Foreign associate Member of the Academie des Inscriptions et Belles-Lettres, (Institut de France). 1999 Order of Friendship, Tajikistan. 1998 Foreign Corresponding Member of the Academie des Inscriptions et Belles-Lettres (Institut de France). 1995 Honorary Member of the Archaeological Institute of America. 1991 Honorary Fellow of the Royal Asiatic Society of the Great Britain and Ireland. 1990 Corresponding Member of IsMEO (Institute of the Middle and Far East, Rome). 1989 Prix Ghirshman de L'Academie (Academie des Inscriptions et Belles-Lettres, Institut de France).Ferdousi premium – London. Order of Honor - Russia. Partial list of published works
Note that <mask>'s works were published under the names <mask> <mask>, <mask><mask>, B. I<mask>, and <mask>. Books

 "Legends, Tales and Fables in the Art of Sogdiana. " Persica Press. New York. 2002."Murals along the Silk Road: Combined Art-Historical and Laboratory Study" St. Petersburg. 1999. coauthor. "Sokrovishcha Khana Kubrata Pereshepinskii klad". St. Petersburg. 1997. coauthor. "The Treasures of Khan Kubrat". St.Petersburg.1997 coauthor. "Treasures from the Obf Basin". Exhibition Catalogue. St. Petersburg, 1996. coeditor. "Silberschätze des Orients". Metallkunst des 3-13. Jahrhunderts und ihre Kontinuität, Leipzig.1986. "The Painting of Sogdiana." Part One of the book: Azarpay G. Sogdian Painting. Berkeley. 1981. pp. 11–77. co author
 "Sogdian Silver. "Moscow, 1971. In Russian. Contributor

Articles

 “The Archaeology of Sogdiana.” The Silk Road, 1/2. December 2003. pp. 3–8
 “A Sogdian Silver Bowl from the Freer Gallery of Art.” Ars Orientalis XXIX, 1999. “L'Art Sogdien (IVe-IXe siecle)”. Les Arts de 1' Asie Centrale.Paris. 1999. pp. 114–163. “Sogd”. A chapter in “Istoriia tadzhikskogo naroda” [History of the Tajik People]. Dushanbe. 2000.“Sogd V-VIII w. Ideologiia po pamiatnikam isskustva" A chapter in "Arkheologija. Srednjaja Azija i Dal'nii Vostok v epokhu srednevekov'ia. Srednjaja Azija v rannem srednevekov'e. " G. Brykina ed. (Moscow: [Nauka], 1999). pp. 175–191.“Sogdian Art.” Chapters in "New History of World Art, ‘Shogakukan’." 1999. Vol.15. pp. 207-218, 386-395
 “Le mythe de Nana dans l'art de la Sogdiane.” Arts Asiatiques. 1998. pp. 5–18.coauthor. “The Tiger, Raised from the Dead: Two Murals from Panjikent.” "Bulletin of the Asia Institute. " Vol. 10. 1996. pp. 207–17. “Sughd.” Chapter in "History of Civilization of Central Asia", Vol.III. UNESCO Publishing. 1996. pp. 233–58. “On the Iconography of Ossuaries from Biya Naiman.” "Silk Road Art and Archaeology." Kamakura. Vol 4.1995. Issue 6. pp. 299–321. “Le programme iconographique des peintures de la "Salle des Ambassadeurs"  Afrasiab (Samarkand).” Arts Asiatiques. Tome XLIX. 1994. pp. 1-20.“The Historico-Cultural Significance of the Sogdian Calendar.” Iran. Vol. XXX. London. 1992. pp. 145–54. “Worshippers from the Northern Shrine of Temple II, Panjikent.” Bulletin of the Asia Institute Vol.8. 1994. pp. 187–207. coauthor. “Cultes communautaires et cultes prives en Sogdiane.”  "Histoire et cultes de 1'Asie Centrale preislamique. " Paris, CNRS. 1991. pp.187–195. coauthor. “A Hunting Scene from Panjikent.” "Bulletin of the Asia Institute." Vol. 4. 1990. pp. 77–94.“Les fouilles de Pendjikent.” [CRAI]. 1990. pp. 286–313. “Wall Painting from a House with a Granary. Panjikent, 1st Quarter of the Eighth Century A.D.” "Silk Road Art and Archaeology." Vol.1. 1990. pp.123–176. “Some Notes on the Tomb of Li-Xian and his Wife under Northern Zhou Dynasty at Guyuan, Ningxia and its Gold-Gilt Silver Ewer with Greek Mythological Scenes Unearthed There.” Cultura Antiqua. Vol. 4. No. 4. 1989. pp.49–57. coauthor. In Japanese with English subtitle. “Une image sogdienne du dieu-patriarche de I'agriculture.” Studia Iranica, Vol. 6. Issue 2. 1987. pp.193–199. coauthor. “Iskusstvo Sogda.” Chapter in ‘Tsentral'naia Aziia.’” Novye Pamiatniki pis'mennosti i iskusstva. Moscow. 1987. pp. 233-248. “Raskopki gorodishcha drevnego Pendzhikenta v 1977 g.”."Arkheologicheskie raboty v Tadzhikistane. " Vol. XVII. 1977. Dushanbe. 1984. pp. 187–229.coauthor. “Oriental Analogien zu den Bauwerken von Typus des eingeschriebenen Kreuzes: Pendzikent und Bamian, V-VII Jh.” Chapter in B. Brentjes, ed., "Probleme der Architektur des Orients, Halle." Saale. 1983. pp. 53–64. In Russian. “The Paintings of Sogdiana.” Chapter in G. Azarpay, "Sogdian Painting: The Pictorial Epic in Oriental Art. "Berkeley, 1981. pp. 11–77. coauthor. “Sotsial'naya struktura naseleniya drevnego Pendzhikenta.” Chapter in B. Gafurov, G. F. Girs and E. A. Davidovich, eds., "Tovarno-denezhnye otnosheniya na Blizhnem i Srednem Vostoke v eµpokhu srednevekov'ya." Moscow. 1979. pp. 19–26.coauthor. “Drevneîshee izobrazhenie osadnoî mashiny v Sredneî Azii.” Chapter in V. G. Lukonin, ed., "Kul'tura Vostoka: Drevnost' i rannee serdnevekov'e. " Moscow. 1978. pp. 215–21. coauthor. “Stennye rospisi, obnaruzhennye v 1970 gody na gorodishche drevnego Pendzhikenta.”  "Soobshcheniya Gosudarstvennogo E˜rmitazha. "36. Leningrad. 1973. pp. 58–64. “L'art de Piandjikent aà la lumiére des derniéres fouilles (1958-1968).” Arts Asiatiques. Vol. 23.1971. pp. 3–39. coauthor. References

External links
 <mask>'s Biography
 Review of <mask>'s book "Legends, Tales and Fables in the Art of Sogdiana." Photo of Marshak from the Hermitage

1933 births
2006 deaths
People from Luga, Leningrad Oblast
Central Asian studies scholars
Russian archaeologists
Archaeology of Tajikistan
Soviet archaeologists
20th-century archaeologists

masks:
Boris Ilich Marshak
Boris Ilich Marshak
Marshak
Marshak
Marshak
Marshak
Marshak
Marshak
Boris Ilich
Marshak
Boris I
. Marshak
. Marshak
Boris Marshak
Marshak
Marshak


title: Sorin Căliniuc

texts:
<mask> (born 12 July 1996) is a Romanian professional kickboxer and Olympic boxer, and former kempo practitioner. He currently competes in the Colosseum Tournament, in which he is the reigning champion of the lightweight and super lightweight divisions. Căliniuc is also world kempo champion and multiple national boxing champion. Professional kickboxing career

Early career
Căliniuc practiced judo from 4 to 15 years old. He then started kickboxing at the age of 17, but not at a professional level. Căliniuc worked simultaneously as a casino security guard until he met coach and promoter Estéfano Tănăsescu Popescu who enrolled him to a gym. Wins over Milea, Salvador and Dzhaniev
With a background of being IKF world kempo champion, <mask> began his kickboxing career by winning his first four fights by decision.He initially fought for SAS Gym (a Bucharest-based kickboxing promotion), where he won the SAS Gym 01 and the SAS Gym 02 tournaments. Căliniuc faced Bogdan Costan on November 2, 2018, in the semifinals of the Lightweight Tournament at SAS Gym 01. Căliniuc won the fight via unanimous decision to progress to the final round of the tournament. He then faced Colosseum Tournament World Lightweight Champion Cristian Milea in the finals. <mask> defeated Milea via unanimous decision. Căliniuc faced former Glory lightweight championship challenger Dylan Salvador on June 13, 2019, in the semifinals of the Lightweight Tournament at SAS Gym 02. Căliniuc won the fight via split decision to progress to the final round of the tournament.He then faced Muay Thai standout Khayal Dzhaniev in the finals. <mask> defeated Dzhaniev via unanimous decision. Colosseum Tournament
In December 2020, it was announced that Căliniuc had signed a multi-fight deal with Colosseum Tournament. Căliniuc faced Colosseum Tournament world lightweight champion Andrei Ostrovanu on December 18, 2020, at Colosseum Tournament 22. <mask> defeated Ostrovanu via unanimous 3-round decision to become the inaugural Colosseum Tournament World Super Lightweight Champion. Two-division champion
In January 2021, it was officially announced that Căliniuc next bout would be against former ISKA world middleweight champion Gabriel Bozan for the vacant Colosseum Tournament World Lightweight Championship on 26 February at Colosseum Tournament 23. Căliniuc dominated the fight and won via unanimous 5-round decision to become the Colosseum Tournament World Lightweight Champion.In April 2021, Colosseum Tournament announced that <mask> would make his first defence of his lightweight title against former KOK lightweight champion Vitalie Matei at Colosseum Tournament 25 on 31 May in Cluj-Napoca. He won the fight via unanimous 5-round decision. <mask> vs. Koprivlenski
<mask> was scheduled to defend his title for the second time against former Glory Lightweight Contender Tournament Winner Stoyan Koprivlenski on September 20, 2021 at Colosseum Tournament 27. He retained his championship, being declared the winner via split decision. Personal life
<mask> is a Christian. He said his model is Daniel Ghiță. <mask> is inspired by Abdulrashid Sadulaev.He is a fan of Steaua București. Championships and accomplishments

Kickboxing
Colosseum Tournament
Colosseum Tournament World Lightweight Championship (One time, current)
 Two successful title defenses
Colosseum Tournament World Super Lightweight Championship (One time, current)

SAS Gym
SAS Gym 02 Lightweight Tournament Championship
SAS Gym 01 Lightweight Tournament Championship

Kempo
International Kempo Federation
2016 IKF World Kempo Championships Full-Kempo Rules  −75.0 kg
2017 IKF European Kempo Championships Full-Kempo Rules  −80.0 kg

Boxing
Romanian Boxing Federation
2021 Romania National Boxing Championships  −80.0 kg
2020 Romania National Boxing Championships  −75.0 kg
2020 Romanian Boxing Cup  −75.0 kg

Professional kickboxing record

|-
|-  bgcolor=
| 2022-04-08 ||  ||align=left| Dzianis Zuev || Colosseum Tournament 30: Căliniuc vs. Zuev || Malmö, Sweden || ||  ||  ||
|-
! style=background:white colspan=9 |
|-
|-  bgcolor="#cfc"
| 2021-09-20 || Win ||align=left| Stoyan Koprivlenski || Colosseum Tournament 27: Căliniuc vs. Koprivlenski || Oradea, Romania || Decision (split) || 5 || 3:00 || 8-0-0
|-
! style=background:white colspan=9 |
|-
|-  bgcolor="#cfc"
| 2021-05-31 ||Win ||align=left| Vitalie Matei || Colosseum Tournament 25: Căliniuc vs. Matei || Cluj-Napoca, Romania || Decision (unanimous) || 5 || 3:00 || 7-0-0
|-
! style=background:white colspan=9 |
|-
|-  bgcolor="#cfc"
| 2021-02-26 || Win ||align=left| Gabriel Bozan || Colosseum Tournament 23: Căliniuc vs. Bozan || Bucharest, Romania || Decision (unanimous) || 5 || 3:00 || 6-0-0
|-
! style=background:white colspan=9 |
|-
|-  bgcolor="#cfc"
| 2020-12-18 || Win ||align=left| Andrei Ostrovanu || Colosseum Tournament 22: Ostrovanu vs. Căliniuc || Bucharest, Romania || Decision (unanimous) || 3 || 3:00 || 5-0-0
|-
! style=background:white colspan=9 |
|-
|-  bgcolor="#cfc"
| 2019-06-13 || Win ||align=left| Khayal Dzhaniev || SAS Gym 02, Final || Bucharest, Romania || Decision (unanimous) || 3 || 3:00 || 4-0-0
|-
!style=background:white colspan=9 |
|-
|-  bgcolor="#cfc"
| 2019-06-13 || Win ||align=left| Dylan Salvador || SAS Gym 02, Semifinals || Bucharest, Romania || Decision (split) || 3 || 3:00 || 3-0-0
|-
|-  bgcolor="#CCFFCC"
| 2018-11-02 || Win ||align=left| Cristian Milea || SAS Gym 01, Final || Bucharest, Romania || Extra round decision (unanimous) || 4 || 3:00 || 2-0-0
|-
! style=background:white colspan=9 |
|-
|-  bgcolor="#CCFFCC"
| 2018-11-02 || Win ||align=left| Bogdan Costan || SAS Gym 01, Semifinals || Bucharest, Romania || Decision (unanimous) || 3 || 3:00 || 1-0-0
|-
|-
| colspan=9 | Legend:

See also
List of male kickboxers

References

1996 births
Living people
Sportspeople from Bucharest
Romanian male kickboxers
Middleweight kickboxers
Romanian male boxers
Middleweight boxers
Light-heavyweight boxers
Kenpō
Eastern Orthodox Christians from Romania

masks:
Sorin Mihai Căliniuc
Căliniuc
Căliniuc
Căliniuc
Căliniuc
Căliniuc
Căliniuc
Căliniuc
Căliniuc
Căliniuc


title: John Masefield

texts:
<mask>  (; 1 June 1878 – 12 May 1967) was an English poet and writer, and Poet Laureate from 1930 until 1967. Among his best known works are the children's novels The Midnight Folk and The Box of Delights, and the poems The Everlasting Mercy and "Sea-Fever". Biography

Early life
<mask> was born in Ledbury in Herefordshire, to <mask>, a solicitor, and his wife Caroline. His mother died giving birth to his sister when Masefield was six and he went to live with his aunt. His father died soon afterwards, following a mental breakdown. After an unhappy education at the King's School in Warwick (now known as Warwick School), where he was a boarder between 1888 and 1891, he left to board , both to train for a life at sea and to break his addiction to reading, of which his aunt thought little. He spent several years aboard this ship, and found that he could spend much of his time reading and writing.It was aboard the Conway that <mask>'s love of story-telling grew. While he was on the ship he listened to the stories told about sea lore, continued to read, and decided that he was to become a writer and story-teller himself. <mask> gives an account of life aboard the Conway in his book New Chum. In 1894 <mask> boarded the Gilcruix, destined for Chile. This first voyage brought him the experience of sea sickness, but his record of his experiences while sailing through extreme weather shows his delight in seeing flying fish, porpoises and birds. He was awed by the beauty of nature, including a rare sighting of a nocturnal rainbow, on this voyage. On reaching Chile he suffered from sunstroke and was hospitalised.He eventually returned home to England as a passenger aboard a steamship. In 1895 Masefield returned to sea on a windjammer destined for New York City. However, the urge to become a writer and the hopelessness of life as a sailor overtook him, and in New York he jumped ship and travelled throughout the countryside. For several months he lived as a vagrant, drifting between odd jobs, before he returned to New York City and found work as a barkeeper's assistant. Some time around Christmas 1895 he read the December edition of Truth, a New York periodical, which contained the poem "The Piper of Arll" by Duncan Campbell Scott. Ten years later <mask> wrote to Scott to tell him what reading that poem had meant to him:

From 1895-1897 Masefield was employed at the huge Alexander Smith carpet factory in Yonkers, New York, where long hours were expected and conditions were far from ideal. He purchased up to 20 books a week, and devoured both modern and classical literature.His interests at this time were diverse, and his reading included works by George du Maurier, Dumas, Thomas Browne, Hazlitt, Dickens, Kipling, and R. L. Stevenson. Chaucer also became very important to him during this time, as well as Keats and Shelley. In 1897, <mask> returned home to England as a passenger aboard a steamship. In 1901, when <mask> was 23 he met his future wife, Constance de la Cherois Crommelin (6 February 186718 February 1960, Rockport, County Antrim, Northern Ireland), who was 35 and of Huguenot descent and they married 23 June 1903 St. Mary, Bryanston Square. Educated in classics and English Literature, and a mathematics teacher, Constance was a good match for him, despite the difference in their ages. The couple had two children, Judith, born Isabel Judith, 28 April 1904, London died Sussex, 1 March 1988, and Lewis Crommelin, born London in 1910, killed in action, Africa, 29 May 1942. In 1902 <mask> was put in charge of the fine art section of the Arts and Industrial Exhibition in Wolverhampton.By then his poems were being published in periodicals and his first collection of verse, Salt-Water Ballads, was published that year. It included the poem "Sea-Fever". <mask> then wrote two novels, Captain Margaret (1908) and Multitude and Solitude (1909). In 1911, after a long period of writing no poems, he composed The Everlasting Mercy, the first of his narrative poems, and within the next year had produced two more, "The Widow in the Bye Street" and "Dauber". As a result, he became widely known to the public and was praised by the critics. In 1912 he was awarded the annual Edmond de Polignac Prize. From the First World War to appointment as Poet Laureate
When the First World War began in 1914 Masefield was old enough to be exempted from military service, but he joined the staff of a British hospital for French soldiers, the Hôpital Temporaire d'Arc-en-Barrois in Haute-Marne, serving a six-week term during the spring of 1915.<ref><mask>'s Letters from the Front, 1915-17ed., Peter Vansittart (New York: Franklin Watts, 1985)</ref>   He later published an account of his experiences.At about this time <mask> moved his country retreat from Buckinghamshire to Lollingdon Farm in Cholsey. The setting that inspired a number of poems and sonnets under the title Lollingdon Downs, and which his family used until 1917. After returning home <mask> was invited to the United States on a three-month lecture tour. Although his primary purpose was to lecture on English literature, he also intended to collect information on the mood and views of Americans regarding the war in Europe. When he returned to England he submitted a report to the British Foreign Office and suggested that he should be allowed to write a book about the failure of the Allied effort in the Dardanelles that might be used in the United States to counter German propaganda there. The resulting work, Gallipoli, was a success. <mask> then met the head of British Military Intelligence in France and was asked to write an account of the Battle of the Somme.Although <mask> had grand ideas for his book, he was denied access to official records and what was intended to be the preface was published as The Old Front Line, a description of the geography of the Somme area. In 1918 <mask> returned to America on his second lecture tour, spending much of his time speaking and lecturing to American soldiers waiting to be sent to Europe. These speaking engagements were very successful. On one occasion a battalion of black soldiers danced and sang for him after his lecture. During this tour he matured as a public speaker and realised his ability to touch the emotions of his audience with his style of speaking, learning to speak publicly from his own heart rather than from dry scripted speeches. Towards the end of his visit both Yale and Harvard Universities conferred honorary doctorates of letters on him. <mask> entered the 1920s as an accomplished and respected writer.His family was able to settle on Boar's Hill, a somewhat rural setting not far from Oxford, where Masefield took up beekeeping, goat-herding and poultry-keeping. He continued to meet with success: the first edition of his Collected Poems (1923) sold about 80,000 copies. A narrative poem, Reynard The Fox (1920), has been critically compared with works by Geoffrey Chaucer, not necessarily to <mask>'s credit. This was followed by Right Royal and King Cole, poems in which the relationship between humanity and nature is emphasised. After King Cole, <mask> turned away from long poems and back to novels. Between 1924 and 1939 he published 12 novels, which vary from stories of the sea (The Bird of Dawning, Victorious Troy) to social novels about modern England (The Hawbucks, The Square Peg), and from tales of an imaginary land in Central America (Sard Harker, Odtaa) to fantasies for children (The Midnight Folk, The Box of Delights). In this same period he wrote a large number of dramatic pieces.Most of these were based on Christian themes, and <mask>, to his amazement, encountered a ban on the performance of plays on biblical subjects that went back to the Reformation and had been revived a generation earlier to prevent production of Oscar Wilde's Salome. However, a compromise was reached and in 1928 his "The Coming of Christ" was the first play to be performed in an English cathedral since the Middle Ages. Encouraging the speaking of verse

In 1921 <mask> gave the British Academy's Shakespeare Lecture and received an honorary doctorate of literature from the University of Oxford. In 1923 he organised Oxford Recitations, an annual contest whose purpose was "to discover good speakers of verse and to encourage 'the beautiful speaking of poetry'." Given the numbers of contest applicants, the event's promotion of natural speech in poetical recitations, and the number of people learning how to listen to poetry, Oxford Recitations was generally deemed a success. <mask> was similarly a founding member, in 1924, of the Scottish Association for the Speaking of Verse. He later came to question whether the Oxford events should continue as a contest, considering that they might better be run as a festival.However, in 1929, after he broke with the competitive element, Oxford Recitations came to an end. The Scottish Association for the Speaking of Verse, on the other hand, continued to develop through the influence of associated figures such as Marion Angus and Hugh MacDiarmid and exists today as the Poetry Association of Scotland. Later years and death
In 1930, on the death of Robert Bridges, a new Poet Laureate was needed. On the recommendation of the Prime Minister, Ramsay MacDonald, King George V appointed <mask>, who remained in the post until his death in 1967. The only person to hold the office for a longer period was Alfred, Lord Tennyson. On his appointment The Times wrote of him: "his poetry could touch to beauty the plain speech of everyday life". <mask> took his appointment seriously and produced a large quantity of poems for royal occasions, which were sent to The Times for publication.<mask>'s modesty was shown by his inclusion of a stamped and self-addressed envelope with each submission so that the poem could be returned if it was found unacceptable. Later he was commissioned to write a poem to be set to music by the Master of the King's Musick, Sir Edward Elgar, and performed at the unveiling of the Queen Alexandra Memorial by the King on 8 June 1932. This was the ode "So many true Princesses who have gone". After his appointment <mask> was awarded the Order of Merit by King George V and many honorary degrees from British universities. In 1937 he was elected President of the Society of Authors. <mask> encouraged the continued development of English literature and poetry, and began the annual awarding of the Royal Medals for Poetry for a first or second published edition of poems by a poet under the age of 35. Additionally, his speaking engagements called him further away, often on much longer tours, yet he still produced significant amounts of work in a wide variety of genres.To those he had already used he now added autobiography, producing New Chum, In the Mill, and So Long to Learn. It was not until he was about 70 that <mask> slowed his pace, mainly due to illness. In 1960 Constance died aged 93, after a long illness. Although her death was heartrending, he had spent a tiring year watching the woman he loved die. He continued his duties as Poet Laureate. In Glad Thanksgiving, his last book, was published when he was 88 years old. In late 1966 <mask> developed gangrene in his ankle.This spread to his leg and he died of the infection on 12 May 1967. In accordance with his stated wishes, he was cremated and his ashes were placed in Poets' Corner in Westminster Abbey. However, the following verse by <mask> was discovered later, addressed to his "Heirs, Administrators, and Assigns":

Legacy

The Masefield Centre at Warwick School, which Masefield attended, and <mask> High School in Ledbury, Herefordshire, have been named in his honour. Interest groups such as the John Masefield Society ensure the longevity of <mask>'s opus. In 1977 Folkways Records released an album of readings of some of his poems, including some read by Masefield himself. Recordings preserved include <mask>'s 1916 Good Friday. Song settings
In addition to the commission for Queen Alexandra's Memorial Ode with music by Elgar, many of <mask>'s short poems were set as art songs by British composers of the time.Best known by far is <mask>'s "Sea-Fever". Frederick Keel composed several songs drawn from the Salt-Water Ballads and elsewhere. Of these, "Trade Winds" was particularly popular in its day, despite the tongue-twisting challenges the text presents to the singer. Keel's defiant setting of "Tomorrow", written while interned at Ruhleben during World War I, was frequently programmed at the BBC Proms after the war. Another memorable wartime composition is Ivor Gurney's climactic declamation of "By a bierside", a setting quickly set down in 1916 during a brief spell behind the lines. Humour

E.V. Knox wrote a parody of "The Everlasting Mercy" called "The Everlasting Percy" about various forms of misbehaviour on the railway.It contains such thoughts as:

When I was young I was so wicked,

I used to ride without a ticket,

And travelled underneath the seat

Down in the dust of people's feet.... I have a flapper on the carrier. Some day I'm going to marry her. A Book of Discoveries (children's novel) (1910)
The Street of Today (1911)
Jim Davis (Wells Gardner, 1911). Sard Harker (Heinemann, 1924)
ODTAA  (1926)
The Midnight Folk (children's novel) (1927)
The Hawbucks (1929)
The Bird of Dawning (Heinemann, 1933). The Taking of the Gry (1934)
The Box of Delights: or When the Wolves Were Running (children's novel) (1935)
Victorious Troy: or The Harrying Angel (1935)
Eggs and Baker (1936)
The Square Peg: or The Gun Fella (1937)
Dead Ned (1938)
Live and Kicking Ned (1939)
Basilissa: A Tale of the Empress Theodora (1940)
Conquer: A Tale of the Nika Rebellion in Byzantium (1941)
Badon Parchments (1947)

Plays
The Campden Wonder (1907)
The Tragedy of Pompey the Great (1910)
Philip the King (1914)
Good Friday: A Play in Verse (1916)
The Tragedy of Nan (Originally known as Nan)
A King's Daughter: A Tragedy in Verse (1923)

The Trial of Jesus (1925)
The Witch (1926) (trans. from the Norwegian play Anne Pedersdotter by Hans Wiers-Jenssen)
Tristan and Isolt: A Play in Verse (1927)The Coming of Christ (1928)
Easter: A Play for Singers (1929)

Non-fiction and autobiographical
 Sea Life in Nelson's Time (1905)
Gallipoli (1916)
 The Old Front Line (1917)
The Battle of the Somme (1919)
 The Wanderer of Liverpool (1930)
 Recent Prose (1924)
 Poetry: a Lecture Given at the Queen's Hall in London on Thursday, October 15, 1931 The Conway: From Her Foundation to the Present Day (1933)
Some Memories of W. B. Yeats (1940)
 "In the Mill" (1941)
 The Nine Days Wonder (The Operation Dynamo) (1941)
 New Chum (1944)
 So Long to Learn (autobiography) (1952)
 Grace Before Ploughing (autobiography) (Heinemann, 1966)

References

Further reading
 Babington Smith, Constance (1978).<mask>: A Life. Oxford University Press. Spark, Muriel (1953). <mask>''. Lurie, Alison (2003) "<mask>'s Boxes of Delight", in "Boys and Girls Together". Penguin Books. Archival material at

External links

The John Masefield Society website
Essay: "<mask> 1878–1967" at the Poetry Foundation
Portraits at the National Portrait Gallery

Three plays by <mask> on Great War Theatre
 Finding aid to Helen MacLachlan papers, including <mask> correspondence, at Columbia University.Rare Book & Manuscript Library. Electronic editions

1878 births
1967 deaths
20th-century English male writers
20th-century English novelists
20th-century English poets
British male poets
British Poets Laureate
English children's writers
English male novelists
People educated aboard HMS Conway
People educated at Warwick School
People from Ledbury
Burials at Westminster Abbey

masks:
John Edward Masefield
Masefield
George Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
John Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
Masefield
John Masefield
Masefield
Masefield
Masefield
John Ireland
John Masefield
John Masefield
John Masefield
John Masefield
John Masefield
John Masefield


title: Erastus D. Culver

texts:
<mask> (March 15, 1803 – October 13, 1889) was an attorney, politician, judge, and diplomat from New York City. <mask> was active in the anti-slavery movement and, while in Congress in the 1840s, opposed the extension of slavery to Texas and the Oregon Territory. As an attorney, <mask> was part of a team that defended eight Virginia slaves in a freedom suit, Lemmon v. New York (1852), successfully gaining their freedom in New York City's Superior Court. <mask> was later elected judge of Brooklyn's City Court, serving from 1854 to 1861. In 1857 <mask> decided the well-known freedom suit of a fugitive slave named "Jeems" and set him free by ruling against the people who had detained him, including police officers who hoped to collect a bounty under the Fugitive Slave Act of 1850. From 1862 to 1866 <mask> served as Minister to Venezuela. He later returned to his former hometown of Greenwich, New York, where he was active in several business ventures until his death in 1889.Early life and start of career
<mask> was born in Champlain, New York on March 15, 1803. He graduated from the University of Vermont in 1826, taught school for a period, and read the law with an established firm. He was admitted to the bar in 1831 and commenced practice in Fort Ann, New York. He joined the Whig Party and became active in government and politics, including winning election as Fort Ann's Town Clerk and serving from 1833 to 1835. In 1836 <mask> moved to Greenwich, New York. He was elected the New York State Assembly in 1838 and 1841. Congressional career
In 1844 <mask> was elected to Congress, and he served one term, March 4, 1845 to March 3, 1847.He was an anti-slavery advocate in the House, and his first act as a Congressman was to present a petition from residents of New York, which asked for slavery to be abolished in the District of Columbia. He also drew attention for his speech opposing the extension of slavery to Oregon Territory and the Republic of Texas when they joined the United States. Judicial career
<mask> moved to Brooklyn, New York in 1850, where he established a law practice and became prominent as an advocate for New York City and Brooklyn abolitionists. Chester Alan Arthur studied law with <mask>, and later became a partner in Culver's firm. Together <mask>, Arthur and John Jay (grandson of the Chief Justice of the same name) successfully argued Lemmon v. New York (1852), a freedom suit. Virginia slave owners had brought slaves with them and stopped temporarily in New York, from where they intended to travel to Texas. The slaves were discovered to be in New York by an African-American activist, who petitioned the court by a writ of Habeas corpus.They were temporarily freed and <mask>, Arthur and Jay successfully argued that the slaves could not be considered property in New York, which had abolished slavery, and should remain free. <mask> became a Republican when the party was founded in the 1850s. In 1854 he was elected judge of Brooklyn's city court, and he served until 1861. One of <mask>'s prominent cases took place in 1857, soon after the decision in the <mask> Scott case, and as tensions over slavery were rising before the American Civil War. He ruled in a freedom suit in favor of a fugitive slave owned by James Stead of Georgia. The slave Jeems, described as "nearly white," had escaped and traveled by steamship from Florida to New York City. Upon arrival, Jeems was detained by  police officers (alerted by the ship's captain), who put him in irons and detained him at a house in Brooklyn, intending to return him under the Fugitive Slave Act of 1850 and claim the bounty.Upon being detected and cited into court, the police officers and Stead's attorney argued that New York's laws against slavery did not apply because Stead and Jeems were residents of another state. <mask> disagreed and issued a writ of habeas corpus. Jeems was freed, and activists aided him in reaching the Underground Railroad and relocating to Canada. The steamship captain, the owner of the house were Jeems was held, and the two police officers were charged with conspiracy and kidnapping. Diplomatic career
<mask> was a popular orator. He was seated on the dais when Abraham Lincoln gave his 1860 Cooper Union speech and, by popular demand, he gave a speech after Lincoln's. In 1862 <mask> was appointed by President Lincoln as Minister to Venezuela, and he served until 1866.Upon arriving to begin his duties, <mask> unwittingly caused a diplomatic faux pas by presenting his credentials to José Antonio Páez, whose government was not recognized by the United States. <mask>'s instructions had not been clear, and after he provided de facto recognition of the Páez government by this action, Secretary of State Seward wrote to him with instructions to formally withdraw it. Official diplomatic relations were broken off, but <mask> had become friendly with Páez, who allowed him to remain. Later life
Upon returning to the United States, <mask> again took up residence in Greenwich, where he continued to practice law. He also became involved in several business ventures, including serving as president of the First National Bank of Greenwich and member of the board of directors of the Greenwich and Johnsonville Railway. Death and burial
<mask> lived in Greenwich during his retirement. He died there on October 13, 1889, and was interred in the Culver vault at Greenwich Cemetery.References

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1803 births
1889 deaths
New York (state) Whigs
New York (state) Republicans
New York (state) lawyers
New York (state) state court judges
University of Vermont alumni
Members of the United States House of Representatives from New York (state)
Members of the New York State Assembly
19th-century American diplomats
People from Fort Ann, New York
Ambassadors of the United States to Venezuela
Burials in New York (state)
Whig Party members of the United States House of Representatives
People from Champlain, New York
19th-century American politicians
19th-century American judges
19th-century American lawyers
American abolitionists

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