title: Addam Yekutieli

texts: <mask> a.k.a. Know Hope is a contemporary artist whose work consists of social practice projects. He was known for his work in the streets of Tel Aviv under the name Know Hope. He was one of the first Israeli street artists to gain international recognition. <mask> facilitates community and long-term projects that deal with ideas of re-contextualization and dialogue through public space. His work focuses on issues such as borders, collective memory, and the link between the personal and the political. <mask> is a well-known figure in Israeli street-art culture.He exhibits in galleries and museums with ready-made materials, mixed media pieces, photographs, videos and text. One of the world's leading contemporary street artists is <mask>. <mask>'s work is known for its "poetry and lyricism." Though a visual artist, text is a prominent element in <mask>'s work. His work is about finding "unity in a fragmented world." <mask> grew up in a mixed heritage home with roots in Japan, USA and Israel. He was inspired in his teens by punk and skateboarding. His early work was influenced by this.He started making art in the streets of Tel Aviv. Although his art was categorized as street art, <mask> did not use traditional aerosol spray paint. Many of his early works were ephemeral, not intended to remain on the street permanently, but Yekutieli intentionally using materials such as wheatpaste, installations, found materials, etc. The phrase "know hope" was written on walls around the city after <mask> began working on the street. The phrase was referring to the chasm between hope and despair due to its obvious word-play. The subjective perception of the viewers was enjoyed by <mask>.

masks:
Addam Yekutieli
Yekutieli
Yekutieli
Yekutieli
Yekutieli
Yekutieli
Yekutieli
Yekutieli
Yekutieli
Yekutieli


title: Addam Yekutieli

type: paraphrased

texts: The multiple meanings of the phrase would continue to inform <mask>'s work later on.<mask> never intended on becoming an artist. <mask> understood that the public referred to the creator of the art as Know Hope after being referred to it by a local newspaper. <mask> exhibited his work in the streets of Tel Aviv in 2005. Know Hope appeared next to his most common long-arms and long-legged character. A couple of years after the INSIDE JOB, a street-art group show, Yekutieli began showing in one of Israel's most prominent galleries. The same year, <mask> began working with Steve and his gallery. <mask> participated in a group exhibit in the Museum of Contemporary Art.<mask> began working on long term ongoing projects in parallel to his iconography work that has developed to include a repetitive use of white-flags, birds, wood, and fences. <mask> sent out an open call for participants in Tel Aviv and NYC to take part in his art and allow him to tattoo them. "Truth and Method is firmly based on real human situations, continuing a process of extensive observations of context and appropriation whilst providing greater insight into a reflective practice." This initial starting point allows each urban environment to take an active part in the dialogue and determine how the audience may perceive them. The same texts are tattooed on volunteer participants, extending the work away from the ethereal nature of outdoor work and instead taking on a more permanent quality. The initial text-based artwork becomes a new shape with a far more intimate meaning by being translated onto active participants. The Tel Aviv Gordon Gallery displayed the Truth and Method project. About 50 people

masks: Yekutieli Yekutieli Yekutieli Yekutieli Yekutieli Yekutieli Yekutieli Yekutieli


title: Addam Yekutieli

texts: were tattooed by Yekutieli in the NYC-based gallery Catinca Tabacaru.Yekutieli began a series of public interventions in which a white thin line is drawn in the street to create a border. The idea of space as difference and otherness is enhanced by opposing sentences on both sides of the line. "Creating juxtapositions between the personal and the political, Taking Sides is an observation on how sometimes sides are chosen and larger ideologies and allegiances are adopted- at times consciously, but most commonly in a hereditary and automatic way, or in a manner dictated by circumstance." <mask> undertook another series of interventions in the city of Lyon for a group exhibit in the Musée d'art contemporain de Lyon. Adding video-art as another medium in this project, <mask> compared videos documenting intervention in public space around the city of Lyon with videos that exhibit notions of territory and borders such as the Israeli Separation Wall, the Lesvos Shoreline, and the Eurotunnel. <mask> began corresponding with prisoners on death row in a Nashville prison in 2016 for a community-based project. Yekutieli describes the project in his website: "After this correspondence, fragments of sentences from the inmates' letters were extract and placed on a series of billboards around the city. By taking these phrases out of their original context and placing them in a new one, a newfound presence forThe project was shown in OZ Arts in 2016 but did not receive a comprehensive gallery day-view due to its ongoing nature that requires a longer period of correspondence and documentation. Exploring the New Contemporary Art Movement, Honolulu Museum of Art School, Honolulu, Hawaii,

masks: Yekutieli Yekutieli Addam


title: Fred Terry

texts: <mask> was an English actor and theatrical manager. After establishing his reputation in London and the provinces, he joined the company of Herbert Beerbohm Tree and met his future wife, Julia. He played in London and on tour for 27 years, becoming famous for his sword and cape roles. <mask> was born into a theatrical family. His parents, Benjamin and Sarah, of Scottish ancestry, were comic actors in a touring company based in Portsmouth, where Sarah's father was a Wesleyan minister, and had eleven children of which <mask> was the youngest son. At least five of them became actors. George and Charles were connected to theatre management.Ellen became the greatest Shakespearean actress of her time after her sister Kate retired from the stage in 1867. John Gielgud, Kate's grandson, became one of the twentieth century's most respected actors. <mask> attended schools in London, France and Switzerland. <mask> played in all the main cities of the United Kingdom and North America during his career. He made his stage debut at the age of 16 in a revival of Bulwer-Lytton's Money with the Bancrofts. He played Sebastian to the Viola of his sister Ellen in Henry Irving's production of Twelfth Night. Ellen wrote in her memoirs that she didn't think she had ever seen any success like that.He toured in Britain and the US. He appeared in London in July of

masks:
Fred Terry
Terry
Fred
Terry
Terry


title: Fred Terry

texts: 1887. He played Dr William Brown in Dr Bill at the Avenue Theatre. He appeared in numerous productions with the company from 1890 to 1894. He played D'Aulnay in W. S. Gilbert's Comedy and Tragedy and John Christison in Henry Arthur Jones's The Dancing Girl. Julia Neilson was married to him later that year, after he met her in the cast of this last. He played Laertes in Hamlet and appeared in a translation of A Village Priest, Beau Austin and Peril.The daughter of <mask> and Neilson was born in 1892. In 1894, <mask> and Neilson appeared together. Frank Harvey was at the theatre. Dennis was born in October 1895. The family traveled to America to perform with John Hare's company. They played together in New York. They returned to England in 1896 and he played the role of Charles Surface in a revival of The School for Scandal.<mask> and his wife appeared together in a number of plays, including Much Ado About Nothing at the St James's Theatre, in which he played Don Pedro. They appeared in The Gipsy Earl. He was a member of the Lyceum in 1900. They toured in As You Like It. For the next 27 years, <mask> and Neilson played together in romantic historical dramas, with <mask> in swashbuckling roles. He played King Charles II in the 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846

masks: Terry Terry Terry Terry Terry


title: Fred Terry

texts: 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 They had an annual six-month London season at the New Theatre from 1905 to 1913.They played several new plays in London, including Baroness Orczy's The Scarlet Pimpernel, which they adapted for the stage. The play was a record-breaking hit and played for more than 2000 performances. For Sword or Song by Robert Legge and Louis Calvert was introduced and starred by <mask> and Neilson. During many tours of the British provinces and during their US tour in 1910, Henry and Sweet Nell became their signature pieces. The Popinjay, <mask>, and Mistress Wilful were also produced by them. The Strand Theatre was taken over by <mask> and Neilson in 1915. Their later productions were The Borderer, The Marlboroughs, and The Wooing of Katherine Parr.The Royal Academy's 100th anniversary was celebrated at the Duke's Hall

masks:
Terry
Frederick Mouillot
Terry


title: Fred Terry

texts: with the production of A wreath of a hundred roses. <mask> played Benedick in Much Ado and Charles Surface on tour. Dennis, the son of the couple, became an actor, but his career was cut short by his death in 1932. In 1918, a group of British theatre managers presented <mask> with a portrait that was painted by Frank Daniell, who was <mask>'s friend. <mask> retired from the stage in 1927. He joined the Green Room Lodge. Leedham Bantock, George Grossmith Jr., and Gerald du Maurier were members of the actors' lodge.He died in 1933 at the age of 69. He is buried with his wife and son in a cemetery. The Guild of Dramatic Art Notes References <mask>'s memoirs. <mask>'s memoirs were written by E. Craig and C. St John. E. Craig and C. St John lived in New York. There is an ed. Who's Who in the Theatre, 6th edn was written by Pemberton.<mask> and her sisters were in London. The issue of "My wife and I" was published in 1915. Information and photos of English expatriates in France and English expatriates in

masks:
Terry
Terry
Terry
Terry
Ellen Terry
Ellen Terry
Ellen Terry


title: Daltaban Mustafa Pasha

texts: The Grand Vizier for four months and twenty days from September of 1702 to January of 1703 was <mask>. According to Joseph von Hammer, he was of Serbian origin and was born in Bitola. He was raised in the inner mehter of <mask>. In 1684, <mask> was a member of the Imperial Council. He became Agha of the Janissaries in 1691 after being appointed as djebedji. He was appointed to the Babada guard. In 1695 he was appointed to the governorship of the Anatolia Eyalet.He was exiled to Bosnia because of complaints about his actions during his campaign in Austria. He was appointed to the position of the Bosnian Front's Serasker after the increase of the enemy attack on Bosnia. He defeated the enemy in Bosnia. He was appointed to the governorship of Raqqa in 1698. He was assigned to the Baghdad Governorate in 1699. The rebel forces were eliminated by him. He was brought back to the Governorship after these achievements.He replaced Amcazade Kprl Hseyin <mask>, who left his job due to his illness. Sultan <mask>'s tutor, Shaykh al-Islm Feyzullah Efendi, advised <mask> <mask> to become the Grand Vizier. He understood that he had to fulfill the demands of the man. <mask> II refused to accept his calls without being interviewed by the Shaykh al-Islm. He wanted the policies of the state and the government to implement his ideas for each activity he would demonstrate. He was not liked by the state officials because he was a countryman and did not understand the movements and behaviors of the Istanbulites. The Sultan was uneasy with the rude, harsh attitude.When Fethullah came to the workplace of the Grand Vizier, they would have taken him to the front of the car, in front of the door. The committees of service said that until then, Shaykh al-Islm would go on the left side of the Grand Vizier to show that he was at a lower rank. The man who wanted to be the Grand Vizier was working against him. He spread a rumor that Shaykh al-Islm

masks:
Daltaban Mustafa Pasha
Kara Ibrahim Pasha
Kara Ibrahim Pasha
Pasha
Mustafa II
Daltaban
Mustafa Pasha
Sultan Mustafa


title: Daltaban Mustafa Pasha

texts: wanted to work on his own and that he was trying to get support from the Janissaries. The control freak was adversely affected. The signing of the Treaty of Karlowitz prevented the Russians from establishing fortifications in these borders. The Ottoman state decided not to do anything about the treaty violation despite the fact that the Russians built fortifications.The Russians wanted to attack the border regions. The previous Grand Vizier didn't accept this, but he was more open to the demands of the Crimeans. He was more tolerant of the Khan's attitude. He was acting slowly to suppress the rebellion of Devlet II Giray because of this reason. This behavior was considered an example of an independent movement. The Sultan agreed to the dismissal of <mask> <mask>. On January 24, 1703 <mask> <mask> was dismissed from his post for provoking the Crimean Khan against the Sultan.He was killed three days later. He was a governor and a military officer. The military class was negatively affected by his execution. He had special expressions in the language he used and his accent was inaccurate. It was ridiculed by creating a dictionary called "Islahhat- Daltaniye". His language was harsh and he had a broken mouth. His treatment of others was heartbreaking.New rules were put in place for the clothes worn by the viziers during the divan. To show that the viziers were separate from the other state officials on the divan, a rule was put on them to wear a turban called "kallavi" instead of another style of turban, called "mcevveze" which they had traditionally worn for hundreds of years. "Zubdet Country Vekay" is usually 500 pouches per year for the special administration, pen, and secretariat of the Grand Vizier. The list of Ottoman Grand Viziers includes references to zcan, Abdlkadir, Daltabatan <mask>a, and Uzunarl. Blm Karlofa Anlamasndan XVIII was written by Cilt I. Blm Karlofa Anlamasndan. Yzyln Sonuna Kadar is in

masks:
Daltaban
Mustafa Pasha
Daltaban
Mustafa Pasha
Mustafa Pa


title: Rose Cabat

texts: <mask> was an American studio ceramicist who was best known for her innovative glazes upon small porcelain pots called 'feelies' which were often in the shape of onions and figs. She was the oldest pottery artist in the United States. <mask> was born in the Bronx in 1914 and married Ernest "Erni" <mask> in 1936. She began working in ceramics in 1940 after her husband brought home some clay from his job as an assistant to Vally Wiselthier, an art deco ceramicist who was making pieces for General Ceramics in Keasbey, New Jersey. <mask> learned how to use a potter's wheel after Erni gave her a membership. George was found to have intractable asthma after he was born. The Cabat's moved to Arizona in order to alleviate his condition.<mask> worked as a riveter at the Davis-Monthan Army Air Field during World War II. The extra clay that Erni was able to get from brickyards allowed <mask> to make primitive ceramics. Erni was able to convert a washing machine to a potter's wheel. <mask> used to order a Randall kickwheel. During World War II, she worked in a munitions plant and made ceramics in her spare time. After the war, <mask> continued to make craft ceramics such as wind bells, animal shapes and other commodity pieces to help support the family, while Erni worked in Tucson as a graphic artist and in advertising. Several children's books were written by Erni.They helped to start the Art Center and befriended local artists. Mike and June were the children of the Cabats. The "feelie" forms that became <mask>'s signature pieces were developed after the Cabats took a glaze calculation class at the University of Hawaii. The basic form of the vessel that <mask> hit upon in 1960 would become the basis of the "feelies". A pot with a closed neck could

masks:
Rose Cabat
Rose Cabat
Cabat
Rose
Rose
Rose
Rose
Rose
Rose Cabat
Rose


title: Rose Cabat

texts: not hold a single slender stem. A vase can hold flowers, but can't it be a spot of beauty? <mask> exhibited a casserole at the Los Angeles County Museum, Craftsmen USA, in 1966 as she was beginning to be recognized as a craft artist.Her feelies were displayed in Everyday Life in Early America in 1973. The Tucson Art Museum lent one of <mask>'s Feelies to the Mansion of the Vice President, Walter Mondale, to be displayed in the living room along with other works of art. <mask> and Erni continued to make ceramics with their signature glazes. While <mask> and Erni collaborated on the feelies and other ceramic forms, Erni ran his ad agency in Tucson until the age of 62, when he felt that the family could be supported with the income from the "feelies" and other ceramics as well as his own artwork. <mask> did the craft and the art, while Erni weighed out the glaze components. Erni would give <mask> a painting of the two of them on their anniversary. In 1994, <mask> was unnerved by Erni's anniversary painting, and in the following months, he wrote detailed instructions of how to take care of the business.Erni died in his sleep at the age of 80. Despite her decreasing mobility, <mask> continued to produce feelies and bowls, with her daughter June running the business. <mask> died at the age of 100 and was survived by her three children and extended family. Onion, fig, cucumber, and saucer-shaped ceramic vases are referred to as Feelies Feelies. Bruce Block, an avid collector, has described them as spiritual with a very specific unforgettable texture, spiritual seeming to contain a type of energy. The first of the appropriate forms, sleek and svelte, was hit upon around 1960. She said that this one was a feelie.She needed new forms to apply the

masks:
Rose Cabat
Rose Cabat
Rose
Rose
Rose
Rose
Rose
Rose
Rose Cabat


title: Rose Cabat

texts: glazes to the coiled heads and wind bells that she made before. She said that the old things didn't look good. I wanted simpler shapes with the glazes. They are usually small in shape and have a small neck that is glazed to a surface. The experience of touch is important. According to leading mid-century modern furniture and ceramics authority David Rago, <mask>t's feelies are. They are accessible in price as well as being immediately enjoyable by most people, but at the same time, beautiful and deep.She distinguished herself by bringing beauty and craftsmanship into the realm of the average collector. American studio ceramics was still in its infancy when <mask> began working on feelies. Her work in the development of glazes and delicate thin-walled porcelain has moved American ceramics forward in a quietly profound way in contrast to the Natzlers and Peter Voulkos, whose challenging and daring revolutionary pieces have brought progress in bold strokes. Her work is easy on the eye. She is considered an heir to the Arts and Crafts Movement in America who brought American ceramics from adolescence to adulthood. "While some modern studio pottery is intellectual or even angst-ridden, the work of <mask>t expresses pure joy in its design and decoration." Arizona State University Art Museum, Tempe, Arizona Kansas City Art Institute, Kansas City, Kansas Metropolitan Museum of Art, New York, New York Museum of Arts and Design, New York, New York Philadelphia Museum of Art, Philadelphia, Pennsylvania Phoenix Art Museum, Phoenix, Arizona Phoenix Airport MuseumThe Journal of the American Art Pottery Association has a story about a visit with <mask>. Volume 20, no. American ceramists include people from the Bronx, New York City, and Tucson,

masks:
Rose Caba
Rose Cabat
Rose Caba
Rose Cabat


title: Moisés de Lemos Martins

texts: The Department of Communication Sciences at the University of Minho has a full professor named <mask>. He is the Director of the Communication and Society Research Centre and the Virtual Museum of Lusophony. He is the director of the scientific journals Comunicao e Sociedade, Revista Lusfona de Estudos Culturais/Lusophone Journal of Cultural Studies, and the Vista. The first was launched in 1999 and the last in 2020. He is a sociologist and communication theorist, as well as an essayist and regular contributor to the media. On March 8, 1953, <mask> was born in Vila Cova da Lixa, Felgueiras. He is a regular contributor to the media.He is a Full Professor at the University of Minho. The Virtual Museum of Lusophony, an academic cooperation platform in the fields of science, teaching and arts, in Portuguese-speaking countries, is one of the intervention platforms he helped found. He is the director of the Virtual Museum of Lusophony, as well as the scientific journals. He is the founder and editor of the CECS book collection, as well as the open science community of this research unit in the RepositriUM of the University of Minho. The activity has helped confirm the thesis that the University of Minho is a leader in the digital disclosure of its works, as suggested by the physicist and university professor, Carlos Fiolhais. He is the President of the Portuguese Association of Communication Sciences. He was awarded the academic distinction by the Brazilian Society for Interdisciplinary Communication Studies.He received the Scientific Merit Award from the University of Minho. He studied philosophy and theology at the UCP in Lisbon. The University of Human Sciences in Strasbourg has

masks:
Moisés de Lemos Martins
Lemos Martins


title: Moisés de Lemos Martins

texts: a degree in Catholic theology. He completed his master's degree in Sociology in 1980 and his PhD in 1984 after studying Social Sciences at this university. He received a scholarship from the French Government's Ministry of Foreign Affairs. He taught sociology at the University of Beira Interior before moving to the University of Minho, where he has been Full Professor since 1998. His training was marked by a priest.Bento Domingues, Francis Jacques, Friedrich Kittler, Georg Simmel, Gilbert Durand, Gilles Deleuze, Jacques Derrida, Jacques Lacan, Karl Marx. His areas of teaching and research are Sociology of Culture and Communication, Social Semiotics, Theory and Discourse Analysis,Visual Studies, Media Arts, Scientific Policy, Cultural Studies, Intercultural Communication, Lusophone Studies and Salazarism. He has served as a visiting professor at a number of universities. It was "just and correct" that the most distinguished "Portuguese researchers" were included in the exchange. The academic profile of <mask> <mask> <mask> was highlighted by the Methodist University of So Paulo. In order to distinguish the uniqueness of the research work pursued in Brazil in this scientific field, and also of academics from all over the world who have helped, the portal was created in 2016 by José Marques <mask>, journalist, university professor and pioneer of Communication Science studies in Brazil. Toms José Jane, Professor at the Higher School of Journalism, was helped by the help of the Brazilian academics.Silvino Lopes vora, Professor at the University of Cape Verde, in Praia, Cape Verde, was helped to found Mediacom by <mask> <mask> <mask>, Professor at the University of Santiago de

masks:
Moisés
de Lemos
Martins
de Melo
Moisés
de Lemos
Martins


title: Moisés de Lemos Martins

texts: Compostela. <mask> <mask> is a member of Mediacom. In 1989 the Department of Social Sciences at the University of Beira Interior was created with the creation of the BA Hons. In 1990 he was the first editor of the magazine Anais Universitarios. He was the director. This university has a degree course in Sociology. He taught History of Sociology from 1988 to 1990.He helped set up the BA Hons at the University of Minho. This university has a degree in Media Studies. Semiotics, Theory and Analysis of Discourse began teaching in 1991. He directed the BA Hons at the University of Minho. The Discipline of Sociology of Power was taught in the course in Sociology of Organizations. The master's degree in Sociology of Culture and Lifestyles and the master's degree in communication, Art and Culture were created by Albertino Gonalves. He was the director of the Institute of Social Sciences at the University of Minho for ten years.He was one of the candidates for the university's top job. He was the first Director of the PhD course in Communication Sciences at the University of Minho. He was the director of the PhD programme in Cultural Studies at the University of Minho and the University of Aveiro. He teaches Sociology of Culture at the PhD level. The PhD programme in "Communication Studies: Technology, Culture and Society" was funded by the Foundation for Science and Technology and involved six Portuguese research centers. He taught the discipline of Intercultural Communication. He helped found a PhD course in Language, Culture and Society at the Faculty of Human and Social Sciences at the University of Beira.He was the President of Sopcom, the Portuguese Association of Communication

masks: Lemos Martins


title: Moisés de Lemos Martins

texts: Sciences. He was the president of Lusocom and the Lusophone Federation of Communication Sciences. He was the editor of the International Yearbook of Lusophone Communication. Confibercom was the Ibero-American Confederation of Scientific and Academic Communication Associations. He is the Secretary General of Assibercom. A Linguagem, a Verdade e o Poder - Ensaio de Semitica Social (Language, Truth and Power - a Essay on Social Semiotics) was published in 2002. He said that his work makes it possible to retrace an entire fundamental theoretical path, but also places us at the centre of the major issues of analysis of contemporary reality.After reading A Linguagem, a Verdade e o Poder, Lus Carmelo wrote that the role of <mask> <mask> has been rich, stimulating and productive. The passion of the university is defined by the author's desire to dispute ideas and encourage lifelong learning. The fusion of technique and life was discussed in A Linguagem, a Verdade e a Poder by <mask> <mask> <mask>. Crise no Castelo da Cultura - Das Estrelas para os Ecrs (Crisis in the Castle of Culture - From the Stars to the Screens) was published in 2011. He began by exploring the ideas of Deleuze and Guattari, in terms of their invocation of genetic engineering, and discussion of implants, prostheses, hybridity, the transhuman and the post-organic and of Lyotard. Deleuze and Guattari argue that there are as many living beings in the machine as there are machines in living beings. We are talking about information technologies in relation to logotechnics.The miniaturisation of technique and the immaterialisation of the digital world is the result of this movement. Maria da Luz Correia mentioned in

masks:
Lemos
Martins
Moisés
de Lemos
Martins


title: Moisés de Lemos Martins

texts: Crise no Castelo da Cultura. The work of more than ten years in communication studies and the theory of culture can be found in Das Estrelas para os Ecrs. The sociologist focuses on the crisis of human existence, the contemporary mal de vivre, and from the conversion of our lives into technology in this essay. She says that in the wake of that, he considers the condition of difference. The retreat of the word in the face of the torrent of technological images, the bankruptcy of identity in the face of the labyrinthine 'flow' of passions, are at times bored by highly regulated daily life. Using Foucault's concept of the apparatus/dispositif, and following the ideas of F. Kittler, <mask> <mask> <mask> was always interested in posing "theoretical-cultural questions to technology".Deleuze says that we belong to social apparatuses and act within them. The innovation of a device is related to its predecessors actuality. The new is the actual, not what we are, but rather what we are becoming, that is, the Other, our becoming-other, or in Ricoeur's expression "the self as another". The various cultural-theoretical questions that <mask> <mask> <mask> poses in relation to technology include the questions of the total and infinite. Following in the footsteps of <mask>, <mask> <mask> <mask> questions what he calls "technical autotelism", which is a form of "messianism without telos". Given that his sociological theory is comprehensive, <mask> <mask> <mask> focuses on intersubjective relationships and contextual relationships in his analysis of the contemporary challenges posed by Communication. <mask> and Deleuze also question the reality of technique.In the words of Giorgio Agamben, it

masks:
Moisés
de Lemos
Martins
Moisés
de Lemos
Martins
Martin Heidegger
Moisés
de Lemos
Martins
Moisés
de Lemos
Martins
Heidegger


title: Moisés de Lemos Martins

texts: is the alloy that mixes the organic and non-organic, it is the hybrid of the human and non-human. Perniola calls the Egyptian version of our culture, attention paid to the inorganic within the organic, a sociology of technique. It is the idea that the mineral world can be fueled by the excitement of an inversion, which is summed up by the figure of "technical individuality". The idea of materiality is linked to the ideas of <mask>, Kittler e Simondon. He uses the concepts of actor/network and mediation, Foucault, Deleuze and Guattari, and erotic objects. Bennett and Joyce identified the materialist turn and the non-human turn, which accentuate both the agency of objects and their materiality. The media and media technology have operated and continue to operate as knowledge producers.He recognizes the technical, bodily and material functioning of producers and shapers of individual and collective affections, and of producers of feelings in human and non-human agency relations. The understanding of Epistemology of communication, neo-materialism and digital culture is similar to that of <mask> <mask> <mask>. It is not possible to limit the analysis of social networks, fake news, the practice of selfies, the issue of design and the privacy of the Internet of Things, as well as the culture of platforms, to a macro-social analysis of the economic structure of data capitalism. The current communication challenge requires taking into account the agency of objects involved in them, as well as the principles hidden in technical documents and patents. In the current world, the shift from the realm of words and ideas to the realm of images, sounds and emotions has been emphasized. From

masks:
Heidegger
Moisés
de Lemos
Martins


title: Moisés de Lemos Martins

texts: the early 21st century onwards, this question runs throughout his work. In 2002, he published the final chapter of A Linguagem, a Verdade e a Poder.Society has converted itself to sound and image. Mrio Perniola says that society has gained an audio-visual aspect, signalling a process of translation from argumentative rationality to emotional rationality, from the realm of logos and ethos to the realm of pathos. There is a new reality in the social scene. The look (the image, appearance, visual); the brand or mark (that which the classics called the "example"); timing (opportune timing, or kairos); marketing are already the messengers of this new reality. Technical objects have sex appeal according to Perniola. Crise no Castelo da Cultura - Das Estrelas para os Ecrs (Crisis in the Castle of Culture - From the Stars to the Screens) was published in 2011. "Culture will tend to be more a space of 'dia-bolic' divergence, than of symbolic confluence, since one no longer expects that it will gather."The crisis of the existent is not resolved through the control of knowledge, according to the thesis of <mask> <mask> <mask>. From the Stars to the Screens signals a shift from reasoning to meme, from the conscious to the unconscious, from rhetoric to the figurative path, from persuasion to seduction and fascination, from a dramatic, classic and sublime imagery to a tragic. In his opinion, western culture has shifted from a realm of thought to a realm of sound, resonance, vibration, modulation, rhythm, tension, duration and memory. As audiovisual and digital media, the new technical media will create a spectacle, which is simultaneously a simulation and a simulacrum, as Baudrillard has

masks:
Moisés
de Lemos
Martins


title: Moisés de Lemos Martins

texts: argued. This doesn't mean that the only effect of the advent of new technical media is disarticulation of the mass. The entry of the mass into history is supported by the new technical media. The new technological media allow us to deal with dreams, with the collective unconscious, and with the imaginary.This line of thought, with references to Benjamin, Durand, Debord, Deleuze, Derrida, Baudrillard, Kittler and Perniola, led to the figure of "technological circumnavigation". Digital content makes it possible to expand human experience. The new territories, landscapes, atmospheres and environments of the "technological circumnavigation" are constituted by websites, portals, blogs, video games, applications, digital repositories, virtual museums, and even installation of virtual realities in immersive environments. In regards to transmedia narratives, <mask> <mask> <mask> draws references from other people. When it comes to transmedia narratives, it is more than just a question of imitating, reproducing, retelling, remedying, adapting, extending and reinventing known stories. Virtual realities on the Internet, in cinema, on television, and via DVDs are some of the ways in which transmedia narratives can be used to create new stories. The place occupied by the image in the contemporary world is a central issue in contemporaneity.The image is analysed through an analogy with language in A Linguagem, a Verdade e o Poder. There is a new theory of the image that is dealt with in the work. "Information and communication technologies work within us as prostheses for the production of emotions, as machines that can mould a cranked-up sensitivity within us". Information and


title: Moisés de Lemos Martins

texts: communication technologies correspond to photography, cinema, radio, video, television, and above all digital technologies, Internet, electronic games, graphic design, and virtual environments. The contemporary importance of the question of identity is highlighted by Transcultural identities. Globalisation and the resulting multi- and trans-cultural societies, which go hand in hand with the massive phenomena of migration and refugees, have become the new world order. Deleuze and Guattari believe that society has become fragmented and that nationalism, populism and various extremists thrive on a widespread basis.The work, Para uma Inversa Navegao - O Discurso da Identidade, was published in 1996, according to the opinion of José Bragana <mask>. No one figure can link them together. The truth of the differences lies in the fact that they are the effect of relationships. After two decades since the publication of Para uma Inversa Navegao, <mask> <mask> <mask> is once again questioning the meaning of identity. The effects on strategies to impose identities, which are power strategies, are critiqued by <mask> <mask> <mask>. Eduardo Prado Coelho did not ignore the fact that the main theoretical inspiration was Foucault. The panoptic power, or discipline power, and biopower, as for example in the case of biopolitics, are what led <mask> <mask> <mask> to consider power as the most important and accentuated dimension in the social space.Prado Coelho suggests that, marked by a "passion of hope", <mask> <mask> <mask> provides a critique of power and conceives "the demand for something beyond power" to establish secret and unbreakable bonds between people. The writer, essayist and

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Moisés
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title: Moisés de Lemos Martins

texts: philosophy professor talked about the passion of hope that is linked to the communicational avant-garde, which values the differences and diversity of peoples. He borrowed the term "cross" from the Brazilian writer and diplomat, Joo GuimaresRosa, to describe the journey. A journey of "technological circumnavigation" is carried out through Portuguese-speaking countries and their diasporas. In a post-colonial context, <mask> <mask> <mask> reviews colonisation, taking into account the weight that it has today, with regard to the narratives, social memory and identities of Portuguese-speaking peoples. The figure of "technological circumnavigation", proposed by <mask> <mask> <mask>, is open to all Portuguese-speaking peoples to embark upon this journey. He pointed out in a study he conducted with Maffesoli that the culture of professionals in the new digital context is a culture in a nascendi status.The approach pursued by <mask> <mask> <mask> is related to the image environments between the artistic and the media. He is one of Baitello's current interlocutors and he cites two of his works, Do Post ao Postal (From the Post to the Postcard) and Crise no Castelo da Cultura. The formation of new audiences for cultures and the arts are central to this idea of cyberculture circum navigation, as well as specific policies for digital repository, which always aim to foster open access to knowledge. This journey is fraught with dangers and misunderstandings, including misunderstandings about the exceptionality of Portuguese colonisation, as well as nostalgia for the empire. The promise that these peoples can have a voice and that they can speak, based on their subordination as countries in

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title: Moisés de Lemos Martins

texts: the semi-periphery, is presented as a place of promise. The Portuguese journalist and art critic, Alexandre Pomar, considers the work of <mask> <mask>. He points out that <mask> <mask> makes an analysis that proposes to think about Lusophony as a "culture space" and questions the "mythological, symbolic and imaginary character" of "Lusophone culture".The social world is a division. Lusophony is a practical classification that is oriented towards the production of social effects. Although less widely known than the academic production from the universities of Lisbon, the research into the concept and practices of Lusophony seems to be more fruitful in the University of Minho. Mistakes have been made in the use of the figure of Lusophony. Carlos Reis, Full Professor of Literature, at the University of Coimbra, recognised that it is possible and perhaps even wise to speak about a risk with an eventual Eurocentric marking, and invited <mask> <mask> <mask>, in this regard. This line of research, which focuses on transcultural and transnational identities, and particularly in the Portuguese-speaking identity, led the Brazilian researcher Snia Cunha to state that "<mask> Ado <mask>mos." The presence of Lusophony in the space of Communication Sciences was analysed by researchers from the University of Beira Interior.This conclusion is reached when looking at the list of the "most productive authors" in the field of Lusophony studies in the epistemic space of Communication - that all pertain to the team of <mask> <mask> <mask>. The idea of Lusophony as a culture space and Lusophone culture inspired the creation of the Virtual Museum of Lusophony. The Virtual Museum of Lusophony was

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title: Moisés de Lemos Martins

texts: added to the platform in 2020. Augusto Silva, Portugal's Minister of Foreign Affairs, who attended the Museum's launch session on this platform stated that "instruments such as this one are very important, both as a dynamic product and as a process, since they foster cooperation at an academic level, between universities." The Virtual Museum of Lusophony proposes to distribute artistic and cultural materials from the Portuguese. Aiming to contribute to "knowledge of the other", it serves to foster "reconciliation between nations and tolerance". It expresses the diversity of cultures in this space and shapes the collective memory of these communities.The Virtual Museum of Lusophony wants to develop dynamics of interaction and cooperation, cultural, artistic, civic and scientific, in the vast Portuguese-speaking space, without forgetting the importance of the colonial past in the gestation of the contemporary realities of the Portuguese-speaking countries. The idea of developing cooperation dynamics within the space of Portuguese-speaking communities was confirmed by the university professor and researcher in an interview that was published in MATRIZes, a magazine of the Postgraduate Programme in Communication Sciences. The Brazilian academic considers that professor <mask> <mask> has fought for a concerted strategy of scientific cooperation between the Portuguese-speaking countries, inspired by a critical and post-colonial vision of Lusophony. The Virtual Museum is an instrument of mediation for Portuguese, as stated in the programme Palavra aos Directores, episode 12. The most radical line of inquiry in relation to thinking and institution that has been created in the West to

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title: Moisés de Lemos Martins

texts: career of this university professor of the University of Minho. The Eye of God in the Salazarian Discourse was published in 1990 and is one of his most notable achievements. The work is based on his PhD thesis and focuses on the 1930s and 1940s. The general politics of Salazarian meaning is being questioned by <mask> <mask> <mask>. There is a regime of truth.He posed the question of Salazar's regime of truth that he viewed discourse as a political practice that was exercised on historical memory, desire and the will. In O Olho de Deus no Discurso Salazarista, <mask> <mask>mos <mask> gives a socio-semiotic analysis of Salazar's speeches, questioning the longevity of the corporate, political regime that the dictator founded. From the idea that corporate, authoritarian and clerical ideology, as well as antidemocratic practices were not, by themselves, a sufficient explanation for Salazarism, <mask> <mask> <mask> decided to analyse the "Salazarist imaginary". The point of view adopted in O Olho de Deus no Discurso Salazarista is that of power, or more properly that of biopower, which is exercised over bodies as living organisms. The Dominican friar, writer and university professor of Literature and Communication points out that Foucault's definition of power is not limited to watching, spying, surprising, prohibiting and punishing. O Olho de Deus no Discurso Salazarista is a unique work in the panorama of Portuguese history and sociology. During the period between May 28, 1926 and 1940, the author chose social Catholicism as the object of his analysis.There is no misunderstanding about the distance that the methodology maintains, either with the historical perspective or with the

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title: Moisés de Lemos Martins

texts: dialectical perspective. He divides the text into three parts: the first, theoretical, which exposes religion as a panoptic view of society, the second, still with a strong theoretical bias, and the third, which contemplates the value systems or devices of Salazarist standardisation. The Eye of God in the Salazarist Discourse has come into contact over the past twenty-five years with many different ways of looking. There are never-ending journeys of knowledge. Although it is already another experience, reading or rereading this book is still a work of knowledge. The book Referring to Crime e Castigo -Prticas e Discursos (Crime and Punishment - Practices and Discourses) was edited in 2000 by <mask> <mask> <mask>. The death knell that is fine-tuned by the so-called philosophies of totality is what he points out.In an in-depth analysis of A Linguagem, a Verdade e o Poder, José Augusto Mouro also succumbed to the power of the semiotics of <mask> <mask>. The sociologist who does not disengage language from truth and power is similar to the writer. The spectacle of his monologue isn't the reason for his stilus scribendi. The war of paradigms is caused by the libido dominandi. I agree. Maintaining a conception that is neither rhetorical nor consensual is necessary. The relationship of forces and meaning are related in semiotics.The shadow of Foucault is a powerful presence in this book, it involves the use of 'disciplinary technologies' or forms of interaction that are used to create bodies that reinforce the 'positive power' on which the social order depends. According to Foucault, discourse is what we fight for, the very power we seek to seize. It is with A Linguagem, a Verdade e

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Lemos
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title: Moisés de Lemos Martins

texts: o Poder. The semiotic theory asserts itself as social semiotics. According to the Full Professor at the Faculty of Fine Arts of the University of Porto, the author outlines a critical history of semiotics, questioning its concept and limits, its relevance and validity in the sociological approach that he never strays from. He says that the experience of the professor and the restless thinker who does not bow down to concepts and discourse but rather questions them in the light of his own ability to incarnate them in a living thought is what one feels in the writing of <mask> <mask> <mask>. Under the rigorous applications that he develops in this attempt to semiotise sociology and sociologise the semiotics from which his entire enterprise emerges, his training as a sociologist pervades the entire volume.It is this effort, with its open character of transdisciplinarity, that gives the volume a particular strength and vivacity, making certain aspects of contemporaneity legible, in particular some of the paradoxes that underlie the formation of so-called legible. Semiotics is seen as a social theory of the production of meaning, which is different from theories of consciousness and subjectivity. The case of information theory is not centered on the message that travels between sender and receiver. The central axis of the theories of Francis Jacques and Karl-Otto Apel are related to the idea of semiotics. In doing so, <mask> <mask> opens signification to intersubjectivity and interaction. To communicate action. Both Francis Jacques and Karl-Otto Apel had established the conditions of communication, starting from the a priori conditions of meaning.In conditions of the historical


title: Moisés de Lemos Martins

texts: and social possibility of production of meaning is what the perspective in semiotics consists of. There is a relationship of communication in all three cases. The socio-historical relationship that underlies the dialogism of the three philosophers is what makes his understanding of semiotics social. The professor of Semiotics at the University of Beira Interior reiterates the conclusion: "the indication of its object is a very important element for its understanding as a science." New schools are appearing and authors are defending semiotics as a science of meaning as opposed to semiotics as a science of signs. One of the authors is <mask>. The logic of communication and the theory of information constitute the dual tradition of the semiotics of the sign, which is the reason why Moisés <mask> <mask> proposes a semiotics of discourse, rather than a semiotics of the sign.There is no doubt about the fact that signs bring together the logic of communication and the theory of information in a technological way. The programme "Portugueses excelentssimos" (Distinguished Portuguese citizens) was broadcasted on TSF Rdio Notcias. The journalist who has interviewed dozens of illustrious Portuguese citizens introduced his guest as follows: "there are already many places where this man [<mask> <mask> <mask>] has left his footprint and the marks of his restless and disturbing knowledge, which justify his presence in this gallery." There is a list of works. The Internationalisation of the Lusophone and Ibero-American Communities of Human and Social Sciences is the topic of O Caso das Cincias da Comunicao. There is a case of the communications sciences. Hmus, 2017.A Lusofonia e a

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title: Moisés de Lemos Martins

texts: interculturalidade is available at http://hdl.handle.net. Hmus, 2015, famalico. Crise no Castelo da Cultura can be found at http://hdl.handle.net. There is a crisis in the Castle of Culture. From the stars to the screens. The Brazilian edition of Grcio Editor was published in 2011. A Linguagem, a Verdade e o Poder is available.Language, truth and power are what Ensaio de Semitica Social is about. There is an essay on social semiotics. The Calouste Gulbenkian Foundation and the Foundation for Science and Technology are in Lisbon. You can find it at http://hdl.handle.net. Superior e Melancolia. Higher Education and Melancholy. There is a prayer of wisdom.The Politécnico de Viana do Castelo was founded in 2002. Caminhos nas Cincias Sociais: memria, mudana social e razo is available at http://hdl.handle.net. The path in the social sciences involves memory, social change and reason. The studies were done in honor of the man. Coimbra: Grcio. O discurso da identidade is available at http://hdl.handle.net. Afrontamento, Porto, in 1996.The eye of God in the Salazarist discourse, Porto, Afrontamento, 1990 (2nd edition 2016). There are Polticas da Lngua, da Comunicao e da Cultura no espao Lusfono. Hmus, 2019. There is a meaning of death in the life of the media. M. L. <mask>, M. Correia, P. Vaz, and E. Antunes are related. Appris Editora, Curitiba. M. L. <mask> and M. L. Correia wrote Do Post ao Postal.Hmus, 2014). Hmus is available at lico. M. Maffesoli and M. L. <mask> wrote L'Imaginaire des médias. The first edition of the Sociétés, 2011/1. De Boeck Université is in Paris. M. L<mask>, José Bragana <mask>, M. Hmus, 2017: Coimbra, Grcio Editor.Comunicao e Lusofonia can be found at

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title: Moisés de Lemos Martins

texts: http://hdl.handle.net. Para abordagem crtica da cultura e dos média no espao lusfono. There is a critical approach to culture and media in the Portuguese-speaking space. The Campo das Letras was in Porto. It is available at http://hdl.handle.net. There is a Cidade de Viana. There is a Lady of Agonia.The city of Viana has a life and memory. M. L<mask> and A. Gonalves are authors. The Viana do Castelo is located in the state of Texas. There is a tournament called the Moisés Martins Tournament. The Moisés Martins Tournament was created in 2012 by former Communication Sciences students at the University of Minho, and is currently involving both former and current students, as well as professors and employees. The president of the Portuguese Association of Communication Sciences was an American. The Brazilian Society for Interdisciplinary Communication Studies has an academic distinction award.The University of Minho gave a Scientific Merit Award. The award is for distinction in research activity. The University of Santiago de Compostela has a gold medal. There are external links to the site of the place of culture. Lus Caetano interviewed the secretariat of state for culture for the Lusocom Confibercom programme "90 seconds of science". The first part. The second part of an interview with a


title: Babatha

texts: At the beginning of the second centuryCE, Babatha lived in the town of Maoza, at the south-eastern tip of the Dead Sea in what is now Jordan. The Cave of Letters was located near the Dead Sea and was discovered in 1960. Legal contracts relating to marriage, property transfers, and the like were found. The documents depict a vivid picture of life for an upper-middle class Jewish woman during that time. She lived in the Roman bureaucracy and legal system. Life <mask> was probably born in Mahoza. The town was part of the Nabataean Kingdom until 106CE, when it became the Roman province of Arabia.There was a large Jewish community in Mahoza. It was close to the border with Judea. There was a port on the Dead Sea. Her father, who was from Ein Gedi in Judea, came to Mahoza around the time of her birth and bought property there. Archelaus, a Nabatean provincial governor, is thought to have bought a date palm orchard from him. Archelaus withdrew his purchase a month later. He gave him two documents to help him get his title.Archelaus, a high-status figure, indicates that the Nabatean elite were not particularly status-fixated due to their nomadic background. The deed gift that her father left to her mother is the earliest document that mentions <mask>. After her parents' deaths, most likely the eldest daughter, she took over her father's property in Mahoza. She married Jesus, son of Jesus, when she was around 12 years old. Their son was also named Jesus. Her first husband had died. Judah, son of Eleazar Ketushyon, the owner of three date palm orchards in Ein Gedi, was married to her again by 125CE.It is not known if <mask> lived in the same home as the first wife or if Judah traveled between two separate households. A lot of money was given to the marriage by Babatha. The

masks: Babatha Babatha Babatha


title: Babatha

texts: documents show her status in the relationship. Judah's debts become part of her liability in their marriage contract. During a Roman census, Judah accompanied <mask> to Rabba to declare her property to the Roman governor of Arabia, and served as her legal guardian in the process. A legal document shows that Judah took a loan without interest from Babatha and that she had control of her own money. The gift Judah gave his daughter on the occasion of her wedding was covered by a loan.Half of Judah's property in Ein Gedi was given to Shelamzion immediately and the other half after his death. After Judah's death in 130CE, <mask> seized his estates in Ein Gedi as a guarantee against his debts which she had covered in the marriage contract, as the debts had not been paid by his family. Judah died owing her 700 denarii from the debt he took from her in 128CE. The documents show that he took a loan of 60 denarii from a Roman centurion for a year at 12% interest. She was involved in a legal battle with Judah's other wife over the possessions of their dead husband. The documents show that there was a dispute between Shelamzion and Judah's orphans over the ownership of the courtyard. Julia Crispina represented the sons.The dispute was settled in Shelamzion's favor. Julia Crispina was retained by the sons of <mask>'s late husband to fight the seizure of his property. Julia Crispina was summoned to court by <mask>, who claimed that a false charge of violence had been made against her. The guardianship of Jesus is one of the important documents. The Council of Petra appointed two people to look after her son. <mask> petitioned the governor four months later, complaining that the two denarii per month that her son's guardians were providing were insufficient. She lost the case

masks: Babatha Babatha Babatha Babatha Babatha


title: Babatha

texts: because she was still receiving two denarii a month for her son.Babeli may have been her paternal uncle, as he signed the document on her behalf. In 125CE, she brought suit against the Jewish guardian of her son to answer the charge of insufficient maintenance, and offered to pool her property with the property left in trust for her son, so that he could be raised in luxury. A record of the sale of a donkey between two brothers, Joseph and Judah, was among the documents in her possession. They were probably <mask>'s brothers, and <mask> was given the document to hold onto. Eleazar, son of Eleazar, and Yochana, son of Makhouta, wrote the documents on her behalf. Eleazar wrote that <mask> did not know letters. The latest documents discovered in the pouch concern a summons to appear in an Ein Gedi court as Judah's first wife, Miriam, had brought a dispute against Babatha regarding their late husband's property.It is assumed that <mask> was near Ein Gedi in the middle of the Bar-Kokhba revolt. The imminent violence of the revolt is likely to have led to <mask> and her family fleeing. They are thought to have taken refuge in the Cave of Letters with the family of Jonathan, who was Beianus' brother. A pair of sandals, a bundle of balls of yarn, remnants of fine fabric, two kerchiefs, a key and two key rings are some of the things that Babatha may have taken into the cave. A rock was used to seal the hole. Historians think that <mask> died while taking refuge in the cave because the documents were never retrieved. The book cite Esler.There is an Ancient Jewish Family Tale Retold. Oxford University Press. There are External links to the video lecture on Babatha. Duke Databank of Documentary Papyri 104 births 2nd-century deaths have been included in <mask>'s Life and

masks: Babatha Babatha Babatha Babatha Babatha Babatha Babatha


title: James II of Scotland

texts: The King of Scots from 1437 until his death in 1460 was <mask>. Following the assassination of his father, the eldest surviving son of <mask> of Scotland succeeded to the Scottish throne at the age of six. The first Scottish monarch not to be crowned at Scone was <mask>. The vermilion birthmark covering the left side of <mask>'s face was thought to be an outward sign of a fiery temper. Holyrood Abbey is where <mask> was born. He was the son of King <mask>. Alexander, <mask>' older brother, died at his first birthday, leaving <mask> as heir apparent to the title of Duke of Rothesay.<mask> was assassinated on February 21, 1437, and the six-year-old <mask> immediately succeeded him as <mask> II. Abbot Patrick crowned him in Holyrood Abbey on March 23, 1437. Mary of Guelders, daughter of the Arnold, Duke of Guelders, and Catherine of Cleves, was married to <mask> at Holyrood Abbey. Six of the seven children she bore him survived into adulthood. Relations between Scotland and Flanders improved. The birthmark on <mask>'s face was referred to as a sign of a fiery temper by his peers. <mask> was a successful king.He was popular with the commoners, like most of the Stewarts, in times of peace and war. His legislation is popular. The foundation of the University of Glasgow shows that he encouraged learning, despite the fact that he did not inherit his father's taste for literature. He had a lot of his father's restless energy. His reign was stained by the murder of the earl of Douglas. <mask>' father was killed at Blackfriars monastery in Perth in 1437. His mother, Queen Joan, who was hurt, was able to get to his six-year-old son.He was crowned King of Scots on 25 March 1437. Until <mask>'s eighteenth birthday, the

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title: James II of Scotland

texts: Parliament of Scotland revoked the alienations of crown property. He lived at the castle with his mother and five sisters. Margaret left Scotland in 1436 to marry the King Louis XI of France. The government was headed by the king's first cousin, the 5th Earl of Douglas. With a general lack of prominent earls in Scotland due to deaths, forfeiture or youth, political power became shared uneasily among William Crichton, 1st Lord Crichton, Lord Chancellor of Scotland, and Sir Alexander Livingston. Livingston placed Queen Joan and her new husband, Sir John Stewart, under house arrest at Stirling Castle.They were released on 4 September only by agreeing to put <mask> in the custody of the Livingstons, agreeing to the queen's relinquishment of her dowry for his maintenance, and admitting that Livingston had acted through zeal for the king's safety. William Douglas, the 6th Earl of Douglas, and his younger brother, David, were invited to visit the king at Edinburgh Castle in November of 1440. According to legend, they entertained <mask> at the royal table and he was attracted to them. The 10-year-old king begged for their lives before he was beheaded in the castle yard of Edinburgh on November 24. Malcolm Fleming, their chief adherent, died three days later. The king was a small child. The name of the incident was "the Black Dinner".<mask> had to struggle to gain control of his kingdom after reaching adulthood. The young king used his coming of age as a way to throw the Livingstons out of the shared government as revenge for the arrest of his mother in 1439 and the assassination of his young Douglas cousins. The king continued to struggle to throw off his rule as Douglas and Crichton continued to dominate political

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title: James II of Scotland

texts: power. He had trouble freeing himself from the power of the Douglases. During the absence of William Douglas, the 8th Earl of Douglas from Scotland, attempts were made to curb the Douglases' power. The main account of Douglas' murder is from the Auchinleck Chronicle. The king accused the Earl of forging links with John Macdonald, 11th Earl of Ross, and Alexander Lindsay, 4th Earl of Crawford.The axis of power of independently minded men formed a major rival to royal authority if this bond existed. <mask> stabbed Douglas 26 times and threw his body out of a window after Douglas refused to break the bond with Ross. His court officials, many of whom would rise to great influence in later years, joined in the bloodbath, one striking out the earl's brain with an axe. The murder did not end the power of the Douglases, but it did create a state of intermittent civil war. The Battle of Arkinholm was one of the main engagements. The 9th Earl of Douglas returned the lands to <mask> after he was forced into humiliating climb downs by his opponents. Some argue that <mask> was in danger of being overthrown or had to flee the country because the military campaigns ended indecisively.After the Battle of Brechin, <mask>'s patronage of lands, titles and office to allies of the Douglases began to change, and in May 1455, <mask> struck a decisive blow against the Douglases. The Parliament of Scotland declared the extensive Douglas lands forfeited and permanently annexed them to the crown, along with many other lands, finances and castles. The earl fled to England. <mask> finally had the freedom to govern as he wished, and one can argue that his successors as kings of Scots never faced such a powerful challenge to their

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title: James II of Scotland

texts: authority again. The destruction of the Black Douglases, along with the forfeiture of the Albany Stewarts, resulted in a major step forward in the power of Scotland. Between 1455 and 1460, <mask> was an interventionist king. Plans to take Orkney, Shetland and the Isle of Man did not succeed.The practice of giving remissions for serious crimes is thought to have been started by the king when he traveled the country. Some of the policies of <mask> were unpopular in the late 1450s. One can't say how his reign would have developed if he had lived longer. The first Scots monarch to have a contemporary likeness survive is <mask>, who has a birthmark on his face. Negotiations for a marriage to Mary of Guelders began in July 1343 when a Burgundian envoy came to Scotland. Philip the Good, Duke of Burgundy, settled sixty thousand crowns on her kinswoman, and her dower of ten thousand was secured on lands in Linlithgow. A tournament took place between <mask>, master of Douglas, another <mask>, brother to the Laird of Lochleven, and two knights of Burgundy, one of whom, Jacques de Lalain, was the most celebrated knight-errant of the time.Holyrood hosted the marriage on July 3, 1449. The ceremony and the feasts were given a detailed account by a French chronicler. Many Flemings in Mary's suite remained in Scotland and the relations between Scotland and Flanders became closer. The downfall of the Livingstons was caused by the king's marriage. Sir Alexander and other members of the family were arrested. Alexander Livingston, a son of Sir Alexander, and Robert Livingston, a son of Linlithgow, were executed on Castle Hill in Edinburgh in 1450. Sir Alexander and his kinsmen were in different castles.<mask>, the oldest son of

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title: James II of Scotland

texts: Sir Alexander, escaped the general proscription when he was restored to the office of chamberlain in the summer of 1449. Death <mask> II used modern weaponry against the Black Douglases. One of the last Scottish castles still held by the English after the Wars of Independence was besiege in 1460 by his ambitions to increase Scotland's standing. <mask> imported a lot of cannons from Flanders. He was standing near a cannon called "the Lion" when it exploded and killed him. In his history of <mask>'s reign, Robert Lindsay of Pitscottie stated that as the King stood near a piece of artillery, his thigh bone was dug in two with a piece of misframed gun that brake in shooting, by which he was stricken to the ground and died hastily. The castle fell a few days later after the Scots continued with their siege.Mary of Guelders ordered the destruction of the castle after it was captured. Mary acted as regent until her own death three years later. Holyrood Abbey, Edinburgh, was where <mask> married Mary of Guelders on July 3, 1449. John Stewart, Lord of Sticks, was the illegitimate son of <mask> and his mistress. <mask> has been portrayed in plays, historical novels and short stories. <mask> wrote The Captain of the Guard. There were events from 1460 to 1472 in the novel.The Earls of Douglas had a conflict with <mask> II. The court of Arnold, Duke of Guelders, father-in-law to the King, is far from Scotland. Charlotte Mary Yonge wrote Two Penniless Princesses. <mask> II is not the main character. Eleanor, Mary, and Joan "Jean" are his sisters. The travels of young Henry VI of England and René of Anjou are covered in the novel. The sequel to The Black Douglas was called Maid Margaret.Most of the reign of <mask> II is

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James


title: James II of Scotland

texts: covered in the two novels. The Earls of Douglas had a conflict with him. <mask> stabbed William Douglas, 8th Earl of Douglas to death and his own death due to a bursting cannon at the siege of Roxburgh. Among the other historical figures are William Douglas, 6th Earl of Douglas and his brother David, Margaret Douglas, and Sir Alexander Livingston of Callendar. The events take place in Scotland and France. English events are only slightly touched by the early phases of the Wars of the Roses. Rona Munro wrote James II: Day of The Innocents.There is a co-production between the National Theatre of Scotland, Edinburgh International Festival and the National Theatre of Great Britain. Rona Munro has written three history plays about <mask> I, <mask> II and <mask> III. The plays are a vision of a countrytussling with its past and future. The play focuses on the early life of <mask> II, the developing relationships with the Douglas family and the death of Lord Douglas. The Lion's Whelp is a novel. During the reign of <mask> of Scotland, there was a plot to kill William Douglas, the 6th Earl of Douglas. <mask> died at the end of the book.Black Douglas is sympathetic to the Earl and unsympathetic to <mask> II. As part of the international scene of the time, Niccol Rising mentions his intrigues and wars as they impact Flanders, the scene of the novel. In the Keep of Time is a children's fantasy novel written by Margaret J. Anderson. One of the main characters witnessed the Battle of Roxburgh Castle and the explosion of "the Lion" that killed him, as well as his nickname and birthmark which inspired it. Scottish princes House of Stuart Dukes of Rothesay Accidental deaths in Scotland 15th-century Scottish monarchs Burials

masks:
James II
James
James
James
James
James II
James
James


title: Glenn Kulka

texts: <mask> is a retired professional wrestler, hockey and football player who competed in Canadian independent promotions during the late 1990s and had a brief stint in the World Wrestling Federation in 1997. At one time, <mask> held the North American pro football bench press record, pressing 225 pounds for 53 reps. Kulka was a defensive lineman for two years with the Bakersfield College Renegades. Kulka had a tattoo on his left shoulder. After signing his first professional contract with the Eskimos, he played for Montreal, Toronto, and the Roughriders before retiring. He was a member of the Canadian All-Star Team the year after he joined the Rough Riders. He was fined $300 for cocaine possession after he was arrested for playing with the Rough Riders.<mask> was fined an additional $500 and ordered to act as the organization's official anti-drug spokesman. He rejoined professional hockey in the East Coast Hockey League in 1993 and 1994. <mask> joined the Roughriders in 1995 and, after teaming with "The Hitman" Hart in a tag team match against "Million Dollar Man" Ted DiBiase and "Psycho" Sid Vicious, <mask> became interested in pursuing a career as a wrestler. During the match against "Psycho" Sid Vicious and Ted DiBiasse's Million Dollar Corporation, <mask> appeared with teammates Mike Anderson, Bobby Jurasin and Scott Hendrickson at ringside. <mask> toured with Emile Dupree's Grand Prix Wrestling during the summer of 1997 after being trained by Bret Hart and Leo Burke. He began appearing on WWF house shows in 1997 after signing a developmental contract with the WWF.

masks:
Glenn Kulka
Glenn Kulka
Kulka
Kulka
Kulka
Kulka
Kulka


title: Glenn Kulka

texts: On November 7, 1997 at the Skydome in Toronto, he was ringside with Ahmed Johnson as he watched the fight between Rocky Maivia and the Nation of Domination.On November 10, 1997 at a television taping for Monday Night Raw, he defeated Sexton Hardcastle in a dark match. He scored victories over Doug Furnas, Miguel Perez, Jr. and Adam Copeland before the end of the year and was also scheduled to make a one night appearance with Team Canada at the 1997 Survivor Series. <mask> had to have corrective surgery after breaking his leg in a match against The Jackyl in early 1998. He participated in a 14-man "WWF Dojo" Battle Royal at the NWA 50th Anniversary and was invited to the WWF Training Dojo after recovering from his injury. On February 5, 1999, he would appear at the WWF Dojo with Jose Estrada, Jr. against The Truth Commission. He first appeared as a masked wrestler in Power Pro Wrestling, a WWF developmental territory, after being disqualified in a match against Baldo after interference from Downtown Bruno during a televised match on March 20, 1999. A masked wrestler ran into the ring and gave a high five to Hayes after Randy Hale's stable tried to attack him.<mask> helped members of Hales' stable to carry Hayes out of the arena and into the trunk of a car that "Irish Assassin" Mick Tierney was driving. In an interview after the incident, Randy Hales revealed that the masked wrestler was <mask>, a former Canadian Football League player. Aligning himself with Hales' group, he would face several veterans including Doug Furnas, "Dirty White Boy" Tony Anthony and Kurt

masks:
Kulka
Kulka
Glen Kulka


title: Glenn Kulka

texts: Angle as well as teaming with JR Smooth and Mick Tierney during his feud with Allan Steele. He participated in two "Weapon Battle Royals" as well as an 8-man match for the Young Guns title against Kurt Angle, Allan Steele, Mick Tierney, Kid Wikkid, and Bulldog Raines on May 8, 1999. <mask> defeated The Godfather at a WWF house show in June of 1999 in his last appearance with the company. Remaining with Power Pro Wrestling for the next several months, he and Mick Tierney were awarded the PPW Tag Team titles on October 2 after Bill Dundee left the promotion. <mask> left the promotion in November and the titles became vacant.He feuded with Pierre-Carl Ouellet in Northern Championship Wrestling after being released from his WWF contract. <mask> retired from professional wrestling after his release. He managed a Ford car dealership and started a gym in recent years. <mask> was asked by The Team 1200 to commentary on a baseball game. Team 1200's Over the Edge is a popular sports talk radio show. <mask> was laid-off by CHUM Radio due to cutbacks. He made two guest appearances on the sports talk show.<mask> and his wife Mariko have two children, Laura and Jaxson. He is one of the former players who admitted to steroid use. <mask> made his MMA debut against Wayne Xilon at the Freedom Fight Card. <mask> defeated Xilon in the first round. The Third Wall Theatre Company's production of Shakespeare's "As You Like It" featured Glen as Charles the Wrestler. He works at a gym. The Power Pro Wrestling PPW Tag Team Championship with Mick Tierney was the first time he had won a

masks: Kulka Kulka Kulka Kulka Kulka Glenn Glenn Glenn


title: Mahadev Desai

texts: Mahatma Gandhi's personal secretary, <mask>, was an Indian independence activist, scholar and writer. He has been described as "Gandhi's Boswell, a Plato to Gandhi's Socrates, as well as an nanda to Gandhi's Buddha". <mask> was born in an anavil brahmin family on 1 January 1892 in the village of Saras in the district of Gujarat to <mask>, a school teacher and his wife. He was seven years old at the time. <mask> was married to Durgabehn in 1905. He attended the Elphinstone College in Mumbai. After earning his L.L.B in 1913, he took a job as an inspector at the central co-operative bank in Bombay.<mask> <mask> first met Gandhi in 1915 when he went to meet him to seek his advice on how to publish his book. Durgabehn and <mask> went to Champaran with Gandhi in 1917. He kept a diary from 13 November 1917 to 14 August 1942, documenting his life with Gandhi. Gandhi named his heir when he was arrested. He was sentenced to a year in prison for the first time in 1921. He was Gandhi's personal secretary for 25 years, but Verrier Elwin wrote that he was much more than that. He was both the Home and Foreign Secretary.He was the one who managed everything. All the arrangements were made by him. He was at home in the office, the guest-house and the kitchen. He looked after many guests and diverted them from Gandhi. "Waking up before Gandhi in pre-dawn darkness and going to sleep long after his Master, <mask> <mask> lived Gandhi's day three times over, first in an attempt to anticipate it, next in spending it alongside Gandhi, and finally in recording," Rajmohan Gandhi wrote. In 1920, Gandhi's aide <mask> <mask> was brought in by Nehru to run his newspaper, the Independent, from Allahabad. After the Independent's printing press was seized by the British government, <mask> created a sensation by bringing out a

masks:
Mahadev Haribhai Desai
Mahadev Desai
Haribhai Desai
Mahadev
Mahadev
Desai
Desai
Mahadev
Desai
Mahadev
Desai
Desai


title: Mahadev Desai

texts: hand-written cyclostyled newspaper.His first stint in prison was for his writings in 1921. The jail authorities mistreated prisoners, often flogging them. The British authorities brought about jail reform measures after reading his report about the life inside an Indian jail. After taking over as editor of Navajivan in 1924, he began the translation of Gandhi's autobiography and its serial publication in the Young India. He won a prize from the Gujarati Sahitya Parishad for his article in Navajivan, after he became chairman of the executive committee. The Story of Bardoli was translated into English by him after he wrote a history of the Satyagraha in Gujarati. Following the Gandhi–Irwin Pact, he was released from jail and went with Gandhi to the Second round Table Conference.When Gandhi met with King George V, he was the only person with him. The Indian National Congress and its activists were ordered to stop by the Viceroy, Lord Willingdon, who was determined to crush the movement. After being arrested again, he was sent to prison with Gandhi and another person. He was re-arrested and held in the Belgaum Jail after his release in 1933. During this time in prison, he wrote a book called "Gandhi According to Gandhi". He was put in charge of selecting satyagrahis during the Individual Satyagraha of 1940, after he played a role in organizing people's movements in the princely states of Rajkot and Mysore in 1939. The final prison term was followed by the Quit India Declaration.He was buried with Gandhi at the Aga Khan Palace after he died of a heart attack six days after his arrest. At the time of his death, he was 50. Writings <mask> <mask> was easy to understand in English, Bengali and Gujarati. He is a translator and writer. He wrote several biographies, one of which was a biography of Khan

masks: Mahadev Desai


title: Mahadev Desai

texts: Abdul Gaffar Khan and his brother. He began to translate when he was in college. He won a thousand rupee prize for his translation of On Compromise.It was published as Satyagrahni Maryada. He translated the short stories from Bengali to English. He also translated Rabindranath's works into other languages. Nehru's Autobiography was translated from English to Gujarati. The English translation of Gandhi's memoir, The Story of My Experiments with Truth, was done by <mask>. The 22 volume publication of <mask> <mask>'s diaries is called Mahadevbhaini Dayari. The major events in Gandhi's life and the Indian independence movement are chronicled in these edited volumes.He was a regular contributor to Gandhi's publications. The All India Newspaper Editors' Conference was founded by <mask>. He contributed to many nationalist Indian newspapers such as Free Press, The Bombay Chronicle, and The Hindu. Gandhiji in Indian Villages, The Story of Bardoli, Unworthy of Vardha, The Eclipse of Faith, and A Righteous Struggle were all written in English. He was posthumously awarded the Sahitya Akademi Award in 1955. <mask> <mask> died of a heart attack on the morning of August 15, 1942 at the Aga Khan Palace, where he was held with Gandhi. Gandhi called out to him when he stopped breathing.<mask>! Gandhi said that if <mask> looked at him, he would tell him to get up. In his life, he had never disobeyed me. He would have gotten up if he had heard those words. Gandhi washed <mask>'s body and then cremated him at the Palace's grounds. In 1983, the Indian Department of Posts published a stamp in his honor. <mask> was a Gandhian activist and writer who wrote The Fire and the Rose.The faculty of social sciences, arts and humanities was named after <mask> <mask>. The Diary of Mahadev Mahadev Vol I contains links to External

masks:
Desai
Mahadev
Desai
Desai
Mahadev
Desai
Mahadev
Mahadev
Desai
Narayan Desai
Mahadev
Desai


title: Gavin Downie

texts: <mask> was a Member of Parliament in New Zealand. After his parents arrived from the U.K. on a ship, <mask> joked that he was almost a fish. He attended Mt Albert Grammar school and studied horticulture. He was a member of the R New Zealand Air Force during the Second World War. He was married twice, first to Elizabeth and then to Susan. He had three children with Elizabeth and one with Susan. <mask> went to Australia to join a touring company that performed Gilbert and Sullivan operas.He met Elizabeth while in Melbourne. They got married in Australia in December of 1950 and headed to New Zealand for another season of Gilbert and Sullivan operas. They went back to New Zealand where they had left the company. After leaving the company, <mask> went to the School of Education, University of Auckland, where he studied with his daughter. He was a teacher in several primary schools. In the early '50s, he set up his own woodworking factory in Puhinui Road, Papatoetoe, which was a largely rural community. Downie had skills in engineering, woodworking and problem solving.The core of his manufacturing business was where he designed shop interiors and manufactured the fitting for them. <mask> was involved in a production of "Iolanthe" in 1960. He had always wanted to be the Lord Chancellor. L.C. is a Herald Critic. <mask> <mask> for a thoroughly hilarious Lord Chancellor." He went on to direct a production of

masks:
Gavin Price Ansell Downie
Downie
Downie
Downie
Downie
M SaundersGavin
Downie


title: Gavin Downie

texts: 'Trial by Jury' the following year, where he played the learned Judge and Elizabeth designed the costumes for the bridesmaids. He and Elizabeth became heavily involved in politics because of his love and involvement.He stood for Parliament in the electorate of pakuranga in 1972. <mask> and his family moved to Cockle Bay after being elected to parliament. <mask> was a keen marathon runner and served two terms in Parliament, his specialty being health. <mask> pushed for the establishment of a small claims court. <mask> lost the election despite polling high, despite being an independent against the National Party candidate. <mask> and his wife Elizabeth divorced after his parliamentary career. <mask> married Sue Stafford in 1983, and they lived in the suburb of Titirangi.<mask> studied to be a classical homeopath. He practiced as a homeopath after his death. Sue, Paul, and Kate were supported by their father, <mask>, who was a loving family man. Tom shares his father's love of musicals and theater with his siblings. He loved nature and the flora and fauna of New Zealand. He considered the highlight of his career to have been a trip to Antarctica, a place he had always wanted to visit since he was a teenager. Member of Parliament <mask> was from 1972 to 1978 a member of the National Party.He was the first Member of Parliament to speak out against smoking. He was replaced as the National candidate for

masks: Downie Downie Downie Downie Downie Downie Downie Downie Downie


title: Gavin Downie

masks:
Downie
Downie
Downie
Gavin Downie


title: Joe Bugner

texts: <mask> was born in Hungary and is a former boxer and actor. He is a naturalised citizen of both Australia and the United Kingdom, as well as being a citizen of Hungary. He is best known for his role in the 1994 action film Street Fighter, alongside Jean-Claude Van Damme and Raul Julia. <mask> and his family fled after the Soviet invasion of Hungary and settled in Britain. Bugner held the British and British Commonwealth titles twice and was a three-time European champion. He was ranked among the world's top ten heavyweights in the 1970s. He lost to Ali in a second bout for the world title.Bugner made sporadic comebacks over the next two decades after retiring from boxing. After a loss to Frank Bruno in 1987, he moved to Australia and changed his name to "Aussie <mask>". He won the Australian title in 1995 and the World Boxing Federation title in 1998 at the age of 48. He retired in 1999 with a final record of 69-13-1, including 43 wins by knockout. <mask> and his family fled to the United Kingdom in the late 1950s after the Soviet Union invaded Hungary. He was one of about 80 refugees who were housed in the students hostel. He was known as a Fen Tiger as a local custom dictated.Bugner was the national junior discus champion in 1964. During his early years in boxing, he DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch

masks:
Jzsef Bugner
Bugner
Joe
Bugner


title: Joe Bugner

texts: quality of his opponents if Bugner turned professional. He was knocked out in the third round by Paul Brown in his first fight. After his debut, the teenage Bugner went on to win 18 consecutive fights in under two years, before narrowly losing to the older and vastly more experienced Dick Hall.He rounded off the 1960s with three more victories. In 1970 Bugner emerged as an outstanding young prospect, and by the end of the year he was world-rated. He won nine bouts in a row, including victories over well-known boxers such as Chuck Wepner and Brian London. Bugner had a chance to challenge Henry Cooper for the British, British Commonwealth and European titles. Because Bugner was too young to fight for the British Commonwealth title, the bout had to be postponed until the next year. In 1971 he defeated Carl Gizzi and just weeks later and weeks before facing Cooper he drew with Bill Drover. Bugner earned a reputation as a tough, durable, but often defensive and cautious boxer, and he retained that image for the rest of his career.He lacked aggression in the ring. <mask>'s heart was never in boxing after his opponent, Ulric Regis, died from brain injuries after being outpointed by Bugner at London's Shoreditch Town Hall. Bugner never punched his full weight after that. Bugner defeated Henry Cooper in March 1971 in a fifteen-round decision.


title: Joe Bugner

texts: Bugner won the bout by a single point on the card of the lone official. The verdict divided the British sporting public and press. Cooper deserved the decision due to his aggression.Bugner scored often with his left jab, and in the opinion of many, was the rightful winner of the bout. The fight was in favor of Bugner. The outcome of the bout is considered to be one of the most controversial in British boxing history. Bugner was the British, British Commonwealth, and European champion, and for the first time he was ranked among the world's top ten heavyweights. Bugner remained in the world ratings for most of the 1970s. <mask> won the European title with a decision over Blin. Bugner lost to Jack Bodell and Larry Middleton and then beat Mike Boswell.Bugner lost his British, British Commonwealth and European titles because of the Bodell fight. Bugner's inexperience, youth and lack of an amateur background were the main causes of his defeats. Bugner defeated Jrgen Blin in 1972 to win the European championship. Bugner's manager began seeking matches against the world's best heavyweights after Bugner demonstrated improved ring ability. Bugner began the year with a victory over Lubbers to retain his European belt. Bugner lost twelve-round decisions to Ali and Frazier. Bugner won the respect of the boxing media and the public despite being


title: Joe Bugner


title: Joe Bugner

texts: 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 Bugner stopped the useful John Denis and Danny Sutton, as well as other fringe and domestic competitors.Bugner lost to Marvis Frazier in 1983, showing little ambition. He followed this with a decision over future European champion and a loss to a future World Title challenger. Bugner appeared to have done enough to win the Tangstad fight, however, like with the other bouts, he appeared disinterested and uninspired. <mask> came back to Australia in 1986 after becoming an Australian citizen. Bugner made a successful comeback in Australia, earning victories over world title contender James Tillis and David Bey and an impressive victory over Greg Page, gaining a world ranking in the process. There was a lot of demand for a fight with Frank Bruno. The bout was supposed to be the biggest all-British bout since 1971.Bugner suffered an eighth-round TKO loss to a much younger and fresher


title: Joe Bugner

texts: Be Smart, Be Safe, and it dealt with teaching children how to cross a road. Bugner worked with Bud Spencer in two of his films, one in 1979 and the other in the 1980s. He was an expert adviser on the film Cinderella Man, which was about a boxer named James J. Braddock. Bugner calledCrowe a "gutless worm and a f*****g girl" after he was dropped part way through the project.<mask> suffered a serious back injury while training for fights. He has financial problems as well. He returned to the ring at an advanced age because of his financial problems. Kevin Lueshing held a benefit for Bugner. Bugner was on the fourth day of the British TV show I'm A Celebrity Get Me Out Of Here!. He left the show on day 16 after losing a trial to Stuart Manning. <mask>'s children are James, <mask>., and Amy.<mask>'s memoir, '<mask>ner - My Story', was published in Australia by New Holland Publishing. 69 wins, 26 decisions, 2 disqualifications, 13 losses, 1 draw, is a professional boxing record. There are participants in a British TV

masks:
Bugner
Bugner
Joe Jr
Bugner
Joe Bug


title: Nicollette Sheridan

texts: recurring role.The series ended in 1993. She won two awards for her performance in the role, one for Outstanding Lead Actress: Prime Time and the other for Outstanding Heroine: Prime Time. She was named one of the 50 most beautiful people. In the 1990s, she starred in a number of movies. She played Lucky Santangelo in the television adaptation of Lucky Chances. She had roles in The People Next Door, Murder in My Mind, Dead Husbands, and Haven't. There were Deadly Betrayal and Deadly Visions.Her film career was limited despite her television lead roles. She had only two studio movies, Spy Hard and Beverly Hills Ninja, after co-starring in the 1992 comedy Noises Off. The roles of Rachel Green on Friends and Grace Adler on Will & Grace went to the two actresses. In 2003 she made a guest appearance with Messing. In 2004, she was cast in the ABC comedy-drama series Desperate Housewives. The character was written as a recurring one. One of the series' more prominent roles was originally offered to her.On November 15, 2004, he appeared with Owens in an introductory skit for Monday Night Football. ABC apologized for airing the skit after it was condemned as sexually suggestive. The skit did not violate decency standards because it contained no explicit nudity or profanity. In 2005, she was nominated for a Golden Globe Award for Best Supporting Actress in a Series, Miniseries or Television Film and was ranked number 48 on the Hot 100 List. During the show's fifth season, she announced her departure from Desperate Housewives. Her last episode aired in April 2009. The final episode of Desperate Housewives, which aired in May 2012 did not include an appearance by <mask>, unlike the other main characters who had been killed off over the years.In April 2010, she filed a $20 million lawsuit against


title: Nicollette Sheridan

texts: Desperate Housewives creator and producer, and ABC Television, for allegedly abusing her on the set of the show and then firing her when she reported it. In her lawsuit, she claimed wrongful dismissal, assault and battery, gender violence, discrimination, based on sex, sexual orientation, and age, and intentional infliction of emotional distress. She accused Cherry of being abusive to other cast members and writers. ABC said that they had investigated similar claims made by <mask> and found them to be without merit. The show's stars pledged their support to Cherry in his fight against the allegations. A judge granted permission for the case to continue in May of 2011. The case went to trial in February.According to Cherry, the alleged assault was a tap to the head with his fingers, done in rehearsals, when he was demonstrating to her how she should play a physical gag in a scene. The decision to kill off her character was approved several months before the alleged hitting incident due to the need to reduce the show's budget. He cited the fact that her character had simply "run its course" as one of the reasons for the decision. On 13 March 2012 the judge dismissed the battery charge against Cherry due to lack of evidence, and the lawsuit focused solely on the wrongful dismissal by ABC. The jury began deliberations after hearing closing arguments. A mistrial was declared after the jury failed to reach a verdict. The Los Angeles Court of Appeal determined in August that there was no wrongful firing.ABC's decision not to renew her option for another season was not analogous to a violation of at- will employment according to the court. The court reasoned that unlike an at- will employee whose contract could remain in force indefinitely, <mask>'s contract was for a set term that had expired, so

masks: Sheridan Sheridan


title: Nicollette Sheridan

texts: appeared in an episode of Motherly Overprotectiveness.During the 1980s, she dated two teen idols. She married Harry Hamlin, her co-star in the 1990 TV movie Deceptions, on September 7, 1991. Their separation date was listed as 13 July in Hamlin's divorce filing. From July 1992 to September 1995 she dated a singer. When Simon Main was sentenced to four years in prison for trafficking ecstasy, she ended her relationship with him. She got engaged to Nicklas Sderblom on New Year's Eve 2004, but the couple called off their engagement in October 2005. After Main was released from prison, he met with his ex-girlfriend, who was on a five-day photo- shoot in Australia.She was in a relationship with Bolton that December. In March of 2006 they announced their engagement. In March 2008, she posed nude for a charity ad. They broke off their engagement in August of 2008. The couple separated six months after they were married. Their divorce was finalized in August. She started her own range of products.The second episode of the ninth season of The Real Housewives of Beverly Hills featured Lisa Rinna and her husband, Harry Hamlin, talking about their relationship with their former husbands. Rinna tells us that Hamlin had an affair with Michael Bolton while he was in Canada, leading to the dissolution of their marriage. Rinna claims that she and Hamlin ended their marriage in Canada, but that's not true. Hamlin came to Rinna's defense and said that the end of their marriage had nothing to do with anyone other than them. After Richards' departure at the end of the tenth season of The Real Housewives of Beverly Hills, fans of the show advocated for <mask> to join the cast. Andy Cohen said in November 2020 that she wouldn't join the show due to her feud with Rinna. There are links to film and television in


title: Albert Christoph Dies

texts: Although it is now considered sentimental and not entirely accurate, <mask>' biography of Joseph Haydn is the most well-known of his other works. He is not well-regarded as an artist. His studies began there after he wasbaptized in February of 1755. He started studying in Rome at the age of twenty with thirty ducats in his pocket, after one year in the academy of Dsseldorf. His son Johannes was born in 1776 in Rome, where he lived a frugal life until 1796. His taste for copying pictures led him to draw and paint from nature in the vicinity of Rome. He visited Naples many times for the same reasons.He was visited by Goethe in 1787. The poet, interested in the theory of color, reported in his Zweiter rmischer Aufenthalt that he has found and sketched a landscape that is clever. During the Rome visit, Dies also composed music, though later on he destroyed all of it. At one point, Jacques-Louis David wanted to take him to Paris. There were reasons why Dies didn't accept the offer. He married a young Roman who he was courting. He made the acquaintance of the engraver Giovanni Volpato, for whom he executed numerous drawings, and this led to the plan to publish a series of Friedrich's drawings.According to Gotwals, "Dies eloped with a young girl to Salzburg in May, 1796." After moving to Vienna, he lived there on the produce of his brush as a landscape painter, and on that of his pencil or graver as a draughtsman and etcher. He taught landscape painting at the Imperial


title: Albert Christoph Dies

texts: and Royal Academy and later was the gallery director. He lost the use of one of his hands because of his physical condition. During his time in Vienna, the biographer wanted to meet the composer and write a biography of him. He got an introduction from Grassi, who made a number of busts of Haydn. Over the course of three years, Dies made a series of 30 visits to the frail and ailing composer, even though he was convinced no one would be interested in his life story.On a number of occasions, Haydn was unable to see him, but often Dies was able to interview him. One year after Haydn's death, <mask> published a biography based on what he learned. Each visit is reported in turn by this work. It is a large source of information on the composer's life. Compared with another biography written at the same time by Georg August Griesinger, <mask>'s work is almost certainly less accurate and is more likely to have been sentimentalized and embellished, which he himself alludes to in the introduction of his book. For an apparent blunder, see Rebecca Schroeter. It is now clear that for facts about Haydn one will turn first to the Biographische Notizen of Griesinger, but that reliance upon that source alone would deprive Haydn's portrait of many authentic details.The work of a sentimental artist who fancied himself a "universal man" but whose approach to the problem of biography was that of his time and place is called the Biographische Nachrichten. He accidentally swallowed

masks: Dies Dies