title: James Coates (parliamentary official)

texts: <mask> was a pioneer of New Zealand. He was a senior official in the administration of the colony of New Zealand after the Treaty of Waitangi was signed. For five weeks prior to his death, he was the first clerk of the executive and legislative council, as well as the first clerk of the Auckland Provincial Council. Married and settled in New Zealand, the second son of John and <mask> was born in Montego Bay Jamaica in 1814. He is described as being liberal minded with a tall, slim, gentlemanly demeanor. Before moving to New Zealand, he practiced law in Jamaica and worked for the government of the British West Indies. On March 2, 1840, <mask> arrived in Australia after sailing from Bristol on the ship Chelydra.The Colonist newspaper reported that Governor Sir George Gipps had appointed <mask> as the Colonial Secretary for New Zealand. After arriving in Australia, <mask> denied that he had ever met the governor. In July 1840, at 25 years of age, he arrived in New Zealand on the ship Chelydra. Sarah Anne Bendall, who arrived from England on the Chelydra that day, became Mrs <mask> in the second recorded wedding in New Zealand. The Governor of New Zealand gave the bride away at the wedding in the drawing room at Government House. One of Hobson's five children was christened after the wedding, with the newly married couple serving as godparents. The first ball was followed by these ceremonies.He was a witness to both the original Waitangi Sheet of the Treaty of Waitangi and the purchase of 3000 acres by the British Crown. On 19 April 1841, in the first public land auction in what was to become Auckland City, <mask> purchased two of the initial sections put up for sale. In the first sale of suburban and country land on 1 September 1841, he purchased a small farm in partnership with captain William Cornwallis Symonds. His career in New Zealand began when he was appointed as a clerk in the office of the colonial secretary. On 16 November 1840, the Lieutenant-Governor appointed

masks:
James Coates
Mary Coates
Coates
Coates
Coates
Coates
Coates


title: James Coates (parliamentary official)

type: paraphrased

texts: <mask> as his private secretary, a role which had previously been performed by the chief clerk. On 3 May 1841, when Queen Victoria had made New Zealand a separate colony from New South Wales, <mask> relinquished his role as private secretary and was appointed the first clerk. On July 1, 1841, <mask> was appointed the "Sheriff of the Colony of New Zealand and its Dependencies", one of a small number of "Magistrates of the Territory of New Zealand".He was sheriff of the Central District of New Ulster from January 10, 1842 to September 23, 1843. The first capital punishment in New Zealand took place on 7 March 1842. He was the clerk of the council at the same time he was the sheriff. When Robert FitzRoy took office as governor in late 1843, he appointed <mask>, Andrew Sinclair, and Robert Appleyard Fitzgerald to examine the public accounts. The position of clerk of council was held by <mask> for about a year, without additional pay. The office of the colonial secretary had a chief clerk. After this appointment, he relinquished his position as clerk of councils, but was reappointed to it again on October 1, 1848, while still retaining the position of chief clerk.When Andrew Sinclair was absent, he occasionally acted as colonial secretary. <mask> was the first clerk when the council met in October of 1854. The House of Representatives was assembled for the first time on 24 May 1854. "No man could be found in the country so well qualified for it as Mr <mask>," said Samuel Revans, who proposed his permanent appointment. The Administrator of the Government, Robert Wynyard, who was head of the Executive branch of government from January 1854 to September 1855, was appointed after some debate about whether it was appropriate for the House to appoint its Clerk and Sergeant-at-Arms. The Speaker recommended the appointment of Mr. <mask> for the position of Clerk of the House, stating that he had already proved his efficiency. The development of the House's first Standing Orders,

masks: Coates Coates Coates Coates Coates Coates Coates Coates


title: James Coates (parliamentary official)

texts: which were adopted by the House on 9 June 1854, was overseen by Coats, who was only Clerk of the House of Representatives for five weeks.The House decided to give 200 pounds to the widow and children of the Clerk of the House of Representatives, who was almost a year's salary. The first child to be entered into the register at St Paul's was born in 1842. Lady and Governor Hobson were his godparents. He was an ensign in the Auckland Militia. He was 36 years old when he died on March 16, 1879. Lavinia was made an Officer of the Order of the British Empire for her services during the First World War. She was a companion for several years to the daughter of The New Zealand Herald proprietor Alfred George Horton.She traveled with the Hortons during the 1890s. She was an aide to Sir George Grey. Lavinia was never married. She is buried at Purewa Cemetery. Canon Charles Moseley Nelson, who was the Vicar of St Paul's Church for 38 years, married Georgiana Sophia, his third child. The National Library of New Zealand has a sketch of Rev Nelson proposing to Georgiana at the Freemason's picnic. Georgiana was one of the founding members of the Plunket Society and was president of the Ladies' Benevolent Society for 30 years.She was a member of the Mothers' Union and a vice-president of the Girls' Friendly Society. She died in 1919 and is buried in a cemetery. One of New Zealand's first missionaries, the daughter of a man who was instrumental in framing the Treaty of Waitangi, married a fourth child of <mask>. AJL was the first commercial traveller in New Zealand. He is buried at Purewa Cemetery. <mask> was a New Zealand Member of Parliament. Sir <mask> <mask> was three years old at the time of his father's death.He was unmarried and became a prominent banker. He died in 1935. Death <mask> died at the age of 39. The cause of death was listed as "Disease of Heart" on the death certificate. He is buried in a cemetery. The New Zealand House of Representatives had 1816 births and 1854

masks:
Coates
Barry Coates
James Hugh
Buchanan Coates
Coates


title: Wendy Rose

texts: <mask> is a Hopi/ Miwok writer. Much of her verse deals with her search for her personal identity, as she grew up in an environment that didn't emphasize her Native American or white background. She is a social scientist. <mask> is a poet, nonfiction writer, artist, educator, and anthropologist. <mask> is best known for her work as an American Indian poet, but she is also known for her work as a blend of all of these things. <mask> was born on May 7, 1948, in Oakland, California. <mask> was raised in a mostly white community in San Francisco.Growing up in an urban environment far removed from reservation life gave her little to no access to her native roots as a child. She comes from a mixed-blood family. <mask> was denied membership in her father's tribe because of her ancestry. Her mother didn't acknowledge her American Indian heritage but she did acknowledge her European ancestry. After dropping out of high school, she joined the American Indian Movement and took part in the protest occupation of Alcatraz. <mask> came to terms with her ethnicity, gender, and Indian place in the world. She was in multiple colleges from 1966 to 1980.She attended two colleges, Cabrillo College andContra Costa Junior College. <mask> attended the University of California, Berkeley. She graduated from the university in 1976 with a B.A. There was an anthropology degree in that year. She got her M.A. two years later. Enrolled in the program in 1978. <mask> published five volumes of poetry and finished her degree in anthropology.<mask> is a teacher, researcher, consultant, editor, panelist, bibliographer, and advisor. <mask> taught Native American and Ethnic studies at the University of California, Berkeley from 1979 to 1983, then at California State University, Fresno from 1983 to 1984 and finally at her current position in Fresno City College. <mask> is a member of both the

masks:
Wendy Rose
Wendy Rose
Rose
Wendy Rose
Rose
Rose
Rose
Rose
Rose
Wendy Rose
Rose
Rose


title: Wendy Rose

texts: American Federation of Teachers and the Association of Non-Federally Recognized California Tribes. She is a member of the Modern Languages Association Commission on Languages and Literatures of America, the Women's Literature Project of Oxford University Press, and the Coordination Council of Literary Magazines. The Native American experience is one of the major themes explored in <mask>'s works. Many of the themes are related to her life as an anthropologist. The reader is reminded of her involvement in history and science through the poetry because she shies away from her career as an anthropologist.The concept vividly expressed in the poem "For the White poets who would be Indian" is one of the most prevalent themes <mask> employs, which ties together many of the other more obscure themes. To be a poet is simply not enough; they must claim a power from higher sources. "Just what's all this fuss about whiteshamanism?" she asked. <mask> compares a white man with no real blood connection to Native Americans calling himself a shaman to a man who isn't Jewish. The whiteshaman is seen by Native Americans with a mix of humor and contempt. It is not just the simple act of going outside their culture that is upsetting to Native Americans, but that they are misrepresenting the true Indian culture. <mask> doesn't agree with the idea that anyone can claim to be a spokesman for the Native American experience by reading and hearing about Indian culture.<mask> has no problem with other races writing about Native Americans and their history, as long as it is written from their perspective. She states in the introduction of her retrospective collection that the personal is political. David Perron says that the diversity of <mask>'s poetry is not about distinctions but about being whole. Her contempt for the "whiteshaman" is due to the fact that they don't represent the

masks:
Wendy Rose
Wendy Rose
Rose
Rose
Rose
Rose


title: Wendy Rose

texts: whole that she has struggled to define in her work. The "whiteshaman" stole from her culture as she struggled to find her identity. The "whiteshaman" spoke from a privileged position as her poetry bespeaks the position of injustice. As difficult as it is to summarize the works of <mask>, her writings on "whiteshamanism" bring together different strands of themes that appear throughout her poetry.The story of Truganinny, who saw her husband, stuffed, mounted, and put on display, is told in the epigraph. She wanted her body not to be subjected to those indignities after she died. She was put on display for over 80 years despite her dying wish. The poem allows the reader to experience this, her dying wish, in a very personal and powerful way as she encourages us to come in close and listen to what she has to say. The reader was struck by the fact that even as we read her final request, we knew it was un-honored. There is a further social implication on the suppression of marginalized cultures and women. "For the White Poets who would be Indian" is related to the theme of "whiteshamanism" and is based on <mask>'s personal indignation towards non-Native Americans who claim to understand the Native American experience.<mask> believes that it is not possible to understand something that you are not a part of. She uses powerful images associated with native traditions and mentions them in a way that throws each image out. To understand what it means to be an Indian, white Americans should walk in moccasins for a while. sarcasm and irony are used in the poem. <mask>'s poem delivers a message and conveys her obvious emotional stake in the matter while at the same time managing to not come off as overly emotional sermonizing. "I Expected My Skin and My Blood to Ripen" is <mask>'s explanation of the hypocrisy of the whiteshaman. <mask> brings the victims at wounded

masks:
Wendy Rose
Rose
Rose
Rose
Rose
Rose


title: Wendy Rose

texts: as though they weren't theirs in the first place. What privileges do the Indians have when they are pre-judged for things like drinking and gambling? The scientist wonders at the bullet he lifts from the small soft place where my daughter sleeps, and then she ends by tying all these images associated with the skulls back to the present by saying that the scientists' findings aren't ancient history, but still have a direct impact on these people. <mask> has been one of the leading voices in Native American poetry for the past 25 years. In an interview with Joseph Bruchac, she told him that she sees her task as "storykeeper" as she chronicles the sufferings of displaced peoples and bi-racial outcasts worldwide in addition to treating ecological and feminist issues. The living myths of Indian peoples are the subject of <mask>'s work. <mask>'s poetry examines the experiences of mixed-blood Native Americans who are estranged from both native and white societies.She searches for identity from her mixed heritage. Unlike many current and conventional white poets, her poems go beyond self-analysis to focus on others caught between cultures like herself. Through multiple perspectives and covering a broad range of universally human experiences, diversity is also apparent. She tells us in her introduction to Bone Dance that she has often been identified as a protest poet and that she frowns at being so neatly categorized. She says that because the political is personal it becomes a part of the poetry. Her background in anthropology and Native American organizations makes bones the most common image in her poetry. The image of battered bone is a direct link to the native American sense of self.The spine of her poetry is held together by the bones of dead Indians. Her work with anthropology led her to write about bones auctioned, objects sold, and bodies stuffed for our

masks:
Wendy Rose
Wendy Rose
Rose


title: Wendy Rose

texts: edification in a museum display. The dead Indians form the phantoms that haunt her poetry and at the same time give her the chance to speak out in her poetry. <mask>'s ability to capture the hard truth behind the Native American experience makes her poetry accessible to non-Native readers. She uses mostly free verse and her style is evocative and spare. The chant and oral Indian tradition come through in her poetry, though for the most part she is a lyric poet. She says in her introduction to Bone Dance, "if the words cannot be sung in the genuine language of the old way, they must be written."She uses the historical, archeological world as a jumping off point for her poetry, allowing for the reader to draw a connection between the two. This juxtaposition brings the "historical artifact" of bone or cloth to life and we can see the skin being ripped away with the language of the poetry and giving the casual observer a real vision of that object. Her use of everyday language is a point of contention. The simplicity of language allows for a greater range of emotion to come out in her work. She says in her introduction to Bone Dance that she never felt it was enough to display agility with words or clever turns of phrase. I don't believe in accessible poetry. The poem has failed if the listener takes a special class to appreciate it.I hold myself to that standard and try to remember that ordinary language contains all of the imagery and beauty needed by the poem. The work deals with buried secrets of personal, family, and American history in relation to the human experience. Some of her works from all of her different collections focus on the condition of the "halfbreed." Now Poof She Is Gone is a collection of more of her private and personal poems with a common theme. Her thirty-some years of activities with the Fourth World Movement are documented in Going


title: Wendy Rose

texts: to War With All My Relations. The pain of being marginalized is mixed with the desire for completeness in her stories of oppression. What Happened When the Hopi Hit New York is her search for tribal and personal history in a modern and foreign world. The central focus of Lost Copper is on Roses feelings of being marginalized and her desire to be part of the native community.A journey from her mother's land to her father's in search of tribal identity was the subject of Aboriginal Tattooing in California. Her ironic title reflects on the (un)reality of her experience as an American Indian in the white university system. Her first major work deals with issues which arose with her involvement in AIM as well as her personal struggles with cultural identity. There are other works about Whiteshamanism. The Great Pretenders: Further Reflections on Whiteshamanism, The State of Native America: Genocide, Colonization and Resistance, and For Some It's a Time of Mourning are all written by people. "<mask>." There is a guide to literary masters."Remembering migration and removal, American Indian women's poetry" was written by Amy T. Hamilton. The Review of Language and Literature in the Rockies. 9 pars. 17 April 2008. Carol Hunter. <mask> was interviewed by Melus. MELUS.17 April 2008 is the year of the 10. There is a person named Marek, and there is a person named Jayne. "<mask>, <mask>." The Continuum Encyclopedia of American Literature was published in 1968. 17 April 2008. "Modern American Poetry: <mask>" was accessed on July 25, 2007. 17 April 2008 is the 25th anniversary of 5 (1989).Sawhney and Brajesh. Strategies of Survival in Contemporary Native American Fiction is a book. The journal is about English studies. 3 April 2008 References 1948 births Living people Miwok Cabrillo College alumni University of California, Berkeley alumni American women anthropologists

masks:
Wendy Rose
Wendy Rose
Rose
Wendy
Wendy Rose


title: Li Shaojun

texts: <mask> is in the state of Florida. A fangshi, also known as xian, was the retainer of Emperor Wu of Han and the earliest known Chinese alchemist. <mask> is the only fangshi whose role is documented by both historical and alchemical sources. The earliest record of <mask> was written during the reign of Emperor Wu. The book was written by Watson in 1961. There is a " closely parallel" version of the Hanshu "Book of Han" (25A). The debate on whether or not to perform the state rituals on Mount Tai in honor of Heaven and Earth was chronicled by the Shiji.The fangshi maintained that the Yellow Emperor, their main deity, who obtained immortality through performing the rituals, should be mimicked by the emperor, who should only express gratitude to Heaven and Earth. The Liji narrative about <mask> begins with his obscure origins and introduction to Emperor Wu, who he recommends sacrifice to the furnace/stove and the Way of avoiding grains. Since cereals were cooked on the stove, the Stove God Zaoshen is associated with both bigu and alchemy, which is why <mask> doesn't name which furnace gods to worship. At this time, <mask> appeared before the emperor to explain his theories on how to achieve immortality through diet restrictions and the worship of the god of the fireplace. The emperor treated him well. <mask> used to be a retainer of the marquis of Shenze. He kept his real age and place of birth a secret.He traveled to the courts of the various feudal

masks:
Li Shaojun
Li
Li Shaojun
Li Shaojun
Li
Li Shaojun
Li Shaojun


title: Li Shaojun

texts: lords to explain his magic, claiming that he could make the spirits serve him and prevent old age. He didn't have a wife or children. When people heard of his ability to control the spirits and drive away death, they showered him with a constant stream of presents, so that he always had more than enough food and clothing and money. People put more faith in his claims because they were impressed that he didn't engage in any business and didn't know where he was from. He relied on his ability to work magic and was clever at making pronouncements that were later found to have been oddly apt. (tr.) Compare alternate translations of the art of making offerings to the spirit of the furnace.Carrying on alchemical practices and knowing how to live without cereals and old age. Despeux 2008:233 "Make the spirits serve him" and "command the spirits" are some of the phrases Burton and Joseph used. Some commentators and most translators think it means ghosts and spirits, but we follow those who think it means drugs and chemical substances. Since <mask> kept his birthplace and age secret, little is certain about his life, even his name is a pseudonym: <mask> the Youthful Lord. <mask> (, plum) is a common Chinese name and is also used by the younger brother of Empress Dou. The 2nd-century BCE fangshi spiritualist, <mask>weng (, <mask> the Youthful Old Man), is mentioned below.There are two stories about <mask> being able to recall incidents of the distant past in

masks:
Li
Li
Li
Li Shao
Li
Li Shaojun


title: Li Shaojun

texts: the Shiji context. The latter describes him at a party given by the half-brother of the emperor. He told one of the guests that he had gone with the man's grandfather to such and such a place when he was staying with the marquis. When he was a child, the old man and his grandfather went to the place that <mask> mentioned. The whole party was struck by this. (tr.) The story tells how <mask> recognized a ritual bronze that belonged to Duke Huan of Qi.The emperor had a bronze vessel in his possession when <mask> appeared before him. The Cypress Chamber was where the vessel was presented in the tenth year of the reign of Duke Huan of Qi. When the inscription on the vessel was deciphered, it was found that it belonged to the Duke. Everyone in the place thought that <mask> was a spirit who had lived hundreds of years. The Shiji relates the emperor undertaking <mask>'s convoluted, long-term alchemical project for achieving immortality through the same method as the Yellow Emperor. The alchemical process began with cizao, which means sacrificing to the furnace, in order to summon wu, which means ghosts, spirits, and divine beings. <mask> describes his own meeting with the legendary Anqi Sheng."Natural substances can be caused to change" or "natural phenomena can be caused to happen" are the words that are used by Needham. "If you sacrifice to the fireplace, you can call the spirits to you, and if the spirits come, you can transform cinnabar into gold,"

masks:
Li Shaojun
Li
Li Shaojun
Li Shaojun
Li
Li Shaojun


title: Li Shaojun

texts: <mask> advised the emperor. You can make drinking and eating vessels using this gold. The island of Penglai is located in the middle of the sea. You will never die if you visit them and perform the sacrifice. The Yellow Emperor did this. Master Anqi fed me jujubes as big as melons when I was by the sea.Master Anqi is an eternal being. He will come to meet someone if he likes them, but he will hide if he doesn't. The emperor began to sacrifice in person to the fireplace for the first time. He sent magicians to the sea in order to find Master Anqi and the people of Penglai and attempt to make gold out of cinnabar sand. (tr.) The statement that Master Anqi will sometimes hide, "accomplishes four things at once: it confirms <mask>'s own exalted status, for the clear implication is that <mask> has been deemed worthy of approach by An Qi, and it portrays as restricted access to the sources of information." According to <mask>'s method, rituals have been associated with Chinese alchemy since its earliest recorded beginnings.The Taiqing tradition summoned gods and other supernatural beings. However, in contrast to later practices. <mask>'s technique of casting alchemical gold into dishes and cups did not involve eating it, but rather casting it into cups. The Jinye jing is a text about the use of alchemical gold. The first instance of imperial patronage of waidan practices took place in this episode. The Shiji narrative ends with <mask>'s reported death or

masks:
Li Shaojun
Li
Li
Li Shaojun
Li
Li Shaojun


title: Li Shaojun

texts: a simulation of his escape from the corpse. <mask> died after falling ill.The emperor believed that he was alive and that he had transformed himself into a spirit. The group that was sent out to look for Master Anqi did not find anything. After this, any number of strange and dubious magicians from the seacoast ofYan andQi appeared at court to speak to the emperor about supernatural affairs. (tr.) This Shiji passage is "surprisingly dense" and relates to mythology, hagiography, ritual, and even state ceremonies. It's not clear if <mask>'s elaborate method represented a long but unrecognized tradition before him or if he just reflected his attempt at picking as many features as possible that would capture the emperor's interest and combine them into a secret "alchemical recipe" While some individuals have had very long lives, no one has been mentioned in Lunheng's chapter.Wang's narrative follows 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110

masks:
Li Shaojun
Li


title: Li Shaojun

texts: 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 The Lunheng narrative of <mask>'s introduction to Emperor Wu has a different vocabulary than the Shiji, for example, writing cizao (sacrifice to the furnace/stove) with the variant character Zao () in place of the common name. There was a person who pretended to sacrifice to the "Hearth" and not eat grain in order to ward off old age. The emperor gave him high honours. Li Shao Chn kept his age and the place where he was born secret so that he could effect that things did not grow old. He wasn't married and visited all the princes. People presented him with richer gifts because he was told that things did not age.He had lots of money, gold, dresses, and food. There was a general competition in offering him services as people believed that he did not do any business and that he was richly provided with everything. (tr.) The Lunheng made some minor changes to the stories in order to show that <mask> was hundreds of years old. When <mask> met the old man at the party, instead of "The old man had in fact, when he was a child, accompanied his grandfather, and remembered visiting the place that <mask> mentioned." Shiji, tr. The places which his grandfather frequented were indicated to him by <mask> Chn.As a child, the old man visited them with his father. (tr.) Forke was born in 1907. Second, when <mask> sees the ancient bronze

masks:
Li
Li Shaojun
Li
Li Shaojun
Li Shao
Li


title: Li Shaojun

texts: vessel, the Lunheng dates it from the 15th year of the 10th century BC. The emperor's doubts that <mask> actually died are not included in the entire passage. The whole Court was startled by the conclusion of the Duke Huan story. He died of sickness after a long time.(tr.) Forke was born in 1907. There are reasons to doubt that <mask> avoided death through corpse substitution. <mask> Chn is one of the men credited with the possession of Tao. He died in a group of men. One knew that his nature was bad because his body was seen. He would have died of sickness amidst high rocks if he had not gone into the mountain-forests or deserts.His corpse would have been eaten by tigers, wolves, and foxes, but the world would still believe he was dead. The ordinary students don't have the same age as <mask> Chn. All the others die before reaching a hundred years. Uncultured and ignorant people still hold that they do not die, despite the fact that they are separated from their bodies. (tr.) Wang Chong gives three reasons to doubt the Shiji narrative. The Grand Annalist was a descendant of <mask> Chn.He was in a position to learn the truth even though he wasn't near the body. The place of his death should not have been given by the Grand Annalist if he really did not die. The reference to the youth of the nonagenarian in the court would show his age. The old man was with his grandfather when he was a boy. If he lived 200 years, why wouldn't he know this? When the

masks:
Li
Li
Li Shao
Li Shao
Li Shao


title: Li Shaojun

texts: bronze vase was cast, <mask> Chn couldn't have seen it. He could say that there was an old vessel in the palace, or that he looked at the inscription before he saw it again.When we see an old sword or a crooked blade, weTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia,Trademarkia, Does that mean they saw how it was made? The method to keep off old age was taught by <mask> Chn. He knew the places frequented when hunting by the grandfather of a nonagenarian, and yet he did not really get to Tao. He died late. (tr.) <mask> is mentioned in three Inner Chapters passages.The fangshi Luan Da, who promised immortality to Emperor Wu but was executed after failing to do so, is mentioned in two shorter ones and in the longer one. According to the Baopuzi biography, <mask>'s poverty was the reason he went to Emperor Wu, and an imperial dream foretold his death. According to Ge Hong, <mask> must have used the lowest level of "liberation by means of a simulation corpse" because his exhumed coffin did not contain a corpse. According to the family. <mask>jun had a method for deathlessness, but he didn't have enough money to buy the ingredients. He presented himself at the court in order to get funds. He left when

masks:
Li Shao
Li Shao
Li Shaojun
Li
Li
Li Shao


title: Li Shaojun

texts: his way was complete.According to the Record of Activities at the Han Court, Emperor Wu dreamed that he was climbing Mount Songgao with <mask>jun. Halfway up, a messenger riding a dragon and holding a tally descended from the clouds and announced that Taiyi had invited <mask>jun. The emperor woke up and told his retainers that <mask>jun was going to abandon them. <mask> died several days after he announced that he was ill. The emperor had someone open <mask>'s coffin. His clothing and cap were all that was left of his corpse. According to the Scripture on Transcendence, superior practitioners who rise up in their bodies and ascend into the void are called tianxian transcendents.Middle-level practitioners who wander among mountains are called earthbound transcendents. Lesser practitioners who first die and then leave are called escape-by-means-of-a-simulated-corpse. <mask>'s must be a case of escape by means of a fake corpse. 2, tr. Campany 2002: 227. The contemporary of <mask>'s "Corpse-freed Genii") was a Confucianist official. The reason people of the world don't believe that one's allotted life span may be shortened is not the only reason.2, tr. Campany 2002: 227. Ware 1966: 42. The wealth amassed by the recent, fraudulent practitioners of Gu Qiang is said to be no less than that showered by the Han emperor on Lu. There was a tr. Campany 2002: 227. Ware was published in 1966.In addition to the Baopuzi, Ge Hong also compiled the original c. 318

masks:
Li Shao
Li Shao
Li Shao
Li
Li
Li
Li Shaojun


title: Li Shaojun

texts: Shenxian Zhuan, which contains a highly detailed hagiography of <mask>jun. <mask> added information about his courtesy name "Cloud Wing" and birthplace in the Biographies of Divine Transcendents narrative. The Shenxian Zhuan says that he gave <mask> the immortality formula. The native of the area was <mask>. At the time when Han Emperor Wu issued his call for masters of esoterica, <mask> had received a method for making an elixir over a furnace fire. He couldn't get the necessary ingredients because his family was poor. He told his disciples that he was about to become an old man.My capital is not enough. I have worked hard behind the plow, but it isn't enough to get all the ingredients. The Son of Heaven loves the Dao. I would like to have an audience with him and ask him for the resources he needs to make the drug. I can do what I want. He told the emperor that from natural cinnabar may be produced yellow gold, and when the gold is completed and eaten, one ascends and becomes a deity. I have traveled across the seas and eaten jujubes that were as big as melons.The Son of Heaven gave him untold wealth. (tr.) The two stories about <mask> remembering historical events are summarized in the Shenxian Zhuan narrative. The Marquis of Wu'an once had a drinking and dining relationship with <mask>jun. An old man was in the group. He was asked his name. He said that he had once traveled with the old man's grandfather and that he had seen a little boy follow

masks:
Li Shao
Li
Li
Li Shaojun
Li
Li
Li Shao


title: Li Shaojun

texts: after him.The people present at the time were astonished. During <mask>'s audience with the Emperor, he noticed a bronze vessel nearby. He noted it and said, "Duke Huan of Qi." The vessel was displayed in his chamber. The emperor checked his words against the inscription carved into the bronze and it turned out to be an ancient Chinese vessel. He realized that <mask> was hundreds of years old. He looked to be in his 50s.His mouth and teeth were like those of a youth, and his facial complexion was excellent. The princes, officials, and nobles gave him a lot of money when they heard that he could cause people not to die. (tr.) The element of deception is added by Ge Hong. Having obtained imperial patronage to purchase the expensive alchemical ingredients, <mask> prepared the elixir immortality for himself, feigned illness, and performed shijie to escape from not only from death but also from his demanding patron. The divine elixir was secretly made by <mask>jun. He told the emperor that he was incapable of removing himself from music and sex.He can't call for a halt to killings and executions. He can't change the fact that for ten thousand people around there are homeless cloud-souls and in the cities and courts there are bloody punishments. The divine elixir can't be completed under such circumstances. He gave the emperor a small remedy. The emperor dreamed that he was climbing Mount Song with <mask>. A messenger riding a dragon and holding a seal

masks:
Li
Li
Li
Li Shao
Li


title: Li Shaojun

texts: of office came through the clouds and invited <mask> to ascend into the heavens. The emperor woke up.He sent someone to ask what <mask> was up to, and he told his advisers that he had dreamed that <mask> abandoned them. The emperor ordered someone to receive <mask>'s methods after learning that he was ill. <mask> expired before the matter was concluded. The emperor said, "<mask> has left by transformation, that's all." The shrouded body suddenly vanished. The inner and outer garments were fastened. The emperor regretted that he didn't try harder to getformulas from <mask>.(tr.) The Shenxian Zhuan hagiography gives a long account of <mask> preparing a waidan alchemical elixir for his seriously ill friend, who was often laughed at. Young boys who had bathed and purified themselves regulated the heat of the cooking flame, as <mask> cooked them in a bronze vessel with several unidentifiable ingredients. When the medicine was fully transmuted, one dose would cause one's body to become light, three would cause one's teeth to fall out, and a full five would cause one's allotted life span never to expire. After the illness worsened, he finally took <mask> Jun's medicine. His illness was suddenly healed after he took less than half a dose. His strength and breath were the same as when he was young after taking a full dose.He now believed in a way of long life and deathlessness. After this experience convinced him to leave the imperial court and spend the

masks:
Li
Li
Li
Li
Li
Li
Li
Li Shaojun
Li
Li Shao


title: Li Shaojun

texts: rest of his life trying to find a master who could reproduce <mask>'s immortality elixir, he remained healthy until his death more than eighty years later. He told his son that when he was young, he obtained <mask>jun's medicine. I didn't believe in it at first, but after I used it, I regained strength. I will take this regret with me to the Yellow Springs. You need to look for someone who can explain the meaning of the method. If you persist in taking this medicine, you will be unstoppable.(tr.) Ge Hong's Baopuzi cites a text titled Fami[y [or lineage?], but Campany notes the lack of independent evidence that Dong Zhongshu ever became a believer. The records of <mask> show that he is the author. Although unattested before the Tang dynasty, later Shenxian zhuan editions of <mask>'s hagiography add a narrative about his disciples, <mask>weng and <mask> the Youthful Old Man. Both of them stage their deaths so that they don't have to reveal their skills. They are often confused or conflated. The Shiji doesn't mention <mask>weng being a student of <mask>, but the emperor gave the title to the necromancer who performed the hun-soul ritual for him.<mask>weng tried to deceive the emperor by making an ox eat a message written on a piece of silk and then announcing, "There appears to be some strange object in this ox's belly!" The ox was killed and cut open, revealing "exceedingly strange" words written on the silk, however, the emperor recognized <mask>'s

masks:
Li
Li Shao
Li Shaojun
Li Xiaojun
Li Shao
Li
Li Shao
Li Xiaojun
Li Shao
Li


title: Li Shaojun

texts: handwriting and secretly executed him. The song was written by Watson in 1961. Some of <mask>jun's arts were obtained by the General of Civil Accomplishment, who also served under the Emperor. An envoy was sent by the emperor to have him killed. The general apologized on his behalf to the emperor. I don't want to reduce my days here or ruin my work on the Great Task.Tell the emperor to look for me on Mount Cheng if he loves the arts of caring for himself. He doesn't need to resent me because we can work on the method together. He was put to death. The emperor ordered the general's coffin opened and inspected after the envoy returned. There was a bamboo tube inside. The emperor suspected that his disciples had taken his body and hid it. He was very sorry.After the execution of the general, he once again issued a call to all masters of esoterica, and he performed another sacrifice to the GrandMonad at Sweetwater Springs, where he set up another altar and presented offerings to the general. The emperor was in attendance. (tr.) The image of <mask> in the later tradition is not always positive. The 7th-century commentary to the Taiqing school classic Jiudan jing refers to <mask>'s method, saying that the gold of vessels used for eating and drinking "affords longevity as it slowly saturates" The commentary blames <mask> because his performance gave more importance to cizao offerings to the deity of the furnace. "Ways of the left; Heterodox doctrine; a

masks:
Li Shao
Li Shaojun
Li
Li Shaojun


title: Li Shaojun

texts: term often applied to magic), but did not address the "correct" waidan methods of the highest Taiqing deities.In Jones, <mask> ed., The Encyclopedia of Religion,Barrett wrote "Li Shaojun". To Live as Long as Heaven and Earth: A Translation and Study of Ge Hong's Traditions of Divine Transcendents was published in 2002. " Secrecy and display in the quest for Transcendence in China" was written by Robert F. Campany. Making Transcendents: Ascetics and Social Memory in Early Medieval China was written by Robert Ford Campany. Forke, Alfred. The Lun-hng, Part 1, Philosophical Essays of Wang Ch'ung, Harrassowitz was published in 1907. "Li Shaojun ", A Biographical Dictionary of the Qin, Former Han and Xin Periods (221 BC - AD 24), Brill, was written by Michael Loewe.Science and Civilisation in China was written by Joseph, Ho Ping-Y, and Lu Gwei-Djen. There is a new edition of Vol. There is chemistry and chemical technology. Spagyrical Discovery and Invention: Historical Survey was published by Cambridge University Press. Pregadio is the author of Great Clarity: Daoism and Alchemy in Early Medieval China. "Li Shaojun " was written by Pregadio. ca.The Encyclopedia of Taoism was published in 133 BCE. The book was written by Fabrizio Pregadio. The Legend of the Han Emperor Wu was written by Thomas E. Smith. It's a doctor's degree The University of Michigan. Burton, tr. Records of the Grand Historian of China are in the Columbia University Press.2nd-century BC


title: Bill Cubit

texts: home against Temple in 2007, Western Michigan went on to have a 9–4 record in 2008.<mask>'s contract at WMU paid $377,250 per year, with possible bonuses of $251,500. Cubit was fired by Western Michigan after a loss to Eastern Michigan. The year was the worst since 2004. Cubit's final record was 51–47 with a conference record of 36– 27 and a 0–3 bowl record. <mask>'s three bowl game appearances were more than the two total bowl game appearances made in the history of the program prior to his arrival. Cubit was one of three candidates for the head coaching position at Western Illinois University. Cubit withdrew his name from consideration.Bob Nielson was the head coach of Minnesota-Duluth. Cubit was hired by the University of Illinois as the team's offensive coordinator and quarterbacks coach. Cubit's initial salary was $400,000 per year. Cubit oversaw a dramatic improvement with Illinois' offense in his first year. In both yards and points, the Illini improved from 118th to 61st. Illinois finished 22nd nationally in pass offense with 64 plays of 20 yards or longer, and Nathan Scheelhaase led the Big Ten in passing with 3,272 yards. Cubit received an extension to 2015 and an increase in salary to $500,000 per year, making him the fourth highest-paid offensive coach in the Big Ten.Cubit was named interim head coach at the University of Illinois in August of 2015. Cubit was named Illinois' 24th head coach on November 28, 2015, after the interim tag was removed. <mask> was relieved of his duties on March 5, 2016 by the school. "I appreciate the leadership that <mask>t provided our football program during what has been, indeed, a very tumultuous time... Through his

masks:
Cubit
Cubit
Cubit
Bill Cubi


title: Bill Cubit

texts: efforts, he has kept the program moving forward." I think it is important that we position our program for long-term success by creating a more stable environment for the coaches, players, and prospective student-athletes. He was replaced by a different coach. Cubit was the head football coach at Martin County High School in Stuart, Florida for three seasons from 1986 to 1988 before returning to the position in 2017.He stepped down after just one season after leading the team to a 4–5 record. Cubit will be joining the coaching staff of his alma mater, the University of Delaware, as an assistant head coach and running backs coach. Cubit stepped down just one season after the team finished fifth. <mask> was a three-year starter at quarterback for the Western Michigan football team. Ryan was a quarterback at Rutgers from 2001 to 2002 before transferring to another school. Ryan had a brief playing career in the Canadian Football League before he joined his father's Western Michigan coaching staff. The Michigan squad of the proposed All American Football League folded before any games were played.Ryan and the rest of the assistants were dismissed after his father was fired. He was out of coaching and working in the private sector. Ryan joined his father on the Illinois staff as the Director of Football Student-Athlete Development. In April 2015, Ryan was promoted to quarterbacks coach. Cubit's brother, Mark Cubit, was a high school basketball head coach and played basketball for Jim Boeheim at Syracuse. Cubit and his wife Nancy have two daughters, two granddaughters and four grandsons. Delaware Fightin' Blue Hens football coaches have a profile with the Western


title: Nuku of Tidore

texts: From 1797 to 1805, <mask> was the Sultan of Tidore in Maluku Islands. He is also known as Sultan Muhammad al-Mabus. From 1780 to 1780, he led a rebellion against the Dutch. He gathered discontent from several ethnic groups and tried to restore Maluku to its pre-colonial division into four kingdoms. Nuku aided the British in their conquest of the Dutch stronghold in Ternate by using global political conflict lines. He is a national hero in Indonesia. Prince Nuku was born into one of the four branches of the royal family of Tidore.His father became Sultan of Tidore in 1757 and not much is known of his early years. The Dutch East India Company dominated the Tidore Sultanate for a century. The Sultanate had an economic significance due to the foodstuff, forest and sea products that were found in parts of Halmahera and New Guinea. Since the VOC imposed its will on Tidore and its neighbour, the Sultanate of Ternate, its prestige has declined. This was made worse by incursions by the Iranun people of the southern Philippines. Sultan Jamaluddin was forced to give up his rights to Ceram by the Dutch. His father and two brothers were exiled by the Dutch after being accused of being involved with the English East India Company and the rulers of Bacan and Maguindanao.Tidore was reduced from a Dutch ally to a vassal under a new treaty in 1780. Nuku refused to accept the new order and left Tidore Island in 1780 with his followers to Patani. He planned to seek aid from Spanish and English ships after establishing a


title: Tang Ti-sheng

texts: A Cantonese opera playwright, scriptwriter, and film director, <mask>-sheng was born in 1917. The development of Cantonese opera in Hong Kong was influenced by his contributions. <mask> composed over 400 operas and achieved immense popularity within the Cantonese opera scene. He wrote the film script, directed the movies, and at times acted in them. He died in Hong Kong after collapsing in the Lee Theatre. He was survived by his second wife, their two daughters and two children, as well as his first wife for five years. <mask>'s headstone does not include a fifth child mentioned by Cheng in a 1989 interview.<mask> was born in northeastern China. <mask> attended the Shanghai Baptist College after graduating from the Guangdong Sun Yat-sen Memorial Middle School. When the Second Sino-Japanese War broke out in 1937, <mask> fled south to Hong Kong, where he joined the Kok Sin Sing Opera Troupe. Sit was married to his paternal first cousin and the tenth sister of Sit. A copyist and assistant to two famous writers, <mask> worked for the troupe. Encouraged by Sit Gok Sin, <mask> began his career as a playwright with his first opera, The Consoling Lotus of Jiangcheng, which was taken as an announcement of his intention to be in the arena. Over the course of twenty years, <mask> wrote a total of 446 opera scripts and 80 of them were adapted for films.<mask> wrote many scripts for his wife and her co-stars to stage in return for food during the Japanese occupation of Hong Kong. When the script

masks:
Tang Ti
Tang
Tang
Tang
Tang
Tang
Tang
Tang
Tang
Tang


title: Tang Ti-sheng

texts: was short in supply, Yam Kim Fai decided to give it a try. It was first staged by the New Voice Opera Troupe of Yam and then adapted for a film starring <mask>'s close personal friend. A well-known vocalist is the female lead in the vocal recording of the theme song. <mask> acted in four of the nine films he directed. The Tolling Bell was his first script and was written with the help of Ng Cho-fan, who in 1989 described how sick <mask> looked the day before he collapsed in the Lee Theatre. The Sit household had a in-law named <mask>.<mask>'s rise from modesty to greatness went through a process that included three stages of remarkable improvements. <mask> started working with Chan Kam Tong to make ends meet after the divorce in 1941/2. Chan, the first student of Sit, was voted as a champion among young warriors by the audience in the 1950s. <mask> wrote Red Silk Shoes and The Murder for Chan in 1957 and it's still popular today. The busiest decade of the 20th century began after the Second Sino-Japanese War ended. When <mask>'s work still had room for improvement, the vocal performances made a big difference. He preferred actresses as female leads over male leads.The husband of an actress who is famous for mostly fighting scenes was also known as Lady White Snake, a great old-school vocalist. There were new vocal styles at the time. The two camps had the same location on opposite sides of the harbor. <mask> worked with musicians. In the 1950s. Some names are available in English.

masks:
Tang
Tang
Tang
Career Tang
Tang
Tang
Tang
Tang
Tang


title: Tang Ti-sheng

texts: The Chu brothers and other people who had already died talked about <mask> on radio shows.Wong Yue Sang and Chu Siu Cheung are brothers. The theme songs created by <mask> and Mr. Wong were instant hits. Mr. Wong came up with the musical score for the hit Red Candle Tears. The other actress known for, inter alia, holding her own court with vocal performances, was Fong Yim Fun. She retired around the time <mask> died. The vocal styles of the Shing Sou Lin Opera Troupe's two "little palace maids" have dominated the opera world since the early 1950s. The second Mrs. <mask> received the trophy for the Golden Needle Award of the Top Ten Chinese Songs Award.When he was asked to help an academic, he was the most respected courtesan in the world. The ending scene of The Story of the Lute in early 1956 had better crafted lines spoken by the husband Cai Yong () after the brutal blow to <mask>'s ego. The Summer Snow is the last hit collaboration of Fong/<mask> and Yam Kim Fai, who stopped sharing the stage in 1953. His script gradually matured to make the performers successful instead of relying on the performers to make his script successful. <mask> was in and out of hospital for a heart problem and was rumored to be mixing alcohol with coffee. Do you think mind over heart? Is it heart over mind?He had to throw in the kitchen sink. After some surgeries in the 1950s, linchpin Yam Kim Fai was ready to quit stage performance. It is time for the last call. <mask> only worked with people who were

masks: Tang Tang Tang Tang Tang Tang Tang Tang


title: Tang Ti-sheng

texts: worthwhile to work with. The same as the first Mrs. <mask>, good vocalist Tam Lan Hing was never on <mask>'s radar. <mask> immersed himself in work to create "the perfect (smart, beautiful, educated,...) female lead for the male lead to dive head first for" roles for only his favorite few actresses. Audience was led to admire, respect, love, pity, feel sorry for the noble/honorable female characters he wrote.There were very few "roles of a lifetime" for the male lead to make do with. In 1990 a columnist wondered why ladies in the audience were attracted to the male lead character and eventually to the performer. Born to a Chinese father and a Japanese mother, Cheng Meng-har was an accomplished Chinese opera performer long before <mask> started diving into some of his most famous career choices. A radio show in Cantonese gave a complete account of <mask>'s life and work. Other than personal hygiene (taking a bath or not), lifestyle and family, major contributions in several aspects the second Mrs. <mask> made are: When only the plots were provided, the training for performers was essential. Before complete script were ever written for performers, well-established before that.Cantonese opera performers were introduced to Chinese opera performers in Hong Kong by Cheng because they found Chinese classics and poetry in junk yards. Lang Chi Bak talked about the occasion in 1986 on radio when Ma Lianliang was in Hong Kong. Those who were related to Mei Lanfang were fully engaged for decades

masks: Tang Tang Tang Tang Tang Tang


title: Tang Ti-sheng


title: Tang Ti-sheng

texts: lead was what he wanted the audience to see. The male lead had to convince the audience that he was lovable. The Pan4 Hing1 was not a success.The film Dream of Red Chamber was directed by Lau Hak Suen and produced by a new production company with Yam as the lead. Despite the excellent track record of such a classic novel, <mask>'s 1956 The Dream of the Red Chamber did not register with the audience even though the male lead, Yam Kim Fai, had been very well-received for over a decade. In 1964, Yam had her student with only a year of training to debut as a character in a 1962 Chinese opera film, and she was put up against Xu Yulan. The male lead in the 1983 version has been very well-received. Without a cult of personality, he became known as Hei Mai ChingYan. In 1959 Yam was photographed with a pen in hand reviewing <mask>'s last title, with the second male lead for debut, Lam Kar Sing, and <mask> at the table. When they had different co-stars in the same titles, it made little difference.One of the big five is a Romance of Pear Blossoms. According to Hong Kong Movie DataBase, pak Yin was the lead actress in two Cantonese films. This story was adapted into two historical period dramas. In 1956, <mask> started his own piece. Cheung Ying played the male lead in The Peony Pavilion. Cheung Wood-yau played the male lead in the movie Beauty Raised from the Dead. The ending of this film was borrowed from <mask>'s last piece in 1959.As a Cantonese opera performer, Cheung Wood-yau worked with

masks: Tang Tang Tang Tang Tang


title: Tang Ti-sheng

texts: <mask> and his wife in Hong Kong. The era of "separation of cinema and opera" movement began after the war, and he played the character of Jia Baoyu in a 1949 film. His first and foremost career choice was Cantonese opera. He finished school around the same time as Lau Hak Suen, a follower of Ma Sze Tsang singing style. He returned to his roots after a few years and made a number of operatic films with Tsi Law-lin, Mui Yee and Hung Sin Nui. These are the only recordings of his performance. One of the two mistakes was at the Flower Festival.The male lead was front and center in one of the five titles that achieved recognition in terms of box-office and profitability. <mask> died after collapsing at the night of Ng Cho-fandebut. Demand was high and non-stop while <mask> was under stress. His hands were forced by the debut female lead who booked Lee Theatre without <mask>'s agreement to have this title ready. <mask> wanted to quit as a Cantonese opera playwright. Since debut, there have been many sudden deaths related to this title. The Troupe manager is the brother of a Cantonese opera playwright who wrote Dream of Red Chamber throughout the 1940s in Macau.Their reputation as an icon began in the 70s. Since the 1970 grinding halt, Cantonese film productions in Hong Kong were few and far between. In order to boost the status of these titles of teachers, Loong and classmates were limited to play only four characters in these four only and none others. It is common among Yam's generation


title: Tang Ti-sheng

texts: with her opera acting skills. Only a veteran opera performer can project such a stage demeanor.8). <mask>'s solution when the female lead couldn't hold her own with vocal performances was to Sing and dance but duet instead of solo See musical theatre. For example, from January The Story of the Lute all the way up to September The Summer Snow. Some conservatives thought that the noises the female lead made were obscene. 9). It's not pornographic or scandalous to have sex with two actresses. Shippers like Natalia Chan had expressed their fantasy such as "too bad they don't..." and two sisters had a plan for their own toy.The ban on actors sharing the stage was lifted about 20 years ago. The actors in male lead roles and actresses in female lead roles had very little interaction on stage. 10). The script-review sessions were chaired by Roles as Mature with Life Experience <mask>. When <mask> was ready to help, he saw an up-and-coming performer who had just hit big with her martial agility in the breakthrough role of Leang Hung-yuk in How Liang Hongyu's War Drum Caused the Jin Army to Retreat. The 30th anniversary of <mask>'s passing was marked by the putting of five titles of their collaboration on stage in Hong Kong City Hall. The female leads, not described as particularly lovable, go through life starting out young or already married with a son while the male leads had major interactions between themselves.Actors who could hold their own courts were cast for debut. There were no

masks: Tang Tang Tang Tang


title: Tang Ti-sheng

texts: successors to those actors who spent time on these titles. That might explain the lack of popularity compared to the big four. The original male lead for most of these titles was a well-known vocalist who held his own court. The original scene when male and female leads meet, date and get engaged has been replaced by a clean version for the male lead to look more decent in the minds of actors who picked up the baton since Ho. The move of a hot-blooded young man, a scholar, to be scandalous was found by actors of a generation known to have extramarital affairs or adulterers off stage. It's hard to say if a scholar's mind in the gutter was the real reason.Law Kar Ying confirmed that it was later in the year. Ex-gratia payments of a few thousand dollars each year for <mask>'s family was a friendly gesture from Loong. After the passing of Yam, the second Mrs. <mask> sold the rights to 34 titles for a 6-figure sum in HK$, contrary to the gentleman's agreement <mask> made with his customers regularly as a librettist. It would take about HK$10,000 a year for the rest of her life. It was only because <mask> passed away so young that Loong was the lucky one to carry the torch. A simple way to say it is:,! Book deals, interviews on TV or radio, by the Press in general, academics' researches, former acquaintances, etc. Not even remotely related to <mask>, pedestrian A became the livelihood of those.They became informally known as Tang Scholars because they didn't steal <mask>'s bowl of thunder.


title: Tang Ti-sheng

texts: According to Yuen, the only performer of their generation that could have put another librettist on the map was Loong. If they were not required to stay with all the <mask>'s titles, that could have happened. 1982 The Story of Emperor Li production was the most successful attempt to break that mold. Yam gave a cryptic response when asked by the Press if he commented on the debut. Run Run Shaw's attempt to make a Dream of the Red Chamber film was rumored but failed, since it would have opened the world that can of worms. People around Tang benefited from what could be described as exhibit A for "worth more dead than alive."According to the quote from Death of a Salesman Fong Yim Fun appeared to be the only performer who managed her collaborations with <mask> best by getting the film rights and making the films as many times as she wanted to. When he kept most of his librettists published in his troupe's name, he appeared to have learned from Fong. In 1980 she was made to record a CD for free for the librettist, but could not get other CDs made on her own. The librettist renamed the pieces and sold them as many times as he wanted. Some titles were split into two. It's the same story for one troupe in Hong Kong and another in Vietnam, with even the same names for characters. Two examples of legitimate twins are A Wife in Nobility is Never Free and Marrying the Sister-in-Law.The Marriage of Tang Bohu renamed as The Marriage of Three Smiles is well-known. Some evil doubles have no proof

masks: Tang Tang


title: Tang Ti-sheng

texts: that they are twins. Heaven Brought Us Together is a contemporary opera title that has the same plot, lines, lyrics and names as A Phoenix in Springtime and The Merry Phoenix. The honor of ex-gratia payments was confirmed by the second Mrs. <mask> on radio in the 1980's. Another piece of evidence shows the biased nature of publications on Cantonese opera. Over 400 in total. The true Master of Guangdong Opera Cantonese Opera Genius <mask>i-sheng was from Zhuhai.Musicians worked with <mask> professional name, same person birth name, same person 1959 deaths Chinese dramatists and playwrights Hong Kong dramatists and playwrights Cantonese opera Republic of China writers People from Mudanjiang Writers from Heilongjiang 20th-century Chinese dramatists and

masks:
Tang
Tang T
Tang


title: Niccolò Fontana Tartaglia

texts: The Republic of Venice, now part of Italy, was the home of <mask>. He published a number of books, including the first Italian translations of the classics. He was the first to apply mathematics to the investigation of the paths of cannonballs, known as ballistics, in his NovaScientia (A New Science, 1537), but his work was later partially vindicated and superseded by Galileo's studies on falling bodies. He published a book about retrieving sunken ships. <mask> was the son of a dispatch rider who traveled to other towns to deliver mail. Niccol, his two siblings, and his mother were impoverished after Niccol's murder in 1506. During the War of the League of Cambrai against Venice, King Louis XII's troops invaded Niccol.The city of Brescia was defended for seven days by the militia. The inhabitants of Brescia were massacring by the French when they broke through. Over 50,000 residents were killed by the end of the battle. Niccol and his family hid in the local cathedral during the massacre. The soldier sliced Niccol's jaw and palate with a saber and left him for dead. The young boy was left with a speech impediment after his mother nursed him back to health. He grew a beard to hide his scars.One of the great centers of the Italian renaissance at this time was Venice, which was one of the major European commercial hubs. Venice's place at the forefront of European printing culture in the sixteenth century, making early printed texts available even to poor scholars if sufficiently motivated or well connected, is relevant. He died in Venice and earned a penny as a mathematics teacher. "Heavy" and "natural" and "violent" were descriptions of motion preferred by the dominant physics of the day. In the words of Mary J. Henninger-Voss, "eviscerat[ing] Aristotelian terms of projectile movement" was brought to the fore. He found that the maximum range of a

masks:
Niccol Fontana Tartaglia
Niccol Fontana


title: Niccolò Fontana Tartaglia

texts: projectile was achieved by directing the cannon at a 45 angle to the horizon. The model for a cannonball's flight was that it proceeded from the cannon in a straight line, then after a while started to arcs towards the earth along a circular path, then finally dropped in another straight line directly towards the earth.At the end of Book 2 of NovaScientia, <mask> proposes to find the length of the rectilinear path for a projectile fired at an elevation of 45, but one with numbers attached to line segments and areas. <mask>'s work on military science had an enormous circulation throughout Europe, being a reference for common gunners into the eighteenth century. He influenced Galileo, who owned "richly annotated" copies of his works on ballistics as he set about solving the projectile problem once and for all. Federigo Commandino said in 1558 that "with respect to geometry no one of sound mind could deny that mathematics is the key to understanding physics." The Latin edition of Archimedes contained works on the parabola, the circle, and floating bodies. The Latin editions of the first two were published in 1503 but the works on floating bodies had never been published before. After his death, his executor continued to publish his translations of the Italian versions of the books.The widely disseminated editions are where Galileo probably learned of the work of Archimedes. The first translation of the Elements into a modern European language was made by the Italian edition of the book. Errors in Book V, the Eudoxian theory of proportion, rendered the Latin translations useless for two centuries. The Latin translation of an uncorrupted Greek text was used to make Book V. The first modern commentary on the theory was written by him. The work went through many editions in the 16th century and helped diffuse knowledge of mathematics to a

masks: Tartaglia Tartaglia


title: Niccolò Fontana Tartaglia

texts: non-academic but increasingly literate and numerate public in Italy. The theory became an essential tool for Galileo.The abacco tradition that had flourished in Italy since the twelfth century, exemplified by General Trattato di Numeri et Misure Tartaglia, was a tradition of concrete commercial mathematics taught at schools maintained by communities of merchants. Today's grade schools use paper-and-pen, inculcating the type of technology used by maestros d'abaco. The first three parts of the General Trattato di Numeri et Misure (General Treatise on Number and Measure), a 1500-page encyclopedia in six parts written in the Venetian dialect, came out in 1556 about the time of <mask>'s death. David Eugene Smith wrote that the first part of the General Trattato was 554 pages long and was essentially commercial math, taking up such topics as basic operations with the complex currencies of the day. The book has worked examples with a lot of emphasis on methods and rules, all ready to be used. Part II includes more general math problems, such as progressions, powers, binomial expansions, and calculations with roots and fractions. There are topics like the quadrature of the circle and circumscribing a cylinder around a sphere in Part IV.One detailed explanation of how to calculate the summands of, including the appropriate binomial coefficients can be found in Part II of the General Trattato. The General Trattato shows a picture of a triangle one hundred years before it was created by Pascal. He thinks about the horizontal line at the top of the triangle being broken into two segments and the point of the triangle when he watches his examples. As you go down the triangle, binomial expansions amount to taking for exponents. The powers are represented by the symbols along the outside. The adjacent 15 and 20 in the fifth row add up to 35, which is beneath


title: Niccolò Fontana Tartaglia

texts: them in the sixth row. Problems with Gerolamo Cardano are one of the reasons why solution to cubic equations is best known today.In 1539, Cardano promised not to publish the solution to the equations. The solutions of three different forms of the equation were revealed by <mask>. Several years later, Cardano saw unpublished work by Scipione del ferro who came up with the same solution as <mask>. The challenge made <mask> aware that a solution existed. Cardano decided his promise could not be kept and included the solution of <mask> in his next publication. Even though Cardano credited his discovery, he was upset and a famous public challenge match resulted between himself and Cardano's student. There are a lot of stories about how <mask> devoted the rest of his life to ruining Cardano.The "Cardano–Tartaglia formula" is now referred to as the "Cardano–Tartaglia formula" by mathematicians. He was a master of solid geometry. In Part IV of the General Trattato, he shows how to calculate the height of a pyramid on a triangular base. The base of the pyramid is a triangle with edges of length and rising up to the apex from points. The base triangle has a diagonal from point to side. He calculates all three sides of the triangle using the height of the pyramid as the base. He applies a formula from the Law of Cosines to the height of a triangle in terms of its sides.His method is sound as he drops a digit early in the calculation. The volume of the pyramid is easy to get after that, since Simon Stevin invented decimal fractions in the 16th century. His approach is similar to a modern one, but he doesn't give an explicit formula for calculating the height of most or all irregular tetrahedra. There are references in the notes. The Galileo Project's work (and poetry) on the solution of the Cubic Equation at Convergence La NovaScientia can be found in

masks: Tartaglia Tartaglia Tartaglia Tartaglia Tartaglia


title: Barthélémy Toguo

texts: <mask> was born in 1967. He splits his time between Paris, France and Bandjoun, Africa. He works in a variety of media, including photographs, prints, sculptures, videos, and installations. At the cole supérieure d'Art de Grenoble, France, Toguo studied at the National school of Fine Arts. The Contemporary African Art Collection is owned by Jean Pigozzi. He built a cultural project called the Bandjoun Station from 2005 to 2007. An artist residency, an exhibition space, a library, and an organic farm can be found at the art center.It was made to promote art and culture in the community. The station has two separate buildings that are used for different purposes. The sloped roof of the main building respects the traditional architecture of the area and is topped with a ten meter high gable. All sorts of traditions can be found at the station. People are invited to appropriate this space to organize festivals related to their culture such as burials, births, and even weddings. The goal is to create social cohesion within the community. In 2011, <mask> was made a Knight of the Order of Arts and Literature in France for his ongoing engagement and creativity, helping to develop the arts and culture in France and throughout the world, and building bridges between nations with his art.In 2016 Toguo was considered for the Prix Duchamp, France's most high-profile art award. He received a fellowship from The Watermill Center in Long Island, New York. Some of the works he created for the exhibition The Beauty of Our Voice were created during his summer residency in New York. His first solo exhibition at an American museum, The Beauty of Our Voice expanded his gaze to the U.S. with new watercolor paintings, installations, photography, performance and a community art project. The UNESCO Director-General appointed <mask> <mask> as an artist for peace. Artwork Toguo addresses migration, colonialism, race, exile and displacement. He took up woodcarving in 1992.He discovered photography and video at Grenoble. In 1996 Toguo performs his Transit series, he becomes interested in performance art. He began to explore with

masks:
Barthélémy Toguo
Toguo
Barthélémy
Toguo


title: Barthélémy Toguo

texts: watercolor in the late 1990s. When he discovered his fascination with passports and their stamps, the watercolors evolved even more. The passport could be used to document an individual's travels. A variety of stamps became a visual mark of the policing of humans in this small book. His dual citizenship in France and Cameroon gave him the idea of belonging.Black Lives Matter, the refugee crisis and The Beauty of Our Voice are just some of the social movements that have informed his work. Post cards are also inspired by Barthelemy Toguo. This can be seen in his work. He traveled around the world to get these cards for the people. He asked people about their lives, current events, wars, and their hopes and dreams. Toguo would visit schools, streets, and marketplaces to gather answers to his questions. He would send a postcard to himself from the local post office.He would rather keep them and carry them with him on his trips. The collection of the Museum of Modern Art and the Studio Museum in Harlem, New York is one of the places where Exhibitions Toguo works. The Museo d'art moderne et contemporain de Saint-Etienne, France, is one of the institutions that has presented solo exhibitions of his work. Barthelemy <mask> declined participation in exhibitions because of his political views. He declined the invitation to join the Venice Biennale. He states, "What guides me is a constantly evolving aesthetic but also a sense of ethics which makes a difference and structures my entire approach." With my private initiative, Bandjoun Station, and the artistic project that accompanies it, I wanted to take on my responsibilities as a man and an artist by offering another model and reference.My name should not be associated with the collection that he has put together over the years. He will not be joining the other artists in the project, but he respects all of them. The Beauty of Our Voice will be presented at the Parrish Art Museum in New York from August 5 to October 14. His first exhibition was in an American museum. Helos, Nosbaum Reding, Luxembourg, Strange fruit, Lelong & Co Gallery, Paris, and The


title: Randy Travis

texts: <mask> (born May 4, 1959) is an American country music and gospel music singer, songwriter, guitarist, and actor. He has recorded 20 studio albums and more than 50 singles on the Hot Country Songs chart, including 16 that reached the No. 1 spot. There is one position. His album Storms of Life sold more than four million copies and was considered a pivotal figure in the history of country music. He was a major force in the neotraditional country movement. He followed up his debut with a string of multi-Platinum albums. Since the 1980s, he has been a country music star because of his distinctive vocals, which are delivered in a traditional style.He saw a decline in his chart success. He began recording more Christian material after leaving Warner Bros. Records for Word Records. Although the career shift produced only one more number-one country hit, "Three Wooden Crosses", he went on to earn several Dove Awards, including Country Album of the Year five times. He has released archival recordings and made limited public appearances since his stroke. In addition to his singing career, he pursued an acting career, appearing in numerous films and television series, including The Rainmaker, Black Dog, Texas Rangers, National Treasure 2, and seven episodes of the Touched. He appeared in two episodes of the show. He has sold over 25 million records and has won many awards, including a star on the Hollywood Walk of Fame.He was in the Country Music Hall of Fame. <mask> Traywick was born on May 4, 1959 in Marshville, North Carolina, as the second of six children of Bobbie and Harold Traywick. Ricky and his brother were

masks:
Randy Bruce Traywick
Randy Bruce


title: Randy Travis

texts: encouraged to pursue their musical talents by their father, who was a fan of Hank Williams, George Jones, and Lefty Frizzell. <mask> began singing and playing guitar at the age of eight. The Traywick Brothers began performing at local clubs and talent contests after two years. Although his father encouraged him in his pursuit of music, he later became a juvenile delinquent and was arrested for various offenses, which contributed to him dropping out of high school. He has expressed regret for his past misdeeds.<mask> won a talent contest in Charlotte, North Carolina in 1975. The owner of the club took an interest in the young singer, hired him as a cook, and gave him regular singing jobs at the club. <mask> worked at Country City USA in the late 1970s. He had one more encounter with the law when he was in his late teens. If the judge ever saw the singer again, he should be prepared to go to jail for a long time. Hatcher became his manager. The two were focused on his career.He started recording for Paula Records in 1978. His first single with the label, "Dreamin'", failed to chart. A second single, "She's My Woman", was released in September 1978 and spent four weeks on the Hot Country Songs chart. There was never a full album on Paula Records. It put more strain on her marriage when she moved in with Hatcher. She and her husband moved to Tennessee in 1982. An unlikely romance began to form between the two."I think we discovered how much we needed each other," he said. He and Hatcher were married in a private ceremony in 1991. In the early 1980s, every major record label in Nashville rejected him. His demo

masks: Randy Randy Randy


title: Randy Travis

texts: tapes were criticized for being too country. Hatcher took a job as manager of a nightclub, The Nashville Palace, and hired a singer named <mask>, who performed under the name <mask>. Hatcher used the Live at the Nashville Palace album to get a deal with Warner Bros. Records' Nashville branch. As part of the contract, label executives insisted they keep their romance a secret, and changed his stage name back to <mask>."On the Other Hand" was released by Warner Bros. Records in 1985. The country charts have 67 on them. "1982" became a Top 10 hit. "On the Other Hand" was re-released by Warner Bros. in 1986 and became the first No. There was one single on that chart. "No Place Like Home" and "Diggin' Up Bones" were included on his major-label debut, Storms of Life. The 2 position on the country charts was in 1987."On the Other Hand", "Diggin' Up Bones", and "No Place Like Home" were all written by Paul Overstreet. In 1992, Storms of Life was certified triple-Platinum by the RIAA for shipments of 3 million copies. The album's producer was Kyle Lehning, who would also serve in this capacity for nearly all of <mask>'s subsequent albums. In December of 1986 he became a member of the Grand Ole Opry. There was a second album for Warner Bros. It accounted for four singles, all of which were No. "Forever and Ever, Amen", "I Won't Need You Anymore", "Too Gone Too Long", and "I Told You So" are all co-written by Overstreet."forever and ever, Amen" held the top position for three weeks. The Best Male Country Vocal Performance was won by Always & Forever. His third album, Old 810, was released in July 1988. "Honky Tonk

masks:
Randy Ray
Randy Ray
Randy
Travis


title: Randy Travis

texts: Collaboration with Vocals for Same Old Train. You and You Alone was issued by him later in 1998. The album was co-produced with James Stroud and Byron Gallimore. Vince Gill, Alison Krauss, and Melba Montgomery were featured on the disc. The track "I Did My Part" has backing vocals from Patrick Swayze. "Out of My Bones", "The Hole", "Spirit of a Boy, Wisdom of a Man", and "Stranger in My Mirror" were its singles. A Man Ain't Made of Stone was his second album.The title track produced a Top 20 hit, but three other singles did not make the top 40. Christian country music dominated his career from 2000 onward. Word Records issued his first full album, 2000's Inspirational Journey. "Baptism" was originally recorded as a duet by Kenny and <mask> on Kenny's 1999 album Everywhere We Go. The solo version of the song appeared on the show. In the late 2000s, 75 appeared on the country charts. The patriotic song "America Will Always Stand" was recorded after the September 11, 2001 terrorist attacks."Three Wooden Crosses" was one of the most successful Christian country music albums of all time. His 16th and final No. was released in December 2002 as the lead single to his album Rise and Shine. In early 2003 there was a single. In 2003 it was followed by Worship & Faith. The RIAA gold certification was earned three years after the album's release. In 2003 and 2004, Worship & Faith and Rise and Shine were both nominated for the Best Southern, Country, or Bluegrass Gospel Album award. His last solo chart entries were "Angels" and "Four Walls".His first Christmas album, Songs of the Season, followed in 2007, while Glory


title: Randy Travis

texts: perform again after three years of rehabilitation and therapy.He was inducted into the Country Music Hall of Fame on October 16, 2016 and performed a song. At the Hall of Fame ceremony, it was clear that he was not recovered. A disabled right hand, limited speech, and severely impacted singing ability are just a few of the permanent damage that <mask> has sustained. While he continues to make public appearances, he no longer sings due to anxiety. He appeared on-stage with Michael Ray during a cover performance of "Forever and Ever Amen" in June 2017, to which he contributed the final "Amen." He did it at his 60th birthday party thrown by the Grand Ole Opry. He announced his return to touring in September.James Dupré is the lead vocalist on the tour and he is singing with the backing band. Due to unforeseen production and technical issues related to the elaborate content of the show, it was cut back to three concerts just before the tour began. "Fools Love Affair" was released in 2020. His first song to be on the radio since his stroke was recorded at the beginning of his career. Discography Storms of Life, Old 810 and No Holdin' Back were released in 1987. Influence Vol. 1: The Man I Am. The Man I Am is a film about a man and his


title: Walter Garstang

texts: <mask> FLS FZS (9 February 1868 to 23 February 1949), a Fellow of Lincoln College, Oxford and Professor of Zoology at the University of Leeds, was one of the first to study the functional biology of marine arthropods. His best known works were his poems, which were published as Larval Forms and Other Zoological Verses. They show some controversy in evolutionary biology of the time, as well as describe the form and function of several marine larvae. The vehement opposition to the Biogenetic Law of Garstang was discredited. <mask>'s theory is a hypothesis that suggests an alternative route for evolution from echinoderms. <mask> was the oldest son of Dr <mask> and his wife Matilda Mary Wardley and older brother of the archaeologist <mask>. Lucy and <mask>g had a son.They have five daughters. He was awarded a scholarship to Jesus College, Oxford at the age of 16 and was initially going to study medicine. He graduated from the school of Zoology at the age of 20 under the guidance of Henry Nottidge Moseley. Garstang was offered a position as secretary and assistant to Gilbert C Bourne, the new resident director of the Marine Biological Association of the United Kingdom. He met Ray. He was a research fellow at Owens College in Manchester in 1891. In 1893, Garstang was elected a Fellow of Lincoln College, Oxford.In 1895, while Ray Lankester held the Linacre Chair, he became a lecturer at Lincoln College and started a series of Easter classes in which he took students on week-long field courses. Garstang worked for the MBA as the principal investigator on the North Sea. The Centre for Environment, Fisheries and Aquaculture Science is a part of the Ministry of Agriculture, Fisheries and Food in the United Kingdom. Under the auspices of the newly formed International Council for the Exploration of the Sea, Garstang instigated a series of detailed fisheries surveys throughout the southern North Sea. <mask> was the Professor of Zoology at the

masks:
Walter Garstang
Garstang
Walter Garstang
Walter Garstang
John Garstang
Walter Lucian Garstan
Garstang


title: Walter Garstang

texts: University of Leeds from 1907 to 1933. The university named the building after him. The Robin Hood's Bay Marine Laboratory was established in 1912 by him and Professor Alfred Denny.The Faculty of Pure Science unanimously approved the proposal to extend the work of the Department of Zoology by co-operating with the University of Leeds in establishing a small marine Zoological Laboratory at Robin Hood. Garstang's hypothesis was that the hemichordates and echinoderms evolved from the larvae of another group. They are bilaterally symmetric. They are similar to hemichordates in that they have a hollow neural tube and pharyngeal slit. Garstang's idea has been supported by many lines of evidence. The fact that some salamanders can stay in their original form and still reach sexual maturity is intriguing. Mud puppies and other salamanders show neoteny, which is retention of juvenile traits after sexual maturity, when they show this refusal to leave the larval stage.Garstang's hypothesis was revolutionary for both its time and idea, as it suggests that not only may single species evolve, but that single life stages of species may evolve into each other. The hypothesis, which Garstang proposed in the early 20th century, was not supported until after Garstang's death. Two years after his death, Larval Forms and Other Zoological Verses was published, a collection of 26 poems by Garstang. Although they were published posthumously, Garstang never published them because he always thought he would add to them. Everything in the final publication, including the title and order of the poems, was his own work. The scientific theories of the time were the subject of many of his poems. There is an evolutionary relationship between the Axolotl and the Ammocoete.Only a few months before he died, <mask> had drafted a communication to Nature to put forward his latest suggestion that Amphioxus might be regarded as a paedomorphic ammocoete-like larva of a


title: Walter Garstang

texts: Cyclostome. The knowledge and theories of 1922 are reflected in most of the poems. Some of the animals in the poems have speaking parts. The Ballad of the Veliger, <mask>'s most famous zoological verse, was first published in 1928 and privately printed. He gave the Presidential Address to the Zoology section at that year's BA meeting. The Veliger's a lively tar, the liveliest afloat, but when the danger signal warns his bustling submarine, he stops the engine, shuts the port. The first pelagic motor-craft he sailed was just a tub, with a tiny cabin behind it.Young Archi-mollusks went to sea with nothing but a velum, a sort of autocycling hoop, instead of pram, and one by one acquired parental features. They brushed against their neighbours in the briny, but one weak spot was betrayed and they fell an easy prey. Their feet, amidships, next the cuddy-hole abaft, Drew in at once, and left their heads exposed to every shaft, when the race was sinking fast. The starboard halliards fixed astern alone supplied the head, while those set aport were spread abeam and served the back. Their dining plans were frustrated by tactics which their prey upon alarm collapsed, with the tender morsel safe within and the horny foot without. This maneuver (fide Lamark) speeded up with repetition, until the parts affected a rhythmical condition, and torsion, needing now no more a stimulating stab, will take its course in a watchglass in the lab. The Veliger, triumphantly askew, acquired his cabin for'ard, holding all his sailing crew, with a foot to work the hatch, and double screws to drive ahead with smartness and despatch.The Archi-mollusk gave up the ghost after the first new Veligers came home. Some of Garstang's archival material and documents relating to the Easter Classes can be found in the National Marine Biological Library. Some archival material is in the Special Collections. There are External links to Larval Forms and Other Zoological


title: Kōnosuke Matsushita

texts: Panasonic is the largest consumer electronics company in Japan. The "god of management" is <mask>. <mask> was born in Wakayama Prefecture. One of the wealthiest men in his community was his father, who was an affluent landlord in the farming village of Wasa. After graduating from high school, <mask> was sent to Osaka to work for a hibachi store. <mask> was left looking for other employment after the business failed less than a year into his apprenticeship. He applied for a job at the Osaka Electric Light Company.He was promoted several times over the next couple of years. After meeting one of his sister's friends, <mask> married her. <mask> was aware of his new responsibilities as head of a new family. He was promoted to the position of electrical inspector at the age of 22. <mask> tried to introduce his boss to the invention of a new and improved light sockets that he had created in his spare time. His boss was not enthusiastic. <mask> left Osaka Electric Light Company in 1917 to set up his own company.Without capital, a formal education, or experience in manufacturing, it would appear the company would fail before it even began. The basement of his tenement was where he set up his shop. Several samples of his product were created with his wife, brother-in-law, and several assistants. He was unsuccessful in trying to sell the samples to wholesalers because he did not offer more than one product. <mask>'s assistants left his company and he was left with only his wife and brother-in-law, who proved to be a capable salesman and manager. He was saved by an order for a thousand insulator plates for electric fans. <mask> was able to continue making light

masks:
Matsushita
Knosuke Matsushita
Matsushita
Matsushita
Matsushita
Matsushita
Matsushita
Matsushita
Matsushita
Matsushita


title: Kōnosuke Matsushita

texts: sockets.As wholesalers realized the product was better in quality and less expensive than comparable products in the market, they became popular. He had to pawn his wife's kimono when he was short of money in the early years of the company. Matsushita's products were originally marketed under the name "National" and later moved on to the more recognizable names of Panasonic, Quasar and Technics. The invention of a more efficient battery-powered bicycle lamp was one of <mask>'s best products. Bicycle lamps were candles or oil-burning lamps during the 1920s. They only lasted for three hours. He created a lamp that used a battery and a bulb.He had to personally market his products. <mask> was trying to introduce his bicycle lamp to wholesalers when he learned a very important lesson. Even if he had a product that was superior to anything else in the market, it wouldn't matter if he couldn't sell it. <mask>'s company was placed on the map in Japan's electrical manufacturing and retail industry after he began to develop ways to create sales channels for his products by concentrating less on manufacturing and more on building a sales force. He started setting up a new structure for his company. There were branches of the company that specialized in a particular product. The bicycle lamp and battery division, the electrical sockets division, and the radio division were all being created by <mask>'s company.Each product had a national sales department with regional offices in strategic locations. The coordination of sales and manufacturing was done by these regional offices. The products were made based on demand. Manufacturing was dependent on sales. After World

masks: Matsushita Matsushita Matsushita Matsushita


title: Kōnosuke Matsushita

texts: War II, General Douglas MacArthur decided to break up the business conglomerates of Japan. A petition signed by 15,000 employees saved <mask> from being removed as president. Sanyo Electric was founded in 1947 after Knosuke lent his brother-in-law a manufacturing plant to make bicycle lamps.Matsushita's company was one of the world's largest manufacturers of electrical goods from 1950 to 1973. Masaharu <mask> succeeded his father-in-law, <mask>, as president of Panasonic in 1961. The current vice-chairman of Panasonic and a former driver in the Champ Car series are both grandsons of Konosuke <mask>. Swift Xi is located in Kobe, Japan, and is chaired by Hiro <mask>. Konosuke <mask> retired from Panasonic's operations in 1973. <mask> gained a significant stake in the manufacturer by forming an alliance. It still has a 50% share.<mask> wrote 44 published books after he retired. One of his books sold over four million copies. The Matsushita School of Government and Management was founded at the age of 84 by him. The Grand Cordon of the Order of the Paulownia Flowers was awarded to him in 1987. He died from pneumonia at the age of 94. He left a company with US$42 billion in revenue. The Grand Cordon of the Order of the Paulownia Flowers was awarded on April 29, 1987.Konosuke <mask> was honoured with a Professorship in International Strategy and Management. The dialogue was published in Chinese, Korean, and Japanese. The Matsushita Phenomenon was published by the Diamond Publishing Company. Konosuke <mask>'s The Path was published by McGraw-Hill in 2010. The Matsushita Institute of Government and Management was founded in 1894 by Konosuke <mask>, the founder of

masks: Matsushita Matsushita Matsushita Matsushita Matsushita Matsushita Matsushita Matsushita Matsushita Matsushita Matsushita


title: David Rudisha

texts: <mask> is a middle-distance runner. He is the 2012 and 2016 Olympic champion, two-time World Champion, and world record holder in the 800 metres. He started his running career at St. Francis Kimuron High School. He is the first and only person to ever run 800m under 1:41, and he holds the three fastest times, six of the eight fastest, and half of the twenty fastest times ever run in this event. He holds the world's best time in the 500 metres, with a time of 57.69, and the African record for the 600 metres, with a time of 1:13.10. In the last three years, <mask> has won a record three consecutive Track & Field Athlete of the Year awards, tied with Carl Lewis. On December 17, 1988 in Kilgoris, Narok County, <mask> was born.In April 2005, whilst under Brother Colm's guidance, Japheth Kimutai, who was trained by Colm, recommended <mask> to James Templeton, which led to her joining the group of runners managed by Templeton. He switched to 800 m because his coach, Irishman Colm O'Connell, wanted him to run that distance. At the World Athletics Championships, <mask> reached the 800 metres semifinals. The 25-year-old record of 1:45.28 was set by Sammy Koskei, but the new African record of 1:45.01. He was in fourth place on the all-time list. He took on Abubaker Kaki in the 2010 Diamond League. He defeated Sebastian Coe's 31-year-old meet record with a run of 1:42.06, giving him another place in the top-ten fastest ever 800 m and leaving Kaki the fastest ever non-winning time.On 10 July 2010, <mask> ran the 800 m in 1:41.51 at the KBC Night of Athletics in Heusden, Belgium; this new personal record placed him No. Two days before the anniversary of Wilson Kipketer's 800 m World Record, <mask>

masks:
David Lekuta Rudisha
Rudisha
Rudisha
Rudisha
Career Rudisha
Rudisha
Rudisha


title: David Rudisha

texts: broke it with a time of 1:45.09 at the ISTAF meeting in Berlin. At the Rieti Diamond League Meeting, he lowered the record to 1:41.01. He won an award in his country. At the 2012 adidas Grand Prix in New York City, <mask> set the United States all comers 800 m record with a time of 1:41.74. He guaranteed his selection for the Olympic team for the first time with a win at the Kenyan trials, running a time of 1:42.12 minutes, the fastest ever recorded at altitude. The world record for the 800 m was set by <mask> at the London 2012 Olympics.He has the three fastest times and six of the top eight times in the 800m. On August 9, 2012 at the 2012 Summer Olympics in London, <mask> led from start to finish to win the gold medal in the 800 meter race. He broke the 1:41 barrier for 800 m, becoming the first and only runner to do so. His lead had grown to several metres. He pulled away until the final straight, where second place Nijel Amos was able to gain some ground. The gap was too great to close, and <mask> crossed the line in a world-record time. The competitors all ran fast times.The race is best told in 16 letters, according to <mask>. Amos, the silver medal winner, had to be carried from the track on a stretcher after setting the world junior record. "It was the greatest depth 800m race in history, with two men under 1:45, five under 1:45, and all eight under 1:44," said the IAAF. The fastest time in history was run by every competitor. It was the first time in the history of the 800m that every competitor ran a personal or season's best. The time set by the eighth-ranked Andrew Osagie, a personal best of 1:43.77, would have won gold at the three preceding Olympic games in Beijing,

masks:
Rudisha
Rudisha
Rudisha
Rudisha
David Epstein


title: David Rudisha

texts: Athens and Sydney. His world record was set in 2010 and he was the first man to go below 1:41."The splits triggered amazement: 23.4 secs for the first 200 m, 25.88 secs for the second, a critical 25.02 for the third and 26.61 to bring it all home." The absence of pacemakers is not allowed at the Olympics or other major championships. The previous person to win an Olympic 800 m final with a world record was back in 1976. The first reigning 800 m world champion to win an Olympic gold was <mask>. Sebastian Coe, who held the 800m world record for 17 years, said that the performance of the Games was more than just track and field. He said that Bolt and <mask> were great. It was the most extraordinary piece of running I have ever seen.Coming into the race, <mask> had been in good shape, havingclocked a staggering 1:42.12 minutes at high altitude during the Kenyan Olympic trials. He said the race was easy. "It would be good for me to win gold, so we can have gold and silver in our family," he joked before the race. I can tell him that I am better than him. He admitted that it would be the greatest 800 race of his life because he won it in front of Sebastian Coe who held the record for 17 years. The race was supposed to be a run for his community and tribe. The Association of National Olympic Committees Award for Best Male athlete of London 2012 was given to <mask>, as well as the honour of Moran of the Order of the Burning Spear (MBS) from the government of Kenya.He was unable to compete at the World Championships because of an injury. At the New York Diamond League meeting in June 2015, <mask> won the 800m with a time of 1:45.88. At the World Championships in China, <mask> won his second

masks: Rudisha Rudisha Rudisha Rudisha Rudisha Rudisha