title: Hilda Rix Nicholas

texts: <mask>, also known as Wright, was an Australian artist. She studied at the National Gallery of Victoria Art School and was an early member of the Melbourne Society of Women Painters and Sculptors. After the death of her father in 1907, <mask> and her mother traveled to Europe where she undertook further study, first in London and then Paris. John Hassall was one of her teachers. <mask> had several successful exhibitions of her work, with one drawing, Grande marché, Tanger, purchased by the French government. One of the first Australians to paint post-impressionist landscapes, she was made a member of the Société des Peintres Orientalistes Franais, and had her works hung in the Paris Salon. After the outbreak of World War I, a family evacuated from France to England.<mask>'s sister died in 1914 and her mother died in 1915 during a period of personal tragedy. She was widowed after <mask> was killed on the Western Front. After returning to Australia in 1918, <mask> <mask> held an exhibition of over a hundred works at the Guild Hall. In Picardy was purchased by the National Gallery of Victoria. <mask> <mask> returned to Europe after painting in rural locations in the early 1920s. An exhibition in Paris in 1925 led to the sale of her work In Australia to the Musée du Luxembourg, followed by an extensive tour of her paintings around regional British art galleries. The International Society of Sculptors, Painters and Gravers and the Royal Academy of Arts in London hosted her work.She was made an Associate of the Société Nationale des Beaux-Arts after several of her works were included in a Paris exhibition. During her travels in the early 1920s, <mask> <mask> met the man she married in 1928. The only child of the couple was a boy named <mask> Wright, who was born in 1930. <mask> <mask>, a critic of modernism and disdainful of emerging major artists such as Russell Drysdale and William Dobell, grew out of step with trends in Australian art. Her pictures followed a conservative 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 She held her last show in 1947. Rix Nicholas lived at Delegate until 1961.Her works can be found in the Art Gallery of South Australia, Australian War Memorial, National Gallery of Australia, and the National Gallery of Victoria. After moving to Australia with their families, Henry and <mask> met and married in Victoria in 1876. They had two daughters, <mask>, who was born in 1884, and Elsie Bertha, who was born in 1877. The <mask> family was energetic and gifted. Henry, a mathematics teacher, was appointed a district Inspector of Schools in the 1880s, and he was also a poet who wrote in support of the Australian Federation. Elizabeth was a singer who performed with the Ballarat Harmonic Society and assisted in her parents' music business. She had a studio and a committee member of the Austral Salon, which was a meeting place for intellectual women interested in the fine arts.She chose still lifes and flowers as her subjects, though she painted large landscapes in the region. The <mask> sisters were 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 The sisters collaborated on designing posters for the Salons, as well as being a singer and actor who performed at the meetings of the Austral Salon. As a child, he was interested in drawing. Rix was praised for her artistic efforts while she was in high school, but she was not an outstanding student. Both took art lessons with a man named Mr. Mather, before they attended the National Gallery of Victoria Art School, where they were taught by a leading Australian Impressionist. Most of her fellow students were women.<mask> referred to his methods as "vague persuasions". John Pigot, the author of the only comprehensive biography of <mask>, thought that he had influenced her in several ways: he emphasized the creativity of individuals rather than imitating the style of any one school of painting, he modelled the importance of nationalistic ideas and subjects that would become so prominent, <mask>'s drawings were included in annual exhibitions at the Victorian Artists' Society and the Austral Salon. She was a professional illustrator for textbooks and a periodical, the School Paper, published by the Victorian Department of Education. The <mask> family's works were included in the exhibition in 1903. The 2012 book, In Search of Beauty, contains pages from one of <mask>'s early sketchbooks. Although she described the works as her "very earliest drawings when a child in Melbourne", the dated pages indicate they were created up until at least the age of twenty.The settings and dress of her subjects reflect the relatively affluent and educated lifestyle of the <mask> family. It was common for aspiring Australian artists to seek further training in Europe. In 1906, <mask> purchased first-class tickets to travel with his family to study British education reforms. It appeared that the trip might not happen after Henry died suddenly. Henry was denied a widow's pension because he was too young for his wife to be eligible, so the family had to find a way to get to Europe. By combining an inheritance, rental income, and money raised through the sale of works by both mother and daughter, they were able to trade the first class tickets for second class berths and set sail for England in 1907. <mask> was advised by the painter Arthur Streeton to study with many different masters as a means of preserving her own originality.Her career reflected that advice. John Hassall, one of her first teachers, initially protested that she was already a better drawer than himself. Pigot credits Hassall's simple and direct style with influencing the artist's later practice. In 1907, <mask> moved with her sister and mother to Paris, where they lived in Montparnasse. She met with E.Phillips Fox, went on sketching expeditions to the Jardin du Luxembourg, and became a student of Auguste Joseph Delécluse. She thought his approach to colour was too drab. She was taught by an American impressionist.She did not follow his penchant for pretty compositions, preferring to use more direct and clear images. She studied with a Swiss-born illustrator at the Académie de la Grande Chaumire. <mask> spent summers traveling with her mother and sister. They traveled through France and Italy and then to the artists' colony at the fishing village of taples in northern France. Jules Adler, a Frenchman who took an interest in <mask>'s work, was one of the artists who were active there. A student from a wealthy Dutch family met a woman in 1909. Mrs <mask> agreed to marry him after he asked her for her approval.An initial engagement turned sour when <mask> found her prospective husband dominated by his mother, who disapproved of the match. <mask> broke off the engagement. <mask> and two other Australians, Arthur Streeton and George Bell, were hung at the Paris Salon in 1911. At the time Henri Matisse was painting from the models of the academy, it was offering an open studio to its students. She became only the second Australian to have a work acquired by the French government, and is considered by Australian curator Elena Taylor to be the most successful of the Australian artists in France. Many women artists visited and worked in north Africa in the late 19th and early 20th century, and <mask> twice visited the region, resulting in some of her most significant artistic development and works. In January 1912, she joined a group of people, including an American painter and his wife and a Miss Simpson.<mask> viewed the work of Velzquez in Spain. A place where many other artists had sought inspiration was where the party was headed. The painter Jean-Joseph Benjamin-Constant lived and painted there in the 1870s. The same models were used by Henri Matisse and <mask> when they traveled to Tétouan. <mask> spent time in the open-air market place or soko in Tangier sketching and painting. Her enthusiasm for the place was evident from her correspondence, in which she said that she spends nearly every day there and that she has done 16 drawings and two oil things so far. The sun is shining and I must savesay savesay savesay savesay savesay must savesay savesay savesay savesay must savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesay savesayMany artists who visited Morocco had an effect on <mask>. Most paintings were created in high-keyed colors that captured the intense north African light and focused on the figures, dress and activity of the people. One interpretation of the perspective of <mask> is that she was an orientalist. Pigot considered how <mask>'s works emphasize the exoticism of the locations she portrays. Representing the Orient through the objective depiction of costumes and dress maintained the counterfeit truthfulness of orientalist imagery, concealing the reality of oriental life and the violence that underscored the colonial project. The exoticism of the East and its sense of cultural 'otherness' were embodied by <mask> <mask>'s costumes. Hoorn believes that <mask> and her sister were to a significant extent counter-orientalist, as they focused on the common nature of human experience rather than cultural expressions of difference.She uses the bright light of north Africa to help bring out the structures and shapes that made up visual impressions. She did not seek out or embellish her pictures with the "orientalist" stereotypes that she had learned while growing up in Australia. She tries to present an accurate account of the dress, manners and appearance of her subjects. The most abstract, flat and post-impressionistic of <mask>'s career has been described. They stayed in the same hotel for nearly two months, traveled to Tétouan in the same week, and may have taken a photograph together. She was one of the first Australians to paint post-impressionist landscapes, including Men in the Market Place and View of Tangier. They show the development of her style at the time, with loose brush strokes, a palette confined to a few low-keyed colors, and an emphasis on shadow and light, affecting both the overall impression made by the picture and the treatment of individual figures.The 1912 trip was a landmark in her work and led to several exhibitions. One of the few books about the artist's work is Jeanette Hoorn's Hilda Rix Nicholas. One of her pictures of the market in Tangier was purchased by the French government and another was displayed at the Paris Salon. The drawing Grande marché, Tanger was purchased by the French government. The drawing was praised in the French edition of the New York Herald, but not by the reviewer of The Sydney Morning Herald, who described the central figure as "grotesque in its want of finish". The reviewer was at odds with the prevailing sentiment. Her success was reported in many Australian papers.She was invited to exhibit in Paris in 1913 and 1914, as well as displaying the results of her trip at the Salon. The society made <mask> a member. There was a solo exhibition at Galerie J Chaine and Simonson. Her work was illustrated in the Notre Gazette and the French press reported her exhibitions. She returned to Tangier again in early 1914, this time with her sister, who also drew and wrote, but whose main purpose was to provide her sister with company, assistance and protection from curious onlookers while she painted. <mask> painted frequently at the soko, where she attracted a lot of attention and sometimes disrupted the flow of traffic as she sketched. The sisters returned to England and then to France, where <mask> spent the summer in taples, until the outbreak of World War I.Disaster 1914–18 was the beginning of a terrible period in her life. During the crossing from France to England, <mask>'s mother Elizabeth deteriorated. When they landed, Elizabeth was taken to the hospital and later moved to a nursing home, where her other daughter fell ill with typhoid. <mask> moved between her two family members after her mother died. She didn't tell her mother the news for three months because she was afraid it would hurt her. As the war continued, <mask>'s artistic output dwindled to nothing. Elizabeth died in March 1916.All of <mask>'s relatives were dead when she was thirty years old. She wrote that she couldn't put one foot in front of the other and walked like an old thing. An Australian officer, Captain George Matson <mask>, was posted to taples in France. The female Australian artist had to leave her paintings behind when she and her family moved to England. <mask> reached out to the artist when he was on leave because he admired her work. He and <mask> were married on October 7, 1916, at St Saviour's, Warwick Avenue in London. She was widowed five weeks after he returned to duty, when he was killed during a battle on the Western Front.<mask> <mask> wrote in her diary that she had lost the will to live, but her grief eventually found its expression in three paintings, titled And Those Who Would Have Been Their Sons, They Gave Their Immortality, Desolation and Pro Human. The second of these paintings, which was destroyed by fire in 1930, depicted a gaunt and teary woman shrouded in a black cloak, staring at the

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Emily Hilda
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title: Hilda Rix Nicholas

type: paraphrased

texts: viewer amidst a battlescarred landscape, featureless but for the crosses on distant graves. A drawing made as a study for the work is in the National Gallery of Australia. There was a portrait of a woman cradling a child. Desolation is almost gruesome in the grim depiction of the figure typifying all the widowed world in one lone woman. She was lost in an awful reverie over the battlefield. The work is wasteful.The tragedy of her short marriage to <mask> was conveyed in Pro Humanitate, but it was destroyed in a fire. There were panels representing a happy couple in an outdoor vista, the moment of death of a soldier, and the grieving widow. Her representation of widowhood was unusual for its time, and her depiction of "the ruin caused by war" was more personal than those of other artists of the last years of World War I. In March 1918, <mask> <mask> and her brother-in-law arrived in Australia after leaving England. <mask> <mask> began to reconstruct her career as a professional artist after the encouragement of artist Henrietta Gulliver and the members of the city's Women's Art Club. It didn't take long. A critic described her as the "dominating personality of the show" when her works were displayed at the Athaeneum Hall.There was an exhibition of her European and north African paintings, sketches and drawings in the Guild Hall. In Picardy was purchased by the National Gallery of Victoria. The artist's success in Paris and London, as well as her appreciation of character and talents for observation and representation, were praised by the reviewer for The Argus. The exhibition received positive reviews from both newspapers and her peers, such as Antonio Dattilo Rubbo and Grace Cossington Smith. Several of her works were purchased by the Art Gallery of New South Wales. In 1919, <mask> <mask> moved to Mosman, where she made new friends and produced a range of landscapes and outdoor portraits. In September 1920, the artist's show in the Queen Victoria Markets received a positive review in the press.Pigot believes that her place in the Australian art world at the time was complex and that her style was affected by the debate around the emergence of modernism. <mask> <mask> abandoned her more experimental art because of her experience of Australia and the deaths of her friends. This had a negative effect on her career. According to Pigot, her refusal to conform to the gendered expectations of the Australian artistic establishment led to her rejection. The trustees of the Melbourne Public Library launched a competition in 1922 for a mural to commemorate the Great War. <mask> <mask> quickly prepared and submitted an entry after learning of the competition. The trustees met to consider the entries received after the judges submitted a report.The trustees voted six to five to grant the commission to Harold Septimus Power despite the fact that he had not fulfilled the conditions of entry; they then hid the judges' report from publication, and delayed awarding any prize. <mask> <mask>'s entry was reported to be one of the top three. <mask> <mask> and some former soldiers wrote letters to the newspapers about the incident. The fact that <mask> <mask> was a woman meant that she was denied an equal place within the discourse. Around the time <mask> <mask> offered Pro Humanitate, the Australian War Memorial was building a collection of art. The acquisitions said it was too intimate a character for inclusion in a public collection. The Memorial eventually decided to purchase one of her works portraying a French woman, but not the other work which depicted an Australian soldier.According to Pigot, this reflected the gendered approach taken by institutions, which considered that subjects suitable for portrayal by artists were dependent upon their sex. It may have been influenced by the Memorial's strategy of acquisition of portraits of senior officers. Her works were popular with the soldiers themselves, and in this way they actively shaped the image of the digger. <mask> <mask> was committed to nationalist ideals and the representation of Australia in his paintings. At the time of her 1919 exhibition, <mask> <mask> commented that she wanted to show the people of Europe what was possessed in a land of beauty where the colour scheme is so different, and which sent so many men to the struggle for liberty. She was following in the footsteps of the Australian Impressionists and writers who extolled the virtues of the bush and pioneer life. A small town on the border of New South Wales and Victoria, Delegate was where <mask> <mask> set out to paint.In Australia, His Land, and The Shearers are some of the works she created here. The Three Sisters, Blue Mountains is in the collection of the National Gallery of Australia. <mask> <mask>'s portraits were often of women, such as in The Magpie's Song and Motherhood, while Australian patriotic imagery was very male-dominated. <mask> <mask> held a solo exhibition in August 1923. She was described as the strongest woman painter Australia has yet produced by the reviewer at the Sunday Times. <mask> <mask> disliked being thought of as a "woman" artist, but she took such reviews as complimentary, given how disrespectful they were when considering paintings by women. In 1924, <mask> <mask> set sail for France, intending to exhibit her works in Europe.The Australian Olympic team was also on the Ormonde. She befriended several of the team members and painted a portrait of one of them. The studio <mask> <mask> Bonheur. An exhibition at the "prestigious" Georges Petit Galerie in Paris in January 1925 was a great success. It led to important sales, including to the Musée du Luxembourg, making her the only Australian woman to have more than one work in its collection and, according to one report, one of only three Australian artists represented at that time. The exhibition led to a tour of her works to London and British regional galleries, the first time any Australian artist had archived such prominence. The Luxembourg bought a portrait of Ned Wright, the manager of the property at Delegate, in Australia in 1925.He is depicted on horseback, a pipe clasped in his exposed and bright teeth, with a panoramic backdrop of an Australian pastoral landscape. His stance is casual, self-assured and heroic, consistent with the up-beat nationalism of Australia at the time. The Royal Academy of Art and the International Society of Sculptors, Painters and Gravers were both in London in 1925. His Land, which was displayed at the Beaux Arts Gallery in London in December, was described as having the rare quality of conveying the spirit of life in the Commonwealth as well as portraying that life visually. The work suggests the strength and vitality that <mask> <mask> advocated should be found in Australian painting. <mask> <mask> created one of the largest works of her career that year. The portrait of a young woman in fashionable eighteenth-century clothing is "unnerving" and "arresting".In a mannerist style, the subject faces the viewer yet is looking away, her pose tense, expression unreadable, with a bunch of discarded flowers on the ground next to her enormous formal dress. Although portraying a young lady, the person chosen to sit was a professional model with a reputation for being cantankerous. The pastiche created in this work is a striking example of the artistic style of the 16th and 17th century. It was painted with the intention of having it hung at the Paris Salon, and reflected the scope of <mask> <mask>'s abilities and ambitions. While she exhibited many of the Australian works completed before arriving in France, she was also creating many new works, including illustrations and portraits of traditional life and costume, produced during a summer in Brittany. One of <mask> <mask>' paintings, Le Bigouden, was hung in the Royal Academy of Art in London. She had eight works at the Spring exhibition in Paris, a large number for a single artist.She was elected an Associate to the organisation in that year, and the Société hung many of her paintings and drawings. At the end of the 20th century, <mask> <mask> and his wife returned to Australia. <mask> <mask> was so inspired by her success that she purchased a car, filled it with painting equipment, and set out to paint the landscape. She painted figures on the beach at Bondi during a publicity-attracting event, which was reported by various publications. <mask> <mask> met the Wrights in the early 1920s, including Ned, the subject of In Australia. After returning to the district, she married the man she had married in June of 1928, in the Snowy Mountains. She continued to use the name <mask> <mask>.She had visited the region at the beginning of the decade and found out that her friend was married to a cousin of Wright. <mask> <mask> and her husband had a son in 1930. It is difficult to understand the position of individual artists within the period between the wars in Australian art. <mask> <mask> was influenced by impressionist ideas and techniques in France and North Africa in the 1910s. She entertained Roy de Maistre, one of the first Australians to experiment with synchromism, and asked him to share more about his theory. She did not respond to radical ideas when she moved to rural Australia. This was seen as a rejection of trends and themes.<mask> <mask> made a conscious decision to maintain her own creative direction. "<mask> <mask> did not identify as a woman artist or a modernist but simply as an artist working outside any movement or style, who remained disinterested in the debates in Sydney over modern art trends." Jeanette Hoorn noted that there was no market for post-impressionist painting in New South Wales in the 1920s. <mask> <mask> focused on portraits to build on her success. As in The Fair Musterer, women were portrayed enjoying active rural life and working the land, as well as in domestic or family scenes. Women caring for a young son in a rural setting is depicted in several images. Her most stereotypically feminine work was The Summer House, which shows two of <mask> <mask>'s friends with some freshly cut flowers, in a setting that, unlike most of her works of the period, screened out the surrounding landscape.It was a picture that <mask> <mask> never publicly displayed. Reviewers in the 1930s pigeon-holed her work in terms of conventional gender roles, yet it has become one of her best known works. There were a number of exhibitions by <mask> <mask>. She became out of step with the public, who bought few works at her last solo exhibition in 1947, and with some critics, who either rejected her work or critiqued its lack of novelty. Mrs <mask> <mask> is very gifted and she has her own individuality as an artist, but her personal outlook is not so much that of an artist with startling things to say, as of a healthy fellow-Australian who loves the familiar beauty of our landscape. While he thought some of her work was strong, others were critiqued as "nothing more than pretty and sentimental", and he was considering a 1936 exhibition at the David Jones Gallery. After World War II, the country and its art critics had moved on from <mask> <mask>'s works.The critic of <mask> <mask>'s works concluded that there was not enough spiritual material to fill the canvases of <mask> <mask>. The pictures are not in keeping with the actual knowledge displayed. A certain humility, a close attention to the organisation of detail, and less white mixed into the colors would help greatly. Both <mask> <mask> and the prevailing trends in Australian art disliked each other. She found the works of Russell Drysdale and William Dobell to be more like victims of the German prison camps than representations of Australian people. The critics didn't share her opinion that Dobell and Drysdale had won the same award in successive years. In 1950, a final trip to Europe took place.She wanted to show her husband Europe and find a teacher of sculpture for their son. She discouraged <mask> from pursuing a career in the arts because she was distressed by the standards of artistic practice she found. In the wake of her last solo exhibition, <mask> <mask> wrote a letter to her son saying that not doing anything creative was nearly killing her. There is no one near me who cares if I do any more work or not. I feel like the artist in me is dying and the dying is an agony and only one's self knows the craving. Her passion for art waned as her health deteriorated. Her son had the largest sculpture in the show, titled The Shearer, while <mask> <mask> presented two oil paintings.On 3 August 1961, she died. Critical gender was a recurring theme in <mask> <mask>'s career. A French art critic said that mademoiselle <mask> paints like a man. An Australian critic was unsure what to say, admiring her composition but declaring her technique "strangely unfeminine", while another review referred to the "pseudo-masculinity" of her works. <mask> <mask>'s career was damaged by her refusal to play by the male establishment's rules when she sought to stake out a woman's place in nationalist art in mid-twentieth century Australia. Her feminist tendencies were met with hostility. According to Catherine Speck, <mask> <mask>'s work never attained the quality of her Paris output because her first husband's death in the Great War drove her to create nationalist images of inconsistent quality.The high point of <mask> <mask>'s career was his European works. Her tragic experiences during the war became part of her artistic oeuvre and to her eventual concerns for national sentiment, but also thought that <mask> <mask> continued to draw and paint with the same masterful sense of draughtsmanship. In A Story of Australian Painting, Mary Eagle and John Jones considered <mask> <mask> and Clarice Beckett to be the best women artists of the First World War. Private collections of <mask> <mask>'s works have limited records. The family property was burned in a fire after her death. Despite being welcomed to Australia as an "international art celebrity" in 1919, her fortunes declined in the latter part of her career. The twenty-first century saw a renewed appreciation of her output.Her works can be found in the Art Gallery of South Australia, the National Gallery of Australia, the National Gallery of Victoria, and theQueensland Art Gallery. The Australian War Memorial is one of the collections that has acquired her work. The Galerie nationale du Jeu de Paume is one of the places where <mask> <mask> is represented. There have been solo exhibitions of <mask> <mask> Place is named after her. <mask> <mask> was an Australian woman who was born in 1884 and died in

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title: Robert C. Michelson

texts: <mask>.<mask> is an American engineer and academic who is well known for inventing the entomopter, a biologically inspired flapping-winged aerial robot. He received a degree in electrical engineering from the Georgia Institute of Technology. At the U.S.,<mask>'s work. He is certified in various fields including amateur radio, SCUBA diving, experimental aircraft design/mechanics, and general contracting for home building. <mask>, the first Prime Minister of Norway, is related to the only son of <mask> and <mask>, who was born in 1951 in Washington D.C.He developed an appreciation for ornithology while attending the Burgundy Farm Country Day School. At Fort Hunt High School, he was the President of the Fort Hunt Amateur Rocket Club, which built large instrumented solid fuel rockets that were launched at the Camp Pickett range in Virginia. <mask> attended the Burgundy Farm Country Day School and graduated from Fort Hunt High School in 1969. He graduated from the Georgia Institute of Technology in 1974 with a degree in electrical engineering. A research engineer working on radar systems at the U.S. from 1971 to 1973. The Naval Research Laboratory is in Washington D.C. He worked for 30 years in various capacities at the Georgia Tech Research Institute.During the 1970s and 1980s,<mask> to represent the United States on the NATO Advisory Group for Aerospace Research and Development. The NATO/RTA lecturer at the Turkish Air Force Academy was invited to speak about Micro Air Vehicle technology at both the von Karman Institute for fluid Dynamics and the Royal Military Academy. He is a visiting technology professor in six nations, including Australia, Belgium, Norway, Sweden, and Turkey.The 1st U.S.-Asian Micro Air Vehicle Demonstration in Agra India was a project of the U.S. Army and the Indian Ministry of Defence. He was in charge of defining the 1st US-European Micro Air Vehicle Competition/Demonstration for the U.S. Army. The short course, 21st Century Aerial Robotics, and the digital signal processing lecture/demonstrations in "Principals of Modern Radar" were created by him. The annual International Aerial Robotics Competition is created and organized by him. He worked at the Naval Research Laboratory in Washington, D.C. before joining the staff of the Georgia Tech Research Institute. He has over 100 reports, journal papers, and book chapters. The project director was in the U.S.During his time at the Naval Research Laboratory, he worked on radar-based ocean surveillance systems and 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 He got his first contract when he was an entry-level engineer at the Georgia Tech Research Institute. The first project was to track the Trichechus manatus in the waters around the Kennedy Space Center. During his career at the Institute,<mask> in 1979. The Defense Advanced Research Projects Agency directed a program to show feasibility of a non-line-of-sight radio-acoustic sensor for bending radar signals using the Bragg principle to detect obstacle-masked targets. He directed a program to evaluate ground penetration radar for detecting buried natural gas leaks.<mask>. His team invented battery-state-of-charge estimation techniques, developed electric vehicle systems simulation tools, and tested actively blown surfaces on passenger vehicles. Unmanned vehicle systems, especially those with the power of flight, were the focus of the research during the mid 1990s. Efforts were made with both the U.S. Government agencies and private industry.One of his first UAS development programs was to use a compound fan design to fly over Atlanta's highways in order to fill gaps in the State's tower-mounted traffic camera system. In the event of a traffic accident, it could be sent to traffic accident locations to gather and relay vital information. The design was marketed for military use after funding shortfalls resulted in the cancellation of the project. The focus was on smaller vehicle systems that could autonomously fly indoors. The design team used internal research and development funds from the Georgia Tech Research Institute to create the entomopter, a micro air vehicle. The NASA Institute for Advanced Concepts recognized the unique flight qualities of the entomopter and awarded two contracts to explore the feasibility of the entomopter for slow flight in Mars' lower atmosphere. After retiring from the Georgia Tech Research Institute in 2004,<mask> started a new company, Millennial Vision, which continued to pursue UAS and MAV research.<mask> for the best multimedia project coming from any educational institution in the world. The first 25,000 Top Pirelli Prize was awarded for endeavors related to the entomopter. During the 2016 Georgia legislative session, Senate Resolution 1255 was created to recognize the efforts of the creator of the International Aerial Robotics Competition and his efforts in moving the state forward. In 1997 he designed and built a fully automated marine reef, in which he propagated various coral species that he collected himself. He has been a NAUI certified SCUBA diver since 1969 and has been a recreational diver in the Caribbean Sea and Pacific Ocean, where he developed methods of collecting and successfully transporting marine invertebrates for propagation. <mask> is the FAA certified mechanic and pilot who built and flew his own experimental single seat gyrocopter.While working with ground penetrating radar for detection of urban gas leaks, road voids, and buried land mines at the Georgia Tech Research Institute,<mask> became interested in the use of high technology applications to archeology. Since 1995 he has organized half a dozen excursions into the military zone along the Turkish-Iranian border, often with Turkish military escort, to research ancient ekistical artifacts of the eastern Anatolia region. In 1986 he built his own home after completing training in general contracting. He continued his career at the Georgia Tech Research Institute after overseeing the construction of a Woodstock Georgia church building. He completed his own design in the mountains of North Georgia that was lumber-free, consisting of steel structural members with concrete foundation and concrete exterior. Over the years,<mask> has maintained an interest in scouting principles. He became a member of the Order of the Arrow after attaining Star rank in his troop.He became a member of the Brotherhood and participated in activities such as the Philmont Scout Reservation. Two of <mask>'s work spawned a worldwide interest in robotic warfare. A technical biography of <mask> is the subject of episode 1008 of the television program Beyond Invention, which chronicles a number of his research projects. The International Aerial Robotics Competition is the focus of several television programs, including an hour-long Discovery Science Channel program entitled Airbots. The applications of the underlying technology to military and civilian spheres have been quoted in news programming. As the use of robotic drone aircraft increased during the Gulf Wars, public interest in the subject was peaked, and as a result,<mask> was featured in series and specials such as the NOVA episode "Spies that Fly" and the BBC special Seven Ways to Topple Saddam. The basis for the fictional character Michael C<mask> in the novel is due to the notoriety of his aerial robotic research.The entomopter was created by Michael C<mask> at the Georgia Technology Research Institute. <mask>.<mask> Narlock. The "Battery State of Charge Detector with Rapid Charging Capability and Method" patent was issued in 2000. The winner of the International Test and Evaluation Association Publication Award was for "very small flying machines". The Institute of Mechanical Engineers published a paper on novel approaches to miniature flight platforms. The Special Issue Paper of the Journal of Aerospace Engineering was published in 2004.The von Karman Institute for fluid Dynamics has a lecture series on low Reynolds number Aerodynamics on aircraft. The article is titled "Autonomous Vehicles." 84, No. August 1996, pp. TheFeasibility of Applying Radio-Acoustic Techniques to Non Line-of-Sight Sensing was published in the Journal of Aircraft. 33, No. In March and April 1996, pp.The Tracking of the Florida Manatee was in the Transactions. 21, No. In 1982, pp. References External links Curriculum Vitae of <mask>.<mask> 1951 births Living people 20th-century American inventors 21st-century American inventors 21st-century American engineers American patent holders American people of Norwegian descent American roboticists

masks:
Robert C
Michelson
MichelsonMichelsonMlson
ChristianMichelsen
Carroll
EvelynMichelson
Michelson
MichelsonMichelsonMichelsonMichelson
MichelsonMlson
MichelsonMichelson
Michelson
MichelsonMichelsonMlsonMichelson
Michelson
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MichelsonMichelsonMichelsonMichelson
Robert Michelson
Michelson
. Robertson
. Robertson
Robert C
MichelsonJoel
Robert C
Michelson


title: Nicolò Barella

texts: <mask> is an Italian professional footballer who plays for Inter Milan and the Italy national team. <mask> was born in Cagliari and studied at Cagliari Calcio. He replaced Diego Farias in a 4–0 home win over Parma on May 4, 2015. In the second part of the season, he played as a first choice, after he was sent on loan to Como. He scored his first professional and Serie A goal against SPAL in a 2–0 home win. <mask> joined Inter Milan on a year-long loan deal with an obligation to buy after the loan period. He made his club debut on August 26 against Lecce, coming off the bench in the second half for Matas Vecino, and later helping set up Antonio Candreva's goal in Inter's opening match of the year.After coming off the bench in the second half, he scored an injury-time equalising goal to help Inter to a 1–1 home draw, which was his first goal in the competition. On 9 November, he scored his first league goal for the club as Inter came from behind to achieve a 2–1 home win over Verona. He scored his first goal in the Coppa Italia on January 29, 2020, in a 2–1 home win over Fiorentina. On 17 January <mask> assisted for the first goal for Arturo Vidal and scored a vital second in a 2–0 home win against rivals and defending champion. <mask> signed a contract extension with Inter in November of 2021. He was part of the Italy U20 team that finished in third place at the U-20 World Cup. In a 3–0 friendly defeat against Spain, <mask> made his debut with the Italy U21 team.In October of last year, <mask> was called up to the senior Italy squad to play against Macedonia and Albania. In a 1–1 friendly draw against Ukraine in Genoa, <mask> made his debut for the Italy senior side. On 23 March, <mask> scored his first goal for Italy in a 2–0 home win over Finland. He played for the U21 side in the European Under-21 Championship. He was included in Italy's Euro 2020 squad. Italy advanced to the round of 16 after he set up the second goal in a 3–0 win over Switzerland on June 16. He assisted Lorenzo Insigne's goal in Italy's 2–1 win over Belgium in the quarter-finals of the competition.On 11 July, <mask> won the European Championship with Italy following a 3–2 penalty shoot-out victory over England at Wembley Stadium in the final, after a 1–1 draw in extra-time; <mask> started the match, but was replaced by Bryan Cristante in the second half of On 10 October, <mask> scored the opening goal in a 2–1 home win over Belgium in the bronze medal match of the 2020–21 UEFA Nations League. <mask> is considered a promising and highly talented young player in the European sports media. He was the best young Italian player for two years in a row. Mina Rzouki described him as intelligent, promising, and composed, despite his young age, with a wide range of skills. She said that <mask> can dribble through a defence, score volleys and start counter- attacks. He knows how to find the right passes.He can win back possession quickly and recover the ball. <mask>'s performances have been praised by two former Italian football players. According to the Italian sports newspaper La Gazzetta dello Sport, he is a dynamic player with good technique, vision, stamina, and physical strength, despite his relatively short stature, as well as an ability to win balls, which enables him to break down possession. A versatile player, he is capable of playing anywhere in the middle of the field, but his preferred position is as a right-sided, offensive-minded centralMidfielder, known as a "mezzala" in Italy. He possesses a good shot from outside the area, and is known for his ability to make late attacking runs from behind into the penalty area. He is an accurate penalty taker. He is known for his strong character, leadership qualities, competitive spirit, and winning mentality, but has also drawn criticism in the press for protesting or arguing excessively with officials during matches.Jorginho likened him to N'Golo Kanté. The score column indicates the score after each Barella goal. Italy U19 European Under-19 Championship runner-up: 2016 Italy U20 World Cup third place.

masks:
Nicol Barella
Barella
Barella
Barella
Barella
Barella
Barella
Barella
Barella
Barella
Barella
Barella
Barella
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Barella


title: Dave Sardy

texts: <mask> is an American musician, composer, and record producer. He came to prominence as the leader of 1990s noise rock band Barkmarket before turning mostly to production work, often with alternative rock, hard rock, electronic related genres, and then to scoring films. In the late 1980s and early 1990s, he was active as a singer, guitarist, and writer, but since the mid 1990s, he has been more active as a producer, writer, composer, and mixer. Critics have called him a "hardcore super-producer" because he has worked with an eclectic mix of rock, punk, alternative, electronic and industrial rock performers. In 2006 and 2008, he won six ARIA Awards for his work with Jet and Wolfmother, and in 2008 he won three ARIA Awards for his work with Marilyn Manson. He was nominated for a second time in 2010 for the Band of Horses album Infinite Arms. Some of the most popular licensed music for film and advertising has been worked on by <mask>.He has produced music for many campaigns, including 3 key iPod campaigns: Jet, Wolfmother, and The Ting Tings. He produced Oasis' seventh studio album. This was the second time that <mask> had worked with the band, having produced their 2005 album Don't Believe the Truth, as well as Noel Gallagher's High Flying Birds in 2011. The films 21 and Zombieland, as well as the drama End of Watch, written and directed by David Ayer, all went to number one at the US box office. The Green Hornet, Lawless, and Eat Pray Love, as well as Premium Rush, Ghost Rider: Spirit of Vengeance, and Bright, were all scored by <mask>. The Who released a new studio album in 2019. The British band The Fall had a sister playing keyboards.Guitar Hero, Tony Hawk's Project 8, MotorStorm, Pure, Saints Row 2, NHL 2004, and Rugby06'' are some of the video game soundtracks. Oasis (band) Record producers from New York (state) American male guitarists 1967 births Living people Musicians from Brooklyn

masks:
David Stuart Sardy
Sardy
Sardy
Sardy


title: Anthony "White Tony" Johnson

texts: <mask> "White Tony" <mask> was a member of the Cheetham Hill Gang in Manchester. He was killed in the car park of thePenny Black pub. The man was acquitted of the murder. <mask> was brought up in a home filled with tragedy and family breakdown. Susan gave birth to him when he was 15. She and his father didn't spend a lot of time with him. One of the five Moors Murders victims who went missing in June 1964 at the age of 12 has never been found.<mask>, the husband of Winnie, was a suspect in the disappearance of his step-son, even though local police suspected that he may have been murdered. Winnie <mask> lived in a semi-detached house in South Manchester for most of <mask>'s childhood. At the age of 16, <mask> left school. He worked as a window cleaner and glazier for a while. His mother said she knew he was into something shady because she didn't claim dole and drive around in a flash car. The Ford Sierra was worth around £20,000 by 1990. When police raided his grandmother's house, they found <mask> involved in illegal activities.<mask> told Winnie to "Mind your own bleeding business" when she asked about his criminal activities. Winnie <mask> said she watched her ironing his clothes. <mask> had a girlfriend when he was in his teens and later had a daughter with her. He loved his daughter. A relative said that the girlfriend's family didn't want her to have anything to do with him. He befriended Tony McKie, also known as "Black Tony", as well as the Adetoro Brothers, who would later be famous for their shootout with police on the M6 in 2000. They were members of the Cheetham Hill Gang.They became full-time members of the Hillbillies. The Cheetham Hillbillies operated in the Waterloo Estate. The gang pushed drugs and violence. Prior to his death, <mask> was a member of the Cheetham Hill Gang. <mask> began as a lowly member of the gang, committing robberies and gang member killings. "White Tony" was a reference to his race, while in a predominantly Black gang. He killed <mask> "Sketch"Gardner on January 9, 1988.On January 9, 1988, <mask> stepped out of the shadows, pulled a sawed-off shotgun from under his coat, pressed it against Gardner's chest and fired. It took him about a minute to die. Police found a lot of drugs. He was the driver and bodyguard for the leader of The Cheetham Hill Hillbillies. One and a half kilo of heroin was lost by the Pepperhill Mob in February 1990. The Pepperhill Mob was left vulnerable after two people carrying heroin were arrested and the heroin was seized. The Cheetham Hill-Moss Side gang war began because <mask> moved on this.In front of hundreds of people at a festival in Moss Side, <mask> and a few Cheetham Hill Gang members tipped the car of the Pepperhill Mob leader, Delroy Brown. <mask> was spotted by police in a vest with guns. The police had little knowledge of the weapons and equipment used by gangs in Manchester. The police were able to seize guns and drugs from the Hillbillies. There was a gunfight at the West Indian Carnival in Chapeltown when <mask> and other gang members got into a fight. Many of the people who were shot were not gang members. This led to <mask>'s arrest.Two gang members were imprisoned with <mask>. <mask> had a feud with the Noonans after he robbed a security van at Mumps Bridge in 1990. He robbed the factory with two other masked men in a month. <mask> had a reputation for getting into fights in The Haienda. A regular doorman left and was replaced by a London security firm. The violence got worse. <mask> threatened one of the doormen with a gun two weeks after the replacement.Tony Wilson agreed to temporarily close The Haienda because he was so upset by gang attacks. The club goers and staff were attacked by the Cheetham Hillbillies. <mask> stated that he was "Top Dog" on one occasion. Tony Wilson closed The Haienda again after <mask> threatened one of the doormen with a gun. He tried to get the police to intervene so that he could re-open. Death At a New Year party in 1991, a gun-toting 22-year-old <mask> threatened some of Damian Noonan's successors on the door at The Haienda. <mask> was in trouble with members of the Noonan family because of a dispute over the spoils from the security van robbery.In February 1991, <mask> was shot in the car park of thePenny Black pub. The pub was partly owned by the notorious Irish-Mancunian crime family. The brother of Domenyk was acquitted of murder. <mask> was attacked in the car park of the pub. Two men in a car in the pub car park flagged down <mask> and "Black Tony", who were in <mask>'s white Ford Cosworth. Their escape was stopped by a taxi. Michael Sharples and his brothers joined in the attack after Flannery shot McKie.<mask> was shot in the back while he was trying to vault a wall. Someone shouted "Finish Him Off" and two more shots were fired, killing <mask>. Over 200 people attended <mask>'s funeral. A convoy of 30 cars pulled up to the Southern Cemetery. The funeral service spilled from the chapel to the main graveyard. The gang was tried for <mask>'s murder twice. The first trial collapsed and the second ended in acquittals.Damian was shot at the Phoenix Club in 1999. Three children were present when <mask> died. The births and deaths of English gangsters.

masks:
Anthony James
Johnson
Johnson
Jimmy Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
Anthony
Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
Johnson
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Johnson
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Johnson
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Johnson
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Johnson


title: Jayanthi (actress)

texts: <mask> was an Indian actress known for her work in Tamil and Kannada cinema. She made contributions to different genres of films during the 1960s, 1970s and early 1980s. She had appeared in over 500 films in a variety of languages. She had received seven Karnataka State Film Awards, four times as Best Actress and twice as Best Supporting Actress. She has been called the "most bold and beautiful" actress by various media outlets, a title for which she has received a lot of publicity. She was honored with a title that means "goddess in acting" in the Kannada film industry. <mask> was born in Bellary in the Madras Presidency of British India.Her father was an English professor at St Joseph's College in Bangalore. Santhanalakshmi was her mother. <mask> was the oldest of the three siblings. When she was young, her mother took the children and moved to Madras. <mask> joined a dance school because her mother wanted her to be a classical dancer. Manorama was a friend of hers in dance school. Jayanthi went to see her idols when she was a child.He made her sit on his lap. The little girl blushed when he asked if she would become his hero. The pair would go on to produce successful films later in life. Jayanthi was ridiculed because she was fat and couldn't dance. She had the chance to act in a few movies when she was younger. Jayanthi promised herself that one day she would prove her worth after she was shattered by the episode. After Y. R. Swamy cast her in his film Jenu Goodu, <mask>'s mother relented after three visits to her house.She was given the stage name. <mask> worked in the film industry. She has worked with Rajkumar in more than 40 movies. Jenu Goodu, <mask>'s first film was a commercial success. Her first film as a hero was T. V. Singh Thakur's Chandavalliya Thota. The film won the President's Medal for Best Film in Kannada and was a huge success. Miss Leelavathi was the next major film that Jayanthi starred in.Considered a film with a "bold theme" in what was seen as the conservative cinema at the time, the film dealt with the influence of parental differences and of a lead hero who grows up to be a rebel and stands up against convention. Jayanthi wore skirts, T-shirts and nighties when she was launched as the glamour-diva in the film. The film catapulted Jayanthi to fame. She is credited with being the first Kannada actress to wear a swimsuit on screen, which the producers' first choice for the role had refused to do. The President gave the award to the film. In one of her interviews, <mask> said that when she received the award from Indira Gandhi, he kissed her and wished her good luck. She was a leading lady in Tamil films from 1962 to 1979.M.G. was one of the major stars she acted with in Tamil. Muthuraman and Jaishankar. She acted in Padagotti and Mugaraasi as well as in Kanna Nalama, Velli Vizha, Punnagai, Ganga Gowri and Iru Kodugal. They went on to work in many films under the direction of K. Balachander. She was in the film Mugaraasi. The song Aadhi Naadan Ketkindraan was very popular. She was married to a film director for a while and then they separated.In the late 1970s and the 1980s, <mask> starred in many Kannada movies that required a slightly mature actress. Several media houses reported that actress Jayanthi had died. Her fans took to social media to offer their sympathies, but her family denied the rumors as false. The then 73 year old actress was admitted to a private hospital in Bengaluru after she complained of breathing difficulties and was well on her way to recovery. In 2009, she gave her voice to an HIV/AIDS education animation. Death Jayanthi passed away at the age of 76 due to age related ailments at her residence in Bengaluru. You can help by expanding the list.

masks: Jayanthi Jayanthi Jayanthi Jayanthi Jayanthi Jayanthi Jayanthi Jayanthi Jayanthi


title: DK Metcalf

texts: <mask> is an American football wide receiver for the Seattle Seahawks of the National Football League. He was a football player at Ole Miss. He is the son of a former football player. He was raised in Oxford, Mississippi, where he played football at Oxford High School and the University of Mississippi. After three seasons at Ole Miss, he decided to enter the NFL draft, where he was selected by the Seattle Seahawks in the second round. On December 14, 1997, Metcalf was born in Oxford, Mississippi. He was a student at Oxford High School.He was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 Metcalf was a four-star prospect. Rivals.com has 14 wide receiver prospects. He will play football for the University of Mississippi. A foot injury ended his season at Ole Miss after he appeared in the first two games of the season. Following his injury, he was granted a redshirt. He had two catches for 14 yards with one going for a touchdown.He had a season in which he had 39 catches for 646 yards and seven touchdown. After sustaining a neck injury against Arkansas, Metcalf did not play in the rest of the season. Forgoing his last two years of college football was the reason why Metcalf decided to enter the NFL draft. He had 67 catches for 1,228 yards and 14 touchdown in his career. The ninth of 28 wide receiver was selected by the Seattle Seahawks in the second round of the NFL draft. A four-year deal with the Seahawks was signed on May 22, 2019. He made four catches for 89 receiving yards in his first regular season game for the Seattle Seahawks, who defeated the Cincinnati Bengals 21–20.This set a franchise record for total receiving yards by a player making his NFL debut, bettering Steve Largent's previous record of 86 yards. In the second week of the season, Metcalf caught three passes for 61 yards, including his first career touchdown, as the Seahawks defeated the Pittsburgh Steelers. In Week 8 against the Atlanta Falcons, Metcalf recorded three catches for 13 yards and two touchdown, his first career game with multiple touchdown. In the following week against the Buccaneers, Metcalf set new career highs in reception and receiving yards, with six catches for 124 yards, including a 53-yard touchdown in the final minutes of the fourth quarter and a 29-yard catch on 3rd down in overtime that set up a game winning He had his first 100 yard game. He caught a two-point conversion that tied the game in the third quarter. Tyler Lockett was second on the team in all three categories and third among rookies with 900 receiving yards, 58 catches, and seven touchdown catches.In the Wild Card Round against the Philadelphia Eagles, Metcalf had seven catches for 160 yards and a touchdown. This was the most receiving yards by a rookies in a playoff game. During the Week 1 game against the Atlanta Falcons, Metcalf caught 4 passes for 95 yards and a touchdown. During the 35–30 win against New England, Metcalf caught four passes for 92 yards and a 54-yard touchdown. In the first quarter of the Week 3 game against the Dallas Cowboys, after catching a 61-yard pass, Metcalf slowed to a jog and held the ball out with one hand, seemingly unaware that a defender was behind him. The ball was knocked out of Metcalf's grasp before he broke the plane of the endzone, and the fumbled ball traveled out of bounds for a touchback. The gaffe was compared to Leon Lett's gaffe in the Super Bowl.The game was won 38–31. The 29-yard game-winning touchdown was scored by Metcalf. He had four catches for 106 yards in the victory over the Miami Dolphins. In Week 5 against the Minnesota Vikings on Sunday Night Football, Metcalf recorded six catches for 93 yards and two touchdown, including the game-winning touchdown reception with 15 seconds left in the game, during the 27–26 win. In Week 7 against the Arizona Cardinals, Budda Baker picked off a Russell Wilson pass inside the 5-yard-line, and with a clear path ahead and no Seahawk with comparable speed near him, Baker appeared destined for a pick six. The 229-pound Baker had a 4-yard running head-start halfway across the field. Metcalf tackled Baker at the Seattle 8-yard line, preventing a touchdown.After an incomplete pass from the 3-yard line, Arizona turned the ball over on downs. It was the second-fastest pursuit in the NFL to that point in the season, with a top speed of 22.64 mph. Leon Lett's Super Bowl XXVII gaffe was also compared to the play, but this time in a more positive light. The play was met with awe by fans and athletes alike, and became the basis for a popular meme on social media. In Week 8 against the San Francisco 49ers, Metcalf caught 12 passes on 15 targets for 161 yards and two scores, including a 46-yard touchdown catch-and-run. He had ten catches for a career-high 177 receiving yards in the Monday Night Football game against the Philadelphia Eagles. He had 1,303 receiving yards and 10 touchdown.Steve Largent's record from 35 years prior was broken by Metcalf with 1,303 receiving yards. He was one of three Seahawk All- Pros in 2020 and was named a second team All-Pro. In the Wild Card Round of the playoffs against the Los Angeles Rams, Metcalf had 5 catches for 96 yards and two scores, including a 51-yard touchdown reception. He was ranked 22nd for his performance in the 2020 season. In the year before the start of the football season, he participated in the 100 meter part of the Golden Games and Distance Open. He wanted to qualify for the Olympics with this performance. He had a "respectable" time of 10.37 seconds, beating out 2 of the 17 other competitors.In a game against the Green Bay Packers, he grabbed three opposing players' face masks and was ejected from the game, but tried to sneak back into the huddle. Most receiving yards by a rookies in a playoff game: (160 vs. Philadelphia Eagles on January 5, 2020). After Joe Tessitore called him "Decaf", he partnered with Volcanica Coffee. The company began selling 16-ounce bags of coffee on their website in December. An organization with a long-standing relationship with Prison Fellowship will receive part of the proceeds from the coffee sales. He is a born-again Christian. African-American players of American football, African-American Christians, and American football wide receiver are some of the people who play for the Ole Miss Rebels.


title: Lawrence H. Livingston

texts: <mask><mask> was a decorated United States Marine Corps Major General. <mask> was a combat veteran who received the Navy Cross for his heroic actions during the Vietnam War, as well as the Silver Star, two Legions of Merit, four Bronze Stars and five Purple Hearts. <mask> enlisted in the United States Marine Corps in 1960 and served multiple tours of duty with the 1st Marine Division in the Republic of Vietnam. The Bronze Star medal was awarded to <mask>, who was wounded multiple times. The Meritorious NCO Program commissioned <mask> as a second lieutenant in 1968. He served as a platoon commander in the 5th MEB and 3rd Marine Division after completing The Basic School. <mask> was an advisor with the Vietnam Marine Corps.The Navy Cross and the Silver Star medal were awarded to <mask> in 1972. After his return from Vietnam, <mask> was assigned to the Marine Corps Recruit Depot San Diego as company commander, battalion operations officer and regimental operations officer. He served as company commander, battalion operations officer, and battalion executive officer in the 5th Marine Regiment. In October 1983 he was promoted to lieutenant colonel. <mask> was the commanding officer of 3rd Battalion, 4th Marines for two years. He was promoted to colonel in 1989. On June 13, 1990, <mask> assumed command of the 6th Marines.On February 27, 1992, <mask> relinquished command of the 6th Marines. In addition to his numerous staff assignments, he is a student at the National War College. He was promoted to brigadier general in December 1991 and to major general in February 1995. In 1995 he became the Commanding General, 2nd Marine Division, Camp Lejeune, North Carolina. The Navy Cross citation was presented to <mask><mask>, Captain, U.S. Marine Corps. When the battalion encountered unexpectedly heavy enemy fire while disembarking into the landing zone, Captain <mask> moved throughout the hasty positions taken by the scattered and hesitant element and formed the Marines into an assault force. He began the assault on the initial objective, a treeline 50 yards distant, despite the continued heavy concentration of hostile fire.He forged ahead despite being blown from his feet by explosions and delayed to reform his force, leading the Vietnamese Marines into the enemy-infested trench lines of the objective and a hand-to-hand battle. After taking the initial portion of the trench line, Captain <mask> shed his combat equipment, emerged from the trench line, and exposed himself to a hail of enemy fire to reach and carry his wounded naval gunfire spotter to a position of relative safety. Captain <mask>'s repeated acts of heroism in the face of heavy enemy fire reflected great credit upon himself and the Marine Corps and were in keeping with the highest traditions of the United States Naval Service. Silver Star citation The President of the United States of America takes pleasure in presenting the Silver Star to Captain <mask> <mask>, United States Marine Corps, for conspicuous gallantry and intrepidity in action while serving in the Republic of Vietnam on 12 April 1972 as the assistant United Captain <mask> and the company of Marines with which he was participating in a search operation, having just taken a prisoner for interrogation, were ambushed by a Vietnamese platoon. All but two of the friendly forces in the immediate area were killed or wounded by enemy fire within thirty seconds. Without hesitation and with complete disregard for his own safety, Captain <mask> braved intense enemy fire to recover the body of the Vietnamese officer and to remove several wounded to a protected area.Realizing that the prisoner would be able to provide intelligence, he questioned him and learned the enemy's disposition. He ensured that the company was able to drive off the North Vietnamese by organizing their resistance. Captain <mask>'s actions immediately after the death of the Vietnamese commander resulted in the withdrawal of the enemy platoon, saving an untold number of friendly casualties, but also enabled the Vietnamese Marines to cause serious damage to a larger enemy unit nearby. Captain <mask>'s dedication to duty, under fire courage and exemplary professionalism were in keeping with the highest traditions of the United States Naval Service. The 2nd Marine Division commanders have a list of Navy Cross recipients for the Vietnam War.

masks:
Lawrence H
. Livingston
Livingston
Livingston
Livingston
Livingston
Livingston
Livingston
Livingston
Livingston
Livingston
Livingston
Lawrence H
. Livingston
Livingston
Livingston
Livingston
Lawrence Herbert
Livingston
Livingston
Livingston
Livingston
Livingston


title: Jan de Herdt

texts: <mask> was a Flemish painter and draughtsman who lived in Italy between 1686 and 1690). He spent his entire career abroad, first in Northern Italy and later in Vienna and other cities in central Europe. He painted genre scenes as well as religious, mythological and allegorical subjects. He was part of a group of Flemish and Dutch painters who worked for central Europe. The life of <mask> is shrouded in mystery. He is thought to have been born in 1620. It's not clear who his master was.He isn't recorded with any contemporary painters as a student. It is possible that he studied with Rubens or Jordaens, two artists who were exempt from the requirement to register their pupils with the Antwerp Guild of Saintluke. There is no evidence for such an apprenticeship. It is1-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-6556 He was admitted as a master in the guild in 1747. He joined the 'Sodaliteit van de Bejaerde Jongmans' (Sodality of the Unmarried Men of Age) Fraternity in October of 1648. He was recorded in Northern Italy in 1657 as he worked on an altarpiece for the local church of St George.There is a painting depicting a man hitting a rock. The Santa Maria Maggiore Church, which is still in situ, was painted in 1658 by him. He was documented in Brescia in the 16th century. He lived in this location for a long time and trained the painter il Fiammenghino. It is possible that he was active in Mantua for a while. The artistic direction of the Ducal Court in Mantua had been in the hands of Flemish artists for a long time. <mask> became a member of the Antwerp Guild of Saintluke a year earlier than Geffels.He left to work in Italy while also working for periods in and maintaining links with Vienna, where both artists are believed to have arrived in the early 1660s. The artists collaborated on a book that was published in Vienna, the Historia di Leopoldo Cesare. Many of his countrymen from the previous generation wanted a career in Central Europe. The Imperial court in Vienna was connected to the Southern Netherlands through its Spanish rulers. The Austrian Imperial family had members who were governors of the Southern Netherlands. When they returned to Vienna after being called back from their post, they sometimes took artists from Flanders with them. In the case of Archduke Leopold Wilhelm, he brought artists back with him to Vienna.<mask>'s brother was a goldsmith in Vienna and may have been involved in introducing <mask> to the court in Vienna. <mask> is first documented in Vienna on 8 January 1662. As a witness at the wedding of the Dutch artist <mask> <mask>, he signed his name in the church's register. The portraits were for the publication Historia di Lepoldo Cesare. This publication was also contributed to by Frans Geffels. In Vienna, <mask> painted portraits of courtiers. He is listed in the business records of Forchondt, a family business of art dealers from Antwerp who served clients throughout Europe and had a branch in Vienna.<mask>'s brother trained the son of the founder of the business as a goldsmith. The records of the Forchondt firm show that in 1671 Prince Schwarzenberg bought a painting on the subject of Armida and Rinaldo, which is believed to have prevented Armida's suicide by <mask>dt. <mask> may have been active in the Czech Republic from the beginning of 1666 to January 1667. Between 1666 and 1668 <mask>dt worked in Brno. The court fled Vienna due to an outbreak of the plague and he was recorded in the Czech Republic in 1680. In the last year he was also in Znojmo. In 1684 he created two works for patrons, but they may have been created elsewhere.The last report of his presence in Jaromice was in 1686. There was no news of the artist after 1686. The exact time and place of his death are not known. There were no records about him after 1686. Between 1686 and 1690 he is thought to have died in Central Europe. <mask> <mask> was a versatile painter who painted portraits, stories from the bible, history paintings and genre scenes. The majority of his works were signed with the most common variant of his name.Anthony van Dyck, Rubens and Jordaens are some of the leading painters in Antwerp. The van Dyckian portrait model influenced the style of <mask>'s portraits. His paintings recount stories from the 'Gerusalemme Liberata', such as the Erminia and the shepherds. <mask> <mask> was aware of the trends in painting. The portrait of the family of the Imperial Goldsmith is in the Royal Museums of Fine Arts of Belgium. The young man on the left is holding a watch in his left hand and pointing at the floor, while the young man on the right is holding a watch in his right hand. This could be a portrait of his nephew.The Family of precious stone cutter Dionysius Miseroni, painted by the Czech portrait painter Karel kréta in 1653 is similar to <mask>'s family portrait. One of the first group portraits in Central Europe was this one. In 1669, Tobias Pock painted a Self-Portrait with the artist's family in which he depicted himself in a way that was almost identical to the one used by <mask> <mask> in his family portrait. Pock may have seen <mask>'s portrait. A new visual language was created in Central Europe through this type of group portrait. <mask> <mask> collaborated on the publication Historia di Leopoldo Cesare. The first two volumes of the book were published in 1670 and 1674.The political and military successes of Emperor Leopold I were described in the first volume. It was illustrated with prints made by Flemish and Dutch printmakers after designs by other Netherlandish artists as well as artists from Germany and Italy. The illustrations depict portraits of European monarchs, castle scenes, battle scenes, maps and ceremonies. The Dutch and Flemish artists who contributed to the work were Adriaen van Bloemen and Sebastian van Dryweghen. Artists from Germany, Italy, and Austria also contributed. The portraits of Jerzy Sebastian Lubomirski, Duke Ferdinand Dietrichstein, Count Jean-Louis raduit de Souches, Count Raimund Montecuccoli, Count <mask>, and Count Nicholas Zrinsky were all designed by <mask> <mask>. The basis for the paintings to be attributed to <mask> are the prints he designed.The Portrait of the Polish nobleman and commander Jerzy Sebastian Lubomirski was attributed in this way. The Waldstein family is the subject of a series of portraits by <mask>. Lombardy contains the works <mask> created in Italy. The artist's signature was found on the altarpiece of the high altar of the Church of Saint Maurice in Lombardy, northern Italy, in 1920. The Virgin and Child are depicted in the altarpiece. There was a portrait of St. Elizabeth in the church. There is an altarpiece depicting the Virgin in the clouds.The Church of San Giovanni Decollato is located in Desenzano del Garda. The Church of Saint Georges in Lovere is home to an altarpiece by <mask>. The work is 785 cm high and 500 cm wide and depicts a large crowd. 1620 births and 1686 deaths are external links.

masks:
Jan de Herdt
Jan de Herdt
De Herdt
Jan
Jan
Jan
Hans de
Jode
de Herdt
Jan
de Her
Jan
de Her
Jan de
Herdt
de Herdt
Jan de
Herdt
de Herdt
Jan de
Herdt
de Herdt
Jan de
Herdt
Jan Rottal
Jan de
Herdt
de Herdt
De Herdt
de Herdt
de Herdt


title: Bess of Hardwick

texts: Elizabeth Talbot, also known as Bess of Hardwick, was a notable figure in Elizabethan English society. She rose to the highest levels of English nobility after a series of well-made marriages. Bess increased her assets with her interests in mines and glass-making workshops. She was married four times. She was married to Robert Barlow, who died at the age of 14 or 15. Sir William Cavendish was her second husband. Sir William St Loe was her third husband.George Talbot was her last husband and was Keeper to the Queen of Scots. Bess joined her husband's captive charge at Chatsworth House for extended periods in 1569, 1570, and 1571, during which time they worked together on the Oxburgh Hangings. In 1601, Bess ordered an inventory of the household furnishings, including textiles, at her three properties. These items were bequeathed to her heirs in her will. The largest collection of tapestry, embroidery, canvaswork, and other textiles to have been preserved by a single private family is now known as the Hardwick Hall textiles. The seat of the Dukes of Devonshire is the most famous of Bess' building projects, as they descend from the children of her second marriage. The daughter of John and Elizabeth Leeke was the daughter of Thomas and Margaret Fox.According to her witness statement under oath at a court hearing in October 1546, she gave her age at the time of her first marriage in May 1543 as being 'of tender years'. The number less than 16 would indicate 1527. The date of her father's death is the reason it cannot be later than 1527. The lord of the manor of Slingsby granted farmland to the Hardwicks in the mid-thirteenth century. By the mid-fifteenth century the family had risen to 'gentleman-yeoman' stock, with an estate of a few hundred acres located mainly in the parish of Ault Hucknall. The coat of arms of <mask> is thought to have been granted in 1450. Argent is a chief of the second three cinquefoils of the first.When giving evidence of his right to arms in 1569, Bess's only brother James provided the heralds with a genealogy of his family which began with this William. The last legitimate male member of the family was James. No male member of the <mask> family rose above the status of esquire or held any important local or county offices. Bess was born into a small family. Bess became one of the richest women in the kingdom after her fourth marriage to the earl of Shrewsbury in 1567. The greatest monument was built in 1599. <mask> died when he was 40 and left a widow, son, heir, and four daughters.Elizabeth Leeke left an additional three co-heiresses to her second son, who was the second son of the Leche family. Bess's early life is not known. She is thought to have married for the first time in 1543. There is no modern evidence to support the claim that she became familiar with city life and the Tudor Court after being sent to live in the London household of Anne Gainsford, Lady Zouche of Codnor Castle. It is possible that at some point after the death of her first husband, she entered the service of the Zouches at Codnor Castle. A close family associate was a man named Henry Marmion whose family held land close to Codnor, and may have praised Bess to the Zouches who, along with the Vernons, were the only major Derbyshire family likely to have taken in such children. After marrying Sir George Zouche in 1533, Anne Gainsford spent most of her time in court until after 1536, when she and Sir George made Codnor Castle their main residence.Bess was claimed to be in service to Anne Gainsford in London and Codnor. There is no evidence to support the story that Lady Zouche was Bess's mother. Codnor Bess entered the service of the Greys at Bradgate in Leicestershire, where she met and married her second husband, Sir William Cavendish. Bess was married to Sir William at Bradgate, but that doesn't prove she was in service there. It is1-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-6556 Bess's first marriage was to Robert Barlow, heir to a neighboring estate. The date of her marriage to Robert is not known.Robert's father died on 28 May and it is thought that the marriage took place late May 1543. There is no evidence that they lived together as a married couple. Robert died in December. The marriage was arranged to protect the Barley patrimony and to mitigate the impact of wardship on the Barley estate if Robert succeeds his father as an heir. The story of Robert and Bess meeting in London in the service of a Lady Zouche is based on oral history, which can only be dated to the late 17th century. Bess was refused a dower after the dispute over Robert's estate. After Robert's death, a court battle resulted in Bess being awarded her claim on the Barley estate.Lady Cavendish was married to Sir William Cavendish for the second time on August 20, 1547. The wedding took place at two o'clock in the morning at the home of the Grey family, friends of the couple. Sir William was the father of two daughters. His fortune was made when he was an official of the Court of Augmentations. Sir William sold his lands in the south of England and bought the estates in her home county. Bess was widowed a second time after Sir William Cavendish died. Bess insisted that his land be settled on his heirs after he died.Two of the eight children of the marriage died in infancy, but the eldest child married a Member of Parliament. Robert Pierrepont was the 1st Earl of Kingston-upon-Hull. They had five sons, including Henry Pierrepont and William Pierrepoint. The Dukes of Kingston-upon-Hull were forebears of Robert. In 1955, the Earls Manvers succeeded to the Pierrepont Estates. The first Earl of Kellie was Elizabeth Pierrepont. Grace Pierrepont was married to Sir George Manners.John Manners was the 8th Earl of Rutland. The 2nd child, Temperance Cavendish, died in infancy. The 3rd child, a godson of Queen Elizabeth I, was Henry Cavendish. He was married to Grace Talbot. The Barons Waterpark is named after Henry Cavendish. Baron Waterpark has a current title. He had no legitimate children and hated his wife.He had eight illegitimate children, four boys and four girls. He was disinherited by his mother after he failed to liberate his niece from his mother's estate. Bess referred to him as a bad son. William Cavendish was the 4th child of the 1st Earl of Devonshire. The godson of Queen Mary I of England is Charles Cavendish. Catherine was the 8th Baroness Ogle. William Cavendish, the 1st Duke of Newcastle-upon-Tyne, was extinct since 1691.More than one person has a legal right to claim the Barony of Ogle, which is in abeyance. The Dukes of Portland and Newcastle-under-Lyne were extinct after the estates passed through to the female line. The 6th child, wife of Charles Stuart, was Elizabeth Cavendish. They had a daughter named Lady Arbella Stuart who married William Seymour. Mary Cavendish was the 7th child of Gilbert Talbot. They had five children, one of which was married to the 1st Earl of Norfolk. The Duke of Norfolk has a current title.Lady Mary Talbot was married to William Herbert. The Earl of Pembroke is old. Henry Grey was the 8th Earl of Kent. The Earl of Kent from the Grey family is no longer alive. Lucrece Cavendish was probably the twin of Mary. Bess married a third time in 1559 to Sir William St Loe. And became Lady St Loe.Her husband was the Captain of the Guard to Queen Elizabeth I. He was able to pay the debt back in full because of his relationship with Queen Elizabeth I. He owned estates in the West Country and his main residence was in Stowey. When he died without a male issue in suspicious circumstances, he left everything to his younger brother and his daughters. Bess was responsible for the two daughters of Sir William St Loe from his first marriage, as well as her own six surviving children. The two daughters were already grown up and provided for. Bess was one of the wealthiest women in England.Her annual income was $60,000. She was given daily access to the Queen by being a Lady of the Bedchamber. A number of important men began courting Bess as she was still in her late 30s. Bess did not remarry until 1568, when she married for the fourth time. George Talbot was the father of seven children by his first marriage and was one of the premier aristocrats of the realm. Two of his children were married to two of hers in a double ceremony in February 1568: Bess's daughter Mary Cavendish, aged 12, was given in marriage to Shrewsbury's eldest son Gilbert, aged 16; while Bess's son, Sir Henry Cavendish, aged 18, married Shrewsbury. In the year before Bess and the Earl of Shrewsbury were married, there was a political upheaval in Scotland.Mary, Queen of Scots, was imprisoned and forced to abdicate in favor of her one-year-old son, James, after rebel Scottish lords rose up against her. Mary fled south towards England in May 1568 to seek the protection of her cousin Queen Elizabeth. The English authorities didn't know how to receive her. She was taken into protective custody by local officials. Mary, Queen Elizabeth's cousin, was against the Scottish lords. Due to Mary's claim to the English throne, Elizabeth regarded her as a threat. The York Conference inquiry into Mary's fate led to her being placed under the guard of Francis Knollys.The results of the inquiry were not conclusive. Mary would be in the custody of the Earl and his wife. Mary's house arrest was more than Elizabeth's instruction to Bess and her husband. Mary moved to Tutbury Castle when she was 26 years old and stayed there for 15 years. The costs of the imprisonment were shifted by Elizabeth. Mary would use the couple's jealousy against each other, even convincing Talbot that Bess was stealing. Mary's presence in their home, as well as the financial costs and political tensions, may have contributed to the break-up of their marriage.The earl and countess cared for Queen Mary at many houses in the Midlands. Bess worked with Mary on textile projects. Mary's work became part of Bess's historical collection. Mary and Bess worked together on the Oxburgh Hangings for extended periods in 1569, 1570, and 1571. Mary got into trouble when she was removed to another keeper, Sir Amias Paulet. After the Queen's change in custody, Shrewsbury and Bess separated. They had been apart since about 1580, and even Queen Elizabeth tried to reconcile them.Mary seems to have made their problems worse by playing them off against each other. The Countess spread rumors that her husband had been in a relationship with Mary, a charge which has never been proved or disproved, but seems unlikely given Shrewsbury's disposition and increasingly poor health. Bess became the heir to the throne after his death. The rhyme "Hardwick Hall, more glass than wall" was inspired by the number and size of its windows. She was one of the greatest builders of her time. Bess arranged a marriage between one of her daughters and the son of the Countess of Lennox. Margaret Douglas was the daughter of Margaret Tudor, Queen of Scotland and sister of Henry VIII, so this was a significant match for Bess.The bride was Elizabeth Cavendish, the daughter of Bess, and the groom was Charles Stuart, the first cousin of Mary, Queen of Scots. The younger brother of Henry Stuart was married to Mary until his death. The marriage gave Bess's children a claim to the throne. The marriage ceremony took place without the knowledge of the bride's father, who refused to accept any responsibility for the event. Since Queen Elizabeth's consent had not been obtained, the marriage was considered potentially treasonable. Bess was ordered to London to face an official inquiry, but she ignored the summons, and remained inSheffield until the row died down. The child of the marriage was Arbella Stuart, who had a claim to the thrones of Scotland and England as the second cousin to King James VI of Scotland.She was invited to Elizabeth's court at times, but spent most of her time with her grandmother. Bess wanted Arbella to be Queen so she imprisoned the young lady to prevent her from eloping. Arbella blamed her grandmother for this, and the two fell out irrevocably when she tried to marry a man who had a claim to the throne. Bess asked the Queen to take her granddaughter off her hands. Arbella's claim was never acknowledged. Bess had a "lukewarm reconciliation with her granddaughter after disinheriting Arbella and her son. Queen Elizabeth II is Bess's descendant through the dukes of Portland, whose family was Elizabeth II's maternal grandmother.Bess and Queen Anne tried to find a college or university in Yorkshire in 1604. Cecily Sandys was the widow of the Bishop. Bess died at 5 pm on February 13th, 1608 at the age of 81. She was one of the richest and most powerful women in the kingdom at the time of her death. Her body was placed in a vault in All Saints Church, Derby, and then the parish church of that city, under an elaborate monument with a laudatory inscription which she took care to put up in her lifetime. The monument survived because it was saved from the demolished building. Her body was lying in state for weeks in the Great Chamber.From her second marriage, she left her accumulated estates to her children. Hilary Mason played the title role in a 10-part series about Bess called Mistress of Hardwick. The Writers' Guild Award for the best educational television series was won by the script written by Alison Plowden. The episodes are no longer available. A tie-in book, also called Mistress of Hardwick, was written by Plowden. In the movie Mary Queen of Scots, she is portrayed by Gemma Chan. The main character in Venus in Winter is Literature Bess.Philippa Gregory wrote The Other Queen. The title character of A Woman ofPassion is Bess. The Captive Queen of Scots was written by Jean Plaidy. She is the title character in a novel. Arliss Ryan wrote The Secret Confessions of Anne Shakespeare. The Tower and The Dream is a historical/biographical fiction novel written by Jan Westcott. Mary, the patroness of the fictitious Shrewsbury College at Oxford, is referred to as the mother of Bess of Hardwick in the novel.Bess is the narrator of Petticoat King. In The Ladies of Grace Adieu and Other Stories, Bess is a character. Sarah McQuaid's song "Hardwick's Lofty Towers" is from the perspective of Bess. Her 2012 album is The Plum Tree and the Rose. There are external links to Bess of Hardwick's Letters: The Complete Correspondence. The correspondence of Bess of Hardwick in EMLO 1520s births 1608 deaths year of birth was developed by the University of Glasgow.

masks:
William Hardwick
Hardwick
John Hardwick


title: Jacqueline Pang

texts: Since 1998, the host and DJ on Radio Television Hong Kong has been named after <mask>-man, who was born in 1973. In addition to her native Cantonese, <mask> is also proficient in English and Putonghua. <mask> was educated in Toronto, Ontario, Canada, where her parents now reside, after she was born in Hong Kong. She has a younger sister who competed in a beauty contest. <mask> began her broadcasting career in Hong Kong after working as an airline hostess. Pang was married to a businessman but divorced him. She has a child.<mask> was interviewed by a Chinese newspaper about her feelings. In 1998 <mask> started working for Radio Television Hong Kong (RTHK) Radio 2, which broadcasts in Cantonese with programmes aimed at youth, entertainment and popular music. Pang trained for six months atRTHK and became a very popular broadcast DJ, having a brief background as a DJ in Toronto. Pang played a main character in The Book and the Sword in 1999. She was sought for commercial advertisements and for her vocal changes in taking on a character. On Teen Power, Pang taught prospective DJs how to use vocal changes to communicate. <mask> was asked by Alan K.K.There is a Cantonese-version of the theme for a Korean drama. "A Wrongly Secured Love" rose to the 12 position on the Cantonese Golden Songs Pop Chart. "Waiting For Your Love" is one of <mask>'s Top 20 songs. In May 2004, Pang moved from the midnight music programme Late Mother, Late Father to the long-running 06:00– 10:00 weekday programme Morning Suite. <mask> is still on the radio despite moving to television news. She co-hosted Cantonese Top 20 Pop Chart until July 2009, when she took over for the Morning Suite. In October 2009, <mask> began a new Sunday afternoon radio programme called Lassies and Nerds with co-host Tsang Chi Ho, which examines the social needs of those who are single and over the age of 30 in Hong Kong.Master of ceremonies, also known as a very animated hostess for live stage and TV shows and special events, Pang also performs master of ceremonies at high-society private parties. Pang is a lecturer at the HK Productivity Council and a judge at the Master-of-Ceremony Competitions. Pang hosted the popular annual environmental programme, The Solar Project, from 2001 to 2007. Her last "Let's Go" concert was held in Hong Kong. Television Pang began in 2001 with segments on the education channel, ETV, including co-hosting "Education News" and "Inter- School Quiz". She co-hosted a number of televised awards shows and events, including the 21st Hong Kong Film Awards, the 4th Global Chinese Music Awards, and the Hong Kong's 2008 New Year's. She hosted the annual televised production The Solar Project.The three-minute video news segment 'Witty Banter' was hosted by <mask> from October 2007 to February 2008. News' Channel 332. <mask> was promoted to senior anchor for the weekday morning news programme in March. Talk of Fame was hosted by Pang in March of 2008. Pang's ability to research and interview a wide variety of subjects was shown in many early episodes. <mask>'s first book is a collection of gay and lesbian love stories. It was released at the Hong Kong Book Fair.A second paperback titled  is a collection of short stories from her popular radio programme Lassies and Nerds. <mask> starred in a stage play of the same name as well as a Chinese book titled  (or Women in Detoxification) in July 2011. At the 2012 Hong Kong Book Fair, a follow-up book was released. <mask> is a regular contributor to the newspaper. Her column is called "Zhong Nui Wan Sui" and runs on Tuesdays and Thursdays. The Local section of the free daily newspaper The Standard has articles written in English by Pang. Her Chinese-language blog was echoed by these articles.<mask>'s last short article was published in October of 2010. The Standard published an interview with her in 2011. On January 12th, 2007, the Independent Commission Against Corruption in Hong Kong took action against a person they believed to be involved in a fraud by a superior involving claims of reimbursement of tens of thousands of Hong Kong dollars. <mask> was released and returned to host Morning Suite due to lack of conclusive evidence. There are External links for the 21st Hong Kong Film Awards. <mask>'s hints and tips on voice training for budding DJs can be found in the book section. Links that lead to the program archives are valid for one year after the broadcast, after which they might be removed.They can be found elsewhere as.MP3s with no ads. Living people in Hong Kong.

masks:
Pang Ka
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Pang
Jacqueline Pang


title: Friedrich de la Motte Fouqué

texts: <mask> was a German writer of the Romantic style. He is the son of a family of French Huguenot origin and was born at Brandenburg an der Havel. His grandfather and father were both generals in <mask> the Great's army. After giving up his studies at Halle to join the army, he took part in the Rhine campaign of 1794. The rest of his life was devoted to writing. He was introduced to the man who influenced him as a poet and who published his first book. Marriage Fouqué's first marriage ended in divorce.His second wife had a reputation as a novelist. After her death, she married a third time. <mask> IV of Prussia granted him a pension which allowed him to spend his later years in comfort, as a result of the ebbing tide of popular favour. He died in Berlin. The introduction to Koch's selections in theDeutsche Nationalliteratur is one of the things that can be seen for Fouqué's life. In his second work, Romanzen vom Tal Ronceval, he showed his loyalty to the romantic leaders. The first modern German dramatization of the Nibelung legend was made in Abentheuren in the 18th century.The play and its two sequels were published together under the title "The Hero of the North" in 1810. The trilogy brought the story to the attention of the public and influenced other versions of the story. The early writings show that Fouqué's interests were divided between medieval chivalry on the one hand and northern mythology on the other. In the year of the rising against Napoleon, he again fought with the Prussian army, and the new patriotism awakened in the German people left its mark on his writings. The many romances and novels, plays and epics which he produced with extraordinary rapidity, appealed greatly to the mood of the hour. Undine was the only work that still lives today. There is a chance that a more comprehensive idea of his talent can be obtained from the two romances.The quality of Fouqué's work deteriorated due to the fatal formal ease with which he wrote and he failed to keep up with the changes in German taste by clinging to the paraphernalia of romanticism. His rivals used a sobriquet for him. Most of Fouqué's works have been translated. "The Shepherd of the Giant Mountains" was translated by <mask> Bute Smedley. Thomas Carlyle wrote the English versions of <mask>'s Knight, Sintram and his Companions and Undine. Influence Fouqué's play The Song Contest on the Wartburg is likely to be one of the sources for Tannhuser. "We both agreed that all his life this poet had engaged in old Germanic studies, however without being able to develop this into a culture of his own making," said Goethe.Robert Louis Stevenson wrote a version of "The Bottle Imp" with a Hawaiian setting. Sintram and his Companions were praised by John Henry Newman and Charlotte Mary Yonge. Morris' own fiction was influenced by Sintram and his Companions. In Little Women, the character Jo mentions wanting Sintram and his Companions and Undine for Christmas in the first chapter and finally gets them in chapter 22. In Jo's Boys, the final book in Alcott's Little Women series, the story of <mask>'s Knight is similar to that of Dan and his affection for gentle Bess. Dvok's opera Rusalka is based on Undine. It was edited by himself in 12 vols.A selection was edited by M. Koch. Part II. Undine, Sintram, etc., were in innumerable reprints. There is a monograph in <mask>'s book. pp. 115 ff., Dresden, 1898. Undine, trans.Paul Turner. There are German Romantic Stories. Ed. Frank G. New York: Continuum in 1998. The German Library. 35).15–90 There is a book description of The Magic Ring at Valan.

masks:
Friedrich de la Motte
Frederick
Frederick William
Menella
Aslauga
Aslauga
Karl Goedeke