title: Charles C. Glover

texts: Major contributions to the modern landscape of Washington, D.C. in the late 19th and early 20th centuries were made by American banker and philanthropist <mask>. He was a generous donor of land and money for Washington's parks and monuments, as well as an effective advocate of urban beautification in Washington, under the influence of the City Beautiful movement. The creation of Rock Creek Park, the National Zoo, the National Cathedral, and the Glover-Archbold Park would not have been possible without the help of the man. According to a study by the National Park Service, he was both a businessman and a poet. In his account, he said that the parks that he helped to create in the District of Columbia represented more than half of the total surface of the National Capital Parks. Born in North Carolina, the son of a father and a mother, <mask> was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 His paternal grandparents were both prominent Maryland attorneys.He lived with his grandmother in Washington when he was eight. He worked as a teller at the company. The Panic of 1873 resulted in the promotion of <mask> to Chief Administrative Officer at the age of 27. He was the leader of the bank at the time of George Washington Riggs' death. He became the President of the bank in 1896 after it was converted into a national bank. He oversaw the construction of the new headquarters of the Riggs National Bank. He retired from the bank in 1921.The Federal Reserve Act was adopted after a plan for economic relief was presented to the U.S. Congress. The Aldrich–Vreeland Act passed in 1914 has been mentioned by Robert L. Owen as a source of inspiration. He was the Director of the Washington and Georgetown Railroad, as well as the President of the Washington Stock Exchange. He was often a guest at the White House. The children of Theodore Roosevelt played at <mask>'s country house despite the men being from different parties. The reclamation of the mud flats that stretched from the West to the South of the National Mall began in the late 19th century. The idea was met with opposition from the railroad companies who wanted to extend their facilities further.The creation of the Tidal Basin was part of the reclamation work. The future use of the land was not decided until early 1897, when <mask> persuaded President <mask>Millan Plan was paved by this. The Lincoln Memorial, Jefferson Memorial, Franklin Delano Roosevelt Memorial, and many other monuments in Washington, D.C. owe their existence to the creation of the park. The creation of Rock Creek Park was promoted by <mask>. Several bills to protect the natural area around Rock Creek have failed in Congress since the first attempt in 1866. The creation of the National Zoo in 1889 and Rock Creek Park in 1890 was a result of his efforts with other civic leaders.The Washington Board of Trade was formed in 1898 and quickly became the city's most powerful civic organization. The landscape of Massachusetts Avenue NW was made by <mask>. While living at 4300 Massachusetts Avenue, <mask> contributed to its development. Embassy Row was developed by <mask>. Embassy Row was born when the British Legation was located at 3100 Massachusetts Avenue. At a meeting in his house on Lafayette Square in 1891, it was decided that the National Cathedral would be built. He built his country house and estate south of Ward Circle in 1896, anticipating the extension of the avenue beyond Rock Creek.Westover was demolished and redeveloped in the 1960s. He used the avenue for his daily commute after moving permanently there a decade later. The current main campus of American University is immediately northwest of Westover. When a new bridge was built in the 1930s to carry Massachusetts Avenue over Rock Creek, it was dedicated with the name of the man. He donated land of his own, as well as promoting the creation of parkland through his efforts in Congress. In 1924, he gave 80 acres of land and Anne Archbold gave a smaller gift. He donated land in the Eastern part of the District of Columbia.The design of the Arlington Memorial Bridge was funded in the early 1920s. He was the vice president of the gallery. <mask> Poor was the daughter of <mask> Poor. They had two children. René de Marees van Swinderen was the Dutch ambassador to the United States. There is a family grave in Oak Hill Cemetery. The Charles C. Glover Memorial Bridge, the Glover Park neighborhood, and a small street south of the site of Westover are all named after <mask>.His children dedicated a plaque to commemorate his contribution to the construction of the Washington National Cathedral. The main gate of American University's main campus on Massachusetts Avenue bears the name of the man who was the Board of Trustees' treasurer from 1891-1922. The <mask>. <mask> Award is given annually to a senior that combines citizenship with business leadership in service to the university. Major shareholders of Riggs National Bank were dissatisfied with antitrust rules. The legislation made it difficult for banks to manage trust funds. The American Security and Trust Company was founded in 1889. American Security and Trust was the trust arm of the commercial bank.He was involved in the creation of American Security and Trust Company. He gave one wing of the new building to use. In 1931, American Security and Trust moved to a 10-story building across the street. The memory of his country estate is called Westover. It was located between Massachusetts Avenue NW, Nebraska Avenue NW, New Mexico Avenue NW, Cathedral Avenue NW, and the Glover-Archbold Park. The mansion with entrance at 4300 Massachusetts Avenue was built in 1896. The southern half of the estate was given to his son in 1920 and he built a large Tudor-style house.Westover was used as the Irish Embassy in the 1950s. The National Presbyterian Church relocated to Nebraska Avenue NW after demolishing the house in 1967, but decided not to build a church there. After the death of <mask>'s son, Orchard Hill was torn down. The site of Westover has a number of residential developments built on it. James M. Goode, a historian of Washington, D.C., wrote that he was the most positive and lasting contribution to the city by a native Washingtonian. The National Arboretum was created by act of Congress in 1927. There are people from North Carolina who are buried at Oak Hill Cemetery in Washington, D.C.

masks:
Charles Carroll Glover
Glover
Glover
Glover
Glover
Clevelandc
Glover
Glover
Glover
Glover
Annie Cunnigham
Charles Henry
Legacy Glover
Charles C
Glover
Glover


title: Patrick Edward Dove

type: paraphrased

texts: <mask> was born near Edinburgh in Scotland. He is best known for his book The Theory of Human Progression of 1850, which states that land should be in common ownership, with the economic rent on the land taking the place of other taxes. <mask> was from a family of clergymen. He was descended from a man named Sir <mask>. His branch of the family DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch His father, Lieutenant <mask> RN, retired from active service with the Navy at the end of the Napoleonic wars in 1815, taking up an appointment at Deal, Kent, connected with the Cinque Ports. <mask> was kicked out of the Academy for leading a rebellion against the master.<mask> was sent to Scotland to learn farming because his father wouldn't allow him to join the navy. He spent time in Paris, Spain and London, where he impressed a friend with his "enormous energy, both physical and mental". The quiet life of a country gentleman was what he lived in 1841 when he took the Craig estate. He was a first-rate horseman, took up fly-fishing and sailing, was an excellent shot, and contributed an article on gunmaking to the 8th edition of Encyclopdia Britannica. He put his energy into helping his neighbours during the potato famine, as well as being an agricultural adviser to neighbours. He had no gamekeeper on his estate since he disapproved of the game laws. In 1849 he married Ann Forrester, daughter of an Edinburgh solicitor, after losing most of his fortune in 1848.They spent the next year in Darmstadt, Germany, where he continued to study and write. While <mask> was still in Darmstadt, his book The Theory of Human progression was published in London and Edinburgh as a limited edition. The first part of "a Science of politics" was to define science as nature seen by the reason and not just by the senses. Science is in the mind alone. The thesis was that the land produces more than the value of the labor spent on it, and that men are willing to pay a rent for it. He saw the land as a gift of the Creator to all men, which should be common rather than private property, butDividing the land into equal shares would be impractical, so the rent should be shared in common, effectively replacing all other taxes. The book was praised by Thomas Carlyle as the voice of a new revolution in education and economics, and the philosopher Sir William Hamilton spoke of it rallying mankind to great reforms.<mask> was persuaded by Charles Sumner to write an article opposing slavery in the Boston Commonwealth on September 21, 1854. The book was praised, but it wasn't a popular success. <mask> was praised by Henry George at a public meeting in Glasgow in 1884. One of the first uses of the term intelligent design, which has recently been revived by an anti-evolution movement, is the index and heading to page 476. <mask> uses the term evolution to refer to the development of a genuine natural theology, though it does not discuss biological evolution. Pantheism is caused by intuitive perception of a "primordial force" in the works of nature if only matter is thought to be objective. The idea of natural laws put forward by writers such as Auguste Comte, who had influenced the inception of Darwin's theory, would not be made public until 1858.<mask> believes that the "primordial force" must be perceived as an intelligent agent in order to exit pantheism. <mask> moved from Germany to Edinburgh, where he lectured on the subject of Heroes of the Commonwealth. He lectured on The Wild Sports of Scotland and The Crusades. He published the second volume of Elements of Political Science in 1854 after becoming captain of the Midlothian Rifle Club. Romanism, Rationalism and Protestant defended Protestantism. The third volume of his treatise was lost. The Logic of the Christian Faith was published in 1858 and The Revolver suggested ideas for rifle clubs and defence of the country.He moved to Glasgow and edited the Commonwealth newspaper, the Imperial Dictionary of Biography, and the Imperial Journal of the Arts and Sciences. He created a rifled cannon with advantages in range and accuracy but was unable to afford further testing which the committee requested. After taking command of the 91st Lanarkshire rifle volunteers in 1859, he won several prizes at the first meeting of the National Rifle Association at Wimbledon Common, but then suffered a stroke that left him paralyzed. He died a year after going to convalesce in the Colony of Natal, South Africa. The United States had abolished slavery by this time. There are external links to births, deaths, and Scottish philosophers.

masks:
Patrick Edward Dove
Patrick Dove
William Dove
Henry Dove
Edward
Edward
Dove
Dove
Dove
Dove
Dove
Dove


title: Oliver Fiechter

texts: <mask> was born on April 30, 1972 and is a Swiss economic philosopher, digital business model innovatonist, management visionaire, and author of the books We Are The Economy! Rise of the Digital Tribal Society in 2012 and Rise of the Digital Tribal Society in 2016 In his 2012 book, he describes an economic philosophy ofEconomy 3.0 as a principle of need satisfaction and a new way of working together that reflects this fundamental change. Economy 3.0 is controlled by people. Economy 1.0 can be described as agriculture. The service society is called Economy 3.0 and the industrial society is called Economy 2.0. The economy level includes shares of the others.Economy 2.0 was about eliminating scarcity. The goal is to deal with the abundance. A future global economic and social order is defined by a transparent digital barter society, based on reciprocity, equality, and cooperation instead of competition. <mask> invented a management-, strategy- and controlling-methodology for human-centered corporate management. M&H Equity AG is a private equity investment company that operates internationally and with a unique methodology that can identify risks and potentials in companies based on soft factors. He developed a rating approach for the sustainable rating and valuation of financial products for the Carlo Foundation. On behalf of the Austrian Chamber of Commerce, he created the hidden champion 3.0 award, which rates export-oriented companies according to the rating criteria of the economy 3.0.<mask> is involved with the Clinton Global Initiative. <mask> was born in Argentina in 1972. <mask> is the son of <mask>. Natalia was born in 1976. <mask> and his family fled Argentina in the early 80's because of the putschists. The family went back to Switzerland. Fiechter had a hard time integrating into Swiss education and culture.<mask>'s negative experiences with education influenced his interest in adaptive learning. The year 2012 Fiechter supports individualized lifelong learning that develops constructive critical thinking and individual development. In order to adapt to the changing digital world, education will have to shift away from standardization and towards fostering individual creativity and innovation. Heinz von Foerster's work on self-organizing systems influenced <mask>'s beliefs. While the needs of the stakeholders within the system are being satisfied, Fiechter's core interests lie in the relationships and social exchanges that take place. In 2008 Fiechter founded the ISG Institute in St. Gallen, a Swiss think-tank known for developing methodology and tools (based on empirical research) that enable companies to measure and report on "soft factors" and individual preferences.The methodologies integrate intangible nonfinancial assets with traditional financial assets in valuation analysis of companies. In real time, companies can measure and report how soft factors affect financial performance. Fiechter's tools have been adopted by the two largest accounting firms in the world. The Austrian Ministry of Commerce uses a methodology called the Hidden Champion 3.0 Award. Prof. Dr. Cuno Pmpin won the Swiss innovation prize in 2009. Management makes more sound and objective decisions when using ISG-Methodology. Economy 3.0 is based on Fiechter's belief in the "Stakeholder Value Management" approach.In the Economy 3.0, the purpose of a company or organization is to produce value for everyone involved, even the society at large. The shareholder value movement focuses on maximizing profits and maximizing the value of a company for certain stakeholders. The 2008 world financial crisis was caused by the Shareholder Value movement. He believes that the shareholder value movement has reached its limits and that the emergence of peer-to-peer networks can shift the balance of power towards individuals. He sees a new economic order in which networks of clients and stakeholders co-create for the benefit of society. Economy 1.0 and 2.0 Economy 3.0 is described in the book "We are the Economy!" by <mask>. The basis of the book was developed by <mask> in cooperation with tech entrepreneurs, politicians and artists.In order to understand Economy 3.0, one needs to understand the economic systems that preceded it, as well as the key differences between Economies 1.0, 2.0 and 3.0. The first economic system that is based on money is Economy 1.0. The goal of the industry is to deal with the fundamental problem of physical scarcity. Food, water, and clothing need to be satisfied. The size of the market is determined by the supply side, which consists of small businesses that focus on satisfying local needs, because the demand is higher than the supply. The system of Economy 1.0 is controlled by the state. The participants of Economy 2.0 are looking for material wealth.An increase in efficiency leads to more supply, which brings supply and demand into alignment and increases the power of the consumer. One of the reasons for increased efficiency is that the average size of enterprises increases. The individual wants to be unique and the realization of the ego becomes the driving force of the system. The financial possibilities of the individual affect whether or not a need can be satisfied. Success is assessed through profit in this economy. In Economy 3.0, the service sector dominates and is called intellectualization because it means that a community is to empower its members to reflexive thinking and acting. The exchange of intangibles in order to increase intangible prosperity is the primary focus of the system because there is an abundance of physical and material goods.The demand for efficiency and size has been replaced by a demand for creativity. Mass production cannot satisfy individual needs. To fulfill a customer need, an enterprise needs to know what the need is and how it can be fulfilled. The consumer becomes a co-producer when the gap between producer and consumer shrinks. The interaction between organizations and stakeholders is more important than the transaction. The internet makes it possible for everyone to contribute and access knowledge, which leads to a new kind of knowledge society. Dematerialization is the basis of the new economy.The material world is turning into an intangible world due to the fact that the non-physical world is becoming more relevant. Economy 3.0 works according to the principles of self-organization. The metaphor of the swarm can be used to explain the principles. swarms function without central control, only by the cooperation of individual agents that interact loyally with each other and are equal to each other. Successful swarms need a commitment to self-organization, indirect cooperation, access to a wide variety of knowledge and can adapt to changing environmental conditions. Tools like knowledge competition need to be used to increase the quality of decisions since there is no one giving instructions. A new, more equal distribution of power can be achieved when enterprises function according to the swarm principle.As beneficial as the swarm principle may seem, there is one thing that needs to be considered. Better information leads to better processes. Having knowledge that no one else has means having power, which motivates individuals to keep knowledge to themselves. There is a lack of knowledge about the behavior of others. Information transparency can help to avoid it. Economy 3.0 has transparency, digitality and reciprocity. Like any new system, it has new rules.There are five new rules that can be derived. One needs to be transparent, offer dematerialized value and participate in the new, decentralized control possibilities. The digital and the creative are the winners of Economy 3.0. Digitalization has eliminated the distances between two countries. The world is flat and individuals are separated into different segments on the internet according to their identity. The digital are able to use it to their advantage. The creative are able to make sense of things.They think about conditions and premises. People with high human capital are related to the creative. They have a main task of storing and managing knowledge. They collect and document knowledge. Collaboration with people with high human capital is desirable for others. It is difficult to determine the winners of Economy 3.0. Whether the winners of Economy 2.0 are the loser of 3.0 depends on their focus and whether or not they accept the change.The winners of Economy 2.0 are going to focus on trying to hold on to the old system. The winners of Economy 2.0 will use their weapons to keep the old power relations alive. If they master the rules of Economy 3.0 or if they are able to manipulate their weapons so that the rules of Economy 2.0 still lead to success, they may be able to achieve this. Education of Economy 2.0 works according to the principle of efficiency. It can be compared to a trivial process, input is offered and a clear output is expected, the individuality of the learners is ignored. Future educational systems should embrace the individuality of those learning and accompany them throughout their lives. Strengths should be discovered and promoted.As a result of modified education, people are less able to be influenced, less able to be manipulated, and less able to be controlled from the outside. New indicators are needed to evaluate the prosperity and well-being of states. Emotional indicators like happiness and the health of a society should be included in our calculations of success instead of only measuring quantitative indicators. The economy following Economy 3.0 is referred to as Synchronomy. There is a neologism called Synchronomy. The logic of scarcity is replaced by the logic of abundance in this new system. The system is devoted to the intangible and the tangible needs are already satisfied.Synchronization platforms are where people who produce certain benefits meet people who want to receive those benefits and form communities. Once the need is satisfied, a community is dissolved. Virtuality, transparency and reciprocity are characteristic of Economy 3.0 and gain importance in Synchronomy. Exchange and action instead of transaction are at the forefront of dematerialization. networks replace hierarchies. The structure, development and management of enterprises are completely in the hands of the stakeholders. Communities rely on direct communication and swarm intelligence instead of executives.The central task of the dematerialized enterprises is to act as knowledge centers. Physical work can be delegated to machines. Every person has the same value. Every single one of us is responsible for the well-being of the economy and society. It is possible if people have a high level of education and recognize their social, political and economic responsibility. There are three hurdles that need to be overcome to realize the ideas of Synchronomy. The educational system is the first one.It should promote individuality as well as the self-reflection of those learning and accompany people over their entire lives. The mistaken belief that the mass is always right is the second hurdle. There needs to be structures that make it harder to implement self-defeating ideas. The monetary system is a third hurdle. Synchronomy is a modern exchange economy that should return to a system of mutual exchange. GDP measures success according to the principles and goals of Economy 2.0. New indicators are needed to evaluate the prosperity and well-being of states.Emotional indicators like happiness and the health of a society should be included in our calculations of success instead of only measuring quantitative indicators. Fiechter developed 33 theses for the digital age. Creative sense workers who want to live consciously and environmentally friendly are addressed to these theses. The economy wants the satisfaction of our needs. All of us are at the center of the economy. A large part of our everyday lives are about economic actions, be it as a consumer, employee of a company, shareholder at the stock exchange or part of the community that defines the political parameters of the economy. In order to get the economic system up and running, it needs us as we perform the central functions of the economic system together on a daily basis.The winners and sinners of our economic system become apparent. The capitalistic system has not yet found a road to renewal. 6. The guild of economists is responsible for the dehumanization of the economy because of its maximization approach. Economic theory doesn't correspond with reality. The current riots around the globe are one result. We are asked to change the economy.It is up to us to improve the living conditions of millions of people. 11. The economy hasn't dropped from the sky. We as humans are powerless because it is not a natural phenomenon. The economic system is formed by our collective emotions. 13 Academies, chairs and elites will no longer have control over the development of economic theories.There are 14. The power is ours. We need to think from a common point of view and not rely on the leaders of this world. 15. The leaders need us more than we need them. The new Economy 3.0 establishes a new system of thought and values, which allows us more freedom but also more social responsibility. Mass consumption that is pure transaction oriented will decrease.There will be more products that correspond to our identity. 18. The internet is creating winners andlosers. 19 We respect the four rules. You can network yourself III. Share your knowledge.You can participate at the control options. The network helps us to better reflect on what we need and what we don't. 21. The network helps bring our needs in line with the companies. The ability to influence, to actively participate and join in the discussion is increased by social networks. The economic processes that were previously controlled by the companies have been regained. The internet makes us participate.We don't want ready-made matters anymore. We don't need anyone to explain the world to us, we want to play an active role in the development of our consumer products. 26. We want to co-design something that is active instead of passive. Our capitalistic system is about to be broken up by social networks. The political power of social affairs in the internet is underestimated by CEOs and managers. The use and functions of a product will be the focus of new types of consumption.Social power structures will change fundamentally once use has become more important than possession. The battle for the future is raging in our twilight zone. There is a struggle between the forces of centralization and decentralization. It is difficult for large companies and established organizations to find the right approach to get us involved. The question is whether the revolution is going to begin or not, and how we are going to face it: anarchy or structured change. We are the economy! The emergence of a new social order.Stmpfli Verlag AG is a publisher. ASIN: B00B9MTS7Y. The NZZ Libro was published in the Neue Zrcher Zeitung. Clinton Global Initiative References 1972 births Living people 20th-century economists 21st-century economists Argentine emigrants to Switzerland

masks:
Oliver Fiechter
Fiechter
Fiechter
Fiechter
Ursula Fiechter
Beat Fiechter
Fiechter
Fiechter
Career Fiechter
Oliver Fiechter
Oliver Fiechter


title: Ralf Rocchigiani

texts: Rocchigiani is a boxer from Germany. He was overlooked due to his brother's success. He became a professional boxer in 1983 and won the German title in 1985. He failed in his attempts to win the European Boxing Union title. He failed to win the WBO cruiserweight title in 1992. He won the WBO cruiserweight title on June 10, 1995 and held it for more than two years. He defended the title six times after scoring a technical knockout over Carl Thompson.He retired from boxing in 1999 after losing the title to Thompson in 1997. Rocchigiani was signed to a German boxing promoter. He was trained by Sdunek. <mask> <mask> is the owner of a bar in Berlin and also served as a trainer for his brother.

masks: Ralf Rocchigiani


title: Charles F. Widdecke

texts: The officer of the United States Marine Corps who reached the rank of major general was named <mask>. The United States military's second-highest decoration, the Navy Cross, was awarded to <mask> for his actions during the Recapture of Guam in July 1944. He commanded the 1st Marine Division at the end of the Vietnam War. The son of Henry A. and Josephine Baker was born on May 11, 1919 in Bryan, Texas. He graduated from the University of Texas at Austin with a Bachelor of Arts degree in 1941. In 1941, he enlisted in the Marine Corps Reserve and was a member of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter of the Alpha Chapter The officer candidate school is where Widdecke attended after graduation.He was commissioned as a second lieutenant in the Marine Corps Reserve after completing his courses. He was sent to the Reserve Officer course. The Japanese attacked Pearl Harbor in December 1941 while he was on this course. After serving as a recruiting officer in San Antonio, Texas, he joined the 2nd Raider Battalion at San Diego under the command of Lieutenant Colonel Evans Carlson. He joined the regular Marine Corps during that time. He was promoted to the rank of first lieutenant and appointed commander of the Headquarters Company of 1st Battalion. At the end of June 1942, his unit sailed to the South Pacific and served as a jungle training unit until February 1944.After that time, he was appointed commander of 1st Battalion's Company C and took part in the assault on Eniwetok atoll. He was part of an attack against the Japanese. He was decorated with the Silver Star and the Navy Unit Commendation for his actions. After the battle, the soldiers were ordered to Guadalcanal for rest and further training. The 22nd Marines were attached to the 1st Marine brigade. The 1st brigade was ordered to take part in the assault on Guam. The left flank of the invasion force was landing on Guam.In the face of strong opposition, <mask> and his men secured a position on the beach and prepared for the attack against the Japanese. Despite the bitterness of the action and the many casualties sustained by his Marines, his company was able to sustain the momentum of the subsequent attacks. On July 25, when his company's advance was disrupted by heavy machine-gun, rifle, and mortar barrages, <mask> organized his men to lead them in a charge through heavy fire. The Japanese position was captured by the Japanese. The second highest decoration in bravery, the Navy Cross, was awarded to <mask>. He was evacuated to the United States for further treatment after he was wounded. The Naval Hospital in San Diego was where he stayed until 1945.After recovering from his wounds, he was promoted to the rank of major. He was attached to the Division of Reserve. He was sent to the Junior Course at Marine Corps School in February 1948, after serving under Major General William T. Clement. He was appointed assistant chief of staff for personnel within the 1st Provisional Marine brigade after completing the course in August 1948. In 1949, he was posted to Fleet Marine Force, Pacific, as assistant chief of staff for personnel. In June 1950, <mask> was ordered back to the United States and appointed an instructor in the Tactical Operations Group, Marine Corps Educational Center. He was promoted to lieutenant colonel in November 1951.From July 1952 to August 1953, <mask> was an instructor in the Tactics section. He was ordered to the Army Command and Staff College in Kansas for regular courses after this assignment ended. The 2nd Battalion, 1st Marines, 1st Marine Division was commanded by <mask> after he graduated from college. He only took part in the defense of the Korean Demilitarized Zone because the armistice was already in effect. He was appointed commander of the 1st Marine Division in January 1955. He went back to Camp Pendleton two months later. He came to Washington, D.C. in July 1955, when he was appointed assistant director of the Marine Corps Institute.The Aide-de-Camp was chosen by Pate when he was in this capacity. He was the commanding officer of the 1st Recruit Training Battalion at the Marine Corps Recruit Depot in San Diego after he left Washington. In July 1960, he was promoted to the rank of colonel after serving as executive officer of the Recruit Training Command. In August 1961, he left California to attend Army War College in Pennsylvania. He attended off-duty educational courses at George Washington University in order to complete his Master of Arts degree in International Affairs. He spent the next three years as the head of the military assistance, plans and policy of the Joint Staff of United States Southern Command. During his time there, he received a Joint Service Commendation medal for his work in the administration of military and economic aid to South American countries.In August 1965, <mask> assumed command of the 5th Marine Corps and oversaw its deployment to Japan. The 5th Marines were sent to Da Nang in South Vietnam at the end of May of that year. Lewis J. was the commanding general of the 1st Marine Division. <mask> ordered the operation Colorado. The aim of the search and destroy operation was to locate and destroy units of the 2nd North Vietnamese Division. He was the chief of staff of Task Force X-Ray and took part in combat with the North Vietnamese. He received the Legion of Merit with "V" device and the Vietnam Gallantry Cross with Bronze Star for his service in Vietnam.The chief of staff, Fleet Marine Force, Pacific, was appointed by Lieutenant General Victor H. Krulak. He was promoted to brigadier general. Major General Drake was relieved of his duties as director of the Marine Corps Reserve. He was responsible for the administration of all reserve marine troops, who were used as reinforcements in Vietnam. He received his second Legion of Merit for his service in this capacity after he was promoted to the rank of major general. In April 1970, the commander of 1st Marine Division was seriously injured in a helicopter crash and was ordered back to Vietnam. He was replaced by <mask>.During the month of September of that year, <mask> oversaw the destruction of North Vietnamese troops. The Son Thang massacre occurred during that operation. The sentences of the two Marines were reduced from five years to one year. He led an operation against communist forces. The 1st Marine Division was deployed to the United States in the fall-winter period of 1970. President Richard Nixon welcomed the 1st Marine Division to Camp Pendleton in 1971 with a crowd of 15,000 spectators. The command of the I Marine Amphibious Force was taken over by a brigadier general after the President's speech.He was decorated with several decorations from the Government of South Vietnam for his second tour of duty in Vietnam. After 30 years of military service, <mask> retired from the Marine Corps. He died on a trip to Mexico two days after his 54th birthday. He was survived by his wife and brother. The Recapture of Guam 1st Marine Division List of 1st Marine Division Commanders References 1919 births 1973 deaths People from Bryan, Texas University of Texas at Austin alumni and the United States Army Command and General Staff College.

masks:
Charles Fred Widdecke
Widdecke
Widdecke
Widdecke
Widdecke
Widdecke
Widdecke
Widdecke
Widdecke
Fields
Widdecke
Widdecke
Widdecke


title: Ralph Glaze

texts: An American sportsman and coach who played as a right-handed pitcher in Major League Baseball, and later became a football and baseball coach and administrator at several colleges, was named <mask>. Early life and playing career <mask> was born in Denver, Colorado, and was recruited by Dartmouth College after displaying his skill in two sports. He was a football player at the University of Colorado in 1901 under coach Fred Folsom, who became the school's coach in 1903. His younger brother, John, followed him to Dartmouth. He played a part in the school's first-ever football victory over Harvard in 1903, a game in which Harvard dedicated its new stadium. Even though he was the smallest player on the team, <mask> was named an All-American by Walter Camp. He pitched a no-hitter against Columbia.During the summers, <mask> played semi-pro ball in Colorado, using the assumed name "<mask>" to protect his college eligibility. He pitched for the "Big Six" team in Trinidad in 1905. The school's charter made specific provisions for the education of Native Americans and he encouraged a Native American catcher to apply to the school. After dropping out of school, a group of alumni created a false background for him, and he was able to enroll at the school. Nonetheless, the catcher attracted notice from various baseball figures, and he went on to a 9-year major league career from 1909 to 1917 under the name Chief Meyers, and credited <mask> with his start in the sport. The Boston Americans were referred to as the press referred to them in 1906. The team is now known as the Boston Red Sox.In three years, Glaze had a record of 15 wins against 21 losses, with 137 strikeouts and a 2.89 earned run average in 61 games. On August 31 of his first year, he outdueled Rube Waddell in a game that was a career highlight. In the early 20th century, Glaze was an assistant football and baseball coach at Dartmouth. He spent the next several years with a number of minor league teams. In 1910, Glaze became a football coach. His teams had a record of 12–10–3 from 1910 through 1912, with a 6–1-1 mark in his first year. The University of Southern California's football team under <mask> had a 7–7 record in the 1914 and 1915 seasons.He was the first coach of USC's teams. USC didn't play football for the previous three seasons because the school switched to rugby and didn't field football teams during the 1911 through 1913 seasons. USC began to include major colleges from other areas on its schedule after competing mostly against southern California teams. The 1914 season finale at Oregon State was USC's first game outside of California and the first against a major college opponent since 1905. The inauguration of the long-standing series with California was the highlight of <mask>'s brief tenure. It was Cal's first year of football after having switched to another sport, and they fell to USC, 23–21, at home in the second game of the season. Dean Cromwell was USC's football coach before he switched to rugby.In 1915, <mask> coached the USC baseball team to a 5–10 record and in the same year, he was the coach of the USC track team. In 1915–16, he coached the USC basketball team to a record of 8–21 against southern California competition. In 1916, Glaze became football coach at Drake University, with a record of 3–10–2, and then became football coach at Colorado State Teachers College, with a record of 2–6 as the school resumed football after 11 years. He was the football coach at the Colorado School of Mines. He led the football team to a 10–12–3 record from 1921 to 1923, and the basketball team to an 11–32 record from 1921 to 1924. He was a coach at the University of Rochester, Texas Christian University and St. Viator College. Evaline and Glaze were married in 1907 and she died in 1927.In 1930, he became the leader of the Boston and Maine Railroad's terminal in Massachusetts and married a woman named Winifred Bonar Demuth. The couple moved to California in 1951. In his later years, Glaze befriended a former American League outfielder named Sam Crawford, who was one of the successors as USC's baseball coach. When he was in his 80s, Glaze walked three to five miles daily with his dogs. He passed away at the age of 86. There are external links to the head coaching record of college football.

masks:
Daniel Glaze
Glaze
Glaze
Glaze
RalphPearce
Glaze
Glaze
Glaze
Glaze


title: Martinho de Portugal

texts: <mask>, also known as <mask> of Portugal, was a Portuguese archbishop who held the largest Catholic jurisdiction in the world. The future Diocese would be dismembered and created in 1551. He was the son of <mask>, bishop of vora. He was a descendant of Joo I of Portugal. Francis was the brother of the 1st Count of Vimioso. His aristocratic background, despite being marked by illegitimacy, would be decisive for his career, which began with the completion of a solid program of theological studies, which started in Lisbon and continued in Valladolid and Paris, following the which he related to important figures of European human. The chancellorship of the Cathedral of vora was given to <mask> through his family links after he returned to Portugal in 1522.The Monastery of Saint George, in Coimbra, and the priory of the church of Barcelos were some of the benefits he mentioned. He was sent to Rome as a Portuguese ambassador in 1525. Pope Clement VII appointed him as the apostolic nuncio to King Joo III with powers of legacy a latere in the kingdoms and domains of the Portuguese crown. In 1532, <mask> was sent back to the pontifical court to begin negotiations for the establishment of the Inquisition in Portugal. On February 10, 1533, <mask> was appointed as archbishop of Funchal, following the concession of the category of metropolitan to the ecclesiastical province of Funchal, obtained from Clement VII on January 31 of the same year. It is possible that the bulls that would make the elevation of <mask> were not issued because of his condition as an illegitimate son and the fact that King Joo III was unavailable to honour the financial charges that he was obliged to pay. In order to elevate the ecclesiastical circumscription of Funchal to a metropolis, the king had committed himself to increase the archbishop's income by 200,000 réis, that is, to double the remuneration previously attributed to the Bishop of Funchal.The actual existence of the archdiocese of Funchal was questioned after <mask> complained about the omission of bulls. Despite bureaucratic constraints, <mask> assumed the title of Archbishop of Funchal, Primate of the Indies and all new lands discovered and to be discovered. The reasons for the monarch's will to allow the appointment as Archbishop are linked to the desire to reward services previously provided by <mask>, and to favour his tendency to act in the strict defence of the royal interests regarding the establishment of the Inquisition in Portugal. <mask>'s action in Rome was more focused on the search for a legitimation of his birth that would allow his promotion to Cardinal than on the mission that the monarch had tasked him to. The creation of <mask> as Archbishop of Funchal was necessitated by the need to find a structure that would not affect the position of any of the other national metropolitans. Between 1533 and 1534 the dioceses of Cape Verde and S. Tomé were created. He was elected bishop of the Algarve in 1547, but died before taking office.<mask> <mask> did not neglect his responsibilities despite Funchal never having personally visited Madeira. In order to improve the living conditions of islanders and local clergy, the archbishop ordered the creation of two new canonries, four new chaplaincies and one sacristan. <mask> sent the Bishop of Rociona, D. Ambrsio Brando, to Madeira in 1538 in order to protect the normal function of the archdiocese. After arriving to Madeira, D. Ambrsio neglected the tasks that were assigned to him, performing ordinations all over the Island in the second half of the year and returning to mainland Portugal. The visitors, who stayed until the following year, also visited the parishes and took steps to correct the non-conformities they encountered. Historical sources say that the Madeiran faithful did not like the performance of the visitors and that they carried out their office throughout the island. The visitors appointed by <mask> <mask> reported non-conformities and threatened those who practised them with excomunication: speaking during mass, singing, dancing and sleeping in church.The Madeiran clergy were expected to teach doctrine to the faithful, to be vigilant in relation to unmarried couples and to those who married illegally, to ring the bell three times a day, and to clean the altars and vestments. <mask> <mask> sent religious relics to Funchal in order to promote the status of his archdiocese. He fathered two children, one with Catarina <mask> and the other with <mask>. The lands of the Cape of Good Hope came to be under the control of the Diocese of Goa as early as 1539, when the Archdiocese of Funchal disappeared. In 1551, the Archdiocese of Funchal would be abolished. There were births and deaths in the House of Funchal.

masks:
Dom Martinho de Portugal
Martinho
Afonso de Portugal
Martinho
Martinho
Martinho
Martinho
Martinho
Martinho
Martinho
Martinho
Martinho
Martinho
de Portugal
Martinho
Martinho
de Portugal
Martinho
de Portugal
de Sousa
Martinho


title: Kim Bobo

texts: The executive director of the Virginia Interfaith Center for Public Policy is an American religious and workers' rights activist. <mask> leads VICPP's advocacy, outreach, and development work. She wrote a book on faith-based organizing. <mask> moved to Virginia from Chicago, where she founded and served as executive director of the nation's largest network of people of faith engaging in local and national actions to improve wages, benefits, and conditions for workers. <mask> was an instructor at the Midwest Academy and was the national organizing director for Bread for the World. The Chicago Interfaith Committee on Worker Issues was founded in 1991. She is quoted in national newspapers and broadcast media as an expert on worker justice issues.She has written about community organizing and wage issues. <mask> graduated from New York City's Barnard College with a bachelor's degree in religion. She received a master's degree in economics from the New School for Social Research. A long-time Chicago reform politician is married to <mask>. She has two sons from her previous marriage. <mask> is a member of the choir at the church. She was the choir director at Good News Community Church for 27 years.In 1976, <mask> became director of organizing for Bread for the World, a Christian organization that works to relieve and combat hunger. She wrote her first book during this time. <mask> is an instructor at the Midwest Academy, a community organizing training institute in Chicago, Illinois. She focused on low-income housing organizations. <mask> and her colleagues co-authored Organizing for Social Change while at the Midwest Academy. <mask> became involved with the coal miners strike in 1989. She was surprised to find that almost no religious organizations had labor liaisons.She started an informal network of religious leaders to share information about worker justice campaigns. <mask> started the Chicago Interfaith Committee on Worker Issues. The group was led by <mask> and four Chicago religious leaders. <mask> used a $5,000 inheritance from her grandmother to start the National Interfaith Committee for Worker Justice. She ran the organization out of her home. The organization had 29 affiliates by 1998. By 2005, the group had grown to 59 local affiliates and a full-time staff of 10.IWJ is involved in a number of workers' rights issues. There are 20 workers centers around the country and programs such as "Labor in the Pulpits" and "Seminary Summer" which place seminary and rabbinical students with unions for summer internships. Walmart celebrated its 50th anniversary in 2012 and she called for a living wage for its employees. <mask> has led many economic, racial, social, and environmental justice legislative victories as the Executive Director of the Virginia Interfaith Center for Public Policy. She played a leadership role in the statewide healthcare for all Virginians coalition that advocated for Medicaid expansion. <mask> was the leader of the effort to remove the Jim Crow exemptions from the Virginia Minimum Wage. Tuition equity, environmental justice, tenants' rights, and criminal justice reform were some of the legislation that VICPP was involved in.The report "The High Cost of Being Poor in Virginia" was released in October 2016 by the Virginia Interfaith Center for Public Policy and the Coalition on Human Needs. The help of Rev. There is a private living wage program in Alexandria, Virginia. Businesses that pay their workers a wage in line with living costs of the city can be certified by the program. The Center for American Progress named <mask> one of 14 Faith Leaders to Watch in 2015, and Utne Reader named <mask> one of 50 Visionaries Who Are Changing Your World in 2009. <mask> was selected for the award. The award is named after Pope John XII's "Peace on Earth" encyclical letter.Previous award recipients include Mother Teresa and Martin Luther King Jr. Books Wage Theft in America: Why Millions of Working Americans are not getting paid, and what we can do about it. There is a new press. The year 2008. Lives Matter: A Handbook for Christian Organizing can be found at www.iwj.org. The city of Lanham, Md. They were Sheed and Ward.The books were co-authored by <mask>, <mask>, and others. It is necessary to organize for social change. 2d ed. Seven Locks Press was published in 2001. The Virginia Interfaith Center for Public Policy website has links to other websites.

masks: Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Bobo Kim


title: Frank Zappa

texts: <mask> was an American musician, singer, composer, and bandleader. His work is characterized by nonconformity, free-form, sound experiments, musical virtuosity and satire of American culture. <mask> produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. <mask> designed album covers and directed feature-length films. He is one of the most innovative and diverse musicians of his generation. <mask> had a variety of musical influences that led him to create music that was difficult to categorize. He liked to listen to African-American rhythm and blues and doo-wop music.He switched to electric guitar after playing drums in rhythm-and-blues bands. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. Whether the fundamental format was rock, jazz, or classical, he continued this eclectic and experimental approach. <mask>'s output is unified by a conceptual continuity, with numerous musical phrases, ideas, and characters reappearing across his albums. His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the "godfather" of comedy rock. He was an ardent advocate of freedom of speech, self- education, political participation and the abolition of censorship. He was the only rock musician of his generation who supported decriminalization and regulation.<mask> was a prolific and productive artist with a controversial critical standing, but supporters of his music admired its complexity, while critics found it lacking emotional depth. He had more success in Europe than in the US. <mask> relied on distribution agreements he had negotiated with the major record labels when he was an independent artist. He is still a major influence on musicians. In 1995 he was inducted into the Rock and Roll Hall of Fame. <mask> was born on December 21, 1940, in Baltimore, Maryland. His mother was of Italian and French descent and his father was an immigrant from Sicily.<mask> was raised in an Italian-American household where his grandparents used to speak Italian. The family moved a lot because his father worked in the defense industry. <mask>'s father worked at the Aberdeen Proving Ground in Maryland, where he was employed by the U.S. Army, after returning to Maryland after a time in Florida. Due to the proximity to the arsenal, gas masks were kept in the home in case of an accident. <mask>'s living arrangement had a profound effect on him, and he references germs, germ warfare, ailments and the defense industry frequently in his work. <mask> was often sick when he was a child. A pellet of radium was inserted into <mask>'s nostrils.At the time, little was known about the potential dangers of even small amounts of therapeutic radiation, and although it has since been claimed that nasal radium treatment has connections to cancer, no studies have provided enough evidence to confirm this. In his music and lyrics, there are references to Nasal imagery, as well as in the album covers created by his long-time partner Cal Schenkel. When he lived in Baltimore, <mask>'s health worsened because he believed his childhood diseases were caused by exposure to mustard gas. His father taught metallurgy at the Naval Postgraduate School in Monterey, California, where his family relocated in 1952. They settled in San Diego after moving to El Cajon. <mask> was the drummer in his first band at Mission Bay High School. He was able to develop his interest in music and begin building his record collection after his parents bought him a phonograph.According to The Rough Guide to Rock, as a teenager <mask> was enthralled by black R&B and doo-wop. <mask> kept a large collection of R&B singles for the rest of his life. He was interested in the sounds of drums and percussion instruments. He obtained a snare drum at the age of twelve. <mask>'s interest in classical music began when he read about the Sam Goody record store chain's ability to sell an obscure album like The Complete Works of Edgard Varse, Volume One. According to the article, Varse's percussion composition Ionisation was a weird mix of drums and other unpleasant sounds. <mask> wanted to listen to Varse's music.<mask> found a copy after searching for over a year because he noticed the "mad scientist" looking photo of Varse on the cover. He persuaded the salesman to sell him the record at a discount because he didn't have enough money. His lifelong passion for Varse's music began as a result. He liked listening to opera arias in Italian classical music. He referred to Sun Village, a town close to Lancaster, in the 1973 track "Village of the Sun". <mask> was encouraged by his mother to play music. She gave her son a long-distance call to the New York composer because she disliked Varse's music.<mask> spoke to the composer's wife and she suggested he call back later because Varse was in Europe. Varse told him about the composition he was working on after thanking him for his interest. <mask> was living in the desert town of Lancaster. If he ever came to New York, Varse invited him to visit. <mask> kept the letter on display for the rest of his life, even though the meeting never took place. <mask> met Don Glen Vliet, who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart. Both <mask> and Vliet were influenced by R&B records throughout their careers.<mask> started playing in a band around the same time. The band had a member who later became a member of the Mothers of Invention. <mask> was given his first guitar in 1957, after his interest in the guitar grew. Clarence "Gatemouth" Brown and Howlin' Wolf were among his early influences. He invited him to perform on several albums. <mask> developed an eclectic, innovative and highly personal style and considered soloing as the equivalent of forming "air sculptures". Halim El-Dabh was also influenced by him.In his last high-school years, <mask>'s interest in arranging flourished. He was writing, arranging and conducting performance pieces for the school orchestra by his final year. He acknowledged two of his music teachers on the sleeve of his 1966 album. <mask>'s family DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch In 1959 he attended Chaffey College but left after one semester, taking his children out of school at the age of 15 and refusing to pay for their college. <mask> moved into a small apartment in Los Angeles in 1959 after leaving home. He met another person.They were married on December 28, 1960, after moving in together in Ontario. <mask> worked in advertising for a short time. His brief time in the commercial world gave him insight into its workings. He took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos. Studio Z <mask> tried to make a living as a musician and composer, and played nightclubs with a new version of the Blackouts. The soundtracks for the low-budget films The World's Greatest Sinner and Run Home Slow were more financially rewarding than <mask>'s earliest recordings. The score was recorded in 1961.There are many themes that appeared on later <mask> records. <mask> may have worked on the soundtrack before the film was shot because it was commissioned by one of his former high school teachers. The soundtrack can be heard on The Lost Episodes. <mask> wrote and produced songs for other local artists, often working with Ray Collins and producer Paul Buff. The original group's "Memories of El Monte" was recorded by the Penguins. A unique five-track tape recorder was built by the man who owned the small studio. Only a few of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track.<mask> earned enough money to allow him to stage a concert of his orchestral music in 1963, and to broadcast and record it, even though none of the recordings from the period achieved major commercial success. He played a bicycle as a musical instrument on Steve Allen's syndicated late night show. He plucked, bang, and bow the spokes of the bike with a bow borrowed from the band's bass player. <mask> recorded some songs with Captain Beefheart. They were turned down by Dot Records. <mask> quoted from a Columbia Records verdict that the Mothers had no commercial potential. In 1964, after his marriage broke up, he moved into the Pal studio and began recording and experimenting with overdubbing and audio tape manipulation.For most of his life, this established a work pattern. <mask> took over the studio from Paul Buff, who was working with Art Laboe at Original Sound. It was changed to Studio Z. Recording studio Z was rarely used by other musicians. James "Motorhead" Sherwood was one of the friends who moved in. <mask> started performing in local bars as a guitarist with a power trio to support himself. The local police suspected that <mask> was making pornographic films after reading an article in the local press.<mask> was approached by a vice squad undercover officer and offered $100 to make a suggestive audio tape for a party. <mask> and a female friend recorded a fake erotic show. The police stripped the studio of all recorded material when <mask> was about to hand over the tape. The Daily Report wrote that "Vice Squad investigators stilled the tape recorders of a free-swinging, a-go-go film and recording studio here Friday and arrested a self-styled movie producer", after the press was tipped off. <mask> was accused of conspiracy to commit pornography. The felony charge was reduced and he was sentenced to six months in jail, with all but ten days suspended. His brief imprisonment was central to the formation of his anti-authoritarian stance.The police returned only 30 of the 80 hours of tape they had seized. He was evicted from the studio because he couldn't afford the rent anymore. The studio was torn down in 1966. In 1965, Ray Collins asked <mask> to take over as guitarist in the local R&B band the Soul Giants, after a fight between Collins and the group's original guitarist. <mask> assumed leadership and the role of co-lead singer even though he never considered himself a singer. He convinced the other members to play his music in order to get a record contract. On Mother's Day, the band was renamed the Mothers.They gained attention to the Los Angeles underground music scene after beginning an association with a manager. Tom Wilson, a leading record producer, spotted them playing a song about the Watts riots. Wilson was one of the few African-Americans working as a major label pop music producer at the time. Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to expand into pop and rock audiences. Verve insisted that the band change their name to the Mothers of Invention because it was short for motherfucker, a term that can mean a skilled musician. Debut album: Freak Out! The Mothers of Invention augmented their recording with a studio orchestra.The second rock double album was released after Bob Dylan's Blonde on Blonde. R&B, doo-wop, musique concrte, and experimental sound were mixed to capture the "freak" culture of Los Angeles at that time. <mask> was established as a radical new voice in rock music, providing an antidote to the "relentless consumer culture of America", because he was dissatisfied with the final product. The sound was raw, but the arrangements were sophisticated. While recording in the studio, some of the additional session musicians were shocked that they were expected to read the notes on sheet music from charts with <mask> conducting them, since it was not standard when recording rock music. The lyrics had dadaist elements and praised non-conformity. There was a place for love songs.<mask>'s compositions set a precedent for the rest of his career. He did most overdubs and had full control over the arrangements. Wilson provided 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 888-353-1299 Wilson was able to give Zappa and the Mothers an extraordinary degree of artistic freedom, but the recording did not go as planned. Zappa told a radio interviewer that "Return of the Son of Monster Magnet" was not finished. MGM refused to allow the additional recording time needed for completion of the track, which was only a backing track for a much more complex piece. Zappa was displeased that it was issued in its unfinished state.<mask> and his friend Pamela Zarubica lived in a house in the canyon during the recording of the album. The house became a meeting place for many LA musicians and groupies of the time, despite <mask>'s disapproval of their drug use. <mask> met Gail Sloatman after a short promotional tour. She moved into the house over the summer after he fell in love with her. They were married in 1967, had four children and were together until <mask>'s death. Wilson produced the Mothers' second album, Absolutely Free, which was recorded in November 1966 and mixed in New York, but by this time <mask> was in control of most aspects of the production. It featured extended playing by the Mothers of Invention and focused on songs that defined <mask>'s style of introducing abrupt, rhythmical changes into songs that were built from diverse elements.The lyrics of "Plastic People" and "Brown Shoes Don't Make It" were critical of

masks: Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Frank Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa Zappa


title: Frank Zappa

texts: the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. <mask> said that they are out to satirize everything. <mask> recorded material for an album of orchestral works to be released under his own name, Lumpy Gravy, which was released by Capitol Records in 1967. The album was pulled due to contractual problems. Newly recorded, improvised dialogue was added to the contents by <mask>. The album was re-released by Verve in 1968. It is an "ambitious musical project", a "monument to John Cage", which weaves orchestral themes, spoken words and electronic noises through radical audio editing techniques.The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater during Easter 1967. The booking was extended by Herb Cohen for half a year. <mask> and his wife Gail and the Mothers of Invention moved to New York. Their shows became a combination of improvised acts showcasing individual talents of the band as well as tight performances of <mask>'s music. <mask> used hand signals to direct everything. The Garrick Theater shows featured guest performers and audience participation. <mask> tricked the U.S. Marines into dismembering a big baby doll by telling them that it was a "gook baby".We're Only in It for the Money was recorded in New York and was the peak of the Mothers of Invention's work. Wilson was credited with being the executive producer. <mask> produced all of the Mothers of Invention's albums as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs satirized the hippie and flower power phenomena. He used surf music in We're only in It for the Money, as well as the Beatles' tape work from their song "Tomorrow Never Knows". The Beatles' Sgt. was parodied in the cover photo. The band is called Pepper's Lonely Hearts Club Band.<mask> met Cal Schenkel in New York. Schenkel designed covers for many <mask> and Mothers albums. Reflecting <mask>'s eclectic approach to music, the next album was very different. The album was a collection of doo-wop songs, but it was not clear if it was satire or a tribute. "If he could take the forms and clichés of the classical era and change them, why not do the same in the fifties?" <mask> asked. One song has a theme from The Rite of Spring. <mask> made two appearances with the group.<mask>, dressed up as Mike Nesmith, interviewed Nesmith, who was dressed up as <mask>, on the first episode of their TV series. <mask> destroyed a car with a sledgehammer as the song "Mother People" played. The youth of America depends on you to show them the way, he says in the movie Head. Micky Dolenz was recruited by <mask> to the Mothers but he would not be released from his contract. <mask> Cohen. Warner Bros. Records distributed these labels in the US.<mask> and Mother's recordings appeared on Bizarre. Straight released two albums, one for Captain Beefheart and one for Alice Cooper. The Mothers performed for TV programs in Germany, France, and England, as well as at the Concertgebouw in Amsterdam, during their second European tour in September/ October 1968. <mask> and the Mothers of Invention returned to Los Angeles in mid-1968 and the Zappas moved into a house on Laurel Canyon Boulevard. <mask> lived here for the rest of his life. The Mothers of Invention were not doing well financially despite being successful in Europe. As <mask> wrote more jazz and classical style music for the band's concerts, audiences were confused.Audiences didn't like <mask>'s "electrical chamber music". <mask> supported the band from his publishing royalties regardless of whether they played or not. The band was broken up by <mask> in 1969. The main reason was the financial strain, but he also commented on the band members' lack of diligence. Many band members were bitter about <mask>'s decision, and some took it as a sign of <mask>'s perfectionism at the expense of human feeling. <mask>'s autocratic ways, exemplified by his never staying at the same hotel as the band members, annoyed others. <mask> had several members who played for him.Weasels Ripped My Flesh and Burnt Weeny Sandwich were the last recordings of the band from this period. The solo album Hot Rats was released by <mask>. One of <mask>'s most enduring compositions, "Peaches en Regalia", is included for the first time on record. He was supported by jazz, blues, and R&B session players including violinist Don "Sugarcane" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and former Mothers of Invention member Ian Underwood, and bass player Shuggie Otis. It was a major influence on the development of jazz-rock fusion. <mask> met conductor Zubin Mehta during the 1970s. The Los Angeles Philharmonic was augmented by a rock band.<mask> said the music was written in motel rooms while on tour with the Mothers of Invention. It was used in the movie 200 Motels. <mask> was not a fan of working with a symphony orchestra. He felt that the quality of performance of his material was not comparable to the money he spent on orchestral concerts and recordings. <mask> formed a new version of the Mothers in 1970. Three members of the Turtles, including bass player Jim Pons and singers Mark Volman and Howard Kaylan, were adopted due to persistent legal and contractual problems. The Mothers debut on <mask>'s next solo album, Chunga's Revenge, which was followed by a double album soundtrack to the movie 200 Motels, featuring the Royal Philharmonic Orchestra, Theodore Bikel, and Keith Moon.It was filmed in a week at a studio outside London. There were disagreements between <mask> and several cast and crew members. The film deals with life on the road as a rock musician. The first feature film to be photographed on videotape and transferred to 35mm film allowed for novel visual effects. It received mixed reviews. When a concert at the Royal Albert Hall was canceled because a representative of the venue found obscene lyrics, <mask>'s unhappiness with the classical music world intensified. He lost a lawsuit against the Royal Albert Hall.After 200 Motels, the band went on tour, which resulted in two live albums, June 1971 and Just Another Band from L.A., which included the 20-minute track "Billy the Mountain", <mask>'s satire on rock opera set in Southern California. This track was a representation of the band's theatrical performances, which used songs to build sketches based on 200 Motels scenes, as well as new situations that depicted the band members' sexual encounters on the road. <mask> had an accident and an attack on December 4, 1971. The Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. The event and aftermath of Deep Purple's song "Smoke on the Water" can be heard on the bootleg album Swiss Cheese/Fire. The Mothers played at the Rainbow Theatre in London with rented equipment after losing $50,000 in equipment. The jealousy of the audience member pushed him off the stage and into the orchestra pit.<mask> had suffered a number of injuries, including a crushed larynx, which caused his voice to drop a third, and the band thought he had been killed. <mask> had to use a wheelchair for an extended period after the attack, making touring impossible for over half a year. <mask> was wearing a leg brace and had a limp when he returned to the stage in September 1972. Chronic back pain was caused by the fact that one leg healed shorter than the other. The core of Flo and Eddie's band was formed when the Mothers were left in limbo. <mask> released two jazz-oriented solo albums, Waka/Jawaka and The Grand Wazoo, which were recorded during the forced layoff from concert touring, using floating line-ups of session players and Mothers alumni. The albums were similar to Hot Rats in that they featured extended instrumental tracks with extended soloing.In 1972 <mask> began touring again. The Grand Wazoo, a 20-piece big band, was his first effort. The Petit Wazoo toured the U.S. for five weeks from October to December 1972. <mask> formed and toured with smaller groups that included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba, vocals), Napoleon Murphy Brock (sax, flute and vocals), and Bruce Fowler. The Bizarre and Straight labels were discontinued by 1973. DiscReet Records was created by <mask> and Cohen. <mask> had a high rate of production through the first half of the 1970s, including the solo album Apostrophe, which reached a career-high No.1 spot helped by 10 on the pop album charts. "Don't Eat The Yellow Snow" was a hit. Several future concert favorites, such as "Dinah-Moe Humm" and "Montana", can be found on Over-Nite Sensation, one of the albums from the period. You Can't Do That on Stage Anymore is a live recording. The full spirit and excellence of the band was captured in 2 (1988). In 1975, <mask> released a live recording at the Armadillo World Headquarters in Austin from a tour with Captain Beefheart. They were in contact at the end of <mask>'s life after they became estranged.<mask> produced the album Good Singin', Good Playin' for Grand Funk Railroad. The relationship between <mask> and Cohen ended in 1976. Cohen was sued by <mask> for signing acts that <mask> did not approve, as well as for skimming more than he was allocated from DiscReet Records. <mask> and Cohen gained from an out-of-court settlement with MGM over the rights to the Mothers of Invention recordings. <mask> didn't have access to any of his previously recorded material during the trials. The master copies of Zoot Allures were taken directly to Warner by <mask>. Bennett was hired as <mask>'s new manager.<mask> was upset with Warner over the lack of promotion of his recordings and he was eager to get on with his life. Warner received four albums from <mask> in March 1977 to complete his contract. Most of the recordings were made between 1972 and 1976. Warner failed to meet contractual obligations to <mask>, but after a lengthy legal dispute they eventually released these recordings in censored form. <mask> prepared a four-LP box set called Lther in 1977 for distribution on the Zappa Records label. The Lther box set was supposed to be released on Halloween 1977, but legal action from Warner forced <mask> to scrap the project. <mask> played the entire Lther album on a Pasadena radio station in 1977 and encouraged people to make tapes of the broadcast.Much of the same material can be found in the five-LP and four-LP recordings. <mask>'s work includes heavy rock, orchestral works, and complex jazz instrumentals, along with his distinctive guitar solo. Lther was released posthumously. There is still debate as to whether <mask> conceived the material as a four-LP set from the beginning or later. Although <mask> eventually gained the rights to all his material created under the MGM and Warner contracts, the various lawsuits meant that for a period <mask>'s only income came from touring, which he did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. Terry Bozzio became a regular member of the band, along with Napoleon Murphy Brock, and original Mothers of Invention bassist Roy Estrada. Other musicians include bassist Patrick O'Hearn, singer- guitarist Ray White and keyboardist/violinist Eddie Jobson.<mask> was a featured musical guest on Saturday Night Live in December of 1976. <mask>'s song "I'm the Slime" was performed with a voice-over by SNL booth announcer Don Pardo, who also introduced "Peaches En Regalia" on the same airing. <mask> was both host and musical act on the show in 1978. The performances included an impromptu musical collaboration with cast member John Belushi. Belushi's character was playing the sax with <mask>. <mask>'s band had a series of Christmas shows in New York City in 1976, recordings of which can be found on the four-LP Lther project. The band had a horn section with Michael and Randy Brecker."The Black Page" and "Titties and Beer" are examples of complex instrumentals. The former composition, originally written for drum kit but later developed for larger bands, is known for its complexity in its rhythmic structure and short, densely arranged passages. "The Illinois Enema Bandit", a song about sex criminal Michael H. Kenyon, was written by <mask> in New York. Many critics were offended by the content of the song, which contained many sexual references. <mask> said that he was a journalist reporting on life as he saw it. He wondered what a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them. Studio Tan and Sleep Dirt and Orchestral Favorites were the last two albums to be released by Warner without <mask>'s approval.The press was focused on <mask>'s legal problems. Two of <mask>'s most important projects were released in 1979. He had two of the best-selling albums of his career, Sheik Yerbouti and Joe's Garage. The first release to appear on Zappa Records was the double album Sheik Yerbouti. The single "Dancin' Fool" was nominated for a grammy. 45 is on the charts. The Anti-Defamation League tried to prevent the song "Jewish Princess" from being played on radio due to its alleged anti-Semitic lyrics.<mask> dismissed the ADL as a "noisemaking organization that tries to apply pressure on people in order to manufacture a stereotype image of Jews that suits their idea of a good time." "Bobby Brown" was responsible for the album's commercial success. Due to its explicit lyrics about a young man's encounter with a "dyke by the name of Freddie", the song did not get played in the U.S., but it topped the charts in several European countries where English is not the primary language. Joe's Garage was released in two parts. In September 1979 there was a single Joe's Garage Act I, followed by a double Joe's Garage Acts II and III. A rock opera about the danger of political systems, the suppression of freedom of speech and music, and the "strange relationship Americans have with sex and sexual" is featured on the albums. The title track and the song "Catholic Girls" were released as a single.The second and third acts recorded live and combined it with studio backing tracks. This process was described by <mask>. Joe's Garage contains one of <mask>'s most famous guitar "signature pieces", "Watermelon in Easter Hay". This work was later made into a three-LP or two-CD set. <mask>'s movie Baby Snakes was shown in New York. "A movie about people who do stuff that is not normal" is the movie's slogan. The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist

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title: Frank Zappa

texts: Tommy Mars and percussionist Ed Mann, as well as guitarist Adrian Belew.The sequence of clay animation that Bruce Bickford provided to <mask> for a 1974 TV special became available on the 1982 video The Dub Room Special. The movie won the premier Grand Prix at the First International Music Festival in Paris in 1981 despite not doing well in theatrical distribution. <mask> cut ties with the distributor after they refused to release his song "I don't wanna get drafted", which was recorded in February 1980. <mask>'s single was picked up by CBS Records internationally after being independently released in the United States. Tinsel Town Rebellion was released in 1981 after <mask> spent much of 1980 on the road. The first release on his own Barking Pumpkin Records contained songs from a 1979 tour, one studio track and material from the 1980 tours. A mixture of complicated instrumentals and <mask>'s use of sprechstimme (speaking song or voice), a composition technique utilized by composers such as Arnold Schoenberg and Alban Berg, showcasing some of the most accomplished bands <mask> ever had.The political and sociological satire in songs like the title track and "The Blue Light" have been described as a "hilarious critique of the willingness of the American people to believe anything". Steve Vai was a member of <mask>'s touring band in 1980. You Are What You Is was a double album. <mask>'s new Utility Muffin Research Kitchen studios, which were located at his house, gave him complete freedom in his work. The album included one complex instrumental, "Theme from the 3rd Movement of Sinister Footwear", but mainly consisted of rock songs with <mask>'s sardonic social commentary. "Dumb All Over" and "Heavenly Bank Account" are rants against TV preachers such as Jerry Falwell and Pat Robertson for their alleged influence on the U.S. administration as well as their use of religion as a means of raising money. Songs like "Society Pages" and "I'm a Beautiful Guy" show <mask>'s disapproval with the Reagan era and its "obscene pursuit of wealth and happiness".The only music video <mask> made was for the song "You Are What You Is". MTV banned it. <mask>'s management relationship ended in 1984. Gail was co-manager with <mask> of all his business interests. In 1981 <mask> released three instrumental albums, Shut Up 'n Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through CBS Records. The albums focus exclusively on <mask> as a guitar soloist, and the tracks are mostly live recordings from 1979 to 1980; they highlight <mask>'s improvisational skills with "beautiful performances from the backing group as well". Another guitar-only album, Guitar, was released in 1988, and a third, which <mask> completed shortly before his death, was released in 2006<mask> added a non- musical role to his television appearances. He was an actor in several episodes of The Ren & Stimpy Show. Matt Groening was a neighbor of <mask> and a lifelong fan of The Simpsons. In 1982, <mask>'s biggest selling song was "Valley Girl", which was nominated for a gramophone award. There are 32 on the charts. Moon satirized the patois of teenage girls from the San Fernando Valley in her lyrics to the song. The Man from Utopia was the first rock-oriented work to be released in 1983.The album features the vocal-led "Dangerous Kitchen" and "The Jazz Discharge Party Hats", both continuations of the sprechstimme excursions on Tinseltown Rebellion. The second album was by the London Symphony Orchestra. <mask> compositions were conducted by Kent Nagano and performed by the LSO. The second record of these sessions is the London Symphony Orchestra. I was released in 1987. <mask> provided all funding for the material, which was recorded under a tight schedule, thanks to the commercial success of "Valley Girl". <mask> didn't like the LSO recordings.The trumpet section had been out for drinks and the track took 40 edits to hide out-of-tune notes. In fairness to the orchestra, the music is very difficult, according to conductor Nagano. The recordings were the best representation of <mask>'s work so far, according to some reviews. <mask> and the Berkeley Symphony Orchestra performed a live performance of A Zappa Affair with augmented orchestra, life-size puppets, and moving stage sets in 1984. The work was a financial failure and only performed twice. <mask> will be the keynote speaker at the American Society of University Composers at the Ohio State University. <mask> delivered his famous "Bingo!His orchestra pieces were "Dupree's Paradise" and "Naval Aviation in Art". The Columbus Symphony and ProMusica Chamber Orchestra performed. Much of <mask>'s work was influenced by his use of the Synclavier, an early digital synthesizer. According to <mask>, any group of imaginary instruments can be invited to play the most difficult passages. <mask> viewed real-life musicians as separate from the synclavier, even though it did away with the need for musicians. He released four albums in 1984. Boulez Conducts <mask>: The Perfect Stranger contains orchestral works commissioned and conducted by Boulez, who was listed as an influence on Freak Out!His ensemble InterContemporain performed. The pieces were compared with these. <mask> appreciated Boulez's demands for precision, even though he was not satisfied with the performances of his orchestral works. The synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled. The album Thing-Fish was an ambitious three-record set that dealt with feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. The work is an extraordinary example of bricolage. A version of works by 18th-century composer <mask> was released in 1984.<mask> had a mail-order business called Barfko-Swill, which was run by Fialka, who also worked for <mask> as a production assistant from 1983 to 1993 and answered the phone for <mask>'s hotline. In the 1987 VHS release, Fialka gives a tour of Barfko-Swill, but not the original 1979 film release. He is credited on-screen as a cool guy who wraps stuff so it doesn't break. The 2020 documentary film <mask> has a short clip of this tour. <mask> undertook a re-release program of his earlier vinyl recordings. The albums from the 1960s, 1970s and early 1980s were re-mastered for the new digital compact disc medium. Some fans criticized the re-issues for being unfaithful to the original recordings.<mask> proposed to replace "phonographic record merchandising" of music by "direct digital-to-digital transfer" through phone or cable TV, with royalty payments and consumer billing automatically built into the accompanying software. <mask> considered his idea to be a flop. The album Jazz from Hell was nominated for a gramophone in 1988 for Best Rock Instrumental Performance. The album only featured compositions brought to life by the synclavier. <mask>'s last tour in a rock and jazz band format took place in 1988 with a 12-piece group, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums Broadway the Hard Way and The Best Band You Never Heard in Your Life. You Can't Do That on Stage Anymore contains parts.There are recordings from this tour on the album. <mask> was diagnosed with terminal cancer in 1990. The disease was not noticed for a long time. <mask> devoted most of his time to modern orchestral and synclavier works after the diagnosis. Civilization Phaze III, a major Synclavier work which he had begun in the 1980s, was completed before his death in 1993. <mask> was one of four featured composers at the Frankfurt Festival in 1992, along with John Cage, Karlheinz Stockhausen, and Alexander Knaifel. <mask> was approached by the German chamber ensemble which was interested in playing his music.He invited them to Los Angeles for rehearsals because he was ill. The concerts in Germany and Austria were set for later in the year after <mask> got along with the musicians. <mask> asked the public to keep their country unique and HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax HairMax In September 1992, the concerts went ahead as scheduled, but <mask> couldn't attend due to illness. He conducted the opening "Overture" and the final "G-spot Tornado" as well as the theatrical "Food Gathering in Post-Industrial America, 1992" and "Welcome to the United States" at the first concert. <mask> was given a 20-minute applause. Louise Lecavalier is a Canadian dancer.It was <mask>'s last professional public appearance as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found "exhilarating". <mask>'s last release, The Yellow Shark, contained recordings from the concerts, as well as material from studio rehearsals. <mask> died from cancer on December 4, 1993, 17 days before his 53rd birthday, at his home with his wife and children by his side. He was buried in a grave at the Westwood Village Memorial Park Cemetery in Los Angeles at a private ceremony the following day. The grave is not known. <mask> left for his final tour just before 6 pm on Saturday. The general phases of <mask>'s music include experimental rock, jazz, classical, avant-pop, experimental pop, comedy rock, doo-wop, jazz fusion and progressive rock.Blues artists Clarence "Gatemouth" Brown, Guitar Slim, Howlin' Wolf, Johnny "Guitar" Watson, and B.B. were all influenced by <mask>. King, Halim El-Dabh, R&B and doo-wop groups, and modern jazz. The formation of <mask> as a musician and of his distrustful and openly critical attitude towards "mainstream" social, political and musical movements were made possible by his own heterogeneous ethnic background and the diverse social and cultural mix in and around Los Angeles. He was fond of poking fun at musical fads like rock opera and disco. The influence of television was demonstrated by quotations from show themes and advertising jingles found in his later works. <mask> credited Spike Jones with the use of funny sound effects and mouth noises in his book, The Real Frank Zappa Book. He said that he owes this part of his musical existence to Spike Jones.<mask>'s albums use a lot of segued tracks, which breaklessly join the elements of his albums. His total output is unified by a conceptual continuity that1-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-6556 He referred to it as a "conceptual continuity", meaning that any project or album was part of a larger project. There were different musical themes and lyrics on later albums. There are clues in the entire uvre. Techniques guitar playing <mask> is one of the most significant electric guitar solo players. "<mask> is one of the greatest guitarists we have and is sorely unappreciated as such," said John Swenson in a 1983 issue of Guitar World.By the early 1980s, his live performances featured long improvised solo performances during many songs. <mask>'s extended excursions are more akin to symphonies than they are to guitar solos, according to a November 2016 feature by the editors of Guitar Player magazine. Like a symphony's main melodies, his melodic themes were repeated with variations throughout his solo. He was described as using a wide variety of scales and modes. <mask>'s right hand was one of the fastest pick hands in the business, while his left hand was capable of smooth legato technique. Dweezil <mask> explained in 2016 that his father's guitar technique relied on upstrokes more than other guitarists, who are more likely to use downstrokes. His song "Outside Now" from Joe's Garage poked fun at the negative reception of <mask>'s guitar technique by those more commercially minded, as the song's narrator lives in a world where music is banned and he imagines "imaginary guitar notes that would irritate an executive<mask>'s guitar solo isn't meant to show off technically (<mask> hasn't claimed to be a big virtuoso on the instrument), but for the pleasure it gives, it gives trying to build a composition right in front of an audience without knowing what. <mask>'s guitar style was critiqued. John McLaughlin, whose band Mahavishnu Orchestra toured with the Mothers of Invention in 1973, said that <mask> was "very interesting as a human being and a very interesting composer" and that he "was a very good musician but he was a dictator in his band." He was ranked number 36 on the 100 greatest artists of Hard Rock. In 2004, Rolling Stone magazine ranked him at number 71 on its list of the 100 greatest artists of all time, and in the same year, it ranked him at number 22 on its list of the 100 greatest guitarists of all time. <mask> used tape editing as a tool. There is an example on the double album Uncle Meat, where the track "King Kong" is edited from various studio and live performances.<mask> was able to supplement his studio productions with excerpts from live shows because of his insistence on precise tuning and timing. The recordings of different compositions were combined into new pieces. The process was dubbed "xenochrony" because it reflected the Greek "xeno" and "chronos". <mask> was married to a woman. From 1960 to 1963. He married a woman named Gail Sloatman. He and his second wife had four children.<mask>'s widow, Gail, created the Zappa Family Trust, which owns the rights to <mask>'s music and some other creative output: more than 60 albums were released during <mask>'s lifetime and 40 posthumously. The <mask> children received shares of the trust after Gail's death. Drugs Zappa stated, "Drugs do not become a problem until the person who uses the drugs does something to you, or does something that would affect your life that you don't want to have happen to you, like an airline pilot who crashes because he was full of drugs." <mask> was a heavy tobacco smoker for most of his life. He criticized the War on Drugs, compared it to alcohol prohibition, and stated that the United States Treasury would benefit from the decriminalization and regulation of drugs.

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