title: Carsten Nicolai

texts: Alva Noto is a German musician and visual artist. He is a member of the music groups Diamond Version and Opto with Thomas Knak. In 1965, <mask> and Michael Nyman.Many of the world's most prestigious spaces include the Guggenheim, New York, the SF MoMA, Modern Art Oxford, and Tate Modern. He was responsible for the acclaimed CD series 20 to 2000 that won the Golden Nica prize at the Prix Ars Electronica in 2000. The artist also works as a visual artist. The 55th Venice Biennale of Art has a visual artist in it. The focus of the professorship was on digital and time-based media. The music for Alejandro Gonzlez Irritu's The Revenant was scored byNicolai. The score was nominated for several awards.The sound design for Irritu's "Carne y Arena" was created by him. There are solo exhibitions in Dsseldorf, New York City, and Milan. The DVD release is September 2008 (Raster-Noton) There is a cyclo. 2001 (Raster-Noton) Cyclo.id With Mika Vainio, as "noto",,,,,,,,,,,,,,,,,,,,,,,,  On 3 March 2001, the San Francisco Museum of Modern Art (SFMOMA) will host the exhibition "010101: Art in Technological Times" and the CD contains one track, "Uniform."With Opiate (Thomas Knak), as Opto Opto Files - 2001 (Raster-Noton). There is a limited CD release. Number 6 is in the series. The CD has a green card insert. June 2004 is when the Opto was written. There are ten tracks on the CD, all titled with times of the day. The restored recording from a cassette found in a forest in Eastern Germany inspired the creation of the collaboration.With Anne-James Chaton and Andy Moor, with Alva Noto and Andy Moor, with Raster-Not. The poetry of Walt Whitman is performed by Iggy Pop in a seven-track song. There are exclusive/non-albums tracks in the "Monophaser" series. "Planet Rock" from "Recovery", "Stalker" from "In Memoriam", and "Haloid Xerrox Copy 3 (Paris)" are all from "Mind The Gap Volume 70". "60 Sec" from "Soundcultures", "Strategies Against War 1.0—Covering All Information with White Noise", and "60 Sound Artists Protest the War" were all from "Frecuencies [Hz]". Noto "Obi_2.3" from "Electrograph 2 - Athens Sound Media Festival 2" was used. "Modul 4," from "Raster-Noton.""Sound Mobile" is from "Ringtones" and "Prototyp P" is from "Raster-Noton". "Prototype n." from "Clicks & Cuts" (2000) The computer music journal has a sound anthology.


title: Romy Gill

type: paraphrased

texts: <mask>'s Kitchen. She was honoured in the Queen's 90th birthday honours list. As of September 2020, <mask> is one of the chefs on the new series of Ready Steady Cook on BBC One and has previously appeared on Sunday Brunch, The One Show, Countryfile, Celebrity MasterChef, Hairy Bikers Comfort Food, Saturday Morning with James Martin and many more. She was a regular on The Food Programme and hosted a show on Channel 4. <mask> contributes to national and international publications, including The New York Times, The Sunday Times and The Daily Telegraph. <mask> was invited to cook at the James Beard Foundation in New York in February 2020.On The Himalayan Trail: Recipes and Stories from Kashmir to Ladakh will be published in the spring of 2022. She filmed a series of films in the summer of 2021. <mask> learned to cook from her mother in Burnpur, West Bengal, India. When <mask> moved to the UK in 1993, she began hosting dinner parties for friends and later running cookery classes, which led to her launching her own range of sauces. She opened her first restaurant, Romy's Kitchen, in September of 2013. <mask>'s style of Indian cooking is very different from the majority of Indian restaurants in the UK. She is a fan of combining Indian and British cuisine.She combines spices and flavours that she grew up with in India with ingredients that she was only introduced to when she moved to the UK, creating dishes such as gurnard cooked in coconut milk, tomatoes, tomato puree, ginger, garlic and her own spice blend. <mask> opened her first restaurant, Romy's Kitchen, in September of 2013). In order to open her restaurant, <mask> applied to a number of banks for a loan, but was turned down by every one apart from NatWest, providing her with the business loan that she needed to get her restaurant up and running. The restaurant closed in August. <mask> was nominated for the 15th Asian Women of Achievement Awards, which celebrate women who make an "outstanding contribution to our culture and economy". Her restaurant, Romy's Kitchen, was nominated as "best newcomer" in the British Curry Awards. <mask> was made a Member of the Order of the British Empire for his services to the industry.<mask> demonstrates her cooking at festivals in the UK and abroad. She has given demos at food and cultural festivals in the UK, as well as in New York City and Abu Dhabi. She gives talks in schools about how food is grown, the importance of eating with the seasons, and the impact of food on the environment. <mask>, along with two other female Indian chefs and Atul Kochhar, gave a demonstration at Kochhar's restaurant, Benares, in November 2012 to raise money for charity. <mask> appeared in a video where she taught rugby star Olly Barkley how to cook Indian food. In May of last year, <mask> was heavily involved with the Bristol Food Connections festival. Along with other top chefs, <mask> gave live demos of some of her popular recipes.<mask> was a guest on Saturday Live with Jay Rayner and others. <mask> was a guest chef at Carousel London in 2016 and again a year later. The Big Feastival, the Abergavenny Food Festival, and the Padstow Christmas Festival were some of the festivals where <mask> gave demonstrations. In April 2016 she had a residency in The Guardian, where she featured in The Observer, The Telegraph and The Independent newspapers. She explored and wrote about Ladakh and the Andaman and Nicobar Islands while she was in India. Her first cookbook was published in 2019. The Hairy Bikers and <mask> cooked together in their Comfort Food series.She was the subject of a short film on the Food Network UK. She appeared on Ready Steady Cook in March 2020. <mask> lives in South Gloucestershire with her husband and two daughters. She is 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 External links 1971 births Living people English chefs Indian chefs Members of the Order of the British Empire Naturalised citizens of the United Kingdom People from Asansol

masks:
Romy Gillomy
Romy
Gill
Gill
Gill
Gill
Gill
Gill
Gill
Gill
Gill
Gill
Gill
Gill
Romy
Romy
Romy
Romy
Romy
Romy
Gill


title: Panagis Kalkos

texts: One of the first architects of the modern Greek state was <mask>. He is an example of a strict neoclassic style in architecture. Some of the most characteristic neoclassic buildings, both public and private, of Athens, many of which still survive today, were built by him. An old Athenian family named the Kalkos-Vretos had a boy named <mask> who was born in 1818. During the Greek War of Independence, his father was killed and he was taken prisoner. He worked for the Ministry of Internal Affairs after the creation of the Greek state. King Otto gave him a scholarship to study architecture.He was an architect at the Ministry of Internal Affairs after returning to Greece. The Royal Palace was built upon the plans of Friedrich von Gaertner, who was an assistant to the architects Riedel and Hoch. He collaborated with the Greek Archaeological Service for the survey of the monuments on the Acropolis of Athens. His plans for the Erechtheion were published in 1854. The Municipal Council of Athens formed a commission in 1860 to draw a topographical plan of the capital. He died in Athens. The mansion of a publisher is located on the south side of Syntagma Square at the corner of Ermou Street.After King Otto's expulsion, the third floor was added. The building was torn down. The Varvakeion Lyceum, built with a donation of a wealthy member of the Greek diaspora, is located between the streets Athinas and Sokratous. The National Historical Museum is housed in the Old Parliament Building, which was to be the home of the Senate and the Assembly of Parliament. The plans of the French architect Franois/Florimond Boulanger led to the construction of the building. The Senate was abolished after the expulsion of King Otto. The plans were changed after the interruption of the building works.The Senate assembly hall was abolished. The building was finished in 1871. I. Koutsogiannis is a member of the Municipal Council. At the Metaxourgeio neighbourhood, a building was built on Deligiorgis 8 and Agisilaou streets. A typical three-storey urban Athenian house has five independent flats. The first building of the old Acropolis Museum was built in 1865 at the southeast corner of the Acropolis of Athens. The transfer of antiquities within its halls was coordinated by <mask> in 1875.Several internal changes were brought to the museum after it was extended. The City Hall is on Athinas street. Between 1872 and 1874 it was built with two storeys. The Municipal Art Gallery of Athens is on the square. It was built between 1872 and 1875. The Municipal School is the first public peer education school in Athens. The building on Adrianou Street was built in the 19th century.The following buildings were completed thanks to <mask>. The plot between Herodou Attikou, Stisihorou and Georgiou II  is where the construction of the orphanage began. The completion of the building was done by <mask>. The Athens Metropolitan Cathedral was founded in 1842. The "Hellenic Byzantine" style of construction continued after the initial plans were revised. After the death of Zezos, the works were taken over by Franois/Florimond Boulanger and <mask> was responsible for the supervision of the building site until its completion in 1860. The site of a previous church was ruined during the 1821 Greek War of Independence.The permit for the new church was issued in 1863, but <mask> died before it was completed. The National Archaeological Museum on Patission Street was founded in 1866. On the day of his death, <mask> worked on the museum building. Athens: The City, the People, the Events, Historical and Ethnological Society of Greece is a reference. [Eleftheroudakis Encyclopedia]. The article was published in Athens in 1929. The care of antiquities in Greece and the First Museums was written by Kokkou.The Anastylosis of Ancient Monuments in Modern Greece was written by Mallouchou-Tufano. In Athens 1998. Athens from the 19th to the 20th Century, Athens 1995 2. The neoclassical architecture in Greece was published in 2001. 1875–1925 [Neohellenic Architecture], Athens 2003 2. (  ) In Athens 1985, p. 218, Ekdotike Athinon.Papyros Larousse was published in Athens 2007, vol. 26, p. Greek architects from the 19th century.

masks:
Panagis Kalkos
Panagis Kalkos
Kalkos
Kalkos
Kalkos
Kalkos
Kalkos
Kalkos


title: Solanus Casey

texts: He was a priest of the Catholic Church in the United States and a professed member of the Order of Friars Minor Capuchin. He was known as a wonderworker and a spiritual counselor, but also for his attention to the sick, which he celebrated special Masses for. The friar was revered in Detroit, where he lived. <mask> shared a love of the violin with him. He received the title of Venerable in 1995 after his cause for beatification began over a decade after his death. He was beatified in Detroit at Ford Field on November 18, 2017, after a miracle was attributed to him. The sixth of sixteen children born to Irish immigrants Bernard James and Ellen Elizabeth Murphy was christened "Barney" on November 25, 1870.He was christened on December 18, 1870. Two of his siblings died from the disease after he contracted it, and his voice was damaged permanently. The family moved to Hudson. He began school at Saint Mary's in 1878, but it was cut short in October of 1882 when the family relocated again. He left the farm in 1885 to work as a lumberjack, a hospital orderly, a guard in the Minnesota state prison, and a street car operator in Superior. He befriended a couple of Jesse James' associates while he was a prison guard. He wanted married life, but the mother of the girl he proposed to sent her off to a boarding school.While working at his last job, he witnessed a brutal murder that caused him to evaluate his life and future. He saw a drunk sailor stab a woman to death. He made a call to the priesthood. He was hoping to become a diocesan priest after attending the minor seminary of the Archdiocese of Milwaukee. He didn't know that classes there were taught in either German or Latin. He was advised to join a religious order if he wanted to become a priest because of his academic limitations. He would not have the faculties for public preaching or hearing confessions if he were to be made a simplex priest.He decided to apply after returning home. He heard the voice of the Blessed Virgin Mary telling him to go to Detroit. He was accepted into the Order of Friars Minor Capuchin on January 14, 1897. He was given a religious name after Saint <mask>, who shared a love of the violin. On July 21, 1898, he made his vows. He was ordination to the priesthood on July 24, 1904, after struggling through his studies. He was made a "simplex" priest because he didn't perform well enough in his studies.On July 31, 1904, he celebrated his first Mass with his family. He worked in New York for two decades. His first job was at a friary. He first served at Saint John's Church next to Penn Station before moving to Our Lady Queen of Angels in Harlem. He was an inspiring speaker. He worked at the Saint Bonaventure convent in Detroit until 1945. He was mostly a doorkeeper and receptionist during this time.He conducted well-attended services for the sick each Wednesday afternoon and became known for his great compassion and the fantastic results of his consultations with visitors. He was considered an important part of cures and other blessings. He loved to kneel in the middle of the night. He was involved in the creation of the Capuchin Soup Kitchen. During the Great Depression, the soup kitchen provided food for Detroit's poor. The soup kitchen is still in operation and is considered to be one of the founding fathers. As a violinist, he loved to play Irish songs for his fellow friars, but he had a terrible singing voice due to his speech impediment.He sneaked down to the chapel to entertain the spiritual audience at the tabernacle because other friars couldn't stop rolling their eyes or coughing. He ate a little. He joined the younger religious in games of tennis and volleyball. In 1946, he was transferred to the Capuchin novitiate of Saint Felix in Huntington, Indiana, where he lived until a 1956 hospitalization in Detroit. In 1957, he was rushed to the hospital for food poisoning, and upon his release, friars noted that he was walking much more slowly and scratching his legs; it turned out that his skin was raw and infectious. He was diagnosed with erysipelas, which was beyond treatment, and they considered limb amputation, but the ulcers began to heal. He was readmitted to the hospital on July 2, 1957 due to his skin problems.Oxygen therapy was given to him. Martha came to visit him after he was told of the seriousness of his condition. He died at Saint John Hospital in Detroit at 11:00 am on July 31, 1957. There is a plaque outside the door of the room. According to reports, his last words were "I give my soul to Jesus Christ". He was buried in the cemetery of his Detroit monastery with an estimated 20,000 people past his coffin. His remains were exhumed and reburied on July 8, 1987, and his remains were found to be incorrupt.He was laid to rest in a steel casket at the north transept. During his earthly life and death, a number of miraculous cures have been attributed to him. He was exhumed to collect first- and second-class relics. They were reburied in a glass case instead of a wooden sarcophagus after being placed in a new black casket. Beatification began in Detroit in 1976 with an investigation involving witness interrogatories. Postulation officials gave the Positio dossier to the Congregation for the Causes of Saints around 1995. The dossier was approved by the theological advisors on April 7, 1995 and by the cardinal and bishop on June 20, 1995.On July 11, 1995, Pope John Paul II confirmed that he had lived a life of heroic virtue and called him Venerable. Confirmation that science could not explain a miracle is required for a person to be beatified. There were many cases investigated, including one which was later found to be false. On January 18, 2015, the diocese deemed another case miraculous. On October 12, 2015; approval by a panel of medical experts on September 22, 2016; and theological consulters' approval on January 19, 2017: Pope Francis beatified the friar two days after the miracle was approved by the Congregation. The beatification took place at Ford Field in Detroit in front of an estimated crowd of 60,000.Cardinal Amato was the leader of the Mass and beatification rite. Now that he has the title Blessed, he is one step closer to sainthood. The curing of Paula Medina Zarate's skin condition was a miracle. There was a miracle at St. Bonaventure Monastery. Carlo Calloni was a fellow Capuchin friar. Edward is the vice-postulator. The only science that gives purpose to every other science is religion, the science of our happy relationship with and dependence on God and our neighbor.The air around us is filled with God's mercy. The first sign of a rational creature is gratitude. Thank you, God, for your designs. The soul of prayer is confidence. Do not pray for easy lives. Do not pray for tasks that are not equal to your powers. Faith, Hope, and Charity are similar to the Holy Trinity.Faith, like the Eternal Father, comes first, but in both cases, they are essentially one. If we don't ruin His plans, God will use our powers. If we don't stay faithful to the present moment, we will frustrate the plan of God for our lives. We are liable to meet before, by the grace of God, we will be able to tumble into our graves with the confidence of tired children into their places of peaceful slumber. I had been in agony for at least 40 hours, though no one else seemed to know it, and while I tried to thank God for it all, my main prayer was God help us. My sufferings may be one. I would like to see the conversion of the whole world.I would like to thank God ahead of time. See also Franciscan Franciscan orders Gifts of healing Studies on intercessory prayer Conrad of Parzham References. There are letters from Solanus. There is a cap. God bless you and yours. <mask> Guild was in Detroit. James Patrick Derum.<mask> <mask> was the Porter of Saint Bonaventure's. Fidelity Press was in Detroit in 1968. Catherine Odell. The story of <mask>. The city of Huntington, Ind. Our Sunday Visitor Press was published in 1988. Gabriele, Della Balda.I carezza di Dio. SolanusCasey, cappuccino statunitense. Father Solanus Guild Find-a-Grave Film: The Healing Prophet is an external link.

masks:
Saint Francis Solanus
Francis Solanus
Father Solanus
Father Solanus
Casey
Father Solanus


title: Asieh Amini

texts: Currently residing in Norway, <mask> is an Iranian poet and journalist. She is a Women's Rights activist who is fighting against the death penalty in general and against the stoning of women in Iran. <mask> grew up in northern Iran. She was one of four sisters. Her family came from feudal times. The father was a teacher. <mask> and her sister spent a lot of time together.She was visiting a poetry circle at the library. <mask> would like to become a painter or writer. After the Iranian Revolution, <mask>'s life changed. She cried when she put on the black hijab that she hated. She was told by her mother that no one could disobey it. <mask> studied journalism at Tabataba'i University in Tehran. She began writing for newspapers while still studying.She moved to the larger newspaper Iran. <mask> took a poet along with him when he was supposed to interview her. She was invited into the writer's circle by the poet. <mask> became the cultural editor of the newspaper Iran. For these times in Iran, a woman is in a senior position. The bans were lifted when Mohammad Khatami was elected president in 1997. Women are entering journalism.<mask> had a job at the newspaper that covered women's affairs. <mask> took on the job despite her opposition to segregating news by gender. The newspaper was banned. <mask> took on work on his own. <mask> became the social editor of the newspaper after giving birth. She ran a website called Women in Iran. The situation in Iran became too dangerous for her after the presidential election in 2009.<mask> left the country. She became a guest writer in the ICORN network in Norway from 2010 to 2012 thanks to a friend. She obtained a master's degree in Equality and diversity at NTNU. <mask> is a member of the board. The 'Stop Stoning forever Campaign' was founded by <mask>. Two writers from outside the country and a well known feminist from Iran were part of the group. She is campaigning for an end to stoning as a form of execution in Iran.She began her activism when she met a girl named Atefeh who had suffered a lifetime of sexual abuse. She was sentenced for extramarital sex to death by stoning after being abused and turned to sex work. <mask> wanted to investigate the practice of stoning. She discovered that despite Iran's commitment to the international community to abolish the practice stoning were still going on in secret. Iran's chief justice halted the practice of stoning in 2002. <mask> was fired from her newspaper after trying to publish her story. The editor-in-chief of the newspaper said it was impossible to publish the story because she was fighting the Iranian judicial system.The story was sent to another newspaper. A women's publication agreed to publish an edited version after a long search. Leyla, a nineteen-year old with a mental age of eight who was supposed to be hanged for chastity, was heard of again after the story of Atefeh <mask> was published. <mask> decided to help the girl after she found out that she was still alive. The girl was put out for prostitution at a young age by her mother. Her mother lived from the money. Leyla was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217She was sentenced to death for incest, as her brothers had raped her. The judge who sentenced Leyla told <mask> that he was just applying the law. Leyla was a worm if the society was an apple. Leyla was the subject of a story written by <mask>. The story spread around the world. The Norwegian prime minister wrote a letter to the Iranian president. Leyla had a second trial.Leyla was put in a social organization that provided her with private lessons and helped her to learn to read and write, thanks to the help of <mask> and her human rights attorney. <mask> was arrested and imprisoned. <mask> founded a campaign after this experience. She fights to have the practice of stoning stopped, researches cases of women who have been sentenced to death by stoning, and shares their stories with the public. The situation of human rights activists in Iran became dangerous after the re- election of the president. <mask>'s phone calls and e-mail messages were monitored. <mask> went to exile after the election.She was a contributor to the newspaper in Norway. She was a guest writer in the City of Refuge. Javad Montazeri was a photographer who came from the Mazandaran region. They decided to get married after eight months. She continued to work after giving birth to her daughter. When she became pregnant for a second time, she tried to take medicine that would cause her to lose her baby, which would make it possible for her to go to the hospital and have the baby removed. Iran has an abortion law that is illegal.<mask> thought that she had damaged the fetus when the medicine didn't work. She was able to return to work after having an illegal abortion. The UNESCO office in Tehran won the Best Iranian Poet award in 2005.

masks:
Asieh Amini
Amini
Amini
Asieh
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini
Amini


title: Jacques Damala

texts: <mask> was a Greek military officer-turned-actor who was known in France as <mask>s. <mask>'s characterisation is not positive. His handsomeness was just as important as his Don Juan quality. He was described as an opportunist and hedonistic person, whose marriage to the great diva would inevitably intensify and maximize his vices, such as alcohol, and drugs. <mask> was born in Greece in January of 1854 to an aristocracy. He was the second of three children to <mask>, a wealthy shipping magnate who later served as mayor of Ermoupoli and Piraeus. The other two children of Calliope were a son and daughter.After Ambrosios was appointed mayor of Ermoupoli, the family relocated to the island. The family went back and forth between the two places. After finishing school in Greece, <mask> went to England and France to pursue diplomatic studies. Since he had a dream of becoming an actor one day, he became acquainted with representatives of high society as well as representatives of the theatre world during his time abroad. He joined the army after returning to Greece. He decided to return to Paris after dropping his studies in Russia, where he was trained in the Page Corps. He was a military attache to the Greek Diplomatic Corps.He quickly gained a reputation of being the handsomest man in Europe, as well as the nickname "Diplomat Apollo" by his friends and the assumption of being the most dangerous man in Paris, among several husbands who feared their wives would fall victim to his charms. Many women of the high society of Paris were enamored with <mask>, who was considered to be the epitome of handsomeness. He quickly earned the reputation of being a womaniser of the high circles. He enjoyed the company of young men, as well as his passion for women. His affair with the wife of a Parisian banker had ruined her reputation and forced her to leave France. He was said to have driven two women to divorce and one to commit suicide. One of his documented affairs was with the young daughter of a Vaucluse magistrate who had left her parents and home to follow <mask> to Paris, where he deserted her when their illegitimate child was born.The young girl is presumed to have committed suicide after she was never heard from again. <mask> was sent to Russia after the scandals. Prior to his transfer, he was introduced to Sarah Bernhardt by her half- sister. A group of well-known morphine-takers were associated with the stage world. <mask> had begun playing small parts as an amateur actor with the stage name "Daria", and used to frequent the green rooms of theatres, along with fellow actors who shared a similar passion for morphine. He frequented these places to meet people from the theatre world and promote his ambitions of becoming a great actor. Bernhardt was repelled and fascinated by the perspective of meeting the most notorious man in Paris.The meeting was highly anticipated by both parties. It was inevitable that Sarah Bernhardt and <mask> would eventually meet, according to Madame Pierre Berton, who wrote a biography for her. Their reputation was only whetted by the fact that they both prided on their ability to conquer men and reduce them to the level of slaves. The two met. Even though she was appalled by <mask>'s behavior, she was still attracted to him and fell in love with him. She decided to stay in Russia for six months because she was about to start her world tour and she wanted to meet <mask> again. She resided in Saint Petersburg for a few months as an official guest of Emperor Alexander III of Russia, during which her romance with <mask> flourished.The social circles of the city were shocked by the openness of their affair. The match was not a good one. <mask> would ridicule and mock Bernhardt in front of her friends. He was called "Gypsy Greek" in an attempt to degrade him. <mask> had the upper hand in the relationship due to the fact that Bernhardt was overwhelmed by her love for him and begged him for forgiveness. <mask> followed Sarah's theatre circle after she resigned from the Diplomatic Corps. After completing the final part of her tour, Bernhardt had yet another fight with <mask>.The role of Victorien Theodora was supposed to be created by Bernhardt. She sent a telegram that said, "I am going to die and my greatest regret is not having created your play." Adieu. A few hours later, he received a second message which said "I am not dead, I am married". She said that it was the only thing she had never done when she was asked why she had wed. <mask> jokingly admitted to friends that it was she who proposed to him, as her impulsive decision to marry was probably at her own initiative. The wedding took place in London, a city that was convenient for marriage since religious differences wouldn't have been a problem in Paris.Maurice was against this marriage and hostile to <mask>. Even though <mask> was presented to reporters with the phrase "This ancient Greek god is the man of my dreams", the marriage became the object of criticism and even satire. Newspapers were flooded for months by caricatures of <mask> and Bernhardt. A review of Les Mres Ennemies featured Bernhardt manipulating <mask>'s limbs. He was even more unfaithful because of <mask>'s marriage to Bernhardt. He had a fight with Bernhardt three weeks after the wedding when he insisted that she change her stage name to honor him. He left the house after she refused.He was missing for a few days and was seen in the company of a young Norwegian girl. Sarah accepted his excuses. The tour ended in Ostend. At their last night there, <mask> fled again and was heard from two days later in Brussels with a Belgian woman. He was forgiven by Bernhardt when he came back. She was humiliated by giving money to <mask> so as to pay his mistresses and debts to prostitutes, but the lovelorn Benrhardt didn't mind. <mask> decided to pursue an acting career after they returned to Paris.The Thétre de l'Ambigu was bought by Bernhardt and he appointed Maurice as the manager and <mask> as the leading man. Her friends couldn't comprehend what she saw in him. She decided to perform next to a rank amateur because of her decision to discard professional actors. <mask> has been described as untalented, lacking any acting qualifications, technique, or timing, and having an unintelligible Greek accent. On the basis of her attraction for him, she cast him in La Dame aux camélias (The Lady with the Camelias) and considered him appropriate. Is it possible that <mask> will make an excellent Armand? You can understand why Marguerite Gautier dies the way she does by looking at him.La Dame aux camélias was performed by the couple back in Paris. <mask>'s performance received less enthusiastic reviews than Sarah's. <mask> blamed Bernhardt. In December of 1882, Bernhardt opened and received good reviews. <mask> was not allowed to act in the play because it was written for her. <mask>'s lack of skills in managing made the decision to appoint her husband manager disastrous. He was reduced to Prince Consort after being removed from his post.<mask>'s frustration over the way his career developed caused him to continue humiliation of Bernhardt in front of her friends. Their marriage was affected by his addiction to drugs. <mask>'s drug use became scandalous. <mask>, who was on stage with Bernhardt, tore down her dress and exposed her bare buttocks. <mask> responded with his own accusations after Bernhardt refused to cover his expenses on women and drugs. Without warning, <mask> left for North Africa. He decided to serve in the spahi troops in Algeria because he thought he would never be seen as more than "Mr Sarah Bernhardt".<mask>'s addiction to drugs and prostitutes as well as her son's gambling left her with debts. She went on a tour with her lover, playwright Jean Richepin. <mask> was living in her house again after she returned to Paris. The marriage deteriorated further due to <mask>'s drug addiction and the final separation was to come. Allegedly, Bernhardt came off the stage earlier than she had finished her part because she was so distraught over her husband. She put him into a clinic after moving him out of the house. He came back to her house six months later.He was put to a clinic and a hotel in the outskirts of Paris after he tried to prevent the pharmacy from giving him drugs. The marriage was legal until <mask>'s death in 1889. In return for certain sums she sent to him on a monthly basis, he would never re-enter her life, since she was very strict with her Catholic views. After his separation from Bernhardt, <mask> tried to return to the diplomatic world. He remained in the acting profession despite his difficult re-entrance in the diplomatic profession. He played Philippe Berlay opposite Jane Hading in the stage adaptation of Matre de Forges, the most memorable role of his career. The play ran through the entire year in the Thétre du Gymnase.In the following years, <mask> starred in many productions. He played the leading man in the stage adaptation of Alphonse Daudet's novel, Sapho, murs parisiennes, with Hading as his partner. The play opened in Paris. La Comtesse Sarah was a stage adaptation of an Ohnet novel. Following his separation from the great diva, <mask> was forgotten or even ignored by the Parisian society. In March 1889, after a year in Europe, Bernhardt returned to Paris and received a message from <mask> who begged her to forgive him and take him back. The fact that she had never stopped loving and caring for her husband was proved when she abandoned her performances in Paris, rushed to him and nursed <mask>, whose health was wasted as a result of his addiction.After he recuperated, she cast him as her leading man in La Dame aux camélias. <mask> embarked on a European tour with Bernhardt after she promised to stop taking morphine. <mask>'s addiction to drugs became worse. His clarity was reduced from using the drug and he ridiculed himself. He was naked in the Hotel de Ville in Milan and almost got arrested. <mask> reprised his role as Armand but after six weeks he collapsed and was taken to the hospital. Before his death, he was offered a role in a play by Bernhardt.After the second performance, he was considered incapable of playing the part due to his lack of clarity and constant influence from alcohol and drugs. <mask> fathered a child with one of his mistresses, who used to inject him with heroin, in early 1889. After his mistress gave birth to a baby girl, she put the baby in a basket and wrote a note on his doorstep. The illegitimate daughter of <mask> was placed in the care of a woman who contemplated having the baby drown. Due to his deep addiction, Bernhardt was unable to contemplate the situation when his servants tried to notify <mask> of his child. Sir Basil Zaharoff, a gun dealer and future tycoon, proposed to take the child so that he could find a surrogate family for her, which saved her life. The girl was raised in Adrianople in Eastern Thrace.The adventures of <mask>'s daughter, who had brief affairs with Ernest Hemingway and Gabriele D'Annunzio and posed as a model for Picasso in the early 1920s, were documented by Fredy Germanos in his historical novel Teresa. <mask>'s Parisian life is mentioned in the book, as well as the fact that Bernhardt remained in love with him until the end of her life. Years later, Teresa and Bernhardt met each other. Death <mask> was found dead in a Paris hotel room from an overdose of drugs. The news of his death was not made public until after she finished her performance. "Well, so much the better..." is what she said when she found out. After <mask>'s death, Bernhardt wore mourning clothes.She legally adopted his name. Even after her husband's death, Sarah never abandoned it. She kept her legal name, <mask>, even though she was refused a visa due to the fact that she was Greek. It took the intervention of the Minister of Interior to get her a visa. He has been portrayed by three actors. He was portrayed by John Castle in The Incredible Sarah in 1976, by Jean LeClerc in the TV movie Sarah in 1976, and by Gonzalo Vega in the Mexican TV series La Divina Sarah in 1980. Eirene was his younger sister.In his scandalous autobiography, Frank Harris said that he had a brief affair with an Irish-born American author. The <mask> family lived at the Hotel d'Athnes in Athens in the summer of 1880. Harris and Eirene <mask> had a brief romantic/sexual affair, which Harris describes very graphically in his book. Eirene's Scottish husband left her and returned to England. When Harris and Aristides <mask> met again in Paris, they became even closer friends. <mask> responded "Madame, you will never again have the opportunity of calling me names" when Bernhardt publicly lashed out against her husband. He went back to Paris.Harris was begged to intervene by a disconsolate Bernhardt who broke off the tour and returned to the French capital. Harris was told by <mask> that he was a great talent, but a small nature and a foul tongue. The stage credits for La Dame aux camélias and Matre de Forges were written in the early 20th century. The performance in Paris was a great success. There are references to births and deaths of military personnel from Greece to France.

masks:
Jacques Damala
Aristides Damala
Damala
Damala
Ambrosios Damalas
Damala
Damala
Damala
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Damala
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Damala
Damala


title: Richard O. Culver Jr.

texts: <mask>. The founder of the Marine Corps Scout Sniper School was a decorated United States Marine Corps officer named "Dick" <mask>. He was awarded the Silver Star for his heroic actions during a firefight in 1967. On April 9, 1936, <mask>. was born. His father was a guard at the Federal Penitentiary and lived on the island with his family. The first child to be born on the island was <mask>. His father was a retired Marine Corps lieutenant colonel who had served in the Banana Wars and in China.He completed his high school education after his family moved to Virginia. At the age of 17, he enlisted in the Marine Corps. He was a member of the Marine Corps Reserves after graduating from the Virginia Military Institute. At the National Matches, he was on the Marine Corps Reserve Rifle and Pistol team. His bachelor's degree was in physics. He received a master's degree in physics. On November 11, 1958, <mask> enlisted into the US Marine Corps.He was commissioned as a Marine Corps second lieutenant after attending Officer Candidate School. The Vietnam War had two combat tours. He was wounded on his first day in combat and was awarded the Purple Heart. He led patrols after recovering. He served as a company commander in the infantry. While serving as the commanding officer of H Company, 2nd Battalion, 3rd Marines, in Vietnam, he was awarded the Silver Star for his actions on July 21, 1967, during a firefight with a North Vietnamese Army company. He exposed himself to fire several times, rallied his Marines, coordinated fire and medevacs, called in air support, and forced the enemy to break contact after suffering numerous casualties.There was a second tour to Vietnam from 1971 to 1972. The Marine Corps formed a permanent scout sniper program after the Vietnam War. Major Edward James Land, who was Culver's commanding officer in Vietnam, helped form and was the first commander of the first Marine Corps Scout Sniper School. Carlos Hathcock was the senior NCO. A member and later commanding officer of the Marine Corps rifle and pistol team, <mask> earned several medals in competition. The President of the United States of America presented the Silver Star to the captain of the United States Marine Corps in Company H, 2nd Battalion, 3rd Marines, 9th Marine Amphibious brigade. While engaged in a company-size search and destroy mission near the village of Ap Sieu Quan, Captain <mask> had established a defensive perimeter outside the village and had deployed one platoon to search the area when the entire company came under intense small arms and automatic weapons fire.He displayed exceptional courage and leadership as he exposed himself to hostile fire to move forward to a vantage point where he could observe the action and direct the fire and movement of his men. The Marines were temporarily pinned down by fire being delivered from a tree line 300 meters away from his defensive perimeter and from positions within the village. Captain <mask> quickly consolidated his position, established a base of fire to cover the wounded and maneuvered the search platoon back to the perimeter after showing an extensive knowledge of tactics. He wanted gunship, fixed wing and artillery support. Completely ignoring his own safety, he moved about the perimeter in the face of heavy North Vietnamese fire to encourage his men, ensure the security of each firing position and direct he fire of the company mortars. When the gunships arrived, they directed their fire against hostile positions seventy-five meters from the front elements of his unit. He risked his own life to adjust rocket fire on other enemy positions.After the fixed wing aircraft arrived, he skillfully adjusted their runs on top of the enemy trenches. When all the aircraft had left, Captain <mask> called in heavy artillery and adjusted their fire. He was able to provide security not only for his company but also for 250 refugees who had fled to the Marines for protection. He found out the following morning that the North Vietnamese had been routed and had left five dead, one rifle, several grenades, demolitions and numerous pieces of equipment. Captain <mask> upheld the highest traditions of the Marine Corps and the United States Naval Service by his superior leadership, bold initiative and dedication to duty at great personal risk. After retiring from the Marine Corps, <mask> went to Saudi Arabia to train their school. He spent five years as the high school's JROTC senior instructor after returning to the U.S.In retirement, he wrote about his experiences in the Marines. <mask> died at Hospice House in Idaho at the age of 77. His wife and son were by his side. Major <mask> was buried in Arlington National Cemetery with full military honors. Carlos Hathcock is a famed Marine Corps sniper. The first Scout Sniper School was established by Edward James Land. The Silver Star United States Marine Corps personnel of the Vietnam War were recipients.

masks:
Richard O
Culver Jr
Richard Otis Culver Jr
Richard Jr
Culver
Culver
Culver
Culver
Culver
Culver
Culver
Culver
Culver


title: George Duvivier

texts: <mask> was an American jazz double-bassist. The son of Leon V. Duvivier was born in New York City. He studied violin at the Conservatory of Music and Art. He was an assistant concertmaster for the Central Manhattan Symphony Orchestra. He concentrated on composition at New York University while playing double bass. Coleman, Lucky, and Eddie were with him in the early 1940s. After serving in the U.S. Army, he worked as an arranger and bassist.He was with the singer on her tour of Europe in the 1950s. He recorded for commercials. He recorded as a leader with Martial Solal for Coronet, even though he spent most of his career as a sideman. He worked with Bud Powell for four years. He worked with a number of famous people, including Frank Sinatra, Clark Terry, Hank Jones, and Bob Wilber. He died of cancer in New York. The Institute of Jazz Studies at Rutgers University received a large collection of papers from his mother, Ismay Duvivier.Discography with Pepper Adams, The Cool Sound of Pepper Adams, Jazz Goes to the Movies, and Portrait of an Artist. Boss Soul! The first volume of the Soul Summit. The Soulful Moods of Gene Ammons is a Late Hour Special. Night Lights (Prestige, 1962 [1965]) with Louis Armstrong and his friends. 'Live and Well in Japan!' is a song by Benny Carter. With Ron Carter Where?With Sonny Clark and Max Roach, Sonny Clark and Max Roach, Sonny Clark and Max Roach, Sonny Clark and Max Roach, Sonny Clark and Max Roach, Sonny Clark and Max Roach, Sonny Clark and Max Roach, Sonny Clark and Max Roach, Sonny Clark and Max Roach, Sonny Clark and (Muse, 1978) Keep On Pushin' with Al Cohn Son of Drum Suite. Swingville, 1960 Ya! (Argo, 1964) Off the Wall with Etta Jones. Harold Arlen's Music from Jamaica is played with Gloom, Cash, Love and All the Sad Young Men. The 3R's (Muse, 1979 [1982]) with Jimmy Rushing Every Day I Have the Blues.Scottie plays the Duke (Prestige, 1959) and The Shirley Scott Trio (Moodsville, 1958). Roll 'Em: Shirley Scott plays the big bands with Clark Terry Girl Talk. I keep Comin' Back! Parallel-a-Stitt (Roulette, 1966) Goin' Down Slow (Prestige, 1972) In Style (Muse, 1982) With Buddy Tate Live at Sandy's. Several Shades of Jade, Breeze from the East, Warm Wave, El Sonido Nuevo, and Last Bolero in Berkeley were all written by Cal Tjader. With Warren Vaché Jr. Iridescence and Eddie "Cleanhead" Vinson at Sandy's. With Walter Wanderley Moondreams and Julius Watkins French Horns for My Lady.The musicians from New York City were jazz double-bassists.


title: Yuriy Gorlis-Gorsky

texts: On January 14, 1898, the underground Zaliznyak, Gorsky, Horlitsa, was christened by the name of <mask>. He was born in Poltava region. The father was an officer of the Russian Imperial Army. Tarnoruda is the place where the year of birth was in 1901. He was in the First World War. He joined the Zaporozhye Division at the age of 20 and was promoted to colonel in the years of the National Revolution. At the beginning of February 1920, when the Zaporizhzhia Division was in the vicinity of the Cold Yar, Yuri became ill and remained in treatment at the Motronin Monastery.After treatment, he had to catch up with his military unit, but the partisans of the Kholodny Yar Republic convinced him to stay with them. He was given the assignment of 1st Lieutenant of the hundred of the Hajdamak regiment and became one of the closest assistants of the Ataman Petrenko and Chief Ataman Vasyl Chuchupak. He returned to occupied Ukraine in the spring of 1922 after becoming a liaison to the Ukrainian People's Republic government. The underground work was carried out under the name "Gorsky". But soon he was arrested. He spent 8 months in the prison. He was released from custody on December 16, 1923, after the Chekists failed to prove his guilt.The Ukrainian government instructed Gorsky to work in the intelligence apparatus. According to a later statement by one of the most experienced leaders of the PodolskGPU, Halytsky, Gorsky failed many Chekist operations. He was arrested again in 1924. The Bolsheviks appreciated Yuri's underground work and sentenced him to 15 years in prison. He was in a hospital for a long time. He was in several prisons during this time. He escaped from the Kherson Psychiatric Hospital in April 1931.After a long journey through the Soviet Union, he crossed the border and found himself in Rivne. He lived in Bagatkivtsi and Plow. The local priest and I live in Bagatkivtsi. He told about the life of Ukrainians in Zbruch in the local reading room. In October 1932, the publishing house "Chronicle of the Red Viburnum" published an article by Gorlis-Gorsky "Cold Yar", and the next day, a magazine version of his most important work, "Cold Yar", was published. Ave dictator was the first book to be published. The book "In the Enemy Camp" and the first part of "Cold Yar" were both published in 1935.The second part of the novel "In the Enemy Camp" was written about being in a mental hospital. During the fighting in Transcarpathia, the manuscript was lost. He considered this novel his best work and was sad by the loss. The Red Thistle (The Red Army in the Light of Reality): Based on Materials Announced in the Soviets and Abroad, and from His Own Observations during Life in the USSR, was published in 1935. The play "We swear by the graves of heroes!" was published in 1936. There is a cloud called Ataman Cloud. The second part of "Cold Yar" was published in 1937.The book was a big hit among young people. The text of the publication "Cold Yar" was adapted to the needs of the local reader. There were many words and expressions in the novel. In 1967, the London edition of Nikita Myronenko was published. The Army of the Ukrainian People's Republic defended Carpathian Ukraine during the Transcarpathian period. After the defeat of Carpathian Ukraine, Yuri moved to a remote Transcarpathian town where he taught for a while. The famous writer was invited to settle in Canada by the Ukrainians.Information about a possible German war against the Soviet Union forced him to change his plans, so he could not move to another country. At the end of the Second World War, Gorlis-Gorsky tried to create a unit from Ukrainians captured during the Soviet-Finnish war. In June 1942, Gorlis-Gorsky realized his dream and returned to the Yar. The writer settles in Oleksandrivka and collects testimonies of participants in the struggle. The parents of Peter and Vasyl Chuchupaky were presented with a book by Gorlis-Gorsky. He moved to the West after the arrival of the Red Army. He married Halyna on November 26, 1943, in the Orthodox Church of St. George.On September 25,1946, his daughter Lesya was born, after he and his wife moved to Germany and settled in a camp for displaced persons in New Ulm. He began political activity in New Ulm. He was one of the founding members of the Ukrainian Revolutionary Democratic Party. On September 27, 1946, <mask> Gorlis-Gorsky vanished. "Otaman Hmara", "Red Thistle", "Cold Yar", and "Ave Dictator" are considered lost. There are external links to the biography of Yuri Gorodyanin-Lisovsky. Biography of a man.ер. р ор-ор,,,,,,,,,,,,,,,  The book "Kholodny Yar" was written by <mask> Horlis-Gorsky.

masks:
Yuriy Gorlis Gorsky
Yuriy
Yuriy


title: Bill Stewart (ice hockey)

texts: <mask> is a Canadian-Italian former professional ice hockey defenceman and former head coach of the New York Islanders. <mask> played for a minor ice hockey team from York Mills in the 1969 Quebec International Pee-Wee Hockey Tournament. He was drafted in the fourth round of the 1977 NHL Entry Draft by the Buffalo Sabres and started his career in the National Hockey League. He played for the St. Louis Blues, Toronto Maple Leafs, and Minnesota North Stars. He left the NHL at the end of the 1985–86 season to play hockey in Italy. In 1995 <mask> began his career as a hockey coach. After one season with the Generals, <mask> became the head coach.The Saint John Flames lost to the Philadelphia Phantoms in the 1998 Calder Cup finals, but <mask> got back into coaching after a brief stint in the American Hockey League. The New York Islanders named <mask> their head coach on January 21, 1999 after Mike Milbury stepped down to concentrate on his GM duties. <mask> was relieved of his coaching duties after the Islanders finished their season. <mask> became the head coach of the Barrie Colts in 1999. Ryan Barnes, one of the "Brampton Boys", faced charges of assault with a weapon after a stick-swinging incident during a game in October. Three of the team's players were charged with sexual assault. <mask> was banned from entering the United States after he smuggled two players over the Canada-U.S. border in the baggage compartment of the team bus.<mask> walked out of the Metro Centre without speaking to the media after his team lost to the Rimouski Océanic in the Memorial Cup. During the 2001 DEL quarterfinals, <mask> was involved in a mass brawl in which he hit the head of the Berlin Capitals' head coach, and he was also injured, but he continued his coaching career in Germany. <mask> received a two-game suspension and a 15,000 fine. In the finals against the Barons, he pretended to faint behind the Adler bench to get the attention of his star player. His team won the title that year and went to the finals the following season. <mask> left Mannheim in January 2003 because his contract wouldn't be renewed at the end of the season. <mask> moved to Austria to coach the Graz 99ers and EHC Linz.In December of 2006 he returned to Germany with the Hamburger Freezers. The case was lost when Linz tried to get a restraining order. The Freezers fired <mask> in December of 2008. He took over as the head coach of Klner Haie on December 3, 2009, but was relieved of his duties in November 2011. He joined the Storm as a consultant and assistant coach. He was the interim head coach of the team. The term interim was removed prior to the end of the season.After only two wins, he resigned from the Storm and went back to Germany to coach the DEL2. <mask> became the head coach of the DEL's Straubing Tigers in April of last year. He admitted at that time that he had gone too far in his past. I have learned and become more quiet since these moments happened a few years ago. His team won only eight of the first 13 games of the season and dropped to the bottom of the DEL. <mask> was named head of Adler Mannheim on December 4, 2017. He guided the Adler team to an appearance in the playoffs in his last season.He was a scout for the Adler organization.

masks:
William Donald Stewart
Stewart
Stewart
Stewart
Stewart
Stewart
Stewart
Stewart
Stewart
Stewart
Stewart
Stewart
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Stewart
Stewart
Stewart
Stewart


title: Maria Callas

texts: One of the most renowned and influential opera singers of the 20th century was <mask>. Her bel canto technique, wide-ranging voice and dramatic interpretations were praised by many critics. In her early career, she was known for her work in the operas of Donizetti, Rossini, and Verdi. She was called La Divina because of her musical and dramatic talents. She was raised by a domineering mother who wanted a son. <mask> started her career in Italy after receiving her musical education in Greece. Forced to deal with the exigencies of 1940s wartime poverty and with near-sighted that left her nearly blind, she was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217She had a mid-career weight loss that may have contributed to her vocal decline. The press trumpeted <mask>'s love affair with Onassis and her rivalry with Tebaldi. Although her dramatic life and personal tragedy have often overshadowed <mask> the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "nearly thirty years after her death, <mask>'s New York birth certificate states that she was named <mask> Cecilia Kalogeropoulos. On December 2, 1923, she was born at Flower Hospital, 1249 5th Avenue, Manhattan, to Greek parents. The name Kalogeropoulos was shortened first to "Kalos" and then to "Callas" to make it more manageable. George and Litsa <mask> were not compatible from the beginning.George was easy-going and unambitious, with no interest in the arts, while Litsa was socially ambitious and had dreamed of a life in the arts, which her middle-class parents had stifled in her childhood and youth. Litsa introduced George to her family because her father was in failing health. Petros warned his daughter that she would never be happy with George. I will not be able to help you if you marry that man. Litsa realized that her father was correct when she ignored his warning. The situation was worsened by George's philandering and was not improved by the birth of a daughter in 1917 or a son in 1920. The marriage was dealt a blow by Vassilis's death.George made the decision to move his family to the U.S. after realizing that Litsa was pregnant again, and was greeted with "shouting hysterical" followed by George "slamming doors". In 1923, the family moved into an apartment in the heavily ethnic Greek neighborhood of Queens. Litsa was so unhappy with her daughter's birth that she refused to look at her new baby for four days. <mask> was christened at the Archdiocesan Cathedral of the Holy Trinity. <mask> settled the family in Manhattan on 192nd Street in Washington Heights, where he grew up, after opening his own pharmacy when <mask> was 4. At three years old, <mask>'s musical talent began to manifest itself, and after Litsa discovered that her youngest daughter also had a voice, she began pressing "Mary" to sing. <mask> said that he hated singing when he was five.George was unhappy with his wife favoring their elder daughter, as well as the pressure put upon young Mary to sing and perform, while Litsa was increasingly embittered with George and his absences and infidelity, and often violently reviled him in front of their children. In 1937, Litsa returned to Athens with her two daughters after her marriage deteriorated. The relationship with <mask>'s mother continued to erode during the years in Greece, and in the prime of her career, it became a matter of great public interest, especially after a 1956 cover story in Time magazine which focused on this relationship and later, by Litsa's. In public, <mask> recalls the strained relationship with Litsa on her unhappy childhood spent singing and working at her mother's insistence, saying, My sister was slim and beautiful and friendly, and my mother always preferred her. I was unpopular and ugly. It's cruel to make a child feel bad. She took my childhood away and I will never forgive her.I should have been playing and making money when I was younger. Everything they did to me was bad. She said there must be a law against forcing children to perform at an early age. Children should have fun. They shouldn't be given too much responsibility. According to a biographer, Litsa's treatment of George in front of their young children led to resentment and dislike on <mask>'s part. According to <mask>'s husband and her close friend Giulietta Simionato, <mask>'s mother pressed her to go out with various men, mainly Italian and German soldiers, to bring home money and food during the war.<mask> never forgiven her mother for what she perceived to be a kind of prostitution forced on her, even though she was convinced that she managed to remain untouched. Litsa had adopted a questionable lifestyle that included pushing her daughters into degrading situations to support her financially, as well as entertaining Italian and German soldiers herself. In an attempt to patch things up with her mother, <mask> took Litsa along on her first visit to Mexico in 1950, but this only renewed the old tensions and resentments, and they never met again. <mask> stopped communicating with her mother after receiving angry and accusatory letters from Litsa. <mask> received her musical education in Athens. Her mother tried to enroll her at the prestigious Athens Conservatoire. The conservatoire's director refused to accept her without satisfying theoretic prerequisites, as her voice failed to impress.In the summer of 1937, her mother visited <mask> at the younger Greek National Conservatoire, asking her to take Mary, as she was then called, as a student for a modest fee. In 1957, Trivella recalled her impression of "Mary, a very plump young girl, wearing big glasses for her myopia": The tone of the voice was warm, lyrical, intense, and it swirled and flared like a flame. It was an amazing phenomenon, or rather it was a great talent that needed control, technical training and strict discipline in order to shine. Trivella agreed to tutor <mask>, completely waiving her tuition fees, but no sooner had <mask> started her formal lessons and vocal exercises than she began to feel that <mask> was not a contralto as INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals They began working on lightening her voice's timbre and raising the tessitura of her voice. <mask> was recalled as a model student by Trivella. Her studies are dedicated to her heart and soul.Her progress was amazing. She worked up to six hours a day. She was singing the most difficult arias within six months. On April 11, 1938, <mask> ended the recital of Trivella's class at the Parnassos music hall with a duet from Tosca. I had a problem with not having low chest tones, which is essential in bel canto, and that's where I learned my chest tones. <mask> told the French program L'invitée du dimanche that the development of her chest voice was due to her next teacher, Elvira de Hidalgo. <mask> studied with Trivella for two years before her mother got another chance at the Athens Conservatoire.<mask> tried out for Weber's Oberon. The sounds were "tempestuous, extravagant cascades of sounds, as yet uncontrolled but full of drama and emotion". She agreed to take her as a student immediately, but <mask>'s mother wanted her to wait a year so she could start working. On April 2, 1939, <mask> undertook the part of Santuzza in a student production of Mascagni's Cavalleria rusticana at the Greek National Opera at the Olympia Theatre, and in the fall of the same year she attended the Athens Conservatoire. <mask> told Lord Harewood that De Hildalgo had the last real training of the real bel canto. I was thrown into her arms when I was a young girl because I knew the secrets of the bel canto. It's a very hard training and you're supposed to wear a strait-jacket if you don't like it.You have to learn to read, to write, to form sentences, and to put yourself back on your feet if you fall. The real bel canto way is where no matter how heavy a voice is, it should always be kept light and worked on in a flexible way. It is a method of keeping the voice light and flexible and pushing the instrument into a zone where it might not be too large in sound, but penetrating. Teaching the scales, trills, and bel canto is a whole language of its own. <mask> was recalled as a phenomenon by De Hidalgo. <mask> said that she would go to the conservatoire at 10 in the morning and stay there for 10 hours a day. Her answer when asked why she did this was that even with the least talented student, he could teach you something that you might not be able to do.After several appearances as a student, <mask> began appearing in secondary roles at the Greek National Opera. <mask> was able to earn a small salary because of De Hidalgo, which helped her and her family through the difficult war years. In February 1941, <mask> made her professional debut in a small role in Boccaccio. Soprano Galatea Amaxopoulou said, "<mask>'s fantastic performing ability had been obvious, and from then on, the others started trying ways of preventing her from appearing." <mask> said that the established Sopranos used to stand in the wings and make remarks about her, laughing and pointing their fingers at her. In August 1942, <mask> made her debut in a leading role in Eugen d'Albert's Tiefland, singing the role of Marta. There were glowing reviews of <mask>'s performance.<mask>'s performance for the weekly To Radiophonon: The singer who took the part of Marta, that new star in the Greek firmament, was evaluated. Kalogeropoulou is one of those God-given talents that one can only marvel at. <mask>'s detractors began to refer to her as "The God- Given" after these performances. Anna Remoundou asked a colleague, "Could it be that there is something divine and we haven't realized it?" after watching <mask> rehearse Beethoven's Fidelio. The ancient Odeon of Herodes Atticus theatre at the foot of the Acropolis was where <mask> sang the role of Santuzza in Cavalleria rusticana. In August and September 1944, <mask> played the role of Leonore in a Greek language production at the Odeon of Herodes Atticus. Leonore <mask>'s greatest triumph was when <mask>u's Leonore let her Soprano soar out radiantly in the untrammelled jubilation of the duet.... The art of the prima donna wasnobled by the harmony of sound that she gave here. <mask> was advised to establish herself in Italy after the liberation of Greece. After giving a series of concerts around Greece, <mask> returned to America to see her father and pursue her career, despite her teacher's advice. <mask> had given 56 performances in seven operas and appeared in 20 recitals when she left Greece two months short of her 22nd birthday. <mask> said that when she got to the big career, there were no surprises for her. After returning to the United States in 1945, <mask> made the rounds of auditioning.Edward Johnson, general manager of the Metropolitan Opera, liked her voice so much that he wanted to hear it on stage. According to <mask>, the Metropolitan Opera offered her Madama Butterfly and Fidelio, to be performed in Philadelphia and sung in English, both of which she declined, feeling she was too fat for Butterfly and did not like the idea of opera in English. In a 1959 interview with the New York Post, Johnson confirmed that a contract was offered, but she didn't like it because of the roles. She turned it down because it was a beginner's contract. <mask> was supposed to re-open the opera house in Chicago as Turandot, but the company folded before opening. Basso Nicola Rossi-Lemeni was aware that Tullio Serafin was looking for a dramatic singer to play La Gioconda in the opera. The young <mask> was so strong and certain of her future that he recalled.I knew this girl, with her courage and huge voice, would make a huge impact in a big outdoor theatre. He recommended <mask> to Giovanni Zenatello. Zenatello was so excited that he jumped up and joined <mask> in the duet. <mask> made her Italian debut in this role. <mask> met a wealthy industrialist who began courting her. He took control of her career after the marriage dissolved. It was Meneghini's love and support that gave Callas the time she needed to establish herself in Italy, and she went by the name of <mask> <mask>.After La Gioconda, <mask> had no more offers, and when Serafin called on her to sing Isolde, she told him that she already knew the score, even though she had only looked at the first act. She admitted to having seen the second act of the opera and having seen the music. She was cast in the role immediately. <mask>'s mentor and supporter was Serafin. According to Lord Harewood, Tullio Serafin has had a more distinguished career than any other Italian conductor. <mask> said that working with Serafin was the "really lucky" opportunity of her career, because he taught her that there must be an expression. The justification of music was taught to me by him.I drank all I could from this man there. The great turning point in <mask>'s career occurred in Venice in 1949. Margherita Carosio, who was going to sing Elvira in I puritani at the Teatro la Fenice, fell ill while she was engaged to sing Die Walkre. Unable to find a replacement for Carosio, Serafin told <mask> that she would be singing Elvira in six days, and when she protested that she did not know the role, he told her "I guarantee that you." It would have been cause enough for surprise to attempt to essay them both in the same season, but they didn't. Before the performance actually took place, one incredulous critic snorted, "We hear that Serafin has agreed to conduct I puritani with a dramatic Soprano." Can we expect a new edition of La traviata with a male voice?The miracle that <mask> accomplished was acknowledged by one critic after the performance. Her interpretation has a warmth that one would not find in other Elviras. Franco Zeffirelli said that what she did in Venice was incredible. To realize the size of her achievement, you need to be familiar with opera. It was as if someone asked Beverly Sills, one of the great coloratura Sopranos of our time, to substitute for Birgit Nilsson, who is famous for her greatWagnerian voice. It is doubtful if any of the many roles <mask> undertook had a more far-reaching effect. <mask>'s career was changed by her first appearance in bel canto and she went on to perform in Lucia di Lammermoor, La traviata, Armida, La sonnambula, and Il pirata.She opened a new door for all the singers in the world, a door that had been closed. Behind it was sleeping a great idea of interpretation. Those who follow her have been given the chance to do things that were impossible before her. I have never dreamed that I am compared with <mask>. It is not right. <mask> is much larger than me. On a few days' notice, <mask> learned and performed Cherubini's Medea, as well as Rossini's Armida.In a 1952 RAI recital, <mask> opened with "Lady Macbeth's letter scene", followed by the "Mad Scene" from Lucia di Lammermoor. <mask> did not make her official debut at Teatro alla Scala in Milan until 1951. Antonio Ghiringhelli, the general

masks:
Maria Callas
Maria
Callas
Callas
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Maria Anna
Callas
Maria
George Callas
Maria
Maria
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Maria Trivella
Callas
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Maria
Maria Alkeou
Callas
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Maria Kaloyeropoulo
Callas
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Callas
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Maria Meneghini
Callas
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Maria Callas
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title: Maria Callas

texts: manager of La Scala, disliked <mask> so much that he replaced him in the role of Aida. Menotti said that Ghiringhelli promised him any singer he wanted for the premiere of The Consul, but when he suggested <mask>, Ghiringhelli said that he wouldn't have <mask> at La Scala except as a guest artist. Ghiringhelli had to relent as <mask>'s fame grew, and especially after her success in I vespri Siciliani in Florence. Many new productions were mounted for <mask> by directors such as Herbert von Karajan, Margherita Wallmann and Franco Zeffirelli. Visconti stated later that he began directing opera because of Callas, and that he directed her in new productions of La vestale, La traviata, La sonnambula, Anna Bolena and Iphigénie en Tauride.Franco Corelli's debut at La Scala was arranged by <mask>, and he sang Licinio in Spontini's La vestale opposite <mask>'s Julia. In Rome, the two had sung together for the first time. Corelli had earned great respect from <mask>, who, in Mr Corelli, finally had someone with whom she could act. The two singers performed in several productions at La Scala, singing opposite each other. Throughout <mask>'s career, their partnership continued. She traveled to Argentina to sing at the Teatro Coln after she married Meneghini. <mask> made her South American debut on May 20, 1949.The roles of Aida, Turandot and Norma were directed by Serafin. She only appeared on this stage once. Her debut in the United States was five years later in Chicago in 1954. Her Metropolitan Opera debut, opening the Met's seventy-second season on October 29, 1956, was again with Norma, but was preceded by an unflattering cover story in Time magazine, which rehashed all of the Callas clichés, including her temper. On November 21, 1957, <mask> gave a concert to open the Dallas Civic Opera, and helped establish that company with her friends from Chicago, Lawrence Kelly andNicola Rescigno. She further consolidated this company's standing when, in 1958, she gave "a towering performance as Violetta in La traviata, and that same year, in her only American performances of Medea, gave an interpretation of the title role worthy of Euripides." <mask>'s Metropolitan Opera contract was canceled due to a feud with Bing.The situation gave Allen Oxenburg an opportunity for his own company, the American Opera Society, and he approached her with a contract to perform. A January 1959 performance in which she accepted and sang the role became legendary in opera circles. Bing and <mask> reconciled their differences and she returned to the Met in 1965, singing the title role in two performances with Franco Corelli and Richard Tucker. In 1952, she made her London debut at the Royal Opera House in a performance with Ebe Stignani in the role of Adalgisa, as well as the young Joan Sutherland in the small role of Clotilde. <mask> and the London public had a love affair and she returned to the Royal Opera House five times. On July 5, 1965, <mask> ended her stage career at the Royal Opera House in a production by Franco Zeffirelli and featuring her friend and colleague Tito Gobbi. <mask> was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217During a lunch break while recording Lucia in Florence, Serafin commented to <mask> that she was eating too much and allowing her weight to become a problem. Gobbi suggested that she step on the weighing machine outside the restaurant to see if she was heavy. She became rather silent as a result of the result. In 1968, <mask> told Edward Downes that during her first performance in Cherubini's Medea in May 1953, she realized that she needed a leaner face and figure to do dramatic justice to this as well as the other roles she was undertaking. She says that her vocalizing was getting heavy because she was getting so heavy. I was working too hard, I was tiring myself, and I was perspiring too much. I couldn't move freely because I wasn't well.I was heavy and uncomfortable to move around because I was tired of playing a game and playing this beautiful young woman. It was uncomfortable and I didn't like it. If I'm going to do things right, I need to diet and put myself into a presentable state. Rescigno called her "possibly the most beautiful lady on the stage" after she lost almost everything. After losing weight, <mask> was an "astonishing, svelte, striking woman" who showed no signs of being fat. <mask> filed a lawsuit because of rumors that she lost weight by eating "physiologic pasta", and that she had swallowed a tapeworm. <mask> stated that she lost the weight by eating salads and chicken.The loss of body mass made it more difficult for her to support her voice and INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals She was both gifted and beautiful, said Gobbi. Every role she undertook was invested with fresh magic because of her awareness of this. I am not prepared to say what it did to her. She blossomed into an artist unique in her generation and outstanding in the whole range of vocal history. Callas's voice was controversial and bothered many as it thrilled and inspired. A great singer needs an instantly recognizable voice, according to Walter Legge.The Italian critic Rodolfo Celletti stated that the timbre of <mask>'s voice, considered solely as sound, was ugly. I believe that part of her appeal was due to the fact that it lacked those elements which are described as velvet and varnish. Why? Because of its lack of varnish, velvet and richness, this voice could acquire such distinctive colors and timbres as to be unforgettable. According to Ira Siff's review of <mask>'s 1951 live recording of I vespri Siciliani, <mask> had a flawed voice and was unattractive by conventional standards. One can hear a rich, spinning sound when listening to her entrance in this performance. The middle register displays no of the "bottled" quality that became more and more pronounced as Callas matured."<mask>'s mentor used to refer to her as 'Una Grande vociaccia', but it means a big voice, a great voice." A voice that is ugly in a way. In one of her last interviews, <mask> said that she didn't like the sound of her own voice, but that she was able to listen to it. I don't like the kind of voice I have so I have to do it. I don't like listening to myself. When we recorded San Giovanni Battista in a church in Perugia in 1949, it was the first time I had ever listened to a recording of my singing. I cried my eyes out when they made me listen to the tape.Even though I don't like my voice, I'm able to accept it and be detached and objective about it so I can say, "Oh, that was really well sung." It is difficult to speak of the voice of Callas. Her voice was special. The first time you listen to a string instrument, it can be a bit strange. When you become friends with this kind of sound, it becomes a magical quality. This was Callas. Since in her prime, Callas's voice has been difficult to place in the modern vocal classification or Fach system because of the heavy roles she had to perform.Serafin said that the woman can sing anything written for the female voice. According to Michael Scott, <mask>'s voice was a natural high Soprano, and going by evidence of <mask>'s early recordings,Rosa Ponselle felt the same. According to music critic John Ardoin, Callas was the reincarnation of the 19th-century sfogato or "unlimited Soprano", a reference to the famous bel canto operas. He believes that <mask> was a natural mezzo-Soprano whose range was extended through training and willpower, resulting in a voice which lacked the homogeneity of scale once so prized in singing. There were parts of their voices that were not under control. Many who heard Pasta remarked that her uppermost notes seemed to come from ventriloquism, a charge which would be made against Callas. There was a portion of the scale which differed from the rest in quality and remained to the last 'under a veil' according to the writings of Henry Chorley.She had to compose her instrument and give it flexibility from the uncouth materials. Her studies to acquire execution must have been great, but the volubility and brilliancy gained a character of their own. There was a breadth, an evenness and solidity in her shake, which gave every passage a significance beyond the reach of lighter and more spontaneously singers. As soon as she opened her lips, the best of her audience were held in thrall, without being able to analyze what made up the spell. <mask> seems to have seen the similarities between herself and Pasta, as well as the fact that she started as a natural opera singer. In 1957, she described her early voice as dark and almost black, and in 1968 she said she was not a true opera singer. She told James that it's study, that she can sing the heaviest roles as well as lightest roles.You know, I'm doing nothing special. Even Lucia, Anna Bolena, Puritani, all of them were created for one type of Soprano, the type that sang Fidelio. I was singing Anna Bolena and Sonnambula at the same time as Giuditta Pasta was singing in the 19th century. I'm not doing anything extraordinary. You wouldn't ask a pianist to play everything. I had a wonderful teacher and this is nature. I was a heavy voice, a dark voice, and I was always kept on the light side.She trained me to keep my voice strong. Rodolfo Celletti said that <mask>'s voice was penetrating. The volume was not powerful or small. Her voice could be heard anywhere in the auditorium because of the penetration, which bordered on the ugly because it frequently contained an element of harshness. Celletti wrote that <mask> had a dark voice. The critic for Musical Courier wrote after her first performance of Medea that she displayed a vocal generosity that was barely believable. Richard Bonynge stated in a 1982 Opera News interview that before she slimmed down, she was a huge voice.<mask> had a big voice and it poured out of her. At the bottom of the range, you couldn't tell who was who. The big sound was taken up to the top by her. After losing weight, <mask>'s voice became a "dramatic Soprano with an exceptional top", as one Chicago critic described the voice in Lucia, according to Michael Scott's book. <mask>'s vocal range was short, from F-sharp (F3) below middle C (C4) heard in "Arrigo! "Ah parli a un core" from I vespri Siciliani to E-natural (E6) above high C (C6) is heard in the final act of Rossini's opera. Whether or not <mask> ever sang a high F-natural in performance has been open to debate.Rock Ferris said after her June 11, 1951 concert in Florence that her high E's and F's are taken full voice. The presumed E-natural at the end of Rossini's Armida, a poor-quality bootleg recording of uncertain pitch, has been referred to as a high F by Italian musicologists and critics. The final note of Armida could not have been an F because it was in the key of E, according to Callas expert Dr. Robert Seletsky. The final note in "Merc, dilette amiche" from the 1951 Florence performances of I vespri Siciliani is not a high F as claimed by Eve Ruggieri. In a 1969 French television interview with on the program L'invitée du dimanche, he spoke about Callas's voice going to high F, but he also talked about her lower register extending to C3. <mask>'s voice was noted for its three distinct registers: her low or chest register was extremely dark and powerful, and she used this part of her voice for dramatic effect, often going into this register much higher on the scale than most Sopranos. Her middle register had a peculiar and highly personal sound, as if she were singing into a jug, and was noted for its veiled or "bottled" sound.Walter Legge said that the sound was caused by the "extraordinary formation of her upper palate, shaped like a Gothic arch, not the Romanesque arch of the normal mouth". In contrast to the light flute-like sound of the typical coloratura, she would attack these notes with more vehemence and power. There were no musical or technical difficulties in this part of the voice which she could not execute with ease. Her runs were smooth and accurate, even in the trickiest intervals. There isn't a bar in the whole range of nineteenth-century music for high Soprano that tested her powers. She was able to execute a diminuendo on the high E-flat, which Scott describes as "a feat unparalleled in the history of the gramophone." Celletti says that Callas seemed to use another voice in these soft passages.In long held notes without ornamentation, her mezza voce could achieve such moving sweetness that the sound seemed to come from on high. I don't know where it came from. <mask>'s own contemporaries were amazed by the combination of size, weight, range and agility. One of the choristers in I vespri Siciliani recalled, "My God!" She sounded like our deepest contralto, Cloe Elmo. She took an E-flat before the evening was over. It was twice as strong as Toti Dal Monte's.Giulietta Simionato said that the first time they sang together was in Mexico in 1950, where she sang the top E-flat in the second-act finale of Aida. It was like a star in the opera house. The chance for Tebaldi to sing the Soprano coloratura with this voice was the most fantastic thing. This was very special. Absolutely! "Unfortunately, it was only in quick music, particularly descending scales, that she completely mastered the art of joining the three almost incompatible voices into one unified whole, but until about 1960," Walter Legge writes. According to Rodolfo Celletti, her voice had a guttural quality in certain areas of her range.I would go so far as to say that her voice had such resonances as to make one think of a ventriloquist. There was a problem between the middle and upper register. The sound around the F and G was not quite right, as though the voice were not functioning properly. Celletti says that even if Callas produced an unpleasant sound, the technique she used for these transitions was perfect. The critic says, "<mask>'s 'faults' were in the voice and not in the singer; they are so to speak, faults of departure but not of arrival." Celletti distinguishes between the natural quality of the voice and the technique. In 2005, Ewa Podle said of <mask>, "Maybe she had three voices, maybe she had three ranges, I don't know."Nothing disturbed me. She gave me everything that I bought. Why? She used her voices and her register to tell us something. Much has been said about her voice, and no doubt the discussion will continue. No one could deny the harsh or "squashed" sounds or the wobble on the very high notes. These and others were the accusations made at the time against Pasta and Malibran, two

masks: Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas Callas