title: Émile Vallin

texts: <mask> was a French military physician who was considered to be a progenitor of public health in France. He was the son of <mask>, a doctor in Nantes and Fanny Robertson-Martel, who married Berthe Marie Vidal on September 15, 1866, whom he divorced to marry Louise Marie Bidermann on April 2, 1882. He was a prize-winning intern at the hospitals in the early 19th century and a prosector at the school of medicine in the late 19th century. He was appointed a doctor at the Imperial School of Military Medicine and Pharmacy in December of 1858 after passing his medical thesis at the Faculty of Medicine in Paris in February 1858. He was part of the Syrian Expeditionary Force from August 1860 to June 1865. He was appointed to the Military Hospital in Strasbourg. He was appointed professor of epidemiology at the Val-de-Grce Army Training Hospital after passing the agrégation examination in 1865.He was appointed doctor major 2nd class on December 27th, 1865, at the Médéa military hospital, and then at the hospitals of the Algiers division on February 19th and March 5th, 1870. He was the chief doctor of the 17th corps headquarters when he took part in the Franco-Prussian War. He was promoted to the rank of Major 1st class doctor on February 8, 1871, and was sent to the hospital of Saint-Omer in July, before being sent to Valenciennes in October. He was sent to the Bne hospital as acting chief doctor. In 1874, as a full professor of military hygiene and forensic medicine at the cole du Val-de-Grce, he traveled to the major cities of Europe to study their health organisation and institutions. He was a senior doctor of 1st class in the Val-de-Grce and the Gros-Caillou hospital. Director of the 3rd corps health service in Rouen in December 1885, he was appointed Medical Inspector at the health service of the military government in Lyon and at the 14th corps.He was the director of the Lyon Military Medical School from December of 1889 to December of 1893. He ended his career on April 22, 1893, after being appointed Director of the Paris military government's health service. Public health medicine in France came up against local politics and the incomprehension of a rural population. Despite Pasteur's discoveries, it had solid frameworks but poor execution in the field. mile <mask> participated in the 5th edition of the Traité d'hygine publique et privée with a work on the hygiene of the military profession. He changed the translation of Griesinger's Infectionskrankheiten. In 1879, he founded the Revue d'hygine et de police sanitaire, a journal devoted to the most important questions of public, professional or private hygiene.TheTreatise on Disinfectants and Disinfection was published in 1882. At the Academy of Medicine, he was interested in alcoholisation, the dangers of mobile stoves, the pathogenesis of heat stroke, disinfection in contagious diseases, alcoholism through breast-feeding, and the sickness in the basins of silkworm farms. He is the author of reports on the use of salicylic acid and its derivatives in foodstuff, on epidemic diseases requiring compulsory declaration, on the sanitary services, and on the supply of drinking water to the garrisons. He was the Secretary of the Hygiene Section from 1898 to 1901. He was a founding member of the society of public medicine and professional hygiene. He was a member of the Medical Society of Hospitals. He was on the Advisory Committee on Public Hygiene, which depended on the authority of the Minister of the Interior, as early as 1884.Publications De l'inflammation périombilicale. Parent imprimeur, 1869 De la salubrité de la profession militaire. De E. Martinet had a Traité des maladies infectieuses. Rapport sur l'enqute concernant la phtisie, 1886. The officer of the Ordre des Palmes académiques was appointed in 1876. The officer was from the Order of the Medjidie. The street Capitaine Yves Hervout is named after Montyon Prize (1854) Legacy.The Commandeurs of the Légion d'honneur Officiers of the Ordre des Palmes Académiques are recipients of the Medjidie.

masks:
Arthur Vallin
Franois Auguste Vallin
Vallin


title: John Bolton (actor)

type: paraphrased

texts: <mask> was born on December 29, 1965, and is an American actor. He originated the role of "The Old Man" in A Christmas Story: The Musical. He played the role of Popov in the Broadway production. In A Christmas Story: The Musical on Broadway, <mask> originated the role of "The Old Man" and played it in Boston, Hartford and Madison Square Garden. He played The Captain in the Broadway revival of Dames at Sea. The musical ran from October to January. His other theatre credits include many Broadway musicals that have won the Tony Award, such as Curtains with David Hyde Pierce, Contact, and Titanic, and revivals of Damn Yankees.A sought-after cabaret performer, <mask> has also appeared in many concert performances, including Guys and Dolls and the Family Holiday Concert with the New York Pops at Carnegie Hall. His performance in Guys and Dolls was praised by the New York Times. He is a regular soloist with the New York Pops, and he has headlined three sold-out concerts at Carnegie Hall. He performed at the Queens' Socrates Sculpture Park in July of last year. He has performed in commercials. He was seen on Elementary, Madame Secretary and Unbreakable Kimmy Schmidt. He played a recurring character.<mask> was on the soap opera All My Children. He played Bruce Caplan on the television series Gossip Girl. The Good Wife and Boardwalk Empire have both had guest star appearances by <mask>. He appeared in the short film Russian Broadway Shut Down. He is an acting professor. He was born in Rochester, New York and grew up in LeRoy, New York. <mask> was nominated for an Outer Critics Circle Award for Outstanding Male Dancer in a Broadway Show.

masks:
John Bolton
Career Bolton
Bolton
John Summerhill
Bolton
John Summerhill


title: Diego Velázquez

texts: The leading artist in the court of King Philip IV of Spain and Portugal was <mask>. He was an individual artist of the Baroque period. He developed a freer manner characterized by bold brushwork after beginning to paint in a precise tenebrist style. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners. 19th-century realist and impressionist painters used Velzquez's artwork as a model. Some of Velzquez's most famous images were re-interpreted by artists in the 20th century. The first child of Juan Rodriguez de Silva and Jernima Velzquez was born early in life.He was christened at the church of St. Peter on June 6, 1599. A few days or weeks after his birth, he is most likely to have been christened. His paternal grandparents, Diogo da Silva and Maria Rodrigues, were originally from Portugal. When Velzquez was offered knighthood in 1658, he claimed descent from the lesser nobility in order to qualify. He showed an early gift for art and was trained by Francisco Pacheco, an artist and teacher. Antonio Palomino, an early-18th-century biographer, said Velzquez studied for a short time under Francisco de Herrera before beginning his apprenticeship under Pacheco. A contract signed on September 17, 1611, formalized a 6-year apprenticeship with Pacheco backdated to December 1610, and it has been suggested that Herrera may have replaced Pacheco between December 1610 and September 1611.Despite being a dull and undistinguished painter, Pacheco sometimes expressed a simple, direct realism in his work. He encouraged his students' intellectual development as a teacher. Velzquez was trained in proportion and perspective and studied the classics in Pacheco's school. On April 23, 1618, Velzquez married Juana Pacheco, the daughter of his teacher. They had two children. Francisca de Silva Velzquez y Pacheco married painter Juan Bautista Martnez del Mazo at the Church of Santiago in Madrid on August 21, 1633. Ignacia de Silva Velzquez y Pacheco was born in 1621 and died in infancy.Kitchen scenes with prominent still-life are among Velzquez's earliest works. He was one of the first Spanish artists to paint such scenes, and his Old Woman Frying Eggs demonstrates the young artist's unusual skill in realistic depiction. Caravaggio's work and the polychrome sculpture in Sevillian churches may have influenced the realism and dramatic lighting of this work. There are two bodegones, Kitchen Scene with Christ in the House of Martha and Kitchen Scene with Christ at Emmaus. The formula used by Pacheco is followed by the Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the His other religious works include The Adoration of the Magi and Saint John the Evangelist on the Island of Patmos, both of which begin to express his more pointed and careful realism. The portrait of Sor Jernima de la Fuente was Velzquez's first full-length portrait.The peak of Velzquez's bodegones is the Water Seller of Seville, which is admired for its virtuoso rendering of volumes and textures as well as for its enigmatic gravitas. By the early 1620s, Velzquez had established his reputation in Seville. He traveled to Madrid in April 1622 with letters of introduction to Don Juan de Fonseca. The poet Luis de Gngora was portrayed by Velzquez at the request of Pacheco. Velzquez painted over the portrait that showed Gngora crowned with a wreath. He stayed in Seville until August. The king's favorite court painter died in December of 1622.The powerful minister of Philip IV ordered Velzquez to come to the court. He was offered 50 ducats to help with his expenses, and he was accompanied by his father-in-law. When the portrait was finished, it was sent to the royal palace. On August 30, 1623, Philip IV sat for Velzquez. The portrait pleased the king, and Olivares commanded Velzquez to move to Madrid, promising that no other painter would ever paint Philip's portrait and all other portraits of the king would be withdrawn from circulation. After receiving 300 ducats from the king, he moved his family to Madrid, where he lived for the rest of his life. Velzquez was admitted to the royal service with a salary of 20 ducats per month, lodgings and payment for the pictures he might paint.The portrait of Philip was exhibited on the steps of San Felipe. The portrait of Fonseca is also lost. There are two portraits of the king in the Museo del Prado. The severity of the Seville period has disappeared and the tones are more delicate. The Spanish school was influenced by Antonio Mor, the Dutch portrait painter of Philip II. The golilla is a stiff linen collar projecting right from Philip's neck. Philip's dress reform laws during the economic crisis replaced the court fashion of elaborate ruffed collars with the golilla.The court of Spain hosted the Prince of Wales in 1623. The picture of him sitting for Velzquez is lost. The expulsion of the Moors was the subject of Philip's competition for the best painters of Spain. Velzquez won. Philip III pointed with his baton to a crowd of men and women being led away by soldiers, while the female personification of Spain sat in calm repose, according to recorded descriptions of his painting. Velzquez was appointed a gentleman. He received a daily allowance of 12 réis, the same amount allotted to the court barbers, and 90 ducats a year for dress.In September 1628, Velzquez accompanied Peter Paul Rubens to view the Titians at the Escorial. Rubens had a high opinion of Velzquez but had no influence on his painting. Velzquez wanted to see the works of the great Italian masters. In 1629, Velzquez received 100 ducats for a painting of a group of men in contemporary dress paying homage to a half-naked young man seated on a wine. Velzquez's first mythological painting has been interpreted as a depiction of a theatrical performance, as a parody, or as a representation of peasants asking the god of wine to give them relief from their sorrows. The style shows the naturalism of Velzquez's early works that were influenced by Titian and Rubens. Velzquez was given permission to spend a year and a half in Italy in 1629.Though this first visit is seen as a crucial chapter in the development of his style, few details and specifics are known of what the painter saw, who he met, how he was perceived and what innovations he hoped for. He traveled to a number of places. He visited Naples in 1630 to paint a portrait of Maria Anna of Spain. The major works from his first Italian period are Joseph's Bloody Coat brought to Jacob and Apollo in the Forge of Vulcan, both of which reveal his ambition to rival the Italians as a history painter in the grand manner. The biblical scene depicting a deception and the mythological scene depicting the revelation of a deception are both similar, and may have been conceived as pendants. Velzquez used gestures and facial expressions from everyday life to portray his characters in The Triumph of Bacchus. Velzquez painted Apollo in the Forge of Vulcan on canvas prepared with a light gray ground rather than the dark reddish ground of his earlier works.He made the use of light gray grounds because of the change that resulted in a greater luminosity. Velzquez returned to Madrid in January 1631. The first portrait of the young prince, Prince Balthasar Charles with a Dwarf, was completed that year. Velzquez depicts the prince looking dignified and lordly, or in the dress of a field marshal on his prancing steed. In one version, the scene is in the riding school of the palace, with the king and queen looking on from a balcony. Velzquez painted portraits of the royal family for the Palacio del Buen Retiro. In Philip IV on Horseback, the king is depicted in an image of imperturbable majesty, demonstrating expert horsemanship by executing an effortless levade.Velzquez's only painting depicting contemporary history is The Surrender of Breda, which was painted for the Palacio. The treatment of a Spanish military victory over the Dutch is symbolic and does away with the rhetoric of conquest and superiority that is typical in such scenes. Velzquez shows the Spanish general standing before his Dutch counterpart as equal, and extending to him a hand of consolation. The face of the influential minister is familiar to us from the many portraits painted by Velzquez. One is full-length, stately and dignified, in which he wears the green cross of the order of Alcantara and holds a wand, the Badge of his office as master of the horse, and the other is The Count-Duke of Olivares on Horseback. Velzquez repaid the gratitude he owed to the patron who brought him to the king in these portraits. One of Velzquez's equestrian portraits of the king, which was cast in bronze by the Florentine sculptor Pietro Tacca, stands in the Plaza de Oriente in Madrid.Velzquez painted a portrait of the monarch in the costume as he reviewed his troops during his visit to Aragon in 1644. Ancient writers are depicted in the guise of beggars in Velzquez's paintings. Mars Resting is a depiction of a mythical figure and a portrait of a tired looking man. The model is painted with attention to his individuality, while his unkempt, oversized mustache is a faintly comic incongruity. According to Alfonso E. Pérez Snchez, the equivocal image has been seen as a meditation on Spain's decline. Velzquez would not have been able to release his work if it weren't for his royal appointment. The only surviving female nude by Velzquez is the first known female nude painted by a Spanish artist.Velzquez painted portraits of other members of the royal family, including Philip's first wife, Elizabeth of Bourbon, and her children. A group of people sat for Velzquez. In Philip's court, Velzquez painted several buffoons and dwarfs, who he depicted sympathetically and with respect for their individuality. The buffoon of Coria and Pablo de Valladolid are part of the middle period. Velzquez didn't have a lot of commission for religious works as a court painter. Christ was painted for the Convent of San Plcido in Madrid. The Savior's head hangs on his breast and a mass of dark hair hides part of his face to reinforce the idea of death.There is a dark background before the figure is presented. In 1634, Velzquez's son-in-law Juan Bautista Martnez del Mazo succeeded him as usher, and he received a steady promotion in the royal household. The inspector of works in the palace was appointed in 1647 after he received a pension of 700 ducats. Velzquez was given the task of procuring paintings and sculpture for the royal collection. Rich in pictures, Spain was weak in statuary, and Velzquez was commissioned once again to go to Italy to make purchases. During his second visit to Italy in 1649, he was accompanied by his assistant Juan de Pareja who was a slave and had been trained in painting by Velzquez. Velzquez traveled from Mlaga to Genoa and then from Milan to Venice, buying paintings of Titian, Tintoretto and Veronese.The portrait of the duke that he painted at the Modena gallery came from the sale of Modena in 1746. The great portrait of Pope Innocent X in the Doria Pamphilj Gallery in Rome is a noble example of the painter's third and latest manner. He received a medal and a golden chain from the Pope. Sir Joshua Reynolds thought the portrait was the best picture in Rome and Velzquez took a copy with him to Spain. There are several copies of it in different galleries, some of which are replicas of the original. The manera abreviada is a term used by contemporary Spaniards for this bolder, sharper style. Innocent hung the portrait in his official visitor's waiting room because he was pleased with the work, even though some in the Vatican feared that it would be seen unfavorably by the Pope.The Metropolitan Museum of Art in New York City has a portrait of Juan de Pareja by Velzquez. He was elected into the Accademia di San Luca. This portrait was created by Velzquez as a warm-up to his portrait of the Pope. It shows Pareja's face and his patched clothing with an economic use of brushwork. Juan de Pareja was freed by Velzquez in November 1650. There are two landscape paintings titled View of the Garden of the Villa Medici. Velzquez's close study of light at different times of day is revealed by the


title: Diego Velázquez

texts: landscapes that were painted directly from nature.Matteo Bonuccelli was commissioned by Velzquez to cast twelve bronze copies of the Medici lions as part of his mission to procure decorations for the Room of Mirrors at the Royal Alcazar of Madrid. The Royal Palace of Madrid and the Museo del Prado hold the copies. Antonio is not known to have ever been seen by Velzquez, who fathered him during his time in Rome. Philip wanted Velzquez to return to Spain. After visiting Naples and Venice, Velzquez returned to Spain via Barcelona in 1651, taking with him many pictures and 300 pieces of statuary, which were arranged and catalogued for the king. The king of France died in 1644) and the queen of Austria married him. The duty of looking after the quarters occupied by the court was imposed on him by the king to fill the high office of aposentador mayor, which interfered with the exercise of his art.His works of this period are some of the best examples of his style. Margaret Theresa, the oldest daughter of the new queen, appears to be the subject of Las Meninas. Four years before his death, it was created. Theology of painting was referred to as the "philosophy of art" by the Englishman Thomas Lawrence in the 18th century. It is not clear who the true subject of the picture is. Is it the royal daughter or the painter? The king and queen are seen reflected in a mirror on the back wall, but the source of the reflection is a mystery: are the royal pair standing in the viewer's space, or does the mirror reflect the painting on which Velzquez is working?The fall of the Spanish Empire may have been foretold by the faded image of the king and queen on the back wall. The opening chapter of Foucault's 1966 book is devoted to an analysis of Las Meninas. The painting problematizes issues of representation through its use of mirrors, screens, and the subsequent oscillations that occur between the image's interior, surface, and exterior. The Cross of Saint James of the Order of Santiago is said to have been painted on the breast of a painter by the king. Three years after the painting's execution, Velzquez received the honor of knighthood. The King of Spain could not make his favorite knight a belted knight without the consent of the commission that was established to inquire into the purity of his descendants. The aim of these inquiries would be to prevent the appointment to positions of anyone found to have a trace of Jewish or Moorish blood or contamination by trade or commerce in either side of the family for many generations.The archives of the Order of Santiago contain the records of this commission. The honor was given to Velzquez in 1659. As a painter to the king, he was not involved in the practice of selling pictures. There were only two patrons of art in Spain, the church and the king. Bartolomé Esteban Murillo, who toiled for a rich and powerful church, left little means to pay for his burial, while Velzquez lived and died in the enjoyment of a good salary and pension. One of his last works was a 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 Titian's The Rape of Europa is the basis for the tapestry in the background.It has a lot of light, air and movement. The work seemed to have been painted by the pure force of will. Velzquez had gathered a lot of art-knowledge during his long artistic career. The scheme is simple and consists of red, bluish-green, gray and black. The Infanta Margarita Teresa in a Blue Dress is one of Velzquez's best works, it is almost impressionistic and the painter's personal style reached its high-point: shimmering spots of color on wide painting surfaces produce an almost impressionistic effect. The portrait of the delicate and sickly Prince Felipe Prospero is remarkable for its combination of sweet features of the child prince and his dog with a subtle sense of gloom. The hope that was placed at that time in the sole heir to the Spanish crown is reflected in the depiction, as fresh red and white stand in contrast to late autumnal, morbid colors.A small dog with wide eyes looks at the viewer as if questioningly, and the pale background hints at a gloomy fate: the little prince was barely four years old when he died. The artist's late paintings have a fluid and vibrant handling of the colors. The marriage of Maria Theresa with Louis XIV took place on the Island of Pheasants, a small swampy island in the Bidassoa. The Spanish pavilion was decorated by Velzquez. He attracted a lot of attention because of his bearing and costume. On June 26 he returned to Madrid and on July 31 he was sick. Fuensalida, his friend and the keeper of the royal records, was appointed as his sole administrator after he signed his will.On August 6, 1660, he died. He was buried in the church of San Juan Bautista's Fuensalida vault and his wife was buried beside him eight days later. The place of interment is unknown because the church was destroyed by the French. It was not until after the death of King Philip that the accounts between Velzquez and the treasury were finally settled. Velzquez's career was divided by his two visits to Italy. The dates of his most important works are in the royal archives. There are internal evidence and history related to his portraits.Velzquez was strong enough to resist external influences and work out his own principles of art, even though he was acquainted with all the Italian schools and a friend of the foremost painters of his day. The Habsburg portraiture was established by Titian, Antonio Mor, and Alonso Snchez Coello, and he rejected the pomp that characterized other European courts. He mixed the paints with great skill to achieve different colors. He mainly used azurite, smalt, vermilion, red lake, lead-tin-yellow and ochres. His early works were painted on canvases. During his first trip to Italy, he used light-gray grounds for the rest of his life. The change resulted in paintings with a silvery range of color.Most drawings are attributed to Velzquez. Although some of his paintings exist, his method was to paint directly from life, and x-rays of his paintings reveal that he frequently made changes in his composition as a painting progressed. Between 100 and 120 known canvases were produced by Legacy Velzquez. He did not produce any etchings or engravings and only a few drawings are attributed to him. The most influential figure in the history of Spanish portraiture is Velzquez. Although he had few immediate followers, Spanish court painters such as his son-in-law and Juan Carreo de Miranda took inspiration from his work. Many paintings and copies of them were once attributed to Velzquez.Spanish court portraiture was dominated by artists of foreign birth and training in the 18th century. When Velzquez died, the glory of Painting in Spain died with him, according to an essay published in 1781. Goya made etchings after paintings by Velzquez as part of a project by the Count of Floridablanca to produce prints of paintings in the Royal Collection. The older master's work was a model for Goya for the rest of his career. The work of Velzquez was not known outside of Spain until the 19th century. During the Peninsular War, his paintings were mostly stolen by the French marshals. In 1828, Sir David Wilkie wrote from Madrid that he felt himself in the presence of a new power in art as he looked at the works of Velzquez, and at the same time found a wonderful affinity between this artist and the British school of portrait painters, especially Henry Raeburn.The modern impression pervading Velzquez's work in both landscape and portraiture struck him. The bridge between realism and impressionism is often considered to have been created by Velzquez. He admired the immediacy and vivid brushwork of Velzquez's work, and built upon Velzquez's motifs in his own art. The influence of Velzquez was strong in the late nineteenth century. The respect with which twentieth-century painters regard Velzquez's work attests to its continuing importance. In 1957, Picasso recreated Las Meninas in 44 variations, paying homage to Velzquez. Although Picasso was concerned that his reinterpretations of Velzquez's painting would be seen as copies rather than unique representations, the enormous works, including the largest he had produced since 1937, obtained a position of importance in the canon of Spanish art.The painting entitled Velzquez Painting the Infanta Margarita With the Lights and Shadows of His Own Glory was created in anticipation of Velzquez's death. The color scheme shows Dal's serious tribute to Velzquez; the work also functioned, as in Picasso's case, as a vehicle for the presentation of newer theories in art and thought. One of the greatest portraits ever was Velzquez's portrait of Pope Innocent X. The expressionist variations of this piece were created in the 1950s, however, the depictions of Innocent were more gruesome than the expressionist variations. Figure with Meat shows the pope between the halves of a cow. In 2009, the Portrait of a Man in the collection of the Metropolitan Museum of Art, which had been associated with the followers of Velzquez' style of painting, was cleaned and restored. The features of the man match those of a figure in a painting by Velzquez.The canvas may be a study for that painting. The identity of the sitter is still open to question, despite the fact that the attribution to Velzquez is certain. Some art historians think the study is a self-portrait by Velzquez. It was reported in 2010 that a damaged painting could be an early work by Velzquez. The painting is thought to have been given to Yale in 1925. The Prado Museum in Madrid is not ready to attribute the painting to Velzquez. The work depicting the Virgin Mary being taught to read will be restored.The portrait found in the UK in the former collection of the 19th-century painter Matthew Shepperson is a previously unknown work by Velzquez. Juan Mateos could be the Master of the Hunt for Velzquez's patron, King Philip IV of Spain. The painting was sold at an auction for over $3 million. Descendants Velzquez and his daughter Francisca de Silva Velzquez y Pacheco are related to the Casado de Monteleone. King Felipe VI of Spain is descended from his mother Sophia of Greece and Denmark, as well as King Willem-Alexander of the Netherlands and King Albert II of Belgium. In a Spanish fantasy television series, Velzquez is portrayed by Julin Villagrn. A recurring character in the series is Velzquez.See the list of works by <mask>. L'opera was performed by Velzquez. Carr, Bray, and Velzquez are from Milano. Velzquez. The National Gallery is in London. There is a person named Velazquez. Ithaca, N.Y.: Cornell University Press.Looking at Velazquez. The Yale University Press. There is a person named Velazquez. Random House in New York. The Spanish Portrait from El Greco to Picasso is on display at the Museo nacional del Prado. Brown, Jonathan, and Brown, Johnathan, are reading Velzquez: Painter and Courtier. The Slave in European Art The Warburg Institute 2012 and Velzquez in Seville National Gallery of Scotland are examples.The Variations on Past Masters was written by Erenkrantz. There is a mask and a mirror. On April 10, 2005. Edward L. Goldberg wrote "Velzquez in Italy: Painters, Spies and Low Spaniards". The Art Bulletin is a monthly publication. 74, No. pp. 3 (September, 1992)4556.3–4 <mask> Silva Velzquez: Das Werk und der Maler 2 Vols was written by Wolf Moser. "Lives of Velzquez" is part of the Edition Saint-Georges, Lyon, Pacheco, Francisco and Antonio Palomino. The Fundacin de Apoyo a la Histria del Arte Hispanico was founded in 2002. Hispnica is part of the Enciclopedia. <mask>, 1599–1660: the face of Spain Taschen, Kln, was written by Wolf. There are 202 paintings by <mask> at DiegoVelazquez.org and at the Web Gallery of Art Velzquez.It's called ColourLex. Spanish Baroque painters died in the 16th

masks:
Diego Velzquez
Diego de
Diego Velzquez
Diego Velzquez


title: Christopher Alden (director)

texts: <mask> was born in New York. David is an opera director as well as his twin brother. Robert Wilson and Peter Sellars are part of a generation of directors. They are known for staging revisionist operas. The show business family had two identical twins, David and <mask>. Their mother was a Broadway dancer and their father was a playwright. From an early age, the brothers were drawn to musical theater.They used to buy standing room tickets at the Metropolitan Opera when they were teenagers. They decided they wanted to be opera directors when they were 13 years old. <mask> appeared in the New York Shakespeare Festival production of Two Gentlemen of Verona in the 70s after studying theater at the University of Pennsylvania. He was an assistant to Jean-Pierre Ponnelle in Houston, Paris and Salzburg. In 1974 he staged his first operas in New York. During the 1970s, Santa Fe Opera, Opera Theatre of St. Louis, and Dallas Opera had more assignments. In 1982, Michael Milenski of Long Beach Opera engaged <mask> to mount a conventional staging of La Boheme.The next year saw a production of Benjamin Britten's Death in Venice that was a breakthrough for Long Beach Opera. <mask> tells the story with shadows and hints. He uses people as scenery and ideas as costumes. The director wanted to show the central philosophical conflicts between Apollo and Dionysus. The Rape of Lucretia, The Return of Ulysses, and La Vie parisienne are just a few of the settings that Long Beach Opera has collaborated with. He began a long relationship with the San Francisco Opera in the early '90s, staging the American premiere of Aribert Reimann's Ghost Sonata as well as new productions of Les Contes d'Hoffmann and Das Verratene Meer. He made his debut with New York City Opera as early as 1979 with a staging of Rossini's Le comte Ory and went on to create productions for NYCO and Glimmerglass Opera that included Handel's Imeneo, The Rape of Lucretia.The New York premiere of Leonard Bernstein's A Quiet Place will be in October 2010. There are several major and regional American opera companies that <mask> has worked with. The world premiere production of Anthony Davis' Tania was created by him. Jonathan Dove's reduced versions of Das Rheingold and Die Walkre were mounted for the Eos Orchestra of New York. He produced the American premiere of Gluck's L'Ile de Merlin for the Spoleto Festival USA. He has worked at Welsh National Opera, Scottish Opera, English National Opera, and The Makropulos Case with Charles Mackerras. In 2005, he and David Pountney co-directed Eight Little Greats, an acclaimed series of eight short operas for Opera North.He presented a triple bill of Bizet's Don Procopio, Le docteur Miracle and Djamileh at the Opéra Comique in Paris. <mask> is known for his use of contemporary imagery and a minimalist visual style, though never as spare as his contemporary Robert Wilson. He likened his 1984 production of Poppea to a new wave rock video and has frequently expressed his desire to connect the inner world of opera theater to a younger audience. He has an eye for bold theatrical gestures that can be very effective. His use of overt sexuality, brutal violence and over-the-top satirical humor has soured his relationship with conservative patrons. Though some opera audiences may be put off by his art, it is never his aim to shock for the sake of shock value. His approach to stagecraft, with its anachronistic cultural symbols, blood-and-guts characterizations and eye-catching visuals, is driven by a desire to reveal how powerfully opera stories can resonance with modern experience."Although fascinating the era in which an opera was composed may be, I have a primary responsibility to the world we live in now," he said. <mask> website Columbia Artists Management Inc agency page has links to External links.

masks:
Christopher Alden
Alden
Christopher
Alden
Alden
Alden
Christopher Alden
Christopher Alden


title: George Stubbs

texts: <mask> was an English painter best known for his paintings of horses. Reynolds or Gainsborough were two of the great artists of the eighteenth century. His greatest skill was in painting animals, which may have been influenced by his love and study of anatomy. The paintings on the theme of a lion attacking a horse are early examples of the Romantic movement that emerged in the late 18th century. His painting, Whistlejacket, is in the National Gallery. The son of a leather-dresser, <mask>, and his wife Mary, was born inLiverpool. Information on his life until the age of 35 or so is sparse, relying almost entirely on notes made by Ozias Humphry, a fellow artist and friend; Humphry's informal memoir, which was not intended for publication, was based on a series of private conversations he hadAt the age of 15 or 16, he told his father that he wanted to become a painter. While initially resistant to his son's choice of career path, his father eventually agreed to it on the condition that he could find a mentor. The painter and engraver Hamlet Winstanley was briefly engaged to <mask> in a sort of apprenticeship relationship, probably not more than several weeks in duration. Having initially demonstrated his abilities and agreed to do some copying work, <mask> had access to and opportunity to study the collection at Knowsley Hall, the estate where Winstanley was then residing, however, he soon left when he came into conflict with the older artist over exactly which pictures he He was self-taught as an artist. He moved to York, in the North of England, to study the subject under experts because he had a passion for it. One of his earliest works is a set of illustrations for a textbook on midwifery, which was written by John Burton.Italy was visited by <mask> in 1754. He told Ozias Humphry that his reason for going to Italy was to convince himself that nature was better than art. He rented a farmhouse in the village of Horkstow and spent 18 months working on horses. He moved to London in 1759 and published The anatomy of the Horse. The Royal Academy has a collection of original drawings. Prior to his book's publication, leading aristocratic patrons were aware that his drawings were more accurate than those of earlier horse painters such as James Seymour and Peter Tillemans. His career was secured in 1759 when the 3rd Duke ofRichmond commissioned three large pictures from him.He lived in London for the rest of his life after buying a house in Marylebone, a fashionable part of the city. Whistlejacket, a painting of a thoroughbred race horse rising on his hind legs, is in the National Gallery in London. There is a break with convention in having plain background paintings. He produced a wide range of individual and group portraits of horses. He painted the horses with their grooms. He continued to accept commission for portraits of people. He exhibited at the Society of Artists of Great Britain from 1761 to 1776, but in 1769 he moved to the Royal Academy of Arts.He was able to observe more exotic animals, including lions, tigers, giraffes, monkeys, and rhinoceroses, in private menageries. Many 18th-century Britons saw the first glimpse of this animal in his painting. He came up with several variations on the theme of a wild horse being threatened by a lion. These and other works became well known through engravings of <mask>'s work, which appeared in increasing numbers in the 1770s and 1780s. These historical pictures are not well regarded. He produced some work in the late 17th century. The larger type of panel was developed at the request of <mask>.The venture left him in debt as he tried to achieve commercial success with his paintings. He received an increasing number of commissions to paint hunts with their packs of hounds, as well as painting single portraits of dogs for the first time. He was still active at his old age. In the 1780s he produced a pastoral series called Haymakers and Reapers, and in the early 1790s he painted on horseback for the Prince of Wales. A comparative exposition of the structure of the human body with that of a tiger and a common fowl, fifteen engravings from which appeared between 1804 and 1806, was his last project. The project was unfinished after the death of <mask> on July 10, 1806 in London. The graveyard of the church is now a public garden.<mask> <mask> was an artist. The subject of a lion attacking a horse was the subject of at least 17 images over a period of about 30 years. These paintings are some of his most influential. The monumental picture A Lion Attacking a Horse is in the Mellon Collection. One of the outstanding events in English eighteenth-century art for within the context of painting at that date is most striking. Thirty years had passed since the publication of Harlot's Progress. Predating the work of more familiar masters of the movement such as William Turner and Eugne Delacroix, the seminal paintings are among the earliest manifestations of Romanticism in painting.Jean Clay, professor of art history at the University of Paris, observed that the energy and terror of the animals mirrored the spirit of romanticism but, as the series progressed, the horror seemed to diffuse and expand throughout the whole of the landscape. The paintings in the series are mostly oil on canvas, but there are also examples of copper, original engravings, and even a relief model in Wedgwood clay. An architect friend of the artist, Mr. Payne, secured the painting of the white horse from one of the Kings Horses. The lion that was in the menagerie of Lord Shellburne was studied by <mask>. A Lion Attacking a Horse is a life-size painting. The Yale Center for British Art is where it is now. Basil Taylor thinks the theme was treated in three separate episodes: Episode A, a lion prowling at some distance from a terrified horse; Episode B, a lion close to a terrified horse; and Episode C, a lion on the horse's back biting its flank.It wasn't until later that he was inspired to paint the moments leading up to the event that he painted "Episode C". An anecdote about the origin of the subject matter was published in The Sporting Magazine in 1808 and has been repeated many times over the course of a century and a half. H. W. Janson said, "On a visit to North Africa, he had seen a horse killed by a lion; this experience haunted his imagination, and from it he developed a new type of animal picture full of Romantic feeling for the grandeur and violence of nature." According to research published in 1965, the inspiration for the painting was an antique sculpture he had seen in a well documented 1754 stay in Rome. The Palazzo dei Conservatori, Rome, has a restored Roman copy of a Hellenistic sculpture called Lion Seizing a Horse. Since the Renaissance, when Michelangelo admired it, it has been copied many times by various artists in marble, bronze, and prints, including an 18th century marble copy in the collection of <mask>'s patron. A secondary figure in British art until the mid-twentieth century was Legacy Stubbs.The art historian Basil Taylor and art collector Paul Mellon both supported the work. The first painting that Mellon bought was by Stubbs's Pumpkin with a Stable-lad. Basil Taylor was commissioned in 1955 to write the book Animal Painting in England - From Barlow to Landseer, which included a large segment on Stubbs. They first met in 1959 because of their appreciation of Stubbs. The Paul Mellon Foundation for British Art was created with Taylor as the director. The largest collection of Stubbs paintings in the world would become part of the larger collection of British art that would become the Yale Center for British Art. The seminal catalogue was published in 1971 by Taylor.The record price for a <mask> painting was set by the sale at Christie's in London in July of 2011. The British Woolavington Collection of sporting art sold it. There are 16 paintings by <mask> in the British Royal Collection. The National Maritime Museum in London bought two paintings by <mask> after a public appeal to raise money. The Kongouro from New Holland and Portrait of a Large Dog were painted in 1772. They are the first depictions of Australian animals in Western art. A retrospective exhibition of his work was held at the Whitechapel Gallery in London.In 1984 The Tate Britain and the Yale Center for British Art organized the largest exhibition ever devoted to <mask>, which traveled to New Haven. The memoirs of Thomas Dodd, William Upcott, and <mask> were written by D. Marples. Judy Egerton. <mask> was published in 1984 by Tate Gallery Publications. Judy Egerton. <mask> is a painter. The catalogue Raisonné was published for the Paul Mellon Centre for Studies in British Art by Yale University Press.In Hildesheim, New York, Walter Gilbey wrote about the "Sporting Art" genre. The second volume of Animal Painters of England was published in 1900. Morrison is from Venetia. The art of <mask> was created by Headline Book Pub. Myrone and Martin. The British Artists series was published by Tate Publishing. Taylor, Basil.<mask>' biography can be found in the Encyclopedia of Irish and World Art.

masks:
George Stubbs
John Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
George Townly
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
George Stubbs
George Stubbs
George Stubbs
George Stubbs
George Stubbs


title: Chuck Ortmann

texts: Charles H<mask> was an American football player who played for the University of Michigan from 1948 to 1950 and in the National Football League for the Pittsburgh Steelers in 1951 and the Dallas Texans in 1952. Ortmann was raised in Milwaukee. He turned down offers from the University of Wisconsin and nearby Marquette University, as well as coach Bear Bryant at the University of Kentucky, to attend the University of Michigan and play football. <mask> was told by his high school coach that if he picked Michigan, he would be picking the best. People will remember you after you graduate. I made the right decision. He was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217He was a starter for the 1948 Michigan football team that won the National Championship. He was responsible for most of Michigan's offense as a senior. On December 31, 2009, he was in the Rose Bowl Hall of Fame. The Snow Bowl Ortmann is most known for his role in the 1950 Snow Bowl game against Ohio State, in which he punted 24 times in a snowstorm for 723 yards, still a Michigan record. Michigan punted on first down for its first two plays from scrimmage because of the bad weather and decided to keep the ball on the other side of the field and in the hands of Ohio State. The strategy worked, as the game's only touchdown was scored after Ortman punted the ball out of bounds at the Ohio State six-yard line, Ohio State was forced to punt from deep in its own territory, and Tony Momsen recovered a blocked punt in the endzone. We wouldn't have gone outside to get the newspaper on that day.We were trying to play football. Michigan did not get a first down and had 27 yards of total offense, while Ortman was 0 for 8 passing and 9 yards in 10 rushing attempts. Momsen's touchdown after the blocked punt was the difference as the UM won 9–3 on a safety and a safety. In an interview about the Snow Bowl, Ortmann said he couldn't see the backfield because the snow was falling. As we were about to punt, Tony Momsen said, "Charlie, I don't feel like punting today, you punt." I had not punted in three months. The hero of that game was not <mask>n, but Carl Kreager.The ball was always there when I put my hands down. I remind him that he never got enough credit for that game. It was boring. I have a film of the game, but I haven't watched it since. In a 14–6 win over California, Ortmann passed for 146 yards and six passes for 80 yards in the fourth quarter to lead Michigan's comeback from a 6–0 deficit. In his three years as a starter at Michigan, Ortmann had 2,078 yards passing and 676 yards rushing. He was an All-Big Ten halfback in 1950.Ortmann was selected by the Pittsburgh Steelers as the 20th pick in the 1951 NFL draft and played in all 12 of the team's games. He was the leading passer in the 1951 season, throwing 56 completions for 671 yards and three touchdown. He had 327 yards rushing, 62 yards receiving, and 62 yards on an intercept return. Ortmann kicked seven times for a 43.1 yard average, including a 72 yard punt. After the 1951 season, Ortmann was signed by the Dallas Texans. After playing only three games for the Texans, he injured his ankle and finished his playing career. After his football career ended, Ortmann accepted a job with a Chicago nonferrous metals company owned by a former Michigan All-American.Ortmann moved to Georgia in 1991. Betty Ortmann was his high school sweetheart and they had four children. <mask> established a youth football program in Glen Ellyn. <mask> was the coach of the Glen Ellyn Rams. Larry Krupp was the student manager of the team during the first year. The University of Michigan Athletic Hall of Honorducted Ortmann in 2004. When fans start talking about putting an all-time Michigan team together, I think they're wrong to pick someone from the old era.I ran and passed for 750 yards in the Big Ten. John Navarre has the same amount of yards and passes in a game as I did in a season. The guys I played with were good, but nothing like the players today. Dominic Tomasi was a lineman. Today, they have cheerleaders that big. Ortmann died in Gig Harbor, Washington, at the age of 88. There are references to births and deaths of American football players.

masks:
. Ortmann
Chuck
Chuck Ortman
Chuck
Chuck


title: P. W. Botha

texts: P.W. and The Big Crocodile was a South African politician. He was the last prime minister of South Africa from 1978 to 1984 and the first executive state president from 1984 to 1989. <mask> was an opponent of black majority rule and international communism. His administration made concessions towards political reform, but internal unrest saw human rights abuses by the government. After suffering a stroke, <mask> resigned as leader of the NP in February 1989 and six months later was forced to leave the presidency. Botha was against opening the door to black majority rule in F. W. de Klerk's 1992 referendum. The far-right Conservative Party supported Botha when he refused to testify at the Truth and Reconciliation Commission.He was fined and given a suspended jail sentence for refusing. On appeal, the sentence was overturned. The son of Afrikaner parents was born on a farm in the Paul Roux district of the Orange Free State Province. His father fought against the British in the Second Boer War. Hendrina <mask> was held in a British concentration camp during the war. Botha attended the Voortrekker Secondary School in Bethlehem, South Africa. He left the University of the Free State at the age of twenty to pursue a career in politics after studying law at the Grey University College.He worked for the National Party in the Cape Province. In the run-up to World War II, <mask> joined the Ossewabrandwag, a right-wing Afrikaner nationalist group which was sympathetic to the German Nazi Party, but months after the German attack on the USSR, Botha condemned the Ossewabrandwag and changed <mask> married Anna Elizabeth Rossouw in 1943. There were two sons and three daughters for the couple. The National Party's 46-year tenure in power began when <mask> was elected to the House of Assembly as representative of George in the southern Cape Province in the general election, two years after he was elected head of the National Party Youth. <mask> was his opponent in the 1948 election. <mask> became Minister of Community Development in 1961, after being appointed to the new Department of Coloured Affairs.After Verwoerd's murder in 1966, <mask> was appointed Minister of Defence by Verwoerd. During his 14 years in charge of the ministry, the South African Defence Force consumed 20% of the national budget, compared to 1.3% in 1968, and was involved in the South African Border War. The electorate's favourite, 45-year-old Foreign Minister <mask> <mask>, was elected as the new leader of the National Party after the resignation of Vorster. He beat the scandal's namesake in the final internal ballot. Botha wanted to implement a form of federal system in South Africa that would allow for self-rule for black homelands, while still retaining the supremacy of a white central government. "We must adapt or die," he said in the House of Assembly after the reforms were enacted. When <mask> became Prime Minister in October 1980, he retained the defence portfolio.Botha pursued an ambitious military policy when he was in the cabinet. He tried to improve relations with the West but had mixed results. He argued that the preservation of the apartheid government was crucial to stemming the tide of African Communism, which had made its way into other countries after these two former Portuguese colonies obtained independence. As Prime Minister and later State President, Botha's greatest parliamentary opponents were Harry Schwarz and Helen Suzman of the Progressive Federal Party, which became the official opposition on a strictly anti-concessionist agenda. The manufacture of six nuclear bombs was destroyed in the early 1990s, after Botha began a secret nuclear weapons program as Minister of Defence. He was steadfast in South Africa's administration of South-West Africa, even though there was a presence of Cuban troops in the north. The Koevoet police counter-insurgency unit was introduced by Botha.He was instrumental in the creation of units such as the 32 Battalion. South African intervention with support of the rebel UNITA movement continued until the late 1980s, ending with the Tripartite Accord. compulsory military service for white South African men was instituted to maintain the nation's military strength. The new constitution was put to a vote by the white population. It implemented a power-sharing agreement with the Coloureds and Indians despite not implementing a federal system. The House of Representatives for Coloreds and the House of Delegates for Indians were created by the new constitution. The Tricameral Parliament had sole jurisdiction over matters relating to their respective communities.Legislation affecting general affairs, such as foreign policy and race relations, had to pass all three chambers. The plan did not include a system of representation for the black majority. A semi-autonomous area was initially allocated to each Black ethno-linguistic group. Blacks were considered citizens of the Bantustans, not of South Africa, and were expected to exercise their political rights there. Bantustans were expected to gradually move towards a greater state of independence. Ciskei, Bophutatswana and Venda all achieved nominal nationhood during <mask>'s tenure. All of the new countries set up within the borders of South Africa were heavily dependent on South Africa.The majority of the Bantustans rejected independence due to their leaders' commitment to opposing Apartheid. The parliamentary system that had been in place since 1910 was changed to a presidential system by the new constitution. The state president became an executive post with sweeping powers after the prime minister's post was abolished. The members of the electoral college were elected by the three chambers of the Parliament. The state president and cabinet were in charge of general affairs. The President's Council is made up of members from the three chambers and members directly appointed by the state president. Even if they voted as a bloc, the coloured and indian chambers could not outvote the white chamber on any substantive matter because of the composition of the president's council and electoral college.The real power was in the hands of <mask>'s National Party, which had a large majority in the white chamber. The new constitution was criticized by the black majority for failing to grant them any formal role in government, but many international commentators praised it as a first step in what was assumed to be a series of reforms. The first state president under the new constitution was Botha. The presidential system was seen as a way to consolidate Botha's power. He had succeeded in getting strict laws that limited freedom of speech through parliament and suppressed criticism of government decisions. In the United States, the United Kingdom, and the Commonwealth, there was a lot of debate about whether to impose economic sanctions in order to weaken Botha and the white regime. Disinvestment began to have a serious effect on the nation's economy by the late 1980s.There were some superficial changes to the practices of the apartheid government. He legalized interracial marriage and banned it after the late 1940s. The prohibition on multiracial political parties was lifted. The Group Areas Act barred non-whites from living in certain areas. In 1988, a new law created "Open Group Areas" or racially mixed neighbourhoods but these neighbourhoods had to receive a Government permit, had to have the support of the local whites immediately concerned, and had to be an upper-class neighbourhood in a major city in order to be awarded a permit. In 1983, the constitutional reforms gave limited political rights to "coloureds" and " indians". Botha was the first government leader in South Africa to authorize contacts with the imprisoned leader of the ANC.The reforms went too far for a group of NP hardliners. The group formed the Conservative Party. They didn't meet the demands of the opposition. Botha imposed security measures against anti-apartheid activists in the face of rising discontent and violence. Botha refused to negotiate with the ANC. Botha refused to give in to the demands of the black population in the speech he delivered in 1985. Botha's defiance of international opinion led to economic sanctions and a decline in the value of the rand.Botha declared a nationwide state of emergency after the United States introduced the anti-apartheid act. He was quoted as saying, "This uprising will bring out the beast in us". Civil unrest spread amongst the black population due to economic and diplomatic actions against South Africa. Botha warned against interference in South Africa's affairs. The offices of exiled ANC activists were one of the targets Botha ordered air strikes against. Botha said that the raids showed that South Africa can break the ANC. The years under <mask>'s leadership were the most brutal.Thousands of people were tortured and killed during <mask>'s presidency. Botha was found responsible for gross violations of human rights. He was found to have been in charge of "unlawful activity which included killing". Botha did not apologize for apartheid. He said in a 2006 interview that he had no regrets about how he had run the country. Botha admitted that some whites held the view that black South Africans were inferior to whites. Botha conceded that the Afrikaner population had been happy to perpetuateapartheid, as many of them were, and some of them still are.Resignation State President <mask>'s loss of influence can be directly attributed to decisions taken at the Ronald Reagan/Mikhail Gorbachev summit of the leaders of the US and the Soviet Union in Moscow. Soviet military aid would cease and Cuban troops would be withdrawn from Angola as soon as South Africa complied with UN Security Council Resolution 435 by relinquishing control of Namibia and allowing UN-supervised elections there. The Tripartite Agreement, which gave effect to the Reagan/Gorbachev summit decisions, was signed at the UN headquarters in New York on December 22, 1988. <mask> was unable to attend a meeting with Namibian political leaders on 20 January 1989 because of a mild stroke he suffered on 18 January 1989. <mask>'s place was taken by the acting president. <mask> resigned as leader of the NP on February 2, 1989, expecting Barend <mask> to succeed him. F. W. de Klerk moved quickly to consolidate his position within the party.In March 1989, the NP elected De Klerk as state president but Botha refused to resign, saying in a television address that the constitution entitles him to remain in office until March 1990 and that he was even considering running for another five-year term. <mask> and de Klerk reached a compromise that allowed de Klerk to take over as state president after the parliamentary elections in September. On August 14, 1989, <mask> resigned from the presidency after complaining that he had not been consulted over his planned visit to see the president of Zambia. He asked the cabinet what reason he should leave office. I could use my health as an excuse. I said that I wouldn't leave on a lie. It is obvious to me that after all these years of my best efforts for the National Party and for the government of this country, as well as the security of our country, I am being ignored by ministers serving in my cabinet.The electoral college nominated De Klerk to succeed Botha in a five-year term as state president in August 1989. Legislation against anti-apartheid groups was removed by De Klerk. South Africa's first racially inclusive democratic elections took place on 27 April 1994 after the dismantling of the apartheid system. De Klerk said that his relationship with Botha was strained. I didn't like his leadership style and didn't like the intrusion of the State Security Council system into virtually every facet of government. When I became leader of the National Party in February 1989, I wanted P. W<mask> to end his term as president with dignity and decorum. This was not to be.<mask> and his wife Elize retired to their home in the town of Wilderness on the Indian Ocean coast of the Western Cape. Elize married Barbara Robertson, a legal secretary 25 years his junior, on June 22, 1998. It was widely believed that <mask> was opposed to many of de Klerk's reforms. He left the Afrikaner broederbond. Botha refused to testify at the new government's Truth and Reconciliation Commission, set up to expose apartheid-era crimes and chaired by his cultural and political nemesis. The bombing of the South African Council of Churches headquarters was ordered by him. He was fined and given a suspended jail sentence for refusing to testify about human rights violations and violence when he was president.Botha's conviction and sentence were successfully appealed to the High Court. The notice served on Botha to appear before the TRC was technically invalid. Death Botha died of a heart attack at his home in Wilderness. His death was well received by his former opponents. While to many Mr. Botha will remain a symbol of apartheid, we also remember him for the steps he took to pave the way towards a peaceful settlement in our country. The flags would be flown at half mast to honor a former head of state. Botha's family declined the offer of a state funeral, and a private funeral was held in the town of George, where Botha's body was buried.The funeral was attended by the president. <mask>'s last interview before he died was dated prior to the release of "Fighter and Reformer: Extracts from the Speeches of P. W<mask>". The life and times of <mask> <mask> was published in 1989.

masks:
Botha
Botha
Christina Botha
Botha
Botha
Botha
JP Marais
Botha
Botha
Pik
Botha
Botha
Botha
Botha
Botha
Botha
Botha
Botha
Botha
Botha
du Plessis
Botha
Botha
. Botha
Botha
Botha
Botha
. Botha
PW
Botha


title: Rex Willis

texts: <mask> was a Welsh international rugby union scrum-half who played for the Barbarians. He was selected to play in the British Lions on their tour of Australia and New Zealand in 1950. He broke his jaw in the last half-hour of the 1952 Five Nations Championship against Scotland. Before attending The Cathedral School, Llandaff, and Pangbourne Nautical College, he was educated in England. He was in the Royal Navy during WW2. He returned to Wales after demobilising. He joined Llandaff and then switched to Cardiff RFC.He was the under-study for the Welsh captain and would cover his position while he was away. The relationship between <mask> and Morgan would last throughout their club and country careers. During the 1949-50 season, <mask> gained regular first-class rugby after being promoted into his position. The disastrous Five Nations Championship of 1949 forced the selectors to look for a new half-back partnership. The opening game of the 1950 Championship was played in front of the largest crowd ever seen at the stadium, with Billy Cleaver and <mask> chosen to face England. Wales won the game due to Cleaver's control of the match. Cleaver scored a drop goal when he was protected from the Scottish back row.Wales ran in two tries from Thomas and Ken Jones in the first half and went on to win the game. Wales won the Triple Crown with a narrow win against Ireland and then defeated France in the final game to win the Grand Slam for the first time in a century. The British Lions went to Australia and New Zealand in 1950 after their performance in the Championship. Rimmer and Black were also on the tour and were picked ahead of <mask>. The tactical spoiling of the All Blacks was too much for the smaller scrum-halves, and as a result, <mask> was drafted in for the Fourth Test at Auckland, and retained his place for the final two tests in Australia. John Gwilliam, who had led the team to their Grand Slam victory the previous year, captained the team in the 1951 Five Nations Championship. When he was in Wales, he formed a partnership with Glyn Davies.After a one-sided victory against England, the team had high expectations, but they were beaten 19–0 by an inexperienced Scottish team. Despite the loss, the Welsh selectors kept faith with the players for the next match, dropping only one player, Davies. Morgan gained his first cap in a three all draw with Ireland. The touring South African's were faced by <mask> in three games at the end of 1951. In October, his club team lost by a single point at the Cardiff Arms Park. Two months later, he was selected to represent Wales against the tourists. It was a game that Wales should have won, but the backs and specifically Cliff Morgan played a poor kicking game that wasted good work by the Welsh pack.In his last game against South Africa, he was chosen for the invitational Barbarians team in the final match of the tour and for the third time, he found himself on the losing side. He played in a second Grand Slam winning year after only two games in the 1952 Five Nations Championship. After breaking his jaw in the Scottish game, he missed the final two matches of the tournament, but he was instrumental in allowing Morgan to regain his form through his defensive shielding of his club partner. He was forced to leave the field against Scotland when he injured his shoulder because he was not fit enough to face England. When the All Blacks played the Barbarians in 1953, it was the third time the team had faced another touring team. In two of the games, he was on the winning side. While in the game for Wales, <mask> was at his best, Morgan was focused and steady, and in the last ten minutes they shepherded their country to its final win over New Zealand.The Barbarians lost 5–19, though <mask> was given the privilege of captaining the team. Although Wales lost the opening game to England, they went on to win the overall Championship on score difference. The captaincy was awarded in the third match of the tournament. Bleddyn Williams took over the captaincy from Ken Jones in the second match of the 1955 Championship against Scotland. Wales won the tournament for the fourth time that decade even though they lost the only match that year. The final Welsh game of 1955 was the last for <mask>, who continued playing for Cardiff until the end of the 1957/58 season. He turned down an invitation to tour with the British Lions in 1955 even though there was a bar that invited players over the age of thirty.He was the son of a cinema owner and became a director. There were 2000 deaths of Barbarian F.C.'s <mask>. People educated at Pangbourne College, The Cathedral School, and Llandaff Royal Navy personnel are Rugby union players.

masks:
William Rex Willis
Willis
Willis
Willis
Willis
Willis
Willis
Willis
Willis
Willis
Rex Willis


title: Gary Ablett Sr.

texts: <mask>., who was born on 1 October 1961, is a former professional Australian rules footballer who played in the Australian Football League. One of Australian football's greatest players is known as "God", and was especially renowned for his high-flying spectacular marks and his prolific goal-kicking. After playing for several country teams in and around his hometown of Drouin, Victoria, <mask> was recruited by Hawthorn and made his VFL debut in 1982. He retreated to Myrtleford after he struggled to adjust to city life. He became one of the VFL's biggest stars after returning to professional football in 1984. His 1989 VFL Grand Final appearance, in which he kicked a grand final record nine goals for a losing side, is regarded as one of football's greatest individual performances. <mask> shocked the football world by announcing his retirement at the beginning of the 1991 season, but came back later in the year.He appeared in the grand finals in 1992, 1994, and 1995 before retiring after the 1996 season. The Australian Football Hall of Fame, an AFL Team of the Century selection, and three Coleman Medals are just some of the achievements of <mask>. In 2006 he was voted the greatest footballer of all time by past and present players of the club. <mask> was born in Drouin to Alfred and Colleen <mask>. At 10 years of age, Ablett won the state school high jump. At the under-11s, under-12s, and under-14s levels, Drouin was awarded both club and competition best and fairest awards. Ablett dropped out of high school at 15 to become a bricklayer.He joined his brothers in the senior team when he was just 16 years of age. <mask> was invited to play reserves football by the Hawthorn Football Club after he appeared in several country league representative games. <mask> retreated back to his home in Drouin after playing six reserves games for Hawthorn. He made his senior VFL debut for Hawthorn in 1982, kicking 1 goal and helping the Hawks defeat the Cats by 19 points. He played six games for Hawthorn and scored ten goals. Hawthorn coach, Allan Jeans was forced to part ways with the talented, but troubled young half forward, <mask>, due to his constant absences from training sessions. He and his family moved to the country town of Myrtleford in 1983.<mask> was a member of the myrtleford team that played in the Ovens and Murray Football League. <mask>'s footballing ability came to the attention of the Geelong Football Club and their long-time recruiting officer Bill McMaster. <mask> was persuaded to give the game another try in the confines of the rural city of Geelong. In 1984 Geelong paid a $60,000 transfer for <mask>. He began his first season under the guidance of Tom Hafey after signing a one-year contract for the 1984 season. After just nine games on the wing, <mask> was selected to play in his first State of Origin game for Victoria. Ablett kicked 8 goals from the half-forward flank.He kicked 33 goals in the 1984 season and was the "best and fairest" player of the year. <mask> signed a new three-year contract with the club after his first season. Playing mostly on the half forward flank, Ablett won the club's goalkicking award for the following two seasons. Ablett earned top three placings in the best and fairest awards from 1985 to 1987 despite his laconic, lazy attitude to training under John Devine. Ablett shocked the VFL by signing a new five-year contract with Hawthorn after his contract expired. Ablett agreed to a five-year contract with the club that would keep him there for the foreseeable future. After 11 games, Ablett had 59 goals, placing him second on the goalkicking list behind Hawthorn's Dunstall.He kicked 11 goals in the two games, one shy of the ground record of 12 goals at Carrara. Although he missed out on State honours and failed to place within the top three in the club best and fairest award, <mask> finished with 82 goals for the second time in his career. The 1989 season was marked by the arrival of Ablett's third coach, Malcolm Blight. The Cats reached the finals on the back of a ten match winning streak. Bobby Davis, the club's former coach, praised Ablett as the equal of Graham 'Polly' Farmer, the finest footballer he had seen at the club, after Ablett scored 14 goals in a 134-point victory against Richmond. He was suspended for 3 matches in Round 12 after he felled <mask> behind the play. <mask> kicked three goals in his first ever final, but it wasn't enough.The Cats were knocked out of the playoffs by the Bombers by 76 points. The Cats had a 63-point win. <mask> kicked seven goals and helped set up a meeting with Essendon in the Preliminary Final. The Cats crushed Essendon by 94 points to advance to their first grand final since 1967. Against the reigning premiers Hawthorn in the 1989 VFL Grand Final, Ablett asserted himself from the opening bounce, leading out from full forward, marking the first centre clearance kick and slotting through the game's first goal. The Cats trailed at the main break by 37 points after Ablett kicked four goals. Hawthorn's lead was reduced to just 6 points with less than a minute to go after <mask> kicked five goals in the second half.Hawthorn defeated Geelong in one of the toughest grand finals of the modern era, winning by 6 points. <mask>'s performance in kicking 9 goals earned him the Norm Smith Medal, and in doing so became only the second member of the losing team in VFL/AFL history to be awarded the honour. <mask> equaled Gordon's goals record in the 1928 Grand Final with 9 goals. Ablett shocked most football fans when he announced his retirement on February 1, 1991, citing personal reasons and a loss of enjoyment for the game. In 1990 his previous season was marred by injury, personal issues and a separation from his wife. He returned to the reserves team in Round 12 after being encouraged to change his mind. The curtain-raiser game at Princes Park drew a large crowd.The senior game drew a crowd of over 40,000 to the MCG. He had ten possessions and kicked two goals, one of them an important steadier for the Cats in the last quarter after the Demons had closed to within 24 points. Due to his late season start and lack of conditioning, it was no surprise that Ablett failed to recapture his best form, ending his season on a sour note when he was suspended for striking St Kilda rover Nathan Burke in the first week of the finals. Ablett put the disappointment of 1991 behind him and focused on improving his fitness ahead of the 1992 season. A consistent first half of the year helped the Cats achieve an 11–3 record, eventually earning them a spot in the grand final against the West Coast Eagles. The Cats went down by 28 points to the Eagles after establishing a two-goal lead at half-time. He didn't finish the year with the same form that he began it.<mask> was encouraged by his coach, Malcolm Blight, to move from his usual roaming half-forward position to full-forward in an effort to prolong his career. The move up forward proved to be a master-stroke, with Ablett thriving in his goal-kicking role, reaching the 50-goal mark in just six games. He became the first player in 37 years to kick 100 goals in a season when he did it in eight games. Although the Cats did not make the Finals, <mask>'s new-found dominance up forward was highlighted during the season with his bags of ten or more goals on five occasions, including a 14-goal performance against Essendon in Round 6. His end-of-season total of 124 goals, achieved in just 17 appearances, earned him his first Coleman Medal as the League's leading goal-scorer, the Leigh Matthews Trophy, the AFMA Player of the Year Award, and a top-ten placing in the Brownlow Ablett won the Coleman Medal in 1994 and 1995 every year, continuing his dominance as a full-forward. <mask> is the only player in VFL/AFL history to win the Coleman medal in three consecutive seasons.<mask> was an accomplished aerialist with strong hands. The 1994 Mark of the Year over <mask> on Mother's Day at the MCG is captured in Jamie Cooper's painting the Game That Made Australia, commissioned by the AFL in 2008 to celebrate the 150th anniversary of the sport. The question of whether he had enough control of the ball to be paid a mark is still being debated. <mask> was suspended for five games in 1996 for striking Bardsley with a raised forearm. He said that his suspension was the beginning of the end, and he finished the season with 69 goals in 17 games. He last played in the league in 1996. Ablett only kicked one goal in the 60-point loss.He was fined $10,000 for missing the first training session. <mask> was admitted to the hospital in November 1996. <mask> was charged with traffic charges on November 28. By the first week of January 1997, <mask> was ready to start training with the club. He was under pressure to improve his fitness. <mask> would play in 1997. <mask> played in the reserves on March 31, 1997.<mask> injured his knee. He had surgery on 3 April. <mask> had to have knee surgery in June. He retired from football during the preliminary finals. <mask> kicked 43 goals in 11 State of Origin games. He was selected to play for Victoria in 1984 against Western Australia, kicking 8 goals in a best-on-ground performance. He kicked 4 goals against South Australia the next year.<mask> was out of the side for a few years after kicking 2 goals against South Australia in 1987. <mask> kicked 6 goals against Western Australia in 1990. <mask> was controversially selected for Victoria after only a few games after returning from retirement. <mask> was named one of the best players against Western Australia in 1992. In 1993, he kicked 4 goals against a combined New South Wales–Australian Capital Territory side, and in the same year he kicked 5 goals in the State of Origin Carnival Grand Final. He kicked 4 goals against South Australia in 1994, and followed that up with 4 goals against South Australia in 1995. <mask> said "I've always found it a tremendous honour to represent your state in a State of Origin game".Many spectacular highlights and goal-kicking feats were produced by Legacy Ablett. Ablett kicked 43 goals in 11 State appearances. Over the course of his 16 finals, he scored 64 goals and averaged four goals a game. He scored 27 goals in the 1989 finals series. He won the Norm Smith medal for his performance in the 1989 Grand Final. He became one of only four players to win the medal for the losing side, joining Maurice Rioli, Nathan Buckley, and Chris Judd. Gordon Coventry, Doug Wade, and Tony Lockett were the only players in league history to kick 1000 VFL/AFL goals.<mask>'s representation of Australian football pioneer Tom Wills is similar to that of Martin Flanagan's in his 1996 novel The Call. Wills and <mask> polarised opinion in similar ways, and displayed a lack of insight into their actions, "like a lot of artists". The song "Kicking the Footy with God" was released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona. <mask> was a member of the 1996 Team of the Century. <mask> was named in the Team of the Century on a half forward flank. He was in the Australian Football Hall of Fame in 2005, after many years of controversy and debate. He was voted as the greatest player of all time ahead of Graham Farmer.<mask> was honoured with the naming of a terrace within the renovated Skilled Stadium. Ablett had a set of gates named after him, but he was upgraded to a terrace at the beginning of the 2006 season. <mask>'s induction into the Australian Football Hall of Fame was initially delayed. The Australian Football Hall of Fame committee's reluctance to induct <mask> was due to his contribution to the death of the girl. The club agreed to stop nominating <mask> for selection after he requested that they stop. <mask> would be inducted into the Hall of Fame as part of the 2005 intake. Ablett did not attend the ceremony due to his battle with depression and instead released a statement through his manager, Michael Baker.Due to medical advice, I will not attend tonight. I feel blessed to have had the opportunity to play this great game and also to have played at the elite level alongside some of the greatest players of all time. One of the highest honors a player could dream of is being chosen to be in the Hall of Fame. I would like to thank those who believed in me enough to place me with such a respected company. <mask> was the youngest of eight children and grew up with four elder brothers and three elder sisters. <mask> wed his long-time girlfriend Sue in 1985 and the couple had four children. <mask> became a born-again Christian in 1986 and has been referred to as "God" by fans because of his football abilities.<mask>'s faith was often highlighted in several tribunal appearances, in one case he admitted to striking a man in 1989 and said he wouldn't lie about it or compromise the truth in his relationship with God. <mask> Smith medal in the 1989 Grand Final, in which he acknowledged the influence of God in his life, was much publicised. <mask> was allegedly attacked while browsing through a car yard in Fyans Street. The man was charged with assault. On July 10, 2006 he was reported to have committed suicide by jumping from a high-rise apartment block the day before he was due to appear in court to defend the assault charges. In December 2007, <mask> hit back at media claims that his son Nathan had walked away from his football career because of the publicity surrounding the release of a new book about his father. Ablett felt that the media intrusion into his family life had gone too far.<mask> contributed to a book about himself as part of a series of books. He revealed intimate details about his life publicly for the first time. In September 2020, <mask> released a video on his belief in the rapture. He stated in the video that the COVID-19 pandemic had been manufactured and released by the Freemasons in order to depopulate Earth, create a cashless society and put Satan on the throne of the world. Two of <mask>'s brothers played in the Victorian Football League and one played for Hawthorn. <mask>. followed in his father's footsteps to play for the Cats. <mask> Jr. won the Cats' best and fairest award in both of his seasons with the Cats, following in the footsteps of his father, who won the Brownlow medal in his first season with the Cats.Under the father-son rule, Nathan was drafted in 2004. Nathan initially refused to play football because of his father's experience with the media, but, with encouragement from the club, he was signed ahead of the 2005 season and established himself in the full forward role. <mask>. and Nathan were part of the team that won the flag for the first time in 44 years. The Gold Coast Football Club's inaugural team was made up of Nathan and his brother <mask>. In addition to his sons, <mask> has a nephew who played for the Swans in 2005 and won a title. His sister's marriage to Hawthorn legend Michael Tuck resulted in two of his nephews playing for Hawthorn. Ablett had off-field problems, particularly with illegal drug use and depression, after the death of Alisha Horan.<mask> was placed on a $10,000 good behavior bond in 1990 after he pleaded guilty to hitting a man he found sitting in a car with his estranged wife. Ablett was charged and convicted of four drug offenses in 2000 after a young woman died of a drug overdose in his hotel room. Ablett refused to answer police questions and refused to answer questions at the April 2001 inquest on the grounds that he might incriminate himself. Horan found a small amount of heroin in Ablett's coat pocket and asked him what it was. Ablett didn't tell her that it was heroin, but that it was cocaine that led to the overdose. Ablett pleaded guilty to four lesser charges and was convicted and fined $1500. Statistics style: background-color: #EAEAEA"text-align:center" is a style that was introduced in 1982. The style is "text-align:center". The style of the text-align:center was adopted in 1985. The style is "text-align:center" and it was published in 1986. The style is "text-align:center". The style is "text-align:center" and it was published in 1988. The style is "text-align:center" and it was published in 1989.The style is "text-align:center". The style is "text-align:center" The style is "text-align:center" and it was published in 1992. There is a row with a style that says "text-align:center". The style is "text-align:center" and it was published in 1994. The style of the text-align:center was adopted in 1995. The style is "text-align:center" and it was published in 1996.colspan is a career 243! ! 670! 3186! 609! 3747!1435! 199! 4.2! 2.8 12.8! 2.3 !5.8 The 1992 Individual Norm Smith medal is one of the honours and achievements. The 2001 Australian Football League Team of the Century had players with 1,000 goals. The oldest player to kick 100 goals in a season is 33 years old. History (4.22 goals per game)4-time runner-up in Carji Greeves Medal (1985, 1993, 1994, 1995)3-time third-place getter in Carji Greeves Medal (1986, 1989, 1990).

masks:
Gary Ablett Jr
Ablett
Ablett
Gary Ablett
Gary Ablett
Ablett
Gary
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Gary Lyon
Gary Ablett
Ablett
Gary Ablett
Ablett
Ablett
Ablett
Gary Ablett
Ablett
Ablett
Gary Pert
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Gary
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablett
Ablettm
Ablett
Ablett
Ablett
Ablett
Ablett
Gary Jr
Ablett
Gary Jr
Gary Jr
Ablett
Ablett


title: Kerenina Sunny Halim

texts: An Indonesian American named <mask>, also known as Karenina, was Miss Indonesia in 2009. She represented Indonesia at the Miss World in South Africa. Kerenina's mother is from Montana, United States and her father is from Bandung, Indonesia, she has five siblings and is number four in a family of six children. Kerenina attended a Christian boarding school in her early years and participated in several humanitarian projects in her teen years. By the age of 22, Kerenina had received long-distance certificates in Marketing, Childhood Psychology and Teaching, Home Economics, and Contemporary Arts, all of which were issued by Christian Vocational Academy. Kerenina completed a performing arts course in her last year of high school. She was a member of a modern contemporary arts dance troupe which won the first place in the Jakarta Arts festival 2001.She attended vocals lessons, as well as taking a music course in drums. She spent her first year of college in India helping to set up a school for the blind. She was involved in the consolidation of women's rights in New Delhi. She started teaching at a grade school in Jakarta at the age of 21 after moving out on her own. Kerenina spent her spare time doing various TV commercials and modelling jobs. She was one of the 33 contestants who were selected to compete for the Miss Indonesia title. Kerenina was chosen to represent Jakarta in the grand final of the competition and along with 32 other finalist began a two week preparation program.Kerenina was crowned Miss Indonesia 2009, at the grand finale event on June 5, 2009. Kerenina was sent to represent Indonesia in the Miss World competition in November and December of 2009. In the miss world competition, the first Indonesian to win top scores was in the Fast Track competition. Kerenina is a budding career woman andentrepreneur who is active in several charity and humanitarian organizations focusing on education and healthcare for underprivileged children around Indonesia. Kerenina is one of the partners of OYA Clinics Indonesia, a medical and healthcare clinic located in Taman Sari Semanggi, South Jakarta. OYA Clinic provides general healthcare services, aesthetic services and treatments, an in-house Dental Clinic and IV Drip facilities for hangover and Sports applications, and Women and Children specialized healthcare services, as well as a developing Lab tests service for Hormone testing and Gut flora imbalances. OYA Peduli is a Humanitarian Aid project that provides free vaccine services for underprivileged children throughout Indonesia, as well as free medical screening and care for orphans and street children in Jakarta, Indonesia.Kerenina is the head of corporate communication in MFUN an ipo for the gaming industry and traded on the coin exchange from January to present. Kerenina is an investor in IMP Minerals, an open surface mine with high grade deposits of Lead, Zinc, Copper, Silver and other metals. Kerenina spent her first year of college in India helping to set up a school for the blind. She was involved in the consolidation of women's rights in New Delhi. After the unrest and civil war in Ambon, Kerenina helped build a school and living center for the displaced children in Central Java, where most of the children lost their parents or members of their family. Kerenina spent much of the next two years helping to rebuild Aceh after it was ravaged by a catastrophic wave in 2004. She was active in one of the first response disaster relief teams and founded projects such as educational programs for the children in the displaced persons camps and donating over 100 fishing boats to the fishing villages.The first and only free mobile health service in the area was provided by her in the form of a mobile clinic. Kerenina is one of the co-founders of Let's Share Indonesia. Kerenina and her two partners founded a charity. The focus of the organization is to provide education and healthcare throughout Indonesia. Kerenina is a partner in Project Kooka, an initiative that uses Art for Charity to fund education fees and scholarships for orphans and street children in Jakarta, Indonesia. The building of a kindergarten school in west Sumba called Sekolah PAUD Melati I was funded by the project established by Kerenina and her partner. The school opened in January of 2019.Kerenina co-founded and manages OYA Clinic's Humanitarian Aid project called OYA Peduli where they launched a Vaccine Campaign to provide free vaccine services for underprivileged children throughout Indonesia. Kerenina is an Advanced Padi Certified AOW Diver who has traveled and dived all over Indonesia. Kerenina began diving seriously after receiving her Open Water Certification from the Padi Dive Center in Indonesia. Kerenina has dived in many locations and dive spots around Indonesia such as Raja Ampat, Labuan Bajo, Pulau Komodo, NTT, Nusa Penida, Crystal Bay,Bali, Morotai, and Bunaken. Kerenina became a member of Bengkel Crossfit in Jakarta, Indonesia, and competed in her first International competition called the Crossfit Open in April, but she didn't finish due to a back injury. Kerenina participated in the yearly Regionals competition called the Crossfit wod-off in September. Kerenina got 16th place in the teams category.Kerenina placed 6th in the Teams Category in the Annual JIS Crossfit Competition for Charity. Miss Indonesia's crown was given to Miss Indonesia 2010, who only held the crown for one year. There were achievements in Miss World 2009. Her team won gold medals. She placed in the top 10 in Miss Beauty with a purpose. She was the first Indonesian delegate in Miss World to be called as a semifinalist. People from Jakarta include American people of Chinese descent, Indonesian people of Chinese descent, and American people of Indonesian descent.