title: Alfred Waterhouse

texts: of the seniors in the office like G.T. Initial drawings were allowed for Redmayne. The lettering used on the drawings was Gothic, but it was abandoned by the mid-1860s for a plain script. The entries for The Royal Courts of Justice competition and the entry for Manchester Town Hall were examples of the ways in which <mask> was known for his ability to paint watercolour perspectives. Some of the drawings were produced with annotations by the clerk of works to alert the office staff to problems in the design, in a few cases the replies to these have survived. The Duke of Westminster queried the design of the screen in the Chapel at the request of the client.Although not unique for the period, the collection allows a detailed picture of how the office was built up. There are no complete sets of drawings in the collection. The Natural History Museum has a large amount of drawings by <mask> relating to the design of the terracotta sculpture on the building. The 136 pages of drawings are bound together in two volumes. The subject matter is more than just flora, insects, fish, lizards, snakes and animals. The living species decorated the western half of the building as well as the North Hall and Main Hall. The sculpture on the top of the facade is one of the architectural features of the building.The drawings would be turned into the finished terracotta by the company. The Public Record Office has drawings for the Natural History Museum, as well as the Victoria and Albert Museum, Manchester School of Architecture and Balliol College. <mask> has a reputation as a planner of efficient buildings, he was good at using awkward sites to advantage, and with his public buildings combining large and small rooms and circulation spaces in a coherent manner. One of the driving factors in the use of terracotta and faience as a building material is it's resistance to air pollution. The terracotta for the Natural History Museum was supplied by Gibbs and Canning, who he worked with to improve the quality of the material. The terracotta from Ruabon was used for the regional buildings. terracotta gave him control over the texture of his buildings.He used terracotta in buildings of all styles from the Romanesque of the Natural History Museum to the Perpendicular Gothic at St Paul's School. The process to produce faience was developed by Burmantofts Pottery in 1879. Yorkshire College, the National Liberal Club, and the final phase of Holborn Bars are some of the places that have been mentioned. He liked to clad columns in faience, as well as walls and fireplaces. He used glazed tiles and terracotta in the corridors of Manchester Town Hall. He was cautious about using cast iron because of a problem with the market building at Darlington, his only known building failure. Two prize bulls and a spectator were thrown into the basement on the opening day.A faulty casting was to blame for the problem. He did use the material in his designs, though he was distrustful of it. He used either Andrew Handyside and Company or J.S. The iron for Manchester Town Hall was supplied by Bergheim. He was more at home with decorative wrought iron and used it for many things. The abolition of the Brick tax in 1850 resulted in a decrease in the price of brick. After the 1870s he preferred plain brick with dressings of contrasting material and used polychrome in nature until the early 1870s when he 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110There are a lot of details in his sketchbooks. He designed slate patterned roofs for Manchester Town Hall but never used coloured tiles. He lectured on stone at the Royal Academy of Art in 1885. At Manchester Assize Courts, he used polychromatic stonework. His timber work is solid and large. In Manchester Town Hall, he used a Plenum space heating system to distribute hot air up the stairwells. He used electric light instead of gas lighting in his earlier buildings.Gallery of external decorative elements on <mask>'s buildings, often appropriate to or symbolic of the buildings, use Interior design, furniture and fittings, but only for his own buildings, and only for a specific commission. His first design was a desk for his father. Manchester Town Hall, both the grand rooms and the office areas, as well as classroom desks at Reading Grammar School, are some of the buildings that have <mask> designed furniture. Simple designs were what he preferred for his furniture. The painting of Manchester Town Hall was done by the contractor Robert Pollitt. Both for floors and walls, extensive correspondence exists between Waterhouse and Minton's and Maw's about the patterns and colors of their tiles. In his grander buildings, like Manchester Town Hall, he used stone and marble in his fireplaces.An elaborate carved decoration is the most important. He designed fireplace mantels. There is a hierarchy of design in his Refuge Assurance Building in Manchester, for example, polished stone and timber in the boardroom, simpler designs for the managers and clerks offices, and faience in the public offices. In the Mayor's Suite there are Japanese designs, classical designs, Turkish designs and tiling in the fireplace. He preferred iron, faience or stone in his public buildings, and the staircase balustrades in his domestic work were usually either timber or iron. The large gasoliers in the Great Hall at Manchester Town Hall were designed by him. There are grilles and screens on the staircase at Balliol College.His public buildings have floors of mosaic or terrazzo. Ceiling roses by J.W. were in his early designs. Usually of bold geometric design. He used to pattern the ceiling with simple ribs. The Main and North halls at the Natural History Museum are exceptions. In his address to the RIBA in 1891, he said that in domestic and public buildings he preferred glass in greys and pinks, but rarely used heraldic or narrative designs. His friend Frederic Shield designed windows for the restoration of St Ann's Church, Manchester, as well as the chapel at Coodham in Scotland and St Elizabeth's Reddish, when he used figured glass.In his 1890 presidential address at the RIBA, he mentioned a gallery of internal decorative elements in his buildings, showing different styles, materials, techniques and designs. There are towers with steep pavilion roofs at each corner and two close together in the centre of the facade, the windows are mainly arched, and they are almost symmetrical in design. There is an impressive stone staircase. The building cost over $80,000. The main builders were Haigh & Co and G.N. Haden and D.O. Stone carving, ceramic tiles, stained glass, and chimneypieces were provided by W.H.The plaster ceiling roses were made by J.W. There is a person named Hindshaw. The Metropole Hotel is a seafront hotel with a seventh floor added later. The style is Italian Renaissance. There are decorative iron balconies along much of the facade of the building. The facilities included a garden court and Turkish baths. The builders were J.T.Structural steel-work, terracotta, faience tiling, clocks, and lifts were made by Waygood. T. Holloway was the clerk of works. The cost is approximately 1,850,000 in 2019. The Newsham Park Hospital was built in a Gothic style with tall pavilion roofs and brick dressings. Over 300 orphans were given a home and school. There is a tall tower on the south-west angle and a large hall that separated the boys' and girls' wings. The structural steel work was done by J. S. Bergheim.Haden and D.O. The window glass was made by F.T. The bell was cast by John Warner & Sons and the chimneypieces were made by the Hopton Wood Stone Co. The Chapel and orphanage cost more than $60,000. The former Knutsford Town Hall was paid for by William Egerton, 1st Baron Egerton. The market hall was above the Assembly Rooms. Gothic in style, built from red and blue brick with a tiled roof, has a limited amount of stone.It was built by J. Parnell & Sons. The stone was carved by Haden, the ceramic tiles were made by W. Godwin, and the stained glass was made by R.B. F.T. and Edmundson. The plaster ceiling roses were made by J.W. and the decorative iron work was done by R. Jones. There is a person named Hindshaw. The town's assize courts were designed by <mask> in two phases. Gothic was built from dark red brick and red terracotta with a slate roof.The building cost for the first phase was more than the second. The builders were John Wood and the heating and ventilating company was G.N. Haden and D.O. The ceramic tiles were made by W. Godwin and the glass was provided by F.T. Pottery was made by the Hopton Wood Stone Co., furniture was made by Wells & Co., and locks and door furniture was made by J. Gibbons. The Museum of Wigan Life is a Tudor style brick and stone library. The construction was funded by the mill owner.The price for the building was $9,955. The heating and ventilating was done by G.N., which was built by the firm of Hughes. Haden and D.O. The window glass was by F.T. and the stone carving was by Earp & Co. The chimney pieces were made by the Hopton Wood Stone Co. The Turner Memorial Home was a Gothic home and chapel for seamen, with a tiled roof and half-timbered porch. A memorial was built for Mrs Anne Turner.It cost over 3 million dollars in 2019. The heating and ventilation was done by G.N. Haden and D.O. The stone carving was done by Earp & Hobbs, granite columns were provided by G. & J. Fenning, ceramic tiles were made by Craven Dunnill & Co., and the stained glass was made by R.B. W.H. provided chimney-pieces. The decorative iron work was made by Burke, Blackmore & Nixon and the Hopton Wood Stone Co. 12 Great George Street is the location of the Royal Institution of Chartered Surveyors.The building is made of red brick and Darley Dale stone and cost over three million dollars to build. The structural steel work was done by Foster & Dicksee. Reading's Georgian Town Hall was extended in the 17th century, with a new council chamber and office, a clock tower and Gothic Municipal Buildings of sandstone, brick and terracotta. Structural steel work was done by J.S., while the builders were J. Parnell & Sons. The terracotta was modeled by Farmer & Brindley, ceramic tiles were by Craven & Co., and stained glass was by F.T. The clock and bells were manufactured by Gillett & Bland and the fittings and furnishings were made by H. Capel. The new Town Hall was built in a Gothic style and had a clock tower, but it was destroyed by fire in 1966.The town's fire station was in the building. It was built from brick and terracotta. It cost over $50,000. The builders were John T. Chappell and D.O. Stone carving, ceramic tiles, granite columns, and stained glass were made. The clock was manufactured by Gillett & Bland and the organ was built by Henry. There is a person named Hindshaw.The replacement for the tower at Rochdale Town Hall is 190 feet high and Gothic in style. It cost over $13,000 to build. W.A. was the builder. The stone carving, the clock, and the bells were cast by John Taylor & Co., while the decorative iron work was done by Hart Son Peard & Co. French Renaissance is the style of the town hall in Alloa. A large hall, a public library and an art school were built on top of Polmaise stone with a slate roof. John Thompson Paton paid for the building that 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611The builders were G. & R. Cousin. The mosaic flooring was made by W.H. The stained glass was made by R.B. The internal decoration was done by Reed & Downie of Edinburgh and the ceiling lights were made by Edmeston of Manchester. He designed banks, offices, the occasional shop and warehouse buildings as well as commercial buildings. After moving to London, Manchester proved to be a particularly fruitful source of commission work. The warehouse was built in a Jacobethan style and had a basement and attic.There are some Renaissance and Gothic details. It is made of red brick with stone dressings. It cost over $8k. There are two buildings by Waterhouse in Spring Gardens. The National Provincial Bank was built on a curving corner, five floors high, and in a German Renaissance style. The warehouse was built for the company of J.H. The Gartside & Co. were cotton weavers.It has rusticated arches on the ground floor and octagonal domed turrets at the corners. The house is three storeys tall with basement and attics. The former Bassett and Harris Bank is a two-story stone building in a Gothic style. He designed 1a Old Bond Street in London for a shop with offices above at a cost of over one million dollars. The National Provincial Bank's Piccadilly, London offices were four floors high with a stone facade. The Foster's Bank was built on an irregular site. It is Jacobethan.There is a stone ground floor with banded stone and red brick on the outside. The main entrance has a clock tower on the right. The banking hall is octagonal and domed and has a mosaic floor. The structural steel work was done by A. Hanyside & Co., as was the stone carving around the doorway, the clock tower, and the gables. They were Ebner and J. The clock in the tower was made by John Moore & Sons of Clerkenwell and the decorative iron work and light fittings were made by Hart Son Peard & Co. The total cost of the bank was $32,190.Greek Street Chambers is a bank and offices on Park Row. The ground floor is of dark grey granite with windows and a porch with columns, the two upper floors are of banded red brick and terracotta and the roof is slate. Two of the corners have low square towers with pyramidal roofs. S.M. dug the foundations. The superstructure, structural steel work, stone carving, and modelling of the terracotta were done by different companies. The building cost over $50,000. The Pearl Life Assurance Building was clad in stone and had gabled attic windows.The use of materials and plainer walls set it apart from the others. The walls of the main office are made of faience. The builders were F. Morrison & Sons, the structural steel work was by A. Hanyside & Co., the heating and ventilation was by J. Grundy, the stone carving was by Farmer & Brindley, the faience was manufactured by Burmantofts, and the mosaic J.F. and Rust. The decorative iron work and light fittings were made by Hart Son Peard & Co. The cost was more than twenty grand. The headquarters of the Refuge Assurance Building were designed in a Jacobethan style.The first phase cost £86,525 and included a clock tower and wing to the right. The company dug the foundations. The superstructure was built by William Southern & Sons., with the structural steel work by A. Handyside & Co. The terracotta was manufactured by Haden, the ceramic tiles were made by William de Morgan and the mosaic flooring was by J.F. J. provided chimney-pieces. The iron work was done by Hart Son Peard & Co. and R. Jones. Around ninety houses were built for different types of clients.The clients were mostly middle class. In the Victorian age, the houses ranged from country cottages to large country houses. In the 1860s and 1870s, <mask> received more and more commission from bankers and industrialists. The fashions of the time were changing, and that's when <mask> received less commission for houses. The Queen Anne Style

masks: Waterhouse Waterhouse Waterhouse Waterhouse Waterhouse Waterhouse Waterhouse Waterhouse


title: Alfred Waterhouse

type: paraphrased

texts: and the Arts and Crafts style were at odds with the robust style of the late Victorians. In the late 1860s, <mask> lived in Reading, and was responsible for several significant buildings there. His own residences of Foxhill House and Whiteknights House are now used by the University of Reading.A new country house for himself was built at Yattendon. The main block of Foxhill House contained the hall, morning room, drawing room, dining room, and two dressing rooms. The servants wing was hidden by a conservatories to the south. The servants bedrooms were above the coach house. The house on Yattendon Court was built from red brick and terracotta and had a tile roof. It was in an early Tudor style. There were gables and chimney stacks on the west side of the tower.On a knoll 400 feet above sea level, the house was sited to provide good views. The large hall, drawing room and library were to the south of the house, which was entered from a porch to the north. The dining room, school room and butler's pantry were located to the south of the corridor. Blocks to the east were the kitchen, servants' hall and scullery. There were separate stables, coach house, laundry and kitchen garden. The landscaping of the grounds was carried out by Edward Milner in the 19th century, and included planting 3000 trees, evergreens and rhododendrons, a small lake, and a rose garden. The price of Yattendon was over 11 thousand dollars.Goldney Hall was built for Lewis Fry, a member of the Fry family. The house has large gardens. The old house in Bath stone was refaced in a style rarely used by Waterhouse, adding a tower with a belvedere and a new main staircase. The cost was over $13,000. The builders were J. & J. The panelling in the drawing room was done by Howard & Son, the chimneypieces in the staircase hall were done by W.H., and ceramic tiles were provided by W. Foster.The decoration was done by J. Hankins and the iron work was done by Hart Son Peard and F.A. The plasterwork was done by J.W. There is a person named Hindshaw. Alexander Gray was the clerk of works. The Easneye Park, built for Thomas Fowell Buxton, was a country house with a large red brick in early Tudor style and terracotta decoration with a crow-stepped gable and tiled roof. The mansion, stables, and entrance lodge were included in the commission. The building cost over $30,000.The main block of the house has a porch on the east front, a large entrance hall to the west, and a study and school room to the south. The dining room, gun room, and butler's pantry can be found in the wing to the north. The maid's room and kitchen can be found in another wing, which is slightly to the east. The builder was William Brass and the central heating was by G.N. The ceramic tiles were made by W.B. and the modelling of the terracotta and carving on the building was done by Haden. The stained glass windows were by F.T. and Heaton Butler & Bayne. The chimneypieces were manufactured by W.H. and the Lizard Serpentine Co.The plaster ceiling roses were executed by J.W. and the decorative iron work was done by Hart Son Peard & Co. Robert Marnock gave advice on the garden design. The picture gallery was added to Allerton Priory in the 18th century. It is located in the suburb of Allerton. It is built from brick with sandstone dressings and in a French Gothic style, with a tower with a steep pyramidal roof and four tourelles above the entrance porch. The large entrance lodge to the extensive grounds is by Waterhouse. The building was built for John Grant Morris, a colliery owner.The cost to build is around $16,500 and the cost to work on the project is around £5,000. The servants wing is out of the main block. The large single storey picture gallery housed the owners extensive collection of contemporary British art and made the building's plan U-shaped. The main rooms include a billiards room, study, smoking room, library, drawing room and dining room with a separate serving room. A schoolroom and a butler's pantry can be found within the block. The kitchen, servants' hall and housekeeper's room are in the servants wing. The heating and ventilation system was made by G.N.The stone carving on the building was done by Farmer & Brindley. F.T. and Edmundson. The Lizard Serpentine Co., W.H. supplied the chimneypieces. The grate was made by Hart Son Peard & Co. and D.O. Gillows of Lancaster and London made the furniture and the iron work was done by R. Jones. The plaster ceiling roses were executed by J.W. There is a person named Hindshaw.J. Dickson was the clerk of works. Blackmoor House is a large country house that was built in stages around an existing farm house. A Gothic building with a tiled roof. stables, lodges gardens and furniture were included in the commission. It was built for Roundell Palmer. Dryderdale Hall was built in the style of Scottish baronial architecture for <mask>. There is a large house with a chapel, music room and lodge, as well as cottages and farm buildings.Lingholm is a large stone house with a slate roof. <mask> commissioned the Hurworth Grange Community Centre to be a wedding gift for his nephew, James E. Backhouse. Henry Pease commissioned <mask> to extend his existing mansion Pierrmont in Darlington, adding a new wing and conservatory, redecorated the hall, and built the gatehouse. A mansion with a double height great hall was built for Charles P. Stewart. The Baron's Craig house with rubble stone walls and dressed stone with a battlemented tower was built for Christopher Morris. In a simplified classical style, Crimplesham Hall was built for John Grant Morris for his daughter Mrs A.T. Bagge. The Museum of English Rural Life is named after the house and stables of brick and terracotta built for <mask>.He received commission for churches and chapels throughout his career, even though he was never a major church designer. The ruinous medieval parish church of St. Martin's Brasted in Kent was rebuilt in 1865 with the exception of the original tower and south window. The church in Penmaenmawr, Wales, was built from local granite with sandstone dressings and slate roof in the Early English Period and 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 The heating system was made by G.N. F.T. made Haden, stained glass. The iron work was done by R. Jones, the fittings were made by Mark Foggett, and the organ was carved by T.L. Carter.The church cost over $4000. The Chapel for Reading Grammar School was designed in 1868 from red brick and is Early English Gothic in style. Roundell Palmer was the 1st Earl of Selborne. The heating system was made by G.N. Stone carving, ceramic floor tiles, and stained glass were made by Haden. The furnishings were made by Christopher Prat and Heal & Sons, the iron work was done by R. Jones, and the grate in the vestry was done by D.O. The clock in the tower was made by E. White and the bells were cast by John Warner & Sons.The church cost a lot. St Mary's Church of England is a village church that was built in the 18th century. It was built in a Gothic style with red tiles on the roof and knapped flint on the walls. The Natural History Museum was designed at the same time. The columns in the nave and windows in the clerestory are from the old church. The builders were a family. The stained glass was made by two companies.The heating system was made by G.N., the ceramic floor tiles were made by W. Godwin, and the decorative iron work was by Hart Son Peard & Co. Haden. The spire was built from stone at a cost of £2,000 after Thomas and his wife donated money and a local woman gave 700. The spire is made of wood and tile. The nave has five bays with aisles, the tower is in the north west corner of the nave, the chancel has two bays with transepts, and the vestry is on the east side of the north transept. The total cost was more than seven figures. St Elisabeth's Church, Reddish is a Church of England parish church and was designed for William Houldsworth, who also designed other buildings in the area.The Romanesque style church is made of red brick and stone. The Lady Chapel to the south of the chancel has an apse. The nave has aisles and is of four bays, there is a south porch leading to the western bay of the nave, the bell tower rises from just south of the chancel, it has a short lead-covered spire with four pyramidal lead pinnacles around its corners. John Taylor & Co. cast the bells. The foundation was for the builders. The superstructure was built by William Southern. The stained glass in the clerestory was designed by Frederic Shields, and the rest of the stained glass was designed by F.T.There is a person named Odell. Watts & Co. executed internal decoration. The nave columns were made with polished granite. The marble and alabaster rood screen that supports the marble statues of the Four Evangelists was carved by Thomas Earp. The walls of the sanctuary are made of pale green and grey marbles. Burke. W. Godwin made ceramic tiles that were used to pave the floor.The screens that separated the Lady Chapel from the organ were made by Hart Son Peard & Co. and R, Jones. G.N. provided the heating system. Haden. The communion-plate, altar-frontal and altar cross were designed by <mask>. This church is one of the finest and his most lavishly decorated. The body of the church is hexagonal and was built in a Romanesque style. Structural steel work was done by W.H. and the builders were J. Parnell & Son.D.O. was responsible for heating and ventilating Lindsay. The terracotta decoration, ceramic tiles, and decorative iron work were made by Hart Son Peard & Co. and R. Jones. The cost to build the church was over fifteen thousand dollars. Air Lyndhurst is a complex of recording studios. There is a Romanesque style tower in the south-west corner of the former King's Weigh House chapel in Mayfair, built from red brick and orange terracotta. The structural steel work was done by John Shillitoe & Son. The ceramic tiles, faience tiling, and decorative ironwork were manufactured by Hart Son Peard & Co.The cost was over twenty thousand dollars. His hospital designs are from later in his career. The Royal Alexandra Hospital in Rhyl was added to the list in 1899. The most important of his hospitals were the University College Hospital London. Three rectangular medical wards projecting south linked by a corridor to their north, they have loggias on their southern end, and there are two circular surgical wards at each end of the spine corridor. The building is neo-Romanesque with grey brick walls and red Ruabon terracotta dressings. White and grey glazed bricks are used in the interiors, but they are not easy to keep clean.The chapel has bright coloured faience work. The men were on the second floor while the women were on the first. There is a medical school and a nurses' home in the building. The cost of the building was over 15 million dollars. The structural steel was made by W.H. The terracotta was provided by J.C.Edwards and the tiles were provided by Johnson & Co. Peake & Co. and Hart Son Peard & Co.The hospital closed in 1978 and is now used. The former site of University College Hospital is now the University College London's Cruciform Building, a radical departure from the layout of a Victorian hospital. The site was roughly square but cramped in order to maximize the building's size but ensure light and air to the wards. The outpatients' department was located on the lower two floors of the semi-basement. Lifts, a main staircase and operating theatres can be found in the central tower. The nurses' home is located on the fourth floor of the upper stories. At the far end of each wing was where the toilets and bathrooms were located.The wards had the same number of beds as the Nightingale Ward principal. There are nearly three hundred beds. It is believed to be the world's first vertically planned hospital. There are some classical details around the main entrance on Gower Street facing University College, built of red brick and terracotta with a few thin bands of stone. The cost was paid for by John Maple as a gift. Structural steelwork was done by A. Handyside & Co., while heating and ventilating was done by G.N. Maple & Co. provided furniture and fittings for Haden and Ashwell & Nesbitt.Both the Northern universities and Oxford and Cambridge colleges have this. His school buildings were usually built in a single phase. School buildings were designed by <mask>. There is a wooden veranda and half-timbered gables in the Cricket Pavilion. The school has a redbrick building with stone dressing and a tower. The City and Guilds of London Institute was an example of Queen Anne style architecture and was demolished in 1962. The Master's House, the school itself, and the upper floor of red brick with yellow terracotta and slate roof were all designed by Yorkshire Waterhouse.The dining room at the school was extended in the 90's and a new sanatorium and boarding house was built in the 90's. St Margaret's School, Bushey, was built to educate the orphans of Anglican clergy and cost over four million dollars to build. There are school rooms, hall, masters' houses, and many other buildings at the large Reading Grammar School. The school is Gothic and built of red brick and terracotta. £19,709 is the cost to build in 2019. J. Parnell & Sons was the main contractor. Stone carving and ceramic tiles were provided by R.M.F.T. made stained glass. The furniture and fittings were manufactured by H. Capel. The bells were cast by J. Warner & Co. and were used in St Paul's School. There was a master's house, caretakers lodge, gazebo, surrounding walls matching the school and an E-plan layout. The main facade to the north was symmetrical, with the hall and two three-storey wings of classrooms projecting south in an asymmetrical composition. It cost over 12 million dollars to build. Structural steelwork was done by W.H.Lindsay & Co. and J.S. G.N. provided heating and ventilation in Bergheim. Haden and D.O. Granite stonework was provided by G. & J. Fenning and window glass was provided by F.T. The main clock was made by Hart Son Peard & Co. and R. Jones. T.M. was the clerk of works. The Gothic style would be used to design three northern English universities.The Victoria University was formed by all three. The first buildings of the Victoria University of Manchester were built between 1869 and 1875. The first phase of 1869 was shaped in a plan. The medical school was followed by extensions. Stone, brick and stone dressings were used for the extensions to the engineering laboratory and the main facade behind the Council Room. The medical school was extended again. The Schorlemmer Laboratory was built in the late 19th century.The library was built in the 19th century. The entrance tower on Oxford Road was named after Joseph Whitworth. The Main Quadrangle was formed by all the buildings. The structural steel work for the first phase of the building was done by J.S. Stone carving by Farmer & Brindley, fireproofing by Dennett & Co., and heating and ventilating by G.N. Haden and D.O. mosaic flooring by Jesse Rust and stained glass by R.B.F.T. and Edmundson. The cost was £105,000 and the work was done by Hart Son Peard & Co. and R. Jones. The fireproofing was done by William Southern & Co., the heating was done by Thomas Earp & Hobbs, and the stone carving was done by Hart Son Peard & Co. fireproofing was done by William Southern & Co., stone carving was done by Farmer & Brindley, Thomas Earp & Hobbs, and ceramic tiles were done by Craven Dunhill & Co. The cost was £75,725. W.W. Harrison's extension cost $2,420. Structural steelwork, ironwork, and stonework by Hopton Wood Stone Co. were included in the cost.The extension was done by R. Neill and G.N. Haden was done by Hart Son Peard & Co. The extension was built with structural steelwork, heating and

masks:
Waterhouse
Alfred Backhouse
Alfred Backhouse
Waterhouse
Alfred Palmer
Waterhouse
Waterhouse


title: Alfred Waterhouse

texts: ventilating, stone carving, ceramic tiles, and mosaic flooring. The cost was over 17 thousand dollars. The final phase cost over $50,000. From 1904 to 1877, the buildings designed by Waterhouse were used for Yorkshire College. The Worshipful Company of Clothworkers paid for the construction of the first building, which was modest in size, of red brick with Spinkwell stone dressings, and contained a lecture theatre, museum and weaving sheds.The three floor Baines Wing had laboratories and classrooms and was partially funded by Sir Edward Baines. The original Clothworkers Building was extended. The Engineering block was built with red brick and stone dressings. The Great Hall had brick with stone bands and a large window in the gable end. There is an impressive staircase in the interior. The Great Hall's floors were once home to a library and a refectory. There was a new engine house added in 1898.The first phase was built by Wooley & Sons and structural steelwork was done by J.S. heating and ventilating was done by G.N. Haden and D.O. Stone carving was done by Farmer & Brindley, ceramic tiles were done by W. Godwin, and iron work was done by Hart Son Peard & Co. The phase was built by J. The Hopton Wood Stone Co. and Hart Son Peard & Co. did ironwork for Wood & Sons. The extension was done by J.Iron work by Hart Son Peard & Co. and R. Jones cost over $8k. J built the (1885) building. D.O. worked for Wood & Sons. Iron work by Hart Son Peard & Co. and R. Jones cost over $6,000. The next phase was built by J. Structural steelwork, ceramic tiles, faience work, and mosaic flooring were done by Wood & Sons. The chimneypiece by Hopton Wood Stone Co., the furniture and fittings for the library by Carr Brother, and the ironwork by Hart Son Peard & Co., all cost over twenty grand.The phase was by J. The cost is £9,640. The University of Liverpool and University College were both designed by <mask>. This would be his most extensive commission for any of the universities. The chemistry laboratories and the Walker engineering laboratory were the first new buildings. The main teaching and administration facilities are located in the Victoria Building and Jubilee Tower of red brick and terracotta from Ruabon and slate roofs. The main hall, corridors and main staircase are decorated in different colors.The Thompson Yates laboratory and the medical School were part of the next phase. The final work of the university was the construction of a new medical school and theatre. The work was done by William Tomkinson & Son and G.N. Haden and D.O. The furniture and furnishings by North of England Furnishing Co. cost $4,540. The buildings were built by Jones & Sons. Haden was done by Hart Son Peard & Co. and R. Jones.The foundations were dug and laid by William Tomkinson & Sons, the superstructure was built by Brown & Backhouse, structural steelwork was done by W.H Lindsay & Co., and heating and ventilation was done by G.N. The terracotta, ceramic tiles, faience, and chimneypieces were all manufactured by J.C.Edwards. The ironwork was provided by Hart Son Peard & Co. The foundation, superstructure, structural steelwork, model of the terracotta and faience work were done by various companies. The ironwork was provided by Hart Son Peard & Co. The phase was built by Jones & Sons, William Tomkinson & Son, A. Handyside & Co., and G. N. Haden. The cost of furniture and fitting was over 36000 dollars.William Tomkinson built the final phase at a cost of over $13,000. From 1865 to his retirement in 1865, the University of Oxford and the University of Cambridge would commission buildings from him. He came back twenty years later to double the size of the building with a new wing after the Cambridge Union Society commissioned a new debating hall, smoking room and caretakers house. At Balliol College, Oxford, his first work was the new Master's Lodge facing Broad Street and the main range L-shaped with a tower above the entrance to the college with a lecture hall in style French thirteenth-century Gothic. The Great Hall was designed by him. The style of the new buildings was described by Charles Eastlake in 1872. The design of Tree Court was reviewed in the May 1869 issue of Building News and it was found to be Gothic and reminiscent of French Renaissance buildings.He added a lecture theatre block to the area. A new range of undergraduate rooms in red brick and stone were added to Jesus College in Cambridge. He added a new gateway to the Master's Lodge. The East range of the South Court was added at Trinity Hall. The new Master's Lodge and the Red Buildings were built with a French Gothic style. They are made of brick and stone. The new Hall, fellows' sets, and a library were all designed by him.A new debating hall was built by the Oxford Union. He was commissioned by Emily Davies to design her only new college at either of the ancient universities. Red brick and terracotta are Gothic. The first phase of the college started in 1871 and consisted of 18 sets of undergraduate rooms. More undergraduate sets, classroom, laboratory and gymnasium were added in the late 19th century. He designed additional college rooms in the 19th century. He designed additional rooms and service areas, extended the Hall, built the Stanley Library, and created Cloisters Court and the garden layout.The Chapel, two new ranges of rooms, a new Hall and Kitchens, and an indoor swimming pool were added in 1898-1902. There is a facility in Cambridge College. The rooms are accessed via corridors rather than the normal set of rooms off staircases. The budgets for the different phases of the college were not known. The general construction firm of J. Loveday was involved in the project. The decorative tiling was supplied by Haden. The iron grates were manufactured by D.O.The main clock was manufactured by J. Moore & Son and the bell was cast by J. Warner & Sons. The College was extended by both Paul and Michael in the early 20th century. The candidates were allowed to modify their designs after the first stage of the competition. August 1867 was when the first stage closed. 123 drawings were entered by competitors. George Godwin judged the first stage. The designs were narrowed down to these architects.The second stage was judged by two people. In March 1868, Donaldson and Street chose Waterhouse's design as the winning design, and as late as July 1874, the main tower design was revised. The Gothic style was handled in a more original way in the Town Hall. The cost of land, furnishings and fees made it the most expensive building of all time. The Mayor of Manchester oversaw the opening of the building on September 13, 1877. The tower of Albert Square is over 300 feet high. The Princess Street facade is 388 feet wide, the Cooper Street facade is 94 feet wide, and the Lloyd Street facade is 350 feet wide.The main entrance is in the centre of the Albert Square facade below the tower, a low vestibule leads to the main staircases with two branches sweeping up to the landing outside the Great Hall. The Banqueting Room, Reception Room, Lobby below the tower, Mayor's Parlour, Ante-Room and Council Chamber are the main rooms on the first floor. The Public Hall is located in the middle of a triangle with a truncated tip and is surrounded by three small courtyards. Two staircases are placed in the middle of the two corridors behind the offices on the Princess Street and Lloyd Street fronts. The police station, fire station, and post office were on the ground floor. In the 17 October 1874 issue of the Builder, there was a review of the building, which was written to celebrate the opening of Manchester Town Hall, An Architectural and General Description of the Town Hall Manchester. The core and inner part of the walls are built of yellow brick, the roof is of slate, and the building is faced in Spinkwell stone chosen for its ability to resist damage from pollution.For chimneypieces, Hopton Wood stone is used internally. Many people were involved in the construction of the building. The foundations were dug by Thomas Clay, the superstructure was built by George Smith, and the structural steelwork was provided by J.S. Bergheim and Andrew Handyside and Company were responsible for the heating and ventilating of the building. The clock in the main tower was designed by Gillett & Bland and the bells in the tower were cast by John Taylor & Co. The Great Hall has an organ. Edward T. Bellhouse & Co. designed and installed the hoists.Multiple firms, designers and artists were involved in the decoration of the building. The terracotta was used internally. Ceramic tiling for walls and floors was done by several companies. Simpson. The stone carving was done by Farmer and Brindley. J.Rust laid the mosaic flooring. W.H. marble flooring was installed.A group of people, including Burke and company. The great hall, vestibule and corridors were painted by a number of artists. F.T. created the stained glass for the building. There is a person named Odell. Francis Skidmore, R. Jones, and Hart, Son, Peard and Co. produced the iron work. The Hopton Wood Stone Co. made the chimneypieces. R.E. designed the curtains in the main rooms.The Royal School of Needlework made it. Ford Madox Brown painted the murals. The clerk of works who was in charge of the building site was K.J., who was involved in coordinating a large number of contractors. There is a person named "Osbourne." The architect Francis Fowke died at the end of 1865 and the commission to build the Natural History Museum was given to him by William Cowper, the First Commissioner of Works. The museum was put on hold for eighteen months in 1868 because of a change of government and the new First Commissioner wanted the museum to be built in a different location. The designs for the museum had to be amended.The solution to the reduced budget was to remove the large lecture theatre from the design and to build the Museum in two stages. The Museum was opened as the first stage. The side facades and the rear facade of the Museum were never built. The outbreak of World War I prevented the completion of the east and west facades. The general construction of the building began in the spring of 1873, with structural iron work being manufactured by J.S. The terracotta was manufactured by the firm. Two years before the director and driving force behind the museum retired, the Museum opened to the public.His best-known work was the design which marks the beginning of the modern use of architectural terracotta. The total cost of the building was over 50 million dollars. The total cost was over half a billion dollars by the time the costs of the fitting were added, and more than a million dollars by the time the spirit room was built. The building was the first in England to have its facades made of terracotta. The style of the building is Romanesque Revival architecture and is influenced by German buildings. The length of the main facade is 750 feet. The style of the Museum is typified by the end pavilion with its octagonal attic towers supporting steep roofs, and the twin towers 190 feet high flanking the arched main entrances.The main doors lead to an exterior staircase. The entrance hall is beneath the arch supporting the main staircase from the 1st to the 2nd floor and the main staircase is rising from the ground to the first floor. The Main Hall has a gallery at first floor level running down both its flanks, which links the two parts of the main staircases. The North Hall is north of the Main Hall. The drama is similar to Baroque architecture. There are three floors of public galleries in the front of the building. The Main Hall is Flanked by three large top lit galleries that are separated from each other by smaller galleries.The lower half of the slope is glass, the same as the Main and North Halls. The Main Hall has all the ground floor galleries open to the south off an east-west corridor. The main facade of the Museum has links to the ground floor galleries. The interior and exterior are made of terracotta. The Director of the Museum gave advice on animals that could be used in the decoration. The terracotta decoration in and on the building was converted to three-dimensional clay models by a Frenchman named M. Du Jardin, who worked as a foreman for Farmer and Brindley. These clay models were used to make moulds, which were then used to create the actual terracotta sculptures, the same sculpture is often used multiple times to decorate the Museum.There are terracotta sculptures of extinct creatures in the east wing of the museum. Plants are painted on the ceilings of the Main Hall and the North Hall. It is likely that the Museum's Keeper of Botany William Carruthers provided guidance and plant specimen for Waterhouse to base his designs on. The Main Hall has plants from across the Globe, while the North Hall has paintings of native British plants. The drawings were turned into paintings by the Manchester firm. W.B. manufactured the ceramic tile-work. Simpson & Sons is a company.The stained glass was done by F.T. It is either a geometric design or based on a botanical theme. Hart, Son, Peard and Co. were responsible for the decorative ironwork on the roofs and railings of the Museum. Hidden by plaster ceilings, these columns supported fireproof concrete vaulted ceilings. The roofs of the galleries were made of iron and glass. The flooring in the Museum was done by the firm of W.H. The company is called Burke & Company.Hard wearing and inflammable. The windows in the building were iron framed. The arched entrance doors were closed with iron shutters. The North Hall is located behind the staircase in the Main Hall and is one of the areas where gas lighting was restricted. The rest of the Museum would be isolated by lowering the iron shutters when the lighting was on. There were large water tanks on the top of the two towers flanking the main entrance. Fresh air was drawn from the four square pinnacles around the base of the octagons on top of the two towers in the center of the facade and in a similar manner from the tops of the two pavilions at either end of the facade.Vents around the tops of the galleries' walls bring in the fresh air. There are two slender northern towers in the middle of the back facade of the Museum that are the same size as the single storey galleries. The flue from the heating boiler was housed in the north-east tower. Stevens & Son installed the mechanical parts of the systems. In the 22 June 1878 issue of the Builder, there was a review of the building that was the most important domestic building of Waterhouse's career. The work was completed in 1884. The most expensive domestic commission of the Victorian age was the Gothic mansion.Expenditure on the buildings in 1884-91 and 1898-99 was over half a million dollars. The current house had to be extended. The library was 90 by 30 feet to the south of the building, followed by a new billiard room and wing containing bedrooms for bachelor guests to the north-west, and a separate private wing built above the existing state rooms. The Chapel and the stable court are the only parts of the building that are still standing. The house had 190 rooms. The kitchen in the servants' wing was 55 by 25 feet. At the southern end of the building was the Library, and at the northern end was the Grand Staircase.The building was built from stone with columns and arches. The staircase in the house was made of stone. The entrance hall and saloon rooms were to increase in size to two floors. The corridor linking the Chapel to the large new private wing was passed on through the new service wing. This was as large as a country house at 100 feet square. Victorian technology was incorporated into the building. The main rooms have fireplaces, but there is a central heating and ventilating system that was installed by G.N.Haden. There were toilets and goods lifts. Electric light was installed in the late 19th century. The Great Western Railway sidings at Balderton were linked by a narrow-gauge railway in 1896. The stables stretching over three hundred feet in length are attached to the north of the Chapel. There are two


title: Alfred Waterhouse

texts: courtyards and a bronze statue of a horse being restrained by a man in the center of them. There are heated stalls in the stables.The arch in the north range is flanked by octagonal towers with conical roofs. The Carriage houses are plainer in style than the stables. The courtyard has a cast-iron and glass roof. A riding hall is also present. The buildings are a mixture of French gothic and Tudor style. Some of the largest and most richly appointed country house stables of the Victorian period are made of polished brass. The Library had panelling inlaid with boxwood and mother of pearl, as well as coloured marbles and alabaster in carved fireplaces, and rich marble mosaic work on the floors.Both armorial stained-glass and six illustrations of <mask>, Lord Tennyson's Idylls of the King, were designed by Heaton, Butler and Bayne, as well as the tapestry panels on the staircase, woven at the Royal School of Needle. The furniture in the house was mostly used in the previous building, but additional furniture and furnishings were provided by the firm of Best & Lea. The ante-chapel has a stone screen below the east window that divides it from the first bay, which is a five bay nave. The chancel has three bays and an apse. The chapel is made of stone. The rest of the mansion's exterior was mostly Manley sandstone. The vaulting of the interior used Spinkwell, Waverton, red Mansfield and light red Runcorn stones.The Chapel's stained-glass windows were designed by Frederic Shields and the mosaics were designed by Jesse Rust and William Morris. Alabaster is used in the low screen that separates the chancel from the nave. The pews and the choir stalls are carved from walnuts. William Morris designed the reredos. Charles Whiteley & Co. designed the organ that is located above the vestry that connects the Chapel to the clock tower. The clock in the tower was made by Gillett & Co. and weighed fifty hundredweight, while the bells and carillon were made by Van Aerschodt. The carillon was composed by John Stainer.The water-colour perspective for the chapel was reviewed in the May 1875 edition of Building News. The Temple is built to house an ancient Roman altar and is in a classical style. The Golden Gates were adapted by the Davies brothers of Bersham, and the two lodges flanking them used to face the main entrance to the Waterhouse mansion. The North Lodge was built in the style of a late medieval French chateau. The National Liberal Club is a study in Renaissance composition and is located in London. He was a member of the Liberal Party and his brother was a lawyer. It was built on a site overlooking Victoria Embankment.The budget was over two hundred thousand dollars and was spent on the building. The club members wanted the building to be Italian Classic. The site was on an awkward corner and the style of the building was trapezoidal in shape in the 1885 issue of the Builder magazine. The design had to include several large rooms and the largest number of members' bedrooms in any London Club. The building is clad in Portland Stone at the insistence of the Crown Estate. The entrance hall leads to the main staircase which was damaged in World War II but was rebuilt as a stair made of marble. The main staircase is at the center of the building.The Smoking Room can be found from the basement, where the extensive wine cellars were. The ceilings in the rest of the building are plaster, which makes it easy to clean nicotine stains off. The reception lobby, cloak rooms, billiard room and other ancillary spaces can be found on the lower ground floor. The Writing Room that overlooks Northumberland Avenue is one of the double height rooms on the upper ground floor. The former billiards room on the lower floor contains six full sized billiard tables, which can be found on the terrace outside the dining room. There are more public rooms on the first floor, including the Reading Room overlooking the Embankment, and there are two levels of book cases on the upper floor. The University of Bristol used to have 35,000 books on the shelves, but they have been replaced by fake book spines.The building's roof is influenced by French Renaissance buildings. The rooms in the roof are on the seventh floor. The structure has external load-bearing stone walls, but steelwork columns and beams inside. The steelwork was the most complex yet used in a London building, it enabled the lower floors with a series of large rooms, the dining room for instance is 105 feet long by 35 feet wide, to support the walls of the smaller bedrooms. The use of dropped ceilings in the main rooms allowed space for the air to be cleansed by high pressure water jets before being used in the rooms. There were a lot of bathroom and toilets in the building. The use of different colors to clad columns and other features is decorative.The major rooms are lined with rows of columns along their walls, each room has a slightly different style of column and colour of faience. The main staircase used different types of marbles for the columns that support it. Most of the furniture was designed by Waterhouse. Several contractors were involved in the building's construction, the foundations were dug and laid by Henry Lovatt, the general construction of the buildings superstructure was done by William Southern, and structural steel-work was installed by W.H. The fireproofing was installed by Lindsay, the heating and ventilation system was designed and installed by W.W. Phipson, and the electric lighting was installed by the Swan Electric Light Company. The stone carving on the exterior of the building was done by Farmer and Brindley, while the faience decoration was manufactured by Wilcock & Co. The chimney-pieces were manufactured by the Hopton Wood Stone Co.The decorative ironwork was created by Hart, Son, Peard and Co., while the ornamental plaster-work was created by G. Jackson. Thomas Warburton was the clerk of works. The upper ground floor of the building has been used by the Club since 1985. The headquarters of the company were built on the corner of Holborn Bars, the first phase of which was completed in 1879. The building expanded in phases until 1901, when it filled the entire block. The grand interiors of the main entrance block along High Holburn are from the phase 2 extensions on Brooke Street and Greville Street. This final phase resulted in a building with a footprint of 2.5 acres and used 1,500 tons of steel framing.The open interiors were allowed by the steel columns. The columns were made of wood. The Cashiers Office and Public Office are located on the ground floor behind the main facade. The total cost of the phases was approximately £37,000,000 in 2019. The structural steel work was done by J.S. W.W. Phipson and D.O. were responsible for heating and ventilating Bergheim. The models for the terracotta decoration that runs around the building below the first floor windows were provided by F. W. Pomeroy and Farmer & Brindley.The decorative faience tiles were used in the entrance halls, on the main staircase, and in the offices used by members of the public. The internal decoration was done by L. Liberty & Co., as well as furniture and ironwork. The new building was described in The Building News of 8 April 1878 as "between 1876 and 1901 he would go onto design buildings for the Prudential not just their headquarters but a further twenty-one offices at towns and cities throughout Britain, <mask> would design further buildings for the company after his father The sites for the buildings were often awkward and hemmed in, but had to include a large public office, space for the clerks and separate offices for the managers. The front of the buildings were where the public offices and managers rooms were located. There were separate chambers that were leased to other businesses in the buildings. The basement space in the buildings was leased by Ye Mecca.The buildings were built to a standard form, with polished grey granite base, most are built from hard red terracotta and brick. Stone is used in Edinburgh and Dundee. The city used terracotta and red brick. Many of the buildings have turrets or towers. The public offices and managers offices have typical faience clad walls and columns. The statue of Prudence was modeled after F.W. There is a person named Pomeroy.The bright red terracotta was manufactured by J.C.Edwards of Ruabon. The gables and roof have been removed and replaced at Manchester, King Street, which was extended in 1904-06. The Staple Inn Buildings on High Holburn were designed in 1901. Extra chambers were built for the company. The Company insisted that he stick with the house style of red brick and terracotta even though he wanted to use buff terracotta. The roof is made of slate. There are rooms in the attic.The building was built by Holland and Hannen. Building restoration, though never a major part of <mask>'s work, was occasionally commissioned to restore buildings, after he announced his retirement. The Heythrop Park was destroyed by fire in 1831. The interiors of the house were reconstructed after the 1871-77 restoration for Albert Brassey. The original English Baroque style is used. The saloon is in the style of John Vanbrugh, with a stone staircase rising behind an arcade. There are three stained glass windows above the large stone chimneypiece.The stables, walled garden, lodge, and cottages were all designed by him. The builders were William Cubitt and Company. Stone carving and ceramic tiles were designed by J.M. Apart from Morris & Co., stained glass was also made by other companies. W.H. made the chimneypieces. The decorative iron work was done by Burke & Co. The total cost was over 18 million dollars in 2019.St Ann's Church was restored in 1712. The Baroque style north door is by him. A platform was created to support the new altar and reredos. The carved cherubs and swags were copied from the contemporary to the church by the choir of St Paul's Cathedral. He rebuilt three galleries. The north and south vestries were added. The stained glass designs were created by Frederic Shields.It was made by three people. William Southern was the general contractor for the building work. The decorative iron work was made by Hart Son Peard & Co. In 1896 the cost was £445 and in 1901 it was £205. The Staple Inn is next to the Holburn Bars headquarters. In 1886, they paid 68,000 for it. <mask> was asked to survey the building and come up with a proposal to repair the Inn.The plaster that hid the half-timbering since the 1660s was removed and the sash windows were replaced with wooden windows that were more appropriate for an Elizabethan building. The Society for the Protection of Ancient Buildings tried to stop it. Five tie rods were put into the roof of the Hall. The heating was done by W.W. Phipson and D.O. The iron work in the hall was done by Hart Son Peard & Co. The work cost over $10,000. In 1860 <mask> married Elizabeth Hodgkin, daughter of John Hodgkin and sister of the historian Thomas Hodgkin, who was a school friend.A collection of verse and an anthology were written by Elizabeth. Her most well-known work was The Island of Anarchy, a story set in the late 20th century and first published in 1887. Elizabeth was an accomplished water-colourist and she and <mask> would often paint together, as well as she produced designs for copper and brass ware in the style of the Arts and Crafts movement. The evening craft classes in Yattendon were organised by Elizabeth. She arranged amateur theatricals at home. After graduating from Balliol College, Oxford with a degree in Classics, Paul was made a partner by his father in 1891. The son of Paul would become an architect.The fourth generation to follow the profession retired in 1989. <mask>'s and Elizabeth's other children were Mary Monica and Robert Bridges, who married in 1884. After changing their faith in 1877, <mask>, Elizabeth and Paul had their children christened into the Church of England a few months later. The Biography of a Practice was published in 1992 by Oxford University Press and was co-authored by Prudence and Colin Cunningham. Barcombe Cottage, Fallowfield, Manchester, was designed by <mask> in 1860. The purchase of 8 New Cavendish Street, Marylebone, London, a late eighteenth-century Georgian terraced house was negotiated in the autumn of 1864, before he moved to London in 1865. The Gothic Foxhill House was the family's first country residence.His parents' house is next to the site. The grander Yattendon Court was built for over a million dollars in 1877. The current house was built after Yattendon Court was demolished and replaced by Edward Iliffe, 1st Baron Iliffe. Foxhill was sold by Waterhouse after he moved to Yattendon. Alterations to the parish church include a new porch, vestry and altar, as well as several cottages, village shop and farm buildings. The old manor house at Yattendon was let to Robert Bridges, the son-in-law of <mask> and Elizabeth. The Thursday night dinners were held at the New Cavendish Street house.Julia Gaskell, his sister Theresa Thornycroft, Edmund Gosse, Frank Dicksee, Lawrence Alma-Tadema, Ford Madox Brown, Mary Augusta Ward and Benjamin Jowett were guests. Richard Norman Shaw and William Burges were friends of <mask>. Shaw designed a wooden cradle in the 19th century. The V&A Museum has it. It was only on the death of Burges that he was able to join the Foreign Architectural Book Society. Other members were William Nesfield, JohnNorton, Arthur Blomfield, John Loughborough Pearson, and George Devey. During the Christmas of 1882 at Yattendon, Hamo Thornycroft wrote to his future wife Agatha Cox, "In 1865 Waterhouse took a three week holiday in the Loire Valley, from which forty of his sketches survive."The family holidayed in Italy in the spring of 1870 and in Rome in the winter of 1873 and 1874. The family would take an Alpine holiday in August. Foreign trips in 1884, Norway in 1886 and 1890 Spain were included. His son took over the practice after his father suffered a stroke in 1901. On August 22, 1905, he died at Yattendon Court. <mask> had a wide circle of friends within and without the profession, according to the Building News' obituary. <mask> was president of the Royal Institute of British Architects from 1889 to 1891.He was awarded a rappel to the grand prix for architecture at the Paris exposition in 1867. He was awarded the Royal Gold medal by the Royal Institute of British Architects. The Royal Academy of Arts first exhibited one of his designs in 1857, and then from 1868 to 1901 he exhibited mainly designs of his own buildings annually. He showed topographical views from both his British and European travels. He became a full member of the Royal Academy on June 4, 1885. He was the Royal Academy's treasurer from 1897 to 1901 and he had a pen and ink drawing of the main facade of Manchester Town Hall. He was a member of the academies of Vienna, Brussels, Antwerp, Milan, and Berlin.In 1895, the Victoria University of Manchester made <mask> an LL.D. After Congleton Town Hall was won by Edward William Godwin, he was called upon to act as an architect. John William Simpson and E.J. won the competition for Cartwright Hall in 1899. A total of sixty. He was a member of the international jury that chose William Henry Lynn's design for Barrow-in-Furness Town Hall. George Tunstal Redmayne, who married <mask>'s sister in 1870, was one of the architects who received their training in the office. articled (1863–72), William Edward Willink (1856-1924), Winter Hargreaves Raffles (b.1862 or 63), <mask> (1884–87), and Frank Albert Whitwell (1871-1943) articled.Building News magazine ran a poll about who was Britain's leading living architect. Over ninety percent of the votes went to <mask>. He was an architectural member of the Royal Commission on the proposed enlargement of Westminster Abbey. The pub on Princess Street is named after the man. The names of the buildings and the county they are located in, both in the lists and gallery, are those used when <mask> designed the buildings. <mask> had a list of works that included educational buildings, commercial buildings, and public

masks:
Alfred
Paul Waterhouse
Waterhouse
Waterhouse
Waterhouse
Alfred
Alfred
Alfred
Waterhouse
Alfred
Alfred
Alfred
Waterhouse
Waterhouse
Waterhouse
Paul Waterhouse
Waterhouse
Waterhouse
Alfred Waterhouse


title: Mary Burchell

texts: Ida Cook was a British campaigner for Jewish refugees and a romance novelist. <mask> and Ida Cook saved Jews from the Nazis. Ida's writing funded the escape of 29 people. The Cook sisters were honoured as heroes by the Israel's Yad Vashem Martyrs and Heroes Remembrance Authority. Many of Ida Cook's romance novels were later published by Harlequin. She was the second president of the Romantic Novelists' Association from 1966 to 1986. We Followed Our Stars was re-edited and expanded into Safe Passage, which is currently in print.Ida Cook was born on August 24, 1904 in County Durham, England. She and her sister <mask> Cook attended the Duchess' School in Alnwick and later took civil service jobs in London. Ida and Louise had a passion for opera. During the 1930s, as part of the work they undertook to help Jews to escape from the Nazi regime, the sisters visited Germany on multiple occasions, using their genuine fanaticism for opera as a cover for their frequent travel. They were able to satisfy the British financial security requirements for immigration by bringing valuables back to England. They worked with the Austrian conductor and his wife, who initially told them of the persecution of the Jews. Ida's writing funded the escape of 29 people.The Cook sisters were honoured as martyrs and heroes by the Yad Vashem Martyrs and Heroes Remembrance Authority. The British Government named them a British Hero of the Holocaust. <mask> was Ida's first romance novel. The famous Warrender Saga, a series about the opera and concert hall world, was written by her during her career. Otello, Eugene Onegin and Carmen were included in the Warrender series plots. She wrote about her book in the Romantic Novelists' Association's newsletter. In 2008 it was expanded and re-issued as Safe Passage.My Life was ghost-written by her. She was the subject of This Is Your Life in the 60's. In January of last year, a plaque was put up on the site of the sisters' childhood home. Two Against Hitler: The True Story of Two Courageous Sisters, a Rescue Mission in the Third Reich, and Opera, about the Cook sisters, was published in 2021. Donald Rosenfeld discussed his plans to make a film of the sisters' humanitarian work and his efforts to unseal CIA files on their activities. The film was to be based on research. The sisters' rescue of Jews from Nazi Germany was the subject of an episode of Mysteries of the Museum.<mask>'s works include: Wife to Christopher, Except my Love, Nobody Asked Me, 1937 But Not For Me, and Other Lips Have LOVED You. Choose The One You'll Marry was written by Pamela Kent and Elizabeth Gilzean.

masks:
Mary Louise
Mary Louise
Mary Burchell
Mary Burchell


title: Fred M. Vinson

texts: <mask> was an American lawyer and a Democratic politician. One of the few Americans to have served in all three branches of the U.S. government, <mask> served as a U.S. Representative from Kentucky from 1924 to 1928 and 1930 to 1938, as a federal appellate judge on the U.S. Court of Appeals for the D. From 1939 to 1943, he was the U.S. Secretary of the Treasury, and from 1945 to 1946 he was the 13th chief justice of the United States. During World War I, he served in the U.S. Army and pursued a legal career. He was elected to the U.S. House of Representatives in 1924 after serving as the Commonwealth's Attorney for the Thirty-Second Judicial District of Kentucky. He served in Congress until 1937 after being re-elected in 1930. He was an adviser to Missouri Senator Harry Truman during his time in Congress.President Franklin D. Roosevelt appointed <mask> to be a judge. There is a circuit. When he became the Director of the Office of Economic Stabilization, he resigned from the appellate court. The Secretary of the Treasury was appointed by Truman after Roosevelt's death. The International Bank for Reconstruction and Development and the International Monetary Fund were established by <mask> after he negotiated the payment of the Anglo-American loan. Truman appointed <mask> to the Supreme Court after the death of Chief Justice Stone. The last Chief Justice nominee nominated by a president from the Democratic Party has been confirmed.The Truman administration's control of the nation's steel mills during a strike was ruled against by Vinson in the case of Youngstown Sheet & Tube Co. He ordered a rehearing in the case known as Brown v. Board of Education. The red brick house in front of the Lawrence County jail in Louisa, Kentucky was where <mask> <mask> was born, and where his father served as the Lawrence County Jailer. He helped his father in the jail when he was a child and made friends with prisoners when he ran for public office. He worked odd jobs while in school. He graduated from Centre College with a Bachelor of Arts degree after graduating from Kentucky Normal School. He was a member of the Kentucky Alpha Delta chapter.He received a degree from the College of Law. He started private practice in Louisa. He was elected to office as the City Attorney of Louisa. During World War I, he joined the Army. He became the Commonwealth's Attorney for the Thirty-Second Judicial District of Kentucky after the war. The couple wed on January 24, 1924 in Kentucky. They had two boys.In 1924, <mask> ran in a special election for his district's seat in Congress after William J. Fields became the Governor of Kentucky. After being elected as a Democrat, <mask> lost in 1928. He lost because he refused to disassociate his campaign from Alfred E. Smith's campaign. He was re-elected in 1930 and served in Congress through 1937. He befriended Senator Harry Truman while he was in Congress. He became a close friend of Truman.After Truman decided against running for another term as president, he tried to convince <mask> to run for the Democratic Party nomination, but he turned it down. Adlai Stevenson was President Truman's preferred successor in the 1952 presidential election after being unsuccessful in getting General Eisenhower. The former congressman moved his law practice to the north in 1930. With a desire to return to Washington, D.C. as congressman, Vinson formed a circle of friends who could help him politically and professionally. His next door neighbor was included in this group. In 1931, he returned to Washington, D.C. as a congressman. President Roosevelt's New Deal revolution was supported by Vinson.On November 26, 1937, the United States Court of Appeals for the District of Columbia was nominated to an Associate Justice seat by President Franklin D. Roosevelt. He received his commission six days after he was confirmed by the United States Senate. Chief Justice Stone made him the Chief Judge of the Emergency Court of Appeals. His service was terminated due to his resignation. The Secretary of the Treasury resigned from the bench to become the Director of the Office of Economic Stabilization, which is charged with fighting inflation. He was the Federal Loan Administrator from March 6 to April 3, 1945 and the director of War Mobilization and Reconversion from April 4 to July 22, 1945. From July 23, 1945, to June 23, 1946, he was the United States Secretary of the Treasury.The Secretary of the Treasury was tasked with stabilizing the American economy during the last months of the war and adapting the United States financial position to the changed circumstances of the postwar world. The last of the great war-bond drives was directed by <mask>. The British Loan of 1946, the largest loan made by the United States to another country, and the lend-lease settlements of economic and military aid given to the allies during the war were all negotiated at the end of the war. In order to encourage private investment in postwar America, he promoted a tax cut. He was the first chairman of the boards of both the International Bank for Reconstruction and Development and the International Monetary Fund. The Chief Justice of the United States was appointed by Truman. The Chief Justice seat on the Supreme Court of the United States was vacant after the death of Harlan F. Stone.Truman was told by former Chief Justice Charles Evans Hughes and former Associate Justice Owen Roberts that he had a Secretary of the Treasury who was a Judge of the Court of Appeal. He took the oath of office as Chief Justice on June 24 after he was confirmed by the United States Senate by a voice vote. His appointment came at a time when the Supreme Court was very fractured. One of the groups was led by Justice Hugo Black. At least on a personal level, <mask> was credited with patching the fracture. He was the presiding officer of the Conference of Senior Circuit Judges from 1946 to 1948, and the Judicial Conference of the United States from 1948 to 1953. He was a Circuit Justice for the Fourth Circuit and the District of Columbia Circuit.His death occurred on September 8, 1953. He wrote 77 opinions for the Supreme Court and 13 dissents. The court voided President Truman's seizure of the steel industry during a strike in a June 3, 1952, decision. His last public appearance was when he read the decision not to review the conviction and death sentence of Julius and datememe datememe datememe. After Justice William O. Douglas granted a stay of execution, the Chief Justice sent special flights out to bring vacationing justices back to Washington in order to ensure the execution of the Rosenbergs. Justice White was one of the law clerks who worked for the Chief Justice. The major issues the court dealt with were racial segregation, labor unions, communism and loyalty oaths.He wrote that the separate but equal doctrine must be followed when it comes to racial segregation. The case was before the court at the time of his death. The second hearing of the case was ordered by <mask> because he didn't want a 5–4 decision. He died before the case could be reheard, and his vote may have been crucial to the discussion of Brown. The case was heard again after Earl Warren was appointed to the Court. He swore in President Truman and President Eisenhower when he was Chief Justice. One of only two Chief Justices to have presided over a court solely nominated by presidents of one political party, and the other was the one who presided over a court entirely appointed by Republican presidents.Truman nominated Harold Hitz Burton to the Court after <mask>'s death. At the end of 1950, when Secretary of State Dean Acheson came under fire from congressional Republicans for being soft on communism, he was briefly mentioned as the new Secretary of State and Dean Acheson as the new Chief Justice. President Truman kept Acheson at the State Department. He died of a heart attack at his Washington home. His body was buried in Kentucky. There is an archive of <mask>'s personal and judicial papers at the University of Kentucky. There is a portrait of <mask> in the hallway of the Kentucky Alpha-Delta chapter of Phi Delta Theta.He was a member of the chapter at Centre. Fraternity members take portraits of dead <mask> at Centre football and basketball games and other events. The National Register of Historic Places has a listing for the <mask>. <mask> Birthplace. See also Demographics of the Supreme Court of the United States List of justices of the Supreme Court of the United States List of justices of the Supreme Court of the United States List of justices of the Supreme Court of the United States List of justices of the Supreme Court of the 3d. ed. New York: Oxford University Press.The Supreme Court Historical Society was published in 2001. The Justices of the United States Supreme Court: Their Lives and Major Opinions was written by John P. Frank. The ed. was written by Hall. The Supreme Court of the United States has an Oxford Companion. New York: Oxford University Press. The U.S. Supreme Court: A Bibliography was written by <mask> and Goehlert. The University of Chicago Press was published in 1969.The University Press of Kentucky published a biography of the Chief Justice of Kentucky. In Memoriam: Chief Justice <mask><mask>. Division and Discord: The Supreme Court under Stone and Vinson was published in 1997. The Supreme Court Justices: A Biographical Dictionary was published in 1994. 590 pp. ,,,,,,,,,,,,,,,,,,,,,,,,,,,,, The U.S. Treasury Office of the Curator has a biography.The New York Times reported on the death of Supreme Court Chief <mask>. Obituary, NY Times, September 9, 1953. The United States Supreme Court. The Supreme Court has a historical society. 1890 births, 1953 deaths, 20th-century American judges, 20th-century American politicians, American prosecutors, and video clips of Centre College alumni Chief Justices of the United States Democratic Party. The United States court of appeals judges were appointed by Franklin D. Roosevelt and the United States federal judges were appointed by Harry S. Truman.

masks:
Frederick Moore Vinson
Vinson
Vinson
Vinson
Vinson
Frederick Moore
Vinson
Vinson
Vinson
Vinson
Vinson
Vinson
Vinson
Vinson
Vinson
Vinson
Fred
Fred M
Vinson
Martin
Fred M
. Vinson
Justice Vinson


title: Carl Eric Almgren

texts: General <mask>e <mask> was a Swedish Army officer. From 1969 to 1976, <mask> was the Chief of the Army and the military commander of the Eastern Military District. The son of captain <mask> and his wife Esther was born on March 4, 1913. <mask>, the son of a farming family, was a commissioned officer in the Life Grenadier Regiment, where he was among the more prominent representatives of his corps and had several positions in the city of Linkping. <mask> was the chairman of the school association. It is said that <mask>'s teacher was disappointed that he didn't choose the academic path. According to his reading records, <mask> read almost four books a week when he was 17 years old.<mask> graduated from Linkpings hgre allmnna lroverket with high grades. The year after his father resigned, he stood as an officer cadet outside the barracks. He would have been the top student at Military Academy Karlberg if he wasn't so outspoken. He graduated third best in his class at the Royal Swedish Army Staff College and received some of the best grades. In April 1934, <mask> was appointed to officership. He graduated from the Infantry Officer School in 1936. He studied Russian in the winter of 1939.English, German, and French were all spoken by him. In October 1939, <mask> was appointed as an assistant military attache. He was interested in the political activities of the world. When the Soviet Union invaded in 1940, he lost his ability to act as an attache, so he was told to watch the tanks. He attended the Royal Swedish Army Staff College from 1941 to 1943 after serving in the war. <mask> was promoted to captain in 1942 and was an officer candidate in the General Staff Corps in 1945. He taught at the Royal Swedish Army Staff College in tactics and staff service and a shorter time at the Swedish Air Force Flying School after the war.He was promoted to major in the General Staff Corps in 1951 after being appointed captain of the Vsternorrland Regiment in 1949. The head of the Army Staff's Tactics Department was <mask>, who was a teacher at the newly established Swedish National Defence College. In 1955, <mask> was promoted to lieutenant colonel in the General Staff Corps. The Defence Staff's Army Department was a central post with influence over operational planning and cooperation between the central staff's. He was appointed to colonel and commander of the Jmtland Ranger Regiment in 1960 after returning to the troop service as a training officer. In 1961, he took up the post of Chief of the Defence Staff and was promoted to major general. In 1966 he was promoted to lieutenant general and in 1967, he was appointed military commander of the Eastern Military District.The Chief of the Army was <mask> from 1969 to 1976. The Defence Act of 1968 was put into effect when he took office. Having lost their previous political agreement between the Social Democrats and the centre-right parties, it was obvious that the Supreme Commander's military and political assessments accorded less importance. The appropriations frame shrunk, the fixed mark-up for technological development disappeared, and the carefully calculated price compensation system was replaced by a less favorable net price index. During his six years as Chief of the Army's, <mask>'s contributions were to improve leadership, staff treatment and training methods, as his predecessor had initiated and that despite no small resistance pushed through a merger of regiments and defense area staffs. The so-called restructuring in the 1990s did not survive. He was promoted to general when he retired as army chief.His services have been used in many investigations and special assignments. <mask> was secretary of the Army Officers Training Committee from 1943 to 1946, member of the 1948 Air Defense Committee, expert in the B investigations of 1947, 1954, 1957, 1962 and 1965, and expert in the 1962 Defence Committee. In 1943-1946 and 1952-1954, <mask> was a military employee. He was the chairman of the Swedish Army Museum at the same time he was the Chief of the Army. He was involved in the Fltjgare Association and often attended meetings of the Swedish Military History Commission. <mask> was a poet at the military academy. He was a member of both the Royal Swedish Society of Naval Sciences and the Royal Swedish Academy of War Sciences.From 1969 to 1971 <mask> was president of the academy and chairman of the Section I, Land Warfare Studies. In the obituaries, <mask> was described as extremely hard working. He could be seen as harsh in his criticism of the people who did not measure up. He wrote verse that he performed on many occasions. He had a strong faith. He became involved in The Salvation Army after his resignation. He entered the Salvation Army's counsel in 1983 and worked to plan the activities in crisis situations.He followed the efforts to build the organization in the Baltic states. His former colleagues had a different perception of him. Lieutenant General <mask> said that when you asked <mask> a question and came up with a proposal that he didn't like, you felt like a junior officer. The opposite was not new. Frsvarsfrmjandet is an organization that works with advocacy for a strong defense. He was married to Lisa Salomonsson, the daughter of Anton Salomonsson and Edla. Bo and ke were the sons of <mask>.The Commander 1st Class of the Order of the Sword received the General Awards and decoration. The Foreign Commander with the Star of the Order of St. Olav received the National Swedish Rifle Association's silver medal.

masks:
Carl Eric k
Almgren
Almgren
Carl Almgren
Carl
Carl Eric
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Almgren
Carl Breman
Almgren
Almgren


title: Canute I of Sweden

texts: Kntr Eirksson was the rival king of <mask> I from 11 73 to 1195. He was the son of King Eric the Saint and Queen Christina. Canute was born before his father gained power over parts of Sweden. He was betrothed to a sister of another Canute. Her equal could not be found in the land. Canute was defeated and forced to flee when <mask> was killed in 1160, while his fiancée hid in a monastery. A piece of information that is unreliable is that he lived in exile in Norway for three years.He returned to the throne. <mask> lived in Ns Castle at the southern point of Visings, an island in Lake Vttern, where he killed Magnus Henriksson, the son of his father. Canute came over and slew Charles. The sources don't let us know if Charles was killed in battle or if he was regicide. Canute was fighting for power against Sverker the Elder's sons or grandsons when the deed was signed. "He fought many battles against Sweden and had the victory in them all, and had great effort before he gained Sweden with peace," the chronicle states. Sources say that Burislev and Kol both died in fighting at Bjlbo in 1169.Canute couldn't call himself king of the whole country until this time. The Law of Vstergtland states that he ruled as a good king for 23 years after his victories. Canute was supported in his rule by the jarl who died in 1202. The long reign of Canute brought Sweden closer to a Catholic-European state model. The power of the king was consolidated with the emergence of a central bureaucracy. The issuing of royal written documents began at this time and nine of them are preserved. When Ldse started minting again, there was no coinage in Sweden from 1030 to 1150.The initiative was supported by King Canute and he issued royal coins. The coins may be connected to <mask>'s relationship with North Germany. He concluded a commercial treaty with Henry the Lion of Saxony. The emergence of towns may be indicated by the first such treaty in Swedish history. He sent three envoys to <mask> of England and received armour in return. Canute and his jarl Birger Brosa had good relations with the Norwegian king Sverre, who married the sister of the king. Canute arrested Erling Steinvegg on behalf of his brother-in-law and imprisoned him on Visings.Relations with the Danes were rocky. In the 12th century, the Danes found refuge in Sweden and in the 18th century, the Danes were defeated by the Danes. Canute was said to be fighting pagans for the sake of spreading the Christian faith. The coasts of Lake Mlaren were ravaged by a fleet of pagan Karelians. Sigtuna was burned and killed by the marauders. Canute built a defensive tower on the island of Stockholm after the event, one of many such fortifications made necessary by incursions from the Baltic lands. Strmsrum was one of the places where such towers were constructed.A sea-borne expedition to the east was organized after the attack. According to the chronicles of Novgorod, Varyags and "Germans" from Gotland attacked its territory in 1188. The Nordic attackers stayed over winter. They were defeated in the spring by the Novgorodians. After <mask>'s death, another fleet of Germans and men from Gotland crossed the Baltic Sea. The expedition was intended for Curland but ended up on the coast of eastern Estonia, where the inhabitants were defeated and forced to pay tribute. Hallbjrn hali and orsteinn orbjarnarson are two of KnutEriksson's skalds.<mask> died in Vstergtland either in the autumn of 1195 or in April of 1186. He was the first successful ruler of Sweden for a long time and the first king since Philip to die a natural death. Varnhem Abbey is where he was buried. His sons were grown up when he died, but he was succeeded by a son of his rival. The House of Sverker had the support of the church and grandees to regain power. After his ascension to power, <mask> married a cloistered fiancée. His wife's name is unknown but she is sometimes assumed to be from Sweden.She gave birth to several children of which one was appointed heir to the throne. She became seriously ill at a later time. She promised to observe celibacy if she recovered. Canute agreed to console her. She entered a monastery. Canute wrote a letter to the Pope in order to take up married life. He had to cooperate with his wife's relative to fight the pagans and evade the libel of his enemies.His request is not clear. The children are N.N. The son died at the Battle of lgars. The son died at the Battle of lgars. The son was killed in the Battle of lgars in 1205 and became King of Sweden in 1208. The existence of this daughter is based on the Norwegian Hkonar saga Hkonarsonar. Knut Magnusson's claim to the throne is explicated in research literature.The daughter was born in the 1170s or 1180s. She is proposed as the mother of a Duke's daughter Cecilia Knutsdotter, whose parentage is shrouded in mists of history. Literature Gillingstam. "Knut Eriksson" is a presentation by "Harrison, Dick, Sveriges historia 600-1350". Norstedts, 2009. The name of the person is berg Nils. Sweden has kings and rulers.The 2002 edition of Vincent Publications. <mask>. Svenska medeltidsbrev, framvxten av offentligt skriftsprk. Norstedts is located in Stockholm. Larsson, Mats G., Gtarnas riken. The Atlantis was in Sweden in 2002. The town of Liljegren is in Bengt.Sweden has rulers. Historiska Media was published in 2004. Ulf, Sundberg, and Medeltidens svenska krig. Hjalmarson & Hgberg were published in 1999. 12th-century Swedish monarchs Rulers of the House of Eric 1190s deaths Year of birth uncertain Year of death uncertain

masks:
Canute
Eric IX
Charles VII
Canute
Henry II
Canute
Canute
Canute
Inger


title: Lee Harris (South African writer)

texts: <mask> is a South African writer, musician, and activist who has lived and worked in the United Kingdom since 1956. He was a member of the African National Congress and helped with the Congress of the People. After moving to England at the age of 20, he acted with some famous people. He was a writer for the British underground press and helped found the Arts Lab. Since the 1970s, <mask> has been an important figure in the British counterculture movement. He published magazines in the 70s. <mask> was born in South Africa to immigrants.When the National Party came to power in 1948, he was one of the few whites who joined the African National Congress to oppose racial segregation. The Congress of the People gathering was held at Kliptown in the summer of 1955. Two hundred armed police surrounded the crowd of thousands. London <mask> moved to London at the age of 20. He studied acting at the academy. In 1960, he got a role in the adaptation of Shakespeare's Chimes at Midnight, in which he acted and directed. <mask> played a small part in The Corn Is Green.He began to write plays. Love Play was his first full-length play. "<mask>'s Love Play (Arts Laboratory) might have been inspired by some of Artaud's equivocal, visionary phrases: The theatre as "The truthful precipitate of dreams" and the human body raised to it," stated John Peter's review in the Sunday Times. The play was funded by the Arts Council. It was performed at the Arts Lab, which <mask> helped found in 1967, with counterculture figures Jim Haynes and J. Henry Moore. <mask> worked as a makeup artist for Frank Zappa while he was at the Arts Lab. <mask> wrote many articles and reviews for underground publications.His work included an interview with a poet. <mask> reported on a new play at the Arts Lab. He wrote for Oz and Frendz. The shop on Portobello Road was named after The Alchemical Wedding. There are items in the shop that include incense, postcards, smoking accessories, and vaporisers. It is still a gathering point for alternative Londoners. <mask> was sentenced to three months imprisonment in 1990 for selling items that were believed to be used for the smoking of cannabis.On appeal, the sentence was quashed. <mask> met Bryan Talbot. <mask> decided to publish Talbot's first work after reading his work. Chester P Hakenbush was the main character on his cerebral journey. The Chester P Hakenbush trilogy was re-released in 1982. Bryan Talbot's Brainstorm: The Complete Chester P Hakenbush and Other Underground Classics was published in 1999. Talbot is a renowned graphic novelist and creator of The Tale of One Bad Rat.Brainstorm Fantasy Comix took a new direction in 1977. The first published work by John Higgins was included. Home Grown was Britain's first counterculture and drug magazine. It was a defining moment in British underground culture. <mask> was reporting on something. Home Grown magazine was used to support the Operation Julie defendants. His closing of the magazine was due to minimal profits, a dwindling market, and apathy.The Megatripolis club was at the forefront of a counterculture resurgence in the 1990s. Howard Marks, a writer and drug smuggler, and Michael Horovitz, a poet and founder of New Departures publishing, were invited to speak by <mask> as consultants to the club. Allen Ginsberg's last live performance in London was organised by <mask>. In 1965, <mask> was inspired by the International Poetry Incarnation at the Royal Albert Hall. <mask> started doing spoken-word performances in chill-out rooms around the UK at the beginning of the second millennium. In 2002, he decided to release a celebration of his thirty years of counterculture in the form of a compilation album, including many of the artists, producers, and musicians he had met along the years. They included producer Youth; Raja Ram and Simon Posford, collectively known as Shpongle; Howard Marks; and Bush Chemist.He held an event at Subterania to celebrate the album's release. He met poet Hicham Bensassi, who performed at the event. River Styx invited him to record something for a project he was working on. The album was called Angel Headed Hip Hop. They brought in some special guests such as writer Brian Barritt. Four of the album's songs were written and performed by Hicham Bensassi. He collaborated with Howard Marks on a song.It was released on the album 30 Years of Counter Culture. The album Angel was distributed by Gene Pool/Universal Group. <mask> and Bensassi traveled to the UK and Europe. There was a performance in Paris for the 50th anniversary of the publication of Naked Lunch. The event was organised by a few people. Naked Lunch: 50 Anniversary Essays was edited by <mask> and Macfadyen. The piece Hunterland was created by <mask> and Hicham Bensassi.The documentary Echoes of the Underground includes footage of <mask>, as well as Jim Haynes, Brian Barritt, Henk Targowski, and Youth. The film's score was written and performed by The Moonlight Convention. After making the album Angel Headed Hip Hop and performing live through the UK, Bensassi started to digitise <mask>' articles, play scripts, and underground writings. The collection of <mask>' work was published in a book called Echoes of the Underground: A Footsoldier's Tales. The book includes rare interviews with beat poet Michael McClure, the director of the musical Hair, Tom O'Horgan, Michael Hollingshead, and the author of 'Waiting for the Man'. <mask> was the Cannabis Is Safer Than Alcohol candidate in the 2016 London mayoral election. He was in ninth place out of twelve candidates, getting 20,537 first-round votes and 67,495 second-preference votes.Ian Peel wrote The Unknown Paul McCartney: McCartney and the Avant Garde. Steven Russell said "The beat goes on". "Coming down again" is chapter 12 of Andy Roberts' book "Albion Dreaming: A popular history of LSD in Britain". Roger Sabin is the author of Adult Comics: An introduction. Chester P Hakenbush and other underground classics are included in Bryan Talbot's Brainstorm. Chris was rendered. The Best of Home-Grown is a book.Underground: The London Alternative Press was written by Nigel Fountain. <mask> was involved with the Arts Lab in 1966 and 1936.

masks:
Lee Harris
Harris
Harris
Harris
Harris
Lee Harris
Harris
Lee
Harris
Harris
Harris
Harris
Harris
Lee
Harris
Harris
Harris
Harris
Harris
Harris
Lee Harris
Lee Harris
Lee Harris
Harris
Harris
Lee Harris