title: Adelaide Hall

texts: A jazz singer and entertainer from the US, <mask> was born in the UK in 1901. She was a major figure in the Harlem Renaissance and worked for more than 70 years. <mask> entered the Guinness Book of World Records in 2003 as the world's most enduring recording artist, having released material over eight decades. She made her most famous recording as a jazz singer with Duke Ellington. <mask> was born to Elizabeth and <mask> in 1901. When Evelyn died of the flu in 1918, she left her sister to support herself and her mother. <mask> married a British sailor who was born in Trinidad and Tobago.He opened a club in New York called "The Big Apple" and became her official business manager after they married. <mask>'s stage career began in 1921 on Broadway in the chorus line of Noble Sissle's and Eubie Blake's musical Shuffle Along. <mask>'s career was propelled by Shuffle Along. She appeared in a number of black musical shows, including Runnin' Wild on Broadway in 1923, in which she sang James P. Johnson's hit song "Old-Fashioned Love." The Chocolate Kiddies European tour took place in 1925. Songs written by Duke Ellington were included in the show. <mask> was hired to join the cast of the Chocolate Kiddies in New York, where they practiced before setting sail for Europe.The tour began in Germany on 17 May 1925 and ended in Paris, France in December 1925. Europeans were given a sampling of black entertainment from New York. The cast included The Three Eddies, the Goins, the Greenlees, and the Wooding's Orchestra. Sam Wooding and his Orchestra toured Chocolate Kiddies for several years after the initial tour ended. <mask> sang at Berlin's renowned transvestite club during her visit to Germany. Cabaret and the musical of the same name, as well as Christopher Isherwood's 1939 novel Goodbye to Berlin, are all about the venue. After appearing in the Broadway musical My Magnolia, which had a score written by Luckey Roberts and Alex C. Rogers, she also appeared in Tan Town Topics with songs written by Fats Waller.The film was written by Andy Razaf and J. C. Johnson and toured America from October 1926 to September 1927. After touring Europe with the Chocolate Kiddies, she was featured in Tan Town Topics, a revue containing songs written by Fats Waller and Spencer Williams. A dance troupe called the Tan Town Topics Vamps was part of the cast. On April 5, the show opened at the Lafayette Theatre in Harlem, followed by a short road tour that took in Baltimore, Chicago and Philadelphia. <mask> was in residency at Small's Paradise in New York in July of 1926. On Tuesday, October 5th, <mask> was at Small's Paradise for a party called "Handy Night" to celebrate the release of his new book. They provided a selection of jazz and blues numbers.<mask> toured America playing the TOBA circuit until September 1927 in the show "Desires of 1927", which was conceived and produced by J. Homer Tutt. <mask> and her assistants have a show. Speed, pretty girls, catchy music, a touch of art, which touches the border line of nudity, the names of such well-known stage celebrities as <mask>, J. Homer Tutt, Henry "Gang" Jones, the Harmony Trio, Charles Hawkins, Arthur Porter, <mask>'s performance included several songs, flat-foot dancing and accompanying herself on the ukulele while singing, as well as being billed as the star "soubrette" of the show. In New York in October 1927, <mask> recorded her wordless vocals on "Creole Love Call" and "The Blues I Love To Sing" with Duke Ellington and his Orchestra. "Creole Love Call" catapulted both <mask>'s and Ellington's careers into the mainstream. The story behind "Creole Love Call"'s conception is interesting due to the fact that <mask> and Duke Ellington toured in the same show in 1927.Before reaching New York City, the show played in several large cities. <mask> traveled from Chicago to New York City in her Packard automobile with her husband. <mask> was approached in 7th Avenue by a reporter who inquired about her career plans. <mask> didn't tell the reporter anything. Miss <mask> was featured on the front pages of several newspapers, leading to speculation that she would be starring in a Broadway show. During the month of November, <mask> and Ellington appeared together in Dance Mania at the Lafayette Theatre, Harlem for one week before heading off to play in Philadelphia, Pennsylvania at the Standard Theatre. Duke and his orchestra performed in the second half of the bill after <mask> closed the first half.Duke included a new number "Creole Love Call" in his set. When Duke first played "Creole Love Call", I was standing in the wings behind the piano. I was humming with the band. He stopped the number and told me what he was looking for. Can you do it again? I said I couldn't because I didn't know what I was doing. He asked me to try.He was delighted and said "Addie, you're going to record this with the band" after I sang the counter melody. I did a couple of days later. Duke explained to the reporter that the band is an accumulation of personality and that they only use the materials at hand. On December 4, 1927, the Cotton Club in Harlem was the site of the first residency by Ellington and his Orchestra. <mask> was singing "Creole Love Call". "Creole Love Call" entered the charts in 1928. The United States of America is known as 29 (USA)."I Must Have That Man" and "Baby" were recorded on January 7, 1933. In 1928, <mask> starred on Broadway with Bill "Bojangles" Robinson, Tim Moore and Aida Ward. The show made <mask> and Bojangles household names and became the most successful all-black show ever staged on Broadway. After Florence Mills' success in the hit London show Blackbirds, impresario Lew Leslie was going to build a show around her in New York. She was chosen to be replaced by <mask>. The show opened in New York in January of 1928 under the name "Blackbird Revue" before moving to Broadway's Liberty Theatre where it ran for 518 performances. The show became a hit after a slow start.A sensation was created by <mask>'s performance. Her mother tried to stop the show when she went to see it and banned her from appearing in future performances after she found out she was doing risque dance moves. The ban only lasted for one performance, and <mask> returned triumphantly to her role the next day. It was reported in the press of the day that the show's producer Lew Leslie was so concerned about race violence connected with the controversy surrounding <mask>'s performance that he took out a hefty insurance policy to cover the cast. The musical, which ran for four months at the Moulin Rouge in Paris, France in 1929, secured <mask>'s success in the USA and also in Europe. After arriving in Paris from America at the Gare Saint-Lazare, she was greeted by a large reception of fans and reporters that was reported to be as large as the reception Charlie Chaplin received in Paris two years earlier. The poster "Le Tumulte Noir - Dancer in Magenta" is a 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846An original poster of <mask> by Paul Colin was sold at a New York auction in October of 2003 for $167,500. <mask> was more popular in Europe than Josephine Baker. <mask>'s performances of the songs "I Can't Give You Anything but Love, Baby", "Diga Diga Do", "Bandanna Babies" and "I Must Have That Man" were made. Lew Leslie threw a big party in the Paris suburb of Authie to thank the cast for their success at the Moulin Rouge and invited several cultural figures, including the visual artist Man. A rare group photograph taken at the event in which <mask> is seated in the centre surrounded by guests including actress and music hall star Mistinguett, recently surfaced and was sold at a New York auction for $2,640. The road tour of the US opened in Chicago on the evening of 26 November 1929 after the cast sailed from France in the fall of 1929. <mask> left the production in Chicago and returned to New York.There was a rumour that <mask> and Bill "Bojangles" Robinson would be on stage again after <mask> quit the band at the end of 1929. In 1930, <mask> and Bill "Bojangles" Robinson starred together twice at New York's Palace Theatre on Broadway. Both appearances were for an engagement. During her February appearance at the Palace Theatre, she received a roaring welcome in front of a capacity house, and took six bows at the end of her performance. LewLeslie tried everything in his capacity bar to prevent <mask> from appearing at any venue without his consent since she quit Blackbirds, it was noted in several newspapers. After failing, she was able to restrain herself from using any of the songs from the band in her show. In October 1930, <mask> and Bojangles were teaming up again, this time by Forkins, to star in the Broadway musical Brown Buddies.The musical opened on Broadway and ran for four months before embarking on a tour of the US. The core of the music was composed by Millard Thomas but also featured songs by other people. Arthur Sizemore and Edward G. Nelson. After an out-of-town try-out, the musical opened on 7 October at the Liberty Theatre, New York, where it ran a fairly solid run until 10 January 1931. In 1931, <mask> embarked on a world concert tour that took him to America and Europe. More than one million people watched the tour. She appeared at New York's Palace Theatre four times.Two pianists played on stage with her. During this tour, <mask> discovered and employed the blind pianist Art Tatum, who she brought back to New York with her at the end of the tour. "I'll Never Be the Same", "This Time It's Love", and "You Gave Me Everything but Love" were recorded by <mask> in August of 1932. A review from January 25, 1932 of her show at theRiverside Theatre, Milwaukee in The Milwaukee Sentinel wrote of <mask>'s performance:<mask>, attractive young colored singer, dominates a vaudeville of staggering proportions. <mask> has a blues voice that gets you and she has a fine dramatic sense. Her interpretation of "River Stay Away From My Door" is very good. Her gowns are beautiful.In the fall of 1932, <mask> and her husband purchased a lease on an exclusive freehold residential estate in the Village of Larchmont in the New York suburb of Westchester County. As news of her arrival in Larchmont leaked into the local media she began to encounter racial opposition from her white upper-middle-class neighbors, who threatened court action to have <mask> evicted. After her home was broken into and an attempt was made to set it alight, news of the attack hit national newspaper headlines. After receiving hundreds of letters of support from the American public imploring her to stick it out, <mask> stood her ground and in a press statement she issued insisted that she was a true American citizen as her ancestry could be traced back to the Shinnecock Indian. <mask> returned to New York to appear in a music show at the Harlem Opera House. T.Y. was a journalist from the Pittsburgh Courier newspaper. In his review of <mask>'s performance, he wrote that she was excellent and that he was so excited to be at the show that he forgot the title of the songs she performed.He apologized for the mistake. He said that <mask> was accompanied on stage by a guitar "troubadour" and a blind pianist who could really play. Miss <mask>, the darling girl with the guitar and the mellifluent voice, stole into the callous hearts of an analytical public at the Regal theater last week after her performance at the American concert tour <mask>'s itinerary included all the principal cities and lasted 30 weeks World Fair City, Chicago She made them feel good with her voice, demeanor and beauty. She sings 'Stormy Weather' all her own. Chicago was in Australia for a whole week. Her majesty was supreme.The Bud Billiken Parade and Picnic took place during the Chicago World Fair. African Americans came out in large numbers to support the event. The event was named after a weekly column in the children's section of the Chicago Defender. Billiken became a symbol of hope and pride for African-American youth. After the famous parade, a huge free picnic event was held in Washington Park that included games, music, entertainment, dancing and ice cream. In front of an estimated 50,000 people, the guest of honour was performing in concert at the event. Cab Calloway, Earl Hines, and The Sioux Tribe of Native Americans were at the event.Although crippled from a fall into a manhole while appearing in Boston the week prior to her New York engagement,<mask>, the Pittsburgh Courier said in a review of the Stormy Weather Revue, starring <mask> in New York, dated 29 November 1933. In October 1933, for the

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title: Adelaide Hall

type: paraphrased

texts: first time in history, the entire floor revue from Harlem's Cotton Club went on tour, playing theatres in principal cities across the U.S. The Mills Blue Rhythm Band and George Dewey Washington performed. The Cotton Club Parade was originally called The Cotton Club Parade, but it was changed to the Stormy Weather Revue for the road tour. The hit song "Stormy Weather", written by Harold Arlen and Ted Koehler, was introduced at the Cotton Club in the Cotton Club Parade of 1933. Chocolate Soldiers opened at the new Apollo Theater in Harlem on February 14, 1934. The show was produced by Clarence Robinson and helped to establish the Apollo as Harlem's premier theatre.<mask> opened at Harlem's Cotton Club in The Cotton Club Parade 24th Edition. It was the biggest show ever staged there. The show was at the Cotton Club for six months. The songs "Ill Wind" and "Primitive Donna" were written for her by Harold Arlen and Ted Koehler. Nitrogen smoke was used to cover the floor of the stage during <mask>'s rendition of "Ill Wind". It was the first time such an effect had been used on a stage and caused a sensation. The show was so successful that the entire production went on a road tour.<mask> performed a coast-to-coast American/Canadian concert tour in the South in 1935. She gave an interview before the tour began, which was published in The Afro-American newspaper on March 16, 1935. In the interview <mask> gives a rare insight into her life and her home in the Village of Larchmont, revealing how dramatically her circumstances had changed since her humble upbringing in Harlem. Tyler says that the singer owns and drives her car, roller skates, swims, plays tennis, and enjoys horseback riding. Miss <mask> will resume her career when she retires from public life. I ran away from school to try to get a stage career when I was a kid. I was sent back to school to continue my training after being arrested.I am proud that I am more than an actress. Tyler asks about the upcoming American and Canadian concert tour, which will take her deep into the South, "What do you think of such a tour, under the conditions that exist in the South?" The experience of a couple of years ago while on a coast-to-coast tour should serve me well. I think I will be able to adapt to the conditions that exist. I don't want to go into many details. <mask> was a regular on the New York radio station WNCA in the summer of 1935. In 1935 <mask> moved to Paris, France and lived there until 1938.Her husband opened a nightclub for her in Paris called La Grosse Pomme, which was located at 73 rue Pigalle in Montmartre. The club held about two hundred people. I made this entrance from the attic. I kept all the boxes of food and wine up there with me. During an interview, <mask> said that he came down the stairs in the most gorgeous costumes he had ever seen. One of the house bands <mask>'s husband hired was the Quintette du Hot Club de France. <mask> was in the Black and White Revue at the beginning of 1936.The show of 50 performers opened in Paris, France and traveled to Switzerland for a tour. Albert Gaubier, a ballet master who had danced under the direction of Serge Diaghilev in the Russian company Ballets Russes, choreographed the show. Henry Crowder directed the orchestra that traveled with the production. <mask> appeared at Berlin's Rex Theatre singing jazz during the 1936 Summer Olympics. Her performance was notable for her opposition to Hitler's ban on jazz music being played. In 1937, <mask> choreographed her own version of the Can-can dance and would perform it at her Montmartre nightclub La Grosse Pomme. The Truckin' dance craze was introduced to the Parisians by <mask>.During her residence in Europe, <mask> sang with several orchestras, including those of Willie Lewis and Ray Ventura; in 1937, she recorded four songs with Kai Ewans and his Orchestra for the Tono record label. Over to Paris was broadcast on 13 May 1938 from a Paris studio and featured a variety of famous Parisian artists of radio, cabaret and the music hall. The show had performances from <mask> and Mistinguett. After many years performing in the US and Europe, <mask> moved to the United Kingdom in 1938 to take a starring role in a musical version of The Sun Never Sets at the Theatre Royal. She became so popular in Britain that she stayed there and became one of the most popular entertainers of the time. <mask> lived in London until her death. <mask> recorded "I Can't Give You Anything But Love" and "That Old feeling" at London's Abbey Road Studios on August 28, 1938.HMV Records released the recordings. On September 10, 1938, she appeared in a live broadcast at London's St George's Hall. Harlem was broadcasted from <mask>'s London nightclub, the Old Florida Club. Also on the bill were Esther and Louise, Eddie Lewis, and Fela and his Negro Choir and Orchestra. <mask> was performing at the Old Florida Club when the show was broadcast. Kentucky Minstrels, which was transmitted live from the RadiOlympia Theatre in London, was performed by <mask>. On Friday, 1 September 1939, <mask> was scheduled to appear in a live broadcast from the RadiOlympia Theatre.Nosmo King, The Gordon RadiOlympia Girls, and Bobby Howell and his Band were1-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-6556 The service went off the air for seven years after the government ordered it to shut down. The show Variety never took place at RadiOlympia, and The Times newspaper noted in their section 'News in Brief' that the country was placed on a war footing. Variety was one of the first British theatrical casualties of World War II and part of the mystery surrounding "what really happened at the BBC on 1 September 1939?" <mask> was a featured vocalist with Joe Loss & His Band from 1939 to 1941. She toured the UK extensively during these years, and was supported by comedian Oliver Wakefield and pianist George Elrick. <mask> entertained the troops in Europe for the USO and the British equivalent ENSA while she was a captain.Her uniform was made by a woman in Mayfair, London. The first world radio broadcast was held on 17 October 1939. One of the most sensational live radio broadcasts ever attempted by the BBC was hosted by <mask> on 17 October 1939. It was the first large-scale variety concert organised by ENSA and took place in front of a specially invited audience of RAF personnel. It was the first time a live show had ever been broadcasted by the BBC around the globe. The Western Brothers, Mantovani and His Orchestra, and Harry Roy and his Band were on the bill. While entertaining the troops across Europe and in the UK, some of whom were wounded, <mask> had to sing without music, but it was a challenge and so rewarding to get all the people to sing with her.Even though we could hear bombs exploding outside the theatre, we carried on with the performance. The all-clear sounded at 3:45 a.m. after I had sung 54 songs. The amount of encores sung by one artist on stage is believed to be a world record. One of the first entertainers to enter Germany before the war ended was <mask>. She was with the troops as they moved towards Berlin. <mask>'s career was almost complete. She made more than 70 records for Decca and was the first black artist to have a long-term contract with the BBC.During World War II, she became one of Britain's highest paid entertainers because she was popular with civilian and Entertainments National Service Association (ENSA) audiences. The Old Florida Club was destroyed by a landmine during an air raid in 1939. Her husband was in the cellar of the club when the landmine exploded. In The Thief of Bagdad, directed by Michael Powell and produced by Alexander Korda, <mask> sings Lullaby of the Princess, written by Mikls Rzsa. In 1943, <mask> appeared in an ENSA radio show called Spotlight on the Stars, in which she was accompanied by the BBC Variety Orchestra. She mentioned that she had just returned from a tour. <mask>'s recording of 'Careless' stayed in the British charts for two weeks.In the August 1940 issue of British Vogue magazine, a photograph of <mask> appeared under the caption "<mask> and her husband run the Florida." His show was fun. <mask>'s recording of "There Goes That Song Again" entered the British charts at number 15. In 1947, <mask> appeared in a live recording of her performance at the RadiOlympia Theatre. The 'Cafe Continental' stage was used for the filming of the Variety in Sepia show. <mask> sings "Chi-Baba, Chi-Baba (My Bambino Go to Sleep)" and "I Can't Give You Anything But Love" and accompanies herself on ukulele and dancing. The show was 60 minutes long and included performances from Evelyn Dove, Cyril Blake and his band, Edric Connor, and Mable Lee.There is only six minutes of <mask> in the show. <mask> appeared in a British movie in 1948. The movie was intended to highlight the contribution of black men and women to British society at a time when they were struggling for visibility on the screens. There are only six reels of rushes left, including scenes of <mask> rehearsing songs such as "Swing Low, Sweet Chariot" and "The Gospel Train", which were published in 1872 as one of the songs. <mask> appeared on two British TV shows in 1949. <mask> recorded five spirituals with the pianist Kenneth Cantril. "Swing Low Sweet Chariot", " Bye and Bye", "Nobody Know De Trouble I've seen", and "Sometimes I Feel Like a Motherless Child" were the five songs released by London Records.The first ever British comedy series How Do You View was written by Sid Colin and Talbot Rothwell and starred Terry-Thomas. <mask> appeared on the bill of the Royal Variety Performance at the Victoria Palace Theatre in the presence of Princess Elizabeth and Princess Margaret. <mask> was the first black female artiste to ever perform in the Royal Variety Performance. <mask> entertained at private parties for the Duke and Duchess of Windsor. She was one of the many performers at an all-star midnight Anglo-American Gala at the London Coliseum on the night of Monday December 11, 1951, before the then Princess Elizabeth and the Duke of Edinburgh. <mask> and her husband opened a club in Regent Street, London, in the early 1950s. The press reported that Princess Elizabeth was a frequent visitor and that <mask> had taught her the Charleston.In the 1951 London run of Kiss Me, Kate played the role of Hattie, singing Cole Porter's "Another Op'nin', Another Show", and in the 1952 London musical Love From Judy, Kate played the role of Butterfly. Love From Judy was filmed with the original cast and 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 She played Someone to Talk To in the West End. In 1957, Hall returned to America to reprise his role in the musical Jamaica. The premiere of Jamaica took place in Philadelphia in 1957 and moved to Broadway in October. Hall was one of the lead characters in Rodgers and Hammerstein's new musical Flower Drum Song. On April 1, 1960, Hall appeared on The Music Goes Round hosted by John Watt.The show was similar to the radio show Songs from the Shows. On 3 March 1965, <mask> appeared on television in a show about poetry and jazz. Janie Jones was a new American play written by Robert P. Hillier and directed by Peter Cotes. The cast included an American. The play ran for a week at the Manchester Opera House before it opened at the New Theatre in London. <mask> made two jazz recordings. She sang at Duke Ellington's memorial service at St Martin-in-the-Fields in 1974.She was a panelist on the British TV shows Looks Familiar and What Is Jazz. She appeared on British TV in It Don't Mean a Thing. In 1981 he was a guest on the Michael Parkinson show. <mask> performed at a concert at St Paul's Cathedral in London in July of 1982. The Sacred Music of Duke Ellington was filmed for a Channel 4 TV documentary. The New Swingle Singers and Tony Bennett were among the artists who took part. The concert was narrated by Douglas Fairbanks Jr.In May 1980, <mask> appeared in the cast of Black Broadway at the Town Hall in New York. John W. Bubbles of Buck and Bubbles fame was one of the artists who appeared in the show. The show was staged at the Town Hall in 1980 after being staged at the Newport Jazz Festival in 1979. <mask> performed three shows a night for three weeks at Michael's Pub in New York. She performed at the Playboy Jazz Festival in June of 1980. Other artists on the bill included Zoot

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title: Adelaide Hall

texts: Sims and Stéphane Grappelli. The Newport Jazz Festival had a tribute to the Women of Jazz on July 2, 1980.The program featured music by <mask>, Big Mama Thornton, and others. The Duke Ellington tribute concert was held at St. Paul's Cathedral, London, in 1982. In 1983, <mask> appeared on the bill of the 100th birthday celebration for composer EubieBlake at the Shubert Theater in New York. With the help of a special telephone hook-up he was able to listen to the entire two-hour show even though he wasn't able to attend. <mask> began his engagement at The Cookery in New York on April 5, 1983. Her escort was Frank Tate. <mask> was in the cast of Omnibus: The Cotton Club comes to the Ritz, a 60-minute documentary in which some of the performers from Harlem's Cotton Club were filmed performing at the Ritz Hotel in London, along with contemporary musicians.Cab Calloway and his Orchestra, Doc Cheatham, Max Roach, and the Nicholas Brothers were also on the bill. <mask> appeared on British TV in 1985 in a documentary called The Real Cotton Club. <mask> performed at the Barbican Centre in July of 1986. <mask> presented a one-woman show at Carnegie Hall. In December 1988 she presented the show at the King's Head Theatre. She made two guest appearances on the Desert Island Discs programme. The world premiere of the Queen's Suite, written for Queen Elizabeth II, was performed at the Royal Festival Hall in 1989.The Bob Wilber Band, Tony Coe and Alan Cohen performed. The concert was filmed. <mask> appeared in concert at the studio theatre in 1989. The concert sold out almost as soon as it was announced. In 1990, <mask> starred in a Channel 4 documentary about her life that aired on July 24, 1990 and included a performance of her in concert recorded live at theRiverside Studios in London. In 1992 she performed at Carnegie Hall in the Cabaret Comes to Carnegie series. She received a Gold Badge Award from the British Academy of Songwriters, Composers and Authors.She said that she was proud to be acknowledged. They said you look like a queen. You don't look over 60. You look great. I wore a sequin suit. I think I was the oldest one there. I ate all the things that came along.The death of <mask> took place in the early hours of November 7, 1993 at London's Charing Cross Hospital. Her funeral took place in New York at the Cathedral of the Incarnation and she was laid to rest next to her mother in Brooklyn. In London, a memorial service was held for her at St Paul's, Covent Garden, which was attended by many stars including Elaine Delmar. "<mask> lived to be ninety-two and never grew old," remarked Michael Parkinson during his eulogy. <mask> was named on a list of 14 "Inspirational black British women throughout history" by the Evening Standard. The La Grosse Pomme nightclub is located in Pigalle, Paris, during March 1939 in the novel I Spy the Wolf by Stephen Davis. One of the major entertainers of the Harlem Renaissance was <mask>.She is considered to be one of the world's first jazz singers and a pioneer of scat singing. <mask> was the first female vocalist to record with Duke Ellington. She is the 20th century's most enduring female recording artist, having been in the business for eight decades. <mask> was Britain's highest paid female entertainer in 1941. In the " 100 Great Records of the 1920s" <mask> is at number 26 with Duke Ellington's Orchestra, singing "The Blues I Love to Sing". Jazz singers too had not been without influence on the development of this (Jazz) music, as stated by influential writer Langston Hughes in his book Famous Negro Music Makers. Blair Niles wrote a novel called Strange Brother which was published in 1931.Like Venus Fading was written in 1998 and was inspired by the lives of <mask>, Josephine Baker and Dandridge. The effect <mask> had on her audience at the Cotton Club is captured in a novel by Ron Kase. George Gershwin was in the audience for <mask>'s performance in the Cotton Club Parade. The account is based on fact. "When Harry Met Addie" was written in 1999. It was written as a tribute to <mask>. The Duke Ellington Memorial Concert at the Queen Elizabeth Hall, London on 1 May 1999, was the first time the piece was performed.Diego Masson conducted the London Sinfonietta Big Band. In Francis Ford Coppola's 1984 film The Cotton Club, <mask> was portrayed as a nightclub chanteuse. After the birth of Eric Bartholomew's son, <mask>'s husband suggested that he change his stage name to Morecambe. Laura Mvula revealed in an interview with Pete Lewis that her song "Sing to the Moon" (from her hit debut album Sing to the Moon, RCA/Sony Music) was inspired by the 2003 movie Underneath a Harlem Moon. She had a hard time growing up because her sister died tragically of an illness. There is a point in the story where she talks about her close relationship with her father and how he used to say to her 'Sing to the moon and the stars will'. It became a saying that I liked to use myself.I thought 'Sing to the Moon' would be a good title for the whole album because it's become something I like to express. On August 11, 2014, Mvula released her second album, an orchestral version of Sing to the Moon, and on August 19, she performed the entire album at the Royal Albert Hall, accompanied by the Metropole Orkes. XXXTentacion incorporated "Sing to the Moon" into his song "Vice City" in order to launch his music career. The Broadway musical After Midnight features the music of Duke Ellington, Jimmy McHugh, and Harold Arlen, and opened in New York on November 3, 2013. The show is an idealised fantasy of Harlem in its 1920s–1930s heyday and salutes black musicians and performers who became international stars during that era. Carmen Ruby Floyd's performance of "Creole Love Call" is one of the three songs that <mask> introduced in the show. There is a song in the show.A Nite at the Cotton Club opened at the Southern Broadway Dinner Theatre at The Historic Hildreth Brothers Building in Alabama, in which the actress Brandy Davis portrays <mask>. The entire run sold out. The American Society of Composers, Authors and Publishers (ASCAP) celebrated its 100th anniversary in February of this year. Each year, one song was chosen to represent. The song "I Can't Give You Anything but Love, Baby", written for the Broadway show "Blackbirds of 1928", was chosen for 1928, and <mask>'s recording of the song was chosen to represent the year. As part of Black History Month in June 2020, Sherman's showcase, an American musical TV comedy series created by actors Bashir Salahuddin and Diallo Riddle, portrayed <mask> in a Harlem Renaissance meets Downton Abbey musical sketch titled "Downton Addy's." The show was broadcasted on two stations.Bashir Salahuddin played the part of Paul Robeson, Day'Nah Cooper played the part of Addy <mask>, and Nefetari Spencer played the part of Zora Neale Hurston. Ariyela looked at the movie for visual references. Rolling Stone called it the hidden gem of sketch comedy, The New York Times said it was "irreverent", and Salon said it was "bright, accessibly silly and uproarious". It is a very easy show to fall in love with. The Black Plaque Project, an initiative of the Nubian Jak Community Trust, honoured <mask> with a plaque in 2021. The plaque was placed in the Abbey Road Recording Studios in St John's Wood, London, where <mask> recorded with Fats Waller. The Black Plaque Project honors the achievements of members of the UK's black community.The people of colour who have made a major contribution to the stage musical were acknowledged by 1 Minute Theatre Reviews. "Sing to the moon Addie and the stars will shine." The life and career of <mask> Hall is narrated by the actress Laura Adams and is featured on a women's magazine. The script is titled "Sing to the moon Addie and the stars will shine" and can be heard on the Women Inspire website. Discography 1927–1938 The Decca years, 1939–1945 Odeon (Argentina) 1943 London Records, Spirituals, and Oriole. Variety in Sepia, A World Is Turning, and British Pathé Newsreel Love From Judy are TV movies. The scenes from Night and the City were deleted from the final edit.The Sacred Music of Duke Ellington was recorded at St. Paul's Cathedral, London. The Little Black Dress is at the Museum and Art Gallery. The Little Black Dress is at the London Fashion Museum. Keep Smiling Through: Black Londoners on the Home Front 1939–1945 is a book by The Cuming Museum. Jazzonia and the Harlem Diaspora is a movie. The London Palladium is on permanent display. The collection spotlights 100 years of black performers at the Palladium, including the Harlem Renaissance star who made her London debut at the venue in 1931.Oh! Art installation, Wimbledon Space, Wimbledon College of Art, London. There is no archive for Nothing Gets Lost. The Museum of Fine Arts, Glassell School of Art is located at 5101 Montrose Boulevard in Houston, America. The exhibition Creole Love Call will be held in Austria from January to February. The Harlem Renaissance is located in the Caribbean. Iniva, London EC2A 3BA, is home to the Scat: Sound and Collaboration.Untitled is an etching. The studio museum is in Harlem, NY. She pays tribute to 14 black female contributors to British music history in her 2006 etching. Dame Shirley Bassey is one of the performers featured in the composition. Black Women in Britain, Black Cultural Archives, 1 Windrush Square, is located in London SW2 1EF. The emergence of Jazz in Britain and its continuing influence over the last century is explored in Rhythm & Reaction: The Age of Jazz in Britain. There were two pictures of <mask>, one by photographer Angus McBean, and another extremely rare photograph of <mask> taken at her Florida nightclub, on display at the exhibition.The Indiana University Archives of African American Music and Culture at Indiana University contains a collection of photographic materials related to <mask>'s performance career. It was 47408-4662. The private Adelaide Hall Collection is owned by writer Iain Cameron Williams and his former manager Kate Greer. The film The Thief of Bagdad was directed by Alexander Korda. Audio, interviews, live concert tapes, and recordings are some of the rare items in the archive of the British Library in London. The soundtrack of Night and the City is included in the British Lion Film Production disc collection. Germaine Krull photographed a portrait of singer <mask> at the Moulin Rouge in Paris in 1929.The Adelaide Hall photograph collection series consists of boxes 17 and 36. There's a photograph of <mask> in the archive, including one of her singing "There's Something in the Air" at the Florida Club in London. An extremely rare picture of <mask> performing in concert in 1930, and a portrait photograph of <mask> by John D. Kisch circa. 1934. There are two caricatures of <mask> Hall by the artist Al Hirschfeld, one dated 1928 and the other 1929. The David Lund Collection held at the British Library contains live audio recordings of the University College School Theatre in London. There is a photograph of Miss 1929 Hall by Walery in the Special Collection.The Museo Alinari Image is in Trieste, Italy. 1925–29 The National Jazz Archive (UK) has a large collection of magazines and newspapers containing articles and reports about the career of <mask>. There are two portraits from the 1940s in the National Portrait Gallery. The New York Public Library has a recording of a concert in New York in the early 1990s. The National Portrait Gallery Collection in Washington D.C. has a portrait of <mask> by Paul Colin. There are various posters relating to <mask>'s career, as well as a watercolor caricature of her by Gilbert Sommerlad, drawn during her starring role in the musical Love from Judy, in the Victoria and Albert Museum.Part of the Henry Hurford Janes - Josephine Baker Collection at Yale University Archives was dated 1976- 1979. The Beinecke Rare Book and Manuscript Library contains rare photographs of <mask> performing on stage during her 1931-1932 World Tour at the Palace Theatre, Times Square, New York. The Beinecke Rare Book and Manuscript Library is at the Yale University. The oral history of jazz in Britain was written by the journalist and radio host Max Jones. The transcripts from the taped recording can be requested at the British Library. Three excerpts from the interview can be heard in an article on the British Library's website, including one where she explains how she came up with the counter-melody in the worldwide hit "Creole Love Call". Find A Grave adelaide-louise-hall sources include Ian Carr, Digby Fairweather and Brian Priestley.The Rough Guide is about jazz. Lucy Shacklock, "Adelaide Hall", and "African Stories in Hull and East Yorkshire" are External links. A Cabaret Moment features a live recording of <mask> performing in New York in the early 1990s. Don Smith presented the program on Cabaret Night on the radio. A Cabaret Moment starring <mask> was hosted by Donald F. Smith. WNYC has archives. African-American female dancers, African-American actresses, 20th-century African-American women singers, and American female dancers died in

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Adelaide Hall
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Miss Hall
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Adelaide Hall


title: Fland Feblae mac Scandláin

texts: Saint <mask> mac Scandlin is also known as Flan Febla. Fland Feblae was from the county of Monaghan. The king of that district was the son of Scandln mac Fngin. Scandln died in 674/5. Fland Feblae was descended from the same family as the other one. Saint Maoldoid, Abbot of Muckno, Co. Monaghan, was Fland's paternal uncle. Maol Murcair is thought to have succeeded to the kingship on Scandln's death.The family of O'Hanratty or O'Hinnreachtaigh claim to be descended from Maol Murcair. <mask> Feblae was sent to be fostered by Berchn when he was a young boy. The poem "Ind rth hi Comair in dairfheda" was written by Berchn. <mask> Feblae was referred to as a "si epscop" because of this fosterage under a poet. <mask> Feblae was appointed as the 18th coarb in succession to Saint Patrick after the death of Saint Ségéne. <mask> Feblae was the Bishop for 27 years. It was burned in 670 when he was two years into his reign."The burning of Ard Macha" is a state in the Annals of Ulster. Before the death of Bishop Ségéne, Bishop Aed of Sletty, County Laois, placed his Leinster diocese under the protection of Armagh using a procedure of surrender and regrant. The event emphasized the importance of Armagh over Kildare. When <mask> Feblae was made Bishop in order to renew the vows of obedience to him, Bishop Conchad went to Armagh. Aed was bishop in Slebte according to the Additamenta. He went to Northern Ireland. His inheritance was brought by him.Ségéne is in Armagh. Ségéne gave the inheritance to Aed, and Aed gave his family and church to Patrick. Aed left his inheritance to Conchad. Aed was succeeded as bishop by Conchad. <mask> Feblae gave Conchad his church. Conchad took the abbacy. There are two reasons Bishop Aed might have done this.To avoid being taken over by Kildare, it would be easier to comply with the demands of Armagh. The Roman custom was for Easter to be observed in Sletty. The nobles of Ireland were attempting to partition the High King's demesne of Tara and they sent for Fland Feblae. They said that they wouldn't participate in the feast of Tara until the manor of Tara was decided, how long it would take for it to be settled, and how they would be treated for the rest of their lives. It was not right for him to partition the manor of Tara without taking counsel of the head of Ireland or the successor of Patrick. Messengers were dispatched to Fiachra son of Colman son of Eogan to help them, for few were their learned men, and many were unlearned. The Prose Tales in the Rennes Dindshenchas are based on this story.The story of the notable steads of Ireland was written by the poet to the Dési of Tara. He was the son of the poet. When there was a convention of the men of Tara, he made demands of Finntan son of Lamech, Diarmait son of Cerball, and <mask> Febla son of Scandln. Finntan was fasted on by Amorgein for three days and three nights in the presence of the men and boys and girls of Tara, so that he could tell him the stories of the noteworthy places of the island. The rulers of the Church and State attended. <mask> <mask>, the president of the synod, was at the top of the list of attendees and guarantors, which indicates that he is the head of the Irish church. The community of Iona under Saint Adomnn still follows the tradition of fixing the date of Easter despite the fact that Armagh followed the Roman custom.The decision to allow <mask> Feblae to be president was seen as an acknowledgement of the importance of Ireland and not Iona. The High-King of Ireland loingsech mac engusso and 50 other chiefs attended the meeting. The "Law of the Innocents" or Cin Adomnin was proposed by Adomnn. Fland Feblae died on either April or July. The Annals of Ireland give the following obituaries. Ware states his feast day was 24 April, but Genealogiae Regum et Sanctorum Hiberniae states it was 24 July. The Martyrologies don't mention him.There were 715 deaths in the 8th-century Irish bishops.

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title: Larissa Behrendt

texts: <mask> is a legal academic, writer, filmmaker and Indigenous rights advocate. She is a professor of law and director of research and academic programs at the Jumbunna Institute for Indigenous Education and Research at the University of Technology. She was born in 1969 in Cooma, New South Wales, and her mother worked in naval intelligence while her father was an air traffic controller. He established the Aboriginal Research and Resource Centre at the University of New South Wales in 1988. After graduating from Kirrawee High School, Behrendt obtained a Bachelor of Jurisprudence and Bachelor of Laws degree from the University of New South Wales. She was admitted to practice as a lawyer by the Supreme Court of New South Wales. She graduated from Harvard Law School with a Master of Laws in 1994 and a Doctor of Juridical Science in 1998 after working in family law and legal aid.The first indigenous Australian to graduate from Harvard Law School was <mask>. She is a graduate of the Australian Institute of Company Directors and the Australian Film, Television and Radio School. After graduating from Harvard Law School, <mask> worked in Canada for a year with a range of First Nations organizations. She represented the Assembly at the United Nations in 1999 when she worked with the Assembly of First Nations on a gender equality policy. She did a study for the Slavey people comparing native title developments in Australia, Canada and New Zealand. In 2000, Behrendt returned to Australia to become a researcher at the Australian National University. She was admitted to practise as a barrister in 2000.The institution of monarchy in Australia is opposed by Behrendt. Behrendt has been involved in several pro bono test cases involving adverse treatment of Aboriginal peoples in the criminal justice system. Between 2003 and 2012 she was the Alternative Chair of the Serious Offenders Review Council. She was a Land Commissioner on the Land and Environment Court. She is a professor of law and director of research and academic programs at the Jumbunna Institute for Indigenous Education and Research at the University of Technology. She is a Foundation Fellow of the Australian Academy of Law. Behrendt has been involved in issues around Indigenous education.She was one of the co-recipients of the first National Teaching Award. She has been an ambassador for the Gawura Campus of St Andrew's Cathedral School since at least 2012. She established a literacy program in Redfern as a founder of the Sydney Story Factory. <mask> was appointed to chair the Review of Higher Education Access and Outcomes for the federal government. The Review, tasked with providing a road map for Indigenous university education, delivered its report in September 2012 and received a positive response for its emphasis on achievable parity targets and the re-allocation of existing resources to support meaningful outcomes. The minister for tertiary education accepted all of the recommendations in the report. She was one of the co-chairs of the City of Sydney's Aboriginal and Torres Strait Islander Advisory Panel.<mask> is an advocate of increased funding for the arts and has played an active role in creating and supporting arts organizations. The first broadcast television network in Australia dedicated to Indigenous programming was chaired by her. She was appointed to the board of the dance theatre in 2008. In 2012 she was appointed to the board of Museums and Galleries. Since 2015, <mask> has chaired the Indigenous Advisory Panel at the Museum of Contemporary Art Australia. She has been a member of the Australia Council Major Performing Arts Panel since 2015, having previously been a board member of the Australian Major Performing Arts Group. Writing Behrendt has written about legal and Indigenous social justice issues.Achieving Social Justice is one of her books. The Treaty book was co-authored by her. The Commonwealth Writers Prize for Best First Novel in the south-east Asian/South Pacific region in 2005 was one of the three works of fiction written by Behrendt. Legacy was the winner of the Victorian Premier's Literary Award for Indigenous Writing. After Story was published in 2021. In 2012 Behrendt published Indigenous Australia For Dummies. Film Behrendt has written, directed, and/or produced a number of documentary films.Who do you think she is? She was an Indigenous consultant for Australia: The Story of Us. There are other projects. In 2016 <mask> and Michaela Perske were awarded the Indigenous Feature Documentary Initiative funding by the Adelaide Film Festival in conjunction with Screen Australia and KOJO to work on their feature documentary project, After the Apology. Kevin Rudd's apology to Australia's Indigenous peoples led to an increase in Indigenous child removal. It won the Best Direction of a Documentary Feature Film award from the Australian Directors Guild and was nominated in three other categories. The story of the people of Maralinga, South Australia, since the 1950s British nuclear tests at Maralinga is told in Maralinga Tjarutja, a May 2020 television documentary made by Blackfella Films for ABC Television. It was broadcast in order to give voice to the Indigenous people of the area and show how it affected their lives.It was given 4.5 stars by ScreenHub. The Maralinga Tjarutja people are shown in the film fighting for their rights to look after the contaminated land. A documentary film called The Fight Together is being written and directed by Behrendt. Speaking Out covers politics, arts and culture from a range of Indigenous perspectives. It broadcasts on ABC Radio National on Fridays at 8pm and on ABC Local Radio on Sundays at 9pm. The Lionel Murphy Foundation Scholarship was won by Behrendt. She was one of the co-recipients of the first National Teaching Award.Her fiction work Home won the David Unaipon Award. She won the award for outstanding achievement in literature in 2004. The 2005 Commonwealth Writers' Prize was for the best first novel. The National NAIDOC Person of the Year was named in 2009. The Prize for Indigenous Writing for Legacy was given by the Victorian premier. She was named the Australian of the Year in 2011. The AW Myer Indigenous Award was given by AFTRS.After the Apology won the Best Direction of a Documentary award from the Australian Directors Guild. <mask> was made an Officer in the General Division of the Order of Australia for her "distinguished service to Indigenous education and research, the law and the visual and performing arts". Kris Faller was married to <mask> while she was at Harvard. They were divorced after they separated. She had a long-term relationship with the current CEO of the New South Wales Aboriginal Land Council. In 2009, <mask> began a relationship with Michael Lavarch, the former Attorney-General of Australia. Short Stories The Space Between Us, in Behrendt et al., is a collection of novels.The book Achieving social justice: indigenous rights and Australia's future was published in 1995. She maintains that she was referring to the acrimonious nature of the debate on the television program Q+A. Behrendt wrote "I watched a show where a guy had sex with a horse and I'm sure it was less offensive than Bess Price", in response to a comment about Price's support for the Northern Territory intervention. Both publicly and privately, Behrendt apologized to Price. Several commentators agreed that the comment made her a target for a campaign of character assassination, most notably Robert Manne. Within two weeks, the Australian published 15 stories on Behrendt. The response to the court case in which she and eight others were involved was described as a coordinated response to the disparagement of Behrendt.<mask>'s name was used in two articles by Andrew Bolt. Bolt claimed that <mask> and other fair-skinned Aboriginal people claimed aboriginality to advance their careers. The Federal Court ruled that the articles were offensive. There are External links after the Apology 15-minute video, presented by Stan Grant in the program Matter of Fact with Stan Grant, which includes Behrendt and one of the grandmothers who features in the film. 20th century Australian novelists Living people Australian non-fiction writers Australian women novelists Australian republicans Harvard Law School alumni Indigenous Australian writers University of New South Wales Law School alumni

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Larissa Behrendt
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title: Robert Prescott Stewart

texts: One of the most influential (classical) musicians in 19th-century Ireland was Sir <mask>. <mask>'s grandfather moved to Ireland from the Lowlands of Scotland in 1780. His mother fostered his early talent in music. When he joined the choir school of Christ Church Cathedral, Dublin, in 1833, he received some thorough grounding in church music, even though he didn't study music in an academic sense. The Master of the Boys was Richard William Beaty. O.J. was his biographer. <mask>'s musical education was influenced by Archdeacon Magee and the Dean's vicar.He became organist at St. Patrick's Cathedral after succeeding John Robinson as cathedral organist. He was the conductor of the University of Dublin Choral Society for the rest of his life. He received his Bachelor of Music and Doctor of Music degrees from Trinity College, Dublin, at the same time, and was the Professor of Music there until the end of his life. <mask> was professor of piano, organ, harmony and counterpoint at the Royal Irish Academy of Music from 1869 to 1880. He conducted the Philharmonic Society (Dublin) and the Belfast Philharmonic Society. He was knighted for his services to music. He died in Dublin.Annie Curwen was one of <mask>'s most prominent students. Margaret O'Hea,Vincent O'Brien, and the writer John Millington Synge are some of the people. It is difficult to imagine how <mask> was able to find time to compose music. He was very prolific in this regard as well. Although he didn't write any symphonies or concertante works for orchestra, he concentrated on vocal music including large-scale cantatas, small-scale glees, songs and a number of organ pieces. The cantatas A Winter Night's Wake and The Eve of St John are his largest works. Many of these works are difficult to assess today because <mask> was very critical of his own output and destroyed a lot of it.<mask> was an extemporiser on the organ. He played in England on a number of occasions, beginning with a performance at the Crystal Palace on the occasion of the London Exhibition. For most of the twentieth century, <mask>'s music was considered uninspired and academic, as a writer put it in 1989: "<mask>'s music was generally a model of rectitude, but the absence of that creative spark which, after all, belongs only to a select few in There has been a revived interest in <mask>'s music, particularly his church music, and he has regained a firm place in the Irish cathedral repertoire today. A number of 1990s CD recordings show this newfound esteem. <mask> as Chancellor of the University of Dublin. The vocal score was published by J.J.Bradford and Dublin. The Belfry cantata is J.F. For chorus and orch. The Eve of St John was celebrated in the 19th century. For 9 individuals, a chorus and orch.London: Blockley, 1884 Installation Ode is a vocal score. For chorus and orch. The opening of the Dublin exhibition was celebrated with an Ode. For chorus and orch. The Ode to Shakespeare was written by Henry Toole. How should we close our gates? J.F.For male soloist, chorus and orch. An Irish Welcome to the American Rifle Team. Dublin: Morrison, 1875 Tercentenary Ode for soloist, chorus and orch. The church music Plead Thou My Cause was written in 1892. The exhibition grand march for piano is an instrumental music. When the Rosy Morn, Thou art coming with the sunshine, Dormi pur, my thoughts will wander far away. London: Broadhouse, 1884 A Little Organ School, ed.The 1946 arrangement of the finale from the symphony was written by A.M. Henderson. The Suite for 3 violins in G major was written by Novello. The Dawn of Day is Far Away is a song by The Fairest Flower. London: Novello, 1874O Phoebus, glee, and I Must Love Thee Still,Marion, song. The Bells of St Michael's Tower, glee, was written in 1897. The last two published London: Stanley Lucas & Weber, 1884 and 1884, contain the following: Joy and Sorrow, Sleep, What is Love?, Harp that Wildly Wreathing Sounds, Religion, Night Hurrying on. Stanley Lucas & Weber wrote The Reason Why for mixed choir in 1873.The song "How Shall I Think of Thee?" was written by Joseph Martin Emerson. The question is a song by R.W. Pigot (n.d.)How Should'st Thou Think of Me? The answer is a song by R.W. Dublin: Pigot (n.d.)O lovely Night for male choir. London: Augener, 1886Could I Keep Time from Flying, part song for male voices. There is a song from St Paul's Vol.The St Paul's Cathedral Choir performed the paratum cor meum. There is a song from St Paul's Vol. The Christ Church Cathedral Dublin Choir performed If Ye Love Me Keep My Commandments. Great Cathedral Anthems Vol. is on. The Christ Church Cathedral Dublin Choir performedThou O God Art Praised in Zion. Sing O Ye Heavens. Historic Anthems from Christ Church Cathedral Dublin.Vignoles wrote a memoir about Sir <mask><mask>. 1899). "Irish Church Composers and the Irish Cathedrals" was written by John S. Bumpus. Sir <mask>: With Reminiscences of his Life and Work was written by James C. Culwick. The Works of <mask> was written by James C. Culwick. The Institute of Irish Studies published William Henry: Irish Cathedral Music. The History of Music at Christ Church Cathedral was published in 2004.<mask> was a Victorian musician in Dublin. 19th-century conductors (music) 19th-century Irish people 19th-century male conductors

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Robert Stewart
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title: Brian Cadd

texts: A staple of Australian entertainment for over 50 years, <mask> AM is an Australian singer-songwriter, keyboardist, producer and record label founder. He has worked internationally throughout Europe and the United States, as well as being a member of numerous bands, including The Groop, Axiom, The Bootleg Family Band and Flying Burrito Brothers. When he first joined The Groop, he used the name <mask>. Cadd established his own record label called Bootleg Records and produced other Australian acts. He composed music for several films, including The Return of the Living Dead, Vampires on Bikini Beach, Morning of the Earth, and Don Kirshner's Rock. He has written for The Masters Apprentices, The Bootleg Family Band, The Pointer Sisters, Little River Band and John Farnham. Cadd was a member of the ARIA Hall of Fame.He received an award for his 50-year service to the music industry as a singer, songwriter, instrumentalist, mentor and producer in the Queens Birthday Honours. When Cadd was a child, he won a TV talent quest and was offered his first professional job as a pianist for a children's TV program. Cadd was involved in jazz music in the early 1960s when he played with the Beale Street Jazz Band and The Castaways. He was well known for his hats. The Jackson Kings recorded two singles, "Watch Your Step" and "Watermelon Man", in April 1966. Cadd and Charles were asked to join The Groop in October 1966 along with guitarist Don Mudie, after they had recorded singles, anEP and anLP. Ian "Molly" Meldrum <mask> changed his name after his family protested.The new line-up was <mask>, Charles, Mudie and Max Ross on bass and Richard Wright on drums. The first single was written by Cadd and Wright. 6 in the city. It was a hit in parts of the US. The song "When I Was Six Years Old" was written by Cadd and Ross. Publishers sent "When I Was Six Years Old" to England, where it was recorded by Paul Jones, after the band won a trip to the UK. The Groop's single was released in the UK and they toured there and in Germany after getting a deal with CBS.CBS decided to cover an Italian song, "What's the Good of Goodbye", despite the fact that band members wrote most of their hits in Australia. Ross left the Groop in October 1968 and they released two more singles before dissolving in May 1969. An uncredited appearance as instrumental support on Russell Morris' No. was their last recorded work. "The Real Thing" is a single. Following the break-up of The Groop, Cadd and Mudie formed Axiom in 1969 with Glenn Shorrock on vocals, Doug Lavery on drums and Chris Stockley on guitar. The three hit singles were written by Cadd and Mudie. Their debut single "Arkansas Grass" reached the top of the charts."A Little Ray of Sunshine" was written by The Groop following the birth of a member's daughter, however the song was deemed to be not rock and roll. In April 1970. There was no chart success for Axiom when he tried to enter the UK market. After moving to the US, they released their single "My Baby's Gone" in January 1971, followed by their second album "If Only..." in September. Cadd returned to Australia after the dissolution of Axiom. Stockley joined The Dingoes after becoming the lead singer for Little River Band. "Show Me the Way" was a duet between The Bootleg Family Band and <mask>, Parabrahm and Mudie.In early 1972. The Bootleg Records label was set up by Cadd under the supervision of Ron Tudor. "Ginger Man" was the first single from Cadd's self-titled debut album. Similar to Leon Russell's Shelter Records in the US, the Bootleg Family Band was made up of signed artists and 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 Cadd provided lead vocals for the hit single "Your Mama Don't Dance", which was covered by the Bootleg Family Band. Cadd's song, "Don't You Know It's Magic", became a top 20 hit for John Farnham and won the composer's section of the Battle of the Sounds. The song was 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780Cadd's second album, Parabrahm, was released in 1973, followed by the theme song and score for the movie "Alvin Purple" and the sequel "Alvin Purple Rides Again" in 1975. Cadd moved to the US after releasing his third solo album. The gold was certified in Australia in 1974. In 1975, America Cadd arrived in Los Angeles and began working on a record. Cadd signed with Capitol Records after the recorded label was forced into bankruptcy. White On White was his fourth studio album. The album was mixed and produced to have a pop sound, but it didn't perform well in the US.The contract with Capitol Records ceased in 1978 after Cadd released Yesterdaydreams. Bonnie Tyler covered the track. Early in 1980, Cadd toured France with the "French Elvis", Johnny Hallyday. His songs were recorded by Gene Pitney, Glen Campbell, Dobie Gray, Cilla Black, WayneNewton and Bonnie Tyler. The Pointer Sisters covered "Love is Like a Rolling Stone" as a B-side for their version of "Fire". 2 on the US pop charts. Cadd was the first person to sign Tina Arena after he ran a small label called Graffiti Records.No Stone Unturned was a 1985 album. The Charlie Daniels Band covered his song "Still Hurting Me" on their October 1985 album, Me and the Boys. <mask> joined the Flying Burrito Brothers in 1991 and toured with them for two years. Cadd released an album under the title The Blazing Salads in 1993 and went on to tour for two years. <mask> and his band played their hits on tour. Max had toured Australia with Cadd. He built a studio in 1997.He became a co-owner of The Streetwise Music Group in 1998 after taking over as CEO. Some 20 acts are spread over three labels by the company, which is distributed through Warner Music. Cadd is the chairman of the Music Industry Advisory Council (Australia), the president of the Australian Music Foundation and a member of the Support Act. Cadd released an album of new material called Quietly Rusting in 2005 featuring musicians like Mark Meyer, Tony Naylor, and Ross Hannaford together with some of Australia's hottest new players including Paul White. Cadd was inducted into the ARIA Hall of Fame in 2007, he was also inducted into the Australian Songwriters Association's Hall of Fame. "From This Side of Things" was released in November 2010 by Cadd. In the book Cadd tells the stories of his upbringing in Western Australia, where he won a TV talent quest at the age of 12 and worked on a Children's TV program as a pianist, and where he played jazz with the Beale Street Jazz Band and the Castaways who would becomeHaving success with both The Groop and Axiom as well as his solo success in Australia, he was inducted into the ARIA Hall of Fame by Jimmy Barnes in 2007. <mask> and Russell Morris collaborated on a country album called Wild Bulls and Horses. In November 2016 <mask> and The Bootleg Family Band released a new studio album called Bulletproof. Cadd will release a new studio album in January of 2019. Cad Mudd and his partner and daughter were caught in the flash flood of thegeeraba River in February 1999, when their car was washed off a causeway. Cadd and his wife were swept away before they could get to the shore, as all three escaped the sinking car through its windows. A local resident saved them.During the 2002 Long Way to the Top Tour, Cadd developed a relationship with one of the promoter, and they are still happily together. Between 2006 and 2008, Pelman was a judge on It Takes Two. <mask>'s albums include Parabrahm, White on White, Yesterdaydreams, No Stone Unturned, Cleanskin, and Quietly Rusting. Cadd won the Best Male Vocal Album three times in a row between 1972 and 1974. The Australian Songwriters Hall of Fame was established. The Go-Set Pop Poll was established in February 1966 and was conducted annually from 1966 to 1972 by Go-Set. The King and Queen of Pop Awards were voted on by the readers of TV Week.The King of Pop award ran from 1967 to 1978. Contribution to Australian Pop Industry is the Most Popular Australian Musician.

masks:
Brian George Cadd
Brian Caine
Cadd
Cadd
Brian Cadd
Cadd
Cadd
Cadd
Cadd
Brian Cadd


title: Florence Annie Conybeare

texts: <mask> was a British woman who was involved in the Women's Suffrage movement. She was an active member of the Women's Liberal Federation during the First World War. <mask> was the daughter of a glass merchant and was born in London. She was the daughter of a glass merchant who migrated to Britain and became a naturalised British subject. A town in the Czech Republic known for glass and jewellery production is where Florence's father was born. Florence's mother was a woman. 1849 New York, USA; 1893 London, England.Lady Julia May, 1st Baroness of Weybridge, was married to George May, 1st Baron May, and <mask> was the elder sister of both of them. <mask> was living in Bleak House with her parents in the early years of the 20th century. She lived there with her siblings. Four domestic servants and a cook ran the household. <mask> was 18 years old when she moved to 2 West Bolton Gardens with her parents. The head of the household was not listed because her parents were not present for the census. The servants were looking after the house.Charles Augustus Vansittart <mask>, a 43-year-old former Liberal MP for Camborne, Cornwall, was married to <mask> Strauss, a twenty-four-year-old spinster from West Kensington. The rites and ceremonies of the Theistic Church were followed during the marriage. The Reverend Charles Voysey was deposed for denying the doctrine of eternal hell and for publishing heretical sermons. The church was located in Swallow Street, Piccadilly. In 1900 and 1903, <mask>'s brother and sister got married in the same Theistic Church. As part of a marriage settlement, <mask> became the beneficial owner of the Tregullow Offices, a small dwelling and former mine office in Scorrier in the County of Cornwall. Conybeare was arranged with various parties.The marriage settlement was effected by means of a Deed of Trust signed by three moneylenders, two of whom had attended the same public school as Charles Conybeare, and one family member. Marriage settlements were settled upon the marriage in those days. Financial settlements made on the dissolution of a marriage should not be confused with such settlements. It was a convenient way for a husband-to-be to provide enough money for his wife-to-be. This prevented a wife from becoming penniless as a result of the husband deserting her, or from having to resort to prostitution in order to support her. <mask>'s husband Charles Conybeare conveyed various properties by way of a mortgage to William Henry Luard Pattisson and to the parties referred to in Point 2 of the 1896 Deed of Trust. In this mortgage arrangement, <mask> was able to secure a loan of £3,000 from his moneylenders, using the properties as a security for the loan and the repayment of interest on the outstanding loan.The Tregullow Offices were placed in trust on the day before Florence got married. The legal owners and trustees of the estate were Henry Conybeare and Isaac Seligman. This construction allowed Charles Conybeare to give financial benefits to <mask>ybeare so that she would be entitled to a share of the proceeds when parts of the estate were sold. Four interested parties were recognised by the Deed of Trust drawn up to make this possible. The person is Charles A.V. The husband and trustor is Conybeare. 2.The Luard family includes Jacob Luard, James Jollie, and Bixby Garnham Luard, as well as avicar and uncle to the first two. 3. The person is Charles A.V. Descendants of Conybeare and <mask> Conybeare. 4. Legal owners and trustees are Henry Grant Madan Conybeare and Isaac Seligman. When the legal estate was conveyed to Henry Conybeare and Isaac Seligman in 1896, they never owned the properties themselves.They were only allowed to act on the couple's instructions because they held on to the properties in trust. <mask> was instructed by <mask> to sell her beneficial interest in one of the estate's properties. She sold that property with her husband to a mining engineer named Charles Rule Williams, who had recently returned from Mexico after 15 years working in silver mines. The name of the property was changed. <mask> and <mask> lived in a Marital home in the fashionable part of London. There are 3 Carlyle Mansions in Cheyne Walk. Sylvia Pankhurst lived down the road and she was very close to her.120 Cheyne Walk. The country pile owned by John Williams the 5th is a direct descendant of the Williams mining-moguls' dynasty. She lived in Cornwall until at least 1902. The couple moved to Oakfield Park. <mask> <mask> was an active member of the Women's Suffrage movement. <mask> was a supporter of Mr. W.H. The Women's Enfranchisement Bill received its first reading in 1907.Until then, married women living in the same house were not considered to be joint owners of the property in the eyes of the law. Husband and wife living under the same roof should both be considered as 'joint occupiers' of the property, which would give married women equal status with men and the right to vote, according to the Dickenson Bill. In her Treatise, she claimed that Women's Suffrage is a Liberal principle. Edith Calkin was one of the women critics of Women's Suffrage. She rebuked Calkin for wanting to deny women political recognition and argued why women should be given the right to vote. <mask> referred to Mr. Dickenson's'Women's Suffrage Bill of 1907'. Calkin was chided for ignoring recent legislative developments concerning Women's Suffrage by the Women's Enfranchisement Bill, which would treat married women as 'joint occupier' of a dwelling.Conybeare believed that all women should be able to vote. Women who paid rates and taxes did not have the right to decide how money was spent. She wrote that the Married Woman's Property Act of 1882 was "very unsatisfactory for women" due to the fact that married women typically ran 16-hour days multitasking for their husbands and any savings a woman made while running a home were her husband's property. The Law of Divorce made it easier for a husband to divorce his wife than for a wife to rid herself of a bad husband. She objected to married women not being allowed to vote. Women should be allowed to vote so they can help run the country, and pointed to the "very active part" women have played in the country's political life. The Women's Liberal Associations and the Primrose League, whose work had been used by all the political parties, "had been fought as much by men as women".The plight of working women Conybeare rebukes Calkin's claim that women's place is in the home, and for failing to address the issue of women's pay. "sweated labour" was defined by Conybeare as a woman who is paid less than a man for the same work. Conybeare said that women of leisure have a duty to fight for the rights of the working woman. She urged working women to unite and lobby for Women's Suffrage because it would raise the status of working women, especially as the status of the poorest class of male worker had vastly improved once he had been granted. On July 24, 1913, a meeting of the National Union of Women's Suffrage Societies was held in a meadow in Bullace Lane, where the Australian suffragist, Miss Muriel Matters, had been invited to address a gathering on the subject. The event was chaired by <mask>, whose husband was a Liberal MP from 1885 until 1895. <mask> mounted the wagon which was being used as a stage to start the meeting.Her introduction made it clear that they were not militant suffragists and that they wanted to make changes by argument. A woman who had chained herself to a grille in the House of Commons as part of a publicity tour arrived by car with her entourage, as part of a publicity tour around the area. She contrasted the situation in this country with that in Australia where women already had the vote. In 1901, it was pointed out that women in Britain were being treated the same way as criminals, foreigners and lunatics despite having to pay taxes. The journalist who reported on the event believed that most of the people who showed up for the meeting were not interested in voting for women, but were more interested in seeing any trouble. On the day of the meeting, a stone was thrown at the wagon from a neighbour's backyard, but no damage was done. <mask> invited W.H.D. at the end of the speech.The king should give a vote of thanks. He thanked the party for their recognition of Dartford as a place of importance, even though he had the vote. <mask> was involved in Voluntary Aid Detachment work at Charing Cross Hospital. <mask> was in VAD uniform when Lady Henry Grosvenor held a meeting at the YMCA hut. Mrs Conybeare did everything with a will. During the First World War, <mask>ybeare was involved in raising money for the Western Front. The grim reality in France led to an appeal from <mask>are to "all Florence's".Her plan was to raise money to purchase and equip an ambulance which would be sent to the Western Front which would be used to move wounded British soldiers from the battlegrounds back to the field hospitals. She wanted the volunteers called "Florences" to man the ambulance in France. She didn't get her wish to man the ambulance with Florence's. <mask> was the President of the Women's Liberal Association. The Babies Club was set up and run by him. <mask> died at her father's home in London on February 29, 1916, at the age of 43. She did not leave an issue.She had been in failing health for 18 months, but no one had anticipated her death from pneumonia. <mask> was not at the time. A memorial service was held for Florence in London. She is buried in the churchyard of St Mary the Virgin Church, Fryerning, Ingatestone, Essex, close to Charles Conybeare's parents. <mask> had a large obelisk-shaped memorial erected in her memory, which is mounted upon a square stone plinth, and devised the following poignant inscription: Memorial Here rest the ashes of <mask>, the beloved wife of Charles Augustus Vansittart Conybeare. Conybeare. In today's money, the effects of Florence's death are equivalent to £232,193.References are further reading 1. What is the name of the glass? 2. John William was the 3rd Cornish mining mogul. The English suffragists died in World War I.

masks:
Florence Annie Conybeare
Florence Conybeare
Florence
Florence
Florence
Conybeare
Florence Annie
Florence
Florence Conbeare
Florence
Charles Conybeare
Florence Con
Florence Annie
Florence Conybeare
Henry Conybeare
Florence
Charles Conybeare
Bill Florence
Conybeare
Florence Conybeare
Florence Conybeare
Florence Conybeare
Florence
Florence Conybeare
Florence Conybeare
Florence
Florence Con
Florence Conbe
Florence
Florence Conybeare
Charles Conybeare
Charles Conybeare
Florence Annie


title: Robert K. Greenleaf

texts: The modern Servant leadership movement was founded by <mask><mask>. In 1904, <mask> was born in Terre Haute, Indiana. He went to work for the American Telephone and Telegraph Company after graduating from college. He researched management, development, and education for forty years. He felt that the power-centered authoritarian leadership style in the U.S. was not working and in 1964 he founded the Center for Applied Ethics. According to his essay, "Essentials of Servant Leadership", the idea of the servant as leader came from reading a work of fiction. The central figure of the story is Leo, who accompanies the party as the servant who does their menial chores, but who also sustains them with his spirit and his song.A person of extraordinary presence is him. Until Leo disappears, everything goes well. The journey is abandoned when the group falls into disarray. Without the servant, they can't make it. After some years of wandering, the narrator of the party is taken into the Order that had sponsored the journey. He discovered that the head of the Order was a great and noble leader, and that he had known him as a servant. People all over the world are inspired by his essay.The "Ten Characteristics of the Servant-Leader" is a conceptual framework that is helpful for understanding servant-leadership. Spears distills <mask>'s instrumental means into ten characteristics: listening, empathy, healing, awareness, persuasion, conceptualization, foresight, stewardship, commitment to the growth of people, and building community. 3–6 A century of research has rejected the idea of treating personality variables in an atomistic fashion, suggesting that each trait acts singly. servant-leadership is an ethical perspective on leadership that identifies key moral behaviors that leaders must continuously demonstrate in order to make progress on <mask>'s best test. The idea of a servant being the leader caught the attention of Greenleaf Works. In "Essentials" he wrote, "As it was, the idea lay dormant for 11 years during which I came to believe that we in this country were in a leadership crisis and that I should do what I could about it."The essay was expanded into a book, which is one of the most influential management texts yet written. The movement of servant leadership was born. <mask> wrote in "Essentials" that the servant-leader is servant first. One needs to feel like they want to serve first in order to become a servant-leader. One can aspire to lead. One who is leader first is vastly different from that person. The difference is in the way the servant takes care of other people's needs first.Do those who are served grow up as persons? Are they more likely to become servants if they are served? People are learning to relate to one another in less coercive and more creatively supporting ways as a result of a fresh critical look at the issues of power and authority. A new moral principle is emerging, which states that the only authority deserving of one's allegiance is that which is freely and knowingly granted by the leader in response to, and in proportion to, the clearly visible servant stature of the leader. The authority of existing institutions will not be accepted by those who follow this principle. They will only respond to leaders who are proven and trusted as servants. To the extent that this principle prevails in the future, the only truly viable institutions will be those that are predominantly servant led.He knew his best test would be hard to grade. Do they become healthier, smarter, more freer, and more likely to become servants while being served? What effect does the least privileged have on society? Will they benefit or be further deprived? Implementing <mask>'s ideas in modern American institutions is against the will of many leaders and followers who want a different paradigm that is based on coercive power and control. The text for anyone interested in connecting the two terms is <mask>'s book. How can leaders serve people is one of the questions addressed by his work.What is the source of power? The American Foundation for Management Research, Lilly Endowment, and MIT were some of the notable institutions that <mask> served as a consultant to. He continued to write and focused his ideas on different areas of leadership. He wrote "The Institution as Servant" to apply Servant Leadership to an organizational level. He wrote "The Leadership Crisis: A Message for College and University Faculty" and "Teacher as Servant". Other writings focused on seminaries, personal growth, religious leaders, and trustees. A whole generation was influenced by Legacy Greenleaf.The Center for Applied Ethics changed its name to the Greenleaf Center for Servant Leadership in 1985. Two posthumous essay collections were published by the Center in 1996. Hundreds of companies embrace Greenleaf's philosophy and many colleges and universities include Servant Leadership in their curricula. He became the leader of a movement when he tried to serve through education. Further reading Bass, B. M. and Stogdill, R. M. The Handbook of Leadership: Theory, Research, and Managerial Applications was written by Bass and Stogdill. New York has a free press.Don M. Frick. A life of servant leadership by <mask><mask>. Berrett-Koehler Publishers is in San Francisco. R.K<mask> wrote. New York: Paulist Press. R. K. <mask> wrote. The book is about a journey into the nature of legitimate power and greatness.New York: Paulist Press. H. Hesse. H. Rosner wrote The Journey to the East. New York. The original work was published in 1932. Spears, L. C. Insights on leadership include service, stewardship, spirit, and servant-leadership.New York. Warneka, T. H. The introduction to Catholic servant leadership is called Black Belt Leader, Peaceful Leader. The state of Ohio is named Asogomi. There are external links to the Robert K. Greenleaf Center.

masks:
Robert K
. Greenleaf
Greenleaf
Greenleaf
Greenleaf
Robert Greenleaf
Greenleaf
Greenleaf
Greenleaf
Robert K
. Greenleaf
. Greenleaf
Greenleaf


title: Vera Maslovskaya

texts: <mask> was a teacher, poet and nationalist who worked for an independent Belarus during the interwar period. Her teaching career was interrupted when she was arrested for her underground activities against the Polish government. She returned to teaching when the Soviet Union took control of the area during World War II. She fled to Poland at the end of the war to escape threats against her. She worked in a kindergarten in Silesia for five years before returning to Supral, where she served as the head of the library and later on the district council. She is thought to be one of the founding members of the Belarusian women's movement. <mask> was born on 24 March 1896 in Supral, which at the time was located in the Russian Empire.The original name of the runaway serf who adopted the name of Nikolai Vishnevsky was Mikhail Domanovsky. Having a large family of ten children and a small plot of land made it difficult for Ignatius to find a job. The family moved to a village eight kilometers away from Biaystok. She attended a secondary girls' school in Supral. He went to work in a textile factory because he didn't have enough money to pursue further education. The factory hired strikebreakers and fired those who participated in the labor strike. A domestic worker was hired for the family of a German manufacturer's supervisor.She was able to enroll in correspondence courses because she earned enough money. He was able to prepare for the exams when he worked in the day and studied at night. She was taken on a two-day journey east by her father. She was unable to find a job due to the war, but she passed her exams in 1914. The Germans passed a law in 1915 that allowed education to begin in the native language. The newly established Belarusian teacher's seminary has a pedagogy training program. She was sent to teach in the Grodno Region in the village of Grabowiec in 1917 because there were enough teachers in Biaystok.She established one of the first schools to teach in the Belarusian language in that community. The Russian Empire collapsed as World War I ended. The states which were part of the Russian Empire claimed their own independence. The BSSR was declared on January 1, 1919. The Soviet Socialist Republic ofLithuania was merged with the Soviet Socialist Republic ofBelarusian. After the Polish Army took over the lands of Litbel during the Polish–Soviet War, it was dissolved in April. The first teacher-training classes on Belarusian linguistics, literature, history were offered by the Belarusian Scientific Society in 1919.She joined the Belarusian Socialist Revolutionary Party, which was against the Polish regime. Between 1919 and 1920, she taught in the Barisav and Disna districts. She married a captain in the Polish Army on February 12th, 1920. In June of the same year, she published her first poem, Idzy!, after her husband died. There is a story in the newspaper. The Central Union of Belarusian Women was founded around the same time as she was, but it was closed after the Bolsheviks entered the country. On August 1, 1920, the BSSR was re-established in Minsk and Maslovskaya began working as an inspector for the Komissariat of Education.By the end of the year, she was working with the Belarusian People's Republic, and this position was brief. She ordered the creation of an underground organization with the goal of unifying all of the lands where the people lived into an independent state. There were forces opposed to both Russian and Polish rule in the area of Sokka County. She began to hold meetings with Vaclau Lastouski in the border town of Merkin after establishing a network of followers. At the end of the Polish–Soviet War, the Treaty of Riga partitioned the territories between Poland and the USSR. The foreign policy of the BSSR was determined by Moscow. The terms of the treaty were discussed at the All-Belarusian National-Political Convention.The delegate of the Biaystok area proposed a resolution to fight for the unification and independence of all Belarusian lands. The convention passed <mask>'s proposal despite not adopting armed conflict. The Polish authorities reacted quickly and began to arrest participants in the underground network. The trial of <mask> began in May 1923. Along with the others arrested, the Process of the 45 took place in a district court, with <mask> taking full responsibility. She stated that their intent was not to foment armed insurrection, but to fight for their own nation. She was sentenced to six years in prison for her crimes.While in prison, Maslovskaya wrote poetry and contributed to newspapers in Russia and the United States. She met with a man who was a teacher and a political prisoner. They were going to marry on November 21, 1927, when they were released in June 1927. Unable to teach because they had been political prisoners, the couple moved to a turpentine factory. They moved to the village of Olpen in the Brest Region of Polesia, where Korchevskaya organized amateur theatrical productions. The couple moved back to Kode on the Bug River after her poetry turned from revolution to works extolling the beauty of nature. Poland was invaded by Nazi Germany and the Soviets in 1939 at the start of World War II.The lands lost to Poland by the Treaty of Riga were regained by the BSSR. This allowed the Korchevskys to return to teaching and they took up a post in the Vawkavysk District. The couple founded a junior high school in the summer of 1940. The school was forced to close in December of 1941 after the Nazis invaded and occupied the country. They continued to teach after the war ended in June 1946. Korchevskaya was forced to flee Biaystok by way of aga to escape persecutions aimed at former Belarusian activists. She ran a kindergarten in Silesia for five years before returning to Supral and becoming the head of the library.Korchevskaya was a member of the Women's League. She was a member of the Biaystok District Council and a member of the Belarussian Cultural Association of Poland. On January 23, 1981 Korchevskaya died and was buried in the local cemetery. Her works were published in a number of newspapers. The names of people who died in 1981 include people from Biaystok.

masks:
Vera Ignatyevna Maslovskaya
Vera Ignatyevna Mateychuk
Maslovskaya
Maslovskaya
Maslovskaya