title: Angelica Balabanoff

texts: A Russian Jewish–Italian communist and social democratic activist was named Anzhelika Balabano. She became a political party leader in Italy after serving as secretary of the Comintern. She rebelled against her mother's strictness when she was a child in the Russian Empire. She was exposed to political radicalism while attending the Université Libre de Bruxelles. She became the leader of the Partito Socialista Italiano in 1900 after starting to organize immigrant workers in the textile industry. She was associated with Antonio Labriola, Giacinto Menotti Serrati, Benito Mussolini, and Filippo Turati. During the First World War, she moved further to the left.During the war, she spent some time in exile in neutral Sweden, where she was affiliated with the Left Socialist movement and became a close friend of the Swedish Communist leaders. When the Russian Revolution broke out in 1917, he joined the Bolshevik Party. According to Emma Goldman, she moved to Italy because she was tired of socialism in Russia. Goldman was uncomfortable about temporarily living in the Narishkin Palace. She was secretary of the Communist Third International in 1919 and worked with many other people. She became an open critic of Bolshevism and left Russia in 1922. After Serrati left to rejoin the Communists, she led his group until the rise of Fascism forced her into exile.The secretary of the Paris Bureau. While addressing a socialist meeting in Lausanne, she first encountered Mussolini, who at the time was still a socialist and seemed more concerned with his inner turmoil than what she was saying. At the outbreak of the Second World War, she moved to New York City. She joined the Italian Democratic Socialist Party after joining the Socialist Workers' Party. In the 1993 RAI Italian language production "Il Giovane Mussolini", <mask> is a major character. Judy Chicago's The Dinner Party pays tribute to Balabanoff. There is a street in the city of Rome dedicated to the Proletarian Women.Cooperativa Tipografica Sociale was founded in 1904. Pis'mo-lektsiia: A Few Words on Agitation was written by Neskol'ko. Gosudarstvennoe Izdatel'stvo was published in Moscow in 1920. From Slavery to Freedom: Duties and Rights of Communists in the First Laborers' Republic is a book. Moscow: Gosudarstvennoe Izdatel'stvo, 1920. Svetloi pamiati Iakova. To the memory of Iakov Mikhailovich Sverdlov.Gosudarstvennoe Izdatel'stvo was published in Moscow in 1920. Tsimmerval'dtsa is from the Personal Reminiscences of the Zimmerwaldists. Izdatel'stvo "Kniga" was published in 1925. Educating the Masses to Marxism: Psychological-Pedagogical Considerations is an Erziehung der Massen zum Marxismus. Berlin: Laub in 1927. Berlin, E. Laubsche Verlagsbuchhandlung, 1927. Marx and Engels are Free- Thinkers in their Writings.The Freidenker was written in Berlin in 1930. Wesen und Werdegang des italienischen Faschismus was published in 1931. The Memorie was written in 1931. Sozialismus is also known as Socialism as a Worldview. Berlin: Dt. Freidenkerverband was published in 1932. "Fallen for Us, Fallen for You" is the title of the movie.The New York edition of "La Fiaccola" was published in 1935. My life has been a rebel. Hamish Hamilton was born in London in 1938. Mussolini was the leader of the "Conquest of Power". G. Popolizio was born in 1942 in New York. There were tears. Chicago: Jay Bass, 1943.Ricordi di una socialista was born in 1946. The impressions of a man. Isotta Cesari is trans. The University of Michigan Press was founded in 1964. The mia vita di rivoluzionaria is located in Milano. External links include: Russians in Italy, russinitalia.it, and the Marxists Internet Archive.


title: Iain Mac Fhearchair

type: paraphrased

texts: <mask> lived and died on the island of North Uist. <mask> was the official poet to the Chief of <mask>. According to his song, <mask>, also known as <mask>, was born near a graveyard. It was part of the township of Hoghagearraidh. The future Bard was raised on a farm. <mask> was in the technical sense of the term "illiterate". Campbell says that he never learned English.In <mask>'s day, little education was available for the Highlanders, and none at all in their own language. In exchange for the right to kill the seals on the rock of Causamul, the people of Hoghagearaidh paid the Chief of Clan <mask>. One of the main breeding areas for the Atlantic seal is the rock. The <mask>rums of Hoghagearaidh did not participate in the killing of seals. According to legend, a descendant of theirs stole the skin of a selkie and forced her to marry him. One of the couple's children returned the seal skin to her mother, who abandoned her family and returned to the sea. The descendants of the couple were referred to as Clann righ fo gheasan, or "King's children under a spell", because they never harmed seals.The Chief and his clansmen did not participate in the Jacobite Uprising of 1745 because Sir <mask> had promised Prince Charles Edward Stuart that he would raise the Clan. The Chief decided to go back on his word because the French troops had failed to arrive with the Prince. The lands of <mask> of Sleat were included in the savage oppression of Highland dress, language, and culture that followed the defeat of the uprising at the Battle of Culloden in 1746. <mask>'s satirical poem, Oran an Aghaidh an Eididh Ghallda, shows clearly where his own sympathies lay. <mask>, who was collecting stories from the Fenian Cycle throughout the Scottish Highlands and Islands, visited North Uist in 1760. "During <mask>'s visit, <mask> made a brief appearance in the Ossianic controversy which is not without it's humorous side." When <mask>son met <mask>, he asked the Bard a question.<mask>son thought he was asking, "Do you know anything about the Fianna?" He asked, "Do the Fianna owe you anything?" "Cha n-eil agus ge do bhiodh cha ruiginn a leas iarraidh a nis", <mask> quipped, "No, and if they did it would be useless to ask for it now." According to Campbell, "dialogue illustrates at once <mask>'s imperfect Gaelic and <mask>'s quick reply." In October 1763, as the controversy over the authenticity of <mask>'s epic poem Ossian, which he alleged was a translation from Scottish Gaelic, was heating up, Sir <mask> of Sleat wrote a letter to Doctor Hugh Blair in Edinburgh. The few bards that are left amongst us repeat only detached portions of the poems. <mask>, who lives on my estate in North Uist, has often heard and understood them.I have heard him repeat the same poems over and over again, which seems to me to be the same with <mask>'s translation. "None of <mask>'s Ossianic verse have survived him," Campbell wrote. The famous Gaelic poet Alasdair mac Mhaighstir Alasdair was related to the Chief of the Clanranald branch of Clan Donald. The Clanranald Bard's influence can be seen in <mask>'s poems in Gaelic. Alasdair did not hesitate to include two of <mask>'s poems, ran air Sean aois and Comh-radh. <mask>rum criticized both the Scottish clan chiefs and the Anglo-Scottish landlords of the Highlands and Islands for the mass evictions of the Scottish Gaels that followed the Battle of Culloden, as well as on mundane topics such as old age and whiskey. Aonghus <mask>, the post-Culloden tacksman of Griminish, is a parody of <mask>'s most popular anti-landlord poems.Between 1769 and 1773, large numbers of Sir <mask>'s tenants on the isles of North Uist and Skye migrated to the area around the Cape Fear River in North Carolina. In the oral tradition of North Uist, the song is known as ran Fir Ghriminis. In Nova Scotia, the song is known as ran Aimereaga, which means "The Song of America". <mask> is buried near his birthplace in Kilmuir cemetery, under a plain lump of granite which he chose for himself. He said that he would be remembered because people would ask who lay under the lump of rock. I couldn't find anyone to show me the original stone because he was wrong. An obelisk to his memory was erected in 1894 on the summit of the knoll.The dates are wrong. <mask> died at the age of 86, but it has been established from the Balranald Papers that he died in 1779 and his date of birth was 1693. The North Uist native was buried in the same cemetery after his death. According to John Lorne Campbell, "<mask> in his lifetime enjoyed considerable popularity as a wit and a poet, and he composed a large number of poems, consisting of satires or rather lampoons, Elegies, patriotic verse, and didactic songs, but as he was unable to write One of <mask>'s most popular songs is "The Mavis of Clan Donald", in which the Bard praises the isle of his birth. Julie Fowlis, a native of North Uist, recorded the song on her album Gach sgeul - Every story. There are no <mask>rum descendants living on North Uist due to the Highland Clearances and voluntary emigration.<mask>hic Iomhair, whose great-grandfather was the first cousin of the Bard, was the last <mask>rum to leave the island. Donald left North Uist for the nearby island of Barra and then for the Mira River valley in Cape Breton, Nova Scotia, Canada, during the 1820s. The Uist collection is a collection of Poems and Songs of <mask>, and some of the Minor Uist Bards.

masks:
Iain Mac Fhearchair
Iain
Clan MacDonald
Iain Mac Fhearchair
John Mac Codrum
Iain
MacCodrum
MacDonald
MacCod
Alexander MacDonald
MacDonald
John MacCodrum
James Macpherson
Macpherson
MacCodrum
Macpher
MacCodrum
Macpher
MacCodrum
Macpherson
Mac Codrum
Macpherson
James MacDonald
John MacCodrum
Macpherson
MacCodrum
MacCodrum
MacCodrum
MacCod
MacDhmhnaill
MacCodrum
Alexander MacDonald
John MacCodrum
MacCodrum
MacCodrum
Iain
MacCod
Iain m
MacCod
John MacCodrum


title: Kevin Gaughan

texts: <mask><mask> is an attorney and advocate of government reform, in particular for the establishment of regional government and regional consciousness within the Buffalo-Niagara region. He organized a series of regionalism conferences at the Chautauqua Institution in 1997 and became a nationally recognized advocate of regionalism. He was named a citizen of the year by the Buffalo News in 1998. He was the youngest recipient of the Red Jacket medal in 2001. He studied international relations at the London School of Economics after graduating from Harvard University. He ran against Bill Paxon in 1990 for the 31st Congressional District. He opened a law office after working as a legislative aide in the Erie County Legislature.He lost in the primary in 1994. He withdrew from the race for mayor of Buffalo after getting the Republican endorsement. He tried again in 2005 to be the mayor of Buffalo, but lost the Democratic primary to State Senator and eventual Mayor Brown. Gaughan was sued by the Hyatt Hotel after his failed bid for mayor. In early 2006 he launched an unsuccessful campaign for the senate seat that was left vacant by Brown, but dropped out at the urging of local Democratic Party leaders. Due to the departure of David Swarts to become Commissioner of the New York State Department of Motor Vehicles, the Erie County Clerk position was going to be vacant. New York State Assemblyman Sean Ryan defeated Gaughan in the June 2012 primary.He ran for Erie County Comptroller but lost to Mychajliw. At First Light: Strengthening Buffalo Niagara in the New Century was published in 2003 by the Canisius College Press. Regionalism, government reform, race relations, US and local history, and patriotism are some of the topics covered in the book. In late 2006 he released the results of a study detailing the amount paid to elected and appointed officials in the Buffalo-Niagara region. Buffalo-Niagara had more paid elected officials than other regions in both absolute and per capita measures. A high number of small towns replicating services leads to a higher number of civil-service government employees. Gaughan used these numbers to support his thesis that layers of government should be eliminated in Buffalo-Niagara.Downsizing is a movement in which town and village boards are reduced from five members to three. He sees it as a cost-saving measure. On June 3, 2009, the towns of West Seneca and Evans both passed the measures. On September 23, 2009, the town of Orchard Park passed a measure cutting its Town Board by two members. On September 29, 2009, the town of Alden voted to reduce the size of its town council. While Gaughan is the most visible advocate of downsizing in Western New York, there have been various groups in each of the towns which have aligned themselves with or distanced themselves from Gaughan. The villages of Sloan and Williamsville were dissolved in 2010 by Gaughan.On August 17, 2010, the villages held dissolution referenda and both failed with "no" votes exceeding 80%. On September 23, 2010, Grand Island, New York became the first town to successfully resist the Gaughan downsizing and consolidation plan by voting down the referendum. The decision was made by a 350-vote margin, and the turnout for the special election was 500 more votes than the primary election. The Grand Island Republican Party Committeeman took a stand against what they felt was an intrusion into their government from outside. It's much harder to bribe four men in a room than it is to bribe two. We are a proud community. We love this town.On September 28, 2010, the village of Farnham had a dissolution vote. According to the mayor, village government is most efficient. I want to make sure the residents understand the full picture, the full impact, and let them make the decision. The referendum was rejected by voters. The downsized boards were kept in 2012 by the towns of West Seneca and Alden. In 2015, the town of Hamburg voted to return to a 5 member Town Board. The voters of the town of West Seneca will decide in the upcoming general election whether or not to return to a 5 member town board after a petition was filed calling for the vote by the Committee to Restore Representation.A group in the park petitioned to have the board increased to five members. On January 1, 2022, the referendum was approved and the park was returned to a five member board. The "Gaughan Plan" on regionalism was presented to the Erie County Legislature Government Affairs Committee. The Unigov Council of Governments has a plan as well. Canisius College Press was published in Buffalo, New York. <mask>'s personal website "The Cost" has a clip of him speaking on the history of Buffalo-Niagara Canisius College Press.

masks:
Kevin P
. Gaughan
Gaughan


title: Jiro Takamatsu

texts: He was one of the most important postwar Japanese artists. <mask> used photography, sculpture, painting, drawing, and performance to investigate the material conditions of art. Shadow, tautology, appropriation, perceptual and perspective distortion and representation were some of the things that <mask>'s practice was dedicated to critique. <mask>'s Zero Dimension is a concept that renders an object or form to observe its fundamental geometrical components. <mask> claimed that these elements produce reality or existence. The elementary particle is seen as the ultimate of division andemptiness and like a line within a painting, there appears to be nothing more beyond the line itself. <mask>'s end goal was not to just prove the presence or object-ness of these elements, but rather use them as a way to challenge and prove the limits of human perception, leading to his fixation on "absence" or the things that are unobservable.The impact of <mask>'s practice has to be considered in terms of his contributions to the avant garde art scenes through his individual practice and work with collectives, as well as the legibility of his work in the discourse of conceptual art and thus the broader international art world. <mask> was born in Tokyo in 1936. He majored in oil painting at the Tokyo University of the Arts and later joined the Hi-Red Center. As part of his studies, <mask> studied the beginnings of modern art from Sessh Ty to Paul Cézanne. Duncan Wooldridge believes that Takamtsu's interest in both modern Western and Japanese art histories allows us to understand his work as a crucial meeting point between culturallycoded conventions, as well as his later success as a Japanese artists at the forefront of the movement towards international contemporaneity <mask> began showing paintings at the rowdy and unjuried Yomiuri Indépendant Exhibition after graduation. The 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846The site of exploration and experimentation for many avant-garde-minded younger artists, especially from 1958 onward, was formed by <mask>'s network of anti-establishment artists. From 1959 to 1961, <mask> submitted works to the painting section, but from 1961 to 1963, he reinvented his practice as sculptural. <mask> said that the shift was due to the Point series of works he submitted in 1961. This evolved into the series String: Black, which <mask> showed at the 14th Yomiuri Indépendant in 1962, and which marked the beginning of a long series of artworks making use of string as a portable medium which could be used to infiltrate and cordon off artistic space even beyond One of these works allowed viewers to look at a ball of black string along a sheet of cloth. Tno Yoshiaki characterized the artists who participated in the event as developing anti-art practices. The Tokyo Metropolitan Art Museum had to institute rules banning obtrusive materials and installation arrangements for the 14th edition because <mask> and his peers became increasingly interested in moving beyond figural representation and into the mediation of performance and environments.There was a suspension of the exhibition in January 1964. Takamatsu relocated their practice from the exhibition space to the urban environments of Tokyo. Takamatsu's submissions to On the Anti-Existence of the Curtain and Cord are examples of this transition. The Yamanote Line incident took place on October 18, 1962, when <mask> and others boarded a Yamanote. <mask> was the main photographer. The Yamanote Line incident is listed as number three on the map of Hi-Red Center's activities. The Yamanote Line incident is now considered to belong to the pre-history of Hi-Red Center.The work is printed as such. There is an event on a street car. A string with everyday objects attached to it was laid out on the street from a street car. Performers at close range with battery lights watched as objects were hung from hand straps inside a street car. Performers' faces were painted white. The magazine Keish featured an event where performers read newspapers with holes in them. The Yamanote Line was used by Nakanishi and Takamatsu to destroy the status of art by bringing it into the space of daily activities.The group executed a variety of performance art events that sought to eliminate the boundaries between daily life and art. "high", "red", and "Aka" are the first characters of the artists' names, and formed the group's name. The foundation for Hi-Red Center might be located in a discussion about the relationship between art and political action sponsored by the art magazine Keishо in 1962. The three artists had begun as painters but had turned to methods of "direct action" through Hi-Red Center. The artists wanted to raise consciousness to the absurdities and contradictions of Japanese society. Following massive Anpo protests against the U.S.-Japan Security Treaty in 1960, this interest in Art as direct action has been contextualised. The group's first exhibition, Fifth Mixer Plan (Dai goji mikis keikaku, May 1963), featured artworks by the three artists who created their own.The group threw objects from the roof of Ikenobo Kaikan hall. After dropping the objects they packed them all into a suitcase and sent the key to the locker to a random person from a phone book. They booked a room at the Imperial Hotel and invited guests to have their own nuclear shelter made for them. A group of people, including Ono and Paik, were photographed from six sides to create a document intended for personal shelters. The final event of the group was the movement for the promotion of a clean and organized metropolitan area. In preparation for the 1964 Tokyo Olympics, the artists and their assistants dressed in lab coats and goggles lined up small areas of public sidewalk and cleaned them. Takamatsu hoped that outsiders who had no knowledge of their existence or intention would document the events in order to confirm the multiplicity (fukussei) or externalization.Although Hi-Red Center succeeded in attracting media attention and has come to be considered highly influential on later Japanese artists, its activities were short-lived, with the group dissolving only a year and a half after its inception. <mask> launched a critical inquiry into the nature of painting by painting images of people's shadows cast on white walls or wooden plank, creating a trompe l'oeil effect. The works in this series recall Plato's "Allegory of the Cave" and the account of the beginnings of painting by the daughter of the famed Greek potter Dibutades. The Shell Art Award and the Nagaoka Museum of Contemporary Art Award were some of the prizes <mask> received. The Tokyo Print Biennial awarded him the Grand International Prize. The Tokyo Gallery hosted <mask>'s first solo exhibition, entitled Identification, in 1966. His Shadows series was featured.<mask> and other Japanese artists were interested in literature from Europe. They studied J.M.G. <mask> designed the covers for Le Clézio's novels. Japanese authors, such as Hajime Shinoda and Yuko Tsushima, had their book covers created by Takamatsu. From Space to Environment, a landmark two-part exhibition and event program in Tokyo, influenced architecture, design, visual art, and music in Japan. The chaotic site was considered a place for artists and viewers to consider the limitations of medium conventions and institutional spaces by the Environment Society. While the location of such artistic activity was referred to, the practices of the 38 participating artists reflected a vested interest in intermedia art.Many of these artists, including <mask>, would go on to participate in expo '70, conflating the terms intermedia and technology in art discourse. <mask>'s entry to the exhibition was a sculpture called Chairs and the Table in Perspective. He presented works from this series at the Venice Biennale. A dining set rendered with a grid-line veneer was distorted by chairs and the Table in Perspective. The chair and tables were not usable. <mask>'s work was suggested to undermine the human perception of single-point perspective as well as the assumption that everyday objects should always look the same. <mask> was a key figure in the development of the Mono-ha movement.Nobuo Sekine and other Mono-ha artists were influenced by <mask>'s knowledge of the principles of absence/emptiness. One of the key differences between <mask>'s practice and Mono-ha is the presence of an artist's creative subjectivity in the final form of the work. While many Mono-ha artists like Lee Ufan centered the objecthood of things as they were through his principle renunciation of his artistic subjectivity, <mask>'s work featured objects that were clearly manipulated with through intricate plans. There were student protests over the renewal of the Anpo US-Japan security treaty in 1970. Some art schools in Japan closed temporarily and permanently due to the unrest caused by the Japanese establishment's handling of the student protests. Takamatsu held free classes outside of the university during partial closures. Takamatsu went on to show at many international exhibitions that were located within the same area of anti-government protests.Hariu Ichir, an art critic, included <mask> in the Japanese Pavilion for the 33th Venice Biennale. The Carlo Cardazzo Prize was only awarded to an outstanding Italian or foreign artist for the 34th Venice Biennale. Hariu wanted Japan's pavilion to be used as a platform for international contemporaneity, where Japanese artists could appear in dialogue with their peers overseas. Hariu was aware that the difference of Japanese experimental practices would have to be noted. Sano Takahiko, one of the leading art critics of the 1960s, said that the Biennale should be seen as a form of cultural diplomacy. The International Art Association supported and restructured the planning for the Japanese pavilion because of their commentaries. It was intended to allow for more time to prepare the latter pavilion.The Big Three, as they are known in Japan, were Hariu Ichir, Tno Yoshiaki, and Nakahara Ysuke. <mask> presented a work from his Perspective series that was similar to Chairs and the Table in Perspective, though in this installation he used curved triangular sections on the floor and ceiling. The ceiling pieces appeared to grow out from the horizon near the corner of the exhibition walls. The ceiling sections were embellished with dots of varying sizes, similar to his previous work, while the floor sections were distorted or canted. Compared to Chairs and the Table in Perspective, this installation was more playful, with the ceiling pieces emphasizing a full distortion of space. The artists at the Japan pavilion decided to move forward with the Biennale despite the call to boycott due to student protests in Italy, as they believed their actions would not contribute in a meaningful way to the Italian students plight. Hariu wanted to elevate Japanese presence on the international art stage.Sunday Plaza was designed by <mask>, considering Suita's landscape in his sketches. One of the few more architecturally-scaled works in his Perspective series is

masks: Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu


title: Jiro Takamatsu

texts: this one. Similar to his earlier works, Takamatsu imagined Sunday Plaza as a forced perspective marked with curved grid lines, but distinct as visitors were supposed to be able to traverse from the foreground into the viewing area of raised background. Visitors could use the inverse perspective background as a viewing point. It was to be made of glass, as compared to the concrete on the floor grids, reflecting the sky and complicating this perspective. The seats for visitors would be raised in the alternate grids in the receding perspective area. <mask> had planned to install Sunday Plaza in a location that was near existing hills, with the inclined background at the highest point, in order to pronounced the distorted and inverse perspective lines.<mask>'s plans were not fully executed, with another large installation positioned right behind Sunday Plaza compressing the optical effects of the Perspective piece. The sky was reflected by the inclined background. The foundation of contemporary Japanese art was established by the Tokyo Biennale '70, which emphasized the importance of concepts, processes and systems in international art practices. The exhibition traveled from Tokyo to other places. Nakahara produced two catalogues for the exhibition, the first with Nakahira Takuma's cover photo and the second with a black cover. The artists themselves have contributed to the first catalogue. <mask> included the development of his varied series in his list of activities and exhibitions.The text he wrote succinctly describes the philosophy of his practice. There is always great uncertainty when it comes to being concerned only with certain elements of the matter. It is necessary to have more total relation to a matter within the range of our own capacity. Sometimes the relation arises from our being aware of the matter but for most of the time action is required. This action is an artistic creation to me. There is a huge problem with how to reject and eliminate the things that compel us to be related to particular elements, for example, feelings and ideas in general, imaginations, memories, and the knowledge which we have already acquired. The solution of this problem always requires that fats/ compromise, which is inevitable in any process of actualization, is impossible.It is not possible to have a perfect relation to a matter. Most of the problems should be found in the world which is too familiar to us, even if they do not exist in the sphere. Oneness (16 Oneness) and Oneness (30 Oneness) were both made out of paper and consisted of partially carved Japanese cedar trunks. The Oneness installation was adapted to fit the dimensions of the gallery space he was allocated. The cedar blocks had to be carved in the space itself after they were placed in the 4x4 grid formation. A range of how much each block was carved out was produced by <mask>'s deliberate chipping away at these blocks with varied levels of exposure. One of <mask>'s last sculptural works was Documenta 6 in 1977.<mask> had provided three plans, all of which were based on previous Compoundworks. <mask> had to adapt his plan when the exhibition planners included more artists who only had works suitable for indoor showing. 100 percent potentiality is an evocation of a perfect reality without worlding or imagining it. <mask>'s practice questions the act of seeing, similar to his collaborations with Hi-Red Center and the Mono-ha artists. The differences between facts and experiences of perception were explored by Takamatsu. In order to be able topursue the forms of things, the artist must turn that investigation into art. <mask>'s practice of producing works within sustained series as Takami has been considered by Series Hiroyuki Nakanishi.<mask> paid particular attention to the site-specificity of his works, and adjusted the materials used from edition to edition, because he was known for his rigorous planning prior to the fabrication of a work. This is documented in the production processes of Oneness. <mask> began his bent-wire works called Point with Point. The year is 1961. <mask>'s Exploration of a single centripetal unit that cannot be divided any further was a singular moving entity that straddled the space-time of reality and emptiness. Things divide infinitely before the quantum mechanics quest. The ultimate of division is the elementary particle.It is emptiness with infinitely increasing density. According to Adrian Ogas, Takamatsu may have had a vision that the points were a cluster of accumulated lines of cells that were creating existence. The string is a non-material, abstract, conceptual object that is length and can also be thought of as line or point extended. The unit of measure is challenged by the extension and contraction of the string. Takamatsu didn't care about the aesthetic or thickness of the string, but he did care about how long it was. When string is placed within a bottle, it can be seen as a form of minimal materiality that can be compared to the concept of volume. Each edition of The String in the Bottle series demonstrated the string-line contracted within the bottle and expanded out of the bottle, regardless of the form of the bottle.No is one of the most noted editions. The appearance and branding of the Coca-cola bottle was unimportant to <mask> in relation to his string of conception. In some editions, such as with no. Takamatsu used two strings to show that the form of the string was not important to him. <mask> used to series to worlds by attaching everyday objects to his ropes and cords. <mask> was inspired to paint the Shadow in order to create images that exist solely in our imagination, using his theory of absence to world what actually exists nowhere. The paintings show an object that is present and absent, traced and imagined.These are shadows of people and objects that have been gone for a long time. The Shadow paintings can be seen as a logical evolution of the Perspective series. There was a three-dimensional variation of the space created in the Perspective series using reverse perspective effects. Takamatsu suggests a perceivable dimensions where the rule of perspective that underlies our sense of perception is reversed. Takamatsu's grid installation series is called Slack. There are cords tied into a grid-like net and rectangular pieces of cloth sewn together to form square shapes. Both are constructed with slack in the center of the square.The works are displayed on the floor in order to show the gravity of the slacked construction and the space it occupied in the gallery space. The representation and perception of space is distorted by <mask>'s mode of centering optical effects in the physical construct of these installations. Although Perspective was well received, its immediate visual appearance of sagging in the centre of the square was deemed useless as a structure or visualization. When one looks at <mask>'s Slack plans on grid paper, they see the dimensions of the individual pieces compromising the internal grids of the nets that are irregular parallelograms on the grid paper. Oneness chiseled the top of logs with their bark intact to reveal square-shaped core within, stopping the process of revelation in a hanging suspension. Lee Ufan describes the hanging state as showing "what is visible to us, no longer as wood, lumber, or any other similar thing." The wood's internal idea intersects with its externality in this state.Takamatsu occasions a situatedness in which wood can be seen beyond its objectivity by exposing the relationship between lumber and log. Most people will gradually notice that they are looking at a relationship between the wood and itself. <mask>'s process of transforming the ordinary object and material to be secondary to his questioning of our ability to conceive the one-ness of things in their different and multiple forms was observed by Duncan. A strong feeling of uncertainty toward that thing would always remain if one were only to create a relationship with a specific part of the object. . I feel that it is necessary for one to create a relationship with that thing in its entirety within the extent of one's ability. <mask>'s Compound series poses objects which undermine our assumptions of form.A brick under a chair's leg and a piece of thin string hold it up. Shapes are created or undermined. Takamatsu is interested in shapes, not materials. <mask> hired a professional photographer to take pictures of his family albums in his home and study, which were placed on various walls and surfaces. Takamatsu investigated how photography relates to memory and appropriation. The act of viewing a photograph is perceived by glare, reflection, or shadow. The internal images show everyday subject matter while being shot in relation to the floor, in the darkroom chemical bath, or casually held by visible hands.The viewer of <mask>'s Photograph of a Photograph is prompted to contemplate with a weird gaze-within-a-gaze, drawn into a reenactment of personal history and hazy recollection. He worked on a series of screen prints called Andromeda from 1988 to 1989. Takamatsu was very precise about his artwork plans, which was consistent with his illustrations. A number of his drawings were rendered on graph paper. Some pictures. He worked hard to adjust the outlines until he found a satisfactory shape. He attached color instructions to sketches and original pictures for book illustrations.He wanted his intentions fully understood. With his approach to form, Takamatsu processed language as material to be broken down. The works were created in a project sponsored by Xerox. <mask> enlarged the paper with the text "These/Three/ Words" and " [Kono nanatsu no moji/ these seven characters]" through 100 rounds. The works have been compared to Joseph Joseph Kosuth's text based work. <mask> received the Grand International Prize for The Story at the eighth Tokyo Kokusai Hanga Biennre. The story was produced in a collaboration with Xerox.Four chapters from an "unfinished story" of the alphabet have 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 The first chapter began with "a b c d e... A "print" is a dissection of words or their elements in a raw, nonfunctional state. Writing Takamatsu was often in conversation with art critic peers. The anti-art movements of Japan were influenced by statements by Euro-american artists. Takamatsu made marked observations about the interconnectedness of sociality and objects in his writing. Takamatsu portrays an ever-evolving complexification of social ties in a series of essays.<mask>'s rose is similar to Allan Kaprow's description of happenings, moving through imaginary and hallucinatory moments with a tone more passive than active. As objects pile up and get stuck to one another, each detail leads to another without any direction. In <mask>'s essay "Fuzai tai no tameni [For That Which That Does Not Exist]) there is a lot of things, images, events, and bodies. The monotony of everyday experience is recounted in his reflection. Light. There is an exhibition of post-war Japanese at the Museum of Modern Art. The following institutional collections contain <mask>'s work.The National Museum of Modern Art, Tokyo, the National Museum of Art, Osaka, and the Dallas Museum of Art have

masks: Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu Takamatsu


title: Jessie Willcox Smith

texts: During the Golden Age of American illustration, there was an American illustrator named <mask>. She was considered to be one of the greatest pure illustrators. She was a contributor to magazines and books during the 19th century. <mask> illustrated stories and articles for many clients. She had an ongoing relationship with Good Housekeeping, which included the creation of all of the Good Housekeeping covers from December 1917 to 1933. Louisa May Alcott's Little Women and An Old-Fashioned Girl was one of the books that <mask> illustrated. In the Mount Airy neighborhood of Philadelphia, Pennsylvania,<mask> was born on September 6, 1863.Her parents were Charles Henry <mask>, an investment broker, and <mask> <mask>. Private elementary schools were where she attended. She was sent to Cincinnati, Ohio at the age of sixteen to live with her cousins and finish her education. She taught kindergarten when she was trained to be a teacher. <mask> found that the physical demands of working with children were too much for her. She had back problems that made it difficult to bend down. <mask> realized she had a talent for drawing after attending one of her cousin's art classes.<mask> attended the Philadelphia School of Design for Women in 1884 or 1885 and the Pennsylvania Academy of the Fine Arts in Philadelphia in 1885. <mask> began to use photography in her illustrations under Eakins. He became one of her first major influences because of his difficult demeanor. <mask>'s illustration Three Little Maidens All in a Row was published in the St. Nicholas Magazine in May of 1888. Women could make a living from illustration at the time. It was considered an appropriate career for woman artists to create illustrations for children's books or family life because of their maternal instincts. Fine art that included life drawing was not considered "ladylike."The resurgence in England of book design and the improved color printing processes made illustrations viable. In June of 1888, <mask> graduated from PAFA. She was hired for an entry-level position in the advertising department of the Ladies' Home Journal. <mask> was responsible for finishing rough sketches, designing borders, and preparing advertising art for the magazine. The book of poetry New and True: rhymes and rhythms and histories droll for boys and girls from pole to pole was illustrated by her. During her time at the Ladies' Home Journal, <mask> took classes at the Drexel Institute. She was in his first class.Many artists of <mask>'s generation fought for their right to illustrate for the major publishing houses. He worked with many gifted artists. <mask> would write a speech stating that working with Pyle gave the art-student a clear path to follow. The 1923 work "Report of the Private View of the Works of Howard Pyle at the Art Alliance" contains the speech. She was a student of Pyle through 1897. <mask> met Elizabeth Shippen Green and other people she had interests with. They would be friends for the rest of their lives.The women lived on Chestnut Street. In 1897, Henry Wadsworth Longfellow's Evangeline was published. The first commission for the two artists was secured by their teacher. <mask>'s career flourished at the turn of the twentieth century. She illustrated a number of books and magazines. Her works were published in a number of magazines. She received an award for child washing.The Red Rose Girls lived and worked at the Red Rose Inn in Pennsylvania for four years in the early 1900s. They leased the inn where they were joined by Green's parents and other people. The Red Rose Girls: An Uncommon Story of Art and Love was written by Alice Carter for an exhibition at the Norman Rockwell Museum. The most influential artists of American domestic life at the turn of the twentieth century were these women. Their poetic, idealized images still prevail as an example of motherhood and childhood a century later. The Child was illustrated by Green and <mask>. The Mary Smith Prize was won by <mask> that year.Frank Miles Day renovated a farmhouse in West Mount Airy, Philadelphia for the artists after they lost their lease on the Red Rose Inn. The initials of their surnames and that of <mask>'s roommate were drawn into the name of their new shared home and workplace. Women artists joined professional enterprises and founded their own art associations when the educational opportunity opened up in the 19th century. Lady artists' artwork was considered inferior. As part of the emerging image of the educated, modern and freer "New Woman", women became more vocal and confident in promoting their work. Artists played crucial roles in representing the New Woman, both by drawing images of the icon and through their own lives. In the late 19th century and early 20th century, most of the subscribers of 11,000 American magazines and periodicals were women.Publishers hired women to create illustrations which depicted the world through women's perspectives as more women entered the artistic community. Other successful illustrators were Rose O'Neill and Elizabeth Shippen Green. <mask> preferred to create illustrations for covers and advertisements, which bore her signature. According to the National Museum of American Illustration, <mask> is the "greatest children's book illustrator" and her work has been compared to Mary Cassatt's for her endearing portrayal of children. Philadelphia's The Plastic Club was founded in 1897 to promote "Art for art's sake". Elenore Abbott was one of the members. The group of women who founded the organization were students.It was founded to encourage one another and create opportunities to sell their works. Florence Scovel Shinn and Elizabeth Shippen Green were the first women members of the Society of Illustrators. They became members the following year. They were made full members of the organization in 1920. She was one of seven artists who were contracted to work for Collier's. The others were Maxfield and Charles Dana. B.F.X. Leyendecker, E. W. Kemble, and Frederic Remington were authors. According to an article printed by The New York Times in 1910, <mask> made about US$12,000 per year and became as popular as a "media star". <mask>'s illustrations and posters of children and women appealed to millions of people. Both of her parents and her former teacher died in the same year. A mural project in the Pennsylvania state capitol kept her away from Cogslea for a long time. <mask> built a 16-room house and studio on the property near Cogslea. She lived with Cozens, her aunt, and her brother.She continued to create illustrations for magazines over the next several years, including a series of Mother Goose illustrations which were printed in black and white until mid-1914. Dodd, Mead, and Company reproduced her illustrations in a book. The book that reflected her theme of mother and child in a realistic portrayal was a commercial success. The cover illustration for this book, showing two children nestled beneath the wings of Mother Goose, is one of <mask>'s most pleasing and warm images. Evidence of the genius of <mask> can be found in the posture and expression of the children and the material concern of Mother Goose. <mask> used milk, cookies and fairy tales to create a relaxed, focused child model. A child will always look directly at anyone who is telling a story, so while I paint I tell tales that are wonderful to hear.<mask> finished a work for The Water-Babies in 1915. She was the artist with the longest run of illustrated magazine covers. A total of 184 illustrations of family scenes were created by her. "No other artist is so fitted to understand us, and to make for us pictures so truly an index to what we are as a magazine are," the magazine said of her. The holding up to our readers of the highest ideals of the American home, the home with that certain sweet wholesomeness one associates with a sunny living-room, and children. She was one of the highest paid illustrators of the time. <mask> created illustrations for both Kodak and P&G.She made illustrations for Charles Dickens' works, like Tiny Tim, Dickens' Children - Ten Children, and David Copperfield. <mask> increased the number of portraits she painted beginning in 1925. She used a technique she learned from Eakins. She used photography to make portraits. <mask>'s style changed a lot throughout her life. She used dark lined borders in the beginning of her career to show brightly coloured objects and people. She softened the lines and colors in later works.<mask> used oil, watercolor, pastels, gouache, charcoal, whatever she felt gave her desired effect. She puts oils on a paper with a grain or texture that adds to the work. The French impressionist painters influenced her use of colour. <mask>'s work focuses on children and motherly love. <mask> tried to recreate the image of love she had desperately needed as a child, according to many reviewers. <mask> preferred to use real children as opposed to child actors because she found that professional children did not have the same soul or will to explore as amateur child models. She would invite her friends to visit and watch her children play.<mask> traveled Europe in 1933 with Isabel Crowder, who was both Cozens' niece and a nurse. Her health deteriorated during her trip. <mask> died in her sleep at the age of 71. The Pennsylvania Academy of the Fine Arts held a retrospective exhibition of her works in 1936. <mask> was the second woman to be in the Hall of Fame of the Society of Illustrators. She was the first woman to be in. Three of the small group of women were members of The Red Rose Girls.The Library of Congress' "Cabinet of American Illustration" collection contains 14 original works by <mask>. <mask>'s papers are in the collection of the Archives of American Art. Her works are included in the following collections. The Free Library of Philadelphia, the Delaware Art Museum, and the New York Public Library Digital Gallery all have rare book departments. <mask> made illustrations for more than 250 periodicals, 200 magazine covers, 60 books, prints, calendars and posters. She painted portraits as well. Below are some of her works.There were1-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-6556 The collection is named after a woman. The Library Company of Philadelphia has a print and photograph department. Images and works of <mask>x <mask> can be found in the Research Information System.

masks:
Jessie Willcox Smith
Smith
Smith
Jessie Willcox Smith
Smith
Katherine Willcox
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Smith
Jessie Willco
Smith


title: Jacques Thomelin

texts: A 17th-century French composer and organist named <mask>-Denis was born on October 28, 1693. <mask> was born in Paris. His father was named <mask> and he was in Paris. He lived in the Saint-Germain l'Auxerrois parish until 1650, then moved to the rue des Postes in the Saint-tienne-du-Mont parish. He had four children and the second one was an organist. The other two brothers were Martin and Marie. The daughter of a Parisian goldsmith brought <mask> 2400 lt of dowry.He and his wife lived in the rue du Fouarre in the Saint-Germain-des-Prés parish. He moved to rue de la Verrerie after 1669. The organist of St. Jean Church signed the inventory after Pierre Méliton's death. Four days after writing his will, <mask>-Denis was buried in a church. In addition to 3000 lt in cash, he left musical manuscripts that were donated to his widow. <mask>-Denis had two daughters. Nicolas Aunillon was the deputy Attorney General at the Grand Conseil.Marie-Madeleine married Franois Collesson, the businessman and clerk of Dupille, the Receiver General for Finance of Lyon, on 18 March 1695. There were disagreements between the young couple and Hélne Dumolin, who finally disinherited her daughter, and asked her for the music she would have taken with her. The music sheets never reappeared. The elder brother of <mask> was an organist and a master writer. The daughter of a master of the Mantes and Meulan waters and forests was endowed by his father with a pension of 300 lt. He was organist at Claude de Montalan and the Carmes de la place Maubert until his death in 1669) and was occasionally replaced by his older brother Guillaume. In 1667, he became the first organ holder of this church's new organ, and kept it until 1685, when he passed it on to his student Tassin.Due to the death of tienne Richard, he obtained the organ of Saint-Jacques-la-Boucherie. He received 400 lt of wages, of which 200 lt were withheld for the rent of a company residence on rue des Lombards, according to an agreement concluded with the churchwardens of this parish on 22 June 1669. The chapter register of this church gives the text of a rebuke to the organist, like the one given to Mr. <mask>, who was reprimanded for playing the organ too long during the service. We decided to conform better to the ceremonial of the church of Paris, which wants in no ambiguous terms that the organ play is neither long nor precipitated. During the 1670s, he was called upon to evaluate many organs. During the time this office was divided into four quarters, he was well known to compete in the Chapelle Royale competition. He won the contest and took the first quarter, along with Jean-Baptiste Buterne, Guillaume-Gabriel Nivers and Nicolas Lebgue.It is assumed that he taught the young Franois de Lalande and the older Franois de Lalande at the same time. He was on the jury of the competition for the sub-masters of the Chapel of the King. An office as Ordinary Secretary to the King was purchased by him. He returned to his quarters in the Chapelle Royale after his death. He would have liked to hear seven different organists play to choose one instead of one of his own, but he wouldn't declare his choice after hearing them. The Mmoires of Sourches were published in December 1693. The nephew of Guillaume was chosen by <mask> to replace him at the charge of financing some minor repairs for the organ.There are works for organ. Nicolas Gorenstein is a person. Chanvrelin, 2006 (CHAN 059), 22 p., includes Pange lingua, 5 verses of the hymn Ave Maris stella, trios, duets, stories, and preludes. There are three musical manuscripts at the Bibliothque Sainte-Genevive in Paris. The works are believed to be student notebooks written in the last quarter of the 17th century and contain pieces from <mask> de Chambonnires, Louis Couperin and tienne Richard. Some pieces required a human voice to play on the pedal, and the organs of Saint-Jacques-la-Boucherie and Saint-André-des-Arts were among the rare French instruments that had them. The manuscript BR contains several organ pieces.The Union Wallonne des Organistes was published by Léon Kerremans. Allemande de Mr. <mask> was for the harpsichord. The manuscript is from the Hargrove Music Library. See Moroney 2005.Allemande de M. The manuscript is from the early 18th century. It is different from the previous one. A request for privilege was presented to us by the father of the son who may have published a collection of his father's works.If ever published, the collection is lost. There are references to Versailles et les Musiciens du Roi. Paris: A. et J. Picard. There are documents recueillis par M. Benot. Paris : A. and J. Picard. The man isMichel Brenet. La librairie musicale en France was written for Marie Bobillier.Sammelbnde der Internationalen Musikgesellschaft 8 was published in 1907. Franoise Gaussen is the author of Actes d'état civil de musiciens franais. There are more than 150 words in this article. Pierre Hardouin is the author of La famille de Jacques Denis. The year was 129–131. Pierre Hardouin is a member of the Revue de musicologie. 95–99Catherine Massip is the author of La Vie des musiciens de Paris. Picard was born in Paris in 1976. The Borel manuscript is a new source of seventeenth-century french harpsichord music at Berkeley. The musique  la cour de Louis XIV et Louis XV was published in 1698-1757. Excerpts were collected. Picard was born in Paris in 1970. The musique d'orgue is referred to as the Discography Cinq Sicles de musique d'orgue.The collection Pyrénéorgues is from the CD Artephonix. It includes the Ave Maris stella. French Baroque composers French classical organists French male musicians were born in Paris in the 1630s.

masks:
Jacques
Jacques
Jacques
Jacques Denis
Jacques
Jacques
Jacques Denis
Thomelin
Jacques Denis
Jacques Champion
Thomelin


title: Penelope Aubin

texts: The year is 1738 and it is possible that it is the year of <mask>. He was an English novelist, poet, and translator. She published seven novels. She translated French works in the 1720s, spoke publicly about moral and political issues at her Lady's Oratory in 1729, and wrote a play in 1730. She died in April 1738 and her husband died in April 1740 The works of the author were gathered and published to promote the cause of virtue and honor. After her death, her works were both plagiarised and published in the US.She is one of a number of women writers who wrote in the 18th century. She was the illegitimate daughter of Sir Richard Temple of Stowe and most likely born in London around 1679. Her biographers have found that her husband's family were from Jersey in the Channel Islands and that she was both Catholic and Huguenot. Her parents were Sir Richard Temple and Anne Charleton. Walter Charleton was a physician and natural philosopher. They had three children, none of which outlived their parents, and they were married without the permission of either set of parents. Her husband fought in Queen Anne's wars and gave a description of his military career in her obituary.She was asked to be involved with a scheme by former pirate John Breholt to raise a petition in support of the return of the pirates of Madagascar and their wealth to England, but she declined to do so. The Stuarts: A Pindarique Ode and The Extasy: A Pindarick Ode to Her Queen are both from 1707. T.M. translated. The person is M. De Gomberville. In 1726, it was re published as Moral Virtue Delineated. The lives and adventures of two lords and two ladies were chronicled in The Noble Slaves. There is a translation of Mme Gillot De Beaucour.Anne de Sola edited a critical edition. There is a translation of M. Petis de le Croix. The life of an English lady was taken from her memoirs. There is an online edition of The Illustrious French Lovers. Anna de Sola edited a 2000 critical edition of The Life and Adventures of The Young Count Albertus, The Son of Count Lewis Augustus and the Life of the Countess de Gondez. There is a translation. The Merry Masqueraders; or The Humorous Cuckold was written to promote the cause of virtue and honor.Cambridge University Press, 2011. 2. The books of Lydia Languish's library were written by David Brewer and Angus Whitehead. Eighteenth-century Women: Studies in Their Lives, Work, and Culture is the title of the book. 1, ed. Linda V. Troost is from New York. SEL: Studies in English Literature 1500–1900 45:3 was written by Aparna Gollapudi."<mask>bin and Narratives of Empire" was written by Edward Kozaczka. The Huntington Library Quarterly published William H. McBurney's book, 'Mrs <mask>bin and the Early-Eighteenth Century English Novel'. Chris Mounsey said that he could send the Dotard's soul to Hell if he brought her naked from her bed. The British Journal for Eighteenth-Century Studies was published in 2003 The Female Crusoe: hybridity, trade and the eighteenth-century female individual was written by C.M.Owen. What the Bookseller Did: a case of eighteenth-century plagiarism was written by Kulik. '<mask>bin and the Doctrine of Morality: a reassessment of the pious woman novelist', Women's Writing, Volume 1, No.1 (1994), pp.The Journal for Eighteenth-Century Studies, Volume 31, Number 1 was written by Debbie Welham. "Delight and Instruction?" was a question posed by Debbie Welham. The PhD thesis deals with women's political engagement in the works of a man. Women's Writing, Volume 20, Number 1 is titled "The Political Afterlife of Resentment in <mask>'s The Life and Amorous Adventures of Lucinda". The score was 49-63. "Penelope Aubin, Short Biography" was written by Debbie Welham. The house is called Chawton House.There are external links to Welham, Deborah, and delight. The British Library Ethos service provides free access to Women's Political Engagement in the Works of <mask>.

masks:
Penelope Aubin
Penelope Au
Penelope Au
Penelope Au
Penelope Aubin
Penelope Aubin


title: Frederick Ebersold

texts: <mask> was an American law enforcement officer who worked for the Chicago Police Department. He was in charge of the Chicago Police Department during the Haymarket affair. <mask> was born in Ixheim on March 30, 1841. His parents were Louis and <mask>. His father worked as a contractor. Both of his parents died on the same day. At the age of fifteen, he was orphans.He joined his aunt and older brother in the United States. After arriving in America in 1856, he lived with his aunt in New York City before moving to Chicago with his brother. His brother was an architect. He arrived in Chicago in February of 1856. He began working for J. J. in February of 1856. West was an apprenticeship as well as a varnisher. After West sold his company, <mask> moved to Mendota, Illinois, where he spent two years managing a large warehouse business.<mask> joined the 12th Illinois Infantry at the beginning of the United States Civil War and served for three months. He was assigned to duty in East St. Louis, Illinois, and then in Cairo, Illinois. He returned to Chicago in August after taking sick in Cairo. He tried to re-enlist. He came back to Mendota. After leaving service in the 12th Illinois Infantry, <mask> enlisted as a private with the private company "I" in the 55th Illinois Volunteer Infantry Regiment. He would eventually be promoted to captain.For the entire three months of his service. The other three months of his service were under General Benjamin Prentiss. <mask> was made sergeant upon the organization of the regiment, after he recruited 38 other men. He was promoted to second or first duty sergeant. The expedition to Columbus, Kentucky was part of the capture of Ford Donelson. On March 8, 1862, they embarked on a steamship up the Tennessee River. He escaped being hit by a shell unscathed, but was wounded by another shell in the left hand, across his shoulders, and in his breast, in the Battle of Shiloh.He was made an orderly sergeant after the battle and held this position for eleven months. <mask> took part in the Siege of Corinth in May of 1862. He did not receive his commission until April 1863, after he was made second lieutenant. The Battle of Arkansas Post took place in July 1863. The Battle of Champion Hill took place in May 1863. <mask> was a part of the Siege of Vicksburg. He traveled from Vicksburg to Mission Ridge and Tennessee after being promoted to a first lieutenancy.<mask> and his men took part in the fight at Tuscumbia, Alabama on August 27, 1863, in order to reinforce forces led by William Rosecrans. The Battle of Missionary Ridge took place in November of 1863. <mask> re-enlisted in the spring of 1864 after three years of service. He was elected the first lieutenant of his company. He was in charge of the "A" and "E" companies during the Atlanta campaign. Around this time, he was made a captain. During the campaign, his company took part in the Battle of Kennesaw Mountain on June 27 and the Battle of Decatur, Georgia on July 22.After the Atlanta Campaign, the 55th Illinois Volunteer Infantry went to camp at East Point and followed the troops of John Bell Hood to Florida. General Sherman joined them on Sherman's March to the Sea. The battle took place at Fort McAllister. They did some warm work in South Carolina. The battle at the South Edisto River took place on February 9, 1865, and the battle at Charleston, South Carolina took place on February 15 and 16. The Confederate General Robert E. Lee surrendered at the Battle of Appomattox Court House. <mask> received his payment on August 25, 1865, after he was discharged from Little Rock, Arkansas.He was in bad health when he returned to Chicago. <mask> joined the Chicago Police Department on July 9, 1867 after losing his money in a flour feed business. He was a patrolman at the Armory police station. <mask> joined the day squad in 1868. He was assigned to work at the Rush Street Bridge. After navigation on the River was closed for the winter, he was sent back to the Armory police station, where he worked until the following may, when he was placed again on the day squad. He was moved to the Randolph Street Bridge because he became sick from the tunnel.He was moved to the intersection of Lake and 5th. He was assigned to the headquarters where he worked as an interpreter and operated a dial telegraph machine. He was assigned to the 22nd street district as a sergeant on May 4, 1872. He was moved to the Armory station at a new location. He was made a lieutenant when the rank was created. <mask> ran after Burns thinking he was the one who shot Ed "Big Ed" Burns. <mask> ran after Charlie Powers, but was shot at by Powers, with a bullet making its way through <mask>'s clothing.<mask> had his gun stolen when he was arresting a criminal who was known as "Cranky Bill". <mask> was a lieutenant during the Chicago railroad strike of 1877. <mask> was the captain of the first precinct on August 1, 1879. <mask> was moved to command the second and third precinct in August and December, respectively. He was in charge of the day squad in August 1885. He was placed in charge of the first district again on April 22, 1884. He was the inspector of police in August 1885.August 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 On October 26, 1885, he was appointed General Supremo. He was popular early on in his tenure. Ebersold's appointment was a popular choice with the city's business community, as well as the city's German populace. It was not popular among ambitious senior officers such as John Bonfield, who replaced Ebersold as inspector, and Michael Schaak, who did not respect Ebersold's authority. Ebersold is thought to have been a good leader of the police force. Others thought his leadership was uneasy.The Chicago Police Department was understaffed due to the size of Chicago and the large number of crimes being committed there, as well as considering the labor tensions of the era. When Chicago's population was 825,000, just over 1,000 cops were employed. <mask> was praised for how he handled his officers in the days leading up to the Haymarket affair. <mask> resigned on February 14, 1888. <mask> died in Chicago on January 21, 1900. He was buried in Rosehill Cemetery. The Chicago Police Department births and deaths of people from Zweibrcken.

masks:
Fredrick Ebersold
Ebersold
Elizabeth Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold
Ebersold


title: Hernando Arias de Saavedra

texts: The soldier and politician of criollo ancestry was known as Hernandarias. He was the first person born in the Americas to become a governor of a European colony in the New World, serving two terms as governor of the Ro de la Plata. The second son of <mask> and Martn Surez was born in colonial Asuncin. He had a sister, <mask>, who married a man named <mask>. His maternal grandparents were wealthy from their holdings in Paraguay. He joined the military at a young age. He was involved in the conquest of the territory of Argentina and Paraguay.Juan Ramrez Velasco named him lieutenant-governor of Asuncin in 1592 because of his talents as an officer and administrator. He was in office for three terms. The half-brother of Hernandarias was named bishop of the Roman in the same period as the new governor wrote about her. The Lieutenant-Governor of the Rio de la Plata province was Hernandarias. The new governor of the province of Rio de la Plata was ordered to be named in 1597 by King Phillip II. The caudillo in Asuncin unanimously elected Hernandarias as the governor of Rio de la Plata province. Hernandarias was governor for three terms: 1597–1599, 1602–1609, and 1615–1617.The growth of a small port town was stimulated by a number of policies enacted by the governor. The creation of the first primary schools, kilns for making bricks and tiles to replace adobe as a construction material, and the rebuilding of a fortress to protect the city from pirates were included. Following the capture of two anchored ships by English privateers on March 18, 1607, he ordered the construction of a larger fort at the mouth of the Matanza River. There were prohibitions on import, export and the African slave trade. During his time as governor of Buenos Aires, Hernandarias started several expeditions, including one to Brazil to find the mythical City of the Caesars. He was captured by the Mapuche in 1604. He was able to escape and survive.The mita and encomienda labor systems were ended in 1603 by Hernandarias. The Spanish depended on native labor to convert them to Christianity. King Phillip III approved of this reform. The Jesuit and Franciscan reductions were created in the region of Guayr. Compared to the previous system, it protected natives from the ranchers and encomienda. In 1611, visiting judge <mask> Alfaro ordered the freeing of natives who had been converted by the Jesuits. The Ordenanzas de Alfaro was proclaimed by him.The Governor of the Ro de la Plata at the beginning of the 17th century was Hernandarias. Too much of the Indian workforce drank the drink and he thought it was a bad habit. He wanted to end the production in the Governorate of the Ro de la Plata. The people involved in production never complied with the order and it rejected his ban. The church in Buenos Aires was relocated in 1603. The church collapsed in 1616 after craftsmen decided to make repairs to the roof. The effort to build the Cathedral of Buenos Aires was led by Hernandarias.Hernandarias secured a supply of lumber from Paraguay as well as labor from Spanish and converted natives. On September 7, 1614 Hernandarias was named governor of Buenos Aires for his third and final term, after he wrote a letter about the construction of the Cathedral. He took the post on May 29, 1615. In order to split the Ro de la Plata district in two, he introduced an initiative that included the settlements of Asuncin, Santiago de Jerez, Villa Rica and Ciudad Real. The partition was approved by the king in 1618. The change was done in 1620. <mask> Gngora succeeded Hernandarias as governor after his term expired.He had three daughters, Gernima, Isabel and Mara Hernandarias, who retired with his wife to Santa Fe, Argentina, where he died in 1634 at the age of 72. His remains and those of his wife were buried in Santa Fe. The city of Hernandarias, Argentina in Paran District, and the Hernandarias Subfluvial Tunnel in Argentina were named after him. In 1604 Hernandarias traveled for six months along the Uruguay and Negro rivers looking for wood, coal and canes. He reported to King Felipe III of Spain that the lands were great for cattle raising. The King didn't heed his advice but in 1610 he deeded Hernandarias with the "Natural Peoples Protector" title and two islands at the confluence of two rivers. Fifty he 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266In 1617, he had another fifty animals and the same number in San Gabriel Island. The act that started the great cattle herd in the region, the exploitation of which was the most important factor in the historical processes that led to the colonization of present day Uruguay, has been overlooked by the Spaniards. The territory pastures were very favorable for bovine reproduction, and the abundance of cattle attracted portuguese incursions from Brazil, Portugal and Spain. Governors of the Ro de la Plata in 1561 births and 1634 deaths were Spanish military personnel.

masks:
Mara de Sanabria
Juana de Saavedra
Juan de Garay
Francisco de
Diego de


title: Witold Gombrowicz

texts: <mask> was a Polish writer and playwright. His works have a weird sense of anti-nationalist flavor. Problems of immaturity and youth, creation of identity in interactions with others, and an ironic examination of class roles in Polish society and culture were some of the themes of his first novel, Ferdydurke, published in 1937. He gained fame during the last years of his life, but is now considered one of the most important figures of Polish literature. His diaries were published in 1969 and are considered his masterpiece by the Paris Review. He was nominated for the literature prize. <mask> was born in Maoszyce near Opatw to a wealthy family.He was one of four children of Jan and Antonina. After his grandfather was accused of participating in the January Uprising of 1863, his family was forced to leave the estate they had lived on for 400 years. He described his family origins and social status as early instances of a lifelong sense of being between. His family moved to Warsaw in the early 20th century. After graduating from the Gymnasium in 1922, <mask> studied law at Warsaw University, earning a MJur in 1927. He studied at the Institute of Higher International Studies in Paris. During his time in France, he was in constant contact with other young intellectuals.He went to the Mediterranean. After returning to Poland, <mask> began applying for legal positions with little success. He began writing in the 1920s. The novel was supposed to manifest his "worse" and darker side of nature. His attempt to write a novel with Tadeusz Kpiski was a failure. At the turn of the 1920s and 1930s <mask> began to write short stories, later printed under the title Memoirs of a Time of Immaturity, edited by <mask> and published under the name Bacacay, the street where he lived during his exile in Argentina. His reviews and columns started appearing in the press after this literary debut.In Warsaw, <mask> formed an artistic café society with other young writers and intellectuals. His first novel, Ferdydurke, brought him a lot of attention. <mask> was exiled in Argentina before the outbreak of the Second World War. He reported to the Polish legation in 1941 but was deemed unsuitable for military duty after he learned of the outbreak of war in Europe. During the war in poverty, he stayed in Argentina until 1963. At the end of the 1940s <mask> was trying to gain a position in Argentine literary circles by publishing articles, giving lectures at the Fray Mocho café, and publishing a Spanish translation of Ferdydurke. This version of the novel is now considered a significant event in the history of Argentine literature, but at the time of its publication it did not bring <mask> any great renown, nor did the 1948 publication of his drama lub in Spanish.Zofia Chdzyska introduced <mask> to Buenos Aires's political and cultural elite after he worked as a bank clerk in the Argentine branch of Bank Pekao. In 1950 he started exchanging letters with Jerzy Giedroyc, and in 1951 he published his work in the Parisian journal Culture. The subject of national identity on emigration was controversially raised in a volume of work that 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 The publication of four of <mask>'s books in Poland brought him great renown even though the authorities did not allow it. Both men and women had affairs with Gombrowicz. In his later serialised Diary, he wrote about his adventures in the homosexual underworld of Buenos Aires, particularly his experiences with young men from the lower class, a topic he picked up again when interviewed by de Roux in A Kind of Testament. In the 1960s, many of Gombrowicz's works were translated into other languages.His dramas were staged in France, Germany and Sweden. After receiving a scholarship from the Ford Foundation, <mask> returned to Europe in 1963. From 8 to 22 April 1963, he traveled by ship, the Italian ts/s FEDERICO C, and then took a train to Paris. His diary contains a record of the journey. <mask> lived in West Berlin for a year after enduring a slanderous campaign by the Polish authorities. He was unable to return to Argentina because of his health issues. He returned to France in 1964.He met Rita Labrosse, a Canadian who studied contemporary literature, while he was in Royaumont Abbey. He and Labrosse moved to the Cte d'Azur in the south of France in 1964. He lived in Vence for the rest of his life. His health prevented him from benefiting from his late renown. He was unable to write in the spring of 1964. He was awarded the Prix International in 1967. He married Labrosse the following year.A series of 13 lectures on the history of philosophy was given to de Roux and Labrosse by his friend. The lectures began and ended with the same ideas. The last part of the series was interrupted by <mask>'s death. He was buried in Vence. He did not allow his works to be published in Poland until the authorities lifted the ban on the unabridged version of his diary, in which he described their attacks on him. He was unknown to the public until the first half of the 1970s, because he refused publication in Poland. His works were translated into more than 30 languages by the Paris Literary Institute of Jerzy Giedroy.His dramas were staged all over the world by well-known directors such as Ingmar Bergman and Jerzy Jarocki. The writing of <mask> has a sense of humor, as well as an awareness of conflicts that arise when traditional cultural values clash with contemporary values. <mask>'s descriptions are clear and precise, and he once claimed he wrote in defiance of Adam Mickiewicz. There are links between <mask>'s work and structuralism. In a section of Trans-Atlantic written in the form of a diary, followed by a parody of a traditional fable, it is also known for its playful allusions and satire. The connections with European thought in the second half of the 20th century are the most engaging aspects of <mask>'s work. According to <mask>,Ferdydurke was published in 1937 before the theory of the regard d'autrui was formulated.The popularization of Sartrean concepts has made this aspect of my book better understood. First-person narrative is used in <mask>'s novels. Many neologisms are included in the language. He created "keywords" that shed their symbolic light on the sense covered under the ironic form. gba is a dog in Ferdydurke. The paradoxes in the story "Pamitnik z okresu dojrzewania" control the entrance of the individual into the social world and the repressed passions that rule human behavior. In Ferdydurke, he talks about form as a universal category that was understood as a means of enslavement of the individual by other people and society as a whole.Upupienie (imposing on the individual the role of inferior and immature) and gba (a personality or an authentic role imposed on somebody) were some of the phrases used in the novel. Ferdydurke is a satire of various Polish communities. The human is either presented as a member of a society or an individual who struggles with himself. The first nine volumes of <mask>'s works were published in 1986 and have been adapted by many theatres. It was the only way to get access to his work. Ivona, Princess of Burgundia, was <mask>'s first dramatic text. What the enslavement of form, custom, and ceremony brings is described.In 1939 he published in installments in two daily newspapers the popular novel Optani, in which he interlaced the form of the Gothic novel with that of sensational modern romance. The form of Shakespeare's and Caldern's theatre was used in lub. The romantic theatre has a new concept of power and a human being created by other people. In Trans-Atlantyk <mask> compares the traditional vision of a human who serves values with a new vision that an individual can use to fulfill themselves. The eccentric millionaire is the representative of this model of humanity. When the eternal order traditional culture based on faith in God collapsed during the war, the novel shows Poland in wartime. A new reality has the elderly and young working together to realise their cruel fascinations with eroticism.<mask>'s most complex and ambiguous work is Kosmos. He depicts how human beings create a vision of the world, what forces, symbolic order and passion take part in this process and how the novel form organizes itself in the process of creating sense. Operetka is a grotesquely present 20th-century totalitarianism. He believes in rebirth through youth. According to many scholars, his most outstanding work is Dziennik (Diaries), an affectingly cool critic of European tradition, the diagnostician of the disease afflicting contemporary thought, the great artist and moralist. <mask> in his Diary would be a worthy successor to the Joyful science of Nietzschean criticism and poetry in twentieth century literature. In the 60's and 70's, Dziennik was published in serial form.It is not only <mask>'s record of life, but also a collection of auto-reflection on folk poetry, views on politics, national culture, religion, and many other themes. He uses a wide range of literary devices. The film Ferdydurke was directed by Jerzy Skolimowski. The Year of Gombrowicz was declared by the 100th anniversary of his birth. Wydawnictwo literackie published <mask>'s last work, Kronos, in Poland on May 23, 2013). <mask>'s works are characterized by deep psychological analysis, a sense of paradoxes and an anti-nationalist flavor. The problems of immaturity and youth, the masks people wear, and an ironic, critical examination of class roles in Polish society and culture are some of the themes explored in Ferdydurke's later work.It divided <mask>'s audience into worshipers and enemies. <mask> struggled with Polish traditions in his work. This battle was the beginning of his stories, which were based on this tradition and history. <mask> is remembered by scholars and admirers as a writer and a man unwilling to sacrifice his imagination for any price, person, god, society, or doctrine. <mask>'s novels and plays have been translated into 35 languages. The original title was Pamitnik z okresu dojrzewania. Bill Johnston is the author of Archipelago Books.Ivona, Princess of Burgundia, play, 1935; Iwona, ksiniczka Burgunda Ferdydurke, novel, 1937. Danuta Borchardt is the author of the Yale University Press. Possessed, Optani The Marriage, and lub Trans-Atlantyk are novels. French and Karsov are authors of the Yale University Press. Trans-Atlantyk: An alternate translation. Danuta Borchardt is the author of the Yale University Press. Danuta Borchardt is the translator of Pornografia.Kosmos Cosmos, tr., is a novel that was published in 1965, and is a novel that was published in 1965, and is a novel that was published in 1965, and is a novel that was published in 1965, and is a novel that was published in 1965, and is a novel that was published Danuta Borchardt is the author of Yale University Press. Two Novels, tr. The re-issue edition of the book was written by Mosbacher and Hamilton. Operetta is a play, Operetka Diaries is adiary, and Dzienniki Diary Volumes is adiary. The introductory essay was written by Lillian Vallee. A guide to philosophy in six hours and fifteen minutes is one of the other translations.Polish memories, tr. The Yale University Press was published in 2004. The Secret of Myslotch is a Gothic novel. Boyars had a re issue in 1988. There is a kind of Testament. The Dalkey Archive Press was printed in 2007. The film was directed by Jerzy Skolimowski.Also known as a door key. The film was directed by Jan Jakub Kolski. Pornography is also known as porn. The film is directed by Andrzej uawski. There was an award for directing in Locarno. In 1997, Nicolas Philibert made a documentary about the patients and staff of the La Borde, a radical French psychiatric clinic. There were people from Opatw County who died in 1969 and there were people from Argentina who died in 1904.

masks:
Witold Marian Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Style Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz
Gombrowicz


title: A. Thangathurai

texts: He was a lawyer, politician and Member of Parliament. <mask> was born in 1936. He was from the village of Killiveddy in the Trincomalee District. His father was a farmer. The Allai area was tense in the 1950s after the arrival of the Sinhalese. Many of the people from Dehiwatte would come to Killiveddy to buy and register with <mask>'s father. Government College, Batticaloa, and Stanley College, Ariyalai were where Thangathurai was educated.<mask> was married to Sathyashri. They had three children, two daughters and a son. <mask> chose to join the clerical service because of his family's financial situation. He was employed by the Department of Irrigation. He was an active member of the Government Clerical Services Union and worked to improve the lives of the residents of Killiveddy. He did not identify with the Tamil nationalist Illankai Tamil Arasu Kachchi's (ITAK) and the All Ceylon Tamil Congress. As they purchased and leased more land, <mask>'s family's agricultural activities increased.They farmed land for Hindu temples on a contractual basis. The family amassed a huge amount of wealth which in turn gave them a great amount of social/ political stature in the area. <mask> became a revenue officer after passing the exams. People in the Killiveddy area were concerned about the state-sponsored colonisation schemes. <mask> joined the party because he was critical of the colonisation schemes. He was in charge of the youth league. Kumarathurai and his brother started establishing settlements in secure border areas.The ITAK candidate in 1970 was <mask>. He entered Parliament after winning the election. In the 70s, <mask> faced arrest for being a young militant in ITAK. The Tamil United Front, later renamed the Tamil United Liberation Front, was formed on 14 May 1972 by the ITAK, ACTC, and other groups. The Seruvila Electoral District was carved out of the two-member constituency to make it a single-member constituency. <mask> didn't contest the 1977 parliamentary election. Minor communal violence occurred after a tree was cut down in Killiveddy.It was thought that <mask> was behind the felling but he wasn't arrested. Kumarathurai was arrested over the incident. After the election, both <mask> and Kumarathurai were arrested, but they were released after a while. After graduating from law school in 1977 Thangathurai became a lawyer. Tamils, led by Thangathurai, started organizing themselves to protect their traditional homeland in the late 1970s and early 1980s. TheRobin Hood of southern Trincomalee District/northern Batticaloa District was protecting Tamil lands. It is believed that <mask> was the patron of the man who was shot dead by the police.<mask> was made chairman of the Trincomalee DDC after the 1981 elections. Many TULF leaders went into exile after the anti-Tamil riots, but <mask> stayed in Trincomalee District. Kumarathurai was arrested in January 1984 after the Sri Lankan government increased its suppression of Tamils. He was tortured but never charged after being taken to Boosa prison. The police and army massacred 44 people in Killiveddy. <mask> spoke to The Times about the massacre. After the Minister of National Security ordered <mask>'s arrest, he and his family fled to Madras, India.Kumarathurai was released in 1986 and Killiveddy was gone by this time. During his time in India <mask> had contacts with the leader of the Liberation Tigers of Tamil Eelam. The people of Trincomalee District were served by Thangathurai in 1988. At the 1994 parliamentary election, <mask> was a candidate for Trincomalee District. He was re-elected. Thangathurai blamed the army for the killings of 24 people in Kumarapuram on February 11, 1996. The information about the perpetrators of the massacre was given to Thangathurai by the villagers of Dehiwatte.On July 5, 1997 <mask> attended a function at a college in Trincomalee that was controlled by the Sri Lankan military. A grenade was thrown at the group as he was leaving the function. Six people, including <mask>, Rajeshwari Thanabalasingham, K. Seevaratnam, civil engineer V. Retnarajah, social worker P. S. Ganeshalingam and a police bodyguard. The function was attended by hundreds of people, including school children. The assassination was blamed on the Liberation Tigers of Tamil Eelam. There were many armed groups and the TULF had opponents amongst the Sinhalese, as well as Tamil, according to V<mask>. Several people with alleged links to the LTTE were quickly identified.According to the police, the suspects confessed to the assassination because of Thangathurai's co-operation with the Sri Lankan government. In October 1999 there were seven people. Some of the suspects had been tortured by the police, according to their lawyers. Illankai Tamil <mask> Kachchi politicians Members of the 7th Parliament of Ceylon Members of the 10th Parliament of Sri Lanka People from Eastern Province were killed during the Sri Lankan Civil War.

masks:
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
Thangathurai
. Anandasangaree
Arasu