title: Philip III of Spain

texts:
 Society of Conflict. Harlow: Pearson Education. (2005)
Harvey, Leonard Patrick. Muslims in Spain, 1500–1614. Chicago: University of Chicago Press.(2005)
<mask>, <mask>. and Kathyrn Norberg (eds). Fiscal Crises, Liberty, and Representative Government 1450–1789. (Stanford University Press, 2001)
 Lynch, John. Spain Under the Habsburgs: vol 2 Spain and America (1959) online pp 14–61. De Maddalena, Aldo. Rural Europe, 1500–1750. in Cipolla (ed) 1974.Mattingly, Garrett. The Armada. New York: Mariner Books. (2005)
Munck, Thomas. Seventeenth Century Europe, 1598–1700. London: Macmillan. (1990)
Parker, <mask>.Europe in Crisis, 1598–1648. London: Fontana. (1984)
Parker, <mask>. The Dutch Revolt. London: Pelican Books. (1985)
Parker, <mask>. The Army of Flanders and the Spanish Road, 1567–1659.Cambridge: Cambridge University Press. (2004)
Perry, Mary Elizabeth. The Handless Maiden: Moriscos and the politics of religion in early modern Spain. Princeton: Princeton University Press. (2005)
Polisensky, J. V. The Thirty Years War. London: NEL. (1971)
Ringrose, David.Spain, Europe and the "Spanish Miracle", 1700–1900. Cambridge: Cambridge University Press. (1998)
Sánchez, Magdalena S. Pious and Political Images of a Habsburg Woman at the Court of <mask> (1598–1621). in Sánchez and Saint-Saëns (eds) 1996. Sánchez, Magdalena S. and Alain Saint-Saëns (eds). Spanish women in the golden age: images and realities. Greenwood Publishing Group.(1996)
Stradling, R. A. <mask> IV and the Government of Spain, 1621–1665. Cambridge: Cambridge University Press. (1988)
Thompson, I. A. A. Castile, Constitionalism and Liberty. in <mask> and

masks:
Hoffman
Philip T
Geoffrey
Geoffrey
Geoffrey
Philip III
Philip
Hoffman


title: Philip III of Spain

type: original

texts:
 Norburg (eds) 2001. Wedgwood, C. V. The Thirty Years War.London: Methuen. (1981)
Williams, Patrick. The Great Favourite: the Duke of Lerma and the court and government of <mask> of Spain, 1598–1621. Manchester: Manchester University Press. (2006)
Zagorin, Perez. Rebels and Rulers, 1500–1660. Volume II: Provincial rebellion: Revolutionary civil wars, 1560–1660.Cambridge: Cambridge University Press. (1992)

Further reading

See also Paul C. Allen, <mask> III and the Pax Hispanica: The Failure of Grand Strategy'' (Yale UP: 2000) for an extensive discussion of the foreign policy of <mask> III. Allen's is a revisionist work that also argues for a greater role played in international affairs by the Council of State and its leaders in this period rather than by Lerma. |-

Philippine dynasty
1578 births
1621 deaths
16th-century Spanish monarchs
17th-century Spanish monarchs
16th-century Portuguese monarchs
17th-century Portuguese monarchs
16th-century Castilian monarchs
17th-century Castilian monarchs
16th-century Aragonese monarchs
17th-century Aragonese monarchs
16th-century Kings of Sicily
17th-century Kings of Sicily
16th-century monarchs of Naples
17th-century monarchs of Naples
16th-century Navarrese monarchs
17th-century Navarrese monarchs
Spanish Baroque people
Spanish people of the Eighty Years' War
People of the Anglo-Spanish War (1585–1604)
Nobility from Madrid
Princes of Asturias
Dukes of Montblanc
Princes of Portugal
Spanish infantes
Portuguese infantes
Dukes of Milan
Knights of Santiago
Knights of the Golden Fleece
Burials in the Pantheon of Kings at El Escorial
Grand Masters of the Order of the Golden

masks:
Philip III
Philip
Philip


title: Padraig O'Malley

texts:
<mask>'Malley (born 1942 in Dublin, Ireland) is an Irish international peacemaker, author, and professor. O'Malley specializes in the problems of divided societies, such as South Africa and Northern Ireland. He has written extensively on these subjects and has been actively involved in promoting dialogue among representatives of differing factions. He's currently the John Joseph Moakley Distinguished Professor of Peace and Reconciliation at the University of Massachusetts Boston. Early life and education
O'Malley was born in Dublin. He was educated at University College, Dublin, and at Yale, Tufts and Harvard universities in the United States. Peace activism

Northern Ireland

O'Malley spent 20 years involved with the conflict in Northern Ireland.Working with all the political parties to the conflict, he convened the Amherst Conference on Northern Ireland (Massachusetts, 1975), the Airlie House Conference (Virginia, 1985), and co–convened the Arniston Conference with the government of South Africa (Western Cape, 1997). In 1992, he participated in bringing some of the South African figures to Boston, Massachusetts for a meeting with representatives of the factions in Northern Ireland. In 1996, he helped arrange a second such meeting, in Belfast, attended by South Africans Cyril Ramaphosa of the African National Congress and Roelf Meyer of the white National Party. In 1997, the Arniston Conference (also known as The Great Indaba) convened all the key parties of The Northern Irish peace process in South Africa to meet with Nelson Mandela. Included in the meeting from Northern Ireland were Martin McGuinness, David Trimble and Peter Robinson. "The outcome of the Indaba (the Zulu word for "gathering of the minds") was a series of historic events. Seven weeks after the conference, Sinn Féin declared a cease fire that paved the way for negotiations and ultimately the fragile Good Friday Agreement to share power, still in place today.A year later, Trimble and John Hume, leader of the Social Democratic and Labour Party, were awarded the Nobel prize for peace. And most recently, in fall 2001, the IRA mustered the courage to destroy its weapons to


title: Padraig O'Malley

texts:
 calls "Helsinki II" are an even more senior influential group than those who drafted the Helsinki principles. They include senior members of parliament and prominent tribal leaders. Among them is the head of the Iraqi Constitutional Review Committee, Sheik Humam Hamoudi, whose participation was endorsed by the speaker of the Iraqi parliament. The ethnic representation of the 36 at the meeting roughly reflects that of the Iraqi population, with 25 percent Sunni, 25 percent Kurdish, and 50 percent Shi'ite participation." Additional professional life
<mask> has owned the Plough and Stars pub in Cambridge, Massachusetts since the early 1970s. His brother Peter O'Malley, with DeWitt Henry, started the renowned literary magazine Ploughshares, publishing it at first, out of the back of the bar. O'Malley has monitored elections in South Africa, Mozambique, and the Philippines on behalf of the National Democratic Institute for International Affairs.He is also a frequent contributor to The Boston Globe. At the University of Massachusetts Boston, he is the John Joseph Moakley Professor of International Peace and Reconciliation at the John W. McCormack Graduate School of Policy Studies; a Senior Fellow in the Center for Development and Democracy; and the founder and editor of the New England Journal of Public Policy, a semiannual publication of the McCormack Graduate School. He is also a Visiting Professor of Political Studies at the University of the Western Cape in South Africa. O'Malley was honored with the Peace Abbey Foundation Courage of Conscience Award at the Community Church of Boston in 2018 for playing a major role in breaking the gridlock and promoting peace in South Africa, Northern Ireland, and the Middle East. Video of talk given at Boston University's Institute for Philosophy and Religion, 21 March 2009

Living people
1942 births
Irish emigrants to the United States
Writers from Dublin (city)
University of Massachusetts Boston faculty
Alumni of University College Dublin
Yale University alumni
Tufts University alumni
Harvard University alumni
University of the Western Cape faculty
Christopher Ewart-Biggs Memorial Prize


title: Giuseppe Castiglione (Jesuit painter)

texts:
<mask>, S.J. (; 19 July 1688 – 17 July 1766), was an Italian Jesuit brother and missionary in China, where he served as an artist at the imperial court of three Qing emperors – the Kangxi, Yongzheng and Qianlong emperors. He painted in a style that is a fusion of European and Chinese traditions. Early life
Castiglione was born in Milan's San Marcellino district on 19 July 1688. He was educated at home with a private tutor, then a common practice among wealthy families. He also learned to paint under the guidance of a master. In 1707, he entered the Society of Jesus in Genoa aged 19.Although a Jesuit, he was never ordained as a priest, instead joining as a lay brother. Works

Paintings
In the late 17th century, a number of European Jesuit painters served in the Qing court of the Kangxi Emperor who was interested in employing European Jesuits trained in various fields, including painting. In the early 18th century, Jesuits in China made a request for a painter to be sent to the imperial court in Beijing. Castiglione was identified as a promising candidate and he accepted the post. In 1710, on the way to Lisbon, he passed through Coimbra where he stayed for several years to decorate the chapel of St. Francis Borgia in the Church of the novitiate, today the New Cathedral of Coimbra. He painted several panels in the chapel and a Circumcision of Jesus for the main altar of the same


title: Giuseppe Castiglione (Jesuit painter)

texts:
 given to recording contemporary events. In 2005, Castiglione became the subject of the television series Palace Artist in China, played by Canadian-Chinese actor Dashan (Mark Rowswell), and broadcast by China Central Television (CCTV).. He is briefly portrayed at the end of the 48th episode of Ruyi's Royal Love in the Palace, painting the emperor and the empress together in one of the few happy episode of the TV series. Gallery

See also

Jean Denis Attiret
Louis Antoine de Poirot
<mask>
Matteo Ricci
Ignaz Sichelbarth

Bibliography
 Robert Loehr, <mask> (1688–1766) pittore di corte di Ch’ien-Lun, imperatore della Cina (Rome: ISMEO, 1940).George Robert Loehr, “European Artists at the Chinese Court,” in The Westward Influence of the Chinese Arts from the 14th to the 18th Century, ed. William Watson, Colloquies on Art & Archaeology in Asia, no. 3 (London: Percival David Foundation, 1972): 333–42. Joseph Deheregne, Répertoire des Jésuites de Chine de 1552 à 1800 (Rome: Institutum Historicum S. I., 1973), 95. Willard Peterson, “Learning from Heaven: the introduction of Christianity and other Western ideas into late Ming China,” in The Cambridge History of China, ed. Denis Twitchett and Frederick W. Mote, 15 vols. (Cambridge: Cambridge Univ.Press, 1988), 8:789–839. Cécile Beurdeley and Michel Beurdeley, <mask>e: A Jesuit Painter at the Court of the Chinese Emperors (London: Lund

masks:
Giuseppe Panzi
Giuseppe Castiglione
Giuseppe Castlion


title: Giuseppe Castiglione (Jesuit painter)

texts: Humphrey, 1972). Hongxing Zhang, ed., The Qianlong Emperor: Treasures from the Forbidden City (Edinburgh: NMS, 2002). Evelyn Rawski and Jessica Rawson, China: The Three Emperors 1662–1795 (London: Royal Academy of Arts, 2005). John W. O’Malley et al., eds., The Jesuits: Cultures, Sciences, and the Arts 1540–1773, (Toronto: Univ. of Toronto Press, 1999). Ho Wai-kam, ed., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art (Bloomington: Indiana Univ.Press, 1980), 355. Memoria Postuma Fratris Josephi Castiglione, Bras. 28, ff. 92r–93v, Archivum Romanum Societatis Iesu (ARSI), Rome. Georg Pray, ed., Imposturae CCXVIII. in dissertatione R. P. Benedicto Cetto, Clerici Regularis e Scholis Piis de Sinensium Importuris Detectae et convulsae. Accedunt Epistolae Anecdotae R. P. Augustini e Comitibus Hallerstain ex China scriptae (Buda: Typis Regiae Universitatis, 1791).Marco Musillo, “La famille de <mask>e (1688–1766)”, (Paris: Thalia Edition, 2007). Marco Musillo, “Les peintures génoises de <mask>lione”, (Paris: Thalia Edition, 2007). Michèle Pirazzoli-t’Serstevens, <mask>e 1688-1766: Peintre et architecte à la cour de Chine (Paris: Thalia Edition, 2007), 18–25. Marco Musillo, “Bridging Europe and China: The Professional Life of <mask> (1688–1766)” tesi di dottorato (University of East Anglia, 2006). Marco

masks:
Giuseppe Castiglion
Giuseppe Castig
Giuseppe Castiglion
Giuseppe Castiglione


title: Giuseppe Castiglione (Jesuit painter)

texts: Musillo: "Reconciling two careers: the Jesuit Memoir of <mask>e lay brother and Qing imperial painter" in Eighteenth-Century Studies, vol. 42, no. 1 (2008) Pp.45–59. Antonio Franco, Synopsis Annalium Societatis Jesu in Lusitania ab anno 1540 usque ad annum 1725 (Lisbon: Real collegio das artes da Companhia de Jesus, 1760), 441; e Imagem da Virtude em o Noviciado da Companhia de Jesus do Real Collegio do Espirito Santo de Evora (Lisbon: Real collegio das artes da Companhia de Jesus, 1714), 57. Relazione scritta da Monsignor Vescovo di Pechino al P. <mask>rù, in ordine alla Publicazione de Decreti apostolici (1715), ms. 1630, ff. 146r–152v, f. 149r. Biblioteca Casanatense, Rome. Copie manoscritte di vari scritti del Servo di Dio Matteo Ripa (1874), Cina e Regni Adiacenti Miscellanea 16, f. 21r, 26 December 1715, APF, Roma. Yang Boda, “The Development of the Ch’ien-lung Painting Academy,” in Words and Images, ed.Alfreda Murck and Wen C.Fong (New York: Princeton Univ. Press, 1991), 333–56, 345. George Robert Loehr, “<mask>,” Dizionario Biografico degli Italiani (Roma: Istituto della Enciclopedia Italiana, 1970), 22:92–94, 93. Father Jean Sylvain de Neu-vialle (Newielhe, 1696–1764) Relaçao da jornada, que fez ao Imperio da China, e sumamria noticia da embaixada, que deo na Corte de Pekim Em o primeiro de Mayo de 1753, o Senhor Francisco Xavier Assiz Pacheco e Sampayo (Lisbon:

masks:
Giuseppe Castiglion
Giuseppe Ce
Giuseppe Castiglione


title: Giuseppe Castiglione (Jesuit painter)

texts: Officina dos Herd. De Antonio Pedrozo Galram, 1754), 8. Edward J. Malatesta and Gao Zhiyu, eds., Departed, yet Present. Zhalan the Oldest Christian Cemetery in Beijing (Macau and San Francisco: Instituto Cultural de Macau and Ricci Institute, 1995), 217.Lo-shu Fu, A Documentary Chronicle of Sino-Western Relations (1644–1820), 2 vols. (Tucson: Univ. of Arizona Press, 1966), 1:188–89. Ishida Mikinosuke, “A Biographical Study of <mask> (Lang Shih ning) a Jesuit Painter in the Court of Peking under the Ch’ing Dynasty,” Memoirs of the Research Department of the Toyo Bunko, no. 19 (1960): 79–121, 88–90. Lang Shining xiaozhuan (Short biography of Lang Shining) in "Gugong bowuyuan yuankan", n. 2, 1988, pp. 3–26, 91-95.Aimé -Martin, M. L. (ed.) Lettres édifiantes et curieuses concernant l'Asie, l'Afrique et l'Amérique, avec quelques relations nouvelles des missions, et des notes géographiques et historiques, Paris 1838-1843, vol. II, III, IV. Beurdeley, C. et M., Castiglione, peintre jesuite a la cour de Chine, Fribourg 1971. Chayet, A., Une description tibétaine de Yuanmingyuan, in Le "Yuanmingyuan". Jeux d'eau et palais européens du XVIIIe siecle a la cour de Chine, Paris 1987.Cheng, T. K., Chinese Nature Painting, in "Renditions", n. 9, spring 1978, pp. 5–29. Durand, A., Restitution des palais européens du Yuanmingyuan, in "Arts Asiatiques", vol. XLIII, 1988, pp. 123–133. Hou Jinlang-


title: Renée Green

texts:
<mask> (born October 25, 1959) is an American artist, writer, and filmmaker. Her pluralistic practice spans a broad range of media including sculpture, architecture, photography, prints, video, film, websites, and sound, which normally converge in highly layered and complex installations. She works to draw on cultural anthropology as well as social history, making her works well-researched and many times involving collaborators. Some of the topics she has covered include Sarah Baartman, the African slave trade, and hip hop in Germany. In 2014, <mask> published Other Planes of There: Selected Writings with Duke University Press, a work that compiles a substantial collection of her work written between 1981 and 2010. Early life and education
<mask> studied art at Wesleyan University, with an intermediary year at the School of Visual Arts in New York. <mask> also attended the Radcliffe Publishing Procedures Course at Harvard University, Cambridge, Massachusetts.In 1989 she was a participant in the Whitney Museum of American Art Independent Study Program (ISP). <mask> wrote Discourse on Afro-American Art as her graduating thesis from Wesleyan University, a "textual analysis of criticisms, which were written by both Black and White critics from the 1920s and the 1960s." A seminal influence was <mask>'s participation in cataloging Sol LeWitt's donated collection to Wadsworth Atheneum. <mask> wrote the catalog entries for Adrian Piper, and Lawrence Weiner. Her brother is <mask>, frontman of the Brazilian heavy metal band Sepultura. <mask>'s work adopts the form of complex and highly formalized installations in which ideas, historical events and narratives, as well as cultural artifacts, are examined from myriad perspectives. <mask>'s work investigates the shifts and gaps in what lives in private and public impressions as well as what has been envisioned and formulated.Her videos, exhibitions, and films have been presented and viewed in biennales, museums, and festivals across the world. As scholar

masks:
Renée Green
Green
Green
Green
Green
Green
Green
Derrick Green
Work Green
Green


title: Renée Green

texts:
 Alexander Alberro notes, <mask>'s attempt is not a didactic one, rather an invitation to participate in the construction of knowledge, as well as shifting perception: "<mask> consistently gives the spectator a central role in the process of deconstructing genealogical discourses and assuming subject positions. Indeed, a feature that recurs in her installations is the production of interactive environments that galvanize the viewer into the role of an equal participant in the construction of meaning." <mask> explains in her own words the impetus behind this activity of collecting and exhibiting different data and materials: "I wanted to begin by examining an artifact, a text, a painting or a group of paintings, a decorative object, an image, a novel, a poem, a garden, a palace, a house. By beginning with these objects or places, and the contexts in which they appeared, it was possible to detect the intricate working of certain ideologies which were being put forth [...] and to attempt to decipher the contradictory pleasure which might accompany them." In 1992, <mask> collaborated with the Fabric Workshop in Philadelphia to create Mise-en-Scene: Commemorative Toile. This work encapsulates her use of appropriation to reevaluate history and claim attention to its type of presentation.In order to produce this work, <mask> incorporated “traditional bucolic scenes typical of eighteenth-century upholstery fabric with violent scenes of enslavement and uprisings. Benign floral garlands frame images of the lynching of a Frenchman during the Haitian revolution and of an enchained and unclothed black man kneeling by the desk of a sumptuously dressed white man. Using this fabric, <mask> constructs installations reminiscent of museum period rooms, with chairs, settees, drapes, and wallpaper crafted from the pinkish-red toile. She subverts the toile and period room as historical types to tell alternative histories.”

A lot of the materials collected for her projects come from the immense repository already in

masks: Green Green Green Green Green Green


title: Renée Green

texts: existence in our culture, but her work can not be considered as a mere assemblage of cultural artifacts, nor an appropriationist practice. In each of her projects, <mask> produces works of art in different mediums like photography [Secret (1994–2006)], prints [Code: Survey], films [Some Chance Operations (1999); Wavelinks (2002), Elsewhere? (2002], and sound [Vanished Gardens (2004), Muriel's Words (2004)], which are integrated in highly designed installations or environments. Due to the selective accumulation of materials <mask>'s work has been labeled in some instances as archival.As a result of the complex web of relations and conceptual links among the materials and projects, these normally take place during a duration of time, and in different locations, in which the same theme is presented in different formats. For example, Import/Export Funk Office (1992), was presented as an installation in Cologne and Los Angeles, and exists also as Cd-Rom (1996); or Code: Survey (2005–2006) takes the form of a permanent public work installed at the Caltrans Headquarters in Downtown Los Angeles, and as a website, which can be accessed worldwide. Due to the density and formal complexity of her different projects, <mask> uses the standard catalogue published alongside her exhibitions, as a part of her work. These books function in a variety of levels: as an exhibition catalogue, as an artist's book, as a repository of documents, as transcripts of conversations and scripts of the films and videos produced for the different projects . In 1997 <mask> was chosen by the American Federation of the Arts to design Artist/Author: Contemporary Artist's Books. <mask> has also written extensively, and her work has been published in different publications from United States and Europe. Among the publications are October, Texte zur Kunst, Transition, Sarai Reader, Multitudes, and Collapse.Indeed, <mask> <mask>'s video works tend to be more formally subtle. Her video, Climates and Paradoxes (2005), considers the

masks: Green Green Green Green Green Renée Green


title: Renée Green

texts: centenary of Albert Einstein's theory of relativity via an excavation of the history of a high-rise apartment building in Berlin that <mask> once lived in and that occupies the former site of the pacifist organization Bund Neues Vaterland, of which, the video's associative narration informs us, Einstein was the twenty-ninth member. Walking in NYL (2016), follows from <mask>'s long-standing interest in Lisbon and the broader Portuguese sphere of influence. Since her arrival at MIT in 2011, <mask> has had numerous solo exhibitions, including: Lumiar Cité, Lisbon; Museum of Modern Art, New York; MAK Center for Art and Architecture at the Schindler House, Los Angeles; Fondazione Antonio Ratti, Como, Italy; Galerie Nagel Draxler, Berlin; Carpenter Center for Visual Arts, Harvard University, Cambridge, MA; and Prefix Institute for Contemporary Art, Toronto. She has also been involved in many group exhibitions: Hammer Museum, and Museum of Contemporary Art, both in Los Angeles; Whitney Museum, New Museum, and the Studio Museum in Harlem, New York; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; Museum Moderner Kunst, Vienna; Institute of Contemporary Art, Philadelphia; Museum der Moderner, Salzburg; Centro Andaluz de Arte Contemporáneo, Seville; and numerous others. <mask> has assembled numerous books and writings over the years, including: Other Planes of There: Selected Writings (2014), published by Duke University Press; Endless Dreams and Time-Based Streams (2010), produced in the Yerba Buena Center for the Arts, San Francisco; Ongoing Becomings (2009) represents 20 years of Green's work, and was organized by the Musée Cantonal des Beaux-Arts, Lausanne; Negotiations in the Contact Zone (2003); Between and Including (2001); Shadows and Signals (2000); Artist/Author: Contemporary Artists’ Books; Certain Miscellanies: Some Documents (1996); After the Ten Thousand Things (1994); Camino Road (1994); and World Tour (1993). Green has also submitted many published essays and fictions

masks: Green Green Green Green


title: Renée Green

texts:
 in magazines and journals, including: Transition; October; Frieze; Texte zur Kunst; Spex; Multitudes; Sarai Reader; Collapse; among other magazines and journals, and an assortment of international cultural and scholarly books.Projects
A brief description of selected projects by <mask>. <mask> reflected on the historical display of black women's bodies in a number of her early artworks, above all the display of the "Hottentot Venus": Sarah Baartman, a South African woman exhibited as a sideshow in London and then Paris in the early Nineteenth Century, and who was thought at the time to be of the "Hottentot" tribe. Three of these artworks, Permitted (1989), Sa Main Charmante (1989), and Seen (1990) were shown together at <mask>'s 1990 Anatomies of Escape exhibition, held at the P.S. 1 Contemporary Art Center's Clocktower Gallery. Permitted (1989). This artwork, one of the first in which <mask> combined texts and images, attempted to evoke the position of early nineteenth-century audiences vis-a-vis bodies put on display. <mask> enlarged an engraving of Sarah Baartman's body to life-size and overlaid it with wooden slats stamped with Sir Francis Galton's description of measuring the buttocks of a "Hottentot" woman.<mask> highlighted the simultaneously "objective" and "subjective" character of this text by signaling each element with distinct typefaces, either capitalized Times Roman or cursive script. The artwork also involved a peephole through which viewers could see an image of Baartman standing on a crate, therefore aligning this kind of sideshow with pornography. Sa Main Charmante (Her Charming Hand, 1989). The central features of this artwork are a soapbox marked with two footprints and placed in front of a wall-mounted, ladder-like construction whose slats are stamped with two texts describing Sarah Baartman. These texts, one describing Baartman's performance as the Hottentot Venus, and the other written by Georges Cuvier after his postmortem dissection of Baartman, are interspersed and


title: Renée Green

texts: <mask> positioned herself as an artist-ethnographer, studying the "import/export" of Hip Hop culture through German cultural critic Diedrich Diederichsen, whom <mask> treats as a "native informant" while he assessed that state of Hip Hop in the United States through German magazines. <mask> confronted ideologies surrounding cultural economy and pointed to disparities between the production and economy of culture. The archive of cultural fragments she displayed challenged the ethics of cultural appropriation without historical context; images of Angela Davis and Theodore Adorno serve to further confuse the contexts of social translation. Mise-en-Scène (1992), an investigation of the role in which French cities like Clisson and Nantes played in the Atlantic slave trade.She juxtaposes traditional scenes seen on toile and depictions of violence against Haitian slaves.Secret (1994). <mask> inhabited an apartment at Le Corbusier's Firminy Unité d'Habitation, and documented her stay via photographs and video. Partially Buried in Three Parts (1995–1997). Robert Smithson's land art work Partially Buried Woodshed (1970) functions as the starting point in <mask>'s examination of student's protest movements in the United States, which focuses in the Kent State shootings, as well as in Kwangju's student's massacre which took place in Korea in 1981, also known as Gwangju Democratization Movement. In its installation form, the work presents an examination of the year 1970 from different perspectives. Some Chance Operations (1999). An essay-film about Italian filmmaker Elvira Notari.Elsewhere? (2002–2004). The film Elsewhere? was created for an installation located in a garden setting in Kassel, for Documenta 11, Standardized Octagonal Units for Imagined and Existing Systems (2002). The film explores the idea of imaginary places, as well as the history of gardens and garden architecture or follies. In 2003 Elsewhere? was presented as an installation at Portikus, Frankfurt where 1400 colored imaginary place

masks: Green Green Green Green Green


title: Renée Green

texts: names covered the spaced walls .Muriel's Words (2004) Andrew McNeely describes this fifty-minute, single-channel sound installation, "In a soft and scarcely audible voice, <mask> gently whispers a series of discontinuous excerpts from the work of the U.S. poet and activist Muriel Rukeyser (a continual source of fascination for the artist). Cryptic passages such as "it is their violence" and "land, allow me to stand" are read under the breath. The hushed tone leaves one with the sensation of rudely eavesdropping on someone secretly reciting journal entries." Endless Dreams and Water Between (2009). In this project commissioned by the National Maritime Museum, Greenwich, <mask> created an immersive environment in which through drawings, sound, banners and films, ideas of islands, physical or mental, are explored. In a film bearing the same title as the exhibition, fictional characters write to each other reflecting on a different range of subjects, among these historical figures like George Sand, Laura Riding, Frédéric Chopin, Robert Graves, and Llorenç Villalonga; the characters also investigate longer histories of the three locations that they inhabit: Mallorca, Manhattan, and the San Francisco Bay Area. Endless Dreams and Water Between.Begin Again, Begin Again (2015). This exhibition took place at one of the MAK Center for Art and Architecture's site: the former Los Angeles home of Viennese modernist architect R.M. Schindler (1887–1953). This exhibition was composed of ten years' worth of old and new artworks by <mask> that trace the movement of multiple bodies through time and space. An exhibition statement describes the various installations as a "circulatory experience," where all facets—material and immaterial—combine to "perform" the Schindler House through "converging contrapuntal points." Begin Again, Begin Again (Circulatory Sound)(2015) features a baritone voice (that of the artist's brother, <mask>, a frontman for the heavy metal group Sepultura) that utters "begin again, begin

masks:
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title: Renée Green

texts:
 again." The show's centerpiece is Begin Again, Begin Again I.1887–1929  (2015), a single channel forty-five-minute video montage interweaving images of the house with historic footage, oceanic tidal scenes, and various architectural sites. <mask> <mask> later displayed twenty-eight small fabric banners from the Begin Again, Begin Again exhibition in a 2016 exhibition at the Nagel Draxler Galerie. Nagel Draxler writes, "Combining aspects of continuity and rupture, the installation served as a relatively immediate illustration of what <mask>—borrowing a term from literary theorist Mary Louise Pratt—has called the "contact zone," referring to the encounter staged in her practice between disparate people, cultures, and events. In the contact zone, discrete genealogies become entwined." Begin Again, Begin Again (Years) (2018). <mask> exhibited Begin Again, Begin Again at New York's FRIEZE exhibit in 2018. Cinematic Migrations Project (2014).From March 6–7, 2014 <mask> presented her two-year collaboration project with John Akomfrah, OBE, and Lina Gopaul called Cinematic Migrations. This presentation was a symposium. This project "poses the notion of “migrations" in relation to "the cinematic" in an intentionally porous juxtaposition, conceived to allow a wide range of questions, interpretations and permutations to emerge. On September 24, 2019, Pacing, her two-year project at Harvard University's Carpenter Center for Visual Arts, focused on the building's iconic design by Le Corbusier. <mask> acknowledges conditions of displacement and residency, institutional memory, subjective experience, architectural modernism, notions of progress, and the certainty of decay, all the while reevaluating how time is manifested. <mask> consistently seeks to expand the likelihood of working within institutions. Educator
Working as an educator has been an important facet of <mask>'s career.She has been guest faculty at the Whitney Museum of American Art Independent Study Program (ISP) since 1991, and became the

masks: Renée Green Green Green Green Green Green Green


title: Renée Green

texts:
 Director of the Studio Program in 1996–1997. From 1997 to 2002 she was Professor at the Akademie der bildenden Künste in Vienna. In 2003 she moved back to the United States to become Distinguished Artist Professor at the University of California, Santa Barbara. From 2005 to June 30, 2011, <mask> was Professor and Dean of Graduate Studies at the San Francisco Art Institute. During her tenure as Dean she directed Spheres of Interest, the Graduate Lecture Series. Since 200, she has been a guest faculty at the Maumaus School of Visual Arts in Lisbon. She is currently a Professor at the Art, Culture and Technology (ACT) Program, School of Architecture and Planning, Massachusetts Institute of Technology.Other teaching venues as guest professor have included Yale University, Vermont College, Hochschule der Kunst in Berlin, and the Hochschule für Angewandte Kunst, Vienna. Awards
In 2010, <mask> won a United States Artists Fellow award. References

External links
 Code: Survey
 <mask> <mask>'s Free Agent Media Website
 <mask> <mask> Fundació Antoni Tàpies

1959 births
Living people
American installation artists
American multimedia artists
American art writers
American art educators
African-American contemporary artists
African-American women artists
American women installation artists
American women photographers
American women video artists
American video artists
MIT School of Humanities, Arts, and Social Sciences faculty
Wesleyan University alumni
Harvard University alumni
Artists from Cleveland
20th-century American educators
21st-century American educators
20th-century American women artists
21st-century American women artists
20th-century American women writers
21st-century American women writers
American women non-fiction writers
20th-century American non-fiction writers
21st-century American non-fiction writers
20th-century women photographers
21st-century women photographers
20th-century African-American women
20th-century African-American artists
21st-century African-American

masks: Green Green Renée Green Renée Green


title: Doug Bereuter

texts:
<mask> (born October 6, 1939) is an American retired politician from the state of Nebraska in the Midwestern United States. He served in the United States House of Representatives from 1979 until 2004. He also served as the president and CEO of The Asia Foundation from 2004 to 2011 and is a member of the ReFormers Caucus at Issue One. <mask> is a member of the Republican Party. Early life and education
<mask>, a fifth generation Nebraskan, was born in York, Nebraska, and was reared in Utica, Nebraska, attended its Lutheran and public schools before graduating from Utica High School in 1957. He attended the University of Nebraska in Lincoln, where he was a member of Sigma Alpha Epsilon, with election to Phi Beta Kappa, and Sigma Xi, before graduating in 1961 with a B.A. and as a Distinguished Military Graduate.He attended the Harvard Graduate School of Design from 1961 to 1963, receiving its M.C.P. degree. From 1963 to 1965 he served as an counter-intelligence officer in the U.S. Army, with the 1st Infantry Division. After intervening public and private sector employment, from 1972-1973 he attended Harvard’s Kennedy School of Government, receiving the M.P.A. degree. Career
Bereuter worked as an urban planner with the U.S. Department of Housing and Urban Development from 1965 to 1966. He was a division director for the Nebraska Department of Economic Development from 1967 to 1968, and from 1968 to 1970 he was director of the Nebraska Office of Planning & Programming and the State’s Federal-State Relations Coordinator.After the 1970 election defeat of Nebraska’s Republican governor, Norbert T. Tiemann, Bereuter worked as an independent city and regional planning consultant in the Great Plains and Rocky Mountain West and as a part-time associate professor in the graduate planning programs of both Kansas State University and

masks:
Douglas Kent Bereuter
Bereuter
Bereuter


title: Doug Bereuter

texts:
 the University of Nebraska. After his congressional service, <mask> was active in public service as a long term board member of the Arbor Day Foundation and the Nebraska Community Foundation, on supporting food security and agricultural development in Sub-Saharan Africa and South Asia with the Chicago Council on Global Affairs, where he is a Distinguished Fellow, and for seven years as a member of the State Department’s International Security Advisory Board. He is a member of the Council on Foreign Affairs and the World Affairs Council of Northern California. Political career

After defeating an incumbent state senator in his home district, <mask> served in the Nebraska Legislature from 1975 to 1979. He was a member of the Nebraska Legislature's appropriations committee. As a Republican congressional candidate in the 1978 General Election, <mask> received 58.13% of the vote and was elected to serve Nebraska's 1st Congressional District in the U.S. House of Representatives. He was subsequently re-elected 12 times, never winning less than 59% of the vote.His 26 years in the House was the longest for a Nebraska congressman, exceeded only by the combined House and Senate service of both George W. Norris and Carl Curtis. He announced that he would not seek re-election for a 14th term, and retired from the U.S. House of Representatives on August 31, 2004 to immediately become the president and CEO of The Asia Foundation, where he served until retirement at the beginning of 2011. After his initial assignments on the House Interior & Insular Affairs Committee and the Small Business Committee, Bereuter served 22 years on both the House Foreign Affairs and Banking or Financial Services Committees. As a leading member of the Foreign Affairs Committee, he served as its Vice Chairman and as Chairman of its Asia-Pacific and Europe

masks:
Doug Bereuter
Bereuter
Bereuter


title: Doug Bereuter

texts: Subcommittees. He also served on the Economic Policy & Trade and Human Rights Subcommittees of the Foreign Affairs Committee. On the Banking Committee, he served for 16 years as Chairman or ranking minority member of its International Financial Institutions Subcommittee. <mask> also served a total of nearly 10 years on the House Permanent Select Committee on Intelligence, retiring as its Vice Chairman.Additionally, <mask> served his last three terms on the Transportation & Infrastructure Committee; and he served on the House Select Committee on Hunger for the entire period of its existence. Some of <mask>'s additional congressional responsibilities included service as a congressional delegate to the United Nation’s 42nd General Assembly, as the founding Co-Chairman of the Congressional-Executive Commission on China, and as Chairman of the Speaker’s Task Force to Monitor and Report on the Transition Hong Kong (1996-2002). Additionally, he served on the U.S. Presidential Commission on Security and Economic Assistance (1983-1984) and on the U.S. Presidential Commission on Agricultural Trade and Export Policy (1985-1986). <mask> also chaired the House delegation to the NATO Parliamentary Assembly for ten years, retiring after two years as its president. For his work on European and NATO expansion issues, he was the recipient of decorations from the governments of Bulgaria, Lithuania, and Romania. He also had leadership roles in parliamentary exchanges with the European Parliament, Japan, Korea, China, and the United Kingdom. Among the bills that Bereuter authored was the Bunning-Bereuter-Blumenauer Flood Insurance Reform Act of 2004.He also was co-author of the Bereuter-Levin Amendment, which made possible the passage of the act granting Permanent Normal Trading Relations with China. He was also responsible for starting the

masks: Bereuter Bereuter Bereuter Bereuter


title: Doug Bereuter

texts:
 USAID Farmer-to-Farmer technical assistance program, which has taken thousands of American volunteers abroad. At the end of his congressional service, that program was named for him, along with a Farmers Home Administration program he authored to provide a home loan guarantee program for residents of small communities. <mask> generally had a moderate voting record. His lifetime American Conservative Union rating was 63. His speech at a Nebraska Republican Party meeting in 1998 underscored his moderate political approach and drew national attention when he urged the party to adopt a big tent policy by welcoming membership to people of any religious background through its practices and policies. In 2004, <mask> endorsed state Senator Curt Bromm, Speaker of the Nebraska Legislature, as his successor in the U.S. House of Representatives.From a field of seven Republican candidates in Nebraska's Primary Election, Senator Bromm came in second behind Jeff Fortenberry after the Club for Growth made a large, last minute campaign contribution to defeat him. Shortly before he left Congress, <mask> released a statement calling the Iraq War, which he had previously supported, "a mistake," and strongly criticized a "massive failure" of pre-war intelligence. References

External links

 Voting record maintained by the Washington Post
 President of the Asia Foundation

1939 births
Cooperative organizers
Living people
People from York, Nebraska
Members of the United States House of Representatives from Nebraska
Military personnel from Nebraska
Nebraska state senators
Nebraska Republicans
University of Nebraska–Lincoln alumni
American Lutherans
United States Army officers
Republican Party members of the United States House of Representatives
Harvard Kennedy School alumni
21st-century American politicians
People from Seward County,

masks: Bereuter Bereuter Bereuter


title: Józef Hecht

texts:
<mask> (December 14, 1891 – June 19, 1951), also known as <mask>, was a printmaker and painter. Born and educated in Poland, he made Paris his base from 1920. Trained in classical engraving techniques, <mask> was a founder of "Atelier 17", and had a profound influence on 20th-century printmakers. Career
Born in Łódź, Poland, in 1891, <mask> studied at the Art Academy of Kraków from 1909 to 1914. On completion of his studies in Kraków, <mask> visited museums throughout Europe. The outbreak of World War I found him in Berlin. Due to the fact that he had done his studies in the Austrian zone in Poland and thanks to prizes obtained at the Académie des Beaux-Arts, <mask> was given the option of going to neutral Norway, where he lived from 1914 to 1919.Immediately following the armistice, <mask> traveled to Italy; and two years later to Paris, where he maintained his studio until his death. At this time <mask> became a member of the Salon d'Automne, thereby gaining an entrée into the Parisian art world and a chance to exhibit his work on a regular basis. At his Paris studio, he taught burin-engraving - the classic copper-engraving technique - to many artists, including British surrealist painter and printmaker Stanley William Hayter, South African-born British painter and printmaker Dolf Rieser. The year 1926

masks:
Józef Hecht
Joseph Hecht
Hecht
Hecht
Hecht
Hecht
Hecht
Hecht


title: Józef Hecht

texts: was a turning point in <mask>'s career and heralded the most successful period of his life. He published his first suite of six prints, l'Arche de Noë, which included a preface by the French symbolist Gustave Kahn and was exhibited in December that year at the Paris gallery Le nouvel essor. <mask>'s future collaborator, mystical narrator André Suarès, wrote a laudatory catalogue article. The images that Hecht developed at this time found renewed vigor in 1928 when Suarès and <mask> collaborated on the folio, Atlas.In Atlas <mask> began to re-combine images and forms he had previously studied—a working method that he refined throughout his life. In 1927 <mask>'s encouragement of Hayter's printmaking activities led to the establishment of Atelier 17, a cooperative printmaking studio,  which endures to this day in Paris as Atelier Contrepoint. The "Atelier" influenced artists Pablo Picasso, Marc Chagall, Alberto Giacometti and others. In 1929 <mask> became a founding member of the group, La Jeune Gravure Contemporaine, which staged annual group shows and was influential in keeping the spirit of printmaking alive. Hecht also associated with members of Les Peintres-Graveurs Indépendants, founded in 1923 by J. E. Laboureur and Raoul Dufy. It is doubtful that Hecht knew each member of these groups, but it is

masks: Hecht Hecht Hecht Hecht Hecht Hecht


title: Józef Hecht

texts:
 probable that he was familiar with their work and they with his, and that this provided an opportunity for the exchange of techniques, subjects, and ideas. Hecht was an intermediary between the avant-garde artists of Atelier 17 and more traditional printmakers.Between 1926 and 1938 <mask>'s engravings were published in various collections (see Chronology), his work was widely shown, and it gained critical acclaim. <mask> won two gold medals at the 1937 Paris World's Fair. Later career and death
Of Jewish descent, <mask> left Paris before the start of World War II to live in the Savoy region near the Swiss-Italian border, where he worked as an agricultural laborer. After the war <mask> returned to Paris. Hayter, who had moved Atelier 17 to New York City for the duration of the war, returned to Paris and found his old friend in poor health and out of work. To encourage <mask> to take up engraving again, Hayter brought a large copper plate to <mask>'s studio and began working on it. <mask> could not resist, and together they produced the collaborative print, "La Noyee".With renewed enthusiasm, <mask> began producing numerous engravings, while also developing new methods for printing in relief. <mask> died of a heart attack in his Paris studio on 19 June 1951. Chronology
1891	Born on 14 December in Lodz,

masks: Hecht Hecht Hecht Hecht Hecht Hecht Hecht Hecht Hecht


title: Józef Hecht

texts:
 Gravure. London: Oxford University Press, 1966. Hayter, Stanley William. About Prints.London: Oxford University Press, 1962. Tonneau-Ryckelynck, Dominique; and Plumart, Roland, <mask> 1891-1951: Catalogue Raisonné de l’Oeuvre Gravé. Paris: Editions de Musée de Gravelines, 1992. Roger-Marx, Claude. French Original Engravings from Manet to the Present Time. New
York: Hyperion Press, 1939. Periodicals:
Hopkinson, Martin."Two Bookplates by <mask>", Print Quarterly, XXVIII, 2011, 448-50. Buckand-Wright, John. "Modern French Engraving," Studio, CXXXVIII (December,
1949), 177-181. Descargues, Pierre. "<mask>," Evidences, (September–October, 1951), 39-41. Descargues, Pierre. "Contemporary Artists-<mask>," ARTS, (15 September 1951)."<mask> à la galerie Bernier," Les nouvelles de la Bibliothèque Nationale, (1985). Kahn, Gusrave. "Les arts-<mask>," Menorah, (1926), 286. Laboureur, J. E. "The Revival of the Burin in France," Creative Art, V (December,
1929), 881-84. Lévy-Gurman, Anny. "Le Animaux de Joseph Hecht," Art et Décoration, LXI
(February, 1934), 44-48. Roger-Marx, Claude."Contemporary French Prints," Parnassus, IX (February 1937),
15+. Schwab, Raymond. "Souvenirs sur Hecht," ARTS, (7 December 1951). Suarès, André. "Atlas-Gravure de Joseph Hecht," Montparnasse, No. 52 (July–August,
1928), 1, 3.

masks:
Joseph Hecht
Joseph Hecht
Joseph Hecht
Joseph Hecht
Joseph Hecht
Joseph Hecht


title: Józef Hecht

texts:
 Catalogues:
 Bonafous-Murat, Anne.<mask> 1891-1951 Gravures. Paris: Arsène Bonafous-Murat, 1998. Gravures et Livres de <mask>. Mulhouse: Bibliothèque Municipale de Mulhouse,
1968. Moser, Joan. Atelier 17. Madison: University of Wisconsin, 1977.Roosevelt, Michael A. <mask>. Philadelphia: Dolan/Maxwell Gallery, 1985. Suarès, André. l'Ymagier de l'Arche. Paris: Le Nouvel Essor, 1926. Notes

External links
Reuben and Edith Hecht Museum, University of Haifa
History of Engraving, Museum of Modern Art
Artists Who Have Worked at Atelier 17 (1927-1955)

1891 births
1951 deaths
20th-century engravers
Polish engravers
Jan Matejko Academy of Fine Arts alumni
20th-century printmakers
Atelier 17

masks:
Joseph Hecht
Joseph Hecht
Joseph Hecht


title: Frank Thring

texts:
<mask> (11 May 1926 – 29 December 1994) was an Australian character actor in radio, stage, television and film; as well as a theatre director. His early career started in London in theatre productions, before he starred in Hollywood film, where he became best known for roles in Ben-Hur in 1959 and King of Kings in 1961. He was known for always wearing black and styling his home in black decor. Early life

<mask> was born in Melbourne. Although sometimes referred to as <mask>., he was actually <mask> (or <mask>) IV. His forbears were Francis William Thring - 1812-1887, <mask> (known as <mask>) - 1858-1920; <mask> (known as <mask> or F.W<mask>) - 1882-1936.Thring was the son of F.W<mask> and Olive (née Kreitmeyer), and was educated at the Melbourne Grammar School. His father was the head of the theatrical firm J. C. Williamson's in the 1920s, and subsequently founded the theatre film production studio Efftee Studios in the 1930s, in Melbourne, Australia. He has been anachronistically claimed to have been the inventor of the clapperboard. <mask> Sr. was also a noted film producer (The Sentimental Bloke), and partner in the nationwide Australian theatre circuit Hoyts. <mask> Sr. died in July 1936 at the age of 53, when <mask> Jnr was 10 years old. <mask> said his earliest memory is of his mother standing on a stepladder in the foyer of the Regent Theatre in Melbourne, and arranging gladioli in the vases attached to the pillars.Career
His career spanned more than 45 years, much of it spent alternating between stage, film and television. Perhaps his most famous role was that of Pontius Pilate in Ben-Hur (1959) and Herod Antipas in King of Kings (1961). Radio
Thring's family operated Melbourne radio station 3XY, from the opening of the station in 1935. He commenced working at 3XY as both a thespian and radio

masks:
Francis William Thring
Thring
Frank Thring Jr
Francis William Thring
William Francis Thring
Francis William Thring
William Thring
William Frank Thring
Francis William Thring
. Thring
. Thring
Thring
Thring
Frank
Frank


title: Frank Thring

texts:
 announcer in 1941, as a young man of 15. His numerous jobs at the microphone included being Uncle <mask> in the children's session. Stage
He began acting in professional stage roles after his discharge from the Royal Australian Air Force in 1945. He made his British theatrical debut performing as Herod in Oscar Wilde's play Salome in 1954.Two years later, he played Sir Lancelot Spratt in Doctor in the House, which ran for 240 performances at the Victoria Palace in London. He was Saturninus in the Royal Shakespeare Theatre production of Titus Andronicus with Laurence Olivier, Vivien Leigh and Anthony Quayle. He also played Captain Hook opposite Peggy Cummins' Peter Pan. Among his other acclaimed stage roles were George Bernard Shaw's Arms and the Man, Captain Ahab in Orson Welles's Moby-Dick, Falstaff in Henry IV, Part 1, and Bertolt Brecht's Life of Galileo. Another stage role was in the musical Robert and Elizabeth opposite June Bronhill and Denis Quilley. Later in life he returned to the stage playing the butler in the Melbourne Theatre Company's production of The Importance of Being Earnest in 1988. His final stage appearance was in Humorists Read the Humorists at the Melbourne International Comedy Festival in 1992.Film
<mask> first appeared on screen as a child in the 1932 Australian film The Sentimental Bloke, directed by his father F.W<mask>. One of <mask>'s most well-known screen roles was as Pontius Pilate in Ben Hur (1959). He also appeared as Al-Kadir, Emir of Valencia in El Cid (1961). Thring was also awarded the Erik Kuttner Award for Acting (1965). In addition to these roles, Thring played a barrister in The Case of Mrs. Loring (1958), the usurping king Aella (Ælla of Northumbria) in The Vikings (1958) and Herod Antipas in King of Kings (1961). Thring is the only actor to portray on film both

masks:
Frankie
Thring
. Thring
Thring


title: Frank Thring

texts:
 of the historical figures directly responsible for authorizing the crucifixion of Christ according to the Gospels.He played numerous glowering bad guys in Hollywood epics of the 1950s and 1960s. Back in Australia, he starred opposite James Mason and a young Helen Mirren in Michael Powell's film Age of Consent (1969), and appeared in two biographical films about famous bushrangers: Ned Kelly (1970) and Mad Dog Morgan (1976). He played suave gangsters in Alvin Rides Again (1974) and The Man from Hong Kong (1975). In his later years, his screen roles included the devilish Collector in Mad Max Beyond Thunderdome (1985), and a comedic role as an Alfred Hitchcock-like film director in the horror movie spoof, Howling III (1987). Television
Thring's television credits include the Australian miniseries Against the Wind and Bodyline. He was also the recurring villain Doctor Stark who would use mischievous means in attempts to steal Skippy and other animals out of Waratah National Park in several episodes of Skippy the Bush Kangaroo. He also acted in commercials, particularly one in which he would glare at the camera saying "You do have your television licence.Don't you?". He had the lead roles in the 1959 ABC TV play Treason, and the 1962 ABC play Light Me A Lucifer. Personal life
Off-screen, <mask> was known for his flamboyant, often waspish, persona. He was featured in numerous TV commercials and guest-starring roles on popular weekly series, variety programs and quiz shows, often dressed in black funereal attire and other sinister costumes. However, his acting career was interrupted by bouts of alcoholism and periods of ill health. The interior of his house was featured in an Australian TV program and the walls were also black. <mask> was appointed 1982 King of Moomba, "this doyenne [sic] of film and theatre

masks: Thring Thring


title: Frank Thring

texts:
 looked nothing short of majestic in his regal garb and riding on a thespian-inspired float".Thring was briefly married to actress Joan Cunliffe during the 1950s. The marriage ended in divorce. Joan lived in London, and was manager of both Rudolf Nureyev and Dame Margot Fonteyn. Thring was flamboyantly gay, but he wanted children and was greatly distressed when his marriage ended without issue. In 1994, <mask> died from oesophageal cancer, aged 68. He was cremated and his ashes scattered off the coast of Queenscliff, Victoria. A celebration of his life was held at the Victorian Arts Centre, Melbourne, in 1995.Filmography
The Vikings (1958) - Aella
A Question of Adultery (1958) - Mr. Stanley
The Flaming Sword (1958) - Gar
Dick and the Duchess -The Courtroom (1958 TV series) - Wembler
Treason (1959) - Karl Albrecht
Ben Hur (1959) - Pontius Pilate
King of Kings (1961) - Herod Antipas
El Cid (1961) - Al Kadir
Light Me a Lucifer (1962, TV Movie) - The Devil
Photo Finish (1965 TV movie) - Sam Kinsale
Hey You! Film . Radio . Television – Volume 1 – Ann Atkinson, Linsay Knight, Margaret McPhee – Allen & Unwin Pty. Ltd., 1996. The Australian Film and Television Companion – compiled by Tony Harrison – Simon & Schuster Australia, 1994. The Two Frank Thrings - Peter Fitzpatrick - Monash University Publishing, 2012.References

External links
 The <mask> Collection, at the Performing Arts Collection, Arts Centre Melbourne
 <mask>ing at liveperformance

1926 births
1994 deaths
Australian male film actors
Australian male television actors
Male actors from Melbourne
People educated at Melbourne Grammar School
Australian gay actors
Deaths from cancer in Victoria (Australia)
20th-century Australian male actors
Australian people of German descent
Royal Australian Air Force personnel of World War II
20th-century LGBT

masks:
Thring
Frank Ting
Frank Thr


title: Scram Jones

texts:
Marc Shemer, (born November 5, 1977), better known by his stage name <mask>, is a producer, DJ and rapper from New Rochelle, New York. He has produced music for Raekwon, Ghostface Killah, Styles P, Tragedy Khadafi, Jadakiss, Saigon, Dipset and Troy Ave. He has been featured in The Source magazine's "Unsigned Hype" column. <mask> is jewish. Career

Working as a DJ
After teaching himself how to scratch, mix, and blend, <mask> won second place in the 2003 East Coast Finals of Guitar Center's DJ Battles. <mask> then went on to receive three consecutive nominations for Best Mixtape Producer at the respected Justo Mixtape Awards. He also hosted his own weekly radio show called "The Chop Shop" for 4 years on the WICB radio station in New York.<mask> has since been DJing for Raekwon of Wu-Tang Clan, Kool G Rap, N.O.R.E., and Saigon. He has also performed in various clubs around the world and in New York. Working as a record producer
<mask>'s first break as a producer came with rapper Tragedy Khadafi. He served as A&R director for Tragedy's album Still Reporting and produced 4 tracks on the project, two featuring Havoc from Mobb Deep. He then went on to produce Jae Millz's first single "No, No, No" and its remix with rappers Cam'Ron and T.I., the Terror Squad single "Yeah, Yeah, Yeah" and Black Rob's single "Ready". He also produced Remy Ma's buzz

masks:
Scram Jones
Scram Jones
Scram Jones
Scram
Scram
Scram


title: Scram Jones

texts:
 single "Lights, Camera, Action". Other notable tracks include: Lloyd Banks' song "Work Magic" featuring Young Buck and The Notorious B.I.G.'s "Just a Memory" featuring Clipse. <mask> <mask> was nominated for a Grammy award for his production on the song "Your Girl" from Mariah Carey's multi-platinum album The Emancipation of Mimi. Working as an MC
As an emcee, <mask> released his first record "Liquid Heat" which gained underground buzz in 1999. In 2000, he helped start the first weekly open-mic show in NYC: "End of the Weak", where he performed on stage as both an MC and DJ. In 2001, <mask> won first place in Tommy Hilfiger's National Demo Contest. Hilfiger launched a national campaign featuring <mask> <mask>, providing a platform to promote his music. In 2002, <mask> was featured in The Source magazine's "Unsigned Hype".<mask> <mask> has appeared in various hip-hop magazines, such as XXL, Vibe, and Scratch Magazine. Additionally, he has worked with Pharrell on Latin artist Sergio Veneno's project. <mask> is currently managing Veneno and has helped to earn him a deal with Star Trak and Interscope. <mask> has also performed and collaborated with the multi-platinum Latin group Aventura. Discography (as lead artist)

Mixtapes
 2004: Loose Cannons
 2011: The Hat Trick
 2013: Dead Giveaway

Singles
 1999: "Liquid Heat"
 1999: "Shady 380 Lady"

masks: Scram Jones Scram Scram Scram Jones Scram Scram Jones Scram Scram


title: Scram Jones

texts:
 2004: "Bang Bang"
 2005: "Speed Demons"
 2005: "Speed Demons"
 2005: "12 Years Ago"
 2005: "64 Bit"
 2011: "Back in the Park"
 2011: "One September Day"
 2011: "Boom Bap Jones"
 2017: "NYC Driveby" (Feat. Uncle Murda, Dave East & Styles P)

Production discography

2003
Mareko - White Sunday
"Don't Need Protection" (featuring <mask> <mask> & Sadat X)

Tragedy Khadafi - Still Reportin'...
"Neva Die Alone Pt.2"
"The Code" (featuring Havoc of Mobb Deep & Littles)
"Fall Back" (featuring Havoc of Mobb Deep)
"Crying On The Inside"

2004
Lloyd Banks - The Hunger For More
"Work Magic" (featuring Young Buck)

X-Ecutioners - Revolutions
"Back To Back" (featuring <mask> <mask> & Saigon)

Terror Squad - True Story
"Yeah Yeah Yeah"

2005
Mariah Carey - The Emancipation of Mimi
"Your Girl"

Dipset - More Than Music, Vol. 1
"40th Boys"
"If Only You Believe"

Ras Kass - Institutionalized
"Shine" (featuring Vis A Vis)

Black Rob - The Black Rob Report
"Ready"

The Notorious B.I.G.- Duets: The Final Chapter
"Just A Memory" (featuring The Clipse)

2006
Remy Ma - There's Something About Remy
"Lights, Camera, Action"

Capone - Menace 2 Society
"No Problem"

Dipset - The Movement Moves On
"Yall Can't Live His Life"

N.O.R.E. 1
"Intro"

2011
Raekwon - Shaolin vs. Wu-Tang
"Last Train To Scotland" (featuring Lloyd Banks)
"Crane Style" (featuring Busta

masks: Scram Jones Scram Jones


title: Scram Jones

texts:
 Rhymes)
"Kiss the Ring" (featuring Inspectah Deck & Masta Killa)

CF - Storm Mode
"Walk With Me" (CF Version)

2013
Raekwon - Lost Jewlry
"Prince of Thieves"
"Young Boy Penalties"
"Came Up"

Styles P - Float
All tracks

Raekwon & <mask> <mask> - The Chef vs The Beast
All tracks

Troy Ave - New York City: The Album
"Cigar Smoke" (featuring King Sevin)
"Hot Out"

2014
Sammy Adams - WIZZY
"Plate It"

Dave East - "Straight Outta Harlem"
Make A Dolla*

2015
Raekwon - "F.I.L.A. (Fly International Luxurious Art)"
"Nautilus"
"F.I.L.A. World" (Feat. 2 Chainz)
"4 In The Morning" (Feat. Ghostface Killah)
"Internationalism"

Jadakiss - "Top 5 Dead or Alive"
Rain* (Feat. Nas & Styles P)
Baby* (Feat.Dyce Payne)

Capone-N-Noreaga - "Lessons"
Foul 120* (Feat. Tragedy Khadafi & Raekwon)

2016
Termanology - Cameo King III
 "Labor Day" (featuring Action Bronson, Chace Infinite, Wais P, Rob White, & Freddie Gibbs) (* as rapper. Song was produced by Statik Selektah)

2017
Eminem - Revival
 "In Your Head"

2020
The Lox - Living Off Xperience
 "Bout Shit" (featuring DMX)

Unknown
Other songs:
Freeway - "Stand Up"
Peedi Crakk - "It Don't Stop"
Rhymefest - "Coming For You"
Kool G Rap - "This is How We Do NYC"
Ray Cash - "E-Room"

References

American DJs
Living people
Musicians from New Rochelle, New York
Scram Jones
Scram <mask>
1977 births
21st-century

masks: Scram Jones Jones


title: Willie O'Dea

texts:
<mask>'Dea ( ; born 1 November 1952) is an Irish Fianna Fáil politician who has been a Teachta Dála (TD) for the Limerick City constituency since 2011, and previously from 1982 to 2011 for the Limerick East constituency. He has served as Minister for Defence from 2004 to 2010, and was a Minister of State in different departments from 1992 to 1994, and again from 1997 to 2004. He resigned as Minister for Defence due to a controversy over a defamation case. Early and private life
O'Dea was born in Limerick in 1952, but he was raised in Kilteely, County Limerick. He was educated at the Patrician Brothers College in Ballyfin, County Laois, and University College Dublin where he studied law. He qualified as a barrister at King's Inns, Dublin and as an accountant from the Institute of Certified Accountants. He worked as both a barrister and as an accountant before embarking on a career in politics.He also lectured in the law faculties of both University College Dublin and the National Institute of Higher Education, Limerick (now the University of Limerick). As a lecturer, he taught future cabinet colleague and Taoiseach Brian Cowen. O'Dea is married to Geraldine Kennedy. He writes regularly for the Sunday Independent and occasionally for other national newspapers. Early political career
O'Dea first held political office as a Fianna Fáil member of Limerick County Council. He served on that authority until 1992. He first stood for election to Dáil Éireann in Limerick East at the 1981 general election, but was unsuccessful.He was elected to the Dáil on his second attempt at the February 1982 general election, capturing Fianna Fáil's second seat. Like his former constituency colleague Desmond O'Malley, O'Dea was opposed to Charles Haughey's


title: Willie O'Dea

texts:
 2009 and 2018) promised by the government will no longer be delivered. In October 2017, <mask>'Dea accused Johnny Depp of libel after calling Limerick 'Stab City', a term once linked with the city. Defamation case and resignation

On 10 March 2009, O'Dea alleged in an interview with the Limerick Leader that a brothel had been operating in a house owned by Nessan Quinlivan, brother of Maurice Quinlivan who at the time was a Sinn Féin candidate in Limerick for the upcoming June 2009 local elections.On 14 April 2009, O'Dea signed an affidavit to the courts, denying making such allegations. Quinlivan sought an injunction under the Prevention of Electoral Abuses Act 1923: under section 11 of the act it is a criminal offence to make or publish a false statement of fact in relation to an election candidate. In December 2009, O'Dea settled the case out of court and apologised to Quinlivan for making "false and defamatory statements" during the interview, after a tape recording of the interview emerged. O'Dea also paid an undisclosed sum in damages to Quinlivan. A settlement agreement was read out in the High Court. On 16 February 2010, Fine Gael announced it intended to table a motion of no confidence in O'Dea, however, the government responded with a motion of confidence. The government won the confidence motion in O'Dea in the Dáil on 17 February 2010.The Green Party, coalition partners in government with O'Dea's party, voted with Fianna Fáil on the motion. However, Green Party Chairman Senator Dan Boyle wrote on Twitter, that he has "no confidence" in O'Dea and declaring him to be "compromised". On 18 February 2010, O'Dea resigned as Minister for Defence. In his resignation letter, he said that he had come to the conclusion: "that my continuing


title: Willie O'Dea

texts:
 in office would distract from the important and vital work of the Government". O'Dea said he decided to resign when it became clear that the Green Party would no longer support the Government if he was to stay in office. Reappointment to front bench
O'Dea was appointed to Micheál Martin's frontbench as Spokesperson for Communications, as part of the Fianna Fáil campaign for the 2011 general election. In the 2011 election he was re-elected to the newly formed Limerick City constituency, polling 16% of the vote, down from the 39% he polled four years previously.He was the Fianna Fáil Spokesperson on Enterprise, Jobs and Innovation from April 2011 to July 2012. In July 2012, he was appointed as Spokesperson on Social Protection and Social Equality. In the 2016 general election, O'Dea almost doubled his primary vote share from 16 to 27.8%. He was re-elected on the first count. He was re-elected again in 2020, with a reduced vote share. References

External links

<mask>'Dea's page on the Fianna Fáil website
<mask>'Dea in 'Politicians' file at Limerick City Library

1952 births
Living people
Academics of the University of Limerick
Academics of University College Dublin
Alumni of King's Inns
Alumni of University College Dublin
Fianna Fáil TDs
Local councillors in County Limerick
Members of the 23rd Dáil
Members of the 24th Dáil
Members of the 25th Dáil
Members of the 26th Dáil
Members of the 27th Dáil
Members of the 28th Dáil
Members of the 29th Dáil
Members of the 30th Dáil
Members of the 31st Dáil
Members of the 32nd Dáil
Members of the 33rd Dáil
Ministers for Defence (Ireland)
Ministers of State of the 26th Dáil
Ministers of State of the 27th Dáil
Ministers of State of the 28th Dáil
Ministers of State of the 29th Dáil
Politicians from County

masks:
Willie O
Willie O


title: Frances Anne Spencer-Churchill, Duchess of Marlborough

texts:
<mask>, Duchess of Marlborough, VA (15 April 1822 – 16 April 1899) was an English noblewoman, the wife of British peer and statesman John Spencer-Churchill, 7th Duke of Marlborough. One of her sons, Lord Randolph Churchill, was the father of Prime Minister Sir Winston Churchill. She had a total of 11 children, and her principal home was the monumental Blenheim Palace, which she rejuvenated with her "lavish and exciting entertainments", and transformed into a "social and political focus for the life of the nation". She was invested as a Lady of the Royal Order of Victoria and Albert for her efforts at famine relief in Ireland. Family
Lady <mask> was born on 15 April 1822 at the Duke of St Albans's house in St James's Square, London, the eldest daughter of Irish-born Charles Vane, 3rd Marquess of Londonderry, and heiress Lady <mask>. At her baptism, Arthur Wellesley, 1st Duke of Wellington stood as her godfather. She had three brothers, including George Vane-Tempest, 5th Marquess of Londonderry, and two younger sisters.She had an older half-brother, Frederick Stewart, 4th Marquess of Londonderry, by her father's first marriage to Lady Catherine Bligh. Marriage and issue
On 12 July 1843 at St. George Street, Mayfair, Lady <mask> married John Spencer-Churchill, Marquess of Blandford. Upon her marriage she was styled Marchioness of Blandford. The couple made their principal home at the Spencer-Churchill family seat of Blenheim Palace in Woodstock, Oxfordshire. The marriage produced eleven children:
 George Charles Spencer-Churchill, 8th Duke of Marlborough (13 May 1844 – 9 November 1892)
 Lord Frederick John

masks:
Frances Anne Spencer Churchill
Frances Anne Emily Vane
Frances Anne Vane Tempest
Frances


texts:
 Winston Spencer-Churchill (2 February 1846 – 5 August 1850)
 Lady Cornelia Henrietta Maria Spencer-Churchill (17 September 1847 – Upper Brook Street, Mayfair, London, 22 January 1927), married 25 May 1868 Ivor Bertie Guest, 1st Baron Wimborne, by whom she had issue. Lady Rosamund <mask> Spencer-Churchill (9 November 1851 - 3 December 1920), married 12 July 1877 William Fellowes, 2nd Baron de Ramsey, by whom she had issue
 Lord Randolph Henry Spencer-Churchill (13 February 1849 – 24 January 1895), married 15 April 1874 Jennie Jerome, father of Sir Winston Churchill and John Strange Spencer-Churchill. Lady Fanny Octavia Louise Spencer-Churchill (29 January 1853 – 5 August 1904), married 9 June 1873 Edward Marjoribanks, 2nd Baron Tweedmouth, by whom she had issue.Lady <mask> Spencer-Churchill (Lower Brook Street, Mayfair, London, 14 November 1854 – South Audley Street, Mayfair, London, 20 June 1923), married 11 June 1874 James Innes-Ker, 7th Duke of Roxburghe, by whom she had issue. Lord Charles Ashley Spencer-Churchill (25 November 1856 – 11 March 1858)
 Lord Augustus Robert Spencer-Churchill (4 July 1858 – 12 May 1859)
 Lady Georgiana Elizabeth Spencer-Churchill (10 St James's Square, St James's, London, 14 May 1860 – 9 February 1906), married 4 June 1883 Richard George Penn Curzon, 4th Earl Howe, by whom she had issue. Lady Sarah Isabella Augusta Spencer-Churchill (4 July 1865 – 22 October 1929), a war correspondent during the Boer War; married 21 November 1891 Lt. Col. Gordon Chesney Wilson (son of Sir Samuel Wilson, MP)

Duchess of Marlborough
On 1 July 1857, her husband succeeded to the title of 7th Duke

masks:
Jane Frances
Anne Emily


texts: of Marlborough, and from that date henceforth, <mask> was styled Duchess of Marlborough. She was a commanding and hot-tempered woman described in The Complete Peerage as a "woman of remarkable character and capacity, judicious and tactful". Her face had more strength than beauty and her eyes were either warm or hard, never lacklustre. She ruled Blenheim Palace and its household with an iron hand; yet it was she who rejuvenated the palace with her lavish and gay entertainments which she herself organised; transforming the palace "into a social and political focus for the life of the nation". She was a domineering yet devoted mother; both of her surviving sons' marriages were a disappointment to her.Her eldest son George married a woman described as stupid, pious and dull, while her youngest and favourite son, Lord Randolph earned her displeasure by marrying, against the wishes of both herself and the Duke, American socialite Jennie Jerome, whom <mask> openly disliked. <mask> and her husband refused to attend Lord Randolph and Jennie's wedding at the British Embassy in Paris, which took place on <mask>'s 52nd birthday. Like the rest of the 19th-century British aristocracy, the <mask>s regarded American women as "strange and abnormal creatures with habits and manners something between a Red Indian and a Gaiety Girl". When the newly-wed couple moved to their home in Curzon Street in London, however, <mask> arrived to help Jennie pay her first visits to the leaders of London society. She lent her some of her own jewels for the occasion, and the two women travelled in the Marlborough family coach. <mask> featured

masks: Frances Frances Frances Frances Marlborough Frances Frances


texts:
 largely in the lives of the younger members of the family, including her grandson Winston, to whom she often acted as a substitute mother. From 1876 to 1880 her husband served as Lord Lieutenant of Ireland.As the result of her diligent efforts at famine relief in which she displayed humanity, proficiency and leadership that attempted to avert the effects of the 1879 Great Famine, she was invested as a Lady of the Order of Victoria and Albert by Queen Victoria. Last years
She became a widow in 1883, lost her eldest son, George, in 1892, and on 24 January 1895, her only surviving son, Lord Randolph Churchill, died at her London home in Grosvenor Square. She never stopped mourning Randolph, and harboured much resentment against his wife, whom she had never liked and now criticised for behaviour unbecoming a grieving widow. Death
<mask> died at Blenheim on 16 April 1899, the day after her 77th birthday, having outlived five of her eleven children. She was buried on 21 April 1899 in the family vault beneath Blenheim Chapel. Her grandson Sir Winston Churchill wrote of her: "She was a woman of exceptional capacity, energy and decision". Portrayals in film and television
The Duchess was portrayed by Rachel Kempson in the 1974 Thames TV mini-series Jennie: Lady Randolph Churchill.Ancestry

References

Sources
Martin, Ralph G. Jennie: The Life of Lady Randolph Churchill, Volume One, The Romantic Years (1854–1895), New American Library, New York, 1969 ()

1822 births
1899 deaths
English duchesses by marriage
Daughters of British marquesses
<mask>
Ladies of the Royal Order of Victoria and Albert
Frances
People from

masks: Frances Frances


title: Joop van den Ende

texts:
Johannes "<mask>" <mask> (born 23 February 1942) is a Dutch theatrical producer, co-founder of international television production company Endemol and founder/owner of Stage Entertainment, Europe's largest live entertainment company. Stage Entertainment was established in 1998 after being split off from the Live Entertainment Division of Endemol. The company has offices and theatres in eight countries (the Netherlands, Germany, the United States, the United Kingdom, France, Spain, Italy and Russia). Early years
<mask>e started his career at age 15 as a trainee set carpenter for the Dutch Opera. Ten years later, in 1968, he opened his first independent theatrical and television production agency, Spotlight, followed by the creation in 1971 of Joop van den Ende Theaterproducties. Over the next decade his stage and television activities continued to expand, establishing him as one of the Netherlands' leading impresarios. In 1983 he bought a former flower auction building near Amsterdam which he turned into a large studio complex where he could record his television productions.In September 1988, <mask> <mask> produced a Dutch version of the musical Barnum in the Scheveningen Circustheater, starting a new musical tradition in the Netherlands that continues to this day. In October 1993 he opened his first show on Broadway: Cyrano. The production ran until March 1994, and although the show resulted in a financial loss, the musical was <mask> <mask>'s introduction to Broadway and earned him the respect of his American peers. Work in Television
In 1993, <mask> <mask> and John de Mol created television production company Endemol, combining the activities of their respective television production companies. Endemol went on to become the world's largest independent television production company, creating popular TV formats such as Big Brother, Fear Factor, Dancing with the Stars and Wipeout. Endemol was listed on the stock exchange in 1996, and in 2000 was sold to the Spanish telecom giant Telefónica for €5.5bn. In 2007 Endemol was sold on to a consortium including Silvio Berlusconi, the former

masks:
Joop
Adrianus van den Ende
Van den End
van den
Ende
van den
Ende
Van den
Ende


title: Joop van den Ende

texts:
 prime minister of Italy, as well as John de Mol, in a deal valued at €2.6bn.In 1998, before the sale of Endemol, <mask> <mask> personally bought and took control of Endemol's live entertainment division. This was the beginning of Stage Entertainment, which soon grew into an international entertainment group. Work in Theatre
Van <mask> Ende's early work in live entertainment received international critical acclaim. In 1995 he received five Tony Awards for the Broadway musical Titanic, which he co-produced. In 2001 he was also awarded two Tony Awards for the musical 42nd Street, and in 2002 he received two Tony Awards for his Broadway production Into the Woods, plus three more for the play Urinetown. Under <mask> <mask>'s leadership, Stage Entertainment grew rapidly at this time, much attributed to a licensing agreement made in 2000 with Disney Theatrical Productions ( Aida, The Lion King, Beauty and the Beast, Tarzan, The Little Mermaid, Aladdin) and an intensive collaboration in Europe with Littlestar, Mamma Mia!’s production company. This enabled the business to expand into Germany, Spain, Russia, France, Italy and the UK.In 2007 he became president of the Stage Entertainment Supervisory Board. <mask> Ende returned to Broadway in the spring of 2011 with the musical Sister Act, a co-production with Whoopi Goldberg. This marked the beginning of a new phase in <mask> Ende’s longstanding ambition to develop a continuous stream of original musical content. Following successful launches in Germany (Ich war noch niemals in New York, Der Schuh des Manitu, Ich will Spass!) and the Netherlands (3 Musketiers, Ciske, Petticoat, Hij Gelooft in Mij), he produced Rocky at the Winter Garden Theatre on Broadway and Made in Dagenham at the Adelphi Theatre in London (both in 2014). Rocky won one Tony Award, one Outer Critics Circle Award, and two Drama Desk Awards. Other activities
In 2001, <mask> <mask> and his wife Janine established the VandenEnde Foundation, one of the Netherlands’ largest private foundations, which supports cultural and educational projects and stimulates cultural

masks:
Van den
Ende
den
van den
Ende
Van den
van den
van den
Ende


title: Joop van den Ende

texts:
 entrepreneurship.The foundation also provides scholarships to talented young performing artists. One of the foundation's most high-profile accomplishments was the reconstruction of the historic DeLaMar Theatre complex in the heart of Amsterdam. The VandenEnde Foundation — in close cooperation with the Dutch government and together with the Bankgiro Loterij, the Prins Bernhard Cultuurfonds, and the VSBfonds— initiated the Blockbuster Fund, a fund designed to provide a sustainable way to make large-scale investments in culture. From 2005 to 2008, <mask> Ende was active in real estate development through a joint venture that concentrated in mixed-use development and urban regeneration schemes around theatres, active in the Netherlands and abroad. Together with his business partner Hubert Deitmers, <mask> Ende is also active as an investor. Van den Ende & Deitmers Venture Capitalist Partners focuses on West European cross media companies via two venture capital funds. Decorations
2007 Medal of Honour in the Order of the House of Orange
2000 Commander in the Order of the House of Orange
1993 Knight in the Order of the House of Orange

Awards
2019 Lifetime Achievement Award of the German Musical Awards, for contributions to German musical theatre
2015 Gustaf Gründgens Prize, for contributions to German theatre
2012 Honorary Doctorate Nijenrode Business University
2011 Honorary Doctorate from Erasmus University Rotterdam
2010 Gold Medal of the City of Amsterdam
2010 Stage Entertainment receives King William I Award
2009 Hamburger of the Year, from the city of Hamburg, Germany
2004 IJ-Prijs, for contributions to the economic development and promotion of Amsterdam.Musical productions
For an overview of all of <mask> <mask> <mask>'s theatre productions, go to Stage Entertainment

References

External links
 Stage Entertainment
 Endemol
 Van den Ende Deitmers
 Van den Ende Foundation
 Levenlang Theater, a biographical site in Dutch

1942 births
Living people
Dutch chief executives in the media industry
Businesspeople from Amsterdam
Dutch billionaires
Endemol
Dutch theatre managers and

masks:
Van den
van den
Joop
van den
Ende


title: Mustapha Khalid Palash

texts:
<mask> (popularly known as <mask>; born 11 September 1963, is a Bangladeshi architect. He is considered one of the leading contemporary architects of Bangladesh. He is also an artist, multi instrumentalist-singer and painter. He is the Editor of quarterly DOT: Journal on Art & Architecture, one of the prominent architecture magazine of Bangladesh. Early life and education
<mask> was born to artist <mask> (d. 2018). He received his bachelor of architecture from Bangladesh University of Engineering and Technology in 1988. After graduation, he taught there until 1998 as assistant professor.He also worked as a visiting faculty of architecture at University of Asia Pacific, AIUB, North South University, BRAC University

Career
<mask>'s constructions are noted for their contemporary 21st century modernist style, verging on experimentalism. His novel approaches towards architecture make him peerless or practically singular in the country. <mask> has in his credential many local and international awards in recognition of his works. Currently Palash with Vistaara, is busy with quite a big number of corporate buildings and five star hotel projects. As an architect, <mask> usually concentrates on his city, Dhaka. The city's hustle and bustle, its architectural elements and vicariousness are also focused in his art works. Dhaka's raw structure and its compact atmosphere are captured in his works with liveliness and intimacy.<mask> is considered one of very few celebrity architects of the country. He has participated several architectural exhibitions, seminars, workshops, architecture week, consultancies nationally and globally. For the last two decades <mask> with his team and his company Vistaara Architects, had created numerous outstanding architectural masterpieces in Dhaka, capital city of Bangladesh. Attending Bangladesh University of Engineering and Technology for his bachelor's degree in Architecture from 1982 to 1988, he founded Vistraara Architects in 1994 and joined BUET in 1994, but gave

masks:
Khan Mohammed Mustapha Khalid
Mustapha Khalid Palash
Palash
Afroz Mustapha
Palash
Palash
Palash
Palash
Palash


title: Mustapha Khalid Palash

texts:
 up his job as an assistant professor in 1998 to pursue his passion full-time. <mask> is a member of Institute of Architects Bangladesh, international associate member of AIA and a member of Council on Tall Buildings and Urban Habitat (CTBUH). He is also a member of the World Architecture Community and the Institute of Architects Bangladesh. <mask> is the current elected president of Architecture Alumni Association of BUET (7th Executive Committee 2013 & 2014).Notable architecture projects

Corporate Offices
 Grameenphone Corporate Headquarters
 Banglalink Head Office
 Robi Head Office
 Health Engineering Department (HED) Headquarters, Ministry of Health & Family Welfare
 Investment Corporation of Bangladesh (ICB) Headquarters
 EBL Headquarters
 Mobil House
 Rangs RD Square
 Jamuna Bank Ltd. Headquarters
 Bank Asia Headquarters
 Union Bank Headquarters
 Standard Bank Headquarters
 Uttara Motors Limited Headquarters
 Grand Delvistaa
 Jamuna Gas Building
 Samsonite Tower

Malls and Centres
 Bashundhara City Shopping Complex
 Unique Trade Centre (UTC)
 Abdul Monem Financial District
 SPL Western Tower
 Bashundhara Fitness Center
 Shahara Centre
 Anabil Tower
 Rangs Babylonia
 BTI Landmark
 Rupayan Maxus
 Konik Tower
 Raffas Tower
 Samsonite Tower
 Elegant Tower
 Konka Jubilee Tower
 Palmal Tower
 Delvistaa Syed Villa
 Hosaf Tower
 Irving Rishta
 Shaptak Square
 RTV Studio
 Skylark Tower

Hotels and Hospitals
 Radisson Bay View Hotel Chittagong
 Hilton Dhaka
 The Westin Dhaka
 Lab Aid Cardiac Care Hospital
 The Olives, Dhaka

Universities and Schools
 State University of Bangladesh
 American International School Dhaka (AISD)

Visual art
Besides being an architect, <mask> is also an ardent painter. His solo painting exhibition titled Of Conflict and Harmony was held in 2009 at Gallery of Fine Arts of Asiatic Society, Dhaka. In June 2011 he had his third solo exhibition of Doodle Art titled Of Tears and Joyat Dhaka Art Centre. From his childhood, art has been keenly connected with Palash's

masks: Palash Palash Palash


title: Mustapha Khalid Palash

texts:
 umbilical cord. As the son of a painter, he grew up in an artistic ambiance. During this time, he started to detect the imaginative world and documented his vision and observation. When <mask> feels saddened and his creative endeavour flourishes, brush and colours assist him to explore his inner vision.He records his pains, happiness and experiences through his canvas, which becomes a mirror of his pensive mood as reflected in his creative process. In the exposition, this is a clear statement about his aesthetic explorations. He is not concentrated on any particular theme, but nevertheless his themes are inextricably connected to each other. His paintings, done in oil and acrylic, feature various architectural designs or shapes. They as well plunge deep into Nature. He has complete freedom to identify himself for his working styles that are apparently synchronised and technically phenomenal. He wants to proceed with a certain style that can become a personal hallmark of his works.Honors and awards
 Shilpacharya Puroshkar (Award) for Fine Arts Architecture 2011
 Berger Commendation Award for Excellence in Architecture (Grameenphone House), 2011
 Institute of Architects Bangladesh (IAB) Design Award 1998
 Holcim Green Built Bangladesh Award, 2010
 Berger Award for Excellence in Architecture, 2007
 Architect of the Year Award, instituted by JK Lakshmi Cement, India

References

Further reading
 Creativity abound: Mustapha <mask>, a multifaceted powerhouse
 Profile:<mask> <mask> (1963)
 A Life In Versatility: <mask> <mask> is 52 today
 ARCHITECTURE: A career for future
 Bangladesh: Experts urge adoption of rainwater-harvesting to ease water crisis
 Profile of Bashundhara City by Architect <mask>
 Engrossment with architectural lines and shapes
 <mask> <mask> – Accomplished Artist and Architect

External links
Official Website of the Grand Delvista: Vistaara Architects

1963 births
Living people
Bangladeshi architects
Bangladeshi painters
Bangladesh University of Engineering and Technology

masks:
Palash
Khalid Palash
Mustapha
Khalid
Mustapha
Khalid Palash
Khalid
Mustapha
Khalid Palash


title: Toshio Mori

texts:
<mask> (March 3, 1910 – 1980) was an American author, best known for being one of the earliest (and perhaps the first) Japanese–American writers to publish a book of fiction. He participated in drawing the UFO Robo Grendizer, the Japanese series TV in the years 1975-1977. Biography
<mask> was born in Oakland, California and grew up in San Leandro. In spite of working long hours at his family's garden nursery, Mori endeavored to become a writer and managed to publish his first story "The Brothers" in The Coast magazine when he was 28 years old. He had a tentative publication date set for his collection of stories Yokohama, California when World War II broke out, which brought the publication process to a halt. During World War II, he and his family were interned at Topaz War Relocation Center in Utah, where Mori edited the journal Trek for a year. After the war, <mask> returned to the Bay Area where he continued to write.He is the author of Yokohama, California (1949), The Chauvinist and Other Stories (1979), and The Woman from Hiroshima (1980). Mori worked most of his adult life in a small family nursery. He was posthumously named an American Book Award winner for Yokohama, California in 1986. Writing Style
Though Mori was a short story fiction writer, his stories often echoed and reflected the life of Japanese Americans in pre and postwar America. Imbued with wonderment at the everyday routine of the people around him, Mori's stories told of seemingly menial situations that emphasized the emotional connections and culture that all Americans share, regardless of their racial background. This tone was one of the

masks:
Toshio Mori
Mori
Mori


title: Toshio Mori

texts:
 main reasons why Mori's work was so successful; it was accessible to more than just the Japanese American community. Even Mori's work while in the internment camp was from the 'optimistic perspective', a style of writing in the internment camps which encouraged Japanese Americans not to be pessimistic and have faith in the American democratic system.Though the majority of <mask>'s work was considered lighthearted and even comical, some of his works did emphasize the taut emotional strain that a Japanese American felt, before, after and during the war. Most of his works prewar described the slightly comical problems that a Japanese American dealt with on a daily basis, trying to balance their Japanese culture with the American one. During his internment, Mori's tone occasionally became dark, especially in a short story dedicated to his brother (who was badly injured in the 442nd Regimental Combat Team) which describes a fight between brothers over patriotic duty to their country. Bibliography

Primary sources
<mask>, Toshio. New Directions in Prose & Poetry. Ed. James Laughlin.Middlebury, VT, Otter Valley Press, 1938. Yokohama, California, ID: The Caxton Printers, Ltd., 1949. Intro. by William Saroyan. "Tomorrow is Coming, Children" Trek. Eds. Jim Yamada, Taro Katayama, and Marii Kyogoku.Topaz Internment Camp, Utah. 1.1 and 1.2 (Christmas 1942/1943): 13-16. "The Woman Who Makes Swell Doughnuts." Aiiieeeee! An Anthology of Asian-American Writers. Ed. Lawson Fusao Inada, et al.. Washington D.C., 1974.123. Woman from Hiroshima. San Jose, CA: Isthmus Press, 1979. The Chauvinist and Other Stories. Los Angeles: Asian

masks: Mori Mori


title: Toshio Mori

texts:
 American Studies Center of University of California, Los Angeles, 1979. Yokohama, California. 2nd ed., Seattle: University of Washington Press, 1985.New intro. by Lawson Fusao Inada. "Japanese Hamlet." Imagining America: stories from the promised land. Ed. by Wesley Brown & Amy Ling. New York : Persea Books, 1991.125-127. "The Chauvinist." Charlie Chan is dead: an anthology of contemporary Asian American Fiction. Ed. by Jessica Hagedorn. New York, N.Y: Penguin Books, 1993. 328-337."Through Anger and Love." Growing up Asian American, An Anthology. Ed. by Maria Hong. New York: W. Morrow, 1993. 53-64. Unpublished Novels
Send These the Homeless (written in Topaz camp in 1942)
The Brothers Murata (original title "Peace Be Still" completed 1944)
Way of Life (written during the 1960s)

Secondary sources

Barnhart, Sarah Catlin."<mask> <mask> (1910–1980)" Asian American Novelists: A Bio-Bibliographical Critical Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood; 2000. 234-39
Bedrosian, Margaret. "<mask> <mask>'s California Koans." MELUS: 15.2 (1988): 47-55.Hassell, Malve von. Ethnography, Storytelling and the Fiction of <mask> <mask>. Dialectical Anthropology, 1994; 19.4: 401-18. Palomino, Harue. Japanese Americans in Books or in Reality? Three Writers for Young Adults Who Tell a Different Story. "How Much Truth Do We Tell the Children?The Politics of Children's Literature." Ed. Betty Bacon. Minneapolis: Marxist Educational Press; 1988. 257. Mayer, David R. "Akegarasu and Emerson: Kindred Spirits of <mask> <mask>'s "The Seventh Street Philosopher." Amerasia Journal, 1990; 16.2: 1-10.The Philosopher in Search of

masks: Toshio Mori Toshio Mori Toshio Mori Toshio Mori


title: Toshio Mori

texts:
 a Voice: <mask> <mask>'s Japanese-Influenced Narrator. AALA Journal, 1995; 2: 12-24. "The Short Stories of <mask> Mori." Fu Jen Studies: Literature and Linguistics, 1988; 21: 73-87. "<mask> Mori and Loneliness." Nanzan Review of American Studies 15 (1993): 20-32. "<mask> <mask>'s Neighborhood Settings: Inner and Outer Oakland."Fu Jen Studies: Literature and Linguistics, 1990; 23: 100-115. "<mask> <mask>'s '1936': A True and a False Prophecy." Academia: Bungaku Gogaku Hen/Literature and Language, 1999 Sept; 67: 69-81. "Can't See the Forest: Buddhism in <mask> <mask>'s 'The Trees." Academia: Bungaku Gogaku Hen/Literature and Language, 2002 Jan; 71: 125-36. Palumbo Liu, David. "Universalisms and Minority Culture."Differences: A Journal of Feminist Cultural Studies 7.1 (1995): 188-208. Sato, Gayle K. "(Self) Indulgent Listening: Reading Cultural Difference in Yokohama, California." Japanese Journal of American Studies, 2000; 11: 129-46. Sledge, Linda Ching. "Reviewed Work(s): The Chauvinist and Other Stories by <mask> Mori." MELUS 7.1 (Spring 1980): 86-90. Wakida, Patricia."Unfinished Message" Selected Works of <mask> <mask>. The Review of Arts, Literature, Philosophy and the Humanities (RALPH). Volume XXIV.2 (Spring, 2001). External links
Short radio episode Baseball from the chapter "Lil' Yokohama," in Unfinished Message. California Legacy Project. References

1910 births
1980 deaths
American writers of Japanese descent
American male short story writers
American short story writers of Asian descent
Japanese-American internees
Writers from Oakland, California
American Book Award winners
20th-century American male

masks: Toshio Mori Toshio Toshio Toshio Mori Toshio Mori Toshio Mori Toshio Toshio Mori


title: David R. Wrone

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<mask><mask> (born May 15, 1933) is an American academic, author and historian. He is a professor emeritus of history at the University of Wisconsin-Stevens Point and a specialist in the fields of Native American history and political assassinations, writing books and articles on the assassinations of Abraham Lincoln and John F. Kennedy. Biography
A native of Clinton, Illinois, <mask> graduated from Clinton High School in 1951. He attended the University of Illinois at Urbana–Champaign, earning his bachelor's degree and doctorate in American history. He was a history professor for 35 years at the University of Wisconsin-Stevens Point, and has been professor emeritus since retiring in 1993. UW-Stevens Point honored <mask> with the "Excellence in Teaching Award" for 1969-1970 and the "Scholar Award" for 1993-1994. <mask> is on the board of directors of the Assassination Archives and Research Center, an organization founded in 1984 to research and compile records related to political assassinations.Career

Native American history
In the course of his academic career, <mask> lectured, researched and wrote about Native American tribes. His research includes the treaty rights of the U.S.-Native American treaties, and on the Menominee nation and Stockbridge-Munsee Community of Wisconsin. In 1973, he authored the book, Who's The Savage? A Documentary History of the Mistreatment of the Native North Americans. At UW-Stevens Point, <mask> helped introduce Menominee language courses, the first instruction of the language at any university. Study of JFK assassination
<mask> has devoted more than 40 years to researching

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title: David R. Wrone

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 the assassination of John F. Kennedy. He is a frequent author of book reviews on the assassination, and edited The Legal Proceedings of Harold Weisberg v. General Services Administration (1975), the court record on the lawsuit to obtain the executive session transcripts of the Warren Commission from January 20, 1964 and January 27, 1964.<mask> sued the United States government for records of Abraham Zapruder's 26-second film of Kennedy's assassination, in particular records relating to its acquisition and purchase. <mask> taught a course in the subject at UW-Stevens Point, and in 1993 published the book, The Zapruder Film: Reframing JFK's Assassination, an in-depth analysis of the film. According to <mask>, the film proves that there was more than one gunman firing at Kennedy's motorcade. He is a frequent critic of the Warren Commission and its subsequent report, which he believes was padded with useless information. <mask> said in 2013, “When you go through those 912 pages, you'll find that it tells you Lee Harvey Oswald in 1941 had a dog called 'Sunshine' and that his aunt worked in 1929 in Woolworths dime store in New Orleans. It also tells you that John Quincy Adams, President of the United States, liked to skinny dip in the Potomac River, and that President Chet Arthur liked to ride the streetcars. It also tells you many other interesting things that had no relationship whatsoever to the murder of President John F. Kennedy.”

<mask> has commented on Oliver Stone's 1991 film JFK by stating: "The film fails on logic, fails on fact."He described Stone's premise of a conspiracy involving the Central

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title: David R. Wrone

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 Intelligence Agency and a so-called military-industrial complex as "irrational". According to <mask>, other assassination films, including Executive Action and Interview with the Assassin, are "the commercial exploitation of a great tragedy". Regarding the latter film, he said: "The facts in Interview with the Assassin were so egregiously in error, I had to stop watching it." He is one of several academic critics of Gerald Posner's well-known JFK assassination book Case Closed (1993), which Wrone blames for "massive numbers of factual errors" as well as off-base speculation. He also criticized pundit Bill O'<mask>'s 2012 book, Killing Kennedy: The End of Camelot, calling it "one atrocious book." The Zapruder Film
<mask>'s 2003 book, The Zapruder Film: Reframing JFK's Assassination, provides a frame-by-frame analysis of Abraham Zapruder's 26-second film of Kennedy's assassination and various aspects of the film's history. The book also outlines <mask>'s argument that shots were fired at Kennedy from three different angles, with none of them originating from Lee Harvey Oswald's position on the sixth floor of the Texas School Book Depository.Addressing the issue that some believe the film to be a forgery, Michael L. Kurtz wrote that "...<mask>'s lengthy and exhaustive study of the history of the Zapruder film argues persuasively for its authenticity." Reviewing the book for CNN, L.D. Meagher wrote: "<mask> writes carefully, building his analysis brick by brick. His prose is academic, which may be off-putting to the casual reader. But his research is quite thorough and his conclusions are compelling." A review

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