title: Shohei Ohtani

texts:
 the article "The 50 greatest seasons in sports history, ranked." In it, <mask>'s 2021 season was ranked No.1, topping great seasons by athletes such as Babe Ruth, Michael Jordan, Tom Brady, Wayne Gretzky, and Lionel Messi. International career

2012 WBSC U-18 Baseball World Cup
<mask> was selected to Japan's Under-18 National Team that eventually finished in sixth place at the 18U Baseball World Championship in Seoul, Korea. 2015 WBSC Premier12
In the 2015 Premier12, <mask> earned a bronze medal with the Samurai Japan National Baseball Team. He was the ace of Japan's pitching staff, which featured Kenta Maeda. As the number one starter, <mask> made two pitching appearances for Japan, both against the Republic of Korea, winning Game 1 of the opening round and getting a no-decision in the semifinals.<mask> was subsequently named to the 2015 World Baseball Softball Confederation All-World Team and was named the 2015 WBSC Baseball Player of the Year. 2017 World Baseball Classic
<mask> was on the 28-man roster for the Japan National Baseball Team of the 2017 World Baseball Classic, but was forced to withdraw due to an ankle injury. Awards and achievements

Awards and exhibition team selections

 MLB
 American League Most Valuable Player (2021)
 Commissioner's Historic Achievement Award (2021)
 2× American League Player of the Month (June 2021, July 2021)
 4× American League Player of the Week (April 8, 2018; September 9, 2018; June 20, 2021; July 4, 2021)
 Major League Baseball All-Star Game selection (2021)
 American League Rookie of the Year (2018)
 Silver Slugger Award at Designated Hitter


title: Shohei Ohtani

type: original

texts:
 (2021)
 Edgar Martínez Outstanding Designated Hitter Award (2021)
 Los Angeles Angels Player of the Year (2021)
 Nick Adenhart Pitcher of the Year Award (2021)
 Players Choice Award for Player of the Year (2021)
 Players Choice Award for American League Outstanding Player (2021)

 Media
 Associated Press AP Athlete of the Year (2021)
 Baseball America Major League Player of the Year (2021)
 Baseball America Rookie of the Year Award (2018)
 Baseball Digest Player of the Year (2021)
 Sporting News Athlete of the Year (2021)
 Sporting News MLB Player of the Year Award (2021)
  Sporting News Rookie of the Year Award (2018)
 ESPY Award for Best Major League Baseball Player (2021)
 Topps All-Star Rookie team (2018)

Statistical achievements

Playing style

Pitching
<mask> is a ,  right-handed starting pitcher. With an overhand delivery, he throws a four-seam fastball averaging  topping out at 102.5 mph (165 km/h), an  forkball with late diving action, an occasional curveball, and a solid slider at . He posted a walks per nine innings rate of 3.3 across his NPB career. Ohtani has been compared to Justin Verlander by some MLB scouts with his ability and affinity to throwing harder in high-leverage spots and later in games. Whereas most pitchers throw only a little harder in big spots than they do in normal ones and most pitchers lose speed as the game goes on, Ohtani, like Verlander, are both able to reserve power and staying power in order to conserve energy without throwing max effort on every offering.Batting and fielding
<mask> is a left-handed batter. He is a designated hitter and occasional

masks: Ohtani Ohtani


title: Shohei Ohtani

texts:
 outfielder known for being able to hit with home-run power. As a baserunner, <mask>'s sprint speed and feet-first sliding technique have allowed him to be a league leader in stolen bases, bunt hits and infield-hit rate. Scouts have timed <mask> running from the batter's box to first base in as little as 3.8 seconds. For the 2021 season, his 28.8 feet-per-second sprint speed ranked in the 92nd percentile of all players, as did his 3.51 second 80-foot split and he also recorded the fastest home to first average sprint time in the Majors at 4.09 seconds, while recording a career-high 26 stolen bases. Personal life
<mask> was born to Kayoko and Toru Otani in Ōshū, Iwate, Japan, on July 5, 1994. His mother, Kayoko, was a national-level badminton player in high school and his father worked at a local automobile manufacturing plant and was an amateur baseball player who played in the Japanese Industrial League.The youngest of three children, he has one older sister, Yuka, and one older brother Ryuta, who is also an amateur baseball player in the Japanese Industrial League. In Japan, <mask> was known as a "" ()—a kid who lives, eats and breathes baseball. Coached by his father, he displayed an aptitude for the game at an early age. He began playing baseball in his second year of elementary school and as a seventh-grader, <mask> recorded all but one of 18 outs in a six-inning regional championship game. As a teenager, <mask> could have played baseball for any powerhouse high school team in big cities such as Osaka or Yokohama. Instead, he opted to stay local, selecting Hanamaki Higashi High School in

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title: Shohei Ohtani

texts: Iwate Prefecture, the same high school as pitcher Yusei Kikuchi, whom he admired, where he competed as a swimmer and played baseball. His high school baseball coach, Hiroshi Sasaki, said that <mask> was a fast swimmer who "could have made the Olympics."Under Sasaki's guidance, Hanamaki Higashi's players lived on campus, returning home for only six days a year. Sasaki would assign toilet cleaning chores to <mask>, to teach the youth pitcher humility. Once <mask> transitioned to playing professional baseball in the Nippon Professional Baseball league with the Hokkaido Nippon-Ham Fighters, he opted to live in the Fighters' provided dormitories for his five-year tenure with the team, while his parents oversaw his personal finances. Since gaining national and international attention as a high school phenom, <mask>  is Japan's most celebrated athlete and has faced intense media pressure scrutiny with the Japanese press his whole adult life. Due to the high-profile nature of his two-way efforts, the Hokkaido Nippon-Ham Fighters protected <mask> from some of the media onslaught, while <mask> tended to keep to the team dormitory and the gym, and didn't obtain a driver's license until 2020, leading a semi-monastic, baseball-centric existence, a byproduct for holding down two jobs in the big leagues and doing both at an elite level. While not fluent, <mask> can speak English and knows Spanish, and prefers to speak to the media through an interpreter, translating his native Japanese to English. Ippei Mizuhara is <mask>'s personal interpreter with the Los Angeles Angels and has known him since <mask> was

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title: Shohei Ohtani

texts: 18, starting in 2013 during <mask>'s days with the Hokkaido Nippon-Ham Fighters.Mizuhara's role as <mask>'s personal interpreter ranges from confidante to conditioning coach and throwing partner, to making sure <mask> understands, and is understood. The interpreter steps into any number of sub-duties, including <mask>'s agenda—preparation, play, recovery, media availability, breaking down advanced analytics and recovery timetables between <mask> and the Angels organization. After <mask> joined the Los Angeles Angels, Mizuhara suggested to <mask>, as an icebreaker, to combine his hobby of playing video games, by downloading Clash Royale, with the rest of the clubhouse. When <mask> announced in September 2017 that he wanted to pursue a career in Major League Baseball, he signed with CAA Sports for representation. <mask> is represented by agent Nez Balelo of CAA Sports since 2017. <mask> was then listed in Forbes 30 under 30 Asia class of 2018 in the field of Entertainment & Sports. For his historic campaign in 2021, <mask> was named to Time 100's list of most influential people of 2021  and awarded the Commissioner's Historic Achievement Award by Commissioner Rob Manfred.Additionally, <mask>'s 2021 season was recognized for two Guinness World Records titles: (1) the first MLB player to achieve 100+ innings and record 100+ strikeouts as a pitcher, and 100+ RBIs, hits and runs as a batter in a single season and (2) the first player to start the MLB All-Star Game as a pitcher and a designated hitter. <mask> was also offered Japan's national honor, the People's Honour Award, by the Prime Minister

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title: Shohei Ohtani

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 of Japan in recognition of his accomplishments, but <mask> rejected it, saying it was "still too early" for such an award. <mask> is the cover athlete of MLB The Show 22 and is the first Asian player to be featured as the cover star of MLB: The Show, as well as the first Asian athlete to be featured on the cover of a video game in the United States centered around the four major sports. Endorsements
On July 20, 2021, <mask> signed an exclusive multiyear memorabilia deal with Fanatics. , <mask> has an estimated MLB league-leading $6 million in annual endorsement deals. His endorsement deals include Asics, Descente, Japan Airlines, Nishikawa Co., and Seiko Watch in Japan and Hugo Boss, New Era, Panini, Fanatics, Oakley and Topps in the United States. On November 16, 2021, it was announced that <mask> joined cryptocurrency exchange FTX as a global ambassador, partnering on various animal charitable initiatives.See also

 List of Major League Baseball annual home run leaders
 List of Major League Baseball annual triples leaders
 List of Major League Baseball players from Japan
 Major League Baseball Player of the Week Award
 Major League Baseball Rookie of the Month Award
 Major League Baseball Rookie of the Year Award
 Sporting News Rookie of the Year Award
 List of Major League Baseball players to hit for the cycle
 All MLB Team

Notes

References

Further reading

External links

1994 births
Living people
American League All-Stars
American League Most Valuable Player Award winners
Hokkaido Nippon-Ham Fighters players
Japanese expatriate baseball players in the United States
Los Angeles Angels

masks: Ohtani Ohtani Ohtani Ohtani Ohtani


title: Theresa Hak Kyung Cha

texts:
<mask>  (; March 4, 1951 – November 5, 1982) was an American novelist, producer, director, and artist of South Korean origin, best known for her 1982 novel, Dictee. Considered an avant-garde artist, <mask> was fluent in Korean, English, and French. In her works, <mask> took language apart and experimented with it. <mask>'s interdisciplinary background was clearly evident in Dictee, which experiments with juxtaposition and hypertext of both print and visual media. <mask>'s Dictee is taught in contemporary literature classes including women's literature. A week after her novel Dictee was published, <mask> was raped and murdered by a security guard at the Puck Building in New York City, on November 5, 1982. Early life
<mask> was born in Busan, South Korea during the Korean War.She was the middle child of five to Hyung <mask>, her father, and Hyung <mask>, her mother. <mask> and her family emigrated to the United States in 1962, first settling in Hawaii and then relocating in 1964 to the San Francisco Bay Area, where she attended Convent of the Sacred Heart High School. During her time there, <mask> studied French. She was fluent in French, English and Korean. Education
At Sacred Heart, <mask> studied Western classics and language. She also studied French, Greek, and Roman classics. During her time at Sacred Heart, she sang in the choir.By the time she graduated <mask> had earned many scholastic awards, including a poetry contest prize at the age of fourteen, two years after she started learning English. Before committing to Berkeley, <mask> attended University of San Francisco for a semester. She transferred to University of California, Berkeley the following year, where she completed her studies in art and writing. There, she also studied ceramics with Peter Voulkos and James Melchert, who encouraged her to work in performance. One of her classmates at Berkeley was artist Yong Soon Min. As a student, she became close friends with Dennis

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title: Theresa Hak Kyung Cha

texts: Love, another student, and Bertrand Augst, a professor of French and comparative literature. Her classes with Augst inspired <mask> to study comparative literature, in which she later earned degrees.Teachers and friends have stated that <mask> enjoyed reading broadly, anything from Korean poetry to European modernist and postmodern literature. She received her B.A. in comparative literature in 1973 and a B.A. in art in 1975, both from Berkeley. She worked as a student employee of the Pacific Film Archive for three years between 1974 and 1977 while earning two graduate degrees in art (M.A., 1977; M.F.A., 1978). As a graduate student, she became close friends with Mechert and even became his teaching assistant in 1976. During this time, <mask> connected with fellow artists Stephen Laub, Reese Williams, Young Soon Min, and Mark Thompson.As <mask>'s interest in film grew, she studied at Berkeley under Bertrand Augst, who recalls her interest in poetry written by Stéphane Mallarmé and plays by Samuel Beckett. According to Augst, <mask> felt an affinity with Mallarmé's associative and restrained use of language. It is likely these artists introduced her to unconventional typographic design which become a constant feature of her works. Beckett's highly reductive style of theater found echoes in the spare setting of <mask>'s performances. More than the stylistic influence of Beckett or Mallarmé, <mask>'s studies of film theory with Augst had perhaps the greatest effect on her development. Augst taught his students structural and semiological film analysis, frequently using an Athena projector, which can slow a film to a single frame. This frame-by-frame study greatly inspired <mask>'s own films and use of video stills.In 1976 <mask> decided to pursue a degree in film theory at the UC Education Abroad Program, Centre d'Etudes Americain du Cinema, in Paris. During her stay she studied under Jean-Louis Baudry, Raymond Bellour, Monique Wittig, and

masks: Cha Cha Cha Cha Cha Cha Cha Cha Cha


title: Theresa Hak Kyung Cha

texts:
 Christian Metz. Career and personal life

<mask> began her career as a performance artist, producer, director, and writer in 1974. She also worked as an usher and cashier from 1974 to 1977 at the Pacific Film Archive, with friends. In 1979 <mask> traveled back to Korea for the first time in seventeen years. She had long expressed great anticipation to return in her book Exilée, where she describes the flight in terms of the sixteen time zones that separate San Francisco from Seoul. It was a sorrowful but memorable trip.The excitement of finally returning to her homeland was diminished by the cool reception she received from her own people, to whom she was just another foreigner. "...she visited Korea with her brother in the midst of massive student demonstrations, only to learn that she was a stranger at home." <mask> performed "Other Things Seen, Other Things Heard" at the San Francisco Museum of Modern Art in 1979, attracting the attention of Robert Atkins, art critic for the San Francisco Bay Guardian. In August 1980, <mask> moved to New York City, working as an editor and writer for Tanam Press. Earlier that year, she also traveled to Japan and then back to Korea, this time working on the film White Dust From Mongolia from May to July 1980 with her brother. They were never able to finish the film due to the dangerous political situation in Korea at the time. South Korea President Park Chung Hee had just been assassinated that previous May and restrictive new laws had been declared.The <mask>s were harassed by South Korean officials who thought they might be North Korean spies. In 1981, <mask> began teaching video art at Elizabeth Seton College while working in the design department of the Metropolitan Museum of Art. She was awarded an artist's residence at the Nova Scotia College of Art and Design in 1982. While some authors have described <mask>'s character as ambitious and disciplined, others have described her as undisciplined,

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title: Theresa Hak Kyung Cha

texts:
 tragic, pure, and intelligent. She married the photographer Richard Barnes in May 1982; the two had met in a drawing class in 1975, during her time at UC Berkeley. Style

Themes

From 1910 to 1945, the Korean language was forbidden to be communicated in Korea under Japanese rule. <mask> linked her own process of learning language – whether that be in her Korean first language, English, French or Latin – to the extraordinary cultural oppression experienced in Korea during this nearly 40-year period.In the body of <mask>'s art, language functions as fluid binary systems of contemporaneous displacement and reunification, repression and freedom, detachment and engagement, and the ineffable and communication. The main body of <mask>'s work is "looking for the roots of language before it is born on the tip of the tongue". Much of <mask>'s work demonstrates an interaction and interplay between languages with her primary focus on "grammatical structures of a language, syntax, how words and meaning are constructed in the language system itself, by function or usage, and how transformation is brought about through manipulation, processes as changing the syntax, isolation, removing from context, repetition, and reduction to minimal units". Since language unified <mask>'s aesthetic approach, establishing an intimate dialogue with the audience was a deliberate consideration in her art. The audience held a "privileged place in that She/He is the receptor and or activator central to an exchange or dialogue". For <mask>, the audience is the "Other" whose presence establishes, or completes, any form of communication. As she writes in "audience distant relative":

There was no firm delineation between <mask>'s visual and linguistic approaches to literature and art.Her visual and performance work often involved words and letters manipulated such as changing the sizes and placement of letters. These words are often imposed on or near images as a form of


title: Theresa Hak Kyung Cha

texts:
 communication, another theme in <mask>'s work. Dictee heavily features French and English, along with others, often together on the same page. Commonly, the languages are used in repetitive, "broken" phrases and frequent code-switching, similar to the communication of an individual learning the languages. According to Hyun Yi Kang, this style causes readers to "[reconsider] the arbitrary and ideologically colored prescriptions on language and writing, challenging the requirements of good speech and correct grammar." Other common themes in <mask>'s work include diaspora, the mother tongue, and the narrative device of stream of consciousness. Influences
<mask> was influenced by a variety of sources.Her friends say that she was inspired by the art activity around her, but there has been little analysis of this aspect of her development as an artist. <mask> was inspired by artist Terry Fox, a fellow artist and performer. She met him in 1973, during one of his solo exhibitions at the UAM, now Art, Design & Architecture Museum at UCSB. <mask> came to his performances and watched Fox and his brother Larry interact with various materials and objects, such as metal and a mirror. Fox's exhibit involved a variety of media and formats, including performance, sculpture, and drawing. <mask> drew her inspiration from Fox's slow, ritualistic performances. The translucent veil employed by Fox to demarcate and isolate his performance space was a device <mask> used in her performances ″A Ble Wail″ (1975) and Pause Still (1979; performed with her sister Bernadette).<mask> also used props—candles, bamboo sticks, flour—in some of her performance, which Fox had previously used in his own. <mask> and Fox have been compared in similar slow, deliberate, almost trance-like paces they employed in their performance work. Fox had witnessed a few of <mask>'s performances and commented on the way she moved in the space, barefoot, not making a sound. During her time

masks: Cha Cha Cha Cha Cha Cha Cha Cha Cha Cha


title: Theresa Hak Kyung Cha

texts:
 as an usher <mask> became interested in the work of Marguerite Duras, Jean-Luc Godard, Alain Resnais, Yasujirō Ozu, and many other film theorists and artists. Carl Dreyer was a particularly recurrent influence, particularly his film The Passion of Joan of Arc (1928), which was quoted in <mask>'s super-8 and video installation Exilée (1980) among other instances in her work. In the visual arts, her work has been included in the expanded account of conceptual art initiated by the exhibition Global Conceptualism: Points of Origin, 1950s–1980s, in addition her work usually features in the San Francisco Bay-area accounts of conceptual art, the dates of which are later than the  East Coast accounts. Lawrence Rinder notes that San Francisco Bay-area conceptualism of the 1970s also "tended to invest conceptual forms with personal and physical qualities."Death
On November 5, 1982, <mask> was raped and murdered by Joey Sanza, a security guard at the Puck Building on Lafayette Street in lower Manhattan. She had gone there to meet her husband Richard Barnes, who was documenting the renovation of the building and had an office there. Sanza raped, strangled, and then bludgeoned her to death, removing a ring from her finger. Her death occurred just one week after the publication of Dictee. Sanza, who had already been imprisoned in Florida for 12 counts of sexual battery committed between January and June of 1982, was indicted for the rape and murder of <mask> in 1983, and, after three separate trials, eventually convicted on those charges in 1987. Shortly before her death, <mask> had been working on an artistic piece for a group show at Artists Space in SoHo. The Artists Space exhibit ultimately became a memorial for her, showcasing images and text from Dictee.Additional work left incomplete at the time of her death included another film, a book, a critique of advertising, and a piece on the representation of hands in Western painting. Legacy
In

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title: Theresa Hak Kyung Cha

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 1991, nine years following <mask>'s murder, her brother and director of the Theresa <mask> Kyung Cha Memorial Foundation, <mask>, asked if the University of California Berkeley Art Museum would be able to set up safe-keeping of <mask>'s videos, artwork, and archives. The gift was accepted by the Berkeley Art Museum and Pacific Film Archive (BAMPFA) in 1992. Some of <mask>'s work is available through the Electronic Arts Intermix (EAI). In 1994, a collection of critical essays on Dictee edited by Elaine Kim and Norma Alarcón, Writing Self, Writing Nation, was released by Third Woman Press. Today Dictee is widely studied in contemporary literature classes, including classes on avant-garde writing, feminist and Asian American literature. Elvan Zabunyan wrote the first monograph of <mask>'s work and published it in 2013.Exhibitions
<mask>'s first professional exhibition was part of a group show in 1980 at the San Francisco Art Institute Annual. A posthumous showing of <mask>'s work was organized by her friend Judith Barry and exhibited at Artists Space a month after her death. Her first solo exhibition was held at the Whitney Museum in 1993 with little publicity. Catalogued in the book of the same name, an exhibition of <mask>'s work entitled The Dream of the Audience: <mask> <mask> <mask> (1951-1982) was organized and shown in 2001 at the University of California Berkeley Art Museum by senior curator Constance Lewallen. This exhibition, building off the work of two previously organized by former curator Lawrence Rinder, aimed to display lesser known work by <mask> including other published works, videos, performances, works on paper, and mail art. The exhibit later went on tour, including stops in Irvine (Beall Center for Art and Technology), New York City (Bronx Museum of the Arts), Illinois (Krannert Art Museum), and Seattle (Henry Art Gallery), with a final stop in Seoul. The exhibition continued to Vienna (Generali Foundation) and

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 Barcelona (Fundació Antoni Tàpies).<mask>'s work was exhibited again in Paris (group exhibition Fais un effort pour te souvenir. Ou, à défaut, invente., at the ) and London (A Portrait in Fragments, sponsored and hosted by The Korean Cultural Centre UK; and with a showing of her films at the Institute of Contemporary Arts) in 2013. In 2018, BAMPFA staged an exhibition based on <mask>'s book Dictee entitled <mask> <mask> <mask>: Avant Dictee, organized by assistant curator Stephanie Cannizzo. The Cleveland Museum of Art also staged <mask>'s video work in a show entitled <mask>k Kyung <mask>: Displacements in 2018. Online public portraits
According to Cathy Park Hong in Minor Feelings: An Asian American Reckoning, many online photos under <mask>'s name depict the artist's younger sister, Bernadette <mask>-Eun <mask>:

Hong states,  When you google <mask>, the first author photo that comes up is the film still of her sister Bernadette from her video PERMUTATIONS. This still of Bernadette is often confused for <mask> herself...

Only one real photo of <mask> circulates online. <mask> has long hair and wears a black turtleneck and tight jeans.She is in profile, staring out the window of her Berkeley apartment in a studied pose. While this picture is used as her official photo, most readers imagine Bernadette when they think they're imagining <mask>." Published works

Filmography and videography
Selected works distributed by Electronic Arts Intermix, Inc., New York

 Secret Spill (1974) 27 min., b&w, sound
 Mouth to Mouth (1975) 8 min., b&w, sound
 Permutations (1976) 10 min., b&w, sound
 Vidéoème (1976) 3 min., b&w, sound
 Re Dis Appearing (1977) 3 min., b&w, sound
 White Dust From Mongolia (1980) 30 min., b&w (uncompleted)

Performances
 Barren Cave Mute (1974), at the University of California, Berkeley. Aveugle Voix (1975), at 63 Bluxome Street, San Francisco. A Ble Wail (1975), at Worth Ryder Gallery, University of California, Berkeley.

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title: Theresa Hak Kyung Cha

texts:
 Life Mixing (1975), at University Art Museum, Berkeley. From Vampyr (1976), at Centre des etudes americains du cinema, Paris, inspired by the film Vampyr
 Reveille dans la Brume (1977), at La Mamelle Arts Center and Fort Mason Arts Center, San Francisco.Monologue (1977), KPFA Radio Station, Berkeley. Other Things Seen. Other Things Heard (1978), at Western Front Gallery, Vancouver, and the San Francisco Museum of Modern Art (SFMOMA). Pause Still (1979), 80 Langton Street, San Francisco. Exliee (1980), San Francisco Art Institute, SFMOMA, The Queens Museum (1981)

References

Further reading
 Best, Susan, "The Dream of the Audience: The Moving Images of <mask>k Kyung <mask>." Visualizing Feeling: Affect and the Feminine Avant-Garde. London: I.B.Tauris, 2011

External links
"The Dream of the Audience: <mask> <mask> <mask> (1951–1982)" Exhibition Review
Voices From the Gaps biography
<mask> <mask> <mask>: Bronx Museum of the Arts - Reviews: New York
<mask> <mask> <mask> at SF Cinematheque: To See, Empty
The Theresa Hak Kyung Cha Archive at the Berkeley Art Museum/Pacific Film Archive, University of California Berkeley
Guide to the <mask>k Kyung <mask> Collection 1971-1991
The Dream of the Audience: <mask> Kyung <mask> documentary film project
 Art Collection Highlights - <mask> <mask> <mask>
 A Portrait in Fragments: <mask> <mask> <mask> 1951–1982 (15 Jan 2014)

Reviews
Avant Dictee

1951 births
1982 deaths
21st-century American novelists
American novelists of Asian descent
American performance artists
American writers of Korean descent
Postmodern writers
People from Busan
People murdered in New York City
South Korean emigrants to the United States
University of California, Berkeley alumni
20th-century American novelists
American women novelists
Schools of the Sacred Heart alumni
20th-century American women writers
Rapes in the United States
Violence against women in the United States
South Korean contemporary artists
South Korean

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title: William James Smythe

texts:
<mask> (1816–1887) was a general and colonel-commandant of the Royal Artillery and a Fellow of the Royal Society. Early life and military career
He was born at Coole Glebe, Carnmoney, on 25 January 1816 – the second son of <mask>, vicar of Carnmoney and of his wife Margaret, daughter of John Owens of Tildarg. He was educated at Antrim until he entered the Royal Military Academy at Woolwich on 11 November 1830. He received a commission as second lieutenant in the Royal Artillery on 20 December 1833. In April 1835 he sailed for the Cape of Good Hope, where he served in the Kaffir War and received the war medal. He was promoted to be first lieutenant on 10 January 1837. He returned to England in October the same year.In July 1839 <mask> became secretary of the Royal Artillery Institution at Woolwich, and filled the office until he embarked for St. Helena in December 1811 to take charge of the observatory at Longwood, and to carry out magnetical and meteorological observations under the direction of Captain (afterwards General Sir) Edward Sabine. The results were published in two large quarto volumes of Observations brought out by Sabine in 1850 and 1860. <mask> was promoted to be second captain on 5 May 1845. He returned to England in February 1847. In August 1848 <mask> embarked for Halifax where he was stationed for a year, returning to England in August 1849, on his promotion to the rank of first captain, dated 28 June. In January 1850 he was appointed by the Marquis of Anglesey to take charge of young officers of artillery on first joining at Woolwich, and to supervise their instruction. This new arrangement led to the establishment of the department of artillery studies, of which Smythe was the organiser, and became the first director until July 1852.He was promoted to be lieutenant-colonel on 1 April 1855. Royal Commission and marriage
Having a good knowledge of

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title: William James Smythe

texts:
 French and German, <mask> was selected in October 1854 to superintend the execution of contracts for arms in Belgium and Germany. While still holding this appointment he was withdrawn temporarily from its duties by Lord Panmure, in January 1856, to act as a member of the royal commission sent to France, Russia, Austria, and Italy, to report on the state of military education in those countries, and to consider the best mode of reorganising the system of training British officers of the scientific corps. The other commissioners were Lieutenant-colonel <mask> and the Reverend <mask> (afterwards dean of Durham); its secretary was Arthur Hugh Clough. Smythe advocated the entire separation of the education of the Royal Artillery from that of the Royal Engineers, a plan which Yolland opposed. In the end the report was drawn up by Lake and the secretary, Smythe signing "for the history and descriptions of foreign military schools only". The report, in two blue-books, was presented to Parliament in 1857.It is a mine of information, and records the well-weighed opinions of a large number of the most thoughtful officers of the time in both corps. <mask> now returned to the superintendence of the foreign contracts for arms until July 1857. He married, on 15 December 1857, at Carnmoney, Sarah Maria, second daughter of the Reverend Robert Wintringham Bland, JP There was no issue of the marriage. He was promoted to be brevet colonel on 1 April 1858, and the same year was a second time appointed director of artillery studies at Woolwich. In 1859 he was made a member of the ordnance select committee. Fiji
In 1859 <mask> was selected to proceed to Fiji as commissioner to inquire into the circumstances of the cession of Fiji to England, which an English consul, Mr. W. T. Pritchard, had obtained from King Cakobau, and into the value of the group of islands from a strategical as well

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Smythe


title: William James Smythe

texts: as a commercial point of view. The botanist, Dr. Berthold Carl Seemann, was attached to the mission.<mask>, accompanied by his wife, left England on 16 January 1860, taking with him complete sets of magnetical and meteorological instruments and charts. After experiencing some difficulty of transport owing to the war in New Zealand, he arrived in a small sailing vessel at Levuka on 5 July. He visited all the larger islands, and ascertained that there was no organised opposition to the cession; but he found that the representations made to government as to the value of the islands were in many substantial particulars incorrect, while Thakombau was in no sense king of Fiji. Foreseeing a tolerably long detention in the islands, Smythe brought with him to Levuka materials for a small house, which was erected, and part of it was fitted as an observatory. Here, from 12 Jan to 30 April 1861, he made regular magnetical and meteorological observations, including very careful determinations of magnetic declination, inclination, and force. Although not the first good observations made at Fiji, <mask>'s are the most extensive and complete, and will probably long remain the standard of comparison. On 1 May 1861 Smythe made his report from Fiji, giving his opinion that it was inexpedient to accept the cession made by Cakobau.He arrived home, via Panama, in November of the same year. His report was presented to parliament in 1862 and was approved. His wife wrote a pleasant account of the expedition in a series of letters to friends at home, which was published in 1864 as Ten Months in the Fiji Islands with coloured illustrations and maps. To it <mask> contributed the introduction, an account of an excursion to Namosi in Viti Levu, and the appendix, containing his instructions and report, together with his magnetical and meteorological observations and remarks upon the Melanesian

masks: Smythe Smythe Smythe


title: William James Smythe

texts:
 mission. Promotion
On 5 August 1864 <mask> was promoted to be colonel in the Royal Artillery. The same year he was elected a fellow of the Royal Society, and was for some years a member of the meteorological committee of that society. In 1865 he went to India on military duty, returning to England on two years' leave of absence in the autumn of 1866.On 6 March 1868 he was promoted to be major-general, and returned to India in November. In December 1869 he finally came home, and lived at Tobarcooran at Carnmoney. He was promoted to be lieutenant-general on 1 October 1877, but remained unemployed. He was made a colonel-commandant of the Royal Artillery on 2 August 1880, and he was placed on the retired list, with the honorary rank of general, on 1 July 1881. Retirement and death
<mask>'s latter years were chiefly given to an earnest advocacy of home rule for Ireland so far as it was compatible with union with Great Britain. It was his constant endeavour to promote the material development of his country. He took an interest in agriculture, and devoted himself to the study, and encouragement of the study, of the Irish language.He died at Carnmoney on 12 July 1887. He erected in the churchyard of Carnmoney a lofty Irish cross of mountain limestone, designed from the finest examples extant, and probably the most beautiful specimen of Irish ecclesiastical art in the country. His grave is at the foot of this cross. He left by his will the reversion of £3,000 to the Royal Irish Academy in trust, the interest of which was to be applied to the promotion of the use of the Irish language. He left also the reversion of an equal sum, together with his residuary estate, to the representative body of the church of Ireland. His widow survived him. References

1816 births
1887 deaths
People from County Antrim
Royal Artillery officers
British Army generals
Fellows of the Royal

masks: Smythe Smythe


title: Stephanie Blythe

texts:
<mask> (born 1970) is an American mezzo-soprano who has had an active international career in operas and concerts since the early 1990s. She is particularly associated with the Metropolitan Opera in New York City, with whom she has performed annually since her debut with the company in 1995. In 2014 she starred as Gertrude Stein in the world premiere of 27, an opera composed by Ricky Ian Gordon with libretto by Royce Vavrek, and commissioned for her by the Opera Theatre of Saint Louis. Early life
Blythe grew up in Mongaup Valley, New York and studied the flute as a child. She graduated from Monticello High School (New York) in 1987. While attending Monticello, she was first exposed to live opera when her high school music teacher took her class to the Metropolitan Opera for a matinee of La bohème. She went on to study vocal performance with Patricia Misslin at the Crane School of Music at the State University of New York at Potsdam (SUNY Potsdam), from which she graduated with a degree in English Writing in 1991 and a degree in Music in 1992.In 1994 she won the Metropolitan Opera National Council Auditions, and then became a member of the Lindemann Young Artists Development Program at the Met. Career
<mask> made her professional opera debut at the Metropolitan Opera as the Voice from Above in Wagner's Parsifal on April 14, 1995. Her career was transformed the following season when she stood in for Marilyn Horne at the Metropolitan opera as Mistress Quickly in Falstaff and received rave reviews. She has subsequently achieved critical success in a variety of roles at the Met, including Amneris in Aida (2012), Auntie in Peter Grimes (1997, 2003), Azucena in Il trovatore (2013), Baba the Turk in The Rake's Progress (1998), Berta in The Barber of

masks:
Stephanie Blythe
Blythe


title: Stephanie Blythe

texts: Seville (1995),  Cornelia in Handel's Giulio Cesare (1999), Eduige in Rodelinda (2004-2006, 2011), Fricka in Die Walküre (2008, 2011-2013) and Das Rheingold (2010-2013), Frugola in Il tabarro (2007), Gertrud in Hansel and Gretel (1997, 2001-2002), Jezibaba in Rusalka (2009), Jocasta in Oedipus Rex (2003-2004), Ludmila in The Bartered Bride (1996), Madelon in Andrea Chénier (1996), Mama Lucia in Cavalleria rusticana (1997), Mother Marie in Dialogues des Carmélites (2002-2003), Orfeo in Orfeo ed Euridice (2009), the Princess in Suor Angelica (2007), Ulrica in Un Ballo in Maschera (2007-2008, 2012) and Zita in Gianni Schicchi (2007) among other roles. In 2000 Blythe made her debut with the Seattle Opera as Fricka and the Second Norn in Wagner's Ring Cycle. She has since returned to Seattle frequently, portraying such roles as Amneris, Dame Quickly, Isabella in L'italiana in Algeri, Waltraute in Götterdämmerung, and the title role in Bizet's Carmen. In 2002 she made her debut at the Santa Fe Opera as Isabella in L'italiana in Algeri.In November 2006, she starred in the world premiere of The Sailor-Boy and the Falcon, an opera based on "The Sailor-Boy's Tale" by Isak Dinesen. The work of SUNY Potsdam professors Paul Siskind (music) and Alan Steinberg (libretto), the opera was performed at the Sara M. Snell Theater of the Crane School of Music by the Crane School's Opera Ensemble. In 2009 <mask> debuted at the San Francisco Opera portraying the role of Azucena in Il Trovatore. In 2010 she made her debut at the Lyric Opera of Chicago as Ulrica, and was also seen in Chicago that season as Katisha in The Mikado. The Chicago Sun-Times review of the latter performance stated, "Blythe explodes onto stage ... an enormous woman with enormous talent, a big,


title: Stephanie Blythe

texts:
 powerful voice and an elastic comic face". Chicago Classical Review added,
"Blythe ... steals the entire show. ... It’s unlikely that this supporting role has ever been sung with this caliber of gleaming operatic voice.She ... threw off the rapid-fire patter duet "There is beauty in the bellow of the blast" with blazing speed and crystal-clear diction. Blythe also displayed a great comedian’s timing making every punch line register. And, for a woman of such imposing physique, she showed herself a graceful and light-footed presence with her little victorious dance steps." In 2011, Blythe premiered the solo mezzo-soprano role in John Corigliano's One Sweet Morning at Avery Fisher Hall for the New York Philharmonic, a composition commemorating the tenth anniversary of the September 11th Attacks. On April 18, 2013, Blythe performed works made famous by Kate Smith on the PBS program Live from Lincoln Center - Celebration: <mask>the Meets Kate. In June 2014, Blythe premiered the starring role of Gertrude Stein in Twenty-Seven, a new opera by Ricky Ian Gordon (music) and Royce Vavrek (libretto), commissioned for her by the Opera Theatre of Saint Louis. Blythe has also performed roles with opera companies in Europe, including the Deutsche Oper Berlin, the Royal Opera, London and the Opéra National de Paris.Other companies she has sung with in the United States include Arizona Opera, Opera Boston, Pittsburgh Opera, and Tulsa Opera among others. In the 2010s, Blythe started performing male roles under the drag persona "Blythely Oratonio", "a dramatic tenor with a naughty sense of humor and a storied operatic career who secretly always wanted to be a rock singer", as which she appears with a fake beard. Her male range is that of a tenor, overlapping with


title: Stephanie Blythe

texts:
 the lower end of a her mezzo-soprano voice. She has performed pieces from various genres including opera, rock, and musical theatre. In September 2021, she debuted as Don José in Carmen at the Chicago Opera Theater, with Jamie Barton in the title role. Educator
Blythe has educated young singers across the country in master classes, some of which include appearances at the Curtis Institute of Music, the Juilliard School, the Manhattan School of Music, and the USC Thornton School of Music, among many others. Blythe is on the faculty of the Tanglewood Music Center's Vocal Arts Program, at the summer home of the Boston Symphony, and the week-long vocal program known as the Fall Island Vocal Arts Seminar (which she founded in 2012 at her alma mater, SUNY Potsdam, Potsdam, New York).In 2018, <mask> was appointed to be the artistic director of the Bard College Conservatory of Music Graduate Vocal Arts Program, succeeding Dawn Upshaw, VAP founder. Honors and awards
She received the prestigious Richard Tucker Music Foundation Award in 1999. SUNY Potsdam awarded her the degree of Doctor of Music honoris causa in 2006. In 2007, <mask> was an Opera News Award honoree, the youngest artist ever to receive this award. References

External links
 Official Website
 Vocalist of the Year

1970 births
Living people
People from Monticello, New York
People from Thompson, New York
People from Sullivan County, New York
American operatic mezzo-sopranos
Female-to-male cross-dressers
People from the Catskills
Richard Tucker Award winners
Crane School of Music alumni
Singers from New York (state)
Winners of the Metropolitan Opera National Council Auditions
20th-century American women opera singers
21st-century American women opera singers
Classical musicians from New York

masks: Blythe Blythe


title: Julian Bennett (footballer)

texts:
<mask> (born 17 December 1984) is an English retired footballer, who played as a defender, having spent his career at Walsall, Nottingham Forest, Sheffield Wednesday before finishing his career at Southend United. Career

Youth and Walsall

<mask> was a youth player at Nottingham Forest's Centre of Excellence but left when he was 14 years old to play for local teams in the Nottingham area. However, he soon joined Walsall as a YTS player He progressed through the youth and reserve sides at Walsall and made his Walsall debut on 28 February 2004, where he came on as a substitute for Matt Carbon in the 70th minute, in a 1–0 loss against Wigan Athletic., which turns out to be only appearance of the 2003–04 season. After signing his first professional contract with the club, <mask> eventually became a regular first-team player there in the 2004–05 season. During the 2004–05 season, he scored two goals during the season against Colchester United and Wrexham. The 2005–06 season saw <mask> managed to remain in the first team in the defence until he received a straight red card for a reckless tackle on Dani Rodrigues, in a 0–0 draw against AFC Bournemouth. <mask>'s disciplinary issues was criticised by then Manager Paul Merson.After serving a three match suspension, <mask> scored his first goal of the season one week later on 8 October 2005, in a 1–1 draw against Milton Keynes Dons. He made a total of over 50 appearances for Walsall, playing at centre-back and left-back

Nottingham Forest

On 10 January 2006, <mask> signed for his home town club of Nottingham Forest in a two-and-a-half-year deal for an undisclosed fee. He said, "Lots of other teams, including ones in the Championship, were showing interest in me, but this is my home-town club and it's a dream come true". Four days later on 14 January 2006, <mask> made his Nottingham Forest debut, where he played 90 minutes, in

masks:
Julian Llewelyn Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett


title: Julian Bennett (footballer)

texts: a 3–0 win over Oldham Athletic. However, in the next game on 17 January 2006, <mask> received a red card after a second bookable offence in a 1–1 draw against Brentford. After a serving three match suspension, <mask> scored his first Nottingham Forest goal on his return when he scored the last minutes in a 2–2 draw against Blackpool on 4 February 2006 and scored again in the last game of the season, in a 1–1 draw against Bradford City. <mask> started the 2006–07 season well when he scored in the opening game of the season, in a 1–0 win over Bradford City.<mask> then scored his second goal of the season, which turns out to be the only goal of the game, in a 1–0 win over Northampton Town on 10 February 2007. Manager Colin Calderwood did not play <mask> regularly earlier in the 2006–07 season, however he eventually established himself as Forest's first-choice left full-back. In the 2007–08 season, the signing of the experienced Matt Lockwood put <mask>'s chances to maintain his place under pressure. However, injury to Lockwood gave him an opportunity. He scored his first goal of the season in Forest's 2–1 defeat at Luton Town. He received praise from Calderwood after assisting both of Forest's goals in a 2–0 win against Tranmere Rovers, who admitted it would be difficult to take him out of the team despite Lockwood nearing a return. He then had an injury in late November 2007 that kept him sidelined him until the new year.On 14 January 2008, <mask> signed a new -year contract, committing him to the club until the summer of 2010 On return to fitness, he managed to dislodge Matt Lockwood from the starting line-up and continued in the same vein of form. He made a total of 33 league starts in the 2007–08 season, scoring 4 goals. He netted two goals in two games in February 2008, against Millwall and Leeds United, and made a goal-line clearance at Elland Road. He also scored

masks: Bennett Bennett Bennett Bennett Bennett Bennett Bennett


title: Julian Bennett (footballer)

texts: in the final game of the season, the first goal in Forest's 3–2 victory over Yeovil Town at the City Ground, which saw Forest finish second in League One in a dramatic last day of the season, thereby gaining promotion to the Championship. <mask> was voted Forest's Player of the Year for the promotion 2007–08 season. 'Jules' had helped the team keep 24 clean sheets that season, a league record. His performances were also recognised when he was named in the PFA's League One team of the year along with Forest teammate Kris Commons.However, having established himself as first choice left-back at Forest and become a fan favourite – owing to his consistent form, local credentials and no-nonsense playing style – the rest of his career at the City Ground was ravaged by injury. The 2008–09 season was one to forget for <mask>. <mask> appeared in the first four matches at the start of the season until he suffered a calf injury and after being sidelined for two matches, <mask> made his first team return on 20 September 2008, in a 0–0 draw against Charlton Athletic. His return was short-lived when on 21 October 2008 he injured his collarbone which kept him out of action for six weeks. Then, soon after his return, in December 2008 he sustained a serious knee injury (cruciate and cartilage ligaments) in the Boxing Day 4–2 home defeat to Doncaster Rovers. This ruled him out for the rest of the season. While recovering from a major knee operation, <mask> was nominated for the PFA Player in the Community, but lost out to Graeme Murty.Recovering from a major knee operation, <mask> commenced rehab in summer 2009 and full training in January 2010. After an extensive 14-month injury lay-off, he returned in a behind-closed-doors friendly in March 2010 at Forest's training ground in which he played 45 minutes. Shortly afterwards <mask> signed a contract extension keeping him at Forest until


title: Julian Bennett (footballer)

texts:
 summer 2011. He did not play for the Forest first team for the entirety of the 2009–10 season, but he did make a minor public comeback at the final home match when he warmed up on the pitch with his teammates before the game. In July 2010 <mask> played in three pre-season friendly fixtures. However, on 5 August Forest signed left-back Ryan Bertrand from Chelsea on loan for six months; and <mask> was informed by the club that he would be sent out on loan in order to regain his fitness. It was announced on 6 August 2010 that <mask> was allowed go on loan to Crystal Palace, thus giving him the chance to demonstrate his match fitness and form through the improved opportunity of regular first team action.He returned to Forest on 5 January 2011 but was not allowed to go out on loan again due to the loss of loanee Ryan Bertrand . Nevertheless, during the rest of the season <mask> failed to achieve a start for Forest: his opportunities being severely reduced partly due to the signing by Forest of the experienced Paul Konchesky on 31 January 2011 in a 93-day emergency loan deal, but also because of manager Billy Davies' preference for other players as cover at left-back. <mask> made three appearances as substitute for Forest in the latter part of the 2010–11 season. <mask> became a free agent in July 2011. He made a total of over 100 appearances for Forest. His final starting appearance in a competitive match for the club had transpired to be the one in which he had seriously injured his knee on 26 December 2008. Although Forest indicated they were prepared to offer <mask> a one-year contract should he be unable to find another club (in recognition of the community work he had undertaken during his time recovering from injury), he subsequently signed for League One side Sheffield Wednesday.Crystal Palace (loan)

At the beginning of the 2010–11 season <mask> joined Crystal

masks: Bennett Bennett Bennett Bennett Bennett Bennett Bennett Bennett


title: Julian Bennett (footballer)

texts:
 Palace on loan in a six-month deal. He made 14 appearances for Palace, scoring one goal which came in a 2–1 win over Norwich City on 19 October 2010. His loan spell ended in January 2011. Sheffield Wednesday

On 5 July 2011, <mask> signed a two-year contract with League One club Sheffield Wednesday. This saw him reunited with Wednesday manager Gary Megson who had signed him for Nottingham Forest five years previously. The reunion was short lived however, as Megson was sacked less than 8 months later. <mask> made his Sheffield Wednesday debut, in the opening game of the season, where he set up a goal for Rob Jones to score a header, in a 2–0 win over Rochdale.After the match, <mask> was praised by Megson for playing a role to assisting Rob Jones' goal. Two weeks later on 20 August 2011, <mask> scored his first Sheffield Wednesday goal, in a 2–1 win over Notts County. Seven days later on 27 August 2011, <mask> set up a second goal for Ben Marshall, in a 3–2 win over Scunthorpe United. After suffering a hamstring injury, <mask> scored two weeks after his return, in a 2–2 draw against Yeovil Town] in which, <mask> found himself competing in the left–back position with Mark Reynolds and Réda Johnson. However, during the season, <mask> suffered a concussion and another injury that kept him out for the remainder of the season. Despite this, <mask> finished the season, making twenty-one appearances and scoring once. Since the departure of former manager Gary Megson, <mask> struggled to make an appearance in the first team.Ahead of the 2012–13 season, <mask> was told by Manager Dave Jones. In October 2012, an out of favour <mask> was loaned out to League One side Shrewsbury Town. He made his Shrews debut against Bournemouth on 6 November 2012, which saw Shrewsbury Town lose 2– 1. After making four appearances, it was announced on 29 November 2012, his loan was cut short due

masks: Bennett Bennett Bennett Bennett Bennett Bennett Bennett Bennett Bennett Bennett Bennett Bennett


title: Julian Bennett (footballer)

texts:
 to a back injury, and he returned to his parent club. Following this, <mask> never played again and at the end of the 2012–13 season, he was not offered a new deal as manager Dave Jones began his clear-out and his contract was about to expire. Southend United

<mask> joined Southend United on 1 August 2013, whilst Southend United were under a transfer embargo due to the unpaid wages of some players and staff at the club. <mask> made his debut for Southend United against Yeovil Town in the League Cup, where he made his first starts in years.However, during the match, <mask> suffered a serious knee injury and was side-lined for six months. With just one appearance, <mask> never played for Southend United again and in February, <mask> suffered another injury setback when he injured cruciate ligament. With his contract expiring at the end of the 2013–14 season, <mask> was considering his future at the club when they offered him a pay as you play deal. However, Manager Phil Brown said <mask> won't be staying at the club. After a year out of football, <mask> announced his retirement from football on 29 June 2015, having failed to recover from his knee injury. Weeks after announcing his retirement, <mask> went on trial at Boston United to fill in the left–back spot With <mask>'s move to Boston United appear to happen, the move, however, was broken down. Personal life
While growing up in Nottingham, England, <mask> attended Welbeck Primary School.Honours
Individual
PFA Team of the Year: 2007–08 League One
Nottingham Forest Player of the Year: 2007–08

References

External links

1984 births
Living people
Footballers from Nottingham
English footballers
Association football defenders
Walsall F.C. players
Nottingham Forest F.C. players
Crystal Palace F.C. players
Sheffield Wednesday F.C. players
Shrewsbury Town F.C. players
Southend United F.C. players
English Football League


title: Happy (gamer)

texts:
Vincent Cervoni Schopenhauer, better known by the in-game name <mask>, is a  French professional Valorant player for Excel Esports. He formerly played professional Counter-Strike: Global Offensive (CS:GO) as a lurker/rifler for Team LDLC. As the in-game leader for Team Envy, and before that Team LDLC, <mask> won two CS:GO Majors – DreamHack Winter 2014 and DreamHack Open Cluj-Napoca 2015 – and finished second at another – ESL One Cologne 2015, a performance record that led to him being ranked as one of the best players in the game's history. <mask> is considered a star of the French CS:GO scene and along with Ex6TenZ, one of the country's best in-game leaders. Before CS:GO, he played Counter-Strike: Source under the name EMSTQD. Counter-Strike: Source
Vincent Cervoni Schopenhauer began his Counter-Strike: Source (CSS) career in December 2007 under the name "EMSTQD" when he joined with Ex6TenZ's team GlobalTeam. Based on their results, they signed with Epsilon eSports in February 2008.They became one of the best teams in France after adding RpK and shokkk to the roster, and in July, they won The eXperience LAN in Denmark. <mask> left the team to captain his own team, Creativ' in 2009. In October 2009, <mask> decided to re-join Ex6TenZ's team called redLine, who were later signed by VeryGames. Together, they managed to win EPS France VI, place 2nd in Dreamhack Winter and MaXlan later that year. In February 2010 <mask> left VeryGames to focus on academics. Over the next couple of years he was in-game leader in several small teams, most notably for the 2011 3DMAX squad which also featured shox, ScreaM, and apEX, with whom he managed to finish third at the 2011 Copenhagen Games. Counter-Strike: Global Offensive

Early CS:GO career and Team LDLC
After Counter-Strike: Global Offensive was released in August 2012, Vincent Cervoni

masks: Happy Happy Happy Happy Happy Happy


title: Happy (gamer)

texts: Schopenhauer changed his nickname to "<mask>" and formed a new team called PRIME in September 2012 with apEX and Maniac.The following month they were picked up by Team eXtensive! which became LDLC.com in January 2013. Due to poor results LDLC decided to disband their CS:GO team in August 2013. After this <mask> formed another mixed team called WE GOT GAME with players such as fxy0 or GMX. They later added kennyS, Maniac, and Uzzziii to the team. This squad was signed by Recursive eSports before the first CS:GO Major sponsored by Valve, DreamHack Winter 2013. At DreamHack, they beat Universal Soldiers and iBUYPOWER on their way to a 2nd-place finish in the group behind Ninjas in Pyjamas (NiP).In the quarter-finals they played Fnatic, who beat them 2-1 and went on to win the tournament. Due to lack of financial resources, Recursive eSports parted ways with their CS:GO division on 20 January 2014; despite this, players stayed together and created team Nameless. After rumours that Nameless and Clan-Mystik planned to merge their teams, <mask>, together with Uzzziii, Maniac, along with KQLY and apEX from Clan-Mystik, joined LDLC in February 2014. <mask> led this team to 1st place in DreamHack Valencia 2014 and a T5 placing in the second CS:GO major, EMS One Katowice, where they were defeated 0-2 by eventual Major champion Virtus.Pro. <mask> led LDLC to a T3 placing at the next CS:GO Major, ESL One: Cologne 2014, where they beat Virtus.Pro in the quarterfinals before falling to eventual champion Ninjas in Pyjamas 1-2 after a 14–16 loss on the last map. At the beginning of September 2014, a few weeks after ESL One: Cologne 2014, three LDLC players, KQLY, apEX and Maniac, left the Happy-led LDLC squad and signed with another leading French CS:GO team, Titan eSports. In response, LDLC released their roster, and <mask> formed a short-lived mix


title: Happy (gamer)

texts:
 team called Mercenary, which contained Shox, NBK, SmithZz and kioShiMa, and was picked up by LDLC after two days.By late 2014, <mask> was the best player on LDLC and one of the top players in the world. <mask> became known for his play on the B site on the Counterterrorist side of the Inferno map. Before the next CS:GO major, LDLC was considered to be the second-best team in the world. At DreamHack Winter in November 2014, <mask> led the LDLC squad to victory over Fnatic (who withdrew after using an illegal boost in their quarterfinal round against LDLC), Natus Vincere, and Ninjas in Pyjamas (NIP) in the grand finals. In the grand finals, <mask> almost had double the kills of any other player in the first round, and his play carried LDLC from a 13–15 deficit into overtime on the third and final map. For his high level of play, <mask> was named tournament MVP. This victory made <mask>'s LDLC squad the official CS:GO world champions and possibly the best team in the world, given their victory at the major and string of second-place finishes in less important tournaments beforehand.In January 2015, <mask> led LDLC to victory at the MLG Aspen Invitational, the first CS:GO tournament organized by Major League Gaming. <mask> had two crucial three-kill rounds against NIP in the first map of the grand finals, a rematch of the previous CS:GO major. <mask> was the standout player of the tournament finals and was voted match MVP. Team EnVyUs
Shortly afterwards, the players signed more lucrative contracts with Team EnVyUs. <mask> and apEX. Originally it was thought that this new lineup would be less impressive than the first, but <mask> lead the new lineup to another Major final at ESL One: Cologne 2015 and several other international titles in 2015. EnVyUs won DreamHack Open London 2015 and <mask> achieved an all-kill of the Team SoloMid team

masks: Happy Happy Happy Happy Happy Happy Happy Happy Happy HappyS Happy Happy


title: Happy (gamer)

texts:
 using a Desert Eagle that was described by Kotaku Australia as "one of the most impressive Counter-Strike plays in recent memory" and as one of the best aces in CS:GO history by Expressen.In November 2015, EnVyUs won a second CS:GO major at DreamHack Open Cluj-Napoca, where they defeated Natus Vincere 2–0 in the grand finals. In the first match of the grand finals, played on the Train map, <mask> successfully played mind games with Natus Vincere, and made a key play in the 28th round by holding the B bomb site against enemy defuse attempts using an AK-47. In December 2015, <mask> led EnVyUs to a 2–0 victory over Fnatic in the group stage of the ESL ESEA Pro League Season II finals that took them into the playoffs at their top of their group and as favourites to win the event. In March 2016, <mask>'s EnVyUs team was ranked 10th in ESPN.com's CS:GO powerrankings amidst speculation that roster changes were incoming. By mid-March, <mask> was replaced as EnVyUs's in-game leader by teammate NBK, with whom he had sometimes shared in-game leader duties. Later that month at the MLG Major Championship: Columbus, <mask>'s streak of making the playoff bracket at every CS:GO Major was broken after EnVyUs was upset by Gambit Gaming, and became the first Legend (i.e. a top four finisher at the previous Major) to be eliminated in the group stage.At DreamHack Masters Malmö in April 2016, <mask> led EnVyUs to a comeback victory against Team Dignitas in the first game of the quarterfinals, which EnVyUs ended up winning 2–0. <mask>'s team was then defeated 2–0 in the semifinals by Na'vi. Team Vitality
After a four-month break from professional Counter-Strike, happy moved to a newly founded team "Team Vitality", along with fellow French players NBK-, apEX and RpK. He would be "benched" on 28 December 2018. Playstyle and leadership
<mask>'s in-game

masks: Happy Happy Happy Happy Happy Happy Happy Happy


title: Happy (gamer)

texts:
 leadership style is considered controversial for its aggressive style and frequent assumption of risks such as higher than average use of force buys, executing plans with a focus on speed, and the use of baiting. Tomi Kovanen, writing for PC Gamer, argued that <mask>'s leadership was overshadowed by the pure skill of the team he leads, and that <mask> was better as a fragger than as an in-game leader. In September 2015, PC Gamer named <mask> the 4th best CS:GO player and the best player who played in a lurker role at the time, noting that his ability to use the AWP, lead his team, and play with all the weapons in the game made him "almost a complete player".It also named <mask> as possibly the most individually successful in-game leader in CS:GO history because of his status as the best player on EnVyUS, which was a top three team for 2015. In an January 2016 interview with Splyce, <mask> said that he had "kind of destroyed the strats heavy meta" because of his preference for flexible, unorthodox strategies. <mask> is known for his play on the B site on the Counterterrorist side of the Inferno map. Tournament results
Bold denotes a CS:GO Major

Recursive eSports
 5 - 8th — DreamHack Winter 2013

Team LDLC.com
 5 - 8th — EMS One Katowice 2014
 3 - 4th — ESL One: Cologne 2014
 2nd — ESWC 2014
 1st — DreamHack Winter 2014
 1st — MLG X Games Aspen Invitational

Team EnVyUs
 3-4th — Electronic Sports World Cup 2015
 2nd — ESL One: Cologne 2015
 1st — DreamHack Open Cluj-Napoca 2015
 13th – 16th — ESL One: Cologne 2016
 5-8th — ELEAGUE Season 1
 1st - WESG World Finals 2016
 1st - Dreamhack Atlanta 2017

References

External links
 Player profile video

Team Envy players
Team LDLC.com players
French esports players
Living people
Counter-Strike players
Place of birth missing (living people)
Epsilon Esports players
Year of birth missing


title: Huo Yi

texts:
<mask> ( 221–260s), courtesy name Shaoxian, was a military general of the state of Shu Han in the Three Kingdoms period of China. His father, <mask>, served under Liu Bei, the founding emperor of Shu. During his service under the Shu emperor Liu Shan, <mask> suppressed tribal rebellions in the restive Nanzhong region and maintained peace in the area. After Shu was conquered by its rival state Cao Wei in 263, <mask> surrendered to the Wei regime and was permitted to remain in charge of keeping the peace in Nanzhong. In return, <mask> became a Wei subject and presumably continued serving under the Jin dynasty, which replaced the Wei regime in 265. Life
<mask>'s father was <mask>, a general who served under the warlord Liu Bei in the late Eastern Han dynasty and died sometime in the late 210s. In 221, Liu Bei declared himself emperor and established the state of Shu Han, after which he appointed <mask> as a taizi sheren (太子舍人; an attendant to the crown prince).Liu Bei died in 223 and was succeeded by his son Liu Shan, who appointed <mask> <mask> as an Internuncio (謁者) after his enthronement. Between 227 and 234, when Shu's chancellor-regent Zhuge Liang was stationed in Hanzhong Commandery during the launching of a series of military campaigns against Shu's rival state Cao Wei, he requested for <mask> <mask> to be transferred to his office. <mask> <mask> worked together with Zhuge Liang's adoptive son Zhuge Qiao during this period of time. <mask> <mask> was appointed as a Gentleman of the Yellow Gate (黃門侍郎) after Zhuge Liang died in 234. Later, when Liu Shan designated his son Liu Xuan as his heir apparent, he appointed <mask> <mask> as a zhongshuzi (中庶子; an aide)

masks:
Huo Yi
Huo Jun
Huo Yi
Huo Yi
Huo Yi
Huo Yi
Huo Jun
Huo Yi
Huo
Yi
Huo
Yi
Huo
Yi
Huo
Yi
Huo
Yi


title: Huo Yi

texts: to Liu Xuan. Liu Xuan enjoyed horse-riding and archery and used to behave recklessly, but <mask> <mask> managed to use teachings from ancient classics to persuade Liu Xuan to improve his behaviour and he succeeded in doing so. He was later reassigned to be in charge of military affairs in the Nanzhong region in the southern part of Shu.When the tribal peoples in Yongchang Commandery (永昌郡) caused trouble, <mask> <mask> was appointed as the Administrator of Yongchang and was ordered to lead troops to attack the tribes. <mask> <mask> achieved victory as he killed the tribal chiefs, destroyed their bases and restored peace at the borders of Yongchang. For his contributions, he was promoted to General Who Inspects the Army (監軍將軍) and appointed as the Administrator of Jianning Commandery (建寧郡), effectively being in charge of affairs in Nanzhong. According to the Huayang Guo Zhi, Yan Yu (閻宇) of Nan commandery (南郡) was put in charge of governing the south after Zhang Biao's death during Shu Han early Jingyao (景耀; 258–261). To help him, <mask> <mask> born from the same commmandery as Yan Yu served under him as his deputy. As his assistant, <mask> <mask> demonstrated exceptional aptitude and so he succeeded Yan Yu in 263 as General Who Diriges The Army (監軍) and General Who Stabilises the South (安南將軍). During his tenure, <mask> <mask> worked to pacify foreign customs, promoted fair legislation and educated the common people.Soon the region was prosperous and the resources whether they were rare or common became plentiful. The foreigners and Han citizens safe from danger. When the Jin dynasty succeeded Shu Han, <mask> <mask> was confirmed in his position. At the same

masks: Huo Yi Huo Yi Huo Yi Huo Yi Huo Yi Huo Yi Huo Yi


title: Huo Yi

texts:
 time, the province of Jiaozhi was not yet conquered however <mask> <mask> received the rank of Inspector of Jiaozhi Province (交州刺史) to administrate it from afar and could nominate and appoint his own chief officials. At the end of the year 263, the state of Cao Wei launched a campaign against Shu with the aim of vanquishing its rival state. <mask> <mask> along with the newly appointed commander of the Badong Commandery (巴東郡) Luo Xian did well in keeping order in their respective regions and led their officials to yield when they learned that Liu Shan surrender. Thanks to this reasonable conduct, both of them remained in their previous positions and received gifts and high praises from the capital.When <mask> <mask> received news of the invasion, he wanted to lead troops from Nanzhong to assist in the defence of the Shu capital Chengdu, but Liu Shan already made his mind and rejected <mask> <mask>'s suggestion then surrendered to the Wei general Deng Ai, bringing an end to the Shu regime. <mask> <mask> donned mourning garments and lamented greatly the fall of Shu for three days, after which his subordinates urged him to follow in his lord's footsteps by surrendering to Wei as well. <mask> <mask> refused to surrender and stated that he would fight to the death unless he was assured that Liu Shan was safe and was treated well after submitting to Wei. He declared to them :

Upon receiving news that Liu Shan was not harmed and had moved from Chengdu to the Wei capital Luoyang, he officially surrendered to Wei, leading all the defensers of the six commanderies to dispach a Memorial :"I your Servant, long I have head that the occurrences of the State take prominence

masks: Huo Yi Huo Yi Huo Yi Huo Yi Huo Yi Huo Yi


title: Huo Yi

texts:
 over a man's life, that when a difficulty arose a loyal man should offer his life. However now that the State of your Servant is overwhelmed and his ruler submitted. I believe that a defence to the death would be pointless therefore we entrust and pledge to the new State to commit to his service with full resolution." The Wei regent Sima Zhao was very pleased so he appointed <mask> <mask> as the Area Commander (都督) of Nanzhong and allowed the latter to remain in charge of Nanzhong.<mask> <mask> later sent troops to assist Lü Xing (呂興) in pacifying the three commanderies of Jiaozhi (交阯), Rinan (日南) and Jiuzhen (九真).For his contributions, he received a marquis title and other rewards from the Wei imperial court. <mask> <mask>'s grandson, <mask> Biao (霍彪), served as the Administrator of Yuexi/Yuesui Commandery (越嶲郡) during the Jin dynasty. At the time the Huayang Guo Zhi is written (mid of the 4th century), the local officials still follow <mask> <mask>'s example by being respectful of the traditions of the foreign tribes and merciful when judging them. After <mask> <mask>'s death, his son <mask> Zai (霍在) inherited the command of his soldiers and led them to establish peace with the leading clans of the south. See also
 Lists of people of the Three Kingdoms

References

 Chen, Shou (3rd century). Records of the Three Kingdoms (Sanguozhi). Chang Qu (4th century).Chronicles of Huayang (Huayang Guo Zhi). Pei, Songzhi (5th century). Annotations to Records of the Three Kingdoms (Sanguozhi zhu). Year of birth unknown
Year of death unknown
Shu Han generals
Shu Han politicians
Political office-holders in Yunnan
Jin dynasty (266–420) generals
Jin dynasty (266–420)

masks: Huo Yi Huo Yi Huo Yi Huo Huo Yi Huo Yi Huo


title: Jamie Hawkesworth

texts:
<mask> is a British fashion and documentary photographer. <mask>'s first photography project was made in Preston bus station as a member of the collective Preston is My Paris. The work was published in their 2010 self-published newspaper as well as in his own 2017 book, both called Preston Bus Station. That experience has influenced his work since, shooting fashion campaigns, catalogues and editorials. He has had solo exhibitions at The Hepworth Wakefield in Wakefield, UK; Red Hook Labs in Brooklyn, New York City; and Huis Marseille in Amsterdam; the latter showing a mix of his personal as well as his commercial photography. Life and work
<mask> grew up in Ipswich. He first used a camera in 2007 as part of his studies for a forensic science degree at the University of Central Lancashire in Preston.He subsequently switched to a photography degree, graduating in 2009. His first completed photography project was Preston Bus Station, street photography, portraits of people, and a short film made over three years in Preston bus station in North West England, including one whole month spent there. It was made as a member of the collective Preston is My Paris. The photographs were included in the group's 2010 self-published newspaper, as well as in Hawkesworth's own 2017 monograph. He has said of the project "it informed how I understand light, how I approach people. It’s at the heart of the way I see things." His fashion work has included shooting campaigns and catalogues for JW Anderson and Loewe (both in collaboration with Jonathan Anderson), and editorials for Vogue, Fantastic Man, and T: The New York Times Style Magazine.<mask> uses the same Mamiya RB67 medium format film camera and lens for all his work, and develops and makes his own prints. In 2014 the British Journal of Photography pronounced <mask> "One to Watch". In 2017 The New York Times said he is "feted as one of the most talented fashion photographers of his generation". His images have been

masks:
Jamie Hawkesworth
Hawkesworth
Hawkesworth
Hawkesworth
Hawkesworth


title: Jamie Hawkesworth

texts:
 described by I.D. as being "defined by their romantic warmth, simple beauty, and emotional openness". In 2018 he received the Award for Editorial, Advertising and Fashion Photography, from the Royal Photographic Society. Publications

Publications by Hawkesworth
Preston Bus Station.New York City: Dashwood, 2017. . Edition of 2000 copies. On Keeping a Notebook. The Gould Collection Volume 4. Gould, 2019. Photographs and drawings by <mask> and an essay by Joan Didion. . Edition of 1000 copies.The British Isles. London: Mack, 2021. .

Lookbooks photographed by <mask>
Loewe Spring Summer 2015 Menswear Collection. Edition of 1200 copies. Publication No. 8. Loewe, 2015. Loewe Spring Summer 2016.Edition of 1000 copies. Publication No. 9. Loewe, 2016. Loewe Autumn Winter 2016. Publication No. 11.Loewe, 2016. Loewe Spring Summer 2017 Menswear Collection. Loewe Spring Summer 2017 Paula's Ibiza. Publication No. 12. Loewe, 2016. Loewe Spring Summer 2017 Womens Collection.Publication No.15. Loewe, 2017. Loewe Fall Winter 2017/2018
Loewe Spring Summer 2018 Menswear Collection. Newspapers made as a member of Preston is My Paris
Preston Bus Station. Preston: Preston is My Paris, 2010. By <mask>, Adam Murray, Robert Parkinson, and Aidan Turner-Bishop. Newspaper format.Edition of 500 copies. Photographs of Preston bus station and the people that use it. Derby. Preston: Preston is My Paris, 2011. By Hawkesworth, Murray, and Parkinson. Newspaper format. Edition of 1000 copies.Photographs taken in Derby, commissioned for Format International Photography Festival 2011. Industria, Virtus, et Fortitudo. Preston: Preston is My Paris, 2011. By Hawkesworth, Murray, and Parkinson. Accompanies Derby. Edition of 100 copies. Photographs of people, streets and urban landscapes taken in Derby 21–23 January 2011.Publications with contributions by Hawkesworth
Fashion Photography Next. London: Thames & Hudson, 2014. Edited by Magdalene Keaney and Eleanor Weber. .
Self Publish, Be Happy: A

masks: Hawkesworth Hawkesworth Hawkesworth


title: Jamie Hawkesworth

texts:
 DIY Photobook Manual and Manifesto. New York City: Aperture, 2015. By Bruno Ceshel. .
North: Volume One. Preston: University of Central Lancashire, 2015. Edited by Brian Morrison, John Aitken, and Adam Murray. .
Disobedient Bodies: JW Anderson at The Hepworth Wakefield.London: InOtherWords, 2017. Edited by Andrew Bonacina. . Edition of 2000 copies. Films
Preston Bus Station (2013) – short film

Exhibitions

Solo exhibitions
Wakefield Kids, The Hepworth Wakefield, Wakefield, UK, 2017. A Short, Pleasurable Journey: 51 Photographs by <mask>, Red Hook Labs, Brooklyn, New York City, 2016. An Endless Rhythm, JW Anderson Workshops, London, 2016. "Scenes and people <mask> encountered on a trip to Russia ... alongside charcoal drawings he made during his time there."Landscape with Tree, Huis Marseille, Amsterdam, 2017. Various personal and commercial work including Preston Bus Station. A blue painted fence, Aylesbury Street, London, December 2018. Includes "film, drawings, and writing, as well as new photographs from Kenya, Louisiana and Romania". Group exhibitions
Four Versions of Three Routes, 40 site-specific street posters at various locations, Brighton Photo Biennial, Brighton, UK, 2012. Directed by Adam Murray and with photographs by the Preston is My Paris photographers Murray, Robert Parkinson, <mask>, and Theo Simpson. North: Identity, Photography, Fashion, Open Eye Gallery, Liverpool, UK; North: Fashioning Identity, Somerset House, London, 2017.Curated by Lou Stoppard and Adam Murray. Awards
2018: Award for Editorial, Advertising and Fashion Photography, Royal Photographic Society, Bath

References

External links
Hawkesworth's profile at M.A.P
Preston Bus Station (2013) short film by Hawkesworth
Gallery of Loewe Autumn Winter 2016 Womens Collection lookbook photographs by Hawkesworth

Living people
Year of birth missing (living people)
People from Ipswich
20th-century births
Photographers from Suffolk
Fashion photographers
21st-century British

masks:
Jamie Hawkesworth
Hawkesworth
Hawkesworth


title: Frederick Twort

texts:
<mask> FRS (22 October 1877 – 20 March 1950) was an English bacteriologist and was the original discoverer in 1915 of bacteriophages (viruses that infect bacteria). He studied medicine at St Thomas's Hospital, London, was superintendent of the Brown Institute for Animals (a pathology research centre), and was a professor of bacteriology at the University of London. He researched into Johne's disease, a chronic intestinal infection of cattle, and also discovered that vitamin K is needed by growing leprosy bacteria. Early life and scientific training
The eldest of the eleven children of Dr. <mask>, <mask> was born in Camberley, Surrey on 22 October 1877. The three eldest sons went to Tomlinson's Modern School in Woking. From 1894 <mask> studied medicine at St Thomas's Hospital, London. After qualifying in medicine (Membership of the Royal College of Surgeons, Licentiate of the Royal College of Physicians) in 1900, Twort took the first paid post available, assistant to Dr. Louis Jenner, Superintendent of the Clinical Laboratory of St Thomas' Hospital.There he trained in pathological techniques. In 1902 he became assistant to the Bacteriologist of the London Hospital, Dr. William Bulloch, later F.R.S., and carried out single-handed the whole diagnostic routine of the hospital. In 1909, Twort became the superintendent of the Brown Animal Sanatory Institution, a pathology research centre, and remained there for the duration of his career. In 1919 Twort married Dorothy Nony, daughter of <mask>. Banister, and together they had three daughters and a son. Major work

Mutation
Early in the history of microbiology, bacteria were often differentiated testing their ability to grow on different media. Twort's first important paper found some shortcomings to this method. He found that the major subgroups identified by sugar fermentation were not capable of clear-cut subdivision by tests on

masks:
Frederick William Twort
William Henry Twort
Frederick Twort
Frederick
Frederick J


title: Frederick Twort

texts:
 supplied with a substance elaborated by another. This is the essential feature of all growth factor investigations and the basis of all studies of bacterial nutrition. However, this work, too, was ignored for several decades. Johne's disease
Twort also researched Johne's disease, a chronic intestinal infection of cattle.Similarly to leprosy, Johne's bacillus could not be cultivated on ordinary media. Incorporation of dead tubercle bacilli in the medium was successful. Johne's
bacillus had been cultivated for the first time. Contrary to previous efforts, Twort's work was recognized immediately. Twort-d'Herelle phenomenon
Twort and his brother, Dr. C. C<mask>, had for some years been trying to grow viruses in artificial media hoping to find a nonpathogenic virus, which might be the wild type of a pathogenic one, so more likely to grow. In 1914, Twort set out to identify the elusive (now known to be nonexistent) "essential substance" that would allow vaccinia virus to grow in vitro. At the time, smallpox vaccines had to be made in the skin of calves and was almost always contaminated with the bacterial genus Staphylococcus.<mask> speculated the contaminating bacteria might be the source of the "essential substance" needed by vaccinia to survive. He plated some of the smallpox vaccines on nutrient agar slants and obtained large bacterial colonies of several colours. Upon closer examination of the colonies with a magnifying glass, he found minute glassy areas that would not grow when subcultured. He quickly realized these glassy areas were the result of the destruction of the bacterial cells and was able to pick from some of these areas and transmit this from one staphylococci colony to another. Further experiments showed the agent could pass through porcelain filters and it required bacteria for growth. These observations show Twort had discovered most of the essential features

masks:
. Twort
Twort


title: Frederick Twort

texts:
 of bacteriophages, although Twort seemed to favor the idea that the principle was not a separate form of life, but an enzyme which is secreted by the bacteria. Twort published these results in The Lancet in 1915 and called the contagion the bacteriolytic agent.Unfortunately, his discovery was ignored; Félix d'Herelle discovered phages independently, and <mask>'s work may have been lost to time, but for Jules Bordet and Andre Gratia's rediscovery of <mask>'s paper. World War I
In the middle of his work, war broke out and a grant from the Local Government Board came to an end. Further, he became interested in the Royal Army Medical Corps and
actually left for Salonika, where he was in charge of the base laboratory, a few weeks after his phage paper was published. Supposedly after that point, <mask> was inundated with routine and could no longer pursue his research. To explain why he did not continue his work on bacteriophages, Twort responded, "it was sometime after the end of the war before I was really free again to continue the investigation, but at that time most of the additional details of the phenomenon had been published by other workers under the title of 'the bacteriophage'. So I passed on to other work." This excuse is rather puzzling since, in 1919, bacteriophage research was still in its infancy.Postwar work
Following the war, the recently formed Medical Research Committee (Council) supplemented <mask>'s salary as a university professor by an annual grant but he never was given an assistant to help with the great number of experiments he had in mind. He struggled on under difficult and depressing conditions with singlemindedness and intense interest in his work. <mask> and others wanted to use these bacteriolytic agents to cure bacterial diseases in humans and animals. When this proved to be unsuccessful, Twort went back to expanding his original idea that the

masks: Twort Twort Twort Twort Twort


title: Frederick Twort

texts:
 bacteriolytic agents themselves needed an addition (essential) factor of a more exceptional nature to satisfy their fundamental needs. He searched for a substance that would allow viruses to grow apart from other forms of life (i.e. a host organism) and when this was unsuccessful, he tried to prove that bacteria evolved from viruses. His prime idea was to devise conditions for the cultivation of viruses from abiotic precursors or hypothetical pre-virus forms which might exist in nature.These experiments, while failures, presaged the famous Miller-Urey experiments of the 1950s. Although he was elected a Fellow of the Royal Society in May 1929, <mask> was never again to publish work of any serious import. On 19 November 1931 London University's Senate conferred on him the title of Professor of Bacteriology on the following grounds: 1. His distinguished contributions by research to the advancement of his subject. 2. His powers of exposition. 3.His eminence in his subject. Financial support for his research dwindled, his stipend from the MRC ended in 1936, and his laboratory was destroyed by a bomb in 1944. The University of London took this opportunity to deprive Twort of his post and research facilities. He was allowed to store the research equipment at his home in Camberley. In 1949, Penguin Books published his chapter on the Discovery of the Bacteriophage alongside a chapter on the Bacteriophage by Felix d'Herelle in the popular series Science News. Twort died on 30 March 1950. References

Bibliography
Includes material paraphrased from Molecular Cloning A Laboratory Manual, Third Edition, Sambrook and Russell, Volume I, p. 2.109.Information Panel: Bacteriophages: Historical Perspective. 1877 births
1950 deaths
People from Camberley
British microbiologists
English bacteriologists
Fellows of the Royal Society
Royal Army Medical Corps officers
British Army personnel of World


title: Kim Janey

texts:
<mask> (born May 16, 1965) is an American politician who served as Acting Mayor of Boston for eight months in 2021. She served as President of the Boston City Council from 2020 to 2022, and as a member of the council from the 7th district from 2018 to 2022. She is the first woman and first black person to serve as acting mayor of the city during a vacancy in the office of mayor. <mask> began her career as a community organizer and education advocate, working for groups such as Parents United for Child Care. and Massachusetts Advocates for Children. A member of the Democratic Party, <mask> entered politics when she successfully ran for the Boston City Council in 2017. She has been a member of the Boston City Council since January 2018, and was selected as president of the Council in January 2020.On the city council, she represents the 7th district (which includes Roxbury, with parts of the South End, Dorchester, and Fenway). Janey became Boston's acting mayor upon Marty Walsh's departure from the post when he was confirmed as the United States secretary of labor. Janey was a candidate in the nonpartisan primary of the 2021 Boston mayoral election, but had an unsuccessful fourth-place finish. Janey later endorsed Michelle Wu for the general election. Wu went on to win the general election, and was <mask>'s successor. Early life and education
<mask><mask> was born on May 16, 1965, in Roxbury, Boston, to Clifford B<mask> and <mask>, who divorced when she was young. Her father taught and worked as a school administrator in Boston, and would serve as superintendent of the Rochester City School District, District of Columbia Public Schools, and Newark Public Schools.The birthplaces of her ancestors

masks:
Kim Michelle Janey
Janey
Janey
Janey
Kim M
. Janey
. Janey
Phyllis Janey


title: Kim Janey

texts:
 include North Carolina on her mother's side, and Guyana, Virginia, Nova Scotia, and Massachusetts on her father's. One grandfather was born in Chelsea in 1915 and a great-grandfather in Medford in 1890. She "has had family in the city of Boston for six generations". When she was 11, <mask> attended school in Charlestown, Boston. She, along with other students, was bused from Roxbury to Charlestown, as part of Boston's controversial court-mandated school desegregation plan. She later attended high school in Reading, Massachusetts, under a voluntary program that allowed inner city students to commute to nearby suburbs for high school. She gave birth to a daughter at the age of 16.After graduating from high school, she worked to raise her daughter and attended community college. She entered Smith College but interrupted her studies to care for her ill grandfather after the death of her grandmother. She eventually graduated from Smith College in 1994. Janey volunteered for Mel King's campaign in the 1983 Boston mayoral election. In 1994, Janey participated in the Ada Comstock Scholars Program designed for students who are older than the traditional age for college students. Career as a community organizer
Janey worked as a community organizer and education advocate for Parents United for Child Care. She joined the Massachusetts Advocates for Children, a nonprofit, in 2001.At Massachusetts Advocates for Children, she worked for roughly seventeen years as an activist and project director, mainly focusing on eliminating g the opportunity and achievement gaps in education for children of color, children learning English as a second language, children with special needs, and children living in poverty.


title: Kim Janey

texts:
 In 2015, Janey served on the transition team aiding Tommy Chang in his transition into the position of superintendent of Boston Public Schools. Boston City Council
<mask> was first elected to the council in November 2017, as the representative of District 7, which includes Roxbury, and parts of Dorchester, the Fenway and the South End. In the September Democratic primary she led the field of thirteen candidates with 25% of the votes, and then she faced the other leading candidate, Rufus Faulk, in the general election. She won the election with 55.5 percent of the 8,901 votes cast. When she was sworn in in January 2018, she became the first woman to represent District 7 on the council. Janey was re-elected in November 2019 with over 70% of the votes cast in her district.In her reelection campaign, it attracted attention that she shared a campaign office with both the reelection campaign of at-large councilor Michelle Wu and the election campaign of at-large council candidate Alejandra St. Guillen. In January 2020, Janey was elected as president of the City Council by her fellow councilors. As a member of the council, she has focused on education and social justice. She has supported changing the method of choosing Boston School Committee members, replacing the current system of mayoral appointment with an elected school committee. In July 2018, Janey, along with fellow city councilors Lydia Edwards and Michelle Wu, introduced legislation that would have removed as-of-right designations for chain stores, thereby requiring a conditional use permit for an chain stores to open and operate in any area designated as a "neighborhood business district". In promotion of the proposed legislation, Janey


title: Kim Janey

texts:
 said, "While chain stores also play a role in our economy, it is imperative that community members have the opportunity to weigh in on whether to allow them based on the unique circumstances of their neighborhood business district." Janey partnered with fellow councilor Michelle Wu to probe the city's process for awarding municipal contracts, finding that only 1% municipal contracts were going to women and minority-owned vendors.These findings were the impetus for the city to start looking at ways to diversify the recipients of city contracts. In November 2019, the City Council passed an ordinance authored by Janey, aiming to increase equity in the legal cannabis industry. The ordinance included the creation of a new oversight board to assess and vote on applications for licenses based on a set criteria. Mayor Walsh signed the ordinance into law later that month. John Jordan of the publication Globest wrote that the ordinance made the city the, "first US city to prioritize cannabis industry diversity". The ordinance changed the way marijuana dispensaries were awarded licenses by the city, establishing an independent board to review applications. Previously, licenses were awarded by the mayor's office.In 2021, <mask>, with fellow councilor Andrea Campbell, proposed an ordinance that would have banned employers in Boston from running credit checks on job seekers, arguing that credit checks are most detrimental to low-income applicants. Acting mayor of Boston

On January 7, 2021, President-elect Joe Biden selected Boston mayor Marty Walsh as his nominee for Secretary of Labor. On March 22, 2021, Walsh was confirmed by the United States Senate; he resigned as mayor later that day. <mask>, as

masks: Janey Janey


title: Kim Janey

texts:
 who did not abide by this mandate. In late August, after the United States Supreme Court overturned the federal eviction moratorium, Janey announced a municipal moratorium, which would remain in effect indefinitely until the executive director of the Boston Public Health Commission rescinds it. It bans landlords and homeowners from serving or enforcing evictions on city residents, except in cases which involve, "serious violations of the terms of the tenancy that impair the health and safety of other building residents or immediately adjacent neighbors." At the same time, Janey announced that she would direct the Department of Neighborhood Development to use $5 million of federal pandemic relief funds to create a "Foreclosure Prevention Fund" to help homeowners behind on payment to cover their expenses. Despite calls by her mayoral election opponents Andrea Campbell and Michelle Wu to do so in August, amid rising delta variant infections, Janey refused to implement a COVID-19 vaccine requirement for entrance to indoor establishments, such as restaurants and gyms. Homelessness

In late March, <mask>'s administration temporarily shut down the city's "comfort station" in the Mass and Cass area (also known as the "Methadone Mile"), which is the location of a large homeless population.The comfort station provided services such as bathrooms to the homeless. It reopened with changes in May, but was permanently shut in July, with Janey's office citing safety concerns. In May, Janey stated that the city was "reviewing" the possible use of ferries to bring people to Long Island, where facilities could be used to provide services to the homeless (such facilities had been closed on the island since the 2014


title: Kim Janey

texts: initially received, was perceived as being a strong advantage. During much of the summer, she was seen as gaining ground in the election, and was out-fundraising her opponents. However, Ellen Barry of The New York Times and Lisa Kashinsky of Politico have suggested that her comments in early August on vaccine passports were damaging to her momentum. By the closing weeks of the nonpartisan primary election campaign, Michelle Wu was seen as the front-runner, with Janey being perceived as competing with Andrea Campbell and Annissa Essaibi George for a second-place finish. The video her campaign had released at its launch was noted for playing-up her acting incumbency, setting a tone for her campaign, which leaned heavily into her acting incumbency.Janey made a deliberate effort to avoid use of the title "acting mayor", promoting herself as being the "mayor". In late-August, Joe Battenfeld of the Boston Herald characterized Janey as having run a "Rose Garden campaign", emphasizing her acting incumbency through weekly press conferences and playing a visible role in the city's response to the COVID-19 pandemic. In a post mortem look at <mask>'s campaign, Joan Vennochi of The Boston Globe similarly described Janey as having taken a "Rose Garden strategy", speculating that she had patterned such an approach after Tom Menino's similar approach as acting mayor, which won then-acting mayor Menino the 1993 Boston mayoral election. Vennochi argued that, unlike Menino, Janey had been cautious in governing, and, "didn’t define herself or her plans for a future administration", and had been "carefully scripted" in press conferences, outside of her controversial off-hand remarks vaccine passports. Similarly,


title: Kim Janey

texts:
 shortly ahead of the preliminary election, Ellen Barry of The New York Times had written that, as acting mayor, Janey had, "been cautious in her new role, sidestepping hot-button issues that could hurt her in the general election, and remaining largely scripted in public appearances." It was noted in a September 1 article in The Boston Globe that Janey had been absent at 30 out of 60 candidate events such as forums, town halls, and one-on-one interviews to which all of the major candidates had been invited, while each of the other major candidates had attended nearly all of these events. There was an, ultimately unsuccessful, effort by some Janey supporters to coalesce black support around <mask>'s candidacy, and away from the other two black candidates (Andrea Campbell and John Barros)

In late August, Janey began airing her first television advertisements.For her platform, Janey had outlined what she called the "HEART Agenda", with "HEART" being an acronym for housing, education, accountability, recover/resiliency, and transportation. Originally, like the other major candidates, with the exception of Michelle Wu, Janey opposed rent control. However, in August, she changed her stance on the issue, and sided in favor of it being made an option for the city to potentially implement rent control. Janey's platform called for an "equitable" recovery from the COVID-19 pandemic. Janey conceded the election shortly after midnight on the day after the primary election, when very little of the vote total had been released. When the votes finished being counted, she had placed fourth. Janey's defeat made her the first incumbent of any kind since 1949 to lose a Boston mayoral election.On September 25, Janey