title: Dorothy Ashby

texts:
<mask> (August 6, 1932 – April 13, 1986), better known as <mask>, was an American jazz harpist and composer. Hailed as one of the most "unjustly under loved jazz greats of the 1950s" and the "most accomplished modern jazz harpist," Ashby established the harp as an improvising jazz instrument, beyond earlier use as a novelty or background orchestral instrument, proving the harp could play bebop as adeptly as the instruments commonly associated with jazz, such as the saxophone or piano. <mask> had to overcome many obstacles during the pursuit of her career. As an African American female musician in a male dominated industry, she was at a disadvantage. In a 1983 interview with W. Royal Stokes for his book Living the Jazz Life, she remarked of her career, "It's been maybe a triple burden in that not a lot of women are becoming known as jazz players. There is also the connection with black women. The audiences I was trying to reach were not interested in the harp, period—classical or otherwise—and they were certainly not interested in seeing a black woman playing the harp."<mask> successfully navigated these disadvantages, and subsequently aided in the expansion of who was listening to harp music and what the harp was deemed capable of producing as an instrument. <mask>'s albums were of the jazz genre, but often moved into R&B, world music, and other styles, especially her 1970 album The Rubaiyat of <mask>, where she demonstrates her talents on another instrument, the Japanese koto, successfully integrating it into jazz. Early life and education
<mask> grew up in the jazz community in Detroit, where her father, guitarist Wiley Thompson, often brought home fellow jazz musicians. Even as a young girl, she would provide

masks:
Dorothy Jeanne Thompson
Dorothy Ashby
Ashby
Ashby
Ashby
Dorothy Ashby
Dorothy Thompson


title: Dorothy Ashby

type: original

texts:
 support and background to their music by playing the piano. She attended Cass Technical High School, where fellow students included such future musical talents and jazz greats as Donald Byrd, Gerald Wilson, and Kenny Burrell. While in high school she played a number of instruments (including the saxophone and string bass) before coming upon the harp. She attended Wayne State University in Detroit, where she studied piano and music education.Career
After she graduated, she began playing the piano in the jazz scene in Detroit, though by 1952 she had made the harp her main instrument. At first her fellow jazz musicians were resistant to the idea of adding the harp, which they perceived as an instrument of classical music and somewhat ethereal in sound in jazz performances. So Ashby overcame their initial resistance and built support for the harp as a jazz instrument by organizing free shows and playing at dances and weddings with her trio. She recorded with Jimmy Cobb, Ed Thigpen, Richard Davis, Frank Wess and others in the late 1950s and early 1960s. During the 1960s, she also had her own radio show in Detroit where she would occasionally perform live shows with her husband, and talk. Ashby partially contributed to the spread of unstereotypical music education in Detroit, Michigan during 1967. Robert H. Klotman, a divisional director of music education was inspired by her and Cass Technical Highschool’s harp and vocal ensemble, placing 10 Troubadour harps in 5 inner city schools.<mask>'s trio, including her husband, <mask>, on drums, regularly toured the country, recording albums for several record labels. She played with Louis Armstrong and Woody Herman, among others. In 1962, <mask> won Down Beat magazine's

masks:
Ashby
John Ashby
Ashby


title: Dorothy Ashby

texts:
 critics' and readers' awards for best jazz performers. Her first full jazz LP, The Jazz Harpist, was recorded for Savoy in 1957, with Frank Wess on flute, Eddie Jones and Wendell Marshall on bass and Ed Thigpen on drums. The album was a mix of standards, such as “Thou Swell” and “Stella by Starlight”, and Ms. <mask>’s originals. It was critically well received, but the record buying public ignored it. Her next album Hip Harp, (1958) on Prestige, was one of her best, with Wess, Dave Brubeck’s bassist Gene Wright and Art Taylor on drums.In all <mask> led ten sessions between 1957 and 1970 for Atlantic, Cadet and many other labels. She was fearless in her musical choices as she played not just bop, but soul, Brazilian, African, Middle Eastern and like her contemporary (and other great jazz harpist) Alice Coltrane, free jazz. Ms. <mask> pioneered the use of the Japanese koto in jazz on her 1970 album The Rubaiyat of <mask>, which was somewhat maligned in its time, but has become appreciated as an iconoclastic marriage of soul, world music and free jazz. The Ashby Players/Theatre Work
Extending her range of interests and talents, she also worked with her husband in a theater company, the Ashby Players, which her husband founded in Detroit, and for which <mask> often wrote the scores. In the 1960s <mask>, together with her husband, formed a theatrical group to produce plays that would be relevant to the African-American community of Detroit. This production group went by several names depending on the theater production. They created a series of theatrical musical plays that <mask> and <mask> produced together as this theatrical company, the Ashby Players of Detroit.In the case of most of the plays, <mask> wrote the

masks:
Ashby
Dorothy
Ashby
Dorothy Ashby
Dorothy
Dorothy Ashby
Dorothy
John Ashby
John Ashby


title: Dorothy Ashby

texts:
 scripts and <mask> wrote the scores. <mask> also played harp and piano on the soundtracks to all of her plays. She starred in the production of the play 3–6–9 herself. Most of the music that she wrote for these plays is available only on a handful of the reel to reel tapes that <mask> recorded herself. Only a couple of the many songs she created for her plays later appeared on LPs that she released. Later in her career, she would make recordings and perform at concerts primarily to raise money for the Ashby Players theatrical productions. The theatrical production group The Ashby Players not only produced black theater in Detroit and Canada but provided early theatrical and acting opportunities for black actors.Ernie Hudson (of Ghostbusters, credited as Earnest L. Hudson) was a featured actor in the Artists Productions version of the play 3–6–9. In the late 1960s, the Ashbys gave up touring and settled in California, where <mask> broke into the studio recording system as a harpist through the help of the soul singer Bill Withers, who recommended her to Stevie Wonder. As a result, she was called upon for a number of studio sessions playing for more pop-oriented acts. Death
<mask> died from cancer on April 13, 1986, in Santa Monica, California. Influence
Her recordings have proven influential in various genres. The High Llamas recorded a song entitled "Dorothy Ashby" on their 2007 album Can Cladders. Hip-hop artists have sampled her work often, including Jurassic 5, on their album Feedback, as well as Andre Nickatina on his song "Jungle".Bonobo included the track "Essence of Sapphire" on his mix album Late Night Tales. In the '90s, Pete Rock, Rahzel and Ugly Duckling sampled <mask>'s harp music for their own

masks:
Dorothy Ashby
Dorothy Ashby
Dorothy Ashby
Dorothy
Ashby
Ashby


title: Petar Nenadić

texts:
<mask> (born 28 June 1986) is a Serbian handball player who plays for Telekom Veszprém and the Serbian national team. His brother Draško also played handball for national team. Club career

RK Crvena zvezda
Born in Belgrade, Serbia, <mask> began playing handball in local team RK Crvena Zvezda's youth setup. He moved up to the senior team in 2003, aged only 17. Nenadić given a chance in the first-team of RK Crvena Zvezda as a 17-years-old, next to stars like Darko Stanić, Ivan Nikčević, Rastko Stojković and Nikola Manojlović. As a rotation player, Nenadić was part of the team won Yugoslav championship and the Yugoslav cup. In the following season, 2004–05, <mask> made his breakthrough and finished the season as the top scorer of RK Crvena Zvezda with 113 goals, but the team only managed to achieve the 6th place in the league.2005-06 season began with five consecutive losses, and RK Crvena Zvezda were far away from the top part of the table, but since the 27:27 draw against Partizan Belgrade, when Nenadić scored 9 goals, the team were unstoppable. <mask> finished the season as the top scorer with 272 goals, and led RK Crvena Zvezda to its last championship in the era of Serbia and Montenegro. <mask> suffered a serious knee injury in the pre-season trainings before 2006-07 season and missed most of the season, what weakened his team. However, he returned for the last 5 games of the season, and scored 39 goals which helped RK Crvena Zvezda win its second consecutive championship. Spain
On 6 July 2007, <mask> signed on a three-year deal with Liga ASOBAL side Algeciras BM, and joined his first team outside Serbia. He scored 65 goals in the first half of 2007/08 season and because of economic difficulties Algeciras faced then, he was loaned to Liga ASOBAL powerhouse FC Barcelona for the remainder of the season, with

masks:
Petar Nenadić
Nenadić
Nenadić
Nenadić
Nenadić
Nenadić


title: Petar Nenadić

texts:
 an option to purchase him at the end of the season. In Barcelona, <mask> scored 31 goals in EHF Champions League, but his team were eliminated in the semi-final by THW Kiel.Manolo Cadenas' team haven't managed to win any title, also in the Spanish zone, being defeated by Ciudad Real who later won the local championship. Pick Szeged
Although he got some offers from Spanish and German teams, and Barcelona haven't activated their purchase option, <mask> decided to join Hungarian cup winners SC Pick Szeged. On 6 May 2008, <mask> signed his three-year contract in Pick Szeged. In Szeged he joined four other Serbs: Milorad Krivokapic, Nenad Puljezevic, Dragan Marjanac and Danijel Andelkovic. On his first season in Szeged, 2008–09, <mask> and his team have not managed to win any title. They've finished in the 2nd place in the Hungarian league. In Europe, Szeged were eliminated from EHF Champions League but they reached the 1/4 final of EHF Cup Winners' Cup, where they faced HSG Nordhorn.In the first leg, <mask> scored 4 goals and added one goal in the second leg, but it wasn't enough and Szeged were eliminated by the Germans. Additionally, Szeged lost to MVM Veszprém in the final of Magyar Kupa. Right after the loss, <mask>'s contract was terminated due to a conflict with club owner. During the summer before 2009-10 season, <mask>, who was a free agent, went to trials with some clubs, notably in Rhein-Neckar Löwen, but he failed to find a new club. Due to Danijel Andelkovic's injury, and as <mask> had no club, Szeged have decided to re-sign Nenadić for the remainder of the season and to bring him back to team squad. <mask> scored 37 goals in EHF Champions League, but Szeged were eliminated in the group phase. In the domestic competitions, Szeged finished as a runner-up again, in the Hungarian league and in the

masks: Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić


title: Petar Nenadić

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 Hungarian cup.Team Tvis Holstebro
At the end of 2009-10 season, Pick Szeged have faced financial problems and had to terminate <mask>'s contract. He signed a one-year contract with Danish side Team Tvis Holstebro. <mask> finished the season as the team top goalscorer with 118 goals in 18 games, and at the end of the season his contract was extended for two more years, with an exit option between the years. In his second season in Denmark, <mask> helped his team reach the bronze medal of Jack&Jones Ligaen. <mask> finished the season as the 3rd top goalscorer of Jack&Jones Ligaen, with 170 goals in 32 games. At the end of the season, TTH Holstebro used an option to terminate the contract although he had one more left in the contract. Wisła Płock
On 12 May 2012, <mask> joined Polish runner-up Wisła Płock on a one-year deal.He scored 12 goals in the EHF Cup campaign, that ended for Wisła Płock in the group phase. <mask> suffered some injuries on his first season in Płock and had to miss part of the season. His team lost to Vive Targi Kielce in the championship play-off and finished the season again as runner-ups. In the following season, <mask> had greater role in the team squad. He scored 67 goals in the EHF Champions League and led Wisła Płock to the Last 16, where they were defeated by MVM Vezsprém. In Poland, they were beaten again by Kielce in the championship play-off. <mask> finished the season as the top goalscorer.Füchse Berlin
On 17 July 2014, <mask> signed on a one-year deal with German powerhouse Füchse Berlin, as a replacement for Bartlomiej Jaszka who retired right before the beginning of the pre-season, due to a serious shoulder injury. <mask> finished the season as the Foxes' top goalscorer, with 169 goals (29 penalties) in the Bundesliga, leading Füchse Berlin to the 7th place in the Bundesliga.

masks: Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić


title: Petar Nenadić

texts:
 He finished as the 11th top goalscorer of the Bundesliga. <mask> also scored 9 goals in the DHB-Pokal semi final against SC Magdeburg, but Füchse lost by one-goal margin, 27:26. He added 32 goals in the EHF Cup, including six goals in the final game against HSV Hamburg, as Füchse Berlin achieved its first European title ever. At the end of the season, <mask> signed on a two-year contract extension with Füchse Berlin. <mask> continued his good form from his first season in Germany in the following season.Although he scored 6 goals in the first leg and 12 goals in the second leg, Füchse were eliminated in the third qualifying round of the EHF Cup by Chambéry Savoie. <mask> led Füchse to the 5th place in the Bundesliga. He finished the season as the top goalscorer of the Bundesliga, with 229 goals. He averaged 7.2 goals per game. <mask> signed another two-year contract with Füchse before the end of the season. Veszprém
On 1 January 2018, <mask> joined Veszprém KC on a two-and-half years contract, for a reported fee of €500,000. Individual awards

 EHF Player of the year 2019
 Serbian Handball Player of the Year 2016, 2017 and 2020
 MVP of the SEHA League Final Four: 2021
 SEHA League All-Star Team Best Centre Back: 2020-21

References

1986 births
Living people
Sportspeople from Belgrade
Serbian male handball players
Liga ASOBAL players
FC Barcelona Handbol players
Wisła Płock (handball) players
SC Pick Szeged players
Veszprém KC players
Expatriate handball players in Poland
Serbian expatriates in Denmark
Serbian expatriates in Germany
Serbian expatriates in Hungary
Serbian expatriates in Poland
Serbian expatriates in Spain
Handball-Bundesliga players
Füchse Berlin Reinickendorf HBC players
Mediterranean Games gold medalists for Serbia
Competitors at the 2009 Mediterranean Games
Mediterranean Games medalists in

masks: Nenadić Nenadić Nenadić Nenadić Nenadić Nenadić


title: Malay Roy Choudhury

texts:
<mask> (born 29 October 1939) is an Indian Bengali poet, playwright, short story writer, essayist and novelist who founded the Hungryalist movement in the 1960s. Early life and education
Malay <mask> was born in Patna, Bihar, India, into the <mask>y clan, which owned the villages that became Kolkata. He grew up in Patna's Imlitala ghetto, which was mainly inhabited by Dalit Hindus and Shia Muslims. His was the only Bengali family. His father, Ranjit (1909–1991) was a photographer in Patna; his mother, Amita (1916–1982), was from a progressive family of the 19th-century Bengali Renaissance. His grandfather, <mask>, was a photographer in Kolkata who had been trained by Rudyard Kipling's father, the curator of the Lahore Museum. At the age of three, <mask> was admitted to a local Catholic school, and later, he was sent to the Rammohan Roy Seminary Oriental Seminary.The school was administered by the Brahmo Samaj movement, a monotheistic religion founded in 1830 in Kolkata by Ram Mohun <mask>, who aimed to purify Hinduism and recover the simple worship of the Vedas. There, <mask> met student-cum-librarian Namita Chakraborty, who introduced him to Sanskrit and Bengali classics. All religious activities were banned at the school, and <mask> has said that his childhood experience made him instinctively secular. <mask> has proficiency in English, Hindi, Bhojpuri and Maithili, apart from his mother tongue Bengali. He was influenced, though, by the Shia Muslim

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Malay Roy Choudhury
Roy Choudhury
Sabarna Roy Choudhur
Laksmikanta Roy Choudhury
Roy Choudhury
Roy
Roy Choudhury
Roy Choudhury
Roy Choudhury


title: Malay Roy Choudhury

texts:
 neighbors who recited Ghalib and Faiz in the Imlitala locality. At the same time his father had two workers Shivnandan Kahar and Ramkhelawan Singh Dabar at his photographic shop at Patna ; these two persons introduced <mask> to Ramcharitmanasa written by Tulasidasa as well as saint poets Rahim, Dadu and Kabir

<mask>y did his master's degree in humanities. He later studied Rural Development which gave him a job in NABARD, where he got the opportunity to visit almost entire India for the upliftment of farmers, weavers, fishermen, artisans, craftsmen, potters, cobblers, landless labourers, jute farmers, potato growers and various under-caste Indians.Hungryalist movement

The Hungryalist movement was initially led by Malay; his brother, Samir <mask>; Shakti Chattopadhyay; and Haradhon Dhara, known as his pseudoname Debi <mask>. Thirty more poets and artists subsequently joined them, the best-known being Rajkamal Chaudhary, Binoy Majumdar, Utpal Kumar Basu, Falguni <mask>, Subimal Basak, Tridib Mitra, Rabindra Guha, and Anil Karanjai. The movement's English name was derived from Geoffrey Chaucer's line "in the sowre hungry tyme", and its philosophy was based on Oswald Spengler's "The Decline of the West". Hungryalism petered out in 1965, when the West Bengal government issued arrest warrants for eleven Hungryalists, including <mask> and his brother. Some members, such as Subhash Ghosh and Saileshwar Ghosh, testified against <mask> in Kolkata's Bankshall Court.

masks:
Roy Choudhury
Roy Choudhur
Roychoudhury
Roy
Roy
Roy Choudhury
Roy Choudhury


title: Malay Roy Choudhury

texts:
 He was jailed for a month for his poem Stark Electric Jesus by Kolkata Bankshall Court in 1966. However he was exonerated by the Kolkata High Court in 1967.From the letters of Sunil Gangopadhyay written to Sandipan Chattopadhyay during 1964 published recently it is known  that Sunil Gangopadhyay felt that Hungry generation literary movement was a threat to his Krittibas group of poets of 1950s. <mask>y went on to write poetry, fiction, plays, short stories and essays on Bengali social and cultural issues. He has written more than seventy books till date. Howard McCord, a professor of English at Washington State University and Bowling Green University who met <mask> during a visit to Kolkata, wrote in City Lights Journal Number Three: "Malay <mask>, a Bengali poet, has been a central figure in the Hungry Generation's attack on the Indian cultural establishment since the movement began in the early 1960s. ... Acid, destructive, morbid, nihilistic, outrageous, mad, hallucinatory, shrill—these characterize the terrifying and cleansing visions" that "Indian literature must endure if it is to be vital again." Both the Bangla Academy and Northwestern University have archives of <mask>'s Hungryalist publications.<mask>y wrote three drama during the Hungryalism movement: Illot, Napungpung and Hibakusha, considered to be a mash up of the Theater of the Absurd and Transhumanism. Poetry and translations

With his 1963 poem "Prachanda Baidyutik Chhutar" ("Stark Electric

masks:
Roy Choudhur
Roy Choudhury
Roy Choudhury
Roy Choudhury
Roy Choudhur


title: Malay Roy Choudhury

texts:
 Jesus"), which prompted the government's actions against the Hungryalists, <mask>y introduced Confessional poetry to Bengali literature. The poem defied traditional forms (e.g., sonnet, villanelle, minnesang, pastourelle, canzone, etc. ), as well as Bengali meters (e.g., matrabritto and aksharbritto). His poem "Jakham" is better known and has been translated into multiple languages. His best-known poetry collections are Medhar Batanukul Ghungur, Naamgandho, and Illot, and a complete collection of his poems was published in 2005. He has written about 60 books since he launched the Hungryalist movement in November 1961.<mask> has also translated into Bengali works by William Blake ("The Marriage of Heaven and Hell"), Arthur Rimbaud ("A Season in Hell"), Tristan Tzara (Dada manifestos and poems), Andre Breton's Surrealism manifesto and poems, Jean Cocteau ("Crucifixion"), Blaise Cendrars ("Trans-Siberian Express"), and Allen Ginsberg ("Howl" and "Kaddish"). He has also translated Paul Celan's famous poem "Death Fugue". <mask> has written extensively on the life and works of Allen Ginsberg, Henry Miller, James Joyce, Charles Baudelaire, Jean Arthur Rimbaud, Osip Mandelstam, Marcel Proust and Anna Akhmatova

He was given the Sahitya Academy award, the Indian government's highest honor in the field, in 2003 for translating Dharamvir Bharati's Suraj Ka Satwan Ghora. However, he declined to accept this award and others. Adhunantika phase
In 1995, <mask>'s writings,

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Roy Choudhur
Roy Choudhury
Roy Choudhury
Roy Choudhury


title: Malay Roy Choudhury

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 both poetry and fiction, took a dramatic turn. A linguist, Probal Dasgupta, dubbed this the Adhunantika Phase (Bengali: অধুনান্তিক পর্ব), a portmanteau of two Bengali words: adhuna, meaning "new", "current", "contemporary", or "modern", and antika, meaning "closure", "end", "extreme", or "beyond". His poetry collections from this phase are Chitkar Samagra, Chhatrakhan, Ja Lagbey Bolben, Atmadhangser Sahasrabda, Postmodern Ahlader Kobita, and Kounaper Luchimangso.His novels from the period include Namgandho, Jalanjali, Nakhadanta, Ei Adham Oi Adham, and Arup Tomar Entokanta. During this phase <mask>y wrote several poetic dramas which were mash up of Postmodernism and Transhumanism

After <mask> shifted to Mumbai from Calcutta he has ventured into Magic realism and written novels such as Labiyar Makdi, Chashomranger Locha, Thek Shuturmurg, Jungle Romio, Necropurush and Naromangshokadhoker Halnagad. In 2014 <mask> wrote his autobiography in his distinct style titled Rahuketu. Personal life

<mask> lives in Mumbai with his wife, Shalila, who was a field hockey player from Nagpur. Their daughter, Anushree Prashant, lives in Dubai with her husband and two daughters; his son Jitendra lives in Riyadh with his wife Sudipta. In popular culture
A 2014 film based on <mask>'s poem Stark Electric Jesus was directed by Mrigankasekhar Ganguly and Hyash Tanmoy. It was an official selection at 20 international film festivals in 15 countries.The film won "Best Video Art" in

masks:
Roy Choudhur
Roy Choudhury
Roy Choudhury
Roy Choudhury
Roy Choudhury


title: Malay Roy Choudhury

texts:
 Poland, "Most Promising Video Artist" in Spain, and "Best Fantasy Film" in Serbia. Srijit Mukherji directed a film in 2011 titled Baaishey Shrabon, in which <mask> was portrayed by Gautam Ghosh. <mask>'s poems have been recited by famous poets from India and Bangladesh. They are Chaitali Biswas, Susmita Bose. Sadia Sobhan Sara, Labanyo Shahida, Mohona Setu. Sarmin Subha, Debashis Bhattacharya, Tanumoy Goswami, and Shibashis Dargupta. Two of his famous poems 'Stark Electric Jesus' and 'Sending My Cut-Off Head as A Valentine Gift' have been recited and uploaded on YouTube by several young poets both in English and Bengali.His interviews are also available on YouTube. Sources and references
Malay <mask>y-r Bitarka, edited by Madhusudan <mask>. Barnik Prakashon, Bardhaman, West Bengal, India (2018). Malay Roy Choudhury Compendium, edited by A.M. Murshid. Avishkar Prakashani, Kolkata, India (2002). Hungryalist Interviews of Malay <mask>, edited by Ajit Ray. Mahadiganta Publishers, Kolkata (1999).Postmodern Interviews of Malay <mask>y, edited by Arabinda Pradhan. Graffiti Publishers, Kolkata (2004). Van Tulsi Ki Gandh, by Phanishwarnath Renu. Rajkamal Prakashan, Delhi, India (1984). Hungry Shruti & Shastravirodhi Andolon, by Uttam Das. Mahadiganta Publishers, Kolkata (1986). Shater Dashaker Kabita, by Mahmud Kamal.Shilpataru Prakashani, Dhaka, Bangladesh (1991). Hungry-Adhunantik Malay, edited by Ratan Biswas. Ahabkal Publications, Kolkata (2002). Salted Feathers,

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Roy Choudhury
Roy Choudhury
Roy Choudhur
Roy
Roy Choudhury
Roychoudhur


title: Malay Roy Choudhury

texts:
 edited by Dick Bakken. Portland, Oregon (1967). Intrepid, edited by Carl Weissner. Buffalo, New York (1968).English Letters to Malay, edited by Tridib Mitra. Hungry Books, Howrah, India (1968). Bangla Letters to Malay, edited by Alo Mitra. Hungry Books, Howrah (1969). SWAPNA (Malay <mask>udhury Special Issue, 15th Year, #1), edited by Bishnu Dey. Nabin Chandra College, Assam (2008). Sambhar: Malay <mask>y Interview, by Amitava Deb.Sambhar Publications, Silchar, Assam, India (2008). Savarna Barta: Hungryalist Movement and Sabarna Roy Choudhury Clan, by Sonali Mukherjee. Tarkeshwar College, Kolkata (2008). Bodh: <mask> Choudhury's Poetry, by Uttam Chakraborty. Rupnarayanpur, West Bengal, India (2008). Stark Electric Jesus, with foreword by Howard McCord. Tribal Press (1965).Selected works
English

Stark Electric Jesus, with introduction by Howard McCord, Tribal Press, Washington DC, 1965. Autobiography, CAAS #14 and 215, Gale Research Inc., Ohio, 1980. Selected Poems, with introduction by P. Lal, Writers Workshop, Kolkata, 1989. Hattali (long poem), Mahadiganta Publishers, Kolkata, 1989. Overview: Postmodern Bangla Poetry (non-fiction), Haowa 49 Publishers, Kolkata, 2001. Overview: Postmodern Bangla Short Stories (non-fiction), Haowa 49 Publishers, Kolkata, 2001. Selected Poems of Malay <mask>y, Edited by Dr Tanvir Ratul, Antivirus Publication, Liverpool, 2021.Bengali

Shoytaner Mukh (Collected Poems), Krittibas Prakashani, Kolkata, 1963. Hungry Andoloner

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Roy Cho
Roy Choudhur
Malay Roy
Roy Choudhur


title: Malay Roy Choudhury

texts:
 Prakashani, Kolkata, 1998. Hungry Kimvadanti (Hungryalist memoir), Dey Books, Kolkata, 1994. Postmodernism (non-fiction), Haowa#49 Publishers, Kolkata, 1995. Adhunikatar Biruddhey Kathavatra (non-fiction), Kabita Pakshik, Kolkata, 1999. Hungryalist Interviews (edited by Ajit Ray), Mahadiganta Publishers, Kolkata, 1999. Postmodern Kalkhando O Bangalir Patan (non-fiction), Khanan Publishers, Nagpur, 2000. Ei Adham Oi Adham (novel), Kabitirtha Publishers, Kolkata, 2001.Nakhadanta (postmodern novel), Haowa 49 Publishers, Kolkata, 2001. Poems: 2004-1961 (collection of poems), Avishkar Prakashani, Kolkata, 2005. See also
Sabarna <mask>udhury
Hungry generation
Samir <mask>y

References

External links

1939 births
Living people
Bengali male poets
Bengali-language poets
Bengali-language writers
Hungry generation
Indian male novelists
Indian male poets
Oriental Seminary alumni
Writers from Patna
Poets from Bihar
Indian postmodern writers
20th-century Indian poets
20th-century Indian novelists
Novelists from Bihar
20th-century Indian male writers
20th-century Bengali poets
Recipients of the Sahitya Akademi Prize for

masks:
Roy Cho
Roychoudhur


title: John Courtney (playwright)

texts:
<mask> (1804–1865) was a Victorian playwright, dramatic actor, and comedian. <mask> was the stage name of <mask>. He wrote over 60 plays, including the popular dramas Time Tries All first performed in 1848, which attained great success around the UK and also in the US from the 1850s to at least the 1880s, and Eustice Baudin (1854), which attained even greater success in the USA through to at least the 1890s. He wrote the first theatrical adaptation of Charlotte Brontë's novel Jane Eyre (1848) which was rediscovered in 2009. One of his early acting performances was in 1829 as Colonel Freelove in The Day after the Wedding or A Wife's First Lesson adapted by Maria Theresa Kemble from the original French comedy. Life and work

<mask> was born at St James’s, Westminster on 29 August 1804 as <mask> but when he became an actor he wished to be known as <mask> and this was the name he used throughout his life. His death certificate records him as "<mask> otherwise <mask>" and his descendants have all been <mask>s.He worked as an actor on the London stage between 1829 and 1862. In 1848 <mask> wrote a stage adaptation of Jane Eyre titled Jane Eyre or The Secrets of Thornfield Manor, which was shown at the Victoria Theatre. In 1850 he was employed as a "stock author" for £2 per week by Mr Shepherd of the Surrey Theatre. In 1852 he received expenses for a visit to Paris for the sole purpose of spotting suitable plays for adaptation, for example Old Joe and Young Joe. According to The Era, the dramatic and music hall newspaper of the time:

he was originally intended for a commercial life, but his love for the Drama speedily changed the directions of his pursuits. For some years he was a light comedian at the Birmingham and other country Theatres, and in 1840 he was engaged by Mr Rouse at the Grecian Saloon. Though he never

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John Courtney
Courtney
John Fuller
John Courtney
John Fuller
John Courtney
John Fuller
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Courtney
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title: John Courtney (playwright)

texts:
 entirely gave up the Stage as a profession, having been a member of the Haymarket company up to the time of his decease, it will as an industrious playwright for the minor Theatres that his name will be most familiar to the public.For the Surrey and Victoria Theatres he wrote a considerable number of pieces, and his very interesting and original drama of Time Tries All, produced at the Olympic Theatre in 1849, remains one of the most popular products of his industrious pen. He died at Camberwell and is buried at Camberwell Old Cemetery, London. Personal life
<mask> married Elizabeth Ann Norman (b. 1821), with whom he had several children: <mask> <mask> (b. 1847), Albert Fuller <mask> (1851-1907), Rose Helena <mask> (b. 1857), Louise Marian <mask> (b. 1859), <mask> (b.1860), <mask> (b. 1862), and <mask> (b. 1863). Stage performances

<mask> appeared on stage as Colonel Freelove in 1829 in the comedy The Day after the Wedding, or A Wife's First Lesson by Maria Theresa Kemble. He played Thames Darrell (1840) in Jack Sheppard a play by <mask> based on the novel of the same name by William Harrison Ainsworth first performed at the Adelphi Theatre in 1839. It was a historical romance and a Newgate novel based on the real life of the 18th-century criminal Jack Sheppard. He played Julio in the William Macready production of Othello at the Italian Opera House, Paris in December 1844.He played Sir Agrovaine in The Three Perils of Man by James Hogg at the Surrey Theatre in 1852. He played Gaylove in The Hunchback by James Sheridan Knowles at Windsor Castle attended by Queen Victoria and Lord Palmerston, Prime Minister on 11 January 1860. He also played this part at the performances at the Theatre Royal, Haymarket 13–15 February 1860. He played Captain Peppercoat in The Flying Dutchman and appeared in performances of Macbeth

masks:
Courtney
John Fuller
Courtney
Courtney
Courtney
Courtney
Emily Courtney
Clara Courtney
Alice Courtney
John Courtney
John Buckstone


title: John Courtney (playwright)

texts:
 and the Corsicans. Plays written by <mask>

Notes

Bounce or The Ojibbeway Indians or The American Indians co-written by J M Maddox
Aged Forty Thomas Hailes Lacy publisher
Taken by Surprise also performed at the Grecian Theatre and co-written by J M Maddox
Clarissa Harlowe also performed at the City of London Theatre Oct 1846 and the Surrey Theatre 1859. Adapted from the French play by Samuel Richardson. Thomas Hailes Lacy published and co-adapted
The Cook of Kennington or No Followers Allowed co-written by D W Osbalidston
The Gunsmith of Orleans or The Dead Women's Secret book written by Eliza Sheridan published in 1847
Jane Eyre or The Secrets of Thornfield Manor was the first theatrical production (performed in 1848) of Charlotte Brontë's novel.It has been adapted and was performed at The Colour House Theatre, Merton Abbey Mills in Jun 2009
Rose Clinton or The Victim of Circumstantial Evidence also performed at The Old Vic 1849, City of London Theatre 1863. co-written by Arthur Williams
The Broken Home or The Artisan's Daughter also performed at the Soho Theatre 1859, City of London Theatre 1863 and co-written by Arthur Williams
The Road to Transportation co-written by Arthur Williams
Leah and Nathan or Leah, the Jewess of Constantina or The Arab's Sacrifice also performed at City of London Theatre Aug 1863. As The Jewess or The Council of Constance by Thomas Hailes Lacy performed at the Old Vic and Theatre Royal, Drury Lane in 1835
Time Tries All 1850s: Birmingham, Manchester, Liverpool, Sheffield, Glasgow, Sadlers Wells Theatre, George St. Theatre, Dublin, many UK Provincial Theatres and locations in the USA. 1860s: Wolverhampton, St. James’s Theatre, St George’s Hall, Adelphi Theatre, London, The Olympic Theatre, Lyceum Theatre, Royal Victoria (Old Vic), many Provincial locations. 1870s: Olympia Dramatic Club,


title: Kevin Devine

texts:
<mask> (born December 19, 1979) is an American songwriter and musician from Staten Island, New York City, who is known for his introspective and political themes. He is a contemporary member of the underground indie rock and indie folk musical scenes, and his influences range from older indie artists such as Neutral Milk Hotel, Elliott Smith and Pavement to more mainstream and well known acts such as Nirvana and Bob Dylan. In 2013, <mask> rejoined his previous band, Miracle of 86, for a series of reunion shows. History

Beginnings
<mask> grew up in Brooklyn and Staten Island and has spent significant time in Manhattan and Queens. <mask> graduated from Fordham University at Lincoln Center in 2001, majoring in journalism and writing for the school newspaper, The Fordham Observer. He first played in the band Delusion, which later changed its name to Miracle of 86 (referring to the 1986 New York Mets). At Fordham he was able to hone his solo, acoustic style by playing at various open-mic and college events.Devine released his first solo album, entitled Circle Gets the Square, in 2002 under the record label Immigrant Sun Records, as well as being produced by Bill Manoudakis. During this time he also appeared in regular stints at the Wetlands Preserve venue in New York City. His brother, <mask>, is a columnist for The Ringer. Increased success (2002–2007)
Although still relatively unknown, Devine gained some popularity with his 2003 album, Make the Clocks Move. This album's songs reflect Devine's political views and a growing introspective style, inspired by recent death of his father to a stroke. These two styles would become a staple in Devine's music that followed. It is the first of two albums released on Triple Crown Records.It is also the first of three

masks:
Kevin Devine
Kevin Devine
Kevin Devine
Devine
Dan Devine


title: Kevin Devine

texts:
 including dates with Manchester Orchestra, Brand New, Thrice, and Nada Surf. He also played a number of major music festivals, including Coachella, Lollapalooza, The Bamboozle and Bonnaroo. On July 6, 2010, Devine released the She Stayed As Steam EP, featuring outtakes from Brother's Blood. In an interview with Manchester Orchestra's Andy Hull, Hull confirmed that Manchester Orchestra and <mask>e would be releasing a split EP entitled "I Could Be The Only One". He later confirmed in a January 2010 interview with AbsolutePunk that Manchester Orchestra and Devine had finished a currently untitled album featuring eight songs, with four songs written by Devine and the other four written by Hull. The album was to be released under the band name Bad Books. In August 2010, the band officially announced their self-titled debut album Bad Books would be released on October 19, 2010.A 4-date east coast tour in support of the album was also announced. Another short acoustic tour followed in December 2010, with only <mask> and Manchester Orchestra frontman Andy Hull playing Bad Books songs, as well as solo songs. Between the Concrete and Clouds (2010–2012)
On August 26, 2010, Devine announced on his Facebook page that he had begun writing his sixth album. A post made on his Facebook page also revealed tentative song titles which included "Between the concrete & clouds," "The first hit," "Off-screen," "A story, a sneak," "The city has left you," "11–17," "I used to be someone," "Sleepwalking through my life," "Wait out the wreck," and "Merry Levov". (The song "Merry Levov" was possibly renamed "Awake in the dirt", as it does not appear on the album yet would explain the lyrical content of the later renaming.) Several rough draft lyrics of these songs were added to his

masks:
Kevin Devin
Kevin Devine


title: Kevin Devine

texts:
 Facebook notes page. Recording was completed on March 6, 2011.Between the Concrete and the Clouds is the first record made by Devine that is fully backed by a band, featuring musicians Brian Bonz (keyboard), Chris Bracco (a.k.a. Plosive) (bass, keyboard), Mike Fadem (drums, percussion), Russell Smith (electric guitar), and Mike Strandberg (guitar, mandolin). It was recorded in 10 days over a span of a month, produced by longtime collaborator Chris Bracco and mixed by Rob Schnapf. In March 2011 Devine toured with River City Extension, and released a split 7" EP. Devine's songs on the EP are an acoustic version of "Between the Concrete and Clouds" and "Walls", a Tom Petty cover. Two 7" singles, "Luxembourg" and "Part of the Whole", were released on May 17, with the album Between the Concrete and Clouds to follow later in the year. During an Alt Press interview on July 6, 2011, Between The Concrete and the Clouds was officially announced for a September 13, 2011 release in the US on Razor & Tie/Favorite Gentlemen Records.He performed some of his new material on tour starting in spring 2010. A few songs on the album (most notably "Awake in the Dirt") are influenced by the book American Pastoral by Phillip Roth. In honor of the 20th anniversary of Nirvana's classic album Nevermind, <mask>e covered the entire album, and let fans download it on his website for free. Bubblegum, Bulldozer, Devinyl Splits, and Matter of Time (2012–2016)
On January 14, 2013, Devine launched a Kickstarter campaign to help fund his next two albums. Later that day, it was announced the entire goal amount was raised, and on February 28, when the project finished being funded, fans of <mask>e had pledged $114,805 (USD). Both albums were released in the United States on October 15, 2013

masks:
Kevin Devin
Kevin Devin


title: Kevin Devine

texts:
 via Devinyl Records/Favorite Gentlemen/Procrastinate! Music Traitors labels.His seventh studio album, Bulldozer, is a solo album, with Rob Schnapf as collaborator and producer of the album. His eighth studio album, Bubblegum, made with the contribution of his backing band The Goddamn Band, was produced by Jesse Lacey of Brand New. On January 27, 2015, Devine announced Devinyl Splits, a six-part split series featuring artists such as Matthew Caws, Meridith Graves of Perfect Pussy, and Tigers Jaw to be released on Bad Timing Records. Devinyl Splits No. 1: Matthew Caws x <mask>e was released on February 24, 2015, with the remaining five splits released every other month in April, June, August, October, and December. Matter of Time was released on October 19, 2015, described as, "...a mix between a compilation and live album. The album was recorded by Devine and The Goddamn Band in a 2012 studio session fresh off of extensive touring."Instigator, We Are Who We've Always Been, Social Club, and Matter of Time II (2016–2021)
On January 29, 2016, <mask> announced that his ninth LP was completed and mastered, to be released on Procrastinate! Music Traitors. On August 8, 2016, Devine announced that his ninth studio album would be called Instigator and that it would be out in the fall. He also announced a fall 2016 US tour with Julien Baker, Pinegrove and Petal to support the record. On September 13, 2017, <mask> announced that he would be joining Brand New as a touring member, playing guitar and singing harmonies for the foreseeable future. He departed after sexual misconduct allegations were raised against Lacey. On October 20, 2017, Devine released We Are Who We've Always Been, an acoustic version of his 2016 album Instigator.Devine opened for The Get Up Kids on

masks:
Kevin Devin
Devine
Devine


title: Kevin Devine

texts:
 the first leg of their Fall 2019 tour. Devine launched a Patreon titled the "Social Club" on April 2, 2020. Three initial tiers were offered, with monthly and annual perks varying by tier, including a cover song, reimagined or new original song, monthly video updates, private concerts on Instagram, sticker sheets, pins, and handwritten lyrics. To kick off the second year of the Social Club, new perks were announced on April 5, 2021. Tenth anniversary concerts for Brother's Blood and Between the Concrete and Clouds were held in December 2019 and November 2021, respectively. A deluxe edition of Between the Concrete and Clouds was digitally released on October 22, 2021. Matter of Time II was released on September 19, 2021, recorded in February of the same year.The pre-order included a vinyl option, along with a repressing of the first Matter of Time on vinyl. Devine shared, "We never anticipated the first [Matter of Time] would grow to hold the high place it does in the estimation of so many of you; we hope this one earns its keep and slots neatly at its side." Nothing's Real, So Nothing's Wrong (2022-present)
On January 11, 2022, Devine announced his tenth LP, Nothing's Real, So Nothing's Wrong, would be released on March 25, 2022 on Triple Crown Records. The announcement included a pre-order and a release of the album's first single, "Albatross". 1 Matthew Caws x <mask>e
2015: No 2. Meredith Graves x <mask>e
2015: No 3. Tigers Jaw x <mask>e
2015: No 4.Cymbals Eat Guitars x <mask>e
2015: No 5. Owen x <mask>e
2016: No 6. Jesse Lacey x <mask>e
2018: No 7. Craig Finn x <mask>e
2018: No 8. David Bazan x <mask>
2018: Unplanned Service Changes Worriers x <mask>e
2018: No 9. Petal x <mask>e
2018: No 10. John K. Samson x <mask>e
2019: No 11.Cavetown x <mask>
2019:

masks:
Kevin Devin
Kevin Devin
Kevin Devin
Kevin Devin
Kevin Devin
Kevin Devin
Kevin Devin
Kevin Devine
Kevin Devin
Kevin Devin
Kevin Devin
Kevin Devine


title: Stanley Anderson (artist)

texts:
<mask>  (11 May 1884 – 4 March 1966) was a British engraver, etcher and watercolour painter. <mask> was principally known for the series of highly detailed engravings of traditional British crafts that he completed over a twenty-year period beginning in 1933. Early life and education
<mask> was born in Bristol on 11 May 1884, the son of <mask>, a silver engraver. He was educated at Merchant Venturers' Technical College, Bristol, and took evening classes at Bristol School of Art. Against <mask>'s wishes, his father arranged for him to begin a heraldic engraving apprenticeship during which he learned to etch on metal. Marriage
<mask> married Lillian Phelps in 1910. They had children, Ivan (1911) and Maxim (1914–1959).Maxim became a documentary director and producer. <mask>'s artistic career began in earnest in 1909. He won an engraving scholarship of £50 per year from the British Institution and studied at the Royal College of Art under Frank Short, and at Goldsmith's College, New Cross. <mask> claimed, however, to be mainly self-taught from visits to the National Gallery and the British Museum. He joined the Royal Society of Painter-Etchers and Engravers as an associate in 1910, becoming a fellow in 1923. He was one of a number of young artists associated with the Painter-Etchers during the war years and immediately afterwards that were credited with reinvigorating that institution. During the First World War <mask> did munitions work in Woolwich.He did not see active service due to a heart condition. In 1925, he became the engraving tutor at Goldsmiths' where he taught Graham Sutherland. From 1930 to 1952 he was a member of the Engraving Faculty at the British School at Rome. He became

masks:
Alfred Charles Stanley Anderson
Anderson
Anderson
Alfred Ernest Anderson
Stanley
Anderson
Career Anderson
Anderson
Anderson


title: Stanley Anderson (artist)

texts:
 an associate of the Royal Academy in 1934 and a full member in 1941. His diploma work for the Royal Academy was The Wheelright (1939). He participated in the Venice Biennale as a main artist in 1928 and as part of group shows in 1924, 1926, 1928, 1930 and 1938. He exhibited at the annual exhibitions of the Chicago Society of Etchers and the California Society of Etchers.Social comment

In the early inter-war years <mask>'s work was mainly composed of portraits, landscapes and street scenes. From the 1920s he began to add social comment and ironic commentary, which increased in the 1930s as his work became more mature and began to reflect his growing disillusionment with modern life. This can be seen in Wreckage (1922), By-Products (1922), in the tramp-like figures lounging in The National Gallery (1925), and in the flute playing busker in Pan in Fulham (1932). In What a piece of work is Man (1936), <mask> deployed ironic humour in commenting on Hamlet's musing about the nature of man. The scene depicts two men having a discussion in a library reading room, where newspapers may be consulted for nothing by those that cannot afford to buy their own copy. The woman behind them has a hole in the heel of her stocking. The stands on which the newspapers are displayed have the labels Weekly Blurb, Fleet St. Slush and Frycassee.One has the headline "Art Today by Blurbert Wede" in mocking reference to Sir Herbert Read, the influential critic of the day and his book Art Now (1933). On the facing page is an image of a child's stick drawing, referring to Read's interest in the art of children, and a crude Picassoesque portrait. Both reflect <mask>'s disdain for modern tendencies in art and ask

masks: Anderson Anderson Anderson


title: Stanley Anderson (artist)

texts:
 whether such things can even be art. The newspaper on the right has an article titled "Hollywood Divorce" on one page and a picture feature titled "CIVILIZATION!" on the other. This page includes images of weapons of war, people in gas-masks, a bishop blessing soldiers, a worker and a top-hatted boss on their knees praying before machinery in the shape of a £ sign, and a march of the unemployed. In The Wayfarer (1941) three men sit at a pub table drinking beer.One is evidently a gentleman of the road. On the wall behind them a small poster advertises the performance of "Cinema Dope for Machine Slaves". Country crafts series
In 1933, <mask> bought a cottage ("Old Timbers") in Towersey, near Thame, Oxfordshire, and began producing the engravings of country crafts for which he is best known. Each was based on detailed preliminary sketches and sold in a limited edition of around 40 or 60, at the Royal Academy or other exhibitions. In many cases, background biographical information is known about the craftsmen featured and their tools and techniques. <mask> often knew them personally and saw them as his equals. His depictions are of real people carrying out their day-to-day work with the actual tools they used.The Lacemaker, for instance, was based on studies of Dorcas Ing (aged 87 at the time) of Long Crendon near Thame made in 1939. Ing had died by the time the engraving was published the following year. She was the only woman featured in the series, though not the only woman in <mask>'s work generally. By 1939, the hand making of lace, once common in the village, was very much in decline. The Thatcher (1944) shows Arthur Ing of Long Crendon, son of Dorcas Ing, using his bat on the hip


title: Stanley Anderson (artist)

texts:
 of a cottage as he repairs or renews a thatched roof. Making the Gate (1948) depicts Rupert Timms who was born 1912 in Aston Clinton near Thame. He came from a long line of farriers and worked with his father Ralph until Ralph's death in 1960.Work for the Timms began to decline after World War Two so in 1947 they entered a competition for blacksmiths run by the Royal Agricultural Society of England who aimed to revive rural crafts. The task was to create a wrought iron gate. The Timms built the gate to a design by <mask> and won first prize in the competition which was held at the 1947 Royal Show at Oxford. They won again at York in 1948. The engraving shows Rupert Timms making the gate with <mask>'s design pinned up on the wall behind him. The Timms developed a business as ornamental blacksmiths based on <mask>'s original design and they made gates St. Mary's Church, Thame, and Elm Park Recreation Ground, also in Thame. <mask> was a traditionalist in his working methods, in his taste (he disliked modern art) and in his concern for the threat to rural crafts, and critics have identified in this series a high level of consistency between the laborious craftsmanship of the men <mask> depicted and the painstaking methods that he used in his engravings, making both subject and method examples of traditional English craft.It was for this body of work that <mask> was awarded his CBE in 1951. The country crafts series was unnumbered and a large number of other works were completed on similar countryside subjects, depicting characters such as The Farm Hand (1933) or The Country Pedlar (1943), other countryside activities, horses and other subjects. Watercolours
After developing neuritis in

masks: Anderson Anderson Anderson Anderson Anderson Anderson


title: Stanley Anderson (artist)

texts:
 his right hand and arm, line engraving on copper became increasingly painful for <mask>. He engraved his last plate in 1953 and thereafter concentrated on watercolour paintings of country scenes which were sold at the annual exhibition of the Royal Academy of Arts. Humphrey Brooke, secretary to the Royal Academy until 1968, recalled in The Times that there was a "stampede" each year to buy <mask>'s paintings which often sold out within minutes of the opening, one collector being seen in running shoes to beat the competition. Death
<mask> died at his home at Darobey, Church Lane, Chearsley, Buckinghamshire, on 4 March 1966. Exhibitions
The exhibition, An Abiding Standard: The Prints of <mask> RA, curated by Professor Robert Meyrick and Dr Harry Heuser ran at the Royal Academy of Arts, London, 25 February – 24 May 2015.Papers
Material relating to <mask> may be found in the James Laver and Harold Wright collections at the University of Glasgow. James Laver (1899–1975) was a writer and art critic and a keeper at the Victoria and Albert Museum. Harold Wright (1885–1961) was a print dealer with Colnaghi & Co.

See also
Muirhead Bone
Gerald Brockhurst
Malcolm Osborne
Henry Rushbury
William Strang

References

Further reading

Meyrick, Robert and Harry Heuser. (2015) <mask>: Prints: A Catalogue Raisonné. London: Royal Academy of Arts. 272pp

External links

<mask> works in the collection of the Royal Academy
Online catalogue of prints by <mask> CBE RA RE
Stanley <mask>'s London, two short Royal Academy films

1884 births
1966 deaths
British engravers
Members of the Order of the British Empire
Royal Academicians
English printmakers
Academics of Goldsmiths, University of London
Artists from

masks:
Anderson
Anderson
Anderson
Stanley Anderson
Stanley Anderson
Stanley Anderson
Stanley Anderson
Stanley Anderson
Anderson


title: Peter Taylor (journalist)

texts:
<mask>,  is a British journalist and documentary-maker. He is best known for his coverage of the political and armed conflict in Northern Ireland, widely known as the Troubles, and for his investigation of Al Qaeda and Islamist extremism in the wake of 9/11. He also covers the issue of smoking and health and the politics of tobacco for which he was awarded the WHO Gold Medal for Services to Public Health. He has written books and researched, written and presented television documentaries over a period of more than forty years. In 2014, <mask> was awarded both a Royal Television Society lifetime achievement award and a BAFTA special award. Early life
<mask> was born in 1942 in Scarborough, North Riding of Yorkshire, and was educated at Scarborough High School for Boys, a state boys' grammar school, followed by Pembroke College, Cambridge, where he read Classics, Modern History and Social and Political Sciences. Career
<mask>'s career reporting on political violence began with ITV’s This Week in 1967, and continued with BBC TV’s Panorama from 1980 to 2014.His Panorama Special, The Spies Who Fooled the World, investigated the intelligence used to justify the Iraq War. He has made many authored series for BBC1 and BBC2 on the security and intelligence services and five documentary series since the 9/11 attacks on Al Qaeda and Islamist extremism, culminating in his acclaimed The Secret War on Terror to mark the 10th anniversary of 9/11 which the Financial Times described as "a small masterpiece of clarity as to our present condition." In 2015, he investigated the funding of ISIS in his programme World's Richest Terror Army. <mask> has written

masks:
Peter Taylor
Taylor
Taylor
Taylor
Taylor


title: Peter Taylor (journalist)

texts: eight books on political violence, his latest being Talking to Terrorists. A Personal Journey from the IRA to Al Qaeda. Others include Beating the Terrorists? Interrogation in Omagh, Gough and Castlereagh, and his Northern Ireland trilogy on the Troubles called, Provos: The IRA and Sinn Féin, Loyalists, and Brits: The War against the IRA.Each book deals with the Northern Irish conflict from the perspective of one of the three main parties involved: the Provisional IRA; the various Ulster loyalist paramilitary groups; and the British government and security forces. The trilogy provides an insight into all the main groups involved and the violent and political events that occurred throughout this turbulent period in Anglo-Irish history. <mask>'s books feature interviews with people connected to some of the most significant incidents and landmark political events in Northern Ireland during this time. In 2000, he presented the three part BBC2 series Brits on the covert war in Northern Ireland including interviews of former members of 14 Intelligence Company, the RUC Headquarters Mobile Support Unit and MI6. In 2007, he wrote and presented the BBC four-part series, Age of Terror. In April 2012, he was presenter and reporter for the BBC2 two-part series Modern Spies, in which he interviewed serving members of MI5, the Secret Intelligence Service and GCHQ (anonymously). The Guardian described it as “meticulously researched and enviably sourced”.His documentaries on smoking and health and the politics of tobacco include four for ITV in the 1970s: Dying for a Fag (ITV's This Week 1975); Licence to Kill; Ashes to Ashes (ITV's This Week 1976); and


title: Peter Taylor (journalist)

texts:
 Death in the West. The Marlboro Story. In the 1980s he continued his investigations into the tobacco industry with BBC TV's Panorama programme: A Dying Industry (BBC 1980) and The Habit the Government can’t Break (BBC 1985). He also published his book, Smoke Ring. The Politics of Tobacco in 1985. In May/June 2014, a new BBC series, Burning Desire was aired with <mask> as the presenter. In 2014, he was awarded a Royal Television Society lifetime achievement award and a BAFTA special award for his career's contribution to factual and current affairs television.Awarding <mask> his BAFTA, Sir Jeremy Isaacs described him as "Mr Valiant for the Truth", referencing John Bunyan's Pilgrim's Progress. In 2015, <mask> secured the first British television interview with former CIA analyst Edward Snowden, living in exile in Moscow, for Panorama. Personal life
He was married to fellow journalist Susan McConachy from 1974 until her death on 16 November 2006. They had two children, Ben and Sam. He is the older brother of <mask>, former Presenter & Producer/Director LWT's The London Programme and reporter on Panorama worked on ITV's This Week,  presented Carlton TV's Inside Crime, and worked for Channel Five's Crime Report, Reported on London News Network's London Tonight, and was at BBC News. Awards
<mask> has been the recipient of numerous awards:
 Three Royal Television Society (RTS) Best Home Documentary awards:
 "Coincidence or Conspiracy?" (Panorama on the Stalker Affair) (1987)
 "The Volunteer" (from "Families at War") (1990)
 "Enemies Within" (Inside Story Special on the Maze Prison) (1991)
 RTS Judges Award for his contribution to television

masks:
Taylor
Taylor
Taylor
John Taylor
Taylor


title: Richa Nagar

texts: <mask> (born 1968, in Lucknow, India) is a scholar, creative writer, educator, and theatre-worker who is Professor of the College in the College of Liberal Arts at the University of Minnesota. <mask>'s creative and scholarly work makes multi-lingual and multi-genre contributions to transnational feminism, social geography, critical development studies, and critical ethnography. Her research has encompassed a range of topics including: politics of space, identity and community among communities of South Asian origin in Tanzania; questions of empowerment in relation to grass-roots struggles in the global South, principally with the Sangtin Kisan Mazdoor Sangathan (SKMS) in Sitapur District, India; the politics of language and social fracturing in the context of development and neo-liberal globalization; and creative praxis that uses collaboration, co-authorship, and translation to blur the borders between academic, activist, and artistic labor. She has held residential fellowships at the Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford in 2005-2006, at the Jawaharlal Nehru Institute of Advanced Study (JNIAS) at New Delhi in 2011-2012, and at the Centre for Humanities Research at the University of the Western Cape in 2013. She was named Honorary Professor at the Unit for Humanities at the Rhodes University (UHURU) at Rhodes University in South Africa in 2017, and her work has been translated into several languages including Turkish, Marathi, Italian, German and Mandarin. Work on the

masks:
Richa Nagar
Nagar


title: Richa Nagar

texts:
 Politics of Place and Identity among 'Asians' in Tanzania
<mask>'s historical, geographical, and feminist exploration of the politics of place, identity, and community among 'Asians' in Tanzania is based on a "large number of life histories as well as participant observation" among Hindus, Khoja Shia Ithna Asheris, Goans and Sikhs, chiefly in the city of Dar es Salaam. This body of work is "significant for its geographical focus"  and "provides a useful and very necessary corrective to the misperceptions"  that "construct[ed] all Asians as a monolithic category."It highlights how "processes at multiple scales intersect and shape the negotiation of geographic and social space among different diasporic South Asian groups in their neighborhoods"  while also "explor[ing] many relevant dimensions of the researcher-narrator relationship...[<mask> attends] to the processes involved in navigating within and across Dar's many Asian and African communities, with their particular spaces, boundaries, markers of identity, and hierarchies of power." Coauthoring Across Research and Activism
In 2004, <mask> published with eight rural women activists or Sangtins, the Hindi book, Sangtin Yatra which refers to a "journey of solidarity, reciprocity, and enduring friendship." The eight activists—Anupamlata, Ramsheela, Reshma Ansari, <mask> Singh, Shashibala, Shashi Vaish, Surbala, and Vibha Bajpayee—collaborated with <mask> <mask> to explore questions of power, location, and difference in their own lives through personal

masks:
Richa Nagar
Nagar
Nagar
Richa
Richa
Nagar


title: Richa Nagar

texts: storytelling, while also engaging with issues of inequity and discrimination in NGOs that seek to empower poor rural women in the global south. This discussion of NGOs triggered a backlash against the authors, which is examined in the English version of the book, Playing with Fire: Feminist Thought and Activism Through Seven Lives in India (2006). Playing with Fire "challenges academic protocol and activist verities alike" and "grapples with creative solutions, such as upending hierarchies of skill and knowledge in organizations, as well as means to fight organizational dependency on donors...Every chapter makes for fascinating reading as the women emerge in their complexity, in their specificity, and in their international context that still includes outside donors driven by their own interests." The book "asks us to think in radically new ways about responsibility, access, research, agency, authorship, subjects, and audience. It contributes to the vibrant discourse on the politics of research particularly between the 'north' and 'south' [and] pushes at the boundaries of this discourse as it demonstrates different ways of engaging in collaborative work that challenges the separation between 'the academy' and 'political organizing'."The debates triggered by Sangtin Yatra and Playing with Fire helped to build Sangtin Kisaan Mazdoor Sangathan or the Sangtin Farmers and Laborers Organization (SKMS) in the Mishrikh and Pisawan blocks of Sitapur District of Uttar Pradesh.. <mask>'s book with <mask> Singh in

masks: Nagar Richa


title: Richa Nagar

texts: Hindi, Ek Aur Neemsaar: Sangtin Atmamanthan Aur Andolan (2012) tells the story of the birth and growth of SKMS. Playing with Fire and Sangtin Yatra have been translated into Turkish as Ateşle Oynamak: Hindistan'da Yedi Yaşam Üzerinden Feminist Düşünce ve Eylem (Ayizi Kitap, 2011) and into Marathi as Ageeshee Khelataana: Saat Stree Karyakartancha Sahpravaas (Manovikas Prakashan, 2015). In Muddying the Waters: Coauthoring Feminisms Across Scholarship and Activism (2014), which received Gloria Anzaldua Book Prize's Honorable Mention, <mask> <mask> examines coauthorship as a mode of sharing authority and addresses translation as ethical responsibility. The book "emerges out of the difficulties and (im)possibilities encountered in the creation of politically meaningful scholarship that inevitably crosses multiple borders. Those between academia and social movements, academic and nonacademic writing, or geographical and linguistic borders...<mask>'s work is a call for politically engaged and ethical research that takes matters of epistemic violence seriously. For the author, such research cannot shy away from the tensions, risks and challenges involved in the building of solidarities and alliances between researchers and the researched 'on the ground.' These 'situated solidarities' are achievable when activists and scholars speak with each other to become 'radically vulnerable' through trust, affect and critical reflexivity without losing sight of their institutional, material and geopolitical

masks: Richa Nagar Nagar


title: Richa Nagar

texts:
 positions.".Here, <mask> also introduces the concept of 'radical vulnerability' as a critical mode of collectivity in politically-engaged alliance-work—an idea that she and her critics have continued to explore further. Books in English
 2019. <mask>, <mask>, in journeys with Sangtin Kisan Mazdoor Sangathan and Parakh Theatre.Hungry Translations: Relearning the world through Radical Vulnerability. Urbana, Chicago, and Springfield:University of Illinois Press. 2019. (pbk), 978-0-252-04257-7(cloth). 2014.<mask>, Richa. Muddying the Waters: Co-authoring Feminisms Across Scholarship and Activism. Champaign: University of Illinois Press. 2014. (pbk), 978-0252096754 (e-book) also available as Open Access version. 2010. Amanda Lock Swarr and <mask> <mask>, editors.Critical Transnational Feminist Praxis. Albany: SUNY Press. 2010. (pbk)
 2009. Eric S. Sheppard, Philip W. Porter, David Faust, and <mask> <mask>. A World of Difference: Encountering and contesting development. Second fully revised and expanded edition.New York: Guilford Press. 2009. (pbk)
 2006. Sangtin Writers and Richa Nagar. Playing with Fire: Feminist Thought and Activism Through Seven Lives in India. Minneapolis: University of Minnesota Press. 2006.(pbk)

Books in Hindi
 2016. <mask> <mask> Nagar). New Delhi: Kitabghar Prakashan. 2012. Sangtin Lekhak Samooh: Anupamlata, Ramsheela, Reshma Ansari, <mask> <mask>, <mask> Singh, Shashibala, Shashi Vaish, Surbala, and Vibha Bajpayee. संगतिन यात्रा: सात ज़िन्दगियों में लिपटा नारी विमर्श (Sangtin

masks: Nagar Nagar Richa Nagar Richa Nagar Richa Nagar Richa Nagard Richa Nagar Richa


title: Richa Nagar

texts:
 Yatra: Saat Zindgiyon Mein Lipta Nari Vimarsh) (Web edition available) Revised edition with selected reviews and commentary on the 2004 edition of the book.New Delhi: Rajkamal Prakashan. 2012. <mask> <mask> and <mask> Singh. एक और नीमसार: संगतिन आत्ममंथन और आंदोलन (Ek Aur Neemsaar: Sangtin Atmamanthan aur Andolan) (Sequel to the 2004 book, 'Sangtin Yatra'). New Delhi: Rajkamal Prakashan, 2012. [On the Making of the Sangtin movement in Uttar Pradesh]. 2012. , 978-8126721948

Articles on Collaboration, Friendships, and Radical Vulnerability in Research and Alliance Work
 2016.<mask>, Richa with Özlem Aslan, Nadia Z. Hasan, Omme-Salma Rahemtullah, Nishant Upadhyay, and Begüm Uzun. Feminisms, Collaborations, Friendships: A Conversation. Feminist Studies 42:2: 502-519. 2016. Book Review Forum: Muddying the Waters: Coauthoring Feminisms across Scholarship and Activism. Respondents: Elora Halim Chowdhury, Laura Pulido, Nik Heynen, Lainie Rini, Joel Wainwright, Naeem Inayatullah, and <mask> <mask>. Gender, Place and Culture https://dx.doi.org/10.1080/0966369X.2016.1221880.2016. Editor's Interview with <mask> <mask>, Interview Forum: On Feminist and Postcolonial Thought. Journal of Narrative Politics 2:2: 73-81. http://journalofnarrativepolitics.com/wp-content/uploads/2016/03/JNP-Vol-22-Nagar.pdf. 2013. Interview with Class War University: Desiring Alliance and Complex Translations in Activist Research (Conducted 11 July 2012, Posted July). http://classwaru.org/2013/07/25/desiring-alliance/
 2012. Interview with

masks: Richa Nagar Richa Nagar Richa Nagar Richa Nagar


title: Richa Nagar

texts:
 Selda Tuncer: <mask> <mask>'la Feminizmin Zor Sorulari Uzerine.AMARGI (Turkish feminist Journal)  25: June: 13-20. English Translation at: https://www.academia.edu/2541413/An_Interview_with_<mask>_<mask>_An_Honest_Dialogue_on_Difficult_Questions_of_Feminism. 2008. Sangtin Writers (<mask> <mask>, <mask> Singh, Surbala). Safar Jaari Hai/The Journey Continues [A response in English and Hindi to Geraldine Pratt, Sharad Chari, Mathew Spark, Rupal Oza, and Gillian Hart]. Authors meet Critics: A set of reviews and response. Social and Cultural Geography 9:1: 226-236.2007. <mask>, <mask> and Susan Geiger. Reflexivity, Positionality and Identity in Feminist Fieldwork Revisited. In eds. Adam Tickell, Eric Sheppard, Jamie Peck and Trevor Barnes. Politics and Practice in Economic Geography. London: Sage, pp.267–278. 2006. Benson, Koni and <mask> <mask>. Collaboration as Resistance? Reconsidering Processes, Products, and Possibilities of Feminist Oral History and Ethnography. Gender, Place and Culture 13:5: 581-592. Articles on Globalization, Development, and Questions of Empowerment
 2004.<mask>, <mask> & Amanda L. Swarr. Organizing from the Margins: Grappling with "Empowerment" in India & South Africa. In eds. Lise Nelson and Joni Seagar. A Companion to Feminist Geography. London: Blackwell, pp. 291–304.2004. Swarr, Amanda L. and <mask> <mask>. Dismantling Assumptions: Interrogating "Lesbian" Struggles for Identity and Survival in India and South Africa. Signs: Journal of Women in Culture and Society 29:2:491-516.

masks: Richa Nagar Richa Nagar Richa Nagar Richa Nagar Richa Richa Nagar Nagar Richa Richa Nagar


title: Richa Nagar

texts:
 2003. <mask>, <mask> and Saraswati Raju. Women, NGOs and the Contradictions of Empowerment and Disempowerment.Antipode: A Radical Journal of Geography 35:1:1-13. 2002. <mask>, <mask>, Victoria Lawson, Linda McDowell and Susan Hanson. Locating Globalization: Feminist (Re)readings of the Subjects and Spaces of Globalization. Economic Geography 78:3:257-284. 2001. Faust, David and <mask> <mask>.English Medium Education, Social Fracturing, and the Politics of Development in Postcolonial India. Economic and Political Weekly July 28-August 3: 2878-2883. Articles on Politics of Identity, Place, and Community among 'Asians' in Tanzania
 2014. Dar es Salaam, Making peace with an abandoned field. In R<mask>, Muddying the Waters, Champaign: University of Illinois Press. 2001. <mask>, Richa.Saboteurs? Or Saviors? South Asian Magazine for Action & Reflection: Special Issue on South Asia and Africa. Winter/Spring:14-19. 2000. <mask>, Richa. "I'd Rather be Rude than Ruled": Gender, Place, and Communal Politics among South Asian Communities in Dar es Salaam.Women's Studies International Forum 23:5: 571-585. 2000. <mask>, Richa. Religion, Race and the Debate over Mut'a in Dar es Salaam. Feminist Studies 26:3: 661-690. 1998. <mask>, <mask> and Helga Leitner.Contesting Social Relations in Communal Places: Identity Politics Among Asians in Dar es Salaam. In eds. Ruth Fincher and Jane Jacobs. Cities of Difference. New York: Guilford, pp. 226–251. 1998.<mask>, Richa. Communal Discourses, Marriage, and the Politics of

masks:
Nagar
Richa
Nagar
Richa
Richa
Nagar
. Nagar
Nagar
Nagar
Nagar
Nagar
Richa
Nagar


title: Richa Nagar

texts:
 Gendered Social Boundaries among South Asian Immigrants in Tanzania. Gender, Place and Culture 5:2: 117-139. 1997. <mask>, Richa. Communal Places and the Politics of Multiple Identities: The case of Tanzanian Asians. Ecumene: A Journal of Cultural Geographies 4:1: 3-26.1997. <mask>, Richa. The Making of Hindu Communal Organizations, Places and Identities in Postcolonial Dar es Salaam. Environment and Planning D: Society and Space 15: 707-730. 1996. <mask>, Richa. The South Asian Diaspora in Tanzania: A History Retold.Comparative Studies of South Asia, Africa and the Middle East: A Journal of Politics, Culture and Economy 16:2: 62-80. 1993. <mask>, Richa. Indigenisation Debate and Tanzanian Asians. Africa World Review 5:24-25. References

Living people
1968 births
Gender studies academics
Feminist studies scholars
Indian feminists
American women academics
University of Minnesota alumni
University of Minnesota faculty
Women writers from Uttar Pradesh
Intersectional feminism
Center for Advanced Study in the Behavioral Sciences fellows
Asian diaspora in Tanzania
Dar es Salaam
Writers from Lucknow
Hindi-language writers
Savitribai Phule Pune University

masks: Nagar Nagar Nagar Nagar


title: Oleksander Hrekov

texts:
<mask> () (4 December 1875 – 2 December 1958) was a general of the Imperial Russian Army, Ukrainian People's Army, military professor and one of the most prominent personalities in the History of Ukraine. He was better known as the commander-in-chief of the army of the West Ukrainian National Republic during the Polish-Ukrainian War and architect of the  Chortkiv offensive in which the Ukrainian Galician Army advanced  against the Polish army. Background

<mask> was born into a Russian family whose estate was near Glukhov in Sopychi, Chernigov Governorate. Today most of the territory belongs to the village of Sopych, Hlukhiv Raion, on the border with the Russian Federation. His father <mask> was a lawyer and a large landowner of the Chernigov Governorate and his mother was Maria Hryhorivna Preobrazhenska. According to family legend, the Hrekov's family were descendants of a Greek who was part of the delegation accompanying Sophia Paleologue as she moved to Muscovy in 1472 when marrying Ivan III of Russia, Grand Prince of Moscow. The <mask> family attained the status of nobility as a reward for their service to Peter the Great.<ref>[https://web.archive.org/web/20110614115219/http://memorial.kiev.ua/zhurnal/pdf/02_2001/343.pdf Yaroslav Tinchenko, General <mask>iv: Military Actions and Fate Journal of Memorial pg.4] (Ukrainian)</ref>

On the insistence of his father, Hrekov completed the law school of Lomonosov Moscow State University in 1897. Later, after surprising enrollment into the Moscow military school, he graduated it in 1899 and the Nicholas General Staff Academy in 1905 after three years of study (along with another Ukrainian general Volodymyr Sinclair). Career in the Russian Army

Since 1905 Hrekov served in the Leib-Guard Egersky

masks:
Oleksander Petrovych Hrekov
Hrekov
Petro Havrylovych Hrekov
Hrekov
Oleksander Hrek


title: Oleksander Hrekov

texts:
 Regiment. From 1908 taught political and military history at the military academy. Prior to World War I at first (1907) he served at the 3rd Grenadier Division (Moscow) and later (1908) relocated to Saint Petersburg to the 1st Guard Division. There <mask> received his first award, the Order of Saint Stanislaus of III degree, as well as promotion to captain. Along with his military service the future general was giving lectures in the Pavel Infantry School (uchilishche).Since 1910 <mask> worked at the headquarters of the Petersburg Military District. In 1910 he also received an assignment of the first adjutant of Guard forces, similar to the chief of Guard intelligence. One of his duties was a close security of the royal family of Nikolai II. In 1911 he was promoted to Lieutenant Colonel and received his second award, the Order of Saint Anna of III degree. In 1912 <mask> defended his dissertation on the History of military art, becoming an extraordinary professor which today is a candidate of sciences. <mask> also became a professor of the Military Art Department at Nikolas Academy General Staff. At the start of the First World War he was appointed as the chief of staff for the 74th Infantry Division which was stationed at the rear.There <mask> met with another future Ukrainian general Mykola Yunakiv. After a request to send him to the frontlines, <mask> was appointed as the chief of staff for the 1st Guard Division. In 1915 he was promoted to colonel. In April 1917 he distinguished himself in fighting near Tarnopol and was awarded the Order of St. George of IV degree. The same year <mask> was promoted to general. Career in the Ukrainian Army

In December 1917 he switched to Ukrainian service where his first assignment was the 2nd Serdyuk

masks: Hrekov Hrekov Hrekov Hrekov Hrekov Hrekov Hrekov


title: Oleksander Hrekov

texts:
 Division which was only starting to form and at that time consisted out a small officer corps. One of the Hrekov's first remarkable subordinates on the side of the Ukrainian People's Army was a colonel Petro Bolbochan.At one time the Russian prime-minister Vladimir Lenin was offering 50,000 rubles in silver for the head of colonel Bolbochan. During the same time <mask> was appointed the chief of the Kiev Military District and was partially involved in the formation of the Sich Riflemen Halych-Bukovyna Kurin (Battalion) led by Yevhen Konovalets. The unit became the main supporter of the Central Rada and Mykhailo Hrushevsky. After the fall of Kiev early in 1918 <mask> retired from the Ukrainian People's Army. From December 1918 until January 1919 he was assigned to undertake negotiations with French forces occupying Odessa on behalf of the Directorate of Ukraine. After a conflict with Petliura and leftist Ukrainian politicians, he was forced to resign his post and on 16 May 1919 assumed command of the Ukrainian Galician Army offered to him by Yevhen Petrushevych. The Galician army faced against the better equipped the Heller's Army was pushed from Lviv all the way to Husyatyn at Zbruch river.<mask>'s presence there electrified the Galician soldiers, who were on the verge of defeat at the hands of the Poles during their war against them; many veterans of that war recalled the period under his command as the high point of their war experience.) <mask> and his family left for Romania in July 1919. Life in Emigration

In 1920 he moved to Vienna. While there, he edited the journal "Ukraina" but adopted a pro-Polish orientation that discredited him in the eyes of much of the Ukrainian émigré community. In the 1930s he became close to a circle of

masks: Hrekov Hrekov Hrekov Hrekov


title: Oleksander Hrekov

texts:
 Russian émigrés but at the end of that decade returned to the Ukrainian community, where he tried in vain to create an organization of "Ukrainian cossacks." Arrested by the Soviet occupation authorities in 1948 he was taken to Lukyanivska Prison in Kiev, he was exiled to Ozerlag camp of the Gulag before being released in 1956, whereupon he returned to Vienna. Currently a street in Lviv is named after Hrekov.Personal life
<mask> <mask> married Natalia Ivanivna Kabat in 1905, a daughter of Hofmeister'' of the Higher Court, secret adviser and senator. His wife's family was of Hungarian descent. They had a son Oleh (1914–1942) and a daughter Yelyzaveta (1906-?). Hrekov had two sisters Anna and Yulia as well as three brothers: Kostiantyn who became attorney, Hryhoriy - a military officer, and Mykola who was an engineer and railway specialist. Honours and awards
 Order of St. Vladimir, 3rd and 4th classes
 Order of Saint George, 4th class
 Order of St. Stanislaus, 2nd and 3rd classes
 Order of St. Anne, 3rd and 4th classes

References

On-line articles

  Encyclopedia of Ukraine
 General <mask> <mask> (Ukrainian)
 Biography (Russian)
 Biography (Russian)
 Fate of General <mask> (Ukrainian)

1875 births
1958 deaths
People from Hlukhiv Raion
People from Chernigov Governorate
Ukrainian nobility
Defence ministers of Ukraine
Imperial Russian Army generals
Generals of the Ukrainian People's Republic
Ukrainian Galician Army people
Ukrainian people of World War I
Russian military personnel of World War I
Ukrainian people of the Polish–Ukrainian War
Recipients of the Order of Saint Stanislaus (Russian), 2nd class
Recipients of the Order of St. Vladimir, 3rd class
Recipients of the Order of St. Anna, 3rd class
Ukrainian people in the Russian Empire
Russian

masks: Oleksander Hrekov Oleksander Hrekov Hrekov


title: Mohamed Makiya

texts:
<mask>  (<mask> 1914-2015) () was an Iraqi architect and one of the first Iraqis to gain formal qualifications in architecture. He is noted for establishing Iraq's first department of architecture at the University of Baghdad and for his architectural designs which incorporated Islamic motifs such as calligraphy in an effort to combine Arabic architectural elements within contemporary works. Early life and education
<mask>, son of Bahiya and Saleh Abd al-<mask>, was born in Baghdad into a family of clothing merchants. His father died when he was an infant, and his mother went to live with his uncle. At the Baghdad Central Secondary School, he excelled in mathematics and showed sufficient promise to be selected as one of 50 students to be awarded a scholarship to study in England. He travelled to England in 1935 and spent his first year learning English and preparing for the matriculation exams. He enrolled at Liverpool University, School of Architecture, graduating with a bachelor's degree in architecture (1941) and a diploma of civic design, (1942).He later enrolled at King's College, Cambridge, where he completed a PhD (1946). His dissertation was entitled The Influence of Climate on Architecture in the Mediterranean Region. In 1941, while undertaking post-graduate studies in England, he met his future wife, English-born, Margaret Crawford, who later travelled to Baghdad to marry him, in spite of some resistance from her family. In 1956 he was the recipient of a Fulbright scholarship, which allowed him to study in the US. Career

When he returned to Baghdad in 1946, he was one of the first

masks:
Mohamed Makiya
Mohammed Saleh Makiya
Mohamed Saleh Makiya
Aziz Makiya


title: Mohamed Makiya

texts: Iraqis to have obtained formal qualifications in architecture. At that time, Iraq had no tradition of using architects; rather a continuous tradition of both domestic and public buildings relying on ancient building techniques was evident, but designers rarely attached their names to their designs. The concept of an architect was so foreign that the Arabic language had no word to describe the profession.However, by the mid-20th century, Iraq was undergoing a period of 'modernisation' and many traditional houses were being demolished, paving the way for contemporary designs. The challenge for contemporary architects was how to incorporate traditional design elements while using modern materials and techniques. <mask>, along with local architects, who had been trained in Europe, including, Makkiyya al-Jadiri, Mazlum, Qatan Adani and Rifat Chadirji took up this challenge, and in so doing, were pivotal to the development of a distinctly national style of architecture. Following his return to Baghdad, <mask> established Makiya & Associates, an architectural and planning consultancy, and later opened branch offices in Bahrain (1967); Muscat, Oman (1971) and London (1974). His first important commission was for Khulafa Mosque (1960–63) for which he developed a design extracted from the 9th-century Abassid mosque that formerly stood on the same site, and built it around the surviving minaret. This mosque was situated in the same suburb as <mask>'s place of birth. In the early years of his practice, Makiya struggled.Insufficient commercial work meant that he had to find a paid work. He was employed at

masks:
Mohamed Makiya
Makiya
Makiya


title: Mohamed Makiya

texts: the Directorate of General Municipalities in Baghdad, where he worked as an urban planner and architect. His wife worked as a secondary school teacher during these years. By the 1960s, however, he began to receive important commissions and by the 1970s, his Bahrain office was thriving. He continued to exhibit a preoccupation with regional architectural issues - local built environment, architectural heritage, folklore and local craftsmanship. For this design focus, he was often known as "the Islamic architect." His interest in Islamic art and design led him to collect artworks and photographs.Later his photographs were used to illustrate books on Islamic architecture such as Arab Architecture: Past and Present published by the Centre for Middle Eastern & Islamic Studies, University of Durham, 1983. He also supported the arts in practical ways. In the absence of art galleries in 1940s' Baghdad, <mask> opened his private home to host the first contemporary art exhibition featuring works by artist, Jawad Saleem. In 1959, he founded Iraq's first architectural department within the engineering department at University of Baghdad, became its dean and held the position until 1968. As an educator, he encouraged his students to take an interest in traditional Iraqi design and encouraged them draw street elevations of traditional buildings. By the early 1970s, he had fallen from favour with the Ba'athist regime and his name appeared on a Ba'athist-compiled list of those who were to be arrested. He was working in Bahrain when he learned this alarming news, but was in the process of establishing an office


title: Mohamed Makiya

texts:
 in London.He and his family relocated to London. While living in London, he established the Kufa Gallery In London as a focus for Islamic and Arab art

In 1980 the Mayor of Baghdad invited him to return to Baghdad for the purpose of participating in a major rebuilding program. After being given a guarantee of his personal safety, <mask> decided to return, but in family discussions, it was decided that his son, Kanan, should not travel to Baghdad, but instead remain in England where he would manage the London branch of Makiya & Associates. <mask> spent his final years, in exile, living in London's Bayswater, where his wife died in 2013. <mask> also died in London, in 2015, at the age of 101. He was survived by his son Kanan (b. 1949) and a daughter, Hind (b.1952). His son, Kanan <mask>, had also trained as an architect, but left the family business to become an academic in the United States. Work

For a time, he was one of Saddam Hussein's top architects, participated in Hussein's multi-million dollar rebuilding projects and helped to build Hussein's palaces. He also built numerous commercial buildings, including banks, libraries, government offices and private residences. In addition, he won competitions for designs for public projects, such as the Baghdad State Mosque and the Tikrit Ceremonial Parade Grounds, that never came to fruition. Major public works

 Khulafa Mosque (1960–63) - based on a design extracted from the 9th-century Abassid mosque and built around the surviving minaret
 Rafidain Bank, Basra (1970)
 Sheikh Mubarak Building, Bahrain (1973)
 International Hilton Hotel, Dubai

masks:
Makiya
Mohamed Makiya
Makiya
Makiya


title: Mohamed Makiya

texts:
 (1974)
 Siddique Mosque, Doha (1978)
 Al-Andalus housing complex, Doha (1983)
 Kuwait State Mosque (1978-1984)
 Headquarters for the Regional Arab Organisers, Kuwait (1982–87)
 Headquarters of the League of Arab States, Tunis (1983)
 Great Mosque, Oman (1995-2002)

Publications

<mask> contributed many articles to newspapers and scholarly journals as well as chapters in monographs. (Sole-authored) Turāth al-rasm al-Baghdādī by <mask>, Wizārat al-Iʻlām, al-Lajnah al-Taḥḍīrīyah li-Mihrajān al-Wāsiṭī, 1972
 (Sole-authored) Baghdad by <mask>,  London, Al-Warrak Publishing Ltd, first published in 1962 and reprinted in 2005
 (Joint-authored) Ḫawāṭir as-sinīn by Moḥamed Makīya and Rašīd al- Ḫaiyūn, Bairūt Dār as-Sāqī,  2005
 (Contributor) Third World Planning Review, Volume 10, Liverpool University Press, 1988

Legacy
At least three books have been dedicated to his contribution to architecture.Post-Islamic Classicism: A Visual Essay on the Architecture of <mask>, by Kanan <mask> (Saqi Books, 1990)
 Contemporary Iraqi Art: A Journey with the Iraqi Architect <mask>, by Ahmed Naji Al-Saeed
 <mask>ya: A Century of Architecture and Life and <mask>’s Son by Khalid al-Sultani

In 2014, Tamayouz Excellence Awards announced that it would award the annual <mask>ya Prize designed to celebrate the best of Architecture. In 2016, Iraq honoured two of its most celebrated architects, <mask> and Zaha Hadid, with postage stamps. See also
 Iraqi art
 List of Iraqi artists

References

Artists from Baghdad
British architects
British people of Iraqi descent
Iraqi architects
Iraqi emigrants to the United Kingdom
Writers

masks:
Makiya
Mohamed Makiya
Mohammed Makiya
Mohammed Makiya
Makiya
Mohamed Makiya
Mohamed Maki
Mohamed
Mohamed Maki
Mohammed Makiya


title: Harold Searles

texts: <mask> (1 September 1918 – 18 November 2015) was one of the pioneers of psychiatric medicine specializing in psychoanalytic treatments of schizophrenia. <mask>s had the reputation of being a therapeutic virtuoso with difficult and borderline patients; and of being, in the words of Horacio Etchegoyen, president of the IPA, "not only a great analyst but also a sagacious observer and a creative and careful theoretician". <mask> was born in 1918 at Hancock, New York, a small village in the Catskill Mountains along the Delaware River, which was the subject of many of his reminiscences in his first book, The Nonhuman Environment. He attended Cornell University and Harvard Medical School before joining the US armed services in World War II, where he served as a captain After the war he continued his psychiatric training at the Chestnut Lodge, a private sanitarium in Rockville, MD from 1949–1951, then at the Veterans Administration Mental Hygiene Clinic in Washington, DC from 1951–1952. In 1949 he started work at Chestnut Lodge,  where he stayed for the next fifteen years. His colleagues included Frieda Fromm-Reichmann, to whose philosophy of treatment he acknowledged his personal debt. Searles retired from his private practice in Washington, D.C., in the mid-1990s and moved to California in 1997, where both of his sons lived.Searles' wife died in 2012, at the age of 93. Thereafter, Searles lived with his youngest son Donald, a Los Angeles-based attorney. Searles' daughter is Sandra Dickinson, a London-based actress. His eldest son, David Searle, is a Southern California motorcycle journalist. He died on November 18, 2015 in Los Angeles. Searles is survived by three children (one of whom is the

masks:
Harold Frederic Searles
Harold Searle
Life Searles


title: Harold Searles

texts:
 therapist's acknowledging the core of truth around which a patient's transference materializes. Relatedness
Searles saw the schizophrenic individual as struggling with the question, not so much of how to relate, but of whether to relate to others.Searles, however, considered this merely as an exacerbated version of the same (if hidden) conflict that affects us all. Searles' interpersonal ideal – in the formulation of which he was indebted to Martin Buber – was of what he called a mature relatedness, something which involves connection without merging, or the loss of personal boundaries. "The Effort to Drive the Other Person Crazy"
In an article of 1959, "The Effort to Drive the Other Person Crazy", Searles examined six modes of interpersonal communication, arguing that "each of these techniques tends to undermine the other person's confidence in his own emotional reactions and his own perception of reality". Among these techniques were switching emotional wavelengths while discussing the same topic; and dealing with different topics (life and death/trivial) while remaining on the same wavelength. Such attempts at crazy-making were often applied by patients to therapists, who had the task of enduring them without retaliation. Searles added moreover that it was important for the therapist to survive their own wish to kill the patient. Criticism
Like many articles in psychoanalysis from the early and middle part of the 20th century Searles' work reflects an older version of views on homosexuality and transsexuality that are no longer part of the current mainstream of psychoanalytic thought.Influence
Arguably, <mask>' work was largely ignored in the wider analytic community until the


title: Harold Searles

texts:
 1980s, when his radical views on the analyst's involvement through countertransference started to become more normative. Since then Jungians in particular have paid increasing attention to his work, linking his findings both to those of  Jung and to the work of another maverick analyst, Robert Langs. Searles has also been associated with Donald W. Winnicott and Hans W. Loewald as psychoanalytic figures who all emphasized the importance of the part played in psychic development by the external environment. Bibliography
 <mask>, <mask>. (1960): The Nonhuman Environment in Normal Development and in Schizophrenia. New York
 <mask>, <mask>. (1965): Collected papers on schizophrenia and related subjects. New York: International Universities Press,
 <mask>, <mask>. (1979): Countertransference and Related Subjects; Selected Papers. New York: International Universities Press,
 <mask>, <mask>. and Langs, Robert (1980): Intrapsychic and Interpersonal Dimensions of Treatment.A Clinical Dialogue. New York: Jason Aronson
 <mask>, <mask>: My Work With Borderline Patients, New York: Jason Aronson, 1986,

References

External links

American psychiatrists
American psychologists
Freudians
American psychoanalysts
1918 births
2015 deaths
Harvard Medical School alumni
Cornell University

masks:
Searles
Harold F
Searles
Harold F
Searles
Harold F
Searles
Harold F
Searles
Harold F


title: Enayat Ahmad

texts:
<mask> (1 August 1923 - 10 December 1999) was an Indian geographer known for his contribution to the study of the geography of India, especially his interpretation of the evolution of drainage systems in the Himalayas and his writings on tropical coastal geomorphology. As well as a large number of research articles for academic journals, he wrote twelve books on geomorphology, geology, and the Himalayas. Early life and education

Born in the village of Harpur near Siwan in Bihar, he received his education in Basti, Uttar Pradesh, and later at Aligarh Muslim University. While still a young boy, he was fascinated by nature and rivers. He had an innate love for geography, and while playing on the white sandbanks of the  Gandaki River in his village, he would spend hours drawing the map of India on the sands. He took a keen interest in gardening, sketching and was adept in the Persian language. After completing his Master's degree from AMU, he was chosen as a state scholar to pursue his doctorate from the London School of Economics and Political Science and received a scholarship for the same.The thesis he wrote as a doctoral student while at the London School of Economics and Political Science was titled Settlements in the United Provinces of Agra and Oudh (1949) and described by Oskar Spate as “the best and most detailed” dissertation on settlements. Career
 1945–1946: Lecturer at the Aligarh Muslim University
 1946–1949: PhD from the London School of Economics and Political Science
 1949–1955: Lecturer at Patna University
 1955–1983: Head of the Department of Geography, Ranchi University
 1983–1985: Professor Emeritus, Ranchi University
 1985–1987: Vice-Chancellor, Magadh University
 1987–1999: Professor Emeritus, Ranchi University

Books
He has written 12 books in the field of geography. Coastal Geomorphology of India, 1972, New Delhi, Orient Longman
 Soil Erosion in India, 1973, New Delhi, Asia Publishing House
 Bihar, A Physical, Economic and Regional Geography, 1965, Ranchi University
 Social and Geographical Aspects of Human


title: Enayat Ahmad

texts:
 Settlements, 1979, New Delhi, Classical Publications
 Geography of the Himalaya, 1992, New Delhi, Kalyani Publishers
 Regional Planning with Particular Reference to India, 1980, New Delhi, Oriental Publishers, and Distributors
 Some aspects of Indian geography, 1976, Allahabad, Central Book Depot
 Settlements in the United Provinces of Agra and Oudh (Ph.D. thesis)
 Physical Geography, 1982, New Delhi, Kalyani Publishers
 Geomorphology, 1985, New Delhi, Kalyani Publishers

He translated into Urdu two popular geography textbooks - F J Monkhouse's 'The Principles of Physical Geography' and Paul Vidal de La Blache's 'The Principles of Human Geography'. Research papers

<mask> <mask> wrote several research papers on various aspects of geology, geography, and geomorphology of India, many of which were published in the journal that was published from Ranchi University and some in the journal of Aligarh Muslim University. His initial publications on what developed into the <mask> theory were first published in the Geographical Outlook and Geographer. One of his first published papers, based on his thesis work, was on human settlements in Uttar Pradesh. He wrote Five Cities of the Gangetic Plain: A Cross-Section of Indian Cultural History in 1950 with Oskar Spate, a well-known geographer, and The Rural Population of Bihar in 1961, both of which were published in the Geographical Review.Major contributions
The <mask> theory of Evolution of Himalayan Drainage System

The fact that the Himalayan rivers seem to have a longer history as compared to the mountains themselves has been a subject of enduring curiosity. Himalayan rivers like the Indus, Sutlej, and the Brahmaputra have created deep gorges across the mountain range to reach the plains of northern India. They have first flowed parallel to the main axis of the mountain in longitudinal troughs, then they have taken sudden bends towards the south, carving the deep gorges. The gorges created by rivers such as the Indus, Sutlej, Alaknanda, Sarju (Kali), Gandaki River, Koshi River, Teesta, and

masks: Enayat Ahmad Ahmad Ahmad


title: Enayat Ahmad

texts: the Brahmaputra suggest that they predate the Himalayan mountain range. The first known theory to explain the Himalayan drainage system came from Pascoe and also Pilgrim. According to their theory the Tibetan plateau was drained to the west by the mighty Tsangpo-Indus-Oxus combined. <mask>, on the contrary, had the view that the Tethys Ocean continued as a basin of sedimentation from the Cambrian to the Eocene Periods, while most of the Himalayan region was filled by the Gondwana landmass.During the Himalayan upheaval in the Oligocene period, part of the Tethysian geosyncline and probably, part of the Gondwana Land, were uplifted. Most probably this marked the initiation of the Himalayan drainage. It had earlier been proposed that the Himalayan waters reached the plains through the agency of a single river called Indo- Brahma (Pascoe, 1919), or Siwalik (Pilgrim, 1919)  and finally drained into the Arabian Sea. <mask> (1971) argued that this explanation related only to a part of the period in which the evolution of the Himalayan drainage occurred and fails to explain the drainage within the Himalayas themselves. He writes that the “the evolution of the Gangetic drainage, as seen at present, really starts with the Himalayan movement, which brought into existence the successive mountain ranges- the Great Himalayas, Lower Himalayan Range, and the Sivalik ranges- into their present shape and altitude. It is these movements and associated thrusts that caused the formation of the Indo-Gangetic depression which is the playground of the Gangetic streams. Again, it was these movements which caused block uplifts along the northern edge of the Central Indian Foreland (Dunn, 1942) sharpening the gradient of the southern tributaries of the Ganga and creating waterfalls along with their courses and gorges as they descend the northern edge of the Central Indian Foreland” (<mask>, 1971).He, therefore, traced the evolution of the Himalayan drainage commensurate with the geological and tectonic history of the region relating to the upheavals and

masks: Ahmad Ahmad Ahmad