title: Robert James Cromie

texts:
 News-Advertiser at the time was 8,000, that claimed by the Sun 10,000 (p 129)." "In purchasing the World, Mr. <mask> apparently neglected to stipulate that Mr. Campbell should stay out of the Vancouver newspaper field. At any rate, Mr. Campbell did not stay out. On June 2, 1924, he started publication of the Evening Star, invading the very portion of the field on which Mr. Cromie was pinning his greatest hopes.The Evening Star was a six-day paper with a reduced news service, selling at 1 cent a copy on the street and at 30 cents a month delivered. The Star, its publisher announced, would cover the news of the world in condensed form. Its slogan would be: “If it will help make a greater Vancouver, the Star is for it (pp. 134-5).”

"In January, 1926, General Odlum and Mr. Cromie made a deal which stabilized the newspaper situation and had the effect of eliminating a lot of senseless and profitless competition. The Evening Star became the Morning Star, taking over the Morning Sun’s circulation, while the Sun acquired the Star’s evening circulation and withdrew from the morning field altogether. At the same time, the Sunday Sun, which was a relic of the Sunday morning edition of the old News-Advertiser, ceased publication as a Sunday newspaper, and became the Saturday edition of the Evening Sun (p. 136)."The Sun Under Cromie
The Sun under <mask> posed as the champion of British Columbia against what it called selfish eastern interests:
"Mr. Cromie knew nothing of the newspaper business when he took hold of the Sun, but he set himself to learn and he learned rapidly. He was a great reader and had an infinite curiosity.

masks: Cromie Cromie


title: Robert James Cromie

type: original

texts:
 May 11, 1936 in Oak Bay, British Columbia.In an obituary for Cromie published in the Winnipeg Evening Tribune on May 12, 1936, British Columbia Premier Duff Pattullo was quoted as saying that:

“British Columbia's loss also is great, for Mr. Cromie was an ardent advocate for greater Oriental trade, pointing out the vast potentialities in the Far East for products of this province.”

The Hon. Ian Alistair Mackenzie, Minister of Defence, and member for the past 15 years of the British Columbia legislature and of the House of Commons for Vancouver ridings was quoted as saying: :"In my opinion, <mask> did more for Vancouver and British Columbia in the last 20 years than any other single man. He had a vision of greatness for his home city and he worked tirelessly for its achievement.”

Mayor Gerry McGeer of Vancouver, Liberal House Member for Vancouver-Burrard, said:
"In the untimely passing of Bob Cromie Vancouver has suffered a loss it can ill afford at this particular time. We, in Vancouver, have benefited greatly since the time "Bob" Cromie became one of the host of our citizens who love Vancouver almost more than life. Canadian journalism has lost a great leader. Vancouver has lost a great journalist and a great citizen. Vancouver mourns his passing in the knowledge that her problem of finding a man to take his place will not be an easy one to solve."B.C. Nicholas, editor of the Victoria Times (now the Times Colonist), said:
"The Canadian publishing world has lost an outstanding figure and British Columbia an important factor in her progress in the death of <mask><mask>." Succession
<mask>'s three sons, Donald,

masks:
Robert Cromie
Robert J
. Cromie
Cromie


title: Robert James Cromie

texts:
 Samuel and Peter took over running the paper. In 1963 Donald Cameron <mask> sold the Sun to FP Publications. References

Further reading
 "<mask>, <mask>”, in Francis, Daniel, ed. The Encyclopedia of British Columbia (Madeira Park: Harbour Publishing Ltd., 2000,), at p. 158.Mitchell, Howard T. “<mask> of the Sun,” Maclean's, Nov. 1, 1928, 34. 20th-century Canadian newspaper publishers (people)
1887 births
1936

masks:
Cromie
Cromie
Robert James
Cromie


title: Simcha Zissel Ziv

texts:
<mask> (; 1824–1898), also known as <mask> or the Alter of Kelm (the Elder of Kelm), was one of the foremost students of Yisrael Salanter and one of the early leaders of the Musar movement. He is best known as the founder and director of the Kelm Talmud Torah. Early life
<mask> was born as <mask> in 1824 in Kelmė. His father, Yisroel, belonged to the well-known Lithuanian Braude family. His mother, Chaya, was a descendant of Zvi Ashkenazi, "the Chacham Tzvi". Chaya's family name was Ziv, and her son took on his mother's family name when he moved to Grobin in 1880. <mask> married Sara Leah, the daughter of Mordechai of Vidzh, a small town near Kelm.Following his marriage he travelled to Kovno, where he studied under his foremost mentor, Yisrael Salanter, the founder of the Musar movement, at the Nevyozer Kloiz. Among the other outstanding students were Yitzchak Blazer, and Naftali Amsterdam. <mask> established himself as one of Salanter’s closest disciples and <mask> devoted his life to furthering Salanter’s teachings. During this time, Salanter sent <mask> to Zhagory, to strengthen the Beis HaMusar (Musar study house), which had been established there. He also delivered lectures in the town of Kretinga. At the time, Kalman Zev Wissotzky (who later became famous as a tea magnate) was another of Salanter’s students living in Zhagory. Wissotzky had studied in the Volozhin Yeshiva and had become very wealthy and had many connections within government circles.He was a great supporter and benefactor of many Jewish causes. When Wissotsky decided to move to Moscow, Salanter instructed <mask> to accompany him, out of concern that the move to Moscow might have a negative effect on Wissotzky’s spirituality. <mask>

masks:
Simcha Zissel Ziv Broida
Simhah Zissel Ziv
Simcha Zissel Ziv
Simcha Mordechai Ziskind Broida
Ziv
Ziv
Ziv
Ziv
Ziv
Ziv


title: Simcha Zissel Ziv

texts:
 then moved to Moscow, where he lived for two years. Following his time in Moscow, <mask> moved to St. Petersburg, then the largest city in Czarist Russia. After spending almost a year there, the communal leaders brought <mask> a signed document appointing him as their Rabbi. He was unwilling to accept the position, however, and proposed that his friend from the yeshiva in Kovno – Yitzchak Blazer – be appointed to the position. Kelm Talmud Torah

Seeking to combat threats to traditional Judaism and to strengthen the cause of the Musar movement, <mask> decided to open a school in Kelm, the Kelm Talmud Torah.At the time, <mask> was almost forty years old. The Talmud Torah opened in approximately 1865 and attracted young students, mainly thirteen and fourteen-year-olds. <mask>’s teacher – Yisrael Salanter – had taught Ziv the importance of Musar and so the Talmud Torah aimed not only to enhance its student’s Torah knowledge but also to shape their personalities and develop their character traits using the Musar approach. Indeed, much of daily study at the Talmud Torah focused on Musar, while comparatively little time was devoted to the conventional study of Talmud. <mask> also introduced general subjects such as geography, mathematics, and Russian into the Talmud Torah curriculum. These subjects were studied for three hours a day, which was unprecedented in traditional Lithuanian yeshivas. <mask> did not view general studies as a "necessary evil" but rather argued that such studies would encourage "better living" and "a better understanding of religious teachings as well."In 1872, <mask> purchased a plot of land and erected a building for the Talmud Torah. A few years later, however, in 1876, the Talmud Torah

masks: Ziv Ziv Ziv Ziv Ziv Ziv Ziv Ziv


title: Simcha Zissel Ziv

texts: was denounced to the authorities, who began to watch it closely and to hound it. <mask> decided to open elsewhere, and re-established in Grobin, in the Kurland province. He arranged for the purchase of a fine building, situated in a spacious yard. There was a main study hall, smaller rooms for classes, a dining room and dormitories. The school in Grobin opened by 1880. <mask> suffered from failing health which necessitated his spending long periods in his home, which was in Kelm.In 1881, he returned to Kelm, leaving his son, Nochum Zev <mask> to run the Talmud Torah in Grobin. Young men from Kelm and the surrounding areas flocked to study under <mask> and the town once again became a center of Musar. From his home in Kelm, <mask> continued to play a role in the running of the Talmud Torah in Grobin. This, however, began to be too difficult and <mask> decided to close the yeshiva. He sent a member of his family to consult his teacher, Salanter, who was living in Germany at the time. Salanter disagreed with the idea and the Talmud Torah remained open in Grobin until 1886. In that year, <mask>'s health took a turn for the worse and his doctors warned him that there was real danger to his life if he continued making the effort that the running of the yeshiva in Grobin required.At this point, <mask> was forced to close the Talmud Torah in Grobin. With the closure of the Grobin Talmud Torah, the focus of his work shifted back to Kelm, which now regained its former prominence. <mask> established a group that was known as "Devek Tov," comprising his foremost students. He shared a special relationship with the group's members and he worked on writing out his discourses for them, which, unfortunately, required more

masks: Ziv Ziv Ziv Ziv Ziv Ziv Ziv Ziv Ziv


title: Simcha Zissel Ziv

texts:
 strength than he had. A number of his students settled in Palestine in 1892, opening the "Beis HaMusar" in Jerusalem, under <mask>’s auspices and with his support. <mask> died on Wednesday, 26 July 1898. Personality
<mask> was known for his humility, lovingkindness, thoughtfulness, and focus on order.At <mask>'s funeral, his friend and colleague Eliezer Gordon, the rabbi and Rosh Yeshiva of Telz, said that aside from <mask>’s greatness in Torah, he had never heard a single word from him that was not related to Torah and to fear of Heaven. <mask> was not only great in Musar but also in his knowledge of Torah and Talmud. Gordon, who was known as a fiery and tempestuous genius, would repeat his Talmudic thoughts to <mask> and seek his opinion on them, for he valued <mask>’s scholarship highly. Gordon said that his friend had been fluent in three orders of the Talmud, to such a level where he knew every comment of Rashi and Tosafot word for word. He was also fluent in all four divisions of the Shulchan Aruch and could locate any given Halacha within it with pinpoint precision. Musar approach
Ziv taught that the whole world is a classroom where one can learn to improve one’s character and increase one’s belief in God. Ziv would frequently quote Socrates, who said that "true wisdom is in knowing you know nothing."<mask> offered his students the following advice: "Take time. Be exact. Unclutter the mind." The school (Talmud Torah) that he operated in Grobin was an epitome of this approach. The students conducted themselves with calmness and order but were still motivated and enthusiastic. There are numerous anecdotes that illustrated the extent that this reached, among them are:
A man once left a cane hanging on


title: Simcha Zissel Ziv

texts:
 a hook in the school by mistake; he came back many years later and the cane had not been moved. <mask> once came into the school and saw that in the row of galoshes that had been lined up outside the study hall, one of the pair of galoshes was not in line with the others.<mask> dedicated an entire ethical sermon to the need for order in light of this event. The windows that faced the street in the study hall were never opened in order to prevent distractions. A noise was once heard outside the study hall. One of the students opened the window and looked out to see what was happening. <mask> commented that he did not see that there was any possibility that that student would become an accomplished person. <mask> explained that a person can only progress in life and perceive God by clearing his mind of confusion and haphazard thinking. Once a person has done this, they will be able to achieve a level of equanimity and clarity of mind that will allow them to plan a path through life that is independent of the fallacies that are the subconscious product of personal weakness and temptations.They will also be able to recognise the subtleties (subtleness) of God's manifestation in the world. <mask> would study for twelve solid, successive hours each day no matter the time of year. He explained that only through clarity and clear mindedness can a person overcome their will to act impulsively and achieve focus. Dov Katz described <mask>’s approach to learning as consisting of three guiding principles:
 One should become emotionally involved in his studies, whether joyful or sad. One should ask oneself after everything one learns, "What did I think before, and what do I know differently now?" One's study should

masks: Ziv Ziv Ziv Ziv Ziv Ziv


title: Simcha Zissel Ziv

texts:
 always delve beyond the external facets and arrive at the essence of the topic. He encouraged practices that would encourage visualization and introspection.Students
His foremost student was Yeruchom Levovitz the Mashgiach of Mir, who wrote all of his texts into Chochmah Umussar, due to the fact that no one else was able to put it out. His other students included many of the musar greats of the next generation: Nosson Tzvi Finkel of Slabodka, Aharon Bakst, Reuven Dov Dessler (whose son Eliyahu Eliezer Dessler authored the classic Michtav M'Eliyahu), Nachum Ze'ev <mask>, and Zvi Hirsch Braude. There were many other great Rabbis who only spent a short period in Kelm, yet were greatly influenced by Ziv. Among these are Yosef Leib Bloch, the rabbi and Rosh Yeshiva of Telz, Yosef Yoizel Horowitz of Novhardok, Elya Lopian of the Knesses Chizkiyahu Yeshiva in Israel, and Chaim Yitzchak Bloch Hacohen, the chief rabbi of Bausk and Plunge. Other students of Ziv entered professions including medicine, law, and engineering. One of his students, Israel Isidor Elyashev, became a well-known literary critic. Published works
Many of <mask>'s discourses and letters to his students were published in a two-volume work, Hokhmah U-Musar, edited by Yeruchom Levovitz and <mask> <mask> Halevi Levovitz.Additional letters, as well as transcriptions of his words by his disciples, appear in a series of volumes under the title Kitvei Ha-Sabba Mi-Kelm. An English translation of the opening letters of Hokhmah U-Musar by Ira Stone appears in Stone's' 'A Responsible Life: The Spiritual Path of Musar''. References

1824 births
1898 deaths
Lithuanian Haredi rabbis
Haredi rabbis in Europe
Philosophers of Judaism
Musar movement
People from

masks: Ziv Ziv Simcha Zissel


title: František Gregor Emmert

texts:
<mask> (19 May 1940 – 17 April 2015) was a composer of classical and incidental music from the Czech Republic. Biography
<mask>'s ancestors came from the north of Bavaria, in the area around Weiden, Waldmünchen, and Ippesheim. Their history is documented in the local books until the beginning of the 17th century. <mask>, father of the composer, was born in Bavaria, and the <mask> family moved to Bohemia after World War I.

<mask> was born in Mstišov, today a part of Dubí near Teplice in North Bohemia. In 1954, he went to study in Prague. He graduated from High School of Music Education and went on to take classes at the Prague Conservatory in piano, under Lev Esch, and composition, privately under Jan Zdeněk Bartoš. Later he continued his composition studies at the Janáček Academy of Music and Performing Arts (JAMU) in Brno, under Jan Kapr and Miloslav Ištvan.After his graduation in 1975, he started to teach composition at JAMU himself. As a Catholic, Emmert was never a member of the Communist Party of Czechoslovakia. He represented an alternative to the "Compositional School of Brno" (rationally and numerically composed music by Miloslav Ištvan and Alois Piňos), and many later Brno composers, including Pavel Zemek, cite him as an influence. In the 1970s, he became one of the key composers for the Husa na Provázku Theatre, where he composed an adaptation of Fyodor Dostoevsky's

masks:
František Gregor Emmert
Emmert
Gregor Emmert
Emmert
Emmert


title: František Gregor Emmert

texts:
 novel Demons. He also established himself as a composer of symphonic music, with 25 completed symphonies. His chamber and vocal music is inspired by the spiritual meaning of the Catholic Church and mysticism. In 1991, he became a docent, and in 2006 was named a professor at JAMU.His composition classes were taken by many contemporary composers of artificial music, including Mojmír Bártek, Zoja Černovská, Afrodité Katmeridu, Pavel Malý, Martin Štědroň, Leoš Kuba, Mário Buzzi, Barbora Škrlová, Lenka Foltýnová, Ondřej Šárek, Jana Bařinková, Vojtěch Dlask, Tomáš Lučivjanský, Adrian Demoč, Vratislav Zochr, Jan Dobiáš, Irena Franková, Martina Kachlová, David Postránecký, Adrián Demoč and Tereza Zemanová. He was awarded many times for various compositions. He died on 17 April 2015 in Brno. His son <mask> <mask> is a writer of non-fiction, with a focus on 20th century history. Style

Initially, <mask>’s music was heavily inspired by spiritual German music with emphasis on traditional counterpoint. His early work, until 1975, is marked by avant-garde and its typical signs are aleatoric, multiserialism or timbre music. From the second half of the 1970s, he went back to his roots as his faith returned.His work was then marked by older compositional techniques and influences of the romanticism and medieval music (Guillaume de Machaut). His perception of postmodernism slightly differed from

masks: František Emmert Emmert


title: František Gregor Emmert

texts:
 the standards; Emmert did not work with citations, he just arranged harmony. He was one of the first Czech composers who could be labelled as postmodernist. His later symphonies from the 21st century (Symphony No. 18 and after) are composed for large symphonic orchestras, usually scored in biform and polytempo for non-traditional instruments such as clarina and baritone oboe. These aspects mark Emmert's final stage of composition. Most of his symphonies are subtitled.Symphony No. 25 was the last of <mask>'s work premiered, on 1 June 2017 in Brno, by the Ensemble Opera Diversa string orchestra, with soloists Milan Pal’a (viola), Marek Pal’a (organ) and Jarmila Balážová (mezzosoprano), and conducted by Ondrej Olos. Selected works

Symphonies
Emmert finished 26 symphonies. Symphony No. 5 "Kosmické zvony" (Cosmic Bells) for soprano, male choir, tape recorder and orchestra (1971)
 Symphony No. 10 "Euanggelion" (1985)
 Symphony No. 12 "Veraikon" (1986)
 Symphony No.16 "Útěcha zarmoucených" (Soothing The Saddened) for solo violin, two string quartets and two chamber orchestras (1990)
 Symphony No. 23 "Věčný Jeruzalém" (Jerusalem Eternal, 2004)

Chamber music
 Tamango (suite for string orchestra and timpani, 1962)
 Sonata for organ (1968)
 Trio for oboe, cello and piano (1985)
 Decimetto for brass instruments (1986)

Choral works
 Otče náš (Lord's Prayer, 1984)
 Magnificat (1985)


title: František Gregor Emmert

texts:
 Biblické písně (Biblical songs, 1986)

References

Further reading

Bártová, Jindřiška. Jan Kapr: nástin života a díla. Brno: JAMU, 1995. Bártová, Jindřiška. "Pozoruhodné dílo mladého skladatele." Kam v Brně za kulturou, no.2, 1975, pp. 14–15. Bártová, Jindřiška. Miloslav Ištvan. Brno: JAMU, 1997. Bártová, Jindřiška – OPRŠÁL, Martin. "Vzpomínka na hudebního skladatele Františka
Gregora Emmerta."Opus musicum, vol. 48, no. 3, 2016, pp. 66–73. Ciprys, Pavel. Osobnost Františka Emmerta a jeho duchovní tvorba. Diploma Thesis, The Faculty of Theology at Palacký University, Olomouc, 1998.Dlask, Vojtěch. "Milosrdenství jako princip uvolňující zázrak: Neobjevený symfonik
František Emmert." Opus musicum, vol. 38, no. 1, 2006, pp. 48–51. Dlask, Vojtěch."Symfonická tvorba Františka Gregora Emmerta." Opus musicum, vol. 47, no. 5, 2015, pp. 38–59. <mask>, <mask>. "Konfese Františka Emmerta."Opus musicum, vol. 6, no. 8, 1974, pp. 269–270. <mask>, <mask>. Poznámky k instrumentaci II. Brno: JAMU, 2001.Frajtová, Ivana. Houslové dílo Františka Gregora <mask>. Diploma Thesis, Janáček Academy of Music and Performing Arts, Brno, 2007. Fukač, Jiří. "Emmertova vokální symfonie." Hudební rozhledy, vol. 28, no.2, 1975, pp. 111–112. Havlík, Jaromír. "Co je to symfonie?" Opus musicum, vol. 16, no. 6, 1984, pp.161–167. Havlík, Jaromír. Česká symfonie 1945–1980. Prague: Panton, 1989. Hlaváček, Jan. <mask>

masks: Emmert František Emmert František Emmerta František


title: František Gregor Emmert

texts:
 Emmert: Koncert pro trubku a orchestr. Diploma Thesis, Janáček Academy of Music and Performing Arts, Brno, 1976. Kotek, Miroslav.Bicí nástroje. Prague: Panton, 1983. Macek, Petr (ed.). Slovník české hudební kultury. Prague: Editio Supraphon, 1997. Martínková, Alena (ed.). Čeští skladatelé současnosti.Prague: Panton, 1985. Petrželka, Ivan. "Kantátová novinka." Svobodné slovo: list Československé strany socialistické. Brno-město, 21. 2. 1975.Štědroň, Miloš. "Jaká je hudba Františka Emmerta?" Opus musicum, vol. 22, no. 6, 1990, pp. 183–185. Štědroň, Miloš."Koncerty SČSKU v Brně." Hudební rozhledy, vol. 41, no. 3, 1988, pp. 112–113. Trojan, Jan. "O zaklínání času a náhody. (Koncert z nové tvorby brněnských skladatelů)."Práce: list Revolučního odborového hnutí. Moravian edition, 2. 12. 1969. Veverica, Julian. Filozofický pohľad na dielo Františka Emmerta z pozice interpreta. Diploma Thesis, Janáček Academy of Music and Performing Arts, Brno, 2012.Vysloužil, Jiří. Dvě stě let české hudby na Moravě. Olomouc: Univerzita Palackéhov Olomouci, 2014. Vysloužil, Jiří. Hudební slovník pro každého: Díl 2, Skladatelé a hudební spisovatelé. Vizovice: Lípa, 1999. External links
František <mask> at Musicbase.cz
František <mask> in Český hudební slovník osob a institucí
Personal Website

1940 births
2015 deaths
People from Teplice District
Czech classical composers
Classical composers of church

masks:
Gregor Emmert
Gregor Emmert


title: Lori Martin

texts:
Dawn Catherine Menzer (April 18, 1947 – April 4, 2010), known professionally as <mask>, was an American actress. A child actress for most of her career, she first achieved recognition as the title character of the NBC drama series National Velvet (1960–1962). Her most prominent film role was in the 1962 thriller Cape Fear, where she portrayed Gregory Peck's daughter. Early career
<mask> was born Dawn Catherine Menzer in Glendale, California, at 10:02 a.m.; her fraternal twin sister, Doree, arrived four minutes later. As she weighed only 5 pounds and measured just 18 inches at birth, she spent the first few weeks of her life in an incubator, during which time her survival was somewhat doubtful. Her father, Russell C. Menzer, was an MGM and Warner Brothers commercial artist and art director. She had a younger brother, Stephen Menzer, and an older sister, Jean Coulter, a veteran Hollywood stuntwoman who doubled for the lead actresses on Ironside and Charlie's Angels.When <mask> was six years old, her mother took her to an agent who specialized in child actors. She thought that acting might be a healthy outlet for <mask>. When later asked what inspired her to be an actress, <mask> said, "The best time in my life was when I was about four. Doree and I had to go live with my aunt in Ponca City, Oklahoma. My mother got sick and Daddy had to go to work every day, so we couldn't stay here. I didn't want to come back. I cried and cried.That was when I decided, if I had to come back, I'd be an actress. I started getting parts immediately, and my little brother was signed by the same agent, but he lacked my interest in acting. I just loved it." <mask> auditioned so well that

masks:
Lori Martin
Lori Martin
Lori
Lori
Martin
Martin


title: Lori Martin

texts:
 her parents soon allowed her to attend them by herself. Her mother recalled, "I'll never forget the first interview she went on. It was for a Chrysler commercial, and my car broke down about six blocks from the studio. I had to stay with the car, but <mask> was all for going on in herself.She got out of the car, walked six blocks, found the right office, told the receptionist who she was, went in for her interview and got the job. Since then I've usually waited outside in the car and she's handled everything herself." As well as appearing in several commercials, including one for which her father designed the set and a Milky Way candy commercial, she won parts in the films Machine-Gun Kelly (1958), The FBI Story (1959), and Cash McCall (1959). She appeared in several television series, including Medic, Wagon Train, Alfred Hitchcock Presents, Leave It to Beaver, and Whirlybirds. National Velvet
At the age of 12, <mask> was the 975th young hopeful to be auditioned for the role of Velvet Brown in the NBC television version of National Velvet, a role which brought her to wide attention. After being included in the final three, she was interviewed ten more times before winning the part. When she won the role, her name was changed from Dawn Menzer to "<mask>".On the change of name, <mask> later said, "I didn't like the name <mask> at first. But I like it now. The reason I like it now is I've been brainwashed!" The show ran for fifty-eight episodes between 1960 and 1962. Cape Fear
In 1962, at age 14, <mask> gained further attention in the role of Nancy Bowden in the film Cape Fear, in which the character played by Robert Mitchum intends to do harm to her family. <mask>

masks:
Lori
Martin
Lori Martin
Martin
Lori
Martin
Martin


title: Lori Martin

texts:
 later said that she delivered her best performance as Nancy but had nightmares for weeks after the filming of the scene in which her character is stalked by Mitchum's character. The director of the film, J. Lee Thompson, originally wanted Hayley Mills for <mask>'s part.Because he could not get Mills, however, he later admitted to having deliberately given <mask> a hard time during filming. Singing career
<mask> released her only single on Del-Fi Records. Recorded at Radio Recorders in Hollywood in September 1963, the girl group-styled "The Home of the Boy I Love", backed with "Mine 'Til Monday" (Del Fi 4201), was mistakenly released with songwriting credits given to the successful team of Barry Mann and Cynthia Weil when in fact it was produced by Barry Mann and written by lesser known hit-man Sylvester Bradford, who wrote the 1958 hit "Tears On My Pillow". Later career
After Cape Fear, <mask> made guest appearances in such television series as The Donna Reed Show, Slattery's People, Sam Benedict, Breaking Point, Please Don't Eat The Daisies, My Three Sons, and Family Affair. Later years
During the early 1970s, <mask> decided to put her acting career on hold. She later recalled her reasoning behind her decision. "I'd been in the business long enough to know I'd been stereotyped.My mother was in poor health and I felt I had worked from such an early age I could take some time off and get a college education." A few years later, she tried to reactivate her career, but unfortunately she became "discouraged by the many changes in casting and techniques". <mask> married Charles Breitenbucher, had a son, Brett, and moved to Westlake Village, California, under her

masks: Martin Martin Martin Martin Martin Martin


title: Lori Martin

texts:
 married name, Dawn Breitenbucher. She later moved to Oakhurst, California. She occasionally attended autograph signings and ran a medical supplies company with her husband until his death in 1999. In an article which was written at the height of her fame, she was quoted as saying that what she wanted to be when she grew up was "normal". <mask> later recalled after her acting career had finished that it "was probably an accurate quote because that's what I wanted and as it turns out, that's what I am."Death
<mask>, known legally as Dawn Breitenbucher, died on April 4, 2010, in Oakhurst, California, two weeks before her 63rd birthday, as a result of suicide via gunshot wound. She struggled with mental illness (bipolar schizophrenia) and illicit drug use in the decade after her husband died. She was survived by her son, Brett Breitenbucher, and her siblings, Doree Thompson Kelly, Jean Marek and Stephen Menzer, as well as extended family. Filmography

References

External links

1947 births
2010 deaths
20th-century American actresses
Actresses from Glendale, California
American child actresses
American film actresses
American television actresses
People from Madera County, California
People from Westlake Village, California
21st-century American

masks:
Martin
Lori Martin


title: Alison Alder

texts:
<mask> (born 1958) is an artist working predominantly within screen-printing media, technology-based works and "constructed environments" to explore social issues in Australia, including Indigenous Australian communities, and other organisations. She co-founded the Megalo International Silkscreen Collective with a collective of activists including Colin Little, the founder of earthworks Poster Collective, in 1980. Career and practices
Born in 1958, <mask> works within multiple disciplines for her works including screen-printing, animation and installations. Her works have been exhibited throughout Australia, the United States and Asia since 1982. Her work is in the possession of many public and private holdings throughout the world including the Cruthers Collection of Women's Art who hold 13 works. She received a Diploma of Arts from the Australian National University: School of Art and Design in Canberra in 1980. After graduating from ANU she completed a Graduate Diploma of Arts at Monash University, Victoria in 2002; she graduated from Monash University: Monash Art Design & Architecture, with a Masters of Fine Art in 2007.<mask> is currently an associate professor at Australian National University in Canberra and the Head of Printmedia and Drawing. <mask>'s works centre around "empowering communities through the visualisation of common social aims." Her works focus on research of these communities which include institutions like the Museum of Australian Democracy and Indigenous communities. In a 1982 interview conducted by Anne Morris in <mask>'s book with Julia Church – True Bird Grit – <mask> mentions that she created political posters because she is a printmaker,

masks:
Alison Alder
Alison Alder
Alder
Alder
Alder
Alder


title: Alison Alder

texts:
 who could produce works that were inexpensive to make and circulate, which were more accessible than television to a wide population of people during that time. Works
<mask> has been exhibiting works in group exhibitions since 1982 and has held 16 solo exhibitions. Her works are held in collections throughout the world including the Cruthers Collection of Women's Art, the National Gallery of Australia and the New York Public Library Print Collection. <mask>’s When they close a pit they kill a community (1984) is one of the first works created for the KCC Women’s Auxiliary at Redback Graphix.She created a bright coloured poster that uses collage, including a woman figure wearing a yellow apron who holds a sign that states the title as well as “Support the K.C.C Women’s Auxiliary Community Action will Save our Jobs”. Many inspiring activists, feminist, and writers used Alder’s posters (including this one) in protests and newspaper publications against the issue of unemployed women in the 80s. <mask> created Intervention (2008) in direct response to the Howard Government interventions in Indigenous Australian communities, especially in Tennant Creek. Intervention reflects the consequences of these interventions. One direct effect of these Government actions was "Income Management," where over half of a welfare recipient’s payments were withheld, and payments could only be spent at registered outlets. This was one of the pieces of legislation that was enforced in the Tennant Creek community. Intervention documents Alder’s direct response and perspective of these Government actions.It is a series of nine screen prints, currently held in the Cruthers Collection of Women's

masks: Alder Alder Alder


title: Alison Alder

texts:
 Art. <mask>'s Carcass (2009) consists of a series of screen prints of distorted and exaggerated carcasses, which draw from her experience of living in outback Australia. In 2010, Carcass won the Alice Prize. Drawing from Sidney Nolan’s 1953 work about Western Queensland droughts, <mask> created works that in her mind commented on governmental policies that were put into place throughout Australia's history since being colonised and the inability to move "past a use and destroy mentality". <mask>'s work was exhibited in Making it New: Focus on Contemporary Australian Art in September 2009 at the Museum of Contemporary Art Australia. The exhibition focused on artists with a career spanning over 10 years, and highlighted works containing themes of tradition, regional history, politics and historical references. Spanning multiple mediums, the exhibit explored notions of studio-based artistic labour, especially within craft-based mediums.At the time of this exhibition, <mask> had been creating works for over two decades. Solo exhibitions
1991
 A Country Show. aGOG, Australian Capital Territory. 1995
 Florals. aGOG, Australian Capital Territory. 1997
 Kujurra Mampaly Nyirrila. with Peggy Jones, aGOG and Telegraph Stn, Tennant Creek Northern Territory.1998
 Kujurra Mampaly Nyirrila. with Peggy Jones, Araluen Centre, Northern Territory. 2000
 Road to Somewhere. Helen Maxwell Gallery, Australian Capital Territory. 2004
 Drink. Helen Maxwell Gallery, Australian Capital Territory. 2007
 Outback.Helen Maxwell Gallery, Australian Capital. 2009
 Carcass. Helen Maxwell Gallery, Australian Capital Territory. Cutting History. Helen Maxwell Gallery, Australian Capital Territory. 2010

masks: Alder Alder Alder Alder


title: Alison Alder

texts:
 Cutting History: 2. Kala Art Institute, Berkeley, California, USA.2011/12
 Dirty Water. Canberra Contemporary Art Space, Australian Capital Territory. 2013
 Cutting Out Stories of Lanyon. Lanyon Homestead, Australian Capital Territory. 2014
 Carcass. Canberra Museum and Gallery, Australian Capital Territory. 2015
 Death of a Broadsheet.Megalo Gallery, Australian Capital Territory. 2017
 One to Eight. Museum of Australian Democracy. Old Parliament House, Australian Capital Territory. 2018/19
 Newscrap. Canberra Contemporary Art Space, ACT. Further reading

 <mask>, <mask> and Julia Church, True Bird Grit: a book about Canberra women in the arts 1982-83, Canberra: ACME INK, 1982.<mask>, <mask>, Bush TVs: pilyi-good one, Adelaide: Artlink Australia, 2005. <mask>, <mask> and Karilyn Brown, Alternative visual arts activities: Canberra, 1983, Manuka: <mask> and Karilyn Brown, 1983. <mask>, <mask> et al., Kujjura Mampaly Nyirrila (two together): hand painted silk scarves, Julalikari: Australian Council for Arts, 1999. <mask>, <mask> and Kutjara Consultants, Wali nganampa : an activity book for healthy living, Alice Springs: Kutjara Consultants, 1999. References

External links
 Official website

1958 births
Living people
Australian artists
Australian women

masks:
Alder
Alison
Alder
Alison
Alder
Alison
Alison Alder
Alder
Alison
Alder
Alison


title: Dai Bradley

texts:
David "<mask><mask> (born 27 September 1953) is an English actor known for his debut role of Billy Casper in the critically acclaimed 1969 film Kes, directed by Ken Loach. Early life
<mask> was born in the hamlet of Stubbs, near Barnsley. His mother Nora, a seamstress, and his father Horace 'Pop' <mask>, a miner who worked from North Gawber Colliery. By his own account, he had an unremarkable childhood, and was not involved in any acting apart from amateur Christmas pantos. Career
At the age of 14, he gained the part of Billy Casper in Kes. <mask> has said that the making of the film was a happy one. The cast was "like one huge family" and he spent much of his time playing with the other young boys who appeared in the film.One of his less happy memories is of the football scene. Several thousand gallons of water had been pumped onto the field to create mud. But although it was mid-August, it was one of the coldest August days on record, and <mask> and the other cast members were intensely cold throughout the day-long shoot. <mask> spent several hours after each day's filming training with the three kestrels used in the film. One of the birds didn't take to the training though and was reintroduced to the wild as soon as possible. <mask> says that he was told director Ken Loach would have to kill one of the remaining birds for the final scene. <mask> was deeply upset by this revelation, and his emotional response in the film's final scenes are indicative of how angry and depressed he was.<mask> told an interviewer that after shooting for these scenes ended, he rushed to the local farm where the kestrels were kept. He discovered that no birds had been killed after all (the filmmakers had used

masks:
Dai
" Bradley
David Bradley
Bradley
Bradley
Bradley
Bradley
Bradley
Bradley
Bradley


title: Dai Bradley

texts:
 a kestrel which had died of natural causes). He received BAFTA's Award for Best Newcomer for his role. The film required extensive time training the two kestrels used for the film. One critic called <mask>'s performance "one of the great adolescent portraits in cinema, joining the likes of Jean-Pierre Leaud in The 400 Blows". <mask> left school at the age of 17. He moved to London and began training as an actor with the  National Theatre Company.In time, he worked with Anthony Hopkins, Joan Plowright and Derek Jacobi. <mask> changed his first name to <mask> when he joined Equity, the actors' union, who already had an actor named <mask> on their books. Later projects

After Kes was released in 1970, <mask> joined the cast of the children's television programme The Flaxton Boys as Peter Weekes in series two, and starred as Terry Connor in the children's adventure serial The Jensen Code in 1973. He also had guest roles in episodes of popular, established drama series such as Z Cars and A Family at War. While he did not receive the same media attention for his subsequent film performances as he did for Kes, <mask> received solid reviews for his theatre acting. He was cast as Alan Strang in Peter Shaffer's Equus during the mid-1970s. After he succeeded Peter Firth in the role at the Old Vic in London, the production embarked on a 2½-year worldwide tour.In the United States national production, he starred with Brian Bedford, and earned standing ovations and a Los Angeles Drama Critics Circle nomination for Best Actor. Of his performance of the role at the Wilbur Theatre, The Harvard Crimson commented that "<mask> has the most difficult role to play in Equus and he is outstanding." Likewise, his

masks:
Bradley
Bradley
Bradley
Dai
David Bradley
Bradley
Bradley
Bradley


title: Dai Bradley

texts: portrayal of the character was praised as being "profoundly sensitive", with reviewer Mark J. Bly of The Heights calling the production "equally as good as its New York counterpart and by all means...not [to] be missed." <mask> also played the role opposite John Fraser in South Africa. He was offered the opportunity to take over the role in the Broadway production, but turned it down due to exhaustion. Additional theatre roles during the 70s included Souplier in Henry de Montherlant's The Fire that Consumes with Nigel Hawthorne, which was staged in 1977 at the Mermaid Theatre. The play, which concerns a priest who is obsessed with a young student, was the recipient of the Society of West End Theatre Award for Play of the Year (now the Olivier Award) and, with <mask> contributing what was referred to as "a beautifully spontaneous performance" as the student opposite Hawthorne's guilt-ridden Abbé de Pradts.Earlier in the decade, <mask> was featured as Hanschen Rilow in the Old Vic's production of Frank Wedekind's controversial tale of sexual discovery, violence, and repression, Spring Awakening, of which Plays and Players stated that "<mask>'s Hans is a virtuoso effort, full of awkward and loquacious passion." The production also garnered strong reviews for co-stars Michael Kitchen, Peter Firth, Veronica Quilligan, and Gerard Ryder as the object of Hanschen's forbidden affection, Ernst. <mask> played notable roles in several 1970s films including Malachi's Cove (1973), Absolution (1978), All Quiet on the Western Front (1979) and the Zulu prequel Zulu Dawn (1979), but by the early 1980s his film career had largely dissipated. Although he was originally considered for the part of Neville Hope

masks:
Bradley
Bradley
Bradley
Dai Bradley
Bradley


title: Dai Bradley

texts:
 in Auf Wiedersehen Pet, for much of the rest of the decade he worked as a carpenter and renovator after the part went to his close friend Kevin Whately. He also became an adherent of the teachings of Jiddu Krishnamurti. He embarked on several other unsuccessful projects as well: a board game, a television series focused on high-stakes backgammon, and a film about medical ethics. In 1999, he began writing a children's novel.In 1999, when Kes was re-released in cinemas for the film's 30th anniversary, <mask> made hundreds of appearances in the United Kingdom with the film's other surviving cast members. In 2003, <mask> appeared as the Catholic priest Father Michael, one of three leads in Nigel Barker's critically acclaimed independent film The Refuge (previously known as Asylum). He returned to the big screen alongside Jason Statham in the 2013 film Hummingbird. On 8 September 2015, <mask> appeared in an episode of Holby City titled "An Eye for an Eye" as an elderly man who perceives himself as a "bad luck charm." In 2016, he revealed to The Guardian that he had penned a sequel to Kes, but that he had shelved the idea after original author Barry Hines' death. <mask> was featured in Kit Monkman's new cinematic interpretation of Shakespeare's Macbeth as the Porter/Projectionist. The film was completed by GSP Studios in 2017 and was released in theatres across the UK on 13 March 2018.Filmography

Film

Television

References

External links

English male film actors
1953 births
Living people
Actors from Barnsley
BAFTA Most Promising Newcomer to Leading Film Roles winners
English male television actors
Male actors from Yorkshire
20th-century English male actors
21st-century English male

masks: Bradley Bradley Bradley Bradley


title: Juozapas Ambraziejus

texts:
<mask>s or Ambrozevičius (1855–1915) was a Roman Catholic priest active in Lithuanian culture life in Vilnius in 1896–1908. Educated at the Sejny Priest Seminary, Ambraziejus first worked in the Diocese of Łomża before he transferred to the Diocese of Vilnius in 1892. He worked at several rural parishes before he received a position in Vilnius. He joined Lithuanian cultural life in the city and was one of the organizers of the illegal club known as the Twelve Apostles of Vilnius which later grew into the Lithuanian Mutual Aid Society of Vilnius. He was one of the first organizers of Lithuanian cultural evenings (though they were illegal until 1904–1905) and organized the first Lithuanian choirs in the city. He campaigned for the use of the Lithuanian language at Catholic churches and attempted to combat Polonization efforts of local clergy. In particular, he opposed bishop Edward von Ropp and was suspended from his priestly duties in 1906.He published a catechism which was added to Index Librorum Prohibitorum, the list of prohibited books by the Vatican, in 1907. After the Lithuanian press ban was lifted in 1904, Ambraziejus established the illustrated agricultural magazine Lietuvos bitininkas (Lithuanian Beekeeper) which was later reorganized as Šviesa (Light). When the publication failed in 1908, Ambraziejus retired from public life and ran a shelter for the city's poor until his death in 1915. Biography
<mask> was born in Suvalkija to a family of Lithuanian farmers. He studied at the Marijampolė Gymnasium in 1869–1874 and the Sejny Priest Seminary in 1874–1880. Ordained as a priest, he was first assigned to the Jedwabne parish. In 1883–1887, he was a vicar in a parish in Łomża.In 1888–1892, he had no

masks:
Juozapas Ambrazieju
Ambraziejus


title: Édouard Schuré

texts:
Eduard (<mask><mask> (January 21, 1841 in Strasbourg – April 7, 1929 in Paris) was a French philosopher, poet, playwright, novelist, music critic, and publicist of esoteric literature. Biography
Schuré was the son of a doctor in the Alsatian town of Strasbourg, who died when <mask> was fourteen years old. Schuré mastered French as well as German, and was influenced by German and French culture in his formative years. He received his degree in law at the University of Strasbourg, but he never entered into practice. Schuré called the three most significant of his friendships those with Richard Wagner, Marguerita Albana Mignaty and Rudolf Steiner. Schuré's interest and studies led to an extensive knowledge of German literature. The discovery of Wagner's "music drama" Tristan and Isolde impressed him sufficiently to seek—and obtain—Wagner's personal acquaintance.In France, he published his first work Histoire du Lied—a history of the German folk song, which earned him some recognition in the country of his family. With the publication of the essay Richard Wagner et le Drame Musical, he established himself as a major French Wagner expert and advocate of the time. When the Franco-German war of 1870-71 poisoned the German arts for many French, it would seem that Schuré was not immune from this influence. His nationalism is reflected in his remarks of this time—and later in his life—in a comparison of glorified Celtism (France) and a negatively viewed "Teutonism" (Germany). On a trip to Italy during this time he met, twenty years his senior, a Greek woman, Marguerita Albana Mignaty, whom he subsequently described as his "muse", although he himself was married. After the tide of war had ebbed, Schuré reestablished his relationship with Wagner. In 1873, he met the German philosopher Friedrich Nietzsche; with frequent contact they shared enthusiasm for

masks:
Édouard
) Schuré
Édouard


title: Édouard Schuré

texts:
 Children of Lucifer (Drama in 5 Acts)
 The Genesis of Tragedy and The Sacred Drama of Eleusis (Treatise on Theatre, including a reconstruction of an ancient drama)
 From Sphinx to Christ (Treatise on Occult History)
 Hermes to Plato
 Krishna and Orpheus
 Jesus the Last Great Initiate
 The Priestess of Isis (Novel)
 Woman the Inspirer (Lecture/Treatise)
 Ricardo Wagner - His Work and Ideas
 History of Music Drama
 A Beam of Sunlight in the Deep Forest (A collection of mystical prose works, including the novel 'The Angel and the Sphinx')

Original editions

Histoire du Lied ou la chanson populaire en Allemagne, 1868
Le drame musical. Richard Wagner, son œuvre et son idée, 2 volumes, 1875
Les Grands Initiés. Esquisse de l'histoire secrète des religions, 1889
Le drame sacré d'Eleusis, 1890
Sanctuaires d'Orient, Paris 1898
Les grandes légendes de France, Paris, 1893
Les Enfants de Lucifer, 1900
Précurseurs et revolt, Paris, 1904
La Prêtresse d'Isis (Légende de Pompeii), 1907
Femmes inspiratrices et poètes annonciateurs, Paris, 1908
L'évolution divine. Du Sphinx au Christ, 1912
Les prophètes de la renaissance, 1920
Celtique L'âme et le génie de la France à travers les Ages, Paris 1920
Merlin l'enchanteur, Paris, 1921
Le rêve d'une vie. Confession d'un poète (autobiography), 1928

References

External links

 Edouard Schuré The Great Initiates, A Study of the Secret History of Religions. English edition, Harper Collins 1980, .Edouard <mask>, Foreword to Rudolf Steiner's An Esoteric Cosmology, Evolution, Christ & Modern Spirituality (lectures in Paris, 1906) as translated for English edition, online. 1841 births
1929 deaths
People from Strasbourg
French music critics
French philosophers
19th-century French dramatists and playwrights
20th-century French dramatists and playwrights
19th-century French poets
20th-century French poets
French


title: Udo Jürgens

texts:
<mask> (born <mask>n; 30 September 1934 – 21 December 2014) was an Austrian composer and singer of popular music whose career spanned over 50 years. He won the Eurovision Song Contest 1966 for Austria, composed close to 1,000 songs, and sold over 100 million records. In 2007, he additionally obtained Swiss citizenship. He is credited with broadening German-language pop music beyond the traditional post-war "Schlager" (hit song) in the 1950s by infusing it with a modern pop appeal and French chanson style. His compositions and arrangements attracted fans of all ages. Until his death at age 80, he continued to fill venues in Germany, Austria, and Switzerland. Career
In 1952, <mask>lan Quartet in Klagenfurt, Austria, appearing regularly at the Café Obelisk in Klagenfurt with Englishman Johnny Richards on drums, Klaus Behmel on guitar, and Bruno Geiger on Bass.The quartet played regularly at various dance and jazz venues and also broadcast on Radio Alpenland and the British Forces Radio network produced by Mike Fior. In 1950, he won a composer contest organized by Austria's public broadcasting channel ORF with the song "Je t'aime". He wrote the 1961 worldwide hit "Reach for the Stars", sung by Shirley Bassey. In 1964, <mask> represented Austria for the first time at the Eurovision Song Contest 1964 with the song "Warum nur, warum? ", finishing sixth. The UK participant, Matt Monro, was impressed with the melody and covered the song (with English lyrics by his manager Don Black) as "Walk Away", which reached number four in the UK Singles Chart and number 23 in the US Billboard Hot 100 chart. <mask>' song "Sag ihr,

masks:
Udo Jürgens
Jürgen Udo Bockelman
Udo Bolando Bo
Jürgens
Jürgens


title: Udo Jürgens

texts: ich lass sie grüßen" came fourth in 1965's contest, and on his third try, he won the Eurovision Song Contest 1966 in Luxembourg with "Merci, Chérie", which became an English-language hit for Vince Hill, another cover by Monro, and one of <mask>' most recognized compositions.<mask>' version alone sold over one million copies, and he was awarded a gold disc by Deutsche Vogue in 1966. In the following years, <mask> wrote songs like "Griechischer Wein", "Aber bitte mit Sahne", "Mit 66 Jahren", and—one of his biggest successes—"Buenos Días, Argentina", which he performed together with the Germany national football team in 1978. In 1977, he invited The Supremes to appear as guests on his televised and recorded gala concert. The Supremes (Mary Wilson, Scherrie Payne, and Susaye Greene), who were on a brief farewell tour of Europe at the time, performed two of their own hits, "You Are the Heart of Me" and "You're My Driving Wheel", as well as a duet with <mask>' "Walk Away" in English. In 1979, he released a disco album entitled Udo '80, which spawned the hit single "Ich weiß was ich will". This song was also released as a 12" disco single in an extended remix for nightclubs. On 2 December 2007, the jukebox musical Ich war noch niemals in New York ("I've never been to New York") opened in Hamburg's Operettenhaus.It weaves songs by Jürgens into a familial storyline, similar to the treatment of ABBA songs in Mamma Mia!, the musical it succeeded at the venue. Since 2015, <mask> holds the worldwide-record as the artist with the longest presence in the charts ever—more than 57 years from his first entry 1958 till 2015.

masks: Jürgens Jürgens Jürgens Jürgens Jürgens


title: Udo Jürgens

texts:
 Cover versions

"Merci, Chérie", whose original German lyrics were written by Thomas Hörbiger, has been translated or adapted into several languages and covered by dozens of artists in both vocal and instrumental recordings. These versions include:
 "Merci Chérie" by Claude Carrère and André Salvet (French)
 "Merci" by Vito Pallavicini (Italian)
 "Merci Cherie" by Baker Cavendish (English)
 "Merci Cherie" by Fred Bekky (Dutch)
 "Merci Chérie" by Al Sandström (Swedish)
 "Merci Chérie" by Gina Trandafirescu (Romanian)
 "Merci Cheri" by Andrzej Ozga (Polish)
<mask> himself recorded many of the translations for international release, including a version in Japanese. More recent covers include Belinda Carlisle's 2007 recording of the French version. In addition to recording Cavendish's "Merci, Chérie" lyric, Matt Monro covered five more Jürgens compositions, all with English lyrics (unrelated to the German ones), written by his manager Don Black. Four of these became closely associated with Monro (and were subsequently covered by <mask> himself):
 "Warum nur warum?"became "Walk Away" (a 1964 Top 40 hit in both the U.S. and UK)
 "Du sollst die Welt für mich sein" became "Without You" (a 1965 UK Top 40 hit)
 "Was ich dir sagen will" became "The Music Played" (1968)
 "Illusionen" became "If I Never Sing Another Song" (1977), which was later performed by Frankie Laine, Shirley Bassey, Sammy Davis Jr., and other entertainers. A fifth Jürgens song, "In dieser Welt", became "Lovin' You Again", and in 1969, Matt Monro recorded both Spanish and English versions, the latter not released until August 2012. (Monro also

masks: Jürgens Jürgens


title: Udo Jürgens

texts:
 recorded Spanish versions of "Walk Away" and "The Music Played"; all three Spanish lyrics were adapted for Monro from Don Black's versions by Leonardo Schultz, who also produced the Spanish recordings.) In one of his last recording sessions, Bing Crosby covered an English version of Jürgens' "Griechischer Wein" called "Come Share the Wine", which also was written by Black. The song was released after Crosby's death in 1977 as the title track of a compilation album and was later recorded by Al Martino. In 1979, Marty Robbins released an English version of "Buenos Dias Argentina" that became a latter-day standard for Robbins. In the early 1990s, German thrash metal band Sodom released a 'metalized' cover of the boogie "Aber bitte mit Sahne".In 2009, the German band Sportfreunde Stiller covered "Ich war noch niemals in New York" together with <mask> on their MTV Unplugged concert in Munich. Death

On 21 December 2014, <mask> died of acute heart failure in Münsterlingen, Switzerland, at the age of 80. With Austria's success at the 2014 Eurovision Song Contest, the first since <mask>' success in 1966, Jürgens expressed his interest in performing in the interval of the next contest. With his death, the organisers of the 2015 contest in Vienna paid tribute to him with a tribute day in the "Eurovision Village" on 20 May and at the beginning of the Austrian national final broadcast live on ORF 1. At the contest's final, violinist Lidia Baich performed an excerpt of his winning song live on stage during the opening act. Family
 His brother, Manfred Bockelmann (born 1 July 1943), is a painter. His son by first

masks: Jürgens Jürgens Jürgens


title: Udo Jürgens

texts:
 marriage, <mask> (born 20 February 1964), is a singer, actor and DJ.His daughter by his first marriage, <mask> (born 22 January 1967), is an actress. His uncle, Werner Bockelmann (23 September 1907 – 7 April 1968), was mayor of Frankfurt am Main
<mask> <mask> was related neither to the singer <mask> nor to the actor Curd <mask>. Discography

 "Portrait in Musik" (1965)
 "Merci, Chérie" (1966, Eurovision Song Contest)
 "Chansons" (1967)
 "Portrait in Musik – 2. (2016)
 "Merci, Udo! 2" (2017)

Selected filmography
Our Crazy Aunts (1961), as Pitt van Rees
Drei Liebesbriefe aus Tirol (1962), as Martin Hinterkirchner
Dance with Me Into the Morning (1962), as Max Kainz
Our Crazy Nieces (1963), as Pitt van Rees
Our Crazy Aunts in the South Seas (1964), as Pitt van Rees
Das Spukschloß im Salzkammergut (1966), as <mask>
As himself
The Legs of Dolores (1957)
 (1961)
Hochzeit am Neusiedler See (1963)
 (1966)
Soundtrack
  (1976)

References

External links

Wolfgang Spahr: Casebook <mask> Jürgens. Billboard, 26. März 1994
Excerpts from a thesis on <mask> (2002) by Christian Mädler

<mask> <mask> - Ich war noch niemals in New York Musical

1934 births
2014 deaths
20th-century Austrian male singers
21st-century Austrian male singers
Eurovision Song Contest entrants for Austria
Eurovision Song Contest entrants of 1964
Eurovision Song Contest entrants of 1965
Eurovision Song Contest entrants of 1966
Eurovision Song Contest winners
United Nations High Commissioner for Refugees Goodwill Ambassadors
Musicians from Klagenfurt
Officers Crosses of the Order of Merit of the Federal Republic of Germany
Burials at the Vienna

masks:
John Jürgens
Jenny Jürgens
Udo
Jürgens
Andrea Jürgens
Jürgens
Udo
Udo
Jürgens
Udo
Jürgens


title: Irving Gottesman

texts:
<mask> (December 29, 1930 – June 29, 2016) was an American professor of psychology who devoted most of his career to the study of the genetics of schizophrenia. He wrote 17 books and more than 290 other publications, mostly on schizophrenia and behavioral genetics, and created the first academic program on behavioral genetics in the United States. He won awards such as the Hofheimer Prize for Research, the highest award from the American Psychiatric Association for psychiatric research. Lastly, Gottesman was a professor in the psychology department at the University of Minnesota, where he received his Ph.D.

A native of Ohio, Gottesman studied psychology for his undergraduate and graduate degrees, became a faculty member at various universities, and spent most of his career at the University of Virginia and the University of Minnesota. He is known for researching schizophrenia in identical twins to document the contributions of genetics and the family, social, cultural, and economic environment to the onset, progress, and inter-generational transmission of the disorder. Gottesman has worked with researchers to analyze hospital records and conduct follow-up interviews of twins where one or both were schizophrenic. He has also researched the effects of genetics and the environment on human violence and variations in human intelligence.Gottesman and co-researcher James Shields introduced the word epigenetics—the control of genes by biochemical signals modified by the environment from other parts of the genome—to the field of psychiatric genetics. Gottesman has written and co-written a series of books which summarize his work. These publications include raw data from various studies, their statistical interpretation, and possible conclusions presented with necessary background material. The books also include first-hand accounts of schizophrenic patients and relatives tending to them, giving an insight into jumbled thoughts, the disorder's primary symptom. Gottesman and Shields have built models to explain the cause, transmission, and progression


title: Irving Gottesman

texts:
 of the disorder, which is controlled by many genes acting in concert with the environment, with no cause sufficient by itself. Background

<mask> was born in Cleveland, Ohio, in 1930, to Bernard and <mask> (née Weitzner), who were Hungarian–Romanian Jewish immigrants. He was educated at Miles Standish Elementary and a public school in Cleveland's Shaker Heights.After leaving school, <mask> joined the United States Navy, where he was given a scholarship and the rank of midshipman, and was assigned to the Naval Reserve Officers Training Corps at the Illinois Institute of Technology in Chicago. He first specialized in physics but changed to psychology, receiving his B.S. degree in 1953. Gottesman did his graduate work at the University of Minnesota, which then patterned its clinical psychology program on the Boulder model, which emphasized research theory and clinical practice. He joined the graduate program in 1956 after three years with the Navy, supported by the Korean War G.I. Bill. He began investigating personality traits in identical and fraternal twins who had filled out the Minnesota Multiphasic Personality Inventory (MMPI).His Ph.D. thesis, submitted to Psychological Monographs, was rejected before a review on the grounds that the nature–nurture issue it addressed had already been settled in favor of nurture. On appeal, the thesis was reviewed and accepted for publication. Gottesman began his career at Harvard University as a social relations and psychology lecturer. This non-tenure-track position ended after three years. Then he worked with researcher James Shields at the Maudsley–Bethlem hospital complex in London, using its twin registry to analyze traits of identical and fraternal twins at the lab of Eliot Slater, whom Gottesman met in Rome at the Second International Congress on Human Genetics in 1961. After his return to the University of Minnesota in 1966, Gottesman created a program on behavioral genetics, the first in the U.S. In 1972–1973 he received a Guggenheim fellowship to work with K.O.Christiansen in Denmark. In 1980

masks:
Gottesman
Virginia Gottesman
Gottesman


title: Irving Gottesman

texts:
 schizophrenics. The researchers had hypothesized that schizoida in a twin was how a schizophrenia carrier gene, one in a non-schizophrenic still passing on a genetic risk, expressed itself. The twin study did not confirm this. In the Denmark study, the researchers evaluated the extent to which genes underpin psychopathology. Their twin studies of criminality found that a genetic disposition to poor self-control caused both identical twins to become felons, or to not become felons.They also studied identical twins who were discordant for schizophrenia, where one twin was schizophrenic and the other not, and found children of such twins had equal genetic vulnerability to the disease. A later study in the mid-1980s, resulting in a paper awarded the Kurt Schneider Prize, concluded that children of identical twins were at higher risk than those of fraternal twins, indicating the non-schizophrenic identical twin passed on a latent genetic disposition, even if it had not been expressed through schizoida. The Denmark study introduced the concepts of "unexpressed genotypes"the latent genetic risk, and "epigenetic control"the biochemical regulation of how genes work, into the new field of behavioral genetics. Studies on delinquency and violence

In a 1989 review of the research on juvenile delinquency and violence, Lisabeth DiLalla and Gottesman found delinquency could be transitory or continuous, and genes contributed more to the continuous type. In 1991 the same authors published a critique of the then-prevalent idea of antisocial behavior being transmitted through generations by child abuse alone in antisocial families. They stated that a review by Cathy Spatz Widom and the studies she cited had missed an element: children maltreated in families might have been targets because their genes might have influenced them into committing antisocial acts and attracting such treatment from parents. <mask> was one of the presenters at the 1995 conference at the Aspen Institute in Maryland on how strongly genes controlled a person's leaning toward violence


title: William Backhouse Astor Sr.

texts:
<mask>. (September 19, 1792 – November 24, 1875) was an American business magnate who inherited most of his father <mask>'s fortune. He worked as a partner in his father's successful export business. His massive investment in Manhattan real estate enabled major donations to the Astor Library in the East Village, which became the New York Public Library. Early life
<mask> was born in New York City on September 19, 1792 and named after <mask>, a friend of his father who was a New York merchant. He was a son of fur-trader <mask> (1763–1848) and Sarah Cox Todd (1761–1834). His seven siblings were Magdalena (1788–1832), Sarah (1790–1790), John Jr. (1791–1869), Dorothea (1795–1874), Henry (1797–1799), Eliza (1801–1838), and an unnamed brother who died shortly after his November 13, 1802 birth. He attended local public schools.His spare hours and vacations were employed in assisting his father in the store. Official records show that is matriculated with the class of 1811 of Columbia College, but did not graduate from the institution. At Columbia, he was a member of the Peithologian Society and Philolexian Society, both undergraduate literary societies. Instead, at age sixteen, he was sent to the University of Göttingen in Germany, where he joined the German Student Corps Curonia of the Baltic German students; later he moved to the University of Heidelberg. He chose as his tutor a student, afterward known as the Chevalier Christian Charles Josias von Bunsen, with whom he also traveled. Career
In 1815, he returned to the United States and entered partnership with his father, who changed the name of his firm to John Jacob Astor & Son and engaged in the China trade. <mask>'s elder brother John Jacob <mask> Jr. was sickly and mentally unstable, and had no part in the business.He worked there until his father's death. One source argued that his role in the company was never anything more than as

masks:
William Backhouse Astor Sr
John Jacob Astor
William
William Backhouse
John Jacob Astor
William
Astor


title: William Backhouse Astor Sr.

texts:
 "an industrious and faithful head clerk", despite his official title of head of the firm's chief subsidiary, the American Fur Company, in its last several years of its ownership by Astor & Son. Although <mask>'s fortunes grew with his father's company, he became a truly wealthy man when he inherited the estate, worth around $500,000 (equivalent to $ million in ), of his childless uncle <mask> I, who died in 1833. When John Jacob <mask> Sr. died in 1848, <mask> became the richest man in America. Real estate
Following the example of his father, he invested in real estate, principally situated below Central Park, between 4th and 7th Avenues, which rapidly increased in value. For about 13 years prior to 1873 he was largely engaged in building until much of his hitherto unoccupied land was covered by houses. He was said to own in 1867 as many as 720 houses, and he was also heavily interested in railroad, coal, and insurance companies.His management of the family real estate holdings succeeded in multiplying their value, and he left an estate worth close to $50 million. His house at Barrytown, New York, known as Rokeby, was added to the National Register of Historic Places in 1975. During the American Civil War he successfully brought a case against the income tax imposed by the United States government, which was ruled unconstitutional. Philanthropy
He added to the bequest of his father for the Astor Library the sum of $250,000, of which he paid during his lifetime $201,000 in land, books, and money. The edifice was completed under his directions in May, 1853. In 1855 he presented to the trustees the adjoining lot, and erected thereon a similar structure, which was completed in 1859. He next gave $50,000 for the purchase of books.He gave much patient attention for many years to the administration of the library. He gave $50,000 to St. Luke's Hospital, and in his will he left $200,000 to the

masks:
William
Henry Astor
Astor
William


title: William Backhouse Astor Sr.

texts:
 Astor Library, in addition to $49,000, the unexpended balance of his earlier donation. The gifts and bequests of <mask> <mask> Sr. to the Astor Library amounted altogether to about $550,000. In 1879, <mask>'s eldest son John Jacob <mask> III presented three lots adjoining the library building, and erected on them a third structure similar to the others, and added a story to the central building. His outlay, exclusive of land, was about $250,000, making the entire gift of the Astor family more than $1,000,000. In 1852–53, he built the St. Margaret's Home at Red Hook, New York and supported it until his death in 1875. Personal life

On May 20, 1818, <mask> married Margaret Alida Rebecca Armstrong (1800–1872), the daughter of Senator John Armstrong Jr. and Alida (née Livingston) Armstrong and sister of Horatio Gates Armstrong.Her mother, a member of the prominent Livingston family, was the youngest child of Judge Robert Livingston and Margaret (née Beekman) Livingston as well as the sister of Chancellor Robert R. Livingston and Secretary of State Edward Livingston. Her father, John Armstrong Jr. was President James Madison's second Secretary of War. Together, <mask> and Margaret had seven children:

 <mask> (1819–1841), who married Samuel Cutler "Sam" Ward (1814–1884), a financier/lobbyist/author, on January 5, 1838, and had two children. John Jacob <mask> III (1822–1890), who married Charlotte Augusta Gibbes (1825–1887) on December 9, 1846, and had one son. Mary Alida <mask> (1823–1881), who married John Carey (1821–1881) on April 16, 1850 and had three children. Laura Eugenia <mask> (1824–1902), who married Franklin Hughes Delano (1813–1893), on September 17, 1844 (no issue). <mask> <mask> Jr. (1829–1892), who married socialite Caroline Webster "Lina" Schermerhorn (1830–1908) on September 20, 1853, and had five children.<mask> III (1830–1918), who married Malvina Dinehart (1844–1918) in

masks:
William Backhouse
Astor
William
Astor
William
William
Emily Astor
Astor
Astor
Astor
William Backhouse
Astor
Henry Astor


title: William Backhouse Astor Sr.

texts:
 1871 (no issue). Sarah Todd <mask> (1832–1832), who died in infancy. As a wedding gift, Astor gave Franklin and Laura Delano the southernmost 100 acres of Rokeby estate. The estate came to be known as "Steen Valetje" (which means "little stone valley" in Dutch). <mask> died on February 15, 1872, <mask> survived his wife by three years dying on November 24, 1875 in his townhouse at Lafayette Place in New York City. He was buried next to his wife in the Astor vault at Trinity Church Cemetery, designed by Frederick Clarke Withers, in New York City. In 1866 he conveyed the adjoining 142 acres of Rokeby to his son, Henry.<mask> built a brick dwelling on this land, but in 1873 conveyed the property to Laura. <mask>'s local newspaper The New York Times eulogised, Mr. <mask><mask>. an illness of four days ends an honored and successful life the public events in Mr. <mask>'s career a ripe scholar and philanthropic man. Mr <mask><mask>, after an illness of only a few days, died at his residence in this City yesterday at 9:30 A.M., aged eighty three years. Mr. <mask> was in his usual good health, except for a slight cold, until Saturday of last week. On that morning his cold began to trouble him and occasioned a severe cough. See also
 Rokeby (Barrytown, New York)
 "Steen Valetje"

References
Notes

Sources

Further reading
  This article also has a paragraph on <mask> <mask> Sr.External links

1792 births
1875 deaths
<mask>
Livingston family
American real estate businesspeople
Philanthropists from New York (state)
American expatriates in Germany
Businesspeople from New York City
People of New York (state) in the American Civil War
University of Göttingen alumni
Heidelberg University alumni
19th-century American businesspeople
People from Barrytown, New York
Burials at Trinity Church Cemetery
American Fur Company people
Columbia College (New York) alumni
Presidents of the New York Public

masks:
Astor
Margaret Astor
William Astor
Henry Astor
Astor
William B
. Astor
Astor
William B
. Astor
Astor
William Backhouse
Astor
William Backhouse


title: Hermann Beckh

texts:
<mask> (4 May 1875, in Nuremberg – 1 March 1937, in Stuttgart) was a pioneering German Tibetologist and prominent promoter of anthroposophy. Biography
<mask> was born in Nuremberg to a factory owner, <mask>, and his wife Marie, née Seiler (died 1943). He had a sister some 12 years younger with whom he had a close friendship until she died in 1929. Due to his unusual memory skills, he graduated from high school with excellent marks in 1893 and received a scholarship at the Munich Maximilianeum. Given his many interests and talents, he found the initial decision of field of study a difficult one; his peers encouraged him towards law. He completed his studies of law with a prizewinning thesis Die Beweislast nach dem Bürgerlichen Gesetzbuch (The Onus of Proof, from the Civil Law Code) and was employed as an assessor until 1899. It became clear to him that he was not made out to be a judge when he had to impose a fine on a poor married couple for stealing wood.He paid the couple's fine out of his own pocket and left his position. He later took up the study of oriental languages, Indology, and Tibetology at the Christian-Albrechts-Universität at Kiel. In 1907, he received his doctorate at Humboldt-Universität at Berlin with a thesis on Kalidasa's poem Meghaduta. He received his final degree the following year with further work on this poem. He taught as a private tutor of the Tibetan language until 1921 and worked cataloguing Tibetan manuscripts at the Staatsbibliothek in Berlin. In 1911, he met Rudolf Steiner and Friedrich Rittelmeyer, which led to his intensive study of Steiner's work. On Christmas Day, 1912, he became a member of the Anthroposophical Society.In 1916, <mask> was drafted into

masks:
Hermann Beckh
Hermann Beckh
Eugen Beckh
Beckh


title: Hermann Beckh

texts: military service, shortly after Sammlung Göschen published two volumes about the Buddha and his teachings. Next stationed in the Balkans, he was called to work in the Institut für Weltwirtschaft an der Universität Kiel (Kiel Institute for the World Economy), where he evaluated economic reviews in Scandinavian newspapers. Due to his task, he was permitted to learn the Scandinavian languages in addition to the languages he already knew: English, French, Italian, Classical Greek and Latin, Hebrew, Egyptian, Sanskrit, Tibetan and Old Persian. His civil obligations lasted until the next world war. During that period, he resumed lecturing, but declined a teaching contract for Tibetan philology and went on vacation. He brought his vacation to an abrupt end when he was appointed to the position of "extraordinary professor", but ended his academic career in November 1921. From 1920 onwards, he worked as a lecturer of anthroposophy.In March 1922, he joined the Gründerkreis (circle of priests) of The Christian Community and worked until his death as a priest, seminary teacher, lecturer, independent researcher and writer. In 1928, <mask>'s Der kosmische Rhythmus im Markusevangelium ("Mark's Gospel: The Cosmic Rhythm") was published, in which he related  the narration of the gospel of Mark to the path of the sun through the twelve zodiacal signs, and mentioned earlier work of Arthur Drews, Eduard Stucken (author of Astralmythen der Hebraeer, Babylonier, und Aegypter, Leipzig, 1896-1907) and Andrzej Niemojewski. In the Introduction to the sequel, Der kosmische Rhythmus, das Sternengeheimnis und Erdengeheimnis im Johannesevangelium ("The Cosmic Rhythm, the Secrets of the Stars and Earth in the Gospel of


title: Hermann Beckh

texts:
 John") (1930), Beck mentioned favourably Wilhelm Kaiser's Die geometrischen Vorstellungen in der Astronomie (1928), and referred to The Novices of Sais, of Novalis. The cosmic rhythm in Beckh's exposition, he explained, was for Mark's gospel understood more in connection with the "earthly" zodiac of the signs, and for John's gospel more in connection with the "stellar" zodiac of the constellations, while, at the time of the beginning of the Christian era, these were coincident. <mask>ãsas Meghaduta (The Tibetan Translation of Kalidasa's Mehaduta), Königliche Akademie der Wissenschaften, Berlin 1907
Udanavarga. Eine Sammlung buddhistischer Sprüche in tibetischer Sprache (Udanavarga: A Collection of Buddhist Sayings in the Tibetan Language), 1911
Verzeichnis der tibetischen Handschriften der Königlichen Bibliothek zu Berlin (Index of Tibetan Manuscripts in the Royal Library of Berlin), 1914
Buddhismus.Buddha und seine Lehre (Buddhism: Buddha and his teaching), 2 volumes, Sammlung Göschen 174 and 770, Berlin/Leipzig 1916
New edition: Buddha und seine Lehre (Buddha and his teaching), Urachhaus, Stuttgart 1958,
Indologie und Geisteswissenschaft (Indology in the light of Humanities): three lectures held at the Goetheanum at Dornach on 1, 8 and 15 October 1920, printed in Kultur und Erziehung (Culture and Education), Der Kommende Tag, Stuttgart 1921
Es werde Licht. Schöpfungsurworte der Bibel (Let there be light: Fundamental words of Creation in the Bible), Der Kommende Tag, Stuttgart 1921
Der physische und der geistige Ursprung der Sprache (The Physical and Spiritual Source of Language), Der Kommende Tag, Stuttgart 1921
Etymologie und Lautbedeutung im Lichte der Geisteswissenschaft (Etymology and


title: Hermann Beckh

texts:
 von Richard Wagners "Parsifal".(The Experience of Christ, within the drama and music of Richard Wagner's "Parsifal"), Verlag der Christengemeinschaft, Stuttgart 1930
Alchymie. Vom Geheimnis der Stoffeswelt. (Alchemy: the secrets of the world of substances), Geering, Dornach 1931
New Edition: Vom Geheimnis der Stoffeswelt, VDM, Saarbrücken 2007,
Richard Wagner und das Christentum (Richard Wagner and Christendom), Verlag der Christengemeinschaft, Stuttgart 1933
Der Hymnus an die Erde. Aus dem altindischen Atharvaveda übersetzt und erläutert (The Hymn to Earth, translated from the ancient Indian Atharvaveda, with comments), Verlag der Christengemeinschaft (Christus aller Erde 34), Stuttgart 1934
Die Sprache der Tonart in der Musik von Bach bis Bruckner, mit besonderer Berücksichtigung des Wagnerschen Musikdramas (The Language of the Art of Keys in Music from Bach to Bruckner, with special consideration of Wagnerian musical drama), Urachhaus, Stuttgart 1937
Neue Wege zur Ursprache. Sprachwissenschaftliche Studien. (New Paths to the Proto-language: Linguistic Studies), Urachhaus, Stuttgart 1954

References

Sources
Emil Bock: <mask>, in: Zeitgenossen – Weggenossen – Wegbereiter, Urachhaus, Stuttgart 1959, S. 122–133
Rudolf F. Gädeke: <mask>h, in: Die Gründer der Christengemeinschaft, Verlag am Goetheanum (Pioniere der Anthroposophie 10), Dornach 1992, S. 164–171
Gundhild Kačer-Bock: Hermann Beckh. Leben und Werk, Urachhaus, Stuttgart 1997,

External links

Biografischer Beitrag von G. Kačer-Bock (Biographien Dokumentation der Forschungsstelle Kulturimpuls)

1875 births
1937 deaths
Writers from Nuremberg
People from the Kingdom of Bavaria
Tibetologists
Anthroposophists
German military personnel of

masks:
Hermann Beckh
Hermann Beck


title: Al Neuharth

texts:
<mask><mask><mask> (March 22, 1924 – April 19, 2013) was an American businessman, author, and columnist born in Eureka, South Dakota. He was the founder of USA Today, The Freedom Forum, and its Newseum. Early life
<mask> was born in Eureka, South Dakota, to a German-speaking family. Neuharth's parents were Daniel J. and Christina, who married on January 11, 1922. Daniel died when <mask> was two. <mask> needed to help his family survive the Great Depression. He worked on his grandfather's farm.As a youngster, he also delivered the Minneapolis Tribune but he gave that up for a better paying job in the meat industry, sweeping up in the meat plants and slaughtering animals. Neuharth graduated from Alpena High School in Alpena, South Dakota, where he worked for <mask>, owner of the local newspaper, the Alpena Journal. At the age of 19, Neuharth served in the Army during World War II. As a member of the 86th Infantry Division, Neuharth was deployed to France, Germany, and the Philippines. Education
After the war, Neuharth attended the University of South Dakota in Vermillion, where he edited the school newspaper, The Volante. He maintained an affiliation with the university and had an office in the Media & Journalism building, the Al Neuharth Media Center, until his death in 2013. Neuharth founded the Al Neuharth Free Spirit Scholarship, which is awarded to graduating high school students who exemplify the qualities of a "free spirit" and aim to pursue a career in journalism.News career
Neuharth and fellow USD alum Bill Porter founded SoDak Sports, a weekly newspaper devoted to covering the sports scene in South Dakota. Despite its initial popularity, the weekly SoDak Sports went bankrupt in a year's time, losing Neuharth the $50,000 he had borrowed. After his failure, Neuharth went to the Miami Herald, where he made his way up to assistant managing editor. In 1960, the

masks:
Allen Harold "
Al
" Neuharth
Al Neuharth
Al
Al
Allen Brigham


title: Al Neuharth

texts:
 Knight newspaper chain (later a part of Knight Ridder), which owned the Herald, sent him to its Detroit Free Press, which was fighting an uphill battle with the Detroit News, which Neuharth would later buy while at Gannett. After Neuharth decided that he could go no further in the Knight organization due to the Knight family's control, in 1963 he accepted Gannett head Paul Miller's offer to move to Gannett's headquarters in Rochester, New York to run its paper there, the Democrat and Chronicle. In 1966 he took charge of Gannett Florida. He started Today in Cocoa, Florida, which eventually became Florida Today.The color schemes used in Florida Today became an inspiration for the initial format for USA Today. He then ran the boardroom under Miller, whom he eventually succeeded in 1973. He helped to build Gannett into the largest newspaper company in the United States. During his tenure, Gannett revenues expanded 1,450%. In 1979 Gannett owned 78 daily and 21 weekly newspapers, seven television and over a dozen radio stations, outdoor advertising plants, and the Louis Harris & Associates research firm. The reason Gannett purchased Harris was because the firm was doing extremely expensive research for Neuharth to determine the advisability of starting a new national newspaper. USA Today
Neuharth founded USA Today in 1982, which as of March 2013 was the third most widely read newspaper in the country.He won the Walter Cronkite Award for Excellence in Journalism in 1988, in recognition of his founding of the newspaper. <mask> retired from Gannett on March 31, 1989, at the age of 65. After his retirement, Neuharth authored a weekly column entitled Plain Talk through August 2010. Freedom Forum
Neuharth served as chairman of the board of the Gannett Foundation upon his retirement. The foundation was founded by Frank Gannett, founder of the newspaper chain. Neuharth took


title: Al Neuharth

texts:
 control of the foundation and removed the CEO and installed his own top executive. He then renamed the foundation the Freedom Forum.Neuharth served as the chairman of the Freedom Forum from 1991 until his death in 2013. Each year, the Freedom Forum gives out the Al Neuharth Award for Excellence in the Media. Past winners include Walter Cronkite (1989), Carl T. Rowan (1990), Helen Thomas (1991), Tom Brokaw (1992), Larry King (1993), Charles Kuralt of CBS (1994), <mask>. Hunt and Judy Woodruff (1995), Robert MacNeil (1996), Cokie Roberts (1997), Tim Russert and Louis Boccardi (1998), John Seigenthaler (1999),  Jim Lehrer (2001), Tom Curley (2002), Don Hewitt of CBS (2004), Garrison Keillor (2005), Bob Schieffer of CBS (2006), John Quinn and Ken Paulson (2007), Charles Overby (2008), Katie Couric (2009), Brian Lamb of C-SPAN (2011) and Marilyn Hagerty of the Grand Forks Herald (2012). Quotes
"We in the media could help [the insurance situation] if we put in proper perspective long range hurricane forecasts that often are exaggerated and play into insurers' hands." "The First Amendment guarantees a free press. We in the media must make sure it is a fair press." <mask> had two children from his first marriage on June 16, 1946, to Loretta F. Helgeland.He was divorced in 1973. He married his second wife, Florida State Senator Lori Wilson, in 1973. Their marriage lasted seven years. He married Rachel Fornes, a Cocoa Beach, Florida, chiropractor and they adopted six children. In 1975, Neuharth built a beachfront mansion in Cocoa Beach. It contained  of living space, 11 bedrooms and 12 bathrooms. It was valued at several million dollars and was the largest in the city.It was sold after his death and was destroyed by fire in 2016. Neuharth died on Friday, April 19, 2013, at his home in Cocoa Beach, at the age of 89. Jack Marsh, president of the Al Neuharth Media Center and a

masks:
Albert R
Personal Neuharth


title: Al Neuharth

texts:
 close friend, confirmed that he passed away at his home. Marsh said that Neuharth fell earlier in the week and never quite recovered. Awards and Honors
Bronze Star Medal
Horatio Alger Award (1975)
First male from the newspaper industry to win Association for Women in Communications' highest award, the Headliner Award
Golden Plate Award of the American Academy of Achievement (1982)
Walter Cronkite Award for Excellence in Journalism (1988)

Books
 BusCapade: Plain Talk Across the USA. Washington, D.C.: USA Today Books, 1987,
 Profiles of Power: How the Governors Run Our 50 States, with Kenneth A. Paulson and Phil Pruitt. Washington, D.C.: USA Today Books, 1988,
 Truly One Nation, with Ken Paulson and Dan Greaney.New York: USA Today Books: Doubleday, 1988,
 Window on the World: Faces, Places, and Plain Talk from 32 Countries. Washington, D.C.: USA Today Books, 1988,
 Nearly One World, with Jack Kelley and Juan J. Walte. New York: USA Today Books/Doubleday, 1989,
 Confessions of an S.O.B.. New York: Doubleday, 1989,
 Free Spirit: How You Can Get the Most out of Life at Any Age...and How It Might Make You a Millionaire. Arlington, Va.: Newseum Books, 2000,

References

 <mask>, <mask>. Confessions of an S.O.B. Doubleday, 1989
 Vaughn, Stephen L.  "Encyclopedia of American Journalism". Routledge, 2007, pp.329–330. External links

NAA Honors <mask><mask> for Lifetime of Achievement

<mask>h Oral History Interview by the Samuel Proctor Oral History Program at the University of Florida

1924 births
2013 deaths
American male journalists
American columnists
United States Army personnel of World War II
USA Today people
American media executives
United States Army soldiers
People from Cocoa Beach, Florida
People from Eureka, South Dakota
People from Jerauld County, South Dakota
American people of German descent
Journalists from South Dakota
American newspaper publishers

masks:
Neuharth
Al
Allen H
. Neuharth
Al Neuhart


title: Cheryl Kernot

texts:
<mask> (née Paton, formerly Young; born 5 December 1948) is an Australian politician, academic, and political activist. She was a member of the Australian Senate representing Queensland for the Australian Democrats from 1990 to 1997, and the fifth leader of the Australian Democrats from 1993 to 1997. In 1997, she resigned from the Australian Democrats, joined the Australian Labor Party, and won the seat of Dickson at the 1998 federal election. She was defeated at the 2001 federal election. <mask> was an unsuccessful independent candidate to represent New South Wales in the Australian Senate in the 2010 federal election. Career before politics
<mask> was born <mask> in Maitland, New South Wales on 5 December 1948. She spent twelve years as a political activist while working as a school teacher in New South Wales and Queensland.She also worked as an electorate officer and freelance radio producer. In 1984, <mask> was elected Queensland Secretary of the Australian Democrats, and later in the year, Queensland State President, a position she held until 1999. <mask> served as Deputy National President of the party between 1988 until her election to the Senate in 1990. Political career

Democrats
She was first elected as a Senator for Queensland at the 1990 election, taking over from the retiring Democrats Senator Michael Macklin. <mask> surprised party members by immediately contesting the parliamentary deputy leadership, even before taking her place in the Senate on 1 July 1990. In 1991, she controversially acted to discredit and depose the elected leader, Janet Powell, resulting in Powell's replacement by John Coulter. <mask> finally achieved her ambition to become the Democrats' Senate leader after the 1993 election.Meg Lees was elected as her deputy. Inside the party, she spearheaded a drive for central control of the state-based organisations, which resulted in protest resignations of members and the temporary closure of the Western Australian Division. Externally, however, she became a popular media spokesperson, leading the party to one of its best-ever results in the 1996 election and obtaining a primary vote of over 13% for herself. Labor
On 15 October 1997,

masks:
Cheryl Zena Kernot
Kernot
Cheryl Kernot
Cheryl Paton
Kernot
Kernot
Kernot
Kernot


title: Cheryl Kernot

texts:
 <mask> abruptly moved to the Australian Labor Party, resigning her Senate seat and leaving the leadership of the Democrats to her deputy, Meg Lees, in what was described by journalist Monica Attard as a "defection [that] took the country by storm". In her resignation speech, <mask> did not criticise the Democrats, saying her motivation was due to a "growing sense of outrage at the damage being done to Australia by the Howard Government" and that her position leading a minor party in the Senate meant she "had a limited capacity to help minimise that damage". She also stated that she was "well aware of the political risks in this course of action". Some derided <mask> because of her ambition; and, according to journalist Julia Baird, she "found herself at odds with the leadership of the Labor Party".Baird went on to say that "...[Kernot]...unravelled publicly under the stress, and she was portrayed in print as a has-been, a whinger and a poor performer". <mask> narrowly won the outer metropolitan Brisbane seat of Dickson for Labor at the 1998 election, before losing it at the 2001 election to the Liberal Party candidate Peter Dutton. During her period as Member for Dickson, <mask> served in the Shadow Ministry, and held the roles of Shadow Minister for Regional Development, Infrastructure, Transport and Regional Services from 1998 to 1999, and Shadow Minister for Employment and Training from 1999 to 2001. Life outside politics
After retiring from politics, <mask> wrote an autobiography called Speaking for Myself, which was published in 2002. This book was focused on her political career, particularly her move from the Democrats to Labor. On 3 July 2002, in his regular weekly column in The Bulletin, political journalist Laurie Oakes criticised <mask> for failing to mention an extramarital affair she had with Gareth Evans while she was leader of the Democrats. Evans was deputy leader of the Labor Party and key advocate of her move to Labor.Oakes claimed that the relationship began several years before <mask> joined Labor, and ended in October 1999. He made the claim based on leaked emails in his possession that proved <mask> had had a five-year relationship with

masks: Kernot Kernot Kernot Kernot Kernot Kernot Kernot Kernot Kernot


title: Cheryl Kernot

texts:
 Evans. Initially, <mask> and Evans made themselves unavailable for comment; however, Evans subsequently confirmed the nature of their relationship. <mask> worked in the United Kingdom as Programme Director at the Skoll Centre for Social Entrepreneurs at the Said Business School at Oxford University and as the Director of Learning at the School for Social Entrepreneurs in London. <mask> is currently the Director of Social Business at the Centre for Social Impact, based at the University of New South Wales. She has also expressed support for Australia becoming a republic. Return to politics
On 30 July 2010, <mask> announced that she would run as a candidate for the Australian Senate representing New South Wales as an independent on a platform of "Change politics".She was not successful. Other interests

<mask> was one of Australia's first fully qualified female cricket umpires. She was patron of the Australian women's cricket team from 1994 to 2000. <mask> is on the founding committee of a UK charity which works to provide shelter and education for street children in Kampala, Uganda. In 2014 <mask> became the first patron of the Women in Prison Advocacy Network (WIPAN). WIPAN is a grassroots community charity dedicated to advancing the prospects and wellbeing of women and female youth affected by the criminal justice system. It does so through individual mentoring and advocacy.References

External links
 <mask>, <mask> in The Encyclopedia of Women and Leadership in the Twentieth Century

1948 births
Living people
Australian republicans
Australian Democrats members of the Parliament of Australia
Australian Labor Party members of the Parliament of Australia
Members of the Australian Senate for Queensland
Members of the Australian Senate
Members of the Australian House of Representatives for Dickson
Members of the Australian House of Representatives
University of Newcastle (Australia) alumni
Women members of the Australian House of Representatives
Women members of the Australian Senate
Leaders of the Australian Democrats
21st-century Australian politicians
21st-century Australian women politicians
20th-century Australian politicians
20th-century Australian women

masks: Kernot Kernot Kernot Kernot Kernot Kernot Kernot Kernot Cheryl


title: Peter Bassano

texts:
<mask> is an English conductor. Family
His descent from <mask> the oldest brother of a family of six Venetian musicians brought to England by King Henry VIII is registered at the College of Arms. Three generations of the <mask> family dominated instrumental music at the English Court from 1540 until the death of Charles I. In 1973 the historian A. L. Rowse nominated the poet <mask>, daughter of <mask>, as his candidate for the Dark Musical Lady of the Shakespeare Sonnets. In May 2012 <mask> featured in BBC TV's Franceso da Mosto's Shakespeare in Italy filmed in Bassano del Grappa. In August 2018 the Shakespeare Globe Theatre staged a new play, Emilia, by Morgan Lloyd Malcolm about the life, poetry and musicianship of <mask>. In March 2019, Emilia opened in a three-month West End run at the Vaudeville Theatre.in November 2020 <mask> published his first book Shakespeare and Emilia
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Performing career
<mask> has been Music Director of the Oxford University Sinfonietta – whose broad repertoire spans from Biber to Birtwistle – The Virtuosi of the Mannheim Court, The City of Rochester Symphony Orchestra, the professional choir, The Gentlemen of the Chappell, The Equale Baroque Players, Wendover Choral Society, City of Cambridge Brass Band and Oxford Touring Opera. He has appeared as guest conductor with the Britten-Pears Orchestra, Brook Street Band, Orquestra da Camara de Cascais e Oeiras, Corelli Chamber Orchestra, Helsinki Philharmonic, Eton College Symphony Orchestra, Hong Kong Academy Wind Orchestra, Imperial College Symphony Orchestra, Royal Melbourne Philharmonic Choir, National Youth Wind Orchestra, Royal Philharmonic, Royal College of Music Symphony Orchestra and Sinfonietta, Royal Oman Symphony, State Symphony Orchestra of Mexico, Ulster Youth

masks:
Peter Bassano
Anthony Bassano
Bassano
Emilia Bassano
Baptist Bassano
Peter
Emilia Bassano
Bassano
Bassano


title: Peter Bassano

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 Oliver, Ryan's Daughter Ivanhoe, Superman 2, The Devils, The Lion in Winter, Watership Down and Women in Love – and television – All Creatures Great and Small, Black Beauty, Elizabeth R, I, Claudius, The Gay Lord Quex, The Pallisers – and touring and recording with the Bee Gees, Pink Floyd and the Beatles on the chart topping Hey Jude. He was the founder, trombonist and Artistic Director of the brass quintet, Equale Brass. This ensemble, which was composed of Philharmonia players John Wallace, John Miller (trumpets), Michael Thompson (horn) and John Jenkins (tuba), made seven records, toured worldwide, and commissioned twenty seven new works from composers as diverse as David Bedford, <mask>, Roger Smalley and John Tavener. <mask> acted as Secretary to the Equale Trust, a registered charity that supported the commissioning of composers and sought sponsorship for the work of Equale Brass. Academe
<mask> returned to the Royal College of Music as professor of trombone in 1978, he was appointed Head of Brass Faculty and Staff Conductor in 1993, a position he held until 2004. He has given masterclasses at the Paris Conservatoire, Sibelius Akademy (Helsinki), Hong Kong Academy, Royal Swedish Academy, Canberra, Melbourne and Sydney Conservatoires and has been a guest lecturer at Cambridge, Duke, Edinburgh, Indiana, Open, Oxford, Tokyo University of the Art, Queen's, Salford, Trinity and York Universities. He has written numerous articles for the British musical and national press – including The Daily Telegraph, The Guardian, The Independent and The Times – and presented research on the Bassano Family, Beethoven, Byrd, Shakespeare and Veronese.<mask> has served as a competition adjudicator for the BBC Young Musician of the Year, European Music Prize for Youth,

masks:
Peter Skellern
Bassano
Bassano
Bassano


title: Peter Bassano

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 Royal OverSeas League, Royal Philharmonic Society, Charterhouse, Eton College, Brass Band Championships in Bergen, Stavanger and Linz in the UK in Midlands, Northern Ireland, Scotland, West of England and Yorkshire areas. He has been an external examiner for the Birmingham Conservatoire, Guildhall School of Music and Drama, Royal Academy of Music, Royal Northern College of Music, Royal Welsh College of Music and Drama, Royal Scottish Academy of Music and Drama and Trinity Laban Conservatoire of Music and Dance. Conducting career
Throughout the second half of his playing career he also worked as a conductor taking conducting lessons from Sir John Eliot Gardiner, Nikolaus Harnoncourt, Elgar Howarth, Sir Charles Mackerras, Sir Roger Norrington, Jorma Panula and Bramwell Tovey. It was these teachers plus his own broad playing experience that shaped his distinctive and historically aware approach to interpretation. He was assistant conductor to Paul McCreesh and his Gabrieli Consort and Players on the award-winning Venetian Coronation and Music at San Rocco and Sir John Eliot Gardiner for his Berlioz Romeo and Juliet recording projects. His recording of music by the early Bassanos and the musical associates of <mask> the Gabrielis Andrea and Giovanni and Monteverdi, Venice Preserved on the ASV label received critical acclaim. In Great Britain, he has conducted at the Royal Festival Hall sharing the podium with Vladimir Ashkenazy in the Royal Philharmonic Orchestra's International Series and at the Royal Albert Hall in a BBC Promenade Concert and at Symphony Hall, Birmingham.In addition he has made several Festival appearances at Aldeburgh, Chester, Greenwich, Nottingham, the Three Choirs. He has conducted the RCM Chamber Choir (including the first performance