title: Abbas Kiarostami

texts: expressed their interpretation of the world and their understanding of our preoccupations and identities.<mask> was a noted photographer and poet. A bilingual collection of more than 200 of his poems, Walking with the Wind, was published by Harvard University Press. His photographic work includes Untitled Photographs, a collection of over thirty photographs, mostly of snow landscapes, taken in his hometown Tehran, between 1978 and 2003. In 1999, he also published a collection of his poems. <mask> also produced Mozart's opera, Così fan tutte, which premiered in Aix-en-Provence in 2003 before being performed at the English National Opera in London in 2004. Riccardo Zipoli, from the Ca' Foscari University of Venice, has studied the relations and interconnections between <mask>'s poems and his films. The results of the analysis reveal how <mask>'s treatment of "uncertain reality" is similar in his poems and films.<mask>'s poetry is reminiscent of the later nature poems of the Persian painter-poet, Sohrab Sepehri. On the other hand, the succinct allusion to philosophical truths without the need for deliberation, the non-judgmental tone of the poetic voice, and the structure of the poem—absence of personal pronouns, adverbs, or over-reliance on adjectives—as well as the lines containing a kigo (きご季語, a "season word") gives much of this poetry a haikuesque characteristic. <mask>'s three volumes of original verse, plus his selections from classical and contemporary Persian poets, including Nima, Hafez, Rumi and Saadi, were translated into English in 2015 and were published in bilingual (Persian/English) editions by Sticking Place Books


title: Abbas Kiarostami

type: original

texts:
 in New York. Personal life
In 1969, Kiarostami married Parvin Amir-Gholi. They had two sons, Ahmad (born 1971) and Bahman (1978). They divorced in 1982. <mask> was one of the few directors who remained in Iran after the 1979 revolution, when many of his peers fled the country.He believes that it was one of the most important decisions of his career. His permanent base in Iran and his national identity have consolidated his ability as a filmmaker:
When you take a tree that is rooted in the ground and transfer it from one place to another, the tree will no longer bear fruit. And if it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree. <mask> frequently wore dark spectacles or sunglasses, which he required because of a sensitivity to light. Illness and death
In March 2016, <mask> was hospitalized due to intestinal bleeding and reportedly went into a coma after undergoing two operations.Sources, including a Ministry of Health and Medical Education spokesman, reported that <mask> was suffering from gastrointestinal cancer. On 3 April 2016, Reza Paydar, the director of Kiarostami's medical team, made a statement denying that the filmmaker had cancer. However, in late June he left Iran for treatment in a Paris hospital, where he died on 4 July 2016. The week before his death, <mask> had been invited to join the Academy Awards in Hollywood as part of efforts to increase the diversity of its Oscar judges. Ali Ahani, Iran's ambassador to France stated that <mask>'s body would be transferred to Iran to be buried at Behesht-e Zahra

masks: Kiarostami Kiarostami Kiarostami Kiarostami Kiarostami Kiarostami


title: Abbas Kiarostami

texts:
 cemetery. However, it was later announced that his body would be buried in Lavasan, a resort town about  northeast of Tehran, based on his own will, after it is flown back to Tehran from Paris. His body was returned to Tehran's Imam Khomeini International Airport on 8 July 2016, while a crowd of Iranian film directors, actors, actresses and other artists were in Tehran airport to pay their respects.Mohammad Shirvani, a fellow filmmaker and close friend, quoted Kiarostami on his Facebook wall 8 June 2016: "I do not believe I could stand and direct any more films. They [the medical team] destroyed it [his digestive system]." After this comment, a campaign was set up by Iranians on both Twitter and Facebook to investigate the possibility of medical error during Kiarostami's procedure. However, <mask>, his eldest son, denied any medical error in his father's treatment after Shirvani's comment and said that his father's health was no cause for alarm. After <mask>'s death, Head of the Iranian Medical Council Dr. Alireza Zali sent a letter to his French counterpart, Patrick Bouet, urging him to send Kiarostami's medical file to Iran for further investigation. Nine days after <mask>'s death, on 13 July 2016, his family issued a formal complaint of medical maltreatment through Kiarostami's personal doctor. Dariush Mehrjui, another famous Iranian cinema director, also criticized the medical team that treated Kiarostami and demanded legal action.Reactions

Martin Scorsese said he was "deeply shocked and saddened" by the news. Oscar-winning Iranian film-maker Asghar Farhadi – who had been due to fly to Paris to visit his friend – said he was

masks:
Ahmad Kiarostami
Kiarostami
Kiarostami


title: Abbas Kiarostami

texts:
 "very sad, in total shock". Mohsen Makhmalbaf echoed the sentiment, saying Iran's cinema owes its global reputation to his fellow director, but that this visibility did not translate into greater visibility for his work in his homeland. "Kiarostami gave the Iranian cinema the international credibility that it has today," he told The Guardian. "But his films were unfortunately not seen as much in Iran. He changed the world's cinema; he freshened it and humanized it in contrast with Hollywood's rough version." Persian mystic and poet Jalal al-Din Rumi's 22nd niece Esin Celebi also expressed her condolences over the demise of <mask> in a separate message.Iran's representative office at the United Nations Educational, Scientific and Cultural Organization, UNESCO also opened a memorial book for signature to honour <mask>. Iranian President Hassan Rouhani said on Twitter that the director's "different and profound attitude towards life and his invitation to peace and friendship" would be a "lasting achievement." Foreign Minister Mohammad-Javad Zarif also said <mask>'s death was a loss for international cinema. In a statement, French President François Hollande praised the director for forging "close artistic ties and deep friendships" with France. Media, such as The New York Times, CNN, The Guardian, The Huffington Post, The Independent, Associated Press, Euronews and Le Monde also reacted to <mask>'s death. The New York Times wrote: "<mask>, Acclaimed Iranian Filmmaker, Dies at 76" and Peter Bradshaw paid tribute to Kiarostami: "a sophisticated, self-possessed master of cinematic poetry"

The crowd that had gathered for this service

masks:
Kiarostami
Kiarostami
Kiarostami
Kiarostami
Abbas Kiarostami


title: Abbas Kiarostami

texts:
 in Paris held a vigil by the River Seine. They then allowed the Seine waves to take photos of Kiarostami that the crowd had left on the river floating.It was a symbolic moment of saying goodbye to a film director that many Iranians have come to passionately appreciate. Funeral

Artists, cultural authorities, government officials, and the Iranian people gathered to say goodbye to <mask> on 10 July, in an emotional funeral, six days after his death in France. The ceremony was held at the Center for the Intellectual Education of Children, where he began his film-making career some 40 years before. Attendees held banners with the titles of his movies and pictures of his most famous posters, as they praised the support Kiarostami contributed to culture, and particularly, to filmmaking in Iran. The ceremony was hosted by famous Iranian actor Parviz Parastooie, and included speeches by painter Aidin Aghdashlou and by also prize-winning film director Asghar Farhadi, who stressed his professional abilities. He was later buried in a private ceremony in northern Tehran town, Lavasan. Reception and criticism
<mask> has received worldwide acclaim for his work from both audiences and critics, and, in 1999, he was voted the most important Iranian film director of the 1990s by two international critics' polls.Four of his films were placed in the top six of Cinematheque Ontario's Best of the '90s poll. He has gained recognition from film theorists, critics, as well as peers such as Jean-Luc Godard, Nanni Moretti, Chris Marker, and Ray Carney. Akira Kurosawa said of <mask>'s films: "Words cannot describe my feelings about them ... When Satyajit

masks: Kiarostami Kiarostami Kiarostami


title: Abbas Kiarostami

texts: Ray passed on, I was very depressed. But after seeing Kiarostami's films, I thanked God for giving us just the right person to take his place." Critically acclaimed directors such as Martin Scorsese have commented that "Kiarostami represents the highest level of artistry in the cinema." The Austrian director Michael Haneke has admired the work of <mask> as among the best of any living director.In 2006, The Guardians panel of critics ranked <mask> as the best contemporary non-American film director. Critics such as Jonathan Rosenbaum have argued that "there's no getting around the fact that the movies of <mask> divide audiences—in this country, in his native Iran, and everywhere else they're shown." Rosenbaum argues that disagreements and controversy over Kiarostami's movies have arisen from his style of film-making because what in Hollywood would count as essential narrative information is frequently missing from <mask>'s films. Camera placement, likewise, often defies standard audience expectations: in the closing sequences of Life and Nothing More and Through the Olive Trees, the audience is forced to imagine the dialogue and circumstances of important scenes. In Homework and Close-Up, parts of the soundtrack are masked or silenced. Critics have argued that the subtlety of <mask>'s cinematic expression is largely resistant to critical analysis. While <mask> has won significant acclaim in Europe for several of his films, the Iranian government has refused to permit the screening of his films, to which he responded "The government has decided not to show any of my films for the past 10 years...I think they don't understand my

masks:
Abbas Kiarostami
Kiarostami
Abbas Kiarostami
Kiarostami
Kiarostami
Kiarostami


title: Abbas Kiarostami

texts: films and so prevent them being shown just in case there is a message they don't want to get out". In the wake of the September 11 attacks, <mask> was refused a visa to attend the New York Film Festival. The festival director, Richard Peña, who had invited him said, "It's a terrible sign of what's happening in my country today that no one seems to realize or care about the kind of negative signal this sends out to the entire Muslim world". The Finnish film director Aki Kaurismäki boycotted the festival in protest. Kiarostami had been invited by the New York Film Festival, as well as Ohio University and Harvard University. In 2005, London Film School organized a workshop as well as the festival of Kiarostami's work, titled "<mask>mi: Visions of the Artist". Ben Gibson, Director of the London Film School, said, "Very few people have the creative and intellectual clarity to invent cinema from its most basic elements, from the ground up.We are very lucky to have the chance to see a master like Kiarostami thinking on his feet." He was later made Honorary Associate. In 2007, the Museum of Modern Art and MoMA PS1 coorganized a festival of the Kiarostami's work titled <mask>: Image Maker. Kiarostami and his cinematic style have been the subject of several books and three films, Opening Day of Close-Up (1996), directed by Nanni Moretti, <mask>: The Art of Living (2003), directed by Fergus Daly, and <mask>: A Report (2014), directed by Bahman Maghsoudlou. Kiarostami was a member of the advisory board of World Cinema Foundation. Founded by the director Martin Scorsese, its goal is to find and reconstruct world cinema films that have been

masks:
Kiarostami
Abbas Kista
Abbas Kiarostami
Abbas Kiarostami
Abbas Kiarostami


title: Abbas Kiarostami

texts:
 long neglected. Selected honors and awards

Kiarostami has won the admiration of audiences and critics worldwide and received at least seventy awards up to the year 2000.<mask>: Cahiers du Cinema Livres (24 October 1997) . Walking with the Wind (Voices and Visions in Film): English translation by Ahmad Karimi-Hakkak and Michael C. Beard, Harvard Film Archive; Bilingual edition (28 February 2002) . 10 (ten): Cahiers du Cinema Livres (5 September 2002) . With Nahal Tajadod and Jean-Claude Carrière Avec le vent: P.O.L. (5 May 2002) . Le vent nous emportera: Cahiers du Cinema Livres (5 September 2002) . La Lettre du Cinema: P.O.L.(12 December 1997) . "Honar: The Afkhami Collection of Modern and Contemporary Iranian Art." Phaidon Press, 2017. .

See also
 Cinema of Iran

References

Bibliography

 Geoff Andrew, Ten (London: BFI Publishing, 2005). Erice-<mask>. Correspondences, 2006, , catalogue of an exhibition together with the Spanish filmmaker Víctor Erice
 Alberto Elena, The Cinema of <mask>, Saqi Books 2005,
 Mehrnaz Saeed-Vafa, Jonathan Rosenbaum, <mask> (Contemporary Film Directors), University of Illinois Press 2003 (paperback),
 Julian Rice, <mask>'s Cinema of Life, Rowman & Littlefield 2020,
 Jean-Luc Nancy, The Evidence of Film – <mask>, Yves Gevaert, Belgium 2001,
 Jean-Claude Bernardet, Caminhos de Kiarostami, Melhoramentos; 1 edition (2004),
 Marco Dalla Gassa, <mask>, Publisher: Mani (2000)
 Youssef Ishaghpour, Le réel, face et pile: Le cinéma d'<mask>mi, Farrago (2000)
 Alberto Barbera and Elisa Resegotti (editors), <mask>, Electa (30 April 2004)
 Laurent Kretzschmar, "Is Cinema Renewing Itself? ",

masks:
Abbas Kiarostami
Kiarostami
Abbas Kiarostami
Abbas Kiarostami
Abbas Kiarostami
Abbas Kiarostami
Abbas Kiarostami
Abbas Kista
Kiarostami


title: Abbas Kiarostami

texts:
 Film-Philosophy. vol.6 no 15, July 2002. Jonathan Rosenbaum, "Lessons from a Master," Chicago Reader, 14 June 1996
 Tanya Shilina-Conte, "<mask>'s 'Lessons of Darkness:’ Affect, Non-Representation, and Becoming-Imperceptible". Special Issue on "<mask>mi". Iran Namag, A Quarterly of Iranian Studies 2, no. 4 (Winter 2017/2018), University of Toronto, Canada
 Silke von Berswordt-Wallrabe et al. (eds. ): <mask>.Images, Still and Moving, exh. cat. Situation Kunst Bochum, Museum Wiesbaden, Kunstsammlungen Chemnitz (Ostfildern: Hatje Cantz, 2012),

External links

1940 births
2016 deaths
Akira Kurosawa Award winners
Directors of Palme d'Or winners
English-language film directors
Fellini Gold Medalists
French-language film directors
Iranian contemporary artists
Iranian documentary filmmakers
Iranian film directors
Iranian graphic designers
Iranian photographers
Iranian poets
Iranian screenwriters
Italian-language film directors
Recipients of the Legion of Honour
Officiers of the Légion d'honneur
People from Tehran
Persian people
Persian-language film directors
Recipients of the Austrian Cross of Honour for Science and Art
Roberto Rossellini Prize recipients
University of Tehran alumni
Crystal Simorgh for Best Director winners
Deaths from cancer in France
Deaths from gastrointestinal

masks:
Abbas Kiarostami
Abbas Kiarosta
Abbas Kiarostami


title: John Robinson (bishop of Woolwich)

texts:
<mask> (16 May 1919 – 5 December 1983) was an English New Testament scholar, author and the Anglican Bishop of Woolwich. He was a lecturer at Trinity College, Cambridge, and later Dean of Trinity College until his death in 1983 from cancer. <mask> was considered a major force in shaping liberal Christian theology. Along with Harvard theologian Harvey Cox, he spearheaded the field of secular theology and, like William Barclay, he was a believer in universal salvation. Early life and education
<mask> was born on 16 May 1919 in the precincts of Canterbury Cathedral, England, where his late father had been a canon. He was educated at Marlborough College, then an all-boys' independent school in Marlborough, Wiltshire. He studied at Jesus College, Cambridge and Trinity College, Cambridge, and then trained for ordination at Westcott House, Cambridge.Ordained ministry
<mask> was ordained in the Church of England as a deacon in 1945 and as a priest in 1946. From 1945 to 1948, he served his curacy at St Matthew's Church, Moorfields in the Diocese of Bristol. The vicar at the time was Mervyn Stockwood. In 1948, <mask> became chaplain of Wells Theological College, where he wrote his first book, In the End, God. In 1951, he was appointed Fellow and Dean of Clare College, Cambridge and a lecturer in divinity at Cambridge University. Following an invitation from Stockwood, by then the Bishop of Southwark, <mask> became the Bishop of Woolwich in 1959. The appointment of <mask> as a suffragan bishop was in Stockwood's gift, and whilst the Archbishop of Canterbury (at that point <mask>) questioned the appointment on the grounds that he believed <mask> at that point would be doing more valuable work as a theologian, he accepted that once he had given advice he had "done all that it was proper for him to do" and proceeded to consecrate <mask> to the episcopate.In 1960 <mask> served as a witness for the defence in the obscenity trial of Penguin Books  for the publication of D. H.

masks:
John Arthur Thomas Robinson
Robinson
Robinson
Robinson
Robinson
Robinson
Robinson
Geoffrey Fisher
Robinson
Robinson
Robinson


title: John Robinson (bishop of Woolwich)

texts:
 Lawrence's Lady Chatterley's Lover. Following a ten-year period at Woolwich, <mask> returned to Cambridge in 1969 as Fellow and Dean of Chapel at Trinity College, where he lectured and continued to write. Death
<mask> was diagnosed with terminal cancer in 1983 and died on 5 December of that year in Arncliffe, North Yorkshire. Selected writings

In the End, God (1950)
Modern Universalist writer Brian Hebblethwaite cites <mask>'s In the End, God: A Study of the Christian Doctrine of the Last Things  as arguing for the universal reconciliation of all immortal souls. Ken R. Vincent, in The Golden Thread  states: "<mask> notes that Christ, in Origen's old words, remains on the Cross so long as one sinner remains in [H]ell. This is not speculation: it is a statement grounded in the very necessity of God's nature." George Hunsinger, author of Disruptive Grace: Studies in the Theology of Karl Barth  writes that "[i]f one is looking for an uninhibited proponent of universal salvation, <mask> leaves nothing to be desired."Jesus and His Coming (1957)
In this book, an analysis of the early history of the doctrine of the parousia, <mask> states: "That the heart of the Christian hope was now, once more to 'wait for God's son from heaven', for a second and final coming which would complete and crown the first, is a belief for which we have found no firm foundation in the words of Jesus himself." <mask> further argued that there was a tendency in the early church to alter the meaning of sayings of Jesus that originally referred to his death and ascension into heaven, to refer to an event in the future that had not yet happened. Honest to God (1963)
<mask> wrote several well-received books. The most popular was Honest to God published in 1963. According to Exploration into God in (1967), he felt its chief contribution was its attempt to synthesize the work of theologians Paul Tillich and Dietrich Bonhoeffer, both of them well known in theological circles, but whose views were

masks: Robinson Robinson Robinson Robinson Robinson Robinson Robinson Robinson


title: John Robinson (bishop of Woolwich)

texts: largely unknown to the people in the pews. The book proved contentious because it called on Christians to view God as the "Ground of Being" rather than as a supernatural being "out there". The modifications of the Divine image posited by <mask> have some aspects in common with the psychological deconstruction of God-ideas put forward by his fellow Cambridge theologian Harry Williams in his contribution to the symposium "Soundings" edited by Alec Vidler and published in 1962.When that book was being produced, <mask> was not asked to contribute, because he was then thought to be too conservative a New Testament scholar. This view has never quite dissipated, for in his later books, <mask> would champion early dates and apostolic authorship for the gospels, largely without success, although in recent years the liberal Baptist theologian and spiritual writer <mask> has claimed some affinity with the idea that the Fourth Gospel was the earliest. The media furore concerning Honest to God – one which was to portray him as anything but conservative in the public mind - led to a criticism of <mask> in the Church Assembly – the precursor of the General Synod by the Archbishop of Canterbury Michael Ramsey, and there were calls from many quarters for <mask> to resign or be deposed. Whilst Ramsey took <mask> to task for his views, Ramsey's pamphlet "Image Old and New" rushed out as a response, did not entirely dismiss what had been said. Indeed, Ramsey would later admit in a letter to Mervyn Stockwood that he regretted the way in which he had handled the matter. The book, which has remained almost consistently in print, proposes abandoning the notion of God "out there", existing somewhere as a "cosmic supremo", just as we have abandoned already the idea of God "up there", the notion of "the old man up in the sky". In its place, he offered a reinterpretation of God as "Love".After endorsing Paul Tillich's assertion that God is the "ground of all being", <mask> wrote: "For it is

masks:
Robinson
Robinson
Robinson
John Henson
Robinson
Robinson
Robinson
Robinson


title: John Robinson (bishop of Woolwich)

texts:
 in [Jesus] making himself nothing, in his utter self-surrender to others in love, that he discloses and lays bare the ground of man's being as Love ... For assertions about God are in the last analysis assertions about Love". While some of its ideas have been taken up by more liberal circles of Christian thought, proponents of the traditional interpretation of Christianity, both Catholic and Protestant, reject <mask>'s thesis as an unnecessary capitulation to Modernism. To what extent this is in fact the case depends very much on the frame of reference of the reader. However, the work of <mask> in Honest to God provided a departure point which would be followed up in the writings of the radical theologians Don Cupitt and <mask> Spong and in the 1977 symposium The Myth of God Incarnate, edited by <mask>. Whether <mask> would have gone as far as Cupitt did in declaring the idea of God to be an entirely human creation is something which can only be conjectured. However, he said as he was dying that he "never doubted the essential truth of Christianity". <mask> seemed to rapidly become a person upon whom religious people projected their own ideas of what he was like, and the book The Honest to God Debate, edited by <mask> and by David L Edwards, also published in 1963, contains a mixture of articles which either praise <mask> for his approach or accuse him of atheism.Redating the New Testament (1976)
Although <mask> was considered a liberal theologian, he challenged the work of like-minded colleagues in the field of exegetical criticism. Specifically, <mask> examined the reliability of the New Testament as he believed that it had been the subject of very little original research during the 20th century. He also wrote that past scholarship was based on a "tyranny of unexamined assumptions" and an "almost wilful blindness". <mask> concluded that much of the New Testament was written before AD 64, partly basing his judgement on the sparse textual evidence that the New

masks:
Robinson
Robinson
John Shelby
John Hick
Robinson
Robinson
Robinson
Robinson
Robinson
Robinson
Robinson


title: John Robinson (bishop of Woolwich)

texts:
 Testament reflects knowledge of the destruction of the Temple in Jerusalem in AD 70. In relation to the four gospels' dates of authorship, <mask> placed Matthew as being written sometime between AD 40 and the AD 60s, Mark sometime between AD 45 and AD 60, Luke sometime during the AD 50s and 60s and <mask> sometime between AD 40 and AD 65 or later. <mask> also argued that the letter of James was penned by a brother of Jesus Christ within twenty years of Jesus' death; that Paul authored all the books attributed to him; and that the "<mask>" who wrote the fourth Gospel was the apostle <mask>. <mask> also suggested that the results of his investigations implied a need to rewrite many theologies of the New Testament.In a letter to <mask>, the New Testament scholar C. H. Dodd wrote, "I should agree with you that much of the late dating is quite arbitrary, even wanton[;] the offspring not of any argument that can be presented, but rather of the critic's prejudice that, if he appears to assent to the traditional position of the early church, he will be thought no better than a stick-in-the-mud." <mask>'s call for redating the New Testamentor, at least, the four gospelswas echoed in subsequent scholarship such as <mask>'s work Redating Matthew, Mark and Luke: A Fresh Assault on the Synoptic Problem and work by Claude Tresmontant, Günther Zuntz, Carsten Peter Thiede, Eta Linnemann, Harold Riley, Jean Carmignac, and Bernard Orchard. Bart Ehrman maintains that <mask>'s early dates for the gospels, especially those for <mask>, have not been taken up among most liberal scholars of Biblical historicity. Some conservative and traditionalist scholars, however, concur with his dating of the synoptic gospels. The Priority of John (1984)
In The Priority of John, <mask> furthered the argument put forward in Redating the New Testament that all the books were written before 70 AD, by focusing on the book that is placed early least often. He also wanted to prove that <mask> is independent

masks:
Robinson
John
Robinson
John
John
Robinson
Robinson
Robinson
John Wenham
Robinson
John
Robinson
John


title: John Robinson (bishop of Woolwich)

texts:
 of the Synoptics and better than them at describing the length and time period of Jesus' ministry, Palestinian geography, and the cultural milieu of the early first century there. This work was put together posthumously by J. F. Coakley according to <mask>'s basically complete but unfinished notes for his Bampton Lectures.<mask> was also noted for his 1960 court testimony against the censorship of Lady Chatterley's Lover, claiming that it was a book which "every Christian should read." <mask>'s legacy includes the work of the now late Episcopal bishop, <mask> Spong, in best-selling books that include salutes by Spong to <mask> as a lifelong mentor. In a 2013 interview, Spong recalls reading <mask>'s 1963 book: "I can remember reading his first book as if was yesterday. I was rather snobbish when the book came out. I actually refused to read it at first. Then, when I read it – I couldn’t stop. I read it three times!My theology was never the same. I had to wrestle with how I could take the literalism I had picked up in Sunday school and put it into these new categories." The <mask> <mask> School in Thamesmead, south-east London, which is within the area for which he was responsible as Bishop of Woolwich, is named after him. Works
. Notes

References

1919 births
1983 deaths
20th-century English theologians
English Anglican theologians
Bishops of Woolwich
20th-century Church of England bishops
People from Canterbury
People educated at Marlborough College
British biblical scholars
English Christian universalists
Alumni of Jesus College, Cambridge
Fellows of Clare College, Cambridge
Fellows of Trinity College, Cambridge
Academics of the University of Cambridge
20th-century Christian universalists
Christian universalist theologians
Anglican universalists
Death of God theologians
Alumni of Westcott House, Cambridge
English male non-fiction writers
Anglican socialists
Anglican biblical scholars
English Christian socialists
Christian socialist theologians
20th-century

masks:
Robinson
Other Robinson
Robinson
John Shelby
Robinson
Robinson
Bishop John
Robinson


title: Jack Lenor Larsen

texts:
<mask> (August 5, 1927 – December 22, 2020) was an American textile designer, author, collector and promoter of traditional and contemporary craftsmanship. Through his career he was noted for bringing fabric patterns and textiles to go with modernist architecture and furnishings. Some of his works are part of permanent collections at prominent museums including Museum of Modern Art, Victoria and Albert Museum, Art Institute of Chicago, and Musée des Arts Décoratifs at the Louvre. Early life
<mask> was born on August 5, 1927 in Seattle, Washington, to Mabel (née Bye) and <mask>. His father was a building contractor. His parents were Canadians of Danish-Norwegian ancestry who moved to Bremerton, Washington from Alberta in Canada. He was educated in Bremerton before enrolling at the School of Architecture at the University of Washington, where he struggled with drawing, and became interested in interior design, weaving, and furniture design.The following year he moved to Los Angeles to focus on fabrics; he worked as a weaver's apprentice and also taught actress Joan Crawford to weave. In 1949 he studied ancient Peruvian textiles in Seattle and opened a studio in the city. In 1951, he earned his Master of Fine Arts degree from the Cranbrook Academy of Art, Michigan, and moved to New York, where he opened a studio. Career
In a career starting in the 1950s, <mask> designed thousands of fabric patterns and textiles, many associated with the modernist architecture and furnishings popular with post-1945 American consumers. One of his first commissions in 1951, was to design the curtains for the Manhattan glass skyscraper Lever House for which he designed a translucent linen and gold metal themed weave to go with the building's plain glass walls. In 1952, he founded his own firm, Jack Lenor Larsen, Inc. In 1951 the interior designer

masks:
Jack Lenor Larsen
Larsen
Elmer Larsen
Larsen


title: Jack Lenor Larsen

texts: Florence Knoll turned down his textile designs as too "individualistic", but by 1953, she was commissioning olive-green- and orange-coloured <mask> textiles for furnishings.From the beginning, <mask>'s distinctive hand-woven furnishing fabrics with random repeats in variegated, natural yarns were popular with clients such as Marilyn Monroe. In 1958, he designed his first aeroplane upholstery, for Pan American Airlines. His interest in international weaving and textile crafts made him familiar with techniques such as ikat and batik, which he introduced to the American public, and by 1974, <mask>'s company was manufacturing fabrics in 30 countries. In the late 1950s, <mask> launched a fashion label, 'JL Arbiter', which although successful, was short lived. Larsen Incorporated merged with Cowtan & Tout, the American subsidiary of the London-based fabric company Colefax and Fowler, in July 1997. In the 1960s, <mask> briefly ventured in designing garments including designing ties for American sculptor Alexander Calder, American composer Leonard Bernstein, and Chinese-American architect I. M. Pei. During this period, it is noted that American singer Joan Baez requested him to create custom clothing for her, which he turned down.In 1968, <mask> designed the interiors and fabrics of Braniff International Airways innovative Terminal of the Future at the Dallas, Texas, carrier's Dallas Love Field hub. He also designed the textiles for use in the interior of Braniff's new Boeing 747 in 1970. Some of his collaborators in the 1960s included American glass sculptor Dale Chihuly, whom he convinced to give up weaving glass and try blowing instead, and Estonian-American architect Louis Kahn with whom he designed hangings from First Unitarian Church of Rochester in New York. His works are noted to have been inspired by his early life in the

masks: Larsen Larsen Larsen Larsen Larsen Larsen


title: Jack Lenor Larsen

texts:
 Pacific Northwest, with a focus on "moody, misty landscapes, and Asian cultural influences". He also brought in international influences into his work. He brought Indonesian dyeing techniques of Ikat and Batik to American audiences. His design of upholstery material Magnum in 1970, brought in Indian influences including the use of small mirrors.He would also go on to replicating the same design with a film of mylar along with his associate Win Anderson. He was also noted to have designed drapery that reduced the glare of modern glass buildings with a focus on retaining the architectural style and not disintegrating in heat and light. He also pioneered the use of stretch nylon that could be stretched over furniture, screen printing on velvet, and produced two sided textures and patterns on bath towels. <mask>'s works are preserved in the collections of major museums around the world, and he is one of only two design houses to have been the subject of an exhibition at the Palais du Louvre, when it hosted a one-man retrospective of his works in 1981. In 1969, <mask> co-curated Wall Hangings, a textile and fiber art exhibit at the Museum of Modern Art in New York. His textile exhibits are part of the permanent collections at the Museum of Modern Art in New York, Art Institute of Chicago, Musée des Arts Décoratifs at the Louvre in Paris, and the Victoria and Albert Museum in London. Some of the private collections of his works are at American architect Frank Lloyd Wright's house Fallingwater, and Finnish-American architect Eero Saarinen's Miller house.He was a North American Advisor for the Lausanne Biennale. He served as Vice President of Haystack Mountain School of Crafts, and as of 2015 served as trustee and honorary chairman. In 2015, he was awarded a fellowship of the Textile Society of America. LongHouse Reserve

<mask> set up

masks: Larsen Larsen Larsen


title: Jack Lenor Larsen

texts:
 the LongHouse Reserve as a non-profit sculpture garden and arboretum in East Hampton. The reserve included his house, and was completed in 1992. It was built as a collaboration with the architect Charles Forberg, their 30th project together. It has  of floorspace spread across 18 spaces and four floors.The design is inspired by the Ise Shrine, a seventh century Shinto shrine in Japan. He initially bought the land as a way to prevent encroachments, but, later developed a landscaped sculpture garden surrounding the house and opened it to the public. The building is raised on stilts, and the spaces are divided by fabric sliding panels that showcase <mask>'s fabrics and his collection of historical and contemporary crafts, including works by Lucie Rie, Wharton Esherick, Edward Wormley, and a glass chandelier by Dale Chihuly. Sculptures in the garden include works by Willem de Kooning, Sol LeWitt, Bryan Hunt, and Yoko Ono. Death
<mask> died on December 22, 2020, at his home in East Hampton, NY. He was 93. Books

References

Further reading
McFadden, David Revere (2004).<mask> <mask>: Creator and Collector. London, New York: Merrell Publishers. . External links
 Larsen: A Living Archive. Online database of Larsen textiles at the Minneapolis Institute of Arts. Jack Lenor Larsen Oral History Project. Transcribed Interviews of <mask>'s former designers, employees, and colleagues. Jack Lenor Larsen & LongHouse Reserve.Craft in America Visionaries episode (December 21, 2018) on PBS. An interview of <mask> <mask> conducted 2004 February 6-8, by Arline M. Fisch, for the Archives of American Art

1927 births
2020 deaths
American textile designers
Cranbrook Academy of Art alumni
American weavers
American people of Norwegian descent
American people of Canadian descent
Artists from Seattle
People from Bremerton, Washington
University of

masks:
Larsen
Larsen
Jack Lenor
Larsen
Larsen
Jack Lenor
Larsen


title: Richard J. Seitz

texts:
Lieutenant General <mask> (February 18, 1918 – June 8, 2013) was a United States Army officer and paratrooper who, during a 35-year career, commanded the 2nd Battalion, 517th Parachute Infantry Regiment during World War II, the 82nd Airborne Division and the XVIII Airborne Corps. Family and education
<mask> and his brother, Brigadier General <mask>. "Andy" <mask>, both graduated from Leavenworth High School in Leavenworth, Kansas. <mask> graduated from high school in 1937 and was cadet commander of his school's ROTC unit. He also received the American Legion Cup as the outstanding cadet his senior year. In Leavenworth his father owned a wholesale milk and ice cream business and also served as the town's mayor. Attending Kansas State College, Seitz majored in agriculture and dairy husbandry.Having completed his senior-level ROTC work in two years, in 1939 he was commissioned as a second lieutenant in the infantry. While at Kansas State, <mask> was a member of the Alpha Omega Chapter of Pi Kappa Alpha. Years later, <mask> earned a bachelor's degree from the University of Omaha (now the University of Nebraska at Omaha). <mask>'s military education included the Infantry School, Air Corps Technical School Rigger Course, the Command and General Staff College, the Armed Forces Staff College, Army Language School (Portuguese), the Army War College, and the Sanz Language School—Persian. <mask>'s first and second wives preceded him in death. He met his first wife, the former Betty Merrill, while a student at Kansas State. They became reacquainted in France during World War II.Merrill was working as a Red Cross volunteer and <mask> had recently led his battalion during the Battle of the Bulge. They were married in Joigny, France on June 23, 1945. The General and his second wife, Virginia "Ginny"

masks:
Richard Joe Seitz
Seitz
John A
Seitz
Seitz
Seitz
Seitz
Seitz
Seitz
Seitz


title: Richard J. Seitz

texts:
 L<mask>, were married on January 12, 1980. <mask> and his first wife are the parents of one son and three daughters: Major <mask>, <mask> <mask>, Dr. <mask>, and Dr. <mask>. Military career
While taking a year away from Kansas State to earn money for tuition, <mask> was called to duty in 1940 with the 38th Infantry Regiment in Texas. With the Army rapidly growing as the threat of war loomed, he quickly found himself in command of company, a position normally assigned to a captain. While attending an infantry course at Ft. Benning, he saw the original Parachute Test Platoon commanded by then-Major Bill Ryder and decided to become a paratrooper.After overcoming the objections of his battalion commander, <mask> took airborne training under the command of legendary Major General Bill Lee. From 1950 to 1953, <mask> commanded the Airborne School at Ft. Benning, Georgia. <mask>'s first assignment after earning his jump wings was as a member of the 503d Parachute Infantry Battalion under the command of then-Major Robert Sink. His company commander was then-Captain <mask>. Years later, <mask> credited Gavin with helping to instill in him the importance of a calm demeanor in communicating with soldiers. As a young captain, the commander of the 517th Parachute Infantry Regiment Colonel Louis A. Walsh<mask>. saw tremendous potential in <mask> and placed him in command of the 2nd Battalion in 1943. His selection for command made him one of the youngest infantry battalion commanders during World War II at three days shy of his 25th birthday.The 517th consisted of three battalions, the 1st Battalion, commanded by William J. Boyle, <mask>'s 2nd Battalion and the 3rd Battalion commanded by Lieutenant Colonel Melvin Zais plus the 460th Parachute Field Artillery Battalion commanded by Lieutenant Colonel

masks:
. Seitz
Seitz
Rick Seitz
Judge Patricia
Seitz
Catherine Seitz
Victoria Seitz
Seitz
Seitz
Seitz
Seitz
Jim Gavin
Seitz
, Jr
Seitz
Seitz


title: Richard J. Seitz

texts: Raymond L. Cato. During the Battle of the Bulge, the 28-year-old <mask> and his battalion of paratroopers would prove instrumental. <mask> headed "Task Force Seitz" built around his battalion and a company of 7th Armored Division tanks, equipped with some half-tracks, a detachment of engineers, and some self-propelled anti-tank guns. In twin attacks on two days, one after dark and the other in late evening, Seitz sent the Germans reeling back to the village of Hunnange, which was the gateway to St. Vith. In both attacks, paratroopers had to cross long stretches of open ground. With all guns blazing and with massive artillery support fire, they locked up the crossroads village then waited in broad daylight for the huge armored assault which came behind them, heading for the next stop, St. Vith. The battered battalion, which lost more than 400 of the original 600 who entered Belgium only four weeks earlier, won acclaim for its grueling feat in the freezing evenings of a Belgian January.<mask> and his men were nominated for a Presidential Unit Citation, but in the confused business of the Bulge, the award was never made. <mask> received the Silver Star for his actions. <mask> remained in the army following the World War II. From 1947 to 1949 he served in Japan with the 11th Airborne Division. From January, 1949, he served as the G-3 of the 11th Airborne Division at Ft. Campbell, Kentucky. In 1950, he graduated from the Command and General Staff College, at Ft. Leavenworth, Kansas. He was promoted to colonel in 1954 while serving in Brazil as part of the United States Military Assistance Group (Brazil).In the spring of 1957, he received orders to report to Carlisle Barracks, Pennsylvania, to attend the Army War College. In June, 1958, upon completion of the War College, he was assigned to

masks: Seitz Seitz Seitz Seitz Seitz


title: Richard J. Seitz

texts:
 the 82nd Airborne Division to command the 2nd Airborne Battle Group, 503d Infantry at Fort Bragg, North Carolina. In June 1959, he became the G-3 for the XVIII Airborne Corps. For a year beginning in June 1960, he was Chief, Field Training Team U.S. Military Assistance Group, Iran. Following six-months at the University of Omaha, beginning in February 1962 he served for a year as Executive Officer, Office of the Deputy Chief of Staff for Personnel, Department of the Army. <mask> was promoted to brigadier general in July 1963 and appointed Chief, Combined Armed Division and then Deputy Director of the Office of Personnel. He served in this role until July 1965 when he was named Assistant Deputy Commanding General, U.S. Army Vietnam (August 1965 – December 1965) and then served as Deputy Chief of Staff, United States Army, Vietnam (January 1966 – March 1966) and Chief of Staff, U.S. Army, Vietnam (April 1966 – April 1967).In March 1967, <mask> was promoted to major general and a month later assumed command of the 82nd Airborne Division at Ft. Bragg. <mask> spent about a year and a half as commanding general but it was an eventful time in the history of the Airborne and the United States. In July 1967, a brigade from the Division was called to help quell rioting in Detroit. In February 1968, following the Tet Offensive, and with less than 36 hours notice, the Division deployed its 3rd Brigade to Vietnam. In late 1968, two brigades from the division were called out to put down rioting in Washington, D.C., after the assassination of Rev. Martin Luther King with General <mask> personally commanding the effort. One source credits <mask> for making the Division's distinctive maroon beret an accepted portion of its uniform although this is contradicted by other sources

In October 1968, <mask>

masks: Seitz Seitz Seitz Seitz Seitz Seitz


title: Richard J. Seitz

texts:
 became chairman, United States Delegation of Joint Brazil-US Military Commission.He held this position until July 1970 when he became Assistant Deputy Chief of Staff for Personnel. In May 1973, he was promoted to lieutenant general. His final assignment returned him to the Airborne as the commanding general of the XVIII Airborne Corps and Ft. Bragg. He retired from active duty in 1975. Awards and honors
The Association of the United States Army awarded <mask> the Creighton Abrams Award in 2003. The award was conferred to recognize "<mask> for his efforts to create a greater public awareness of the Army and to garner support for today's soldiers from citizens in all walks of life." In 2006 Pi Kappa Alpha awarded him its prestigious "Order of the West Range" award.During a celebration of the anniversary of Operation Dragon in September 2011, the French government conferred on him the National Order of the Legion of Honour, France's highest decoration. In 2012, a new elementary school, Seitz Elementary School, was named in the General's honor. The school's mascot is the Dragon in honor of the battalion <mask> commanded during World War II. In April 2017, a new Veteran's Affairs Community Based Outreach Clinic was named after General <mask>. Death
<mask> died on June 8, 2013, of congestive heart failure. He was 95. References

External links

Seitz Wartime Scrapbook

1918 births
2013 deaths
People from Leavenworth, Kansas
United States Army personnel of World War II
United States Army personnel of the Vietnam War
United States Army generals
Recipients of the Distinguished Service Medal (US Army)
Recipients of the Silver Star
Recipients of the Legion of Merit
United States Army Command and General Staff College alumni
Defense Language Institute alumni
United States Army War College


title: David Zimmer

texts:
<mask> (born April 7, 1944) is a former politician in Ontario, Canada. He was the Liberal member of the Legislative Assembly of Ontario for Willowdale from  2003 to 2018. He was a member of cabinet in the government of Kathleen Wynne. He was the longest serving minister of aboriginal/indigenous affairs in Ontario history to date. <mask> was born in Kitchener, Ontario. He attended University of Ottawa Law School and was called to the Bar of Ontario. He first sought elected office as an alderman in Kitchener in the 1970s but was not successful.While living in Kitchener, he was active in the Progressive Conservative Party. When the Kitchener—Wilmot provincial electoral district was created in 1975, <mask> served as the founding president of the local PC riding association, and managed the 1981 campaign for the local PC candidate Alan Barron. He left the PC Party and joined the Liberals in 1985 , citing disenchantment with both federal leader Brian Mulroney and provincial leader Frank Miller. <mask> served several prominent legal functions in both the federal and provincial Liberal parties prior to his election. He was legal counsel for Maurizio Bevilacqua in the two year saga following his 1988 election, where the close results were extensively contested in court and was eventually voided by the Ontario Supreme Court. He also chaired the federal party's permanent appeal committee, overseeing numerous appeals during the 1990 leadership contest and from nomination contests prior to the party's victory in 1993. From 1982 to 1984 <mask> was Director of the Humane Society and from 1993 to 1995 was President of the Alzheimer Society of Canada.He also served as an administrative law instructor in the Law Society's Bar Admission Course. In 1994, <mask> was appointed by the federal government to the Immigration and Refugee Board of Canada as its assistant deputy chairman heading the Toronto office, and was shortlisted for the national chairmanship in 1999. In 2001, he was appointed chairperson of Toronto's public housing provider, the  Toronto Community Housing Corporation. Provincial politics
In the 2003 Ontario provincial election, <mask> ran as the Liberal

masks:
David Zimmer
Background Zimmer
Zimmer
Zimmer
Zimmer
Zimmer
Zimmer


title: David Zimmer

texts: candidate in the riding of Willowdale, defeating Progressive Conservative incumbent and sitting Minister of Municipal Affairs <mask> by 1,866 votes. The contest, billed in the press as "the battle of the Davids", was considered a key race to watch given Young's profile as a possible future PC leader and Willowdale's long history of being represented by prominent PC ministers. Willowdale was where the PC came the closest to retaining a seat within the City of Toronto in 2003. <mask> fended off a challenge by high profile local councillor <mask> in 2007, and was re-elected again 2011, and 2014, increasing his share of vote and margin of victory each time. Between 2003 and 2011, <mask> served as Parliamentary Assistant to Attorneys General Michael Bryant and Chris Bentley.Between 2011 and 2013, <mask> served as Parliamentary Assistant to Kathleen Wynne, then Minister of Municipal Affairs and Housing and Minister of Aboriginal Affairs. He was a member of the Standing Committee on Public Accounts (2003–06, 2007–11, 2012), Standing Committee on Estimates (2006–07), Standing Committee on Justice Policy (2006–11), Standing Committee on General Government (2012), Select Committee on Elections (2008–09), and Select Committee on the proposed transaction of the TMX Group and the London Stock Exchange Group (2011). In 2004, his motion to create an "Elder Abuse Awareness Day" was passed with support from all parties. He also assisted former Ontario Attorney General Michael Bryant with legislation to ban pit bulls in Ontario. In 2006, he sponsored a Private Member’s Bill which will suspend the driver’s license of anyone who is convicted of impaired boating. It passed with unanimous consent of all parties in the Ontario Legislature. <mask> was awarded the Greatest Local Hero Award by the North York Town Crier for his volunteer and community work in Willowdale.In 2005, he received a "Social Work Doctors’ Colloquium" Award of Merit for his work toward a just and caring society. He has also been cited for work on Ontario Municipal Board reform and the new City of Toronto Act, which gives Toronto greater power to manage its own affairs. During Ontario Liberal Party's

masks:
David Young
Zimmer
David Shiner
Zimmer
Zimmer
Zimmer


title: David Zimmer

texts:
 2012-13 leadership election, <mask> along with Linda Jeffrey, Reza Moridi and Mario Sergio, were the first four caucus supporters of Kathleen Wynne's candidacy, declaring their support at Wynne's campaign launch on November 5, 2012. Minister of Aboriginal Affairs
In February 2013, <mask>, who was Premier Kathleen Wynne's parliamentary assistant in the Ministry of Aboriginal Affairs and one of her earliest caucus supporters, was appointed by Wynne to her cabinet to succeed herself as the Minister of Aboriginal Affairs. Under <mask>'s watch, the aboriginal affairs ministry was able to secure significant, in some case unprecedented, progress on many files, in large part due to the Wynne's personal interest and support in the portfolio and her personal affinity with <mask>. He oversaw Ontario's Response to the Truth and Reconciliation Commission, including a $250 million investment on a suite of education, health, cultural and social services programs focused on reconciliation and addressing the legacy and negative impacts of residential schools. As part of Ontario's response, in June 2016, his ministerial title was renamed to Minister of Indigenous Relations and Reconciliation.<mask> is the longest serving minister for indigenous affairs in Ontario history to date, and was only one of two ministers who serve no other ministerial role while minister. During his tenure, he placed specific focus on the indigenous relationship aspect of his role. He was determined to personally visited as many of Ontario's First Nation Communities as possible, including remote reserves in extremely poor conditions that are difficult to reach. By the end of his tenure, he personally visited 129 of Ontario's 133 First Nations. In the 2018 provincial election, when the Liberal Party suffered its worst result in the party's 161-year history, <mask> was defeated locally in Willowdale by Progressive Conservative candidate Stan Cho. Electoral record

References

Notes

Citations

External links

1944 births
21st-century Canadian politicians
Immigration and Refugee Board of Canada
Living people
Members of the Executive Council of Ontario
Ontario Liberal Party MPPs
People from

masks: Zimmer Zimmer Zimmer Zimmer Zimmer Zimmer


title: Cédric Soares

texts:
<mask>  (born 31 August 1991), known simply as <mask> (), is a Portuguese professional footballer who plays as a right back for  club Arsenal and the Portugal national team. <mask> career started with Sporting CP, going on to appear in 93 competitive games over the course of four Primeira Liga seasons and scoring two goals. He signed for Southampton in 2015. Having earned 72 caps across all youth levels, <mask> made his senior debut for Portugal in 2014. He appeared for the country at the 2018 World Cup and Euro 2016, winning the latter tournament. Club career

Sporting
Born in Singen, Baden-Württemberg, Germany to Portuguese parents, <mask> returned to Portugal at the age of two. He joined Sporting CP's youth system in 1998, aged seven.<mask> made his Primeira Liga debut with the first team on 8 May 2011, starting in a 0–1 home loss against Vitória de Setúbal. For 2011–12 he, alongside teammate Adrien Silva, was loaned to fellow top division club Académica, where he played regularly and won that season's Taça de Portugal, playing the full 90 minutes in the 1–0 triumph against Sporting. Subsequently, <mask> returned to the Lisbon side, being first-choice in the following years under several managers. He scored his first goal in the Portuguese top division on 15 December 2012, netting with his left foot from 30 metres in a 1–1 draw away to Nacional. In the domestic cup final on 31 May 2015, against Braga, <mask> was sent off in the 14th minute after conceding a penalty with a foul on Djavan, but Sporting eventually won in a shootout. Southampton

On 18 June 2015, <mask> was announced as the second summer signing for Southampton on a four-year contract, with the English club paying up to €6.5 million (£4.7 million) for his services. He made his debut on 30 July, playing the full 90 minutes in a 3–0 home win over Vitesse for the third qualifying round of the UEFA Europa League.Ten days later he first appeared in the Premier League, assisting the opening goal for Graziano Pellè in a 2–2 draw away to Newcastle United before being substituted for Cuco Martina at half time. <mask> scored his first goal for Southampton on 18 March 2018, in a 2–0 victory away to Wigan

masks:
Cédric Ricardo Alves Soares
Cédric
Cédric
Cédric
Cédric
Cédric
Cédric
Cédric
Cédric
Cédric


title: Cédric Soares

texts:
 Athletic in the sixth round of the FA Cup, the first match under new manager Mark Hughes. Inter Milan (loan)
On 26 January 2019, <mask> moved to Inter Milan on loan for the rest of the season, with an option to purchase for £9.5m in the summer. He made his first appearance five days later, playing 15 minutes and converting his attempt in the 4–3 shootout loss against Lazio in the quarter-finals of the Coppa Italia (1–1 after 120 minutes). Arsenal
Cédric joined fellow Premier League team Arsenal on a six-month loan on 31 January 2020. On 24 June 2020, it was announced that <mask> had sealed a permanent move to Arsenal on a long term deal, as a free transfer upon the expiry of his contract. <mask> made his Arsenal debut on 1 July 2020 coming on as a 77th-minute substitute and scoring a 20-yard strike with his left foot, four minutes after coming on, in a 4–0 victory over Norwich City.After playing for Southampton as a substitute in their FA Cup third round tie against Huddersfield Town <mask> was cup-tied and unable to take part in Arsenal's victorious 2019–20 FA Cup campaign. On 29 August 2020, <mask> came on as a substitute, taking and scoring the third penalty in a shootout win against Liverpool in the Community Shield after the game ended 1–1. On 18 January 2021, <mask> made his first Premier League start of the season in the 3–0 win over Newcastle United. Since then, due to Kieran Tierney's injury, he has been covering the left-back position in recent weeks, including 5 starts in the league. International career
<mask> was part of the Portuguese under-20 team called up for the 2011 FIFA U-20 World Cup in Colombia, eventually finishing the tournament in second place. He played ten times with the Portuguese under-21s, his debut occurring on 1 September 2011 in a 2–0 win in Moldova for the 2013 UEFA European Championship qualifiers. His maiden appearance with the senior team was on 11 October 2014, as he started in a 1–2 friendly defeat to France in Paris.<mask> was selected by manager Fernando Santos for his UEFA Euro 2016 squad. His first game in the tournament took place on 25 June, when he started alongside Southampton teammate José Fonte in the

masks: Cédric Cédric Cédric Cédric Cédric Cédric Cédric Cédric


title: Cédric Soares

texts:
 round-of-16 clash against Croatia (1–0 win after extra time). He went on to retain his position until the final, won at the expense of hosts France. He scored his first goal for his country on 17 June 2017, netting in the 86th minute of an eventual 2–2 group stage draw to Mexico at the 2017 FIFA Confederations Cup at the Kazan Arena in Russia. In May 2018, he was named in Portugal's squad for the 2018 FIFA World Cup. In March 2021, <mask> was recalled to the national team for the first time since 2019, for the World Cup qualifying games. On 27 March, he started and provided an assist in a 2–2 draw against Serbia; this was his first game for Portugal since October 2018.Career statistics

Club

International

Honours

Club
Académica
Taça de Portugal: 2011–12

Sporting
Taça de Portugal: 2014–15

Southampton
EFL Cup runner-up: 2016–17

Arsenal
FA Community Shield: 2020

International
Portugal U20
FIFA U-20 World Cup runner-up: 2011

Portugal
UEFA European Championship: 2016
FIFA Confederations Cup third place: 2017

Orders
 Knight of the Order of Prince Henry
 Commander of the Order of Merit

References

External links

Profile at the Arsenal F.C. website
Profile at the Premier League website

National team data

1991 births
Living people
People from Singen
German people of Portuguese descent
Citizens of Portugal through descent
Portuguese people of German descent
Portuguese footballers
Footballers from Baden-Württemberg
Association football defenders
Primeira Liga players
Liga Portugal 2 players
Sporting CP footballers
Associação Académica de Coimbra – O.A.F. players
Sporting CP B players
Premier League players
Southampton F.C. players
Arsenal F.C. players
Serie A players
Inter Milan players
Portugal youth international footballers
Portugal under-21 international footballers
Portugal international footballers
UEFA Euro 2016 players
2017 FIFA Confederations Cup players
2018 FIFA World Cup players
UEFA European Championship-winning players
Portuguese expatriate footballers
Expatriate footballers in England
Expatriate footballers in Italy
Portuguese expatriate sportspeople in England
Portuguese expatriate sportspeople in Italy
Commanders of the Order of Merit


title: Dina Wadia

texts:
<mask> (born <mask>; 15 August 19192 November 2017) was the daughter and only child of the founder of Pakistan, Muhammad Ali Jinnah, and his wife, Rattanbai Petit. She belonged to the prominent Jinnah family through her father, the Petit family through her mother, and to the <mask> family through her marriage to <mask>. Early life and background

<mask> was born in London, shortly after midnight, on 15 August 1919, to the founder of Pakistan, Muhammad Ali Jinnah (often informally referred to as "Jinnah"), and his second wife, Rattanbai Petit (whose name was legally amended to "Maryam Jinnah" after her conversion to Islam and marriage, though she did not use her new name). As Stanley Wolpert's Jinnah of Pakistan records: "Oddly enough, precisely twenty-eight years to the day and hour before the birth of Jinnah's other offspring, Pakistan". Her premature arrival was unexpected — her parents were at the theatre, but "were obliged to leave their box hurriedly." She was reported to be "a dark-eyed beauty, lithe and winsome, with a smile like her mother's." Dina's paternal family were upstart merchants of relatively low social status who had achieved wealth recently.Their tryst with education was even more recent and rather precarious. Dina's paternal grandfather, Jinnahbhai Poonja, was a merchant who hailed from Gondal in Kathiawar, Gujarat, and had moved to Karachi in the mid-1870s for better business prospects. He had made money, but only a few of his many children managed to complete school. Nevertheless, he had been able to send one of his more academically promising sons, Jinnah, to England for higher

masks:
Dina Wadia
Dina Jinnah
Wadia
Neville Wadia
Dina


title: Dina Wadia

texts: education. The family belonged to the Ismaili sect of Shia Muslims who are followers of the Aga Khan, and to the Lohana caste, that is, they were Lohana Hindus who had converted to Islam centuries earlier. <mask>'s father, Jinnah, was the leader of the Pakistan movement and the founder of Pakistan. After he had achieved the partition of India on religious basis and secured the creation of Pakistan as the homeland of British India's Muslims, Jinnah became the first Governor General of Pakistan.He was bestowed with the title Qaid-i-Azam or "Great Leader" by a grateful nation. Dina's maternal family was very different from her paternal family both in religion and in social background. The Petit family were rich, titled, well educated and highly westernized. They belonged to the Parsi community and followed the Zoroastrian faith. Dina's great-grandfather, Dinshaw Maneckji Petit, had founded the first cotton mill in India. This and many other contributions to industry, trade and philanthropy had earned him a baronetcy. Dina's mother, Rattanbai "Ruttie") was the daughter of the second baronet.The third baronet, Dina's maternal uncle, was married to Sylla Tata, sister of JRD Tata; the Tata family were the richest in India. The Petit family had disowned Dina's mother, Rattanbai, when she married Jinnah, who incidentally was twenty-four years older than her. Dina's parents were mismatched not only in age and religion, but also in habits, temperament and views. They separated very shortly after Dina's birth, and Ruttie began living in the Taj Mahal hotel in Mumbai along with her infant daughter, Dina. After Ruttie's


title: Dina Wadia

texts:
 death, Fatima moved in with Jinnah to help raise her niece, Dina. Jinnah raised his daughter as a Muslim. According to Jinnah's chauffeur, Bradbury, Jinnah asked his sister, Fatima, "to teach her niece, Dina, about Islam and The Holy Qur'an".During Jinnah's time in London, during 193033, Wolpert commented, "Dina was [Jinnah's] sole comfort, but Dina was away at school most of the time and home only for brief times, yet still the pampered daughter could be a joy to her doting father". In November 1932, Jinnah read H. C. Armstrong's biography of Kemal Atatürk, Grey Wolf, and seemed to have found his own reflection in the story of Turkey's great modernist leader. It was all he talked about for a while at home, even to Dina, who consequently nicknamed him "Grey Wolf". Marriage, rift and reconciliation with father

<mask>'s relationship with her father became strained when she expressed her desire to marry the Parsi-born Indian <mask> who was the son of Sir Ness <mask> and Evelyne Clara Powell. Jinnah, a Muslim, tried to dissuade her, but failed. M. C. Chagla, who was Jinnah's assistant at the time, recalls: "Jinnah, in his usual imperious manner, told her that there were millions of Muslim boys in India, and she could have chosen anyone. Reminding her father that his wife (Dina's mother Rattanbai), had also been a non-Muslim and a Parsi as well, the young lady replied: 'Father, there were millions of Muslim girls in India.Why did you not marry one of them?' And he replied that, 'She became a Muslim'." Jinnah's then associate and later a prominent judge M. C. Chagla recounts in his autobiography Roses in

masks:
Wadia
Neville Wadia
Wadia


title: Dina Wadia

texts: December that; when Dina married Neville, Jinnah said to her that she was not his daughter any more. This story, however, is contentious as some say that Jinnah had sent a bouquet through his driver, Abdul Hai, to the newly married couple. Their relationship is a matter of legal conjecture as Pakistani laws allow for a person to be disinherited for violating Islamic rules (in this case by a Muslim woman marrying a non-Muslim), and hence no claim of hers was entertained on the Pakistani properties of Jinnah. The <mask>s lived in Bombay and had two children, a boy named Nusli and a girl named Diana N <mask>. The marriage did not last long, however, and she separated from <mask> in 1943; the couple never formally divorced because divorce was illegal in India at the time.Following the marriage, the father-daughter relationship became extremely formal and he addressed her formally as 'Mrs. <mask>'. This too is contentious as Dina rebuffed this information calling it a rumour. In an interview with Hamid Mir, she said: "My father was not a demonstrative man but he was an affectionate father. My last meeting with him took place in Bombay in 1946. When I was about to depart, my father hugged Nusli (who was two years old then). The grey cap (Jinnah was wearing) caught Nusli’s fancy and in a moment my father put it on Nusli’s head saying, 'Keep it my boy'."After the death of <mask> <mask>, her personal diary revealed that relationship with her father was no more formal and they had reunited as a family. The diary also revealed that Dina visited Pakistan twice, once on her father's death, and then for the 2004

masks: Wadia Wadia Wadia Wadia Dina Wadia


title: Dina Wadia

texts:
 a tribute to its founder in order to convert it into their Consulate. Though P. V. Narasimha Rao, India's foreign minister in 1980, agreed in principle to lease Jinnah House as the residence of local Consulate-General of Pakistan, the plan was never realised. During his visit to India, then Pakistani President Pervez Musharraf had suggested to the then Indian Prime Minister Atal Bihari Vajpayee that the house be given to Pakistan so that it could be turned into a consulate. Talks in June 2004 between the foreign ministers of the two countries over the land did not gain any guarantees from India. In May 2005, Pakistan High Commission officials were shown around various properties in Mumbai and its suburbs for the setting up of its consulate but not the Jinnah House. Indian government sources say that the claim by the Jinnah's heirs will be treated "sympathetically", and have no intention of handing it to Pakistan. <mask> <mask>, the only child of Jinnah, was involved in litigation regarding Jinnah House claiming that Hindu Law is applicable to Jinnah as he was a Khoja Shia.It was also campaigned to make Jinnah House, India-Pakistan Friendship Centre by a group of peace activists from Mumbai and Karachi. In 2007, <mask> <mask> filed a writ petition before the Bombay High Court, claiming that Jinnah House could not be classified as "evacuee property", as her father had died without leaving behind a will and demanded that the house be handed over to her. Visit to Pakistan in 2004
In March 2004, <mask> visited Lahore, Pakistan, to watch a cricket match between Pakistan and India. She considered "cricket

masks: Dina Wadia Dina Wadia Wadia


title: Dina Wadia

texts:
 diplomacy" to be an enthralling dimension that illustrated an entirely new phase in relations between India and Pakistan. But she and her son Nusli <mask> chose not to share their thoughts with the public on what was certainly a highly emotional encounter. <mask> had not traveled to Pakistan since her father's funeral in September 1948. <mask>, her son Nusli <mask> and grandsons Ness <mask> and Jehangir <mask> also visited the mausoleum of her father to pay homage.In the visitors' book, <mask> wrote: "This has been very sad and wonderful for me. May his dream for Pakistan come true." Reports said that she asked for copies of three pictures she saw in the mausoleum's antiquities room. In one picture, she is standing with her father and aunt, Fatima Jinnah. The other is a painting of her mother, Rattanbai Jinnah. In the third, her father is dictating a letter, showing Mohammad Ali Jinnah's political persona. Dina also went to the tomb of Madar-e-Millat Fatima Jinnah to pay respects to her aunt and Flagstaff House Pakistan to hoist the flag of Pakistan and her father's house Wazir Mansion.Death
Dina died at her home in Madison Avenue in New York City on 2 November 2017, at the age of 98 from pneumonia. Her death was deeply mourned by the people of Pakistan, and was described as the "nation's grief". Several political leaders, including the then Prime Minister and President of Pakistan issued official statements on her death, and later said that she was "greatly respected and admired in Pakistan". The Sindh Assembly in Pakistan observed a one-minute silence in her remembrance and offered Al-Fatiha for her and

masks: Wadia Wadia Wadia Wadia Wadia Wadia Wadia


title: Dina Wadia

texts:
 her father's departed soul. Dina was survived by her son and <mask> group chairman Nusli <mask>, daughter <mask>, and grandsons Ness <mask> and Jehangir <mask>. References

Further reading
 Chagla, M. C. Individual and the State, Asia Publishing House, 1961
 Wolpert, Stanley Jinnah of Pakistan, Oxford University Press, 1984,
 Ahmed, Akbar S. Jinnah, Pakistan and Islamic Identity: The Search for Saladin, Routledge, 1997,

External links
 Government of Pakistan's Official Website About Quaid-e-Azam Muhammad Ali Jinnah – noker shan ka
 A journalist's account of meeting <mask> <mask> in New York in 2002

1919 births
2017 deaths
Parsi people
Indian Ismailis
Gujarati people
Indian emigrants to the United States
Indian Muslims
Jinnah family
People from London
People from New York City
Indian expatriates in the United Kingdom
<mask>

masks:
Wadia
Wadia
Diana Wadia
Wadia
Wadia
Dina
Wadia
Wadia


title: David Ahern

texts:
<mask> (2 November 1947 – 31 January 1988) was an Australian composer and music critic, who became a prominent artist in the avant-garde genre after his best-known work, Ned Kelly Music was released and performed at the Sydney Proms music series. Born and raised in Sydney, <mask> decided to become a composer in his mid-teens, and studied composition under Nigel Butterley and Richard Meale. His first performed work, After Mallarmé, was recorded by the South Australian Symphony Orchestra and was submitted to the International Rostrum of Composers in Paris. He travelled in Europe in the 1960s, studying under Karlheinz Stockhausen in Germany and Cornelius Cardew in London. In 1970, <mask> returned to Australia where, influenced by the Scratch Orchestra co-founded by Cardew, he formed the AZ Music ensemble at the Sydney Conservatorium of Music, which included such composers and performers as Roger Frampton. Early life
<mask> was born on 2 November 1947 in Sydney. As a young boy, he learned how to play the violin and taught himself composition and piano.At the age of 15 he decided that he undoubtedly wanted to become a composer, and within a year he had already composed over 50 pieces. Then he began studying with Nigel Butterley and, later, Richard Meale. <mask> approached Butterley for lessons, and they had a couple of sessions together before he began working under the direction of Meale. During his time with Meale, <mask> had written his first performed composition, After Marllarmé. The piece was performed and recorded by the South Australian Symphony Orchestra and conducted by Patrick Thomas. Although John Hopkins immediately inducted After Marllarmé into the 1967 International Rostrum of Composers in Paris, France, Meale was critical of the piece. In a later interview Meale described his knowledge of music theory and

masks:
David Anthony Ahern
Ahern
Ahern
David Ahern
Ahern
Ahern


title: David Ahern

texts:
 style of composition as basic and underdeveloped.During 1968, <mask> followed Karlheinz Stockhausen and his studies at his International New Music summer course (Musik für ein Haus project) in Darmstadt and the Cologne New Music course. After that, <mask> made his way to London to study with Cornelius Cardew. While he attended Cardew's classes at Morley College, <mask> fell in love with the scene that Cardew was cultivating in the city. Following his time with Stockhausen and Cardew, <mask> returned to Sydney in late 1969 and was inspired to create a weekly course in experimental music called "Laboratory of the Creative Ear," which later evolved into an ensemble called AZ Music which was influenced by Cardew’s Scratch Orchestra. The ensemble performed largely improvised works and consisted of a number of young performers and composers. Career
<mask> wrote many compositions between 1970 and 1975. Among them were Reservoirs (1970), a set of three verbal compositions called Stereo/Mono (1971), a live performance of electronic work for wind soloist and utilizing feedback; The Rudiments of Music (1973), a chapter to Journal (1968) that attempted to establish basic elements necessary for making music.He also founded an improvisation group with two other people called the Teletopia in 1970, but disbanded in 1972. Although it is widely believed that <mask> completely stopped composing after his ineffectual performance of HiLo (1975), there are two pieces called  Question of time and Rainbow mediation which are now known to come from as late as 1985. Despite the appearance of <mask>'s halted career, Meale is said to have worked with <mask> again in the early 1980s after reuniting with his former student in Adelaide. Around this time, <mask> was studying Bartók with the intent to compose a violin sonata. Style
His music was

masks: Ahern Ahern Ahern Ahern Ahern Ahern Ahern Ahern Ahern


title: David Ahern

texts:
 described as ‘daring and bizarre’ by some Australian critics, others characterized his pieces as “a scrambled compendium of noises, some born of musical instrument," and "produced by all manner involving childish fun”. <mask>’s style was a mix between ideas that he had picked up in Europe with ideas that he was taught from Australia. In interviews with his former mentors and members of AZ Music, there were a wide range of opinions of his skills on the violin.Butterley described his playing as "not very well" and sounding like "squeaky funny things on the violin." Geoffrey Barnard, a former member of AZ music said he was "quite a competent violinist." Hopkins recalls a concert performance that was appalling but "with such conviction that this was what the violin should sound like." Peter Sculthorpe was inspired by his commitment to the instrument and how he was able to draw the listener in with his "dyslexic playing of the violin." During the length of <mask>'s career, Australia sought to preserve the genre and style of classical European music. The compositions in AZ music and Teletopia, groups that challenged the principles at the time by embedding a "unique radical 'consciousness  into the Australian music psyche." Discography
<mask> composed pieces for orchestras, chamber ensembles, small groups, soloists and film scores.He is known for experimenting with non-musical instruments and objects to create eccentric the eccentric melodies found in his compositions. <mask> is known to have submitted a list of compositions to the Australian Music Centre of works that were composed in 1969, but were either lost or withdrawn. There are no known scores for Arabesque for 48 Strings, Chameleon, The call of the birds unwoke me, Question of time (1985), nor Rainbow meditations (1985). After Mallarmé (1966) – for full orchestra

masks: Ahern Ahern Ahern Ahern


title: John C. Robinson

texts:
<mask> (April 10, 1817 – February 18, 1897) had a long and distinguished career in the United States Army, fighting in numerous wars and culminating his career as a Union Army brigadier general of volunteers and brevet major general of volunteers in the American Civil War. In 1866, President <mask> nominated and the U.S. Senate confirmed <mask>'s appointment to the brevet grade of major general in the regular army. He was a recipient of the Medal of Honor for valor in action in 1864 near Spotsylvania Courthouse, Virginia, where he lost a leg. When he retired from the U.S. Army on May 6, 1869, he was placed on the retired list as a full rank major general, USA. After his army service, he was Lieutenant Governor of New York from 1873 to 1874 and served two terms as the president of the Grand Army of the Republic. Early life and career
<mask> was born on April 10, 1817 in Binghamton, New York. He was appointed to the United States Military Academy at West Point, New York, July 1, 1835.He was expelled from the academy on March 14, 1838 (for insubordination), and went on to study law. After a year as a civilian, he rejoined the army in October 1839 and was commissioned as a second lieutenant in the 5th U.S. Infantry Regiment. <mask> traveled to Corpus Christi, Texas, in September 1845 to join Gen. Winfield Scott and the Army of Occupation as a regimental and brigade quartermaster. In June 1846, <mask> was promoted to first lieutenant and served in the Mexican–American War, fighting with distinction in the Battle of Monterey. He also was in action at the battles of Palo Alto and Resaca de la Palma. He served as regimental or brigade quartermaster between March 28, 1847 and September 1, 1847 and between January 27, 1849 and August 12, 1850. <mask> was commissioned as a captain on August 12, 1850 and then served in various garrisons.He led troops in several

masks:
John Cleveland Robinson
Andrew Johnson
Robinson
Robinson
Robinson
Robinson
Robinson


title: John C. Robinson

texts:
 engagements against hostile Indians in Texas in 1853-54. In 1856, <mask> went into combat again, serving in Florida during the Third Seminole War, where he furthered his military record of bravery and efficient services. He led a series of expeditions against the Seminoles in the Everglades and Big Cypress Swamp. At the close of the Seminole War, he was assigned command of Fort Bridger and sent to the Utah Territory. In 1857–58, he served at Camp Floyd during the Utah War. Camp Floyd had the largest concentration of US Troops at any post prior to the Civil War. While stationed in the desolate Utah Territory he and others petitioned the Freemason's Grand Lodge of Missouri to establish a Masonic Lodge in the Utah Territory.It was granted the March 6, 1859, Rocky Mountain #205 under dispensation from Missouri, and Captain <mask> became the first Worshipful Master of the first Masonic Lodge in Utah. In the late 1850s, he was ordered back east to assume command of Fort McHenry in Baltimore, Maryland. Civil War
With the outbreak of the Civil War, Maryland was a border state, remaining loyal to the Union despite being a slave state. Secessionists planned to seize Fort McHenry, but <mask> made it appear that reinforcements were imminent for his small 60-man garrison, and was able to retain control of the fort. <mask> was soon sent to Detroit as an army recruiting officer, and for a short time, assisted Governor William Dennison in raising troops in Columbus, Ohio. In September 1861, he was appointed as colonel of the 1st Michigan Volunteer Infantry, a regiment he helped recruit. That autumn, he was also promoted to major of the 2nd U.S. Infantry in the regular army, concurrent with his assignment in the volunteer army.Within a few months, he was commanding a brigade of volunteers at Newport News, Virginia in preparation for the Peninsula Campaign. With his

masks: Robinson Robinson Robinson Robinson


title: John C. Robinson

texts: vast combat experience and with the growing need in the expanding army for senior officers, he was promoted again by President Lincoln on April 30, 1862, to rank from April 28, 1862, to brigadier general of volunteers. He was transferred soon afterwards to the Army of the Potomac, where he assumed command of a brigade in the division of Philip Kearny in the III Corps. He served with distinction during the Peninsula Campaign, particularly at the Seven Days Battles. General Kearny lavishly praised <mask> in his official report. <mask> also fought that year during the Northern Virginia Campaign at the Second Battle of Bull Run. He was wounded at Broad Run, Virginia on August 27, 1862.He missed the Maryland Campaign as his brigade was not present. He next fought at the Battle of Fredericksburg. He was transferred to command of second division I Corps in time to participate in Chancellorsville in 1863. During the Battle of Gettysburg in July 1863, <mask> commanded a division in the I Corps north of the borough of Gettysburg. He and his men fought well on July 1, but eventually had to retire through the streets of the town under the pressure of overwhelming numbers. For his valor and meritorious performance at Gettysburg, he was brevetted as a lieutenant colonel in the regular army. He was again brevetted, this time to colonel in the regular army, for his efforts during the Mine Run Campaign and the 1864 Battle of the Wilderness.In the latter battle, <mask> commanded the 2nd Division in the reorganized V Corps, which was composed of his old division plus a brigade of Maryland troops. <mask> presided over the court-martial of Brig. Gen. Thomas A. Rowley for his conduct at Gettysburg. After the war he received a Medal of Honor for his actions during a preliminary action to the Battle of Spotsylvania Court House, the fight at Alsop's farm at Laurel Hill,

masks: Robinson Robinson Robinson Robinson Robinson


title: John C. Robinson

texts:
 Virginia, on May 8, 1864. According to the official citation, <mask> "placed himself at the head of the leading brigade in a charge upon the enemy's breastworks; was severely wounded". On December 12, 1864, President Lincoln nominated <mask> for appointment to the brevet grade of major general of volunteers to rank from June 27, 1864 and the U.S. Senate confirmed the appointment on February 14, 1865. However, having been shot through the left knee and permanently disabled following its amputation at the thigh, <mask> never returned to field duty after Alsop's Farm.He performed administrative duty as a district commander in the Department of the East for the rest of the war. Postbellum
<mask> remained in the army following the cessation of hostilities and was assigned command of the Freedmen's Bureau in Federally occupied North Carolina. On April 10, 1866, President <mask> nominated <mask> for appointment to the brevet grade of brigadier general in the regular army, to rank from March 13, 1865, and the U.S. Senate confirmed the nomination on May 4, 1866. In July 1866, he was promoted to full colonel in the regular army. On July 17, 1866, President <mask> nominated <mask> for appointment to the brevet grade of major general in the regular army, to rank from March 13, 1865 and the U.S. Senate confirmed the appointment on July 23, 1866. <mask> was mustered out of the volunteer army on September 1, 1866. In 1867, <mask> was assigned to command of the Military Department of the South.The following year, he was again reassigned, this time to lead the Department of the Lakes. <mask> retired from the U.S. Army on May 6, 1869, receiving a commission to the full grade of major general in the regular army on the date of his retirement. <mask>, as with many leading political and social figures of his day, was a Freemason, becoming a member of Binghamton Lodge

masks:
Robinson
Robinson
Robinson
Robinson
Andrew Johnson
Robinson
Andrew Johnson
Robinson
Robinson
Robinson
Robinson
Robinson


title: John C. Robinson

texts:
 #177 and rising through its ranks. <mask>, long a popular figure in New York, was elected the Lieutenant Governor of New York in 1872, serving under Republican Governor <mask>. Dix. <mask> was active in veterans affairs, and became the Commander-in-Chief of the Grand Army of the Republic from 1877 to 1879. A decade later, he was elected as president of the Society of the Army of the Potomac. He was also a member of the New York Commandery of the Military Order of the Loyal Legion of the United States.In his elder years, <mask> lost his eyesight and became totally blind. He died at home on February 18, 1897 at the age of 79 and was buried at Spring Forest Cemetery in Binghamton, Broome County, New York. A bronze statue of <mask> stands in Gettysburg National Military Park near Oak Ridge. Medal of Honor citation

Rank and Organization:
Brigadier General, U.S. Volunteers. Place and date: At Laurel Hill, Virginia, May 8, 1864. Entered service at: Binghamton, N.Y.Birth: Binghamton, N.Y. Date of issue: March 28, 1894. Citation:
Placed himself at the head of the leading brigade in a charge upon the enemy's breastworks; was severely wounded. See also

List of Medal of Honor recipients
List of American Civil War Medal of Honor recipients: Q–S
List of American Civil War generals (Union)

Notes

References

Attribution

External links

Union Army generals
American military personnel of the Mexican–American War
Members of the Aztec Club of 1847
American people of the Seminole Wars
Lieutenant Governors of New York (state)
People of New York (state) in the American Civil War
American amputees
United States Army Medal of Honor recipients
1817 births
1897 deaths
New York (state) Republicans
American politicians with physical disabilities
American Civil War recipients of the Medal of Honor
Grand Army of the Republic Commanders-in-Chief
19th-century American

masks:
Robinson
John A
Robinson
Robinson
Robinson


title: Sy Kattelson

texts:
<mask> (February 11, 1923 – November 24, 2018), better known as <mask>, was an American photographer whose earliest work documents working class New Yorkers during the years immediately following World War II. He was an early practitioner of street photography and was associated with the Photo League from 1947 until its closing in 1951. His portraits, frequently taken without his subjects' awareness while traveling through the streets or riding the city's subways, convey the dignity of their lives as lived in public places. The depth of his photographs often comes from the tension between the grittiness of their urban settings and the contemplative sense of his subjects' as being lost within themselves. He died in Rhinebeck, New York in November 2018 at the age of 95. Early career
<mask> was born in 1923 in the Bronx, New York to a middle class Jewish family. His mother owned a lingerie shop and his father was an electrician and fabricator of neon signs.His paternal grandfather was a vaudeville musician whose lifestyle influenced <mask>'s decision to become an artist. Until he was 7 years old they lived on Mount Eden area of the Grand Concourse and then moved to a house in Laurelton, Queens. In 1936 they lost the family store and returned to the Bronx, eventually settling in what was then the working-class neighborhood of Manhattan's Washington Heights. He attended Stuyvesant High School, intending on becoming an aeronautical engineer, but abandoned this direction on learning that there were few jobs being given to Jews at the time in engineering. It was while working as a delivery boy for the Aremac Camera store on 43rd street that he first became aware of the possibility of working professionally as a photographer. A German refugee couple who were the owners of a studio to which he was making a delivery on sensing

masks:
Seymour Kattelson
Sy Kattelson
Kattelson
Kattelson


title: Sy Kattelson

texts:
 his interest in their work encouraged him to pursue photography. "They told me I should do something interesting with my life - like photography".He later worked in the dark room at Stone-Wright Studio and then became the assistant to one of their in-house photographers. This was followed by his becoming the photographer at Lawrence Studios- where he photographed scenes staged by illustrators who would then use his work as the basis for their illustrations in magazines such as True Story, Cosmopolitan and Romance. Rather than wait to be drafted, in 1942 he volunteered for the Air Corps as a corporal aerial cartographer, developing film taken from aircraft to assess the success of their bombing runs. At the war's end he was redeployed to France where he worked as an army publicity photographer. Photo League
Upon his return to the United States, <mask> joined the Photo League and studied under Sid Grossman and Paul Strand and later was enrolled in the Hans Hofmann School of Art. His work was represented in the original 'This is the Photo League' exhibit of 1948 and the 'New Workers' exhibit of 1949. He taught the Basic Technique and Advanced Technique classes in 1949 and 1950 respectively.He served as an executive member and teacher at the Photo League until it disbanded in 1951 during the Red Scare after being declared "subversive" and a front for the Communist Party. The League, while not directly allied with the Communist Party, was originally named the Workers Film and Photo League and had its origins in Europe as the "Workers as Photographers" movement and counted among its members many that were socially and politically progressive. As Kattelson stated, "We were trying to do the sort of photography that put real people in the pictures. Somehow, that was considered radical." The group's political leanings were


title: Sy Kattelson

texts:
 never his concern. “I was just trying to show the world what it was.”  After the disbanding of the League, <mask> remained close to Grossman and co-edited and printed carbros for Grossman's posthumous 1959 book Journey to the Cape. Later career
From 1953 to 1955 <mask> worked as a fashion photographer for Glamour and for Fashion and Travel where his experience in street photography led him to be one of the first to use a 35mm camera to photograph models in outdoor urban settings.The social concerns of the Photo League influenced his relationship to fashion photography. “We were photojournalists. If I did a fashion spread for a magazine and I happened to catch some black people in the background of a picture, they would blot that out before the magazine was released. I suppose the idea was to make believe blacks didn't exist and we, the people in the League, really believed in what we were doing. Photos really meant something to us.”

In 1954 Kattelson photographed the first Newport Jazz Festival. In 1958 he became a color darkroom technician and manager at a large commercial color photography lab. In 1961 he moved to Woodstock, NY where he founded the Tinker Street Cinema, at the time one of the few art house cinemas outside a major urban area.In the 1980s, he returned to photography, producing photographs that continued the themes of his earlier work while capturing the dynamism of urban life through collage and multiple exposures. He has been represented by the Witkin Gallery and, since 1992, by the Howard Greenberg Gallery in New York. Photographs
While never purely a formalist, <mask>'s photographs often use the geometry of urban structures or the multiple reflections of storefronts or subway windows to create densely layered settings for his introspective portraits. His later work makes use of triptychs or

masks: Kattelson Kattelson Kattelson


title: Sy Kattelson

texts:
 multiple exposures to capture the sense of dynamism of urban life. The people in his photographs, often witnessed in mid gesture, and sometimes in mournful or strained connection to one another, are treated in an unsentimental manner that conveys both their individual character and their anonymity in the larger city. Vivien Raynor, writing in the New York Times has said, "Mr. <mask>'s weakness - if it can be called that - is his respect for the strangers he photographs... His presence is never felt, but his inquiring yet merciful sensibility is everywhere." Carbros
During the late-1950s and early-1960s, Kattelson mastered the painstaking and almost forgotten technique of Carbro or Carbon print color processing which makes use of multiple layers of emulsion to create densely saturated, painterly color photographs.The technique, whereby each print is assembled over several days out of individually developed layers of emulsion, dates from the 1870s and by the 1930s had largely fallen out of use with the advent of dye-transfer printing. <mask>'s carbros, made from images taken in NYC and Mexico, were originally printed on gelatin tissues he obtained from among the last stock manufactured by the McGraw Colorgraph Company in California, a subsidiary of the Carnation Milk Company. When McGraw ceased production he eventually was able to find material from a special run made by a company in Germany. Carbro prints, of which very few exist, have the color density of a gouache painting and are a completely stable, archival color process. Collections
<mask>'s photographs are included in the collections of the Museum of Modern Art, the National Portrait Gallery, The Museum of Fine Arts in Houston Texas, The Art Institute of Chicago, The New York Transit Museum, The Jewish Museum of New York, The Smithsonian National Museum of


title: Sy Kattelson

texts:
 African American History and Culture, The National Gallery of Canada and The Musee d'Art Moderne, Saint Etienne, France. His 1948 portrait of Asa Philip Randolph, taken during Randolph's civil disobedience campaign to desegregate the nation's armed forces, is featured in the traveling Civil Rights exhibit Let Your Motto Be Resistance. Notes

External links
 Sy Kattelson website
 Howard Greenberg Gallery (click on 'Artists' then 'Alphabetical Listing' scroll to <mask> <mask>) *
 Let Your Motto Be Resistance- Asa Philip Randolph photo *
 Where Do We Go from Here?The Photo League and Its Legacy 1936–2006
 Photo League
 Alternative Photography- Carbon Prints-
 Carbon Printing-

Further reading
 Evans, Catherine. The Photo League at 75. CreateSpace (2010)
 Wilkes, Ann; et al. This Was the Photo League: Compassion and the Camera from the Depression to the Cold War. Stephen Daiter Gallery (2001) ASIN: B001MV0QXM
 VanArragon, Elizabeth. The Photo League: Views of Urban Life in the 1930s and 1940s. LAP Lambert Academic Publishing (2009)
 Bezner, Lili Corbus.Photography and Politics in America: From the New Deal into the Cold War. The Johns Hopkins University Press (1999)
 Nadeau, Luis. History and Practice of Carbon Processes. Atelier Luis Nadeau (1983) ASIN: B003EU6REG
 Sullivan, Dick. The Bostick & Sullivan Book of Modern Carbon Printing. The Bostick & Sullivan Press Santa Fe, New Mexico (2007)
 Klein, Mason and Evans, Catherine. The Radical Camera: New York's Photo League, 1936-1951

1923 births
2018 deaths
20th-century American Jews
Photographers from the Bronx
People from the Bronx
People from Woodstock, New York
Military personnel from New York City
United States Army Air Forces personnel of World War II
People from Laurelton, Queens
United States Army Air Forces non-commissioned officers
21st-century

masks: Sy Kattelson


title: Mike Muir

texts:
<mask> (born March 14, 1963) is an American singer and songwriter who is the lead vocalist of Los Angeles-based bands Suicidal Tendencies, Los Cycos, and Infectious Grooves. He has also released several solo albums under his nickname "Cyco Miko". <mask>'s trademark is wearing bandanas, jerseys with the number 13, and hats with block-style letters that read "suicidal". Early life
Born in Venice, Los Angeles and raised in Santa Monica, <mask> is the younger brother of <mask> of the Dogtown skateboarding team. Jim exposed <mask> to metal music as well as skateboarding. <mask> attended Santa Monica College after being kicked out of school in the 10th grade. Career

<mask> has cited bands such as the Sex Pistols, the Ramones, Black Sabbath, UFO, AC/DC, Van Halen, Emerson, Lake & Palmer, Led Zeppelin, and Kiss as his early musical influences, and has said that he was introduced to funk music by former bandmate Robert Trujillo.<mask> incorporated funk influences into a few songs by Suicidal Tendencies and into his funk metal side project, Infectious Grooves. Suicidal Tendencies

<mask> formed Suicidal Tendencies in 1980 when he was 17 years old. It originally consisted of <mask> on vocals, <mask> on guitar, Carlos "Egie" Egert on drums, and <mask> on bass. There were several lineup changes before <mask> hired Grant Estes, Louiche Mayorga and Amery Smith on guitar, bass and drums respectively. In 1983, they released their self-titled album, with success sparked by the anthem song "Institutionalized", which would become one of the first hardcore punk videos to receive substantial airplay on MTV. They have since played tours and festivals worldwide. When No Mercy guitarist <mask> was hired as the band's second guitarist in 1987, Suicidal Tendencies began making a change from punk to metal, thus creating what would become crossover thrash, and later began adding funk influences to their music.Robert Trujillo, who was the

masks:
Michael Allen Muir
Muir
Mike Muir
Jim Muir
Mike
Muir
Muir
Muir
Muir
Muir
Mike Ball
Mike Dunnigan
Muir
Mike Clark


title: Mike Muir

texts:
 bassist for Suicidal Tendencies from 1989 to 1995, was responsible for turning <mask> on to funk music, and the pair would eventually form Infectious Grooves to play more funk oriented music. Cited as one of the most important crossover thrash groups, Suicidal Tendencies was active until 1995, but reunited a year later. Suicidal Tendencies has been touring or playing selected shows almost every year, and until the 2013 release of their ninth studio album 13, they had not released an album containing new music in over a decade. Between the releases of Free Your Soul and Save My Mind and 13, however, the band had debuted new material on stage and through compilation releases on a regular basis. Los Cycos
Muir formed Los Cycos in 1984 during Suicidal's first year of their four-year recording hiatus. Current guitarist Jon Nelson left the group and Suicidal Tendencies were banned from playing L.A. shows, largely due to an incident at Perkins Palace where their audience tore out the first 10 rows, making it impossible for promoters to obtain insurance if Suicidal was on the bill. <mask> started the label Suicidal Records with bassist Louiche Mayorga.Los Cycos originally consisted of <mask> (vocals), Bob Heathcote (bass), Anthony "Bob" Gallo (guitars) and Amery Smith (drums). After a few rehearsals, Amery Smith left the line up, along with bandmate Jon Nelson to start their own band (the Brood). Los Cycos eventually included: Grant Estes on lead guitar, Gallo went to (rhythm), and original choices Bob Heathcote and Amery Smith were replaced by Louiche Mayorga (bass) and No Mercy's Sal Troy (drums). Rehearsals continued in preparation for their debut recording for "Welcome to Venice" on Suicidal Records. With the final line-up established and two songs "It's Not Easy" and "A Little Each Day", Los Cycos was born. "Welcome to Venice" was the first record to be released on Suicidal Records, and the album also included

masks:
Muir
Muir
Mike Muir