title: Theodosia Bartow Prevost

texts:
 not suffer: the two wrote letters back and forth notable for their candor, with Theodosia constantly disagreeing with her husband's views, "never shy to point out his flaws", and Aaron treating her as he would any other intelligent person, sending her political books and newspapers on a regular basis that he thought she would enjoy.<mask>'s keen sense of observation and adeptness at "judging [Aaron's] peers on the national scene" made her a crucial ally in his political career, particularly after he joined the United States Senate in 1791. Both <mask> and Aaron had a "passionate commitment to education", and Theodosia educated her daughter as any wealthy male child would have been: she could read and write at three, studied Latin, Greek and French, and had read Decline and Fall of the Roman Empire by age 10. Aaron handled more and more of this as <mask>'s health began to deteriorate. Her illness was not a shock – she had been ill as long as they had known each other – but by 1792 she was in regular pain, with doctors' prescriptions doing little to help. Aaron offered to resign from the Senate to spend more time with her, but she refused to allow it. She died on May 28, 1794 at the age of 47. She was buried in the now defunct St. John's Burying Ground, which was associated with Trinity Church.Aaron later wrote that she was "the best woman and finest lady" he had ever known. References

Bibliography

1746 births
1794 deaths
18th-century American women
American people of English descent
People from Monmouth County, New Jersey
Aaron Burr
Burr family
Women in the

masks: Theodosia Theodosia Theodosia


title: Dan Karaty

type: original

texts:
<mask> (born October 1, 1976) is an American TV personality, actor, producer, dancer and choreographer. He has performed with and/or created routines for pop superstars such as Jessica Simpson, Britney Spears, Kylie Minogue and *NSYNC. <mask> is also well known as a judge and choreographer on several versions of the global dance competition program So You Think You Can Dance, including the American, Australian, Canadian versions and as a permanent member of the judge's panel for the Dutch-Belgian version since its first season. In addition, <mask> starred in "Soof," The Netherlands' highest-grossing film in 2013. He appears as a judge or mentor on X Factor, Everybody Dance Now, My Name Is Michael, Holland's Got Talent, So You Think You Can Dance: The Next Generation, Belgium's Got Talent and The Ultimate Dance Battle, the last of which he created and on which he serves as executive producer. Previously, Karaty served in the capacity of a performance stager and choreographer on America's Got Talent. Personal
Both of Karaty's parents were performers on Broadway.He attended New York University, graduating in 1999 with a B.A. journalism. This is from his official website:

<mask> is one of the hottest entertainers working today. In addition to choreographing films like Disney's "Prom," “Music and Lyrics” with Drew Barrymore, and “Did You Hear About The Morgans” with Hugh Grant and Sarah Jessica Parker, Karaty currently serves as a Judge around the world on ratings hits "So You Think You Can Dance," "X Factor," "Everybody Dance Now," "My Name Is...," "Holland’s Got Talent," "The Ultimate Dance Battle" and "Belgium's Got Talent." <mask>'s

masks:
Daniel Quinn Karaty
Karaty
Karaty
Dan Karaty
Karaty


title: Dan Karaty

texts: incredible choreography and thought-provoking critiques have made him a worldwide fan favorite. <mask> was born just outside New York City to Broadway veterans Tom and <mask> so it's no surprise dance is a huge part of his life. Although his Broadway roots remain a tremendous influence in his life, he chose sneakers and hip-hop over Broadway ballads!<mask>'s unique path allowed him to infuse his work with the spirit of classic Broadway inspirations like Gene Kelly, Fred Astaire and trailblazers in the hip-hop and pop culture like Michael Jackson. During college at NYU, <mask> spent his “free” time teaching at the popular Tremaine Dance Conventions where he met friend and collaborator Wade Robson. During his junior year, <mask> made his Broadway debut in the smash hit “Footloose” and soon thereafter began dancing with Britney Spears on the MTV Video Music Awards and The Billboard Awards. After graduating from NYU with a B.A. in Journalism, <mask> decided it was time to make the move to Hollywood where he and Robson continued to collaborate. Their rise was fast and furious and included high-profile projects like Britney Spears’ first Pepsi commercial and the *NSYNC World Tour. <mask> then branched out on his own, choreographing Jessica Simpson's “Irresistible” and “Little Bit” music videos and serving as Artistic Director for her 2001 World Tour.He also worked with Kylie Minogue on many of her television appearances, as well as a long list of cutting-edge artists like Justin Timberlake and Usher. Although he quickly became known for his work in the pop music genre, Karaty broadened his reach by choreographing ground-breaking commercials

masks:
Karaty
Jane Karaty
Karaty
Karaty
Karaty
Karaty
Karaty


title: Dan Karaty

texts:
 for iPod, Best Buy, Mattel, Miller and many more. <mask>'s experience, combined with his gift for comedy, allowed him to move into the film industry where he choreographed “Music and Lyrics,”  “Malibu’s Most Wanted,” "Did You Hear About The Morgans” and Disney's 2011 release, "Prom." Beyond his role as a Judge on T.V. series around the world, Karaty has his sights set on producing and directing films, television and theater. He is currently in development on several film and television projects and even a Broadway production of his own!" With his wife Natasha, Karaty has two children, a daughter named Quinn, and a son named <mask>.<mask> has learned Dutch while working in Belgium and the Netherlands, but never speaks it on TV; therefore no one knows he speaks it. Career
He made his own Broadway debut in the musical Footloose during his junior year in college. During his senior year, he began dancing with Britney Spears. Karaty has appeared on the MTV Awards and the Billboard Awards, and was the sole choreographer for the 2002 American Dance Music Awards. Karaty is currently appearing as a judge on the Canadian and Dutch/Belgian versions of So You Think You Can Dance. Karaty also appeared on Bravo's fall 2009 series Launch My Line, a reality show that pairs professionals of a specific industry—in Karaty's case, dance/choreography—and experts in fashion design in order to create an apparel line. Holland's Got Talent (The Netherlands)
 Belgium's Got Talent (Belgium)
 Everybody Dance Now (The Netherlands)
 My Name Is Michael   (The Netherlands and Belgium)
 So You Think You Can Dance (Belgium and The Netherlands)
 So You Think You Can

masks: Karaty Daniel Dan


title: Clive Spash

texts:
<mask><mask> is an ecological economist. He currently holds the Chair of Public Policy and Governance at Vienna University of Economics and Business, appointed in 2010. He is also Editor-in-Chief of the academic journal Environmental Values. Career
<mask> studied economics at the University of Stirling gaining a Bachelor of Arts with Honours. His dissertation was entitled "Sulphur Emission and Deposition in Europe: A Problem of Transfrontier Pollution". He went on to study for a master's degree in interdisciplinary studies at the University of British Columbia with a thesis entitled "Measuring the Tangible Benefits of Environmental Improvement: An Economic Appraisal of Regional Crop Damages due to Ozone. He then completed a Ph.D. with Distinction in Economics at the University of Wyoming in 1993, specialising in Resource and Environmental Economics and Public Finance.His dissertation, "Intergenerational Transfers and Long-Term Environmental Damages: Compensation of Future Generations for Global Climate Change due to the Greenhouse Effect", was awarded the University of Wyoming Outstanding Dissertation in the Social Sciences, 1993. <mask> was elected vice-president of the European Society for Ecological Economics (ESEE) by the delegates at the inaugural meeting of the society held at Saint-Quentin-en-Yvelines, France in 1996. He was elected to a second term by ESEE members at the Society General Meeting in Geneva, Switzerland in 1998. He then served two terms as ESEE President, 2000–2006, elected by postal ballot of the membership. During this time he helped write new democratic constitutions for both the ESEE and ISEE, established the ESEE Newsletter with Ben Davies as editor, set-up the societies committee structure and organised European conferences. From 1996 until 2001 he was a lecturer at the Department of Land Economy at the University of Cambridge and director of the research institute Cambridge Research for the Environment (CRE). He then moved to the University of

masks:
Clive L
. Spash
Spash
Spash


title: Clive Spash

texts:
 Aberdeen where he held the Research Chair in Environmental and Rural Economics and was Head of the Socio-Economic Research Programme (SERP) at the Macaulay Institute of Land Use Research.In 2006 <mask> was appointed as Chief Executive Officers’ Science Leader at the CSIRO, Australia's federal government agency responsible for scientific research. After finishing a critical paper about emissions trading - which had already passed the peer review process - the agency intervened and pushed for substantial changes. The behaviour of CSIRO led to controversial debates within the scientific community and Nature reported extensively on the conflict. In the course of the controversy, <mask> left the agency at the end of 2009. Key Scientific Contributions
<mask> was one of the earliest economists to pay attention to human induced climate change, pioneering an alternative economics of the environment. He followed some aspects of the work of his doctoral supervisor, Ralph C. d’Arge, in exploring its economic and ethical implications with respect to intergenerational equity and justice. He built from this into issues of compensation for harm across generations and ethical limitations of the economic approach.Such topics appeared in his book Greenhouse Economics, which covers the history, science, economics, ethics and public policy relating to climate change. That work was also path-breaking in its highly critical reflections on mainstream economic approaches that use social cost-benefit analysis and of the work of William Nordhaus. In 2018 Nordhaus received the Sveriges Riksbank Prize in Economic Sciences, or the Nobel Memorial Prize in Economic Sciences in memory of Alfred Nobel for this same work, which has since been strongly criticised by others
. <mask>’s work has developed in devoting attention to the social economic consequences of a broad range of environmental problems (e.g. acidic deposition, tropospheric or ground level ozone, greenhouse gases, conservation, ecosystem and

masks: Spash Spash Spash Spash


title: Clive Spash

texts:
 of mainstream economics and has targeted the work of David Pearce (economist), William Nordhaus, Richard Tol and others.He has deconstructed the work of Lord David Stern in both his Stern Review
 and under the New Climate Economy collective. His critiques of the economics of climate change include its intergenerational ethics, its approach to uncertain futures involving ignorance and indeterminacy, and social cost-benefit approaches to decision-making
. He has also criticized the mainstream economic approach to policy encapsulated under carbon emission trading, also known as cap-and-trade. His work in this area was censored by the government in Australia but finally released after a Senate vote defeated the government. Carbon trading is seen by Spash as failing both in theory and practice and in compulsory as well as voluntary forms. He has argued the Paris Agreement is a failure to address reality and not a great success on which to build. Spash has concluded in favour of rights-based approaches and regulation rather than utilitarianism and carbon trading.Biodiversity Economics
Spash also linked issues in valuation to ethical positions and refusals to trade-off species and ecosystem loss, and contrasted rights-based ethics with utilitarianism in conservation. He was one of the first economists to work on biodiversity valuation in economics. His work here developed approaches to empirically investigate ethically motivated refusals to trade-off species and ecosystems for money as expressed by the occurrence of lexicographic preferences
. This work on biodiversity economics also led to criticism of preference utilitarianism  and the spread of mainstream economics into ecology and conservation biology. In the early 1990s <mask> designed a survey conducted in Scotland on forestry to explore the valuation of biodiversity and the occurrence of protesting and refusals to make the trade-offs that economists had previously assumed were rational. He developed this further in


title: Clive Spash

texts:
 studies of wetland re-creation in East Anglia and coral reef improvement in Curaçao. Willingness-to-pay responses from contingent valuation were found to be charitable contributions for many respondents, and not trade prices as economists assumed.The work expanded into attitudinal and social norm research using measures from social psychology and questioning various claims made about the results from contingent valuation. Related work questioned prominent environmental attitudinal scales used by social psychologists  and aspects of work by Daniel Kahneman on valuation. When "Biodiversity Economics: The Dasgupta Review" appeared in 2021, advocating natural capital, Spash produced critical deconstructions of the report. Social Ecological Economics
Spash’s research in the 2000s became directed towards the development of a paradigm shift to a social ecological economics. He highlighted the need for ecological economics to have firm foundations in philosophy of science and to link ontology to epistemology rather than follow an eclectic pluralism in economics. His key conclusions here support the need for integration of social, ecological and economic knowledge, and combining heterodox schools of thought in a structured methodological pluralism. This is seen as a way forward that emphasises “the structural aspects of economies as emergent from and dependent upon the structure and functioning of both society and ecology“.This conceptualisation rejects reductionist approaches and builds on interdisciplinarity (over mono- or multi-disciplinarity), while incorporating value incommensurability and value pluralism. His research recommends the philosophy of science of critical realism. <mask>’s research has highlighted problems arising from the conceptualisation of ecological economics as a simple combination of two disciplines (i.e. ecology and economics) that otherwise remain divorced from each other and unreformed by their interaction. He has developed this critique into an


title: Clive Spash

texts:
 exploration of the divisions within ecological economics, and more generally the environmental movement, by defining three categories: social ecological economists, new environmental pragmatists and new resource economists. His work includes some empirical evidence on these categories. Moving beyond a simple division within the field, the social ecological economics category has become advocated as a new paradigm.Spash sees social ecological economics as the way forward for the field of economics in general. Publications (inter alia)

 <mask><mask> (ed.) (2017). Routledge Handbook of Ecological Economics: Nature and Society. Abingdon and New York: Routledge. <mask><mask> and Karin Dobernig (2017). Theories of (Un)sustainable Consumption.In <mask>, <mask>. (ed.) Routledge Handbook of Ecological Economics: Nature and Society (pp. 203–213). Abingdon and New York: Routledge. <mask><mask> and Clemens Gattringer (2017). The Ethical Failures of Climate Economics.In Adrian Walsh, Sade Hormio and Duncan Purves (eds.) The Ethical Underpinnings of Climate Economics (pp. 162–182). Abingdon and New York: Routledge. <mask><mask> (2016). This changes nothing: The Paris Agreement to ignore reality. Globalizations 13 no.6: 928–933.<mask><mask> (2010). The Brave New World of Carbon Trading. New Political Economy, 15, no. 2: 169–195. <mask><mask> (2010) Censoring science in research officially. Environmental Values 19 no. 2: 141–146.<mask><mask> (2002). Greenhouse Economics: Value and Ethics. London: Routledge. Martin O’Connor and <mask><mask> (1999). Valuation and the Environment: Theory, Methods and Practice. Cheltenham: Edward Elgar. <mask><mask> (1995).The political economy of nature. Review of Political Economy, 7 no .3: 279–293. <mask><mask> and Ian A. Simpson (1994). Utilitarian and rights-based alternatives for protecting sites of special scientific interest. Journal of Agricultural Economics. 45 no.1: 15-26

References

1962 births
Ecological economists
Living people
University of

masks:
Clive L
. Spash
Clive L
. Spash
Spash
Clive L
Clive L
. Spash
Clive L
. Spash
Clive L
. Spash
Clive L
. Spash
Clive L
. Spash
Clive L
. Spash
Clive L
. Spash
Clive L
. Spash


title: Sölvi Ottesen

texts:
<mask> (born 18 February 1984) is an Icelandic former footballer, who played as a centre back for. Sölvi earned 28 caps for the Iceland national football team. Sölvi is among the most decorated Icelandic professional footballers ever. In his professional career, Sölvi picked up seven titles. In Sweden, he won the Allsvenskan and the Svenska Cupen on two occasions. In Denmark he won the Superliga twice and the Cup. As he moved to Asia he helped Jiangsu Sainty to win the Chinese FA Cup.He also played a part with Buriram United as they won the Thai League 1. Club career

Early career
Born in Reykjavík, Sölvi started his career at Vikingur Reykjavík, where he came through the academy. After progressing the ranks of the youth team, he made his Vikingur Reykjavík debut as an 84th-minute substitute, in a 7–2 win over KS on 25 August 2001. Ottesen went on to make four appearances for the side at the end of the 2001 season. The following 2002 season saw his first team opportunities increased, making a total of ten appearances. The 2003 season saw <mask> continuing to establish himself in the starting eleven for Vikingur Reykjavík. He went on to make eighteen appearances for the side at the end of the 2003 season.His performance saw him being named 1. deild karla's Team of the Year. Despite signing a three–year contract with for Vikingur Reykjavík, <mask> was linked with a move away with the club, with Norwegian side Brann and Football League Second Division side Barnsley were interested in signing him. Despite suffering from an injury, <mask> was a first team regular until July 2004, where he made eight appearances for

masks:
Sölvi Geir Ottesen Jónsson
Ottesen
Ottesen
Ottesen


title: Sölvi Ottesen

texts:
 the side. By the time he departed from the club, <mask> made 32 appearances in the heart of defence for Vikingur between years 2001 and 2004, spurring interest from abroad. Djurgården
Sölvi signed for Swedish side Djurgården on 10 July 2004, signing a four and half year contract with the club. Upon joining the club, he said the move would help him develop. However, <mask> suffered a setback when he suffered an injury.It wasn't until on 21 August 2004 when <mask> appeared in the first team as an unused substitute, in a 1–0 win over Örgryte. He made his Djurgården debut, starting the whole game, in a 2–0 loss against Malmö on 20 September 2004. Ottesen appeared three more times, all coming on as a substitute. He later helped Djurgården win the Svenska Cupen with them in his first year as a professional after beating IFK Göteborg 3–1 in the final. At the end of the 2004 season, <mask> went on to make four appearances for the side. At the start of the 2005 season, <mask> was expecting to compete with Elias Storm over the centre–back position. However, he suffered a groin injury during the pre–season and was sidelined for several months.By May, <mask> made his recovery from his groin injury. It wasn't until on 13 June 2005 when he made his first appearance of the season, starting the whole match, in a 0–0 draw against IFK Göteborg. However, Ottesen appeared in the remaining matches of the 2005 season at the substitute bench. It wasn't until on 4 August 2005 when he made another appearance for the side, in a 2–2 draw against Hammarby. Although Ottesen made two appearances for the side in the 2005, he was part of

masks: Ottesen Ottesen Ottesen Ottesen Ottesen Ottesen


title: Sölvi Ottesen

texts: the squad that won both the Allsvenskan and Cupen. Shortly after, <mask> was sidelined for six to eight months after injuring his knee during a friendly match against Väsby United. In the 2006 season, Ottesen continue to be rehabilitated his knee since the start of the season.By mid–July, he returned to full training, though his knee hadn't yet fully recovered. It wasn't until on 28 August 2006 when <mask> made his return since recovering from a knee injury, starting the whole game, in a 3–0 win over Hammarby. Since returning to the first team, he went on to make five more appearances for the side at the end of the 2006 season. In the 2007 season, <mask> continued to be in a competition over the centre–back position with Toni Kuivasto, Markus Johannesson and Kebba Ceesay. He scored his first goal for the club in a Swedish Cup, in a 2–0 win over Norrby on 27 April 2007. Despite being sidelined at the beginning of May, he began to play regularly for the side by the end of the month. However, <mask> suffered an injury that resulted in him sidelined for two months.But he made his return to the first team in the last game of the season, coming on as a late substitute, in a 1–0 loss against IF Brommapojkarna. <mask>  made fourteen appearances and scoring once this season. Ahead of the 2008 season, <mask> was sidelined with a knee injury that kept him out between three to four weeks. But he returned and started the season, as he found himself in and out of the starting line-up for the side. It wasn't until on 14 April 2008 when he scored his first Djurgården goal, in a 2–1 win over Halmstads. His second goal for the


title: Sölvi Ottesen

texts:
 side came on 28 April 2008, in a 2–1 win over Ljungskile. By the time he departed Djurgården, Sölvi made thirty–six appearances and scoring three times in all competitions.SønderjyskE
Following his spell in Sweden, <mask> signed a three-year contract with SønderjyskE of the Danish Superliga in the summer of 2008. The move was reportedly cost "close to one million DKK. Swedish kronor - about 800,000 kr". <mask> made his SønderjyskE debut, starting the whole game, in a 2–0 loss against AC Horsens in the opening game of the season. In a 1–1 draw against FC Copenhagen on 4 August 2008, <mask> started the whole match, as his performance earned him a Man of the Match by Ekstrabladet. In a follow–up match against Vejle on 11 August 2008, setting up the club's opening goal of the game, in a 2–1 loss. He scored his first goal for the club, in a 2–1 loss against Aalborg three weeks later on 31 August 2008.Since joining the club, <mask> quickly established himself in the starting eleven, playing in the centre–back position. It wasn't until on 8 April 2009 when he scored his second goal of the season, in a 2–1 loss against F.C. Copenhagen. <mask> later scored two more goals against Odense BK and Esbjerg, win against them saw SønderjyskE avoid relegation. Despite being sidelined on five occasions during the 2008–09 season, he went on to make twenty–seven appearances and scoring four times in all competitions. Ahead of his second season with SønderjyskE, a report suggested that he would soon go on trial with Scottish giants Glasgow Celtic. Icelandic newspaper Fréttablaðið stated that he had been invited to train with

masks: Sölvi Ottesen Ottesen Ottesen Ottesen


title: Sölvi Ottesen

texts: during pre-season with a view to a deal subject to permission from his then current club, SønderjyskE.But he stayed at SønderjyskE for the second season. At the start of the 2009–10 season, <mask> appeared in the opening game of the season against Randers, starting the whole game and keeping a clean sheet, as SønderjyskE won 1–0. However, he suffered a knee injury that saw him sidelined for two matches. It wasn't until on 9 August 2009 when <mask> returned to the starting line-up from injury, starting the whole game, in a 1–0 loss against FC Copenhagen. Since returning to the first team from injury, he regained his first team place for the side. His performance saw him named Player of the Month. As the season went by, SønderjyskE was in financial problems, leading him to be linked away from the club.Despite this, <mask> stayed at the club for the remaining matches of the 2009–10 season. <mask> scored his first goal of the season, in a 1–1 draw against Brøndby on 7 March 2010. He then captained the side for the first time, starting the whole game, in a 2–0 against FC Copenhagen on 21 March 2010. Despite suffering from an injury later in the 2009–10 season, <mask> was able to return to the first team and scored his second goal of the season, in a 2–0 win over Odense BK on 3 May 2010. Following another successful relegation battle to stay in the top division, he went on to make twenty–nine appearances and scoring two times in all competitions. It was announced on 18 March 2010 that he will leave the club at the end of the 2009–10 season, regardless of the club's future in the top division. Six years after

masks: Ottesen Ottesen Ottesen Ottesen Ottesen


title: Sölvi Ottesen

texts:
 departing the club, <mask> was inducted to Sønderjyske's Hall of Fame.Copenhagen
As the deal with Glasgow Celtic failed to materialize, <mask> signed a three-year contract with defending Superliga champions Copenhagen instead on 23 June 2010. <mask> made his FC Copenhagen debut, starting the whole game, in a 3–0 win against his former club, SønderjyskE, in the opening game of the season. He then made his UEFA Champions League debut against BATE Borisov in the first leg of the third qualifying round, in a 0–0 draw. FC Copenhagen went on to win 3–2 in the second leg. Following a 2–1 loss against Rosenberg in the first leg, the then 26 year old <mask> could hardly have popped up at a more important time to register his first goal for [Copenhagen, in the UEFA Champions League Play-Off Round against Rosenberg. In the biggest game of his career so far, his perfectly-placed header secured Copenhagen a spot in the group stage for only the second time in the club's history. Four days later on 29 August 2010, <mask> scored his second goal for the side, in a 2–1 win over AC Horsens.Since joining the club, he found himself in a competition with Mathias Jørgensen and Mikael Antonsson over the centre–back position. During a 2–0 win over Brøndby on 19 September 2010, <mask> fractured his arm and was sidelined between four to six weeks. It wasn't until on 24 October 2010 when he made his return from injury, coming on as a substitute in the 70th minute, in a 3–0 win over Silkeborg. In a follow–up match against Lyngby on 30 October 2010, <mask> came on as a late substitute and scored in a 3–2 win. However, he then suffered a

masks: Ottesen Ottesen Ottesen Ottesen Ottesen Ottesen Ottesen


title: Sölvi Ottesen

texts: back injury in January 2011 and sidelined for four months. While on the sidelines, the club won the league title after winning 2–1 against Lyngby on 21 April 2011. It wasn't until on 16 May 2011 when he returned to the first team, coming on as a late substitute, in a 1–1 draw against AC Horsens.At the end of the 2010–11 season, <mask> went on to make twenty appearances and scoring three times in all competitions. In the 2011–12 season, <mask> started the season well when he scored his first goals of the season, in a 2–2 draw against Odense BK on 23 July 2011. Four days later, on 27 July 2011, <mask> scored his second goal of the season, in a 1–0 win over Shamrock Rovers in the first leg of the UEFA Champions League Third Qualifying Round. FC Copenhagen was through to the next round after beating Shamrock Rovers 2–0 in the second leg (3–0 on aggregate). Despite suffering an injury at the start of the season, he regained his first team place for the side, playing in the centre–back position. <mask> scored his fourth goal of the season, in a 3–1 loss against Viktoria Plzeň in the first leg of the UEFA Champions League play–off qualifying round. In the second leg of the UEFA Champions League play–off qualifying round against Viktoria Plzeň, FC Copenhagen lost 2–1 once again (5–2 on aggregate), eliminating them from the tournament.He was part of the club's defence squad to keep three clean sheets in a row between 10 September 2011 and 18 September 2011 against Lyngby BK, Vorskla Poltava and Aalborg BK. After being dropped for one match against Nordsjælland on 24 October 2011, <mask> scored on his return three days


title: Sölvi Ottesen

texts: later, in a 3–0 win over Bröndby in the third round of the Sydbank Pokalen, followed up by scoring his sixth goal of the season, in a 3–1 win over Odense BK. After being dropped from the first team for the match against Bröndby on 20 November 2011, he scored his seventh goal of the season, in a 2–0 win over Nordsjælland in the quarter–finals of the Sydbank Pokalen. Once again, <mask> was part of the club's defence squad to keep three clean sheets in a row between 11 March 2012 and 25 March 2012 against SönderjyskE, FC Midtjylland and Silkeborg IF. He then scored his eighth goal of the season, in a 5–0 win over HB Køge on 15 April 2012. After being dropped the next six matches, <mask> scored on his return on 13 May 2012, in a 2–2 draw against SönderjyskE. But he was dropped from the squad for the Danish Cup Final, as the club went on to win the trophy after beating AC Horsens 1–0.At the end of the 2011–12 season, <mask> went on to make thirty–six appearances and scoring nine times in all competitions. In the 2012–13 season, <mask> was featured in the first two league matches of the season. He played in both legs against Club Brugge in the third qualifying round of the UEFA Champions League, as they won 3–2 on aggregate. His first goal for the club this season came on 25 August 2012, in a 3–2 win over Randers. However, <mask>'s first team opportunities became limited, having fallen out with new Manager Ariël Jacobs, as well as, his own injury concern when he suffered a back injury. At one point, Jacobs said that Ottesen has an unprofessional attitude, which contributed to their fallen out. Despite making two


title: Sölvi Ottesen

texts:
 rare appearances later in the 2012–13 season, the club, once again, won the league.At the end of the 2012–13 season, he went on to make nine appearances and scoring once in all competitions. It was announced on 10 June 2013 that <mask> will be leaving Copenhagen, as his contract expires at the end of the 2012–13 season. Although he ruled out joining another Danish club, he was linked with a move back to Sweden, with Djurgården interested in signing him. During his time at Copenhagen Sölvi played an important role with the champions, making 43 appearances in the Danish Superliga with a tally of 8 goals. Ural

On 1 August 2013, he moved to Russia by signing a two-year contract to Ural. In an interview with Morgunblaðið, Sölvi described that he "immediately took pleasure in the Russian Premier League. This really is a great adventure.To play in such a challenging football league makes it even more fun. I am facing very strong opponents every week; some world-class players in bigger teams such as Zenit, CSKA Moscow and Rubin Kazan". However, <mask>'s debut suffered a setback when he suffered an injury that kept him out for a month. It wasn't until on 30 September 2013 when <mask> made his Ural debut, starting the whole game, in a 1–1 draw against FC Rostov. Since joining the club, <mask> quickly became a first team regular for the side, playing in the centre–back position. His performance, at one point, saw him named the club's Player of the Month for November and December. <mask> set up the club's second goal of the game for Denis Dorozhkin, who scored a winning goal, in a 2–1 win over Kuban Krasnodar on 10 May


title: Sölvi Ottesen

texts:
 2014.Despite being sidelined on two occasions later in the 2013–14 season, he helped the side finish eleventh place in the league and finished his first season, making eighteen appearances. In the 2014–15 season, <mask> continued to be in the first team regular for the side, playing in the centre–back position. However, during a match Torpedo Moscow on 16 August 2014, he scored an own goal to give the opposition team a 2–0 lead in stoppage time, as Ural lost 2–0. Despite being sidelined on two occasions, <mask> went on to make fifteen appearances for the side. By the time he departed the club, <mask> made 33 appearances for Ural in the Russian Premier League. Jiangsu Sainty
On 14 February 2015, Sölvi transferred to Chinese Super League side Jiangsu Sainty, signing a two–year contract with the club. <mask> made his Jiangsu Sainty debut in the opening game of the season against Shanghai SIPG, starting the whole game, in a 2–1 loss.After missing two matches with a groin injury, he scored on his return, in a 2–1 win over Shijiazhuang Ever Bright on 5 April 2015. His second goal for the club came on 27 June 2015, in a 4–1 loss against Shanghai SIPG. He later scored two more goals later in the season. He celebrated his 7th career title in winning the Chinese FA Cup with Jiangsu under coach Dan Petrescu after beating Shanghai SIPG 1–0 on aggragate when the match in the second leg went extra time. At the end of the 2015 season, <mask> went on to make thirty–one appearances and scoring four times in all competitions. Wuhan Zall
On 4 February 2016, <mask> transferred to China League One club Wuhan Zall. He made his


title: Sölvi Ottesen

texts:
 Wuhan Zall debut, starting the whole game, in a 1–1 draw against Beijing Sport University in the opening game of the season.<mask> then set up an equalising goal for Guto, in a 1–1 draw against Tianjin Tianhai on 22 May 2016. <mask> captained the side for the first time, where he helped the side keep a clean sheet, in a 0–0 draw against Qingdao Huanghai on 12 June 2016. He scored his first goal for the club, in a 4–2 loss against Beijing Sport University on 3 July 2016. <mask> later scored two more goals later in the 2016 season against Qingdao Huanghai and Shanghai Shenxin. However, his playing time was reduced, due to his suspension that saw him banned for three matches. <mask> made 23 appearances while getting on the scoresheet three times in the 2016 season with Wuhan Zall and filing for 6th place in the league. At the end of the 2017 season, the club announced his departure along with Guto and Michael Barrantes.Buriram United
On 6 February 2017, it was announced that Thai League 1 side Buriram United had completed the signing of the Icelandic defender from Chinese League One club Wuhan Zall. In doing so, <mask> became the first Icelandic footballer to play in the Thai League 1 division. Upon joining the club, he said: "There was an invitation from Thailand that I was excited about and I just jumped on this offer from Buriram United". In taking on yet another challenge in entering Thai League 1, <mask> made 12 appearances scoring one goal, which he scored on his debut against Chonburi in the opening game of the season. Despite his departure on 18 June 2017, <mask>, nevertheless, received a medal when


title: Sölvi Ottesen

texts:
 Buriram United were the league winners. Guangzhou R&F
Halfway through the China Super League season, on 13 July 2017, it was reported that <mask> would make his return to China, this time to help Guangzhou R&F in the top flight. It came after when the club was interested in signing him.<mask> made his Guangzhou R&F debut, starting the whole game, in a 3–2 loss against Changchun Yatai on 16 July 2017. He then scored his first goal for the club, in a 4–1 win over Liaoning on 6 August 2017. However, he was sent–off for a second bookable offence, in a 2–0 loss against Guizhou Hengfeng on 13 August 2017. After making five appearances for Guangzhou R&F, the side finished 5th in the league table in the 2017 season. It was announced on 23 November 2017 that <mask> departed Guangzhou R&F to return to his homeland. Víkingur
On 1 January 2018, Sölvi returned to the club he played for as a youth, Víkingur, signing a three-year deal. <mask> made his first appearance for the club since leaving fourteen years ago, appearing as captain against Valur and started the whole game, as Víkingur drew 0–0 in the opening game of the season.<mask> started in every match since making his debut and performed impressively. This last until he suffered an injury early in the game against Valur on 22 July 2018, resulting in his substitution. Following this, <mask> was sidelined for the rest of the season. At the end of the 2018 season, he went on to make fifteen appearances in all competitions. At the start of the 2019 season, <mask> managed to recover from his injury and started the season well when he scored in the opening game of the

masks: Sölvi Ottesen Ottesen Ottesen Ottesen Ottesen Ottesen


title: Sölvi Ottesen

texts: season, in a 3–3 draw against Valur. His second goal of the season came on 15 May 2019, in a 4–3 loss against Stjarnan. However, in a 1–0 loss against KR Reykjavík on 25 May 2019, he was sent–off for a professional foul in the 77th minute.A month later, <mask> scored his third goal of the season, in a 3–2 win over ÍBV in the quarter–finals of the Icelandic Cup. Since returning to the first team, he continued to regain his first team place and retaining his captaincy. On 14 September 2019, he captained his side to triumph as they won the 2019 Icelandic Cup, their first trophy in forty–eight years after beating Fimleikafélag Hafnarfjarðar 1–0. At the end of the 2019 season, <mask> went on to make twenty–four appearances and scoring three times in all competitions. Following this, <mask> was named Viking athlete of the year at the club's award ceremony in Reykjavik. The start of the 2020 season saw <mask> regained his first team place, as well as, his captaincy for Víkingur. However in a match against KR Reykjavík on 4 July 2020, he received a straight red card in the 78th minute, as the club lost 2–0.After serving a three match suspension, <mask> returned to the starting line–up for a match against Grótta, as KR Reykjavík drew 2–2 on 23 July 2020. He then scored his first goal of the season, in a 4–2 loss against Breiðablik on 16 August 2020. <mask>, once again, was sent–off in the 5th minute of the game against Olimpija Ljubljana in the first round of the UEFA Europa League, as the club lost 2–1, eliminating KR Reykjavík from the tournament. After missing two matches due to fitness concern, he returned to the


title: Sölvi Ottesen

texts:
 starting line–up against ÍA, as the club drew 2–2. KR Reykjavía avoided relegation when the abandoned on 30 October 2020 due to the COVID-19 pandemic, resulting in the club finishing in tenth place. At the end of the 2020 season, <mask> went on to make fifteen appearances and scoring once in all competitions. Following this, he went on a successful operation on his injury.In 2021, in his final season, he went on to win both the league and the cup in Iceland. International career

In August 2004, <mask> was called up to the Iceland U21 squad for the first time  He made his debut for the U21 side against Estonia U21, as Iceland U21 lost 2–1. <mask> went on to make eleven appearances for the U21 side. On 29 September 2005, <mask> was called up by Iceland for the first time. He made his first appearance against Poland on 7 October 2005, starting the whole game, in a 3–2 loss. After three years away from the national team, <mask> was called up by Iceland once again and started the whole game, in a 1–0 win over Malta on 19 November 2008. In September 2010, he captained the national side on two occasions against Norway and Denmark.<mask> captained the side two more times the following year and assisted two times, in a 5–3 loss against Portugal on 7 October 2011. However, in a match against Cyprus on 11 September 2012, <mask> was sent off in the 86th minute for a professional foul, as Iceland lost 1–0. Following the match, he served a two match suspension. It wasn't until on 14 November 2012 when <mask> returned from suspension, starting the whole match, in a 2–0 win over Andorra. His latest appearances came a decade

masks: Ottesen Ottesen Ottesen Ottesen Ottesen Ottesen Ottesen Ottesen


title: Sölvi Ottesen

texts:
 later against Latvia in October 2015 and Finland in January 2016. In November 2017, <mask> announced his retirement from international football. He has been capped twenty-eight times for Iceland.Career Statistics

Personal life
Ottesen was married to Sandra Karlsdóttir and together, they had three children. Ottesen revealed that one of his children has been diagnosed with autism. During his early football career, he worked full time at a liquor store. In April 2017, Ottesen purchased a mansion in Fossvogur and resided there since returning from China and Thailand. Honours

Club
Víkingur FC
Icelandic Cup: 2019
Icelandic Premier Division: 2021
Icelandic Cup: 2021
 FC Copenhagen
 Danish Superliga: 2010–11, 2012–13
 Danish Cup: 2011–12

 Djurgårdens IF
 Allsvenskan: 2005
 Svenska Cupen: 2004, 2005

 Jiangsu Sainty
 Chinese FA Cup: 2015

References

External links

 Danish Superliga statistics
 Solvi Ottesen World Football Statistics

1984 births
Living people
Solvi Ottesen
Association football defenders
Solvi Ottesen
Solvi Ottesen
Solvi Ottesen
Solvi Ottesen
Solvi Ottesen
Djurgårdens IF Fotboll players
SønderjyskE Fodbold players
F.C. Copenhagen players
FC Ural Yekaterinburg players
Jiangsu F.C. players
Wuhan F.C.players
Solvi Ottesen
Guangzhou City F.C. players
Solvi Ottesen
Allsvenskan players
Danish Superliga players
Russian Premier League players
Chinese Super League players
China League One players
Solvi Ottesen
Expatriate footballers in Sweden
Solvi Ottesen
Expatriate footballers in Denmark
Solvi Ottesen
Expatriate footballers in Russia
Solvi Ottesen
Expatriate footballers in China
Solvi


title: Paul Spoonley

texts:
<mask> (born 1951) is a New Zealand sociologist and professor at Massey University where his specialist area is social change and demography and how this impacts policy decisions at the political level. <mask> has led numerous externally funded research programmes, written or edited twenty-seven books and is a regular commentator in the news media. Educated both in New Zealand and England, his work on racism, immigration and ethnicity is widely discussed in the wake of the Christchurch mosque shootings (2019) and the COVID-19 pandemic. Career
From 1974 to 1978, <mask> was Teaching Fellow, Department of Sociology, University of Auckland and part-time Lecturer, School of Architecture and Department of Town Planning, University of Auckland. He began lecturing at Massey University in 1979 and was the college's Research Director and Auckland Regional Director until 2013 when he became Pro Vice-Chancellor of the university's College of Humanities and Social Sciences. He is a Fellow of the Royal Society of New Zealand, and a member of the Max Planck Institute for the Study of Religious and Ethnic Diversity. In 2010 he was a Fulbright Senior Scholar at the University of California Berkeley where he completed research on second-generation cultural identities of children of American and New Zealand Immigrants.In 2019, he stepped down from his position as Pro Vice-Chancellor at Massey University and has reverted to a position as a research professor in the college to allow him to re-focus on writing and research. Selected research
The Institute of Labor Economics (IZA) is a nonprofit research institute that works internationally with scholars and focuses on labour economics. Spoonley joined IZA as a Research Fellow in January 2013, and in the same year, worked with Trudie Cain on a discussion paper that explored

masks:
Paul Spoonley
Spoonley
Spoonley


title: Paul Spoonley

texts: Zealand can better prepare for changes resulting from demographic challenges including migration, ethnic diversity, population ageing, changing fertility patterns and urban growth. In this project Spoonley worked with Robin Peace and produced the article "Social Cohesion and Cohesive Ties: Responses to Diversity". <mask> participated in the Integration of Immigrants Programme (2007 – 2012), a five-year research initiative funded by the Foundation for Research, Science and Technology (FRST) to gain a better understanding of the economic integration of immigrants into New Zealand. A document, to which Spoonley contributed, explained that the  programme had the "key aim of contributing to progressive improvements in the utilisation of immigrant human capital, to the advantage of migrants specifically and New Zealand society more generally."B'nai B'rith is an international not-for-profit Jewish community services organisation that supports human rights and anti-discrimination and has a branch in New Zealand. <mask>, on behalf of B'nai B'rith,  was one of a team, including Jim Salinger that completed four surveys of the New Zealand Jewish community, the last one published in 2020. Right-wing populism, racism and the alt-right became an area of interest to Spoonley while studying at the University of Bristol in 1976. As a result of several incidents involving racist violence that happened close to where he was staying, Spoonley was inspired to become an "academic specialist in Right-wing hate." In 1980 he published an article that showed how the ideology of the National Front, a right-wing group in England was reflected in the keywords of the headlines of their publications. Sixty-six per cent of the items had racial cue words that were linked to "conflict disagreement words" such as "threat" and "invade."

masks: Spoonley Spoonley


title: Paul Spoonley

texts: In 2018 <mask> wrote an article about the history of the alt-right and some of the ideas behind it.He noted that the term applies to a loose coalition of "ultra-nationalists, white supremacists, neo-Nazis and anti-Semites" and first appeared in the United States in 2008, attributed to Richard B. Spencer a neo-Nazi who believed in eugenics and ethnic cleansing to make the United States a white ethno-state. The movement got more exposure in 2016 when Steve Bannon  established Breitbart, a right-wing news network. On the day following the Christchurch mosque shootings (16 March 2019), Spoonley summarised some of his research on the extreme right-wing in New Zealand. He noted that while public surveys such as those conducted annually by The Asia New Zealand Foundation did show a majority of New Zealanders support diversity and see immigration from Asia as being beneficial to the country, "extremist politics, including the extreme nationalist and white supremacist politics that appear to be at the core of this attack on Muslims, have been part of the New Zealand community for a long time." Through the 1980s Spoonley looked at more than 70 groups in New Zealand that held extreme right-wing views with ideologies based on anti-Semitism and the supremacy of the "British race". By the 1990s the internet and social media were playing a role in spreading these ideas and Islamophobia was now supplementing anti-Semitism. In 2018 he conducted a project on hate speech examining what some New Zealanders were saying online and concluded [that] "it did not take long to discover the presence of hateful and anti-Muslim comments."<mask> later shared with RNZ that the far right in New Zealand was now more technologically sophisticated, connected to international networks and actively trying to get involved in mainstream


title: Paul Spoonley

texts:
 politics. <mask> retired from his position as Pro Vice-Chancellor at Massey University in 2019 to work on a book in which he expressed concerns with the "far right, and particularly ultra-nationalists and white supremacists being reinvented as the Alt-Right...[and becoming]... much more successful in influencing mainstream debate and political actors." Sharing an opinion piece in 2020, Spoonley argued that far-right extremism "remains a high-level threat in New Zealand." In 2020, <mask> published an article in which he recalled how in 2010, during his time at the University of Berkeley, he became aware of a political movement called the Tea Party that had "established a legacy of radical populism and, among its more extreme members, a new form of white identity politics." He was concerned at the degree that radical right-wing groups were using the internet to influence people and this came more into focus after the Christchurch mosque shootings in 2019. On 10 March 2020, a New Zealand news service Stuff discussed a document allegedly prepared by a neo-nazi group Action Zealandia that told its members to refuse any interviews and detailed the powers of the New Zealand Security Intelligence Service (SIS), the Government Communications Security Bureau (GSSB) and a special investigation group established by the New Zealand Police, which according to the manual was trained to "coerce" information from people. Spoonley commented that this was more comprehensive  than anything he had previously researched and made the point it indicated that there is a "degree of sophistication, especially in relation to online far-right activities, which is new and concerning."Public policy positions
On immigration in New Zealand, <mask> has advocated for a population policy to manage immigration and find the balance

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title: Paul Spoonley

texts:
 number of New Zealanders returning to their home country during the COVID-19 pandemic.Spoonley had concerns that political rhetoric could damage the reputation of New Zealand as a country that was welcoming and tolerant. He said he was "very disappointed with the level of the debate generally...[but it was necessary]... to have a discussion about immigration because it's now very important to this country, in terms of both its social and economic impacts." Spoonley said that immigrants have contributed considerably to New Zealand society and that in spite of some challenges, immigrant communities were now getting large enough to sustain businesses. Spoonley has said that Maori as tangata whenua of New Zealand could be more involved in policymaking in immigration and  take an obvious role in welcoming immigrants to New Zealand, giving the example of how a  Maori tribe Ngati Whatua ki Kaipara had engaged with Chinese immigrants, teaching them te reo Maori, waiata and haka. Commentary on COVID-19

Affect on diversity
In 2020 <mask> was involved in a survey that identified the three most important diversity issues in Kiwi organisations as being wellbeing, gender equity and bias and he noted that the disruptions of COVID-19  had caused further challenges that needed to be solved collectively to emerge into the "new normality". The survey paper concluded:"This report is being released as New Zealand is in lockdown as part of the country’s response to the threat posed by Covid-19. This will disrupt and change work in ways that are still not fully understood – and which might not be fully realised for some time.One assumption is that the changing nature of work will be accelerated by what has been required during the lockdown. Working remotely using new technologies is one example. What will happen to the


title: Paul Spoonley

texts: Government-imposed controls, the role of disinformation, and the increasingly siloed way people were accessing information." Spoonley, in another news item on Newshub about the paper, also made a connection between social cohesion in New Zealand and the obligations under the Treaty of Waitangi.The New New Zealand – The Demographic Disruption We're Not Talking About (2020). Authored by <mask>, this book examines data on the demographic transition of New Zealand and how the speed of this has made the formulation of social policy difficult. When discussing this book in an interview on RNZ, Spoonley said that New Zealand needs to do some rapid forward planning to deal with the fast-changing demographics. In an interview with Massey University Press, Spoonley said he hoped people took away from the book that we need to "factor in demographic change into our policy and political discussions — and we need new policies to cater for the circumstances we face in the 21st century." Racism and Stereotypes (2019). Exploring Society: Sociology for New Zealand Students, 4th Edition (2019). The politics and construction of identity and childhood: Chinese immigrant families in New Zealand (2017).Renegotiating citizenship: Indigeneity and superdiversity in contemporary Aotearoa/New Zealand. In J. Mann (Ed.) Citizenship in *Transnational Perspective: Australia, Canada, and New Zealand (2017). Rebooting the Regions: Why low or zero growth needn't mean the end of prosperity (2016) <mask> edited this book and in a discussion on Radio New Zealand said that addressing the issue of young adults leaving the regions because of the growing labour markets in the cities, might need a "managed decline" that created people-policies focussed on developing strategies and creative options to attract them back. He said it was possible


title: Paul Spoonley

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 to manage the demographic changes in the regions creatively. New Zealanders’ attitudes to Asia and Asian peoples: An exceptional case?(2015). New diversity, old anxieties in New Zealand: the complex identity politics and engagement of a settler society (2014).Mata Toa The Life and Times of Ranginui Walker (2009). This is a biography of an academic, author, commentator and radical leader who has influenced the views held by Pakeha New Zealanders of Māori people. As an activist Walker, organised the Young Maori Leaders conference in 1970 which led to the formation of Nga Tamatoa. Writing in The Journal of the Polynesian Society, Rawiri Taonui from the Auckland University of Technology, questioned why a Pākehā should  write this  biography. He concluded that Walker and Spoonley "shared an academic kinship.... Walker's has been the most influential Māori pen on Māori-Pākehā  relations and <mask>, who has written and edited 26 books, the most influential Pākehā  writer on general New Zealand race relations." Ethnic and religious intolerance (2011, reviewed and revised 2018). Reporting Superdiversity.The Mass Media and Immigration in New Zealand (2009). This article examines the role of the media in reporting on the diversity in New Zealand that was happening as a result of immigration. Social Policy Critical Issues in New Zealand Society (1992). This book co-edited by <mask>,  examines the welfare state in New Zealand in terms of the effectiveness of the help it offers. The Politics of Nostalgia: Racism and the extreme right in New Zealand (1987). Awards
<mask> was a recipient of the New Zealand Commemoration Medal, Government of New Zealand in 1990. A fellow of the Royal Society of New Zealand, in 2009 Spoonley was awarded the Royal Society of New Zealand Science and Technology medal in recognition of


title: Rasheed Araeen

texts:
<mask> (; born 1935) is a Karachi born, London-based conceptual artist, sculptor, painter, writer, and curator. He graduated in civil engineering from the NED University of Engineering and Technology in 1962, and has been working as a visual artist bridging life, art and activism since his arrival in London from Pakistan in 1964. Art career
<mask> was pursuing a career as an engineer in Karachi when he was first exposed to avant-garde art. This arrived through two channels: imported Western books and magazines and contact with Pakistani contemporary artists. Consequently, he decided to pursue art-making and embarked on a second career. Upon arriving in London in 1964, he began working as an artist without any formal training, producing sculptures influenced by Minimalism and the work of Anthony Caro alongside his engineering experience. By his own account, works created or imagined in this period such as Chakras (1969-1970) and Zero to Infinity (1968-2004), while using basic structural units such as cubes, lattice and discs, were process-based and open to transformation by "the creative energy of the collective".Concepts of this period would make ripple effects throughout his career, both formally and politically. Chakras, the 16 red painted circular discs released on the water from Saint Katherine's Dock in 1970, would later evolve and give rise to the concept of Disco Sailing (1970–74), a new form between floating sculpture and dance. The work was revisited and resurrected many times through the decades and performed most recently at Garage Museum in Moscow in 2019. Starting from the 1970s <mask> was increasingly concerned with questions of Postcolonialism as he struggled with the Eurocentrism of institutions. Centering around issues of identity, representation and racial violence, he created the performance Paki Bastard, Portrait of The

masks:
Rasheed Araeen
Araeen
Araeen


title: Rasheed Araeen

texts:
 Artist as a Black Person (1977) using video projection, live performance and sound. He complemented this with writing statements and manifestos, which he considered to be a "textual form of art". He also often traveled back to Karachi and make frequent visits to Baluchistan as a "return to the source".These travels have prompted in interest around land art and environmental issues described as "Ecoaesthetics" in his 2010 publication Art Beyon Art. <mask> participated in Les Magiciens de la Terre (1989); 2nd Johannesburg Biennale (1997), 11th Biennale of Sydney (1998), 9th Shanghai Biennale (212), 9th Gwangju Biennale (2012), 57th Venice Biennale (2017) and documenta 14 (2017). In December 2017 a major retrospective of <mask>'s work which spotted 60 years of his work was presented at Van Abbemuseum in Eindhoven and then toured to MAMCO in Geneva, the BALTIC in Gateshead, and Garage Museum in Moscow. Publishing
<mask>'s artistic activity has been complemented by writing and publishing. He founded and began editing the journal Black Phoenix in 1978, which came to an abrupt end after three issues. In 1987 he founded the groundbreaking journal Third Text. Third World Perspectives on Contemporary Art and Culture, dealing with art, the Third World, Postcolonialism and ethnicity.In the first decade of its publication, the main aim was to reveal "the institutional closures of the art world and the artists they included, the second began the inquiry into the emergent phenomenon first signaled by the notorious show Magiciens de la terre of the assimilation of the exotic other into the new world art," as Sean Cubitt summarized the goals in the Third Text Reader in 2002. In 1999 <mask> spoke about his own journal Third Text as an attempt to "demolish the boundaries that separate art and art criticism". Some of <mask>'s contributions to Third Text were

masks: Araeen Araeen Araeen Araeen Araeen


title: Rasheed Araeen

texts: "From Primitivism to Ethnic Arts / & / Why Third Text? ", Third Text #1, Autumn 1987; "Our Bauhaus Others' Mudhouse" [the Magiciens de la terre issue], Third Text #6, Spring 1989 and "Modernity, Modernism and Africa's Authentic Voice", Third Text Vol 24 #2, 2010. <mask> has been among the first cultural practitioners to voice since the early 1970s the need of artists of African, Latin American and Asian origins to be represented in British cultural institutions.His approach allowed him to shape his ideas through a number of different media: he curated exhibitions; initiated and published a number of journals, produced art installations and community-based artistic projects. Prior to founding the journal Black Phoenix, in 1972, he joined the Black Panther Movement and wrote "Preliminary Notes For A Black Manifesto" in 1975–76. In the years that followed, he became an important figure in establishing a black voice in the British arts through his activities as a publisher, writer, and artist. In 1988 he curated the exhibition The Essential Black Art. This provided a foretaste of The Other Story, a larger 1989 exhibition featuring artists including <mask> himself, Frank Bowling, Sonia Boyce, Eddie Chambers, Uzo Egonu, Mona Hatoum, Lubaina Himid, Gavin Jantjes, Donald Locke, David Medalla, Ronald Moody, Ahmed Parvez, Ivan Peries, Keith Piper, F. N. Souza and Aubrey Williams. A groundbreaking exhibition of British African, Caribbean and Asian modernism, The Other Story was mounted at the Hayward Gallery, South Bank Centre, and went on to Wolverhampton Art Gallery and Manchester City Art Gallery and Cornerhouse. In 2001 he was invited by the Kunsthaus Bregenz in Austria to publish his institutional critique of the present art museum in the publication The Museum as Arena.<mask> published the outcome of his private correspondence with the Ikon Gallery

masks: Araeeneen Araeen Araeen


title: Rasheed Araeen

texts:
 in Birmingham, which had asked him to join an exhibition in 1980 (also published in Rasheed <mask>, Making Myself Visible). His proposal was declined when the other ten artists refused to show their work alongside his. Their opposition not only manifested cultural conflicts, but was also meant to defend the purity of the gallery space where Araeen had proposed to perform the slaughter and consumption of a goat (according to a Muslim ritual). Along with the actual performance, he had announced that he would display and tear up "the pages of a contemporary art history book". Thus, the action directed against the exclusionary aesthetics of the art gallery was complemented with a rejection of the official story of modernist art and avant-garde history. In 2019 he opened Shamiyaana, a restaurant/space where people can enjoy simple, vibrant, nourishing, low-cost food in an environment purpose-designed for conversation and eating. References

Sources
Making Myself Visible (London: Kala Press, 1984)
From Modernism to Postmodernism: Rasheed <mask>: a Retrospective, exhibition catalogue, essays by P. Bickers, J. Roberts, and D. Phillipi (Birmingham: Ikon Gal., 1987)
From Two Worlds (London: Whitechapel Art Gallery, 1986)
Global Visions: Towards a New Internationalism in the Visual Arts (London: Kala Press, 1994)
Rasheed <mask>, exhibition catalogue, essay by P. Overy (London: S. London A. G., 1994)

External links

 Third Text Online
 Tate Gallery Web Site
 "From Innovation to Deconstruction: My Own Story".Work's list of Araeen

1935 births
Pakistani artists
Pakistani emigrants to the United Kingdom
Naturalised citizens of the United Kingdom
English curators
Pakistani art curators
English people of Pakistani descent
Artists from London
University of Karachi alumni
Living people
British artists of Pakistani descent
NED University of Engineering &

masks: Araeen Araeen Araeen


title: Kenneth Noland

texts:
<mask> (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American Color Field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s he was thought of as a minimalist painter. Noland helped establish the Washington Color School movement. In 1977, he was honored by a major retrospective at the Solomon R. Guggenheim Museum in New York that then traveled to the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Ohio's Toledo Museum of Art in 1978. In 2006, Noland's Stripe Paintings were exhibited at the Tate in London. Early life and education

A son of <mask> (1896–1975), a pathologist, and his wife, Bessie (1897–1980), <mask> was born in Asheville, North Carolina. He had four siblings: David, Bill, Neil, and Harry Jr.

Noland enlisted in the U.S. Air Force in 1942 after completing high school.As a veteran of World War II, Noland took advantage of the G.I. Bill to study art at the experimental Black Mountain College in his home state of North Carolina. At Black Mountain, where two of his brothers also studied art, Noland studied with Ilya Bolotowsky, a professor who introduced him to neoplasticism and the work of Piet Mondrian. Noland also studied Bauhaus theory and color there under Josef Albers and became interested in Paul Klee—specifically Klee's sensitivity to color. Career

In 1948 and 1949 Noland worked with Ossip Zadkine in Paris, and had his first exhibition of his paintings there. After returning to the U.S., he taught in Washington, D.C. at Catholic University (1951–1960) and the Institute of Contemporary Arts. In the early 1950s he met Morris Louis in D.C. while teaching night classes at the Washington Workshop Center for the Arts.He became friends with Louis, and after being introduced by Clement Greenberg to Helen

masks:
Kenneth Noland
Harry Caswell Noland
Kenneth Clifton Noland


title: Kenneth Noland

texts:
 was married to:

 Cornelia Langer, a daughter of a Republican U.S. senator from North Dakota, William Langer. The couple married in 1950 and later divorced. They had three children: daughters Cady and Lyndon (a.k.a. Lyn) and a son, William. Stephanie Gordon, a psychologist, lived with Noland from November 1964 until June 1970. They married in April 1967 and divorced in June 1970.Peggy L. Schiffer, an art historian and daughter of Dr. Morton A. Schiffer. Married circa 1970, the Nolands had one son, Samuel Jesse. Paige Rense, editor in chief of Architectural Digest, whom he married in Bennington, Vermont on April 10, 1994. Noland was her fifth husband; her previous spouses included Arthur F. Rense. Noland had an affair in the 1960s with artist and socialite Mary Pinchot Meyer. Death

Noland died of kidney cancer at his home in Port Clyde, Maine, on January 5, 2010 at the age of 85. Exhibitions

Noland had his first solo exhibition at Galerie Raymond Creuze in Paris in 1948.In 1957, he had his first New York solo exhibition at the Tibor de Nagy Gallery. In 1964, Noland occupied half the American pavilion at the Venice Biennale. In 1965, his work was exhibited at the Washington Gallery of Modern Art and the Jewish Museum (New York). Noland's final solo exhibition, <mask>d Shaped Paintings 1981–82, opened on October 29, 2009 at the Leslie Feely Fine Art Gallery on East 68th Street in New York City and was scheduled to close on January 9, 2010 (though the closing date was later extended to January 16). In 2010, Noland was honored with a solo presentation of his work at the Guggenheim Museum, entitled <mask>, 1924–2010: A Tribute. In addition, his work has been the subject of solo exhibitions at a range of international institutions, including the Museo de Arte Moderno, Mexico City (1983); Museo de Bellas Artes de Bilbao, Bilbao,

masks:
Kenneth Nolan
Kenneth Noland


title: Kenneth Noland

texts:
 of Artists, Rev. edn, Andromeda Oxford Limited, Oxfordshire. Further reading

 "<mask>d." Contemporary Artists, 4th ed. St. James Press, 1996. Reproduced in Biography Resource Center.Farmington Hills, Mich.: Thomson Gale. 2005. "<mask>d: Color, Format and Abstract Art." Interview by Diane Waldman (1977), in: Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, Berkeley: University of California Press, 1996, pp. 94–98. "<mask>d." Encyclopedia of World Biography, 2nd ed.17 Vols. Gale Research, 1998. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2005. "Painting: Bold Emblems", an 18 April 1969 profile of <mask>d in Time magazine
 "Art: Pure, Uncluttered Hedonism", a 2 May 1977 review of <mask>'s work by Robert Hughes of Time magazine
 "Painting: Peacock Duo", an 8 May 1965 examination of <mask>'s work

External links

 <mask> in the National Gallery of Australia's <mask> collection
 Tate08 Series: <mask>d: The Stripe Paintings exhibition at Tate Liverpool, England, 2006
  TheArtStory.com/<mask>d
   <mask>d at The Phillips Collection
 New York Times artblog by Roberta Smith
 Noland's works at the Solomon R. Guggenheim Museum
 New York Times Obituary
 Washington Post Obituary
 The Guardian Obituary and letter from Anthony Caro
 The Independent Obituary

American contemporary painters
20th-century American painters
American male painters
Abstract painters
Minimalist artists
Abstract expressionist artists
Artists from New York (state)
Painters from North Carolina
United States Army Air Forces personnel of World War II
Members of the American Academy of Arts and Letters
Black Mountain College alumni
Artists from Asheville, North Carolina
Military personnel from North Carolina
Deaths from cancer in Maine
Deaths from kidney cancer
1924 births
2010 deaths
20th-century American

masks:
Kenneth Nolan
Kenneth Nolan
Kenneth Nolan
Kenneth Nolan
Kenneth Noland
Kenneth Noland
Kenneth Noland
Kenneth Tyler
Kenneth Nolan
Kenneth Nolan
Kenneth Nolan


title: Norma Winstone

texts:
<mask> MBE (born 23 September 1941) is an English jazz singer and lyricist. In a career spanning more than 50 years she is best known for her wordless improvisations. Musicians with whom she has worked include Michael Garrick, John Surman, Michael Gibbs, Mike Westbrook, as well as pianist John Taylor, who was her former husband. Biography

Early years and education
Born as <mask> in Bow, East London, England, she was 10 years old when her family moved to Dagenham, Essex. Encouraged by her primary school teacher, she applied for and won a scholarship to attend Saturday-school at Trinity Music College, and after passing her 11-plus exams, she went to Dagenham County High School (where Dudley Moore was then a senior pupil). Like Moore, her music teacher there was Peter Cork (1926-2012). At the age of 17 she discovered jazz, listening to Ella Fitzgerald and Oscar Peterson being played on Radio Luxembourg.Career
Winstone began singing in bands around Dagenham in the early 1960s, and has said of her early experiences: "I've always been on the edge, always felt like I was swimming against the tide and somehow couldn't stop. I met a pianist called Chris Goody and we'd get together and play things. He knew Margaret Busby who was in a publishing company called Alison and Busby. She also wrote lyrics for tunes like 'Naima'. I was inspired by her, though I didn't write words myself at that time, I didn't think I could." Winstone first attracted attention when in the late 1960s she appeared at Ronnie Scott's Jazz Club sharing the bill with Roland Kirk. Interviewed in 2020, she said: "I went along to a gig at the Charlie Chester Club and I sat in with a drummer called John Stevens and he was incredibly enthusiastic and jumped up and said, 'I'm going to tell Ronnie Scott about

masks:
Norma Ann Winstone
Norma Ann Short


title: Norma Winstone

texts:
 recordings. ... A must for fans looking for something as cozy as a golden age chanteuse, but without all the gymnastic scatting and carbon copy ways of many a contemporary jazz singer." In addition, she made albums with the American pianists Jimmy Rowles – Well Kept Secret, recorded in 1993 – and Fred Hersch.On Well Kept Secret Winstone sang lyrics she had written to Rowles' composition "The Peacocks", which she had heard on the Bill Evans album You Must Believe in Spring (1981). With the title "A Timeless Place", Winstone's lyrics were subsequently recorded by others, including Mark Murphy. Well respected as a lyricist, she has also written words to tunes by Ralph Towner, Egberto Gismonti, Ivan Lins, Steve Swallow, and other musicians. In 2001, Winstone was honoured as "Best Vocalist" in the BBC Jazz Awards, also being nominated in 2007 and 2008. In February 2018, Winstone released Descansado: Songs for Films, a collection that AllMusic described as "an unusual and provocative album". Personal life
In 1972, Winstone married pianist John Taylor, whom she had met in 1966; they divorced after some years, although they later continued their musical partnership. Their two sons, Alex and Leo, are both musicians."10 Tracks by <mask>e I Can't Do Without… by vocalist/composer Nicky Schrire", London Jazz News, 20 May 2021. 1941 births
Living people
British women jazz singers
English jazz singers
English lyricists
Members of the Order of the British Empire
Azimuth (band) members
Nucleus (band) members
ECM Records artists
EmArcy Records artists
Sunnyside Records artists
Alumni of Trinity Laban Conservatoire of Music and Dance
20th-century English women singers
20th-century English singers
21st-century English women singers
21st-century English singers
Edition Records


title: Wilson Pickett

texts:
<mask> (March 18, 1941 – January 19, 2006) was an American singer and songwriter. A major figure in the development of American soul music, <mask> recorded over 50 songs which made the US R&B charts, many of which crossed over to the Billboard Hot 100. Among his best-known hits are "In the Midnight Hour" (which he co-wrote), "Land of 1,000 Dances", "634-5789 (Soulsville, U.S.A.)", "Mustang Sally", "Funky Broadway", "Engine No. 9", and "Don't Knock My Love". <mask> was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording. Biography

Early life and family
<mask> was born March 18, 1941 in Prattville, Alabama, and sang in Baptist church choirs. He was the fourth of 11 children and called his mother "the baddest woman in my book," telling historian Gerri Hirshey: "I get scared of her now.She used to hit me with anything, skillets, stove wood ... [one time I ran away and] cried for a week. Stayed in the woods, me and my little dog." <mask> eventually left to live with his father in Detroit in 1955. Early musical career (1955–1964)
<mask>'s forceful, passionate style of singing was developed in the church and on the streets of Detroit, under the influence of recording stars such as Little Richard, whom he referred to as "the architect of rock and roll." In 1955, <mask> joined the Violinaires, a gospel group. The Violinaires played with another gospel group on concert tour in America.

masks:
Wilson Pickett
Pickett
Pickett
Pickett
Pickett
Pickett
Pickett


title: Wilson Pickett

texts: After singing for four years in the popular gospel-harmony group, <mask>, lured by the success of gospel singers who had moved to the lucrative secular music market, joined the Falcons in 1959.By 1959, <mask> recorded the song "Let Me Be Your Boy" with the Primettes as background singers. The song is the B-side of his 1963 single "My Heart Belongs to You". The Falcons were an early vocal group bringing gospel into a popular context, thus paving the way for soul music. The group featured notable members who became major solo artists; when <mask> joined the group, Eddie Floyd and Sir Mack Rice were members. <mask>'s biggest success with the Falcons was "I Found a Love", co-written by <mask> and featuring his lead vocals. While only a minor hit for the Falcons, it paved the way for <mask> to embark on a solo career. <mask> later had a solo hit with a re-recorded two-part version of the song, included on his 1967 album The Sound of Wilson Pickett.Soon after recording "I Found a Love", <mask> cut his first solo recordings, including "I'm Gonna Cry", in collaboration with Don Covay. <mask> also recorded a demo for a song he co-wrote, "If You Need Me", a slow-burning soul ballad featuring a spoken sermon. <mask> sent the demo to Jerry Wexler, a producer at Atlantic Records. Wexler gave it to the label's recording artist Solomon Burke, Atlantic's biggest star at the time. Burke admired <mask>'s performance of the song, but his own recording of "If

masks: Pickett Pickett Pickett Pickett Pickett Pickett Pickett Pickett Pickett Pickett Pickett


title: Wilson Pickett

texts:
 You Need Me" became one of his biggest hits (#2 R&B, No. 37 pop) and is considered a soul standard. <mask> was crushed when he discovered that Atlantic had given away his song.When <mask>—with a demo tape under his arm—returned to Wexler's studio, Wexler asked whether he was angry about this loss, but denied it saying "It's over". <mask>'s version was released on Double L Records and was a moderate hit, peaking at No. 30 R&B and No. 64 pop. <mask>'s first significant success as a solo artist came with "It's Too Late," an original composition (not to be confused with the Chuck Willis standard of the same name). Entering the charts on July 27, 1963, it peaked at No. 7 on the R&B chart (#49 pop); the same title was used for <mask>'s debut album, released in the same year.Compiling several of <mask>'s single releases for Double L, It's Too Late showcased a raw soulful sound that foreshadowed the singer's performances throughout the coming decade. The single's success persuaded Wexler and Atlantic to buy <mask>'s recording contract from Double L in 1964. Rise to stardom: "In the Midnight Hour" (1965)
<mask>'s Atlantic career began with the self-produced single, "I'm Gonna Cry". Looking to boost <mask>'s chart chances, Atlantic paired him with record producer Bert Berns and established songwriters Barry Mann and Cynthia Weil. With this team, along with arranger, conductor Teacho <mask> recorded "Come Home Baby," a duet with singer Tami Lynn,

masks:
Pickett
Pickett
Pickett
Pickett
Pickett
Pickett
Pickett
Pickett
Pickett
Wiltshire Pickett


title: Wilson Pickett

texts:
 but this single failed to chart. <mask>'s breakthrough came at Stax Records' studio in Memphis, Tennessee, where he recorded his third Atlantic single, "In the Midnight Hour" (1965). This song was <mask>'s first big hit, peaking at #1 R&B, #21 pop (US), and #12 (UK).It sold over one million copies, and was awarded a gold disc. It garnered <mask> his first Grammy nomination for Best Rhythm & Blues Recording at the 8th Annual Grammy Awards. The genesis of "In the Midnight Hour" was a recording session on May 12, 1965, at which Wexler worked out a powerful rhythm track with studio musicians Steve Cropper and Al Jackson of the Stax Records house band, including bassist Donald "Duck" Dunn. (Stax keyboard player Booker T. Jones, who usually played with Dunn, Cropper and Jackson as Booker T. & the M.G. 's, did not play on the studio sessions with <mask>.) Wexler said to Cropper and Jackson, "Why don't you pick up on this thing here?" He performed a dance step.Cropper explained in an interview that Wexler told them that "this was the way the kids were dancing; they were putting the accent on two. Basically, we'd been one-beat-accenters with an afterbeat; it was like 'boom dah,' but here was a thing that went 'um-chaw,' just the reverse as far as the accent goes." Stax/Fame years (1965–1967)
<mask> recorded three sessions at Stax in May and October 1965. He was joined by keyboardist Isaac Hayes for the October sessions. In addition to "In the

masks: Pickett Pickett Pickett Pickett Pickett


title: Wilson Pickett

texts:
 Midnight Hour," <mask>'s 1965 recordings included the singles "Don't Fight It," (#4 R&B, No. 53 pop) "634-5789 (Soulsville, U.S.A.)" (#1 R&B, No. 13 pop) and "Ninety-Nine and a Half (Won't Do)" (#13 R&B, No.53 pop). All but "634-5789" were original compositions which <mask> co-wrote with Eddie Floyd or Steve Cropper or both; "634-5789" was credited to Cropper and Floyd alone. For his next sessions, <mask> did not return to Stax, as the label's owner, Jim Stewart, had decided in December 1965 to ban outside productions. Wexler took <mask> to Fame Studios, a studio also with a close association with Atlantic Records, located in a converted tobacco warehouse in nearby Muscle Shoals, Alabama. <mask> recorded some of his biggest hits there, including the highest-charting version of "Land of 1,000 Dances", which was his third R&B No. 1 and his biggest pop hit, peaking at No. 6.It was a million-selling disc. Other big hits from this era in <mask>'s career included his remakes of Mack Rice's "Mustang Sally", (#6 R&B, No. 23 pop), and Dyke & the Blazers' "Funky Broadway", (R&B No. 1, #8 pop). Both tracks were million sellers. The band heard on most of <mask>'s Fame recordings included keyboardist Spooner Oldham, guitarist Jimmy Johnson, drummer Roger Hawkins, and bassist Tommy Cogbill. Later Atlantic years (1967–1972)

Near the end of 1967, <mask> began recording at American Studios in Memphis with producers Tom Dowd and Tommy Cogbill, and began

masks: Pickett Pickett Pickett Pickett Pickett Pickett Pickett Pickett


title: Wilson Pickett

texts: recording songs by Bobby Womack.The songs "I'm in Love," "Jealous Love," "I've Come a Long Way," "I'm a Midnight Mover," (co-written by <mask> and Womack), and "I Found a True Love" were Womack-penned hits for <mask> in 1967 and 1968. <mask> recorded works by other songwriters in this period; Rodger Collins' "She's Lookin' Good" and a new arrangement of the traditional blues standard "Stagger Lee" were Top 40 hits <mask> recorded at American. Womack was the guitarist on all recordings. <mask> returned to Fame Studios in late 1968 and early 1969, where he worked with a band that featured guitarist Duane Allman, Hawkins, and bassist Jerry Jemmott. A No. 16 pop hit remake of The Beatles' "Hey Jude" came out of the Fame sessions, as well as the minor hits "Mini-Skirt Minnie" and "Hey Joe" (a remake of the Jimi Hendrix hit). Late 1969 found <mask> at Criteria Studios in Miami.Hit remakes of the Supremes' "You Keep Me Hangin' On" (#16 R&B, No. 92 pop) and The Archies' "Sugar, Sugar" (#4 R&B, No. 25 pop), and the Pickett original "She Said Yes" (#20 R&B, No. 68 pop) came from these sessions. <mask> then teamed up with established Philadelphia-based hitmakers Gamble and Huff for the 1970 album <mask> in Philadelphia, which featured his next two hit singles, "Engine No. 9" and "Don't Let the Green Grass Fool You", the latter selling one million copies. Following these two hits, <mask> returned to Muscle Shoals and the band featuring David Hood,

masks:
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Pickett
Pickett
Pickett
Pickett
Pickett
Pickett
Wilson Pickett
Pickett


title: Wilson Pickett

texts:
 Hawkins and Tippy Armstrong.This lineup recorded <mask>'s fifth and last R&B No. 1 hit, "Don't Knock My Love, Pt. 1". It was another <mask> recording that rang up sales in excess of a million copies. Two further hits followed in 1971: "Call My Name, I'll Be There" (#10 R&B, No. 52 pop) and "Fire and Water" (#2 R&B, No. 24 pop), a cover of a song by the rock group Free.In March 1971, <mask> headlined the Soul To Soul concert in Accra to commemorate Ghana's 14th Independence Day. He is featured on the soundtrack album, Soul To Soul, which peaked at No. 10 on the Billboard Soul LP's chart. <mask> recorded several tracks in 1972 for a planned new album on Atlantic, but after the single "Funk Factory" reached No. 11 R&B and No. 58 pop in June 1972, he left Atlantic for RCA Records. His final Atlantic single, a recording of Randy Newman's "Mama Told Me Not to Come," was culled from <mask>'s 1971 album Don't Knock My Love.However, six years later, the Big Tree division of Atlantic released his album, Funky Situation, in 1978. In 2010, Rhino Handmade released a comprehensive compilation of these years titled Funky Midnight Mover – The Studio Recordings (1962–1978). The compilation included all recordings originally issued during <mask>'s Atlantic years along with previously unreleased recordings. This collection was sold online only by Rhino.com. Post-Atlantic recording career
<mask> continued to record with success on the R&B charts for RCA in

masks: Pickett Pickett Pickett Pickett Pickett Pickett Pickett


title: Wilson Pickett

texts: 1973 and 1974, scoring four top 30 R&B hits with "Mr. Magic Man", "Take a Closer Look at the Woman You're With", "International Playboy" (a re-recording of a song he had previously recorded for Atlantic on <mask> in Philadelphia), and "Soft Soul Boogie Woogie". However, he was failing to cross over to the pop charts with regularity, as none of these songs reached higher than No. 90 on the Hot 100.In 1975, with <mask>'s once-prominent chart career on the wane, RCA dropped <mask> from the label. After being dropped, he formed the short-lived Wicked label, where he released one LP, Chocolate Mountain. In 1978, he made a disco album with Big Tree Records titled Funky Situation, which is a coincidence as, at that point, Big Tree was distributed by his former label, Atlantic. The following year, he released an album on EMI titled I Want You. <mask> was a popular composer, writing songs that were recorded by many artists, including Van Halen, the Rolling Stones, Aerosmith, the Grateful Dead, Booker T. & the MGs, Genesis, Creedence Clearwater Revival, Hootie & the Blowfish, Echo & the Bunnymen, Roxy Music, Bruce Springsteen, Los Lobos, the Jam and Ani DiFranco, among others. <mask> continued to record sporadically with several labels over the following decades (including Motown), occasionally making the lower to mid-range of the R&B charts, but he had no pop hit after 1974. His career was hindered by his addictions.His alcoholism was exacerbated

masks:
Wilson Pickett
Pickett
Pickett
Pickett
Pickett


title: Wilson Pickett

texts: by heavy cocaine use, and he became increasingly violent towards his family and bandmates. Throughout the 1980s and '90s, despite his personal troubles, <mask> was repeatedly honored for his contributions to music. During this period, he was invited to perform at Atlantic Records' 40th Anniversary concert in 1988, and his music was prominently featured in the 1991 film The Commitments, with <mask> as an off-screen character. In the late 1990s, <mask> returned to the studio and received a Grammy Award nomination for the 1999 album It's Harder Now. The comeback resulted in his being honored as Soul/Blues Male Artist of the Year by the Blues Foundation in Memphis. It's Harder Now was voted 'Comeback Blues Album of the Year' and 'Soul/Blues Album of the Year.' <mask> appeared in the 1998 film Blues Brothers 2000, in which he performed "634-5789" with Eddie Floyd and Jonny Lang.He was previously mentioned in the 1980 film Blues Brothers, which features several members of <mask>'s backing band, as well as a performance of "Everybody Needs Somebody to Love." He co-starred in the 2002 documentary Only the Strong Survive, directed by D. A. Pennebaker, a selection of both the 2002 Cannes and Sundance Film Festivals. In 2003, <mask> was a judge for the second annual Independent Music Awards to support independent artists' careers. <mask> spent the twilight of his career playing dozens of concert dates every year until 2004, when he began suffering


title: Wilson Pickett

texts:
 from health problems. While in the hospital, he returned to his spiritual roots and told his sister that he wanted to record a gospel album, but he never recovered. On September 10, 2014, TVOne's Unsung program aired a documentary that focused on <mask>'s life and career. Personal life
<mask> was the father of four children.At the time of his death, he was engaged. Legal problems and drug abuse
<mask>'s struggle with alcoholism and cocaine addiction led to run-ins with the law. In 1991, <mask> was arrested for yelling threats while drunkenly driving his car over the front lawn of Donald Aronson, the mayor of Englewood, New Jersey. He faced charges of drunk driving, refusing to take a breath test, and resisting arrest. <mask> agreed to perform a benefit concert in exchange for having the disorderly conduct and property damage charges dropped. He performed for his community service obligation. In 1992, <mask> struck an 86-year-old pedestrian Pepe Ruiz with his car in Englewood.Police allegedly found six empty miniature vodka bottles and six empty beer cans in his car. Ruiz, who had helped organize the New York animation union, died later that year. <mask> pleaded guilty to drunk driving charges. He agreed to rehab and received a reduced sentence of one year in jail and five years probation. A week after this incident, a judge ordered <mask> to move out of his home after his live-in girlfriend charged him with threatening to have her killed


title: Wilson Pickett

texts:
 and throwing a vodka bottle at her. In 1996, <mask> was arrested for assaulting his girlfriend Elizabeth Trapp while under the influence of cocaine; she refused to press charges. <mask> was charged with cocaine possession.Death
<mask> died on January 19, 2006, two months short of his 65th birthday. He had been suffering from health problems for the last year of his life and had spent considerable time in the hospital. He died at a hospital in Reston, Virginia after suffering a heart attack. At the time of his death, <mask> was living in Ashburn, Virginia. He was laid to rest in a mausoleum at Evergreen Cemetery in Louisville, Kentucky. <mask> spent many years in Louisville. The eulogy was delivered by Pastor Steve Owens of Decatur, Georgia.Little Richard, a long-time friend of <mask>'s, spoke about him and preached a message at the funeral. <mask> was remembered on March 20, 2006, at New York's B.B. King Blues Club with performances by the Commitments, Ben E. King, his long-term backing band the Midnight Movers, soul singer Bruce "Big Daddy" Wayne, and Southside Johnny in front of an audience that included members of his family, including two brothers. Awards and nominations
<mask> was inducted into the Rock and Roll Hall of Fame in 1991. In 1993, he was honored with a Pioneer Award by the Rhythm and Blues Foundation. In 2005, <mask> was voted into the Michigan Rock and Roll Legends Hall of Fame. In 2015 <mask> was inducted into the

masks:
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Pickett
Pickett
Pickett
Pickett
Pickett
Pickett
Wilson
Wilson Pickett
Wilson Pickett


title: Wilson Pickett

texts:
 National Rhythm & Blues Hall of Fame.Grammy Awards
He was nominated for five Grammy Awards during the course of his career. II (1971, Atlantic SD-8290) US: #73
 <mask>'s Greatest Hits (1973, Atlantic SD2-501 [2LP]; CD reissue: 1987, Atlantic 81737) US: #178
 A Man and A Half: The Best of <mask> (1992, Rhino R2-70287) 2CD
 The Very Best of <mask> (1993, Rhino R2-71212)
 Take Your Pleasure Where You Find It: Best of The RCA Years (1998, Camden 58814)
 The Definitive Collection (2006, Rhino R2-77614) 2CD
 Funky Midnight Mover: The Atlantic Studio Recordings (1962–1978) (2010, Rhino Handmade RHM2-07753) 6CD
 Mr. Magic Man: The Complete RCA Studio Recordings (2015, Real Gone Music RGM-0384) 2CD
 The Midnight Mover: <mask> & The Falcons (The Early Years 1957–1962) (2015, Jasmine JASCD-936)

Singles

References

Bibliography
Ross, Andrew and Rose, Tricia (Ed.). (1994). Microphone Fiends: Youth Music and Youth Culture. Routledge: New York. Hirshey, Gerri. Nowhere to Run: The Story of Soul Music.Da Capo Press; Reprint edition (September 1, 1994)
Hirshey, Gerri (February 9, 2006). <mask>, 1941–2006. Rolling Stone No. 933. Sacks, Leo. Liner notes to "A Man and a Half: The Best of <mask>" (1992, Rhino). External links

 Unterberger, Richie.<mask>et 1999 induction profile via Alabama Music Hall of Fame
 <mask> via classicbands.com
 Escott, Colin. The Wicked <mask>ett. Boone, Mike. In The Midnight Hour. via soul-patrol.com
 Associated Press

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Wilson Pickett
Wilson Pickett
Wilson Pickett
Wilson Pickett
Wilson Pickett
Wilson Pickett
Wilson Pick
Wilson Pickett
Wilson Pick


title: Wilson Pickett

texts:
 (January 19, 2006). Soul Singer <mask> Dies at 64
 Muskal, Michael (January 19, 2006). Soul Pioneer <mask> Dies at 64.Los Angeles Times
 Epstein, Dan (January 19, 2006). Soul Legend <mask> Dies. Rolling Stone
 Jansen, Lex (January 19, 2006). <mask> at the Heart of Rock and Soul
 Article About <mask> – by Dr. Frank Hoffmann
 <mask> at Rolling Stone
 <mask> article, Encyclopedia of Alabama

1941 births
2006 deaths
People from Prattville, Alabama
20th-century African-American male singers
American soul singers
Atlantic Records artists
Cub Records artists
Singers from Alabama
Burials in Kentucky
Singers from Detroit
Baptists from Michigan
Baptists from Alabama
American rhythm and blues singers
20th-century Baptists
People from Ashburn,

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Wilson Pickett
Wilson Pickett
Wilson Pickett
Wilson Pickett
Wilson Pickett
Wilson Pickett
Wilson Pickett


title: Steve Phillips (musician)

texts:
<mask> (born 18 February 1948) is an English blues and country musician, as well as guitar maker (under the name "N.S<mask>") and painter. He is mainly renowned for being part of the supergroup The Notting Hillbillies along with the Dire Straits frontman Mark Knopfler and Brendan Croker. Biography
<mask> was born in London, England, but when still a child his family moved to Leeds; he has lived in Yorkshire for most of his life. His father, <mask>, was a sculptor (<mask> inspired Mark Knopfler to write the song "In the Gallery," from the debut Dire Straits album), and his mother was a painter. At the age of 13, <mask> began learning to play guitar and started playing in different pubs in Leeds. In 1965, at the age of 17, he formed a band called Easy Mr. <mask>'s Bootleggers in which he mainly played piano.The group eventually recorded some demos but these were not released until 1996. They split up in 1967, although the various musicians continued to work together in different combinations from time to time. In 1968, after buying his first steel resonator guitar, a vintage National, he played many solo gigs in Leeds pubs. Then, Mark Knopfler, a junior reporter working for The Yorkshire Evening Post, called <mask> to get an interview. They soon become friends and started playing together. Their stage name was The Duolian String Pickers. They went on playing in different pubs.Finally, in 1973, Knopfler left Leeds and moved to London to become part of Brewers Droop and, afterwards, founded Dire Straits, with whom he finally reached mainstream recognition. By the mid-1970s, <mask> had met the

masks:
Nicholas Stephen Phillips
. Phillips
Phillips
Harry Phillips
Harry Phillips
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Steve
Phillips
Phillips


title: Steve Phillips (musician)

texts: Bradford-born songwriter, singer and guitarist Brendan Croker. They opened a club in a Leeds pub called The Packhorse, where they also played guitar. As a side project, <mask> spent his spare time painting. Finally, in the 1980s, <mask> was persuaded to release his first album, The Best of <mask>. Recorded between 1977 and 1986, the album contained fourteen tracks, only one of which was self-composed: the rest were classic country blues and ragtime instrumentals by such artists as Blind Willie McTell, Big Bill Broonzy and Blind Blake. In 1990, he released a second album, Steel-Rail Blues, which contained more of his own compositions as well as arrangements of others' songs.Knopfler, already famous as the leader of Dire Straits, offered to produce <mask>'s next album for him. However, following an impromptu gig in May 1986 at the Grove Inn in Leeds (one of the city's celebrated musical venues) in which Knopfler joined <mask> and Croker, <mask> suggested that they form a band along with Croker (who had also released a couple of albums with his band The 5 O'Clock Shadows). This idea became The Notting Hillbillies. Through this group, <mask> achieved a wider recognition that allowed him to go on releasing his full solo albums and to enhance his career. <mask> went on releasing albums throughout the 1990s. He has worked with a wide group of musicians whom he calls on for band gigs; they were at one time called The Famous Five but are now known as The Rough Diamonds. Most of these musicians (and other guests) have appeared on his albums, except for his most recent, Solo (2005) which is <mask>

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title: Steve Phillips (musician)

texts: on his own.(These recordings are difficult to find outside the UK, despite the fact that <mask> is internationally known as a blues singer and guitarist and has undertaken several overseas tours, notably in Italy, Spain and Scandinavia). In 1996, Just Pickin' was released; an album that gathered previously unreleased demos with Easy Mr Steve's Bootleggers, Mark Knopfler, Brendan Croker and other musicians. These recordings spanned nearly thirty years, from 1965 to 1981. <mask> usually tours solo, with occasional gigs with The Rough Diamonds. He has also played with other solo blues artists such as Ray Stubbs, Doug McLeod and Hans Theessink. He still plays regularly with Croker and appears occasionally with Knopfler and his band, especially for charity fund-raising gigs. When not touring, <mask> and The Rough Diamonds play most Tuesday nights at the Grosvenor Hotel in Robin Hood's Bay, North Yorkshire.These informal evenings usually gather a good audience and often feature friends of <mask> and the band 'sitting in' for all or part of the gig. The music ranges from early blues to rock'n'roll, country to Chicago R&B. A live album of material recorded at the Grosvenor in 2007 was issued on 5 November 2012 under the name "Live at the Grosvenor" (aka The Grosvenor Sessions). <mask> & The Rough Diamonds released North Country Blues on 22 July 2013. In addition to his skills as a musician, <mask> has made a small number of high quality guitars (under the name "N.S<mask>") and is also a noted landscape painter, specialising in scenes around his North Yorkshire home area. These paintings are

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Phillips
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. Phillips


title: Steve Phillips (musician)

texts:
 notable for their treatment of North Yorkshire's distinctive but elusive light, and have a luminous quality which renders them instantly recognisable as his work.His album, Been A Long Time Gone, has a detail from one of his paintings on the sleeve. Discography
The Best of <mask> (1987)
Steel-Rail Blues (1990)
Missing...Presumed Having a Good Time (1990) [with The Notting Hillbillies]
Been A Long Time Gone (1995)
Just Pickin' (1996)
Every One A Gem (2000)
Solo (2005)
Live at the Grosvenor (aka The Grosvenor Sessions) (recorded in 2007, released in 2012)
North Country Blues (2013)

Guitars
A guitar collector as well as a maker, <mask> uses a wide number of them in his live performances. The National Style O which Knopfler uses in songs such as "Romeo & Juliet" and which became a Dire Straits emblem following its appearance on the cover of the Brothers in Arms album, was sold by <mask> in 1980. This is a list of some of the guitars <mask> has used in his live shows; his current main live guitars are marked +

Acoustic guitars:
 Gibson L4 (1924)+
 Martin 00018 (1931)
 Martin 0016C (1964)
 N.S. Phillips 12-string (1977) (known as 'The Wardrobe')
 N.S. Phillips 6-string (1986)+
 Ralph Bown 12 String (1999)+

Electric guitars:
 National lap steel (1936)
 Gibson L-50 (1937)+
 Gibson ES100 (1938)
 Beltona electric resonator (1992) – the prototype of this model. +
 <mask> resonator (2002)

Phillip's official website has photographs of many of these instruments.References

1948 births
Living people
English blues guitarists
English country guitarists
Musicians from Leeds
The Notting Hillbillies

masks:
Steve Phillips
Phillips
Phillips
Phillips
Phillips Johnson