title: Emma Sheppard

texts: five completely drunk customers. In the same year the landlord of the Globe in Vallis Way was fined for having ten women  - some of them well known as prostitutes - drunk on his premises. In 1873 the landlady of the Ship (now the Artisan) in Christchurch Street West was summonsed for ‘knowingly allowing immoral characters for longer than necessary for the purpose of taking reasonable refreshment’; it was ‘an habitual resort’.In 1883 the landlady of the Anchor in Catherine Street was fined for ‘knowingly permitting her premises to be the habitual resort of reputed prostitutes’. <mask> wrote to The Times of her concern for paupers with venereal disease: "Once they have recovered from the disease that brought them into the workhouse, they are ‘driven from the “foul ward,” (properly so called,) into the “wide, wide, world,” to inevitable iniquity’." In her 1859 book "Sunshine in the Workhouse", she writes of that ward: 'One may well say of it as one enters, Lasciate ogni speranza, quoting from Dante's Divine Comedy Canto III, 'Abandon hope all ye who enter here'. She saw a possible future for such women:I tried hard to get some of them employment, but they were too ill, or had never been brought up to work. Oh! how I used to long for some kind Reformatory Asylum attached to the Union Workhouse as part of its machinery, where they would be not only fed and warmed, as they were now; but where, when recovered, they could be taught a trade and be taught to live decently. .... for want of means some are turned daily away from that door, and then think of their only alternative, starvation or sin!By December 1859, in an appendix to the next edition of her book, she had bought 'a house in the town at £6 per annum .... I bought some second-hand beds and bedding; a little needful furniture of chairs, tables, crockery, &c.; some new coarse sheets, blankets, and


title: Emma Sheppard

type: original

texts: counterpanes; costing me altogether about £20. Then I placed an old woman, whom I could depend on, over all.' She called a meeting of the 'fallen', some of whom she had already met in the workhouse. She offered them accommodation: 'I was going to trust to their honour, for I believed there was still a tiny corner of right good womanly feeling left in all their sin-degraded natures which would keep them from disobeying one who was trying to befriend them.' Four of the women immediately accepted her terms (no alcohol, no locks but a curfew after five o'clock) and three joined the refuge the next week. At <mask>'s Home in Frome, inmates were free to leave the home during the day, and sometimes worked outside the home, coming back at night.She disapproved of institutions which took away the freedom of their inmates, arguing that they were, "I think, misnamed, being more a system for criminals than for penitents." This is referred elsewhere as an Institute for Magdalens. She appealed for funds in the local press on behalf of "our unfortunate sisters, without words of kindness to welcome them back to the paths of virtue and womanly happiness and peace with God". There is no current evidence of how long the home was open for or how many inmates were successfully 'saved' from prostitution, though work with Fromian prostitutes continued after her death. In 1859 she had published another paper: "An Outstretched Hand to the Fallen". In this she wrote: 'the purer, the more ignorant of vice the lady is who seeks them, the greater the influence she has.' She asked a leading question: English Ladies, have you ever analysed these two words - a 'Sister', - though 'fallen'.yes, high-born, gently-bred, delicately-nurtured Ladies, that poor Outcast, upon whom you cast an eye of scorn and loathing as perhaps she tramped up Regent Street this morning, looking wistfully at


title: Emma Sheppard

texts: your luxurious carriage, .... - that poor weary, outwardly-hardened, sin-based creature - a victim to man's brutal requirements - is, in the sight of our most holy God, your Sister .... bless that gracious God who has kept you unfallen in the eyes of the world, though perhaps equally guilty in the sight of Him to whom sin is sin. William Brett Harvey - the owner of the Somerset and Wiltshire journal for many years - was happy to commend her work and to publish letters concerning the Friendless and Fallen Society in London. She herself was a major contributor to 'The Magdalen's Friend and Female Home's Intelligencer', a monthly journal which was published from 1860 to 1864, created to reclaim fallen women and prostitutes, a “rallying point” for “Christians and Philanthropists” working in the field of the “great social evil”. "In a series of articles which include the suggestively entitled “A Fallen Sister”, “The Law of Kindness”, and “Working by Love”, she particularly opposes “Penitentiary gates and walls, and locks and bars”, offering instead a “Ministry of Love”. In her refuge there are “No reproaches for former sin, no dismal doubtings whether they would accept the offer of a new life, but a certain confidence expressed in the full and loving invitation”. Among other contributors to the Magdelens' Friend was Christina Rossetti who worked as a volunteer from 1859 to 1870 at the St. Mary Magdalene "house of charity" in Highgate. In 1853, when the Rossetti family was in continuing financial difficulties, Christina helped her mother keep a school in Fromefield, Frome, just yards from where <mask> lived in Fromefield House, but it is not known whether they ever met.Rossetti's major work in 1862, Goblin Market and Other Poems was an allegoric work about erotic desire and social redemption, a reflection on the veneer of Victorian decorum. Christmas in the


title: Emma Sheppard

texts: quietly that only my immediate family friends knew'.In her book 'Sunshine in the Workhouse, she adopts a stronger tone: 'our Great All-Father says to us: "If they brother be waxen poor, and his hand faileth, then thou shalt relieve him, yea, though he be a stranger or sojourner, that he may live with thee".' Her message is plain, addressed to any who are responsible for looking after the needy, whether politicians, local and national, or members of the public, who show no sympathy. 'We are not, as a Christian nation, doing our loving duty towards those of our beloved land, who are in the Union Houses for no fault of their own; those who, from having no near or dear ones left to them to shelter their declining years, have no other home. She has a sharp view on the hypocrisy of men: Oh English brothers! you speak loathingly of the sinner - do you of the sin? have you never drawn an innocent girl into evil, and then recklessly left her to the awful fate which must ensue when maiden purity and modesty is a tale of the past alone? and now, when these needful means are spoken of, so as to give her another chance of rising from the ruin into which you have plunged her, do you, as respectable Members of Parliament, as Guardians of the Poor, as Magistrates and upholders of right, and putters down of wrong - do you now ignore all thoughts of the kind?and will you leave these poor women, more sinned against on the whole than sinning - will you leave them to their sad and outcast fate, no one caring for body and soul any more than if they were the "brutes that perish"? When visiting, <mask> often brought some gifts with her: fabric, toys, household goods, items of food to distribute to whomsoever she met. She talked with inmates, quietly and confidentially, listening to their stories, lending them books like Robinson Crusoe, Uncle Tom or The Pilgrim's Progress;


title: Emma Sheppard

texts:
 often she prayed with them or read from the Bible, and encouraged them to sing a hymn together. She tended the dying, whether the final illness was because of ageing infirmity or from venereal disease, careful to show 'the absence of loathing'. The sight of public begging and the likely misuse of such money led her to make an arrangement with the Temperance Hotel in the Market Place to supply twopence of hot drink and bread and butter for a ticket-card issued instead of coins; she reimbursed the costs. Her help is practical, given because of her Christian faith, but always inclusive of those who needed help, whatever their history. She was not on a mission to spread Christianity; her faith was the personal context for her profound humanity.Every one was worthy of care and consideration in her eyes. Legacy

In 1871 <mask> died of a stroke while visiting her brother, a vicar in Wokingham. After a cortege brought her from the railway station, the funeral took place at Holy Trinity Church 'where she had so long worshipped'. 'At the grave the scene was one of striking solemnity .... there were hundreds of mourners - of very class, including even the little ones from the Workhouse'. In 1882 evidence from her writings were given before a Select Committee of the House of Lords on the law relating to the Protection of Young Girls. No extant photograph or other form of portrait of <mask> or of her husband are known to exist. A dementia day care centre opened in Rowden House, 2 Vallis Road, Frome in 2013.It is named the <mask> Sheppard Centre. It specialises in care for dementia patients and their families, offering a range of stimulating activities, much in sympathy with her original wishes for the daily life and well-being of workhouse inmates. References

1813 births
Workhouses in the United Kingdom
English women activists
British social reformers
People

masks: Emma Emma Emma


title: Brook Watson

texts:
<mask>, 1st Baronet (7 February 1735 – 2 October 1807) was a British merchant, soldier, and later Lord Mayor of London. He is perhaps most famous as the subject of John Singleton Copley's painting Watson and the Shark, which depicts a shark attack on <mask> as a boy that resulted in the loss of his right leg below the knee. Early life and the shark attack
<mask> was the only son of <mask> and <mask> (née Schoefield) born in Plymouth, Devon, in 1735, he was orphaned in 1741 and sent to live with his aunt and uncle in Boston, Massachusetts. His uncle was a merchant who traded in the West Indies. Before the age of 14, <mask> had expressed his interest in the sea, so his uncle signed him up as a crew member on one of his merchant ships. While swimming alone in Havana harbour, Cuba, in 1749, the 14-year-old <mask> was attacked by a shark. The shark attacked twice before <mask> was rescued.The first time, the shark removed flesh from below the calf of <mask>'s right leg; the second time, it bit off his right foot at the ankle. <mask> was rescued by his shipmates, but his leg had to be amputated below the knee. <mask> recuperated in a Cuban hospital and recovered within three months. Military career
On his return to Boston, <mask> found that his uncle was bankrupt. He took a job under Captain John Huston on a schooner that supplied provisions to the British army at Fort Lawrence, Nova Scotia (1750). At Fort Lawrence, he came to the notice of Robert Monckton, and by 1755 he was commissary with Monckton at the Battle of Fort Beauséjour. Three years later he was sent to supervise the expulsion of the Acadians from the Baie Verte area.He worked with the English trader Joseph Slayter, and in 1758 he was commissary under

masks:
Sir Brook Watson
Watson
Watson
John Watson
Sarah Watson
Watson
Watson
Watson
Watson
Watson
Watson
Watson


title: Brook Watson

texts:
 General James Wolfe at the Siege of Louisbourg (1758). He was known as ’the wooden-legged commissary’. In 1759 <mask> went to London to continue his mercantile career, and for a while, he was a partner with Joshua Maugher. <mask> became a successful merchant, engaging in business in London, Montreal and Boston, amongst other places. In 1763 he obtained, with others, a land grant from the government of Nova Scotia of the county of Cumberland, which had been founded four years earlier. Business
<mask> was a member of the original committee of the Corporation of Lloyd's of London in 1772 and later served for ten years as its chairman. He combined his mercantile affairs with government business.He visited Massachusetts, New York and other colonies before the American Revolutionary War, during which time he intercepted letters to General Thomas Gage that were said to prove that Gage was a spy. Calling him ’a traitor’, William Dunlap wrote that <mask> ”ingratiated himself with many leading Americans, obtained as much information on their designs as he could, and transmitted it to his chosen masters”. In November 1775 <mask> accompanied the American prisoner Ethan Allen on a voyage from Canada to England. Allen wrote that he ”was put under the power of an English Merchant from London, whose name was <mask>: a man of malicious and cruel disposition, and who was probably excited, in the exercise of his malevolence, by a junto of tories, who sailed with him to England ...”. <mask> was examined by the House of Commons in 1775, when Lord North’s bill concerning the fisheries of New England was before parliament. In 1782 he acted as Commissary General to the army commanded in North America by Sir Guy Carleton. Brook Watson &

masks:
Watson
Watson
Watson
Watson
Watson
Brook Watson
Watson


title: Brook Watson

texts:
 Co owned at least two South Sea whaling ships.These were Prince William Henry (1792–1795) and  (1802–1810). Politician
After this, he returned to London, where he was elected to serve as an Alderman of the City. <mask> served as a Member of Parliament for the City of London from 1784 until 1793. He was also Sheriff of London and Middlesex in 1785. <mask> was agent for New Brunswick in London from 1786 until 1794, and Commissary-General to the Duke of York from 1793 to 1795. He was Lord Mayor of London in 1796. From 1798 until 1806 he was Commissary-General of England (Alexander Dallas also refers to this office as the ”Commissariat Office of the Treasury”).<mask> was also a director of the Bank of England. A verse penned by one of <mask>’s political enemies poked fun at his ordeal (and perhaps at his abilities):

<mask> and the Shark

Sources differ as to how <mask> and the artist John Singleton Copley met in 1774: some say they travelled on the same ship from Boston to England, and some that they met in London. Whatever the circumstances of their meeting, <mask> commissioned Copley to produce the work, known as <mask> and the Shark which was completed in 1778. The painting was exhibited at the Royal Academy in 1778 and caused a sensation. Today the text beneath the painting reads:

<mask>’s will, dated 12 August 1803, stated: ”I give and bequeath my Picture painted by Mr. Copley which represents the accident by which I lost my Leg in the Harbour of the Havannah in the Year One Thousand Seven Hundred and Forty Nine to the Governors of Christ's Hospital to be delivered to them immediately after the Decease of my Wife <mask> or before if she shall think proper so to do hoping the said worthy Governors will receive

masks:
Watson
Watson
Watson
Watson
Watson
Watson
Watson
Watson
Watson
Helen Watson


title: Brook Watson

texts:
 the same as a testimony of the high estimation in which I hold that most Excellent Charity and that they will allow it to be hung up in the Hall of their Hospital as holding out a most usefull  Lesson to Youth”. The school’s Committee of Almoners accepted the painting in 1819. In 1963 it was purchased from Christ’s Hospital by the National Gallery of Art, Washington, D.C.Personal life

<mask> married Helen Campbell in 1760. Her father was Colin Campbell, a goldsmith working in Edinburgh. The <mask>s had no children. <mask> was made a baronet on 5 December 1803. <mask>’s coat of arms was designed to reference his ordeal with the shark. Underneath Neptune brandishing his trident, the shield bears <mask>’s severed right leg, with the Latin motto Scuto Divino (’Under God's Protection’) below. In return for his services in North America, Parliament voted <mask>’s wife an annuity of £500 for life.<mask> died in 1807. His baronetcy descended, by special remainder, to his grand-nephew William. References

 Allen, Ethan (1838). A Narrative of Colonel Ethan Allen's Captivity, Written by Himself, 3rd. ed., Burlington, Vermont. Jeffery, Margaret (Dec 1942). ”A Painting of Copley's English Period”, The Metropolitan Museum of Art Bulletin, New Series, 1(4):148–150

External links

 Biography at the Dictionary of Canadian Biography Online

1735 births
1807 deaths
Baronets in the Baronetage of the United Kingdom
British MPs 1784–1790
British MPs 1790–1796
Sheriffs of the City of London
18th-century lord mayors of London
18th-century British politicians
18th-century English politicians
Members of the Parliament of Great Britain for English constituencies
Shark attack victims
English amputees
People from Plymouth
British people

masks: Watson Watson Watson Watson Watson Watson Watson


title: Wilhelm Hasselmann

texts:
<mask> (born September 25, 1844 in Bremen – died February 25, 1916 in New York, United States) was a German socialist politician and activist and editor of various social democratic newspapers. Biography

Early life
He was born in Bremen and baptized Protestant however later became an atheist. <mask> attended the polytechnic school in Hanover and continued his studies in Berlin where he came in to contact with the rising labour movement in Prussia. He eventually abandoned his studies and became a journalist. Entry in to politics and leader of German social democracy
<mask> joined the General German Workers' Association of Ferdinand Lassalle and became the chief editor of the party's newspapers Social-Demokratie and Der Agitator which were under the direction of Johann Baptist von Schweitzer who later became the party's chairman. After Schweitzer's resignation as chairman possibly due to his agreements with Otto von Bismarck, <mask> waz elected the chairman of the AVDA, and from that point on <mask> and Hasenclever worked closely together. The Social Democrat and The Agitator became the new party newspaper, renamed The New Social Democrat in summary; <mask> remained its content-wise defining editor.<mask> also worked for various other partly regional, workers' newspapers, some of which he founded himself and of which he was the chief editor in charge. The ADAV grew from 5,300 members in 1871 to more than 19,000 party members by the turn of the year 1873/74. By then, the New Social Democrat had increased its customer base to over 11,000 subscribers. <mask> was elected in the Reichstag for the first time and was one if the three members of the ADVA elected. Because of the increasing pressure of the anti socialist and union laws implemented by the Prussian Chancellor Otto von Bismarck, the two

masks:
Wilhelm Hasselmann
Hasselmann
Hasselmann
Wilhelm Hasenclever
Hasselmann
Hasselmann
Hasselmann
Hasselmann


title: Wilhelm Hasselmann

texts: formerly competing parties, the General German Workers' Association and The Social Democratic Workers' Party of Germany decided to unite in a joint congress initiated by Hasselmann and the spokesperson of the SDAP <mask> Liebknecht. <mask> was decisive in the creation of the newly formed Socialist Workers' Party of Germany (later Social Democratic Party of Germany) Gotha Programme. Karl Marx later mockingly referred to Hasselmann as the "Berlin Marat" in his work Critique of the Gotha Programme.In 1876 he published the newspaper Die Rote Fahne (the name was later re-used for the KPD organ), which was initially conceived as a pamphlet and then as a revolutionary weekly newspaper, Hasselmann came in to conflict with August Bebel. Babel accused him of using his newspaper to displace the new party organ of the Social Democrats, Vorwärts behind the backs of the party executive (Central Election Committee) and thus wanting to split the SAP. After the two unsuccessful assassination attempts at the life of Kaiser <mask> II the situation for the social democratic movement in Prussia worsened. The Prussian Chancellor Otto von Bismarck implemented the repressive Anti-Socialist Laws with the majority votes of the Conservatives and National Liberals. Hasselmann who was becoming more of an outcast with his radical positions both in the pro government conservative circles and within the SAP, he remained relatively popular among the poorer working class. His popularity with the underprivileged classes of the population was expressed for example, in a nursery rhyme that was widespread locally at the time: "Now we choose the Hasselmann then eat the Brodt en Kastemann" ("Kastemann": Colloquial expression for a small coin with a current value of around €0.03). <mask> was re-elected to the Reichstag in 1878 for this

masks:
Wilhelm
Hasselmann
Wilhelm
Wilhelm Hasselmann


title: Wilhelm Hasselmann

texts:
 constituency, in which he had published the regional party newspaper Bergische Volksstimme since 1876.Even in the Reichstag he continued to express his radical and anti-state views and spoke fondly of the narodniks in Russia and their assassination attempts on Alexander II. After Johann Most lost his mandate, <mask> was the only one in the legislative period from 1878 who openly represented positions with an anarchist tendency in the nine-member Reichstag faction of the SAP, which made him increasingly exposed to political isolation. Expulsion from the SPD and emigration to the United States
In August 1880 <mask> was expelled from the party at the first exiled party congress of the SAP since the Anti-Socialist Act came into force at Wyden Castle in the Swiss canton of Zurich because of his internal opposition to the party. Together with his expulsion from the party, the one against Most, which had already been pronounced three months earlier, was formally confirmed. Most had been in exile in London since the Anti-Socialist Act came into force, where he published the journal Freiheit, which was illegally distributed in Germany in which not only the Bismarck system was attacked, but was also increasingly critical against the moderate attitude of the party leadership of the SAP. <mask> had also written some articles for Freiheit. With the exclusion of the two best-known protagonists of anarchism from German social democracy, their leading representatives, led by Ignaz Auer, who was also able to win  August Bebel for his position, hoped to get rid of the radical social-revolutionary wing of the party and thus the anti-socialist propaganda of the pro-government parties and to deprive their press of the basis.<mask>, who was not present at the party congress himself, gave up his parliamentary mandate,

masks:
Hasselmann
Wilhelm Hasselmann
Hasselmann
Hasselmann


title: Wilhelm Hasselmann

texts:
 which was formally valid until 1881. A few weeks after being expelled from the party, he emigrated to the US and settled in New York. There, too, he tried to gain a political foothold by founding various revolutionary-socialist associations, but was ultimately unsuccessful. After the "American Workers' Newspaper" founded by him had failed, he stopped his public political activities from 1885/86. In 1888 he received American citizenship. Among other things, he was able to secure his livelihood by later running a beer bar in New York. <mask> died in 1916 unknown  by the public at the age of 71.Works

 Sozial-politische Blätter zur Unterhaltung und Belehrung für die deutschen Arbeiter. Ihring, Berlin 1873–1874 (Jg. 1. 1873, Lieferg 1. Jg. 2. 1874, Lieferg 12, Nr 3.Hrsg. u. red. v. W. Hasenclever; W. <mask>)
 Die Regierung des Deutschen Reichs und der Deutsche Reichstag in ihrer Stellung zur Sozialdemokratie. Die Reden des Preußischen Ministers Eulenburg und der Abgeordneten Hasselmann und Bamberger in der Reichstagssitzung am 29. Januar 1876. Verlag der Genossenschafts-Buchdruckerei, Leipzig 1876
 Die Angelegenheit Fritzsche-Hasselmann vor dem Deutschen Reichstage. Stenographischer Bericht über die Reichstagssitzung am 19.Februar 1879. Verlag der Genossenschafts-Buchdruckerei, Leipzig 1879
 Die Angelegenheit Fritzsche-Hasselmann vor dem deutschen Reichstage am 23.Februar 1880. Antrag des Abgeordneten <mask>clever. Verlag der Genossenschafts-Buchdruckerei, Leipzig 1880

References

1844 births
1916 deaths
Politicians from Bremen
Members of the Reichstag of the German Empire
German socialists
General German Workers' Association politicians
Social Democratic Party of Germany politicians
German journalists
German newspaper editors
German emigrants to the United States
German social democrats
German

masks:
Wilhelm Hasselmann
Hasselmann
Wilhelm Hasen


title: Carlos Marinelli

texts:
<mask> (born 14 March 1982 in Villa de Mayo, Buenos Aires) is an Argentine former footballer, who played as an attacking midfielder. Club career

Boca Juniors
Son of <mask>, a former Boca Juniors player, <mask> started off his youth career at Argentinos Juniors before being signed by Boca Juniors in a package of youth players that included names such as Juan Román Riquelme, Fabricio Coloccini and César La Paglia. Marinelli had only one reserve appearance against Independiente in August 1999 before being spotted by Middlesbrough when Boca's U-19 team played in Europe. On 27 October 1999, he joined the English side for £1.5 million. Middlesbrough
Billed as the new Maradona by the English press, <mask> played his first match for Middlesbrough for the reserve team against Barnsley, scoring from a free-kick in a game that had an attendance of nearly 10,000 people. He made his first team debut at the 1999 Boxing Day Premier League match against Sheffield Wednesday, playing the second half in a 1-0 loss. He had a second Premier League appearance that season in a 1-1 draw against Watford.The following season, <mask> played a total of 13 matches with only 305 minutes of action, averaging less than 25 minutes per match played. He was sent off in the 2-2 draw against Bradford City on 25 November 2000 and had dealt with ankle injuries that cost his place at the Argentina under-20 squad for the 2001 South American U-20 Championship. Under Steve McClaren, who was appointed manager for the 2001-02 season, <mask> featured regularly for the first team after recovering from a calf injury earlier in the season and earned a regular spot in the first team after a 5-1 win against Derby County, in which he scored his first goal for the team and later his second, had one assist and contributed to another goal after having a shot rebounded to Szilárd Németh. Losing his starting place in the second half of the season, <mask> ended the 2001-02 season with 20 appearances. After an unimpressive start in the 2002–03 season, <mask> played just 7 league matches in the season, having scored once against Brentford in a 2002–03 Football League Cup match. After being close to return to

masks:
Carlos Ariel Marinelli
Héctor Marinelli
Marinelli
Marinelli
Marinelli
Marinelli
Marinelli
Marinelli


title: Carlos Marinelli

texts:
 Boca Juniors, he stalled on the move after a managerial change at the Argentinian club. Loan to Torino
On 31 January 2003, he was loaned to Torino until the end of the season, playing a total of 7 Serie A matches, receiving a red card in the derby against Juventus after pushing the referee.Although Torino wanted to sign <mask> on a permanent basis, the deal called off after both parties disagreed on the wage fee. Return to Middlesbrough
After returning to Middlesbrough, <mask> played in the 2003-04 season opener against Fulham, scoring once in the 3-2 loss which was his last league match for Boro. On 14 November 2003, his contract was ended by mutual consent after failing to live up to expectations. Boca Juniors
After becoming a free agent, <mask> stated his desire to return to Boca Juniors and signed for his boyhood club in 2004. His official debut was against Vélez Sarsfield in a 3-3 draw, when he scored on his debut against Vélez only to have it was officially awarded as an own goal. However, he took the blame of a goal scored by Marcelo de Souza after being beaten by the opponent and failing to chase him back. He only played other two league matches against Banfield and Racing and was overlooked by then manager <mask> after being sent off in a reserve match.<mask> took part in the 2004-05 preseason friendlies under Miguel Ángel Brindisi, before leaving the club. Racing Club
<mask> joined Racing for the 2004-05 season and made his league debut against former club Boca Juniors. Mostly a substitute, he ended 2004 with 11 league appearances for Racing. Return to Torino
In January 2005, after attracting interest from Torino, <mask> paid 30,000 Euros from his own pocket to leave Racing and return to the Italian side. His debut at Serie B was against Hellas Verona and he was sent off just as his last match at the club. Scoring in a 3-1 win against Pescara, <mask> played a total of 16 league matches and helped Torino to achieve promotion to 2005–06 Serie A, but the team was not admitted at the first tier for financial problems and his contract was ended due to the financial crisis at the club. Sporting Braga
In September 2005, <mask> had the opportunity

masks:
Marinelli
Marinelli
Marinelli
Carlos Bianchi
Marinelli
Marinelli
Marinelli
Marinelli
Marinelli


title: Carlos Marinelli

texts:
 to join Portuguese side S.C. Braga, but had his registration denied by Primeira Liga after the end of the transfer window.He agreed a deal in December and officially signed in January 2006. He played only 4 times for the Portuguese side and left the club after the end of the 2005-06 season. Having limited playing time at Braga due to an injury in his right foot, he returned to Argentina for treatment and trained with Boca Juniors to regain match fitness. Kansas City Wizards
In 2007, he joined the Kansas City Wizards of Major League Soccer after the American club went to Argentina in their preseason and became interested in the player after seeing him in video. <mask> scored his only goal for the Wizards on his debut, from the penalty spot, in a 2-1 loss against Chicago Fire. He ended the 2007 Major League Soccer season with 26 appearances and 5 assists, also playing once in the 2007 MLS Cup Playoffs. The following year, <mask> played only 15 matches, being a starter in only 7 of them and left the club at the end of the 2008 season.Millonarios
On 9 December 2008, Millonarios de Bogotá signed <mask> on a one-year contract for the 2009 Torneo Finalización. At the Colombian club, he played a total of 11 matches and was sent off three times and was released by Millonarios along with four other under-productive players, but claimed he left the club after not receiving his wages. In 2015, FIFA ruled the situation in favour of the player and Millionarios were obliged to pay $550,000 for the player. Aldosivi
After being close to sign for Argentinos Juniors and a period of trial at Huracán, <mask> joined Aldosivi on 17 December 2009. He played a total of 13 matches and scored twice for the Primera B Nacional club. Győri
In September 2010, <mask> returned to European football after he signed for Hungarian side Győri in a short-term deal. He decided to end his contract after only two league matches, stating that his family failed to adapt to the country.Universidad San Martín
On 19 January 2011, <mask> signed with Peruvian first division team Club Deportivo Universidad de San Martín de Porres, taking part at the 2011 Copa Libertadores and scoring once. <mask>

masks: Marinelli Marinelli Marinelli Marinelli Marinelli Marinelli Marinelli


title: Carlos Marinelli

texts:
 stayed at the Peruvian club for 4 years, briefly leaving the club for a week to try to join Argentine club Alvarado which would play the Torneo Argentino A, in the third tier of the Argentinian football, although he was still contracted to Universidad San Martín. At the age of 32, <mask> decided to retire in 2014 due to injuries. International career
<mask> played for the Argentina national under-17 football team at the 1998 Mundialito Youth Tournament, where they were champions and in the 1999 South American Under-17 Football Championship, playing three matches as Argentina finished in 4th place and failed to qualify for the 1999 FIFA U-17 World Championship. He also played in friendly matches for the Argentina national under-20 football team as they prepared for the 2001 South American U-20 Championship, scoring twice in a match against Bolivia. References

External links
Guardian statistics
 BDFA statistics

1982 births
Living people
People from Malvinas Argentinas Partido
Argentine people of Italian descent
Argentine footballers
Argentina youth international footballers
Argentina under-20 international footballers
Primeira Liga players
Argentine Primera División players
Boca Juniors footballers
Argentine expatriate footballers
Expatriate footballers in England
Premier League players
Middlesbrough F.C. players
Argentine expatriate sportspeople in England
Expatriate footballers in Italy
Serie A players
Serie B players
Torino F.C.players
Argentine expatriate sportspeople in Italy
Racing Club de Avellaneda footballers
Expatriate footballers in Portugal
S.C. Braga players
Argentine expatriate sportspeople in Portugal
Expatriate soccer players in the United States
Major League Soccer players
Sporting Kansas City players
Argentine expatriate sportspeople in the United States
Expatriate footballers in Colombia
Categoría Primera A players
Millonarios F.C. players
Argentine expatriate sportspeople in Colombia
Aldosivi footballers
Expatriate footballers in Hungary
Nemzeti Bajnokság I players
Győri ETO FC players
Argentine expatriate sportspeople in Hungary
Expatriate footballers in Peru
Association football midfielders
Argentine expatriate sportspeople in

masks: Marinelli Marinelli


title: Aulus Gellius

texts:
<mask> (c. 125after 180 AD) was a Roman author and grammarian, who was probably born and certainly brought up in Rome. He was educated in Athens, after which he returned to Rome. He is famous for his Attic Nights, a commonplace book, or compilation of notes on grammar, philosophy, history, antiquarianism, and other subjects, preserving fragments of the works of many authors who might otherwise be unknown today. Name
Medieval manuscripts of the Noctes Atticae commonly gave the author's name in the form of "Agellius", which is used by Priscian; Lactantius, Servius and Saint Augustine had "A. Gellius" instead. Scholars from the Renaissance onwards hotly debated which one of the two transmitted names is correct (the other one being presumably a corruption) before settling on the latter of the two in modern times. Life
The only source for the life of <mask>us is the details recorded in his writings. Internal evidence points to Gellius having been born between AD 125 and 128.He was of good family and connections, possibly of African origin, but he was probably born and certainly brought up in Rome. He attended the Pythian Games in the year 147, and resided for a considerable period in Athens. Gellius studied rhetoric under Titus Castricius and Sulpicius Apollinaris; philosophy under Calvisius Taurus and Peregrinus Proteus; and enjoyed also the friendship and instruction of Favorinus, Herodes Atticus, and Fronto. He returned to Rome, where he held a judicial office. He was

masks:
Aulus Gellius
Aulus Gelli


title: Aulus Gellius

texts:
 digital (open access) formats. Translations

 John Carew Rolfe (1927), The Attic Nights of Aulus Gellius. Loeb Classical Library. 3 Volumes., ,

See also
 Ex pede Herculem
 Gellia gens

Notes

References

Further reading
 Anderson, Graham. (1994). "Aulus Gellius: a Miscellanist and His World," in Aufstieg und Niedergang der römischen Welt, vol. II.34.2. Berlin and New York: Walter de Gruyter. Beall, S. (1997). "Translation in Aulus Gellius."The Classical Quarterly, 47(1), 215–226. Ceaicovschi, K. (2009). "Cato the Elder in Aulus Gellius." Illinois Classical Studies, (33-34), 25–39. Lakmann, Marie-Luise. (1995). Der Platoniker Tauros in der Darstellung des Aulus Gellius.Leiden, The Netherlands, and New York: Brill. Garcea, Alessandro. (2003). "Paradoxes in Aulus Gellius." Argumentation 17:87–98. Gunderson, Eric. (2009).Nox Philologiae: <mask> Gellius and the Fantasy of the Roman Library. Madison: Univ. of Wisconsin Press. Holford-Strevens, Leofranc. (2003). <mask> Gellius: An Antonine Scholar and his Achievement. Oxford: Oxford Univ.Press. Holford-Strevens, Leofranc. (1982). "Fact and fiction in Aulus Gellius." Liverpool Classical Monthly 7:65–68. Holford-Strevens, Leofranc, and Amiel Vardi, eds. (2004).The Worlds of <mask> Gellius. Oxford: Oxford Univ. Press. Howley, Joseph A. (2013). "Why Read the Jurists ? : <mask> Gellius on Reading Across Disciplines."In New Frontiers: Law and Society in the Roman World. Edited by Paul J. du Plessis. Edinburgh:  Edinburgh University

masks: Aulus Aulus Aulus Aulus


title: Aulus Gellius

texts:
 Press. Howley, Joseph A. (2018). Aulus Gellius and Roman Reading Culture. Text, Presence, and Imperial Knowledge in the Noctes Atticae.Cambridge: Cambridge University Press. Johnson, William A. (2012). "Aulus Gellius: The Life of the Litteratus" In Readers and Reading Culture in the High Roman Empire: A Study of Elite Communities. Classical Culture and Society. Oxford; New York:  Oxford University Press. Ker, James (2004)."Nocturnal Writers in Imperial Rome: The Culture of Lucubratio." Classical Philology, 99(3), 209–242. Keulen, Wytse. (2009). "Gellius the Satirist: Roman Cultural Authority in Attic Nights." Mnemosyne Supplements 297. Leiden, The Netherlands, and Boston: Brill.McGinn, Thomas A.J. (2010). "Communication and the Capability Problem in Roman Law: <mask> Gellius as Iudex and the Jurists on Child-Custody." RIDA 57, 265–298. Russell, Brigette. (2003). "Wine, Women, and the Polis: Gender and the Formation of the City-State in Archaic Rome."Greece & Rome, 50(1), 77-84

External links

 Works by <mask> Gellius at Perseus Digital Library

The Attic Nights of <mask> Gellius, 1795 translation, Vol. I, Vol. II, Vol. III. Attic Nights (Latin text: complete; English translation: Preface thru Book 13)
 Attic Nights (Latin text: Books 1–11, 13, 20)
 Noctes atticae at Somni

125 births
2nd-century deaths
2nd-century Romans
2nd-century writers
Ancient Roman antiquarians
Aulus
Grammarians of Latin
Middle Platonists
Roman-era students in Athens
Silver Age Latin

masks: Aulus Aulus Aulus


title: Fiona Bowie

texts:
<mask> is a Vancouver-based Canadian installation artist. She uses film, video, photography and sculpture, and makes "immersive environments". Life and work
<mask> graduated from University of British Columbia (BFA) in 1990 and from the School of Contemporary Art at Simon Fraser University (MFA) in 1998. From 1998 to 2000, <mask> was a co-curator of the Western Front Society Exhibitions Program, and was the editor of ~scope, the exhibition catalogue of the 2001 Western Front Exhibitions Program. From 2012 to 2020, she created, constructed and directed (and operated her studio from) Orbitas, a Residency in Sámara, Costa Rica, where international artists and curators visited in order to work on research-based projects. <mask> is Professor Emeritus, Media Arts, Emily Carr University, where she taught across faculties in both the undergraduate and graduate degree programs. Public Art Works

Surface
In 2010, <mask> created Surface, an ongoing live documentary of the underwater life of False Creek.False Creek is a short inlet in the heart of Vancouver. Once teeming with marine life, it was heavily industrialized in the early 20th century. Now starting to rebound, the inlet supports seabirds such as cormorants, ducks, herons, kingfishers. Herring and other sealife are now populating the inlet, though in comparatively small numbers. The live documentary is transmitted from a camera mounted underneath an Aquabus (a commuter ferry servicing Science World, Yaletown and Granville Island ) via a Wireless mesh network to an LED screen mounted on the water side of Ocean Concrete, one of the last industrial businesses still operating on False Creek. The live video stream of surface is broadcast via the mesh network online at www.surfacer.ca, allowing remote viewing and

masks:
Fiona Bowie
Fiona Bowie
Bowie
Bowie
Bowie


title: Fiona Bowie

texts:
 enabling visitors to False Creek to watch the stream on their smart phones as the Aquabus passes by. <mask> emphasizes that Surface is meant to reflect the current state of the underwater flora and fauna, rather than serve as entertainment typical of glass bottom boats in Marine Parks or the collections of public aquariums.<mask> chose this body of water for Surface to serve as an analogy of environmental pressures affecting marine life, such as the Great Pacific Garbage Patch in the North Pacific Gyre. "Surface will evolve over time, reflecting the health of marine life as evidence of our collective activity: the future of the work and what is manifest, is wholly dependent on us." – <mask>

Flow

In 2009, <mask>'s "Flow"  opened at the Civic Centre at 1 Kingsway. Vancouver's first video/photography-based permanent public art installation. Flow, produced by <mask> with Sidney Fels, a University of British Columbia computer scientist, was commissioned by the City of Vancouver. Rebecca Belmore, initially part of the artist team, could not participate in the project due to time constraints. This was the first permanent installation of timebased photo and media work in the City of Vancouver.Flow is a continually changing Mise en scène that uses open source software to access a library of images shot by <mask> over a period of four years. Made up of hundreds of portraits and landscapes, the work has been programmed so that 'figures shot at different times appear as if they simultaneously present, with a core group of these figures or actors recurring in a manner that implicitly suggests they're part of a larger narrative'. The landscapes photographed as backgrounds for the evolving tableaus were landscapes in a state of transition from one thing to another:

masks:
Bowie
Bowie
Fiona Bowie
Fiona Bowie
Bowie
Bowie


title: Fiona Bowie

texts:
 building sites, fallow lands, hurricane scapes, and Vancouver Archive historical photographs of newly colonized and deforested areas of the unceded and ancestral territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil- Waututh) Nations in the neighbourhood of Main Street in East Vancouver where the public artwork is installed. As the viewer draws close to the image, the special glass projection material, Smart glass, causes portions of the imagery to disappear as the projection surface switches from translucent to clear, fragmenting the image and frustrating its coherence: the immediate environment suddenly becomes part of the mis en scene. Thus the viewer is suddenly transitioned from a conventional indexical observer to the here and now; experiencing their immediate environment. Another feature of the work that speaks to the construction and fragility of the image(es), is the rate at which transitions occur from one image (such as a particular individual or background layer of the tableau) to another. These transitions can last up to two minutes, causing individuals pictured or the backgrounds they are set upon to disappear very gradually: creating ghost-like residues of once crisp images as they fade away."Flow" also has an interactive web component where visitors are encouraged to add dialogue to images captured from a live feed of the work. The dialogue consists of phrases penned by <mask> and bands such as the New Pornographers and The Residents. Once images and dialogue are captured by visitors to the site, these are preserved as stills in the websites archive

Gallery Art Works

In March 2007, Sliphost (2006), featuring Alan Cumming in the two lead roles, was exhibited at the  Western Front Society


title: Fiona Bowie

texts:
 Exhibitions Program in Vancouver and exhibited in November 2007 at Open Space in Victoria. Curated by Candice Hopkins, she said of the work: "Sliphost plays with conventions of media, narrative, and scale and draws on the reciprocities between two disparate worlds to reconsider notions of consciousness, consumption, beauty and oblivion." According to <mask>:

<mask> has several works that are created and added to over periods of time, such as Phenotypes (2001, 2002, 2003, 2004). 'Conceptually, the work is an ongoing installation. Each year, another narrative aspect is added to the visual record to mirror the flux of an individual dwelling or neighbourhood over time.Each time it is exhibited, the artist chooses which particular years(or chapters) of activity are represented.' , Subsequent exhibitions of the work in 2004 in Vancouver and 2007 in Whitehorse presented entirely different sets of narratives set within the same Cul-de-sac setting. In 2001, <mask> created "Faltering Repetition", a synchronous multichannel photo-video based narrative work that used a 360 degree projector to create the backdrop setting for the work. This work, portraying a chance conversation between two strangers at a traffic intersection, used separate, non-diegetic sound feeds to represent the setting and the dialogue of the characters. <mask> has created several works using this template including 'deliverance' (1998), 'Phenotypes'(ongoing), Nature Morte (2005) and 'Sliphost' (2006). Music
In 2008, <mask> formed SLickerslacker with ex-Chopper bandmate Jim Peers. SLickerslacker debuted at Light Bar, a series of art and music events curated by the Canadian collective Instant Coffee, featuring contemporary visual artists.<mask> was bass player, songwriter and singer for the

masks:
Bowie
Bowie
Bowie
Fiona Bowie
Bowie
Bowie


title: Fiona Bowie

texts:
 Vancouver three piece Chopper from 2000 to 2007. Absence, a commissioned soundtrack composition was performed live at Songroom in June 2006, by Jim Peers (Free Radicals), Stephen Taylor (trike). Exhibitions
<mask>'s work has been exhibited at:
Or Gallery Vancouver, BC. (2017)
Western Gallery, Bellingham, Washington (2017). Libby Leshgold Gallery (formally Charles H. Scott Gallery) (2012), The Voyage, or Three Years at Sea Part III. curated by Cate Rimmer
Pacific Cinematheque (2009)
Open Space Gallery Victoria (2007)
Yukon Arts Centre Museum (2007),
Western Front (2007)
Belkin Satellite (2006),
Pendulum Gallery, Vancouver (2006)
New Media Symposium (2004)
New Forms Festival (2004)
Consolidated Works, Seattle, Washington (2002)
Presentation House Gallery (2001)
The Vancouver Art Gallery (2001)
A Prior Video-Salon. VandeVelde, Brussels, Belgium (2000)
Or Gallery (1998)
 grunt gallery (1996)
A major installation as part of Tamto Misto - Five Vancouver Artists.Galerie Mladych u Recickych, Prague,Czech Republic (1995). Publications and reviews
Mullen, Sean with Hsieh, Esther. Radio Interview of <mask> on Public Artwork Flow, 2009. Live radio interview December 2009, released for podcast on Rabble.ca, 2010 : http://rabble.ca/podcasts/shows/redeye/2010/01/flow-permanent-media-art-exhibit
Keenlyside, Sarah. Surface, Documentary film on <mask>'s Surface, 2009. released for broadcast on Knowledge Network, Air Canada, City of Vancouver
Hiebert, Ted. "Fifth Iteration: Digital Dreams and Delusions", from Behind the Screen: Installation from the Interactive Future, Springer Berlin Heidelberg, 2008.ISSN 1865-0929 (Print)  (Online)https://web.archive.org/web/20110724092559/http://www.tedhiebert.net/site/downloads/writings/behind.pdf
Randy Adams, Steve Gibson, Stefan

masks:
Bowie
Fiona Bowie
Fiona Bowie


title: Hannah Szenes

texts:
<mask> (often anglicized as <mask> or Chanah Senesh; ; ; 17 July 19217 November 1944) was a poet and a Special Operations Executive (SOE) member. She was one of 37 Jewish SOE recruits from Mandate Palestine parachuted by the British into Yugoslavia during the Second World War to assist anti-Nazi forces and ultimately in the rescue of Hungarian Jews about to be deported to the German death camp at Auschwitz. <mask> was arrested at the Hungarian border by Hungarian gendarmes. She was imprisoned and tortured, but refused to reveal details of her mission. She was eventually tried and executed by firing squad. She is regarded as a national heroine in Israel but has largely been forgotten in her birthplace of Hungary according to The Guardian. In Israel her poetry is widely known and the Yad Hana kibbutz as well as several streets, are named after her.Early life

Szenes was born on July 17, 1921, to an assimilated Jewish family in Hungary. Her father, Béla, a journalist and playwright, died when <mask> was six years old. She continued to live with her mother, Kathrine, and her brother, György. She enrolled in a Protestant private school for girls that also accepted Catholic and Jewish pupils; however those of the Catholic and Jewish faith had to pay double and three times the amount Protestants paid. After her mother thought it was too expensive, Szenes was declared a "gifted student" and allowed to only pay double the usual amount. This, along with the realization that the situation of the Jews in

masks:
Hannah Szenes
Hannah Senesh
Szenes
Hannah


title: Hannah Szenes

texts:
 have rolled. I have lost," and another: "I loved the warm sunlight." Her diary was published in Hebrew in 1946. Her remains were brought to Israel in 1950 and buried in the cemetery on Mount Herzl, Jerusalem. Her tombstone was brought to Israel in November 2007 and placed in Sdot Yam. During the trial of Rudolf Kastner, <mask>'s mother testified that during the time her daughter was imprisoned, Kastner's people had advised her not to obtain a lawyer for her daughter. Further, she recalled a conversation with Kastner after the war, telling him, "I don't say that you could have saved my daughter <mask>, but that you didn't try – it makes it harder for me that nothing was done."After the Cold War, a Hungarian military court officially exonerated her. Her kin in Israel were informed on November 5, 1993. Poetry, songs and plays
Szenes was a poet and playwright, writing both in Hungarian and Hebrew. The following are four of her better known poems. The best known of these is "A Walk to Caesarea", commonly known as Eli, Eli ("My God, My God"). The well-known melody was composed by David Zahavi. Many singers have sung it, including Ofra Haza, Regina Spektor, and Sophie Milman.It was used to close some versions of the film Schindler's List. In popular culture
 The Legend of <mask>, a play about Szenes written by Aharon Megged, was produced and directed by Laurence Merrick at the Princess Theatre in Los Angeles in 1964. Szenes was played by Joan Huntington. Hanna's War, a film about Szenes's life directed by

masks:
Hannah
Hannah
Hannah Senesh


title: Hannah Szenes

texts:
 Menahem Golan, was released in 1988. Szenes was portrayed by Maruschka Detmers. Blessed is the Match: The Life and Death of <mask>, directed by Roberta Grossman, is a documentary film that recounts the events of <mask>'s life. It was released in 2008.Darkness (one two three), a musical pilot project of the Association of Global Art, led by the musician and singer , in which <mask>'s last poem was composed and sung (English and Hebrew, 2019). See also
 Jewish Parachutists of Mandate Palestine

References

Bibliography
 חנה סנש: חייה, שליחותה ומותה, in Hebrew. 1952. Diario, cartas, iniciación literaria, misión y muerte, memorias de la madre, 1966. in Spanish. 396 pages. <mask>, Her Life & Diary, Schocken Books, 1972. Masters, Anthony.The Summer That Bled; The Biography of <mask>. New York: St. Martin's Press, 1972. Goldenberg, Linda. In Kindling Flame: The Story of <mask>, 1921-1944. New York: Lothrop, Lee & Shepard Books, 1985. Hay, Peter. Ordinary Heroes: Chana <mask> and the Dream of Zion.G.P. Putnam's Sons, 1986. Whitman, Ruth. The Testing of Hannah Senesh Detroit: Wayne State University Press, 1986. Maxine Rose Schur, <mask>es: A Song of Light, Philadelphia, 1986. Betzer, Oded. The Paratrooper Who Didn't Return.World Zionist Organization, 1989. Ransom, Candice F.  So Young to Die: the Story of <mask>. Scholastic, 1993. Senesh, <mask>, and Marge Piercy (foreword). <mask>: Her Life and Diary. Jewish Lights Publishing, 2004. Gozlan, Martine, <mask>, l'étoile foudroyée.Paris: Ed. de l'Archipel, 2014.

masks:
Hannah Senesh
Hannah
Hannah
Hannah Senesh
Hannah Senesh
Hannah Senesh
Szenes
Hannah Szen
Hannah Senesh
Hannah
Hannah Senesh
Hannah Szenes


title: Peter Tomasi

texts:
<mask><mask> is an American comic book editor and writer, best known for his work for DC Comics. As an editor, he oversaw numerous comic books featuring the Justice League, including series starring various members of that team such as Batman, Aquaman, Martian Manhunter, Green Lantern, and the Flash. As a writer, he has written titles featuring Batman-related characters, such as Batman and Robin and The Outsiders, and Green Lantern-related series such as Blackest Night (alongside Geoff Johns), Brightest Day and Green Lantern: Emerald Warriors. He also wrote the screenplay for the animated movie The Death of Superman. Early life
<mask> became a fan of comics at a young age through the Batman comic books his father bought him, and through TV shows such as the Super Friends animated series and the Adam West Batman series. Batman was the first superhero who entered his consciousness, as it was the first character he dressed up as for Halloween, and the first comic book whose creators he recognized. Specifically he cites the work of Dennis O'Neil and Neal Adams as the first to draw him into the character, as well as Bob Haney's work on The Brave and the Bold and that of Jim Aparo.Career
Starting as an editor at DC Comics in 1993, and working on such titles as Green

masks:
Peter J
. Tomasi
Peter Tomasi


title: Peter Tomasi

texts: Lantern, the Batman titles, Aquaman, Hawkman, and JSA, <mask> was an occasional writer on various titles, including JSA, The Outsiders, Steel, and The Light Brigade. In 2003, DC promoted him to Senior Editor. In 2007, <mask> left his 14-year role as an editor and transitioned to writing. He began on the limited series Black Adam: The Dark Age. In 2008, he wrote Requiem, a tie-in to Final Crisis that paid tribute to the fallen Martian Manhunter. <mask> wrote the Nightwing title for 14 issues until its cancellation in April 2009 due to events in the "Battle for the Cowl" storyline. In 2011, <mask> took over as writer on Batman and Robin with issue No.20 from Paul Cornell, writing the three part "Tree of Blood" storyline that ran until issue No. 22. From 2009 to 2010, <mask> co-wrote the creator-owned title The Mighty with Keith Champagne, as well as Green Lantern Corps through the "Blackest Night" storyline. <mask> co-wrote the "Blackest Night" follow-up maxiseries Brightest Day in 2010–2011, with Geoff Johns. During that same period, he was the regular writer on the monthly Green Lantern: Emerald Warriors and The Outsiders, which ended in 2011 as part of DC's The New 52 line-wide relaunch. As part of that relaunch, <mask> became the writer on the relaunched volumes

masks: Tomasi Tomasi Tomasi Tomasi Tomasi Tomasi Tomasi


title: Peter Tomasi

texts:
 of Batman and Robin and Green Lantern Corps which were released in September 2011. As part of the DC Rebirth relaunch of DC's titles, <mask> and artist Patrick Gleason became the creative team on Superman vol.4 in June 2016. <mask> and Jorge Jimenez produced a new version of the Super Sons beginning in 2017. The two new super-kids are Damian Wayne, son of Bruce Wayne and Talia al Ghul, and Jonathan Kent, son of Superman and Lois Lane. The series ran for 16 issues and one annual. <mask> and Gleason crafted the "Never-Ending Battle" chapter in Action Comics #1000 (June 2018). <mask> launched the Adventures of the Super Sons limited series in August 2018. He penned the screenplay for the animated feature film The Death of Superman.Directed by Jake Castorena and Sam Liu, this is the eleventh film in the shared animated film continuity series: The DC Animated Movie Universe and the first of a two-part animated feature based on the comic book story arc of the same name, with part one released on August 7, 2018. <mask> became the new writer for Detective Comics as of issue No. 994. He concluded his run with Detective Comics issue No. 1033. Personal life
<mask> has a son. In a February 2011 interview with Comic Book Resources, <mask> discussed how his then-eight-year-old


title: Peter Tomasi

texts:
 son influenced his approach to writing Damian Wayne in Batman and Robin.<mask> also spoke about his son's influence on the way he writes Superman's son, Jon. Bibliography

DC Comics
Showcase '95 #7–9, "Exit to Eden", "Deep Down" (with Scot Eaton and Eduardo Barreto, June–August 1995)
The Lobo Gallery: Portraits of a Bastich, one-shot, "Portraits of a Bastich" (with among other artists, July 1995)
The Flash Annual vol. 2 No. 9, "Silent Running" (with J. H. Williams III, 1996)
Steel vol. 2 No. 28, "The Drowning Room", No. 33, "Withdrawal Symptoms" (with Andrew Robinson and Jim Aparo, May–October 1996)
Showcase '96 No.9, "Honor Bound" (with Eduardo Barreto, July 1996)
The Light Brigade (four-issue limited series, with <mask>nejbjerg, December 2003 – March 2004, collected in Light Brigade, hc, 224 pages, 2014, )
Outsiders vol. 3 #26–27, "Tick Tock" (with Will Conrad, July–August 2005)
JSA Classified #8–9, "The Spear and the Dragon" (with Don Kramer, February 2006) collected in JSA Classified: Honor Among Thieves (tpb, 125 pages, 2007, )
Black Adam: The Dark Age (six–issue limited series, with Doug Mahnke, August 2007 – January 2008, collected in Black Adam: The Dark Age, tpb, 144 pages, 2008, )
Infinite Halloween Special, one-shot, "The 13 Stories of Halloween" (with

masks:
Tomasi
Peter S


title: Peter Tomasi

texts:
 Pasarin, in #15–20, 2009)
 "Origins & Omens" (with Lee Garbett, in No. 15, 2009)
The Hunt (tpb, 144 pages, 2010, ) collects:
 "The Hunt" (with Fernando Pasarin, in #21–23, 2009)
 "Matter of Trust" (with Fernando Pasarin, in #24, 2009)
 "Turn to Stone" (with Fernando Pasarin and Derec Donovan, in No. 25, 2009)
The Mighty #1–12 (February 2009 – January 2010)
The Mighty (tpb, 304 pages, 2014, ) collects:
 "The New World" (with Keith Champagne and <mask>g, in No. 1, 2009)
 "New Blood" (with Keith Champagne and <mask>g, in No. 2, 2009)
 "Dirge" (with Keith Champagne and <mask>, in No. 3, 2009)
 "Everybody Pays" (with Keith Champagne and <mask>, in No. 4, 2009)
 "World Gone Wrong" (with Keith Champagne and Chris Samnee, in No.5, 2009)
 "Blue Moon" (with Keith Champagne and Chris Samnee, in No. 6, 2009)
 "Ring of Fire" (with Keith Champagne and Chris Samnee, in No. 7, 2009)
 "Wide Awake" (with Keith Champagne and Chris Samnee, in No. 8, 2009)
 "Chums" (with Keith Champagne and Chris Samnee, in No. 9, 2009)
 "Gates of Eden" (with Keith Champagne and Chris Samnee, in No. 10, 2009)
 "Twilight of the God" (with Keith Champagne and Chris Samnee, in No. 11, 2009)
 "And in the End" (with Keith Champagne and Chris Samnee, in No.12, 2010)
Blackest Night: Tales of the Corps limited

masks:
Peter Snejbjer
Peter Snejbjer
Peter Snebg
Peter Snejbg


title: Peter Tomasi

texts:
 2015)
Superman Annual No. 3, "Savage Dawn" (with various artists, December 2015) collected in Superman: Savage Dawn (hc, 200 pages, 2016, )
Superman vol. 3 #51–52 (with Mikel Janín and Miguel Sepulveda, June–July 2016)
Action Comics vol. 2 #51–52 (with Paul Pelletier, Dale Eaglesham and Scot Eaton, June–July 2016)
Batman/Superman #31–32 (with Doug Mahnke, June–July 2016)
Superman: Rebirth #1 (co-written with Patrick Gleason, August 2016)
Superman vol.4 #1–25, 27-28, 33-39, 42-45, Annual #1, Special #1  (co-written with Patrick Gleason, August 2016 – July 2018)
Super Sons #1–16, Annual #1 (with Jorge Jimenez, April 2017 – July 2018)
Batman:The Merciless #1 (with Francis Manapul, December 2017)
Action Comics #1000 (with Patrick Gleason, June 2018)
Super Sons / Dynomutt Special No. 1 (with Fernando Pasarin, July 2018)
Superman Special No. 1 (with Patrick Gleason, July 2018)
Adventures of the Super Sons #1–12 (with Carlo Barberi, October 2018 – September 2019)
Detective Comics vol. 1 #994-1033, Annual #2-3 (with Doug Mahnke among other artists, February 2019 - February 2021)

Dark Horse Comics
House of Penance (with Ian Bertram and Dave Stewart, 2017)

References

External links

<mask> at Mike's Amazing World of Comics

American comics writers
Comic book editors
DC


title: Lowell Bergman

texts: <mask> (born July 24, 1945) is the Emeritus Reva and David Logan Distinguished Chair in Investigative Reporting at the Graduate School of Journalism at UC Berkeley and founder of the Investigative Reporting Program, where he taught lecture classes and then seminars dedicated to investigative reporting for 28 years. He was also a producer/correspondent for the PBS documentary series Frontline. <mask>’s career spans nearly five decades, most notably as a producer, a reporter and then the director of investigative reporting at ABC News and as a producer for CBS's 60 Minutes leaving in 1998 as the senior producer of investigations for CBS News. In 2019, <mask> retired after a 50-year career in journalism. The story of his investigation into the tobacco industry was chronicled in Michael Mann’s The Insider, which was nominated for seven Academy Awards. <mask> was portrayed by Al Pacino. From 1999 to 2008, <mask> was an investigative correspondent for The New York Times.He forged a partnership between The Times and PBS Frontline in 1999 creating collaborative investigative projects using broadcast, print and the Web. <mask> has received honors for both print and broadcasting, including the Pulitzer Prize for Public Service, awarded to The New York Times in 2004 for "A Dangerous Business" which detailed a record of worker safety violations coupled with the systematic violation of environmental laws in the cast-iron sewer and water pipe industry. That story is the only winner of the Pulitzer Prize to also be acknowledged with every major award in broadcasting. The recipient of numerous Emmys, <mask> has also been honored with six Alfred I. duPont-Columbia University Silver and Golden Baton awards, three Peabodys, two Harvard Goldsmith Awards for Investigative Reporting, a Polk Award, the RFK Grand Prize, a Sidney Hillman Award for Labor Reporting, a Bart Richards Award for Media Criticism, the National Press Club’s Arthur Rowse Award for Press Criticism, a

masks:
Lowell Bergman
Bergman
Bergman
Bergman
Bergman
Bergman
Bergman


title: Lowell Bergman

texts:
 Mirror Award from the S.I. Newhouse School of Public Communications at Syracuse University, and the James Madison Freedom of Information Award for Career Achievement from the Society of Professional Journalists. <mask> was named one of the 30 most notable investigative reporters in the United States, according to Christopher H. Sterling’s six-volume Encyclopedia of Journalism. Through the non-profit production company, Investigative Studios, he has continued to work on documentaries and documentary series serving as Co-Executive Producer with Brian Knappenberger on Netflix’s The Trials of Gabriel Fernandez and as Executive Producer and reporter on Agents of Chaos, a co-production with Alex Gibney’s Jigsaw Productions, and is currently at work on a number of documentary series and a book.Early life and career
<mask>'s grandmother was the first secretary-treasurer of a ILGWU local in New York; his grandfather was also a founder. His father, <mask>, emigrated to the U.S. from Hungary via Cuba in 1938. His mother was born in the United States and had a career in the fashion industry, taught gourmet cooking and then managed 48 apartment units in Mt. Vernon, NY until she passed away at 101 in 2019. <mask> graduated from the University of Wisconsin–Madison, with Honors, in Sociology and History, and was a graduate fellow in philosophy at the University of California, San Diego, where he studied under Herbert Marcuse. In 1969, he co-founded San Diego Free Press (later San Diego Street Journal), an alternative newspaper, with several fellow students. <mask> and others including a former UCSD undergraduate student Richard "Black Dick" Blackburn instigated the probe which later toppled the San Diego financial empire of C. Arnholt Smith, President and CEO of U.S. National Bank in San Diego.<mask> went on to contribute to Ramparts and The San Francisco Examiner. He later worked as an associate editor at Rolling Stoneand as a correspondent for The New York

masks:
Bergman
Bergman
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title: Lowell Bergman

texts:
 times from 1999 to 2008. His work for The New York Times included guiding its first documentary partnerships with PBS' Frontline, covering the energy crisis in California in print and film along with coverage of Al Qaeda both before and after 9/11. Those films and print coverage garnered numerous awards. In 1977, <mask> helped found the Center for Investigative Reporting. He was part of the reporting team that continued the work of Arizona Republic reporter Don Bolles, who was assassinated in 1976 while investigating land fraud committed by organized crime. Television career
From 1978 until 1983, <mask> was a producer, reporter and then in charge of investigative reporting at ABC News.He was one of the original producers of 20/20. In 1983, <mask> joined CBS News as a producer for the weekly newsmagazine 60 Minutes and its lead correspondent, Mike Wallace. Over the course of 14 years, he produced more than 50 stories, ranging from exposes of organized crime, international arms dealing featuring Sarkis Soghanalian, then the world's main supplier to Saddam Hussein, and others to international drug trafficking in Venezuela involving the CIA to the Iran-Iraq and Persian Gulf wars. His five stories on California's then expanding prison system including the super max at Pelican Bay revealed everything from the horrors of solitary confinement to the staging of "gladiator" matches by its correctional officers. He also produced the first U.S. television interviews with Lebanon's Hezbollah leadership in the early 1990s, when they were considered the world's most dangerous terrorists. The story of <mask>'s investigation of the tobacco industry for 60 Minutes was chronicled in the 1999 feature film The Insider, in which <mask> was played by Al Pacino. The success of the film and its allegedly negative characterization of 60 Minutes correspondent Mike Wallace and producer Don Hewitt, led to <mask>'s virtual blacklisting from the show, according to <mask>

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title: Lowell Bergman

texts:
 himself.Reporting across multiple platforms
An early adopter and advocate of the multimedia model, <mask> forged an alliance between The New York Times and Frontline after leaving network news in the late 1990s. The collaboration resulted in a series of stories including California's energy crisis; the country's war on drugs; the rise of Islamic fundamentalism; the roots of 9/11; the credit card and gold industries; the post-9/11 hunt for "sleeper cells" in America; and Al Qaeda's recent attacks in Europe. It also yielded a number of award-winning projects—all with print, broadcast, and online components. Extensive web sites prepared in large part by students in <mask>'s seminar have accompanied many of these projects, i.e. : "Secret History of the Credit Card", "Al Qaeda's New Front", "The Enemy Within", "The Real CSI" and "News War". Drawing on more than 80 interviews with key figures in the print, broadcast and electronic media, and with unequaled, behind-the-scenes access to some of today's most important news organizations, "News War" examined the challenges facing the mainstream news media and the media's reaction. The Poynter Institute has called these sites a “prime example of what many who touted "convergence journalism" hoped might happen—journalism that leverages the strengths of each media to tell a more complete story than any one media could tell on its own.”

Collaborating with other New York Times reporters, <mask> helped produce a series of in-depth articles detailing the financial arrangements between Vice President Dick Cheney and Halliburton, both before and after his retirement as CEO of that firm to re-enter politics.Awards and honors
<mask> has received top honors in both print and broadcasting. The New York Times won the 2004 Pulitzer Prize for Public Service, citing "the work of David Barstow and <mask> that relentlessly examined death and injury among American workers and exposed employers who break basic safety rules."

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title: Lowell Bergman

texts:
 The series, "A Dangerous Business", detailed a record of egregious worker safety violations coupled with the systematic violation of environmental laws in the iron sewer and water pipe industry. That story, which appeared as both a print series and a documentary, is the only winner of the Pulitzer Prize also to be acknowledged with every major award in broadcasting. In May 2006, <mask> was named the Reva and David Logan Distinguished Professor at the University of California, Berkeley's Graduate School of Journalism. He is the recipient of numerous Emmys and other honors including six Alfred I. duPont-Columbia University silver and golden awards, three Peabodys, a Writers Guild Award, the National Press Club's Consumer Journalism Award for Television on the credit card industry, a George Polk Award, a Sidney Hillman award for labor reporting, and the James Madison Freedom of Information Award for Career Achievement from the Society of Professional Journalists. Academic highlights
In addition to being a mentor to a generation of journalists from around the world, working with and directing them on major investigations, <mask> also serves as the conduit between student projects and their publication in some of the country’s top media outlets.Projects produced out of his investigative reporting seminars at the Graduate School of Journalism at the University of California, Berkeley have reached mass audiences and have had significant impact, appearing on national television, including PBS' Frontline and Frontline/World, as well as ABC's '20/20', Nightline, CBS Evening News, and 60 Minutes II; and in print, where students have been the primary authors or contributors of stories that have appeared in the pages of The New York Times, Los Angeles Times, "The Washington Post", and San Francisco Chronicle, as well as a wide variety of magazines, The Atlantic, and international and local newspapers. This work, especially in recent years, demonstrated that

masks: Bergman Bergman


title: Lowell Bergman

texts:
 investigative reporting written and produced by students – and guided by veteran reporters – can help raise the standards of journalism nationally. <mask> also helps in securing financial support from both private donors and foundations for travel and research expenses that facilitate the students’ work. In addition to being the first President of the Center for Investing Reporting in 1997, he was a consultant involved in the creation of Pro Publica thirty years later as well as being founder of the Investigative Reporting Program {IRP} at UC Berkeley in 2006. His served as Executive Director and Chairman of the Board of the then UC, Berkeley affiliated Investigative Studios, a non profit production company until late 2019. Investigative Studios and the IRP helped support Russian journalists in the creation of an independent newsroom, The Bell,  on the ground in Moscow. In May 2007, <mask> established three annual Fellowships in Investigative Reporting at UC Berkeley.This year-long program is without peer at any academic institution in the nation and is designed to nurture young journalists who want to pursue a career in in-depth public service reporting by providing them with a salary, benefits and editorial guidance. "With the economics of major news organizations deteriorating," said <mask>, "this kind of public interest journalism involving time-consuming investigative work is endangered as never before. These fellowships will provide both a refuge and a base of operations for a new generation of investigative reporters. The program had is last group of fellows in residence through 2020. " Interviews
 "Smoke In The Eye: a Talk With <mask>", PBS Frontline (1999). "There's a major difference between All The President's Men and The Insider", <mask> has said of the comparison between the 1976 film on Watergate and Hollywood's new version of the events depicted in Frontline's report, "Smoke in the Eye". "In All the President's Men, the editors and

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title: Lowell Bergman

texts:
 reporters are heroes.That's not the case here." "Long March through the Institution" of Television Journalism; Conversation with <mask>. Part of the "Conversations with History" series, Institute of International Studies, UC Berkeley with Harry Kreisler, (2001)
 On September 27, 2006, <mask> appeared on The Colbert Report. On February 27, 2007, <mask> was interviewed by Terry Gross of WHYY's Fresh Air about the Frontline documentary "News War: Secrets, Spin and the Future of the News." The four-part series, which <mask> co-produced, is about the mainstream news media and the political, legal and economic forces acting on it. The third installment looks at how the pressure for profits and shifting advertising dollars are affecting the news business. On February 27, 2007, <mask> was interviewed for the What's happening to the news?segment by Marketplace's Kai Ryssdal about how the Internet has changed journalism. On June 11, 2007, <mask> was interviewed by George Stroumboulopoulos for CBC Television's news magazine, The Hour''. On January 26, 2009, <mask> discussed Halliburton's record $560 million settlement with the Justice Department and the SEC for violations of the Foreign Corrupt Practices Act with NPR's All Things Considered. <mask>'s documentary on bribery in international commerce will air on PBS "Frontline"  April 7, 2009. References

External links

 <mask>'s home page at the UC Berkeley Graduate School of Journalism. CNN on The Insider, (November 1999). A chronology of the 60 Minutes decision not to air the tobacco industry exposé.(1999). American investigative journalists
American journalism academics
University of California, Berkeley Graduate School of Journalism faculty
The New York Times writers
Television producers from California
University of California, San Diego alumni
University of Wisconsin–Madison College of Letters and Science alumni
People from Madison, Wisconsin
1945 births
Living people
Television producers from New

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Bergman
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Lowell Bergman


title: Éric Ciotti

texts:
<mask> (born 28 September 1965) is a French politician who has represented the 1st constituency of Alpes-Maritimes in the National Assembly since 2007. A member of The Republicans (LR), he sought the party's nomination for the 2022 presidential election at its 2021 congress; he placed first in the first round of voting but was defeated by Valérie Pécresse in the second round. <mask> previously briefly served as First Deputy Mayor of Nice under Mayor Christian Estrosi in 2008, before he assumed the presidency of the Departmental Council of Alpes-Maritimes from 2008 to 2017. Political career

Early career in local politics
<mask> was elected to the General Council of Alpes-Maritimes in 2008 in Saint-Martin-Vésubie following the resignation of incumbent councillor Gaston Franco. He was elected by his peers to the body's presidency the same year, succeeding Nice Mayor Christian Estrosi. <mask> had previously failed to be elected in the canton of Nice-1 in the 2008 cantonal election, having been defeated by incumbent Socialist Marc Concas. Following the 2015 departmental election, in which he was elected in Tourrette-Levens, the Departmental Council of Alpes-Maritimes replaced the General Council of Alpes-Maritimes.After the adoption of a new law organising cumul des mandats restrictions, <mask> resigned the presidency in 2017 while keeping his councillor mandate. Member of the National Assembly, 2007–present

<mask> was elected to the National Assembly during the 2007 election; he was reelected in 2012 and 2017. In parliament, <mask> has been serving on the Committee on Legal Affairs since 2007. Since 2017, he has also been a quaestor and therefore part of the Assembly's Bureau in the 15th legislature of the French

masks:
Éric Ciotti
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Éric Ciotti
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title: Éric Ciotti

texts: Fifth Republic, under the leadership of president Richard Ferrand. He recently recognized having had an affair with Nadine Morano while in office. Ahead of the UMP's 2012 leadership election, <mask> managed François Fillon's campaign. When Fillon's opponent Jean-François Copé eventually won, <mask> was one of more than 50 party members who threatened to form a new centre-right caucus within the UMP parliamentary group under the leadership of Fillon.In September 2014, <mask> joined Fillon, Étienne Blanc, Pierre Lellouche and Valérie Pécresse on an official trip to Iraq. Ahead of the Republicans' 2016 primaries, <mask> managed former President Nicolas Sarkozy's campaign for the presidential nomination, alongside Catherine Vautrin. Also in 2016, he formally requested that prosecutors investigate President François Hollande over a potential breach of security allowing revelations that Hollande disclosed classified information to journalists. Amid the Fillon affair, <mask> succeeded Gérald Darmanin as deputy of the Republicans' secretary general Bernard Accoyer and subsequently became a vocal defender of Fillon as the party's candidate for the 2017 presidential election. When magistrates put Fillon under formal investigation on suspicion of embezzling state funds, Ciotti publicly state "I trust and support Francois Fillon more than ever". When Fillon called on members to vote for Emmanuel Macron in the second round of the election against Marine Le Pen, Ciotti refused to endorse Macron. In The Republicans' 2017 leadership election, Ciotti endorsed Laurent Wauquiez.In 2018, Wauquiez included him in his shadow cabinet; in this capacity, he served as opposition counterpart to Minister of the Interior Christophe Castaner.

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title: Éric Ciotti

texts:
 In 2020, <mask> became the Parliament's rapporteur on how the government handled the COVID-19 pandemic in France. In 2021, <mask> announced his intention to run as The Republicans's candidate in the 2022 presidential election. <mask> narrowly placed first at the 2021 The Republicans congress and proceeded to the primary second round, in which he was defeated by Valérie Pécresse. Political positions

Domestic policy
In 2019, Ciotti successfully added an amendment to an education bill to make it mandatory for classrooms to display both a French and European Union flag in all classrooms. In 2020, Ciotti proposed a bill to the National Assembly which would prohibit the dissemination of images depicting functions of the national police, municipal police, military and customs officers; with a maximum penalty of 15,000 euros and a year in prison for violators. For the Marianne magazine, <mask> <mask> joined Marine Le Pen's positions on security, identity, immigration and Islamism, sharing with her "an ethnic and identity-based vision of the nation".He thus proposes to change the nationality code in order to abolish the jus soli in favour of the jus sanguinis alone, to include in the Constitution "our Christian origins", as well as to accentuate security policies (creation of 100,000 additional prison places, lowering of the criminal majority to 16 years, suppression of family allowances to "parents of children who do not respect the values of the Republic"). He seems to adhere to the Great Replacement theory; in 2021, he stated "our society is changing, if we have to talk about 'great replacement', I talk about 'replacement'". In 2021, he stated that "what differentiates [The Republicans] from the National Rally is our

masks: Ciotti Ciotti Ciotti Éric Ciotti


title: Lewis Grizzard

texts:
<mask>. (October 20, 1946 – March 20, 1994) was an American writer and humorist, known for his Southern demeanor and commentary on the American South. Although he spent his early career as a newspaper sports writer and editor, becoming the sports editor of the Atlanta Journal at age 23, he is much better known for his humorous newspaper columns in the Atlanta Journal-Constitution. He was also a popular stand-up comedian and lecturer. <mask> also published a total of 25 books, including collections of his columns (e.g. Chili Dawgs Always Bark at Night), expanded versions of his stand-up comedy routines (I Haven't Understood Anything Since 1962), and the autobiographical If I Ever Get Back to Georgia, I'm Gonna Nail My Feet to the Ground. Although much of his comedy discussed the South and <mask>'s personal and professional lives, it was also a commentary on issues prevalent throughout America, including relationships between men and women (e.g. If Love Were Oil, I'd Be About a Quart Low), politics, and health, especially heart health.<mask> was also the stepbrother of the Southern humorist Ludlow Porch. Biography
<mask> was born in Fort Benning, Georgia. His father, <mask>, Sr., was a soldier in the United States Army who served in both World War II and the Korean War, and was a sole survivor of a Chinese attack that wiped out his platoon. <mask>. left his wife Christine, a school teacher, when <mask>. was young, and mother and son moved in with Christine's parents in Moreland, Georgia, where <mask> spent the rest of his childhood. <mask> recounted his often frustrating relationship with his father in My Daddy Was a Pistol and I'm a Son of a Gun, and blamed his father's difficulties in civilian life on what at the time was called "battle fatigue" and is now called post-traumatic stress disorder, saying, "Daddy

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title: Lewis Grizzard

texts: came home from his second war" (the Korean War) "a complete mess, the Army did nothing to help him, and he died young." He began his writing early, publishing stories of his Little League team in the nearby Newnan Times-Herald, Newnan, Georgia. <mask> attended the University of Georgia in Athens, where he was a member of the Sigma Pi fraternity and Gridiron Secret Society.During his time in Athens, he became an avid Georgia Bulldogs fan. He studied journalism, but he shunned the school newspaper in favor of the independent Athens Daily News. Before graduating with an bachelor's degree in journalism, <mask> moved on to Atlanta, joining the Atlanta Journal, and becoming the youngest-ever executive sports editor of the Journal at the age of 23. The executive editor of the Journal, Jim Minter, said that had <mask> stayed there, he would be remembered today as one of the great newspaper editors of the 20th century. His time there included the Marshall University football team tragedy and the Journals coverage of Hank Aaron's 715th home run. <mask> then left to become the executive sports editor at the Chicago Sun-Times. He later recalled this as the most miserable period of his life.His tenure included a controversy involving the removal of several news columns written by Lacy Banks, the Sun-Times first African-American sports columnist, from the newspaper, which resulted in Banks charging racism against <mask> and led to Banks's subsequent firing. Although the newspaper, under editor Jim Hoge, supported Grizzard, a federal arbitrator reinstated Banks, and he criticized <mask> as "racially insensitive". <mask>, for his part, contended that the arbitrator did not understand the newspaper business, and he pointed out that he had replaced Banks with Thom Greer, a writer who was also African-American. <mask> felt this

masks: Grizzard Grizzard Grizzard Grizzard Grizzard Grizzard Grizzard Grizzard


title: Lewis Grizzard

texts: invalidated any charge of racism. One Chicago radio announcer who sympathized with <mask> said that Grizzard had been pronounced "guilty by geography". Grizzard was also divorced for the second time while living in Chicago. <mask>'s career as a newspaper man in Chicago is recalled in If I Ever Get Back to Georgia, I'm Gonna Nail My Feet to the Ground.In 1977, <mask> returned to Atlanta as a columnist for the sports section of the Atlanta Constitution newspaper. After eight months, he switched to writing the humor/life column that eventually made him famous. He published this column about four days per week. At his peak, he was syndicated in 450 newspapers and making regular appearances on television and the stand-up comedy circuit. His popularity in Atlanta was such that the alternative newspaper Creative Loafing, in its annual "Best of Atlanta" poll, included the categories "Best Columnist" and "Best Columnist besides <mask>". <mask> often drew criticism for his disparaging remarks about gay people and feminists, and his dislike for the New South and reflections on the "Old South" of his youth were frequently misinterpreted. Nevertheless, he was extremely popular in the South, and he had enduring popularity across the nation because of the perceived humor, humanity, patriotism, and "old-fashioned" values that permeated his writing.His frequent bewilderment by sociocultural trends in the 1980s and 1990s struck a chord with many baby boom readers. <mask> refused to use computers, writing every column or book on a regular typewriter. ("When I write, I like to hear some noise", he wrote.) In 1988, <mask> made his acting debut on the sitcom Designing Women, in the episode "Oh Brother", which first aired on 18 January 1988. <mask> played the role of Clayton Sugarbaker, the half-brother of Julia and Suzanne

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title: Lewis Grizzard

texts: Sugarbaker. Clayton was a former mental patient aspiring to be a stand-up comedian. <mask> had a somewhat troubled life, battling alcoholism, and going through three divorces.He was voted "the Author From Hell" at a publishing convention for his behavior on book tours. He also suffered from a congenital heart defect — a valve problem. In his own words, "There are three little leaflets that control the flow of blood to the heart. I was born with only two of those leaflets. It was just after the Great War, so there may have been a shortage. Either that or my daddy didn't get a good toe-hold." His near-death after his third valve-replacement surgery in 1993 brought in over 50,000 letters from well-wishers.He later attributed his miraculous recovery to the prayers of his fans. A few days after marrying for the fourth time, <mask> died of complications of his fourth heart-valve surgery. Prior to his surgery, he was asked if he had any questions; his reply: "I just have one question: When's the next bus to Albuquerque?" As a result of the surgery, <mask> suffered from brain damage, according to one report, from lack of oxygen to his brain. Had he survived, he would have been quite impaired. In accordance with his wishes, his body was cremated, and some of his ashes were scattered at the 50-yard line of the Sanford Stadium at the University of Georgia. The typewriter he used to author columns about the Atlanta Braves' 1991 "worst to first" season is on display in the library of the University of Georgia's Grady College of Journalism and Mass Communication.<mask> never fathered any children, but he did adopt Jordan, the daughter of his fourth wife. A <mask>zard Museum, featuring personal effects and professional memorabilia such as his typewriter, is now open in Moreland, Georgia. Originally housed in a gas station by a

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title: Lewis Grizzard

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 fan, it has been moved to a new, two-story museum complex (the former Moreland Mill). Published works
Kathy Sue Loudermilk, I Love You: A Good Beer Joint Is Hard to Find and Other Facts of Life (1 December 1979) (collection of columns previously published in The Atlanta Journal-Constitution)
Won't You Come Home, Billy Bob Bailey? : An Assortment of Home-Cooked Journalism for People Who Wonder Why Clean Underwear Doesn't Grow on Trees (1 November 1980) (collection of columns previously published in The Atlanta Journal-Constitution)
Glory! Glory! Georgia's 1980 Championship Season: The Inside Story (1981) (Loran Smith with <mask>)
Don't Sit Under the Grits Tree With Anyone Else but Me (1 November 1981) (collection of columns previously published in The Atlanta Journal-Constitution)
They Tore Out My Heart and Stomped That Sucker Flat (1 October 1982)
If Love Were Oil, I'd Be About a Quart Low (1 October 1983)
Elvis Is Dead and I Don't Feel So Good Myself (1 October 1984)
Shoot Low Boys - They're Riding Shetland Ponies (1 October 1985)
My Daddy Was a Pistol and I'm a Son of a Gun (1 October 1986)
When My Love Returns From the Ladies Room, Will I Be Too Old To Care?(1 October 1987) (collection of columns previously published in The Atlanta Journal-Constitution)
Don't Bend Over in the Garden, Granny - You Know Them Taters Got Eyes (1 October 1988)
<mask> on Fear of Flying (1 April 1989)
<mask>'s Advice To The Newly Wed ... & the Newly Divorced (1 April 1989)
Chili Dawgs Always Bark At Night (1 September 1989) (collection of columns previously published in The Atlanta Journal-Constitution)
Does a Wild Bear Chip in the Woods? (1 May 1990)
If I Ever Get Back to Georgia, I'm Gonna Nail My Feet to the Ground (1 October 1990)
Don't Forget To Call Your Momma; I Wish I Could Call Mine (1 April 1991)
You Can't Put No Boogie

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Lewis Grizzard
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title: Lewis Grizzard

texts:
 Woogie on the King of Rock and Roll (1 October 1991) (collection of columns previously published in The Atlanta Journal-Constitution)
I Haven't Understood Anything Since 1962 and Other Nekkid Truths (1 October 1992)
I Took a Lickin' and Kept on Tickin' and Now I Believe in Miracles (1 January 1994)

Posthumous collections
The Last Bus To Albuquerque (1 September 1994) (collection of columns previously published in The Atlanta Journal-Constitution)
It Wasn't Always Easy But I Sure Had Fun (1 November 1994) (collection of previously published material)
Life Is Like a Dogsled Team ... If You're Not the Lead Dog, the Scenery Never Changes — The Wit and Wisdom of <mask> (1 May 1995) (collection of previously published material)
Grizzardisms: The Wit and Wisdom of <mask> (1 June 1995) (collection of previously published material)
Southern by the Grace of God — <mask> Grizzard on the South (1 May 1996) (collection of previously published material)

Live comedy albums
On the Road With <mask> Grizzard (1985)
Live! (From Moreland to Moscow) (1986)
Let's Have a Party! With <mask> Grizzard (1987)
Addicted to Love (Live) (1989)
Don't Believe I'da Told That (1991)
The Best of <mask> Grizzard (1994) (collection of previously released material)
One Last Time (1994)
Alimony: The Bill You Get, for the Thrill You Got (1994)
Lewis Grizzard (2001) (collection of previously released material)
An Evening with Lewis Grizzard (2001) (DVD)

References

External links
Georgia Encyclopedia entry on Lewis Grizzard

1946 births
1994 deaths
American columnists
American humorists
American male journalists
American sportswriters
Writers from Georgia (U.S. state)
People from Coweta County, Georgia
University of Georgia alumni
The Atlanta Journal-Constitution people
Chicago Sun-Times people
20th-century American non-fiction writers
20th-century

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title: Lu You

texts:
<mask> (; 1125–1209) was a Chinese historian and poet of the Southern Song Dynasty (南宋). Career

Early life and marriage
<mask> was born on a boat floating in the Wei River early on a rainy morning, October 17, 1125 (Chinese calendar). At the time of his birth, China was divided and the Song dynasty in the northern part of the country had been invaded by the Jurchens of the Jin dynasty in the Jin–Song wars. The southern part of China continued to hold out as the Southern Song dynasty for another 150 years, but during <mask>'s entire life, the country was threatened by invasion from the north. He is known for his many patriotic poems. One year after his birth, the troops of the Jin dynasty conquered the capital of the Northern Song dynasty; his family fled to the south. <mask>'s family included government officials, and he received a good education.He was brought up to be patriotic, and grew up determined to expel the foreign Jurchen from the North and bring about the reunification of China under the Song dynasty. <mask> grew up with his cousin Tang Wan (唐琬), who was quiet but loved literature. They fell deeply in love and were married when he was 20. But they had no children, and his mother did not like Tang Wan. Though they had lived happily together, his mother forced them to divorce in

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title: Lu You

texts: order to make <mask> concentrate on studying to fulfill his aspiration of saving the Song dynasty. In traditional Chinese culture, children were required to obey their parents. <mask> loved his mother and reluctantly divorced Tang Wan.She later married a nobleman named Zhao Shicheng (趙士程), and he married a woman from the Wang clan (her personal name eludes most researchers). <mask> was sad after his first marriage broke up. One spring day, at age 31, eight years after their divorce, he passed by Shen's Garden (沈園) and by chance encountered Tang Wan and her husband. Tang Wan asked her husband to let her send a cup of wine to <mask>. When her hands passed the wine to him, he saw her eyes brimmed with tears. His heart was broken, and he drank the cup of bitter wine to the bottom. He turned away and on the spot wrote the poem "Fonqhwang Hairpinin" (Chai Tou Feng, 釵頭鳳)  on the wall of Shen's Garden.After this meeting with Tang Wan, <mask> went to the North to struggle against the foreign Jin dynasty, before returning to southern Shu (蜀, today's Sichuan) to pursue his dream of unifying China. When Tang Wan read <mask>'s poem in the garden, she immediately wrote one in the same form in response. Less than a year later, she died. In the year before <mask>'s death, at age 85, he wrote another

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texts:
 poem called “Shen's Garden” to commemorate Tang Wan, his first love. A traditional Yue opera was written about <mask> and Tang Wan, and their love story is very famous in China. Official career

At age 12, <mask> was already an excellent writer, had mastered the skill of sword fighting, and had delved deeply into war strategy. At age 19, he took the civil service examination, but did not pass.Ten years later, he took it again; this time he not only passed it, he was the first winner in the Lin An region. But this triumph brought him trouble. Qin Sun, the grandson of the powerful Qin Hui (秦檜, a notorious aristocratic traitor in the Song Dynasty), had also taken the exam. <mask>'s win threatened Qin Sun's position, as <mask> was now likely to take first place in the next year's national examination. In fact, not only <mask>, but all the potential winners of the next year's nationwide competition were excluded, along with even some of the examination officers. After Qin Hui's death, <mask> started his official career in government. Because he avidly insisted on fighting against the Jin dynasty and did not follow the mainstream official lethargy on the subject, he was dismissed from his job.In 1172, he was hired to do strategic planning in the military. Military life opened his eyes and

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title: Lu You

texts: mind; he hoped to fulfill his aspiration of bringing a divided China back together. He wrote many unrestrained poems to express his passionate patriotism. But the Song Dynasty was by now corrupt and indolent; most officers just wanted to make a nice living; <mask> had no opportunity to deploy his talent. "Entering upon a public career by virtue of his father's services, he fell into disfavour with Qin Hui; but after the latter's death he received an appointment, and in 1163 the Emperor Xiaozong(孝宗) made him a Compiler for the Privy Council and conferred upon him the honorary degree of Jinshi(進士)." He was unsuccessful in his official career: he adopted a patriotic irredentist stance, advocating the expulsion of the Jurchen from northern China, but this position was out of tune with the times. In 1175, Fan Chengda(范成大) asked him to join his party.They shared literary interests, and now behaved casually in official society. <mask> felt there was no place for him in official life, and started to become self-indulgent, enjoying drinking to forget his lack of success in his personal life and career pursuit. He gave himself the art name "Fangweng" (放翁), meaning "Liberated Old Man", and was sarcastic about himself in his poems. After several promotions and demotions, <mask> retired in 1190 to

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title: Lu You

texts:
 live in seclusion in his hometown Shaoxing (紹興, now in Zhejiang province), then a rural area. He spent the last twenty years of his life there. <mask> enjoyed good health and liked eating pearl barley and tree-ear mushrooms. This habit kept his vision and hearing keen until death.During his retirement, he still ardently supported fighting against the Jin dynasty, but without success. His wife died in 1197. On December 29, 1209 (Chinese calendar),  he died at age 86. His great regret was knowing that northern China was still in the control of the foreigners. Style
<mask> wrote about eleven thousand poems, in both the shi (詩) and ci (詞) forms, plus a number of prose works, which made him the poet who ranks the top in the list of numbers of the poems left before 15C. In his poetry he continues to articulate the beliefs which cost him his official career, calling for reconquest of the north. Watson identifies these works as part of the legacy of Du Fu (杜甫).Watson compares a second body of work, poems on country life and growing old, to those of Bai Juyi (白居易) and Tao Qian (陶潛). His style can be divided into three periods. First Period
The first Period of <mask>'s works is from his teenage years to age 46. This period, although the longest, contains the fewest of his works, about two hundred