title: Dieter Gerhardt

texts:
 War, Gerhardt was allegedly able to use his position to supply the Soviets with detailed information about the locations of Royal Navy ships in the south Atlantic that the South African Navy intercepted at Silvermine. Admiral of the Fleet Lord Hill-Norton publicly contradicted this view, but supported screening of Royal Navy officers who had been in contact with Gerhardt throughout his career. Gerhardt visited the USSR five times during his career, while his wife travelled with him twice in 1972 and 1976. He was reportedly paid 800,000 Swiss francs by the GRU for his spying activities; his contact in the GRU said that money was not the motive for Gerhardt. Arrest, trial and subsequent release
Gerhardt's cover was finally blown by Soviet double agent Vladimir Vetrov (given the codename "Farewell" by France's DST intelligence service) He was arrested at his hotel in New York City in January 1983 in a sting operation by the Federal Bureau of Investigation while he was taking a degree in mathematics at Syracuse University.The CIA interrogated him for 11 days, during which time he gave up one of his Soviet handlers, Vitaly Shlykov (codename "Bob"). Shlykov, who did not know that the Gerhardts had been arrested, was also arrested on 25 January when he travelled to Zurich under the alias "Mikhail Nikolayev" for a pre-arranged meeting with <mask>. He had in his possession $100,000 in cash that he intended to pay her; he did not disclose his real identity to Swiss authorities, and was sentenced to three years imprisonment for spying. P.W. Botha announced <mask>'s arrest to the world in a special press conference on 26 January 1983. Following his deportation to South Africa, Gerhardt and his wife were tried in camera in the Cape Town Supreme Court, with the prospect of a death sentence being handed down for high treason. In his trial, Gerhardt stated that the repulsion he felt towards his father's right-wing political beliefs drove him to fight apartheid by serving the USSR.According to Gerhardt, he deliberately attempted to sow

masks:
Ruth Gerhardt
Gerhardt


title: Dieter Gerhardt

type: original

texts: confusion in the trial by stating in his defence that he had spied for an unnamed third country that was not hostile to South Africa. His first wife described him as a "traditional apartheid-accepting South African"; he had told her that he wanted revenge against the South African government for interning his father, a Nazi sympathizer, during World War II. <mask> claimed in her defence that she thought he was a double agent working for South Africa. Judge George Munnik sentenced him to life imprisonment in December 1983, while his wife Ruth received a 10-year sentence for acting as a courier. The judge said that he would have passed the death sentence on Gerhardt that the prosecution sought if the information he had passed to the Soviet Union had led to the death of a South African soldier. Ruth Gerhardt served her sentence together with Barbara Hogan and other anti-apartheid dissidents. In 1988, she attempted to gain her freedom by renouncing violence, and thereby take advantage of an offer made by PW Botha to political prisoners like Nelson Mandela, however the request was turned down by Justice Goldstone.<mask> <mask> was one of the imprisoned spies who was mooted for inclusion in a 1989 East-West prisoner exchange amongst a number of countries that did not materialise. In 1990 when FW de Klerk unbanned organisations such as the ANC and released political prisoners like Nelson Mandela, Gerhardt was not one of those who was freed. He was visited in prison on 22 January 1992 by a delegation from the ANC, who were seeking information regarding the SADF that might have assisted them in CODESA negotiations with the National Party government. Gerhardt was released in August 1992 following his application for release, political pressure in South Africa and an appeal by Russian premier Boris Yeltsin to South African President FW de Klerk when the latter visited Moscow after the dissolution of the Soviet Union. Former Minister of Defence Magnus Malan said that the former spy's release was a precondition to the restoration of

masks:
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Dieter
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title: Dieter Gerhardt

texts:
 diplomatic ties and the signing of a trade agreement between South Africa and the Russian Federation. Gerhardt moved to Basel, Switzerland, following in the footsteps of his Swiss wife <mask>, who was released in 1990 following a request from the Swiss government. He stated upon his release that: "I did not feel like a traitor or someone who was betraying his colleagues.I was a political activist fighting the evil regime of apartheid. It was nothing personal." Gerhardt was subsequently granted amnesty in 1999 by the Truth and Reconciliation Commission, and his rank of rear admiral restored. Nuclear weapons controversy

He claimed that the United States and the Soviet Union met in 1978 to discuss South Africa's nuclear weapons programme, and that the Soviets proposed a pre-emptive strike on the Pelindaba plant. In February 1994, he told Des Blow of the Johannesburg City Press that the Vela Incident was the result of a joint Israeli-South African nuclear test, code-named Operation Phoenix. He stated that he had no official knowledge of the alleged test, but was not ready to provide further details. In a subsequent interview with David Albright in March 1994, he stated that no South African warships had been involved, but declined to provide further details.Popular Mechanics contends that the mystery surrounding the incident would finally have been resolved if Gerhardt were a more credible source, while other authors suggest that newly declassified documents increase the credibility of his claims. See also
 John Anthony Walker

Further reading

Notes

Footnotes

References

External links

<mask> Gerhardt  (Translation)
Operation Felix  (Translation)

South African Navy personnel
South African spies for the Soviet Union
South African people convicted of spying for the Soviet Union
1935 births
Living people
Admitted Soviet spies
Israel–South Africa relations
GRU officers
1983 in international relations
1983 in South Africa
People convicted of treason
Opposition to apartheid in South Africa
Cold War military history of South

masks:
Ruth Gerhardt
Dieter


title: Nicolas Isimat-Mirin

texts:
<mask> (; born 15 November 1991) is a French professional footballer who plays as a central defender for American Major League Soccer club Sporting Kansas City. Early career
Isimat-Mirin was born in Meudon, in the southwestern suburbs of Paris, to Guadeloupean parents. When he was six years old, his family moved to Roissy-en-Brie. Isimat-Mirin began his career at France at Roissy-en-Brie. During his time there, he became friends with Paul Pogba, Florentin Pogba and Mathias Pogba. Isimat-Mirin then moved to Clairefontaine football academy and is a graduate of football academy. Club career

Valenciennes

After his departure from Clairefontaine, Isimat-Mirin joined Rennes and spent two seasons at the club before transferring to Valenciennes in 2009.He spent the 2009–10 season playing on the club's Championnat de France amateur 2 team. Isimat-Mirin's progress led to him being called up to Valenciennes’ first team, appearing as an unused substitute against Bordeaux on 28 April 2010. At the start of the 2010–11 season, Isimat-Mirin appeared in the first team for the first time this season as an unused substitute against Auxerre on 21 August 2010. A month later, he was promoted to the first team by manager Philippe Montanier. On 21 September 2010, Isimat-Mirin made his professional debut in a Coupe de la Ligue match against Nîmes Olympique appearing as a substitute, as  Valenciennes won the match 5–4 on penalties. Five days later on 26 September 2010, he made his league debut for the club, as they lost 1–0 against Brest. On 19 October 2010, Isimat-Mirin signed his first professional contract agreeing to a three-year


title: Hans Hofmann

texts: <mask> (March 21, 1880 – February 17, 1966) was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstract Expressionism. Born and educated near Munich, he was active in the early twentieth-century European avant-garde and brought a deep understanding and synthesis of Symbolism, Neo-impressionism, Fauvism, and Cubism when he emigrated to the United States in 1932. <mask>'s painting is characterized by its rigorous concern with pictorial structure and unity, spatial illusionism, and use of bold color for expressive means. The influential critic Clement Greenberg considered <mask>'s first New York solo show at Peggy Guggenheim’s Art of This Century in 1944 (along with Jackson Pollock’s in late 1943) as a breakthrough in painterly versus geometric abstraction that heralded abstract expressionism. In the decade that followed, <mask>'s recognition grew through numerous exhibitions, notably at the Kootz Gallery, culminating in major retrospectives at the Whitney Museum of American Art (1957) and Museum of Modern Art (1963), which traveled to venues throughout the United States, South America, and Europe. His works are in the permanent collections of major museums around the world, including the Metropolitan Museum of Art, Tate Modern, Germanisches Nationalmuseum, National Gallery of Art, and Art Institute of Chicago.<mask> is also regarded as one of the most influential art teachers of the 20th century. He established an art school in Munich in 1915 that built on the ideas and work of Cézanne, the Cubists and Kandinsky; some art

masks:
Hans Hofmann
Hofmann
Hofmann
Hofmann
Hofmann


title: Hans Hofmann

texts:
 historians suggest it was the first modern school of art anywhere. After relocating to the United States, he reopened the school in both New York City and Provincetown, Massachusetts until he retired from teaching in 1958 to paint full-time. His teaching had a significant influence on post-war American avant-garde artists—including Helen Frankenthaler, Nell Blaine, Lee Krasner, Joan Mitchell, Louise Nevelson, and Larry Rivers, among many—as well as on the theories of Greenberg, in his emphasis on the medium, picture plane, and unity of the work. Some of <mask>'s other key tenets include his push/pull spatial theories, his insistence that abstract art has its origin in nature, and his belief in the spiritual value of art. <mask> died of a heart attack in New York City on February 17, 1966. Biography
<mask> was born in Weißenburg, Bavaria on March 21, 1880 to Theodor Friedrich <mask> (1855–1903) and Franziska Manger <mask> (1849–1921).In 1886, his family moved to Munich, where his father took a job with the government. From a young age, Hofmann gravitated towards science and mathematics. At age sixteen, he followed his father into public service, working for the Bavarian government as assistant to the director of Public Works. He increased his knowledge of mathematics there, eventually developing and patenting devices including an electromagnetic comptometer, a radar device for ships at sea, a sensitized light bulb, and a portable freezer unit for military use. During this time, Hofmann also became interested in creative studies, beginning art lessons between 1898 and 1899 with German artist Moritz Heymann. Between 1900 and 1904, Hofmann met his future

masks:
Hofmann
Hofmann
Hans Hofmann
Hofmann
Hofmann


title: Hans Hofmann

texts: wife, Maria “Miz” Wolfegg (1885–1963) in Munich, and also became acquainted with Philipp Freudenberg, owner of Berlin's high-end department store, Kaufhaus Gerson, and an avid art collector. Freudenberg became Hofmann's patron over the next decade, enabling him to relocate and live in Paris with Miz.In Paris, <mask> studied at the Académie de la Grande Chaumière and Académie Colarossi. He also immersed himself in Paris's avant-garde art scene, working with Matisse and becoming friends with Picasso, Georges Braque, and Robert and Sonia Delaunay. Hoffman worked and exhibited in Paris until the onset of World War I, producing paintings most influenced by the Cubists and Cézanne. Forced to return to Germany, and excluded from military service because of a respiratory condition, <mask> opened an art school in Munich in 1915, developing a reputation as a forward-thinking instructor. In 1930, he was invited to teach on the west coast of the United States, which ultimately paved the way for him to permanently settle in the United States in 1932, where he resided until the end of his life. <mask> and Miz would live apart for six years, until she procured an immigration visa to the United States in 1939. Between 1933 and 1958, Hofmann balanced his studio work with teaching, and as he did in Paris, immersed himself in (and influenced) New York's growing avant-garde art scene.He reopened his art school in 1934, conducting classes in New York and in Provincetown during summer. In 1941, he became an American citizen. During this time, his work drew increasing attention and acclaim critics, dealers and museums. In 1958, he retired from teaching to focus on painting,

masks: Hofmann Hofmann Hofmann


title: Hans Hofmann

texts:
 which led to a late-career efflorescence (at age seventy-eight) of his work. In 1963, Miz <mask>, his partner and wife for over sixty years, passed away after a surgery. Two years later, Hofmann married Renate Schmitz, who remained with him until his death from a heart attack in New York City on February 17, 1966, just prior to his 86th birthday. Work and exhibitions

<mask>'s art is generally distinguished by its rigorous concern with pictorial structure and unity, development of spatial illusion through the “push and pull” of color, shape and placement, and use of bold, often primary color for expressive means.In the first decades of the century, he painted in a modernist, though still identifiably representational style, creating landscapes, still lifes and portraits largely influenced by Cubism and Cézanne in terms of form, and Kandinsky, Matisse and Van Gogh in terms of color. He began an extended period focused solely on drawing some time in the 1920s, returning to painting in 1935. By 1940, however, he began to paint completely abstract works such as Spring, a small oil on panel “drip” painting. Art historians have described that work, and others such as The Wind (1942), Fantasia (1943) and Effervescence (1944), in terms of their “painterly attacks,” jolting contrasts, rich color, and gestural spontaneity as “records of the artist’s intense experience” of paint, color, and processes that were arbitrary, accidental and direct, as well as intentional. They demonstrate <mask>'s early stylistic experimentation with the techniques that would be termed “action painting,” which Pollock and others made famous by the end of the decade. Hofmann believed


title: Hans Hofmann

texts:
 that abstract art was a way to get at important reality, once stating that “the ability to simplify means to eliminate the unnecessary, so that the necessary may speak.”

<mask>'s work in the 1940s was championed by several key figures who initiated a new era of growing influence for art dealers and galleries, including Peggy Guggenheim, Betty Parsons, and Samuel M. Kootz. His first New York solo show at Guggenheim's Art of This Century gallery in 1944 was positively reviewed in the New York Times, ARTnews and Arts Digest.Critic Clement Greenberg regarded that show—and Jackson Pollock's a few months prior—as a “break-out” from the “cramping hold of Synthetic Cubism” on American painting, which opened the path to the more painterly style of abstract expressionism. That same year, Hofmann was also featured in a solo exhibition at The Arts Club of Chicago, and two key group shows of Abstract and Surrealist art in America, curated by Sidney Janis and Parsons. Reviewing a 1945 Hofmann exhibit, Greenberg wrote, “Hofmann has become a force to be reckoned with in the practice as well as in the interpretation of modern art.” Not all critics were uniform in praise; for example, Robert Coates, one of the first to call the new work “abstract expressionism,” expressed skepticism about the “spatter-and-daub” style of painting in a 1946 review of Hofmann's work. In 1947, Hofmann began exhibiting annually at the Kootz Gallery in New York (and would do so every year through 1966, except 1948 when the gallery temporarily closed), and over the next decade continued to gain recognition. In his later period, Hofmann often worked less gesturally, creating works such as The


title: Hans Hofmann

texts:
 Gate (1959–60), Pompeii (1959) or To Miz - Pax Vobiscum (a 1964 memorial after her death), that were loosely devoted to architectonic volumes and sometimes referred to as his “slab paintings.” In these works, he used rectangles of sensual color that reinforced the shape of his consistent easel-painting format and sometimes suggested a modular logic, yet escaped definitive readings through areas of modulated paint and irregular shapes. In 1957, the Whitney Museum put up a large retrospective on Hofmann, which traveled to seven additional museums in the United States over the next year. In his review of the retrospective, critic Harold Rosenberg wrote, “No American artist could mount a show of greater coherent variety than <mask> Hofmann.” In 1960, Hofmann was selected to represent the United States at the Venice Biennale, alongside Philip Guston, Franz Kline and Theodore Roszak.In 1963, The Museum of Modern Art gave a full-scale retrospective, organized by William Seitz, with a catalogue that included excerpts from Hofmann's writings. The exhibit traveled in the next two years to five other venues in the U.S., museums in Buenos Aires and Caracas, and finally to five venues in the Netherlands, Italy and Germany. Posthumous retrospectives of Hofmann's work include shows at the Hirshhorn Museum (1976), Whitney Museum (1990), and London's Tate Gallery ("<mask> Hofmann: Late Paintings," 1988), which was curated by the British painter John Hoyland. Hoyland first encountered Hofmann's work during his first visit to New York in 1964, in the company of Clement Greenberg, and had been immediately impressed. Teaching
Hofmann was renowned not only as an artist but

masks: Hans Hans


title: Hans Hofmann

texts: also as a teacher of art, both in his native Germany and later in the U.S. His value as a teacher lay in the consistency and uncompromising rigor of his artistic standards and his ability to teach the fundamental principles of postwar abstraction to a diverse body of students. He founded his first school, Schule für Bildende Kunst (School of Fine Art) in Munich in 1915, building on the ideas and work of Cézanne, the Cubists, and Kandinsky. His hands-on teaching methods included ongoing discussion of art theory, life drawing sessions, and regular critiques from Hofmann himself, a practice which was a rarity in the Academy.By the mid-1920s, he attained a reputation as a forward-thinking teacher and was attracting an international array of students seeking more avant-garde instruction, including Alf Bayrle, Alfred Jensen, Louise Nevelson, Wolfgang Paalen, Worth Ryder, and Bistra Vinarova. Art historian Herschel Chipp asserted that the school was likely the first school of modern art in existence. <mask> ran the school, including summer sessions held throughout Germany, and in Austria, Croatia, Italy and France until he emigrated to the U.S. in 1932. In the U.S., he initially taught a summer session at the University of California, Berkeley in 1930, at the invitation of former student Worth Ryder, then a member of the art faculty. He taught again at Berkeley and at the Chouinard Art Institute in Los Angeles the next year before again returning to Germany. After relocating to New York City, he began teaching at the Art Students League of New York in 1933. By 1934, Hofmann opened his own schools in New York and in Provincetown, Massachusetts.Many notable


title: Hans Hofmann

texts:
 2015, at a Christie's New York auction, Hofmann's Auxerre (1960), inspired by the expansive stained glass windows of the Cathédrale Saint Etienne in France, achieved a world auction record for the artist at $6,325,000. Hofmann Estate
When Hofmann died on February 17, 1966, his widow, Renate Hofmann, managed his Estate.After Renate's death in 1992, the New York Daily News published an article titled, "From Caviar to Cat Food," which detailed the "sad and tortuous story" of Hofmann's widow. The article contended that Renate's court appointed guardians "milk[ed] the Estate for more than a decade" and allowed the mentally unstable Renate to live "with her cats and liquor in a garbage-strewn oceanfront home." Under threat of prosecution, the original executor of the Hofmann Estate, Robert Warshaw, was successful in having the neglectful guardians pay $8.7 million to the Estate for "extraordinary conscious pain and suffering." Under the will of Renate <mask>, The Renate, Hans and Maria Hofmann Trust was formally created with Warshaw at its head. The mission of the Trust is "to promote the study and understanding of <mask>'s extraordinary life and works" and to accomplish these goals "through exhibitions, publications and educational activities and programs focusing on <mask>" as well as a catalogue raisonné of Hofmann's paintings. The U.S. copyright representative for the Renate, Hans and Maria Hofmann Trust is the Artists Rights Society. See also

 Abstract art
 Abstract Imagists
 Art theory (aesthetics)
 Color field
 Modernism
 The Irascibles
 Western painting

References

Sources
Chipp, Herschel B.. Theories of modern art; a source book by artists and

masks:
Hofmann
Hans Homann
Hans Hofmann


title: Hans Hofmann

texts:
 critics (Berkeley, University of California Press, 1968)
 Greenberg, Clement.Hofmann (Paris, Editions Georges Fall, 1961). <mask>, <mask>; Sara T Weeks; Bartlett H Hayes; Addison Gallery of American Art; Search for the real, and other essays (Cambridge, Massachusetts, M.I.T. Press, 1967) OCLC 1125858

Tapié, Michel. <mask>mann : peintures 1962 : 23 avril-18 mai 1963. (Paris: Galerie Anderson-Mayer, 1963.) [exhibition catalogue and commentary] OCLC: 62515192
Cynthia Goodman, <mask>mann : in conjunction with the exhibition "Hans Hofmann"; Whitney Museum of American Art, New York, June 20, 1990 – September 16, 1990; Center for the Fine Arts, Miami, November 1990 – January 1991; The Chrysler Museum, Norfolk, Virginia, February 1991 – April 1991 (München : Prestel, 1990.) Marika Herskovic, American Abstract Expressionism of the 1950s An Illustrated Survey, (New York School Press, 2003.) .pp. 166–169
 —, New York School Abstract Expressionists Artists Choice by Artists, (New York School Press, 2000.) . p. 16; p. 37; pp. 182–185
ART USA NOW Ed. by Lee Nordness;Vol.1, (The Viking Press, Inc., 1963. pp. 18–21

External links

The Estate of <mask>mann
<mask>mann Biography: Guggenheim Collection (New York)
<mask> Biography: Tate Collection (Tate Gallery, London)
<mask>mann Biography: PBS.org
Information on <mask>mann: Askart.com
PBS interactive pages on <mask>'s "push/pull" theory
A Finding Aid to the <mask>mann papers, circa 1904-2011, bulk 1945-2000 in the Archives of American Art, Smithsonian Institution
Hoffmann works from the collection at the San Francisco Museum of Modern Art. 1880 births
1966 deaths
Abstract painters
People from Weißenburg in

masks:
Hofmann
Hans
Hans Hof
Hans Hof
Hans Hof
Hans Hof
Hans Hofmann
Hans Hof
Hans Hof
Hans Hofmann
Hans Hof


title: Massimo Bruno

texts:
<mask> (born 17 September 1993) is a Belgian footballer who plays as a right winger for TFF First League side Bursaspor. Club career

Charleroi
Born in Boussu, Belgium, <mask> started his football career at RSB Frameries before he moved to Mons. <mask> joined Anderlecht when he was eight years old. <mask> was progressing well at the club until he suffered "a growth spurt and was injured in the heel" and was sidelined for four months. After making a recovery from his injury, however, Anderlecht released <mask> and he returned to Mons. <mask> then joined Charleroi, where he would begin his professional career. After progressing through the ranks at the club, <mask> was part of the squad for two league matches in November 2010, each time as an unused substitute.On 23 March 2011, he finally made his professional debut – and only appearance of the 2010–11 season – in a 3–0 loss to Cercle Brugge. Anderlecht
On 23 May 2011, <mask> signed a three-year deal with Anderlecht, where he had previously played in the youth system. However, in his first season at the club, <mask> failed to appear in the first team and was featured in the club's reserves instead. Ahead of the 2012–13 season, <mask> signed his first professional contract with Anderlecht. On 12 August 2012, he made his debut for the club, coming on as a 85th minute substitute, in a 3–0 win against Cercle Brugge. On 28 August, coming off the bench, <mask> gave the assist for the winning goal against AEL Limassol, securing Anderlecht's place in the UEFA Champions League group stage. On 2 September 2012, he scored his first professional goal in a 2–2 draw against Genk.On 20 November, he signed a

masks:
Massimo Bruno
Bruno
Bruno
Bruno
Bruno
Bruno
Bruno
Bruno
Bruno
Bruno
Bruno


title: Massimo Bruno

texts:
 contract extension with Anderlecht, keeping him at the club until 2017. Anderlecht went on to win the Belgian Pro League following a 1–1 against title contender, Zulte Waregem on the last matchday of the season. <mask> finished the season with 44 appearances and scoring 8 goals in all competitions. In the Belgian Super Cup, <mask> scored the only goal of the game, in a 1–0 win over Genk to help Anderlecht win the cup. He started the 2013–14 season well by scoring five goals in the first month, including a brace against Cercle Brugge. Despite suffering minor setbacks throughout the season, <mask> finished as Anderlecht's joint top-scorer along with Aleksandar Mitrović with 16 goals in all competitions as the club won the Pro League again. RB Leipzig

Red Bull Salzburg (loan)
In June 2014, <mask> signed for RB Leipzig in the 2.Bundesliga and was immediately loaned to sister club Red Bull Salzburg for the 2014–15 season. He made his debut for Red Bull Salzburg, coming on as a substitute in the 66th minute and setting up the ninth goal of the game for the club, in a 10–1 win over 1. SC Sollenau in the first round of the Austrian Cup. <mask> scored his first goal for the club in the last minute of the 2–0 win against SV Ried on 2 August 2014. In his single season with the club, <mask> helped Salzburg to the domestic double, recording 39 total appearances and scoring eight goals. Following his season with Red Bull Salzburg, it was announced that <mask> would be returning to RB Leipzig. Return to RB Leipzig
Returning to RB Leipzig, competing in 2.Bundesliga in the 2015–16 season, <mask> made his debut for the club as a 64th-minute substitute in a 1–0

masks: Bruno Bruno Bruno Bruno Bruno Bruno Bruno Bruno


title: Massimo Bruno

texts:
 win against FSV Frankfurt in the opening game of the season. On 2 April 2016, he scored his first goals for the club in a 3–1 win against VfL Bochum. On 8 May 2016, <mask> came on as a 79th minute substitute and helped the club win 2–0 against Karlsruher SC to seal their first-ever promotion to the Bundesliga. At the end of the 2015–16 season, he had made 26 appearances and scored two goals in all competitions. On 27 August 2016, <mask> made his Bundesliga debut, coming on as a 86th minute substitute in a 1–1 draw against Hoffenheim in what turned out to be his only appearance in the 2016–17 season. Return to Anderlecht (loan)
On 31 August 2016, <mask> returned to his former club Anderlecht on loan for the rest of the 2016–17 season. On 11 September 2016, he made his second debut for the club, coming on as a 79th minute substitute in a 3–2 win against Charleroi.On 3 November 2016, he scored his first goal for the club in two years, in a 6–1 win against 1. FSV Mainz 05 in the UEFA Europa League. On 18 May 2017, he came on as a 77th minute substitute and scored Anderlecht's third goal of the game to win 3–1 over Charleroi, which helped the club to the Pro League title for the first time in three years. Despite missing one match because of injury, <mask> made 39 appearances and scored six goals in all competitions during his first loan spell at Anderlecht. On 1 July 2017, <mask>'s loan at Anderlecht was extended for the 2017–18 season. Anderlecht finished the season in third place behind Club Brugge and Standard Liège, and <mask> finished the campaign with 23 appearances and two goals in all competitions. After the season, it was confirmed that

masks: Bruno Bruno Bruno Bruno Bruno Bruno


title: Massimo Bruno

texts:
 the club opted not to sign him on a permanent deal.Return to Charleroi
On 31 August 2018, <mask> re–joined Charleroi, making his return to the club for the first time in seven years. The following day he made his second debut for Charleroi, coming on as a 61st minute substitute in a 3–1 win over Royal Excel Mouscron. On 10 November 2018, he scored on his return from injury, in a 2–1 win over Club Brugge. Bursaspor
On 14 August 2021, <mask> signed for TFF First League side Bursaspor. On 23 August, he made his debut, setting up the second goal of the game in a 2–1 loss to BB Erzurumspor. On 15 September, <mask> scored his first goal for Bursaspor in a 4–1 win against Samsunspor. Personal life
<mask> is of Italian descent.Career statistics

Honours

Club
Anderlecht
 Belgian Pro League: 2012–13, 2013–14, 2016–17
 Belgian Super Cup: 2013, 2017

Red Bull Salzburg
Austrian Bundesliga: 2014–15
Austrian Cup: 2014–15

References

External links

 Belgium profile at Belgian FA

1993 births
Living people
People from Boussu
Association football wingers
Belgian footballers
Belgium youth international footballers
Belgium under-21 international footballers
Belgian people of Italian descent
R. Charleroi S.C. players
R.S.C. Anderlecht players
FC Red Bull Salzburg players
RB Leipzig players
Bursaspor
Belgian First Division A players
Austrian Football Bundesliga players
2. Bundesliga players
Expatriate footballers in Austria
Expatriate footballers in Germany
Expatriate footballers in Turkey
Belgian expatriate footballers
Belgian expatriate sportspeople in Germany
Belgian expatriate sportspeople in Austria
Belgian expatriate sportspeople in Turkey
TFF First League

masks: Bruno Bruno Bruno Bruno


title: Paul Edwards (philosopher)

texts:
<mask> (September 2, 1923 – December 9, 2004) was an Austrian-American moral philosopher. He was the editor-in-chief of MacMillan's eight-volume Encyclopedia of Philosophy from 1967, and lectured at New York University, Brooklyn College and the New School for Social Research from the 1960s to the 1990s. Life and career
<mask> was born <mask> in Vienna in 1923 to assimilated Jewish parents, the youngest of three brothers. According to Peter Singer, his upbringing was non-religious. He distinguished himself early on as a gifted student and was admitted to the Akademisches Gymnasium, a prestigious Viennese high school. When Germany annexed Austria in 1938, <mask> was sent by his family to Scotland, later joining them in Melbourne, Australia, where the family name was changed to <mask>. He attended Melbourne High School, graduating as dux of the school, then studied philosophy at the University of Melbourne, completing a B.A.and M.A. He was awarded a scholarship to study in England in 1947, but on his way there, he stopped in New York and ended up staying there for the rest of his life, apart from a brief period teaching at the University of California in Berkeley. He was awarded his doctorate by Columbia University in 1951. While writing his doctoral thesis he contacted Bertrand Russell because he shared Russell's scepticism about religious belief. This led to a lasting friendship and a number of joint projects. <mask> collected Russell's writings on religion and published them in 1957, with an appendix on "the Bertrand Russell case," under the title Why I am not a Christian. He taught at New York University until 1966, at Brooklyn College from then until 1986, and at the New School from the 1960s until 1999.<mask> was characterized by Michael Wreen as "mixed one part analytic philosopher to one part philosophe" with "a deep respect for science and common sense." His

masks:
Paul Edwards
Edwards
Paul Eisenstein
Edwards
Edwards
Edwards
Edwards


title: Paul Edwards (philosopher)

texts:
 considerable influence on moral philosophy came from two works he edited, a very widely used introductory anthology he co-edited with Arthur Pap, A Modern Introduction to Philosophy (1957, 1965, 1973) and the Encyclopedia of Philosophy (1967), an eight-volume "massive Enlightenment work with notable analytic sensibility." He was one of the signers of the Humanist Manifesto. Philosopher Timothy Madigan wrote in an obituary: "Those who knew <mask> will always remember his erudition and his wicked sense of humour. [ ... ] Given <mask>'s own biting wit, it's not surprising that he so admired Voltaire and Russell. [ ... ] Never one to hide his own unbelief, he often commented that his two main goals were to demolish the influence of Heidegger and keep alive the memory of Wilhelm Reich, the much-reviled psychoanalyst whose critiques of religion <mask> felt remained valid." <mask> was also sympathetic to the Danish philosopher Søren Kierkegaard, although he detested Kierkegaardian existentialist admirers such as Heidegger and William Barrett for confusing and conflating Kierkegaardian terminology.Encyclopedia of Philosophy
<mask> was editor-in-chief of Macmillan's Encyclopedia of Philosophy, published in 1967. With eight volumes and nearly 1,500 entries by over 500 contributors, it is one of the monumental works of twentieth century philosophy. Using his editorial prerogative, <mask> made sure that there were plentiful entries on atheism, materialism and related subjects (which is not surprising considering that such subjects would have been of interest to modern philosophers). He always remained "a fervent advocate of clarity and rigour in philosophical argument." When, after four decades, the Encyclopedia was revised by other editors for a new edition, <mask> told Peter Singer that he was "distressed that the revisions had diluted the philosophical message and had been too gentle

masks: Edwards Paul Edwards Edwards Edwards Edwards Edwards


title: Paul Edwards (philosopher)

texts:
 on a lot of postmodern thought." Reincarnation

<mask> was highly skeptical of claims regarding reincarnation. He was the author of the book Reincarnation: A Critical Examination (1996), which is notable for criticizing the cases collected by Ian Stevenson.The book has received positive reviews from academics. Barry Beyerstein wrote that "Skeptics who follow my recommendation and read Reincarnation: A Critical Examination will derive much ammunition for arguing not only with reincarnationists but with 'near-death experience' aficionados and afterlife enthusiasts of other stripes as well." Philosopher and parapsychologist Stephen E. Braude criticized the arguments presented in <mask>'s book, saying, "Apparently <mask> did not realize that his condescending and allegedly hard-nosed attack on reincarnationists was as deeply (and inevitably) metaphysical as the view he opposed." Wilhelm Reich
<mask> said that when he arrived in New York in 1947 Wilhelm Reich was "the talk of the town" and that for years he and his friends regarded Reich as "something akin to a messiah": "There was ... a widespread feeling that Reich had an original and penetrating insight into the troubles of the human race. "<ref name=greatness><mask>, <mask>. "The Greatness of Wilhelm Reich," The Humanist, March/April 1974, reproduced in Charles A. Garfield (ed.). Rediscovery of the Body.A Psychosomatic View of Life and Death.Dell 1977, pp. 41-50.</ref> Twenty years later, as editor-in-chief of the Encyclopedia of Philosophy, <mask> wrote an article about Reich, comprising 11 pages as compared to the four devoted to Sigmund Freud. He pointed out what is of interest to philosophers in Reich: his views concerning the origin of religious and metaphysical needs, the relation between the individual and society and the possibility of social progress, and, above all, the implications of his psychiatry for certain

masks: Edwards Edwards Edwards Edwards Edwards Paul Edwards


title: Paul Edwards (philosopher)

texts:
 aspects of the mind-body problem. An abridged version of the article appeared in the Encyclopedia of Unbelief (ed. Gordon Stein, 1985). <mask> omitted Reich's orgone therapy from the Encyclopedia article because, he said, "it is of no philosophical interest." However, in a BBC interview he said somewhat more: "I concede that Reich had no real competence as a physicist... At the same time I am quite convinced that the orgone theory cannot be complete nonsense.For a number of years, largely out of curiosity, I sat in an orgone accumulator once a day." Works

Books
 (1949). Bertrand Russell's Doubts About Induction (1950). The Logic of Moral Discourse (1957). A Modern Introduction to Philosophy; Readings from Classical and Contemporary Sources. (co-editor, with Arthur Pap; 2nd. ed.1965; 3rd. ed. 1973)
 (1958). Hard and Soft Determinism  (1959). The Cosmological Argument (1966). Ethics and Language
 (1967). Atheism
 (1967).Encyclopedia of Philosophy (8 vols), editor-in-chief
 (1969). Ethics and Atheism
 (1970). Buber and Buberism
 (1979). Heidegger on Death
 (1989). Voltaire, Selections, edited, with introduction, notes, and annotated bibliography by P.E. (1991). Immortality (2001).Reincarnation: A Critical Examination (2004). Heidegger's Confusions (2009). God and the Philosophers (posthumous)

Selected articles
(1971). "Kierkegaard and the 'Truth' of Christianity", Philosophy: The Journal for the Royal Institute of Philosophy, Cambridge Journals
(1986–1987). "The Case Against Reincarnation", Free Inquiry'', four-part series. See also
American philosophy
List of American philosophers

References

1923 births
2004 deaths
Jewish American atheists
Atheist philosophers
Jewish emigrants from Austria to the United States after the Anschluss
Brooklyn College faculty
Determinists
Jewish philosophers
University of California, Berkeley faculty
American skeptics

20th-century


title: Saya Myit

texts:
<mask> (; 1888–1966) was a major painter of the Traditional School in Burma who was a painter of Buddhist works for religious sites in Lower Burma. He is also popularly known for his Buddhist illustrations for books published by Zabhu Meit Swe Publishing House and Byinmazo Company. However, in the 1990s an unknown, dynamic portion of his oeuvre surfaced in Burma—his more Western-style secular works, which had gone undocumented in Burma. Early education
<mask> was born to a family of peasants in the Tammanaing village, Kawhmu, Twante Township. His father, U Sine, was a respected sculptor and thus <mask> studied sculpture under him. Like many children in rural areas during his period, he received a monastic education, where his talent in art was encouraged. It is said that during this time, he once drew a picture of fruit among leaves on the wall of the monastery, and a squirrel, taking the depiction for the real thing, jumped at the picture and slipped down the wall.Professional education in art
His father died before he had finished his schooling, and his mother sent him to Saya Nyan (not to be confused with Ba Nyan) to study pavilion decoration. By the age of 16, he had fair mastery of this art. He later studied under the professional painter M.T. Hla (U Tun Hla) (1874–1946), who had a background in Traditional art, but who became a pioneer watercolorist of Burma, mastering Western techniques of painting. M.T. Hla picked up these skills through exposure to paintings by Robert Talbot Kelly in his book Burma Painted and Described, or postcards of the paintings from this book which were sold in stores. Hla also had contact and instruction of some kind with the Irish painter Sir Gerald Kelly; both Kellys traveled to Burma in the early 1900s and painted its landscapes and people.Thus, M.T. Hla would likely have trained <mask> <mask> in both the

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Saya Myit
Saya Myit
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title: Saya Myit

texts:
 Traditional and Western style of painting. M.T. Hla was also considered a master of glass painting and apparently passed on these skills to <mask> <mask> although it seems no works in the glass painting genre have survived by either M.T. Hla or <mask> <mask>. Surprising discoveries of works
In the late 1990s and in the early years after 2000, unknown works by <mask> <mask> were discovered in Burma which called for a reappraisal of his oeuvre and his contributions to Burmese painting. In about 1996, a Burmese art dealer, Tin Win of Beikthano Gallery, happened upon four works by <mask> <mask> that were in the possession of one of <mask> <mask>'s publishers of Buddhist illustrations for books.The four works belonged to a set of paintings which have been entitled An Auspicious Charity. The two most provocative paintings in the four-piece set, Motor Car Procession and Carriage Procession (both 51 x 78.5 cm), have been reproduced in books. The former painting appears in Old Myanmar Paintings in the Collection of U Win (2006) by Hla Tin Htun  and both paintings appear in Burmese Painting: A Linear and Lateral History (2009) by Andrew Ranard. On the basis of the features of the motor car depicted in Motor Car Procession, the works can be dated to the early 1930s. The two paintings with vehicles are dramatically different from anything that had been produced in Burmese painting up until that time, or even now, in style and technique. In both paintings, the vehicles (carriage and motor car) sit in the center of the pieces, surrounded by a large crowd of followers who are depicted in minuscule, realistic detail. The atmospheric effects and linear perspective in the piece are polished and so are the anatomical proportions of all the subjects.In this sense, the paintings are of the Western style, but both possess Traditional features in the statuesque, arrested

masks: Saya Myit Saya Myit Saya Myit Saya Myit Saya Myit


title: Saya Myit

texts:
 quality of the scenes. The crowd scenes depict privileged and powerful persons as well as the subservient or anonymous with equal determination of detail, and have been described as possessing a "democratic gestalt". Portrait works
<mask> <mask>, like his predecessor in the Traditional arts, <mask> Aye (1872–1930), also produced a handful of stunning commissioned portraits. Three or four of these works by <mask> <mask> have emerged in Burma so far, and all of them, like Aye's portraits, mix features of Traditional Burmese painting—particularly floral arabesque—with Western-style painting. The colors in the paintings are rich and somber, Burmese in character, but unique to <mask> <mask>'s work. <mask> <mask> was 16 years younger than Aye, and emerged as a painter in Burma later, when techniques of Western painting were more familiar to Burmese artists, and thus <mask>'s portraits, in technique at least, also reveal greater knowledge of Western painting. Origin of <mask>'s Western skills
<mask> could not have picked up all his skills in Western-style painting from his master,
M.T.Hla, as his work far surpasses M.T. Hla's in quality. Nor was <mask> apparently a member of the Burma Art Club, founded in 1913 by amateur British painters who subsequently trained Burmese painters in the Western style. Since the paintings of An Auspicious Charity can be dated to the early 1930s, it seems probable that the portraits were done in the 1930s as well. 1930 was a threshold year in Burmese painting as that was when Ba Nyan returned from approximately eight years of academic and professional study in the painting arts in London. Within months after Ba Nyan's return, political activists, anxious to undermine British authority, called for the creation of a Burmese Artists and Handicraftsmen's Association (BAHA), which all painters might join, including the Traditional

masks: Saya Myit Saya Saya Myit Saya Myit Saya Myit Myit Myit Myit Myit


title: Saya Myit

texts:
 painters such as <mask> <mask>, who had never availed themselves of the privileged education at the Burma Art Club, open only to those painters who spoke English. Ba Nyan agreed to support the movement to create BAHA, and when it was founded, M.T.Hla, <mask>'s teacher, became the chairman of the organization; Ba Nyan became vice-chairman; and <mask> <mask> became one of a number of executive members. One of the purposes of BAHA was to provide a venue where the Western-educated painters such as Ba Nyan might mix with the Traditional painters and trade skills. It is quite likely that this is how <mask> picked up his advanced skills in landscape and portraiture, through interaction with or observing Ba Nyan. (<mask> Aye never had the advantage of such training as he died in 1930, the year Ba Nyan returned from England. Aye was senior to Ba Nyan by almost 30 years and possessed an exalted reputation as a Traditional painter in Burma and probably would not have responded to the opportunity to learn from Ba Nyan.) Portrait of <mask> Chone
In 1949, <mask> later produced a masterful portrait in oil of the famous early traditional painter, royal artist <mask> Chone, done with a heavy impasto technique and complete mastery of Western painting. This painting possessed, ironically, no Traditional affects.As Chone had died in 1917, the image of Chone was taken from a photograph. Buddhist and nat works
<mask>'s Buddhist works were done for religious sites in Lower Burma. Unusual paintings of nats by <mask> also emerged in the late 1990s and just after 2000. A painting of the Apannaka Jataka by <mask>  and one of his nat paintings are in the Fukuoka Asian Art Museum. Museum collections
 National Museum of Myanmar
 Fukuoka Asian Art Museum

See also
 Saya Aye
 M.T. Hla (U Tun Hla)
 Ba Nyan

Notes

Bibliography

1888 births
1966 deaths
Burmese artists
20th-century

masks: Saya Myit Myit Saya Myit Myit Saya Saya Myit Saya Myit Myit Myit


title: Jeff Feagles

texts:
<mask> (born March 7, 1966) is a former American football punter who played in the National Football League (NFL) for twenty-two seasons. He played college football for the University of Miami. He was originally signed by the New England Patriots as an undrafted free agent in 1988, and most recently played for the New York Giants. <mask> is known for using the "coffin corner" punt. He earned Pro Bowl selections in 1995 and 2008 and won a Super Bowl ring with the Giants in Super Bowl XLII over the Patriots. <mask>, the most durable punter in NFL history, officially announced his retirement on April 30, 2010. Feagles attended Gerard High School in Phoenix, Arizona and was a letterman in football, basketball, and baseball.In his 22 season career, <mask> never missed a game, which is an unmatched record. College career
Following a single season at

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title: Jeff Feagles

texts:
 Scottsdale Community College, <mask> played college football at the University of Miami. He joined the Pi Kappa Alpha Fraternity during his time as an undergraduate. He won a national championship with Miami's 1987 team. <mask> was inducted into the University of Miami Sports Hall of Fame at its 40th Annual Banquet on Wednesday, February 13, 2008, at Miami's Jungle Island. Professional career

In the summer of 2004, during <mask>' second season with the New York Giants, he offered newly drafted quarterback Eli Manning his #10, which was the same number that Manning wore in college. In exchange, <mask> and his family received an all-expenses-paid vacation to Florida paid for by Manning.He switched to 17 until wide receiver Plaxico Burress wanted the number, <mask> sold the number to him in exchange for a new kitchen in his house. 2007 marked <mask>'

masks: Feagles Feagles Feagles Feagles Feagles Feagles


title: Jeff Feagles

texts: 20th NFL season. Prior to his affiliation with the New York Giants, he played for the New England Patriots, the Philadelphia Eagles, the Arizona Cardinals and the Seattle Seahawks. He was a member of the New York Giants in their Super Bowl XLII win over the New England Patriots on February 3, 2008, the first, and only Super Bowl of his 20-year career. At 41 years, 10 months, 26 days of age, he was the oldest player to have played in a Super Bowl, until the Colts' Matt Stover broke the record in 2010. <mask> earned his second career selection to the Pro Bowl in 2008. On April 30, 2010, after the Giants opened mini-camp, <mask> announced his retirement.Giants head coach Tom Coughlin said about the retirement, "He is 44 years old. He worked very hard for approximately a month right after the season just to try to tell himself again that he could do this

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title: Jeff Feagles

texts:
 59 || 0
|-
|- class="sortbottom" style="background:#eee;"
! style="text-align:center;" colspan="2"|Career
! style="background:#e0cef2;"|352 || style="background:#e0cef2;"|1,713 || style="background:#e0cef2;"|71,211 || 41.6 || 38.0 || 77 || 12
|}

NFL Records
On November 27, 2005, <mask> broke the NFL record for consecutive games played, with 283. The record was previously held by Minnesota Vikings defensive end Jim Marshall who played from 1960 to 1979.His record stands at 352. <mask> holds the following NFL records:
Most consecutive games played, career: 352
Most punts, career: 1,713
Most punts inside the 20, career: 497
Most punting yards, career: 71,211

Personal life
<mask> is married to Michelle. They have four sons: Christopher (nicknamed C.J. ), Blake, Trevor, and Zachary. Christopher was a punter for the University of North Carolina at Chapel

masks: Feagles Feagles Feagles


title: Jeff Feagles

texts:
 Hill football team and played in the US Army high-school All-American game in 2008. Blake played wide receiver for UConn in 2013 and 2014. Zach is currently a punter at  Rutgers University and won the starting job as a freshman in 2017.Trevor did not pursue collegiate football, but currently attends Loyola University Maryland. <mask> currently resides in Ridgewood, New Jersey where he is a residential and commercial real estate agent for Keller Williams. He is also a member of the New York Giants Broadcast Team responsible for pre- and post-game radio content along with analysis on the Fox Giants Post Game Live show. Upon his retirement, <mask> was the last active player to appear in the NES classic video game, Tecmo Super Bowl. See also
Iron man

References

1966 births
Living people
American football punters
Arizona Cardinals players
Miami


title: Taylor Henderson

texts:
<mask>   (born 23 March 1993) is an Australian singer and songwriter. Originating from Ceres, Victoria, <mask> rose to fame after placing third on the fourth series of Australia's Got Talent in 2010. Three years later, he became the runner-up on the fifth season of The X Factor Australia and subsequently received a recording contract with Sony Music Australia. In November 2013, <mask> released his self-titled debut album, which debuted at number one on the ARIA Albums Chart and was certified platinum by the Australian Recording Industry Association. Additionally, the album included his number-one debut single "Borrow My Heart". The following year, <mask> released his second studio album Burnt Letters, which became his second number-one album and yielded the top-five hit "When You Were Mine". Early life
<mask> is from Ceres, Victoria.He was born on 23 March 1993 with Marcus Gunn Jaw-winking Syndrome. <mask> has an older sister named Bridey and a younger sister named Gemma. Their parents Sonja and Cameron are divorced. <mask> was a member of the Geelong Revival Centre, but has since parted ways with the church. <mask> was a student at Kardinia International College in Bell Post Hill, Victoria and graduated in 2011. He worked as a labourer with his father. Career

2010: Australia's Got Talent
In 2010, <mask> and his father Cameron auditioned for the fourth series of Australia's Got Talent as a guitar and singing duo called Father & Son.After they sang Michael Jackson's "Man in the Mirror" during the audition, judge Brian McFadden suggested that the pair should be solo artists. <mask> then sang an original song, "My Baby Sister", which earned him three yeses from the judges. He and Cameron were put through to the semi-finals as soloists competing against each other. <mask> appeared in the fourth semi-final on 1 June 2010 and sang an

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Taylor James Henderson
Henderson
Henderson
Henderson
Taylor James Henderson
Henderson
Henderson
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Henderson


title: Taylor Henderson

texts:
 original song, "What Goes Around Comes Around". <mask> made it to the grand final, where he sang "Man on the Side" by John Mayer. He finished in third place, while Cameron was runner-up to dance troupe Justice Crew. 2013: The X Factor Australia
<mask> auditioned for the fifth season of The X Factor Australia in 2013.He sang "Some Nights" by Fun and progressed to the super bootcamp round of the competition. On the first day of bootcamp, <mask> was placed in the Boys category and sang "Ho Hey" by The Lumineers in front of his entire category and judges Redfoo, Ronan Keating and Dannii Minogue. On the second day of super bootcamp, he was put into an ensemble of 10 and they sang "Last Request" by Paolo Nutini in front of the judges. <mask> made it to the third day of bootcamp, where he sang "Human Nature" by Michael Jackson to the judges and a live audience of one thousand. He then progressed to the home visits round in Los Angeles and sang "Isn't She Lovely?" by Stevie Wonder in front of his mentor Keating and guest mentor Kelly Osbourne. Keating later selected <mask>, along with Omar Dean and Jai Waetford, for the live finals—a series of ten weekly live shows in which contestants are progressively eliminated by public vote.For the Judges' Choice-themed first live show, <mask> sang "I Won't Let You Go" by James Morrison and received a mixed feedback from Keating, who noted that it was not his best performance of the song. <mask>'s performance of "I Won't Let You Go" debuted at number 84 on the ARIA Singles Chart. For the Legends-themed second live show, he sang "Run to You" by Bryan Adams and played the electric guitar for the first time. Minogue thought the guitar playing was a bit absent at times and that <mask>'s song choice did not work for him. For the Top 10 Hits-themed third live show, he sang "I Will Wait" by Mumford & Sons

masks: Henderson Henderson Henderson Henderson Henderson Henderson Henderson Henderson


title: Taylor Henderson

texts: and received a positive feedback from the judges. Natalie Bassingthwaighte called <mask>'s performance "insane" and thought the song choice was perfect for him. His performance of "I Will Wait" debuted at number 64 on the ARIA Singles Chart.<mask> received a standing ovation from the judges for his performance of Passenger's "Let Her Go" in the Latest and Greatest-themed fourth live show, and it debuted at number 85 on the ARIA Singles Chart. For the Rock-themed fifth live show, <mask> sang "Choirgirl" by Cold Chisel and received another standing ovation. Redfoo said it was his best vocal performance on the live shows. <mask>'s performance of "Choirgirl" debuted at number 51 on the ARIA Singles Chart. For the Family Heroes-themed sixth live show, he sang Daryl Braithwaite's "The Horses", and his performance debuted on the ARIA Singles Chart at number 27. <mask> received another standing ovation from the judges during the Judges' Challenge-themed seventh live show, for his performance of Avicii's "Wake Me Up", which was chosen by Minogue. The performance debuted at number 49 on the ARIA Singles Chart.For the Aussie Week-themed eighth live show, he sang "One Crowded Hour" by Augie March and received a standing ovation. Minogue applauded his growth in the competition and Bassingthwaighte said his "interpretation was beautiful". <mask>'s performance of "One Crowded Hour" debuted at number 38 on the ARIA Singles Chart. For the Power and Passion-themed ninth live show, he sang "Against All Odds" by Phil Collins and "Girls Just Want to Have Fun" by Cyndi Lauper. During the ninth live decider show the following day, <mask> was in the bottom two for the first time with Third Degree. After the judges' vote went to deadlock, it was announced that <mask> received the most public votes and was put through to the grand final. His performance


title: Taylor Henderson

texts:
 of "Girls Just Want to Have Fun" debuted at number two on the ARIA Singles Chart and was certified gold by the Australian Recording Industry Association for selling over 35,000 copies.His performance of "Against All Odds" debuted at number 90. During the grand final performance show on 27 October, <mask> was required to perform three songs – his audition song "Some Nights", winner's single "Borrow My Heart", and last shot song "The Blower's Daughter" by Damien Rice. His performances of "The Blower's Daughter" and "Some Nights" debuted on the ARIA Singles Chart at numbers 43 and 45, respectively. During the grand final decider show the following day, it was announced that <mask> was runner-up to Dami Im. denotes a performance that entered the ARIA Singles denotes Runner-up denotes have been in the Bottom two

Performances on The X Factor

2013–15: <mask> and Burnt Letters

Four days after The X Factor ended, on 1 November 2013, it was announced that <mask> had received a recording contract with Sony Music Australia. "Borrow My Heart" was released on the iTunes Store that same day as his debut single. The song debuted at number one on the ARIA Singles Chart and was certified double platinum for selling over 140,000 copies.On 23 November 2013, <mask> toured alongside Dami Im, Third Degree, Jiordan Tolli and Jai Waetford for The X Factor Live Tour, which ended on 2 December 2013. His self-titled debut album was released on 29 November 2013 and featured studio recordings of songs he performed on The X Factor. The album debuted at number one on the ARIA Albums Chart and was certified platinum for shipments of more than 70,000 units. On 24 January 2014, <mask> released a cover of "I Am Australian" with Im, Jessica Mauboy, Justice Crew, Nathaniel Willemse and Samantha Jade, to coincide with the Australia Day celebrations. The song

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title: Taylor Henderson

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 peaked at number 51 on the ARIA Singles Chart. <mask> embarked on The Dawn Tour in late March 2014, and was the supporting act for MKTO's Australian Thank You Tour in April 2014. On 4 July 2014, <mask>'s first extended play, The Acoustic Sessions, was released exclusively on the JB Hi-Fi online store, featuring acoustic versions of six songs from his second studio album Burnt Letters.Burnt Letters was released on 11 July 2014 and became <mask>'s second consecutive album to debut at number one on the ARIA Albums Chart. It was certified gold for shipments of more than 35,000 units. The album was preceded by the release of its first two singles, "When You Were Mine" and "Already Gone". The former debuted at number five on the ARIA Singles Chart and was certified platinum, while the latter peaked at number 42. To promote the album, <mask> embarked on the Burnt Letters Tour from July to September 2014. On 14 October 2014, he was the supporting act for The Script's special one-off show at The Metro Theatre in Sydney. 2016–present: One More Minute
In August 2016, <mask> announced the release of a new single titled "Light Up the Dark" which would be included on the soundtrack for the Australian film Spin Out.The track is the first from his upcoming third studio album One More Minute. <mask> also embarked on his Acoustic Tour in September and October 2016. Originally his new album was planned to be released on 4 November but on 28 October, <mask> posted a video on his Facebook and Instagram accounts letting his fans know that his album will be delayed to 10 March 2017. He then announced on 8 March 2017 that the album would be pushed back again to a date yet to be advised, although said a new single titled "Back To You" would be released soon. In late 2016, two songs leaked on <mask>'s Apple Music Connect page. The songs were both titled

masks: Henderson Henderson Henderson Henderson Henderson Henderson Taylor Henderson


title: Taylor Henderson

texts:
 "Yours Again", with one featuring a beat and the other without the beat. These tracks weren't discovered by fans until early 2017, several months after the original leaking.On 10 June 2017, <mask> announced that he had signed with a new manager. On 11 May 2018, <mask> announced via Twitter he was officially an independent artist. On 21 September 2018, <mask> released "Love Somebody", his first single in two years. On 31 July 2019, <mask> performed at Loyola College's annual celebratory St Ignatius Feast Day to promote his upcoming "Moving On" tour. Artistry
Aside from singing, <mask> also plays guitar and writes his own songs. He believes that "playing an instrument leads to better songwriting, because you can experiment different melodies and keys." <mask> played the guitar in most of the songs on his second album Burnt Letters (2014).<mask> cites Matt Corby, Michael Jackson, John Mayer, James Morrison, Jason Mraz, Ed Sheeran and Justin Timberlake as his musical influences. Of Sheeran, <mask> stated: "He has a real connection with the words he sings, and there's a real art to his storytelling." <mask> also cites his father Cameron as an influence because he taught him how to play the guitar. Discography

<mask> (2013)
Burnt Letters (2014)

Concert tours
Headlining
The X Factor Live Tour (2013)
The Dawn Tour (2014)
Burnt Letters Tour (2014)
Acoustic Tour (2016)
Love Somebody Tour (2018/19)
Supporting
MKTO's Australian Thank You Tour (2014)

Awards and nominations

References

External links

1993 births
Living people
Australian country singers
Australian folk singers
Australian pop singers
Australian songwriters
Musicians from Victoria (Australia)
People from Victoria (Australia)
Australia's Got Talent
Got Talent contestants
The X Factor (Australian TV series) contestants
21st-century Australian singers
21st-century Australian

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title: William Langson Lathrop

texts:
<mask> (March 29, 1859 – September 21, 1938) was an American Impressionist landscape painter and founder of the art colony at New Hope, Pennsylvania. He is sometimes referred to as a "Pennsylvania Impressionist". <mask> was a member of the National Academy of Design and served on numerous exhibition juries during his career. He received a gold medal at the Panama–Pacific International Exposition (1915) in San Francisco, California, which showcased works by many of the major American artists of the time. Today, <mask>'s paintings are in numerous museum collections including the Metropolitan Museum of Art in New York City, and the Smithsonian American Art Museum in Washington, D.C. Biography
<mask> (pronounced "LAY-throp") was born in Painesville, Ohio and grew up on his family's farm. <mask> began his art career in New York City in the late 1870s as an illustrator and part-time etcher, both pursuits that earned him little money.In the late 1880s <mask> traveled to Europe where he met and married his wife. Returning to America, <mask> endured financial difficulty and briefly turned away from art before friends convinced him to enter his watercolors in a prestigious New York show. <mask> received the top prize and a glowing review in The New York Times, and his career was launched. In 1899 <mask> and his family moved to New Hope, on the Delaware Canal, alongside the Delaware River, just north of the village New Hope, Pennsylvania. Other artists began to settle in the area, and to study outdoor landscape painting with him (en plein air). <mask> would take his students on the Delaware Canal on his barge which he called "Sunshine," which gave the students an opportunity to sketch the passing landscape. As with <mask> Chase's classes in the Shinnecock Hills of Long Island, or like Birge Harrison's landscape classes for the Art Students League in Woodstock, New York, <mask>'s outdoor landscape painting classes laid the seeds for the development of an American art colony.For more than thirty years <mask> pursued landscape painting at New Hope,

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William Merritt
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Lathrop


title: William Langson Lathrop

texts: exhibiting his works in galleries across the nation. During this time <mask>'s painting style evolved from tonalist, characterized by darker colors and an emphasis on mood, to the brighter impressionist paintings for which he is best remembered today. In 1916, six local artists formed "The New Hope Group," including <mask>, Charles Rosen, Daniel Garber, Morgan Colt, Rae Sloan Bredin and Robert Spencer. All lived in close proximity to each other, near the Delaware River. Noticebly absent was the local artist with the biggest reputation, Edward Redfield. The significance of this group lies in the fact that they exhibited their work together and were representative of one school of landscape painting. The New hope Group only exhibited in 1916 and 1917, but with the exception of Redfield, they formed the early core of this school, They exhibited at the Cincinnati Art Museum, the Detroit Art Institute, the Corcoran Gallery, the Carnegie Institute and at the Arlington Gallery in New York City, among other places.<mask> was instrumental in the founding of Phillips Mill, an 18th-century stone mill, as the leading exhibition place for the New Hope Art Colony. The mill was located opposite <mask>'s home on River Road, north of New Hope. His wife Annie became a hostess to ever-increasing numbers of visitors at her Sunday afternoon teas. Guests included Lathrop's students—such as Margaret Fulton Spencer—and other artists who eventually moved to the area. Charles Rosen, Robert Spencer, Rae Sloan Bredin, Mary Elzabeth Price and John Folinsbee (all who lived nearby), were frequent visitors. However, the artistic teas shifted across River Road to Philips Mill. In October 1928, local artist <mask> was appointed to head a subscription committee for the purchase of the mill as a community center.The mill was purchased for $5,000.00, and <mask> became the mill's first president. In the late 1920s, <mask> hand-built a wooden boat in his backyard and named it "The Widge". Measuring over twenty feet in length, <mask> and his friends launched The Widge into the

masks:
Lathrop
Lathrop
Lathrop
Lathrop
William Taylor
Lathrop
Lathrop
Lathrop


title: William Langson Lathrop

texts:
 Delaware River in 1930. <mask>, an able sailor, piloted the boat into the Atlantic coastal waters. He continued sailing for pleasure in his later years, painting scenes of the Atlantic shoreline and even once entertaining Albert Einstein on board as a guest. On September 21, 1938, <mask> was piloting his boat around eastern Long Island when word came of an approaching hurricane. Far from safe harbor, <mask> chose to ride out the storm in a sheltered bay.While The Widge survived the storm, <mask>'s body was recovered along the shoreline a month later. Eyewitness accounts of <mask> from occupants of nearby boats indicated he may have died of a heart attack during the storm, and been blown or washed from his boat. However, his last painting survived the hurricane. Although the famed 1938 hurricane proved to be a tragic as well as dramatic ending for <mask>, it did seem an appropriate ending for an artist who had spent his life recording both the darker and lighter moods of nature! Further reading

Thomas Folk. <mask> Lathrop: Tonalism to Impressionism, Emily lowe Gallery, Hofstra University, Hempstead, New York, November 14, 1981- January 3, 1982; and traveling to the Allentown Art Museum, January 17- March 14, 1982. Thomas Folk.The Pennsylvania School of Landscape Painting: An Original American Impressionism, Allentown Art Museum, September 16- November 25, 1984; and traveling to the Corcoran Gallery of Art, December 14- February 10, 1985; the Westmoreland Museum of Art, March 2- May 5, 1985; and the Brandywine River Museum, June 1- September 2, 1985. Thomas Folk, "Chapter 2, <mask>," in Thomas C. Folk. The Pennsylvania Impressionists, with a "Foreword" by James A. Michener, (Doylestown and London: James Michener Museum and Associated University Presses, 1997). References

External links

1859 births
1938 deaths
19th-century American painters
19th-century male artists
American male painters
20th-century American painters
American Impressionist painters
People from Painesville, Ohio
People from New Hope, Pennsylvania
Pennsylvania

masks:
Lathrop
Lathrop
Lathrop
Lathrop
Lathrop
Lathrop
William Langson
William Lathrop


title: Saul Almeida

texts:
<mask> (born June 4, 1992) is a Brazilian-American professional boxer and mixed martial artist. A professional mixed martial artist since 2008, <mask> has fought in Bellator, World Series of Fighting, Absolute Championship Berkut, and CES MMA. Background
<mask> was born in Brazil where he lived until moving to Boston, Massachusetts at the age of eight. <mask> began training in karate and earned the rank of black belt, at the age of ten, Almeida began training in Brazilian jiu-jitsu. In high school, <mask> competed in wrestling and also trained in boxing. Mixed martial arts career

Early career
<mask> made his professional debut in October 2008, defeating Iann de Oliveira via unanimous decision. He would then win his next 6 bouts, earning them mostly by decision before losing to Pete Jeffrey via guillotine choke submission at CES MMA: First Blood on September 17, 2010.<mask> then won his next two bouts, defeating Bobby Reardanz and Cody

masks:
Saul Almeida
Almeida
Almeida
Almeida
Almeida
Almeida
Almeida


title: Saul Almeida

texts:
 Stevens both by unanimous decision before making his Bellator debut. Bellator MMA
<mask> made his Bellator debut on August 20, 2011 at Bellator 48. He faced Tateki Matsuda and won via unanimous decision. <mask> next faced Matt Bessette at Bellator 63 on March 30, 2012. He lost the fight via unanimous decision. <mask> was expected to face UFC veteran Kurt Pellegrino at Bellator 108 on November 15, 2013. However, Pellegrino pulled out of the fight due to injury.<mask> was removed from the card as a result. <mask> instead fought outside of Bellator for his next three fights. <mask> faced Goiti Yamauchi at Bellator 109 on November 22, 2013. He lost the fight via knockout in the first round. <mask> faced Andrew Fisher in a Bellator season ten featherweight tournament alternate bout on February 28, 2014 at Bellator 110. He won the fight via unanimous decision. Independent promotions
After leaving Bellator, with a 2-2 record in the organisation,

masks: Almeida Almeida Almeida Almeida Almeida Almeida Almeida


title: Saul Almeida

texts:
 <mask> has gone 3-0, with two finishes, on the local circuit.World Series of Fighting
<mask> made his WSOF debut against Chris Foster on April 10, 2015 at WSOF 20. He won the fight via split decision. <mask> returned to the promotion on October 17, 2015 at WSOF 24. He faced Alexandre de <mask> and lost the fight via submission in the first round. For his third fight, <mask> faced Bruce Boyington at WSOF 31 on June 17, 2016, and lost via split decision. Professional boxing
<mask> made his professional boxing debut in 2012. He holds an overall record 0-14-4.Mixed martial arts record

|-
| Loss
|align=center|19–9
|Adlan Bataev
|Decision (unanimous)
|ACB 84: Agujev vs. Burrell
|
|align=center|3
|align=center|5:00
|Bratislava, Slovakia
|
|-
| NC
|align=center|18–8 (1)
|Pedro Gonzalez
|Decision (Unanimous)
|CES MMA 45: Gooch vs. Coutinho
|
|align=center|5
|align=center|5:00
|Lincoln, Rhode Island, United States
|For CES MMA Interim Featherweight

masks: Almeida Almeida Almeida Almeida Almeida Almeida


title: Gil Castillo

texts:
<mask> (born October 21, 1965) is a retired American professional mixed martial artist. A professional from 1998 until 2006, he fought in the UFC, WEC and King of the Cage. <mask> is the former King of the Cage Middleweight Superfight Champion. Background
<mask> excelled in wrestling at Antioch High School and after competing for California State University at Long Beach, he entered the trials for the Olympic team. He went 2–2, and needed to win his fourth match to get on the squad that trains for the alternate team, but lost on points. After becoming a licensed stockbroker, <mask> found Brazilian jiu-jitsu in 1995, and was trained by Cesar Gracie and Ralph Gracie before they introduced him to mixed martial arts. Mixed martial arts career

Early career
<mask> made his professional debut in early 1997 in a tournament.He won his debut via rear-naked choke submission only 40 seconds into the first round. He won his next fight after his opponent broke his wrist during the fight, and in the tournament final, <mask> faced veteran Vernon White and won via armbar submission in just three minutes. <mask> fought for the King of the Cage Middleweight Superfight Championship on April 29, 2001 against then-champion Joe Hurley. In a back-and-forth fight, <mask> scored seven takedowns on the Lion's Den fighter, and won via

masks:
Gil Philip Castillo
Castillo
Castillo
Castillo
Castillo
Castillo
Castillo
Castillo


title: Gil Castillo

texts:
 unanimous decision. <mask> then fought future Strikeforce Welterweight Champion Nate Marquardt for the IFC Welterweight Championship and won via unanimous decision before being invited to compete in the UFC. UFC
At UFC 33 on September 28, 2001, <mask> made his UFC debut, fighting a much-larger Dave Menne for the first-ever UFC Middleweight Championship. <mask> lost via unanimous decision and was handed his first professional loss.After picking up a unanimous decision win over Chris Brennan at UFC 35, <mask> fought for the UFC Welterweight Championship against then-champion Matt Hughes at UFC 40 on November 22, 2002. <mask> lost via doctor stoppage due to a cut received in the first round. WEC
<mask> then began fighting for the WEC, making his debut for the organization on March 27, 2003 at WEC 6 against Chris Williams. <mask> won via TKO. <mask> fought on May 21, 2004 at WEC 10 against future IFL Lightweight Champion Ryan Schultz and lost via TKO. His last appearance for the organization was on October 14, 2005 at WEC 17 against Steve Ramirez. <mask> won via TKO.<mask>'s fought last on April 1, 2006 in an IFC event against current UFC Welterweight Jake Ellenberger. <mask> lost via TKO in the first round. |-
| Win
| align=center| 9–1
| Chris Brennan
| Decision (unanimous)
| UFC 35
|
| align=center| 3
|

masks: Castillo Castillo Castillo Castillo Castillo Castillo Castillo Castillo Castillo Castillo Castillo


title: Gil Castillo

texts:
 Submission (armbar)
| Stockton Brawl
|
| align=center| 1
| align=center| 1:17
| Stockton, California, United States
|
|-
| Win
| align=center| 2–0
| Vernon White
| Submission (armbar)
| Stockton Challenge 2
|
| align=center| 1
| align=center| 3:00
| Stockton, California, United States
|Won the Stockton Challenge 2 Tournament.|-
| Win
| align=center| 1–0
| Allen Fernandez
| Submission (rear naked choke)
| Stockton Challenge 2
|
| align=center| 1
| align=center| 0:40
| Stockton, California, United States
|

References

External links

 <mask>`s myspace

Living people
American male mixed martial artists
Mixed martial artists from California
Welterweight mixed martial artists
Mixed martial artists utilizing wrestling
Mixed martial artists utilizing Brazilian jiu-jitsu
American mixed martial artists of Mexican descent
American practitioners of Brazilian jiu-jitsu
American jujutsuka
People from Concord, California
1973 births
People from Pleasant Hill, California
Ultimate Fighting Championship male


title: Glynn Watson Jr.

texts:
<mask>. (born March 9, 1997) is an American professional basketball player who plays for Þór Þorlákshöfn of the Úrvalsdeild karla. He played four years of college basketball with the Nebraska Cornhuskers of the Big Ten Conference. A consensus top 100 recruit out of high school, <mask> became Nebraska's first four-star and Rivals Top 150 signee in program history. High school career

<mask> played for legendary high school coach Gene Pingatore at St. Joseph High School in Westchester, Illinois. As a senior, he averaged 15.5 points, 4.3 rebounds, 4.0 assists, and 3.0 steals per game in leading the Chargers to a 29-6 record and the school's second state title. In all, <mask> had nine games of at least 20 points as a senior. For his efforts, he earned first-team all-state honors from the Illinois Basketball Coaches Association and Champaign News-Gazette in 2015.In addition, <mask> was a second-team choice by the Chicago Tribune (all classes) and Chicago Sun Times (Class 3A). <mask> played summer ball for the Illinois Wolves, one of the top AAU teams in the region. Recruitment
A consensus four-star prospect, <mask> was ranked among the top 100 players in the country by every recruiting service and was ranked as high as 66 nationally by Scout.com, which also ranked him as the seventh-best point guard in the class of 2015, and No. 73 on ESPN.com’s top-100 seniors. He received offers from Creighton, DePaul, Iowa, Marquette, Maryland, Nebraska, Penn State, Purdue, Tennessee, and West Virginia. <mask> committed to Nebraska on August 31, 2014, two days after taking his first and only official visit to Nebraska. College career

Freshman year
<mask> started the 2015-2016 season coming off the bench for the Cornhuskers.In his collegiate debut, <mask>

masks:
Glynn Juwan Watson Jr
Watson
Watson
Watson
Watson
Watson
Watson
Watson
Watson
Watson


title: Glynn Watson Jr.

texts:
 played 22 minutes, tallying six points, three rebounds, three assists, and two steals in Nebraska's victory over Mississippi Valley State. On December 1, 2015, in his eighth collegiate game, <mask> hit a game-tying three-pointer with 18.9 seconds left to send the Cornhuskers and then 21st ranked Miami (FL) to overtime. On December 13, 2015, <mask> scored 13 of his career-high 17 points in the second half to lead the Cornhuskers back from an 11-point deficit to defeat Rhode Island. <mask> made his first career start on December 22, 2015 against Prairie View A&M and has been a fixture in the Cornhuskers' starting lineup since. The Illinois native reached double figures in six of his first 11 conference games, including an impressive 17 point performance in Nebraska's victory at Illinois. On February 15, 2016, <mask> was named Big Ten Conference Freshman of the Week, becoming the first Cornhusker to win the award since Shavon Shields in February 2013. Sophomore year

<mask> opened the 2016-2017 season with a career high 23 points in the Cornhuskers 83-61 victory over Sacramento State.As a sophomore, <mask> averaged 13 points, 3.0 rebounds, and 2.6 assists per game. Junior year
As a junior, <mask> averaged 10.5 points and 3.2 assists per game. Senior year
As a senior, <mask> averaged 13.6 points, 4.1 rebounds, and 3.1 assists per game. He helped Nebraska reach its second straight NIT. He had five 20-point games and averaged 18.9 points per game in his final nine games. <mask> finished his career with 1,532 points, 11th in program history. After the season, he participated in the 2019 Dos Equis 3X3U National Championship.In 20 games, he averaged 8.0 points, 1.7 rebounds, and 1.8 assists. On February 16, 2021, <mask> signed with another Greek

masks: Watson Watson Watson Watson Watson Watson Watson Watson Watson Watson


title: Glynn Watson Jr.

texts:
 Basket League club, Kolossos Rodou, replacing Ty Lawson. In 8 games, he averaged 8.0 points, 2.6 rebounds and 2.0 assists per game. In August 2021, <mask> signed with reigning Icelandic champions Þór Þorlákshöfn. On 2 October 2021, he had 16 points, 11 rebounds and 8 assists in Þór's 113–100 win against Njarðvík in the Icelandic Super Cup. Personal life
<mask> is the son of <mask> and <mask> <mask>. He has two older brothers (DeAndre and Demetri McCamey) and two sisters (Kiera and Monique).His girlfriend, Megan Gamble, was a star basketball player at her alma mater West Texas A&M University. Older brothers DeAndre and Demetri both also starred at St. Joseph High School. Demetri was a three-time All-Big Ten pick at the University of Illinois, earning first-team honors in 2009-10. St. Joseph High School had the distinction of being the only school which had produced a pair of 1,000-point scorers for Nebraska, as Clifford Scales (1988–91) and Carl Hayes (1990-92) both played for Coach Gene Pingatore. Scales and Hayes both scored 1,136 points at Nebraska and played major roles in the Huskers’ school-record 26-win team in 1990-91. Now St. Joseph High School can claim a trio of 1,000-point scorers for Nebraska. On February 13, 2018, <mask> joined the club, going over 1,000 points for his career.References

External links
Nebraska bio
Sports-Reference.com profile
ESPN.com profile
Profile at Icelandic Basketball Association

1997 births
Living people
American expatriate basketball people in Greece
American expatriate basketball people in Iceland
American men's basketball players
Basketball players from Chicago
Nebraska Cornhuskers men's basketball players
Kolossos Rodou B.C. players
Lavrio B.C. players
Point guards
<mask> <mask>.
<mask>

masks:
Watson
Watson
Sabrina Watson
Glynn
Watson Sr
Watson
Glynn
Watson Jr
Glynn


title: Greedy Smith

texts:
<mask> (16 January 1956 – 2 December 2019), known professionally as <mask>, was an Australian vocalist, keyboardist, harmonicist and songwriter with Australian pop/new wave band Mental As Anything. <mask> wrote many of their hit songs including "Live It Up" which peaked at No. 2 on the Australian singles chart. <mask> had a solo music career, had worked with other bands and was also an artist and television personality. Early life
Born <mask> in Sydney, Australia, he later attended North Sydney Boys High. Showing an interest in art he moved on to the East Sydney Technical College (now known as the National Art School) in Darlinghurst in the mid-1970s while also holding down a part-time job as a bottle shop attendant. At college he met fellow students, Martin Murphy, Chris O'Doherty, David Twohill and Steve Coburn, whose band, Mental As Anything, had been playing art school parties and dances since May 1976.While playing harmonica in another band at the time, <mask> started appearing on stage with Mental As Anything from around December. He was eventually cajoled by fellow Mental As Anything members to learn keyboards on an old wedding reception organ to fill in their sound and he quit his other band. He was given the nickname "Greedy" after eating 15 pieces of chicken on stage one night. Art career
All early members of Mental As Anything are also artists and have exhibited their artworks since 1982. Although <mask> is not as well known for his artwork as band member Reg Mombassa, of Mambo Graphics fame, his best known artwork is from his Storm Clouds Over the Piazza series that was exhibited at the Mentals III travelling art exhibition in 1997. These portraits are based

masks:
Andrew McArthur Smith
Greedy Smith
Smith
Smith
Andrew McArthur Smith
Smith
Smith


title: Greedy Smith

texts:
 on his legendary unfinished novel of the same name, a rambling WWII saga that he used to mention in interviews but is actually fictional in itself. Mental As Anything

<mask> joined Mental As Anything in 1977, and in addition to playing keyboards and harmonica was one of the band's frontmen and songwriters.(Martin Plaza also frequently wrote and sang the band's material; Reg Mombassa and Peter O'Doherty also wrote for the band, and less frequently, sang.) <mask> usually wrote and sang at least two songs on each of the band's albums, and was the writer and singer of the band's international hits "Too Many Times" (1982) and "Live It Up" (1985), as well as Australia-only hits like "You're So Strong" (1986) and "The World Seems Difficult" (1990). The four other original members of the band quit, left or stopped touring with Mental As Anything in the 2000s, and were replaced by new recruits. By about 2016, <mask> was the only original band member left still touring with Mental As Anything, and he continued to tour with the band until his death. Solo and side projects
In 1982, <mask> played with Twohill in a group called the Space Shuttle Ramblers that recorded an EP, however the tapes were destroyed in a studio flood prior to release. In 1992, during the Mental As Anything sabbatical he formed a side group called Greedy's on the Loose that played gigs and recorded however no product was released. In 1996 he recorded a solo album, Love Harmonica, for TWA at Jim Blackfoots Audioscapes Studio This led to live work with a band dubbed Greedy's People and the re-recording in full band mode and subsequent re-release of the album.This new version of the album, also on TWA, was

masks: Smith Smith Smith Smith


title: Greedy Smith

texts:
 retitled Greedy's People and included a bonus recording of the Carpenters' "Close to You". Rock historian Ian McFarlane described Love Harmonica as an album of "easy-listening love songs that featured latin, pop and jazz rhythms with lush harmonica as the lead instrument." Media work
As the most gregarious member of Mental As Anything, in the early days he was often relied upon to give interviews for TV, radio and press. This led to further media opportunities such as hosting episodes and segments of the music shows Countdown, including the associated Countdown Awards, and Sounds. In the late 1980s he was often a judge on the "Red Faces" segment of Hey Hey It's Saturday and in the early 1990s he hosted Tonight Live With Steve Vizard for a week in the absence of the regular host. He had more recently appeared regularly on the music quiz show Spicks and Specks. Death
On 3 December 2019 it was announced, via the band's website, that <mask> had died a day earlier: "It is with an incredibly heavy heart to announce that one of the founding members of Mental As Anything, <mask> <mask> passed away from a heart attack."<ref
 name="Boulton"/>

In an interview recorded on 30 October 2019 (five weeks before <mask>'s death) with Alan Gilmour, from the Australian Songwriters Association, to honour him and Martin Plaza as the 2019 Australian Songwriters Hall of Fame Inductees, <mask> stated "To have lived this long is a great thing." He was survived by his fiancée, Fiona Docker, and his son, Harvey Hutchings <mask> <mask> induction into The Australian Songwriters Hall of Fame

1956 births
APRA Award winners
Australian new wave musicians
2019 deaths
Musicians from Sydney
Australian

masks:
Smith
Andrew Greedy
Smith
Smith
Smith
Smithreedy
Smith


title: Louis Reingold

texts:
<mask> (1874 or 1875-1944) was a Yiddish playwright and journalist. Early life
<mask> was born Eliezer Dovid Ozharov in Ciechanów, Poland, in 1874 or 1875. He was descended from local pedigree. On his mother's side, he was a grandchild of the "rosh ha-kool" (head of the Jewish community) and on his father's side, a grandchild of a Jewish advisor of Alexander the Second, who was shot during the Polish uprising in 1863. <mask>'s father was a rabbi in Sierpc, about 80 km from Ciechanow. Reingold studied in kheyder, where his father let him learn more Bible than Talmud, and studied Russian and Polish privately. Later, he attended public school, which caused an uproar, because the rabbi's son was studying without a hat.Coming to America

<mask>'s father was invited to work as a rabbi in New York, but only became a rabbi for a small group of  (Jews from the same Eastern European town). In 1899, his father brought him and a younger sister to New York, where he became a tailor and attended a night school. According to <mask>'s grandson, the family changed their last name from Ozharov because it was too difficult to pronounce and spell in America. <mask> became active in the Jewish labor movement, serving as a secretary and executive member of the Tailor's Union, and organized a branch of women workers in 1893. In 1896 or 1897, he joined the Socialist Worker's Party, became district secretary, and he was for a time employed by them. In 1897, he married Esther Friedman, whom he met through labor organizing. They had four children:

masks:
Louis David Reingold
Louis David Reingold
Reingold
Reingold
Reingold
Reingold


title: Louis Reingold

texts:
 Gussie, Bessie, Flora, and Joseph, who later changed the spelling of his last name to Rheingold.<mask> worked in the garment industry in Rochester, NY, for a short time, then came back again to New York. After living briefly in St. Louis, he settled in Chicago, where he worked as a playwright, journalist, theater critic, and editor, and was also active as a speaker and organizer for various charity groups. Journalism

Beginning in 1899, Reingold wrote sketches about working people's lives for the Nyu Yorker Yudishe folkstsaytung. He worked briefly as a labor reporter for the Forverts (Jewish Daily Forward) for a month, then as a business agent in the children's suit union, and wrote in 1902 for the Brownsville weekly newspaper Hoyz fraynd. Unable to earn a living, he became a prompter in a Yiddish vaudeville theatre in Metropolitan Music Hall. In 1908, he worked as a writer and editor for the St. Louis daily newspaper, Forshteyer, then went to Chicago, where he worked as a writer of skits and short stories, theater critic, and editor at local newspapers including Di teglikhe velt, Der yidisher rekord/The Jewish Record and Idishe arbayter velt. <mask>'s Yiddish plays

Reingold's Yiddish plays were produced in various cities in the United States and Canada, especially New York, Chicago, and Detroit.Unpublished manuscripts for many of his works are found in the Dorot Jewish Division of the New York Public Library, and in the Library of Congress. According to Rejzen, <mask> joined a Yiddish dramatic club in 1895 and wrote two

masks:
Louis Reingold
Reingold
Reingold


title: Louis Reingold

texts: one-act plays for them. On December 5, 1902, his play Hirsh Lekert was performed by a dramatic theater club for a benefit of the Bund in Brownsville, Brooklyn, where he was an executive member. He also wrote for the Yiddish Theatre Company. He read a play called The Freedom Fighter for Yiddish actress Bertha Kalich and her husband, theater manager Leopold Spachner, and they asked him to write another play. This work, titled Zindike neshomes, was apparently lost by Kalich and Spachner, but later performed by Kalich with Morris Moshkovitsh on March 5, 1917 at Gertner's Pavilion Theatre in Chicago. In 1925, <mask> sent a similar play, Neshome, to the Library of Congress for copyright registration.<mask> also gave his play Di naye velt (also known as Di farkerte velt) to Jacob P. Adler, who took it without paying <mask> and produced it at the Grand Theatre in 1919 - according to <mask>, Adler did this under the name Two generations and credited another playwright, Z. Libin. <mask>'s play, Dos milkhome kind, was produced at the Empire Theatre in Chicago in 1918 by Misha and Lucy German, and also performed by [Leon?] Blank in Cleveland and by  Jacob Kalich and Dina Feinman in Boston. According to Kalmen Marmor, Reingold's plays Idisher velt khurbn (Jewish world destruction) and Tekhter fun Ukraine (daughters of Ukraine) were produced in 1919. <mask>'s play Sha, sha, der rebe geyt was produced at Elving's Metropolitan Theatre in Newark, NJ in 1924; and also in New York City, Chicago and Detroit. (also known as Forgotten children)

masks: Reingold Reingold Reingold Reingold Reingold Reingold


title: Louis Reingold

texts:
  was produced at the Lyric Theatre in Brooklyn, NY in 1924, and as a benefit at the Littman's People's Theatre in Detroit in the 1924-25 season. At least three other plays by Reingold were performed at Littman's: The Only Sister/ (four-performances in the 1926-27 season); Libes flamen (three performances in the 1931-32 season), and The Rabbi's Daughter, which lists Samuel H. Cohen as a co-author (two performances in the 1935-36 season).Many of <mask>'s plays and skits were performed in Chicago, where he worked as a publicist for the Logan Square Theatre. These works include Di tekhter fun ukraine (1918-1919, Empire Theatre),  (March 1926, ),  (April 1926, venue unknown), Soydes fun Shikago/Secrets of Chicago (Lawndale Theatre, date unknown), and Der Idisher tsigayner. Programs, and newspaper articles for many of these works are found in a scrapbook in the Louis Reingold Collection, Dorot Jewish Division, New York Public Library. <mask> also authored a number of works for which performance information is unknown. Controversy

On December 5, 1924, the Rosa Zilbert Theatre (later the Hopkinson Theatre) in Brownsville, Brooklyn, produced Reingold's play A grus fun der heym, with music by H. Zalik. Later on, Boris Thomashefsky performed the same play in Toronto under the name Fargesene froyen. Reingold claimed that Thomashefsky's 1927 operetta Bar Mitsve was a plagiarized version of Reingold's A grus fun der heym/Fargesene froyen, and initiated legal proceedings against Thomashefsky.Reingold's scrapbook in the Louis Reingold

masks: Reingold Reingold


title: Louis Reingold

texts:
 Collection includes newspaper coverage on this subject. Later life

In his last years, <mask> was employed as a publicity and organizational manager in the office of the American Jewish Congress in Chicago, where he died on August 27, 1944. He is buried with his wife Esther in the Pruzhnitzer section of Waldheim Cemetery in Chicago. <mask>'s archive, known as the Louis Reingold Collection, was donated to the Dorot Jewish Division of the New York Public Library by his descendants. The collection includes unpublished manuscripts and typescripts for many of his works as well a scrapbook of newspaper clippings, photographs, and <mask>'s unpublished autobiography in Yiddish original and English translation. References

External links
 Zylbercweig, Zalmen. Leksikon fun Yidishn teater.New York: Farlag Elisheva. pp. 4, pp. 3173–3175. Baker, Zackary M.; Sohn, Bonnie. The Lawrence Marwick Collection of Copyrighted Yiddish Plays at The Library of Congress:An Annotated Bibliography. Library of Congress, Washington, D.C. – 2004
 Louis Reingold Collection, Dorot Jewish Division, New York Public Library
 Niger, Samuel; Shatzky, Jacob.Leḳsiḳon fun der nayer Yidisher liṭeraṭur. Nyu-Yorḳ : Alṿelṭlekhn Yidishn ḳulṭur-ḳongres, 1956-1981. Volume 8, pp. 489–490
 Rejzen, Zalmen. Leksikon fun der Yidisher literatur, prese un filologye. Vilnius: B. Kletzkin. v. 4, pp.386–387. Yiddish-language journalists
Yiddish-language playwrights
1944 deaths
19th-century Polish Jews
Polish emigrants to the United States
People from Ciechanów
Year of birth

masks: Reingold Reingold Reingold


title: George Wilson (safety)

texts:
<mask>, Jr. (born March 14, 1981) is a former American football safety. He was signed by the Detroit Lions as an undrafted free agent in 2004. He played college football at Arkansas. <mask> was a longtime player for the Buffalo Bills and also played for the Tennessee Titans. Early years
<mask> played high school football for Paducah Tilghman High School in Paducah, Kentucky. He twice was named all-state and was honorable mention All-America as a senior. He was also named all state in basketball, and lettered in baseball and track as well.During his high school football career, <mask> had 81 catches for 1,723 yards and 24 touchdowns. <mask> played in the Kentucky-Tennessee All-Star Game. College career
<mask> played at the University of Arkansas. He was a starter for three years at Arkansas and led the team in receptions for two of those years. He had at least one reception in 38 of his final 40 games. For his career, he played in 44 games, catching 144 passes for 2,151 yards (14.9 average) and 16 touchdowns. <mask> left Arkansas with the second most receptions in a career there (behind Anthony Eubanks) and he had the third highest total for receiving touchdowns and receiving yardage there (behind Eubanks and Anthony Lucas).He was only the 16th player in school history to gain over 1,000 yards receiving in a career. In 2002, he led the team with 49 catches for 626 yards and a career-high seven touchdowns, starting 11 of 14 games. In 2003, <mask> had four 100-yard receiving games, including a career-high 172 yards on nine receptions and a touchdown in the 71-63 overtime win at Kentucky. Professional career

Detroit Lions
<mask> was signed by the Detroit Lions on April 30, 2004 as an undrafted free agent. Buffalo Bills
<mask> was signed by the Buffalo Bills to their practice

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title: George Wilson (safety)

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 squad on October 18, 2004, and played his first regular season game on September 11, 2005 against the Houston Texans. Up to the 2007 season, he had played in only three games in his NFL career and never recorded a reception. For the 2007 season, <mask> made the transition to strong safety, a position at which he had never played in an organized game.On October 8, 2007 on Monday Night Football, he intercepted Tony Romo and returned it for a touchdown in his first NFL start. His 2007-2008 season ended with a rib injury on December 10, 2007 in a game against the Miami Dolphins in which he returned a fumble for a touchdown. In the 2008 season, <mask> played in all 16 games for the first time in his career. He shared a sack of New England Patriots Matt Cassel with Marcus Stroud at New England on November 9, 2008. The play marked his first career participation in a sack. He also recovered the fumble forced by Stroud on the same play, marking his second career fumble recovery. <mask> had a season-high four tackles, including one for a loss of five yards, a sack, and recovered a fumble at KC.He finished third on team with 15 special teams tackles. He was voted special teams captain prior to the season, and has been voted consecutively as team captain for seasons since. <mask> is the first Buffalo Bills defensive back to post consecutive multi-sack seasons since Lawyer Milloy (2003–04) and only the second Bills defensive back to accomplish this feat. On February 11, 2013, <mask> was released from the Bills, along with linebacker Nick Barnett. Tennessee Titans
On February 22, 2013, <mask> was signed by the Tennessee Titans. He was later waived by the Titans. Career statistics

Philanthropy
<mask> has been an active philanthropist both within his community and on a national scale to

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