title: Stéphane Lasme

texts:
 after-school program. He attended high school at Léon M'ba in his native Gabon and was called up by Arimbi Nkolo, head coach of his country's national team. While at Léon M'ba, whose basketball team competed in the African High School Federation, he played under Ebolo Firmin. <mask> also played for Capo Libreville in the 2002 FIBA Africa Basketball Club Championship. College career
In February 2003 <mask> moved to the United States. <mask>'s cousin, Serge Lapeby gave him a home in Boston. He helped him adjust to the new environment, saying, "He had to learn the culture, the language, the colder weather—that was a bit of a challenge—and the lifestyle."He was forced to compete in a gymnasium, as he arrived in the United States in the winter, and played in Emmanuel College. Lapeby tried to recruit <mask> to play for the school's team, and succeeded, but it did not offer athletic scholarships as an NCAA Division III college. <mask> subsequently enrolled in Emmanuel College, primarily for its ESL program. He began playing basketball for the college and attracted the attention of many NCAA Division I programs. <mask>'s performance in the Eastern Invitational All-Star Game, which took place in New Jersey, was most noted. The game was attended by Massachusetts Minutemen basketball coach Steve Lappas, who was searching for potential recruits. Lappas was impressed by <mask>'s raw skills and offered him a scholarship to play for the Minutemen.He signed an institutional financial aid agreement to compete with Massachusetts for the 2003–04 season and was eligible to participate in

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title: Stéphane Lasme

type: original

texts:
 the winter. When the move was made official, the coach said, "We are excited to have Stephane join our program. We believe that he is a quality student and athlete. It is very exciting to find someone of his caliber at this point in time, and we feel he will be a very good addition to our program." Freshman
On November 9, 2003, <mask> made his first appearance in a Massachusetts uniform in an exhibition game against the Harlem Globetrotters. He finished with 1 point and 5 turnovers in 9 minutes of playing time, as the Minutemen fell to Harlem, 68-77. He competed in another exhibition game on November 14 against the Playaz basketball club, but was awarded 22 minutes on the court.In his official collegiate debut, a win over St. Francis (NY), <mask> contributed 6 points and 6 rebounds off the bench. He grabbed 13 rebounds in a quarterfinals game of the Preseason National Invitational Tournament vs Texas Tech, the first time he recorded double-digits in any major statistical category at the collegiate level. He also had four blocked shots, as UMass fell, 50-90. <mask> scored a season-high 13 points on February 8, 2004, vs Dayton. He was awarded his first-ever start with the Minutemen on January 18, 2004, against Duquesne, but scored no points. He was named the winner of Massachusetts' Jack Leaman Defensive Award at the end of the season, ranking second in the Atlantic 10 Conference in blocked shots. <mask> finished the year with averages of 3.2 points, 3.4 rebounds and 1.8 blocks.Sophomore
As a sophomore, he started all 28 games for the Minutemen, and again finished as the

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title: Stéphane Lasme

texts:
 league's second-leading shot blocker. <mask> continued his progression during his junior year. He started 27 of the team's 28 games (Senior Day being the exception), scored in double figures 15 times, and finished the year with a 10.5 average. <mask> was two blocks short of a triple-double against St. Peter's on December 27, 2005, with 21 points, 14 rebounds and 8 blocks. By the end of the season, <mask> blocked a total of 108 shots, an average of 3.9 per game, good for third-highest in the nation. The A-10 honored <mask> with their Defensive Player of the Year award. Senior
<mask>'s senior year at UMass was filled with personal accomplishments, records, and team success.He was named an AP Honorable Mention All-American, the Atlantic 10 Player of the Year and Defensive Player of the Year. He ranked first in the league in blocks and rebounding, and second in field goal percentage. He scored more than 20 points on four occasions, grabbed 10 or more rebounds on 17 occasions, and 10 or more blocks on four occasions. During the season, <mask> averaged 13.5 points, 9.5 rebounds, and 5.1 blocks per game, and led the Minutemen into the NIT, the team's first post-season play since the 1999–2000 season. In the 2006–07 season, <mask> tied an NCAA record with four triple-doubles in a single season, joining Jason Kidd (1994 at Cal) and Michael Anderson (1986 at Drexel). While Kidd and Anderson accomplished the feat by achieving double figures in scoring, rebounds, and assists, <mask>'s triple-doubles are in scoring, rebounds and blocks. His four triple-doubles were:

 vs. St.

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title: Stéphane Lasme

texts:
 Francis on November 22 (19 pts, 10 reb, 11 blocks);
 vs. George Washington on January 10 (23 pts, 15 reb, 11 blocks);
 vs. Rhode Island on February 8 (18 pts, 12 reb, 11 blocks) and
 vs. La Salle on February 28 (17 pts, 10 reb, 10 blocks).Also in 2006–07 <mask> set new UMass records for career blocked shots (399), single season blocked shots (168), and blocks per game (11), passing Marcus Camby on all three lists. Professional career
In June 2007, <mask> was selected in the second round, 46th overall, in the 2007 NBA draft by the Golden State Warriors, using the pick they got from the New Jersey Nets in exchange for Clifford Robinson. He made his NBA debut on November 8, playing only 3.8 seconds of game time in the Warriors 120–115 loss to the Dallas Mavericks. On November 17, <mask> was waived by the Warriors. Later that month, he was signed by the NBA Development League's Los Angeles D-Fenders. On March 21, 2008, <mask> was signed to a ten-day contract with the Miami Heat, whose roster had been depleted by injuries. He later signed for the rest of the season.In 15 games (four starts), he averaged 5.5 points, 3.5 rebounds, 1.5 blocks and 20.2 minutes. In September 2008, <mask> signed with the Adriatic League champions Partizan Belgrade, for the 2008–09 season. After the opening three games in EuroLeague, he was ranked second in both blocks and rebounds per game. <mask> finished the season well, averaging 10.6 points, 6.6 rebounds, and 1.5 blocks per game, 25.5 minutes a contest, after Partizan's strong showing that ended in the quarterfinals with a loss to CSKA Moscow.

masks: Lasme Lasme Lasme Lasme Lasme Lasme


title: Stéphane Lasme

texts: He was instrumental in helping the team to another regional ABA championship, with 11.3 points per game. He also won Serbian national championship and the Serbian Radivoj Korać Cup titles with Partizan. In July 2009, <mask> signed with the Israeli League club Maccabi Tel Aviv, along with Alan Anderson.On June 8, 2010, Maccabi announced that they had released <mask>, after a foot injury had limited his playing time towards the end of the season. In 20 games of EuroLeague play, he averaged 6.5 points, 4.4 rebounds, and 1.4 blocks per game in 18.5 minutes per game. <mask> then signed a two-year contract with the Russian League club Spartak Saint Petersburg in July 2010. However, he was released in September, due to some administrative problems that he had in the United States. <mask> was invited to join the Boston Celtics for their 2010 training camp. However, he was waived on October 20. Subsequently, <mask> joined the Maine Red Claws of the NBA D-League, an affiliate of the Celtics.However, <mask> fractured his foot just 2 minutes into the team's preseason opener against the Springfield Armor, and immediately underwent surgery. After recovering, he returned to action in March 2011. In August 2011, <mask> returned to Europe and signed with the Spanish League newcomers Obradoiro CAB. On July 5, 2012, the Boston Celtics announced that <mask> was added to their roster for the 2012 Orlando Pro Summer League and the 2012 NBA Summer League. On September 29, 2012, <mask> signed a one-year contract with the Greek League club Panathinaikos Athens. He was named the EuroLeague Best

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title: Stéphane Lasme

texts:
 Defender for the 2012–13 Euroleague season. He averaged 1.86 blocks and 6.14 rebounds per game, while his team allowed 69.8 points per game, thus displaying the second best team defense in the league.Also, <mask> earned the Greek Basket League MVP award, as well as the Greek League Best Defender award for the 2012–13 season. On July 1, 2013, <mask> renewed his contract with Panathinaikos for two more years. In May 2014, he was named to the All-EuroLeague Second Team of the EuroLeague. He also earned the Greek League Best Defender award and was named to the Greek League Best Five for the 2013–14 season. Panathinaikos decided to exercise an "opt out" clause in his contract for the upcoming 2014–15 season, on 12 June 2014. On June 22, 2014, he signed a two-year contract with Anadolu Efes Istanbul. On July 29, 2015, he signed with Galatasaray.<mask> was instrumental in winning the Eurocup title 2015–16, and earned the Eurocup Finals MVP award. On August 29, 2016, <mask> was suspended for one year after failing a doping test. On February 10, 2017, <mask> was acquired by the Texas Legends of the NBA Development League. On July 13, 2017, <mask> signed with Russian club UNICS for the 2017–18 season. On June 27, 2018, <mask> officially returned to Panathinaikos after four years, signing a one-year deal. National team career
Lasme played with the senior Gabonese national team at the 2005 FIBA Africa Championship, averaging 11.7 points, 10.1 rebounds, and 3 blocks per game, in seven games played. players
Basketball League of Serbia players
BC UNICS players
Centers


title: Linda Ronstadt

texts: <mask> (born July 15, 1946) is a retired American singer who performed and recorded in diverse genres including rock, country, light opera, and Latin. She has earned 11 Grammy Awards, three American Music Awards, two Academy of Country Music awards, an Emmy Award, and an ALMA Award. Many of her albums have been certified gold, platinum or multiplatinum in the United States and internationally. She has also earned nominations for a Tony Award and a Golden Globe award. She was awarded the Latin Grammy Lifetime Achievement Award by the Latin Recording Academy in 2011 and also awarded the Grammy Lifetime Achievement Award by the Recording Academy in 2016. She was inducted into the Rock and Roll Hall of Fame in April 2014. On July 28, 2014, she was awarded the National Medal of Arts and Humanities.In 2019, she received a star jointly with Dolly Parton and Emmylou Harris on the Hollywood Walk of Fame for their work as the group Trio. <mask> was among five honorees who received the 2019 Kennedy Center Honors for lifetime artistic achievements. <mask> has released 24 studio albums and 15 compilation or greatest hits albums. She charted 38 US Billboard Hot 100 singles. Twenty-one of those singles reached the top 40, ten reached the top 10, and one reached number one ("You're No Good"). <mask> also charted in UK as two of her duets, "Somewhere Out There" with James Ingram and "Don't Know Much" with Aaron Neville, peaked at numbers 8 and 2 respectively and the single "Blue Bayou" reached number 35 on the UK Singles charts. She has charted 36 albums, ten top-10 albums, and three number 1 albums on the US Billboard Pop Album Chart.<mask> has collaborated with artists in

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title: Linda Ronstadt

texts:
 diverse genres, including: Dolly Parton, Emmylou Harris, Bette Midler, Billy Eckstine, Frank Zappa, Carla Bley (Escalator Over the Hill), Rosemary Clooney, Flaco Jiménez, Philip Glass, Warren Zevon, Gram Parsons, Neil Young, Paul Simon, Earl Scruggs, Johnny Cash, and Nelson Riddle. She has lent her voice to over 120 albums and has sold more than 100 million records, making her one of the world's best-selling artists of all time. Christopher Loudon, of Jazz Times, wrote in 2004 that <mask> is "blessed with arguably the most sterling set of pipes of her generation." <mask> reduced her activity after 2000 when she felt her singing voice deteriorating, releasing her last full-length album in 2004 and performing her last live concert in 2009. She announced her retirement in 2011 and revealed shortly afterwards that she is no longer able to sing as a result of a degenerative condition later determined to be progressive supranuclear palsy. Since then, <mask> has continued to make public appearances, going on a number of public speaking tours in the 2010s. She published an autobiography, Simple Dreams: A Musical Memoir, in September 2013.A documentary based on her memoirs, <mask>: The Sound of My Voice, was released in 2019. Early life
<mask> <mask> was born in Tucson, Arizona, on July 15, 1946, the third of four children of <mask> (19111995), a prosperous machinery merchant who ran the F. Ronstadt Co., and Ruth Mary (née Copeman) <mask> (19141982), a homemaker. <mask> was raised on the family's  ranch with her siblings Peter (who served as Tucson's Chief of Police for ten years, 19811991), Michael, and Gretchen. The family was featured in Family Circle magazine in

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title: Linda Ronstadt

texts:
 1953. Ronstadt family history
<mask>'s father came from a pioneering Arizona ranching family and was of German and Mexican ancestry. The family's influence on and contributions to Arizona's history, including wagon making, commerce, pharmacies, and music, are chronicled in the library of the University of Arizona. Her great-grandfather, graduate engineer Friedrich August <mask> (who went by Federico Augusto <mask>) immigrated to the Southwest (then a part of Mexico) in the 1840s from Hanover, Germany, and married a Mexican citizen, eventually settling in Tucson.In 1991, the City of Tucson opened its central transit terminal on March 16 and dedicated it to <mask>'s grandfather, Federico José <mask>, a local pioneer businessman; he was a wagon maker whose early contribution to the city's mobility included six mule-drawn streetcars delivered in 190304. <mask>'s mother Ruth Mary, of German, English, and Dutch ancestry, was raised in Flint, Michigan. Ruth Mary's father, Lloyd Groff Copeman, a prolific inventor and holder of nearly 700 patents, invented an early form of the electric toaster, many refrigerator devices, the grease gun, the first electric stove, and an early form of the microwave oven. His flexible rubber ice cube tray earned him millions of dollars in royalties. Career summary

Establishing her professional career in the mid-1960s at the forefront of California's emerging folk rock and country rock movementsgenres which defined post-1960s rock musicRonstadt joined forces with Bobby Kimmel and Kenny Edwards and became the lead singer of a folk-rock trio, the Stone Poneys. Later, as a solo artist, she released Hand Sown ... Home Grown in 1969, which

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title: Linda Ronstadt

texts: has been described as the first alternative country record by a female recording artist. Although fame eluded her during these years, <mask> actively toured with the Doors, Neil Young, Jackson Browne, and others, appeared numerous times on television shows, and began to contribute her singing to albums by other artists.With the release of chart-topping albums such as Heart Like a Wheel, Simple Dreams, and Living in the USA, <mask> became the first female "arena class" rock star. She set records as one of the top-grossing concert artists of the decade. Referred to as the "First Lady of Rock" and the "Queen of Rock", <mask> was voted the Top Female Pop Singer of the 1970s. Her rock-and-roll image was as famous as her music; she appeared six times on the cover of Rolling Stone and on the covers of Newsweek and Time. In the 1980s, <mask> performed on Broadway and received a Tony nomination for her performance in The Pirates of Penzance, teamed with the composer Philip Glass, recorded traditional music, and collaborated with the conductor Nelson Riddle, an event at that time viewed as an original and unorthodox move for a rock-and-roll artist. This venture paid off, and <mask> remained one of the music industry's best-selling acts throughout the 1980s, with multi-platinum-selling albums such as Mad Love,  What's New, Canciones de Mi Padre, and Cry Like a Rainstorm, Howl Like the Wind. She continued to tour, collaborate, and record celebrated albums, such as Winter Light and Hummin' to Myself, until her retirement in 2011.Most of <mask>'s albums are certified gold, platinum, or multi-platinum. Having sold in excess of 100 million records worldwide and setting

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title: Linda Ronstadt

texts:
 records as one of the top-grossing concert performers for over a decade, <mask> was the most successful female singer of the 1970s and stands as one of the most successful female recording artists in U.S. history. She opened many doors for women in rock and roll and other musical genres by championing songwriters and musicians, pioneering her chart success onto the concert circuit, and being in the vanguard of many musical movements. Career overview

Early influences

<mask>'s early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood. <mask> has remarked that everything she has recorded on her own recordsrock and roll, rhythm and blues, gospel, opera, country, choral, and mariachiis all music she heard her family sing in their living room or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation.Early on, her singing style had been influenced by singers such as Lola Beltrán and Édith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams. She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, <mask> says,

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title: Linda Ronstadt

texts:
 "There's no one in her league. That's it. Period.I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas for her musicianship and her attempts to push 20th-century singing, particularly opera, back into the bel canto "natural style of singing". A self-described product of American radio of the 1950s and 1960s, <mask> is a fan of its eclectic and diverse music programming. Beginning of professional career
At age 14, <mask> formed a folk trio with her brother Peter and sister Gretchen. The group played coffeehouses, fraternity houses, and other small venues, billing themselves as "the Union City Ramblers" and "the Three Ronstadts", and they even recorded themselves at a Tucson studio under the name "the New Union Ramblers". Their repertoire included the music they grew up onfolk, country, bluegrass, and Mexican.But increasingly, <mask> wanted to make a union of folk music and rock 'n' roll, and in 1964, after a semester at Arizona State University, the 18-year-old decided to move to Los Angeles. The Stone Poneys

<mask> visited a friend from Tucson, Bobby Kimmel, in Los Angeles during Easter break from college in 1964, and later that year, shortly before her eighteenth birthday, decided to move there permanently to form a band with him. Kimmel had already begun co-writing folk-rock songs with guitarist-songwriter Kenny Edwards, and eventually the three of them were signed by Nik Venet to Capitol in the summer of 1966 as "the Stone Poneys". The trio released three albums in a 15-month period in 196768:


title: Linda Ronstadt

texts:
 The Stone Poneys; Evergreen, Volume 2; and <mask>, Stone Poneys and Friends, Vol. III. The band is widely known for their hit single "Different Drum" (written by Michael Nesmith prior to his joining the Monkees), which reached number 13 on the Billboard Hot 100 chart as well as number 12 in Cashbox magazine. Nearly 50 years later, the song remains one of <mask>'s most popular recordings.Solo career
Still contractually obligated to Capitol Records, <mask> released her first solo album, Hand Sown ... Home Grown, in 1969. It has been called the first alternative country record by a female recording artist. During this same period, she contributed to the Music from Free Creek "super session" project. <mask> provided the vocals for some commercials during this period, including one for Remington electric razors, in which a multitracked <mask> and Frank Zappa claimed that the electric razor "cleans you, thrills you ... may even keep you from getting busted". <mask>'s second solo album, Silk Purse, was released in March 1970. Recorded entirely in Nashville, it was produced by Elliot Mazer, whom <mask> chose on the advice of Janis Joplin, who had worked with him on the Cheap Thrills album. The Silk Purse album cover showed <mask> in a muddy pigpen, while the back and inside cover depicted her onstage wearing bright red.<mask> has stated that she was not pleased with the album, although it provided her with her first solo hit, the multi-format single "Long, Long Time", and earned her first Grammy nomination (for Best Contemporary Vocal Performance/Female). Touring

In 1975, <mask> performed shows with Jackson Browne, the Eagles, and Toots and the Maytals. In a 1976

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title: Linda Ronstadt

texts: Rolling Stone interview with Cameron Crowe, <mask> said, "they haven't invented a word for that loneliness that everybody goes through on the road. The world is tearing by you, real fast, and all these people are looking at you. ... People see me in my 'girl-singer' suit." In 1974 she told Peter Knobler in Crawdaddy, "People are always taking advantage of you; everybody that's interested in you has got an angle." Several years before <mask> became what author Gerri Hirshey called the first "arena-class rock diva" with "hugely anticipated tours" she began her solo career touring the North American concert circuit.But being on the road took its toll both emotionally and professionally. There were few "girl singers" on the rock circuit at the time, and they were relegated to "groupie level when in a crowd of a bunch of rock and roll guys", a status <mask> avoided. Relating to men on a professional level as fellow musicians led to competition, insecurity, bad romances, and a series of boyfriend-managers. At the time, she admired singers like Maria Muldaur for not sacrificing their femininity but says she felt enormous self-imposed pressure to compete with "the boys" at every level. She noted in a 1969 interview in Fusion magazine that it was difficult being a single "chick singer" with an all-male backup band. According to her, it was difficult to get a band of backing musicians because of their ego problem of being labeled sidemen for a female singer. Soon after she went solo in the late 1960s, one of her first backing bands was the pioneering country-rock band Swampwater, which combined Cajun and swamp-rock elements in their music.Its members included Cajun

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title: Linda Ronstadt

texts:
 fiddler Gib Guilbeau and John Beland, who later joined the Flying Burrito Brothers, as well as Stan Pratt, Thad Maxwell, and Eric White, brother of Clarence White of the Byrds. Swampwater went on to back <mask> during TV appearances on The Johnny Cash Show and The Mike Douglas Show, and at the Big Sur Folk Festival. Another backing band included Don Henley, Glenn Frey, Bernie Leadon, and Randy Meisner, who went on to form the Eagles. They toured with her for a short period in 1971 and played on <mask>, her self-titled third album, from which the failed single, <mask>'s version of Browne's "Rock Me on the Water", was drawn. At this stage, <mask> began working with producer and boyfriend John Boylan. She said, "As soon as I started working with John Boylan, I started co-producing myself. I was always a part of my productions.But I always needed a producer who would carry out my whims." Also in 1971, <mask> began talking with David Geffen about moving from Capitol Records to Geffen's Asylum Records label. Collaborations with Peter Asher

<mask> began her fourth solo album, Don't Cry Now, in 1973, with Boylan (who had negotiated her contract with Asylum Records) and John David "J.D." Souther producing most of the album's tracks. But needing someone willing to work with her as an equal, <mask> asked Peter Asher, who came highly recommended to her by James Taylor's sister Kate Taylor, to help produce two of them: "Sail Away" and "I Believe in You". The album featured <mask>'s first country hit, "Silver Threads and Golden Needles", which she had first recorded on Hand Sown ... Home Grownthis time hitting the Country Top 20. With the release of Don't Cry Now,

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texts:
 <mask> took on her biggest gig to date as the opening act on Neil Young's Time Fades Away tour, playing for larger crowds than ever before.Backstage at a concert in Texas, Chris Hillman introduced her to Emmylou Harris, telling them, "You two could be good friends", which soon occurred, resulting in frequent collaborations over the following years. Meanwhile, the album became <mask>'s most successful up to that time, selling 300,000 copies by the end of 1974. Asher turned out to be more collaborative, and more on the same page with her musically, than any producer she had worked with previously. <mask>'s professional relationship with Asher allowed her to take command and effectively delegate responsibilities in the recording studio. Although hesitant at first to work with her because of her reputation for being a "woman of strong opinions (who) knew what she wanted to do (with her career)", he nonetheless agreed to become her full-time producer, and remained in that role through the late 1980s. Asher attributed the long-term success of his working relationship with <mask> to the fact that he was the first person to manage and produce her with whom there was a solely professional relationship. "It must be a lot harder to have objective conversations about someone's career when it's someone you sleep with", he said.Asher executive produced a tribute CD called Listen to Me: Buddy Holly, released September 6, 2011, on which <mask>'s 1976 version of Buddy Holly's "That'll Be The Day" appears among newly recorded versions of Holly's songs by various artists. Vocal styles

<mask> captured the sounds of country music and the rhythms of ranchera musicwhich she


title: Linda Ronstadt

texts:
 likened in 1968 to "Mexican bluegrass"and redirected them into her rock 'n' roll and some of her pop music. Many of these rhythms and sounds were part of her Southwestern roots. Likewise, a country sound and style, a fusion of country music and rock 'n' roll called country rock, started to exert its influence on mainstream pop music around the late 1960s, and it became an emerging movement <mask> helped form and commercialize. However, as early as 1970, <mask> was being criticized by music "purists" for her "brand of music" which crossed many genres. Country Western Stars magazine wrote in 1970 that "Rock people thought she was too gentle, folk people thought she was too pop, and pop people didn't quite understand where she was at, but Country people really loved <mask>." She never categorized herself and stuck to her genre-crossing brand of music.Interpretive singer
<mask> is considered an "interpreter of her times", and has earned praise for her courage to put her "stamp" on many of her songs. Nevertheless, her hits were criticized in some quarters for being cover songs. <mask> herself has indicated that some of her 1970s hits were recorded under considerable pressure to create commercially successful recordings, and that she prefers many of her songs that were non-hit album tracks. An infrequent songwriter, <mask> co-composed only three songs over her long career. <mask>'s natural vocal range spans several octaves from contralto to soprano, and occasionally she will showcase this entire range within a single work. <mask> was the first female artist in popular music history to accumulate four consecutive platinum albums (fourteen certified million

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title: Linda Ronstadt

texts:
 selling, to date). As for the singles, Rolling Stone pointed out that a whole generation, "but for her, might never have heard the work of artists such as Buddy Holly, Elvis Costello, and Chuck Berry."Others have argued that <mask> had the same generational effect with her Great American Songbook music, exposing a whole new generation to the music of the 1920s and 1930smusic which was pushed aside because of the advent of rock 'n' roll. When interpreting, <mask> said she "sticks to what the music demands", in terms of lyrics. Explaining that rock and roll music is part of her culture, she says that the songs she sang after her rock and roll hits were part of her soul. "The (Mariachi music) was my father's side of the soul," she was quoted as saying in a 1998 interview she gave at her Tucson home. "My mother's side of my soul was the Nelson Riddle stuff. And I had to do them both to reestablish who I was." In the 1974 book Rock 'N' Roll Woman, author Katherine Orloff writes that <mask>'s "own musical preferences run strongly to rhythm and blues, the type of music she most frequently chooses to listen to ... (and) her goal is to ... be soulful too.With this in mind, <mask> fuses country and rock into a special union." By this stage of her career, <mask> had established her niche in the field of country-rock. Along with other musicians such as the Flying Burrito Brothers, Emmylou Harris, Gram Parsons, Swampwater, Neil Young, and the Eagles, she helped free country music from stereotypes and showed rockers that country was okay. However, she stated that she was being pushed hard into singing more rock and roll. Most successful female singer of the 1970s

Author

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title: Linda Ronstadt

texts: Andrew Greeley, in his book God in Popular Culture, described <mask> as "the most successful and certainly the most durable and most gifted woman Rock singer of her era." Signaling her wide popularity as a concert artist, outside of the singles charts and the recording studio, Dirty Linen magazine describes her as the "first true woman rock 'n' roll superstar ... (selling) out stadiums with a string of mega-successful albums." Amazon.com defines her as the American female rock superstar of the decade.Cashbox gave <mask> a Special Decade Award, as the top-selling female singer of the 1970s. Her album covers, posters, magazine coversher entire rock 'n' roll imagewere as famous as her music. By the end of the decade, the singer whom the Chicago Sun Times described as the "Dean of the 1970s school of female rock singers" became what Redbook called "the most successful female rock star in the world." "Female" was the important qualifier, according to Time magazine, which labeled her "a rarity ... to (have survived) ... in the shark-infested deeps of rock." Although <mask> had been a cult favorite on the music scene for several years, 1975 was "remembered in the music biz as the year when 29-year-old <mask> belatedly happened." With the release of Heart Like a Wheelnamed after one of the album's songs, written by Anna McGarrigleRonstadt reached number 1 on the Billboard 200 chart; it was also the first of four number 1 Country Albums, and the disc was certified double-platinum (over two million copies sold in the U.S.). In many instances, her own interpretations were more successful than the original recordings, and many times new songwriters were discovered by a

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Linda Ronstadt


title: Linda Ronstadt

texts: larger audience as a result of her interpretation and recording.<mask> had major success interpreting songs from a diverse spectrum of artists. Heart Like a Wheels first single release, "You're No Good"a rockified version of an R&B song written by Clint Ballard, Jr. that <mask> had initially resisted because Andrew Gold's guitar tracks sounded too much like a "Beatles song" to herclimbed to number 1 on both the Billboard and Cash Box Pop singles charts. The album's second single release, "When Will I Be Loved"an uptempo country-rock version of a Top 10 Everly Brothers songhit number 1 in Cashbox and number 2 in Billboard. The song was also <mask>'s first number 1 country hit. The album's critical and commercial success was due to a fine presentation of country and rock, with Heart Like a Wheel her first of many major commercial successes that would set her on the path to being one of the best-selling female artists of all time. <mask> won her first Grammy Award for Best Country Vocal Performance/Female for "I Can't Help It (If I'm Still in Love with You)" which was originally a 1940s hit by Hank Williams. <mask>'s interpretation peaked at number 2 on the country chart.The album itself was nominated for the Album of the Year Grammy. Rolling Stone put <mask> on its cover in March 1975. It was the first of six Rolling Stone covers shot by photographer Annie Leibovitz. It included her as the featured artist with a full photo layout and an article by Ben Fong-Torres, discussing <mask>'s many struggling years in rock n roll, as well as her home life and what it was like to be a woman on tour in a decidedly all-male environment. In September 1975, <mask>'s album

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title: Linda Ronstadt

texts: Prisoner in Disguise was released. It quickly climbed into the Top Five on the Billboard Album Chart and sold over a million copies. It became her second in a row to go platinum, "a grand slam" in the same year (<mask> would eventually become the first female artist in popular music history to have three consecutive platinum albums and would ultimately go on to have eight consecutive platinum albums, and then another six between 1983 and 1990).The disc's first single release was "Love Is A Rose". It was climbing the pop and country charts but "Heat Wave", a rockified version of the 1963 hit by Martha and the Vandellas, was receiving considerable airplay. Asylum pulled the "Love Is a Rose" single and issued "Heat Wave" with "Love Is a Rose" on the B-side. "Heat Wave" hit the Top Five on Billboards Hot 100 while "Love Is A Rose" hit the Top Five on Billboard's country chart. In 1976, <mask> reached the Top 3 of Billboards Album Chart and won her second career Grammy Award for Best Female Pop Vocal Performance for her third consecutive platinum album Hasten Down the Wind. The album featured a sexy, revealing cover shot and showcased <mask> the singer-songwriter, who composed two of its songs, "Try Me Again" (co-authored with Andrew Gold) and "Lo Siento Mi Vida". It also included an interpretation of Willie Nelson's ballad "Crazy", which became a Top 10 Country hit for <mask> in early 1977.At the end of 1977, <mask> surpassed the success of Heart Like a Wheel with her album Simple Dreams, which held the number 1 position for five consecutive weeks on the Billboard 200 chart. It sold over 3½ million copies in less than a year in the U.S. alone – a record for a


title: Linda Ronstadt

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 female artist. Simple Dreams spawned a string of hit singles on numerous charts. Among them were the RIAA platinum-certified single "Blue Bayou", a country-rock interpretation of a Roy Orbison song; "It's So Easy"previously sung by Buddy Holly, a cover of The Rolling Stones' "Tumbling Dice", and "Poor Poor Pitiful Me", a song written by Warren Zevon, an up-and-coming songwriter of the time. The album garnered several Grammy Award nominationsincluding Record of the Year and Best Pop Vocal Performance/Female for "Blue Bayou"and won its art director, Kosh, a Grammy Award for Best Album Cover, the first of three Grammy Awards he would win for designing <mask> album covers. In late 1977, <mask> became the first female recording artist to have two songs in the U.S. Billboard Hot 100 Top Ten at the same time."Blue Bayou" was at No. 3 while "It's So Easy" was at No. 5. Simple Dreams became one of the singer's best-selling international-selling albums as well, reaching number 1 on the Australian and Canadian Pop and Country Albums charts. Simple Dreams also made <mask> the most successful international female touring artist. The same year, she completed a concert tour around Europe. As Country Music magazine wrote in October 1978, Simple Dreams solidified <mask>'s role as "easily the most successful female rock and roll and country star at this time."Also in 1977, she was asked by the Los Angeles Dodgers to sing the U.S. National Anthem at game three of the World Series against the New York Yankees. Time magazine and "rock chick" image
<mask> has remarked that she felt as though she was "artificially encouraged to kinda cop a really tough attitude (and be tough)


title: Linda Ronstadt

texts: because rock and roll is kind of tough (business)," which she felt wasn't worn quite authentically. Female rock artists like her and Janis Joplin, whom she described as lovely, shy, and very literate in real life and the antithesis of the "red hot mamma" she was artificially encouraged to project, went through an identity crisis. By the mid-1970s, <mask>'s image became just as famous as her music. In 1976 and 1977, she appeared on the covers of Rolling Stone and Time, respectively. The Rolling Stone cover story was accompanied by a series of photographs of <mask> in a skimpy red slip, taken by Annie Leibovitz. <mask> felt deceived by the photographer, not realizing that the photos would be so revealing.She says her manager Peter Asher kicked Leibovitz out of the house when she visited to show them the photographs prior to publication. Leibovitz had refused to let them veto any of the photos, which included one of <mask> sprawled across a bed in her underpants. In a 1977 interview, <mask> explained, "Annie [Leibovitz] saw that picture as an exposé of my personality. She was right. But I wouldn't choose to show a picture like that to anybody who didn't know me personally, because only friends could get the other sides of me in balance." Her 1977 appearance on the cover of Time magazine under the banner "Torchy Rock" was also upsetting to <mask>, considering what the image appeared to project about the most famous woman in rock. At a time in the industry when men still told women what to sing and what to wear, <mask> hated the image of her that was projected to the world on that cover, and she noted recently how the photographer kept forcing her to wear a

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title: Linda Ronstadt

texts: dress, which was an image she did not want to project.In 2004, she was interviewed for CBS This Morning and stated that this image was not her because she did not sit like that. Asher noted, "Anyone who's met <mask> for 10 seconds will know that I couldn't possibly have been her Svengali. She's an extremely determined woman, in every area. To me, she was everything that feminism's about." Qualities which, Asher has stated, were considered a "negative (in a woman at that time), whereas in a man they were perceived as being masterful and bold". Since her solo career had begun, <mask> had fought hard to be recognized as a solo female singer in the world of rock, and her portrayal on the Time cover did not appear to help the situation. In 1978, Rolling Stone declared <mask> "by far America's best-known female rock singer."She scored a third number 1 album on the Billboard Album Chart – at this point equaling the record set by Carole King in 1974 – with Living in the USA. She achieved a major hit single with "Ooo Baby Baby", with her rendition hitting all four major singles charts (Pop, AC, Country, R&B). Living in the USA was the first album by any recording act in music history to ship double-platinum (over 2 million advance copies). The album eventually sold 3 million U.S. copies. At the end of that year, Billboard magazine crowned <mask> with three number-one Awards for the Year: Pop Female Singles Artist of the Year, Pop Female Album Artist of the Year, and Female Artist of the Year (overall). Living in the USA showed the singer on roller skates with a newly short, permed hairdo on the album cover. <mask> continued this theme on concert tour promotional

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 posters with photos of her on roller skates in a dramatic pose with a large American flag in the background.By this stage of her career, she was using posters to promote every album and concert – which at the time were recorded live on radio or television. <mask> was also featured in the 1978 film FM, where the plot involved disc jockeys attempting to broadcast a <mask> concert live, without a competing station's knowledge. The film also showed <mask> performing the songs "Poor, Poor Pitiful Me", "Love Me Tender", and "Tumbling Dice". <mask> was persuaded to record "Tumbling Dice" after Mick Jagger came backstage when she was at a concert and said, "You do too many ballads, you should do more rock and roll songs." Following the success of Living in the USA, <mask> conducted album promotional tours and concerts. She made a guest appearance onstage with the Rolling Stones at the Tucson Community Center on July 21, 1978, in her hometown of Tucson, where she and Jagger sang "Tumbling Dice". On singing with Jagger, <mask> later said, "I loved it.I didn't have a trace of stage fright. I'm scared to death all the way through my own shows. But it was too much fun to get scared. He's so silly onstage, he knocks you over. I mean you have to be on your toes or you wind up falling on your face." Highest-paid woman in rock

By the end of 1978, <mask> had solidified her role as one of rock and pop's most successful solo female acts, and owing to her consistent platinum album success, and her ability as the first woman to sell out concerts in arenas and stadiums hosting tens of thousands of fans, <mask> became the "highest paid woman in rock". She had six


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 platinum-certified albums, three of which were number 1 on the Billboard album chart, and numerous charted pop singles.In 1978 alone, she made over $12 million () and in the same year her albums sales were reported to be 17 milliongrossing over $60 million (). As Rolling Stone dubbed her "Rock's Venus", her record sales continued to multiply and set records themselves. By 1979, <mask> had collected eight gold, six platinum, and four multi-platinum certifications for her albums, an unprecedented feat at the time. Her 1976 Greatest Hits album would sell consistently for the next 25 years and in 2001 was certified by the RIAA for seven-times platinum (over seven million U.S. copies sold). In 1980, Greatest Hits, Volume 2 was released and certified platinum. In 1979, <mask> went on an international tour, playing in arenas across Australia to Japan, including the Melbourne Cricket Ground in Melbourne, and the Budokan in Tokyo. She also participated in a benefit concert for her friend Lowell George, held at The Forum, in Los Angeles.By the end of the decade, <mask> had outsold her female competition; she had five straight platinum LPsHasten Down the Wind and Heart Like a Wheel among them. Us Weekly reported in 1978 that <mask>, Joni Mitchell, Stevie Nicks, and Carly Simon had become "The Queens of Rock" and "Rock is no longer exclusively male. There is a new royalty ruling today's record charts." She would go on to parlay her mass commercial appeal with major success in interpreting The Great American Songbookmade famous a generation before by Frank Sinatra and Ella Fitzgeraldand later the Mexican folk songs of her childhood. From rock to operetta

In February


title: Linda Ronstadt

texts: 1980, <mask> released Mad Love, her seventh consecutive platinum-selling album. It was a straightforward rock and roll album with post-punk, new wave influences, including tracks by songwriters such as Elvis Costello, the Cretones, and musician Mark Goldenberg who played on the record himself. As part of the album's promotion, a live concert was recorded for an HBO special in April.A partial soundtrack for this special (omitting most of the Mad Love tracks) was released as her first official live album in February 2019. She also made the cover of Rolling Stone for a record-setting sixth time. Mad Love entered the Billboard Album Chart in the Top Five its first week (a record at that time) and climbed to the number 3 position. The project continued her streak of Top 10 hits with "How Do I Make You", originally recorded by Billy Thermal, and "Hurt So Bad", originally a Top 10 hit for Little Anthony & the Imperials. The album earned <mask> a 1980 Grammy Award nomination for Best Rock Vocal Performance/Female (although she lost to Pat Benatar's Crimes of Passion album). Benatar praised <mask> by stating, "There are a lot of good female singers around. How could I be the best?<mask> is still alive!" In the summer of 1980, <mask> began rehearsals for the first of several leads in Broadway musicals. Joseph Papp cast her as the lead in the New York Shakespeare Festival production of Gilbert and Sullivan's The Pirates of Penzance, alongside Kevin Kline. She said singing Gilbert and Sullivan was a natural choice for her, since her grandfather <mask> was credited with having created Tucson's first orchestra, the Club Filarmonico Tucsonense, and had once created an

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title: Linda Ronstadt

texts: arrangement of The Pirates of Penzance. The Pirates of Penzance opened for a limited engagement in New York City's Central Park, eventually moving its production to Broadway, where it became a hit, running from January 8, 1981, to November 28, 1982. Newsweek was effusive in its praise: "... she has not dodged the coloratura demands of her role (and Mabel is one of the most demanding parts in the G&S canon): from her entrance trilling 'Poor Wand'ring One,' it is clear that she is prepared to scale whatever soprano peaks stand in her way." <mask> co-starred with Kline and Angela Lansbury in the 1983 operetta's film version; this was her only acting role in a motion picture (her other film appearances, such as in the 1978 drama, FM, being concert footage as herself).<mask> received a Golden Globe nomination for the role in the film version. She garnered a nomination for the Tony Award for Best Performance by a Leading Actress in a Musical and The Pirates of Penzance won several Tony Awards, including a Tony Award for Best Revival. As a child, <mask> had discovered the opera La bohème through the silent film with Lillian Gish and was determined to someday play the part of Mimi. When she met the opera superstar Beverly Sills, she was told, "My dear, every soprano in the world wants to play Mimi!" In 1984, <mask> was cast in the role at Joseph Papp's Public Theater. However, the production was a critical and commercial disaster, closing after only a few nights. In 1982, <mask> released the album Get Closer, a primarily rock album with some country and pop music as well.It remains her only album between 1975 and 1990 not to be officially certified platinum. It


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 peaked at number 31 on the Billboard Album Chart. The release continued her streak of Top 40 hits with "Get Closer" and "I Knew You When"a 1965 hit by Billy Joe Royalwhile the Jimmy Webb song "Easy For You To Say" was a surprise Top 10 Adult Contemporary hit in the spring of 1983. "Sometimes You Just Can't Win" was picked up by country radio, and made it to number 27 on that listing. <mask> also filmed several music videos for this album which became popular on the fledgling MTV cable channel. The album earned <mask> two Grammy Award nominations: one for Best Rock Vocal Performance/Female for the title track and another for Best Pop Vocal Performance/Female for the album. The artwork won its art director, Kosh, his second Grammy Award for Best Album Package.Along with the release of her Get Closer album, <mask> embarked on a North American tour, remaining one of the top rock-concert draws that summer and fall. On November 25, 1982, her "Happy Thanksgiving Day" concert was held at the Reunion Arena in Dallas and broadcast live via satellite to NBC radio stations in the United States. In 1988, <mask> returned to Broadway for a limited-run engagement in the musical show adaptation of her album celebrating her Mexican heritage, Canciones De Mi PadreA Romantic Evening in Old Mexico. Artistic aspirations
<mask> has remarked that in the beginning of her career she "was so focused on folk, rock and country" that she "got a bit bored and started to branch out, and ... [has] been doing that ever since." By 1983, her estimated worth was over $40 million mostly from records, concerts and merchandising. In the early 1980s, <mask> was criticized for accepting $500,000 to


title: Linda Ronstadt

texts:
 perform at the South African resort Sun City, violating the cultural boycott imposed against South Africa because of its policy of apartheid. At the time, she stated, "the last place for a boycott is in the arts" and "I don't like being told I can't go somewhere".Paul Simon was criticized for including her on his 1986 album Graceland, recorded in South Africa, but defended her: "I know that her intention was never to support the government there ... She made a mistake. She’s extremely liberal in her political thinking and unquestionably antiapartheid." <mask> eventually tired of playing arenas. She had ceased to feel that arenas, where people milled around smoking marijuana cigarettes and drinking beer, were "appropriate places for music". She wanted "angels in the architecture"a reference to a lyric in the Paul Simon song "You Can Call Me Al" from Graceland. (<mask> sang harmony with Simon on a different Graceland track, "Under African Skies". The second verse's lyrics pay tribute to <mask>: "Take this child, Lord, from Tucson, Arizona...."). <mask> has said she wants to sing in places similar to the theatre of ancient Greece, where the attention is focused on the stage and the performer. <mask>'s recording output in the 1980s proved to be just as commercially and critically successful as her 1970s recordings. Between 1983 and 1990, <mask> scored six additional platinum albums; two are triple platinum (each with over three million U.S. copies sold); one has been certified double platinum (over two million copies sold), and one has earned additional certification as a Gold (over 500,000 U.S. copies sold) double-disc album. Jazz/pop trilogy
In 1981, <mask>


title: Linda Ronstadt

texts: produced and recorded an album of pop standards (later marketed in bootleg form) titled Keeping Out of Mischief with the assistance of producer Jerry Wexler. However, <mask>'s displeasure with the final result led her, with regrets, to scrap the project. "Doing that killed me," she said in a Time magazine interview.But the appeal of the album's music had seduced <mask>, as she told Down Beat in April 1985, crediting Wexler for encouraging her. Nonetheless, <mask> had to convince her reluctant record company, Elektra, to approve this type of album under her contract. By 1983, <mask> had enlisted the help of 62-year-old conductor Nelson Riddle. The two embarked on an unorthodox and original approach to rehabilitating the Great American Songbook, recording a trilogy of traditional pop albums: What's New (1983U.S. 3.7 million as of 2010); Lush Life (1984U.S. 1.7 million as of 2010); and For Sentimental Reasons (1986U.S. 1.3 million as of 2010).The three albums have had a combined sales total of nearly seven million copies in the U.S. alone. The album design for What's New by designer Kosh was unlike any of her previous disc covers. It showed <mask> in a vintage dress lying on shimmering satin sheets with a Walkman headset. At the time, <mask> received some chiding for both the album cover and her venture into what was then considered "elevator music" by cynics, but remained determined to record with Riddle, and What's New became a hit. The album was released in September 1983 and spent 81 weeks on the Billboard Album Chart and held the number three position for a month and a half (held out of the top spot only by Michael Jackson's Thriller and Lionel Richie's


title: Linda Ronstadt

texts: Can't Slow Down) and the RIAA certified it triple platinum (over three million copies sold in the U.S. alone). The album earned <mask> another Grammy nomination for Best Female Pop Vocal Performance, and critical raves, with Time magazine calling it "one of the gutsiest, most unorthodox and unexpected albums of the year." <mask> faced considerable pressure not to record What's New or record with Riddle.According to jazz historian Peter Levinson, author of the book September in the Raina Biography on Nelson Riddle, Joe Smith, president of Elektra Records, was terrified that the Riddle album would turn off <mask>'s rock audience. <mask> did not completely turn her back on her rock and roll past, however; the video for the title track featured Danny Kortchmar as the old beau that she bumped into during a rainstorm. What's New brought Riddle to a younger audience. According to Levinson, "the younger audience hated what Riddle had done with Frank Sinatra, which in 1983 was considered 'Vintage Pop'". Working with <mask>, Riddle brought his career back into focus in the last three years of his life. Stephen Holden of The New York Times wrote, What's New "isn't the first album by a rock singer to pay tribute to the golden age of the pop, but is ... the best and most serious attempt to rehabilitate an idea of pop that Beatlemania and the mass marketing of rock LPs for teenagers undid in the mid-60s. ...In the decade prior to Beatlemania, most of the great band singers and crooners of the 40s and 50s codified a half-century of American pop standards on dozens of albums ... many of them now long out-of-print." What's New is the first album by a rock singer to have


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 major commercial success in rehabilitating the Great American Songbook. In 1984, <mask> and Riddle performed these songs live, in concert halls throughout Australia, Japan, and the United States, including multi-night performances at historic venues Carnegie Hall, Radio City Music Hall, and Pine Knob. In 2004, <mask> released Hummin' to Myself, her album for Verve Records. It was her first foray into traditional jazz since her sessions with Jerry Wexler and her records with the Nelson Riddle Orchestra, but this time with an intimate jazz combo. The album was a quiet affair for <mask>, giving few interviews and making only one television performance as a promotion. It reached number 2 on Billboard's Top Jazz Albums chart but peaked at number 166 on the main Billboard album chart.Not having the mass distribution that Warner Music Group gave her, Hummin' To Myself had sold over 75,000 copies in the U.S. as of 2010. It also achieved some critical acclaim from the jazz cognoscenti. "Trio" recordings

In 1978, <mask>, Dolly Parton, and Emmylou Harris, friends and admirers of one another's work (<mask> had included a cover of Parton's "I Will Always Love You" on Prisoner in Disguise) attempted to collaborate on a Trio album. Unfortunately, the attempt did not pan out. <mask> later remarked that not too many people were in control at the time and everyone was too involved with their own careers. (Though the efforts to complete the album were abandoned, a number of the recordings were included on the singers' respective solo recordings over the next few years.) This concept album was put on the back burner for almost ten years.In January 1986, the three eventually


title: Linda Ronstadt

texts: did make their way into the recording studio, where they spent the next several months working. The result, Trio, which they had conceived ten years earlier, was released in March 1987. It was a considerable hit, holding the number 1 position on Billboard's Country Albums chart for five weeks running and hitting the Top 10 on the pop side also. Selling over three million copies in the U.S. and winning them a Grammy Award for Best Country Performance by a Duo or Group with Vocal, it produced four Top Ten Country singles including "To Know Him Is to Love Him" which hit number 1. The album was also a nominee for overall Album of the Year, in the company of Michael Jackson, U2, Prince, and Whitney Houston. In 1994, the three performers recorded a follow-up to Trio. As was the case with their aborted 1978 effort, conflicting schedules and competing priorities delayed the album's release indefinitely.<mask>, who had already paid for studio timeand owed her record company a finished albumremoved Parton's individual tracks at Parton's request, kept Harris's vocals, and produced a number of the recordings, which she subsequently released on her 1995 return to country rock, the album Feels Like Home. However, in 1999, <mask>, Parton, and Harris agreed to release the Trio II album, as was originally recorded in 1994. It included an ethereal cover of Neil Young's "After The Gold Rush" which became a popular music video. The effort was certified Gold (over 500,000 copies sold) and won them a Grammy Award for Best Country Collaboration with Vocals for the track. <mask> co-produced the album with George Massenburg and the three women also received a nomination for the


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 Grammy Award for Best Country Album. Canciones de Mi Padre
At the end of 1987, <mask> released Canciones de Mi Padre, an album of traditional Mexican folk songs, or what she has described as "world class songs". Keeping with the <mask> history theme, her cover art was dramatic, bold, and colorful; it shows <mask> in full Mexican regalia.Her musical arranger was mariachi musician Rubén Fuentes. These canciones were a big part of <mask>'s family tradition and musical roots. In January 1946, the University of Arizona published a booklet by Luisa Espinel entitled Canciones de mi Padre. Luisa Espinel, <mask>'s aunt, was an international singer in the 1920s and 1930s. Espinel's father was <mask>, <mask>'s grandfather, and the songs she had learned, transcribed, and published were some of the ones he had brought with him from Sonora. <mask> researched and extracted from the favorites she had learned from her father Gilbert and she called her album by the same name as her aunt's booklet and as a tribute to her father and his family. Though not fully bilingual, she has a fairly good command of the Spanish language, allowing her to sing Latin American songs with little discernible U.S. accent; <mask> has often identified herself as Mexican-American.Her formative years were spent with her father's side of the family. In fact, in 1976, <mask> had collaborated with her father to write and compose a traditional Mexican folk ballad, "Lo siento mi vida"a song that she included on Hasten Down the Wind. <mask> has also credited Mexican singer Lola Beltrán as an influence on her own singing style, and she recalls how a frequent guest to the <mask> home, Eduardo "Lalo"

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texts: Guerrero, father of Chicano music, would often serenade her as a child. Canciones de Mi Padre won <mask> a Grammy Award for Best Mexican-American Performance. In 2001, it was certified double-platinum by the RIAA for shipments of over 2 million copies in the United States, making it the best-selling non-English-language album in U.S. music history. The album and later theatrical stage show served as a benchmark of the Latin cultural renaissance in North America. <mask> produced and performed a theatrical stage show, also titled Canciones de mi Padre, in concert halls across the U.S. and Latin America to both Hispanic and non-Hispanic audiences.These performances were later released on DVD. <mask> elected to return to the Broadway stage, four years after she performed in La bohème, for a limited-run engagement. PBS's Great Performances aired the stage show during its annual fund drives and the show was a hit with audiences, earning <mask> a Primetime Emmy Award for Individual Performance in a Variety or Music Program. <mask> recorded two additional albums of Latin music in the early 1990s. Their promotion, like most of her albums in the 1990s, was a quieter affair, with <mask> making only a limited number of appearances to promote them. They were not nearly as successful as Canciones De Mi Padre, but were critically acclaimed in some circles. In 1991, she released Mas Canciones, a follow-up to the first Canciones.For this album, she won a Grammy Award for Best Mexican/Mexican-American Album. The following year, she stepped outside of the mariachi genre and decided to record well-known Afro-Cuban songs. This album was titled Frenesí. Like her two previous


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 Latin recordings ventures, it won <mask> a Grammy Award, this time for Best Traditional Tropical Latin Album. In 1991, <mask> acted in the lead role of archangel San Miguel in La Pastorela, or A Shephard's Tale, a musical filmed at San Juan Bautista. It was written and directed by Luis Valdez. The production was part of the PBS Great Performances series.In December 2020, it was announced that Canciones de Mi Padre had been inducted into the Grammy Hall of Fame. Returning to the contemporary music scene
By the late 1980s, while enjoying the success of her big band jazz collaborations with Riddle and her surprise hit mariachi recordings, <mask> elected to return to recording mainstream pop music once again. In 1987, she made a return to the top of the Billboard Hot 100 singles chart with "Somewhere Out There", which peaked at number 2 in March. Featured in the animated film An American Tail, the sentimental duet with James Ingram was nominated for several Grammy Awards, ultimately winning the Grammy Award for Song of the Year. The song also received a nomination for the Academy Award for Best Original Song and achieved high sales, earning a million-selling gold single in the U.S.one of the last 45s ever to do so. It was also accompanied by a popular music video. On the heels of this success, Steven Spielberg asked <mask> to record the theme song for the animated sequel titled An American Tail: Fievel Goes West, which was titled "Dreams to Dream".Although "Dreams to Dream" failed to achieve the success of "Somewhere Out There", the song did give <mask> an Adult Contemporary hit in 1991. In 1989, <mask> released a mainstream pop album and several popular


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 singles. Cry Like A Rainstorm, Howl Like The Wind became one of the singer's most successful albumsin production, arrangements, sales, and critical acclaim. It became <mask>'s tenth Top 10 album on the Billboard chart, reaching number 7 and being certified triple-platinum (over three million copies sold in the U.S.). The album also received Grammy Award nominations. <mask> included New Orleans soul singer Aaron Neville on several of the album's songs. <mask> incorporated the sounds of the Oakland Interfaith Gospel Choir, Tower of Power horns, the Skywalker Symphony, and numerous musicians.It included the duets with Aaron Neville, "Don't Know Much" (Billboard Hot 100 number 2 hit, Christmas 1989) and "All My Life" (Billboard Hot 100 number 11 hit), both of which were long-running number 1 Adult Contemporary hits. The duets earned several Grammy Award nominations. The duo won both the 1989 and 1990 Best Pop Vocal Performance by a Duo or Group with Vocal awards. <mask>'s last known live Grammy Award appearance was in 1990 when she and Neville performed "Don't Know Much" together on the telecast. ("Whenever I sing with a different artist, I can get things out of my voice that I can't do by myself", <mask> reflected in 2007. "I can do things with Aaron that I can't do alone.") In December 1990, she participated in a concert held at the Tokyo Dome to commemorate John Lennon's 50th birthday, and to raise awareness of environmental issues.Other participants included Miles Davis, Lenny Kravitz, Hall & Oates, Natalie Cole, Yoko Ono, and Sean Lennon. An album resulted, titled Happy Birthday, John. Return to roots music
<mask> released the highly acclaimed Winter Light


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texts: album at the end of 1993. It included New Age arrangements such as the lead single "Heartbeats Accelerating" as well as the self-penned title track and featured the glass harmonica. It was her first commercial failure since 1972, and peaked at number 92 in Billboard, whereas 1995's Feels Like Home was <mask>'s much-heralded return to country-rock and included her version of Tom Petty's classic hit "The Waiting". The single's rollicking, fiddle-infused flip side, "Walk On", returned <mask> to the Country Singles chart for the first time since 1983. An album track entitled "The Blue Train" charted 10 weeks in Billboards Adult Contemporary Top 40.This album fared slightly better than its predecessor, reaching number 75. Both albums were later deleted from the Elektra/Asylum catalog. <mask> was nominated for three Lo Nuestro Awards in 1993: Female Regional Mexican Artist of the Year, Female Tropical/Salsa Artist of the Year, and her version of the song "Perfidia" was also listed for Tropical/Salsa Song of the Year. In 1996, <mask> produced Dedicated to the One I Love, an album of classic rock and roll songs reinvented as lullabies. The album reached number 78 in Billboard and won the Grammy Award for Best Musical Album for Children. In 1998, <mask> released We Ran, her first album in over two years. The album harkened back to <mask>'s country-rock and folk-rock heyday.She returned to her rock 'n' roll roots with vivid interpretations of songs by Bruce Springsteen, Doc Pomus, Bob Dylan, and John Hiatt. The recording was produced by Glyn Johns. A commercial failure, the album stood at 57,897 copies sold at the time of its deletion in 2008. It is the


title: Linda Ronstadt

texts: poorest-selling studio album in <mask>'s Elektra/Asylum catalog. We Ran did not chart any singles but it was well received by critics. Despite the lack of success of We Ran, <mask> kept moving towards this adult rock exploration. In the summer of 1999, she released the album Western Wall: The Tucson Sessions, a folk-rock-oriented project with Emmylou Harris.It earned a nomination for the Grammy Award for the Best Contemporary Folk Album and made the Top 10 of Billboards Country Albums chart. Still in print as of December 2016, it has sold 223,255 copies per Nielsen SoundScan. Also in 1999, <mask> went back to her concert roots when she performed with the Eagles and Jackson Browne at Staples Center's 1999 New Year's Eve celebration kicking off the December 31 end-of-the-millennium festivities. As Staples Center Senior Vice President and general manager Bobby Goldwater said, "It was our goal to present a spectacular event as a sendoff to the 20th century", and "Eagles, Jackson Browne, and <mask> are three of the most popular acts of the century. Their performances will constitute a singular and historic night of entertainment for New Year's Eve in Los Angeles." In 2000, <mask> completed her long contractual relationship with the Elektra/Asylum label. The fulfillment of this contract commenced with the release of A Merry Little Christmas, her first holiday collection, which includes rare choral works, the somber Joni Mitchell song "River", and a rare recorded duet with the late Rosemary Clooney on Clooney's signature song, "White Christmas".Since leaving Warner Music, <mask> has gone on to release one album each under Verve and Vanguard Records. In 2006,

masks:
Ronstadt
Ronstadt
Ronstadt
Linda Ronstadt
Ronstadt
Ronstadt


title: Linda Ronstadt

texts: recording as the ZoZo Sisters, <mask> teamed with her new friend, musician and musical scholar Ann Savoy, to record Adieu False Heart. It was an album of roots music incorporating pop, Cajun, and early-20th-century music and released on the Vanguard Records label. But Adieu False Heart was a commercial failure, peaking at number 146 in the U.S. despite her touring for the final time that year. It was the last time <mask> would record an album, having begun to lose her singing ability as a result of a degenerative condition later determined to be progressive supranuclear palsy, but initially diagnosed as Parkinson's disease, in December 2012. Adieu False Heart, recorded in Louisiana, features a cast of local musicians, including Chas Justus, Eric Frey and Kevin Wimmer of the Red Stick Ramblers, Sam Broussard of the Mamou Playboys, Dirk Powell, and Joel Savoy, as well as an array of Nashville musicians: fiddler Stuart Duncan, mandolinist Sam Bush, and guitarist Bryan Sutton. The recording earned two Grammy Award nominations: Best Traditional Folk Album and Best Engineered Album, Non-Classical.In 2007, <mask> contributed to the compilation album We All Love Ella: Celebrating the First Lady of Songa tribute album to jazz music's all-time most heralded artiston the track "Miss Otis Regrets". In August 2007, <mask> headlined the Newport Folk Festival, making her debut at this event, where she incorporated jazz, rock, and folk music into her repertoire. It was one of her final concerts. In 2010, <mask> contributed the arrangement and lead vocal to "A La Orilla de un Palmar" on the Chieftains' studio album San Patricio (with Ry Cooder). This remains her most recent

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Linda Ronstadt
Ronstadt
Ronstadt
Ronstadt


title: Linda Ronstadt

texts:
 commercially available recording as lead vocalist. Retirement
In 2011, <mask> was interviewed by the Arizona Daily Star and announced her retirement. In August 2013, she revealed to Alanna Nash, writing for AARP, that she has Parkinson's disease and "can no longer sing a note."Her diagnosis was subsequently re-evaluated as progressive supranuclear palsy. Selected career achievements

On April 10, 2014, <mask> was inducted into the Rock and Roll Hall of Fame. In July 2019, <mask> was selected as a Kennedy Center Honoree. As of 2019, <mask> has earned three number 1 pop albums, 10 top-ten pop albums and 38 charting pop albums on the Billboard Pop Album Charts. She has 15 albums on the Billboard Top Country Albums chart, including four that hit number 1. <mask>'s singles have earned her a number 1 hit and three number 2 hits on the Billboard Hot 100 chart, with 10 top-ten pop singles and 21 reaching the Top 40. She has also scored two number 1 hits on the Billboard Hot Country Songs chart, and two number 1 hits on the Billboard Adult Contemporary chart.Rolling Stone wrote, a whole generation "but for her, might never have heard the work of Buddy Holly, Chuck Berry, or Elvis Costello." She has recorded and released over 30 studio albums and has made guest appearances on an estimated 120 albums by other artists. Her guest appearances included the classical minimalist Philip Glass's album Songs from Liquid Days, a hit classical record with other major pop stars either singing or writing lyrics (<mask>'s two tracks on the album saw her singing lyrics written by Suzanne Vega and Laurie Anderson). She also appeared on Glass's follow-up recording 1000 Airplanes on


title: Linda Ronstadt

texts: the Roof. She appeared on Paul Simon's Graceland, where she sang a duet with Simon, "Under African Skies." In that song, there is a verse dedicated to <mask>, her voice and harmonies and her birth in Tucson, Arizona. She voiced herself in The Simpsons episode "Mr.Plow" and sang a duet, "Funny How Time Slips Away," with Homer Simpson on The Yellow Album. <mask> has also appeared on albums by a vast range of artists including Emmylou Harris, the Chieftains, Dolly Parton, Neil Young, J. D. Souther, Gram Parsons, Bette Midler, Nitty Gritty Dirt Band, Earl Scruggs, the Eagles, Andrew Gold, Wendy Waldman, Hoyt Axton, Kate and Anna McGarrigle, Ann Savoy, Karla Bonoff, James Taylor, Jimmy Webb, Valerie Carter, Warren Zevon, Maria Muldaur, Randy Newman (specifically his musical adaptation of Faust), Nicolette Larson, the Seldom Scene, Rosemary Clooney, Aaron Neville, Rodney Crowell, Hearts and Flowers, Laurie Lewis and Flaco Jiménez. As a singer-songwriter, <mask> has written songs covered by several artists, such as "Try Me Again", covered by Trisha Yearwood; and "Winter Light", which was co-written and composed with Zbigniew Preisner and Eric Kaz, and covered by Sarah Brightman. Her three biggest-selling studio albums to date are: her 1977 release Simple Dreams, 1983's What's New and 1989's Cry Like A Rainstorm, Howl Like The Wind. Each one has been certified by the Recording Industry Association of America for over three million copies sold. Her highest-selling album to date is the 1976 compilation Greatest Hits, certified for over seven million units sold in 2001. <mask> became music's first major touring female artist to sell out sizeable venues; she was also


title: Linda Ronstadt

texts: the top-grossing solo female concert artist for the 1970s.She remained a highly successful touring artist into the 1990s, at which time she decided to scale back to smaller venues. In the 1970s, Cashbox magazine, a competitor of Billboard  during that time period, named <mask> the "#1 Female Artist of the Decade". "Rolling Stone's 500 Greatest Albums of All Time" included Heart Like a Wheel (1974) at number 164 and The Very Best Of <mask> (2002) at number 324. The 2012 revision kept only the compilation, but raised it to the place once occupied by Heart Like a Wheel. <mask>'s album sales have not been certified since 2001. At that time, <mask>'s U.S. album sales were certified by the Recording Industry Association of America at over 30 million albums sold; however, Peter Asher, her former producer and manager, placed her total U.S. album sales at over 45 million. Likewise, her worldwide albums sales are in excess of 100 million albums sold, according to the former president of Warner Bros. Records, Joe Smith, now a jury member of the Hit Parade Hall of Fame.Her RIAA certification (audits paid for by record companies or artists for promotion) tally as of 2001 totaled 19 Gold, 14 Platinum and 7 Multi-Platinum albums. She was the first female in music history to score three consecutive platinum albums and ultimately racked up a total of eight consecutive platinum albums. Her album Living in the USA was the first album by any recording artist in U.S. music history to ship double platinum (over two million advanced copies). Her first Latin release, the all-Spanish 1987 album Canciones De Mi Padre, stands as the best-selling non-English-language album in American

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Linda Ronstadt
Ronstadt
Ronstadt


title: Linda Ronstadt

texts:
 music history. As of 2013, it had sold over 2½ million U.S. copies. <mask> has served as producer on albums from various musicians that include her cousin, David Lindley, Aaron Neville and singer-songwriter Jimmy Webb. She produced Cristal – Glass Music Through the Ages, an album of classical music using glass instruments with Dennis James, where she sang on several of the arrangements.In 1999, <mask> also produced the Grammy Award-winning Trio II. She has received a total of 27 Grammy Award nominations in various fields that include rock, country, pop and Tropical Latin, and has won 11 Grammy Awards in the categories of Pop, Country, Tropical Latin, Musical Album for Children and Mexican-American. In 2016, <mask> was again honored by the National Academy of Recording Arts and Sciences with the Lifetime Achievement Grammy. She was the first female solo artist to have two Top 5 singles simultaneously on Billboard magazine's Hot 100:  "Blue Bayou" and "It's So Easy". By December of that year, both "Blue Bayou" and "It's So Easy" had climbed into Billboards Top 5 and remained there for the month's last four weeks. In 1999, <mask> ranked number 21 in VH1's 100 Greatest Women of Rock & Roll. Three years later, she ranked number 40 in CMT's 40 Greatest Women in Country Music.Personal life

Beginning in the mid-1970s, <mask>'s private life became increasingly public. It was fueled by a relationship with then-Governor of California Jerry Brown, a Democratic presidential candidate. They shared a Newsweek magazine cover in April 1979, as well as the covers of Us Weekly and People magazine. In 1983, <mask> dated comedian Jim Carrey for eight months. From the end of

masks:
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Ronstadt
Ronstadt
Ronstadt
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Linda Ronstadt


title: Linda Ronstadt

texts: 1983 to 1988, <mask> was engaged to Star Wars director George Lucas. In December 1990, she adopted an infant daughter, Mary Clementine <mask>. In 1994, she adopted a baby boy, <mask>.<mask> has never married. Speaking of finding an acceptable mate, in 1974 she told Peter Knobler in Crawdaddy, "... he's real kind but isn't inspired musically and then you meet somebody else that's just so inspired musically that he just takes your breath away but he's such a moron, such a maniac that you can't get along with him. And then after that it's the problem of finding someone that can stand you!" After living in Los Angeles for 30 years, <mask> moved to San Francisco because she said she never felt at home in Southern California. "Los Angeles became too enclosing an environment", she says. "I couldn't breathe the air and I didn't want to drive on the freeways to get to the studio. I also didn't want to embrace the values that have been so completely embraced by that city.Are you glamorous? Are you rich? Are you important? Do you have clout? It's just not me and it never was me." In 1997, <mask> sold her home in San Francisco and moved back to her hometown of Tucson, Arizona, to raise her two children. In more recent years, <mask> moved back to San Francisco while continuing to maintain her home in Tucson.In 2009, in honor of <mask>, the Martin Guitar Company made a 0042 model "<mask>stadt Limited Edition" acoustic guitar. <mask> appointed the Land Institute as recipient of all proceeds from her signature guitar. In 2013, Simon & Schuster published her autobiography, Simple Dreams: A Musical Memoir, as well as the Spanish version, Sueños SencillosMemorias Musicales. In

masks:
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Ronstadt
Carlos Ronstadt
Ronstadt
Ronstadt
Ronstadt
Ronstadt
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Linda Ron
Ronstadt


title: Linda Ronstadt

texts:
 August 2013, <mask> revealed she was diagnosed with Parkinson's disease, leaving her unable to sing due to loss of muscular control, which is common to Parkinson's patients. She was diagnosed eight months prior to the announcement and had initially attributed the symptoms she had been experiencing to the aftereffects of shoulder surgery and a tick bite. In late 2019, it was reported her doctors had revised their diagnosis to progressive supranuclear palsy, a degenerative disease commonly mistaken for Parkinson's due to the similarity of the symptoms. <mask> describes herself as a "spiritual atheist".Political activism
<mask>'s politics received criticism and praise during and after her July 17, 2004, performance at the Aladdin Theatre for the Performing Arts in Las Vegas. Toward the end of the show, as she had done across the country, <mask> spoke to the audience, praising Fahrenheit 9/11, Michael Moore's documentary film about the Iraq War; she dedicated the song "Desperado" to Moore. Accounts say the crowd's initial reaction was mixed, with "half the crowd heartily applauding her praise for Moore, (and) the other half booing." Following the concert, news accounts reported <mask> was "evicted" from the hotel premises. <mask>'s comments, as well as the reactions of some audience members and the hotel, became a topic of discussion nationwide. Aladdin casino president Bill Timmins and Michael Moore each made public statements about the controversy. The incident prompted international headlines and debate on an entertainer's right to express a political opinion from the stage and made the editorial section of The New York Times.Following the incident, many

masks: Ronstadt Ronstadt Ronstadt Ronstadt Ronstadt Ronstadt


title: Linda Ronstadt

texts: friends of <mask>'s, including the Eagles, immediately cancelled their engagements at the Aladdin. <mask> also received telegrams of support from her rock 'n' roll friends around the world like the Rolling Stones, the Eagles and Elton John. Amid reports of mixed public response, <mask> continued her praise of Moore and his film throughout her 2004 and 2006 summer concerts across North America. At a 2006 concert in Canada, <mask> told the Calgary Sun that she was "embarrassed George Bush (was) from the United States. ... He's an idiot. ...He's enormously incompetent on both the domestic and international scenes. ... Now the fact that we were lied to about the reasons for entering into war against Iraq and thousands of people have diedit's just as immoral as racism." Her remarks drew international headlines. In an August 14, 2007, interview, she commented on all her well-publicized, outspoken views, in particular the Aladdin incident, by noting, "If I had it to do over I would be much more gracious to everyone ... you can be as outspoken as you want if you are very, very respectful. Show some grace". In 2007, <mask> resided in San Francisco while also maintaining her home in Tucson. That same year, she drew criticism and praise from Tucsonans for commenting that local city council's failings, developers' strip mall mentality, greed and growing dust problem had rendered the city unrecognizable and poorly developed.In August 2009, <mask>, in a well-publicized interview to PlanetOut Inc. titled "<mask>'s Gay Mission", championed gay rights and same-sex marriage, and stated "homophobia is anti-family values. Period, end of story." On January 16, 2010, <mask>

masks:
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Ronstadt
Ronstadt
Ronstadt
Ronstadt
Ronstadt
Linda Ronstadt
Ronstadt


title: Linda Ronstadt

texts:
 converged with thousands of other activists in a "National Day of Action". <mask> stated that her "dog in the fight"as a native Arizonan and coming from a law enforcement familywas the treatment of illegal aliens and Arizona's enforcement of its illegal immigrant law, especially Maricopa County Sheriff Joe Arpaio's efforts in that area. On April 29, 2010, <mask> began a campaign, including joining a lawsuit, against Arizona's new illegal-immigration law SB 1070 calling it a "devastating blow to law enforcement ... the police don't protect us in a democracy with brute force", something she said she learned from her brother, Peter, who was Chief of Police in Tucson. <mask> has also been outspoken on environmental and community issues. She is a major supporter and admirer of sustainable agriculture pioneer Wes Jackson, saying in 2000, "the work he's doing right now is the most important work there is in the (United States)", and dedicating the rock anthem "Desperado" to him at an August 2007 concert in Kansas City, Kansas.National arts advocacy

In 2004, <mask> wrote the foreword to the book The NPR Curious Listener's Guide to American Folk Music, and in 2005, she wrote the introduction to the book Classic Ferrington Guitars, about guitar-maker and luthier Danny Ferrington and the custom guitars that he created for <mask> and other musicians such as Elvis Costello, Ry Cooder, and Kurt Cobain. <mask> has been honored for her contribution to the American arts. On September 23, 2007, she was inducted into the Arizona Music & Entertainment Hall of Fame, along with Stevie Nicks, Buck Owens, and filmmaker Steven Spielberg. On August 17, 2008, <mask> received a


title: Linda Ronstadt

texts:
 tribute by various artists, including BeBe Winans and Wynonna Judd, when she was honored with the Trailblazer Award, presented to her by Plácido Domingo at the 2008 ALMA Awards, a ceremony later televised in the U.S. on ABC. In 2008, <mask> was appointed Artistic Director of the San José Mariachi and Mexican Heritage Festival. On March 31, 2009, in testimony that the Los Angeles Times termed "remarkable", <mask> spoke to the United States Congress House Appropriations Subcommittee on Interior, Environment & Related Agencies, attempting to convince lawmakers to budget $200 million in the 2010 fiscal year for the National Endowment of the Arts. In May 2009, <mask> received an honorary doctorate of music degree from the Berklee College of Music for her achievements and influence in music and her contributions to American and international culture.Mix magazine stated that "<mask> (has) left her mark on more than the record business; her devotion to the craft of singing influenced many audio professionals ... (and is) intensely knowledgeable about the mechanics of singing and the cultural contexts of every genre she passes". Awards and nominations

Grammy Awards

 In 1981 the album In Harmony: A Sesame Street Record won the Grammy for Best Album for Children. <mask> was one of the various artists featured on the album. The Grammys were awarded to the producers, David Levine and Lucy Simon. Latin Grammy Awards

Primetime Emmy Awards

Tony Awards

Golden Globe Awards
 1983Best Performance by a Leading Actress in a Musical or Comedy, <mask> in The Pirates of Penzance

Arizona Music and Entertainment Hall of Fame
 2007Inducted for her significant impact on the

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Linda Ronstadt
Ronstadt
Linda Ronstadt


title: Linda Ronstadt

texts:
 evolution and development of the entertainment culture in the state of Arizona

Academy of Country Music
 1974Best New Female Artist
 1987Album of the Year/ Trio, Dolly Parton, <mask> and Emmylou Harris

Country Music Association
 1988Vocal Event of the Year / Trio, Dolly Parton, <mask> and Emmylou Harris

American Latino Media Arts
 2008Trailblazer Award for Contribution to American Music

Lo Nuestro nominations
 1989Regional Mexican Female Artist, Regional Mexican Album (Canciones de Mi Padre), and Crossover Artist
 1992Regional Mexican Female Artist
 1993Tropical Female Artist, Regional Mexican Female Artist, and Tropical Song ("Perfidia"). 19 Country Album
 Mi Jardin Azul: Las Canciones Favoritas (2004)
 The Best of <mask>: The Capitol Years (2006) – 2-CD set
 Standards with Nelson Riddle Orchestra (2008)
 The Collection (2011) – British 2-CD set
 Duets (2014)
 Just One Look: Classic <mask>stadt (2015)
 Like A Rose: The Classic 1976 Broadcast Recording (2021)

Spanish-language albums
 Canciones de Mi Padre (1987) - (English translation: "Songs of My Father") - Best Mexican-American Performance Grammy Award winner (1989)
 Mas Canciones (1991) - (English translation: "More Songs") - Best Mexican-American Album Grammy Award winner (1993)
 Frenesí (1992) - (English translation: "Frenzy") - Best Tropical Latin Album Grammy Award winner (1993)
 Mi Jardin Azul: Las Canciones Favoritas (2004) - Compilation (English translation: "My Blue Garden: The Favorite Songs")

Filmography

Book

See also

Notes

References

External links

 Official website

 Image of Linda Ronstadt reclining on a porch railing in Los Angeles, California, 1974. Los Angeles Times

masks:
Linda Ronstadt
Linda Ronstadt
Linda Ronstadt
Linda Ron


title: Gianfranco Goberti

texts:
<mask> (born in Ferrara, November 19, 1939) is an Italian painter. After studying Arts at the Institut Dosso Dossi in Ferrara, Italy, and at the Academy of Art in Bologna, he was teacher and Director of the Institut of Arts Dosso Dossi. His first exhibition was held in 1959 with references to Picasso and Bacon. His research dealt with nuova figurazione and Abstract Expressionism. The first optical-figurative period starts during the 1960s. In 1980, he was selected by the National Catalogue of Modern Art Bolaffi together with Paolini, Adami, Bulgarelli, Cassano and Paladino. <mask> has held exhibitions at the International Art Expo of Bilbao, Quadriennale d'Arte in Rome, Rassegna Premio S. Fedele (Milan), Arte Fiera (Bologna), Altissima (Turin), Expo Arte (Bari), ArteExpo (Barcelona), and LineArt (Ghent), "La Venere svelata – La Venere di Urbino di Tiziano" (Brussels, Centre for Fine Arts, 10/10/2003-11/01/2004, Festival Internazionale EUROPALIA).Vittorio Sgarbi wrote about the Goberti's art:
"Is the Goberti's art the element which should arouse new interest in our way of looking at and co-living with what is around us? Is maybe his technical ability? … The dominant aspect of the Goberti's art is the relationship between the Art and what it has been traditionally considered its subject, the Nature. ... The

masks:
Gianfranco Goberti
Goberti


title: Gianfranco Goberti

texts:
 Art has always its specific language and a human substance even when it would camouflage in the Nature. This is the lesson, the revision of our mode of being in the world what <mask> Goberti proposes us." In: Notte dei ricercatori, September 23, 2011.A cura di: Davide Bassi, Marco Bertozzi, <mask> <mask>, University of Ferrara. Vittorio Sgarbi, Gli assenti hanno sempre ragione. L'Europeo, 12 July 1986. Rapidofine Bologna, Grafis 1986. Maria Luce Tommasi, Quei nodi inestricabili che stanno dentro di noi: una grande mostra di Goberti a Urbino, Ferrara, n. 5, 1986. Lucio Scardino, Officinaottanta, Ferrara, Liberty House, 1986. Gabriele Turola, Goberti, ironia graffiante per discutere il concetto di realtà, Ferrara, n. 8/9, 1987.Natalia Aspesi, Tra Matti e Bagatti, La Repubblica, 19 settembre 1987. Vittorio Sgarbi, catalogo Galleria Schubert, Milan 1987. Lucio Scardino, Per Schifanoia, Ferrara, Liberty House, 1987. Franco Solmi, Il tarocco come espressione d'arte, in Le Carte di Corte, La Nuova Alfa Editoriale, 1987. Lauro Manni, Goberti: trent'anni di avanguardia, La Piazza, n. 12, 1988. Vittorio Sgarbi, Goberti, Rosen, catalogo Rocca Possente di Stellata, 1989. King, mensile, ottobre 1989
 Eleonora Di cicco, Il tappeto come opera d'arte, Interni Annual, 1989.Bernard Wider, Goberti pittore ferrarese, catalogo

masks: Gianfranco Gianfranco Goberti


title: Gianfranco Goberti

texts:
 Rocca Possente di Stellata, 1989. Fausto Gozzi, Intervista a Goberti in polaroid, catalogo Rocca Possente di Stellata, 1989. Oreste Zoboli, Goberti, Rosen, La Nuova Gazzetta di Modena, 17 January 1990. Gilberto Pellizzola, catalogo Galleria Cristina Busi, Chiavari, 1990. Vittorio Sgarbi, <mask> <mask>, tra reale e irreale, Art Leader, January-February 1992. Antonio Carbè, Goberti, la corda del desiderio, Leadership Medica, n. 1,1993. Lorenzo Bonini, catalogo Galleria L'Ariete, Bologna, 1994.Lorenzo Bonini, catalogo Galleria Schubert, Milan, 1994. Roberto Vitali, Mongolfiera, periodico, Bologna, 4 March 1994. Lorenzo Bonini, Colloquio con un artista del nostro tempo, Art Leader, n. 17, March-April 1994. Flaminio Gualdoni, catalogo Padiglione Arte Contemporanea, Ferrara, 1994–95. Vittorio Sgarbi, ll nostro modo di essere nel mondo, Grazia, 12 February 1995. Vittorio Sgarbi, La tensione lineare di Goberti, L'Italiano, Silvia Di Stefano, GB progetti, June 1996. Vittorio Sgarbi, Le trame della pittura, .Vittorio Sgarbi, Flaminio Gualdoni, 2000. <mask> Goberti: evasioni coatte. Editore L'Artiere Edizioni Italia, 18 tav. col., 50 pp. External links
Artist's official website

1939 births
Living people
Painters from Ferrara
20th-century Italian painters
Italian male painters
Italian contemporary artists
Modern

masks: Gianfranco Goberti Gianfranco


title: Ashikaga Takauji

texts:
 Tadafuyu is wrongly repudiated as a rebel. 1351–1358 – Struggle for Kyoto. 1351 – Tadayoshi joins Southern Court, southern army takes Kyoto; truce, Takauji returns to Kyoto; Tadayoshi and Takauji reconciled; Kō no Moronao and Kō no Moroyasu are exiled.1352 – Tadayoshi dies, Southern army recaptures Kyoto; Nitta Yoshimune captures Kamakura; Ashikaga forces recapture Kamakura and Kyoto; Tadafuyu joins Southern Court; Yamana Tokiuji joins Tadafuyu. 1353 – Kyoto retaken by Southern forces under Yamana Tokiuji; retaken by Ashikaga forces. 1354 – <mask> flees with Go-Kōgon; Kitabatake Chikafusa dies. 1355 – Kyoto taken by Southern army; Kyoto retaken by Ashikaga forces. 1358 – Takauji dies. <mask>'s son Ashikaga Yoshiakira succeeded him as shōgun after his death. His grandson Ashikaga Yoshimitsu united the Northern and Southern courts in 1392.Eras of Takauji's bakufu
Because of the anomalous situation, which he had himself created and which saw two Emperors reign simultaneously, one in Yoshino and one in Kyoto, the years in which Takauji was shōgun as reckoned by the Gregorian calendar are identified in Japanese historical records by two different series of Japanese era names (nengō), that following the datation used by the legitimate Southern Court and that formulated by the pretender Northern Court. Eras as reckoned by the Southern Court (declared legitimate by a Meiji era decree because in possession at the time of the Japanese Imperial Regalia):
 Engen

masks: Takauji Takauji


title: Ba Cụt

texts: Lê Quang Vinh (1923 – 13 July 1956), popularly known as <mask>t () was a Vietnamese military commander of the Hòa Hảo religious sect, which operated from the Mekong Delta and controlled various parts of southern Vietnam during the 1940s and early 1950s. <mask>t and his forces fought the Vietnamese National Army (VNA), the Việt Minh, and the Cao Đài religious movement from 1943 until his capture in 1956. Known for his idiosyncrasies, he was regarded as an erratic and cruel leader who fought with little ideological purpose. His sobriquet came from the self-amputation of his left index finger (although it was erroneously reported that it was his middle or "third cut finger"). He later swore not to cut his hair until the communist Việt Minh were defeated. <mask>t frequently made alliances with various Vietnamese factions and the French. He invariably accepted the material support offered in return for his cooperation, and then broke the agreement—nevertheless, the French made deals with him on five occasions.The French position was weak because their military forces had been depleted by World War II, and they had great difficulty in re-establishing control over French Indochina, which had been left with a power vacuum after the defeat of Japan. In mid-1955, the tide turned against the various sects, as Prime Minister Ngô Đình Diệm of the State of Vietnam and his VNA began to consolidate their grip on the south. <mask> and his allies were driven into the jungle, and their position was threatened by government offensives. After almost a year of fighting, <mask>t was captured. He

masks:
Ba Cụ
Ba Cụ
Ba Cụ
Ba Cụt
Ba Cụ


title: Ba Cụt

texts:
 was sentenced to death and publicly beheaded in Cần Thơ. Early life and background

<mask>t was born circa 1923 in Long Xuyên, a regional town in the Mekong Delta, in the far south of Vietnam. He was orphaned at an early age and adopted by a local peasant family.<mask>t was illiterate and was known from childhood as a temperamental and fiery person. The family's rice paddies were confiscated by a prominent landlord, the father of Nguyễn Ngọc Thơ. <mask>t's bitter personal experience imbued him with a permanent and fanatical hatred towards landowners. Thơ rose to become a leading politician in the 1950s and played a key role in <mask>t's eventual capture and execution. An aura of mystery surrounded <mask>t during his life, and foreign journalists incorrectly reported that he had severed his finger as part of a vow to defeat the French. As <mask>t became more fanatical in his religious beliefs and spent increasing time with local religious men, his father demanded that he work more in the family's rice fields. A defiant <mask>t severed his index finger, which was necessary for work in the rice paddies.Vietnam was a tumultuous place during <mask>t's youth, particularly in the Mekong Delta. In  1939, Huỳnh Phú Sổ founded the Hòa Hảo religious movement, and within a year had gained more than 100,000 followers. He drew adherents for two reasons: the prophecies he made about the outbreak of World War II and the conquest of South-East Asia by Japan, which proved to be correct; and his work as a mystical healer—his patients claimed to have been miraculously cured from all manner

masks:
Ba Cụ
Ba Cụ
Ba Cụ
Ba Cụ
Ba Cụ
Ba Cụ
Ba Cụ
Ba Cụ


title: Ba Cụt

texts:
 mid-1946 the two groups had agreed to stop fighting each other and fight the French instead. However, in June 1946, Sổ became estranged from his military leaders and started the Dân Xã (Social Democratic Party). Because of his charisma, the Việt Minh saw Sổ as a threat and assassinated him, leaving the Hòa Hảo leaderless and causing Sổ's military leaders to go their separate ways.The split caused an increase in violence as the various Hòa Hảo factions engaged in conflicts among themselves. Career
<mask>t joined the Hòa Hảo militia when it was formed in 1943–44, and became a commander within a year. He was feared by his enemies, and was described as "a sort of lean Rasputin" who claimed to be immortal. According to historian and writer Bernard Fall, "The hapless farmers who were under the rule of the maniacal <mask> fared worse [than those under other military leaders], for the latter [<mask>t] was given to fits of incredible cruelty and had no sense of public duty." American journalist Joseph Alsop described <mask>t as "war-drunk". <mask>t was famous for inventing a torture contraption that drilled a steel nail through the victim's ear, a device he used to extort villagers and wealthy landlords to fund his forces. He was said to have "arranged temporary marriages between his troops and village girls".He raised a large amount of funds for the Hòa Hảo and himself personally by charging traders and landlords high prices to stop pirates in the local area. The severed heads of the pirates were subsequently impaled on stakes and put on public display. In 1947, he led his own

masks:
Ba Cụ
Ba Cut
Ba Cụ
Ba Cụ
Ba Cụ