title: Rod Steiger

texts:
 Bedfellows. The following year, he took a minor role as Doc Wallace in the Dale Rosenbloom family drama Shiloh. He reprised the role three years later in the sequel.Also in 1996, <mask> played a "jingoistic top general" who "petitions the president to go nuclear in the middle of a global crisis" in the ensemble production of Mars Attacks!. In 1997, <mask> played Tony Vago, the mob boss of Vincent Gallo's character in Kiefer Sutherland's Truth or Consequences, N.M., a gritty noir about a drug heist gone wrong. Steiger played judges in Antonio Banderas's comedy-drama Crazy in Alabama and in the prison drama, The Hurricane, both in 1999, the latter of which tells the story of former middleweight boxer Rubin Carter, who was wrongly convicted of a triple homicide in a bar in Paterson, New Jersey. The Hurricane reunited <mask> with Norman Jewison, who had directed him in In the Heat of the Night. <mask> portrayed H. Lee Sarokin, the judge responsible for freeing Carter. Sarokin thought it was a "marvellous film" that was Oscar-worthy, but found <mask>'s portrayal as overacted and a "little arrogant and pompous". After a minor role as a "bombastic priest" in End of Days (1999), <mask> was one of the lead actors in Burt Reynolds's The Last Producer (2000), a film about a washed-up, veteran producer (Reynolds) who tries to re-enter the movie business by producing a new film.Steiger's last film role was as the billiard hall manager, Nick, in Poolhall Junkies (2002); it was poorly received by critics. Personal life

Steiger was married five times: he married actress Sally Gracie (1952–1958), actress Claire Bloom (1959–1969), secretary


title: Rod Steiger

type: original

texts: Sherry Nelson (1973–1979), singer Paula Ellis (1986–1997) and actress Joan Benedict <mask> (married 2000 until his death). He had a daughter, opera singer <mask> (born in 1960) by Bloom, and a son, <mask> (born in 1993), from his marriage to Ellis. In an interview with journalist Kenneth Passingham, Steiger stated that Bloom was "all I ever wanted in a woman", and that "maybe our marriage was better than most because we were both established when we met". The couple bought a home in Malibu, California, a community that appealed to Steiger but which Bloom found boring. They also purchased an apartment in Manhattan and a cottage in County Galway, in close proximity to John Huston's home. Financial considerations led Steiger to sell their New York apartment in the mid-1970s.It upset him greatly when his marriage with Bloom ended in 1969 and that she quickly remarried Broadway producer Hillard Elkins the same year, a man whom Steiger had entrusted to care for her while he was away shooting Waterloo. <mask> was also close friends with actress Elizabeth Taylor. <mask> was outspoken on McCarthyism. He was particularly critical of Charlton Heston's stance on weapons, and publicly referred to him as "America's favorite fascist". In one clash in a column in the Los Angeles Times, <mask> responded to a letter sent by Heston saying that he was shocked that the American Film Institute had not honored Elia Kazan because of his testimony to the Un-American Activities Committee. <mask> wrote that he was "appalled, appalled, appalled" at actors and writers who had been forced to drive cabs because they were blacklisted and had even committed

masks:
Steiger
Anna Steiger
Michael Steiger
Steiger
Steiger
Steiger
Steiger


title: Rod Steiger

texts:
 suicide as a result. Heston did not reply.<mask> suffered from depression throughout much of his life. He described himself as "incapacitated for about eight years with clinical depression" before his Oscar win for In The Heat of the Night. His career problems from the 1970s onwards were often exacerbated by health issues. He underwent open-heart surgery in 1976 and again in 1979 and struggled with obesity, though certain roles, such as Napoleon, required him to intentionally gain weight. After the decline of his third marriage in 1979, a deep depression, partly a side effect of his surgery, negatively affected his career during the 1980s. He became increasingly reclusive during this period, often confining himself to his apartment, watching American football for several hours. He said of the experience: "You begin to lose self-esteem.You don't walk, you don't shave and if no one was watching you'd go to the bathroom right where you were sitting". He would lie in bed at night thinking, "You'll never act again. Why bother? You're no good". Despite these challenges, Steiger continued to act into the 1990s and early 2000s. In one of his final interviews, he stated that there was a stigma wrongfully attached to sufferers of depression and that it was caused by a chemical imbalance, not a mental disease. He commented: "Pain must never be a source of shame.It's a part of life, it's part of humanity." Death
Steiger died of pneumonia and kidney failure at the age of 77, as a result of complications from surgery for a gall bladder tumor on July 9, 2002, in a Westside hospital in Los Angeles. He was buried in Forest Lawn – Hollywood


title: Rod Steiger

texts:
 Hills Cemetery. The film Saving Shiloh, released in 2006, was dedicated to his memory. Acting style

<mask> was one of Hollywood's most respected character actors. Hutchinson described him as "one of Hollywood's most charismatic and dynamic stars". Yet for Hutchinson, Steiger remained "out of sympathy with Hollywood" during his career, believing that accomplished actors often struggle to find challenging films as they got older.<mask> was an "effusive talent" according to Lucia Bozzola of The New York Times, and was particularly noted for his intense portrayal of offbeat, often volatile and crazed characters. After On the Waterfront (1954), Steiger became somewhat typecast for playing tough characters and villains, and grew increasingly frustrated playing the "Mafia heavy or a near-psychopath" during the 1970s, roles which he could play menacingly, but provided little opportunity for him to showcase his talent. Gossip columnist Louella Parsons hailed him as "the Screen's No.1 Bad Man", while the newspaper London Evening News referred to him as "the man you would love to hate if you had the coverage". A 1960 publication by Dean Jennings of The Saturday Evening Post referred to Steiger as an "angry, hot-tempered newcomer of prodigious acting talents, [who] works best only at emotional white heat", and remarked that he found it "stimulating to carry theatrical fantasy into his private life". Pauline Kael found his performances so powerful that she believed he "often seems to take over a picture even when he isn't in the lead". The journal Films and Filming, surveying his career in 1971, noted that his talent "developed steadily

masks: Steiger Steiger


title: Rod Steiger

texts: gets a character worth playing with, he creates it new from the bottom up, out of whole cloth. I don't know how he does it. It's almost as if he gets inside the skin of the guy he's playing and starts being that person for a while". <mask> said: "I always tried to do things different. If I got a role which was similar to another I'd try to do it a little different." His explosive screen performances were an influence on many later actors, including Robert De Niro, who used <mask>'s portrayal of Al Capone as a reference for his own performance in The Untouchables (1987).Elvis Presley was highly impressed with <mask>'s "powerful and wrenching performance" in The Pawnbroker. Despite <mask>'s acclaim as an actor, he was frequently accused of overacting and won his share of critics, particularly during the 1970s and 1980s. His acting was so dynamic at times that critics found him excessive and overbearing, and even uncomfortable or laughable to watch. <mask> once clashed with Armenian director Rouben Mamoulian, during a theatrical production of Oklahoma!, as he was intolerant of <mask>'s "unusual acting technique". <mask> ignored the director's concerns that he was mumbling his lines, and when he began chomping loudly on an apple during a scene with Gordon MacRae, Mamoulian exclaimed: "Get out of my theater. Get out of my life! ", and fired him.Even Kazan found several of the Actors Studio's techniques disagreeable, preferring "more humor and verve and less self-indulgence, self-pity and self-awareness". Kazan felt that <mask> often displayed a competitive edge as an actor and tried to steal scenes from his co-stars. Steiger rejected

masks: Steiger Steiger Steiger Steiger Steiger Steiger Steiger Steiger


title: Rod Steiger

texts:
 these claims, insisting that he was merely "trying to take the medium of acting to as far as I can go, and that why I sometimes go over the edge". Several co-stars found working with Steiger difficult; Warren Oates, according to director Norman Jewison, viewed Steiger as "somebody who had a tendency to go over the top" during the making of In The Heat of the Night. Writer Richard Dyer highlights the contrast in the film between the acting styles of <mask> and Poitier, with "Poitier's stillness and implied intensity" and "Steiger's busy, exteriorised method acting". Humphrey Bogart, Steiger's co-star in The Harder They Fall, referred to Steiger's method acting as the "scratch-your-ass-and-mumble school of acting". Director Robert Aldrich notes that Steiger had a habit of changing his lines, which often confused his co-stars.Aldrich stated: "Usually I lie awake at nights trying to think of ways to improve an actor's performance. With Steiger, the problem is to try and contain him". <mask> was particularly aggressive towards director Kenneth Annakin during the making of Across the Bridge, insisting on rewriting most of the script and changing many of the lines to better fit Steiger's idea of the character. Annakin stated that he had "never known an actor to put so much thought and preparation into a performance" as Steiger. Hutchinson revealed that Steiger often suffered from panic during filming and that fear of failure haunted him throughout his life, but fear also provided him with a source of strength in his acting. Filmography and theatre credits

Notes

References

Bibliography

External links

 He Blowed Up Real Good


title: Rod Steiger

texts:
 (TCM Movie Morlocks on <mask> in Hennessy)
 <mask> interview on BBC Radio 4 Desert Island Discs, July 14, 2002

1925 births
2002 deaths
20th-century American male actors
21st-century American male actors
Male actors from New York (state)
American male film actors
United States Navy personnel of World War II
American people of French descent
American people of German descent
American people of Scottish descent
American male television actors
BAFTA winners (people)
Best Actor Academy Award winners
Best Drama Actor Golden Globe (film) winners
Best Foreign Actor BAFTA Award winners
Burials at Forest Lawn Memorial Park (Hollywood Hills)
David di Donatello winners
Deaths from pneumonia in California
Military personnel from New York (state)
People from Westhampton, New York
People from Greater Los Angeles
Silver Bear for Best Actor winners
United States Navy sailors
West Side High School (New Jersey)

masks:
Rod Stger
Rod Steiger


title: Sedfrey Candelaria

texts:
<mask><mask>, is the former Dean of the Ateneo Law School in Makati, Philippines. Education
<mask> finished elementary and secondary education at Lourdes School of Mandaluyong and holds a Bachelor of Arts in Political Science from the Ateneo de Manila University. He received his Bachelor of Laws from the Ateneo Law School in 1984. He obtained a Master of Laws from the University of British Columbia in 1986 as a Rotary Foundation Ambassadorial Scholar. In October 2005, he was conferred a Diplomate in Juridical Science (D.J.S.) by San Beda College. <mask> is a member of the faculty of the Ateneo Law School teaching Constitutional Law, Political Law Review, Public International Law, International Economic Law and Indigenous Peoples Law.He was appointed Associate Dean of the Ateneo Law School (with Cynthia Roxas del Castillo as Dean) and was appointed Associate Dean of Student Affairs in 2000 (with Fr. Joaquin Bernas as Dean). Candelaria also teaches in the Ateneo Graduate School of Business and in the Master of Laws Program jointly administered by the Supreme Court Philippine Judicial Academy (PHILJA) and the San Beda College Graduate Program in Law. Before entering the legal profession, he had a respectable stint in Philippine football, consistently starting as a Goalkeeper for the Ateneo de Manila University Blue Eagles during his collegiate education leading to his call-up to the Philippines national football team. His other posts include counsel to the International Finance Group of the Department of Finance (December 1989 – February 1990), Research Director of the Ateneo Human Rights Center, directorship of the Adhikain Para sa Karapatang Pambata (AKAP-AHRC) of the Ateneo Human Rights Center, Head of Research and Linkages Office and Chair of the Special Areas of Concern of PHILJA, founder and chair of the legal desk of the Ateneo Human Rights Center (AHRC-KATUTUBO) on indigenous peoples’ concerns and founder and chair of the Court Appointed

masks:
Sedfrey M
. Candelaria
Candelaria
Career Candelaria


title: Sedfrey Candelaria

texts:
 1995. "ASEAN REPORT." Reqional Seminar on Democracy. Human Riqhts and the Media: The ASEAN Scenario." Kuala Lumpur: Asian Institute for Development Communication, September, 1995."The Alien Social Integration Act (RA. 7919): Is this Discriminatory of Refugees?" RSPI Newsletter 1:2 (April–September 1995):12. "Non-IndoChinese Refugees in the Philippines: Some Legal and Policy Considerations in Seeking Durable Solutions." RSPI Newsletter 1:2 (April–September 1995): 6-8. "An Analysis of the Philippine Government's Obligations Under the 1951 Convention Relating to the Status of Refugee." Proceedinqs of the National Conference on Refuqee Issues and Prospects: The Philippine Experience.pp. 31–41. Manila: Refugee Services Philippines, 1995. "Judicial Reform," Development and Democracy: A People's Aqenda, pp. 227–235. Edited by Reuel R Hermoso. Quezon City: Ateneo de Manila University Press, 1994."International Responsibility of the IMF: Human Rights Standards and Stand-By Arrangements." Asian Exchanqe 7 (March 1992): 87-108. Reprinted in Ateneo Human Riqhts Law Journal 1 (December 1992): 113-140. "The IMF and the Philippines: Anatomy of a Third World Debt." Ateneo Law Journal 36 (June 1992): 18-112. "Response to Speeches of Josef Voyanne, Eduardo Umana and Kevin McGrath," in Manila '91 International Symposium on Democracy, Development and Human Riqhts Organized by World Organization Against Torture, 84-86. "Silencing Peace: The Story of the Memorandum of Agreement on Ancestral Domain", ABS-CBN News Online, Views and Analysis, 9/5/2008 6:08 PM.Private life
<mask> was born in Manila on July 19, 1958. He is married with two children. References

External links
Ateneo Law School

Ateneo de Manila University alumni
Ateneo de Manila University faculty
Filipino educators
Filipino lawyers
Law school deans
Living people
People from Manila
San Beda University alumni
Peter A. Allard School of Law alumni
Filipino academic administrators
Year of birth missing (living


title: John O'Hara

texts: <mask>'Hara (January 31, 1905 – April 11, 1970) was one of America's most prolific writers of short stories, credited with helping to invent The New Yorker magazine short story style. He became a best-selling novelist before the age of 30 with Appointment in Samarra and BUtterfield 8. While O'Hara's legacy as a writer is debated, his champions rank him highly among the under-appreciated and unjustly neglected major American writers of the 20th century. Few college students educated after O'Hara's death in 1970 have discovered him, chiefly because he refused to allow his work to be reprinted in anthologies used to teach literature at the college level. "O’Hara may not have been the best story writer of the twentieth century, but he is the most addictive," wrote Lorin Stein, editor-in-chief of the Paris Review, in a 2013 appreciation of O'Hara's work. Stein added, "You can binge on his collections the way some people binge on Mad Men, and for some of the same reasons. On the topics of class, sex, and alcohol—that is, the topics that mattered to him—his novels amount to a secret history of American life."His work stands out from that of his contemporary authors for its unvarnished realism. Five of O'Hara's works were adapted into popular films in the 1950s and 1960s. Still, O'Hara accumulated detractors due to his outsized and easily bruised ego, alcoholic crankiness, long-held resentments and politically conservative views in the 1960s that were unfashionable in literary circles. After


title: John O'Hara

texts:
 O'Hara's death, <mask>, a fan of O'Hara's writing, said that the prolific author "out-produced our capacity for appreciation; maybe now we can settle down and marvel at him all over again." Early life and life shaping events
O'Hara was born in Pottsville, Pennsylvania to an affluent Irish-American family. Though his family lived among the gentry of eastern Pennsylvania during his childhood, O'Hara's Irish-Catholic background gave him the perspective of an outsider on the inside of polite WASP society, a theme he returned to in his writing again and again. He attended the secondary school Niagara Prep in Lewiston, New York, where he was named Class Poet for Class of 1924.His father died about that time, leaving him unable to afford to attend Yale, the college of his dreams. By all accounts, this fall in social status from a privileged life of a well-heeled doctor's family (including club memberships, riding and dance lessons, fancy cars in the barn, domestic servants in the house) to overnight insolvency afflicted O'Hara with status anxiety for the rest of his life, honing the cutting social class awareness that characterizes his work. Brendan Gill, who worked with O'Hara at The New Yorker, claimed that O'Hara was nearly obsessed with a sense of social inferiority due to not having attended Yale. "People used to make fun of the fact that O'Hara wanted so desperately to have gone to Yale, but it was never a joke to O'Hara. It seemed... that there wasn't anything he didn't know about it in


title: John O'Hara

texts:
 regard to college and prep-school matters." Hemingway once said someone should "start a bloody fund to send up a collection to send <mask>'Hara to Yale." As his literary acclaim grew, O'Hara yearned for an honorary degree from Yale, so much so that he even asked the university for it.According to Gill, Yale was unwilling to award the honor because O'Hara "asked for it." Career and reputation
Initially, O'Hara worked as a reporter for various newspapers. Moving to New York City, he began to write short stories for magazines. During the early part of his career, he was also a film critic, a radio commentator and a press agent. In 1934, O'Hara published his first novel, Appointment in Samarra. Endorsing the novel, Ernest Hemingway wrote: "If you want to read a book by a man who knows exactly what he is writing about and has written it marvelously well, read Appointment in Samarra." O'Hara followed Samarra with BUtterfield 8, his roman à clef based upon the tragic, short life of flapper Starr Faithfull, whose mysterious death in 1931 became a tabloid sensation.Over four decades, O'Hara published novels, novellas, plays, screenplays and more than 400 short stories, the majority of them in The New Yorker. During World War II, he was a correspondent in the Pacific theater. After the war, he wrote screenplays and more novels, including Ten North Frederick, for which he won the 1956 National Book Award and From the Terrace (1958), which he considered his "greatest achievement as a novelist."


title: John O'Hara

texts: brevity... in which nothing necessarily 'happens' in the old-fashioned sense, but in which some crucial loss or discovery is revealed just by implication... a sense of speed and economy is just what makes the best of these stories so thrilling." Gill, who worked with O'Hara at The New Yorker, ranks him "among the greatest short-story writers in English, or in any other language" and credits him with helping "to invent what the world came to call The New Yorker short story." In the foreword to a collection published four years before his death, O'Hara declared, "No one writes them any better than I do." Two more volumes of his stories were published soon after his death. Despite his popular success as a best-selling author, most of O'Hara's longer work is not held in as high regard by the literary establishment. Critic Benjamin Schwarz and writer Christina Schwarz claimed: "So widespread is the literary world's scorn for <mask>'Hara that the inclusion of Appointment in Samarra on the Modern Library's list of the 100 best English-language novels of the twentieth century was used to ridicule the entire project." The endings of some of O'Hara's novels and stories are clumsy, hasty conclusions.Some of the criticism of O'Hara's writing is attributed to dislike of O'Hara personally because of his abrasive ego and lack of humility in dealing with others, his vigorous self-promotion, his obsession with his social status, and the politically conservative columns he wrote late in his career. Early


title: John O'Hara

texts:
 it's the attribute most lacking in American writers and almost totally lacking in the British." According to biographer Frank MacShane, O'Hara thought that Hemingway's death made O'Hara the leading candidate for the Nobel Prize in Literature. O'Hara wrote to his daughter "I really think I will get it," and "I want the Nobel prize... so bad I can taste it." MacShane says that T.S. Eliot told O'Hara that he had, in fact, been nominated twice. When <mask> won the prize in 1962, O'Hara wired, "Congratulations, I can think of only one other author I'd rather see get it."In a letter to Steinbeck two years before that, O'Hara placed himself with Steinbeck in the pantheon of great 20th century American writers, Hemingway, Fitzgerald and Faulkner, singling out Faulkner among them as "the one, the genius." Death
O'Hara died from cardiovascular disease in Princeton, New Jersey, and is interred in the Princeton Cemetery. A comment he made about himself and which was chosen by his wife for his epitaph reads: "Better than anyone else, he told the truth about his time. He was a professional. He wrote honestly and well." Of this, Gill commented: "From the far side of the grave, he remains self-defensive and overbearing. Better than anyone else?Not merely better than any other writer of fiction but better than any dramatist, any poet, any biographer, any historian? It is an astonishing claim." After his death, O'Hara's study and its contents were reconstructed in 1974 for display at Pennsylvania State


title: John O'Hara

texts:
 University, where his papers are held. His childhood home, the <mask>'Hara House in Pottsville, was added to the National Register of Historic Places in 1978. Adaptations

O'Hara's epistolary novel Pal Joey (1940) led to the successful Broadway musical, with libretto by O'Hara and songs by Rodgers and Hart. In 1957, Pal Joey was made into a musical film starring Rita Hayworth, Frank Sinatra, Kim Novak, and Barbara Nichols. From the Terrace is a 1960 film adapted from O'Hara's 1958 novel of the same title.The film starred Paul Newman as disenchanted Alfred Eaton, son of a wealthy but indifferent father and alcoholic mother as well as Joanne Woodward as his socially ambitious, self-pitying and unfaithful wife Mary St<mask>. Also in 1960, O'Hara's best-selling 1935 novel Butterfield 8 was released as a film with the same name. Elizabeth Taylor won the Academy Award for Best Actress for her portrayal of Gloria Wandrous. Of the film version, Taylor famously said, "I think it stinks." Ten North Frederick is a 1958 film based on O'Hara's 1955 novel of the same title. Gary Cooper starred as Joe Chapin, with Diane Varsi, Suzy Parker and Geraldine Fitzgerald in supporting roles. O'Hara called Cooper's performance "sensitive, understanding and true."A Rage to Live is a 1965 film directed by Walter Grauman and starring Suzanne Pleshette as Grace Caldwell Tate, a well-mannered, uppercrust beauty whose passions wreak havoc on multiple lives. The screenplay by <mask>. Kelley is based on O'Hara's

masks:
John O
. John
John T


title: John O'Hara

texts:
 best-selling 1949 novel of the same name. O'Hara's short stories about Gibbsville were used as the basis for the 1975 NBC television movie <mask>'Hara's Gibbsville (also known as The Turning Point of Jim Malloy) and for the short-lived 1976 NBC dramatic television series Gibbsville. The television period drama series Mad Men which aired on cable channel AMC from 2007 to 2015 generated renewed popular interest in O'Hara's work for the window it opens on the same themes in mid-20th century American life. Columns
In the early 1950s, O'Hara wrote a weekly book column, "Sweet and Sour" for the Trenton Times-Advertiser and a biweekly column, "Appointment with O'Hara", for Collier's magazine. MacShane calls them "garrulous and outspoken" and says neither "added much of importance to O'Hara's work". Biographer Shelden Grebstein says that O'Hara in these columns was "simultaneously embarrassing and infuriating in his vaingloriousness, vindictiveness, and general bellicosity."Biographer Geoffrey Woolf says these earlier columns anticipated "his disastrous 'My Turn' in Newsday, which endured fifty-three weeks ... beginning in late 1964... of his dismissive and contemptuous worst". His first Newsday column opened with the line, "Let's get off to a really bad start." His second complained, "the same hysteria that afflicted the Prohibitionists is now evident among the anti-cigarettists." His third column nominally supported the Republican Party nominee Barry Goldwater for U.S. president by


title: John O'Hara

texts:
 received:

He complains that the colleges write him "highly complimentary" letters asking him to perform "chores" such as officiating as writer-in-residence, judging literary contests, and give lectures, yet do not give him degree citations."The five major distinctions," he notes, "were awarded me by other writers, not by [academia]." Fifty-three weekly columns written for Newsday
 Letters (1978). Other
BUtterfield 8, Pal Joey and The Doctor's Son and Other Stories were published as Armed Services Editions during WWII. References

Further reading
 Gill, Brendan. Here at The New Yorker. Random House, 1975. Da Capo Press, 1997, .(O'Hara desperately wanting to attend Yale, p. 117. Failure to get honorary Yale degree, p. 268.) O'Hara, <mask> (1966), My Turn: Fifty-three Pieces by <mask>'Hara (collected newspaper columns), Random House. Farr, Finis (1973): O'Hara: A Biography. Boston: Little Brown. Bruccoli, Matthew J.(1975): The O'Hara Concern: A Biography of <mask>'Hara. New York: Random House. MacShane, Frank (1980): The Life of <mask>'Hara. New York: Dutton. Woolf, Geoffrey (2003): The Art of Burning Bridges: A Life of <mask>'Hara. New York: Knopf. The Western Canon: Appointment in Samarra included by Harold Bloom.External links

 Philly Burbs O'Hara's lost papers and reward
 <mask>'Hara – (1905–1970)
 O'Hara Study at Penn State
 Guide to the <mask>'Hara Papers, 1923–1991
 Guide to the Random House Files of <mask>'Hara, 1927–1977
 Calendar of the <mask>'Hara Letters to H. N. Swanson,

masks:
John
John O
John O
John O
John O
John O
John O
John O
John O


title: John O'Hara

texts:
 1955–1970. <mask>'Hara Papers. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. 1905 births
1970 deaths
20th-century American novelists
American columnists
American male novelists
American male screenwriters
American male journalists
National Book Award winners
People from Pottsville, Pennsylvania
The New Yorker people
Niagara University alumni
Novelists from Pennsylvania
American male short story writers
American people of Irish descent
20th-century American short story writers
Journalists from Pennsylvania
20th-century American male writers
20th-century American non-fiction writers
Screenwriters from Pennsylvania
Screenwriters from New York (state)
Burials at Princeton Cemetery
20th-century American screenwriters
20th-century American


title: Nicholas B. Suntzeff

texts:
<mask><mask> (born November 22, 1952, San Francisco)  is an American University Distinguished Professor and holds the Mitchell/Heep/Munnerlyn Chair of Observational Astronomy in the Department of Physics & Astronomy at Texas A&M University where he is Director of the Astronomy Program. He is an observational astronomer specializing in cosmology, supernovae, stellar populations, and astronomical instrumentation. With <mask> he founded the High-z Supernova Search Team, which was honored with the Nobel Prize in Physics in 2011 to Schmidt and Adam Riess. Education
Suntzeff graduated from Neil Cummins Elementary School in Corte Madera, California and Redwood High School in Larkspur, California. He received his B.S. with distinction in mathematics from Stanford University in 1974 and his Ph.D. in astronomy & astrophysics from the University of California, Santa Cruz and Lick Observatory in 1980. While undergraduates at Stanford University, Suntzeff and engineering student Michael Kast built the Stanford Student Observatory.Work
After graduating in 1980, he worked as a postdoctoral research associate with Professor George Wallerstein in the Department of Astronomy at University of Washington. From 1982 to 1986 he was a Carnegie/Las Campanas Fellow at the Mount Wilson & Las Campanas Observatories, now called the Observatories of the Carnegie Institution for Science. After moving to Chile in 1986, Suntzeff working with Mark M. Phillips and Mario Hamuy at CTIO used the newly developed cryogenic CCD cameras to produce the first modern light curve of a Type Ia supernova. The fundamental calibration for distances to Type Ia supernovae was invented by the

masks:
Nicholas B
. Suntzeff
Brian Schmidt


title: Nicholas B. Suntzeff

texts:
 Calán/Tololo Supernova Survey, founded by Mario Hamuy, Jose Maza, Mark M. Phillips, and Suntzeff. The Survey, formed after discussions at the Santa Cruz meeting on supernovae and the encouragement by Allan R. Sandage to use Type Ia supernovae to measure the Hubble constant H0 and the deceleration parameter q0, ran from 1990 to 1995, and provided the pioneering method to measure precision distances to external galaxies, leading to a precise value of the Hubble constant. Continuing the work of the Calán/Tololo Survey, Suntzeff with <mask>. Schmidt co-founded the High-Z Supernova Search Team in 1994 that used observations of extragalactic supernovae to discover the accelerating universe. This universal acceleration implies the existence of dark energy consistent with the cosmological constant of Albert Einstein's theory of General Relativity, and was voted the top science breakthrough of 1998 by Science magazine.Prior to 2006, he was the Associate Director of Science at the US National Optical Astronomy Observatory, and Astronomer at Cerro Tololo Inter-American Observatory. In 2007, he was elected Councilor of the American Astronomical Society, and in 2010, he was elected Vice President of the same society. He has been awarded a 2010 Jefferson Senior Science Fellowship of the National Academy of Sciences to work at the US Department of State where he is a Humanitarian Affairs Officer in the Bureau of Human Rights of the Office of International Organization Affairs. He is also an adjunct professor in the Department of Astronomy at the University of Texas at Austin. Honors and awards
 Phi Beta Kappa, Beta Chapter, Stanford University, 1974


title: Nicholas B. Suntzeff

texts:
 supporters of the White cause, for their safety the family of Matvei fled east with Admiral Kolchak, the White Army, and the Czech Legion when the Whites captured Perm in 1918. Matvei died at Manchurian Station (Manzhouli) near Chita. His only child, Nicholai Matveevich Evdiokimov (1918–1995) (Russian:  Николай Матвеевич Евдокимов) continued with Matvei's wife Zoya Vasilevna Suntzeva (Russian: Зоя Васильевна Сунцевa) (1897–1976), with the Suntzeff family to Harbin China and then to the San Francisco in 1928. Nicholai assumed the last name of his mother and immigrated into the US as <mask> Suntzeff (Russian: Николай Матвеевич Сунцев). The Suntzeff family, prominent merchants from the Ural region, came from Motovilikha (now part of Perm, Russia) and have ancestry in the Udmurt people.A bridge "Сунцев мост" in Motovilikha was named after the family store nearby. Suntzeff is mentioned in the Alan Alda memoir, "Never Have Your Dog Stuffed: and Other Things I've Learned." References

External links
Carnegie Supernova Project
High-Z Supernova Team's web page
<mask><mask>, directory page at Texas A&M University
<mask><mask>, directory page at Mitchell Institute for Fundamental Physics and Astronomy
<mask><mask>, directory page at the IAU
Office of International Organization Affairs, US Department of State

1952 births
Living people
American people of Russian descent
University of California, Santa Cruz alumni
American cosmologists
Stanford University alumni
Texas A&M University faculty
20th-century American astronomers
21st-century American astronomers
Jefferson Science Fellows
People from Corte Madera, California
Fellows of the American Physical

masks:
Nicholas Matveevich
Nicholas B
. Suntzeff
Nicholas B
. Suntzeff
Nicholas B
. Suntzeff


title: Adam Duncan, 1st Viscount Duncan

texts:
Admiral <mask>, 1st Viscount <mask>, KB (1 July 17314 August 1804) was a British admiral who defeated the Dutch fleet off Camperdown on 11 October 1797. This victory is considered one of the most significant actions in naval history. Life
<mask> was the second son of <mask>, Baron of Lundie, Angus, (d. May 1777) Provost of Dundee, and his wife (and first cousin once removed) Helen, daughter of John Haldane of Gleneagles. He was born at Dundee. In 1746, after receiving his education in Dundee, he entered the Royal Navy on board the sloop Trial, under Captain Robert Haldane, with whom, in  and afterwards in , he continued till the peace in 1748. In 1749 he was appointed to , then commissioned for service in the Mediterranean, by the Hon. Augustus Keppel (afterwards Viscount Keppel), with whom he was afterwards in  on the coast of North America, and was confirmed in the rank of lieutenant on 10 January 1755.Seven Years War

In August 1755 he followed Keppel to , and in January 1756 to Torbay, in which he continued till his promotion to commander's rank on 21 September 1759, and during this time was present in the expedition to Basque Roads in 1757, at the reduction of Gorée in 1758, and in the blockade of Brest in 1759, up to within two months of the Battle of Quiberon Bay, from which his promotion just excluded him. From October 1759 to April 1760 he had command of Royal Exchange, a hired vessel employed in petty convoy service with a miscellaneous ship's company, consisting to a large extent of boys and foreigners, many of whom (he reported) could not speak English, and all impressed with the

masks:
Adam Duncan
Duncan
Adam
Alexander Duncan


title: Adam Duncan, 1st Viscount Duncan

texts:
 idea that as they had been engaged by the merchants from whom the ship was hired they were not subject to naval discipline. It would seem that a misunderstanding with the merchants on this point was the cause of the ship's being put out of commission after a few months. As a commander <mask> had no further service, but on 25 February 1761 he was posted and appointed to , fitting for Keppel's broad pennant. In her he had an important share in the reduction of Belle Île in June 1761, and of Havana in August 1762. He returned to Britain in 1763, and, notwithstanding his repeated request, had no further employment for many years. Peacetime
During this time he lived principally at Dundee, and married on 6 June 1777 Henrietta, daughter of Robert Dundas of Arniston, Lord President of the Court of Session.It would seem that his alliance with this influential family obtained him the employment which he had been vainly seeking during fifteen years. Towards the end of 1778 he was appointed to , from which he was almost immediately moved into . In January 1779 he sat as a member of the court-martial of Admiral Keppel for the poor performance of the Channel Fleet during the First Battle of Ushant. During the course of the trial <mask> objected several times to stop the prosecutor in irrelevant and in leading questions, or in perversions of answers. The Admiralty was therefore desirous that he should not sit on the court-martial of Sir Hugh Palliser for failure to obey orders during the same battle. The court-martial was set for April. The day before the assembling of the court the admiralty sent down

masks: Duncan Duncan


title: Adam Duncan, 1st Viscount Duncan

texts:
 orders for Monarch to go to St. Helens.Her crew, however, refused to weigh the anchor until they were paid their advance; and as this could not be done in time, Monarch was still in Portsmouth harbour when the signal for the court-martial was made; so that, sorely against the wishes of the admiralty, <mask> sat on this court-martial also. During the summer of 1779 Monarch was attached to the Channel fleet under Sir Charles Hardy; in December was one of the squadron with which Rodney sailed for the relief of Gibraltar, and had a prominent share in the action off St. Vincent on 16 January 1780. On returning to Britain <mask> quit Monarch, and had no further command till after the change of Ministry in March 1782, when Keppel became first lord of the admiralty. He was then appointed to  of 90 guns, and commanded her during the year in the Grand Fleet under Howe, at the relief of Gibraltar in October, and the encounter with the allied fleet off Cape Spartel. He afterwards succeeded Sir John Jervis in command of , and after the peace commanded  as guardship at Portsmouth for three years. He attained flag rank on 24 September 1787, became vice admiral 1 February 1793, and was promoted to admiral 1 June 1795. In February 1795 he was appointed Commander-in-Chief, North Sea, and hoisted his flag on board .In action with the Dutch

During the first two years of <mask>'s command the work was limited to enforcing a rigid blockade of the enemy's coast, but in the spring of 1797 it became more important from the knowledge that the Dutch fleet in the Texel was getting ready for sea. The situation was one of

masks: Duncan Duncan Duncan


title: Adam Duncan, 1st Viscount Duncan

texts: extreme difficulty, for the mutiny which had paralysed the fleet at the Nore broke out also amongst the crews under <mask>, and kept him for some weeks in enforced inactivity. <mask>'s personal influence and some happy displays of his vast personal strength held the crew of Venerable to their duty; but with one other exception, that of , the ships refused to quit their anchorage at Yarmouth, leaving Venerable and <mask>ant alone to keep up the pretence of the blockade. Fortunately the Dutch were not at the time ready for sea; and when they were ready and anxious to sail, with thirty thousand troops, for the invasion of Ireland, a persistent westerly wind detained them in harbour till they judged that the season was too far advanced. For political purposes, however, the French Revolutionaries who controlled the government in Holland (despite the contrary opinion of their admiral, De Winter), ordered him to put to sea in the early days of October. <mask>, with the main body of the fleet, was at the time lying at Great Yarmouth revictualling, the Texel being watched by a small squadron under Captain Henry Trollope in , from whom he received early information of the Dutch being at sea. He at once weighed anchor, and with a fair wind approached the Dutch coast, saw that the fleet was not returned to the Texel, and steering towards the south sighted it on the morning of 11 October about seven miles from the shore and nearly halfway between the villages of Egmont and Camperdown.The wind was blowing straight on shore, and though the Dutch forming their line to the north preserved a bold front, it was

masks: Duncan Duncan Adam Duncan


title: Adam Duncan, 1st Viscount Duncan

texts: clear that if the attack was not made promptly they would speedily get into shoal water, where no attack would be possible. <mask> at once realised the necessity of cutting off their retreat by getting between them and the land. At first he was anxious to bring up his fleet in a compact body, for his numbers were at best equal to those of the Dutch; but seeing the absolute necessity of immediate action, without waiting for the ships astern to come up, without waiting to form line of battle, and with the fleet in very irregular order of sailing, in two groups, led respectively by himself in Venerable and Vice-admiral Richard Onslow in Monarch, he made the signal to pass through the enemy's line and engage to leeward. It was a bold departure from the absolute rule laid down in the Fighting Instructions, still new, though warranted by the more formal example of Howe on 1 June 1794; and on this occasion, as on the former, was crowned with complete success. The engagement was long and bloody; for though <mask>, by passing through the enemy's line, had prevented their untimely retreat, he had not advanced further in tactical science, and the battle was fought out on the primitive principles of ship against ship, the advantage remaining with those who were the better trained to the great gun exercise, though the Dutch inflicted great loss on the Royal navy. It had been proposed to De Winter to make up for the want of skill by firing shell from the lower deck guns, and some experiments had been made during the summer which showed that the idea was feasible. However, want of familiarity with an arm so


title: Adam Duncan, 1st Viscount Duncan

texts:
 new and so dangerous presumably prevented its being acted on in the battle.Rewards

The news of the victory was received in Britain with the warmest enthusiasm. It was the first certain sign that the mutinies of the summer had not destroyed the power and the prestige of the Royal Navy. <mask> was at once (21 October) raised to the peerage as <mask>, of Camperdown, and Baron <mask>, of Lundie in the Shire of Perth (with which came the lands now known as Camperdown Park in Dundee), and there was a strong feeling that the reward was inadequate. Even as early as 18 October his aunt, Lady <mask>, wrote to Henry Dundas, at that time secretary of state for war: Report says my nephew is only made a Viscount. Myself it is nothing, but the whole nation thinks the least you can do is to give him an English earldom. … Am sure were this properly represented to our good king, who esteems a brave, religious man like himself, would be of my opinion. ….It was not, however, till 1831, many years after <mask>'s death, that his son, then bearing his title, was raised to the dignity of an earl, and his other children to the rank and precedence of the children of an earl. <mask> was awarded the Large Naval Gold Medal and an annual pension of £3,000, to himself and the next two heirs to his title – this was the biggest pension ever awarded by the British government. Additionally, he was given the freedom of several cities, including Dundee and London. Death

<mask> continued in command of the North Sea fleet until 1801, but without any further opportunity of distinction. Three years later, 4 August 1804, he died

masks:
Duncan
Viscount Duncan
Duncan
Mary Duncan
Duncan
Duncan
Duncan


title: Adam Duncan, 1st Viscount Duncan

texts:
 quite suddenly, aged seventy-three, at the inn at Cornhill, a village on the border, where he had stopped for the night on his journey to Edinburgh (ib. 252) and was buried in Lundie west of Dundee. Memorial

There is a memorial to him within St Paul's Cathedral.Character
<mask> was of size and strength almost gigantic. He is described as  in height, and of corresponding breadth. When a young lieutenant walking through the streets of Chatham, his grand figure and handsome face attracted crowds of admirers, and to the last he is spoken of as singularly handsome. Nelson wrote to <mask>'s son, Henry, a fellow Royal Navy officer, on 4 October 1804, including a newspaper with the account of <mask>'s death, "There is no man who more sincerely laments the heavy loss you have sustained than myself; but the name of <mask> will never be forgot by Britain, and in particular by its navy, in which service the remembrance of your worthy father will, I am sure, grow up in you. I am sorry not to have a good sloop to give you, but still an opening offers which I think will insure your confirmation as a commander". Family

<mask>'s uncle was Sir <mask>, physician-extraordinary to King George III and first of the <mask> baronets. On 6 June 1777 <mask> married Henrietta (1749–1832), daughter of Robert Dundas of Arniston, Lord President of the Court of Session.On his death <mask> left a family of four daughters and two sons. His eldest son succeeded to the peerage and later became Earl of Camperdown; the second son, Henry, died a captain in the navy and K.C.H. in 1835. His sister Margaret was mother to James

masks:
Duncan
Duncan
Duncan
Duncan
Duncan
William Duncan
Duncan
Duncan
Duncan


title: Adam Duncan, 1st Viscount Duncan

texts:
 Haldane Tait who served under him several times and rose to the rank of Rear Admiral. Henrietta and her children are buried in Canongate Kirkyard in Edinburgh east of the church. Heraldry

The paternal arms of the 1st Viscount were: Gules, two cinquefoils in chief and a bugle horn in base argent stringed azure (Clan <mask>). In the centre of his paternal coat the 1st Viscount was granted an augmentation of honour: Pendant by a ribbon argent and azure from a naval crown or a gold medal thereon two figures the emblems of Victory and Britannia; Victory alighting on the prow of an antique vessel, crowning Britannia with a wreath of laurel; and below the word "Camperdown"

Crest: A first rate ship of war, with masts broken, rigging torn and in disorder, floating on the sea, all proper and over, the motto "Disce Pati" ("learn to suffer").Supporters: On the dexter side an Angel, mantle purpure; on the head a celestial crown; the right hand supporting an anchor proper; in the left a palm branch Or. On the sinister a sailor, habited and armed proper; his left hand supporting a staff, thereon hoisted a flag azure; the Dutch colours, wreathed about the middle of the staff. Motto: "Secundis Dubiisque Rectus"

Recognition

Several ships have been named <mask> after him. The Dundee Unit of the Sea Cadets is named TS <mask> after him. A statue by Westmacott, erected at the public expense, is in St. Paul's. <mask> Terrace in Islington, London N1 was named after him. <mask> Street in Leeds town centre is named after him.The pub on this street honours him with its name and many pictures and paintings. The

masks:
Duncan
HMS Duncan
Duncan
Duncan
Duncan


title: Adam Duncan, 1st Viscount Duncan

texts:
 Galapagos island, now known as Pinzón Island, was named <mask> Island. A statue of <mask> was erected in 1997 in his birthplace, Dundee, on the corner of High Street and Commercial Street. Several public houses are named after him, including the <mask> pub in Soho, London, a gay pub that was the scene of a terrorist bombing in 1999.
 namesake of <mask>'s Cove, Nova Scotia

Notes

References
Attribution
 Endnotes:
Ralfe's Naval Biography, i. 319;
Naval Chronicle, iv. 81;
Charnock's Biographia Navalis, vi. 422;
James's Naval History of Great Britain (edit.1860), ii. 74;
Keppel's Life of Viscount Keppel. Further reading

Rampant Scotland - Famous Scots - <mask>, 1st Viscount Camperdown (1731–1804)
Taynet - Admiral <mask>, Hero of Camperdown
Gazetteer for Scotland - Admiral <mask>
 The Naval Chronicle, Volume 4 1800, J. Gold, London. (reissued by Cambridge University Press, 2010. ) |-

1731 births
1804 deaths
People educated at the High School of Dundee
Military personnel from Dundee
D
Royal Navy personnel of the American Revolutionary War
Royal Navy personnel of the French Revolutionary Wars
Royal Navy personnel of the Seven Years' War
Viscounts in the Peerage of Great Britain
Peers of Great Britain created by George

masks:
Duncan
Duncan
Admiral Duncan
Duncan
Adam Duncan
Lord Duncan
Adam Duncan


title: Rafael dos Anjos

texts:
<mask> (; born October 26, 1984) is a Brazilian professional mixed martial artist. He currently fights in the Lightweight division of the Ultimate Fighting Championship (UFC), where he is a former UFC Lightweight Champion. He has also competed at Welterweight. As of November 2, 2021, he is #6 in the UFC lightweight rankings. Early life
In a 2014 interview, <mask> stated that he was a troubled child, getting into fights in his hometown Niterói, Rio de Janeiro. He originally started training Brazilian jiu-jitsu under Daniel Matheus at the age of nine. According to <mask>, he stopped fighting on the streets when he began training jiu jitsu.Mixed martial arts career
The majority of <mask>' early career took place in his native country of Brazil. He would start off his career with a record of 2-2, with both losses coming by way of split decision. <mask> would then rack up 9 straight victories, which included 6 submissions. His 11–2 record in regional circuits would be enough to get a call from the UFC. Ultimate Fighting Championship
<mask> made his UFC debut at UFC 91, losing to Jeremy Stephens. The fight was stopped in the third round after an uppercut knocked out <mask>. For his second UFC fight, <mask> was next given Tyson Griffin at UFC Fight Night 18.The fight was a back-and-forth battle that showcased heart, skill, and technique from both fighters but ended in a unanimous decision loss for <mask>. The bout was awarded Fight of the Night honors. <mask> was scheduled to fight Matt Wiman on September 19, 2009, at UFC 103, but due to a knee injury suffered by Wiman, he instead faced Rob Emerson. <mask> got a much-needed

masks:
Rafael Souza dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos


title: Rafael dos Anjos

texts: win by unanimous decision. <mask> then defeated Kyle Bradley via unanimous decision at UFC Fight Night 20. At UFC 112, <mask> defeated Terry Etim via second round armbar submission, earning him Submission of the Night honors. <mask> faced Clay Guida on August 7, 2010, at UFC 117.Guida appeared to injure the jaw of <mask> in the first round with a hook and would go on to defeat <mask> by submission (jaw injury) after <mask> tapped from the pressure being applied to his jaw while Guida had arm-and-head control. <mask> next faced George Sotiropoulos on July 2, 2011, at UFC 132 after replacing an injured Evan Dunham. Dos <mask> showcased his vastly improved striking skills, knocking out Sotiropoulos cold in the first round with a right hand. <mask> faced Gleison Tibau on November 19, 2011, at UFC 139. He was defeated by split decision. <mask> faced Kamal Shalorus on May 15, 2012, at UFC on Fuel TV: Korean Zombie vs. Poirier. After dropping Shalorus with a head kick, <mask> submitted him via rear-naked choke in the first round.After taking virtually no damage in the fight against Shalorus, <mask> quickly returned to face Anthony Njokuani on July 11, 2012, at UFC on Fuel TV: Munoz vs. Weidman, replacing an injured Paul Taylor. He won the fight via unanimous decision (30–27, 30–27, and 29–28), dominating Njokuani both in striking and grappling. <mask> faced Mark Bocek on November 17, 2012, at UFC 154. He won the fight via unanimous decision, once again having the edge in both standup and ground fighting. <mask> next faced Evan Dunham on May 18, 2013, at UFC on FX 8. He won the fight via unanimous decision. However, there

masks:
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos


title: Rafael dos Anjos

texts:
 was some controversy, as 10 out of 10 media outlets scored the bout in favor of Dunham.<mask> faced Donald Cerrone on August 28, 2013, at UFC Fight Night 27. <mask> won via unanimous decision. <mask> was expected to face Rustam Khabilov on February 22, 2014, at UFC 170. However, the bout was scrapped in the weeks leading up to the event. <mask> instead faced Khabib Nurmagomedov on April 19, 2014, at UFC on Fox 11. He lost the fight via unanimous decision. <mask> faced Jason High on June 7, 2014, at UFC Fight Night 42. He won the fight via TKO due to punches in the second round.<mask> headlined UFC Fight Night 49 against Benson Henderson on August 23, 2014. He won the fight via knockout in the first round after dropping Henderson with a flying knee and rendering him unconscious with a follow-up left hook. The win also earned him his first Performance of the Night bonus award and made him the only man to stop Henderson by strikes. <mask> faced Nate Diaz on December 13, 2014, at UFC on Fox 13. He won the fight by unanimous decision (30–26, 30–26, and 30–27). He dominated the first two rounds with superior striking and vicious leg kicks with the third round being controlled by <mask> on the mat. UFC Lightweight Championship
<mask> faced Anthony Pettis for the UFC Lightweight Championship on March 14, 2015, at UFC 185. <mask> won the bout via unanimous decision in a dominant fashion, earning him the UFC Lightweight Championship.After the fight, <mask> revealed that he had torn his MCL only a few weeks before the bout. The win once again earned him a Performance of the Night bonus award. For his first title defense,

masks:
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos


title: Rafael dos Anjos

texts:
 <mask> faced Donald Cerrone in the main event at UFC on Fox 17 on December 19, 2015. He won the fight via TKO at just 66 seconds into the first round, resulting in the fastest finish in UFC Lightweight title history. The win also earned <mask> his third Performance of the Night bonus award. <mask> was expected to face Conor McGregor on March 5, 2016, at UFC 196 for his second title defense of the lightweight belt. However, it was announced on February 23 that <mask> had been forced out of the fight after breaking his foot during training.In his second title defense, <mask> faced Eddie Alvarez on July 7, 2016, at UFC Fight Night 90. Despite closing as a three-to-one favorite to win the fight, he lost the bout via TKO in the first round. Reports arose after the Alvarez fight that <mask> had passed out for three minutes moments before going out to fight, and that this was due to the effects of the gruelling weight cut. Post championship
<mask> next faced Tony Ferguson on November 5, 2016, at The Ultimate Fighter Latin America 3 Finale. He lost the fight via unanimous decision. Both participants were awarded Fight of the Night for their performance. Move to Welterweight
<mask> faced Tarec Saffiedine, former Strikeforce title holder, in a welterweight bout on June 17, 2017, at UFC Fight Night: Holm vs. Correia.He won the fight via unanimous decision (30–27, 30–27, and 29–28). <mask> faced Neil Magny on September 9, 2017, at UFC 215. He won the fight via arm-triangle choke submission in the first round. This win also earned <mask> his fourth Performance of the Night bonus award. In a title eliminator, <mask> faced Robbie


title: Rafael dos Anjos

texts:
 Lawler on December 16, 2017, in the main event at UFC on Fox: Lawler vs. <mask>. <mask>' fight plan relied heavily on low leg kicks and constant combos consisting of body shots and leg kicks. He won the fight by unanimous decision.<mask> fought Colby Covington on June 9, 2018, at UFC 225 for the Interim UFC Welterweight Championship. He lost the fight by unanimous decision. <mask> faced Kamaru Usman on November 30, 2018, at The Ultimate Fighter 28 Finale. He lost the fight via unanimous decision. <mask> faced Kevin Lee in Lee's welterweight debut at UFC Fight Night 152 on May 18, 2019. He won the fight via an arm triangle submission in the fourth round. <mask> faced Leon Edwards on July 20, 2019, at UFC on ESPN 4.He lost the fight via unanimous decision. <mask> faced Michael Chiesa on January 25, 2020, at UFC Fight Night 166. He lost the fight via unanimous decision. Return to Lightweight
<mask> was expected to face Islam Makhachev on October 24, 2020 in <mask>' return to the lightweight division at UFC 254. However, on October 8, 2020, it was reported that <mask> tested positive for COVID-19 and he was removed from the bout. The pairing was left intact and rescheduled for November 14, 2020 at UFC Fight Night: Felder vs. <mask>. However, on November 8, it was reported that Makhachev was forced to pull from the event due to injuries.On a quick turnaround, it was announced Paul Felder stepped up to replace Makhachev on five days notice. Simultaneously, <mask> signed a new six-fight contract with the UFC and committed to compete in the lightweight division. <mask> went on to defeat Felder via split decision. This fight

masks:
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos
dos Anjos


title: Rafael dos Anjos

texts:
 earned him the Fight of the Night awards. The bout with Makhachev was rescheduled and was expected to take place on October 30, 2021, at UFC 267. However, yet again, <mask> was forced to pulled from the event, citing injury, and was replaced by Dan Hooker. <mask> was scheduled to face <mask> on February 19, 2022, at UFC Fight Night 201.However, the bout was postponed to UFC 272 due to visa issues with Fiziev. One week before the event, Fiziev was forced to withdraw due to testing positive for COVID-19. It is currently unknown if a replacement will be sought. Fighting style
Dos <mask> is known for his aggressive, high-volume striking, physical strength, and strong takedown capabilities. He will often come out aggressively in a Muay Thai stance, then use feints and kicks to back his opponent against the cage while swarming them with flurries of punches as well as takedowns. He is particularly noted for his left kick to the body and right hook to the head; he uses these strikes to limit his opponent's lateral movement as they attempt to get their backs away from the fence. Under trainer Jason Parillo, <mask> developed a refined boxing game in 2017.On the ground, he is noted for his powerful ground-and-pound, which includes punches and sharp elbow strikes. In addition to his striking, <mask> is a high-level black belt in Brazilian jiu-jitsu. Dos <mask> trains out of Evolve MMA in Singapore and at Team RDA in California; he formerly trained at Kings MMA but left after losing to Eddie Alvarez. He is a Brazilian jiu-jitsu black belt under Aldo "Caveirinha" Januário. Personal life
After receiving a broken jaw in the Guida

masks:
dos Anjos
dos Anjos
Rafael Fiziev
Anjos
dos Anjos
dos Anjos
Anjos


title: Rafael dos Anjos

texts: fight, <mask> now has a titanium-fused jaw that he claims has broken some hands of later opponents. Dr. Johnny Benjamin has disagreed with <mask>, pointing out that the titanium plate in his jaw is measured in millimeters. Dos <mask> is a Christian.<mask> has three children with his wife, Cris. On December 20, 2019, <mask> revealed on social media that he and his family have become naturalized U.S.

masks:
dos Anjos
dos Anjos
Anjos
dos Anjos
dos Anjos


title: Stephen Sprouse

texts:
<mask> (September 12, 1953 – March 4, 2004) was an American fashion designer and artist credited with pioneering the 1980s mix of "uptown sophistication in clothing with a downtown punk and pop sensibility". Career
<mask>'s initial Day-Glo bright, sixties-inspired, graffiti-printed fashion collections for men and women caught the attention of fashion editors, store buyers, and fashionistas, garnering much media coverage. His initial collections (1983–1985) were huge critical hits, sold at only the "best" stores (his 1983 collections were sold exclusively at Bergdorf Goodman and Henri Bendel in New York City on a small scale). To much surprise in the fashion and retail communities, <mask> declared bankruptcy in June 1985 (even though his base of influential fashion editors and high-end stores were firmly in place). <mask> cited production, late deliveries, and financial problems in an interview with Women's Wear Daily shortly after he closed his initial business. <mask> informally showed a Fall 1985 collection to buyers and the press at his new showroom in Union Square on Broadway - the last location of Andy Warhol's infamous "Factory" lofts. A runway presentation at Club USA in NYC was initially planned (and largely promoted) for its grand opening.Subsequently, the show was cancelled; a Stephen Sprouse Incorporated representative stated at the time that the show was cancelled due to the company relocating to their new Union Square location. The apparel shown were "finished samples." <mask> referred to his Fall 1985 collection as being "more hippie weird" and early seventies-inspired, with bell-bottom trousers, psychedelic prints, and maxi skirts, but the company lacked the funds and staff to produce the apparel. <mask> was initially noted

masks:
Stephen Sprouse
Stephen Sprouse
Sprouse
Sprouse
Sprouse
Sprouse
Sprouse


title: Stephen Sprouse

texts: by fashion magazines and retailers for using high-quality, expensive, custom-dyed fabrics (his woolens were largely sourced by the high-end Italian textile house Agnona). <mask> personally did the graffiti that adorned many of his very early, expensive garments (1983, early 1984), which added to their desirability. In September 1987, with financial backing from high-end furniture manufacturer Knoll International (then known as GFI/General Felt Industries), <mask> opened a three-level store on Wooster Street in New York City; a second (smaller) store was opened in Los Angeles in the spring of 1988 at the Beverly Center shopping complex. He partly abandoned his signature sixties silhouettes, instead drawing inspiration from the mid-seventies London-based punk rock scene.For his Fall 1987 and Spring 1988 collections, he was given permission to use one of Andy Warhol's "Camouflage" screen-prints to utilize as textile designs (<mask> created a secondary print, based on Warhol's original). For his Fall 1988 "Signature" collection, he collaborated with artist Keith Haring to create several abstract prints of Jesus with graffiti, and Haring's "squibbles." His company, CSI ({Andrew} Cogan Sprouse Incorporated) also wholesaled the various collections ("<mask> Sprouse," "Sprouse," and "S") to retailers (commencing with his Spring 1988 collection), but he lost his financial backing due to poor sales and production/quality issues, closing again in December 1988, shortly after the company shipped their "Holiday" line. In 1992, Sprouse designed an exclusive men's and women's "capsule collection" (i.e. : 32 pieces in whole) for Bergdorf Goodman, dubbed "CyberPunk," which featured Velcro in lieu of traditional buttons. <mask> (again) largely sourced

masks: Sprouse Sprouse Sprouse Stephen Sprouse


title: Stephen Sprouse

texts: custom made textiles from Agnona for his fall 1992 collection. The production of the collection was done entirely on a couture level, leading to extremely high-priced garments (e.g.: $500 for a pair of men's nylon underwear - that being one of the lowest priced items available). Bergdorf Goodman sold the line for two seasons (Fall 1992 & Spring 1993), with very limited success, despite wide media coverage, and featuring <mask>'s garments in their window displays. <mask> showed a collection ("CyberGlitter") at Club USA in NYC for Fall 1993, but it never went into full production, despite orders being placed from retail buyers. In 1995, Barneys New York handled the production of an exclusive women's spring/summer line. Vogue magazine featured the moderately priced garments in its pages, but it sold poorly. That same year, <mask> also served as the costume curator for the new Rock and Roll Hall of Fame in Cleveland, and designed the staff's uniforms. In 1996, <mask> designed the logo and cover for New York Glam outfit Psychotica's self-titled album, released under American records.In 1998, with full production and backing from Italian manufacturer Staff International, he was briefly back in business, but the clothes sold poorly and were largely ignored by the fashion press and retailers that adored him in the 1980s. Despite such ups and downs, <mask>'s apparel is still coveted - his clothing continues to fetch high prices in vintage stores and online (e.g. : eBay) for his most iconic pieces. The graffiti logo bags he designed in collaboration with Marc Jacobs for Louis Vuitton in 2001 made the fashion world take notice once again. In 2002, he created a vast collection of men's and women's apparel, home accessories, sports gear, etc. for the

masks: Sprouse Sprouse Sprouse Sprouse Sprouse


title: Stephen Sprouse

texts: Target discount chain (dubbed "AmericaLand") - mostly rendered in a graffiti patriotic motif. In 2003, <mask> collaborated with fashion brand Diesel on a take over of its Union Square Store for September's New York Fashion Week.As part of the collaboration, <mask> designed a series of limited edition jeans, T-shirts and hats, and made a complete makeover of the Diesel store, which meant adding his renowned Day-Glo design to windows, interiors, and outer building exteriors. At the launch of the event Diesel’s founder and President, Renzo Rosso, explained the project as "first and foremost a tribute that we wish to pay to one of the most groundbreaking and far-reaching artists of our time, someone who went beyond categorizations, means of expressions, and gender- a common approach at Diesel." For both Fall 2006 and 2008, Marc Jacobs utilized <mask>'s 1987 graffiti leopard images for handbags, shoes, and scarves for Louis Vuitton, which sold-out instantly. <mask> designed clothes for Blondie's Debbie Harry (his one-time downstairs neighbor in the Bowery section of NYC) in the late 70s/early 80s, prior to becoming a commercial designer. <mask> worked extensively with the band Duran Duran in the late 1980s, designing the clothes for their 1989 tour for the album Big Thing, as well as the cover for their greatest hits album Decade of the same year. Additionally, he styled and dressed Billy Idol in the early 1990s for Idol's "comeback" (which garnered little interest). <mask> launched himself as a commercial fashion designer when he competed in a fashion show contest of young designers in the spring of 1983 (at the suggestion of photographer and friend Steven Meisel), sponsored by the Polaroid Corporation (he previously worked as a design

masks: Sprouse Sprouse Sprouse Sprouse Sprouse Sprouse


title: Stephen Sprouse

texts:
 assistant to Halston in the 1970s for three years).Based upon the favorable editorial reaction he received, he soon after formed his first company, Stephen Sprouse, Inc., and set up a showroom and production space at 57th Street and Fifth Avenue, launching his initial commercial collections for retail (prior to this, production of his early 1983 apparel, done on a small scale, was produced by Dianne Phelp's company "Triad"). <mask> soon formed an in-house production staff for the small runway collection he showed in his silver-painted showroom (in homage to the Andy Warhol Factory loft of the sixties) in December 1983. The show garnered much attention and favorable reviews (notably from The New York Times Fashion Editor, John Duka). <mask>'s subsequent runway show, held at the NYC club The Ritz in May 2004 was the "must see" show of the season. Financial backing was provided by his parents, Norbert and <mask>, for <mask>'s initial business. <mask> died at St. Luke's-Roosevelt Hospital Center in New York City of heart failure, after a closely guarded diagnosis of lung cancer a year before. He was 50.A book on the career of <mask>, The Stephen Sprouse Book, by Roger Padilha and Mauricio Padilha (with a foreword by Tama Janowitz), was released by Rizzoli on January 13, 2009. See also

 Andy Warhol
 Keith Haring
 Duran Duran

References

External links
The Stephen Sprouse Book
Marc Jacobs tribute to <mask>
New York Times, March 5, 2004 "<mask>, Design Pioneer, Dies at 50", by William Norwich
Obituary in Traverse City Record Eagle, his Michigan home town newspaper
Deborah Harry of Blondie wearing a <mask> creation

1953 births
2004 deaths
American fashion designers
LGBT artists from the United States
Artists from Dayton, Ohio
20th-century

masks:
Sprouse
Sprouse
Joanne Sprouse
Sprouse
Sprouse
Sprouse
Stephen Sprouse
Stephen Sprouse
Stephen Sprouse


title: Willie Cole

texts:
<mask>  <mask> (born 1955 in Somerville, New Jersey) is a contemporary American sculptor, printer, and conceptual and visual artist. His work uses contexts of postmodern eclecticism, and combines references and appropriation from African and African-American imagery. He also has used Dada’s readymades and Surrealism’s transformed objects, as well as icons of American pop culture or African and Asian masks. Works
<mask> is best known for assembling and transforming ordinary domestic and used objects such as irons, ironing boards, high-heeled shoes, hair dryers, bicycle parts, wooden matches, lawn jockeys, and other discarded appliances and hardware, into imaginative and powerful works of art and installations. In 1989, <mask> garnered attention in the art world with works using the steam iron as a motif. <mask> imprinted iron scorch marks on a variety of media, showing not only their wide-ranging decorative potential but also to reference his <mask>’s African-American heritage. He used the marks to suggest the transport and branding of slaves, the domestic role of black women, and ties to Ghanaian cloth design and Yoruba gods.Through the repetitive use of single objects in multiples, <mask>’s assembled sculptures acquire a transcending and renewed metaphorical meaning, or become a critique of our consumer culture. <mask>’s work is generally discussed in the context of postmodern eclecticism, combining references and appropriation ranging from African and African-American imagery, to Dada’s readymades and Surrealism’s transformed objects, and icons of American pop culture or African and Asian

masks: Willie Cole Cole Cole Cole Cole Cole Cole


title: Willie Cole

texts:
 masks, into highly original and witty assemblages. Some of <mask>’s interactive installations also draw on simple game board structures that include the element of chance while physically engaging the viewer. His "Anne Klein With a Baby in Transit," from 2009, uses discarded high-heeled shoes to depict a mother and child. The well-worn black shoes combine to recall traditional African sculptures. It was a gift from the Brenden Mann Foundation to the Minneapolis Institute of Arts. Shows

Solo Shows

 2012, Highpoint Editions, Minneapolis, Five Beauties Rising: New Prints by <mask>

Group Shows
 2017, Highpoint Editions, Minneapolis, Operation Chromebody
 2017, Alexander and Bonin, New York, Walker Street Summer
 2015, MCA Chicago, Chicago, Surrealism: The Conjured Life
 2012, Tamarind Institute, Albuquerque, Afro: Black Identity in America and Brazil

Life
<mask> grew up in Newark, New Jersey.He attended the Boston University School of Fine Arts, received his Bachelor of Fine Arts degree from the School of Visual Arts in New York in 1976, and continued his studies at the Art Students League of New York from 1976 to 1979. In 1978, he found work as a graphic designer for the Queens County Borough Hall as part of the Comprehensive Employment and Training Act’s employment of artists. <mask> is the recipient of many awards, including the 2006 David C. Driskell Prize, the first national award to honor and celebrate contributions to the field of African-American art and art history, established by the High Museum of Art in Atlanta, Georgia. <mask> is represented by Alexander and Bonin Gallery in

masks:
Cole
Willie Cole
Willie Cole
Willie Cole
Cole


title: Willie Cole

texts:
 New York; and by Guido Maus, beta pictoris gallery / Maus Contemporary in Birmingham, AL. Museum collections
<mask>’s work is found in numerous private and public collections and museums around the world, including:
Albright-Knox Art Gallery, Buffalo, N.Y.
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
American Academy of Arts and Letters, New York City
Art Gallery of Ontario, Toronto, Canada
Asheville Art Museum, Asheville, North Carolina
Baltimore Museum of Art, Baltimore, Md. Birmingham Museum of Art, Birmingham, Ala.
Bronx Museum of the Arts, New York City
Cleveland Museum of Art, Cleveland, Ohio
The College of New Jersey, Ewing Township, N.J.
Columbia Museum of Art, Columbia, S.C.
Columbus Museum of Art, Columbus, Ohio
Dallas Museum of Art, Dallas, Texas
 Davis Museum and Cultural Center, Wellesley College, Wellesley, Mass. Detroit Institute of Arts, Detroit, Mich.
 FRAC-Lorraine, Metz, France
Herbert F. Johnson Museum of Art, Ithaca, N.Y.
High Museum of Art, Atlanta, Ga.
Hunter Museum of American Art, Chattanooga, TN
Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Palo Alto, Calif.
Metropolitan Museum of Art, New York
Memorial Art Gallery, University of Rochester, New York
Minneapolis Institute of Arts, Minneapolis, Minn.
Montclair Art Museum, Montclair, N.J.
Muscarelle Museum of Art, Williamsburg, VA
Museum of Contemporary Art, Chicago
Museum of Modern Art, New York City
National Gallery of Art, Washington, D.C.
New Britain Museum of American Art, New Britain, Conn.
New Jersey State Museum, Trenton
New York Public Library, New York City
Newark Museum,


title: Willie Cole

texts:
 Newark, N.J.
Norton Museum of Art, West Palm Beach, Fla.
Orlando Museum of Art, Orlando, Fla.
  Palmer Museum of Art, Penn State University, University Park, PA
Pennsylvania Academy of Fine Arts, Philadelphia
Philadelphia Museum of Art, Philadelphia
Saint Louis Art Museum, St. Louis, Mo.San Antonio Museum of Art, San Antonio, Tx
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln
Southeastern Center for Contemporary Art, Winston-Salem, N.C. Speed Art Museum, Louisville, Ky.
Spencer Museum of Art, Lawrence, KS. The Studio Museum in Harlem, New York, NY. Tamarind Institute, University of New Mexico, Albuquerque
Tampa Museum of Art, Tampa, Fla.
Tweed Museum of Art, University of Minnesota, Duluth
University Art Museum, University of California, Santa Barbara
Virginia Museum of Fine Arts, Richmond
Walker Art Center, Minneapolis, Minn.
Whitney Museum of American Art, New York City
Worcester Art Museum, Worcester, Mass. Yale University Art Gallery, New Haven, Conn.

References

External links
<mask>’s website
<mask>’s art in Artcyclopedia
<mask>'s Art Gallery
TV Interview with <mask>, and other video clips
<mask> at MoMA
Willie Cole at Minneapolis Institute of Arts, Minneapolis, MN

1955 births
Living people
African-American contemporary artists
20th-century American sculptors
21st-century American sculptors
21st-century male artists
American male sculptors
American conceptual artists
Postmodern artists
Artists from Newark, New Jersey
Franklin Furnace artists
Sculptors from New Jersey
African-American sculptors
20th-century African-American artists
21st-century African-American

masks:
Willie Cole
Willie Cole
Willie Cole
Willie Cole
Willie Cole


title: Peter Sutherland

texts:
<mask> (25 April 1946 – 7 January 2018) was an Irish businessman, barrister and Fine Gael politician who served as UN Special Representative for International Migration from 2006 to 2017. He was known for serving in a variety of international organisations, political and business roles. <mask> was the UN Special Representative of the Secretary-General for International Migration until March 2017. Appointed in January 2006, he was responsible for the creation of the Global Forum on Migration and Development (GFMD). He also served as President of the International Catholic Migration Commission, as well as a member of the Migration Advisory Board of the International Organization for Migration. He was a board member of Wallenberg-owned ABB and the Wallenbergs' conglomerate holding company, Investor AB. A barrister by profession, <mask> was a Senior Counsel of the Bar Council of Ireland.He previously served as Attorney General of Ireland (1981–1982, 1982–1984); European Commissioner for Competition (1985–1989); founding Director-General of the World Trade Organization, formerly GATT (1993–1995); and chairman of Goldman Sachs International (1995–2015). He received numerous awards including the European Person of the Year Award (1988). Early and personal life

Of Irish nationality, <mask> was born in Dublin in 1946 and was educated at Gonzaga College in Ranelagh, Dublin. He graduated in Civil Law at University College Dublin and practised at the Irish Bar between 1969 and 1980. He married Maruja, a Spaniard, in 1974. Political career

Attorney General of Ireland

<mask> was appointed Attorney General of Ireland in June 1981, serving until March 1982. He took the post again from December 1982 to December 1984.European Commissioner
<mask> was appointed to the European Commission (EC) in 1985 and had responsibility for competition policy and, initially for 1985 only, also for education. He said that he was especially pleased to have proposed the establishment of the Erasmus Programme that allows European

masks:
Peter Denis Sutherland
Sutherland
Sutherland
Sutherland
Sutherland
Sutherland


title: Peter Sutherland

texts:
 university students to study in other member states. He was chairman of the Committee that produced the Sutherland Report on the completion of the Internal Market of the European Economic Community (EEC), commissioned by the EC and presented to the European Council at its Edinburgh meeting in 1992. He was the youngest ever European Commissioner and served in the first Delors Commission, where he played a crucial role in opening up competition across Europe, particularly the airline, telecoms, and energy sectors. He also played a major role in the reinforcement of state aid control, notably through the high-profile Boussac case. GATT/WTO
In 1993, he became Director-General of the General Agreement on Tariffs and Trade (now the World Trade Organization). Later Mickey Kantor, the United States Trade Representative, credited him with being the father of globalisation and said that without him there would have been no WTO.The Uruguay round of global trade talks, concluded in December 1993 with <mask> as chair of GATT, produced a "comprehensive, rules-based and global trade regime" which was the biggest trade agreement in history and established the WTO. His integral role in the successful conclusion of these negotiations has been cited as "indispensable". Chairing the Uruguay Round, <mask> "employed tactics the likes of which had never been seen before in GATT…he worked to create the sense of unstoppable momentum" by mobilising the press and media and instigating "a more aggressive public relations than the staid GATT had ever before seen". A 2013 book by Craig VanGrasstek of the Harvard Kennedy School, published by the WTO, The History and Future of the World Trade Organization, details <mask>'s role in the formation and establishment of the body. On the elevation of the role of director-general, VanGrasstek writes "The office is shaped to a great degree by the person who occupies it, and Director-General <mask> – who served both as the last GATT director-general and the first WTO director-general – redefined

masks:
Sutherland
Sutherland
Sutherland
Peter Sutherland


title: Peter Sutherland

texts:
 the role and the links between that office and the leadership in the members in a way that gave him and his successors additional options for the conduct of negotiations". <mask> was instrumental in elevating the office of director-general to one that dealt directly with presidents and prime ministers, not just ministers, a key factor in the success of negotiations and the political esteem of the body going forward. He served as Chairman of the Advisory Council to the Director-General that produced the report on the future of the WTO, published in 2005.

Business career

<mask> was the chairman of Allied Irish Banks (AIB) from 1989 until 1993.He was non-executive chairman of Goldman Sachs International (a registered UK broker-dealer, a subsidiary of Goldman Sachs) until June 2015. Until June 2009 he was non-executive chairman of BP, being replaced by Carl-Henric Svanberg, formerly chief executive officer of Ericsson. <mask> was a director of the Royal Bank of Scotland Group until it was taken over by the UK government to avoid bankruptcy. He also formerly served on the board of ABB. He was also a non-executive director of construction materials giant CRH plc from 1989 to July 1993. CRH plc was fined in 1994 by the European Competition Directorate General for its role in the pan-European cement cartel

He served on the steering committee of the Bilderberg Group until May 2014, and was Honorary Chairman of the Trilateral Commission (from 2010), formerly Chairman of the Trilateral Commission (Europe) (2001–2010); and vice chairman of the European Round Table of Industrialists (2006–2009). He was chairman of the Board of Governors of the European Institute of Public Administration (Maastricht) from 1991 to 1996.He was also Honorary President of the European Movement Ireland. He was a member of the Hong Kong Chief Executive's Council of International Advisers between 1998 and 2005. He produced the Sutherland Report for the Portuguese government on the handover of Macao to China in January 2000. He was

masks: Sutherland Sutherland Sutherland


title: Peter Sutherland

texts:
 President of the Federal Trust for Education and Research, a British think tank; chairman of The Ireland Fund of Great Britain from 2001 to 2009, part of The Ireland Funds; and a member of the advisory council of Business for New Europe, a British pro-European think-tank. He was a member of the Commission on Human Security set up by the Japanese government that reported to the United Nations in 2003. In 2005, he was appointed as Goodwill Ambassador for the United Nations Industrial Development Organization. In Spring 2006 he was appointed Chair of the London School of Economics (LSE) Council commencing in 2008, a position he held until February 2015.<mask> also served on the International Advisory Board of IESE Business School, the graduate business school of Spain's University of Navarra. In January 2006, he was appointed by UN secretary-general Kofi Annan as his Special Representative for Migration. In this position, he was responsible for promoting the establishment of a Global Forum on Migration and Development, a state-led effort open to all UN members that is meant to help governments better understand how migration can benefit their development goals. The Global Forum was acclaimed by UN member states at the UN High-Level Dialogue on International Migration and Development, in September 2006,

On 5 December 2006, he was appointed as Consultor of the Extraordinary Section of the Administration of the Patrimony of the Apostolic See (a financial adviser to the Vatican). <mask> was also co-chairman of the High Level Group appointed by the governments of Germany, the United Kingdom, Indonesia and Turkey to report on the conclusion of the Doha Round and the future of multilateral trade negotiations. Its report was issued in May 2011. In May 2012, <mask> was named Honorary President of the European Policy Centre, a Brussels-based independent think tank.Later years

In an interview with The Irish Times in early 2010, <mask> revealed that in summer 2009, during a holiday, one of his children noticed a

masks: Sutherland Sutherland Sutherland Sutherland


title: Peter Sutherland

texts:
 swelling on his throat while they sat on a beach. Within a week he was back home in London undergoing a major operation. <mask> had an operation for throat cancer in August 2009 and following the operation he underwent chemotherapy and radiotherapy. For <mask>, a Europhile, the worst part about his illness was missing the "mortal combat" of fighting for the Yes vote in the second Lisbon referendum. <mask> visited Fianna Fáil politician Brian Lenihan to tell him what a great job he thought he was doing and to say that Lenihan had the potential to be one of the great taoisigh of the 21st century. Lenihan was taken aback, he said. <mask> believed Ireland failed in economic terms over most of the past four decades with the exception of a "sparkling period" from 1994 to 2002 when the state took advantage of European Union (EU) changes freeing up the movement of goods, capital and services across Europe.In November 2010, he renewed his involvement in trade issues when he was appointed co-chair of an Experts Group, created by the heads of government of Germany, Great Britain, Indonesia and Turkey, to report on the priority actions to be taken to combat protectionism and to boost global trade. The Trade Experts Group's interim report was launched at Davos on 28 January 2011. He was twice offered the job of United Nations High Commissioner for Refugees by Kofi Annan, a fact, he said, that he had never disclosed publicly before, but he declined both times due to other commitments. He cited his work at GATT and the introduction of the Erasmus student exchange programme when he briefly held the education portfolio at the Commission in 1986 as his two most rewarding achievements. Death
In September 2016, <mask> suffered a heart attack while on his way to mass at a Catholic church in London. Six months later, he resigned from his post as UN Special Representative of the Secretary-General for International Migration because of poor health. After a long illness, <mask> died in Dublin on 7 January 2018, of complications

masks: Sutherland Sutherland Sutherland Sutherland Sutherland Sutherland


title: Peter Sutherland

texts:
 from an infection, aged 71.Immigration policy
<mask> strongly advocated unrestricted immigration into the EU. <mask> gave his opinion to the UK's House of Lords Home Affairs Committee on 21 June 2012 as being (a) that "at the most basic level individuals should have freedom of choice" about working and studying in other countries and that EU states should stop targeting "highly skilled" migrants (and, conversely, placing restrictions on low-skilled migrants). <mask> also argued (b) that migration is a "crucial dynamic for economic growth" and that this is the case "however difficult it may be to explain this to the citizens of those states". <mask>'s stated opinions on policy were (a) that "it was fundamentally important for states to cooperate on migration policy rather than developing their own policies in isolation as 'no state is or can be an island (b) that multiculturalism is both inevitable and desirable: "It's impossible to consider that the degree of homogeneity which is implied by the other argument can survive because states have to become more open states, in terms of the people who inhabit them" and also (c) that "the European Union, in my view, should be doing its best to undermine" any "sense of our homogeneity and difference from others". An ageing or declining native population in countries like Germany or southern EU states was the "key argument and, I hesitate to the use word because people have attacked it, for the development of multicultural states", he added. <mask> restated his view in the syndicated article co-authored with Cecilia Malmström titled "Europe's Immigration Challenge", the opening paragraph of which declares:

In June 2014, <mask> was appointed President of the International Catholic Migration Commission (ICMC). Honours, awards and honorary doctorates
<mask> received a total of fifteen honorary doctorates from universities in Europe and America.players
Directors-General of the World Trade Organization
Irish chairpersons of corporations
European Commissioners

masks: Sutherland Sutherland Sutherland Sutherland Sutherland Sutherland Sutherland


title: Pan Nalin

texts:
<mask> or <mask> is a filmmaker of Indian origin. <mask> is best known for directing award-winning movies like Samsara, Valley of Flowers, and Angry Indian Goddesses. His debut feature SAMSARA (Miramax) was worldwide critical and commercial triumph and went on to win awards like Best First Feature Film at Durban International Film Festival, "Grand Jury Prize – Special Mention" at AFI Fest, Special Jury Award at Santa Barbara International Film Festival and "Most Popular Feature Film" at Melbourne International Film Festival in 2002. Since then <mask> has been actively making fiction and non-fiction movies which have been coproduced with countries like India, France, Germany, Italy, Japan, and the USA. Nalin’s movies have been distributed worldwide. Early life
<mask>, a self-taught filmmaker, was born in a remote village of Adtala in Amreli district, Gujarat, India. Nalin, until the age of 12, helped his father sell tea on a railway platform Khijadiya Junction Railway Station.His parents gave him spiritual upbringing. As a child, Nalin disliked schools; instead he used to paint and draw. He also actively staged mythological dramas and folk plays. <mask> left his family in young age in pursuit of cinema. He studied Fine Arts at the M.S. University, Baroda for one year. It is also in Vadodara that Nalin discovered Hollywood movies and World Cinema.A year later <mask> went to study Design at the NID (National Institute of Design, Ahmedabad). While at NID, he wrote about movies and managed the Film Club by programming films from around the world. Nalin made some fifty wedding videos to finance his education and filmmaking. From Ahmedabad’s famous Sunday Flea Market Nalin found the old film cameras. He made four animations and twenty short silent films using these cameras. However having no means to finance the editing, sound and lab work, those films remained incomplete, some disappeared all together. After graduating from NID, <mask> traveled widely all over India for the next two years.Career

1990 to 2000

<mask> finally moved to Mumbai, and got a break as a production runner at Durga Khote Productions. In no time the producers

masks:
Nalin Kumar Pandya
Pan Nalin
Nalin
Nalin
Nalin
Nalin
Nalin
Nalin
Nalin


title: Pan Nalin

texts:
 recognized Nalin's talent and offered him a chance to direct commercials and corporate films. In 1988, <mask> conceived a unique comedy TV series of Doordarshan in collaboration with famous cartoonist R. K. Laxman; the series was later sold and became a major hit under the title of Wagle Ki Duniya. Nalin traveled and lived in USA and UK for about a year and then six months in Europe. Soon he returned to the India started writing screenplays and making documentaries. Nalin made several of them with Discovery, Canal Plus, BBC and other leading international TV networks. Nalin also made short documentaries for Canal Plus on Indian superstars Shah Rukh Khan and Sridevi.The subjects of his documentaries ranged from modern India to deep interiors of Nagaland to High Tibetan plateau of the Himalayas. <mask>’s independent moviemaking spirit attracted French documentary filmmaker Yolande Zauberman’s attention; so while she was making her feature documentary Born Criminal in India, <mask> shifted his career gears by becoming co-producer on the movie because he was highly impressed by Zauberman’s style of moviemaking. "Born Criminal" became Official Selection of Cannes Film Festival where Nalin got invited. <mask> started 'Monsoon Films', his own production company in Delhi, which was later, moved to Mumbai. 2000s: Breakthrough

Nalin got a breakthrough with Cinematheque in Paris, where his documentary "Sacred Courtesan Devadasi" and his short fiction "Khajuraho" was being showcased, in the audience was Europe’s prolific producer Karl Baumgartner. After 170 rejection letters and emails for Samsara, Nalin met Baumgartner who came on board as main producer and mounted Samsara in co-production with Germany, France, Italy and India. In the year 2000, Samsara was done in 4 months long pre-production, followed by three months long filming.There were 14 nationalities in Samsara’s cast and crew. Samsara got invited to Toronto International Film Festival to make the world premiere, Miramax and fifty other distributors acquired the movie for the distribution. The film won Jury and audience award at Santa Barbara International Film Festival. <mask>

masks:
Nalin
Nalin
Nalin
Nalin
Pan Nalin


title: Pan Nalin

texts:
 came into global limelight; SAMSARA became a massive commercial and critical success worldwide and won him many international awards. 2001-2020: Established Auteur

Following theatrical success of "Samsara", Nalin traveled 15000 km by road to meet with traditional masters of Indian medicine. The result was a documentary "AYURVEDA: ART OF BEING". It was theatrically released worldwide with major success."AYURVEDA: ART OF BEING" celebrated a yearlong theatrical run in Spain and record-breaking two-year long run in France. The film met with similar success in USA, Canada, Germany and Holland. In 2006, <mask>’s Hindi and Japanese language second feature, Valley of Flowers was pre-sold to nearly 35 countries and considered a major underground hit. The Valley of Flowers was filmed in remote, high altitude Himalayas and in Japan. The film won the best picture at Indian Film Festival of Los Angeles, and four nominations at IAAC New York, including The Best Picture and The Best Director. For his next documentary <mask> traveled to Kumbh Mela in 2013, one of the world's most extraordinary religious events. There, he directed Faith Connections.This film was an official selection at Toronto (2013), won the Audience Choice Award at Indian Film Festival of Los Angeles (2014) and it has been theatrically released worldwide. In 2014, <mask> made India’s first female buddy Film, Angry Indian Goddesses. The film became a hit. The film won Audience Choice Award First-Runner-up at the 2015 Toronto International Film Festival. The film also won Audience Award at the Rome Film Festival and nominated for All Lights India International Film Festival in 2016. It was followed up by another  In 2017 it launched on streaming platform Netflix. 2021-

In 2021, Nalin wrote, directed, and produced Chhello Show (Last Film Show), a Gujarati film.The film premiered at the Tribeca Film Festival in June 2021. Where it went on to win Audience Award First Runner-Up. The film also won the Best Picture, Golden Spike Award, at the Seminci 66th Valladolid International Film Festival 2021 in Spain, won Audience Favorite Award at the Mill Valley Film Festival 2021, and was

masks:
Nalin
Nalin
Pan Nalin


title: Pan Nalin

texts:
 nominated for Best Picture at Tiantan Award 2021 in China. The last Film Show will be released worldwide in theaters in 2022. Artistic style and themes
The spiritual longing of Tarkovsky movies, high voltage actions of Kurosawa, and versatile styling of Kubrick and Sergio Leone were some of the early influences on <mask>’s work. He believed that each story or screenplay is born with its own natural cinematic style, and Stanley Kubrick and Sergio Leone proved it with each and every movie they made. Nalin finds the story, looks for its natural and organic cinematic style.For example, Samsara and Angry Indian Goddesses are totally opposite in cinematic styling. Samsara was conceived with almost every frame storyboarded and composed by <mask>, actors were restricted to respect that and were not allowed even the slightest of improvisation. <mask> made a small book for the cast and crew, “Notes on Zenematography.” Angry Indian Goddesses is the opposite with its handheld cinematography actors were given the freedom to improve and go in and out of frame as they please. Not only that, Angry Indian Goddesses was a scriptless production. Visual and sound design play a big role in <mask>’s movies, and he often spends months doing sound ‘recce.’ <mask> created a distinct style in Samsara with the use of specially designed color palettes and camera moves. In the film Samsara, There are no greens or chirping birds. Mainly barren landscapes with cold wind and fluttering prayer flags.Tashi only sees one single green leaf when he steps out of the cave after three years of meditation. With Valley of Flowers <mask> made an attempt to create an authentic Asian love story, free of western influences. A timeless and spiritual love epic inspired by Buddhist mythology and Tantric traditions. Valley of Flowers story commences in the early 19th century in high-altitude Himalayas and ends in modern-day Tokyo. A kind of Western but for Nalin, it would be an ‘Eastern.’ Once again, Nalin created a unique visual and sound design for this romantic epic, and it has a different perspective on the topic of “true love conquers all” from the rationale of a different

masks:
Pan Nalin
Nalin
Nalin
Nalin
Nalin
Nalin


title: David Ausubel

texts:
<mask> (October 25, 1918 – July 9, 2008) was an American psychologist. His most significant contribution to the fields of educational psychology, cognitive science, and science education learning was on the development and research on "advance organizers" (see below) since 1960. Biography

Family
He was born on October 25, 1918 and grew up in Brooklyn, New York. He was nephew of the Jewish historian <mask>. Ausubel and his wife Pearl had two children. Education
He studied at the University of Pennsylvania where he graduated with honors in 1939, receiving a bachelor's degree majoring in psychology. <mask> later graduated from medical school in 1943 at Middlesex University where he went on to complete a rotating internship at Gouverneur Hospital, located in the lower east side of Manhattan, New York.Following his military service with the US Public Health Service, Ausubel earned his M.A. and Ph.D. in developmental psychology from Columbia University in 1950. He continued to hold a series of professorships at several schools of education. Psychiatrist
In 1973, Ausubel retired from academic life and devoted himself to his psychiatric practice. During his psychiatric practice, Ausubel published many books as well as articles in psychiatric and psychological journals. In 1976, he received the Thorndike Award from the American Psychological Association for "Distinguished Psychological Contributions to Education". Author
In 1994, at the age of 75, Ausubel retired from professional life to devote himself full-time to writing.He then published four books:
 Ego development and Psychopathology (1996),
  The Acquisition and Retention of Knowledge (2000),
 Theory and Problems of Adolescent Development (2002), and
 Death and the Human Condition (2002),
 In Death and the Human Condition he wrote about the psychology of death and impressed his own personal psychological, theological and

masks:
David Paul Ausubel
Nathan Ausubel
Ausubel