title: Travis Jackson

texts:
 in the 1933 World Series, which the Giants won over the Senators. Terry stayed with <mask> as the Giants' starting shortstop for the 1934 season, in which he drove in 101 runs and was chosen to appear in the 1934 MLB All-Star Game. <mask> played third base in his final two seasons, serving as team captain, although he struggled in the 1936 World Series, which the Giants lost to the New York Yankees. After the season, the Giants requested waivers on <mask> to assign him to the minor leagues. <mask> batted over .300 six times, including a career-high .339 in the 1930 season, and hit 21 home runs in 1929.He was on four NL pennant-winning teams and a World Series champion (1933). <mask> finished his MLB career with 135 home runs, 929 RBI and a .291 batting average. Coaching and managing career
<mask> signed a three-year contract with the Jersey City Giants of the Class-AA International League after the 1936 season. The team, which the Giants had purchased to become their farm team that offseason, was moved from Albany, New York, with <mask> to serve as player-manager. <mask>'s knees prevented him from appearing in many games with Jersey City as a player, but he remained as the team's manager until July 1938, when he was replaced with Hank DeBerry. The Giants brought <mask> back to the majors as a coach for the remaining 18 months on his contract, succeeding Tommy Clarke, who became a scout. <mask> missed the next five seasons as he battled tuberculosis, eventually returning to manage in the Boston / Milwaukee Braves system for the Jackson Senators in the Class-B Southeastern League in 1946.<mask> returned to the Giants to coach in 1947 and 1948, receiving his unconditional release following the 1948 season. Returning to the Braves' minor league system, <mask> managed the Tampa Smokers of

masks: Jackson Jackson Jackson Jackson Jackson Jackson Jackson Jackson Jackson Jackson Jackson Jackson


title: Travis Jackson

type: original

texts:
 the Class-B Florida International League in 1949, but resigned in July during a losing streak. He managed the Owensboro Oilers of the Class-D Kentucky–Illinois–Tennessee League in 1950, and began the 1951 season managing the Bluefield Blue-Greys of the Class-D Appalachian League, but was reassigned to the Hartford Chiefs of the Class-A Eastern League when Hartford manager Tommy Holmes was named the Braves' manager. <mask> managed the Appleton Papermakers of the Class-D Wisconsin State League in 1952 and 1953, the Lawton Braves of the Class-D Sooner State League from 1954 through 1957, the Midland Braves of the Class-D Sophomore League in 1958, the Eau Claire Braves of the Class-C Northern League in 1959 and the Davenport Braves of the Class-D Midwest League in 1960. Personal life
<mask> and his wife, Mary, had two children, Dorothy Fincher and <mask> <mask>, six grandchildren and four great-grandchildren. <mask> died of Alzheimer's disease in 1987. Honors
As defensive standouts have historically been overshadowed by power hitters in Baseball Hall of Fame voting, <mask> was not elected through the annual balloting process despite his record and achievements.But in 1982, he was inducted into the Hall of Fame by the Veterans Committee. He was also inducted in the Arkansas Hall of Fame. See also

List of members of the Baseball Hall of Fame
List of Major League Baseball players who spent their entire career with one franchise

References

External links

<mask> at SABR (Baseball BioProject)

1903 births
1987 deaths
Baseball players from Arkansas
Major League Baseball shortstops
National Baseball Hall of Fame inductees
National League All-Stars
New York Giants (NL) coaches
New York Giants (NL) players
People from Waldo, Arkansas
Baseball player-managers
Ouachita Baptist Tigers baseball

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William Travis
Jackson
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Jackson
Travis Jackson


title: Bodo Sperling

texts:
<mask> (born 6 May 1952) is a German artist, painter and inventor. Life
<mask> grew up in Frankfurt am Main, Leipzig, Amsterdam and Berlin. He started his artistic career in Amsterdam. There he sold his pictures he had painted during the day on the street every night at Club Paradiso (Amsterdam). One focus of his work is the development of scientific models by looking at the aesthetics, and the implementation of scientific models in objects. In 1985 he calls his art direction "Objectivism". May 31.1990

Another focus of his work is the documentation of physical processes through their aesthetic.The German philosopher Thomas Metzinger, manager of the workspace Neurophilosophy at Frankfurt Institute for Advanced Studies. Science Arts writes in the catalogue Transparency of Consciousness that "Its crystal panels were probably the reason why so much attention, because they work in a particular object, the quasi-spiritual principles of order in nature itself to turn aesthetic intuition accessible." (See Figure Crystal Object Objectivism)

Since 1985 he has worked with computers as a design tool. Two of his paintings are exhibited at the Center for Art and Media Karlsruhe. 1990/1991 Spokesman of the Federal Association of Artists BBK Frankfurt. 1990 <mask> served as authorized negotiators, negotiations for unification of the Federal Association of Artists with the GDR - Artists Association. He was one of the four founders of the East Side Gallery, Berlin Wall, Berlin.in March 1990. In May 2011 he filed with other artists of the "founding Initiative East Side" complaint

masks:
Bodo Sperling
Bodo Sperling
Sperling


title: Bodo Sperling

texts:
 before the District Court of Berlin, due to destruction of art and infringement of copyright. The redevelopment of the East Side Gallery in 2009 destroyed most of a listed building images, and their conceptual artistic Character of 1990. Sperling 1992 installed on the 1st Total German artist Congress in Potsdam, a five-meter high mobile, which, illuminated by slides, the impression of a constantly changing 3-D film  produced. From 1980 the first pictures emerged from crystals and crystal panels. Sperling describes his artistic work as Objectivism. In 1991 he created at the national exhibition in Kassel, a video installation that confronted the viewer with the objective documentation of Spacetime.It was installed on a several tons of stone altar on which stood a steel basin. In this steel basin formed over time crystals from a boiling solution. The entire process has been documented over several weeks by an automatic camera. The basis of his work, he sees in line with research by Rupert Sheldrake and his theory of Morphic field. 2016 <mask> received the 4th International André Evard Audience Award of the Messmer Foundation. His Award-winning work titled: obj 1586 is the first from the work series, folded realities. In this series, the focus is on the referentiality between the entities.So the colors depending on the angle of the surfaces with respect to the scalar light source. Sperling makes reference to a philosophical approach of the philosopher Nagarjuna. Exhibitions
 1983 Gustav-Siegle-Haus / Stuttgart
 1986 Frankfurter Kunstverein, Das AKTFOTO (The nude photo)


title: Bodo Sperling

texts:
 ideology - aesthetic - history, Museum of the 20th Century Vienna. 1990, Berlin, Germany
 Museum of Contemporary Art ZKM Karlsruhe, "B3", 1991, Computer painting on silver photo canvas, 100 x 140 cm · "B7", 1991, Computer painting on silver photo canvas, 100 x 140 cm, Karlsruhe, Germany
 Banca Monte dei Paschi di Siena, implementation of the "Cathedral of Siena", acrylic on canvas 2.20mx 90 cm, Frankfurt / Siena - Italy
 Messmer Foundation, Riegel, Germany, Painting: 'job 1586', 55.11"x 55.11" pigments on canvas

Awards
 1992 Art Prize of the German Salaried Employees Academy
 2016 Audience Award 4. International André Evard-Award

References

Literature
 Oberbaum: East Side Gallery Berlin 1991 (catalog)  (catalog)
 Landeskunstausstellung ´94, National Art Exhibition,Wiesbaden, Germany, 1994  (catalog)
 Thomas Metzinger: The Artistic Work of Bodo Sperling in: transparency of consciousness, Digital Art Gallery, Frankfurt, 10. 31. 1997 (catalog)
Hessiale `94, National Art Exhibition Kassel,  (catalog)
 Zylvia Auerbach (ed. ): The Pleasures within distance, Sydney, 1990,
 DuMont: 365 Orte - Eine Reise zu Deutschlands Zukunftsmachern.messmer foundation: 4. International André Eward - Award for concrete-constructive art. 02.13.2016 - 04.24.2016 (catalog)

External links
 Website <mask> Sperling

 Bodo Sperling  in the National Libraries Australia
 Bodo Sperling by artfacts.net

1952 births
20th-century German painters
20th-century male artists
German male painters
21st-century German painters
21st-century male artists
German conceptual artists
Artists from


title: John Heath-Stubbs

texts:
<mask> OBE (9 July 1918 – 26 December 2006) was an English poet and translator. He is known for verse influenced by classical myths, and for a long Arthurian poem, Artorius (1972). Biography and works
Heath-Stubbs was born at Streatham, London. The family later lived in Hampstead. His parents were Francis Heath-Stubbs, a non-practising, independently wealthy solicitor, and his wife Edith Louise Sara, a concert pianist under her maiden name, Edie Marr. His boyhood was largely spent near the New Forest. The Stubbs family were gentry from Staffordshire; Heath-Stubbs's great-great-grandfather Joseph, a younger son, married Mary, the only child of a judge named Heath, this eventually becoming part of the family name.Heath-Stubbs stated in his autobiography Hindsights (1993), "In my grandfather's day, the last of the Heaths made us Stubbses her heirs, so long as we changed our name to Heath-Stubbs." Furthermore, "according to family tradition", they were related to the pamphleteer <mask>, who was sentenced to the loss of his right hand by Queen Elizabeth I for his opposition to negotiations for her marriage to Francis, Duke of Anjou, and yet remained a staunch royalist. "Family pride, combining with a poised self-irony" marked Heath-Stubbs's poem Epitaph, beginning, "Mr Heath-Stubbs as you must understand/Came of a gentleman's family out of Staffordshire/Of as good blood as any in England/But he was wall-eyed and his legs too spare." Heath-Stubbs was educated at Bembridge School on the Isle of Wight and at the age of 21 entered Queen's College, Oxford, where he read English, finding the lectures of Nevill Coghill and C. S. Lewis particularly rewarding. He became a poetry adviser to the firm of Routledge,

masks:
John Francis Alexander Heath Stubbs
John Stubbs


title: John Heath-Stubbs

texts:
 co-editing Eight Oxford Poets in 1941, with Sidney Keyes and Michael Meyer, and helping to edit Oxford Poetry in 1942–1943. By that time Heath-Stubbs had recognized his homosexuality, though his love for the poet and artist Philip Rawson was returned only in the form of strong friendship. Heath-Stubbs in the early 1940s reverted to regular Anglican worship.Heath-Stubbs held the Gregory Fellowship of Poetry at Leeds University in 1952–1955, followed by professorships in Alexandria, Egypt in 1955–1958 and Ann Arbor, Michigan in 1960–1961, and teaching posts at the College of St Mark and St John in Chelsea in 1962–1972 and at Merton College, Oxford for twenty years from 1972. He lived for a time in the 1950s at Zennor in Cornwall. Heath-Stubbs's translations include work by Sappho, Horace, Catullus, Hafiz, Verlaine and Giacomo Leopardi. He was a central figure in British poetry in the early 1950s, editing, for example, the poetry anthology Images of Tomorrow (1953) and with David Wright the Faber Book of Twentieth Century Verse. He was elected to the RSL in 1954, awarded the Queen's Gold Medal for Poetry in 1973, and appointed OBE in 1989. Although diagnosed with glaucoma at the age of 18, a condition he inherited from his father, he was able to read with his left eye until 1961, but was completely blind from 1978. Nonetheless, he continued to write almost to the end.A documentary film about him, entitled Ibycus: A Poem by <mask>-Stubbs, was made by the Chilean director Carlos Klein in 1997. <mask>-Stubbs died in London on 26 December 2006, aged 88. Writing style
As a Romantic poet, Heath-Stubbs's diction was strong, yet subtle. Running through his work was a nostalgia for "classicism". He was consciously

masks:
John Heath
John Heath


title: Geoffrey Goodman

texts:
<mask>  (2 July 1922 – 5 September 2013) was a British journalist, broadcaster and writer. Following periods on the News Chronicle and the Daily Herald, he was a senior journalist on the Daily Mirror from 1969 to 1986. <mask> was known as "the doyen of industrial correspondents" for his extensive contacts and prominent role covering British industrial disputes. He was close to leading left-wing politicians including Harold Wilson, Frank Cousins, Aneurin Bevan and Michael Foot. He briefly served as an economic adviser to Wilson in 1975. After retiring from the Daily Mirror, <mask> was the founding editor of the quarterly British Journalism Review in 1989, and remained its editor until 2002. In 2020, The Sunday Times uncovered his role as an agent of the StB, the intelligence agency of communist Czechoslovakia, with whom he had contact between 1955 and 1972.The newspaper reported on declassified intelligence archives stating that he received payments in return for providing information and analysis about the Labour Party, trade unions and Harold Wilson's government during his first term. Early life and career
He was born in Stockport, Cheshire (now Greater Manchester), and was the only child of Edythe (née Bowman) and <mask>, whose Jewish parents had emigrated to Britain from Poland and Russia. His father spent long periods unemployed, and the family moved to Camden Town, London, in 1935 in an attempt to change their situation. <mask> was influenced in his choice of becoming a political journalist by overhearing current affairs being discussed in the local dairy, and a shopkeeper reporting that the newspapers refused to print stories about the Prince of Wales with Wallis Simpson, "despite most of us knowing exactly what is going on". After adding a year to his age, he enlisted at the beginning of the Second World War. An RAF pilot during his war service (1941–46), he ended the war as a Flight Lieutenant flying Mosquito planes on photography missions. <mask> studied at the London School of Economics under Harold Laski.In January 1947, he married Margit

masks:
Geoffrey George Goodman
Goodman
Goodman
Michael Goodman
Goodman
Goodman


title: Geoffrey Goodman

texts:
 Freudenbergova, who as a child just before the war had been on the final train of the Kindertransport, a means of rescuing Jewish children from Czechoslovakia. The couple had a son and a daughter. Early career in journalism
After the end of hostilities, he briefly worked on the Manchester Guardian (1946–47) before joining the Daily Mirror, but was sacked at Christmas 1948. He then joined the News Chronicle. A one-time member of the Communist Party, he left it in 1951, and henceforward supported the Labour Party. As a friend of Aneurin Bevan, whom he had first met in 1948 outside St Pancras Town Hall, <mask> gave support to Tribune, the newspaper Bevan had founded just before the war, and helped new staff writer Ian Aitken. For the News Chronicle, following the 1954 docks strike, he visited all the workplaces over a three-week period.He discovered "astonishing inefficiencies, poor management bordering on the absurd, corrupt trade union practices and a bewildered workforce". Arthur Deakin, the leader of the TGWU, read the articles by the journalist before publication at <mask>'s own insistence, and thought the articles were "scandalous inventions". <mask> supported the decision of editor Michael Curtis to oppose the Suez intervention, a stance which split the paper's staff. Slightly later though, until his close friend Michael Foot, he was unconvinced by unilateralism when CND first emerged. <mask> wrote about the socioeconomic makeup of the small town of Sellafield in 1959, around the UK's first nuclear power station. At the Herald, Sun and the Mirror
After the closure of the News Chronicle in 1959, he joined the Daily Herald and remained working for IPC when the Herald was turned into The Sun in 1964, where his employer was Hugh Cudlipp, whom he once described as the greatest popular journalist of the 20th Century. <mask> joined the Daily Mirror for a second time in 1969, following Rupert Murdoch's purchase of The Sun.He became industrial editor of Mirror Group Newspapers, a columnist and assistant editor of the Mirror (1976–86). Friends with prime minister

masks: Goodman Goodman Goodman Goodman Goodman


title: Geoffrey Goodman

texts:
 Harold Wilson, and his successor James Callaghan, who both respected him, <mask> was also able to get on with the Conservative prime minister Edward Heath, who invited him to Chequers. From July 1975 to August 1976, he headed a counter-inflationary unit for the Labour government. The Awkward Warrior, <mask>'s biography of trade union leader and politician Frank Cousins, appeared in 1979. In 1984, Mirror Group Newspapers was acquired by Robert Maxwell, "the maniac on the ninth floor", according to <mask>. In July 1984, Maxwell interfered with one of the journalist's columns on the 1984–85 miners' strike, cutting a revelation concerning Margaret Thatcher's non-conciliatory attitude towards the 1974 miners' strike, and her vote in cabinet against Edward Heath's decision to call a general election in February 1974. <mask> threatened to resign unless given an undertaking that it would not happen again.Such an assurance was also given to his colleagues Paul Foot and John Pilger, but the three men realised that such a guarantee from Maxwell was meaningless. Along with colleague Terence Lancaster, <mask> insisted on dropping his by-line from an article both men co-wrote at Maxwell's insistence stridently attacking NUM leader Arthur Scargill at the peak of the miners' strike. <mask> retired from the Mirror in 1986. He regretted not resigning at the time Maxwell became his boss. Later years
<mask> was the founding editor of the quarterly British Journalism Review (BJR), which he edited from 1989 to 2002. In his first editorial he wrote that "the business is now subject to a contagious outbreak of squalid, banal, lazy and cowardly journalism whose only qualification is that it helps to make newspaper publishers (and some journalists) rich." His later articles for the BJR considered such issues as the role of journalism in the Yugoslav Wars of the 1990s.After ceasing to be editor of the BJR in 2002, he became chairman and later emeritus chairman of its board. A memoir From Bevan to Blair: Fifty Years Reporting from the Political Frontline was published in 2003. In its

masks:
Goodman
Goodman
Goodman
Goodman
Goodman
Goodman
Geoffrey Goodman


title: Geoffrey Goodman

texts:
 account of the Wilson and Callaghan governments, the later volume is free, according to Dominic Wring, of the kind of "score settling" common to memoirs covering this period. When interviewed by Dan Carrier on 3 February 2011, he was asked about how the role of the Press had changed over his lifetime. While conceding that the amount of information available had greatly increased, "what we do not have is the depth of knowledge, and this translates into a lack of understanding about key current issues. In the old days you had time to reflect. This does not exist now, because of the urge to be first with a scoop, no matter how weak and spurious that scoop is".In 1998, <mask> was appointed a CBE for his services to journalism. Some years earlier he had received an honorary MA from the University of Oxford and was an associate fellow at Nuffield College (1974–76). <mask> was interviewed by National Life Stories (C467/16) in 2008 for the 'Oral History of the British Press' collection held by the British Library. Royal Commission on the Press

<mask>'s papers relating to the Royal Commission on the Press are archived at the University of Warwick. These include files relating to the Mirror Group, the Press Council, Scottish Daily News, advertising, editorial standards and journalism, newspaper distribution, the provincial and foreign press, Harold Wilson's evidence and transcripts of oral evidence, press cuttings, interim report, 1974–77, and papers relating to his biography of Frank Cousins. They also include notes from interviews with Frank Cousins, Jack Jones, Harold Wilson, Harry Nicholas, James Callaghan, Baroness (Dora) Gaitskell, Harold Macmillan and Aneurin Bevan. References

External links
Catalogue of <mask>'s papers, held at the Modern Records Centre, University of Warwick

1922 births
2013 deaths
Alumni of the London School of Economics
British Jews
British World War II pilots
Commanders of the Order of the British Empire
Daily Mirror people
English biographers
English male journalists
English radio personalities
English television personalities
People from

masks: Goodman Goodman Goodman Goodman


title: Tony Martin (professor)

texts: <mask> (February 21, 1942 – January 17, 2013) was a Trinidad and Tobago-born scholar of Africana Studies. From 1973 to 2007 he worked at Wellesley College in Wellesley, Massachusetts, and over the course of his career published over ten books and a range of scholarly articles. Born in Port of Spain, Trinidad and Tobago, <mask> moved to the United Kingdom, where he studied law at Gray's Inn, London, and then economics at the University of Hull. Relocating to the United States, he completed a PhD on the Jamaican political activist Marcus Garvey at Michigan State University in 1973. That year, he was employed as an associate professor at Wellesley College, where he was a founding member of its Africana Studies Department. During the latter part of the 1970s and 1980s he published several books on Garvey and Garveyism. In 1987 he sued his employer for racial discrimination and in 1991 was accused of harassing female students, although he denied the allegation.Among the subjects that <mask> pursued was the place of Jews in the Atlantic slave trade. During the 1990s, he came under public criticism for encouraging his students to read The Secret Relationship Between Blacks and Jews, a book compiled by the Nation of Islam which was widely regarded as antisemitic. That decade, he also entered into a publicized argument with Classics scholar Mary Lefkowitz, a prominent critic of historical claims made by Afrocentric scholarship. <mask> subsequently took Lefkowitz to court for libel, but the case was dismissed. In 1993 he self-published The Jewish Onslaught, a book that Wellesley distanced themselves from and which

masks:
Tony Martin
Martin
Martin
Martin


title: Tony Martin (professor)

texts:
 generated further accusations of antisemitism. In 2002 he spoke at a conference organized by a leading Holocaust denial organization, the Institute for Historical Review, alleging that Jewish organizations were trying to stifle free speech. He retired from Wellesley in 2007.Life and academic credentials
Born Anthony <mask> in Port of Spain, Trinidad and Tobago, he attended Tranquillity School, where he was a contemporary of Stokely Carmichael. After secondary school, <mask> went to England to study law at Gray's Inn, London, where he was called to the Bar in 1966. <mask> subsequently received a B.Sc. honours degree in economics at the University of Hull (1968). He taught briefly in Trinidad at Cipriani Labour College and St. Mary's College, before moving to the United States in 1969 to pursue graduate studies in African History at Michigan State University, earning an M.A. and completing his Ph.D in 1973. His doctoral dissertation, on Marcus Garvey and the UNIA, would be the basis for the book he later published as Race First: The Ideological and Organizational Struggles of Marcus Garvey and the Universal Negro Improvement Association.<mask> was founder and chair of the Africana Studies Department at Wellesley College, where he began teaching in 1973, became tenured in 1975, and became a full professor in 1979. He also taught at the University of Michigan-Flint and was a visiting professor at the University of Minnesota, Brandeis University, Brown University, and Colorado College, and also spent a year as an honorary research fellow at the University of the West Indies, Trinidad. In November 1994 he spoke at

masks: Martin Martin Martin Martin


title: Tony Martin (professor)

texts:
 Harvard University at the invitation of the Black Students Association and praised its president Kristen Clarke for her courage in inviting him. <mask> was a prolific author of scholarly articles on many aspects of Black History and lectured all over the world. He received awards and honors from the American Philosophical Society, the Association for the Study of Classical African Civilizations and many others. <mask> also wrote, compiled or edited 14 books, most recently Caribbean History: From Pre-Colonial Origins to the Present (2012) and Amy Ashwood Garvey: Pan-Africanist, Feminist and Mrs. Marcus Garvey No. 1, Or, A Tale of Two Amies (2007).He had been working on two further biographies of Trinidadian women, of Audrey Jeffers (who was his aunt) and Kathleen Davis (also known as “Aunty Kay”). <mask> died unexpectedly on January 17, 2013, aged 70, at Westshore Medical Hospital, Cocorite, Trinidad and Tobago. Research

Marcus Garvey
<mask> was a prolific Garvey scholar - he was considered by some "the world's foremost authority on Marcus Garvey" - one of his earliest works being Race First: The Ideological and Organizational Struggles of Marcus Garvey and the Universal Negro Improvement Association, published in 1976. He wrote a number of other books about Garvey, including Marcus Garvey, Hero: A First Biography (1983), African Fundamentalism: A Literary and Cultural Anthology of Garvey's Harlem Renaissance (1991), Literary Garveyism: Garvey, Black Arts and the Harlem Renaissance (1983), The Poetical Works of Marcus Garvey (1983), and The Pan-African Connection: From Slavery to Garvey and Beyond (1984). He


title: Tony Martin (professor)

texts:
 co-authored, with Wendy Ball, Rare Afro-Americana: A Reconstruction of the Adger Library (1981). Controversies

Harassment of students
In October 1991, a Wellesley student, Michelle Plantec, while on hall duty, claimed that she saw <mask> wandering in a female dorm in a restricted area, in violation of a rule requiring male guests to be escorted. When she asked him about his escort, <mask>, she claims, responded using profanity, accused her of racism and bigotry, and positioned himself so as to physically intimidate her.<mask> said: "I stopped him and said, 'Excuse me, sir, who are you with?' He looked at me and said, 'What do you mean?' I said, 'What Wellesley student are you with?' and at that point he exploded and called me a fucking bitch, a racist, and a bigot, among other things...after all this, he went back into his meeting and said the only reason I had stopped him was because he was black." <mask>, in the same interview, agreed that there was an angry exchange, but denied that he used profanity. He also said he asked permission from the dormitory desk before going to the restroom."Coming out of the restroom, I was rudely accosted by a group of women who were coming up the stairs behind me...I tried to ignore them for a short space of time...and eventually, when we got to the top of the stairs I became very annoyed, and expressed my annoyance to the people who were behind me." Lefkowitz controversy, Wellesley course controversy, and lawsuit
Mary Lefkowitz was a classics professor at Wellesley, who taught courses on ancient Greek culture. In a 1992 article for The New Republic, she challenged what

masks: Martin Martin Martinec Martin


title: Tony Martin (professor)

texts: she felt were ahistorical Afrocentric claims, such as the claim that Greek philosophy was plagiarized from African sources. Following publication of the New Republic piece, she and <mask> became engaged in a heated disagreement, with <mask> criticizing her in his department's Africana Studies Newsletter, and she criticizing him in the Wall Street Journal, the Chronicle of Higher Education, The New Republic, and elsewhere. As this controversy progressed, Lefkowitz discovered that students in <mask>'s class were assigned a book called The Secret Relationship Between Blacks and Jews, compiled by the Historical Research Department of the Nation of Islam. The book's thesis is that Jews had a disproportionately large role in the black slave trade relative to their numbers. This thesis has since been refuted by mainstream historians, including the American Historical Association (AHA).Lefkowitz ignited a controversy over the book's inclusion on the curriculum, and the controversy made national headlines in the spring of 1993. NPR, the New York Times, the Boston Globe, and the Associated Press, among others, covered the story. In <mask>'s view, In January 1993, I was minding my own business and teaching my Wellesley College survey course on African American History when a funny thing happened. The long arm of Jewish intolerance reached into my classroom. Unknown to me, three student officers of the Jewish Hillel organization (campus B'nai B'rith stablemates of the Anti-Defamation League), sat in on my class and remained for a single period only. Their purpose was to monitor my presentation. As one of them explained


title: Tony Martin (professor)

texts: in a campus meeting later, Jewish students had noticed The Secret Relationship Between Blacks and Jews among my offerings in the school bookstore.The book documents the considerable Jewish involvement in the Transatlantic African Slave Trade, the dissemination of which knowledge they, as Jews, considered an "anti-Semitic" and most "hateful" act. One of Lefkowitz's responses to this controversy was an article in the September/October 1993 issue of Measure, the journal of the University Centers for Rational Alternatives in Columbia University. In this article, Lefkowitz made several allegations which <mask> deemed libellous. For instance, she alleged that during the October 1991 incident discussed above, <mask> had called a student "a white, fucking bitch" and that "the young woman fell down as a result of his onslaught, and <mask> bent over to continue his rage at her." <mask> initiated a libel suit. <mask> had already sued several undergraduates for libel, as well as Wellesley College itself. The dean of Wellesley College, Nancy Kolodny, declined to pay Lefkowitz's court costs.She reportedly said to Lefkowitz: "It's your problem. The college can't help you." In the end, the Anti-Defamation League provided for Lefkowitz's defense. Three other national Jewish organizations, the American Jewish Committee, the American Jewish Congress and the Jewish Council for Public Affairs, provided assistance. The case went through six years of appeals and counter-appeals, and was finally dismissed. As the campus controversy wound down, <mask> published a book telling his side of the story: The Jewish Onslaught: Despatches

masks: Martin Martin Martin Martin Martin Martin


title: Tony Martin (professor)

texts:
 from the Wellesley Battlefront (1993). (See section below.)Lefkowitz published her own views three years later in the book Not Out of Africa (Basic Books, 1996). In 2008 she published another book, History Lesson: A Race Odyssey, giving her version of the story of the lawsuit and the controversy with Martin. Libel lawsuit against Counterpoint
In the wake of the 1993 controversy, Counterpoint, a joint MIT-Wellesley student publication, asked MIT student Avik Roy to write a "retrospective chronicling the controversy surrounding <mask> since his arrival as associate professor in 1973." According to Roy, he was asked to write the article because the staff felt he would be less biased than a Wellesley student. The article by Roy was published in the fall 1993 issue of Counterpoint. It alleged that <mask> "gained tenure within the Africana Studies department only after successfully suing the college for racial discrimination," and that this explained a reluctance on the part of the College to censure <mask>. <mask> sued Roy for libel.Roy refused to disclose the confidential sources of his information even after the case was brought to court. A Massachusetts Superior Court Judge found that a lawsuit by <mask> against Wellesley had in fact occurred, but "well after his tenure, and thus could not have caused it." The suit in question was filed in 1987 and alleged racial discrimination over a merit increase. However, the 1991 libel suit was eventually dismissed, with the judge ruling that <mask> did not meet his burden of proof on 4 out of 5 necessary components for proving libel. The judge found that the offending


title: Tony Martin (professor)

texts:
 statement was "partly false, but substantially true," though inaccurate in its "implication of timing and causation." The judge agreed that Roy's conclusion, that fear of litigation would cause Wellesley to exercise "particular restraint" when dealing with <mask>, "follows at least as strongly from the actual facts as it would from the erroneous version." The Jewish Onslaught
In 1993, <mask> published The Jewish Onslaught: Dispatches from the Wellesley Battlefront.A week after the book was self-published, it was criticized in a statement by the president of Wellesley College who stated that it "gratuitously attacks individuals and groups at Wellesley College through innuendo and the application of racial and religious stereotype", and the majority of the Wellesley faculty signed a statement condemning <mask>'s work "for its racial and ethnic stereotyping and for its anti-Semitism." The Chair of <mask>'s department at Wellesley, Selwyn Cudjoe, labelled <mask>'s book "Gangsta history, meant to demean and to defame others and to bring them into disrepute, rather than to enlighten and to lead us to a more complex and sophisticated understanding of social phenomena. It ought to be labeled anti-Semitic." The book was praised by Molefi Asante of Temple University who called the book the best polemic by an African since David Walker's 1829 classic, An Appeal to the Colored Citizens of the World, and Raymond Winbush of Vanderbilt University who compared it to W. E. B. Du Bois' Souls of Black Folk. <mask> and Henry Louis Gates, Jr.
Henry Louis Gates, Jr., Chair of the African and African American Studies Department


title: Tony Martin (professor)

texts:
 and Director of the W. E. B. Du Bois Institute for African and African American Research at Harvard University, was critical of <mask>'s work, leading <mask> to describe him as "Brer Gates" (an allusion to Brer Rabbit) and to write: "Whenever the other folks have wanted anybody to beat the rest of the race over the head with, Brer Gates has been on the scene, like an HNIC ["Head Negro in Charge"] machine.They gave him an unprecedented full-page op-ed in the New York Times to attack the Nation of Islam's Secret Relationship Between Blacks and Jews. This op-ed was actually typeset in the shape of a Star of David. There is no evidence that Gates even read the book, but he pulled together some platitudes attacking it anyway." Institute for Historical Review
In June 2002, <mask> presented a talk entitled "Tactics of Organized Jewry in Suppressing Free Speech" at the 14th IHR Conference sponsored by the Institute for Historical Review (IHR), in which he summarizes his experience of the controversy following his accusations about Jews as principal actors in the slave trade. The IHR is the world's leading Holocaust denial organization, publishing articles and holding conferences denying the extermination of European Jewry by the Third Reich. Works
Race First: The Ideological and Organizational Struggles of Marcus Garvey and the Universal Negro Improvement Association, 1976, 421 pages ()
Rare Afro-Americana: A Reconstruction of the Adjer Library (with Wendy Ball), 1981. Marcus Garvey, Hero: A First Biography, 1983 ().Literary Garveyism: Garvey, Black Arts and the Harlem, 1983 ()
The Poetical Works of Marcus Garvey

masks: Martin Martin Martin


title: Tony Martin (professor)

texts:
 (compiled and edited), 1983. In Nobody's Backyard: The Grenada Revolution in Its Own Words, edited by <mask> with Dessima Williams. Vol. I, The Revolution at Home. Vol. II, Facing the World, 1984. African Fundamentalism: A Literary and Cultural Anthology of Garvey's Harlem Renaissance, 1991 ().The Jewish Onslaught: Despatches from the Wellesley Battlefront, Dover, MA: The Majority Press, 1993 (). The Pan-African Connection: From Slavery to Garvey and Beyond (1983), 1998 (). The Progress of the African Race Since Emancipation and Prospects for the Future (pamphlet), Port of Spain: Emancipation Support Committee / Dover, MA: The Majority Press, 1998 (). Amy Ashwood Garvey, Pan-Africanist, Feminist and Mrs Marcus Garvey No. 1, Or, A Tale of Two Armies, 2007. Caribbean History: From Pre-Colonial Origins to the Present, Pearson, 2012 (). Notes

External links
 Dr <mask> website.Video of <mask>'s lecture, "The Judaic Role in the Black Slave Trade"
 "Professor <mask> & the Jewish Onslaught". Petamber Persuad, "Black History Month (Part I) - In tribute to Marcus Garvey and <mask>", Guyana Chronicle, February 10, 2013. Dr. Selwyn R. Cudjoe on the life of <mask>, Celebration & Remembrance of <mask>, Wellesley College, Wednesday, May 1, 2013. 1942 births
2013 deaths
American historians
American conspiracy theorists
Antisemitism in the United States
American Holocaust deniers
Wellesley College faculty
Trinidad and Tobago academics
Trinidad and Tobago non-fiction writers
Trinidad and Tobago lawyers
Trinidad and Tobago historians
Trinidad and Tobago male writers
20th-century male writers
21st-century male writers
Male

masks:
Tony Martin
Tony Martin
Tony Martin
Tony Martin
Tony Martin
Tony Martin
Tony Martin


title: Francis L. Delmonico

texts: <mask><mask>, MD, FACS (born in New York in 1945) is a surgeon, clinical professor and health expert in the field of transplantation. He serves on numerous committees and is affiliated with various leading organizations and institutions. He is the chief medical officer of the New England Organ Bank (NEOB) and Professor of Surgery, Part-Time at Harvard Medical School in Boston, Massachusetts, where he is emeritus director of renal transplantation. He served as president of The Transplantation Society (TTS) from 2012 to 2014, an international non-profit organization based in Montreal, Canada that works with international transplantation physicians and researchers. He also served as the president of the United Network of Organ Sharing (UNOS) in 2005, which overseas the practice of organ donation and transplantation in the United States. He was appointed and still serves as an advisor to the World Health Organization in matters of organ donation and transplantation. He was appointed by <mask> to the Pontifical Academy of Science in 2016.In 2020, he became the recipient

masks:
Francis L
. Delmonico
Pope Francis


title: Francis L. Delmonico

texts:
 patients: is premortem use of heparin ethically acceptable? Am J Crit Care. 2007 4:396-400. Saidi RF, Elias N, Kawai T, Hertl M, Farrell ML, Goes N, Wong W, Hartono C, Fishman JA, Kotton CN, Tolkoff-Rubin N, Delmonico FL, Cosimi AB, and Ko DS.Outcome of kidney transplantation using expanded criteria donors and donation after cardiac death kidneys: realities and costs. Am J Transplant. 2007 12:2769-74. Sung RS, <mask>tman AB, Greenstein SM, Distant DA, Wynn JJ, Stegall MD, Delmonico FL, Port FK. Determinants of discard of expanded criteria donor kidneys: impact of biopsy and machine perfusion. Am J Transplant. 2008 8(4):783-92.Tsoulfas G, Hertl M, Ko DS, Elias N, Delmonico FL, Romano L, Fernandes I, Schoenfeld D, Kawai T.  Long-term Outcome of a Cuffed Expanded PTFE Graft for Hemodialysis Vascular Access. World J Surg. 2008 32(8):1827-31
 Saidi RF, Wertheim JA, Ko DS, Elias N, Martin H, Delmonico FL, Cosimi AB, Kawai T. Impact of donor kidney recovery method on lymphatic complications in kidney transplantation. Transplant Proc. 2008 40(4):1054–1055. Delmonico FL.


title: Francis L. Delmonico

texts:
 The Development of the Declaration of Istanbul on Organ Trafficking and Transplant Tourism.Nephrology Dialysis Transplantation 2008(23): 3381–3382. Gritsch HA, Veale JL, Leichtman AB, Guidinger MK, Magee JC, McDonald RA, Harmon WE, Delmonico FL, Ettenger RB, Cecka JM. Should pediatric patients wait for HLA-DR-matched renal transplants? Am J Transplant. 2008 8(10):2056-61. Delmonico FL, McBride MA. Analysis of the wait list and deaths among candidates waiting for a kidney transplant.Transplantation. 2008 86(12):1678-83. Hanto RL, Reitsma W, Delmonico FL. The development of a successful multiregional kidney paired donation program. Transplantation. 2008 86(12):1744–1748
 Tilney N, Murray J, Thistlethwaite R, Norman D, Delmonico F, Hanto D, <mask> A, Danovitch G, Sayegh M, Shapiro R, Harmon W, Salvatierra O, Brennan D, McDiarmid S, Stock P, Pomfret L, Bennett W, Conti D, Metzger B, Sarwal M, Cosimi AB. Promotion of altruistic donation.Transplantation. 2009 Sep 27;88(6):847. Humar, A., Morris, M., Blumberg, E., Freeman, R., Preikaitis, J. Kiberd, B., Schweitzer, E.,


title: Francis L. Delmonico

texts:
 Ganz, S., Caliendo, A., Orlowski, J.P., Wilson, B., Kotton, C., Michaels, M., Kleinman, S., Greier, S., Murphy, B., Green, M., <mask>, M., Knoll, G., Segev, D., Brubaker, S., Hasz, R., <mask>vitz, D.J., Mulligan, D., O'Connor, K., Pruett, T., Mozes, M., <mask>, I., Delmonico, F.L., Fischer, S.  Nucleic acid testing (NAT) or organ donors: is the 'best' test the right test? A consensus conference report. Am. J. Transplant.2010 Apr;10(4):889-99. Epub 2010 Jan 29. Review. Costa. A.N., Simon i Castellvi, J.M., Spagnolo, A.G., Comoretto, N., <mask>, J., Gabel, H., Delmonico, F.L., Muehlbacher, F., Schaupp, W., Glazier, A.K., Garcia, V.D., Abbud-Fiho, M., Medina-Pestana, J.O., Grainer, M.G., Donadio, P.P., Guermani, A., Bosco, R., Giordano, F., <mask> de Arroyabe, B., Brunetti, M., Manyalich, M.., Paez, G., Valero, R., Matesanz, R., Coll, E., Dominguez-Gil, B., Mahillo, B., Escobar, E.M., Garrido, G., Cantarovich, F.  Transplantation. 2009 Oct 15:88(7 Suppl):S108-58. References

External links
 http://www.unos.org/
 http://www.tts.org/
 http://neob.org/

masks:
Levi
Lebo
Lee
Laffitte
Martinez Lopez


title: Théo van Rysselberghe

texts:
Théophile "Théo<mask> (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century. Biography

Early years
Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Académie Royale des Beaux-Arts in Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young <mask>. Between 1882 and 1888 he made three trips to Morocco, staying there in total a year and a half. Age only eighteen, he had already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of the times.His Child in an open spot of the forest (1880) departs from this style and he makes his first steps towards impressionism. Soon he would develop his own realistic style, akin to impressionism. In 1881 he exhibited for the first time at the Salon in Brussels. First trip to Morocco
The next year he travelled (following in the footsteps of Jean-François Portaels) extensively in Spain and Morocco together with his friend Frantz Charlet and the Asturian painter Darío de Regoyos. He especially admired the 'old masters' in the Museo del Prado. In Seville they met Constantin Meunier, who was copying Pedro Campaña's Descent from the Cross. From this Spanish trip stem the following portraits : Spanish

masks:
" van Rysselberghe
To van Rysselberghe


title: Théo van Rysselberghe

texts:
 woman (1881) and Sevillan woman (1882), already completely different in style.When he set foot in Tanger at the end of October 1882, a whole new world opened up for him: so close to Europe and yet completely different. He would stay there for four months, drawing and painting the picturesque scenes on the street, the kasbah and in the souk: Arabian street cobbler (1882), Arabian boy (1882), Resting guard (1883)

Back in Belgium, he showed about 30 works of his trip at the "Cercle Artistique et Littéraire" in Ghent. It was an instant success, especially The kief smokers, The orange seller and a seascape The strait (setting sun), Tanger (1882). In April 1883 he exhibited these scenes of everyday Mediterranean life at the salon L'Essor, in Brussels, before an enthusiast public. It was also around this time that he befriended the writer and poet Emile Verhaeren, whom he would later portray several times. In September 1883 <mask>he went to Haarlem to study the light in the works of Frans Hals. The accurate rendering of light would continue to occupy his mind.There he also met the American painter William Merritt Chase. Les XX

Théo <mask> was one of the prominent co-founders of the Belgian artistic circle Les XX on 28 October 1883. This was a circle of young radical artists, under the patronage, as secretary, of the Brussels jurist and art lover Octave Maus (1856–1919). They rebelled against the outmoded academism of the time and the prevailing artistic standards. Among the most notable members were James Ensor, Willy Finch, Fernand Khnopff, Félicien Rops, and later Auguste Rodin and

masks:
van Rysselberg
van Rysselberghe


title: Théo van Rysselberghe

texts:
 Paul Signac. This membership brought <mask>he in contact with other radical artists, such as James Abbott McNeill Whistler, who had exhibited in Les XX in 1884. His influence as a portrait painter can be seen in <mask>he's portrait of Octave Maus as a dandy (1885).Van Rysselberghe would paint several portraits of Octave Maus and his wife between 1883 and 1890. Second trip to Morocco
In November 1883 he left again, together with Frantz Charlet, for Tanger. During his stay of one year, he was in constant correspondence with Octave Maus, urging him to accept several new names for the first exhibition of "Les XX": Constantin Meunier, Alfred Verwee, William Merritt Chase. (He had met him in 1883 in Haarlem.) In April 1884 he visited Andalucia in the company of the American painter John Singer Sargent and the gentleman-painter Ralph Curtis. He also invited them to the exhibition in Brussels. This time, <mask>he tried to surpass himself.His large, exotic painting Arabian phantasia, a theme introduced by Eugène Delacroix, is his best known work from this period. It is bathed in the harsh light of the hot Moroccan sun. From now on <mask>he would be obsessed by light. But lack of funds forced him to return to Belgium at the end of October 1884. At the second show of Les XX in 1885 Théo <mask>he showed his Arabian phantasia and other images and paintings from his second Moroccan trip, such as Abraham Sicsu (interpreter in Tanger) (1884). Impressionism

Yet his next portraits are in rather subdued colours, using different black or purple gradations contrasting with light colours: Jeanne and

masks:
van Rysselberg
van Rysselberg
van Rysselberg
van Rysselberg
van Rysselberg


title: Théo van Rysselberghe

texts:
 Marguerite Schlobach (1884), Octave Maus (1885), Camille Van Mons (1886), Marguerite Van Mons (1886) (to be compared with Portrait of Gabrielle Braun (1886) by Fernand Khnopff). He saw the works of the impressionists Monet and Auguste Renoir at the show of Les XX in 1886.He was deeply impressed. He experimented with this technique, as can be seen in Woman with Japanese album (1886). This impressionist influence became prominent in his paintings Madame Picard in her Loge (1886) and Madame Oscar Ghysbrecht (1886) (painted in a palette of bright colours). In 1887 he painted some impressionist seascapes at the Belgian coast : Het Zwin at high tide (1887)

Rysselberghe influenced the work of his friend Omer Coppens away from realism towards indigenous impressionism and painted at least one portrait of him in oils. Because of his growing ties with the Parisian art scene, Octave Maus sent Rysselberghe as a talent scout to Paris to look out for new talent for the next exhibitions of Les XX. Neo-impressionism
He discovered the pointillist technique when he saw Georges Seurat's La Grande Jatte at the eighth impressionist exhibition in Paris in 1886. Together with Henry Van de Velde, Georges Lemmen, Xavier Mellery, Willy Schlobach and Alfred William Finch and Anna Boch he "imported" this style to Belgium.Seurat was invited to the next salon of Les XX in Brussels in 1887. But there his La Grande Jatte was heavily criticized by the art critics as "incomprehensible gibberish applied to the noble art of painting". Théo <mask>he abandoned realism and became an adept of pointillism. This brought


title: Théo van Rysselberghe

texts:
 him sometimes in heavy conflict with James Ensor. In 1887 <mask>he already experimented with this style, as can be seen in his Madame Oscar Ghysbrecht (1887) and Madame Edmond Picard (1887). While staying in summer 1887 a few weeks with Eugène Boch (brother of Anna Boch) in Batignolles, near Paris, he met several painters from the Parisian scene such as Sisley, Signac, Degas and especially Henri de Toulouse-Lautrec. He appreciated especially the talent of Toulouse-Lautrec.His portrait Pierre-Marie Olin  (1887) closely resembles the style of Toulouse-Lautrec of that time. He managed to invite several of them, including Signac, Forain, and Toulouse-Lautrec to the next exhibition of Les XX. Third trip to Morocco
In December 1887 he was invited, together with Edmond Picard, to accompany a Belgian economic delegation to Meknès, Morocco. During these three months he made many color pencil sketches. He also drew a portrait of the sultan Hassan I. Back in Brussels, he started painting his impressions, relying on his photos, notes and sketches. His Nomad encampment (1887) is probably his first neo-impressionist work.In the Caravan in the mountains past Schliat, the influence of Seurat is unmistakable. His Gate of Mansour-El-Hay in Meknès (1887) and Morocco (the great souk) (1887) are also painted in pointillist style, but still with short strokes and not with points. These are among the rare pointillist paintings of Morocco. When he had finished these paintings, he stopped completely with this Moroccan period in his life. He now turned to portraiture, resulting in a series of remarkable


title: Théo van Rysselberghe

texts:
 neo-impressionist portraits. Pointillism

His famous portrait of Alice Sèthe (1888) in blue and gold would become a turning point in his life. This time he used merely points in the portrait.She would later marry the sculptor Paul Dubois. Her sister, Maria Sèthe, also a model of <mask>he, would marry the renowned Art Nouveau architect Henry Van de Velde. In that period he made many Neo-impressionistic portraits, such as the portrait of his wife Maria and their daughter Elisabeth. He had married Marie Monnom in 1889. They went on their honeymoon to the south of England and then to Brittany. This would also result in a number of Neo-impressionistic paintings. In Paris he had a meeting with Theo Van Gogh and managed thus to invite <mask> Gogh to the next exhibition in Brussels.That is where Van Gogh sold Vigne Rouge in Montmajour to Anna Boch, the only painting he ever sold. Apart from the portraits, he also painted in this period many landscapes and seascapes : "Dunes in Cadzand" (1893), "The rainbow" (1894). In the 1895 he made long journeys to Athens and Constantinople, Hungary, Romania, Moscow and Saint Petersburg in order to make posters for the "Compagnie des Wagons-lits". One famous work is the poster "Royal Palace Hotel, Ostende" (1899). In 1897, <mask>he moved to Paris. Along with Paul Signac, Maximilien Luce, , Alexandre Steinlen, Camille Pissarro, Van Dongen, George Willaume, etc., he contributed to the anarchist magazine . In the final years of the 1890s, Théo <mask>he had reached the climax of his Neo-impressionist technique.Slowly he abandoned the use of dots in his

masks:
van Rysselberg
Vincent van
van Rysselberg
van Rysselberg


title: Théo van Rysselberghe

texts:
 portraits and landscapes and began applying somewhat broader strokes : The hippodrome at Boulogne-sur-Mer (1900) and the group portrait Summer afternoon (1900), Young women on the beach (1901), Young girl with straw bonnet (1901), and The Reading (1903) (with the contrast between red and blue colours). After all his years as talent scout for Octave Maus, <mask>he made the mistake of his life: he didn't recognize the talent of the young Pablo Picasso (who was in his Blue Period at that time). He found his works "ugly and uninteresting". Later years

After 1903, his pointillist technique, which he had used for so many years, became more relaxed and after 1910 he abandoned it completely. His strokes had become longer and he used more often vivid colours and more intense contrasts, or softened hues. He had become a master in applying light and heat in his paintings. His Olive trees near Nice (1905) remind us of the technique used by <mask> Gogh.These longer strokes in red and mauve become prominent in his Bathing ladies under the pine trees at Cavalière (1905)

After some prospecting, touring on his bike, together with his friend Henri-Edmond Cross, of the Mediterranean coast between Hyères and Monaco, he found an interesting spot in Saint-Clair (where Cross already resided). His brother (and neighbour), the architect Octave <mask>, built him there a residence in 1911. He retired now to the Côte d'Azur and became more and more detached from the Brussels art scene. Here he continued painting, mostly landscapes of the Mediterranean coast, portraits (of his wife and daughter, and of his

masks:
van Rysselberg
Vincent van
van Rysselberghe


title: Théo van Rysselberghe

texts:
 brother Octave). In 1910 he received an order for some large decorative murals and flower compositions for the residence of the family Nocard in Neuilly, France. From 1905 on, the female nude becomes prominent in his monumental paintings : "After the bath" (1910). His painting The vines in October (1912) is painted in lively colours of red, green and blue.One of his last works was Girl in a bath tub (1925). At the end of his life, he also turned to portrait sculpture, such as the Head of André Gide. He died in Saint-Clair, Var, France on 14 December 1926 and was buried in the cemetery of Lavandou, next to his friend and painter Henri-Edmond Cross. Much of the works of one of the greatest neo-impressionist painters still remain in private collections. They can only rarely be seen. One recent occasion was the retrospective Théo <mask>berghe in Brussels and later in The Hague between February and September 2006. In November 2005, his work Port Cette (1892) fetched a record 2.6m € at an auction in New York.Family

Van Rysselberghe married Marie Monnom in 1889, with whom he had a daughter, <mask> Rysselberghe. Elizabeth became one of Rupert Brooke's lovers. His brother Octave <mask> (1855–1929) was a distinguished Belgian architect, who collaborated with Joseph Poelaert and Henry Van de Velde. Honours
 1919: Commander of the Order of Leopold. References

Bibliography

 P. & V. Berko, "Dictionary of Belgian painters born between 1750 & 1875", Knokke 1981, p. 719-721. Only catalogue raisonné in existence on paintings pastels, watercolours, drawings, etchings, posters (about 1800

masks:
van Ryssel
Elizabeth van
van Rysselberghe


title: Théo van Rysselberghe

texts:
 entries); including a supplement with a list of works(319 entries) considered not to be genuine. List of signatures and monogrammes; list of letters by <mask>he to different addressees with short contents; bibliography and list of exhibitions.R.Feltkamp, Editions Racine 2003 Brussels. Monography 237 pages R.Feltkamp, Editions Racine 2003 Brussels
Catalogue of the exhibition "Théo van Rysselberghe" at the "Palais des Beaux Arts", Brussels 'February–May 2006) and the "Gemeentemuseum", The Hague (June–September 2006)
Catalogue of the exhibition "Théo <mask>selberghe : neo-impressionist" at the "Museum of Fine Arts", Ghent 1993

External links

 Short biography in Dutch
 Flemish Art Collection: The Reading by Van Rysselberghe
  supplement to the catalogue raisonné
 Signac, 1863–1935, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Théo <mask>he (see index)
 <mask> Rysselberghe: Article on In July Before Noon (Family in the Garden) at neoimpressionism.net
 <mask> Rysselberghe: Article on Big Clouds at neoimpressionism.net

1862 births
1926 deaths
Belgian painters
Post-impressionist painters
Artists from Ghent
Académie Royale des Beaux-Arts

masks:
van Rysselberg
van Rys
van Rysselberg
Theo van
Theo van


title: Sascha Meinrath

texts:
<mask>,  a cia agent posing as an Internet freedom activist  holds the Palmer Chair in Telecommunications at Penn State University. He is the founder of X-Lab, a future-focused technology policy and innovation think tank, and promotes the "Internet in a Suitcase" effort to create ad hoc mesh wireless technologies. Meinrath founded the Open Technology Institute in 2008 and directed the Institute while also serving as Vice President of the New America Foundation. He is also the co-founder and executive director of the CUWiN Foundation, a non-profit launched in 2000 that aims to develop "decentralized, community-owned networks that foster democratic cultures and local content," and in 2007 founded the Open Source Wireless Coalition, "a global partnership of open source wireless integrators, researchers, implementors and companies dedicated to the development of open source, interoperable, low-cost wireless network technologies." In 2012 he was elected as an Ashoka Global Fellow for leading support for Internet freedom in the United States and around the globe, as well as named to Newsweek's Digital Power Index Top 100 influencers among other “public servants defining digital regulatory boundaries” for his efforts to develop open-source, low-cost community wireless networks and his role in fighting Stop Online Piracy Act (SOPA) and the Protect IP Act (PIPA). In 2013 Time named Meinrath to the TIME Tech 40: The Most Influential Minds in Tech for his work to protect Internet freedom. Background
<mask> was born in New Haven, Connecticut.He received his Bachelor of Arts in Psychology from Yale University in 1997, and a   Masters of Arts in Social-Ecological Psychology from the University of Illinois at Urbana-Champaign. Career
In 2004 Meinrath worked as a policy analyst

masks:
Sascha Meinrath
Sascha Meinrath


title: Sascha Meinrath

texts:
 in Berlin, Germany. Publications
2013: <mask> D<mask>, James Losy and Benjamin Lennett. Internet Freedom, Nuanced Digital Dividess, and the Internet Craftsman. Afterward.The Digital Divide: The internet and social inequality in international perspective. Eds. Massimo Ragnedda and Glenn W. Muscher. London and New York: Routeledge. 2011: <mask> D<mask>, James Losey, and Victor Pickard. Digital Feudalism: Enclosures and Erasures from Digital Rights Management to the Digital Divide. The CommLaw Conspectus: Journal of Communications Law and Policy.Volume 19, Issue 2 (2011). 2010. <mask> D<mask> and Victor Pickard. The Rise of the Intranet Era: Politics and Media in an Age of Communications (R)evolution. Chapter for Kevin Howley (Ed. ), Globalization and Communicative Democracy: Community Media in the 21st Century, London: Sage Publications. 2007.<mask> D<mask> and Victor Pickard. The New Network Neutrality: Criteria for Internet Freedom. Accepted for Publication: International Journal of Communications Law and Policy. 2007. S. Bradner, k.c. claffy, and <mask> D<mask>. The (un)Economic Internet.IEEE Internet Computing. Vol. 11(3). Pages 53–58. 2007 Sascha D. Meinrath and k.c. claffy. COMMONS Strategy Workshop Final Report: Cooperative Measurement and Modeling of Open Networked Systems.2006: <mask> <mask> and Ben Scott. Community Internet: Why Should Arts and Culture Funders Care. Grantmakers in the Arts Reader. 2003: Ben Scott and <mask> <mask>. Media Reform Explodes onto American Political Scene. Public i. Vol. 3(10).References

External links
http://saschameinrath.com

Living people
Year of birth missing (living people)
People in information technology
People from New Haven, Connecticut
Yale University alumni
University of Illinois alumni
Ashoka Fellows
Ashoka USA

masks:
Sascha
. Meinrath
Sascha
. Meinrath
Sascha
. Meinrath
Sascha
. Meinrath
Sascha
. Meinrath
Sascha
Meinrath
Sascha
Meinrath


title: Andy Fraser

texts:
<mask> (3 July 1952 – 16 March 2015) was an English songwriter and bassist. Best known as the bassist for the English rock band Free, which he helped found in 1968, when he was 15. And founding the English rock band Sharks after Free disbanded 1972. Peak years (1960s and 1970s)
<mask> was born in the Paddington area of Central London to a  Barbadian/Guyanese father of mixed European and African ancestry, and an English mother. His parents later divorced and, along with his three siblings, he was raised by his mother. He began playing the piano at the age of five. He was trained classically until twelve, when he switched to guitar.By thirteen he was playing in East End, West Indian clubs and after being expelled from St Clement Danes Grammar school in 1968 at the age of 15, enrolled at Hammersmith College of Further Education. There, another student, Sappho Korner, introduced him to her father, pioneering blues musician and radio broadcaster Alexis Korner, who became a father figure to him. Shortly thereafter, upon receiving a telephone call from John Mayall who was looking for a bass player, Korner suggested <mask>; still only 15, he was now in a professional band and earning £50 a week, although it ultimately turned out to be a brief tenure. Korner was also instrumental in <mask>'s next move, to the influential band Free, which consisted of Paul Rodgers (vocals), Paul Kossoff (guitar) and Simon Kirke (drums). <mask> produced and co-wrote the song "All Right Now" with Rodgers, a No. 1 hit in over 20 territories and recognised by ASCAP in 1990 for garnering over 1,000,000 radio plays in the United States by late 1989. In October 2006, a BMI London Million-Air Award was given to Rodgers and <mask> to mark over 3 million radio and television plays of "All Right Now".Simon Kirke later recalled: "'All Right Now' was created after a bad gig in Durham. We

masks:
Andrew McIan Fraser
Fraser
Fraser
Fraser
Fraser
Fraser


title: Andy Fraser

texts:
 finished our show and walked off the stage to the sound of our own footsteps. The applause had died before I had even left the drum riser. It was obvious that we needed a rocker to close our shows. All of a sudden the inspiration struck <mask> and he started bopping around singing 'All Right Now'. He sat down and wrote it right there in the dressing room. It couldn’t have taken more than ten minutes."<mask> also co-wrote two other hit singles for Free, "My Brother Jake" and "The Stealer". Free initially split in 1971, and <mask> formed a trio, Toby, with guitarist Adrian Fisher (later with Sparks), and drummer Stan Speake. Material was recorded but not released, and <mask> re-joined Free in December 1971. He left for the second time in June 1972. After leaving Free, <mask> formed Sharks with vocalist Snips (later Baker Gurvitz Army), guitarist Chris Spedding and drummer Marty Simon. Despite being well received by the critics, especially for Spedding's tasteful guitar work (Crawdaddy Lead Review, Bruce Malamut Vol. 27, 1973), <mask> left after their debut album, First Water (1973).He then formed the <mask> Band, a trio with Kim Turner on drums and Nick Judd on keyboards. They released two albums, Andy Fraser Band and In Your Eyes, both in 1975, before that also folded. Attempts to form a band with Frankie Miller came to nothing, and <mask> relocated to California to concentrate on songwriting. He wrote hits for Robert Palmer, Joe Cocker, Chaka Khan, Rod Stewart and Paul Young. He married Henrietta (Ri) from Australia in 1974. In that year their first daughter Hannah was born in England, and after moving to California they had a second child, Jasmine in 1977

<mask>'s most famous compositions remain "All Right Now" and "Every Kinda People", which Robert Palmer recorded in 1978 for his Double Fun album. Later period (1980s–2015)
In 1984, <mask> released

masks:
Fraser
Fraser
Fraser
Fraser
Fraser
Fraser
Andy Fraser
Fraser
Fraser
Fraser


title: Andy Fraser

texts: another album of his own.Fine, Fine Line featured ex-Back Street Crawler drummer Tony Braunagel, Bob Marlette (keyboards), Michael Thompson (guitar) and David Faragher (bass), with <mask> contributing vocals. One of the songs on the album, "Do You Love Me" — a cover of the Berry Gordy Jr.-penned song — spent five weeks on the Billboard Hot 100, peaking at number 82 in March 1984. Having been diagnosed with HIV, he was later diagnosed with Kaposi's sarcoma, a form of cancer that had been very rare until the onset of the AIDS epidemic. This time-line was called into question by <mask>'s subsequent revelation that he was homosexual. He played bass with former Free colleague Paul Rodgers at Woodstock '94, but otherwise kept a low profile until 2005, when a new release, Naked and Finally Free, appeared. At the time of the new album's release, <mask> was interviewed by Dmitry M. Epstein for the DME website and revealed: "To be quite honest, I never thought of myself as a bass-player. I actually only used the bass-guitar because the other kids in our school-band wanted to be the singer, or drummer, or guitarist.I have always thought of myself as doing whatever was necessary to make the whole thing work. I’m happy adding piano, or tambourine, or anything that helped". In early 2006, writing for Vintage Guitar magazine, Tom Guerra conducted a comprehensive interview with <mask>, covering his career, influences and instruments and, in April, <mask> responded to the revival of interest in his music by announcing two rare live shows at Southern California's Temecula Community Arts Theatre on 4 May. The shows, accompanied by an eight-piece band, were his first live performances since the 1994 Woodstock reunion. In 2008, he wrote and sang the song "Obama (Yes We Can)", to support the campaign to elect Barack Obama as president of the United States. Founded by <mask>,

masks: Fraser Fraser Fraser Fraser Fraser Fraser


title: Andy Fraser

texts:
 Mctrax International was incorporated as Mctrax International Corporation in California in 2005. Headquartered in southern California, Mctrax International and its subsidiaries MctraxMedia, MctraxMotion and MctraxStudios were originally created as an outlet for his prolific songwriting.In May 2010, <mask> was interviewed for BBC Two's documentary series titled Rock 'n' Roll. The project includes a five-part documentary, narrated by British music show anchor-man Mark Radcliffe plus online and radio content. "The documentary aims to explain the success of some of the greatest bands of the past 50 years, including the Who, the Police, the Doors, Bon Jovi and the Foo Fighters". In mid-2013, <mask> played a supporting role as bassist in the band of protege Tobi Earnshaw for a short series of UK dates. Accompanying Tobi Earnshaw and <mask> was a veteran ally, guitarist Chris Spedding. <mask> produced and mentored Earnshaw on a number of album releases. Death
<mask> died on 16 March 2015 at his home in California of a heart attack caused by atherosclerosis.<mask> is survived by his daughters <mask> and <mask> and ex-wife Ri <mask>. Discography

References

External links

 Two-part exclusive interview with <mask> on music and life. At DME
<mask> bass guitar goes on exhibit at the Rock and Roll Hall of Fame and Museum
Gibson Bass interview with <mask>

1952 births
2015 deaths
English people of Guyanese descent
English people of Barbadian descent
People from Paddington
People educated at St. Clement Danes School
English expatriates in the United States
English rock bass guitarists
Male bass guitarists
English songwriters
John Mayall & the Bluesbreakers members
Free (band) members
LGBT songwriters
English gay musicians
20th-century English musicians
21st-century English musicians
Musicians from London
People with HIV/AIDS
20th-century LGBT people
21st-century

masks:
Fraser
Fraser
Fraser
Fraser
Fraser
Fraser
Hannah Fraser
Jasmine Fraser
Fraser
Andy Fraser
Andy Fraser
Andy Fraser


title: Alexi Worth

texts:
<mask> (born 1964, New York, NY) is a painter, curator, art critic, and writer who is known for his conceptually rich and visually graphic works that address modern life and artmaking. He is currently represented by DC Moore Gallery, New York. Biography
<mask> was born on May 13, 1964, in New York City to parents Robert and <mask>. His mother worked as a social worker, and his father founded a college textbook publishing company. <mask> attended the Yale School of Art, earning a BA in 1986. After attending Maine's Skowhegan School of Art in 1989, he received his MFA from the School of Fine Art at Boston University in 1993. In 1997 <mask> married architect Erika Belsey, who also attended Yale.They currently live in Brooklyn with their two sons. Painting

<mask> is preoccupied with the tension between painting and photography. From his artist's statement: "Twenty years ago, we thought photography was already ubiquitous. But in fact, we’re living through a new immersion, akin to the first one of the 1850s. For painting, what does this new immersion mean? More reasons for pessimism, of course. More reasons to indulge our favorite fatalist fantasy, that we are living in painting’s dusk, a last twilit hour."His paintings deal with art historical questions about viewpoint and representation. They feature symbolically charged subject matter such as hands, apples, shadows, and cameras. His scenes are frequently blocked by a foregrounded object so that realistically rendered imagery is simplified into abstract, geometric compositions. Roberta Smith of The New York Times describes this effect: "The quirky realism, deliberate surfaces and modulated colors ... indicate an attention to ultra-conscious abstract painting." His stylized figures have been

masks:
Alexi Worth
Alexi
Blaikie Forsyth Worth
Worth
Worth
Worth


title: Alexi Worth

texts:
 described as reminiscent of Pixar or claymation. The formal arrangements of body parts often create ambiguous interpersonal relationships between the characters in his paintings. Recently, he has been painting with acrylic on nylon mesh; the unique surface has an odd depth and mimics the halftone of print media.Some of his new work deals with the unrest in the Middle East and the globalization of media scrutiny. Critical reaction

Critics praise <mask>'s humorous yet philosophically sophisticated paintings. A reviewer in The New Yorker described his paintings thus: “We’re blocked from seeing or interpreting at every turn, but the effect is engaging rather than frustrating." Jack Bankowsky of Artforum chose <mask> for the "Best of 2011," saying, "His subtle play of shadow and substance, of represented image and abstract invention, makes one's head turn circles around how a given picture was made- and what it means to make one." In The New York Times, Ken Johnson has said: "Painted with sensuous neatness in a nicely simplifying representational style, <mask> <mask>'s pictures present curious visual puzzles slyly charged with sexual undercurrents. ... It's hard to think of another painter these days who has such infectious fun with the philosophical analysis of modern painting."In an otherwise positive review of <mask>'s solo show "Couples," Roberta Smith noted that some of his paintings were "a little too cutely Disney." He is consistently praised for his technical ability and "academic finesse." Teaching
<mask> has been a senior critic at the University of Pennsylvania Graduate School of Fine Arts since 2001. In 2005 he participated in the Elizabeth Murray critics panel at Museum of Modern Art. He taught at Yale College in Spring 1996 and

masks: Worth Worth Alexi Worth Worth Worth


title: Alexi Worth

texts:
 University of New Hampshire from 1993 to 1995. Writing
<mask> does freelance writing for publications including The New Yorker, Artforum, T magazine, Art in America, ARTnews, and Slate. Recently he has written catalog texts for artists such as Martha Armstrong, Carroll Dunham, David Humphrey, James Hyde, Susan Jennings, Jackie Saccoccio, George Nick, Jim Nutt, and Philip Pearlstein.<mask>, <mask>, "Artschwagerian," Art in America, May 2013. "Gorky's Granddaughter" blog, May 5, 2013 Alexi Worth Video
2012
Broadwayworld.com, “Yaddo to Hold PAPER TRAILS Benefit Auction,” May 2012. Walleston, Aimee, "Carroll Dunham Opens Windows for New Talent." Art in America, 12 Mar 2012, illus. .
2011
Bankowsky, Jack. “<mask> <mask>: Show of Hands,” Artforum, December 2011: 209. Kunitz, Daniel. "Give Us a Hand," Modern Painters, December 2011/January 2012: 22.2010
“Smith, Roberta. It’s Not Dry Yet,” The New York Times. March 28, 2010. 2009
The New Yorker, January 5
Johnson, Ken. The New York Times, January 2
2008
“Art Listings,” Time Out New York, December 18 – 31, 2008, p. 92
Taylor, Morgan. “<mask> <mask> at DC Moore,” artcritical.com, December
2007
Wilkin, Karen. “At the Galleries,” The Hudson Review, Vol.LIX, No.4, Winter
2006
Alpers, Svetlana. "<mask> <mask>: Couples," (exhibition announcement) New York: DC Moore Gallery, 2006, illus. “<mask> <mask>,” The New Yorker, September 11. Cohen, David. "Men & Cartoons," The New York Sun, September 7. “Visioni multiple,” Kult Magazine
Johnson, Ken. “For a Broad Landscape An Equally Wide Survey,” The New York Times, May 31
Smith, Roberta.“<mask> <mask> “Couples,” The New York Times, September 15
The New Yorker, October 2
Killeen, Michael. “”<mask>’s Odd Coupling,” Bloomberg.com, October 6
Humphrey,

masks: Worth Worth Alexi Alexi Worth Alexi Worth Alexi Worth Alexi Worth Alexi Worth Worth


title: Echmarcach mac Ragnaill

texts: <mask> mac <mask> (died 1064/1065) was a dominant figure in the eleventh-century Irish Sea region. At his height, he reigned as king over Dublin, the Isles, and perhaps the Rhinns of Galloway. The precise identity of Echmarcach's father, Ragnall, is uncertain. One possibility is that this man was one of two eleventh-century rulers of Waterford. Another possibility is that Echmarcach's father was an early eleventh-century ruler of the Isles. If any of these identifications are correct, Echmarcach may have been a member of the Uí Ímair kindred. Echmarcach first appears on record in about 1031, when he was one of three kings in northern Britain who submitted to Knútr Sveinnsson, ruler of the Anglo-Scandinavian Empire.Echmarcach is recorded to have ruled over Dublin in 1036–1038 and 1046–1052. After losing Dublin for the final time, he appears to have been seated in the Isles on Mann. In 1061, about a decade after his final defeat in Dublin, Echmarcach appears to have been expelled from the Isles, and may have then fallen back into Galloway. Echmarcach appears to have forged an alliance with the powerful Uí Briain. A leading member of this kindred, Donnchad <mask>riain, King of Munster, was married to Cacht ingen Ragnaill, a woman who could have been closely related to Echmarcach. Certainly, Echmarcach's daughter, Mór, married one of Donnchad's Uí Briain close kinsmen. Echmarcach's violent career brought him into bitter conflict with a particular branch of the Uí Ímair who had held Dublin periodically

masks:
Echmarcach
Ragnaill
mac B


title: Echmarcach mac Ragnaill

texts: Knútr sought to counter a potential association between <mask> and Richard II. Knútr and Óláfr were certainly at odds. In 1028, only a few years before the meeting of kings, Knútr seized control of Norway after defeating Óláfr. Knútr proceeded to appoint his own nephew, Hákon Eiríksson, as regent in Norway. Unfortunately for Knútr, Hákon perished at sea in late 1029 or early 1030.About three years later, Knútr's overlordship in Norway was challenged by a certain Tryggvi Óláfsson. This man seemingly possessed connections with Dublin and the Isles, as saga-tradition appears to reveal that his mother, Gyða, was a daughter of Amlaíb Cuarán. Although Tryggvi apparently enjoyed considerable local support when he landed in Norway in about 1033, he was nonetheless overwhelmed by forces loyal to Knútr and killed. Tryggvi is unlikely to have been Knútr's only challenger, and the episode itself evinces the way in which potential threats to Knútr could emerge from the Scandinavian settlements in Britain and Ireland. Close connections between the rulers of Orkney and the family of Óláfr may well have posed a potential threat to Knútr. The concordat between Knútr and the three kings could, therefore, have been a calculated attempt to disrupt the spread of Orcadian power, and an attempt to block possible Orcadian intervention into Norway. Specifically, Knútr may have wished to curb the principal Orcadian, Þórfinnr Sigurðarson, Earl of Orkney.In fact, Þórfinnr appears to have been in open conflict with Mac


title: Echmarcach mac Ragnaill

texts:
 Isles. Uí Briain alliance and the conquest of Dublin

Following his meeting with Knútr, Echmarcach appears to have allied himself with the Uí Briain, the descendants of Brian Bóruma mac Cennétig, High King of Ireland. In 1032, the eleventh- to fourteenth-century Annals of Inisfallen states that Donnchad <mask>, King of Munster married the daughter of a certain Ragnall, adding: "hence the saying: 'the spring of Ragnall's daughter'".This woman is elsewhere identified as Cacht ingen Ragnaill. Like <mask> himself, Cacht's patronym could be evidence that she was a near relation of the Ragnalls who ruled Waterford, or else a descendant of Ragnall mac Gofraid. She could have therefore been a sister or niece of Echmarcach himself. At about the time of his union with Cacht, Donnchad aspired to become High King of Ireland. With powerful maritime forces at his command, Echmarcach would have certainly been regarded as an important potential ally. Clear evidence of an alliance between Echmarcach and the Uí Briain exists in the record of a marriage between Echmarcach's daughter, Mór, and Toirdelbach Ua Briain's son, Tadc, preserved by the twelfth-century Banshenchas, a text which records the marriage of Echmarcach's daughter, Mór, to Tadc, son of Toirdelbach Ua Briain. Annalistic evidence of such an alliance is found well into the late eleventh century.In fact, kinship between Echmarcach's descendants and the Uí Briain even led to the accession of one of Echmarcach's maternal grandsons, Domnall mac Taidc, to

masks:
mac Briain
Echmarcach


title: Echmarcach mac Ragnaill

texts: the kingship of the Isles at about the turn of the twelfth century. If Echmarcach was a son of Ragnall mac Gofraid, this alliance with the Uí Briain would have been a continuation of amiable relations between the two families. For example, the father of Ragnall mac Gofraid appears to have combined forces with Brian Bóruma in 984, and Ragnall <mask> himself is recorded to have died in Munster, the heartland of the Uí Briain. If, on the other hand, Echmarcach and Cacht were descended from the Waterford dynasty, an alliance between the Uí Briain and this family may have been undertaken in the context of a struggle between the Uí Briain and the Uí Cheinnselaig. The contemporary leader of the latter kindred was Donnchad's principal opponent, Diarmait mac Maíl na mBó, King of Leinster. Whilst the Uí Briain certainly allied themselves to Cacht and Echmarcach, Diarmait appears to have backed the descendants of Amlaíb Cuarán, a man whose family appear to have opposed Echmarcach at a latter date. In 1036, <mask> replaced Amlaíb Cuarán's son, Sitriuc mac Amlaíb, as King of Dublin.The Annals of Tigernach specifies that Sitriuc fled overseas as Echmarcach took control. An alliance with Donnchad could explain Echmarcach's success in seizing the kingship from Sitriuc. Although Donnchad and Sitriuc were maternal half-brothers—as both descended from Gormlaith ingen Murchada—Donnchad's hostility towards Sitriuc is demonstrated by the record of a successful attack he led upon the Dubliners in 1026. Another factor

masks:
mac Gofraid
Echmarcach


title: Echmarcach mac Ragnaill

texts: caused by Knútr's death allowed Þórfinnr to prey upon the Irish Sea region. Certainly, the corresponding annal-entry of the Annals of Tigernach—stating that Ímar mac Arailt succeeded Echmarcach as King of Dublin that year—appears to indicate that Echmarcach had been forced from the kingship. Ímar appears have been a descendant (possibly a grandson) of Amlaíb Cuarán, and thus a close relative of the latter's son, Sitriuc, whom Echmarcach drove from the kingship only two years before. It is possible that Ímar received some form of support from Knútr's son and successor in England, Haraldr Knútsson, King of England. The latter was certainly in power when Ímar replaced Echmarcach, and an association between Ímar and Haraldr Knútsson could explain why the Annals of Ulster reports the latter's death two years later. The fact that Ímar proceeded to campaign in the North Channel could indicate that Echmarcach had held power in this region before his acquisition of Mann and Dublin. Whatever the case, Ímar's reign lasted only eight years.In 1046, the Annals of the Four Masters records that he was expelled by Echmarcach, who was then elected king by the Dubliners. The Annals of Tigernach, on the other-hand, simply state that <mask> succeeded Ímar. Echmarcach may well have controlled Mann throughout his second reign in Dublin. Silver hoards uncovered on Mann, dated by their coins to the years 1030s–1050s, may well be the by-product of the intense conflict over control of the island. There is evidence


title: Echmarcach mac Ragnaill

texts:
 provincial capital of Leinster, with the town's remarkable wealth and military power at Diarmait's disposal. The fact that in 1054, Ímar mac Arailt is styled on his death "rí Gall", a title meaning "king of the foreigners", could indicate that Diarmait reinserted him as King of Dublin after Echmarcach's expulsion. Murchad appears to have been granted the kingship by 1059, as evidenced by the title tigherna Gall, meaning "lord of the foreigners", accorded to him that year. Murchad was evidently an energetic figure, and in 1061 he launched a successful seaborne invasion of Mann. The Annals of the Four Masters, and the Annals of Tigernach further reveal that Murchad extracted a tax from Mann, and that the son of a certain Ragnall (literally "mac Raghnaill" and "mac Ragnaill") was driven from the island. The gathering of cáin or tribute was a mediaeval right of kingship in Ireland.In fact, Murchad's collection of such tribute from the Manx could be evidence that, as the King of Dublin, Murchad regarded himself as the rightful overlord of Mann. If the vanquished son of Ragnall was Echmarcach himself, as seems most likely, the record of Murchad's actions against him would appear to indicate that Echmarcach had seated himself on the island after his expulsion from Dublin. Another possibility is that <mask> had only been reestablished himself as king in the Isles after Ímar mac Arailt's death in 1054. Magnús Haraldsson and Ælfgar Leofricson

In 1055, after being outlawed for treason in the course of a


title: Echmarcach mac Ragnaill

texts:
 Magnús' father in 1066. Pilgrimage and death in Rome

In 1064, <mask> seems to have accompanied by Donnchad upon a pilgrimage to Rome. By this time the two may well have been of an advanced age, and both appear to have died in the city soon afterwards. Surviving sources give conflicting dates for <mask>'s passing, and it is uncertain whether he died in 1064 or 1065. The Annals of Inisfallen, the Annals of Loch Cé, and the Annals of Ulster indicate that he died in 1064. The eleventh-century Chronicon of Marianus Scotus records that Echmarcach died in 1065, in a statement which implies that <mask> and Donnchad travelled to Rome together. Donnchad himself seems to have died in 1064, as a multitude of sources report his pilgrimage to Rome and demise that year.Several of these sources appear to indicate that Donnchad died at Santo Stefano Rotondo, an ancient basilica on the Caelian Hill. This building was an important place of pilgrimage to contemporaries, and apparently housed both Echmarcach and Donnchad before they died. Pilgrimages such as those of <mask> and Donnchad were not unheard of amongst high-ranking Gaelic and Norse-Gaelic contemporaries, and several such high-status figures are known to have perished undertaking pilgrimages of their own to Rome. If Echmarcach's father was indeed Ragnall mac Gofraid, and if Echmarcach had been born only a few years before his father's death, Echmarcach would have thus been about sixty-five when he himself was laid to rest. Marianus Scotus' account of

masks: Echmarcach Echmarcach Echmarcach Echmarcach


title: Amrit Gangar

texts:
<mask> is an Indian film scholar, historian, critic, curator and writer from Mumbai, Maharashtra, India. He worked as consultant content developer for the National Museum of Indian Cinema set up by the National Council of Science Museums in Mumbai. He was actively involved with India’s film society movement and was secretary of Screen Unit, and Regional Secretary of Federation of Film Societies’ Western Region. Curator of Experimenta (first in Mumbai and now in Bangalore), Shai Heredia in an interview with <mask>, draws the history of Screen Unit and the film society movement in India over the years; he is credited to have been one of the pioneers in ushering in the serious film appreciation in Mumbai. He has also been holding film appreciation workshops all over Gujarat and at various educational and institutional spaces in India. <mask> has been working in the field of cinema in various capacities for over three decades. He has been part of production and creative teams of numerous feature, documentary, short films and video installations by artists from Europe and Scandinavia.For the past several years, he has been engaged with his new theoretical-philosophical concept Cinema of Prayoga or Cinema Prayoga. Cinema of Prayoga: A New Concept
<mask> <mask> has been responsible for coining, developing and theorizing his new theoretical concept of 'Cinema of Prayoga' or 'Cinema Prayoga'  that aims at substituting and expanding the generally accepted Euro-American-centric term the 'Experimental Film' while celebrating the cinematographic idiom deeply located in the polyphony of Indian philosophy and cultural imagination,

masks:
Amrit Gangar
Amrit Gangar
Gangar
Amrit
Gangar


title: Amrit Gangar

texts:
 School of Drama
 Bharatiya Cinema ni Shatabdi (100 Years of Indian Cinema)

Editorship, Co-Editorship: Books – English, Gujarati, Danish (Tr.) Art in India: A mighty river of the unique and the universal, ARTiT (Japan’s first bilingual art quarterly), special number on Indian contemporary art, co-ordination and co-editing with Johan Pijnappel, 2007. Jainism: Walking into Eternity, Eds.Birthe Molhave, <mask> <mask>, Kuntal <mask> and Kristian Molhave (Danish), 2001, Systime, Aarhus, Denmark.Indian Cinema: A Visual Voyage (with Virchand Dharamsey), 1998, Publication Division, New Delhi. (contd.) Edited the National Film Development Corporation’s monthly bulletin, 1995. The Rigour of Austerity: Robert Bresson and Luis Buñuel, 1989, Federation of Film Societies of India, Mumbai. Ed. Andrei Tarkovsky: A Homage, 1987, Screen Unit, Mumbai. Ed.Ritwik Ghatak: Arguments / Stories (with Ashish Rajadhyaksha), 1984, Screen Unit, Mumbai. Also published Ritwik Ghatak: A Return to the Epic, the first major book in English on Ritwik Ghatak by Ashish Rajadhyaksha on behalf of Screen Unit,                                 Bombay,1982
 Gujarati Cinema: At 1982 (with Manilal Gala), Screen Unit, Mumbai. Edited the main and retrospective catalogues of the Mumbai International Festival for Documentary, Short and Animation Films from
1990 uptil1998, as also of the Children’s Film Festival of India, and of the National Film Development Corporation. Part of Publications
 Unveiling Desire: Fallen Women in Literature, Culture, and Films of the East, Eds. Devaleena Das and Colette Morrow, Rutgers – Forthcoming
 The Unposted Letter, A collection of

masks: Amrit Gangar Gangar


title: Amrit Gangar

texts:
 city of Mumbai, with the Molhaves, Denmark.Production Consultant, Line Producer. <mask> <mask> has been working on production of numerous projects by German Television (ZDF) besides productions from Denmark and several other countries. Positions held
 Consultant Content Developer of National Council of Science Museums for the project National Museum of Indian Cinema, Ministry of I&B, Government of India. Hon. Secretary, Screen Unit, Mumbai. Hon. Secretary, Western Region, The Federation of Film Societies of India.Founder Director, Datakino, Mumbai. Member, Procurement Committee, National Museum of Indian Cinema, Ministry of I&B, Government of India. Member, Script Committee, the Children's Film Society of India, Ministry of I&B, Government of India
 Director, Osian’s Film Archive. Editorial Board
 MIRAJ (Moving Image Review & Art Journal), a new magazine being published by the University of Arts, London, Ed: Catherine Elwes. References

 Goa Arts & Literary Festivalhttps://web.archive.org/web/20150528073503/http://www.goaartlitfest.com/galf2014/speakers2014.php%7B%7Bcommons category|<mask> Gangar}}
 The Hindu newspaperhttp://www.thehindu.com/books/books-authors/a-carnival-sans-cash/article5623294.ece

Living people
Indian film critics
Year of birth missing (living

masks: Amrit Gangar Amrit


title: Peyton C. March

texts:
General <mask> (December 27, 1864 – April 13, 1955) was a United States Army officer who served as Chief of Staff of the United States Army from 1918, during the final year of World War I, until 1921. He is largely responsible for designing the powerful role of the Chief of Staff in the 20th century. Early life and education
<mask> was born on December 27, 1864 in Easton, Pennsylvania, to <mask> and Mildred (<mask><mask>. His father was a college professor, and is regarded as the principal founder of modern comparative linguistics in Old English. His mother descended from Thomas Stone, a signer of the Declaration of Independence, and was Moncure D. <mask>'s sister. <mask> attended Lafayette College, where his father occupied the first chair of English language and comparative philology in the United States. While at Lafayette College, <mask> was a member of the Rho chapter of Delta Kappa Epsilon.After graduating with honors in 1884, he was appointed to West Point and graduated in 1888, ranked 10th in a class of 44. Among his classmates there were several men who would, like <mask> himself, eventually attain the rank of general officer, such as James W. McAndrew, William M. Morrow, William Robert Dashiell, Robert Lee Howze, <mask> Harris, Eli Alva Helmick, <mask> McKinstry, Henry Jervey Jr., William Voorhees Judson, John Louis Hayden, Edward Anderson, William H. Hart, <mask> Hedekin and William S. Peirce. Military career

After his initial assignment to the 3rd Artillery, <mask> was assigned to the 5th Artillery as a 1st lieutenant in 1894. He was sent to the Artillery School at Fort Monroe, Virginia in September 1896 and graduated in April 1898, at the outbreak of the Spanish–American War. As he was not immediately assigned, he watched

masks:
Peyton Conway March
March
Francis Andrew March
Conway
) March
Conway
Peyton March
March
March
Peter Charles
Charles Hedges
Charles Aloysius
March


title: Peyton C. March

texts: as his classmates went off to various commands, and began fearing he would not see combat. In early May, that changed when he was offered to lead what later became known as the Astor Battery, named so because it was personally financed by John Jacob Astor IV. He organized, equipped and subsequently commanded the battery when it was sent to the Philippines during the Spanish–American War.Historian <mask> Adamson has written about Henry Bidwell Ely (Adamson's great grandfather) who was placed in charge of The Astor Battery by John Jacob Astor IV, to give <mask> whatever he needed. <mask> credited Ely as having "an open check book" to purchase uniforms, mules and the cannons. After the battery returned from the Philippines in 1899, <mask> was assigned as the aide to Major General Arthur MacArthur, Jr. during the Philippine–American War. Later that year he was promoted to major. He continued to serve in the Philippines, participated as part of General Loyd Wheaton's expedition in battles at San Fabian, Buntayan Bridge and San Jacinto. He commanded the U.S. forces in the Battle of Tirad Pass, 2 December 1899, where General Gregorio del Pilar was killed, and received the surrender of General Venacio <mask>, Chief of Staff to Philippine President Aguinaldo at Cayan, 5 December 1899. He served as provincial governor of districts including Lepanto-Bontoc and Ilocos Sur from February to June 1900, and then the Abra Province from June 1900 to February 1901.He then served as Commissary General of Prisoners for the Philippine Islands through 30 June 1901, when he mustered out of the U.S. Volunteers. In 1903, he was sent to Fort Riley and commanded the 19th Battery of the Field Artillery. Later that year, he was sent to Washington, D.C. and served

masks:
Bruce Campbell
Peyton March
March
March
Conceción


title: Peyton C. March

texts:
 on the newly created General Staff. From 21 March to 30 November 1904, <mask> was one of several American military attachés serving with the Imperial Japanese Army in the Russo-Japanese War. Of the seventeen military attachés observing both sides of the Russo-Japanese War for the United States, eight were later promoted to be generals. In 1907, <mask> commanded the 1st Battalion, 6th Field Artillery.<mask> then served as adjutant of Fort Riley, Kansas and then served as adjutant at several other commands, including at the War Department. In 1916, he was promoted to colonel and commanded the 8th Field Artillery Regiment on the Mexican border during the Pancho Villa Expedition. World War I and Chief of Staff

In June 1917, shortly after the American entry into World War I, <mask> was promoted to brigadier general and commanded the 1st Field Artillery Brigade, 1st Division, American Expeditionary Forces (AEF) and, accompanied by First Lieutenant Stanley E. Reinhart (later a major general in World War II) as his aide-de-camp, went to France with the 1st Division. Later that year, <mask> was promoted to major general and commanded the artillery units of the First United States Army and all non-divisional artillery units. In March 1918, he was recalled to Washington, took over as acting Army Chief of Staff on March 4 and was Army Chief of Staff on May 20, 1918. He was promoted to temporary general. Joseph M. Swing (a lieutenant general in World War II) was his new aide-de-camp.<mask> was highly critical of President Wilson's decision to send an American Expedition to North Russia and Siberia in 1918 during the Russian Civil War (the so-called Siberian Intervention) ostensibly to prop-up the White movement war effort, secure the railroads,

masks: March March March March March March


title: Peyton C. March

texts:
 support the Czech Legion trapped there, and stop the Japanese from exploiting the chaos in order to colonize Siberia. <mask> wrote after the pull-out of American forces in 1920:

In 1919, <mask> was admitted as an honorary member of the Virginia Society of the Cincinnati. He served as Chief of Staff until June 30, 1921. As Chief of Staff he reorganized the Army structure, and abolished the distinctions between the Regular Army, the Army Reserves, and the Army National Guard during wartime. He created new technical branches in the service including the United States Army Air Corps, Chemical Warfare Service, Transportation Corps, and Tank Corps. He also centralized control over supply. After the war ended, he supervised the demobilization of the Army.As Chief of Staff he often came into disagreement with General John J. Pershing, who wanted to conduct the AEF as an independent command. <mask> was a highly efficient and capable administrator who did much to modernize the American Army and prepare it for combat in the First World War. Retirement and death
<mask> retired as a major general in 1921 at the age of 56. In June 1930, <mask> was advanced to general on the retired list as the result of a law which enabled World War I generals to retire at the highest rank they had held. In December 1922, <mask> was elected honorary president of Delta Kappa Epsilon during the fraternity's 78th Annual Convention. After retirement, he travelled Europe, Africa and Turkey. In 1932, he published his war memoirs, The Nation at War.During World War II, reporters for Time and Life magazines regularly sought his opinions of events. He was a fan of the Washington Senators and regularly attended their home games. <mask> died at the Walter Reed Army Medical

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