title: Ed Case

texts:
 and <mask> came in third with 28% of the vote. <mask> initially said he would run in the next primary against Hanabusa, but later changed his mind and dropped out of the race, citing party unity and his third-place finish. 2012 U.S. Senate election

On April 10, 2011, <mask> announced his candidacy for U.S. Senate, to replace retiring U.S.Senator Daniel Akaka. In a rematch of the 2002 gubernatorial primary, Hirono once again defeated him, this time by a 17-point margin, 58%–41%. Papers
The <mask> Papers were donated to the University of Hawaii at Manoa Library and are held in the Hawaii Congressional Papers Collection of the Library's Archives & Manuscripts Department. The Papers consist of materials from his years in Congress and the Hawaii legislature, as well as campaign material from his successful and unsuccessful campaigns. The papers were processed in 2007 by archivist Ellen Chapman, and will be opened for research on January 3, 2037. Personal life
<mask> has two children from his first marriage from 1988 to 1998. In 2001 <mask> married Audrey Nakamura, a former classmate from Hawaii Preparatory Academy, who is a flight attendant with United Airlines.He became reacquainted with her at their 30th class reunion. "I was in a definite, major-league crush with her for two years back in seventh and eighth grade," <mask> said in an interview. Nakamura also had two children from a previous marriage. <mask>'s cousin <mask> is the co-founder of America Online, as well as the former chairman of Time Warner. References

External links

Congressman <mask> official U.S. House website
<mask> for Congress official campaign website

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1952 births
21st-century American politicians
Democratic Party members of the United States House of Representatives
Hawaii Democrats
Hawaii lawyers
Living people
Members of the Hawaii House of Representatives
Members of the United States House of Representatives from Hawaii
People from Hilo, Hawaii
University of California, Hastings College of the Law alumni
Williams

masks:
Case
Case
Case
Ed Case
Case
Case
Case
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Steve Case
Ed Case
Ed Case


title: William Stearns Davis

type: original

texts: <mask> (April 30, 1877 – February 15, 1930) was an American educator, historian, and author. He has been cited as one who “contributed to history as a scholarly discipline, . . . [but] was intrigued by the human side of history, which, at the time, was neglected by the discipline.”  After first experimenting with short stories, he turned while still a college undergraduate to longer forms to relate, from an involved (fictional) character’s view, a number of critical turns of history. This faculty for humanizing, even dramatizing, history characterized <mask>’ later academic and professional writings as well, making them particularly suitable for secondary and higher education during the first half of the twentieth century in a field which, according to one editor, had “lost the freshness and robustness . . . the congeniality” that should mark the study of history. Both <mask>’ fiction and non-fiction are found in public and academic libraries today. <mask> was born April 30, 1877 in the presidential mansion of Amherst College, Amherst, Massachusetts, where his mother's father had been president for the twenty-two years preceding his birth.His father was Congregational minister <mask> <mask>; his mother Francis Stearns. Due both to childhood illnesses and to family moves occasioned by his father's call to new congregations, <mask> was largely educated at home until he entered Worcester Academy in 1895. In 1897 he matriculated at Harvard. Fascinated by maps and by historical figures, he had begun writing stories for himself while still at home. He now turned this experience and his desire to humanize history to writing historical novels, the first of which, A Friend of Caesar, was published in the year he graduated as a member of Phi Beta Kappa. He continued at Harvard, being the first

masks:
William Stearns Davis
Davis
Davis
Life Davis
William Vail
Wilson Davis
Davis


title: William Stearns Davis

texts:
 first-year graduate student to receive the Harvard Thayer Graduate Scholarship, and earning his A.M. in 1901 and his PhD in 1905. During these same years he continued publishing historical fiction.In 1904, <mask> began his formal teaching career, beginning as a lecturer at Radcliffe College while finishing his doctorate. He continued thereafter at Beloit College (instructor, 1906–07), Oberlin College (Assistant Professor of Medieval and Modern European History, 1907–1909), and finally at the University of Minnesota (Professor of History, 1909–1927). “He was an excellent teacher with the ability to put life into his lectures.”  His steady output of non-fiction in both history and the historical background to contemporary world affairs began with his time at Minnesota. Professionally, he was a member of the American Historical Association. In 1911, he married <mask> Redfield of Minneapolis. He retired from teaching in 1927, moving back to New England and taking up residence in Exeter, New Hampshire, with the intention of devoting all of his time to writing. However, he died of pneumonia following an operation at the age of 52 on February 15, 1930.Writings

Fiction

<mask>’ books are characterized by his desire to tell a story. For his historical fiction, he chose subjects with dramatic flavor, such as the battles of Thermopylae and Salamis, the coming to power of Julius Caesar, Leo the Isaurian’s defense of Constantinople, the beginning of the Protestant Reformation, and the start of the American Revolution. Stylistically, they use narrative of the kind which Josephine Tey called “history-with-conversation”, and his earliest novels have some of the attributes of scholarly publication, including meticulous (and copious) footnotes or appendices. Indeed, a reviewer of a later fictional

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Alice Williams
Davis


title: William Stearns Davis

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 work noted that previously “Mr. <mask> has erred in overabundance of detail. Knowing much is sometimes more troublesome than knowing little, and Mr. <mask>'s knowledge has in times past seemed too large for his story. In Falaise, however, this fault is to a most felicitous degree overcome .. . .”  The American National Biography noted that his fictional works “were not classics, . . . but they were accurate and maintained an interesting story line.”  He himself would become deeply involved in such writings, to the point of depression when one was finished. Non-fiction

In a similar manner, the elements of narrative and drama are part of his non-fiction, much of which was written for teaching purposes. His 1910 work on wealth and money in first-century Rome begins with an almost journalistic daily-weekly narrative of bank failures and trading house suspensions leading to a financial panic in 33 AD (which must have read all too familiarly to those who had just weathered the 1907 crash). The opening of The Roots of the War, perhaps his most contemporaneously widely read nonfiction book, portrays Bismarck, Moltke, and Roon at dinner in 1870, planning what would become the Franco-Prussian War. Among his last works, Europe Since Waterloo (and all the revisions based upon it) begins with a narrative picture of Napoleon on the deck of the British man-o'-war transporting him to his final exile in St. Helena. Forty years later, Kurt Schmeller, producing the latest revision of that work, would say that he “sought to retain the powerful and dramatic narrative of earlier editions”, and Theodore H. Von Laue’s foreword to the same edition would cite <mask>’ “forceful, lively, and down-to-earth style” as a motive to retain the core of a work then moving towards a half-century of use.<mask>’ strong

masks: Davis Davis Davis Davis


title: William Stearns Davis

texts: anti-German sentiment colored much of his later non-fiction writing, particularly in his articles and letters to various periodicals. He was a forceful advocate of military preparedness in the years leading up to World War I, for which he was duly criticized in the widely pacifistic feeling of the times (see for example the 1916 exchange of letters in The Survey). During World War I, <mask> and many other academic historians desired to support the war but hesitated between a professionally ethical approach to history and a firm belief in President Wilson’s expressed ideals in advocating American intervention in the War. <mask> chose to participate in the work of the government-sponsored Committee on Public Information (CPI). <mask> in particular provided historical background and context to the Committee's pamphlet on Wilson’s war message to Congress. For this work, in the years following the War, he and the other participants were criticized by some contemporaries belonging to the "revisionist" historical school, such as Harry Elmer Barnes. Succeeding next-generation scholars in the same tradition were equally critical.A particularly outspoken critic, C. Hartley Gratton, said of <mask>' CPI efforts and of his 1918 The Roots of the War that there was "free use of gossip, and the 'revelations' of the Creel Bureau are accepted as definitive truth". <mask> himself would write in 1926 of the earlier work that “very little of [that] hastily prepared material has endured under the cold scrutiny demanded by added information and years of retrospect.”. In view of <mask>' retirement and early death, what long-term effect such criticisms might have had upon him is unknowable. Blakey sums up the revisionists' efforts by saying that, however they changed the practice of historical writing, "their

masks: Davis Davis Davis Davis Davis Davis


title: William Stearns Davis

texts:
 impact on the subsequent lives and careers of the embattled historians was slight to the point of being negligible," and this could apply fairly to <mask>. Historical approach

Throughout his writing career, both of fiction and non-fiction, <mask>’ "angle" to history, as he himself put it in his preface to Europe Since Waterloo, included:
“a belief in a just form of nationalism, and that a devoted loyalty to native land is entirely reconcilable with an ardent love for wide humanity. “an intense belief in democracy, . . . and that the modern age is bound to resume the old, old battle against the vicious assumption that some select group of men .. . is competent to decree the destinies of an entire people. “Finally, . . . a matured belief that only as the spirit of Christianity penetrates the hearts of men will human brotherhood and wide-spread, enduring happiness be achieved . . . . If the so-called Christian nations and rulers have all too often failed unworthily, their failure has been because they knew not the essence of Christianity, however eagerly they have usurped the name.”
Stylistically, <mask> never gave up on writing stories as a medium to convey his love for history as he saw it, and his intense conviction that the knowledge of history should matter to his contemporaries. He had a faculty for describing critical scenes, such as the expulsion of the tribunes in A Friend of Caesar or Luther before the Diet of Worms in The Friar of Wittenberg. In his day, he was known for his “vivid, almost melodramatic prose style”. Twentieth Century Authors would credit him with having welded “fact and fiction without loss of narrative intensity or historical plausibility.”

Books published

Non-fiction

Outline History of the Roman Empire (44 B.C.to 378 A.D.) (1909)
The Influence of Wealth

masks: Davis Davis Davis


title: William Stearns Davis

texts:
 in Imperial Rome (1910)
Readings in Ancient History. Two volumes. Vol. I: Greece and the East (1912). Vol. II: Rome and the West (1913)
A Day in Old Athens: A Picture of Athenian Life (1914). This work was recently adapted by Charles Douglas Smith and republished as Now That You Asked: Ancient Athens (2007)
A History of Mediaeval and Modern Europe for Secondary Schools (with Norman Shaw McKendrick) (1914)
The Roots of the War: A Non-technical History of Europe, 1870–1914, A.D. (with <mask> and Mason W. Tyler) (1918), published in the United Kingdom as Armed Peace (1919)
A History of France from the Earliest Times to the Treaty of Versailles (1919)
A Short History of the Near East, from the Founding of Constantinople (330, A.D. to 1922) (1922)
Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century (1923)
A Day in Old Rome: A Picture of Roman Life (1925)
Europe Since Waterloo (1926).This work was revised and extended four times by Walter Phelps Hall under the title The Course of Europe Since Waterloo (1941, 1947, 1951, 1957). A still later revision by Kurt R. Schmeller was published as Hall & Davis’ The Course of Europe Since Waterloo (1968). The French Revolution as Told in Fiction (1927)
Life in Elizabethan Days: A Picture of a Typical English Community at the End of the Sixteenth Century (posthumous, 1930)

Fiction

A Friend of Caesar: A Tale of the Fall of the Roman Republic (1900). "God Wills It! ": A Tale of the First Crusade (1901)
Belshazzar: A Tale of the Fall of Babylon (1902)
The Saint of the Dragon's Dale: A Fantastic Tale (1903)
A Victor of Salamis: A Tale of the Days of Xerxes, Leonidas, and Themistocles (1907)
The Friar of Wittenberg (1912)
The Beauty of the Purple: A Romance of Imperial Constantinople Twelve Centuries Ago


title: William Stearns Davis

texts:
 (1924)
Falaise of the Blessed Voice (1904), republished as The White Queen (1925)
Gilman of Redford: A Story of Boston & Harvard College on the Eve of the Revolutionary War, 1770–1775 (1927)
The Whirlwind: An Historical Romance . . . of the French Revolution (1929)

Notes

References
Adams, Oscar Faye. A Dictionary of American Authors.5th ed., rev. & enlarged. Boston: Houghton Mifflen, 1904. Rpt. Detroit: Gale Research Co., 1969. The American Historical Review (abbreviated as AHR). "Historical News: Personal".Pub. American Historical Association. Vol. 35, No. 3 (Apr., 1930). Stable URL: https://www.jstor.org/stable/1838466. Accessed: September 9, 2008 10:36.Barnes, Harry Elmer. In Quest of Truth and Justice: De-Bunking the War Guilt Myth. Chicago: National Historical Society, 1928. Blakey, George T.  Historians on the Homefront: American Propagandists for the Great War. Lexington, KY: University Press of Kentucky, 1970.  .
Committee on Public Information (abbreviated as CPI). The War Message and the Facts Behind It: Annotated Text of President Wilson's Message, April 2, 1917. War Information Series No.1 [No. 101 in some listings]. Washington: Government Printing Office, 1917. Google Book Search: "The War Message and the Facts Behind It", accessed October 20, 2008. <mask>, <mask>. Europe Since Waterloo: A Non-technical History of Europe from the Exile of Napoleon to the Treaty of Versailles, 1815–1919. New York: The Century Company, 1926.<mask>, <mask>, with <mask> and Mason W. Tyler. The Roots of the War, A Non-technical History of Europe 1870–1914 A.D.  New York: The Century Company, 1918. Internet Archive: “Roots of the War”, accessed September 25, 2008. Gratton, C. Hartley. “The Historians Cut Loose.”  American Mercury 11.44 (August 1927):414–430. Reprinted New York: Johnson

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Davis
William Stearns
Davis
William Stearns
William Anderson


title: William Stearns Davis

texts:
 Reprint Co., 1968. Krosch, Penelope."<mask>, <mask>." American National Biography. Vol. 6. New York: Oxford University Press, 1999.  .
Kunitz, Stanley J., and Howard Haycraft. "<mask>, <mask>." Twentieth Century Authors: A Biographical Dictionary of Modern Literature.New York: The H. W. Wilson Company, 1942. Lawrence, Alberta, ed. Who's Who Among North American Authors. Vol IV (1929–30), Vol. V (1931–32). Los Angeles: Golden Syndicate Publishing Co.
MacDonald, Quentin. “Fiction that Many Will Read: Falaise of the Blessed Voice”.Book News, an Illustrated Magazine of Literature and Books. Philadelphia: John Wanamaker, publisher. Vol. 23, No. 267 (Nov 1904). Google Book Search: “Falaise of the Blessed Voice”, accessed October 22, 2008. The Nation."Current Fiction". Vol 95:2463 (September 12, 1912). Schmeller, Kurt R.  Hall & <mask>’ The Course of Europe Since Waterloo. Foreword by Th. H. Von Laue. One volume (hardback); two volumes (paperback). New York: Appleton-Century-Crofts, 1968.Survey Associates. The Survey. Vol. 35 (October 1915 – March 1916). Google Book Search, “<mask> <mask>”, accessed October 22, 2008. Tey, Josephine (Elizabeth MacKintosh). The Daughter of Time, 1951.Rpt. in Four, Five, and Six by Tey. New York: The MacMillan Company, 1952.
 Who's Who in America. Ed. Albert Nelson Marquis. vols. iii (1903), xv (1928–29), xvi (1930–31).The <mask> Papers are in the Archives of the University of Minnesota Library, Collection Number UARC 702. External links

1877 births
1930 deaths
American historians
American historical novelists
Worcester Academy alumni
Harvard University alumni
American male novelists
American male non-fiction writers
Writers of historical fiction set in antiquity
Writers of historical fiction set in the Middle Ages
Writers of historical fiction set in

masks:
Davis
William Stearns
Davis
William Stearns
Davis
William Stearns
Davis
Davis


title: Amber Rose

texts:
<mask> (born October 21, 1983) is an American model and television personality. Early life
<mask> was born on October 21, 1983, in Philadelphia, Pennsylvania, to <mask> and Michael Levonchuck. Her father is of Irish and Italian descent and her mother is of Cape Verdean African and maternal Scottish descent from Ayrshire. She has one brother named Antonio Hewlett. <mask> grew up in South Philadelphia. <mask> claimed to have begun stripping at the age of 15 under the pseudonym "Paris", to provide for her family after her parents' divorce. On Van Lathan's "The Red Pill" podcast, she claimed that she also attempted to sell crack cocaine, but wasn't successful.Modeling career
<mask>'s appearance in Young Jeezy and Kanye West's "Put On" video in 2008 caught the attention of West. <mask> then gained more exposure after posing for a Louis Vuitton print advertisement featuring West's sneaker line. <mask> walked the runway at New York Fashion Week for "Celestino". <mask> has also made cameos in music videos such as Nicki Minaj's "Massive Attack", Young Jeezy's "Vacation", Wiz Khalifa's "No Sleep", Fabolous' "You Be Killin' Em", Ludacris' "What Them Girls Like" and Future's "Mask Off". She was signed with modeling agency Ford Models from 2009 to 2010. In 2010, she appeared in Russell Simmons's reality show about his two assistants, Running Russell Simmons. She also starred in a PSA by NOH8 Campaign.In 2011, <mask> was a guest judge on Season 3 of RuPaul's Drag Race. She was also a judge on Season 2 of Master of the Mix. In November 2011, she became the spokesperson for Smirnoff and appeared in television ads and billboards for the company's new flavors Whipped Cream and Fluffed Marshmallow. Musical pursuits

masks:
Amber Rose Levonchuck
Amber Levonchuck
Dorothy Rose
Rose
Rose
Rose
Rose
Rose
Rose
Rose


title: Amber Rose

texts:
<mask> released her debut single "Fame", which features Wiz Khalifa, on January 10, 2012, followed by a second single, titled "Loaded", released on February 6, 2012. She then rapped on the eleventh track of her ex-husband's album O.N.I.F.C., titled "Rise Above", along with rappers Tuki Carter and Pharrell Williams, who produced the song. She was managed by Leticia "Tish" Cyrus, mother of singer Miley Cyrus, who is <mask>'s and her ex-husband Wiz Khalifa's close friend. Business endeavors

In September 2009, <mask> announced plans to launch her own eyewear line.In 2012, <mask> opened a clothing line with her friend Priscilla Ono called Rose & Ono. <mask> guest-starred on an episode of Wild 'N Out on MTV2, and had a role as "MaryWanna" in the film School Dance, which was directed by her manager, Nick Cannon in 2014. Simon & Schuster published her first book, How to Be a Bad Bitch, in which she offers advice and personal anecdotes on everything from finances and career to love and fashion. The cover features an image shot by famed photographer David LaChapelle. In 2015, <mask> filmed "Walk of No Shame with <mask>" with Funny or Die. The viral video helped promote <mask>'s SlutWalk, which took place on October 3, 2015, in Los Angeles, California. In March 2016, <mask> launched an emoji app called MuvaMoji, featuring 900 emoji icons that she curated.In May 2016, it was announced that <mask> would star in her own talk show entitled The <mask> Show on VH1, which debuted on July 8, 2016. On September 8, 2016, <mask> began hosting Loveline. Dancing with the Stars
On August 30, 2016, <mask> was announced as one of the celebrities who would compete on the 23rd season of Dancing with the Stars. She was

masks:
Rose
Rose
Rose
Rose
Rose
Rose
Amber Rose
Rose
Rose
Rose
Amber Rose
Rose
Rose


title: Amber Rose

texts:
 partnered with professional dancer Maksim Chmerkovskiy. They were eliminated on October 17 and finished in 9th place. Personal life

Relationships
<mask> dated rapper Kanye West for two years, starting in 2008. She began dating rapper Wiz Khalifa in early 2011.The couple got engaged on March 1, 2012, and married on July 8, 2013. Their son was born in 2013. <mask>, Khalifa, and their son divided their time between homes in Los Angeles and Canonsburg, Pennsylvania. <mask> filed for divorce from Khalifa on September 22, 2014, citing irreconcilable differences and planned to take full custody of their son. As of 2015, <mask> and Khalifa have joint custody of their son. Beginning in summer 2017, <mask> was dating rapper 21 Savage. As of March 2018, the couple have separated.In 2009, in regard to her sexual orientation, <mask> stated, "I'm extremely open with my sexuality. I can be in love with a woman, I can be in love with a man. As far as humans go, I definitely find beauty in everybody, whether they're heavy-set, super-skinny, if they're white, black, Indian, Asian, Spanish. I can see beauty in anybody. If I see a woman and I think she's beautiful and I like her, and she likes me back we can definitely try to be in a relationship together." In 2016, <mask> disclosed to guest Margaret Cho during an episode of her podcast Love Line with <mask> that she once dated a trans man. On April 3, 2019, <mask> disclosed via an Instagram post that she is expecting a baby boy with Def Jam record label executive Alexander Edwards.In October 2019, <mask> gave birth to a son. SlutWalk
On October 3, 2015, <mask> led the Los Angeles-based SlutWalk to honor all women who have been judged and demeaned for their sexual

masks:
Rose
Rose
Rose
Rose
Rose
Rose
Rose
Amber Rose
Rose
Rose
Rose


title: Amber Rose

texts:
 behavior. As part of the event, <mask> spoke publicly about the instances of shaming she has experienced, specifically mentioning an incident at the age of 14, when a male classmate pulled his genitals out while in a closet with her playing the kissing game "seven minutes in heaven". <mask> related that he tricked her into kneeling down in front of him, then threw open the closet door for all of their friends to see, suggesting oral sex had taken place. <mask> grew visibly agitated while speaking about the bullying that followed, demonstrating for her audience the depth of the trauma the experience caused. <mask> has since been associated with the event annually. Filmography

References

External links

<mask> at SKAM Artist

1983 births
Living people
Actresses from Philadelphia
American cosmetics businesspeople
American female erotic dancers
American erotic dancers
American people of Cape Verdean descent
American people of Irish descent
American people of Italian descent
American people of Scottish descent
American women podcasters
American podcasters
American socialites
21st-century American actresses
Hip hop models
Businesspeople from Pennsylvania
Musicians from Philadelphia
People from Canonsburg, Pennsylvania
LGBT people from Pennsylvania
LGBT actresses
21st-century LGBT

masks:
Rose
Rose
Rose
Rose
Amber Rose


title: Eugène Atget

texts:
<mask> (; 12 February 1857 – 4 August 1927) was a French flâneur and a pioneer of documentary photography, noted for his determination to document all of the architecture and street scenes of Paris before their disappearance to modernization. Most of his photographs were first published by Berenice Abbott after his death. Though he sold his work to artists and craftspeople, and became an inspiration for the surrealists, he did not live to see the wide acclaim his work would eventually receive. Biography

Jean-<mask>-<mask> was born 12 February 1857 in Libourne. His father, carriage builder Jean-<mask>, died in 1862, and his mother, <mask> née Hourlier died shortly after; he was an orphan at age seven. He was brought up by his maternal grandparents in Bordeaux and after finishing secondary education joined the merchant navy. <mask> moved to Paris in 1878.He failed the entrance exam for acting class but was admitted when he had a second try. Because he was drafted for military service he could attend class only part-time, and he was expelled from drama school. Still living in Paris, he became an actor with a travelling group, performing in the Paris suburbs and the provinces. He met actress Valentine Delafosse Compagnon, who became his companion until her death. He gave up acting because of an infection of his vocal cords in 1887, moved to the provinces and took up painting without success. When he was thirty he made his first photographs, of Amiens and Beauvais, which date from 1888. In 1890, Atget moved back to Paris and became a professional photographer, supplying documents for artists: studies for painters,

masks:
Eugène Atget
Eugène
Auguste Atget
Eugène Atget
Clara Adeline Atget
Atget


title: Eugène Atget

texts:
 architects, and stage designers.Starting in 1898, institutions such as the Musée Carnavalet and the Bibliothèque historique de la ville de Paris bought his photographs. The latter commissioned him ca. 1906 to systematically photograph old buildings in Paris. In 1899 he moved to Montparnasse. While being a photographer <mask> still called himself an actor, giving lectures and readings. During World War I <mask> temporarily stored his archives in his basement for safekeeping and almost completely gave up photography. Valentine's son Léon was killed at the front.In 1920–21, he sold thousands of his negatives to institutions. Financially independent, he took up photographing the parks of Versailles, Saint-Cloud and Sceaux and produced a series of photographs of prostitutes. Berenice Abbott, while working with Man Ray, visited Atget in 1925, bought some of his photographs, and tried to interest other artists in his work. She continued to promote Atget through various articles, exhibitions and books, and sold her Atget collection to the Museum of Modern Art in 1968. In 1926, Atget's partner Valentine died, and before he saw the full-face and profile portraits that Abbott took of him in 1927, showing him “slightly stooped…tired, sad, remote, appealing”, Atget died on 4 August in 1927, in Paris. Photographic practice

Atget took up photography in the late 1880s, around the time that photography was experiencing unprecedented expansion in both commercial and amateur fields. Atget photographed Paris with a large-format wooden bellows camera with a rapid rectilinear lens, an instrument that was fairly current when he took

masks: Atget Atget


title: Eugène Atget

texts: it up, but which he continued to use even when hand-held and more efficient large-format cameras became available.The optical vignetting often seen at some corners of his photographs is due to his having repositioned the lens relative to the plate on the camera—exploiting one of the features of bellows view cameras as a way to correct perspective and control perspective and keep vertical forms straight. The negatives show four small clear rebates (printing black) where clips held the glass in the plate-holder during exposure. The glass plates were 180×240mm Bande Bleue (Blue Ribbon) brand with a general purpose gelatin-silver emulsion, fairly slow, that necessitated quite long exposures, resulting in the blurring of moving subjects seen in some of his pictures. Interest in <mask>'s work has prompted the recent scientific analysis of <mask>'s negatives and prints in Parisian collections and in the Philadelphia Museum of Art. In Intérieurs Parisiens, a series of photographs he took for the Bibliotéque Nationale, he included a view of his own simple darkroom  with trays for processing negatives and prints, a safelight, and printing frames. After taking a photograph, Atget would develop, wash, and fix his negative, then assign the negative to one of his filing categories with the next consecutive number that he would write the negative number in graphite on the verso of the negative and also scratch it into the emulsion. He contact-printed his negatives onto pre-sensitized, commercially available printing-out papers; albumen paper, gelatin-silver printing-out paper, or two types of matte albumen paper that he used


title: Eugène Atget

texts:
 mainly after WW1.The negative was clamped into a printing frame under glass and against a sheet of albumen photographic printing out paper, which was left out in the sun to expose. The frame permitted inspection of the print until a satisfactory exposure was achieved, then Atget washed, fixed and toned his print with gold toner, as was the standard practice when he took up photography. Atget did not use an enlarger, and all of his prints are the same size as their negatives. Prints would be numbered and labelled on their backs in pencil then inserted by the corners into four slits cut in each page of albums. Additional albums were assembled based on a specific themes that might be of interest to his clients, and separate from series or chronology. Subject matter

By 1891 Atget advertised his business with a shingle at his door, remarked later by Berenice Abbott, that announced “Documents pour Artistes”. Initially his subjects were flowers, animals, landscapes, and monuments; sharp and meticulous studies centred simply in the frame and intended for artists' use.<mask> then embarked on a series of picturesque views of Paris which include documentation of the small trades in his series Petits Métiers. He made views of gardens in the areas surrounding Paris, in the summer of 1901, photographing the gardens at Versailles, a challenging subject of large scale and with combinations of natural and architectural and sculptural elements which he would revisit until 1927, learning to make balanced compositions and perspectives. Early in the 1900s, <mask> began to document “Old Paris,” reading extensively in order to


title: Eugène Atget

texts: sympathetically focus on Paris architecture and environments dating prior to the French Revolution, concern over the preservation of which ensured him commercial success. He framed the winding streets to show the historic buildings in context, rather than making frontal architectural elevations. <mask>'s specialisation in imagery of Old Paris expanded his clientele. Amongst his scant surviving documents was his notebook, known by the word Repertoire on its cover (the French repertoire meaning a thumb-indexed address book or directory, but also defined, aptly in actor <mask>'s case, as 'a stock of plays, dances, or items that a company or a performer knows or is prepared to perform'). The book is now in the MoMA collection, and in it he recorded the names and addresses of 460 clients; architects, interior decorators, builders and their artisans skilled in ironwork, wood panelling, door knockers, also painters, engravers, illustrators, and set designers, jewellers René Lalique and Weller, antiquarians and historians, artists including Tsuguharu Foujita, Maurice de Vlaminck and Georges Braque, well-known authors, editors, publishers Armand Colin and Hachette, and professors, including the many who donated their own collections of his photographs to institutions.The address book lists also contacts at publications, such as L’Illustration, Revue Hebdomadaire, Les Annales politiques et litteraires, and l’Art et des artistes. Institutional collectors of Old Paris documents, including archives, schools, and museums were also a keen clientele and brought him commercial success, with commissions from the Bibliotèque


title: Eugène Atget

texts:
 Historique de la Ville de Paris in 1906 and 1911 and the sale of various albums of photographs to the Bibliotèque Nationale

Atget's photographs attracted the attention of, and were purchased by, artists such as Henri Matisse, Marcel Duchamp and Picasso in the 1920s, as well as Maurice Utrillo, Edgar Degas and André Derain, some of whose views are seen from identical vantage-points at which Atget took pictures, and were likely made with the assistance of his photographs bought from the photographer for a few cents. By the end of his career, Atget had worked methodically and concurrently on thirteen separate series of photographs including 'Landscape Documents', 'Picturesque Paris', 'Art in Old Paris', 'Environs', 'Topography of Old Paris', 'Tuileries', 'Vielle France', 'Interiors', 'Saint Cloud', 'Versailles', 'Parisian Parks', 'Sceaux' and a smaller series on costumes and religious arts, returning to subjects after they had been put aside for many years. Surrealist appropriation
Man Ray, who lived on the same street as Atget in Paris, the rue Campagne-Première in Montparnasse purchased and collected almost fifty of Atget's into an album embossed with the name 'Atget', "coll. Man Ray" and a date, 1926. He published several of Atget's photographs in his La Révolution surréaliste; most famously in issue number 7, of 15 June 1926, his Pendant l’éclipse made fourteen years earlier and showing a crowd gathered at the Colonne de Juillet to peer through various devices, or through their bare fingers, at the Solar eclipse of 17 April 1912. Atget however did not regard himself as a Surrealist.When Ray asked <mask> if he


title: Eugène Atget

texts:
 could use his photo, Atget said: "Don't put my name on it. These are simply documents I make." Man Ray proposed that Atget's pictures of staircases, doorways, ragpickers, and especially those with window reflections and mannequins, had a Dada or Surrealist quality about them. Recognition in America

After <mask>'s death his friend, the actor André Calmettes, sorted his work into two categories; 2,000 records of historic Paris, and photographs of all other subjects. The former, he gave to the French government; the others he sold to the American photographer Berenice Abbott,

Atget created a comprehensive photographic record of the look and feel of nineteenth-century Paris just as it was being dramatically transformed by modernization, and its buildings were being systematically demolished. When Berenice Abbott reportedly asked him if the French appreciated his art, he responded ironically, "No, only young foreigners." While Ray and Abbott claimed to have 'discovered' him around 1925, he was certainly not the unknown 'primitive' 'tramp' or 'Douanier Rousseau of the street' that they took him for; he had, since 1900, as counted by Alain Fourquier, 182 reproductions of 158 images in 29 publications and had sold, between 1898 and 1927 and beyond the postcards he published, sometimes more than 1000 pictures a year to public institutions including the Bibliothèque Nationale, Bibliothèque Historique de la Ville de Paris, Musée Carnavalet, Musée de Sculpture Comparé, École des Beaux-Arts, the Directorate of Fine Arts and others.During the Depression in the 1930s Abbott sold half of her collection to Julian Levy, who


title: Eugène Atget

texts:
 owned a gallery in New York. Since he had difficulty selling the prints, he allowed Abbott to keep them in her possession. In the late 1960s Abbott and Levy sold the collection of Atgets to The Museum of Modern Art. As MoMA bought it, the collection contained 1415 glass negatives and nearly 8,000 vintage prints from over 4,000 distinct negatives. The publication of his work in the United States after his death and the promotion of his work to English-speaking audiences was due to Berenice Abbott. She exhibited, printed and wrote about his work, and assembled a substantial archive of writings about his portfolio by herself and others. Abbott published Atget, Photographe de Paris in 1930, the first overview of his photographic oeuvre and the beginning of his international fame.She also published a book with prints she made from Atget's negatives: The World of Atget (1964). Berenice Abbott and <mask> was published in 2002. As the city and architecture are two main themes in Atget's photographs, his work has been commented on and reviewed together with the work of Berenice Abbott and Amanda Bouchenoire, in the book Architecture and Cities. Three Photographic Gazes, where author Jerome Saltz analyzes historicist perspectives and considers their aesthetic implications: "(...) the three authors coincide in the search for and exaltation of intrinsic beauty in their objectives, regardless of quality and clarity of their references." Legacy
In 1929, eleven of <mask>'s photographs were shown at the Film und Foto Werkbund exhibition in Stuttgart. The U.S. Library of Congress has some 20 prints made by Abbott in 1956. The

masks:
Eugene Atget
Atget


title: Eugène Atget

texts: Museum of Modern Art purchased the Abbott/Levy collection of <mask>'s work in 1968.MoMA published a four-volume series of books based on its four successive exhibitions of <mask>'s life and work, between 1981 and 1985. In 2001, the Philadelphia Museum of Art acquired the Julien Levy Collection of Photographs, the centerpiece of which includes 361 photographs by Atget. Many of these photographs were printed by Atget himself and purchased by Levy directly from the photographer. Others arrived in Levy's possession when he and Berenice Abbott entered a partnership to preserve Atget's studio in 1930. Eighty-three prints in the Levy Collection were made by Abbott posthumously as exhibition prints that she produced directly from Atget's glass negatives. Additionally, the Levy Collection included three of Atget's photographic albums, crafted by the photographer himself. The most complete is an album of domestic interiors titled Intérieurs Parisiens Début du XXe Siècle, Artistiques, Pittoresques & Bourgeois.The other two albums are fragmentary. Album No. 1, Jardin des Tuileries has only four pages still intact, and the other lacks a cover and title but contains photographs from numerous Parisian parks. In total, the Philadelphia Museum of Art holds approximately 489 objects attributed to <mask>. Atget, a Retrospective was presented at the Bibliothèque Nationale of Paris in 2007. The Atget crater on the planet Mercury is named after him, as is Rue <mask> in the 13th arrondissement of Paris. Although no statement by Atget about his technique or aesthetic approach survives, he did sum up his life's work in a letter to the

masks:
Atget
Atget
Atget
Eugène Atget


title: Eugène Atget

texts:
 Minister of Fine Arts;

Copyright
The U.S. Library of Congress was unable to determine the ownership of the twenty Atget photographs in its collection, thus suggesting that they are technically orphan works.Abbott clearly had a copyright on the selection and arrangement of his photographs in her books, which is now owned by Commerce Graphics. The Library also stated that the Museum of Modern Art, which owns the collection of Atget's negatives, reported that Atget had no heirs and that any rights on these works may have expired. Collections
The Art Institute of Chicago, Chicago, IL
International Center of Photography – New York, NY
 International Photography Hall of Fame – St. Louis, MO
 The J. Paul Getty Museum – Los Angeles, CA

Gallery

Notes and references

Bibliography

<mask>, <mask>. Atget: Photographe de Paris (Paris, 1930)
Badger, Gerry. "Eugene Atget: A Vision of Paris" British Journal of Photography 123, no 6039 (23 April 1976): 344–347. Barberie, Peter. Looking at Atget (New Haven and London, Yale University Press, 2005) 53–56
Barbin, Pierre.Colloque Atget (Paris: Collège de France, 1986). Buerger, Janet E. The Era of the French Calotype (New York: International Museum of Photography at George Eastman House, 1982). Buisine, Alain. <mask>get ou la melancolie en photographie (Nîmes: Editions Jacqueline Chambon, 1994). Kozloff, Max. "Abandoned and Seductive: Atget's Streets" in The Privileged Eye: Essays on Photography (Albuquerque: University of New Mexico Press, 1987). Koetzle, Hans-Michel.Photographers A–Z (Taschen, 2011)
Krase, Andreas. Archive of Visions – Inventory of Things: <mask>'s Paris

masks:
Atget
Eugène
Eugène At
Eugene Atget


title: Eugène Atget

texts:
Leroy, Jean. Atget: Magicien du vieux Paris en son époque (Paris: P.A.V., 1992). Nesbit, Molly. Atget's Seven Albums (New Haven: Yale University Press, 1992). Reynaud, Françoise. Les voitures d'Atget au musée Carnavalet (Paris: Editions Carre, 1991).Rice, Shelley. Parisian Views (Cambridge: MIT Press, 1997). Russell, John. "Atget", The New York Times Magazine, 13 September 1981. Szarkowski, John. Atget (New York: The Museum of Modern Art, 2000). Szarkowski, John and Maria Morris Hamburg.The Work of Atget: Volume 1, Old France (New York: The Museum of Modern Art, 1981). Szarkowski, John and Maria Morris Hamburg. The Work of Atget: Volume 2, The Art of Old Paris (New York: The Museum of Modern Art, 1982). Szarkowski, John and Maria Morris Hamburg. The Work of Atget: Volume 3, The Ancien Régime (New York: The Museum of Modern Art, 1983). Szarkowski, John and Maria Morris Hamburg. The Work of Atget: Volume 4, Modern Times (New York: The Museum of Modern Art, 1985).Saltz, Jerome. Estructura y armonía. Ciudades y arquitecturas. Tres visiones fotográficas: <mask>, Berenice Abbott, Amanda Bouchenoire" (México: Greka Editions. Schedio Biblio, 2020). The World of Atget, 1964.Atget's Gardens: A Selection of <mask>'s Garden Photographs, 1979.Eugene Atget: A Selection of Photographs from the Collection of Musee Carnavalet, Paris'', 1985. External links

Atget collection in the Eastman Museum
<mask> at Luminous Lint
Eugene Atget and Haunted Paris: Trees, Parks and Architecture
Atget's Portfolio at Photography-now
Rauschenberg rephotographs, a project to reconstruct some of Atget's photographs nearly 100 years

masks:
Eugène Atget
Eugene Atget
Eugène Atget


title: Eugène Atget

texts:
 later
"Photography View: <mask> – His Art Bridged Two Centuries," New York Times, March 10, 1985
Bibliothèque numérique INHA – Fonds photographique <mask>get de l'ENSBA
Estructura y armonia.Ciudades y arquitecturas. Tres visiones fotograficas: <mask>, Berenice Abbott, Amanda Bouchenoire

1857 births
1927 deaths
People from Libourne
Pioneers of photography
Landscape photographers
Street photographers
Architectural photographers
19th-century French

masks:
Eugene Atget
Eugène At
Eugene Atget


title: Aris Alexanian

texts:
<mask> (Արիստակէս Ղուկաս Ալիքսանեան) (1901–June 27, 1961) was a noted world traveller, prominent Armenian Canadian and business man. Also referred to in articles and publications as A. L. Alexanian and <mask>. Alexanian. Early life
Little is known of Alexanian's early life. He was born in Ağın in the Ottoman Empire in 1901. His exact date of birth is unknown. He was orphaned at an early age with the untimely death of both his parents. He went into hiding for 6 months, in the Anatolia region of the empire, to escape from the Armenian genocide.He was shot and wounded during this period. Eventually he was able to escape. He arrived in New York City in 1920 and then moved to Canada in 1921. Armenian Boys' Farm
In 1923 Alexanian moved to Georgetown, Ontario, to become a teacher and assistant superintendent at a school and farm for Armenian orphans called the Armenian Boys' Farm. The boys were victims of the Armenian genocide. Between 1900 and 1914 Canada took in some 1500 Armenian refugees. Then in the early 1920s thousands more came to Canada, including a group that came to be called the Georgetown Boys.The Georgetown school took in 110 boys who were educated and trained for farming. During this period Alexanian founded and organized the publishing of a monthly newsletter called "Ararat", which featured the art and writing of the orphan boys. The newsletter helped develop the English language skills of the boys before it was transformed into an Armenian-only publication. Alexanian was included as a character in a play set around the Georgetown orphanage. The play "The Georgetown Boys" was premiered at the John Elliot Theatre in Georgetown in 2008. Alexanian is also featured as a character in a children's book titled "Call Me Aram", which is also about the Georgetown Boys. More recently he was portrayed as a character in a musical titled "The Georgetown Boys: A Musical" performed at the John F. Kennedy Center for the Performing Arts in April 2009.Marriage and Family
In

masks:
Aris Luke Alexanian
Aris L


title: Frank Zane

texts:
<mask> (born June 28, 1942) is an American retired professional bodybuilder and author. He is a three-time Mr. Olympia, and his physique is considered one of the greatest in the history of bodybuilding due to his meticulous focus on symmetry and proportion. He was inducted in the IFBB Hall of Fame in 1999. Biography
<mask> was born in Kingston, Pennsylvania on June 28, 1942. He started bodybuilding as a teenager after reading Muscle Magazine. He went from  at 14 to  at 17 through weightlifting. In 1964, he received a Bachelor of Science from Wilkes University.For 13 years, he taught mathematics and chemistry while living in Florida and California. He also taught mathematics and chemistry at Watchung Hills Regional High School (in New Jersey) for the 1965–1966 school year. He earned a bachelor's degree in psychology from California State University, Los Angeles in 1977. <mask> was awarded a master's degree in experimental psychology from California State University, San Bernardino in 1992. Bodybuilding career
<mask> is a three-time Mr. Olympia (1977 to 1979). His reign represented a shift in emphasis from mass to aesthetics. <mask>'s physique featured the second-thinnest waistline of all the Mr. Olympias (after Sergio Oliva), with his wide shoulders making for a distinctive V-taper.He stood at  and had a competition weight of less than 190 pounds when he won all three of his Mr. Olympias. He was given the nickname "The Chemist" due to his Bachelor of Science degree and, as he puts it: "Back in the day I took a lot of supplements and tons of amino acids. Still do. But back then it was pretty unusual. That's how I got the nickname The Chemist." He famously trained with light weights which saw him to many victories, but Joe Weider urged him to train with heavier weights. <mask> then found the size necessary for success at the Olympia.After his three consecutive Mr. Olympia titles came the 1980 Mr. Olympia. Shortly before the competition he suffered a poolside accident in his

masks:
Frank Zane
Zane
Zane
Zane
Zane
Zane


title: Frank Zane

texts: home and he lost  of muscle mass. This saw the end to his reign, as Arnold Schwarzenegger controversially placed at the top of the podium in his comeback, with <mask> in third. <mask> is one of only three men to have beaten Schwarzenegger (with Chester Yorton and Sergio Oliva) in a bodybuilding contest and one of the very few Mr. Olympia winners under . Overall, he competed for over 20 years (retiring after the 1983 Mr. Olympia) and won Mr. America, Mr. Universe, Mr. World, and Mr. Olympia during his career. In 1985, <mask> and his wife Christine owned and operated "Zane Haven" in Palm Springs, California where they conducted one-on-one sessions with clients who wished to possess a symmetrical physique. Today, the <mask>s live in San Diego, California, and his learning center is now called "Zane Experience".He is the founder of Zane Gallery in Laguna Beach, CA which features bodybuilding art and photography and is dedicated to bringing Golden Era Bodybuilding back into the mainstream. In addition to this, he operates a commerce site selling books, supplements and training equipment. In 1994, <mask> was inducted into the Joe Weider Hall of Fame. Since 1998, <mask> has written a newsletter entitled Frank <mask> Newsletter, that provides the latest information in all aspects of bodybuilding. He received the Arnold Schwarzenegger Lifetime Achievement Award at the 2003 Arnold Classic for his dedication and longtime support of the sport. In 2005, <mask> played the IFBB Announcer and worked as the consulting producer in the movie "See Arnold Run". As of 2006, <mask> currently runs his own website, and appears at seminars and book signings.In 2011 <mask> appeared in the documentary Challenging Impossibility describing the weightlifting odyssey of spiritual teacher and peace advocate Sri Chinmoy. The film was an official selection of the 2011 Tribeca Film Festival. In June 2020, <mask> began filming a feature documentary on his life directed and produced by filmmaker Alex

masks:
Zane
Zane
Frank
Zane
Zane
Zane
Zane
Zane
Zane
Frank Zane
Frank Zane


title: Antonio Donnarumma

texts:
<mask> (; born 7 July 1990) is an Italian professional footballer who plays as a goalkeeper for  club Padova. Club career

Early career
A native of Castellammare di Stabia, <mask> started his football career with local team Juve Stabia, before joining AC Milan at the age of 15. He spent five seasons in the club's youth system and he was a member of the under-17 squad who won the Campionato Nazionale Allievi in 2007, as well as a member of the under-20 side who claimed the Coppa Italia Primavera in 2010, 25 years after the team's last success in the competition – though he missed the second leg of the final through suspension. <mask> was also selected five times for first-team games since 2008, but eventually he was never fielded nor named on the bench. In spite of that, Milan Youth Department Manager Filippo Galli hinted that the young goalkeeper might have been ready to join the first team permanently. Piacenza
In the end, however, <mask> was loaned out to Serie B club Piacenza for the 2010–11 season, in order to gain some first team experience. He made his official debut for the club on 14 August 2010, in the second preliminary round of the Coppa Italia against Virtus Lanciano; he played the whole 120 minutes, as Piacenza won 5–3 after extra time.However, the next week he was dropped in favour of Mario Cassano for the first league game of the season. His second appearance came on 27 October, in the third preliminary round of the Coppa Italia against Serie A club Cagliari; despite his team suffering a 3–0 defeat, <mask>'s performance was considered good. <mask> continued to serve as Cassano's understudy throughout the season, but with two games remaining Cassano was given a

masks:
Antonio Donnarumma
Donnarumma
Donnarumma
Donnarumma
Donnarumma
Donnarumma


title: Antonio Donnarumma

texts:
 three-game ban for insulting a referee. This allowed <mask> to make his Serie B debut on 21 May 2011, in a home game against Albinoleffe; although he pulled off some good saves in the first half, Piacenza lost the game 3–1. The following week, he was still in the starting line up, as his team suffered a 1–0 loss to Varese. Piacenza finished the season in 19th place and were set to play a relegation play–off against Albinoleffe. <mask> played in the first leg, keeping a clean sheet in a 0–0 draw, but he was benched in favour of the returning Cassano for the second leg, a 2–2 away draw, which meant Piacenza were relegated to Prima Divisione.Gubbio
For the 2011–12 season, AC Milan sent Donnarumma to newly promoted Serie B club Gubbio on another loan spell, with an option to sign the player on a permanent basis the following season. <mask> made his official debut for the club on 15 August 2011, in the second preliminary round of the Coppa Italia against Benevento; he played the whole 120 minutes of a 2–2 extra time draw and then pulled off two saves in the penalty shoot-out, helping his team to win 3–2. The following week, he made a couple of crucial saves in a 4–3 win over Atalanta in the third preliminary round. <mask> retained his place in the starting line up also for the first league game of the season, a 2–0 away loss to Grosseto, on 27 August. He went on to make 37 league appearances throughout the 42-game season, as Gubbio finished second-to-last in the table and were relegated to Prima Divisione. While answering questions from fans during a live chat session on 30 May 2012, <mask> stated that he was "99.9% sure" he would sign an extension to his contract with Milan, which was

masks: Donnarumma Donnarumma Donnarumma Donnarumma Donnarumma


title: Antonio Donnarumma

texts:
 due to expire the following year. However, he also pointed out that he was "not going to stay at Milan to be the third-choice goalkeeper" and instead he would prefer to spend another season on loan in order to play regularly, hopefully with "a Serie B team that fights for promotion".Genoa
Despite his earlier statements, on 31 August 2012 – transfer deadline day – <mask> was transferred to Serie A club Genoa for a €1.8 million transfer fee on a 3-year contract, as a part of a deal which saw youth prospect Johad Ferretti join Milan, also for a €1.8 million transfer fee. <mask> spent the season as the third-choice goalkeeper behind Sébastien Frey and Alexandros Tzorvas, making his only one appearance and Serie A debut in a 0–0 draw at Bologna on the last day. He kept the same role in the following season, backing up his new teammates Mattia Perin and Albano Bizzarri. Despite not making a single appearance throughout the season, in February he signed an extension to his contract with Genoa until 2018. Bari
For the 2014–15 season, <mask> moved to Serie B club Bari on loan. He started the season as the regular goalkeeper for the side, before losing out his place in the line-up to Enrico Guarna in mid-February. Asteras Tripolis
On 27 July 2016, <mask> moved to Superleague Greece club Asteras Tripoli on a three-year contract for an undisclosed fee.On 30 October 2016, he made his debut with the club in a home cup game against Veria. Return to AC Milan
On 12 July 2017, <mask> re-joined his brother Gianluigi at AC Milan, signing a four-year deal. Due to injuries to both Milan's first choice keeper and Donnarumma's brother, Gianluigi, as well as the club's second goalkeeper, Marco Storari,


title: Antonio Donnarumma

texts:
 <mask> made his Milan debut on 27 December 2017 against Inter Milan in a Derby della Madonnina match in the Coppa Italia, keeping a clean sheet over 120 minutes in a 1–0 victory after extra time. He made his European debut on 22 February 2018, in the second leg of a 1–0 home victory over Ludogorets in the round of 32 of the Europa League. After a season without appearances, <mask> was rumored to have been placed on the transfer market, primarily due to his unusually high yearly salary of €1 million for a third-choice goalkeeper. However, as no transfer move happened during the summer of 2019, he remained in the squad. On 15 January 2020, <mask> made his third appearance for the club in a 3–0 home win against S.P.A.L.in the round of 16 of Coppa Italia, once again keeping a clean sheet. As a result, he became the first goalkeeper in Milan's history not to concede goals within 300 minutes of play since the debut appearance. Padova
On 20 August 2021, <mask> moved to Padova. Personal life
He has a younger brother, Gianluigi, who currently plays for Paris Saint Germain. The pair played together for Milan from 2017 to 2021. Career statistics

References

External links
 <mask> at aic.football.it

1990 births
Living people
People from Castellammare di Stabia
Footballers from Campania
Italian footballers
Association football goalkeepers
Serie A players
Serie B players
Serie C players
S.S. Juve Stabia players
A.C. Milan players
Piacenza Calcio 1919 players
A.S. Gubbio 1910 players
Genoa C.F.C. players
S.S.C.Bari players
Calcio Padova players
Super League Greece players
Asteras Tripolis F.C. players
Italian expatriate footballers
Italian expatriate sportspeople in Greece
Expatriate

masks:
Antonio
Donnarumma
Donnarumma
Donnarumma
Antonio Donnarumma


title: Rik Fox

texts:
Richard Suligowski (born December 28, 1955), better known today as <mask>, is an American heavy metal bassist. He was active mainly during the 1970s and 1980s, in the New York City and Hollywood area rock and metal scenes. Early life
<mask> was born in Amityville, New York, on Long Island, and raised in the Polish neighborhood of Greenpoint, Brooklyn. While in high school, <mask> was interested in rock music and photography, choosing as his subjects, the flashy personalities of the New York City glam scene of the early 1970s. Among many other famous New York City bands performing on the city's club scene at such famous locales as Max's Kansas City and CBGB (clubs he would also later perform in with a group he joined during the height of the New York City club scene marking his professional debut on Halloween in 1975 at Max's, the Martian Rock Band), he also photographed early Kiss. During this period, he dated a younger sister of original Kiss drummer Peter Criss. <mask> and Criss became friends and <mask> witnessed the formation of legendary rock band Kiss from the very beginning, including the addition of lead guitarist Ace Frehley.During his formative club band years, after establishing himself on the 'scene', with the Martian Rock Band and performing at the famed NYC club Max's Kansas City and CBGB, in 1976, <mask> found himself joining a well-established New Jersey glam-heavy club band making the rounds named Virgin. Virgin eventually became known as SIN upon <mask>'s suggested band name change. From the band's biography: "SIN was

masks:
Rik Fox
Fox
Fox
Fox
Fox
Fox
Fox


title: Rik Fox

texts:
 originally formed in New York/New Jersey in 1976 -77, coming out of the ashes of New Jersey club circuit bands VIRGIN and LUST, with the name SIN first being coined by bassist <mask> <mask>, bringing with him, drummer Basil Stanley (Stan Bassel from Long Island), joining Ian Criss and Keith (Vinny Matthews) Starz. In this line-up the band performed until 1978-79, when Criss left to join another band called Angelface. <mask> retained the rights to the name SIN and, after moving to L.A. in 1982 to join Sister and name the heavy metal band W.A.S.P. After departing W.A.S.P., <mask> networked around L.A. and eventually rehearsed for a short time with both Warlord and Hellion (although never recording or performing live with either band), eventually joining Steeler for one album and after leaving Steeler,  with now-proven club-drawing power, reformed two Los Angeles versions of SIN once again." Career

W.A.S.P.After moving to Los Angeles, California, at the invitation of Blackie Lawless, and arriving on February 4, 1982, <mask> played bass-guitar in several bands, including Steeler, Sin, and W.A.S.P.. Although the band was called Sister upon his arrival, relatively speaking, he was only associated with W.A.S.P. for four months, February 1982-the end of May, 1982), and recorded a 'live' three-track cassette demo. He came up with the name "W.A.S.P. ", (there were no periods in the band name at this time—which was validated in an interview by former W.A.S.P. guitarist Randy Piper). The idea is said to have occurred to him after he stepped on a wasp

masks: Rik Fox Fox Fox Fox


title: Rik Fox

texts: in the courtyard of the house where he lived with band leader Blackie Lawless.The story of W.A.S.P. is retold in the books Bang Your Head: The Rise and Fall of Heavy Metal by David Konow, and "W.A.S.P. ; A Sting in the Tale" by Darren P. Upton, As stated, this is confirmed by W.A.S.P. guitarist Randy Piper at a time of Piper's height of drug and alcohol abuse, as well as in several online interviews with him. On the other hand, some who witnessed the formation of W.A.S.P. explain that <mask> <mask> participated in the band after drummer Tony Richards showed up in the scene; according to Richards, the name was not Circus Circus when he joined the band. <mask> contends that to his recollection, the band was named Sister when he joined.Lawless has since begrudgingly confirmed that <mask> <mask> had indeed, been a band member but, 'only for a couple of rehearsals', which may not be entirely accurate, since <mask> spent some 4 months rehearsing and writing with the band. <mask> is also shown in early band photographs taken by Don Adkins Jr. during the band's first photo session. Causing a firestorm of controversy thirty years later after the fact, despite the grumblings by some die-hard W.A.S.P. fans desperately attempting to re-write a revisionist history of the band, it should be submitted for consideration that, since <mask> created the bands' name while he was, in fact, an early co-founding band member, at that moment of the creation of it becoming the band now-known as W.A.S.P., technically speaking, no matter what happened to the band after

masks: Rik Fox Fox Rik Fox Fox Fox Fox


title: Rik Fox

texts: <mask> left, that historic point still qualifies him as an original founding member along with Lawless, Piper and Richards. All this, has been verified and validated by former W.A.S.P. guitarist Chris Holmes who has stated he agrees to all of the information as being true. Many unverified allegations usually follow band membership changes, and <mask> was no stranger to that.Both Lawless and Richards' narrative, allege that "<mask> <mask> couldn't do it in the band, his playing was just not right", so they "let him go in a very short period of time." Which comes off as plausible, only because of Lawless's career being much stronger. However, <mask>'s bass tracks, found on the now rare, collectible live, 'original' W.A.S.P. 3-track demo recorded at Pipers' studio tell a very different story; showing a very solid and melodic bass style by <mask> and how much Lawless' narrative was apparently incorrectly misinforming the public. Further, it should also be considered that since it is widely recognized that 'power associates itself with power', it is abundantly clear that if <mask> had moved on to a larger successful career, that, thirty years later, nobody would bother attempting to dismiss or dispute his membership in W.A.S.P. ; it would have obviously been openly acknowledged by Lawless. Case in point; New York City guitarist Ivan Kral co-founded the band Blondie and left before the band's first album, similar to <mask>'s relation to W.A.S.P.Nobody contends or disputes that point, but for <mask>'s situation, such is the case of being denied

masks: Fox Fox Rik Fox Fox Fox Fox Fox Fox


title: Rik Fox

texts:
 membership or credit in the band's history. Furthermore, the question has been put forth in many interviews: "What would W.A.S.P. have been called, if not for <mask>'s membership in that first original line-up and suggestion in the first place?" Steeler
After leaving W.A.S.P., <mask> spent a short time rehearsing briefly with both Warlord  and Hellion, and then joined the Ron Keel fronted band Steeler in 1983. He'd put an ad in a Los Angeles music magazine looking for a gig and got a call from Keel himself. <mask> auditioned for Steeler and was offered the job, but before he'd accepted it, he was offered the bassist duties in the band Angel by keyboardist Greg Giuffria. <mask> had a bit of a dilemma, being tempted by Giuffria's offer since Angel was his 'dream band'.After considering both offers, <mask> decided to join the hot, up and coming Steeler. <mask> spent five months in Steeler, long enough to record the self-titled album and play some amazing gigs before being unceremoniously let go from the band. This apparently happened to many musicians in L.A. at the time, known for its 'revolving door' with many players constantly switching membership in bands. The decision to release <mask> was apparently made by Keel and drummer Mark Edwards (who was responsible for informing <mask>) for 'unspecified reasons', and caught <mask> completely by surprise. Considering that the band was gaining huge momentum and doing well, this move confused both <mask> and the fans, with Steeler changing line-ups twice more again within several months before

masks: Fox Fox Fox Fox Fox Fox Fox Fox Fox Fox


title: Rik Fox

texts: finally becoming the band Keel. According to <mask>, Edwards has since spoken with him in 2009 and stated that he "regretted the way the dissolution of the album line-up occurred", further stating that "had that line-up been able to stay together, that a major label signing would definitely have been forthcoming, and the band would have moved to the next plateau of national and international success." <mask> actually received more mileage from his time with Steeler after his tenure with W.A.S.P., and contends that Steeler "was one of the seminal cornerstones of the Hollywood rock scene in the early 1980s."This laid the groundwork that was integral for many of the bands yet to follow, such as Poison and Guns N' Roses, just as the MTV era was being introduced to rock music fans. At the time of the original membership change, after <mask>'s membership was confirmed, Steeler acquired the services of a young, up-an-coming Swedish guitar-whiz virtuoso named Yngwie J. Malmsteen, which gave the band some much-garnered attention, selling out venues and opening for the likes of Hughes/Thrall, Vandenberg, and Quiet Riot at a high point in their respective careers. Unfortunately, Steeler changed their line-up several more times before calling it quits, with Ron Keel eventually forming KEEL under his surname Keel. In addition to the 'classic' Steeler debut album, two more Steeler releases have surfaced over the years in the Steeler legacy: Steeler; Excited '83 (Perkins Palace, Pasadena, CA, USA, supporting Quiet Riot- a rare, excellent quality, live,

masks: Fox Fox Fox


title: Rik Fox

texts:
 collectors bootleg), and the Ron Keel released Metal Generation: The Steeler Anthology. <mask> <mask> appears on all three albums. There are also several YouTube live bootleg Steeler performances recorded off the 'board mix' showing how talented as musicians this band really was. With show host Eddie Trunk admittedly being a big fan of Steelers' (small by comparison but equally integral) contribution to heavy metal music history, the question on the minds of the fans of That Metal Show, is the oversight, 'while Yngwie Malmsteen has been a guest of the show several times, why then, has Steeler (as a band-together) been denied consideration as guests?'*Updated note: May 10, 2019 saw a long-awaited Steeler reunion during the KEELFEST concert event held at the Alrosa Villa club in Columbus, Ohio, featuring legendary guitarist Mitch Perry. Going solo with SIN
Meanwhile, after leaving Steeler, <mask> was now 'on the map' and had a bankable reputation and sizable following, enough to now attempt to sell out clubs on his name alone. And so, <mask> re-founded the band SIN. (This happened when he formed a band and referred back to the band name he used back in his New Jersey club days going back to 1977-SIN). <mask>'s first L.A. line-up began to sell out clubs rapidly drawing attention, following on the heels of his popular notoriety from Steeler. However, within six months, despite recording and releasing a 'heavy' Angel-meets Judas Priest sounding, now-rare, snake-shaped collectors' picture disc single of the Fox/Drossin penned "On the Run" backed


title: Rik Fox

texts: with "Captured in Time", disagreements erupted over a potential new band management direction that <mask> questioned, which resulted in the previously unknown band members beginning to publicly entertain ideas of stealing the SIN band name and kicking <mask> out of his own band and replace him. Things came to a head during recording what would have been their first album when, after apologizing to the producer of these sessions, Bill Metoyer, <mask> stormed out of the session.Wasting no time, <mask> quickly re-formed another line up using three newly relocated members of the New York band, Mongol Horde recording artists Alien, who had recently disbanded in New York, contacted <mask> and came to Los Angeles to join him in reforming a new line-up of SIN. This line-up enjoyed some well-noticed success, and outstandingly outdid his previous band's accomplishments, finding themselves being voted in a Los Angeles music magazine's fans poll for 'The top drawing rock/metal band cumulative for 1984 over Keel, Stryper and Odin.' They headlined in dozens of packed-house concerts and shows, including the annual 'Los Angeles Street Scene' before some 5,000 people. This line-up of Sin also co-headlined a show with Christian metal band Stryper and directly supported a show with his former Steeler bandmate band Ron Keel's band Keel. Doors were now opening for Fox and SIN. After being approached and picked up by Jerry Weintraub's 'Management 3' in Beverly Hills, <mask> was 'advised' (coerced) to replace vocalist Frank C. Starr (see The Four Horsemen) and

masks: Fox Fox Fox Fox Fox Fox


title: Rik Fox

texts:
 drummer Mark Anthony Benquechea who were replaced by musicians of producer Dana Strum's choosing and, with singer Mark Slaughter singing the tracking vocals they entered Encore Studios in 1985 to record album master demos, being produced by Vinnie Vincent bassist Dana Strum (who also produced among other L.A. bands, the band Burn). Showing promise, SIN now began receiving attention from the major record labels.However, despite <mask> trying desperately to keep it together, misfortune struck again and the band's internal chemistry and Management issues caused <mask> to disband Sin which then fell apart. To add insult to injury, producer Strum then openly violated copyright laws by handing over <mask>' song "On the Run" to Vincent Vincent who changed the lyrics and re-recorded it as "Let Freedom Rock" for his own album All Systems Go (Vinnie Vincent Invasion album). When <mask> attempted to sue, Strum threatened with a counter-suit to 'bleed <mask> dry' and then following, Vincent claimed bankruptcy. (See also, the Number 1 fan -voted Decibel Geek Podcast episode: http://dbgeekshow.blogspot.com/2011/07/vinnie-vincent-special-part-1.html ). New band life - Burn and Surgical Steel
Upon the break-up of Sin, <mask> was quickly approached by Niji Management (associated with Wendy Dio, wife of Ronnie James)'s band Burn (formerly Hellion), who shared the same producer (Dana Strum), and was accepted into the band, spending several months rehearsing with them in 1986. Shortly after, the band eventually dismissed their singer, Richard Parico. <mask>

masks: Fox Fox Fox Fox Fox Fox Fox


title: Rik Fox

texts: then approached a fellow New Yorker, former Anthrax lead singer Neil Turbin to offer him the gig, which Turbin turned down in favor of his own project.During a break in rehearsals, <mask> flew to Arizona to scout potential gigs for Burn. At a Loudness concert there, he was approached to join Arizona heavy metal band Surgical Steel, (a band formerly fronted by Jeff Martin later in Badlands and Racer X, and featuring Judas Priest frontman Rob Halford on one of their demos). This meeting led to spending several months performing and recording an album with them and supporting the Lita Ford band for a 1987 New Year's Eve concert. Unfortunately, misfortune struck again when Surgical Steel's financial backing fell through to finish the album, and the recording deal fell through leaving the album unfinished. <mask> eventually left the band, returning to Hollywood, (with apparently no 'playing issues' at fault claimed there, either). <mask> had successfully recorded with Dokken drummer Mick Brown (musician) for the Surgical Steel sessions. <mask> stated in his interviews that "this pattern of bad luck began to take on the appearance of his developing a penchant for joining popular name bands that, despite looking very promising going in, were, in effect, already sinking ships... it began to look like I couldn't stay with a band for very long, which, despite outward appearances, as anyone can easily see, was not the case, since they fell part on their own soon after I left them and I had moved on to other ventures."However, in the waning years of the

masks: Fox Fox Fox Fox


title: Rik Fox

texts:
 1980s, <mask> <mask> has had the good fortune to have shared the stage and performed with some of Rock's Legends, including the late Ronnie James Dio and rock comedian Sam Kinison, Little Steven, Ozzy Osbourne drummer Randy Castillo, as well as Kiss guitarist Mark St. John, and Bruce Springsteen's drummer, ‘Mighty’ Max Weinberg, (in the late 1970s),  Roseanne's John Goodman, producer Jean Beauvoir, as well as the band Warrant and Guns N' Roses, among others at various all-star jams, or, jamming with the likes of Steppenwolf's legendary guitarist Michael Monarch. 1990s

Not one to stand still, despite some mistaken rumors being circulated that <mask> has 'not done anything significant since he left Steeler', nothing could be further from the truth; <mask>'s music career may have taken a slight turn, but never entirely ended. After he abandoned his last popular band, Thunderball, and then Flyboyz, in the early 1990s. He abandoned his 'pretty-boy look' and played in a local, low-key Hollywood band Wiseguys, radically camouflaging himself into a rather incognito image that better fit the band Ministry, than the more Glam-looking bands he created or performed with. Seeing the writing on the wall, with the arena styled rock music of the 1980s being phased out in the 1990s, many musicians began to look elsewhere for employment to survive, and so, <mask> began to broaden his horizons and take a personal break from music for a while, and try some new ventures. New interests
After having served five years in the California State Military Reserve


title: Rik Fox

texts:
 (which is a lower civilian branch of the U.S. Army), as a radio operator/communications NCO with the rank of E4 (Corporal), his interest moved on in all things military, which brought him to working in the film industry as an assistant property master, and weapons handler, working on some direct-to-video lower budget films and on the Network syndicated television series Air America, featuring Lorenzo Lamas, and the late Scott Plank, with whom <mask> became close friends. <mask> also dabbled in acting and took several film roles.He worked on the film 'Surface to Air' with Chad McQueen, Melanie Shatner, and Michael Madsen. <mask> acted briefly on the television soap opera General Hospital, acting directly with series anchor 'Luke'-Anthony Geary. <mask> was also one of the featured interview subjects for the VH-1 Cable series 'Driven' for the episode "The Rise of Mötley Crüe" being a close friend of Nikki Sixx and the band, and recommended to VH-1 producers by former Hollywood booking agent Vicky Hamilton (music executive). <mask> is also remembered as one of the featured interview subjects for the legendary Rock film parody, The Decline of Western Civilization Part II: The Metal Years by friend and director Penelope Spheeris. Renaissance and living history/re-enactment pioneer
Through acting, he eventually became involved with the Renaissance Faire scene, and military timeline events such as the Old Fort MacArthur Days where he actively sought and succeeded to bring the noticeably absent Polish 17th century military history into the forefront.

masks: Fox Fox Fox Rik Rik


title: Rik Fox

texts:
 <mask> has been referred to by many Polish media correspondents and others as a 'recognized pioneer' in this venture, of creating the first representation in the U.S., of the Polish winged hussar cavalry of central Europe which, apparently, is a part of his ancestry. Polish 17th century military author Bartosz Musialowicz had interviewed him and written an article about Rik, dubbing him with the honorary title of 'The First Saber of the U.S.' for founding and creating the first officially recognized representation of the Polish winged hussar cavalry in American history.Apart from being an internationally recognized rock musician, it is of interest to note that <mask> is the first Polish-American of Polish noble (not 'royal') ancestry, to 'formally', represent the Polish Winged Hussar cavalry in U.S. history. Rock On Press/Polish Origin Among other accomplishments, <mask> had been nominated as the vice-president of the Los Angeles chapter of the Polish American Congress, in which he served a 4-year term augmenting his position in accomplishing raising Polish Historic Awareness and Culture with some recognition of his efforts by the Polish Consul in Los Angeles. He then stepped aside a second-term for family-related reasons. Back to music and the Winged Hussars
<mask> is also involved in co-promotion of the European and Japanese market release of The Steeler Anthology with former bandmate Ron Keel. A discussion of a possible Steeler reunion performance has been left open-ended so far. Although he has not left the music field entirely,

masks: Fox Rik Fox Fox


title: Rik Fox

texts: broadening his horizons, in recent years, <mask> has taken a new interest in learning the field of natural horsemanship through his wife Tamara, (married on October 1, 2009 in a small private ceremony), and they train their (rescued) horses, while he continues to work on his pursuit of raising Polish historical awareness and culture and military history with their winged hussar group. <mask>, today, is also making a comeback in music.Through Shrapnel Records producer Mike Varney, <mask> has recently re-connected with fellow Steeler bandmate and drummer Mark Edwards. Renewed interest is being shown to Steeler, by DJ Shadow, who expressed interest in using some of Steeler's music for a new project, which will possibly revive an interest in Steeler once again for the next 'Metal Generation' to come as well as previous fans who still listen to their classic album. <mask> <mask> was interviewed in the 2011 book release W.A.S.P. ; A Sting in the Tale by author Darren P. Upton, and asked to share his input on the early days of the band's creation of which he is now known to have been an original founding member of. <mask> was also featured in three more book releases. The first book which will feature <mask>, is by NPR personality Charlie Schroeder, titled Man of War, regarding Schroeder's Walter Mitty-like embedded experiences of participating with various re-enactments of warriors of military history to see and experience what it was like to be those historical warriors. Among the many historical impressions in the book, Schroeder spent a day

masks: Fox Fox Fox Rik Fox Fox Fox


title: Rik Fox

texts: with <mask>'s Polish Winged Hussar living history group fully suited up in the famous winged armor.In the meantime, The second book, by KISS author Ken Sharp for the New York Times bestseller Nothing to Lose regarding the band KISS in their formative years, of which <mask> was an active part. The book features various first-hand historical anecdotes and exclusive early live photos contributed by <mask>. <mask> <mask> is also slated to be among the featured popular performers in the upcoming coffee table book 'Lost Rockers' scheduled for a 2015 publication release. The third book, by historian Miltiades Varvounis, titled Made in Poland: The Women and Men Who Changed the World, in which <mask> <mask> was included among author's list of the 100 most influential Polish people that changed the world. In promoting his ancestral noble Polish heritage, <mask> was featured as a 17th-century Polish winged hussar cavalry-knight figure in the Documentary film "Path to Glory; The Rise and Rise of the Polish Arabian Horse", as well as having been the featured subject in 2013, for the (Canadian) History Channel cable television series Museum Secrets (Kensington Productions), which selects various curious topics of history and expounds upon them. In <mask>'s case, for the episode dealing with the Moscow State Museum in Russia, and a suit of Polish winged armor on display there, the director and producer sought him out because, in the words of the segment producer: 'of all his active research on the subject and what he has brought to the table with regard to

masks: Fox Fox Fox Rik Fox Rik Fox Rik Rik


title: Rik Fox

texts: his being the most highly visible contributions of promoting the winged hussars and Polish history in the United States.' The episode dedicated to the winged hussars for Season Three is considered ground-breaking for finally producing valuable information being made available to the mainstream public in the English-language on the winged hussars, which was a major accomplishment and a dream come true for <mask>.In addition to returning to music or reform another band line-up, <mask> <mask> has also recorded bass tracks for the re-make Rascal's song 'I Ain't Gonna Eat Out my Heart Anymore' (originally covered by the band Angel) for the Spiders & Snakes 2014 album release 'The Year of the Snake', and stepped in temporarily replacing bassist Phil St. Vincent for several live shows until Vincent returned. <mask> also left his endorsement deal as an artist endorsing the GHS company, and currently has switched to promoting the DR brand of bass strings, and, has although finally become the owner of a white neck-thru-body Epiphone Thunderbird-IV™ bass, <mask> <mask> "Thunder Eagle™"(c) model bass. This will join his promotion and usage of the EMG bass pickups and Babicz custom bass bridge. Already being a published writer, (based on the entertainment value seen in his many online interviews and adventures), public demand has motivated <mask> to pen his own biography, currently in the works, which promises to be a real catharsis of sorts. <mask> is also writing a book on his creation and introduction of the winged hussars' representation in America.

masks: Fox Rik Fox Fox Foxik Fox Fox Fox


title: Rik Fox

texts:
 <mask> <mask> is re-entering the music scene making a comeback and, continues to give interviews and currently, is enjoying a resurgence in popularity and in contact with his friends and international fans in Facebook where many facets of his background can be seen there. <mask> is also a graduate and active member of Community Emergency Response Team (CERT), which is an Emergency Management Services augmentation support organization under the Los Angeles City and County Fire Department and Federal Emergency Management Agency (FEMA).He also holds a FEMA certificate and four completion certificates from the St. Petersburg College - Southeastern Public Safety Institute - Multijurisdictional Counterdrug Task Force. Additionally, <mask> is a licensed Security Officer, and a licensed Ham Radio operator, call-sign KM6CDJ. Discography
<mask> <mask> Discography / Credits

With the Martian Rock Band
 1975: New York City, N.Y. No recorded releases. Band photos by Leee Black Childers/Mainman. Several live performances (including the Max's Kansas City and CBGB's) Band photos, no demo, no known video. With SIN
 1977, First Sin Demo- Rock ‘n Reel Studios, L.I., N.Y. September
1977 “Lady Killer” (<mask> <mask>), “Dance Momma, Dance” (Ian Criss/<mask> <mask> Matthews), “Slasher” (Ian Criss), “Little Girl” (Ian Criss. <mask> <mask>).Band photos and demo only. No known video. With The E. Walker Band
 1980–81: Cover band - New Jersey/N.Y. Demo session/original songs. Bass credits only. Live Performances six nights per week, 1980–1981. Band photos and demo

masks:
Rik
Fox
Fox
Fox
Rik
Fox
Rik
Fox
Rik
Fox Vinnie
Rik
Fox


title: Rik Fox

texts:
 only.No known video. With Aggressor
 1982: Cover band - New Jersey/N.Y. Live performances / band photos only. Shrapnel Records recording artist, Guitarist Dave Ferrara was band member. No known video or recorded material with <mask>. With W.A.S.P. 1982, W.A.S.P.Demo (mistakenly referred to as ‘Face the Attack’), Magnum Opus rehearsal Studios, Buena Park, CA. April, 1982 Six songs. Wrote and played bass on;
 B.A.D. School Daze
 On Your Knees
 Sleeping in the Fire
 Hellion
 (One song not properly credited) “Master of Disaster”
(Blackie Lawless/<mask> <mask>-Bass & lyrics). No live performances – band photos by Don Adkins Jr.

With Warlord
 1982: No Recorded releases/ no known band photos – taped rehearsals only. With Hellion
 1982: No recorded releases/ no known band photos – auditions/rehearsals only. With Steeler
 1982-83, Steeler Debut album, Prairie Sun Recording Studios, Cotati, CA.Shrapnel Records release. Recorded bass – entire album/all tracks. One cut credited: “Abduction” (Theme). Live performances March 1983—May 1983. No known video of this line-up. Studio:
 1983 - Steeler
Live:
 Steeler Excited '83, (Live album) Perkins Palace, Pasadena, CA, USA
 Metal Generation: The Steeler Anthology

With Chris Impeliteri – 1983: Rehearsals only /produced no known product/photos. With Sin
 1983, Sin (L.A. Mach I), Snake picture disc single released: “On the Run” (<mask> <mask>/H.Drossin), b/w “Captured in Time”. Now considered a rare collector's item. Several live performances, band photos, no known video available. 1984, Sin (L.A. Mach

masks: Fox Rik Fox Rik Fox


title: Rik Fox

texts:
 II), Demo, Sunburst Studios, Culver City, CA. September 2, 1984. Producer: <mask> <mask>. Eight songs.Writing credits: “On the Run” (<mask>in), “Ladies man” (<mask>el/Starr), “I’m No Angel” (Fox), “Vendetta” (Fox/Martel/Kristi). Dozens of live performances, band photos, no known video available. 1985, SIN (Album Master Demos), Kendun/Encore Recording Studios, Burbank, CA. Producer: Dana Strum. Four songs. “On the Run” (<mask> <mask>), “Don’t Say Goodbye” (Kristi/Starr), “We Got Your Rock” (M. Kupersmith), “Break Down the Walls (That Stop the Rock) (<mask>, Kristi/Martel). With Burn
 1986/87: No Recorded releases/no known band photos – rehearsals only.With Surgical Steel
 1986-87: Debut album, El Chaton Studios, Phoenix, AZ. Producer: Dan Wexler. Eight-nine songs (?) Unspecified. Song credits two (? ), recorded entire album. Recorded with Dokken drummer Mick Brown on one track.Album Project unfinished/shelved; lack of budget to complete project. Several live performances including support for Lita Ford. Band photos, no known video available. With Thunderball
 1987-88: Demo, Pro Rock Studios, North Hollywood, CA. Producer: <mask> <mask>
Three songs. “Gypsy Brandy” (<mask> <mask>), “Love Trap” (C. Freeman/J. Aguar), “Cry of Love” (<mask>la).Other songs: “Back in Action” (<mask>la), “Bitchin’ Bewitchin’ “(Fox), “The Fire Still Burnz” (Fox/Mazzola). Several live performances recorded on video, band photos. With Dr. Starr & the Medics
 1989: One Live Guest Performance, Phoenix, AZ. No known video. With Saints Ghosts & Thieves
 1990: (w/ Carlo

masks:
Rik
Fox
Fox Dross
Fox Mart
Rik
Fox
Fox
Rik
Fox
Rik
Fox
Fox Mazzo
Fox Mazzo


title: Rik Fox

texts:
 Bartolini from Dramarama)  One Live Guest performance, Madam Wong's West. No known video. With Johnny Crash
 1990 Johnny Crash debut album “Neighborhood Threat”.Song: “Freedom Road” - Background vocals - no known promotional photos or video documentation available. With Kings Horses (with Randy Piper of W.A.S.P.) 1991: One live performance, The Waters Club, San Pedro, CA. Live photos, no known video available. With Flyboyz
 1992: Demo, Five songs. Two songs credited: “Fascination” (<mask> <mask>), “Bad Reputation” (<mask>. James).Several live shows - no video. With Spiders & Snakes
 1993: two live performance, several live band photos,  no known video. 2014: Recorded bass tracks for the re-make Rascal's song 'I Ain't Gonna Eat Out my Heart Anymore' Spiders & Snakes 2014 album release 'The Year of the Snake'. Several show performances videotaped and uploaded on to YouTube. Live Guest Performances With:
Mark St. John (KISS) 4/1/1987
 “Rock ‘n Roll”—Joshua's Parlor, Orange Co. CA. Sam Kinison, 1988
 “Wild Thing”-The China Club, Hollywood, CA. (including John Goodman, Steven Van Zant, Randy Castillo, Jean Beauvoir, Randy Hansen).Ronnie James Dio (Dio) 7/26/1986
 “We’re Stars” - Irvine Meadows, (Sacred Heart Tour show), and the following weekend with Rough Cutt at the Country Club, Reseda, CA. With Jim Crean
 recorded 2018/released 2019 album "The London Fog" Guest performances on album, single "Broken" with Black Sabbath / Dio drummer Vinny Appice, Robby Lochner and Steph Honde. Recorded on Angel cover song "Don't take Your Love" with

masks:
Rik
Fox
Fox D


title: Rik Fox

texts:
 Angel vocalist Frank DiMino and Black Sabbath / Dio drummer Vinny Appice. Album contains many A-List Industry performers such as Carmine Appice and Vinny Appice, Tony Franklin, Rudy Sarzo, Mike Tramp, Chris Holmes, Mitch Perry and many others. As of 2019, <mask> has been performing as a member of "The World's Best Deep Purple Tribute" from Los Angeles, known as "Child in Time. Several All-Star Jams in Los Angeles 2013 to present:
 "Cold Day in Hell" and "Serenade" with Keel at The Whisky a Go-Go, Hollywood, CA., "You Drive me Nervous", "Touch Too Much" at The Dave Brown Cancer Charity Benefit at Paladino's Club, with Betsy Bitch and her 'Knockers' band. Several Kevin Estrada (Photographer) Birthday Jams and a performance at the Rock Against Trafficking Benefit with both Kevin Estrada and Spiders & Snakes."The Trooper" at Lucy 51's Club with August Zadra, Pauly Z and Brian Tichy, Several performances with Los Angeles bands White Lie and Spiders & Snakes. (all video performances on YouTube)

Equipment
Rik has or is endorsing the following musical equipment gear:

 Esola Custom Guitars
 DR Strings DR Bass Strings
 Babicz Guitars Babicz Bridges
 Randall Bass Amplifiers (1983 to present)
 Ampeg Bass Amplifiers (1970's thru 1983)
 B.C. Rich Custom Basses (1985 to present)
 Ibanez Destroyer Bass (1970's to 1983)
 Aria Pro II  Custom Blood Bass (1983 to present)
 Gibson 1975 EB-3 Bass (1985 to present)
 Epiphone Thunderbird Basses (2010 to present)
 GHS Bass Strings (1983 to present)
 DiMarzio Bass Pickups
 EMG Bass Pickups
 NADY Wireless


title: Jessica Yatrofsky

texts:
<mask> (born June 18, 1981) is an American artist, photographer and filmmaker living in Brooklyn, NY. She is the founder of the photography blog, I Heart Boy, and has contributed to publications such as The New York Times, Brooklyn Magazine, Humble Arts, Nylon Magazine and Vogue Runway. Yatrofsky's photographic work is part of the permanent collection with the Leslie Lohman Museum for Gay and Lesbian Art in New York City. Her first photography monograph, I Heart Boy, was published in 2010 by Powerhouse Books. In 2015, Yatrofsky published her follow-up monograph, I Heart Girl. In 2016 Yatrofsky appeared in Interview Magazine's cover story “The Activist Issue.” Her debut collection of poems Pink Privacy was published in 2017. Early life and education
<mask> was born in East Brunswick, New Jersey and raised in Las Vegas, Nevada, the youngest of two daughters.She studied Fine Art at the University of Nevada, Las Vegas from 2002 to 2006 and later received her master's degree in photography in 2009 from Parsons the New School for Design. She moved to New York in 2006 where she began photographing both men and women, friends, peers, art models, and other acquaintances. In 2012, "she turned her camera to the women around her, taking portraits of dozens of female friends who in turn suggested more and more women for Yatrofsky to shoot." Work
Yatrofsky is known for her intimate film and photographic work with female and male subjects. She first gained public notice for her work on I Heart Boy, a photo blog dedicated to picturing young men in sweetly provocative ways, which was later adapted into a photography monograph published by PowerHouse Books in 2010 titled I Heart Boy. Yatrofsky developed a following while contributing to the online publication, East Village Boys. Her artwork includes live performances as well

masks:
Jessica Yatrofsky
Jessica Yatrofsky


title: Jessica Yatrofsky

texts: as films that explore beauty, gender, body politics, and perception.Yatrofsky wrote and directed her first film, Sun In My Mouth, in 2010 which premiered at the Northside Festival in Brooklyn, New York. In 2014, Yatrofsky directed a fashion film for French designer Jean Paul Gaultier that premiered during men's Fashion Week in Paris. In 2017 her fashion film for Canadian designer Laura Siegel was featured on Vogue. In 2015, Yatrofsky published her follow-up photography monograph titled, I Heart Girl, a collection of photographs of women that explore the complexity of gender identification and its latest collective shifts. In 2016 Strand Bookstore hosted <mask>'s touring panel discussion “Gender Beauty & the Camera.” Guest panelist have included activist and model Rain Dove. From 2012 to 2017 Yatrofsky has been a guest lecturer at the Metropolitan Museum of Art, Leslie Lohman Museum of Gay and Lesbian Art, International Center for Photography, School of Visual Arts, Pratt University, Parsons the New School for Design, Östra Grevie Folkhögskola, University of Central Oklahoma and University of Nevada Las Vegas. In 2018 Yatrofsky was a panelist for “PULSE PERSPECTIVES: Meditating, Art and the Creative Process” discussion about Transcendental Meditation (TM) hosted with the David Lynch Foundation and moderated by Surface Magazine’s Executive Editor William Hanley.In 2017 Yatrofsky published Pink Privacy, a collection of feminist poems. She performed poetry during Miami Art Basel at the Satellite Art Fair and Performance is Alive with her art collective NY Fem Factory. Yatrofsky read from Pink Privacy for Nylon Magazine’s Open Mic Series and her debut music single “Cunt Keeper” was featured on i-D in 2017. Yatrofsky photographed actress Uzo Aduba for the cover of Brooklyn Magazine in 2016 and actress Emily


title: Jessica Yatrofsky

texts:
 Mortimer in 2011 and actress <mask> in 2017. Reception
New York Press calls her work with male subjects "sensual and soft—a weirdly incongruous beauty that isn't masculine in the traditional sense, but unquestionably male." Her monograph, I Heart Boy, was also ranked #5 on The Advocate's "Top 10". ELLE Magazine also remarked that "Her photos are a provocative—and, in a world full of Terry Richardson types, much-needed—portrayal of male sexuality."<mask>'s photography monograph I Heart Girl was featured on Dazed in "The most exciting new photography books" of 2015. Cosmopolitan Magazine said "The photos are simple and soulful." Nina Bahadur of HuffPost remarked that <mask>'s "book of portraits shows the huge breadth of people that identify as feminine, urging the viewer to rethink female beauty." i-D adding that I Heart Girl is "Confounding traditional representations of women in mass media and undermining institutionalized notions of masculinity and femininity." New York Magazine says <mask>'s work is "Challenging ideas of femininity, masculinity, and the way we think of gender." The New York Times took notice of Yatrofsky's unique collaboration with Jean Paul Gaultier for the 2014 men's wear Paris showcase, "Shooting on the roof of the designer’s building in Paris, the models opened their overcoats like wings under the gray clouds or ran toward the camera with a blue tunic swaying under a jacket." Interview Magazine spoke with Yatrofsky in 2016 about her work as an activist where she stated, "I think art itself can contribute to a gentle revolution where resilience is celebrated and revered."In an October 2017 review for Forbes, Brienne Walsh wrote, “[i]n Pink Privacy, the feminine reigns supreme.” New York Magazine contributor Adam Lehrer said, “Pink Privacy feels like a comedic rebuttal to the

masks:
Jessica Williams
Yatrofsky
Yatrofsky
Yatrofsky


title: Jessica Yatrofsky

texts:
 oh-so-serious nature of the art world, while still a work of literary art in its own right.” Emily McDermott with i-D wrote “<mask>ky has added poetry to her practice. Pink Privacy is a revelatory approach to the form.” In an interview with Nylon Magazine Yatrofsky said, “...Pink Privacy is a self-portrait in many ways that the photographs are not. The photographs are... you can see what I care about, you can see me in them, but I don’t necessarily feel like I am always representing myself in a portrait of someone else.” In November 2017 Untitled Magazine stated that “<mask>’s most recent creative endeavor, Pink Privacy, continues to fearlessly confront body politics, beauty and gender.”

Exhibitions

In 2011, Yatrofsky exhibited the series I Heart Boy with Kontor Projects in Copenhagen, Denmark. In recent years her photographic and film work has been exhibited in galleries and museums internationally. Yatrofsky has had solo shows with Christian Berst Art Brut in New York City, Galerie Koll in Berlin, Galleri Vasli Souza in Malmo, and Third Space in Copenhagen. <mask>'s I Heart Girl series was included in the group exhibition Medium of Desire in 2015 with the Leslie Lohman Museum of Gay and Lesbian Art in New York City. In 2015, her series I Heart Boy was exhibited in "Camera Work" at The Sheila C. Johnson Design Center at Parsons School of Design.In 2016 <mask>'s I Heart Boy and I Heart Girl series was exhibited together for the first time in a solo exhibition in Ghent, Belgium at Watt Factory titled "I Heart Boy/Girl." Photographic work from her series "Venus as a Boy" was part of the group exhibition "High Summer" in 2016 with Foley Gallery in New York City. Yatrofsky's film, “Photography is a History of Masturbation” was part of the NSFW: Female Gaze exhibition in 2017 at the Museum of Sex in New York

masks:
Jessica Yatrofs
Jessica Yatrofsky
Yatrofsky
Yatrofsky