title: Charles E. Courtney

texts:
 several things that Chicago Associated Press reported, such as troubles and disagreements between members of the team and Mr. Francis' saying the drawing of the Leander rowing club was fixed, were fabrications. After the regatta, the members of the Cornell rowing team released a statement to the press to address the matter of the Leander race.It stated that it was their understanding that under the rules if they stopped they would have been disqualified. They also said they would consider another race with Leander if they would have won. While <mask> was in England, Fred R. White of Cleveland, Ohio, a senior in Law School at Cornell and manager of both the football team and the freshman rowing team, took a team to the Intercollegiate Rowing Association Championship Regatta in Poughkeepsie. Cornell was also defeated at this race. Columbia won the race that was marred by rough water. The Pennsylvania boat was swamped while the Cornell boat was filled with water as it crossed the finish line. Harvard and Yale: The fight for respect

Even with the success that <mask> and his Cornell varsity rowing team was having, both Harvard University and Yale University refused to race.It was believed that the snub was because Cornell was a relatively young school and was not considered up to the class or academic standards. Others speculated that <mask>'s crews were too fast and losing to them would be unbearable. The snub had its history dating back to the collapse of the Rowing Association of American Colleges. After repeated losses to what they thought were lesser schools, including losing to Cornell at the 1875 National Rowing Association of American Colleges Regatta, Yale and Harvard virtually stopped rowing

masks: Courtney Courtney Courtney


title: Charles E. Courtney

type: original

texts: against any one other than each other. Yale pulled out of the association before the 1876 regatta while Harvard waited until the following year. The loss of these two schools caused the association to collapse. Both schools decided to concentrate on meets between each other based on the Cambridge and Oxford model in England.In the late 1890s, <mask>'s Varsity team was finally able to compete against both Yale and Harvard due to events unrelated to rowing. After a very violent football game in the fall of 1894, the faculty of Harvard suspended all athletic relationships with Yale, effective at the end of the 1894–95 school year. This included their annual regatta, which dated to 1852. In the summer of 1896, the first year that Harvard and Yale did not meet due to the ban, Yale sent its Varsity to the Henley Royal Regatta in England. That year, Harvard sent its varsity team to Poughkeepsie to race Cornell, Pennsylvania, and Columbia in the annual Intercollegiate Rowing Association Regatta. <mask>'s team beat all three schools with a time of 19 minutes and 22.9 seconds for the four-mile (6 km) course. The next year, Harvard and Yale ended their dispute when Walter Camp representing Yale agreed to Harvard's demands for the next five years.One of Harvard's demands was that they meet in all athletics that each school sponsored. Yale had wanted to be selective on which teams played each other. As part of an agreement between the two schools, their rowing teams were to meet in Poughkeepsie, New York during the 1897 season. Since Harvard had already agreed to meet Cornell they were also included. Even given their past success, <mask> and his crew were given little chance to win a race against Harvard and Yale.


title: Charles E. Courtney

texts: The coaches of both of his opponents were on record that they both would beat Cornell. Gamblers and bookmakers made Cornell a heavy underdog.Newspaper writers before the meet said that Cornell was not in the same class as Harvard and Yale. They also criticized Cornell's stroke as weak and in bad form. Even with the odds stacked against Cornell, <mask> believed his team could win, especially after seeing his competition row in practice. <mask> believed that losing would mean the end of Cornell's fight for recognition. The 1897 Cornell crew that raced Harvard and Yale was very different from the other two school's rowing teams. First, <mask>'s crew was both lighter and shorter than their competition. The Cornell team came in 100 pounds less than Yale and 72 pounds less than Harvard.The other major difference was that Harvard and Yale used a stroke that was influenced by English rowing while <mask> taught his crew his very American stroke. Harvard, coached by Rudolph C. Lehmann, used a typical English stroke that was long and sweeping with the rowers stretching as far as possible on the catch to drive the water hard. Yale, coached by Bob Cook, used a modification of the English stroke, using a much longer slide. Cornell's stroke featured a long stride with little back motion. A large crowd showed up, representing all three schools that included several members of high society, including J. Pierpont Morgan and August Belmont, Jr. An estimated 15,000 fans watched the race, including 4,000 people who bought tickets on the open-air 50-car observation train. The observation train sold out at $15 a seat, which was considered a very high price for the day. Scalpers were selling tickets for seats on the train at

masks: Courtney Courtney Courtney Courtney


title: Charles E. Courtney

texts: even higher prices.In the race, Harvard took the early lead out of the gate with Yale second. Both of the leaders’ strokes were long and slow while Cornell stuck to its stroke. At the half-mile mark, Yale edged in front of Harvard but could not hold the lead form a surging Cornell who took a half boat lead by the end of the first mile. The Courtney-coached crew continued to build on their lead while Harvard sputtered and fell well behind Yale. Throughout the race, Cornell's coxswain, Freddie Colson, motivated his teammates by reminding them of what their critic had said about them before the race. About a half-mile from the finish, Yale tried to make a move but it was too late—Cornell won by 3 lengths. The victory was not only seen as Cornell dominance in American college rowing, but the superiority of America and the American stroke over the English stroke.Newspapers across the nation proclaimed the superiority of the <mask>'s American stroke. The Philadelphia Inquirer wrote that "there is another thing in Cornell's victory to rejoice over, and that is that hers was the distinctly American stroke. We feel sorry for Mr. Lehmann but must admit we did not look for his stroke to triumph." The Minneapolis Tribune wrote that "the splendid victory...was not more a tribute to the superior muscle and methods of the Ithacans than it was a rebuke to the all too prevalent practice of going abroad for our manners." Even with a victory, both schools continued to see Cornell as inferior. A Yale professor was quoted as saying, "In the future, let us play with people in our class." The following year, Cornell would beat both schools again, this time in New London, Connecticut.After that defeat to Cornell, Yale and


title: Charles E. Courtney

texts:
 Harvard decided to return to meets against only each other. Decline and revival of championship form

After beating Yale and Harvard in 1897 at Poughkeepsie, New York, Cornell rowed and beat its traditional Intercollegiate Rowing Association rivals, Penn and Columbia, little over a week later on the same course. Cornell tried to have both Columbia and Penn as part of the regatta of 1897 but Yale declined. Once again, Cornell won the regatta, this time by 10 boat-lengths over Columbia. Penn did not finish the race because their boat was swamped 2½ miles into the  race. These two victories left little doubt who was the best American college crew. It also quieted <mask>'s critics that said his crew was outclassed by Harvard and Yale, and questioned his conditioning methods.The next year, <mask> attempted to have his crew repeat its victories over Harvard and Yale and then win Intercollegiate Rowing Association regatta a few days later. The major difference was that the two regattas were in two different locations in 1898. The first race was in New London, Connecticut and the second was on Saratoga Lake. After beating Harvard and Yale, Cornell lost to Pennsylvania. They were able to beat Columbia as well as University of Wisconsin–Madison, who was completing in first IRA Championship Regatta. <mask>'s crew was unable to overcome fatigue of a hard race in New London as well as the travel and the intense summer heat. This race proved to be a turning point in American college rowing, breaking Cornell's domination of the sport.Penn, coached by <mask>, would go to win the 1899 and 1900 Intercollegiate Rowing Association championships. In both 1899 and 1900, Cornell finished third, losing even to the University

masks:
Courtney
Courtney
Courtney
Ellis Ward


title: Charles E. Courtney

texts:
 of Wisconsin–Madison. In 1901, Cornell returned to championship form when it won the Varsity eight-oared race at the Intercollegiate Rowing Association Regatta. By this time, Cornell had to compete with more college crews. With the addition of Georgetown University in 1900 and Syracuse University in 1901, the eight-oared varsity race had grown to 6 colleges. <mask>'s crew won the four-mile (6 km) event in world record time of 18 minutes 53 1/5 seconds. From 1901 to 1916, <mask>'s Cornell team won 11 of 16 Intercollegiate Rowing Association varsity eight-oared championships, with Columbia winning in 1914 and Syracuse winning in 1904, 1908, 1913, and 1916.During that same time, his freshman eight-oared crew won 10 IRA championships. Battle for control
For the 1904 rowing season, Coach <mask> offered <mask>, former Syracuse rowing coach, the assistant coach position at Cornell. Sweetland had just left Hamilton College where he was employed as the football coach. <mask> wanted Sweetland to replace F. D. Colson, who had moved on to become coach at Harvard. While negotiations were still pending, the Rowing Committee of the Cornell Athletic Council announced that they hired C. A. Lueder for the position. This caused a power struggle between <mask> and the Athletic Council for control of the rowing program. The conflict was resolved when the Rowing Committee canceled the job offer to Lueder.In addition, the Athletic Council limited their interference with the rowing team by giving Coach <mask> the power to pick members of the crew and designate the oarsmen positions. Sweetland, however, did not become <mask>'s assistant because in the time it took resolve the conflict, he was offered and accepted the position

masks:
Courtney
Courtney
Courtney
Edwin Sweetland
Courtney
Courtney
Courtney
Courtney


title: Charles E. Courtney

texts:
 as head football coach at Ohio State University. With Sweetland out of the picture, <mask> hired Lauder as his assistant rowing coach

Train accident and retirement speculation

<mask> suffered a skull fracture on June 12, 1915 while traveling by train with his team to the 1915 Intercollegiate Rowing Association Championship Regatta. The train lurched and his head struck one of the berths. At first he did not think anything about the incident, but he started hemorrhage from his nose and mouth. He refused to consult a doctor and continued to get his team ready for the regatta. On race day, he was confined to bed and returned to Ithaca, New York where the skull fracture was diagnosed.<mask> would sue New York Central for $75,000 for his injuries. The accident increased speculation that <mask> would retire from coaching, or at least move to a more advisory capacity. At the time of the accident, he had one more year left on his contract. Jim Rice, coach of the Columbia crew, was considered the leading candidate to replace <mask>. After several months under a physician's care, <mask> returned to coach Cornell. Under the close supervision of a nurse, he guided his team to the Intercollegiate Rowing Association Championship Regatta in 1916. Before the race, it was announced that he would retire at the end of the season.Even with the announcement, there was still speculation that he would remain with the team in some advisory capacity, but with some authority. Due to World War I, college rowing competitions were suspended in 1917. Cornell resumed rowing in a limited fashion in 1918, but the Intercollegiate Rowing Association Championship Regatta did not return until 1920. <mask> and his Cornell team returned

masks: Courtney Courtney Courtney Courtney Courtney Courtney Courtney


title: Charles E. Courtney

texts:
 for this regatta with his freshman and junior varsity teams winning national championships while his varsity came in second, losing to a Syracuse University team coached by James A. Ten <mask> by a boat length. Death
On July 17, 1920, <mask> died of apoplexy at his summer cottage on Farley's Point on Cayuga Lake, New York near his boyhood home. After taking a morning row on the Lake, he returned to the cottage.Around 11:00 am, he was found losing consciousness by his wife. She went for help, returning with Hart Carr, but he was already dead. This was confirmed by Dr. E. G. Fish of Union Springs, New York. After nearly three decades as coach, John Hoyle replaced <mask> as coach of Cornell crew. Coaching philosophy

<mask>
Both as a rower and as a rowing coach, <mask> was known for his distinctive stroke. This style of rowing would become known as the <mask> Stroke. The most evident trait of the stroke is the positioning of the back.The back is always kept in a very straight position. <mask> is quoted as saying, "No kink in the back if I have anything to say about it." He kept the back straight to allow the lungs to work without difficulty with no strain on the abdominal muscles. His idea was influenced by watching famous professional rower Harry Coulter in 1870 at Buffalo, New York. The basic philosophy of <mask> stroke is to keep the oars (sculls or sweep) in the water as long as possible and in the air as short as possible. To do this, <mask> taught his rowers to sharply lower the hands to the lap when the preceding stroke is finished. This forced the blade of the oar out of the water perpendicular to the surface.Then he required his rowers to quickly shoot their arms forward moving the blade back to

masks:
Eyck
Courtney
Courtney
Courtney Stroke
Courtney
Courtney
Courtney
Courtney
Courtney


title: Charles E. Courtney

texts:
 start another stroke. He emphasized that the blade should be as close as possible to the water. He wanted the blade to enter the water at slight inclined to the surface of the water to allow it to enter cleanly. Once the blade entered the water, he taught his rowers to immediately start the stroke. During the stroke he wanted the blade to always be covered but not sunk too deep. Rower selection
When <mask> was deciding which men to put on his Cornell crew, he would pick men of high moral character and strong in their studies, not just for their athletic ability. He would also try to ascertain their disposition and temperament.<mask> preferred men that were methodical and systematic. It was his view that if one of the rowers was a disturbing element he would have trouble producing a fast crew. <mask> also maintained absolute control of the crew, and would remove and substitute anyone if he believed it would help the crew succeed. Views on alcohol and tobacco
Personally, <mask> never drank an alcoholic beverage or used any form of tobacco. He also had strong views against alcohol and tobacco use by his rowers because he believed it would affect their ability to work. <mask> summed up his view: "I have found in my experience that young men are much better off, and do better work, without alcoholic stimulants than with them, and they are, therefore, absolutely prohibited in our training. As to tobacco, I believe young men do better work when not using tobacco than when using it, and it is prohibited in our training here at Cornell University.” This went against old traditional rowing practice of drinking beer instead water during training.It was believed that alcohol would strengthen the body while water

masks: Courtney Courtney Courtney Courtney Courtney


title: Charles E. Courtney

texts:
 would weaken the body. Legacy
The impact of <mask> career's as a competitive rower was very profound. During his professional career, rowing was at the height of its popularity in the United States, and was considered one of the major sports in America. Some believe that the controversies surrounding the Hanlan and <mask> single scull races in 1878 and 1880 caused a public backlash against professional rowing that eventually led to its loss of popularity. The American public lost confidence in the integrity of the sport, assuming that the races were fixed. By the late 1890s, professional rowing had all but disappeared in the United States with only a few exceptions. The impact of <mask>'s career as a rowing coach was also very far-reaching.When <mask> started his college coaching career at Cornell, few colleges in America were active in rowing other than Cornell; Harvard, Yale, Columbia, and Pennsylvania were the only other schools to have significant programs. Several of his former rowers would help expand the number of rowing schools by starting or developing rowing programs across the country. In 1900, <mask>, who rowed varsity for <mask> in 1899, became the first rowing coach at Syracuse University. Mark Odell, who rowed Varsity for Cornell in 1897, was instrumental in establishing the rowing program at the University of Washington. In addition, The University of Wisconsin–Madison rowing program was started with the help of the University President <mask> Adams, former President of Cornell during the beginning of <mask>'s tenure. From his experiences with <mask> at Cornell, Adams knew how a strong athletic program could increase his University's national reputation. In the spring of 1894, Adams

masks:
Charles Courtney
Courtney
Charles Courtney
Charles Courtney
Edwin Sweetland
Courtney
Charles Kendall
Courtney
Courtney


title: Charles E. Courtney

texts:
 hired Amos W. Marston, who rowed for <mask> from 1889 to 1892, as the first Wisconsin Badgers rowing coach.<mask> was also instrumental in American college sports in the transition of power away from the students to the head coach. He helped transform the head coach into the dictatorial coach seen throughout the 20th century. When he was first hired, it was common practice for the captain of any team to hire the coach and the captain decided on whether the coach stayed on. Since the captain was a student, they would change from one year to the next, and there was no job security. Unlike other 1890s college coaches, <mask> signed a multi-year contract, starting in 1895. He used his job security to demonstrate his power when he overruled team selection of the team captain for the Henley Regatta that same year. Another illustration of his authoritative power that he had gained was in 1897 when he kicked out most of team for eating strawberry shortcake before the Intercollegiate Rowing Association Regatta.He would instead take a crew made up of mostly substitutes to victory. References
 "<mask> – Master Oarsman – Champion Coach", Margaret K Look, 1989
 "Courtney and Cornell Rowing", CVP Young, 1923

Notes

1849 births
1920 deaths
American male rowers
Cornell Big Red rowing coaches
People from Cayuga County, New


title: Rick Levin

texts:
<mask> (born April 7, 1947) is an American economist and academic administrator. From 1993 to 2013, he was the 22nd President of Yale University. From March 2014 to June 2017, he was Chief Executive Officer of Coursera. Early life and education
Born in San Francisco, California, to Jewish-American parents, <mask> graduated from Lowell High School in San Francisco in 1964. At Lowell, he was a member of the Lowell Forensic Society and debated in high school debate tournaments regionally. He graduated from Stanford University in 1968 with a B.A. in history.He received a Bachelor of Letters in politics and philosophy from Merton College, Oxford. He earned his Ph.D. in economics from Yale in 1974. His academic specialties include industrial research and development, intellectual property, and productivity in manufacturing. Career
<mask> became an Assistant Professor of Economics at Yale in 1974 and was elevated to Associate Professor in 1979. In 1982, he was promoted to Professor of Economics and Management at the Yale School of Management. In 1992, he was appointed Frederick William Beinecke Professor of Economics. Before becoming president, he served as chairman of the Economics Department and dean of Yale's Graduate School of Arts and Sciences.On February 6, 2004, <mask> was appointed to the Iraq Intelligence Commission, an independent panel convened to investigate U.S. intelligence surrounding the United States' 2003 invasion of Iraq and Iraq's weapons of mass destruction. He had previously served on a government panel reviewing the U.S. Postal Service and an independent panel appointed by Major League Baseball to examine the sport's economics. <mask> is a director of the William and Flora Hewlett Foundation, American Express, and Satmetrix. Although described in Who's Who as a Democrat, <mask> was one of the first guests of

masks:
Richard Charles Levin
Levin
Levin
Levin
Levin
Levin


title: Rick Levin

texts:
 President George W. Bush in the White House during his first term and the president stayed at <mask>'s house when he received an honorary degree from Yale in 2001. <mask> had been rumored as a possible replacement for Larry Summers as Director of the White House National Economic Council until Gene Sperling was selected instead. <mask> stepped down as president of Yale on June 30, 2013.Shortly before his retirement as President of Yale University, he published a book, The Worth of the University, a sequel to his previous work, The Work of the University. He was succeeded by Peter Salovey. As president of Yale, <mask> studied and helped to some extent to guide what he called "the rise of Asia's universities". Yale's role in Asia is briefly set out below. In 2013, <mask> agreed to serve on the Advisory Board for the newly created Schwarzman Scholars - fellowships that will take students from many countries for post-graduate study together at Tsinghua University in Beijing, with the aim of promoting international understanding. In March 2014, <mask> became chief executive officer of Coursera. In June 2017, Coursera announced that <mask> was being replaced by Jeff Maggioncalda.<mask> and his wife Jane, also a professor at Yale, reside in New Haven, Connecticut. They have four children and seven grandchildren. Yale under <mask>
During <mask>'s tenure, Yale's endowment grew from $3.2 billion to over $20 billion. Yale's admissions standards and academic prestige also recovered from a significant lull in the early 1990s since <mask>'s appointment. Applications to Yale College rose from fewer than 11,000 for the class entering in 1993 to 28,975 for the class entering in 2012, with the most recent classes reporting the highest range of standardized test scores for any college in America. Under <mask>, Yale aggressively expanded its

masks: Levin Levin Levin Levin Levin Levin Levin Levin Levin Levin Levin Levin


title: Rick Levin

texts: efforts to recruit international students and students from previously underrepresented regions of the United States. <mask> helped established a program for undergraduates in Beijing and increase participation in international work/study programs.<mask> has made a special effort to expand Yale's engagement with China and was elected to the board of the National Committee on United States-China Relations. <mask> was president during the largest building and renovation program since the 1930s, including all of the university's residential colleges. About 70 percent of the space on campus was partially or comprehensively renovated between 1993 and 2013. <mask> approved the creation of Yale's first two new residential colleges since the 1960s with the purpose of increasing the undergraduate population from around 5,400 to over 6,000. The project was delayed due to the financial crisis, but construction was begun in 2013, shortly after <mask> stepped down. <mask> vastly expanded the Yale campus with the creation of Yale's West Campus. The campus was created by the purchase of the 136-acre, 17-building Bayer Pharmaceutical campus in Orange, Connecticut, seven miles from Yale's main campus.The purchase was completed for $107 million in 2007 and was described at the time as a "ready-made, state-of-the-art research facility". <mask>'s administration worked to improve Yale University's relationship with its local workers. In 2003, <mask> negotiated eight-year contracts with the university's unionized workers that provided health care, extensive paid leave, and cumulative raises ranging from 32% to 43%, although he has also fought strongly against new unionization drives by hospital workers, graduate employees, and security guards. <mask> spearheaded the creation of the first liberal arts college in Asia, Yale-NUS College, a joint

masks: Levin Levin Levin Levin Levin Levin Levin Levin Levin


title: Rick Levin

texts:
 venture between Yale University and the National University of Singapore. Yale initially faced strong criticism that Singapore's various restrictions on press freedom and public protests, as well as its anti-homosexuality policies, would undermine Yale-NUS's liberal arts mission. Honors
In 1998, as President of Yale, <mask> was awarded an honorary doctorate by the University of Oxford in a ceremony in which the President of Harvard University, Neil Rudenstine, was also honored. He was elected to the American Philosophical Society in 2013.See also
List of presidents of Yale University

References

External links
Official Biography from the Office of the President of Yale University
Article about <mask>'s 10th Anniversary As President
Video interview on CXOTALK
<mask>'s views on China
 Richard C. <mask> Papers (MS 1995). Manuscripts and Archives, Yale University Library. 1947 births
Living people
Presidents of Yale University
Economists from California
Alumni of Merton College, Oxford
American Express people
20th-century American Jews
Lowell High School (San Francisco) alumni
People from San Francisco
Stanford University alumni
Yale University alumni
Yale University faculty
Educators from California
Fellows of Merton College, Oxford
21st-century American economists
Hewlett Foundation
20th-century American economists
Members of the American Philosophical Society
21st-century American

masks: Levin Levin Levin Levin


title: Erin Osborne

texts: <mask> (born 27 June 1989) is an Australian cricketer and cricket coach who appeared in 2 Test matches, 60 One Day Internationals and 59 Twenty20 Internationals for Australia between 2009 and 2016. An all-rounder, she is a right-arm off break bowler and right-handed batter. She currently plays for the Melbourne Stars in the Women's Big Bash League (WBBL), coaches the ACT’s female Meteors Development Squad, and is Cricket ACT’s Male Pathway Manager, the first woman to hold the role. She made her international debut in early 2009 after topping the wicket-taking aggregates in her debut season for New South Wales in the WNCL. However, she found it difficult to maintain a regular position in the Australian team because of the presence of Shelley Nitschke and Lisa Sthalekar, two spin bowling all-rounders who were ranked in the top ten in the world for both bowling and all-round performance. After scoring an unbeaten century for New South Wales at Under-19 level in 2007, <mask> made her WNCL during the 2008–09 season. After taking two wickets for 13 runs (2/13) from ten overs on debut, she took three wickets in each of the next two matches.She later took 4/18 against Victoria and ended with 15 wickets at 14.20 as New South Wales took out the WNCL. <mask> was rewarded with selection for the Rose Bowl series against New Zealand, and took 3/32 in her third match, ending the series with five wickets. She was retained for the 2009 World Cup held in Australia, playing in six of the hosts' seven matches. She took nine wickets at 19.77. <mask> was selected for the 2009 World Twenty20 in England but did not play in any of the matches. Australia stayed for a bilateral series against the hosts, and <mask> was dropped after going wicketless in the first two ODIs and being required to bowl less than half of her overs; she was also overlooked for the one-off Test. During the 2009–10 WNCL, <mask> took 15 wickets at

masks:
Erin Alyse Osborne
Osborne
Osborne
Osborne
Osborne
Osborne


title: Erin Osborne

texts:
 14.17, including a haul of 3/33 in the final against Victoria, helping to secure a 59-run win and a fifth consecutive WNCL title for New South Wales.She was named the player of the match for her contributions. In the T20 competition, she took eight wickets in seven matches. In a series for the Australian Under-21s against New Zealand Emerging Players, <mask> was dismissed once in scoring 129 runs and took six wickets at 15.50. <mask> was selected for the Rose Bowl series at the end of the season but had limited opportunities because of the presence of Sthalekar and Nitschke. She played in six of the eight ODIs and bowled less than half of the possible number of overs, taking five wickets at 32.20. She played in only one of the five T20 internationals, taking 1/13 from two overs. Youth career
In January 2007, aged 17 and a half, she played for New South Wales in the Under-19 interstate competition.In the match against Western Australia, she hammered an unbeaten 106 as New South Wales amassed 3/305 before dismissing their opponents for 35. She ended the tournament with 145 runs at 72.50 and took three wickets at 7.33. Domestic debut
In October 2008, <mask> played her first match for the senior New South Wales team in a match against India. She took 1/24 from eight overs, took two wickets and scored 21 in a 48-run loss. A month later, she made her debut in the Women's National Cricket League (WNCL) in a double-header against Queensland. She took 2/13 from ten overs in the first match, helping to restrict Queensland to 9/108 before New South Wales completed an eight-wicket win. The next day, <mask> batted for the first time and was unbeaten on 11 when New South Wales were out for 185.The runs she added at the end turned out to be crucial as New South Wales won by nine runs. <mask> took 3/28 from her ten overs. The following week, she took 3/20 in the first match against Western Australia. She

masks: Osborne Osborne Osborne Osborne Osborne


title: Erin Osborne

texts:
 was wicketless in the second match of the weekend, but New South Wales won both matches regardless, by seven and eight wickets respectively. The WNCL was then adjourned and she then played six matches for the Second XI in the space of a week. New South Wales won all the fixtures except for one that was abandoned due to inclement weather. She scored 34 runs at 11.33 with a best of 30 against Tasmania, and took seven wickets at 3.28 and an economy rate of 2.00.This included a return of 3/11 from four overs against Western Australia and 3/8 from 5.3 overs against Victoria. When the senior competition resumed, <mask> took one wicket in each of the two matches against South Australia before New South Wales faced Victoria in the last pair of round-robin matches. In the first, she took her career best figures of 4/18 with four maidens in her ten overs as Victoria were bowled out for 142. The hosts then proceeded to a nine-wicket victory. The next day, <mask> took 0/27 from her ten overs in Victoria's 7/227. New South Wales chased down the target with three wickets in hand, with <mask> unbeaten on five. The following week, the two teams met again in the final of the competition and <mask> took 1/23 from eight overs.She was not required to bat as New South Wales passed the target of 118 with six wickets in hand. <mask> ended the WNCL season with 16 runs without being dismissed and took 15 wickets at 14.20 at an economy rate of 2.47 from eight matches. <mask> also played in two Twenty20 matches for her state during the season, taking 0/17 from her four overs in both matches. She scored three not out and a duck in these matches. New South Wales defeated South Australia before losing to Victoria. International debut

<mask> was rewarded with her first international call-up ahead of the 2009 Women's Cricket World Cup after leading the wicket-taking in the WNCL. She made her debut on the Rose Bowl series

masks: Osborne Osborne Osborne Osborne Osborne Osborne Osborne


title: Erin Osborne

texts:
 in February 2009 played away against New Zealand.<mask> played in the first four ODIs, making her debut at Cobham Oval in Whangarei. Batting in the lower-order, she made four not out as Australia made 8/150. She then took 1/19 from her ten overs, with three maidens, as the hosts narrowly won by two wickets. In the next match she took 0/33 and ended on three not out in a four run loss when her partners were dismissed. The series then moved to Seddon Park in Hamilton where she took 3/32 in a 104-run victory. <mask> took another wicket in the fourth match to help level the series; the final match was abandoned due to rain and she ended her debut series with five wickets at 26.00 at an economy rate of 3.33. The teams then went to Australia for the World Cup, and played a T20 international at the Sydney Cricket Ground before the tournament, where <mask> made her debut for Australia in the shortest format.She took 0/13 from three overs and completed a catch and was not required to bat as the hosts won a rain-shortened match. 2009 World Cup and World Twenty20

In two warm-up matches ahead of the World Cup, <mask> made took 2/31 from nine overs and 1/0 from 2.3 overs against England and Sri Lanka respectively. She was included in the team for the opening match against New Zealand at North Sydney Oval, taking 2/37 from her ten overs as Australia conceded 205. She did not bat as they fell short of the target. She then claimed 1/35 from ten overs in Australia's must-win match against South Africa as the hosts avoided elimination with a 61-run victory. She then batted in the World Cup for the first time, in last group match, before taking 2/22 from ten overs as Australia defeated West Indies to reach the next round. <mask> was left out of Australia's first match of the next phase against India, which they lost by 16 runs.She was recalled and took 1/22 against Pakistan and 1/41 against England, bowling


title: Erin Osborne

texts:
 ten overs in both games. <mask> was not required to bat as the Australians won both matches but it was not enough to place them in the top two nations and qualify for the final. They faced India in the third place playoff and <mask> fell for six. The hosts were all out for 142 and India reached the target with three wickets in hand despite <mask>'s economical return of 2/21 from nine overs. <mask> ended the World Cup with nine wickets at 19.77 at an economy rate of 3.01; in all but one match, she was more economical than the Australian team as a whole. She also scored 10 runs at 10.00. <mask> was selected for the 2009 World Twenty20 in England and Australia hosted New Zealand for three T20 matches in tropical Darwin during the southern hemisphere winter before the teams flew to the tournament.She took 1/21 from four overs in her only match, a 32-run Australian victory. Once the Australians were in England, <mask> took 1/14 from three overs against the hosts in the only pre-tournament practice match. <mask> did not play any of the three pool matches in the tournament or the semi-final where Australia were eliminated in the semi-final by England. Australia stayed in England for a bilateral series against the hosts, who were the reigning world champions in both ODIs and T20s, after the end of the World Twenty20. <mask> was drought in and took 2/24 from four overs as Australia upset England in the only T20 by 34 runs after scoring 3/151. She was played in the first two ODIs held at Ford County Ground, Chelmsford, taking a total of 0/39 from eight overs and making 1 and 11 not out in comfortable English victories by nine wickets and 53 runs. She was left out of the remaining three matches; England won all the matches except the last, which was washed out.<mask> was left out of the team for the one-off Test. 2009–10 season

<mask> started the 2009–10 WNCL, took a wicket in each of the two matches

masks: Osborne Osborne Osborne Osborne Osborne Osborne Osborne Osborne Osborne Osborne


title: Erin Osborne

texts: against Queensland, and then took 2/34 from 10 overs in both matches against the Australian Capital Territory, although the last match ended in defeat. She then took 2/33 and 1/25 against Victoria as the matches were shared. Having taken 3/23 from ten overs to help bowl out Western Australia for 99 and set up a ten-wicket win, she then took 2/38 in a 76-run win over South Australia before New South Wales against met Victoria in the final. <mask> scored one as New South Wales reached 9/206. She then took 3/33 from nine overs to help dismiss Victoria for 147, sealing a fifth consecutive title and was named the player of the match for her contribution. She ended the season with 17 wickets at 14.17 at an economy rate of 2.77.She scored 41 runs at 6.83. In the T20 competition, <mask> took eight wickets at 16.62 and an economy rate of 5.11 and scored 25 runs at 12.50 from seven matches. She ran into form in the lead-up to the final, taking 3/18 from three overs and 3/16 from four overs against Western Australia and south Australia respectively, helping to restrict both teams to sub-100 scores. In the final against Victoria, <mask> took 1/25 from overs. In pursuit of 128 for victory, she made 10 as New South Wales were bowled out for 75, sealing a 52-run win. During an adjournment in the WNCL in November, <mask> played for New South Wales in the Second XI competition. In seven matches, all of which were won, she was used mostly as a batsman, often batting in the top-order and was largely rested from her bowling duties, delivering only nine overs in total.She scored 115 runs at 38.75 and took a total of 1/25. In the middle of the season, she played for the Australian Under-21s against New Zealand Emerging Players in five matches, and allowed to bat higher up the order in the youth team, she made 129 runs at 129.00, scoring 48 not out and 60 in the last two games. She also took six wickets at 15.50 at

masks: Osborne Osborne Osborne Osborne


title: Erin Osborne

texts:
 an economy rate of 4.46 and took five catches. Her best performance in the field was her 3/25 and two catches in the fourth match, which in addition to her unbeaten 48 helped Australia to a series-sealing 122-run win. Australia won the series 4–1. <mask> was selected in the Australian squad for the Rose Bowl series against New Zealand, but was not fully utilised in the first two matches at the Adelaide Oval, as captain Alex Blackwell elected to use Sthalekar and Nitschke more often and earlier. After scoring two not out and taking 1/8 from only three overs in the closing stages of a 115-run win in the first match, <mask> took 0/23 from five overs in a win the next day.Australia decided to omit the under-used specialist bowler in place of batsman Leah Poulton, and <mask> did not return until the fifth ODI at the Junction Oval, where she was attacked in taking 1/33 from six overs in a 103-run win; Australia swept the series 5–0. <mask> ended with two wickets at 32.00 at an economy rate of 4.57. In the five T20s that followed, three at Bellerive Oval in Hobart, and two in New Zealand, <mask> only played in the fifth match, taking 1/13 from two overs and scoring one as Australia were bowled out in a 17-run defeat and lost 5–0. She then played in all three ODIs in New Zealand as Australia whitewashed their hosts. In the first match in Queenstown, she was attacked by the local batsmen and ended with 0/39 from five overs. In the run-chase she made 13 not out at the death as Australia reached the target with two wickets in hand from the final ball. She took 2/29 and 1/19, both from ten overs, in the last two matches at Invercargill.The tourists won both by six wickets to sweep the ODIs. <mask> ended with three wickets at 32.33 at and economy rate of 3.88. 2010 World Twenty 20

<mask> was part of the 2010 World Twenty20 winning team in the West Indies but played in only one of Australia's matches. She


title: Erin Osborne

texts:
 was omitted from both warm-up matches against New Zealand and Pakistan. Australia lost the first before winning the second. Australia were grouped with defending champions England, South Africa and the West Indies. In the first match, Australia defeated England after the scores were tied, as well as the Super Over, because they had scored the only six of the match.In the following match, they defeated South Africa by 24 runs. <mask> played in neither matches, but she was called into the team for the West Indies match in place of Sarah Elliott. A leg spinning all rounder, Elliott failed to have an impact with either bat or ball, making only 4 from 15 balls, and 8 from 6 balls in the two matches, and had only bowled in the latter fixture, taking 0/22 from two overs. <mask> was brought in, giving Australia an extra frontline bowling option. <mask> was not required to bat as Australia finished on 7/133, and was then expensive with the ball, taking 0/20 from two overs as Australia won by nine runs to finish the group stage unbeaten at the top of their quartet. She caught Pamela Lavine from the bowling of Perry. Australia went on to face India in the semi-final, and Elliott was brought back in place of <mask>.Elliott was required to neither bat nor bowl as the Indians ended with 3/119, which was chased down by the Australians with seven wickets and seven balls to spare, and was retained for the final, making 19 not out from 20 Australia won by three runs in a low-scoring match. References

External links

<mask> at Cricket Australia

1989 births
Living people
People from Taree
Cricketers from New South Wales
Australian women cricketers
Australia women Test cricketers
Australia women One Day International cricketers
Australia women Twenty20 International cricketers
ACT Meteors cricketers
Melbourne Stars (WBBL) cricketers
New South Wales Breakers cricketers
Sussex women cricketers
Sydney Thunder

masks:
Osborne
Osborne
Osborne
Osborne
Erin Osborne


title: William Eggleston

texts:
<mask> (born July 27, 1939) is an American photographer. He is widely credited with increasing recognition for color photography as a legitimate artistic medium. <mask>'s books include <mask>'s Guide (1976) and The Democratic Forest (1989). Early years
<mask> was born in Memphis, Tennessee and raised in Sumner, Mississippi. His father was an engineer and his mother was the daughter of a prominent local judge. As a boy, Eggleston was introverted; he enjoyed playing the piano, drawing, and working with electronics. From an early age, he was also drawn to visual media and reportedly enjoyed buying postcards and cutting out pictures from magazines.At the age of 15, <mask> was sent to the Webb School, a boarding establishment. Eggleston later recalled few fond memories of the school, telling a reporter, "It had a kind of Spartan routine to 'build character'. I never knew what that was supposed to mean. It was so callous and dumb. It was the kind of place where it was considered effeminate to like music and painting." <mask> was unusual among his peers in eschewing the traditional Southern male pursuits of hunting and sports, in favor of artistic pursuits and observation of the world. Nevertheless, <mask> noted that he never felt like an outsider."I never had the feeling that I didn't fit in," he told a reporter, "But probably I didn't." Eggleston attended Vanderbilt University for a year, Delta State College for a semester, and the University of Mississippi for about five years, but did not complete any degree.

masks:
William Eggleston
Eggleston
William Eggleston
William Eggleston
Eggleston
Eggleston
Eggleston


title: William Eggleston

texts:
 Nonetheless, his interest in photography took root when a friend at Vanderbilt gave Eggleston a Leica camera. He was introduced to abstract expressionism at Ole Miss by visiting painter Tom Young. Artistic development
<mask>'s early photographic efforts were inspired by the work of Swiss-born photographer Robert Frank, and by French photographer Henri Cartier-Bresson's book, The Decisive Moment. Eggleston later recalled that the book was "the first serious book I found, from many awful books...I didn't understand it a bit, and then it sank in, and I realized, my God, this is a great one." First photographing in black-and-white, Eggleston began experimenting with color in 1965 and 1966 after being introduced to the format by <mask>.Color transparency film became his dominant medium in the later 1960s. <mask>'s development as a photographer seems to have taken place in relative isolation from other artists. In an interview, John Szarkowski describes his first encounter with the young <mask> in 1969 as being "absolutely out of the blue". After reviewing Eggleston's work (which he recalled as a suitcase full of "drugstore" color prints) Szarkowski prevailed upon the Photography Committee of MoMA to buy one of <mask>'s photographs. In 1970, <mask>'s friend <mask> introduced him to Walter Hopps, director of Washington, D.C.'s Corcoran Gallery. Hopps later reported being "stunned" by Eggleston's work: "I had never seen anything like it." <mask> taught at Harvard in 1973 and 1974, and it was during these years

masks:
Eggleston
William Christenberry
Eggleston
Eggleston
Eggleston
Eggleston
William Christenberry
Eggleston


title: William Eggleston

texts: that he discovered dye-transfer printing; he was examining the price list of a photographic lab in Chicago when he read about the process.As Eggleston later recalled: "It advertised 'from the cheapest to the ultimate print.' The ultimate print was a dye transfer. I went straight up there to look and everything I saw was commercial work like pictures of cigarette packs or perfume bottles but the color saturation and the quality of the ink were overwhelming. I couldn't wait to see what a plain Eggleston picture would look like with the same process. Every photograph I subsequently printed with the process seemed fantastic and each one seemed better than the previous one." The dye-transfer process resulted in some of <mask>'s most striking and famous work, such as his 1973 photograph entitled The Red Ceiling, of which Eggleston said, "The Red Ceiling is so powerful, that in fact, I've never seen it reproduced on the page to my satisfaction. When you look at the dye it is like red blood that's wet on the wall... A little red is usually enough, but to work with an entire red surface was a challenge."At Harvard, Eggleston prepared his first portfolio, entitled 14 Pictures (1974). <mask>'s work was exhibited at MoMA in 1976. Although this was over three decades after MoMa had mounted a solo exhibition of color photographs by Eliot Porter, and a decade after MoMA had exhibited color photographs by Ernst Haas, the tale that the Eggleston exhibition was MoMA's first exhibition of color photography is frequently

masks: Eggleston Eggleston


title: William Eggleston

texts: repeated, and the 1976 show is regarded as a watershed moment in the history of photography, by marking "the acceptance of colour photography by the highest validating institution" (in the words of Mark Holborn). Around the time of his 1976 MoMA exhibition, Eggleston was introduced to Viva, the Andy Warhol "superstar", with whom he began a long relationship. During this period Eggleston became familiar with Andy Warhol's circle, a connection that may have helped foster Eggleston's idea of the "democratic camera", Mark Holborn suggests. Also in the 1970s, Eggleston experimented with video, producing several hours of roughly edited footage Eggleston calls Stranded in Canton. Writer Richard Woodward, who has viewed the footage, likens it to a "demented home movie", mixing tender shots of his children at home with shots of drunken parties, public urination, and a man biting off a chicken's head before a cheering crowd in New Orleans.Woodward suggests that the film is reflective of Eggleston's "fearless naturalism—a belief that by looking patiently at what others ignore or look away from, interesting things can be seen." Eggleston's published books and portfolios include Los Alamos (completed in 1974, but published much later), <mask>'s Guide (the catalog of the 1976 MoMa exhibit), the massive Election Eve (1977; a portfolio of photographs taken around Plains, Georgia, the rural seat of Jimmy Carter before the 1976 presidential election), The Morals of Vision (1978), Flowers (1978), Wedgwood Blue (1979), Seven


title: William Eggleston

texts: (1979), Troubled Waters (1980), The Louisiana Project (1980), <mask>'s Graceland (1984; a series of commissioned photographs of Elvis Presley's Graceland, depicting the singer's home as an airless, windowless tomb in custom-made bad taste), The Democratic Forest (1989), Faulkner's Mississippi (1990), and Ancient and Modern (1992). Some of his early series were not shown until the late 2000s. The Nightclub Portraits (1973), a series of large black-and-white portraits in bars and clubs around Memphis was, for the most part, not shown until 2005. Lost and Found, part of Eggleston's Los Alamos series, is a body of photographs that have remained unseen for decades because until 2008 no one knew that they belonged to Walter Hopps; the works from this series chronicle road trips the artist took with Hopps, leaving from Memphis and traveling as far as the West Coast. Eggleston's Election Eve photographs were not editioned until 2011. Eggleston also worked with filmmakers, photographing the set of John Huston's film Annie (1982) and documenting the making of David Byrne's film True Stories (1986).In 2017, an album of Eggleston's music was released, Musik. It comprises 13 "experimental electronic soundscapes", "often dramatic improvisations on compositions by Bach (his hero) and Handel as well as his singular takes on a Gilbert and Sullivan tune and the jazz standard On the Street Where You Live." Musik was made entirely on a 1980s Korg synthesiser, and recorded to floppy disks. The 2017 compilation Musik was


title: William Eggleston

texts:
 artist Edward Ruscha said of Eggleston's work, "When you see a picture he's taken, you're stepping into some kind of jagged world that seems like Eggleston World." According to Philip Gefter from Art & Auction, "It is worth noting that Stephen Shore and <mask>, pioneers of color photography in the early 1970s, borrowed, consciously or not, from the photorealists.Their photographic interpretation of the American vernacular—gas stations, diners, parking lots—is foretold in photorealist paintings that preceded their pictures." Publications
 Election Eve. New York City: Caldecot Chubb, 1977. Artist book. Two volumes. Edition of five copies. Göttingen: Steidl; 2017. . One volume.Morals of Vision. New York City: Caldecot Chubb, 1978. Artist book. Edition of fifteen copies. Göttingen: Steidl; 2018. . Flowers. New York City: Caldecot Chubb, 1978.Artist book. Edition of fifteen copies. Göttingen: Steidl; 2019. .
 <mask>'s Guide. New York: Museum of Modern Art, 1976. . The Democratic Forest. London: Secker & Warburg, 1989. With an introduction by Eudora Welty and an afterword by <mask> and Mark Holborn.New York: Doubleday, 1989. . With an introduction by Welty and an afterword by <mask> and Mark Holborn. Expanded edition. Göttingen: Steidl, 2015. . Ten volume set, 1328 pages, 1010 photographs. The Democratic Forest: Selected Works. New York: David Zwirner; Göttingen: Steidl, 2016. . 68 photographs. Faulkner's Mississippi.Birmingham: Oxmoor House, 1990. . With a text by Willie Morris. Ancient and Modern. New York:

masks:
William Eggleston
William Eggleston
Eggleston
Eggleston


title: William Eggleston

texts:
 Random House, 1992. . With an introduction by Mark Holborn. Horses and Dogs. Washington and London: Smithsonian Institution, 1994. . Essay by Richard B. Woodward. The Hasselblad Award 1998: <mask>.Zurich: Scalo; Goteborg: Hasselblad Center, 1999. . Edited by Gunilla Knape. With essays by Walter Hopps and Thomas Weski, and a transcript of an interview with Ute Eskildsen. <mask>. Göttingen: Steidl; Paris: Foundation Cartier, 2001. . Bilingual (French and English). Los Alamos. Zurich: Scalo Publishers, 2003. . With a text by Walter Hopps and Thomas Weski. 2 .Santa Fe: Twin Palms Publishers, 1999, 2008, 2011. . With a text by Bruce Wagner. The Spirit of Dunkerque. Paris: Biro, 2006. .
 Corte Madera, CA: Gingko, 2009. With a text by Vincent Gerard and Jean-pierre Rehm. 5 × 7. Santa Fe: Twin Palms Publishers, 2007. . With an essay by Michael Almereyda. <mask>: Democratic Camera, Photographs and Video, 1961–2008.With a text by Elisabeth Sussman, Thomas Weski, Tina Kukielski, and Stanley Booth. Exhibition catalog. New York: Whitney Museum of American Art, 2008. New Haven, CT: Yale University, 2008. .
 Paris. Göttingen: Steidl, 2009. .
 Before Color. Göttingen: Steidl, 2010. .
 For Now. Santa Fe: Twin Palms Publishing, 2010. . Afterword by Michael Almereyda; short texts, "Eggleston, 1971" by Lloyd Fonvielle, "In Conversation with <mask>" by Kristina McKenna, "Two Women and One Man" by Greil Marcus, "Night Vision: The Cinema of <mask>ton" by Any Taubin, and a longer text "It Never Entered My Mind": (Answers to 11

masks:
William Eggleston
William Eggleston
William Eggleston
William Eggleston
William Eggles


title: William Eggleston

texts:
 frequently asked questions about <mask> in the Real World)" by Michael Almereyda.Chromes. Göttingen: Steidl, 2011. .
 Los Alamos Revisited. Göttingen: Steidl, 2012. .
 From Black & White to Color. Göttingen: Steidl, 2014. . With an introduction by Agnès Sire ("The Invention of a Language"), essay by Thomas Weski. At Zenith. Göttingen: Steidl, 2014. .
 Polaroid SX-70. Göttingen: Steidl, 2019. .The Outlands. Steidl, 2021. ISBN 978-3-95829-265-9

Photographs in notable publications
The earliest commercial use of Eggleston's art was on album covers for the Memphis group Big Star, with whom Eggleston recorded for the album Third/Sister Lovers and who used his photograph of a red ceiling on their album Radio City. Eggleston's photograph of dolls on a Cadillac hood featured on the cover of the Alex Chilton album Like Flies on Sherbert. The Primal Scream album Give Out But Don't Give Up features a cropped photograph of a neon Confederate flag and a palm tree by Eggleston. In 1994, Eggleston allowed his long-time friend and fellow photographer Terry Manning to use two Eggleston photographs for the front and back covers of the CD release of Christopher Idylls, an album of ethereal acoustic guitar music produced by Manning and performed by another friend of Eggleston, Gimmer Nicholson. In 2006, a <mask>ton image was coincidentally used as both the cover to Primal Scream's single "Country Girl" and the paperback edition of Ali Smith's novel The Accidental.The same picture had already been used on the cover of Chuck

masks:
William Eggleston
William Eggles


title: William Eggleston

texts:
 Prophet's Age of Miracles album in 2004. In 2001, <mask>'s photograph "Memphis (1968)" was used as the cover of Jimmy Eat World's top-selling album Bleed American. <mask>'s photos also appear on Tanglewood Numbers by the Silver Jews, Joanna Newsom and the Ys Street Band by Joanna Newsom , Transference by Spoon and Delta Kream by The Black Keys. Films

Documentary appearances
 <mask> in the Real World (2005), by Michael Almereyda. By the Ways: A Journey with <mask> (2007), directed by Vincent Gérard and Cédric Laty – selected for the Grand Jury Prize at Sundance Film Festival in 2006. The Colourful Mr. Eggleston (2009), directed by Jack Cocker and Reiner Holzemer – an episode of the Imagine (TV series) for BBC One. The Source (2012), by Doug Aitken.Big Star: Nothing Can Hurt Me (2013), directed by Drew DeNicola and Olivia Mori. Movie and series appearances
 Great Balls of Fire (1989), directed by Jim McBride <mask> plays Jerry Lee Lewis's father, Elmo Lewis. Restless, x-ray technician (2011), as himself. Today (TV Series) (episode dated 31 May 2011), as himself. Sunday Morning (A Father and Daughter's Artistic Collaboration, 2016)

Music
 Musik (Secretly Canadian, 2017) – produced by Tom Lunt

Exhibitions

 1999–2000: <mask> and the Color Tradition, J. Paul Getty Museum, Los Angeles. 2001–2002: <mask>, Fondation Cartier, Paris. Traveled to Hayward Gallery, London.2002: documenta 11, Kassel, Germany. 2002: <mask>: Los Alamos, Museum Ludwig, Cologne, Germany. Traveled to Serralves Foundation, Portugal;

masks:
Eggleston
Eggleston
William Eggleston
William Eggleston
– Eggleston
William Eggleston
William Eggleston
William Eggleston


title: William Eggleston

texts:
 Norwegian Museum of Contemporary Art, Oslo, Norway; Louisiana Museum of Modern Art, Humlebaek, Denmark; Albertina, Vienna, Austria; and San Francisco Museum of Modern Art, San Francisco, California; Dallas Museum of Art, Dallas, Texas through 2005). 2008: <mask>: Democratic Camera, Photographs and Video 1961–2008, Whitney Museum of American Art, New York. Co-organized with Haus der Kunst, Munich; Corcoran Gallery, Washington, D.C.; Art Institute of Chicago; and the Los Angeles County Museum of Art. 2012: New Dyes, Rose Gallery, Santa Monica, California
 2016: <mask>: Selections from the Wilson Centre for Photography, Portland Art Museum, Portland. 2016: <mask> Portraits, National Portrait Gallery, London.2017: <mask>: Los Alamos, Foam Fotografiemuseum Amsterdam. Awards
 1974: Guggenheim Fellowship
 1975: Photographer's Fellowship, National Endowment for the Arts
 1978: Survey Grant, National Endowment for the Arts, for a survey of Mississippi cotton farms using photography and color video
 1989: "54 Master Photographers of 1960-1979" Award, Photographic Society of Japan
 1995: Distinguished Achievement Award, University of Memphis
 1998: Hasselblad Award, Hasselblad Foundation, Gothenburg, Sweden
 2003: Special 150th Anniversary Medal and Honorary Fellowship (HonFRPS), Royal Photographic Society, London
 2004: Getty Images Lifetime Achievement Award at the International Center of Photography (ICP)
 2013: Outstanding Contribution to Photography Award, Sony World Photography Awards, World Photography

masks:
William Eggleston
William Eggton
William Eggleston
William Eggleston


title: William Eggleston

texts:
 Organisation, London. Collections
Eggleston's work is held in the following public collections:
Art Institute of Chicago, Chicago, IL
J. Paul Getty Museum, Los Angeles, CA
 Museum of Modern Art, New York City
 Pier 24 Photography, San Francisco
 San Francisco Museum of Modern Art, San Francisco, CA
 Whitney Museum of American Art, New York City
 International Photography Hall of Fame, St.Louis, MO

Art market
In 2012, three dozen of Eggleston's larger-format prints –  instead of the original format of  – sold for $5.9 million in an auction at Christie's to benefit the Eggleston Artistic Trust, an organization dedicated to the preservation of the artist's work. The top lot, Untitled 1970, set a world auction record for a single print by the photographer at $578,000. New York art collector Jonathan Sobel, subsequently filed a lawsuit in United States District Court for the Southern District of New York against <mask>, alleging that the artist's decision to print and sell oversized versions of some of his famous images in an auction has diluted the rarity—and therefore the resale value—of the originals. The court later dismissed the lawsuit. Notes

References

Sources
 Eggleston, <mask> (1989).The Democratic Forest. Introduction by Eudora Welty. New York: Doubleday. .
 <mask>, <mask> & Morris, <mask> (1990). Faulkner's Mississippi. Birmingham: Oxmoor House. .
 <mask>, <mask> (1992). Ancient and Modern. Introduction by Mark Holborn.New York: Random House. .
 Lindgren, Carl Edwin. (1993 Summer). "Ancient and

masks: Eggleston William Eggleston William William Eggleston William


title: William Eggleston

texts:
 modern". Review of Ancient and Modern by <mask>. Number, Volume 19:20–21. Lindgren, Carl Edwin. (1993)."Enigmatic presence". Review of Ancient and Modern by <mask>. RSA Journal (Journal of the Roy. Soc. of Arts), Volume 141 Number 5439, 404. Woodward, Richard B. (October 1991)."Memphis Beau". Vanity Fair. Eggleston Trust bio

External links

 Where World View and World Lines Converge in Fillip

1939 births
Living people
People from Memphis, Tennessee
People from Sumner, Mississippi
Harvard University staff
Photographers from Mississippi
Photographers from Tennessee
University of Mississippi alumni
Vanderbilt University alumni
Webb School (Bell Buckle, Tennessee) alumni
Fine art photographers
20th-century American photographers
21st-century American photographers
Secretly Canadian

masks:
William Eggleston
William Eggleston


title: Gunduz Kalic

texts:
<mask> is a theatre director, acting coach and actor especially interested in the renewal of theatre as popular gathering. Awarded the title Professor of Theatre by Bath Spa University, UK where he worked until late 2008, <mask>'s career has centred on play based actor training, theatre for non-theatregoers and radical political theatre. Over five decades, he has worked in Turkey, Greece, the UK, Australia, the Netherlands, Canada and India and taught and / or collaborated with a broad range of artists - including actors, directors, poets, writers, composers, songwriters, singers, musicians, Applied Drama workers, cabaret artists, designers, painters and sculptors. Turkey
In the mid 1960s, <mask> became a founder-member of Asaf Çiğiltepe's Ankara Art Theatre (Ankara Sanat Tiyatrosu), where he appeared in a number of productions including Waiting for Godot (Godot’yu Beklerken) by Samuel Beckett, Dead Without Graves (Mezarsız Ölüler) by Jean-Paul Sartre, The Hostage (Gizli Ordu) by Brendan Behan and Dead Souls (Ölü Canlar) adapted by Arthur Adamov (from the novel by Gogol). Next, he played alongside the legendary Ulvi Uraz in the premiere and throughout the long running Istanbul 'West End' production Commotion in Moonlight (Gozlerimi Kaparım Vazifemi Yaparım) by Haldun Taner. The cast included the then young talents Zeki Alasya and Metin Akpınar. Meanwhile, Kaliç acted in a number of films including the award-winning Kanlı Döğüş.He then founded his own theatre company, Halk Oyuncuları Birliği, which was resident at the Arena Theatre in İstanbul. Members of the company included Ali Poyrazoğlu, Deniz Türkali, Celile Toyon and Mete İnsel. <mask> directed a production of

masks:
Gunduz Kalic
Kalic
Kalic
Kalic


title: Gunduz Kalic

texts:
 Revenge of the Snakes (Yılanların öcü) adapted from the novel by Fakir Baykurt, which precipitated his departure from Turkey. Europe / Canada
After leaving Turkey, <mask> studied at the Athens Theatre and Cinema Academy and then enjoyed short internships with Jean-Louis Barrault (Theatre d l’Odeon), Giorgio Strehler (Piccolo Teatro d Milano), Eduardo De Filippo (Teatro Ca Foscari) and other prolific directors of 1960s theatre. <mask>'s involvement with the Joan Littlewood founded East 15 Acting School began when he was invited to take a role in an E15 troupe's production of Lysistrata at the first Istanbul International Theatre Festival. After moving to the UK in the late 1960s, <mask> became an instructor at E15 and subsequently Co-director of the School. As Artistic Director of the adjoining Corbett Theatre he produced some 40 plays from 1971–76, including Ears, one of the first rock musicals, and led touring companies to major summer festivals in the Netherlands, Yugoslavia, Bulgaria and France.During this period and throughout the 1970s and 80s <mask> also regularly guest directed and conducted master-classes at the Toneelacademie Maastricht, in the Netherlands. In the late 1970s, Kalic taught and directed (in the forerunner to the current School for the Contemporary Arts) at Simon Fraser University in Vancouver, Canada, producing the work Terrorizm, about the Red Army Faction, in collaboration with the proto-punk band Active Dog. Australia
In the 1980s <mask> led the Theatre Arts programme at Northern Territory University (now Charles Darwin University) in Darwin, Australia. He was also Artistic Director of Territory North Theatre (TNT), carrying out much new

masks: Kalic Kalic Kalic Kalic Kalic


title: Gunduz Kalic

texts: play development and facilitating Theatre-as-Education work in Darwin and remote areas of the Outback. In 1991, Kalic relocated to Queensland and launched the Australian Theatre As Education Project (TAE). Part-funded by the Commonwealth Government Priority Country Area Program and devoted to Shakespeare-in-Schools and language and human relationships education, TAE toured throughout the enormous geographical expanse of outback and provincial Queensland, conducting over 1600 performances and workshops for 48,000 parents and children. As well, at about the same time, Kalic designed and supervised the delivery of short theatre and performance based programmes for unemployed and at risk youth for Bundaberg TAFE College and a Commonwealth Government agency.<mask> and his ensemble also developed a repertoire of popular entertainments - highly participatory theatre for adult non-theatre goers -  incorporating distinctive larrikin, stand-up comedy and musical elements. These popular entertainments included adaptations of Shakespearean and Restoration classics and a series of half a dozen original intercultural works including the Australiana-derived On The Wallaby. Kaliç's version of The Taming of the Shrew, staged in a boxing ring, and other works were filmed and screened on SBS-TV's Imagine programme. In 1993, the original political comedy/rap musical That's Twice, co-written and directed by Kalic, premiered at Australia's Parliament House in Canberra. Of this act of guerrilla theatre, the Canberra Times wrote: 'they lambasted the political powerbrokers in their own den'. A subsequent production of this play was described by one critic as 'a two-fingered riposte from


title: Gunduz Kalic

texts:
 Australia's forgotten people delivered with enough cartoonish energy to fuel our manufacturing industries for a year, if we had any'. <mask>'s ensemble became Taking Liberties Theatre Company, basing itself in Brisbane.Taking Liberties continued to produce popular entertainment based theatre for non-theatregoers, becoming a staple act on the club and hotel circuit in South East Queensland and beyond. Popular audiences enabled the company to survive un-subsidised in a performing arts ecology dependent on government subsidy. That's Twice lived on as a continually updated commentary on current affairs played in stand-up and conventional theatre venues, with characters from the show confronting leading politicians including the Prime Minister of Australia at public events and featuring regularly in a political satire segment on ABC's Stateline Current Affairs programme in 1996. Through this period Kalic also penned op-ed articles on arts policy and theatricality in politics for The Australian Financial Review, The Courier-Mail (Brisbane), the Melbourne Herald Sun and the Canadian neo-situationist journal Adbusters. One of these pieces, The Death of Reality, argued that the entertainment industry was complicit in such events as the Port Arthur massacre in Australia and in the Dunblane massacre in Scotland. UK
In 2001, <mask> commenced teaching at Bath Spa University in the UK, where he founded and was Artistic Director of Full Tilt Theatre Company. Full Tilt mounted productions of his adaptations of Hamlet, Macbeth and The Comedy of Errors at an annual on campus Shakespeare-by-the-Lake event, at the Minack Theatre in Cornwall and elsewhere.The Cornish News wrote of his

masks: Kalic Kalic


title: Gunduz Kalic

texts:
 2008 The Comedy of Errors: An Identity Affair: 'No errors in this vibrant show...impossible not to succumb to the total commitment, confidence and considerable charm of these many, mainly young players'. Subsequently, the show toured to parts of the United States and Canada. Kalic also created an original Bollywood Carmen after Bizet incorporating original music by Maestro of Santoor, Kiranpal Singh Deoora. <mask> <mask> retired as Head of Department of Drama at Bath Spa University in late 2008. Coaching
Stage and screen professionals coached or taught by <mask> <mask> or with whom he has collaborated include Zeki Alasya, Ali Poyrazoğlu, Metin Akpınar, Peter Armitage, Janine Duvitski, Alan Ford, Robert Gwilym, Jonathan Kaye, Kevin Lloyd, Christopher Ryan, Tony Scannell, Alison Steadman, Gwen Taylor, Oliver Tobias, David Yip, Heather Johansen, Mike Bradwell (founder Hull Truck Theatre and long-time Artistic Director of the Bush Theatre), Oliver Foot (founder Footsbarn Theatre Company), Hilary Westlake (founder Son and Lumiere), Andy Noble (founder Orchard Theatre Company), the late Howard Lloyd-Lewis (formerly of Manchester Library Theatre Company), Pavel Douglas, Gijs Scholten van Aschat, Hans Kesting, Joke Tjalsma, Pierre Bokma, Wivinneke van Groningen, Chris Haywood, Stephen Hyde, Monte Dwyer and Lori Dungey. Notes

Peter Billingham (ed.). 2005.Radical Initiatives in Interventionist and Community Drama. Bristol: Intellect Books. External links
Gunduz Kalic website at http://www.gunduzkalic.com

Taking Liberties Theatre Company archive/website at http://www.takingliberties.org

Turkish theatre directors
British acting coaches
Living people
Year of birth missing

masks: Gunduz Kalic Gunduz Kalic


title: David Satcher

texts:
<mask>, (born March 2, 1941) is an American physician, and public health administrator. He was a four-star admiral in the United States Public Health Service Commissioned Corps and served as the 10th Assistant Secretary for Health, and the 16th Surgeon General of the United States. Biography

Early years
<mask> was born in Anniston, Alabama. At the age of two, he contracted whooping cough. A Black doctor, Dr. Jackson, came to his parents' farm, and told his parents he didn't expect <mask> to live, but nonetheless spent the day with him and told his parents how to give him the best chance he could. Satcher said that he grew up hearing that story, and that inspired him to be a doctor. While in college, Satcher was active in the Civil Rights Movement and was arrested on multiple occasions.Satcher graduated from Morehouse College in Atlanta in 1963 and was elected to Phi Beta Kappa. He received his M.D. and a Ph.D. in cell biology from Case Western Reserve University in 1970 with election to the Alpha Omega Alpha honor society. He completed his residency and fellowship training at the Strong Memorial Hospital, the University of Rochester, the UCLA School of Medicine, and Martin Luther King Jr.-Harbor Hospital. He is a fellow of the American Academy of Family Physicians, the American College of Preventive Medicine, and the American College of Physicians, and is board certified in preventive medicine. Satcher pledged Omega Psi Phi fraternity and is an initiate of the Psi chapter of Morehouse College. Career

Satcher served as professor and Chairman of the Department of Community Medicine and Family Practice at Morehouse School of Medicine from 1979 to 1982.He is a former faculty member of the UCLA School of Medicine, the UCLA School of Public Health, and the King-Drew Medical Center in Los Angeles, where he developed and chaired the King-Drew Department of Family Medicine. From 1975 to 1979, he served as the interim Dean of the Charles R. Drew Postgraduate Medical School, during which time, he negotiated the agreement with UCLA School of Medicine and the Board of Regents that led to a

masks:
David Satcher
Satcher
David


title: David Satcher

texts:
 Satcher became a fellow at the Kaiser Family Foundation. In the fall of 2002, he assumed the post of Director of the National Center for Primary Care at the Morehouse School of Medicine. On December 20, 2004, <mask> was named interim president at Morehouse School of Medicine until John E. Maupin, Jr., former president of Meharry Medical College assumed the current position on February 26, 2006. In June 2006, Satcher established the Satcher Health Leadership Institute (SHLI) at Morehouse School of Medicine as a natural extension of his experiences improving public health policy for all Americans and his commitment to eliminating health disparities for minorities, the poor, and other disadvantaged groups.In 2013, he co-founded the advocacy group African American Network Against Alzheimer's. As of 2002, he sits on the boards of Johnson & Johnson and, as of 2007, MetLife. Criticisms of health inequality
While acknowledging progress, Satcher has criticized health disparities. He asked the question, “What if we had eliminated disparities in health in the last century?” and calculated that there would have been 83,500 fewer Black deaths in the year 2000. That would have included 24,000 fewer Black deaths from cardiovascular disease. If infant mortality had been equal across racial and ethnic groups in 2000, 4,700 fewer Black infants would have died in their first year of life. Without disparities, there would have been 22,000 fewer Black deaths from diabetes and almost 2,000 fewer Black women would have died from breast cancer; 250,000 fewer Blacks would have been infected with HIV/AIDS and 7,000 fewer Blacks would have died from complications due to AIDS in 2000.As many as 2.5 million additional Blacks, including 650,000 children, would have had health insurance in that year. He called on people to work for solutions at the individual, community, and policy level. Satcher supports a Medicare-for-all style single payer health plan, in which insurance companies would be eliminated and the government would pay health care costs directly to doctors, hospitals and other providers through


title: Bernard Hoffman

texts:
<mask> (1913–1979) was an American photographer and documentary photographer. The bulk of his photographic journalism was done during the first 18 years of the revamped Life magazine, starting in 1936. During this time he produced many photo essays, including a shoot with Carl Sandburg in 1938. He is, perhaps, most known as the first American photographer on the ground at Hiroshima and Nagasaki after the atomic bomb was dropped in 1945, providing some harrowing glimpses into the destructive power of the bomb. After leaving Life in 1951, <mask> went on to establish Bernard Hoffman Laboratories, a company dedicated to improving the technology for professional photography. The lab was well-known enough that in 1963 he was brought on to process film from the Kennedy assassination, leading to support for belief in the infamous "shooter on the grassy knoll." Following the sale of the lab in 1973, he spent his retirement years running photography workshops with his wife, Inez.<mask> died of amyotrophic lateral sclerosis (also known as Lou Gehrig's disease) in 1979. Early life
<mask> was born in New York City in 1913, and little is publicly known about his youth, besides the fact that he received a camera as a birthday present in 1931, when he was 18 years of age. <mask> used the camera to snap photos of friends skinny dipping, but was told by the local shopkeeper that they would not develop the film into prints. He decided to take matters into his own hands and purchased a kit to develop the pictures himself. This incident would chart the course of his entire adult life. In 1935, he accepted a job as staff photographer for Life, the first of the original four members of that department, as Henry Luce revamped the publication into an all-photographic American news magazine. Life Magazine
<mask> was brought on board approximately one

masks:
Bernard Hoffman
Hoffman
Hoffman
Bernard Hoffman
Hoffman
Hoffman


title: Bernard Hoffman

texts:
 year before the relaunch of Life would turn the magazine from its original format into a photojournal of modern American life.In his role as staff photographer, <mask> worked on dummy layouts and design elements prior to the reworked magazine's debut on November 23, 1936, as well as contributing photography for the first issue. After the magazine's launch, <mask> covered a dizzying number of assignments worldwide, ranging from the glamorous to the deadly. According to the International Center of Photography in a brochure for a <mask> exhibit, "...politics, heavy industry, science, medicine, beauty, sports, animals, theatre, agriculture, art, photo-micrography, motion pictures. Name it, he did it." Notable events during his 18 years with Life include:

To illustrate an essay on the "World of Animals," he blindfolded a rattlesnake and stuffed cotton in a shark's nostrils. He reported the social effects of the dictatorship in Portugal during 1937. While on one of the first transatlantic commercial flights, aboard a Boeing flying boat, <mask> had Archduke Otto von Habsburg hold his flashes while photographing the plane's interior.The flight took 19 hours to travel from New York City to the Azores in Portugal. <mask> covered actor John Barrymore a number of times. During a performance of Barrymore's last play, My Dear Children, the actor had to run out on stage and kiss his then new wife, Elaine Barry, and run off stage again. With <mask> in the audience, Barrymore performed the bit as usual, but then without any warning ran back out onto the stage and shouted to <mask>, "Did you get that picture, Bernie?" In one day, <mask> was given assignments with short deadlines in three different states. Editor Wilson Hicks gave him the advice, "If this is too tough, you can always cut your throat." <mask> chartered a private plane to

masks:
Hoffman
Bernard Hoffman
Bernard Hoffman
Hoffman
Hoffman
Hoffman
Hoffman
Hoffman
Hoffman


title: Bernard Hoffman

texts: cover a rifle match, Gold Cup motorboat races, and a thigh operation.One of <mask>'s most cherished memories were that of poet Carl Sandburg, a man <mask> referred to as "the only genius I have ever met." He and Sandburg became close friends, and <mask>'s photos of Sandburg singing to his goats in the living room became an instant classic Life photo essay in the February 31, 1938 issue, om which <mask> also received a cover photo credit. The sculpture The Kiss, by Auguste Rodin, got <mask> and Life in some trouble. His layouts on the art exhibition came out so lifelike that the magazine was temporarily banned in Boston and Argentina on morality grounds. Dropped via parachute behind enemy lines in the Burmese jungle in 1943, <mask> brought back the story of the trapped battalion of Merrill's Marauders. On the way to the drop destination, Japanese Zeros shot the wheels off the plane he was in, which diverted the flight to a clearing behind the lines. Of the 500 men in the Marauders, only <mask> and 35 others emerged from the jungle.Back home, his wife and Life editors had no word on his whereabouts for over eight weeks. Of this event, <mask> quipped, "Risk? There was no risk, I had my press card!" To take a dangerous photo sequence of a 500 lb. bomb detonating, <mask> placed his camera two and a half feet from the center of impact. When the bomb left the plane, he pressed the automatic shutter release and ran. The bomb exploded only 20 feet away from him, and when the dust cleared, he found the bomb had hit precisely where it was supposed to, getting <mask> accolades for the innovative shots featured in Lifes November 15, 1943 issue.<mask> was on board the first low-level B-29 air raid on Japan. On special assignment, <mask> was the first American photojournalist on the ground in Hiroshima and Nagasaki in 1945, recording the

masks: Hoffman Hoffman Hoffman Hoffman Hoffman Hoffman Hoffman Hoffman Hoffman Hoffman Hoffman Hoffman


title: Bernard Hoffman

texts:
 devastating effects of the atomic bomb blasts while the peace agreement was being signed aboard the USS Missouri. The results were featured on the cover, an in-depth photo essay, and as "Picture of the Week" in Life's October 15, 1945 issue. One tragically ironic photo captured the image of a seven-year-old's skeleton lying in the debris of her home, while a fragile vase sat untouched next to the body. As a correspondent under the watch of Major Tex McCrary, <mask> was permitted to photograph the horrors of German's concentration camps. Said <mask> of this assignment, "I try not to feel anything when I am taking pictures of something unpleasant. I detach myself and concentrate on the picture.After seeing the camps, many of the war correspondents wanted to stop right there, but it was important to continue and record everything." Of <mask>'s photography in covering the war in the China-Burma-India Theatre, General "Vinegar" Joe Stilwell said, "It is the best collection of pictures of this type that I have ever seen." <mask> left Life in 1951 to pursue freelance photojournalism. Bernard Hoffman Laboratories and the JFK Assassination
Without the resources of Lifes labs behind him, <mask> very quickly found dissatisfaction with the development labs available to freelance and professional photographers. To remedy this, he founded Bernard Hoffman Laboratories (BHL), with the goal of providing the highest possible quality prints from negatives of all sorts. BHL set an aggressive pace towards improving the technology of photography, and was earmarked as "one of the two most interesting and progressive labs going" by Minor White. The lab made several noteworthy additions to the field, including chemical formulas that made it possible to shoot full detail motion photos in low illumination, a montage process for combining many

masks: Hoffman Hoffman Hoffman Hoffman Hoffman


title: Bernard Hoffman

texts:
 photographs without the need of airbrushing, a new lens design with the ability to focus from four inches to infinity, and process of bringing detail to badly under-exposed negatives.During his tenure with the company, <mask> gained such acclaim that his labs were used to process much of the footage from the assassination of John F. Kennedy in 1963. The resulting detailed prints led to the belief that a person aiming a rifle at the President stood atop a car behind a wall near the path of the motorcade. Additionally, the United States Atomic Energy Commission regularly consulted BHL as an expert in important film and print analyses. <mask> sold the custom lab business and retired in 1973 after suffering a mild cardiac arrest. Late life
After officially retiring from business life, <mask> published a book, The Man From Kankakee in 1973, chronicling the life of Romy Hammes, a self-made millionaire whom he had first met in 1938 when he photographed Hammes for Life. Following this, he started a small home-based photography training course to teach new students the art in 1974, in partnership with his wife, Inez. One of his early students, John DeSanto, went on to become a well-known American photojournalist and is currently Director of Photography of the Times Herald-Record in Middletown, New York.The training business closed in late 1978, due to <mask>'s deteriorating health. <mask> died of amyotrophic lateral sclerosis (also known as Lou Gehrig's Disease) in November 1979. Posthumous works
His works are released since his death, like the aftermath photos of the atomic bombings of Hiroshima and Nagasaki, taken in September 1945. References

External links

Comprehensive collection of <mask> art
Getty Images Collected <mask> art

1913 births
1979 deaths
20th-century American photographers
Life (magazine)

masks:
Hoffman
Hoffman
Bernard Hoffman
Hoffman
Hoffman
Hoffman
Hoffman


title: Roy Williams (wide receiver)

texts:
<mask>. (born December 20, 1981) is a former American football wide receiver in the National Football League (NFL) for the Detroit Lions, Dallas Cowboys, and Chicago Bears. He played college football for the University of Texas Longhorns. Early years
<mask> attended high school at Permian High School in Odessa, Texas, where he starred in multiple sports. He lettered in football, track, baseball, and basketball, earning all-state honors in football and track and all-district accolades in baseball and basketball. <mask> also made the honor roll all four years while attending Permian High School. College career
Arriving at the University of Texas in the 2000 recruiting class, <mask> and fellow freshmen receivers BJ Johnson and Sloan Thomas were touted as the most talented group of incoming receivers in school history. In his second season, he started 13 games, making 67 receptions for 836 yards and 7 touchdowns.As a junior, he was limited with a hamstring injury, appearing in 12 games with nine starts, while posting 64 receptions for 1,142 yards and 12 touchdowns. Instead of opting for the NFL, he decided to return for his senior season, registering 70 receptions for 1,079 yards and 9 touchdowns. By the end of his college career, <mask> had become one of the most decorated receivers in Texas Longhorns history. Nicknamed "The Legend", he left school as the all-time leader in receptions, receiving yards, and receiving touchdowns. He was a member of the All-Conference Team for the Big 12 on three occasions, and was a semi-finalist for the Biletnikoff Award during both his junior and senior seasons. In 2013, he was inducted into the University of Texas Hall of Honor. Track and field
<mask> was a track star at the University of Texas, where he recorded a personal best of 10.30 seconds in the 100 meters.He also specialized in high jump and long jump. Personal bests

NFL career

2004 NFL

masks:
Roy Eugene Williams Jr
Williams
Williams
Williams
Williams
Williams


title: Roy Williams (wide receiver)

texts:
 Draft
<mask> was selected seventh overall in the first round of the 2004 NFL Draft by the Detroit Lions. Many draft experts considered the pick a bold move since the Lions had drafted Charles Rogers with the second overall pick the year before. 2004 NFL Combine

Detroit Lions
In 2004, <mask> set Lions rookie records with 54 receptions for 817 yards and eight touchdowns in 12 games; he suffered an ankle injury midway through the season that limited his effectiveness. The following season, the team spent their first-round draft pick (10th overall) on yet another receiver, this time USC star <mask>. He finished first on the team in receiving yards (687), average per catch (15.3) and second in receptions (45). <mask> had a productive year for the 2006 Lions, with 1,310 yards, seven touchdowns and a 16.0 yards-per-catch average.The 1,310 yards were the most in the NFC, and tied with Indianapolis Colts receiver Reggie Wayne for third-most in the NFL. <mask>' 16.0  YPC average was first in the NFL for receivers with more than 25 receptions. He also had 24 catches of 20-plus yards, which ranked first in the NFL. He and teammate Mike Furrey caught more passes (178) than any other duo in the NFC. <mask> was named an alternate for the 2007 Pro Bowl. When Torry Holt withdrew due to injury, <mask> was named to the active squad. He was the first Detroit wide receiver to make the Pro Bowl since 1998 (Herman Moore).<mask> was the 2007 recipient of the Detroit Lions/Detroit Sports Broadcasters Association/Pro Football Writers Association's Media-Friendly "Good Guy" Award. The Good Guy Award is given yearly to the Detroit Lions player who shows consideration to, and cooperation with the media at all times during the course of the season. Dallas Cowboys
The Dallas Cowboys had tried to obtain <mask> for two years, finally reaching a trade agreement with the Lions on October 14, 2008, in exchange for a

masks:
Williams
Williams
Mike Williams
Roy Williams
Williams
Williams
Williams
Williams
Williams


title: Roy Williams (wide receiver)

texts: first (#20-Brandon Pettigrew), third  (#82-<mask>), and sixth-round (#192-Aaron Brown) picks in the 2009 NFL Draft (the Cowboys also received a seventh-round pick (#210-Vance Walker) from the Lions in the 2010 draft). He was then signed to a new contract through the 2014 season; he agreed to a six-year, $54 million contract, with $26 million guaranteed. <mask> became the second option at wide receiver, while playing opposite to Terrell Owens and didn't have the immediate impact that it was expected, catching only 19 passes and one touchdown in seven starts, although his problems were attributed to his unfamiliarity with the offensive system, playing with two different quarterbacks and the lingering effects of a Lisfranc injury. In 2009, with the release of Owens, <mask> was expected to take over as the team's leading wide receiver, but against the Kansas City Chiefs, as a replacement for the injured <mask>, Miles Austin had a breakout game with 10 receptions for 250 yards (a Cowboys record for receiving yards in a single-game, breaking Bob Hayes' 246-yard effort in 1966) and 2 touchdowns. <mask> would be again relegated to the second wide receiver role for the rest of the season, although he helped the Cowboys win their first playoff game since 1996, by making five catches for 59 yards including several crucial third-down catches in the first half.In 2010, the Cowboys drafted future Pro Bowler Dez Bryant in the first round, but <mask> retained his starting role alongside Austin. He got off to a quick start with 21 receptions for 306 yards and 5 touchdowns in the first 5 games, but his production declined significantly in his final 10 games (16 catches for 224 yards and no touchdowns) as Bryant gained a bigger role in the offense. His best game with the Cowboys was against in-state rival Houston Texans, in which he recorded 117 receiving yards and two touchdowns on five catches while

masks:
Derrick Williams
Williams
Williams
Williams
Williams
Williams


title: Roy Williams (wide receiver)

texts:
 only being targeted six times. His time with Cowboys was a disappointment, by the close of the 2010 season, <mask> had totaled 99 regular season/playoff catches for the Cowboys and 13 touchdowns, 11 of which came from inside the red zone. He was released on July 28, 2011. Chicago Bears
In 2011, a day after being released by the Cowboys, <mask> agreed to sign with the Chicago Bears for a one-year, $2.46 million contract, reuniting with offensive coordinator Mike Martz, who held the same title with the Lions during <mask>' Pro Bowl season. He finished with 37 receptions for 507 yards and 2 touchdowns, with his best game coming on Christmas night against the Green Bay Packers with six catches for 81 yards.<mask> announced his retirement from the NFL on his Facebook page on September 8, 2012. NFL career statistics
Receiving statistics

Rushing statistics

Personal life
Upon retirement, <mask> returned to his home town of Odessa, Texas, where he started an oil field trucking company tapping into the boom going on in West Texas. <mask> played a small role in the 2004 sports film Friday Night Lights (his older brother, Lloyd Hill was on the team the movie was based on). <mask> played the role of an assistant coach for Midland Lee High School, which is one of Permian's biggest rivals. His one spoken line in the film was, "He ain’t going to play." <mask> is also the co-founder, with college teammate BJ Johnson, of MVP Vodka, an All-American Wheat vodka made in Dallas, TX. His older brother Lloyd Hill, was the Texas Tech University all-time leading receiver and led the NCAA in receptions in 1992.References

External links

1981 births
Living people
American football wide receivers
Chicago Bears players
Dallas Cowboys players
Detroit Lions players
National Conference Pro Bowl players
People from Odessa, Texas
Permian High School alumni
Players of American football from Texas
Texas Longhorns

masks:
Williams
Williams
Williams
Williams
Roy Williams
Williams
Williams
Williams


title: Lucian Mureșan

texts:
<mask> (born 23 May 1931) is the first and current Major Archbishop of the Greek Catholic Archdiocese of Făgăraș and Alba Iulia and a cardinal of the Catholic Church. As Major Archbishop of Făgăraș and Alba Iulia (resident in Blaj), he is the head of the Romanian Church United with Rome, Greek-Catholic. Life
<mask> was born in the village of Firiza (now the Ferneziu district of Baia Mare), Romania, the tenth of Peter and Maria Mureșan's twelve children. He attended primary school in Firiza between 1938 and 1944 and later secondary school in Baia Mare from 1944 to 1948 at the Gheorghe Șincai High School. The 1948 educational reform banned all religions in schools in the country, especially by Decree no. 358 of 1948 of the Great National Assembly, in which the Romanian Greek Catholic Church was brutally repressed and declared illegal and, therefore, the hope of training and becoming a priest was unattainable and he withdrew from school. Between 1948 and 1951, Mureşan attended school for woodworking (fine furniture) in Baia Mare, and continued his education part-time to complete his studies.From 1951 to 1954, he did military service, which was mandatory at the time, at the aviation school in Turnişor (Sibiu). After finishing his military training, he joined the jet aviation battalion in Craiova. In 1953, because of his connection with the Romanian Greek Catholic Church, he was considered an undesirable person and was transferred from the aviation battalion to work on the construction of the country's first large hydroelectric plant, in Bicaz. In 1954, he left Bicaz and waiting for an opportunity to study theology, secretly, he worked in different places. At the suggestion of Bishop Iuliu Hossu and the blessing of Bishop Alexandru Rusu, on the proposal of Prof. Dr. Silviu Augustin Prunduş (released from prison in 1955), Bishop Aron Marton of Alba Iulia agreed to receive, as an exception, five young people, one for each diocese of the Romanian Greek Catholic Church, at the Institutul Teologic

masks:
Lucian Mureșan
Lucian Mureșan


title: Lucian Mureșan

texts:
 Romano-Catholic de Alba Iulia for the academic degree, among them was <mask>. In the fourth year of studies, the rector of the institute told him and another student that he kept to the original five, that they were expelled by the Department of Cults and that within 24 hours they would be forced to leave not only the Institute, but also from the city. In terms of ecclesiastical and canonical laws, there was no reason for expulsion.He returned to his original place. The expulsion coincided with the start of the persecution and repression by Securitate. For a year he focused on working in mining and construction companies, but was rejected on the grounds that he was a Catholic theologian. After a year, he managed to find a job as a worker at the quarry in Ferneziu, where he worked for almost 10 years. When he was persecuted there, he transferred to the Department of Roads and Bridges in Maramureş, where he worked until his retirement in June 1990. Despite intimidation, harassment and threats, he did not give up on his dream of becoming a priest, continuing their studies in hiding, with former professors from the theological academy who were fugitives. All students took their licensing exam.In 1964, a decree-pardon was issued and the bishops were released from prison. In this way, he could finally become a priest. Presbyterate

Mureşan was ordained on December 19, 1964, by Ioan Dragomir, titular bishop of Palaeopoli in Pamfilia, auxiliary bishop of Maramureş. Initially, he exercised his pastoral ministry in hiding, while working in the quarry and then in the Department of Roads and Bridges. His pastoral ministry was mainly dedicated to young people and those who wanted to become priests. He later worked as a priest more openly in the diocese of Maramureş. The clergy of his rite asked him to reorganize his pastoral ministry.After Bishop Dragomir's death on April 25, 1985, he held the provisional function of Ordinarius of the diocese of Maramureş until August 9, 1986, and since that date, the


title: Henry Loch, 1st Baron Loch

texts:
<mask>, 1st <mask>,  (23 May 1827 – 20 June 1900) was a Scottish soldier and colonial administrator. Military service

<mask> was the son of <mask>, Member of Parliament, of Drylaw, Midlothian. He entered the Royal Navy, but at the end of two years quit it for the British East India Company's military service, and in 1842 obtained a commission in the Bengal Light Cavalry. In the First Anglo-Sikh War of 1845–1846 he was given an appointment on the staff of Sir Hugh Gough, and served throughout the Sutlej campaign. In 1852 he became adjutant of Skinner's Horse. At the outbreak of the Crimean War in 1854, <mask> severed his connection with India, and obtained leave to raise a body of irregular Bulgarian cavalry, which he commanded throughout the war. In 1857 he was appointed attaché to Lord Elgin's mission to East Asia, was present at the taking of Canton (Guangzhou) during the Second Opium War, and in 1858 brought home the Treaty of Yedo.In April 1860, <mask> accompanied Lord Elgin to China again, as secretary of the new embassy sent to secure the execution by the Chinese Qing Empire of its treaty engagements. The embassy was backed up by an allied Anglo-French force. With Harry Smith Parkes he negotiated the surrender of the Taku Forts (Dagu Forts). During the advance on the Qing capital, Peking (Beijing), <mask> was chosen with Parkes to complete the preliminary negotiations for peace at Tungchow (present-day Tongzhou District, Beijing). They were accompanied by a small party of officers and Sikhs. It having been discovered that the Chinese were planning an attack on the British force, <mask> rode back and warned the outposts. He then returned to Parkes and his party under a flag of truce in the hope of securing their safety.However, they were all taken prisoner by the Qing general Sengge Rinchen and

masks:
Henry Brougham Loch
Baron Loch
Henry Loch
James Loch
Loch
Loch
Loch
Loch