title: Henry Lincoln Johnson

texts:
 heard in a District of Columbia court. The jury failed to agree in the case after six hours of deliberation, with seven jurors voting for acquittal. The foreman later commented that the defendant owed his life to <mask>'s summation. Despite his removal from Georgia politics, <mask> was not entirely forgotten in the corridors of power.In September 1923 <mask> was one of a handful of black political leaders invited to Washington, D.C. for private consultations with President Calvin Coolidge on issues of concern to the African-American community. They continued to seek more national support for alleviating oppression in the South. <mask> <mask> died on September 10, 1925 at Freedmen's Hospital after having a stroke at his home in Washington, D.C. He was 55 years old at the time of his death. He was buried on September 14, 1925, at Columbian Harmony Cemetery. His remains were moved to National Harmony Memorial Park Cemetery in 1959, when Columbian Harmony closed. Shortly after his death, <mask> was eulogized with an editorial in the Pittsburgh Courier, an important black newspaper, which opined:

Footnotes

Works

 The Negro Under Wilson.Washington, D.C.: Republican National Committee, n.d. [1916?]. Letter to W.E.B. DuBois, July 18, 1918, W.E.B. DuBois papers, Special Collections & University Archives, University of Massachusetts Amherst. Further reading

 Donald Lee Grant, The Way it was in the South: The Black Experience in Georgia. Carroll Publishing Co./Birch Lane Press, 1993; reissued University of Georgia Press, 2001.Robert E. Hauser, "'The Georgia Experiment': President Warren G. Harding's Attempt to

masks:
Johnson
Johnson
Johnson
Henry Lincoln
Johnson
Johnson


title: Lucos Cozza

type: original

texts:
<mask> (born in Rome, Italy, on 11 April 1921 – 27 June 2011) was a Roman archaeologist. Born in Rome, <mask> was the son of the sculptor, count <mask> (Orvieto 1877 - Roma 1965), and the grandson of archaeologist <mask> (Orvieto 1848 - Roma 1910). <mask> was a student of Giuseppe Lugli, the author of many scholarly books about Italian prehistory and the topography of Rome; his best-known work is on the Temple of Hadrian. He also wrote an archeological  guide book to Roman antiquities, translated into several  languages. In 1957 he began the excavation, along with Ferdinando Castagnoli, of the Latin federal sanctuary at Lavinium. Academic publications
 "Grottarossa (vocabolo Monte delle Grotte). Cisterna ad ogiva in opera quadrata."Notizie degli Scavi 8 s., 1, pp. 101–110, 1947.
 ed. Fontes ad topographiam veteris urbis Romae pertinentes, vol. 1, Liber IV: Muri portaeque aureliani. Rome: Università di Roma, Istituto di topografia antica, 1952. "Roma (Via Anagnina, vocabolo “Centroni Grotte”). "Natatio" nell'antica villa detta "dei Centroni"’".Notizie degli Scavi 8 s., 6, pp. 257-283, 1952. (with F. Castagnoli). "L'angolo meridionale del Foro della Pace." BCom 76, pp. 119–142, 1956. "Ricomposizione di alcuni rilievi di Villa Medici".BdA 4 s.,

masks:
Lucos Cozza
Cozza
Lorenzo Cozza
Adolfo Cozza
Cozza


title: Lucos Cozza

texts:
 mura, Roma, Graf 3, 1990
 Sulla Porta Appia, JRA 3, pp. 169–171, 1990
 Trastevere. Viale Trastevere, Mura Aureliane, BA, 1-2, pp. 189–190
 Mura di Roma dalla Porta Flaminia alla Pinciana, AnalRom 20, pp. 93–138, 1992
 L'opera di Thomas Ashby e gli acquedotti di Roma’ (con A. Claridge), in Il trionfo dell'acqua. Atti del convegno "Gli antichi acquedotti di Roma, problemi di conoscenza, conservazione e tutela", Roma, Comune di Roma, A.C.E.A., pp. 13–17, 1992
 Mura di Roma dalla Porta Pinciana alla Salaria, AnalRom 21, pp.81–139, 1993
 Bibliografia topografica della colonizzazione greca in Italia e nelle isole tirreniche XII, s.v. Nepi, pp. 323–332, 1993
 Mura di Roma dalla Porta Salaria alla Nomentana, AnalRom 22, pp. 61–95, 1994
 Disegni per ... Pratica di Mare: un omaggio a Ferdinando Castagnoli (con C.F. Giuliani, a cura di A. Zarattini), Roma, Soprintendenza archeologica per il Lazio, 1995
 Arthur Dale Trendall (1909-1995), RendPontAc 70, pp. 321–322, 1997
 Mura di Roma dalla Porta Nomentana alla Tiburtina, AnalRom 25, pp. 7–113, 1997
 Riflessioni su Antonio Maria Colini e il suburbio di Roma, RendPontAc 70, pp.263–265, 1997
 Arvid Andrén (1902-1999)’, RendPontAc 71, pp. 349–352, 1998
 Lo stemma Cozza, in L'abate <mask>-Luzi archeologo,


title: Lucos Cozza

texts:
 liturgista, filologo: atti della giornata di studio, Bolsena, 6 maggio 1995, Grottaferrata, Monastero Esarchico, pp. 1–3, 1998
 Guido Achille Mansuelli (1916-2001), (con G. Sassatelli e D. Scagliarini), RendPontAc 73, pp. 339–350, 2000
 Adolfo <mask> (con P. Tamburini e C. Benocci), Orvieto, Fondazione Cassa di Risparmio di Orvieto, Perugia, Quattroemme, 2002
 Navalia (con P.L. Tucci), ArchCl, n.s. 7, 57, pp. 175–202, 2006
 Mura di Roma dalla Porta Latina all'Appia, BSR 76, pp.99–154, 2008
 La Porta Asinaria in un disegno del XVI secolo, RendPontAc 81, pp. 607–611, 2009
 Robert Coates-Stephens, Lavinia <mask>, and <mask> <mask>. Lexicon topographicum urbis Romae. Supplementum VII, scritti in onore di Lvcos Cozza. Rome: Edizioni Quasar, 2014. .
 Adolfo Cozza by P Tamburini; Carla Benocci; <mask> <mask> Luzi: Ponte San Giovanni, Perugia : Quattroemme, ©2002. L'abate <mask>-Luzi : archeologo, liturgista, filologo : atti della giornata di studio, Bolsena, 6 maggio 1995
 Studi di topografia romana in onore di Antonio M. Colini in occasione del suo 65e anno. by Antonio Maria Colini : Roma : De Luca, 1968.Disegni per ... Pratica di Mare: un omaggio a Ferdinando Castagnoli by Cairoli Fulvio Giuliani; Ferdinando Castagnoli; <mask> <mask>; Annalisa

masks:
Cozza
Cozza
Lucos
Cozza
Lucos
Cozza
Giuseppe Cozza
Lucos
Cozza


title: Lucos Cozza

texts:
 Zarattini; Italy. Soprintendenza archeologica per il Lazio Roma : Soprintendenza archeologica per il Lazio, 1995. Guidebooks

 Visual guide to the monumental centre by <mask> <mask> Rome : Vision, [195-?] Published also in German as: Rom wie es war und wie es ist : illustrierter Führer durch Rom : einst und jetzt by <mask> <mask>; Romolo A Staccioli  Roma : Vision Verlag, 1955. Published also in French as: Guide avec reconstructions des principaux monuments de l'ancienne Rome. by <mask> <mask>; Romolo Augusto Staccioli; Paolo C Ianni Roma : Vision, 196-? Necrology
Paolo Sommella - Lavinia <mask>, Un ritratto di Lucos, in Unione internazionale degli istituti di Archeologia Storia e Storia dell’Arte in Roma, Annuario 2012-2013, n. 54, pagg.477-481. F. Cairoli Giuliani, <mask> <mask> Luzi (1921 - 2011) in Atti della Pontificia Accademia romana di archeologia. Rendiconti LXXXIV, 2013, serie III, pag 587. References

Italian archaeologists
1921 births
2011

masks: Lucos Cozza Lucos Cozza Lucos Cozza Cozza Lucos Cozza


title: Abu Mohammad al-Julani

texts:
Ahmed Hussein al-Shar’a (), known by the nom de guerre <mask>-Julani (), is the commander-in-chief of the Syrian militant group Tahrir al-Sham; he was also the emir of its predecessor organisation al-Nusra Front, the Syrian branch of al-Qaeda. The US State Department listed Al-Julani as a "Specially Designated Global Terrorist" in May 2013, and four years later announced a $10 million reward for information leading to his capture. As of February 2021, the bounty remains in force. The nisba "Al-Julani" in his nom de guerre is a reference to Syria's Golan Heights, partially occupied and annexed by Israel during the war in 1967. Al-Julani released an audio statement on 28 September 2014, in which he stated he would fight the "United States and its allies" and urged his fighters not to accept help from the West in their battle against ISIL. Biography

Early life and Iraq War
al-Julani was born in Riyadh, Saudi Arabia in 1982, where his father worked as an oil engineer until 1989. In that year the al-Julani family returned to Syria, and he grew up and lived in the eastern villas area in the Mezzeh neighborhood of Damascus, until moving to Iraq in 2003.Once al-Julani moved to Iraq to fight American troops after the 2003 invasion of Iraq, he quickly rose through the ranks of Al-Qaeda in Iraq, and reportedly was a close associate of its leader, <mask> al-Zarqawi (al-Julani claimed that he had no close relationship with al-Zarqawi in an interview with Frontline). After his release from Camp Bucca prison in 2008, al-Julani joined with <mask> al-Baghdadi, the head of the then Islamic State of Iraq (ISI). He was soon appointed head of ISI operations in Nineveh Governorate. Syrian Civil War

Syrian uprising and foundation of al-Nusra
Shortly after the uprising against

masks:
Abu Mohammad al
Abu Musab
Abu Bakr


title: Abu Mohammad al-Julani

texts:
 the government of Syrian president Bashar al-Assad began in 2011, al-Julani played a lead role in planning and enacting a mission, as part of Islamic State of Iraq, to move into Syria and form a sub-branch of the organisation called Jabhat al-Nusra. This group was to act as a front for the Islamic State of Iraq, led by <mask> al-Baghdadi, to whom he had his allegiance and whose command he was under. Al-Julani's formation of Jabhat al-Nusra was facilitated by men, arms and money given to him by the ISI under the orders of <mask> al-Baghdadi. It is disputed whether al-Julani originally formulated the plan or if it came from another leader in Islamic State of Iraq.Julani was declared the "general emir" of al-Nusra, which was first announced in January 2012. By December 2012, the US Department of State declared Jabhat al-Nusra to be an officially designated terrorist organisation, noting that it was simply a new alias for Al-Qaeda In Iraq (aka Islamic State of Iraq). Under al-Julani's leadership, Nusra grew into one of the most powerful groups in Syria. Rise of ISIL
Al-Julani gained prominence in April 2013, when he refused al-Baghdadi's attempt to liquidate Al-Nusra as a sub-group and incorporate it directly into ISI, under the name of Islamic State of Iraq and the Levant (ISIL). This move would have removed all local autonomy of Jabhat al-Nusra and placed all leaders, decisions, and actions directly under the control of Abu Bakr al-Baghdadi. In order to avoid losing autonomy and the individual identity of Jabhat al-Nusra, Al-Julani directly pledged allegiance to al-Qaeda's leader Ayman al-Zawahiri, who supported al-Julani's request to break away his group as an independent entity. Although prior to this point al-Nusra already had sworn allegiance to al-Qaeda

masks:
Abu Bakr
Abu Bakr


title: Abu Mohammad al-Julani

texts:
 through Islamic State of Iraq, now it bypassed the latter and became a direct subsidiary of the former.This change in the chain of allegiance made al-Nusra directly Al-Qaeda's official Syrian branch. Despite his own oath of allegiance to Ayman al-Zawahiri, <mask> al-Baghdadi rejected his ruling and declared that the consolidation of the two organizations was going ahead. Clashes ensued between al-Nusra Front and ISIL for control of Syrian territory. Resurgence of al-Nusra
In late May 2015, during the Syrian civil war, al-Julani was interviewed by Ahmed Mansour on Qatari news broadcaster Al Jazeera, hiding his face. He described the Geneva peace conference as a farce and claimed that the Western-backed Syrian National Coalition did not represent the Syrian people and had no ground presence in Syria. Al-Julani mentioned that al-Nusra have no plans for attacking Western targets, and that their priority is focused on fighting the Syrian regime, Hezbollah, and the Islamic State of Iraq and the Levant. Al-Julani is credited with saying that the "Nusra Front doesn’t have any plans or directives to target the West.We received clear orders from Ayman al-Zawahiri not to use Syria as a launching pad to attack the U.S. or Europe in order to not sabotage the true mission against the regime. Maybe Al-Qaeda does that but not here in Syria. Assad forces are fighting us on one end, Hezbollah on another and ISIL on a third front. It is all about their mutual interests". When asked about al-Nusra's plans for a post-war Syria, al-Julani stated that after the war ended, all factions in the country would be consulted before anyone considered "establishing an Islamic state". He also mentioned that al-Nusra would not target the country's Alawite Muslim minority, despite their


title: Ed Young (illustrator)

texts:
<mask> (; born November 28, 1931) is a Chinese-born American illustrator and writer of children's picture books. He won one Caldecott Medal for the year's best American picture book and for his lifetime contribution as a children's illustrator he was twice the U.S. nominee for the Hans Christian Andersen Award. Biography

<mask> was born on November 28, 1931 in Tianjin, China. When he was three years old, he and his family moved to Shanghai. His mother would ring a bell at mealtimes, and he would slide down the banister with his brothers and sisters. "I have never lost the child in me. My father would spin endless tales of his own to entertain our imaginations on summer nights lying on the flat roof of our house.I have never forgotten the images I saw in my mind." From an early age, <mask> loved to create stories and draw pictures and thought he could "disappear" into his own world, brought to life through his illustrations. In 1951, <mask> came to the U.S. to study architecture. Instead, he grew more interested in art, and soon switched his major. <mask>'s first job was with a New York advertising agency where he spent his lunch breaks sketching animals at Central Park Zoo. During that time, he received a letter from his father which said, "A successful life and a happy life is one measured by how much you have accomplished for others and not one measured by how much you have done for

masks:
Ed Tse chun Young
Ed Young
Ed
Young
Young


title: Ed Young (illustrator)

texts:
 yourself." According to <mask>, "I understood then that to realize my potential as an artist was subservient to my worth as a human being.To be truly successful, I needed to find a place where my work would also inspire others to fuller and happier lives. I wished to share with everyone my father's words about success – work can, in fact, be the rooftop from which we launch ourselves to higher places." In search of something more expansive, expressive, and timeless, <mask> discovered all this, and more, in children's books. Work

<mask>'s first book, The Mean Mouse and Other Mean Stories, was published by Harper & Row in 1962. He expected it to be his first and last book, but it won an American Institute of Graphic Arts award and launched a career that has resulted in almost one hundred books for children. Most of his books are visual masterpieces using colors and images to convey hidden symbolism. His meticulously rendered works have utilized pencil, pastel, cut paper, collage, ink, photographs, and found materials."A Chinese painting is often accompanied by words. They are complementary. There are things that words do that pictures never can, and likewise, there are images that words can never describe. I feel the story has to be an exciting and moving experience for a child. Before I am involved with a project, I must be moved, and, as I grow, I try to create something exciting. It is my

masks: Young Young Young


title: Ed Young (illustrator)

texts: purpose to stimulate growth in the reader as an active participant. To get the story across for me, mostly it's the feeling.I think that if the book evokes a reaction of some sort, either positive or negative, I think it would have done what it is supposed to do." The subject and style of each story provide <mask> with the initial inspiration for his art and with the motivation for design, sequence, and pace. Accuracy in research is essential to his work, too – whether he is illustrating fantasy, folk tale, or fact. According to <mask>, a strong foundation of credibility must be established in order to create new and exciting images. Through such images, he hopes to capture his readers and ultimately expand their awareness. <mask> won the 1990 Caldecott Medal for illustrating Lon Po Po, his version of a Red-Riding Hood story from China. The annual award from the American Library Association recognizes the previous year's "most distinguished American picture book for children".He has also been a runner-up twice (two Honor Books), for The Emperor and the Kite and Seven Blind Mice. For his lifetime contribution as a children's illustrator, he was U.S. nominee in both 1992 and 2000 for the biennial, international Hans Christian Andersen Award, the highest international recognition available to creators of children's books. In 2016, <mask> was honored with the Lifetime Achievement Award

masks: Young Young Young Young


title: Ed Young (illustrator)

texts:
 (Contemporary) from the Society of Illustrators. According to <mask>, "Producing a book becomes part of the spirit of each person who touched it and those who'd touched them." During a Horn Book acceptance speech, <mask> spoke about the 'Eight Matters of the Heart', the place where he said that he puts his mind before he does his work (for more information, read <mask>'s book, Voices of the Heart.) When asked to elaborate, he said, "We put ourselves in jeopardy in life if we don't have our mind and body in the right place. The eight matters must accompany me wherever I tread so that I know the time that I have in this world is well spent."Exhibits

<mask>'s original art for his books has been the subject of exhibits such as "Journey Without End" at the National Center for Children's Illustrated Literature in Abiline, Texas (2011–2012). He has participated in many group shows such as the Michaelson Gallery's Children’s Illustration Celebration. T'ai chi

In 1964, <mask> met the renowned t'ai chi master, Cheng Man-ch'ing. He became one of Cheng's top disciples in America, and was one of his two principal translators. Besides being a master of t'ai chi and Chinese medicine, Cheng was a highly respected master of Chinese painting, poetry and calligraphy. Being Chinese and an artist, <mask> was able to appreciate and absorb much of what Cheng had to say in those fields. <mask> is now a respected

masks: Young Young Young Young Young Young Young


title: Ed Young (illustrator)

texts:
 Wabi Sabi, 2008. Kimiko Kajikawa, Tsunami!, 2009. Brenda Z. Guiberson, Moon Bear, 2010. Robert Burleigh, Tiger of the Snows: Tenzing Norgay: The Boy Whose Dream Was Everest, 2010. Ashley Ramsden, Seven Fathers 2011. Michelle Cuevas, The Masterwork of a Painting Elephant 2011.Marilyn Singer, A Strange Place to Call Home: The World's Most Dangerous Habitats & the Animals That Call Them Home, 2012. Barbara DaCosta, Nighttime Ninja, 2012. Gary Golio, Bird and Diz, 2015. Barbara DaCosta, Mighty Moby, 2017. Gary Golio, Smile: How Young Charlie Chaplin Taught the World to Laugh (and Cry), 2019. Mark Reibstein, Yugen, 2019. Brenda Peterson, Catastrophe by the Sea, 2019.Barbara DaCosta, Night Shadows, 2020. Film
Sadako and the Thousand Paper Cranes, based on the story by Eleanor Coerr

Art Exhibits
"Picturing Poetry." Group exhibit. Art Institute of Chicago, Chicago, Illinois. November 17, 2012 – May 12, 2013. "Journey Without End." Solo exhibit.National Center for Children's Illustrated Literature, Abiline, Texas (2011–2012). See also

References

"<mask> (Tse-chun) Young." Major Authors and Illustrators for Children and Young Adults, 2nd ed., 8 vols. Gale Group, 2002. Kotch, Laura and Leslie Zackman. The Author Studies Handbook: Helping Students Build Powerful Connections to Literature. New York: Scholastic Professional Books, 1995.Primm, E. Russell III, ed. Favorite Children's Authors and


title: Ed Young (illustrator)

texts:
 Illustrators. Excelsior, Minn.: Tradition Books, 2003. Silvey, Anita, ed. The Essential Guide to Children's Books and Their Creators. Boston:Houghton Mifflin Company, 2002. External links
 Biographicon: On-line Biography of <mask>
 <mask>'s Website
 Northeast Children’s Literature Collection, University of Connecticut: main archive of <mask>'s artwork
 Kimiko Kajikawa, Children's Book Author: <mask> Links
 Seven Impossible Things Before Breakfast: Interview with <mask>
 Video interview with <mask>
 PaperTigers.org: In-depth interview with <mask>
  An exhibit of forty pieces of <mask>'s art for books.All the Wonders podcast interview, 2017

1931 births
American children's writers
Caldecott Medal winners
Chinese children's writers
Chinese illustrators
American children's book illustrators
Chinese children's book illustrators
20th-century illustrators of fairy tales
21st-century illustrators of fairy tales
Chinese tai chi practitioners
Living people
Writers from Tianjin
Artists from Tianjin
Artists from Shanghai
People from Hastings-on-Hudson, New York
Writers who illustrated their own

masks:
Ed Young
Ed Young
Ed Young
Ed Young
Ed Young
Ed Young
Ed Young
Ed Young


title: Mary Scranton

texts:
<mask> (April 27, 1918 – December 26, 2015) was an American consultant, community advocate and academic trustee. She served as the First Lady of Pennsylvania from 1963 to 1967 during the administration of her husband, <mask>, the 38th Governor of Pennsylvania and 1964 U.S. presidential candidate. She focused on housing and community affairs issues in Northeast Pennsylvania after her tenure as Pennsylvania's First Lady. <mask> was the first woman to serve on the boards of trustees for both the University of Scranton and the California Institute of Technology (Caltech). <mask>, who served on Caltech's board of trustees from 1975 to 1989, was placed in charge of the university's Jet Propulsion Laboratory, a NASA facility. She defended the Jet Propulsion Laboratory and successfully secured federal funding for the laboratory against budget cuts by the Reagan administration during the 1980s. Jet Propulsion Laboratory remains an important component of the U.S. space program to the day, in large part due to <mask>'s defense of its programs during that era.Biography

Early life and career
<mask> was born <mask> Chamberlin on April 27, 1918 in Scranton, Pennsylvania, to William Lawson Chamberlin and Margaret Lowe Chamberlin. She graduated from Scranton Country Day School and the Masters School, a private boarding school located in Dobbs Ferry, New York. In 1940, Chamberlin received her degree from Smith College in Northampton, Massachusetts. Chamberlin married her childhood neighbor, William "Bill<mask>, on July 6, 1942, when she was 24 years old. The <mask> family was the namesake her hometown of Scranton, Pennsylvania. <mask> was working as a research analyst for the Army Air Force's Intelligence Service, based in Washington D.C., at the time of her marriage. She also served as a nurses' aide for the Red Cross

masks:
Mary Lowe Scranton
William Scranton
Mary Scranton
Scranton
Mary Scranton
Scranton
Mary Lowe
" Scranton
Scranton
Mary Scranton


title: Mary Scranton

texts:
 later during the war.<mask> and <mask> had one daughter and three sons, including <mask> III, who would serve as Lieutenant Governor of Pennsylvania from 1979 to 1987. The family lived in Glenburn, Pennsylvania, north of the city of Scranton. Pennsylvania First Lady and 1964 presidential campaign
<mask> supported her husband's congressional, gubernatorial and presidential campaigns. <mask> was elected Governor of Pennsylvania in 1962, making his wife the state's First Lady from 1963 to 1967. <mask>, a moderate-to-liberal Republican governor, ran for President of the United States in 1964 as a progressive alternative to Barry Goldwater, a conservative U.S. Senator. <mask> lost the Republican nomination to Goldwater, though <mask> campaigned actively on his behalf.Jack Gould, a New York Times reporter and television critic who covered the 1964 Republican National Convention in San Francisco, praised <mask>'s contributions to the campaign and her televised appearance at the convention, writing "If the Republican meeting produced one particularly videogenic personality it was Mrs. <mask>. The mixture of exceptional forcefulness and attractiveness registered with far greater power on the home screen than her husband's predilection to subtlety and understatement. Mrs. <mask>'s championing of her husband to the very end invited an emotional involvement on the part of the viewer that somehow the governor never quite secured." Another New York Times story on <mask>, published in June 1964, called her a "campaign star". First Lady <mask> opposed an idea to relocate the official Pennsylvania Governor's Residence to a proposed penthouse apartment, which would have been located within the old Executive Office Building, which was the original home of the State Museum of Pennsylvania until 1964, on the grounds of the

masks:
Mary
William Scranton
William Scranton
Mary Scranton
Bill Scranton
Scranton
Scranton
Mary Scranton
Mary Scranton
Mary Scranton
Scranton
Mary Scranton
Mary Scranton


title: Mary Scranton

texts:
 Pennsylvania State Capitol Complex. <mask> argued that no First Lady would want to reside in an apartment without a play area or grass for their children (though the building was surrounded by Capitol Park). Officials scrapped the idea for the Governor's apartment due to <mask>'s opposition to the plan.Instead, Bill and <mask> resided at an official residence at Fort Indiantown Gap during the tenure in Harrisburg. The house at Fort Indiantown Gap is now the residence of the Lieutenant Governor. Career
<mask> welcomed the end of her role as Pennsylvania First Lady in 1967, when her husband left office after one term. In a 1972 story for the Associated Press, <mask> explained, "When it was over, I realized that I had the golden opportunity of having everything cleared away for me, of being released from all honorary titles and associations...Those four years in Harrisburg were a stage of growth in which we learned talents we can put to use here." She focused on housing and industrial development in her hometown of Scranton during the 1960s and 1970s. The housing and industrial sectors in the Scranton area had been in decline since the Great Depression of the 1930s, as the mining industry had collapsed. <mask> co-established Scranton Neighbors, which worked to improve the quality of housing in the city of Scranton.New housing developments were constructed through the organization, including the Midtown Apartments, which are still located near the intersection of Adams Avenue and Olive Street in Scranton. <mask> became the president of Friendship House, a local organization which provides services for children with autism and behavioral problems. In April 1970, <mask> became the first woman appointed to the board of trustees of the University of Scranton. The University of Scranton later awarded her an

masks:
Scranton
Mary Scranton
Mary Scranton
Mary Scranton
Scranton
Mary Scranton
Mary Scranton
Mary Scranton


title: Mary Scranton

texts:
 honorary degree in 1977. In 1975, <mask> was appointed to the board of trustees for California Institute of Technology, becoming the first woman to be named to Caltech's board. A trustee from 1975 to 1989, <mask> became the chairperson of the committee which oversaw the Jet Propulsion Laboratory, a federally funded research and development center which is managed by Caltech on behalf of NASA. <mask> defended the Jet Propulsion Laboratory and its programs against steep funding cuts by the Reagan administration during the 1980s.She successfully lobbied Congress and to secure federal funds for the Laboratory, which kept its programs funded and relevant. The Jet Propulsion Laboratory remains an important component of NASA's space program today due to <mask>'s oversight during the 1980s. Later life
<mask> and husband resided at the Casa Dorinda retirement community in Montecito, California, near Santa Barbara, for the last eight years of her life. They also maintained a home in Waverly, Pennsylvania. Her husband, former Pennsylvania Governor <mask>, had died in 2013 following 71 years of marriage. <mask> died from complications of Alzheimer's disease at the Casa Dorinda retirement community in Montecito, California, on December 26, 2015, at the age of 97. She was survived by her four children - <mask> Dawson, former Lieutenant Governor of Pennsylvania <mask> III, Joseph C<mask>, and Peter K<mask> - and their families.Governor Tom Wolf ordered flags be lowered to half staff in Scranton's honor until January 3, 2016. References

1918 births
2015 deaths
Date of birth unknown
First Ladies and Gentlemen of Pennsylvania
California Institute of Technology trustees
University of Scranton trustees
Smith College alumni
People from Scranton, Pennsylvania
People from Lackawanna County, Pennsylvania
People from Montecito,

masks:
Scranton
Scranton
Scranton
Scranton
Scranton
William Scranton
Mary Scranton
Susan Scranton
William Scranton
. Scranton
. Scranton


title: Nasuh Mahruki

texts: <mask> (born May 21, 1968) is a professional mountain climber, writer, photographer and documentary film producer. An all-round outdoor sportsman, he climbed to the summit of Mount Everest and was the first ever Turkish person to climb the Seven Summits. <mask> was born in Istanbul. He has completed his primary school and high school education in Şişli Terakki Lisesi. He has graduated Bilkent University Management Faculty in 1992. In 2004 he has graduated National Security Academy. He is a professional mountain climber, writer, photographer and motivational speaker.As a professional sportsman, he has excelled in various outdoor sports such as mountaineering, climbing, caving, paragliding, scuba diving, motor sports, sailing and cycling. He has started mountaineering when he was 20 and high altitude climbing at 24. When he was 26, after completing the ascents of five 7,000 meter peaks in Pamir and Tien Shan mountains, he became one of the few western climbers who are given the prestigious Snow Leopard title by the Russian Mountaineering Federation. It is not yet repeated by another Turkish climber. At the age of 27, he became the first Turkish and the first Muslim climber in the world who has climbed Mount Everest. When he was 28, he completed the Seven Summits project, which is climbing the highest peaks of each continent and among 45 climbers, he became the youngest climber in the world to do so. He made the highest solo ascent of Turkey on 8201 m high Cho Oyu, the 6th highest mountain in the world.He climbed 8516 m high Lhotse, the 4th highest mountain in the world. He climbed 8611 m K2, the second highest and according to many, the most difficult and dangerous mountain of the world. This ascent is not yet repeated by Turkish climbers also. All these

masks:
Ali Nasuh Mahruki
Ali Nasuh Mahruki


title: Nasuh Mahruki

texts: 8,000 m climbs were first Turkish ascents and last three were without supplementary oxygen. He has made long overland motorbike tours in Turkey, Iran, Pakistan, India, Nepal, Sikkim, Tibet and some of Europe. He is making motivational speeches on subjects like leadership, team building, target orientation, perseverance, risk management, and self-actualization. He has also taught on these subjects at a university.He has written articles on various magazines and newspapers and also made documentaries on various TV channels. He is the co-founder of AKUT Search and Rescue Association. AKUT is a volunteer-based search and rescue team. <mask> <mask> has founded AKUT in 1996 with a group of his mountain climber friends. It became the only NGO organized around search and rescue, before the big Marmara earthquake that hit Golcuk and killed approximately 18,000 people on August 17, 1999. AKUT volunteers rescued 220 people under the collapsed structures. They were so effective and helpful for the victims during those very difficult days, the Turkish people chose AKUT as the most trusted entity of Turkey.Today there are more than 20 AKUT units and more than 1,000 volunteers all over Turkey, and until today 852 people have been rescued or moved to safe environments by AKUT. <mask> <mask> resigned from his duty as the chairman of the board on November 30, 2016, as a result of strong pressure from the Turkish government, after his speech on TV against the president Recep Tayyip Erdoğan. <mask> <mask> is also the co-founder of Common Purpose Association of Turkey and he is a member of UGSAD (National Security and Strategic Research Association), TMOK (National Olympic Commity of Turkey), SAD (Underwater Research Association) and Travellers Club of Turkey. His books

masks: Nasuh Mahruki Nasuh Mahruki Nasuh Mahruki


title: Nasuh Mahruki

texts:
 published in Turkish are; “Diary of an Alpinist”, “First Turk on Everest”, “In Search of a Dream”, “Roads of Asia, Himalayas, and Beyond”;  “Earth Diary”; “Motherland is Loved by Actions not by Empty Words”. Early life
He was born on May 21, 1968, in Istanbul, Turkey. He is in fifth generation descendant of Admiral Ali Pasha, commander of the Ottoman navy during Sultan Mahmud II. Ali Pasha was burned to death in his admiral ship during an attack after successfully controlling the uprising of the ethnic islanders against Ottoman Empire on the Aegean island Chios on March 23, 1822.Thus <mask>'s family name Mahruki, which means, "burnt" in Ottoman Turkish. After finishing high school at Şişli Terakki High School in Istanbul in 1987, <mask> attended the School of Business Administration at Bilkent University in Ankara, and graduated in 1992. During his time at the university, he was introduced to mountain climbing in the university climbing club and later became club president. At the age of 20, he developed a passion for various outdoor sports. He made the first paragliding flight over Mount Erciyes, climbed up the Great Demirkazık mountain's north wall, and dove into the underground waters of the Altınbeşik and Kırkgözler Caves. Mountaineering career
Between 1992 and 1994, Mahruki climbed the five highest former Soviet mountains in Asia (Khan Tengri, Lenin Peak, Peak Korzhenevskaya, Communism Peak and Peak Pobeda), which are all over 7,000 metres high. This achievement gained him the honorific title "Snow Leopard", awarded by the Russian Climbing Federation.This recognition led him to his high altitude mountaineering career. <mask> summited Mount Everest (8,848 m.) on May 15, 1995, being the first ever Turkish and Muslim person to do so. In 1996, he

masks: Nasuh Mahruki Mahruki


title: Nasuh Mahruki

texts:
 completed the climbing of Seven Summits in seven continents (Everest, Aconcagua, Vinson Massif, Kilimanjaro, McKinley, Elbrus and Kosciuszko), being the youngest person to do so. In 1997, he climbed Cho Oyu (8,201 m) solo, setting a Turkish record. He next ascended Lhotse (8,516 m) without an oxygen tank in 1998 and climbed the very dangerous and difficult K2 (8,611 m). <mask> travels a lot collecting data for his books and documentaries. He is the president of AKUT, a voluntary search-and-rescue organization based in Istanbul he co-founded in 1996.AKUT rushes to outdoor accidents and major natural disasters all over the world, like the 1999 earthquake in Turkey, Nantou - Tayvan earthquake, Gujarat - India earthquake, Bam - Iran earthquake, Mozambique flood, the 2005 Kashmir earthquake. <mask> published four books and many articles about his outdoor challenges and travels all around the world. Among his other outdoor activities are climbing, scuba diving, paragliding, sailing, caving, off-roading, motorbike and cycling. The mountains are:
 Mt. Everest (8,848 m), Tibet, Asia, May 17, 1995. First Turkish ascent
 Aconcagua (6,959 m), Argentina, South America, November 1995. First Turkish ascent
 Vinson Massif (4,897 m), Antarctica, December 1995.First Turkish ascent
 McKinley (6,194 m), Alaska, North America, January 1996 First Turkish ascent
 Kilimanjaro (5,895 m), Tanzania, Africa, August 1996
 Elbrus (5,642 m) Caucasus, Europe, August 1996
 Cosciusko (2,228 m) Australia, November 1996
  Great Demirkazık (3,756 m), Peck route first winter ascent, Niğde, Turkey, December 1996. Güzeller (3,461 m), North face first winter ascent, Niğde, Turkey, February 1997. Solo ascent of Cho Oyu (8,201 m), Tibet, 6th highest mountain of the world. The highest solo

masks: Nasuh Mahruki


title: Nasuh Mahruki

texts:
 ascent of Turkey. September 1997, without oxygen. First Turkish ascent
  Lhotse (8,516 m), 4th highest mountain of the world. West face, Nepal, May 1998, The highest oxygenless ascent of Turkey.First Turkish ascent
  Attempted Manaslu (8,163 m), Nepal October 1998. Mount Damavand (5,610 m), Iran January 2000
  Winter ascent of Mount Ararat (Ağrı Dağı) (5,137 m), Turkey February 2000
  First Turkish ascent of extremely dangerous and difficult K2 (8,611 m), Pakistan July 2000. 2nd highest mountain of the world, The highest oxygenless ascent by a Turkish national. Muztagh Ata (7,546 m), China August 2001. First Turkish ascent. Highest ski-ascent of Turkey. Books
 Diary of an Alpinist (Yapi Kredi Press, 1995)
 First Turk on Everest (Yapi Kredi Press, 1995)
 In Search of a Dream (Yapi Kredi Press, 1996)
 Roads of Asia, Himalayas, and Beyond (Yapi Kredi Press, 1999)
 Earth Diary (KAPITAL Press, 2002)
 Motherland is only to be loved by actions, not by empty words (GUNCEL YAYINCILIK, 2007)

Awards
 "Best Climber of Turkey" and was nominated as a candidate for the "Best Sportsman of Turkey", 1992 and 1994.(No elections in 1993)
 "Snow Leopard" by the Russian Mountaineering Federation after completing the ascents of 5 seven thousand meter peaks of the CIS, August 1994. At that time there were overall 214 climbers who were awarded with that title of which 3 were Western climbers. Ashoka Fellow with Ashoka Turkey since 2004

References

 Biography at personal website
 <mask> Mahruki at Everest News website

1968 births
Living people
People from Istanbul
Turkish mountain climbers
Turkish summiters of Mount Everest
Summiters of the Seven Summits
Turkish non-fiction writers
Turkish photographers
Bilkent University alumni
Chairpersons of non-governmental


title: José María Sentís Simeón

texts:
<mask> (1896–1989) was a Spanish politician, official and military. He is best known as General Director of Prisons for 8 months in 1942–43 and as civil governor of Guadalajara and Palencia, also during the early Francoism. In 1964–67 he served as the Cortes deputy. Throughout most of his life he was an active Carlist, in 1962–65 serving as Secretario General of Comunión Tradicionalista. He retired from the army in the rank of a colonel. Family and youth

<mask> descended from a bourgeoisie Catalan family; his patriline ancestors for 3 generations exercised as physicians. His great-grandfather, <mask>, a native of Ulldemolins, in the late 18th century settled in Botarell, practicing as a surgeon.His son and <mask>'s grandfather, <mask> Toldrà (1807–1881), moved to Riudoms. He offered not only surgery but also medical advice; the two were licensed separately and he suffered penalty measures, before in 1843 both branches were administratively united. Apart from practicing, <mask> developed interest in science. From the 1840s till the 1860s he corresponded with the Barcelona Medical Academy, his contributions based on own medical experience. Two of Bernard's sons, the older one <mask> Gran and the younger one Eusebio <mask> Gran (1853-1921) continued the family tradition, though the former as a doctor and the latter as a pharmacist. Jaime contributed to the organization of Carlists in the province of Tarragona. Eusebio, the father of <mask>, remained in Riudoms, where he became one of the major taxpayers.Eusebio married Ramona <mask> Polles (1853–1919). The couple had at least 7

masks:
José María Sentís Simeón
José María
Jaume Sentís Master
José María
Bernard Sentís
Bernard Sentís
Jaime Sentís
Sentís
José María
Simeón


title: José María Sentís Simeón

texts: children, born between 1890 and 1899. The Sentís family was fervently Catholic. Another <mask>'s paternal uncle, Caetano <mask> Gran, was vicar and canon of the Tarragona archdiocese, apart from having been a theologian and an intellectual; two of <mask> paternal cousins also became priests, his paternal cousin Dolores became a nun and his own sister, Dolores, joined the Carmelites. Also <mask> trained to be a priest; following early education in the Carmelitan college in Riudoms, he entered the Tarragona seminar. To great disappointment of his family he resigned after 6 years, opting for a military career instead. Having made up for missing curriculum in Insituto de Reus he entered Academía Militar of Barcelona, but was close to falling off due to his short-sightedness.He switched to Academia de Intendencia in Àvila, thanks to assistance of some colleagues dodging the health scrutiny. In 1920 <mask> graduated in Toledo as alferez de infantería; he was assigned to Regimiento de Almansa, which at that time was stationed in the Tarragona military district. In 1927 <mask> married Josefa Mariné Sancho (died 1987) from Tarragona; nothing is known about her family and herself. The couple settled in Tarragona and had two children, both of them daughters: <mask> and <mask> <mask> Mariné. <mask> outlived his older daughter; at the moment of his own death he had 6 grandchildren. None of them became a public figure. His first cousin once removed, <mask>, gained nationwide recognition as a Francoist journalist, in the late 1970s serving as Cortes deputy of UCD and acting in Catalanism, another

masks:
José María
Sentís
José María
José María
Sentís
José María
Rosa María
María Dolores
Sentís
José María
Carlos Sentís


title: José María Sentís Simeón

texts:
 one was vice-president of CF Barcelona in the 1960s.Son of another <mask>'s cousin once removed is a respected Tarragona physician. The oldest brother of <mask>, Eusebio, in the 1920s alcalde of Riudoms, was executed by the Republicans in 1936; his sister Dolores managed to escape from the Republican zone and upon her later return to Spain has long served in education. Military career

In 1921 Sentís volunteered to serve in Morocco, where he was assigned to Regimiento de Luchana. In his later recollections he claimed to have served 2,5 years in Africa, but as late as in 1926 he was still reported in the press as serving in the Dark Continent. He completed the colonial experience as lieutenant before returning to his Almansa regiment. Sentís spent the late 1920s on routine garrison service; in 1927 he grew to captain and assumed command of a machine-gun sub-unit. When the Republic was declared Sentís remained capitán; the new military administration did not have much trust in his loyalty, especially that he did not make a secret of his Carlist, ultra-Right outlook.By the end of 1931 he was left with no clear assignment, reduced to the status of "disponibile". It is not clear whether he was reinstated before the new 1933 Right-wing government assumed power, yet prior to 1934 he was already assigned to the 4th Somatenes Division. During the October 1934 revolutionary unrest in Catalonia Sentís commanded troops which seized the building of Tarragona Gobierno Civil, occupied by members of Esquerra Republicana and Estat Catalá, and was vital to thwarting revolutionary attempts in the

masks:
José María
José María


title: José María Sentís Simeón

texts: province. According to one source he assumed "funciones de gobernador Civil y de Orden Público", according to another he was formally nominated the provincial Delegado de Orden Público. In late 1935 he was back with his old Regimiento de Almansa. Since the mid-1930s Sentís together with Joaquín Bau, later to become his lifelong friend, was engaged in buildup of the Carlist organization network in the province. In 1936 the activity transformed to full-scale conspiracy, including paramilitary training of Carlist requetés and securing arms for their units.He remained engaged in negotiations with Falange and served as a link between the Carlists and the military plotters. On July 18 their plan turned into a failure; despite significant strength of local requetés in Tarragona, poor communication among the conspirators and dilatory stand of the military led to their passive, wait-and-see policy. Once it became clear that in Catalonia the coup failed, <mask> first went into hiding and then having obtained false French ID papers left Barcelona on an Italian ship. From Genoa he was driven across Southern France and in August he entered the Nationalist zone in Navarre. Immediately reporting to Burgos, he was assigned to an unspecified unit, deployed on the Madrid front. It is there where Sentís got wounded twice; heavy injuries suffered due to enemy mortar fire landed him in the hospital. He spent there at least a few months before in November 1937 he was nominated commander of Tercio de Montserrat, the Catalan battalion-type requeté unit.At the time the Tercio was stationed near Zaragoza,


title: José María Sentís Simeón

texts:
 being brought back to strength following decimation suffered during the battle of Codo; Sentís spent just 2 months heading the battalion and did not lead it in combat; in November 1937 he was reassigned to administration duties. Official: provincial assignments

Apparently fully compliant with if not enthusiastic about a Carlist-Falangist unification into a new state party, already in mid-1937 he co-drafted a scheme for personal appointments in Catalonia, to be effectuated once the region is conquered; the plan supposedly reached Franco. In December 1937, already in the rank of comandante, he was nominated Delegate for Public Order in Palencia province. According to one source the nomination came largely thanks to his good relations with Severiano Martínez Anido, freshly appointed to head quasi-ministry of Interior; according to himself, the only conditions required for appointment were being Spanish, Catholic and military. <mask> spent 6 months on the job, mostly getting back to health in the Valladolid hospital; he is noted for excellent relations with local religious hierarchy and for administering heavy fines, enforcing morality standards and especially targeting tycoons of local pre-war establishment. In June 1938 he was transferred to the same post in Navarre, where he spent 7 months; in January 1939, upon Nationalist conquest of his native Tarragona province, he returned to Riudoms. According to one source <mask> worked to land the Tarragona civil governor job, yet in February 1939 he was nominated gobernador civil in Guadalajara; as at the time most of the province was still

masks: Sentís Sentís


title: José María Sentís Simeón

texts: controlled by the Republicans, he set up headquarters in Sigüenza.His 20-month-term is marked by routine admin tasks; it is not clear to what extent he was involved in Francoist repression. His most lasting achievement was foundation of the Nueva Alcarria weekly; attempts to bring Academía de Ingenieros back to Guadalajara failed, his efforts crowned only with temporary location of the Infantry Academy in the city. Trying to enforce Carlist domination he also clashed with the local Falangist jefatura, the conflict usually centered on administration of supplies and personal composition of local comisiones gestoras. It is not clear whether political strife contributed to Sentís' departure from Guadalajara in the fall of 1940; when leaving he was nominated its hijo adoptivo. Sentís did not seem to fall from grace with the Francoist authorities. In October 1940 he was nominated civil governor back in Palencia. He went on with the usual admin work related to supplies, prices or reconstruction, duties which at times assumed somewhat humorous shape.Political conflict with Falange immediately flared again, focused on supplies and personal policy, though it was related also to advancing Carlist symbols over the Falangist ones. Relations with the Falange Jefe Provincial turned into total disaster and <mask> was denounced as "el furibundo enemigo n° 1 de la Falange en esta capital". In early 1941 his position was still firm, as certified by personal audience with Franco, especially that his maneuvers were aimed at ensuring Carlist domination in FET, but not against the FET itself. Later on his


title: José María Sentís Simeón

texts:
 position deteriorated, especially because as a friend of Bau he found himself in conflict with Serrano Suñer. In May 1942 <mask> ceased as civil governor. Official: central assignments

In May 1942 Sentís was appointed director técnico de Consumos y Racionamiento, a sub-unit of Comisaría de Abastecimientos y Transportes concerned primarily with managing food provisions, at the time in permanent short supply. The role proved a brief one; two months later Esteban Bilbao, the Carlist Minister of Justice, suggested he assumes the role of Director General de Prisiones.According to his later account <mask> hesitated about accepting the job but was sort of forced into it by Franco, who dismissed his doubts and ordered Bilbao to proceed with the appointment. Promoted to teniente-coronel, in parallel Sentís became also president of Comisión Permanente del Patronato Central de Redención de Penas por el Trabajo, supervising the network of Francoist labor camps. At the time the repressive nature of the system was getting somewhat diluted; the prison population kept falling from the early post-war high of 300,000 and reached 124,000 in 1942, to drop to 74,000 in 1943. None of the sources consulted provides any information on Sentís' role except that at earlier stages he demonstrated some compassion for Republican POWs. His term lasted 8 months. When Bilbao ceased as minister, the new one Eduardo Aunós brought in his own men and Sentís was released in April 1943. 1943 marked the end of major Sentís' assignments.Though at the time Serrano Suñer was ousted and the hard Falangist core was getting


title: José María Sentís Simeón

texts: provincial Tarragona organization. He is himself first mentioned as active in Carlism the mid-1930s. His Carlist stand during Guadalajara and Palencia assignments is well documented, even though the Tarragona Carlists viewed him as a traitor. In the aftermath of 1942 Carlist-Falangist clashes at Begoña he allegedly penned an anti-Falangist leaflet and was counted among Falcondistas, the intransigent backbone of increasingly bewildered movement. Later on his position changed and in the mid-1940s a Falangist intelligence described him as vacillating between orthodoxy and Juanismo.Indeed, in the late 1940s and early 1950s <mask>' Traditionalism seemed watered-down or reduced to private; as officer in active military service, he was hardly in position to engage in politics flavored with opposition to the regime. In 1957, already retired, he allegedly pondered upon joining the so-called Estorilos, the Carlists who recognized Don Juan as the legitimate king, but re-considered at the last minute. One source suggests that Sentís was beyond the Carlist structures altogether and claims that he re-entered them some time at the turn of the decades. If so, it is not clear whether he took active stand only after he had retired or whether it was the pro-regime turn of Carlism which prompted him into action. At unspecified time though most likely in the late 1950s <mask> engaged in labors of Comunión Tradicionalista, mainstream Carlist organization professing Don Javier as a king. The man with strong Francoist record, <mask> was welcome in the organization, at that pursuing a new collaborative

masks: Sentís Sentís Sentís


title: José María Sentís Simeón

texts: policy. He soon entered Junta Nacional, the Carlist political executive, and was nominated Secretario Nacional de Organización, sort of a party minister of interior.In 1961 he started to appear publicly at clearly Carlist feasts. Hosting the Carlist political leader <mask> Valiente and the Carlist prince Carlos Hugo in his Madrid house or accompanying the Carlist princess Margarita in tours across Spain, he suddenly emerged among tycoons of the movement, championing the collaborative policy but also promoting a firm stand against Opus Dei, considered a pro-Juanista agency. In the early 1960s Carlism was undergoing a very peculiar period. Apart from already somewhat abating conflict between anti-collaborationists and pro-collaborationists, a faction of young militants grouped around Carlos Hugo cautiously pursued their own agenda. Focused on social values, it was initially formatted as an offer to the Falangist syndicalist core, but later started to assume an increasingly Marxist tone. The Hugocarlistas were identified as subversive revolutionaries by the old-time requeté leader <mask> Zamanillo, and Sentís was caught in crossfire. Initially he seemed to side with the old guard; in 1962 he joined their new ex-combatant organisation, Hermandad de Antiguos Combatientes de Tercios de Requetés, and entered its Junta Nacional.However, when later that year and enraged by increasing Hugocarlista influence Zamanillo handed his resignation from the post of Secretario General, effectively position number 2 within the party structures, Sentís accepted nomination to his successor. Carlist:

masks:
José María
José Luis


title: José María Sentís Simeón

texts:
 climax

Sentís was second only to Valiente, the Jefe Delegado. Though his role was largely technical and theoretically boiled down to co-ordinating work of Junta Nacional, it vested him also with real powers, e.g. those related to handling the party finances, especially that he entered also Comisión Especial de Estudios Económicos and planned the budget for 1963. He entered also Comisión Permanente, another coordinative body. However, the Hugocarlista strategy employed in their bid for control in the organization relied on constant structural changes, with new bodies being created in order to dilute power. A new scheme, effective since 1963, confirmed Sentís as general secretary but tended to relegate Traditionalists to prestigious position of little power and put followers of the prince on key behind-the-stage jobs.Sentís did not seem aware of the ongoing power struggle. Naturally conservative, he negotiated return of the Siempre group. Loyal to Don Javier he served as a link between him and the increasingly marginalized Zamanillo, though he also denounced the latter suspecting him of secret talks about dynastic reconciliation with the Juanistas; the affair contributed to final expulsion of Zamanillo. The Hugocarlistas considered Sentís a rotten reactionary and "lugarteniente de Valiente", but they needed him to credit their strategy of courting Franco and as a person with links to the regime, especially as <mask> was at the time the manager of EFE, much needed in Hugocarlista media strategy. Indeed, in 1964 Sentís contributed to public image campaigns promoting Carlos Hugo and his


title: José María Sentís Simeón

texts:
 wife Irene, inadvertently strengthening the Hugocarlistas at the expense of Valiente and the Traditionalists. During informal talks with the head of Falange Solís the Hugocarlistas suggested that Sentís be appointed to the Cortes; indeed in 1964 he was nominated member of Consejo Nacional del Movimiento, which ensured a 3-year-term in the parliament. The year of 1964 marked the climax of Sentís' role in the party.Later that year chief architects of Hugocarlista bid were replaced with new, even more radical leaders, who decided to abandon the initial caution and launch an open progressist campaign. Though Valiente and Sentís were dubbed "jefes nacionales carlistas", in fact it was Carlos Hugo and his entourage who were pulling the strings; they considered the time ripe for purging the party executive from the Traditionalists. Riding another wave of structural remodeling, in 1965 they abolished the role of Secretary General altogether. Dismissal was disguised as sort of an honorary retirement and Sentís was invited to take part in the meeting of Carlist jefes with Don Javier in Puchheim. The claimant addressed Sentís with an effusive letter, thanking him for great contribution and vaguely suggesting the need to make room for the young; this was also the line advanced by the Hugocarlistas themselves. As <mask> remained a rather passive member of the executive his ousting did not come as a big surprise and initially generated little controversy within the organization. Hugocarlistas were cautious to burn his entire correspondence and change the office door locks.Carlist: demise

In 1966


title: José María Sentís Simeón

texts: the governing structures of Comunión were already purged of the Traditionalists and <mask> Valiente remained virtually isolated in command layer, dominated by the Hugocarlistas. At this point the rank-and-file resistance against the new progressist course was already mounting. It is not clear whether <mask>, who had just turned 70, realized that he fell victim to the ongoing struggle between the Traditionalists and the Progressists. In 1966 he accepted a post in Consejo Asesor de la Jefatura Delegada, another new body within the organisation. The 36-member council gathered mostly Carlist old-timers and theorists; providing them with prestigious role, it was in fact intended to camouflage the Hugocarlista grip on the organization. In the public realm <mask> was enjoying the status of a noble veteran; apart from receiving other honors, in 1966 Franco conferred upon him Grand Cruz del Mérito Civil and related homages were organized accordingly in Riudoms. However, when his Cortes term expired in 1967 it was not prolonged; deprived of his deputy mandate and not holding any posts within the regime, Sentís was no longer needed by the Progressists within Comunión Tradicionalista.There is no information on his activity in the party in the late 1960s and he probably slipped into idleness, his prevailing political strategy since the 1940s. In 1970 he moved permanently from Madrid to Tarragona. Unlike some other Traditionalists he did not abandon the organization, turned into militantly left-wing Partido Carlista. In 1971, upon reorganization of the regional Catalan Partido Carlista junta, he

masks:
José María
Sentís
Sentís


title: José María Sentís Simeón

texts:
 Carlism
 Carlo-francoism
 Terc de Requetes de la Mare de Deu de Montserrat

Notes

Further reading
 Joan-R. Corts i Salvat, Josep M. Toda i Serra, Josep M. Sentís: un soldat per Déu i la Pàtria, [in:] Lo Floc 80 (1986), pp. 20–26
 Josep M<mask> Simeón (1896-1989). Lluitador constant pels seus ideals, [in:] L'Om 328 (1997), pp.3–30
 Domingo García Ramos, Instituciones y vida política durante la Guerra Civil y el franquismo. Palencia (1936-1975) [PhD thesis Univerisad Nacional de Educación a Distancia], Madrid 2003
  Domingo García Ramos, Les primeres etapes polítiques de Sentís a Paléncia (1940-1942), [in:] Lo Floc 177 (2005), pp. 6–9
  Martí Marín Corbera, Los gubernadores civiles del franquismo, 1936-1963: seis personajes en busca de autor, [in:] Historia y Política 29 (2013), pp. 269–299
 Joan Maria Thomàs, El franquisme des de dins: un informe sobre Tarragona, [in:] Bulletí de la Societat Catalana d'Estudis Històrics 9 (1998), pp. 149–156
 Mercedes Vázquez de Prada, El final de una ilusión. Auge y declive del tradicionalismo carlista (1957-1967), Madrid 2016,

External links
 Sentis as hijo adoptivo of Guadalajara
 Sentis as hijo ilustre of Riudoms
 Nueva Alcarria website
 Riudoms - footage from a drone
 Por Dios y por España; contemporary Carlist propaganda

Soldiers from Catalonia
Carlists
Spanish anti-communists
20th-century Spanish businesspeople
Members of the Cortes Españolas
Spanish military personnel of the Spanish Civil War (National faction)
Spanish monarchists
Spanish people of the Spanish Civil War (National faction)
Spanish Roman Catholics
Civil governors of


title: Charles Williams (American author)

texts: <mask><mask> (August 13, 1909 – April 5, 1975) was an American author of crime fiction. He is regarded by some critics as one of the finest suspense novelists of the 1950s and 1960s. His 1951 debut, the paperback novel Hill Girl, sold more than a million copies. A dozen of his books have been adapted for movies, most popularly Dead Calm and The Hot Spot. <mask> was born in the central Texas town of San Angelo. After attending school through tenth grade, in 1929 he enlisted with the US Merchant Marine. He served for ten years before quitting to marry Lasca Foster.Having trained as a radioman during his seafaring career, <mask> worked as an electronics inspector, first for RCA in Galveston, Texas, and later at Puget Sound Navy Yard in Washington State through the end of World War II. He and his wife then relocated to San Francisco, where he worked for Mackay Radio company until the publication of his first novel, Hill Girl, in 1951. It was a great success, and <mask> spent the remainder of his professional career as an author, primarily of novels, with several screenplays also to his credit. The couple changed residences frequently and apparently spent considerable time in France, where <mask>'s work has an excellent reputation. After the death of his wife from cancer in 1972, <mask> purchased property on the California-Oregon border where he lived alone for a time

masks:
Charles K
. Williams
Life Williams
Williams
Williams
Williams
Williams


title: Charles Williams (American author)

texts:
 in a trailer. After relocating to Los Angeles, <mask> committed suicide in his apartment in the Van Nuys neighborhood in early April 1975. <mask> had been depressed since the death of his wife, and his emotional state worsened as sales of his books declined when stand alone thrillers began to lose popularity in the early 70s.He was survived by a daughter, Alison. Literary style

<mask>'s work is identified with the noir fiction subgenre of "hardboiled" crime writing. His 1953 novel Hell Hath No Fury—-published by the defining crime fiction company, Gold Medal Books—-was the first paperback original to merit a review from renowned critic Anthony Boucher of The New York Times. Boucher relates <mask> to two of the most famous noir fiction writers: "The striking suspense technique...may remind you of [Cornell] Woolrich; the basic story, with its bitter blend of sex and criminality, may recall James M. Cain. But Mr. <mask> is individually himself in his sharp but unmannered prose style and in his refusal to indulge in sentimental compromises." Ed Gorman's description of a characteristic <mask> novel, Man on the Run (1958), outlines the essential elements that associate it with the noir fiction category: "a) a falsely accused man trying to elude police, b) a lonely woman as desperate in her way as the man on the run, c) enough atmospherics (night, rain, fog) to

masks: Williams Williams Williams Williams Williams Williams


title: Charles Williams (American author)

texts:
 enshroud a hundred films noir." Cultural critic Geoffrey O'Brien further details <mask>'s "chief characteristics":
a powerfully evoked natural setting, revelation of character through sexual attitudes and behavior, and a conversational narrative voice that makes the flimsiest tale seem worth telling.... His narrator is generally an ordinary, curiously amoral fellow fueled by greed and lust but curiously detached from his own crimes.[A number of his books] are variations on the same serviceable plot: boy meets money, boy gets money, boy loses money. Each of them hinges on a woman, and it is in the intricacies of the man-woman relationship that <mask> finds his real subject.... [O]ften the woman is both more intelligent and—- even when she is a criminal—- more aware of moral complexities than the affectless hero. Lee Horsley describes how <mask> frequently satirizes his male protagonists' attitudes, while implicitly reassessing the traditional genre figure of the femme fatale. <mask>'s novel River Girl (1951) is described by noir fiction expert George Tuttle as a "classic example of backwoods noir...us[ing] an Erskine Caldwell type setting to heighten the sexual overtones of the story." Many of <mask>'s other novels are also of this "backwoods noir" type: Hill Girl; Big City Girl; Go Home, Stranger; The Diamond Bikini; Girl Out Back; and Uncle Sagamore and His

masks: Williams Williams Williams Williams Williams


title: Charles Williams (American author)

texts:
 Girls. <mask> also produced, particularly late in his career, what might be called "blue-water noir": Scorpion Reef, The Sailcloth Shroud, Aground, Dead Calm, and And The Deep Blue Sea. Woody Haut argues that <mask>, like fellow crime novelist <mask>, wrote stories fueled by an "antipathy to state power, state crimes and the creation of social conditions leading to criminal activity.Relying on wit, humor and ingenious plotting, <mask>'s characters constantly attempt to outwit the system." Historical notability

Of <mask>'s twenty-two novels, sixteen were paperback originals, and eleven of them Gold Medals; he is described by Gorman as "the best of all the Gold Medal writers." Historian Woody Haut calls <mask> the "foremost practitioner" of the style of suspense that typified American crime literature from the mid-1950s through the early 1960s: "So prolific and accomplished a writer was <mask> that he single-handedly made many subsequent pulp culture novels seem like little more than parodies." Fellow "hardboiled" author John D. MacDonald cited him as one of the most undeservedly neglected writers of his generation. O'Brien, describing <mask> as being "overdue" for "wider appreciation," describes him as a stylist consistently faithful to "the narrative values which make his books so entertaining and his present neglect so inexplicable." <mask> on screen
Between

masks:
Williams
Williams
Charles Willeford
Williams
Williams
Williams
Charles Williams
Williams
Williams


title: Charles Williams (American author)

texts:
 1960 and 1990 twelve of <mask>' novels were adapted for cinema or television in the United States, France, and Australia:

All the Way – The 3rd Voice (1960)
Nothing in Her Way – Peau de banane,  Banana Peel (1963)
The Big Bite – Le Gros coup (1964)
Aground – L' Arme à gauche, a.k.a. The Dictator's Guns (1965)
The Wrong Venus – Don't Just Stand There!(1968)
Dead Calm – The Deep (1970; unfinished); Dead Calm (1989)
The Diamond Bikini – Fantasia chez les ploucs, a.k.a. Fantasia Among the Squares (1971)
Talk of the Town (uncredited) – The pilot episode of Cannon (1971)
The Sailcloth Shroud – The Man Who Would Not Die, a.k.a. Target in the Sun (1975)
The Long Saturday Night – Vivement dimanche!, a.k.a. Confidentially Yours (1983)
Man on the Run – Mieux vaut courir (1989)
Hill Girl – La Fille des collines (1990)
Hell Hath No Fury – The Hot Spot (1990)

Of the preceding, <mask> wrote the screenplays for Don't Just Stand There! and, with Nona Tyson, The Hot Spot. He is credited as co-screenwriter for Peau de banane and L' Arme à gauche. He also wrote the screenplay for The Pink Jungle (1968), adapting a novel by <mask> (no relation), and cowrote Les Félins (Joy House) (1964), adapting a novel by Day Keene.Bibliography
Novels in publication order, with alternate titles in the US and the UK; original year of publication; publisher name; and, for Gold Medal and Dell

masks:
Williams
Williams
Alan Williams


title: Charles Williams (American author)

texts:
 Leash (1973; Putnam hc)

Note: The novel Fires of Youth (1960; Magnet 309) is credited to "<mask>" but was actually written by James Lincoln Collier. References

Sources

Published
Boucher, Anthony (1953). "Report on Criminals at Large," New York Times Book Review, November 29.Gorman, Ed (1998a). "Fifteen Impressions of <mask>," in The Big Book of Noir, ed. Ed Gorman, Lee Server, and Martin H. Greenberg (New York: Carroll & Graf), 251–254. Gorman, Ed (1998b). "The Golden Harvest: Twenty-Five-Cent Paperbacks," in The Big Book of Noir, ed. Gorman et al., 183–190. Gorman, Ed (1998c)."John D. MacDonald," in The Big Book of Noir, ed. Gorman et al., 209–211. Haut, Woody (1995). Pulp Culture: Hardboiled Fiction and the Cold War (London: Serpent's Tail). Horsley, Lee (2005). Twentieth-Century Crime Fiction (Oxford and New York: Oxford University Press). O'Brien, Geoffrey (1997).Hardboiled America: Lurid Paperbacks and the Masters of Noir, expanded ed. (New York: Da Capo). Online
Lynskey, Ed (2004). "The High Seas of Charles Williams" well-sourced essay by mystery writer; part of Allan Guthrie's Noir Originals webzine. Tuttle, George (1997). "What Is Noir?" essay and chronology by published noir critic.On the success of Hill Girl
An article by Ed Lynskey, "<mask>: More Than a Slight Return", which appeared in the August 2003 issue of Allan Guthrie's Noir Originals

masks:
Charles Williams
Charles Williams
Charles Williams


title: Charles Williams (American author)

texts:
 webzine, claims that Hill Girl "sold an astonishing 2.5 million copies." This unsourced claim is almost certainly an overstatement, even if it includes foreign sales, which is not hinted at. The cover of the book's eighth Gold Medal printing, dated August 1957, states, "Now in its second million," meaning before the given printing—likely 100,000 or 200,000 copies—Hill Girl had probably sold a total of 900,000 or 1 million copies. According to the edition's front matter, the first six printings all occurred between December 1950 (though the novel is copyrighted 1951) and November 1951. The seventh took place in November 1954. That three-year gap and the one of nearly three years that preceded the eighth printing indicate a substantial slowdown in what, by any standard, are still very impressive sales. Given this publishing record, it is hard to imagine Hill Girl wound up selling even as many as 1.5 million copies through Gold Medal.There is no evidence of it ever having been put out by another American publisher. In his essay "What Is Noir?" (see above), George Tuttle, though he does not indicate the source of his figures, claims Gold Medal sales of 1,226,890 copies for Hill Girl, which is entirely plausible. External links
<mask> (III) <mask>'s motion picture CV; part of the IMDb website
"Fatal Women in the Hard-Boiled Fifties" excerpt from Lee Horsley's The

masks:
Charles Williams
Williams


title: Charles Williams (American author)

texts:
 Noir Thriller (2001), with analysis of three <mask> novels
"The Gold Medal Corner: <mask>" survey by Bill Crider with bibliography by Steve Lewis, February 2005; part of Mystery*File website
"A Philosophical Thriller: <mask>' Dead Calm" intriguing, highly speculative essay on the writer and novel by John Fraser, 1990/2001 (note that Fraser cites the widely circulated but incorrect story that <mask> drowned himself)
A Touch of Death excerpt from the novel: chapter 1; part of the Hard Case Crime website
"A Touch of Death, by <mask>ms" review by Ed Gorman, January 29, 2006; part of Gormania weblog
Bibliographie et filmographie de Charles Williams detailed, well-illustrated French bibliography

1909 births
1975 suicides
20th-century American male writers
20th-century American novelists
American crime fiction writers
American male novelists
Military personnel from Texas
American Noir writers
Novelists from Texas
People from San Angelo, Texas
People from Van Nuys, Los Angeles
Suicides in California
United States Merchant Mariners
Writers from Los

masks:
Williams
Charles Williams
Charles Williams
Williams
Charles Wilia


title: F. Lennox Campello

texts:
F<mask> is an American (born in Cuba, 1956) artist, art critic, author, art dealer, curator, and visual arts blogger. In 2016 The Washington City Paper called him "one of the most interesting people of Washington, DC." Early life and education
<mask> was born in Santiago de Cuba, Cuba in 1956, and immigrated as a child to the United States in the 1960s along with his political refugee parents. He studied art at the University of Washington (BFA, 1981), where he was commissioned as a U.S. Navy officer, and subsequently received an MS from the Naval Postgraduate School in Monterey, California in 1987. Artwork
<mask>'s art is predominantly narrative and storytelling in nature, and often incorporates technology such as video, sound, and miniature spy cameras into the finished pieces. He has exhibited widely in the United States, Europe and Latin America, including in the McManus Museum in Scotland, the Brusque Museum in Brazil, the San Bernardino County Museum in California, the Meadows Museum of Art in Shreveport, Louisiana, the Hunter Museum of American Art in Tennessee, the Sacramento Fine Arts Center in California, the Boulder Museum of Contemporary Art in Colorado, the A.S. Popov Central Museum of Communications in Russia, the American University Museum, the Jordan Schnitzer Museum at the University of Oregon, the American Museum of the Cuban Diaspora, and The Phillips Collection

The Cuba series
This body of works was started in the 1970s while the artist was in art school, and uses the shape/map of the island of Cuba as the unifying element in paintings, prints and drawings. In the works, the island is often depicted as behind jail bars (such as on the cover of the poetry book Cuba in Verse: The Island Behind Bars by Ada Bezos, Editorial Betania (2012) ), or with oars, or surrounded by tears, etc.The Superhero series
<mask>'s artwork often appropriates American comic book superhero themes, most often Batman, Superman, Spider-Man and others. He has also curated several group

masks:
. Lennox Campello
Florencio Lennox Campello
Campello
Campello


title: F. Lennox Campello

texts:
 art shows where the artwork is focused on multiple artistic interpretations of the superhero iconography. Pictish Nation series
This series focuses on interpreting the tattoo artwork of the original people of Scotland, known as the Picts. <mask> was exposed to Pictish culture while living in Scotland in the 1990s, and began focusing a series of drawings and paintings which over the years have interpreted and reproduced the Pictish tattoos on a variety of male and female nude studies. Awards
<mask> was awarded the 1979 First Prize (Drawing) by Renton Art Society Renton, Washington, 1981 First Prize (Drawing). from the Keene-Mason Gallery National Competition New York, NY, 1981 First Prize (Printmaking), Whipple Gallery National Competition, Marshall, MN, the 1995 Best of Show at the 20th Princess Anne Art Show in Virginia Beach, VA, Best of Show at the 1996 Festival in the Park in Roanoke, Virginia, and the Best in Show at the 2007 Stockley Gardens Art Festival in Norfolk, VA. He was most recently awarded a Maryland State Arts Council Individual Artist Award in 2019, and one of his works was acquired in 2018 for the permanent collection of Montgomery County, Maryland.Reviews
In a review of his 1996 exhibition of portraits of Internet porn stars, The Washington Post noted that his artwork "manages to find a delicate balance between the black charcoal and cream-colored paper resulting in a grainy, film-noir effect, making his subjects, traffickers in mass-consumption prurience, seem tough but vulnerable, like a flowering plant in a sexual wasteland." A more recent review of his 2017 solo show in The Washington Post explained that "His technique is classical, but he sometimes incorporates a contemporary technology: embedded video. “Portrait of You” features a live feed of the picture's viewer, and “Cuban by Ancestry, but American by the Grace of God" (seen last year at the American University Museum) chronicles his family history on a video loop." In reviewing the same show, The

masks: Campello Campello


title: F. Lennox Campello

texts:
 Washington City Paper noted that the solo show focused "on a couple of his far-ranging "artistic obsessions," as he calls them, from <mask> Kahlo to the Book of Genesis to the Picts of Scotland." American art critic Dr. Claudia Rousseau observed that "<mask> is a prolific artist who has had an interesting and compelling trajectory of work since the 1980s." Brickell Magazine described him as "a thought leader in the world of the arts on a global scale." In 2020 The Washington City Paper characterized him as a "prominent figure" in discussing artistic responses to the COVID-19 pandemic, and a year later described one of his works at The Phillips Collection as a "clever combination of low and high tech, pairing a simple charcoal drawing of a child looking at her reflection, which is shown as a revolving series of electronic images of diverse faces."Solo shows
1979 The HUB Gallery. University of Washington. Seattle, Washington

1981 Arts Northwest Gallery. Seattle, Washington

1992 Warehouse Gallery. Banff, Scotland

1993 Chevrier's Presidio Gallery. Sonoma, California

1994 Chevrier's Presidio Gallery. Sonoma, California

1996 Fraser Gallery.Washington, D.C.

1997 49 West. Annapolis, Maryland

1997 Fraser Gallery. Washington, D.C.

1998 Fraser Gallery. Washington, D.C.

1999 Fraser Gallery. Washington, D.C.

2000 Eklektikos Gallery. Washington, D.C.

2001 Fraser Gallery. Washington, D.C.

2002 Fraser Gallery.Washington, D.C.

2003 Fraser Gallery. Washington, D.C.

2004 Fraser Gallery. Washington, D.C.

2005 Fraser Gallery. Washington, D.C.

2008 Red Door Gallery. Richmond, VA

2011 Featured Artist, Aqua Art Fair, Miami Beach, Florida

2017 Artists & Makers. Rockville, Maryland

2019 Stone Tower Gallery, Glen Echo, MD

2020 Featured Artist, Art on Paper Fair, New York, NY

Blogger
His blog, Daily Campello Art News has been published since 2003 and has been called "indispensable", and also "a bona fide fixture" by the Washington City Paper, which also credits the blog with being the

masks: Frida Campello


title: F. Lennox Campello

texts:
 potential "inventor" of the ubiquitous acronym "DMV" to refer to the Greater Washington, DC area (it stands for District, Maryland, Virginia). The local CBS TV station included it in its "Best Local Bloggers" list.The blog is included in the various "Top 100 Art Blogs in the World" listings. Books
<mask> is the author of 100 Artists of Washington, DC, Schiffer Publishing, Ltd. (June 1, 2011) . He is also the cover artist for Cuba in Verse: The Island Behind Bars by Ada Bezos, Editorial Betania (2012) , and the cover artist and interior illustrator for Winging It!-In Europe by Linda and Jim Stringer, Suncity Pub (January 1, 1993)

Gallerist
In 1996 <mask>, together with his then wife, the British photographer Catriona <mask>, co-founded the Fraser Gallery in the Georgetown neighborhood of Washington, DC. In 2002 they opened a second gallery in Bethesda, MD. The two galleries closed in 2011, as the couple had divorced earlier, and <mask> had moved to Philadelphia in 2006, where he lived until 2009, before returning to the Washington, DC area in 2010. Curator
<mask> has curated many visual art shows, most generally around the Greater Washington, DC region, including several seminal art shows focused on dissident Cuban artists, and has been referred to as "one of the most well known faces on the local art scene." References

External links
 F. <mask>ello website
 Daily Campello Art News Blog
The Cuba Series

Living people
Artists from Washington, D.C.
Artists from Maryland
University of Washington School of Art + Art History + Design alumni
Naval Postgraduate School alumni
1956 births
American art critics
American art dealers
American bloggers
American non-fiction writers
Cuban exiles
Cuban expatriates in the United States
Exiles of the Cuban Revolution in the United States
People from Santiago de Cuba
Cuban-American culture
Cuban artists
Cuban art critics
Maryland-related lists
American video artists
Painters from Maryland
Cuban emigrants to the United States
American contemporary

masks:
Campello
Campello
Fraser
Campello
Campello
Lennox Camp


title: Vittorio Ghielmi

texts:
<mask> is an Italian musician (viola da gamba), conductor, compose
Compared by critics to Jasha Heifetz ("Diapason") for his virtuosity, and described as "An Alchemist of sound" ("Diario de Sevilla") for the intensity and versatility of his musical interpretations, <mask> attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire. He is Professor for viola da gamba and Head of the Institut für Alte Musik at the Mozarteum Universität Salzburg and Visiting Professor at the Royal College of London. He is graduate (Docteur ès lettres) at the Università Cattolica di Milano. He was born in Milan, Italy, where as a child he began his study of music with the violin (teacher Dora Piatti) and later the viola da gamba. In 1995 he was the winner of the "Concorso Internazionale Romano Romanini per strumenti ad arco" (Brescia). His fieldwork within old musical traditions surviving in forgotten parts of the world and bringing new perspectives to the interpretation of European "early music" led to him being presented the "Erwin Bodky Award" (Cambridge, Massachusetts USA 1997). He studied the viol with Roberto Gini (Accademia Internazionale della Musica, Milano), Wieland Kuijken (Conservatoire Royale, Bruxelles) and Christophe Coin (Paris).Associations with instrument maker, engineer and humanist Luc Breton (CH) as well as with many musicians of non-European traditions (India, Afghanistan, Latin America) have been fundamental to his musical career. As viola da gamba soloist or conductor, he has appeared with many of the world's most famous orchestras in the fields of both

masks:
Vittorio Ghielmi
Vittorio Ghielmi


title: Vittorio Ghielmi

texts: classical and ancient music (Los Angeles Philharmonic Orchestra - performing a Graun Concerto in the Hollywood Bowl; the London Philharmonia, the Wiener-Concertverein, Il Giardino Armonico, the Freiburg Baroque Orchestra etc.). He performs recitals in duos with his brother <mask> and with Luca Pianca, in the most important halls (Musikverein Wien, Berliner Philharmoniker Hall, Casals Hall Tokio etc.). As soloist or chamber musician, he has shared the stage with artists such as Gustav Leonhardt (duo), Cecilia Bartoli, Andràs Schiff, Thomas Quasthoff, Mario Brunello, Viktoria Mullova,  Giuliano Carmignola, Christophe Coin, Reinhard Goebel, Giovanni Antonini, Ottavio Dantone, Enrico Bronzi etc. He is one of the few viola da gamba players regularly invited to appear as a soloist with orchestra. He has been invited to play in the world première of many new compositions, many of which have been dedicated to him (Kevin Volans, White man's sleep, Teatro Regio di Torino; Nadir Vassena, Bagatelle trascendentali for viola da gamba, lute and orchestra, Berliner Philharmoniker Hall, 2006; Uri Caine "Concerto for viola da gamba and orchestra", Amsterdam Concertgebouw and Bozar Bruxelles 2008; Caine Concerto per viola da gamba, basset-horn and Orchestra, Passau 2012). From 2007 to 2011 he was assistant to Riccardo Muti at the Salzburg festival.In 2007 he conceived with the Argentinian singer Graciela Gibelli and conducted a show, based on Buxtehude's "Membra Jesu Nostri", with the American film maker Marc Reshovsky (Hollywood) and the Swedish choir "Rilke Ensemble" (G.Eriksson); the project was produced by the Semana de musica religiosa de


title: Vittorio Ghielmi

texts: Cuenca (Madrid) and brought later to the Musikfest Stuttgart in 2010. Over three nights in 2009, he gave a performance of Forqueray's complete works for viola da gamba at De Bijloke, Ghent (B). He has been artist in residence at Musikfest Stuttgart 2010, the Segovia festival 2011, and the Bozar Bruxelles 2011. In 2012 he conducted Handel's Water music at the Portogruaro Festival (Venice) with a spectacle on the river Lemene conceived by Monique Arnaud. In 2018 he conducted the Opera Pygmalion by Rameau at the Drottningholms Slottsteater (Stockholm), with therégieof Saburo Teshigawara. His ensemble, IL SUONAR PARLANTE ORCHESTRA, https://www.ilsuonarparlante.com is devoted to a new investigation of the early music repertoire as well as to the creation of new musical realities (see the page and link in this site). The ensemble has also performed with important jazz players such as Kenny Wheeler, Uri Caine, Jim Black, Don Byron, Markus Stockhausen, Nguyen Lê and Achille Succi; jazz and blues singers such as Cristina Zavalloni and Barbara Walker; pop singers like Vinicio Capossela; and flamenco stars such as Carmen Linares.Several jazzmen and composers have written new music for Il Suonar Parlante. The ensemble also collaborates with traditional Asian musicians like the Afghan virtuosi of "Ensemble Kaboul" (Khaled Arman). <mask>'s collaboration with traditional players and in particular with the Sardinian traditional singers of the Cuncordu de Orosei, which lead him to a new insight in the European ancient music, is documented in the film The Heart of Sound, BFMI (Salzburg-Hollywood). He has made many recordings, winning many


title: Vittorio Ghielmi

texts:
 prizes (for labels such as Winter&Winter, Harmonia Mundi, Teldec, Decca, Sony, Auvidis, Opus 111, Passacaille, Alpha Outhere) covering all the musical styles and the entire viol repertoire; four CDs are dedicated to the virtuosic gamba concerti by Johan Gottlieb Graun (1702-1771). Recently published (2018) is the Cd Gypsy Baroque with the singer Graciela Gibelli, the cymbalist Marcel Comendant, and the violinist improviser Stanislav Palúch. In addition to his activity as an instrumentalist and conductor, he has often been in demand as an arranger and composer. The cd The Passion of Musick (with Dorothee Oberlinger), dedicated to "celtic" music and containing his arrangements and compositions won in 2015 the ECHO Klassic Preis.<mask> <mask>, besides his professorship at the Mozarteum in Salzburg, regularly gives master-classes in Academies and Universities all over the world (Juilliard School...). In the "Politecnico della cultura, delle arti e delle lingue" in Milan, he has organized series of conferences and concerts focused on the early music instrumental techniques and their survival in "ethnic" musical traditions. He has published studies and articles on music and previously unpublished scores (Fuzeau, Minkoff, Ut Orpheus), as well as a method for viola da gamba known throughout the world (with Paolo Biordi). He is currently publishing a complete edition of Johan Gottlieb Graun's Viola da Gamba concertos and directs the musical research of "Libroforte-Fine Music Editions". <mask> <mask> plays a bass viol made by Michel Colichon, Paris 1688. Basic discography

 Bagpipes from Hell — Music for Viola da gamba, Lyra-viol,

masks: Vittorio Ghielmi Vittorio Ghielmi


title: Vittorio Ghielmi

texts:
 Lute, and Ceterone. Also includes Bach Preludes & Fugues, 1998, [Lorenzo is Vittorio's older brother]
 C. P. E. Bach: Lieder - Zum singen bey dem clavier	— Ursula Fiedler (Sorpano) <mask> (Clavier), <mask> <mask> (viola da gamba), Ars Musici, 1999
 Der Kastanienball — <mask> <mask>, Il Suonar Parlante  — Prinzregenten Theater, Munchen, Germany (2004).Dalla Casa: Il Secondo Libro dei Madrigali — Il Terzo Suono Balconi, Dalla Casa, Fabris, Fagotto, Fedi
 Graun: Concerti — Ponseele, Il Gardellino Ensemble
 Graun: Concerti CPO
 Marin Marais: La Force et la Douceur, Pièces de viole, V<mask> and Luca Pianca, Passacaille, 2010
 Barbarian Beauty, Concertos for viola da gamba and orchestra, (Graun, Telemann, Tartini and Vivaldi: the gypsy side), with Marcel Comendant (cymbalon), Dorothee Oberlinger recorder, M.Hirasaki, violin and "Il Suonar Parlante Orchestra", Passacaille 2011
 La Force et la douceur, Music by Marin Marais, <mask> <mask> and Luca Pianca, Passacaille ed. https://www.amazon.fr/Marais-Force-douceur-Ghielmi-Pianca/dp/B002ARVI2K
 Forqueray le diable <mask> <mask>, Lorenzo Ghielmi, Rodney Prada, Luca Pianca, Passacaille ed.https://www.amazon.it/Forqueray-Diable-Passacaille-Vittorio-Ghielmi/dp/B019GM1P24
 Gypsy Baroque, Alpha, Vittorio Ghielmi IL SUONAR PARLANTE ORCHESTRA, https://outhere-music.com/de/albums/gypsy-baroque-alpha-392

With Uri Caine
 The Goldberg Variations (Winter & Winter, 2000)

References

External links
  www.vittorioghielmi.com

Italian performers of early music
Viol players
1968 births
Living people
Italian male conductors (music)
21st-century Italian conductors (music)
21st-century Italian male

masks:
Lorenzo Ghielmi
Vittorio
Ghielmi
Vittorio
Ghielmi
. Ghielmi
Vittorio
Ghielmi
Vittorio
Ghielmi


title: Saburō Eda

texts:
was a Japanese party politician, prominent in the postwar period, who served two terms in the Member of the House of Councillors and four terms in the Member of the House of Representatives, and rose to become Secretary General and Acting Chairman of Japan Socialist Party in the early 1960s. <mask>'s optimistic "Eda Vision" of a broad-based, moderate form of socialism briefly won acclaim from the Japanese mass media before being beaten back by hardliners in the left wing of the party. He is the father of Japanese politician <mask>. Prewar and wartime activities

<mask> was born in Fukuwatari Village, Kume District, Okayama Prefecture. His father, <mask>, ran an udon and soba noodle manufacturing and wholesaling business and was also a minor political leader in the local branch of the Minseitō Party. In 1931, while a student at Tokyo University of Commerce (present-day Hitotsubashi University), <mask> suffered from a bout of pleurisy and returned home for treatment. Back in Okayama, <mask> became heavily involved in the local farmer's movement.Dropping out of university, he joined the National Masses Party, a conglomeration of farmer's and proletarian working class political parties. In 1937, he was elected and served one term in the Upper House of the Okayama Prefectural Assembly. However, in 1938, he was arrested along with approximately 400 other prominent leftists as part of the "Popular Front Incident" and imprisoned for two years. Released in 1940, he was given to understand that his presence was not welcomed in the metropole, so he left Japan proper to find work in Japanese-occupied China. Postwar politician

Returning to Japan after the end of World War II, <mask> joined the newly formed Japan Socialist Party (JSP) in 1946. Affiliated with the left-wing of the party, <mask> sided with the Left Socialists when the Party split in two in 1948. In 1950, <mask> was elected to the House of Councillors, where he would serve

masks:
Eda
Satsuki Eda
Eda
Matsujirō Eda
Eda
Eda
Eda
Eda
Eda


title: Saburō Eda

texts: two terms.In 1955, the two halves of the JSP reunited, and in 1957, <mask> became a member of the party's Central Executive Committee, as well as head of its Agricultural Bureau. In 1958, <mask> was named chairman of the JSP's Party Organizing Committee. Thereafter, <mask> won the loyalty of a large number of the party's grassroots activists by initiating a number of reforms to modernize the party's organizational structure and improve the general treatment of lower-level party activists. Drawing upon the buzzword "structural reform" promoted by the Italian Communist Party under Palmiro Togliatti, <mask> promoted his reformist ideas for the JSP under the label "structural reform" (構造改革, kōzō kaikaku). In September 1959, when Right Socialist leader Suehiro Nishio expressed the heretical view that the JSP was "a broad-based party of the people" rather than a party based exclusively in the urban working class, <mask> hinted at his own centrist leanings when he responded that, "The JSP is a class-based party in as much as it seeks to reform capitalist society and construct a socialist society, but it is a broad-based people's party in the sense that it is fighting for the benefit of the majority of the people and not to encourage the egoism of the working class." Nevertheless, <mask> also harshly criticized Nishio's views as "abandoning socialism and replacing it with a welfare policy within the framework of capitalism," and supported moves toward expelling Nishio from the party. After Nishio saw the writing on the wall and bolted the JSP in January 1960 to form the new Democratic Socialist Party, <mask> rose to become the second most powerful man in the JSP, serving as Secretary General under new party Chairman Inejirō Asanuma.When Asanuma was spectacularly assassinated during a televised election debate on October 12, 1960, just weeks before a national election, <mask> was hastily named "Acting Chairman" of the JSP and became

masks: Eda Eda Eda Eda Eda Eda Eda Eda


title: Saburō Eda

texts:
 the party's leader and candidate to become prime minister of Japan should the party triumph in the election. Leader of the Japan Socialist Party

"Structural Reform" platform and electoral victory

Rather than adopting a more circumspect approach in the wake of his sudden, unexpected elevation to JSP party leadership, <mask> seized the initiative to have his own vision of socialism enshrined as JSP party policy. At the 19th Party Congress, which began one day after Asanuma's assassination, <mask> took advantage of the somber mood, looming election, and strong desire for party unity to force through his platform of "structural reform" as the JSP's "new party line" with little opposition or debate. The "structural reform" platform drew inspiration from the recently concluded Anpo protests against the U.S.-Japan Security Treaty, which had achieved massive size and forced the resignation of conservative prime minister Nobusuke Kishi. <mask> and his allies viewed these protests as having been an unalloyed success in having allowed the JSP to play a leading role in fomenting a mass movement. <mask>'s "structural reform" platform called for a combination of parliamentary pressure tactics and Anpo-style extra-parliamentary mass movements that would gradually move Japan toward socialism by forcing the government into a series of piecemeal concessions. Above all, <mask> and his fellow structural reformers hoped to broaden the base of the JSP beyond a hard core of labor unionists, leftist student activists, and Marxist intellectuals to encompass people from many walks of life, in order to dramatically increase the party's potential supporters at the polls.Leading the JSP into the general election in Asanuma's place, <mask> appeared in the second televised election debate as the new party leader, and impressed audiences with his sunny demeanor and even-handed tone. The JSP's showing in the election was viewed as a success, as the party

masks: Eda Eda Eda Eda Eda Eda


title: Saburō Eda

texts:
 increased its number of seats in the National Diet, further cementing <mask>'s grip on power within the party. "Eda Vision" of socialism

In order to achieve his goal of broadening the base of the Japan Socialist Party, <mask> sought to rebrand socialism using more straightforward language that would cut through complex Marxist jargon and offer a simple, optimistic vision to the Japanese people. To this end, he propounded his "New Vision of Socialism," better known in the Japanese media as the "Eda Vision" of socialism. The Eda vision was first proclaimed at a July 27, 1962 speech <mask> gave National Conference of Socialist Party Regional Organizers in Nikko. In this speech, <mask> famously proclaimed,

Socialism must be defined in sunny and cheerful terms that are easily understandable to the masses. I believe that “socialism” is that which allows human potential to blossom to its fullest extent.The main four accomplishments that humankind has achieved so far are America's high standard of living, the Soviet Union's thoroughgoing social welfare system, England's parliamentary democracy, and Japan's peace constitution. I believe that if we can integrate these, we can give birth to a broad-based socialism. The "Eda Vision" of a more moderate form of socialism received a wildly enthusiastic reception in the mainstream Japanese press, which was wary of more hard-left socialist policy prescriptions, and the "Vision" also polled very well in broad-based public opinion polls. Thus, for a few months in mid 1962, Eda seemed to be riding high. However, the "Eda Vision" was the final straw for the more dogmatically Marxist leftwing factions in the JSP, who had already chafed against the moderate tone of Eda's "structural reform" platform. In particular, they could not accept praise of what they viewed as the "imperialist" United States and Great Britain, and the "deviationist" and "Stalinist" Soviet Union. At the 22nd Party Congress

masks: Eda Eda Eda Eda


title: Saburō Eda

texts:
 in November 1962, the left wing of the JSP revolted, and succeeded in persuading a majority of party members present to adopt an "Eda Vision Criticism Resolution" that renounced the "Eda Vision" as antithetical to core party principles.<mask> was forced to resign his position as Secretary General, and thereafter the party gradually returned to a more dogmatically Marxist platform which focused entirely on the urban working classes as the party's main political base. Later life and death

In later years <mask> ran numerous times for Chairman of the Japan Socialist Party, but was unsuccessful, although he did serve a second stint as Secretary General from 1968 to 1970. Nevertheless, <mask> remained popular among the broader Japanese public and in the 1970s conservative prime minister Kakuei Tanaka said at a press conference, "If the Japan Socialist Party were ever to make Eda its Chairman again, a general election would be terrifying. They would drastically expand their seats in the Diet." However, <mask> could never overcome the undying animosity his "Eda Vision" had won him from his party's hardcore left wing. In 1976, <mask> lost his reelection bid and was booted from the Diet. Blaming his loss on his party's dogmatic, doctrinaire Marxism and desperate for reform, he attempted to resign from the JSP but the party refused to accept his resignation and voted to expel him instead.Thereafter, <mask> formed a new political party, the Socialist Citizens Federation (later renamed the Socialist Democratic Federation) and ran for reelection to the Diet. However, <mask> died suddenly of lung cancer on May 22, 1977. His son, Satsuki <mask>, hastily ran in his place, and won the election. References

Further reading

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1907 births
1977 deaths
People from Okayama Prefecture
Members of the House of Councillors (Japan)
Members of the House of Representatives (Japan)
20th-century Japanese politicians
Politicians from Okayama