title: Isaac Allerton

texts:
 winter, in Coles Hill Burial Ground, Plymouth, possibly early in 1621. She is named on the Pilgrim Memorial Tomb on Coles Hill as "Mary, first wife of <mask>." The inventory of <mask>, late of Newhaven, taken 12 Feb. 1658/9 was presented in the New Haven court 5 April 1659, his son <mask> being away at the time.<mask> produced his father's will on 5 July 1659 and was appointed to settle the estate, but he relinquished the trust. The will is little more than memoranda of debts due him and owned by him, but names his wife and son <mask> as trustees and they were to receive "what is overpluss." It mentions "brother Breuster." Assistant on Pearl Street in New Amsterdam – George "Joris" Woolsey
George "Joris" Woolsey, the progenitor of the Woolsey family in North America, was in the employ of <mask> at his shop on Pearl Street in Manhattan. Servant in the company of the <mask> family on the Mayflower
John Hooke was about thirteen years old and an apprentice/servant to <mask>. He was born about 1607 in Norwich, Co. Norfolk to John and Alice (Thompson) Hooke who were married on August 9, 1605 at St Peter Mancroft in Norwich. The Hooke family later moved to Leiden in Holland as members of the Separatist Church.On January 8, 1619 John was apprenticed to <mask> who was at the time a Leiden tailor. The apprenticeship was to last for twelve years. On the Mayflower'', Bradford referred to him as "a servant boy, John Hooke." <mask>'s wife Mary and their servant John Hooke both died the first winter in Plymouth. References

Sources
The Mayflower Society

External links
<mask> at MayflowerHistory.com
Last Will and Testament of <mask> at The Plymouth Colony Archive Project

1580s births
1659 deaths
Mayflower passengers
English emigrants to British North America
People of New Netherland
Burials

masks:
Isaac Allerton
Isaac Allerton
Isaac
Isaac
Isaac Allerton
Allerton
Isaac Allerton
Isaac Allerton
Isaac Allerton
Isaac Allerton
Isaac Allerton
Isaac Allerton


title: Pedro Sánchez

type: original

texts:
<mask> (; born 29 February 1972) is a Spanish politician who has been Prime Minister of Spain since June 2018. He has also been Secretary-General of the Spanish Socialist Workers' Party (PSOE) since June 2017, having previously held that office from 2014 to 2016. <mask> began his political career in 2004 as a city councillor in Madrid, before being elected to the Congress of Deputies in 2009. In 2014, he was elected Secretary-General of the PSOE, becoming Leader of the Opposition. He led the party through the inconclusive 2015 and 2016 general elections, but resigned as Secretary-General shortly after the latter, following public disagreements with the party's executive. He was subsequently re-elected in a leadership election eight months later, defeating Susana Díaz and Patxi López. On 1 June 2018, the PSOE called a vote of no confidence in Prime Minister Mariano Rajoy, successfully passing the motion after winning the support of Unidas Podemos, as well as various regionalist and nationalist parties.<mask> was subsequently sworn in as Prime Minister by King Felipe VI the following day. He went on to lead the PSOE to gain 38 seats in the April 2019 general election, the PSOE's first national victory since 2008, although they fell short of a majority. After talks to form a government failed, <mask> again won the most votes at the November 2019 general election, and in January 2020 he formed a coalition government with Unidas Podemos, the first national coalition government since the country's return to democracy. Early life
<mask> Pérez-Castejón was born in 1972 in Madrid to a well-off family, son to <mask> Fernández and Magdalena Pérez-Castejón. His father was a public administrator long employed at the Ministry of Culture's Instituto Nacional de las Artes Escénicas y de la Música (later owner of an industrial packing company) and his mother worked as a civil servant in the social security system (later becoming a lawyer, graduating with her son at the same university). Raised in the Tetuán district, he studied at the Colegio Santa Cristina, also located in the district. According to

masks:
Pedro Sánchez Pérez Castejón
Sánchez
Sánchez
Sánchez
Pedro Sánchez
Pedro Sánchez


title: Pedro Sánchez

texts:
 <mask> himself, he frequented breakdancing circles in AZCA when he was a teenager.He moved from the Colegio Santa Cristina to the Instituto Ramiro de Maeztu, a public high school where he played basketball in the Estudiantes youth system, with links to the high school, reaching the U-21 team. In 1990, <mask> went to study economics and business sciences. In 1993, he joined the PSOE after the victory of Felipe González in the elections that year. <mask> earned a licentiate degree from the Real Colegio Universitario María Cristina, attached to the Complutense University of Madrid, in 1995. Following his graduation he worked in New York for a consulting firm. In 1998, before entering a career in local and national politics, <mask> Dührkop. He also worked in the staff of the United Nations high representative in Bosnia, Carlos Westendorp.He earned a degree in Politics and Economics in 1998 after graduating from the Université libre de Bruxelles. He earned a degree of business leadership from IESE Business School in the University of Navarra, a private university and apostolate of the Opus Dei. <mask> obtained a diploma in Advanced Studies in EU Monetary Integration from the Instituto Ortega y Gasset in 2002. Political career

Early local and national career
In 2003, <mask> stood in the Madrid City Council election on the PSOE list headed by Trinidad Jiménez. He was 23rd on the proportional representation list, but the PSOE only won 21 seats. <mask> did not become a city councillor until a year later, when two socialist councillors resigned. He quickly became one of the fundamental components of opposition leader Trinidad Jiménez's team.Between 18 May 2004 – 15 September 2009, he was one of the 57 members of the City Council of Madrid, representing PSOE in the city of Madrid. At the same time, he went to help the PSdG (PSOE's affiliated party in Galicia) contest the 2005 Galician regional election, in which PSdG won eight seats, allowing Emilio Pérez Touriño to become president of Galicia. In 2007, he was part of the Miguel Sebastián campaign for Madrid's premiership. In parallel to his seat

masks: Sánchez Sánchez Sánchez Sánchezara Sánchez Sánchez Sánchez


title: Pedro Sánchez

texts:
 at the city council, <mask> started to work as instructor at the Universidad Camilo José Cela (UCJC) in 2008, lecturing about Economic Structure and History of Economic Thought. <mask> was elected to the Congress of Deputies for Madrid, replacing <mask>, Minister of Economy and Finance in the José Luis Rodríguez Zapatero cabinet, after Solbes retired from politics in 2009. In the general election of 2011, which saw a heavy defeat for the Socialists, PSOE placed <mask> 11th on the Proportional Representation list, while only electing 10 deputies. Having thus failed to win a seat, he focused on preparing his Doctorate in Economics at the UCJC, earning the PhD in November 2012 by writing a dissertation titled Innovaciones de la diplomacia económica española: Análisis del sector público (2000-2012) (English translation: Innovations of Spanish Economic Diplomacy: Analysis of the Public Sector (2000-2012)) supervised by María Isabel Cepeda González.In 2018 <mask> was accused by the Spanish daily ABC of plagiarism. In order to refute the plagiarism allegations, <mask> published his full thesis online. In January 2013, <mask> returned to Congress, replacing Cristina Narbona, who left her seat to enter the Nuclear Safety Council. In December 2013, after numerous Socialist leaders such as Elena Valenciano, Trinidad Jiménez, Miguel Sebastián, and José Blanco López attended his new book release, his name began to be discussed as a prospective candidate for the party leadership. <mask> officially launched his bid to party leader on 12 June 2014. He was elected as the Secretary-General on 13 July, after winning 49% of votes against his opponents Eduardo Madina and José Antonio Pérez Tapias (member of the Socialist Left platform). He was confirmed as Secretary-General after an Extraordinary Congress of the PSOE was held on 26–27 July that ratified the electoral result.Leading the opposition
Representing a platform based on political regeneration, <mask> demanded constitutional reforms establishing federalism as the form of administrative organization of Spain to ensure that Catalonia would remain within

masks:
Sánchez
Sánchez
Pedro Solbes
Sánchez
Sánchez
Sánchez
Sánchez
Sánchez
Sánchez


title: Pedro Sánchez

texts:
 the country; a new progressive fiscal policy; extending the welfare state to all citizens; joining labour unions again to strengthen economic recovery; and regaining the confidence of former Socialist voters disenchanted by the measures taken by Zapatero during his term as Prime Minister amid an economic crisis. He also opposed the grand coalition model supported by the former Prime Minister and PSOE leader Felipe González, who lobbied in favour of the German system in case of political instability. <mask> asked his European party caucus not to vote for the consensus candidate Jean-Claude Juncker of the European People's Party. Upon taking office as PSOE's Secretary-General, <mask> faced a political crisis after the formation of a new party, Podemos. Approximately 25% of all PSOE supporters switched their loyalties to Podemos. <mask>'s political agenda included reforming the constitution, establishing a federal model in Spain to replace the current devolution model, and further secularization of Spain's education system, including the removal of religion-affiliated public and private schools. He named César Luena as his second-in-command.On 21 June 2015, <mask> was officially announced as the PSOE premiership candidate for the December 2015 general election. His party earned 90 seats, being second to rivals of Partido Popular (PP), who won the election with 123 representatives out of a parliament formed by 350. Since PP's leader did not stand officially for the premiership, following this <mask> was requested by the King to form a coalition, but he was unable to obtain the support of a majority of representatives. This led to a further general election in June 2016, where he stood again as PSOE's prospective candidate to prime minister. The party won only 85 seats in the general election. Removal and political comeback
Amid deep inner strife within the party started by September 2016 (the 2016 PSOE crisis), <mask> lost support from the PSOE's federal committee in a key vote and was forced to resign as Secretary–General on 1 October 2016. His defeated proposal (107 in favour versus 132

masks: Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez


title: Pedro Sánchez

texts:
 against) was that of celebrate a snap PSOE primary election in October 2016 and a party congress in November.In order to avoid obeying the directive of the PSOE's interim leadership to facilitate Mariano Rajoy's investiture as Prime Minister by means of an abstention and thus "betraying his word", <mask> also renounced to his seat at the Congress of Deputies in October 2016, and started to prepare for a new candidacy to the leadership of the party in the upcoming primary election. Besides the renunciation of <mask>, 15 PSOE MPs would break party discipline by voting against Rajoy, yet as Rajoy only needed the abstention from 11 PSOE MPs (out of 84), the latter was invested as Prime Minister. After resigning as Secretary-General of the party and to prepare for his bid to party leadership, <mask> made a tour aboard his car visiting base members in different parts of Spain. On 21 May 2017, <mask> was re-elected Secretary-General for the second time with 50.2% of the votes, over his competitors Susana Díaz (39.94%) and Patxi López (9.85%). <mask> opposed the Catalan independence referendum and supported the Rajoy government's decision to dismiss the Catalan government and impose direct rule on Catalonia in October 2017. In May 2018, after verdicts were announced in the Gürtel trial, PSOE filed a successful no-confidence motion against Mariano Rajoy. Per the Constitution, Spanish votes of no confidence are constructive; those bringing the motion must propose a replacement candidate for Prime Minister.Accordingly, the PSOE proposed <mask> (who was not a member of the Congress of Deputies at the time) as Rajoy's replacement. With the passage of the no-confidence motion, <mask> was automatically deemed to have the confidence of the Congress of Deputies and thus ascended as Prime Minister on 1 June 2018. Premiership (2018-present)
 <mask> was sworn in as Prime Minister by King Felipe VI on 2 June. <mask> said he planned to form a government that would eventually dissolve the Cortes Generales and call for a general election, but he did not specify when he would do it while also saying that before

masks: Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez


title: Pedro Sánchez

texts:
 calling for an election he intended take a series of measures like increasing unemployment benefits and proposing a law of equal pay between the sexes. However, he also said he would uphold the 2018 budget approved by the Rajoy government, a condition the Basque Nationalist Party imposed to vote for the motion of no-confidence. Spanish media noted that, while <mask> was swearing his oath of office on the Spanish Constitution, no Bible nor crucifix were on display, for the first time in modern Spanish history, due to <mask>'s atheism. After being sworn in, <mask> announced that he would only propose measures that had considerable parliamentary support, and re-affirmed the government's compliance with the EU deficit requirements.Foreign Policy

He has taken a more active role in the international sphere, especially in the European Union, saying that "Spain has to claim its role" and declaring himself "a militant pro-European". On 16 January 2019, in a speech before the European Parliament, he said that the EU should be protected and turned into a global actor, and that a more social Europe is needed, with a strong monetary union. He stated in a speech in March 2019 adding that the enemies of Europe are inside of the European Union. In his second government, he continued strengthening the pro-European profile of its ministers, appointing José Luis Escrivá, the then chair of the Independent Authority for Fiscal Responsibility and former chair of the EU Independent Fiscal Institutions Network, as minister for social security. In June 2020, the <mask> government proposed deputy prime minister and economy minister, Nadia Calviño, to be the next chair of the Eurogroup. Following the fall of Kabul and the subsequent de facto creation of the Islamic Emirate of Afghanistan, the Prime Minister offered Spain as a hub for Afghans who collaborated with the European Union, which would later be settled in various countries. The Spanish government created a temporary refugee camp in the air base of Torrejón de Ardoz, which was later visited by officials from the European Union, including president of the

masks: Sánchez Sánchez Sánchez Sánchez


title: Pedro Sánchez

texts:
 European Commission Ursula von der Leyen and president of the European Council Charles Michel.Von der Leyen praised <mask> government's initiative, stating that the actions of Spain represents "a good example of the European soul at its best". US President Joe Biden spoke with <mask> to allow the use of the military bases of Rota and Morón to temporarily accommodate Afghan refugees, while praising "Spain's leadership in seeking international support for Afghan women and girls". Domestic Policy
On 18 June 2018, <mask>' government announced its intention to remove the remains of former dictator Francisco Franco from the Valle de los Caídos. On 24 August 2018, <mask>'s cabinet approved a decree that modifies two aspects of the 2007 Historical Memory Law to allow the exhumation of Franco's remains from the Valle de los Caídos. After a year of legal battles with Franco's descendants, the exhumation took place on 24 October 2019, and Franco was reburied at Mingorrubio Cemetery in El Pardo with his wife Carmen Polo. After the sentence in 2019 trial of Catalonia independence leaders <mask> confirmed his support of the sentence, and denied the possibility of any indulgence, proclaiming that the sentence should be served by the convicts in its entirety, in spite of that two years later <mask> granted indulgence to all convicts. Shortly after granting the indulgence, <mask> stressed that despite the indulgence, there would never be a referendum for the independence of Catalonia, in response he was mocked by Gabriel Rufian and other Catalan politicians, who reminded him that two years prior he had made the same claim with regards to granting indulgences, and insinuated that it is just a matter of time before <mask> will break his latest claims.Under <mask>'s leadership, the Chamber of Deputies approved a total central government budget of 196 billion euros – the biggest budget in the country's history – in 2021, after he had won the support of the Catalan pro-independence Republican Left of Catalonia. COVID-19 pandemic

On 13 March 2020, <mask> announced a declaration of the state of alarm in the

masks: Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez Sánchez


title: Pedro Sánchez

texts:
 nation for a period of 15 days, to become effective the following day after the approval of the Council of Ministers, becoming the second time in democratic history and the first time with this magnitude. The following day imposed a nationwide lockdown, banning all trips that were not force majeure and announced it may intervene in companies to guarantee supplies. On July 14, 2021, the Constitutional Court of Spain, acting upon the 2020'th appeal by Vox, sentensed by a narrow majority (6 votes in support vs. 5 votes against) that the state of alarm was inconstitutional in the part of suppressing the freedom of movement established by the Article 19 of the Constitution. Ideology
<mask> ran in the 2014 PSOE primary election under what has been described as a centrist and social liberal profile, later switching to the left in his successful 2017 bid to return to the PSOE leadership in which he stood for a refoundation of social democracy, in order to transition to a "post-capitalist society", ending "neoliberal capitalism". A key personal idea posed in his 2019 Manual de Resistencia book is the indissoluble link between "social democracy" and "Europe". <mask> is a strong opponent of prostitution, and supports its abolition.Personal life

<mask> married María Begoña Gómez Fernández in 2006 and they have two daughters, Ainhoa and Carlota. The civil wedding was officiated by Trinidad Jiménez. Aside from Spanish, <mask> speaks fluent English and French. He is the first Spanish prime minister fluent in English while in office (former PM José María Aznar learned English after leaving office). Foreign languages were not widely taught in Spanish schools until the mid-1970s, and former Prime Ministers were known for struggling with them. He is an outspoken atheist. Controversies

Saudi Arabia
In September 2018, during his first term in office as Prime Minister, Defense Minister Margarita Robles cancelled sales of laser-guided bombs to Saudi Arabia over concerns relating to the Saudi Arabian-led intervention in Yemen.Overruling Robles, <mask> ordered the sale to proceed because he had guaranteed

masks: Sánchez Sánchez Sánchez Sánchez Sánchez


title: Pedro Sánchez

texts:
 President of Andalusia Susana Díaz help to protect jobs in the shipyards of the Bay of Cádiz, highly dependent on the €1.813 billion contract with Saudi Arabia to deliver five corvettes. In response to the killing of Saudi dissident journalist Jamal Khashoggi in October 2018, <mask> defended the decision to continue arms sales to Saudi Arabia and insisted on his government's "responsibility" to protect jobs in the arms industry. Plagiarism
 In 2018 a newspaper revealed that his book La nueva diplomacia económica española includes the plagiarism of six other people's texts. The suspicion was extended to his doctoral thesis, whose authorship was questioned. The authorship of his book Manual de resistencia is in doubt because <mask>, who appears as the sole author, states in the prologue that "This book is the result of long hours of conversation with Irene Lozano, writer, thinker, politician and friend. She gave a literary form to the recordings, giving me a decisive help". The mentioned writer, for her part, affirmed that "I made the book, but the author is the president".Electoral history

Distinctions
 Medal of Salvador Allende (28 August 2018). Grand Collar of the Order of the Condor of the Andes (29 August 2018). Grand Cross of the Order of the Sun of Peru (27 February 2019). Notable published works
 Ocaña Orbis, Carlos y <mask>-Castejón, <mask> (2013): La nueva diplomacia económica española. Madrid: Delta. .
 <mask>-Castejón, <mask> (2019): Manual de resistencia. Madrid: Península. .

Notes

References

External links

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|-

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1972 births
Université libre de Bruxelles alumni
Grand Crosses of the Order of the Sun of Peru
Leaders of political parties in Spain
Living people
Madrid city councillors (2003–2007)
Madrid city councillors (2007–2011)
Members of the 10th Congress of Deputies (Spain)
Members of the 11th Congress of Deputies (Spain)
Members of the 12th Congress of Deputies (Spain)
Members of the 13th Congress of Deputies (Spain)
Members of the 14th Congress of Deputies (Spain)
Prime Ministers of Spain
Spanish atheists
Spanish Socialist Workers' Party politicians
University

masks:
Sánchez
Sánchez
Sánchez Pérez
Pedro
Sánchez Pérez
Pedro


title: Ciriaco Sforza

texts:
<mask> (; born 2 March 1970) is a Swiss football manager and former professional player who last managed Swiss Super League club Basel. After beginning his career with Swiss clubs FC Aarau and Grasshopper Club Zürich, he most notably played for Internazionale in Italy, and 1. FC Kaiserslautern, and FC Bayern Munich in Germany. Sforza represented the Swiss national team 79 times, and represented his country at the international 1994 World Cup and Euro 96 tournaments. Biography
Sforza is of Italian descent; his father was originally from Avellino, before emigrating to Switzerland. <mask> was born and raised in Wohlen, in German-speaking Switzerland. According to his website, he is married and has two children.Club career
<mask> started his career in his hometown club FC Wohlen. He was signed by FC Aarau in 1989, where he impressed commentators and fans alike. <mask>'s precocious talent was soon noticed, and he was signed by Swiss club Grasshoppers Zürich one year later. He represented Grasshoppers during three successful seasons, also setting a record for the club as the youngest player to make his debut in the Swiss Challenge League. He won the 1991 Swiss Super League championship with the club, and made his national team debut in August 1991. In 1993, after winning the "Swiss footballer of the Year" award, he moved abroad to Germany to play for 1. FC Kaiserslautern.<mask> became the general of the Kaiserslautern midfield and was recognised as one of the best midfielders in the German Bundesliga championship, also receiving a Ballon d'Or nomination in 1994, finishing in 21st place. After two seasons at Kaiserslautern, he was bought by German giants FC Bayern Munich in 1995. <mask> was signed at the same time as German superstar Jürgen Klinsmann, compared to the homely smalltown club Kaiserslautern, Bayern was a team with many stars. Conflicts between

masks:
Ciriaco Sforza
Sforza
Sforza
Sforza
Sforza
Sforza


title: Ciriaco Sforza

texts: Klinsmann and team captain Lothar Matthäus poisoned the atmosphere and many scandals underlined why Bayern is nicknamed FC Hollywood. Bayern also missed out on the German championship for the second season in a row, though Sforza was a part of the 1996 UEFA Cup winning Bayern team. <mask> initially had trouble settling in at Bayern, and after one season at the club he moved to Italy. He signed for Internazionale, where he was united with former Swiss national team manager Roy Hodgson.<mask> was regarded as one of the most promising young Swiss players at the time, and he made a notable debut with Inter, scoring the matching winning goal in 1–0 away win on 7 September 1996 against Udinese. Despite the initial glimpses of his potential, Sforza also had a difficult time at Internazionale. Although Hodgson had initially purchased him as to function as a playmaker, to solve Inter's lack of creativity in midfield, Sforza had problems performing consistently, and he spent a lot of time on the bench, although he was able to reach the UEFA Cup final with the club, and also managed a third-place finish in the league. During his time with Inter, <mask> became known for his inconsistency in Serie A, and he is famously remembered in Italy for being referenced in the Italian film Tre Uomini e una Gamba, by Italian comedic trio Aldo, Giovanni e Giacomo; in the film, Aldo states that he had to purchase Sforza's number 21 Inter jersey as Ronaldo's was out of stock. After a single season with Inter, he moved once again – but this time to known territory. In time for the 1997–98 season, Sforza moved back to Kaiserslautern where he immediately made an impression, experiencing a more successful stint with the club and finally demonstrating strong and consistent performances, which justified his reputation as one of the leading Swiss players of his generation. Even though

masks: Sforza Sforza Sforza


title: Ciriaco Sforza

texts:
 Kaiserslautern had just been promoted from the 2.Bundesliga, Kaiserslautern became German champions, beating Sforza's other former team, German giants FC Bayern, to the title. Sforza spent two more seasons at Kaiserslautern, impressing commentators and fans alike. In 2000, he decided to give FC Bayern Munich another try. Once again, he failed to perform and spent a lot of time on the sidelines, although he later managed to participate in a more successful period with the club. FC Bayern had many star players competing for places, and the team won both the 2000–01 Bundesliga and 2000–01 UEFA Champions League titles that season. After two seasons at Bayern, he returned to Kaiserslautern for a third spell in 2002. The aging and now somewhat injury-prone <mask> helped FCK avoid relegation, however, in October 2005, he had a public falling-out with the club and was blackballed.He retired at the end of the season, in summer 2006.

International career
<mask> was selected to play for Switzerland at the 1994 World Cup by national manager Roy Hodgson, putting on a notable performance, and reaching the round of 16. He represented Switzerland at the Euro 96 tournament in England, where they were eliminated in the first round. He also captained the Swiss national side. In total, he managed 79 appearances for Switzerland, scoring 7 goals. International goals
Scores and results list Switzerland's goal tally first, score column indicates score after each Sforza goal. Managerial career
<mask> went on to become manager of Swiss team FC Luzern, and was sacked after two more or less successful years managing the team. On 9 June 2009, he was named as the new manager of Grasshopper Club Zürich.signing a contract between 30 June 2011. On 13 April 2012, <mask> left the club after poor results. In February 2014, he was appointed as new head coach of FC Wohlen, replacing

masks: Sforza Sforza Sforza Sforza


title: Ciriaco Sforza

texts:
 David Sesa. On 1 April 2019, he became the manager of FC Wil. On 26 August 2020, Sforza became the head coach of Basel signing a two-year contract. He took his assistant Daniel Hasler from Wil with him. Massimo Colomba was goalkeeper coach and on 21 September the club announced that they had hired Patrick Rahmen as second assistant coach to complete Sforza's coaching team.Sforza's first match was on 17 September in the 2020–21 UEFA Europa League second qualifying round against Croatian team Osijek which ended with a 2–1 victory. On 6 April 2021 the club announced that, due to the lack of sporting success, FC Basel 1893 were separating themselves from head coach <mask> Sforza with immediate effect. They also announced that they separated themselves from Assistant manager Daniel Hasler at the same time. Managerial statistics

Honours

Player
Grasshopper Club Zürich
 Swiss Super League: 1990–91

Bayern Munich
 Bundesliga: 2000–01
 UEFA Champions League: 2000–01
 UEFA Cup: 1995–96
 Intercontinental Cup: 2001

Inter Milan
 UEFA Cup runners-up: 1996–97

1. FC Kaiserslautern
 Bundesliga: 1997–98

References

External links

Swiss footballers
Swiss football managers
Swiss people of Italian descent
1970 births
Living people
Switzerland international footballers
Grasshopper Club Zürich players
FC Aarau players
1. FC Kaiserslautern players
FC Bayern Munich footballers
Inter Milan players
Serie A players
1994 FIFA World Cup players
UEFA Euro 1996 players
Swiss Super League players
Bundesliga players
Swiss expatriate footballers
Swiss expatriate sportspeople in Germany
Swiss expatriate sportspeople in Italy
Expatriate footballers in Germany
Expatriate footballers in Italy
FC Luzern managers
Grasshopper Club Zürich managers
FC Thun managers
FC Wil managers
FC Basel managers
Association football midfielders
UEFA Champions League winning players
UEFA Cup winning


title: Sam Gold

texts:
<mask> is an American theater director and actor. He has directed both musicals and plays, on Broadway and Off-Broadway. He won the 2015 Tony Award for Best Direction of a Musical for Fun Home. Life and career
<mask> was raised in Westchester and New York City. His father, Jeffrey, is an investment banker, and his mother, Lenore, is a painter. He graduated from  Cornell University with a degree in English and had internships at Playwrights Horizons and the Signature Theater, and attended the directing program at the Juilliard School. He spent three years as an assistant director and dramaturge at the Wooster Group.He explained that "my career has been very focused on brand-new plays for a while. But, always, the reason I got into the theatre was because I was inspired by these classics. I was an English major and I loved the plays, so I think my work with new writers has always been based on my information from these old plays..." <mask> is the Resident Director at the Roundabout Theatre Company. On Broadway, he directed Seminar in 2011, a revival of Picnic in 2013 for the Roundabout Theatre Company, The Realistic Joneses in 2014, and The Real Thing in 2014 for the Roundabout Theatre Company. He directed Fun Home on Broadway in 2015, in a Public Lab at The Public Theater in October 2012, and Off-Broadway  at The Public Theater in 2013. For Fun Home, he won the 2015 Tony Award, Best Direction of a Musical and 2014 Obie Award, Musical Theater. His Off-Broadway directing work began with The Black Eyed at the New York Theatre Workshop in 2007.He directed The Big Meal by Dan LeFranc in 2012 at Playwrights Horizons and won the 2012 Lucille Lortel Award,

masks:
Sam Gold
Gold
Gold


title: Sam Gold

texts: Outstanding Director. The CurtainUp reviewer wrote: "...as moved from page to stage by director <mask> and his ensemble, everything becomes remarkably and most effectively — enough so to make this a full-flavored theatrical meal.... LeFranc, like another Playwrights Horizon favorite, Annie Baker, has written exactly the kind of play that's director <mask>'s forte. Like Baker's Circle Mirror Transformation, The Big Meal is a play in which nothing much happens, but everything does." He directed a revival of Look Back in Anger for the Roundabout Theatre Company in 2012. David Finkle, in his review for TheatreMania of Look Back in Anger, wrote: "...there's no question the challenge director <mask> faced in mounting this possibly-dated work was finding an approach to the fire-brand script that would infuse it with the shock value it had at its debut. Not only has he met the test, <mask> deserves a chorus of huzzahs for unmitigated audacity." He directed a staged concert presentation of The Cradle Will Rock for Encores!Off-Center in July 2013. David Finkle, reviewing for The Huffington Post, wrote: "The cast of the Encores! Off-Center concert production of Marc Blitzstein's once highly controversial first musical...are dressed in Clint Ramos's formal attire. The look, apparently chosen by the habitually iconoclastic director <mask>, is certainly nothing like what the original cast was intended to wear...is likely that he understands there's no point in expecting contemporary audiences to insert themselves fully into the context of the times.... That may be why <mask>'s presenting the work of art as simply as he does is so completely effective." In regional

masks:
Sam Gold
Sam Gold
Sam Gold
Gold
Sam Gold
Gold


title: Sam Gold

texts:
 theatre, he directed A Doll's House at the Williamstown Theatre Festival in 2011. He directed Othello at the Off-Broadway New York Theatre Workshop, opening on November 22, 2016 in previews, officially on December 12, 2016 through January 18, 2017. The play stars David Oyelowo and Daniel Craig.He directed the latest Broadway revival of The Glass Menagerie at the Belasco Theatre, which started previews on February 7, 2017. The play stars Sally Field and Joe Mantello. He also directed the new play by Lucas Hnath, A Doll's House, Part 2, which premiered on Broadway at the John Golden Theatre on April 1, 2017. It takes place 15 years after Henrik Ibsen's A Doll’s House concludes." <mask> directed a new production of William Shakespeare’s King Lear at the Cort Theatre, starring Glenda Jackson. The limited engagement began previews in March 2019 and officially opened on April 4. He is currently directing and executive producing the half-hour comedy Compliance for FX from writer Sarah Burgess and produced by Scott Rudin.It stars Mary Louise Parker and Courtney B. Vance. It has been announced that <mask> would be directing a proposed film adaptation of Fun Home with Jake Gyllenhaal set to produce and star. Style
Patrick Pacheco, in an article in The Los Angeles Times, observed: "Critical reservations have been rare in <mask>'s rise as one of New York's hottest and busiest young directors, ever since the media hailed his subtle and effective production of Annie Baker's Circle Mirror Transformation at Playwrights Horizons in 2009... His restless energy is reflected in the sheer breadth and versatility of his career, from a puppet musical, Jollyship the

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title: Sam Gold

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 Whizbang, to classics like Threepenny Opera and A Doll's House, to any number of new plays by Zoe Kazan (We Live Here), Dan LeFranc (The Big Meal, which he will direct at Playwrights Horizons in March) and Will Eno (The Realistic Joneses at Yale Rep in April)." Mark Kennedy noted that "Fun Home is <mask>'s first crack at directing a traditional musical, and it joins a list of credits that seem to have little in common....
What connects them is <mask>'s love of working with a group of actors, whether they're the unknowns in the cast of The Flick or A-listers .... 'Always I start with the ensemble and I try to put all of the pressure on them. I try to make these productions where the show succeeds or fails completely on their shoulders,' he says. 'No net. No fancy set pieces.No directing flourishes. Nothing that can save the show if the subtlety of the performances isn't riveting.'" Annie Baker
<mask> has directed five of the plays of Annie Baker: Circle Mirror Transformation in 2009, The Aliens in 2010, an adaption of Uncle Vanya in 2012,The Flick in 2013, and John in 2015. According to an article in The New York Times, "Mr. <mask> and Ms. Baker are reluctant to disclose much about themselves or their work together." In 2010, he also directed a reading of her play Nocturama at the Manhattan Theatre Club. <mask> won the 2010 Obie Award, Directing, for Circle Mirror Transformation and the 2016 Special Citation Obie Award for Collaboration between <mask>, Baker, and the design team. The New York Times reviewer wrote that "<mask> has directed with an uncommonly observant eye and ear."He was nominated for the 2016 Drama Desk Award, Outstanding Director of a

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title: Sam Gold

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 Play for John. He directed The Flick in its West End (and UK) premiere at the National Theatre's Dorfman Theatre, which opened in April 2016.<ref>Cavendish, Dominic. " The Flick: a gripping love triangle at the movies" The Telegraph, 20 April 2016</ref>

<mask> has been married to playwright Amy Herzog since 2011. According to an article in The Washington Post, Herzog and <mask> "choose not to work together professionally, which is an interesting line to draw, given that Herzog often blurs the boundaries between art and actual family history." <mask> is Jewish. Awards and nominations
Source:

 2017 Tony Award Best Direction of a Play, A Doll's House, Part 2, nominee
 2016 Drama Desk Award Outstanding Director of a Play, John,  nominee
 2015 Tony Award Best Direction of a Musical, Fun Home, winner
 2014 Drama Desk Award Outstanding Director of a Musical, Fun Home, nominee
 2014 Obie Award, Musical Theater, Fun Home, winner
 2013 Drama Desk Award Outstanding Director of a Play, Uncle Vanya, nominee
 2013 Lucille Lortel Award Nomination, Outstanding Director, The Flick, nominee
 2012 Lucille Lortel Award Nomination, Outstanding Director, Look Back in Anger, nominee
 2012 Lucille Lortel Award, Outstanding Director, The Big Meal, winner
 2010 Drama Desk Award Outstanding Director of a Play,  Circle Mirror Transformation, nominee
 2010 Obie Award, Direction, Circle Mirror Transformation'', winner

References

External links

Living people
American theatre directors
Broadway theatre directors
Place of birth missing (living people)
Jewish American male actors
Tony Award winners
Cornell University alumni
Year of birth missing (living people)
21st-century

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title: Steven Galloway

texts:
<mask> (born July 13, 1975) is a Canadian novelist and a former professor at the University of British Columbia. He is the author of the award-winning novel The Cellist of Sarajevo (2008). Early life
<mask> was born in Vancouver, and raised in Kamloops, British Columbia. He attended the University College of the Cariboo and the University of British Columbia (UBC). Career

<mask> taught creative writing at the University of British Columbia for many years. He also taught writing at Simon Fraser University. He published his first novel, Finnie Walsh, in 2000, a second novel, Ascension, in 2003, and followed this with a third book, The Cellist of Sarajevo, in 2008.In 2013 <mask> became a tenured associate professor at UBC, and served as acting chair of the creative writing program. In 2014 he published his fourth novel, The Confabulist. In 2015 he was confirmed in the position of chair. Sexual and physical assault accusations & defamation lawsuit

In November 2015, UBC announced that <mask> was suspended from his position with pay because allegations, which were not specified in the announcement, had been made against him. The Faculty Association of UBC criticized the institution for announcing the suspension, stating it was an invasion of privacy. From December to April, Mary Ellen Boyd, a former Justice of the Supreme Court of British Columbia conducted an investigation on behalf of UBC. In June 2016, <mask> was fired from the university; in announcing <mask>'s termination, university spokesperson Philip Steenkamp cited "a record of misconduct that resulted in an irreparable breach of trust".The nature of the misconduct was not made public at the time. The Canadian Press spoke with five of the people who had filed complaints against <mask>, and found that complaints included alleged "sexual harassment, bullying, threats and an incident in which <mask> is accused of slapping a

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title: Steven Galloway

texts: student". In November 2016, a large group of Canadian authors, including Margaret Atwood and Yann Martel, signed an open letter, written by Joseph Boyden, criticizing UBC for carrying out its investigation in secret and denying <mask> the right to due process. Some of the authors, including Miriam Toews and Wayne Johnston, later withdrew their names and support. The letter caused controversy in the Canadian literary community, with some accusing the signatories of taking <mask>'s side over that of his accusers. In December 2016, <mask> revealed that he had had an affair with a student, for which he apologized. <mask>'s lawyer stated that after an exhaustive review of the whole of the evidence, Madame Justice Boyd found on a balance of probabilities that <mask> had not committed sexual assault and that Boyd had dismissed several other allegations of misconduct against him as well, including all of the allegations brought by additional complainants.In 2018, UBC was forced to pay <mask> $167,000 for violating his privacy rights and damaging his reputation. On July 13, 2018, <mask> published an essay in the Toronto National Post asserting that he was "not a monster," despite what he felt had been a coordinated campaign to paint him as such, and revealed that the woman who had accused him of assault was the one with whom he had had the affair. Steenkamp told a local newspaper the same day, however, that the dismissal was "fully justified" and that the sexual allegations against <mask> were not the only issues the university had considered. This comment was ruled to be a breach of the confidentiality agreement, which forbade public comments on the reasons for <mask>'s dismissal. In October 2018, <mask> filed a defamation lawsuit against the woman who accused him of sexual assault, along with 20 others who had spread the allegations on Twitter and within UBC, in the Supreme Court

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title: Steven Galloway

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 of British Columbia. The defendants contended that this was an example of a strategic lawsuit against public participation. Before deciding whether to dismiss the suit, the BC Supreme Court ordered <mask>'s accuser to make a series of documents available in discovery.This ruling, which the Supreme Court of Canada declined to review, was upheld by a panel consisting of Chief Justice Robert Bauman and two other judges in April 2020. The disclosure revealed that the accuser (referred to in court documents as A.B.) had copied a Fifth Estate reporter in her initial complaint to UBC president Martha Piper, contradicting some of her previous testimony. Exchanges with reporters led A.B. to write in a subsequent email that was at her insistence read out to all UBC Creative Writing Program Faculty that "the CBC legal team thought my evidence was damning." She referred to this claim as an exaggeration following a statement by CBC that no such vetting had taken place. This assertion of "vetting" was the underpinning of a threat to sue UBC and the Creative Writing Program if they did not acquiesce to her demand to take action against <mask>.As reported in the Globe and Mail, A.B. said:

A nine day hearing on the lawsuit began in April 2021. During the proceedings, one of A.B. 's friends argued that her tweets about <mask> were inconsequential and that she had already suffered career setbacks by criticizing him. <mask> described how the allegations against him had destroyed his career, specifically mentioning the fact that his publisher withdrew a three book contract in 2018, and how he had been reduced to doing manual labor jobs, including cleaning swimming pools, for a living. He also took issue with a critic's review of a 2018 art exhibit, featuring art by A.B., which described the alleged assault without naming <mask>. It was revealed that two defendants, UBC Professors Keith Maillard

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title: Steven Galloway

texts:
 and Annabel Lyon, had organized the meeting which first alerted other department members to the allegations — a meeting which one attendee described as "[an effort] protect students and faculty" and another described as "a toxic, traumatic event".Maillard and Lyon, who were on A.B. 's committee, rejected claims that their handling of the allegations was related to the fact that they had approved her application to graduate without a complete thesis. Books

Finnie <mask>'s debut novel, Finnie Walsh (2000), was nominated for the Amazon.ca/Books in Canada First Novel Award. It was described as "a work about the love of hockey and the way two boys form a bond that carries them through life's tragedies and trials". <mask> was recognized for successfully portraying a child's perspective without "giving a child an adult's perspective". The ethnic and economic diversity of the characters had critics describing it as a "truly Canadian book both in content and sensibility". It was noted that "The style of <mask>'s early literary influences, Farley Mowat and John Irving, is apparent" in this first novel.Ascension
His second novel, Ascension (2003), was nominated for the BC Book Prizes' Ethel Wilson Fiction Prize, and has been translated into over fifteen languages. Notably different from his first novel, Ascension takes a look at the events in the life of a 66-year-old Romanian man leading up to his famous tight rope walking between the twin towers of New York's World Trade Center. "He expertly walks a very fine line, spinning the makings of what might have been a gimmicky immigrant tale into a gripping story of one man's lifelong balancing act." The Cellist of Sarajevo
<mask>'s third novel, The Cellist of Sarajevo (2008), was nominated for the International Dublin Literary Award, longlisted for the 2008 Scotiabank Giller Prize and won the 2009 Evergreen Award, the George Ryga Award

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texts: for Social Awareness in Literature and the Borders Original Voices Award. It was heralded as "the work of an expert" by The Guardian, and has become an international bestseller with rights sold in over 30 countries. The novel is set during the siege of Sarajevo in the mid-1990s and explores the dilemmas of ordinary people caught in the crisis. The title references the true story of Vedran Smailović, a cellist who played Albinoni's Adagio "dressed in evening tails and perching on a fire-scorched chair" every day for 22 days, "always at the same location", to "honour the 22 people killed by a mortar bomb while they queued for bread at 10 in the morning on May 26, 1992".The novel follows the lives of three fictional citizens of Sarajevo as they struggle to survive the war, including one who seeks to protect the cellist: "He has said he will do this for twenty-two days. This is the eighth. People see him. The world has seen him. We cannot allow him to be killed." The novel examines the gentleness found in humanity and the lasting and healing power of art. Vedran Smailović did not learn of the book until after it had been published.<mask> had been advised to contact Smajlović, who had purposefully embraced a quiet, private life in Warrenpoint, Northern Ireland, but did not do so. When Smailović learned of the publication, he expressed feelings of indignation and dismay, objecting to the use of his story and his personal information without permission or compensation, and pointing out differences between the story and his actual life. However, a meeting between the two took place in 2012, moving a step closer to conflict resolution. <mask>, who has been described as "honest and talented young man with no intentions to steal", claimed that Smailović's act of playing the cello as a protest was a public act, and that fiction writers were under no obligation to pay those who inspired

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title: Steven Galloway

texts:
 them, and that it was unreasonable to expect that. <mask> insisted that the cellist in his story, while inspired by the photos and story of Smailović, was imaginary. <mask> sent the cellist a signed copy of the book. The Confabulist
The Confabulist is a story told some time after 2010 by an elderly man named Martin Strauss who claims to have killed Harry Houdini.Mostly employing flashbacks, the novel alternates between Houdini's point of view and Strauss's point of view to describe the years leading up to their 1926 encounter in Montreal. Several aspects are historically accurate including attempts to have Houdini join espionage circles, and his efforts to champion skepticism over spiritualism. However, it gradually becomes clear that Strauss is an unreliable narrator. The Confabulist was shortlisted for The Rogers Trust Fiction Prize and received favourable reviews from Marcia Kaye of The Toronto Star and Keith Donohue of The Washington Post. In the National Post, Zoe Whittall said "But this is <mask> we’re talking about — a brilliant Vancouver novelist, and the author of The Cellist of Sarajevo — and I believe that, no matter the setting or conceit, a good novelist can make anything worth your while. And <mask> is nothing if not a good novelist. I’m happy to report that The Confabulist, his fourth novel, is a stunning achievement."Conversely, Jenny Hendrix of the New York Times criticized the narrative as heavy handed. References

External links
<mask> and the lessons of The Cellist of Sarajevo at the Toronto Star.com
<mask> at the University of British Columbia's Creative Writing Program website
Audio interview re: The Cellist of Sarajevo

Canadian male novelists
Writers from Vancouver
People from Kamloops
1975 births
Living people
University of British Columbia alumni
21st-century Canadian novelists
University of British Columbia faculty
21st-century Canadian male

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title: Karl Eduard Schedl

texts:
<mask><mask> (1898–1979) was an Austrian entomologist, specialist on Coleoptera and forest zoology. He worked at University of Natural Resources and Life Sciences, Vienna. Over a span of nearly 50 years between 1931 and 1980, Schedl created a total of 69 publications. Publications

1931
 <mask>, K.E., (1931) Notes on the genus Xyleborus Eichh. Annals and Magazine of Natural History , (10) 8, 339–347. 1934
 <mask>, K.E., (1934) Neue Borkenkäfer. Entomologische Blätter , 30(1), 37–39.1935
 <mask>, K.E., (1935a) Neue Platypodiden aus Afrika, Neuguinea, Zentral-und Südamerika. Entomologische Nachrichten, 9(3), 149–154, 174–175. <mask>, K.E., (1935b) New barkbeetles and ambrosia-beetles (Col.). Stylops, 4(12), 270–276. <mask>, K.E., (1935c) Fauna Philippinensis (Platypodidae et Scolytidae), III. Philippine Journal of Science, 56(3), 395–403. <mask>, K.E., (1935d) Scolytidae and Platypodidae: new species from the Philippine Islands and Formosa.Philippine Journal of Science, 57(4), 479–489. <mask>, K.E., (1935e) Some new Platypodidae from Borneo and Malaya. Journal of the Federated Malay States Museums, 17(4), 632–642. 1936
 <mask>, K.E., (1936a) Notes on Malayan Scolytidae and

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title: Karl Eduard Schedl

texts:
 Platypodidae and descriptions of some new species. Journal of the Federated Malay States Museums, 18(1), 1–18. <mask>, K.E., (1936b) Some new Scolytidae and Platypodidae from the Malay Peninsula. Journal of the Federated Malay States Museums, 18(1), 19–35, 1 fig.<mask>, K.E., (1936c) Platypodidae des Museo Civico di Storia Naturale di Genova. Annali del Museo Civico di Storia Naturale di Genova, 59, 43–62. <mask>, K.E., (1936d) Scolytidae and Platypodidae: Fauna Philippinensis, IV. Philippine Journal of Science, 60(1), 59–67. <mask>, K.E., (1936e) Scolytidae and Platypodidae. Contribution 35. The collection of the South Australian Museum.Records of the South Australian Museum, 5(4), 513–535. 1937
 <mask>, K.E., (1937a) Platypodidae des Berliner Zoologischen Museums. Entomologische Blätter , 33(1), 33–44. <mask>, K.E., (1937b) Scolytidae und Platypodidae. 34 Contribution. Fauna Borneensis, Part 1. Sarawak Museum Journal, Kuching, 4(4), 543–552.1938
 <mask>, K.E., (1938a) Scolytidae und Platypodidae. Contribution 49. New species from Australia and the Fiji Islands with some revisional notes. Transactions of Royal Society of South Australia, 62, 34–52. <mask>, K.E., (1938b) Scolytidae

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title: Karl Eduard Schedl

texts:
 and Platypodidae: Fauna Philippinensis, V. Philippine Journal of Science, 67(4), 421–429. 1939
 <mask>, K.E., (1939a) Malaysian Scolytidae and Platypodidae (IV). 57 Contribution.Journal of the Federated Malay States Museums, 18(3), 327–364. <mask>, K.E., (1939b) Die Einteilung und geographische Verbreitung der Platypodidae. Verhandllungen VII Internationaler Kongreß von Entomologie, 7(1), 377–410. 1940
 <mask>, K.E., (1940) Scolytidae and Platypodidae. 61 Contribution. Annals and Magazine of Natural History , (11) 5(29), 433–442. 1941
 <mask>, K.E., (1941a) Platypodiden und Scolytiden.43 Beitrag. Revue Française d'Entomologie, 7, 152–157. <mask>, K.E., (1941b) Die Variations-Breite in den Platypi cupulati Chap. 73 Beitrag. Archiv für Naturgeschichte, 10(3), 416–426. 1942
 <mask>, K.E., (1942a) Neue Scolytidae aus Java. 76 Beitrag.Tijdschrift voor Entomologie, 85, 1–49. <mask>, K.E., (1942b) Interessante und neue Scolytiden und Platypodiden aus der australischen Region. 79 Beitrag. Mitteilungen der Münchener Entomologischen Gesellschaft, 32, 162–201. <mask>, K.E., (1942c) Forschungs-Berichte zur Scolytoiden-Fauna der malayischen Halbinsel. V. 80 Beitrag. Kolonialforstliche


title: Karl Eduard Schedl

texts:
 Mitteilungen Neudamm und Berlin, 5(2–3), 169–218.1950
 <mask>, K.E., (1950) Neotropical Scolytoidea, II. 107 Contribution. Dusenia, 1(3), 145–180. 1951
 <mask>, K.E., (1951) Fauna Indomalayaensis, I. Tijdschrift voor Entomologie, 93, 41–98. 1952
 <mask>, K.E., (1952) Neotropische Scolytoidea, III. 110 Beitrag. Dusenia, 3(5), 343–366.1953
 <mask>, K.E., (1953) New Scolytoidea. Queensland Museum Memoirs, 13, 80–83. 1955
 <mask>, K.E., (1955) Borken-und Ambrosiakäfer aus dem Pazifischen Raum. 150 Beitrag. Entomologische Arbeiten aus dem Museum G. Frey, 6, 277–310. 1957
 <mask>, K.E., (1957) Scolytoidea nouveaux du Congo Belge, II. Mission R. Mayne-K.E.Schedl 1952. Annales du Musee Royale du Congo Belge Tervuren (Belgique), Ser. 8, Sciences Zoologiques, 56, 1–162. 1958
 <mask>, K.E., (1958a) Zur Synonymie der Borkenkäfer II. 159 Beitrag. Tijdschrift voor Entomologie, 101(3–4), 141–155. 1960
 <mask>, K.E., (1960) Zur Synonymie der Borkenkäfer V. 181 Beitrag.Entomologische Blätter , 56(2), 103–112. 1962
 <mask>, K.E., (1962a) Scolytidae und Platypodidae aus dem australisch-polynesischen Raum. 206 Beitrag zur Mophologie und Systematik der Scolytoidea. Entomologische Arbeiten aus dem

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title: Karl Eduard Schedl

texts:
 Museum G. Frey, 13(1), 72–78. <mask>, K.E., (1962b) Zur Synonymie der Borkenkäfer, X. 213 Beitrag. Mitteilungen der Münchener Entomologischen Gesellschaft, 52, 85–107.<mask>, K.E., (1962c) Synonymies of bark beetles, VII. 204 Contribution. Annals and Magazine of Natural History , (13) 4, 697–699. 1964
 <mask>, K.E., (1964a) Scolytoidea from Borneo, III. 185 Contribution. Reichenbachia , 4, 241–254. <mask>, K.E., (1964b) On some Coleoptera of economic importance from New Guinea and Australia.Pacific insects , 6(1), 211–214. <mask>, K.E., (1964c) Zur Synonymie der Borkenkäfer, XV. 228 Beitrag. Reichenbachia, 3, 303–317. <mask>, K.E., (1964d) Neue und interessante Scolytoidea von den Sunda-Inseln, Neue Guinea und Australien. 202 Beitrag. Tijdschrift voor Entomologie, 107(5), 297–306.1965
 <mask>, K.E., (1965) Scolytidae und Platypodidae aus dem Naturhistorika Riksmuseum in Stockholm. 235 Beitrag. Arkiv för zoologi , (2) 18(3), 17–31. 1966
 <mask>, K.E., (1966a) Pin-hole borers Japanese ports. 241 Contribution to the morphology and taxonomy of the Scolytoidea. Kontyû, 34, 29–43. <mask>, K.E., (1966b) Etwas über die Borkenkäfer der Araucarien.239 Beitrag. Anzeiger für Schädlingskunde,


title: Karl Eduard Schedl

texts:
 39(3), 42–45. 1968
 <mask>, K.E., (1968a) On some Scolytidae and Platypodidae of economic importance from the Territory of Papua and New Guinea. 250 Contribution. Pacific Insects, 10(2), 261–270. <mask>, K.E., (1968b) Some interesting and new Platypodidae (Coleoptera) from New Guinea. 257 Contribution.Pacific Insects, 10, 535–537. 1969
 <mask>, K.E., (1969a) Scolytidae und Platypodidae aus Neu-Guinea (Coleoptera). 263 Beitrag. Opuscula Zoologica Budapest, 9(1), 155–158. <mask>, K.E., (1969b) Further new Scolytoidea from the territory of Papua and Guinea. 267 Contribution. The Proceedings of the Linnean Society of New South Wales, 94(3), 214–236.<mask>, K.E., (1969c) Zur Synonymie der Borkenkäfer, XVIII. 253 Beitrag. Entomologische Arbeiten aus dem Museum G. Frey, 20, 79–105. 1970
 <mask>, K.E., (1970a) Another collection of Scolytidae and Platypodidae of economic importance from the Territory of Papua New Guinea, 254 Contribution to the morphology and taxonomy of Scolytoidea. Proceedings of the Linnean Society, New South Wales, 94(2), 128–132. <mask>, K.E., (1970b) Bark beetles and pin-hole borers (Scolytidae and Platypodidae) intercepted from imported logs in Japanese ports, IV.

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title: Karl Eduard Schedl

texts:
 274 Contribution.Kontyû, 38, 353–370. 1971
 <mask>, K.E., (1971a) Scolytidae und Platypodidae aus dem Zoologischen Museum der Universitat in Kopenhagen (Insecta, Coleoptera). Steenstrupia, 1, 145–156. <mask>, K.E., (1971b) Indomalayan bark and timber beetles. 276 Contribution. Oriental Insects, 5(3), 361–399. 1972
 <mask>, K.E., 1972: Monographie der Familie Platypodidae Coleoptera.W. Junk, Den Haag, v + 322 pp. <mask>, K.E., 1972: New Scolytidae and Platypodidae from the Papuan subregion and New Caledonia, I. 271 Beitrag. Papua New Guinea Agriculture Journal, 23(3–4), 49–60. <mask>, K.E., 1972: Scolytidae and Platypodidae from the Papuan subregion and Australia. 279 Beitrag. Papua New Guinea Agriculture Journal, 23(3–4), 61–72.<mask>, K.E., 1972: Scolytidae of Ceylon. 287 Contribution. Mitteilungen der Schweizerischen Entomologischen Gesellschaft, 45(1–3), 221–229. <mask>, K.E., 1972: Bark and timber beetles of the Pacific Islands. 282 Beitrag. New Zealand Journal of Science, 15(3), 265–272. 1973
 <mask>, K.E., 1973: Scolytidae and Platypodidae of the Archbold Expeditions to New Guinea.280 Contribution. Papua New Guinea Agricultural Journal, 24(2), 70–77. <mask>, K.E., 1973: New


title: Karl Eduard Schedl

texts:
 Scolytidae and Platypodidae from the Papuan subregion. 299 Contribution to morphology and taxonomy of Scolytoidea. Papua New Guinea Agricultural Journal, 24(3), 87–97. 1974
 <mask>, K.E., 1974: New Scolytidae and Platypodidae from the Papuan subregion and New Caledonia, III. 302 Contribution.Annalen des Naturhistorischen Museums in Wien, 79, 457–472. 1975
 <mask>, K.E., 1975: Zur Synonymie der Borkenkäfer, XXVI. 318 Beitrag. Zeitschrift der Arbeitsgemeinschaft Osterreich Entomologen, 27(1/2), 33–38. <mask>, K.E., 1975: Die Unterfamilie Scolytoplatypinae (Coleoptera, Scolytoidea). 307 Beitrag zur Morphologie und Systematik der Scolytoidea. Entomologische Abhandlungen Staatliches Museum für Tierkunde in Dresden, 40(7), 199–267.<mask>, K.E., 1975: New Scolytidae and Platypodidae from Papua New Guinea (Coleoptera). 315 Contribution to the Morphology and Taxonomy of the Scolytoidea. Reichenbachia, 15, 215–232. <mask>, K.E., 1975: Scolytidae und Platypodidae (Coleoptera) aus Papua-Neu-Guinea. Folia Entomologica Hungarica, 28(2), 345–348. 1978
 <mask>, K.E., 1978: Die Typen der Sammlung Schedl Familie Platypodidae (Coleoptera). Kataloge der wissenschaftlichen Sammlungen des

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title: Karl Eduard Schedl

texts:
 Naturhistorisches Museum Wien, Entomologie, 1, 1–82.1979
 <mask>, K.E., 1979: Die Typen der Sammlung Schedl Familie Scolytidae (Coleoptera). Kataloge der wissenschaftlichen Sammlungen des Naturhistorisches Museum Wien, Entomologie, 3(2), 1–286. <mask>, K.E., 1979: New Scolytidae and Platypodidae from Papua New Guinea V. (Coleoptera). 311 Contribution. Faunistische Abhandlungen, 7, 95–120. <mask>, K.E., 1979: Zur Synonymie der Borkenkäfer, XXIX. 345 Beitrag.Entomologischen Arbeiten aus dem Museum G. Frey, 28, 119–132. <mask>, K.E., 1979: Scolytidae aus West Irian. 338 Beitrag zur Morphologie und Systematik der Scolytoidea. Entomologische Blätter , 74(3), 158. 1980
 <mask>, K.E., 1980: Zur Synonymie der Borkenkäfer, 28. 339 Beitrag. Zeitschrift der Arbeitsgemeinschaft Osterreich Entomologen, 31(3/4), 117–124.References

External links

1898 births
1979 deaths
Austrian entomologists
Coleopterists
20th-century Austrian

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title: Alexander Wright (American football)

texts:
<mask> (born July 19, 1967) is a former American football wide receiver in the National Football League for the Dallas Cowboys, Los Angeles Raiders and St. Louis Rams. He was a two-time winner of the NFL's "Fastest Man" competition. He played college football at Auburn University. Early years
<mask> attended Albany High School, where he focused on track and field until his senior season, when he made the football team. He played at wide receiver and cornerback, where his athletic ability allowed him to cover opposing players one-on-one without any additional support. College career
He accepted a football scholarship from Auburn University. He was initially a defensive back, but because of his poor tackling and lack of run support abilities, he was moved to wide receiver as a sophomore.As a junior in his first start, he faced the University of Tennessee, tallying 3 receptions for 108 yards, including a 75-yard touchdown. In the season, he registered 12 receptions for 279 yards and 2 touchdowns. <mask> developed slowly on the offensive side of the ball and didn't see much playing time, until becoming a starter as a senior after replacing the graduated Lawyer Tillman. In the season opener against the University of the Pacific, he registered single-game school records with 263 receiving yards (52.6 average) and 4 touchdowns. Against the University of Tennessee, he collected four receptions for 129 yards and one touchdown. He had an outstanding game against the University of Alabama, recording 7 receptions for 143 yards in a 30-20 victory over unbeaten Alabama, in the season finale and first Iron Bowl to be played at Jordan–Hare Stadium. After finishing the season with 30 receptions (led the team) for 714 yards (led the team) and 6 receiving touchdowns (led the team) in a ground oriented offense, he received the Shug Jordan Award as the team's outstanding senior

masks:
Alexander Wright
Wright
Wright


title: Alexander Wright (American football)

texts:
 football player.<mask> finished in the school's all-time top ten career receiving list with 56 receptions for 1,320 yards and 11 touchdowns. He still holds the record with a career average of 23.57 yards per reception. One-out-of-five of his 56 receptions went for touchdown with an average distance of over 57 yards. Of his 11 touchdown receptions, 6 were longer than 50 yards. He also scored in 4 out of the 12 times he ran a reverse run. He also practiced track and field. In 1988, he won the Southeastern Conference title in both the 55 meters and the 200 meters, becoming only the second athlete in conference history to be named All-American in three events (55 meters, 200 meters and 4 × 100 metres relay).His time of 6.18 seconds in the 55 meters, at the time tied him with Bo Jackson as the sixth fastest sprinter in school history. Professional career

Dallas Cowboys
<mask> was selected by the Dallas Cowboys in the second round (26th overall) of the 1990 NFL Draft, the first wide receiver to be chosen and the first pick of the round. Although he was considered a raw football player, he was also seen as a gifted athlete with elite speed. He was intended to become a deep threat wide receiver, to complement running back Emmitt Smith, chosen in the first round of the same draft. As well as Smith, he also had a long (40 days) rookie contract holdout, that forced him to miss most of training camp and the first two preseason games. In the second game against the New York Giants he returned a kickoff for a 90-yard touchdown. In 1991, he was a starter at wide receiver in the first 8 games, before being passed on the depth chart by rookie Alvin Harper.He displayed his talent on special teams as a kickoff returner, ranking third in the league and second in the NFC. Against the Phoenix Cardinals he had a 71-yard kickoff return. On December 22, 1991, he set the record for

masks: Wright Wright


title: Alexander Wright (American football)

texts:
 the longest play in Cowboys history, with a 102-yard kick off return against the Atlanta Falcons. , he and Mel Renfro are the only Cowboys with multiple kick return touchdowns. <mask> was one of the fastest players in the league, winning the NFL's "Fastest Man" competition in 1992 and 1993. In May 1991, he was timed to have run the 40-yard dash in 4.14 seconds. He was also the strongest wide receiver on the team.He did not develop as well as expected, however, and when later asked about his performance, he admitted "I was never a polished package". At the end of the 1991 season, the Cowboys began looking for trade offers. On October 13, 1992, he was traded to the Los Angeles Raiders in exchange for a fourth-round draft pick (#96-Ron Stone), when he still had no receptions following the first five games of the season. Los Angeles Raiders
<mask> was acquired to complement Tim Brown and Willie Gault in the team's speed-driven offense. In 1993, he became a full-time starter and had his most productive season, recording 27 receptions for 462 yards. During the final game of that season and with the Raiders trailing the Denver Broncos 23-30, he caught the game-tying touchdown pass from Jeff Hostetler and the Raiders went on to win the game 33-30, while earning a spot in the playoffs. In 1994, he was sidelined for most of training camp with a calf injury he suffered in the first week of activity, but still managed to keep his starting position.During his time with the Raiders, sportscaster Chris Berman nicknamed him “If Loving You Is Wrong I Don’t Want to Be” <mask>. St. Louis Rams
On March 22, 1995, he was signed as a free agent by the St. Louis Rams. A bulging disk in his lower back forced him to miss the last 8 games of the season. The next year his back problems resurfaced and he was limited to 3 games. He retired after the 1996 season, due to health reasons

masks: Wright Wright Wright


title: Alexander Wright (American football)

texts:
 related to his back. Statistics

Coaching career
In 1999, <mask> earned the Master of Arts in sports management from Lindenwood University. In 2002, he served as the interim head coach of the River City Renegades, a National Indoor Football League team.In 2003, he served as the wide receiver coach for Francis Howell North High School in St. Charles, Missouri. In 2004, he was the wide receiver coach for West Texas A&M University. In 2005, he was hired to be the offensive coordinator at Greensboro College in Greensboro, North Carolina. He was the offensive coordinator for Southwestern Assemblies of God University in Waxahachie, Texas. He then took a role as the athletic director and head football coach at San Jacinto Christian Academy in Amarillo, Texas, in which he served from 2008 t o 2010. He also assisted with the track team. <mask> later moved to San Antonio for his ministry and is the former athletic director and head football coach for Cornerstone Christian Schools.He is the current President and CEO for Alexander Wright Ministries in Amarillo. References

External links

1967 births
Living people
American football wide receivers
Auburn Tigers football players
Auburn Tigers men's track and field athletes
Dallas Cowboys players
Greensboro Pride football coaches
Los Angeles Raiders players
Southwestern Assemblies of God Lions football coaches
St. Louis Rams players
West Texas A&M Buffaloes football coaches
High school football coaches in Missouri
High school football coaches in Texas
Lindenwood University alumni
Sportspeople from Albany, Georgia
Players of American football from Georgia (U.S. state)
Track and field athletes from Georgia (U.S. state)
African-American coaches of American football
African-American players of American football
African-American male track and field athletes
21st-century African-American people
20th-century African-American


title: Raimonda Gaetani

texts:
<mask> (née <mask> dell′Aquila d′Aragona, born 23 May 1942) is an Italian stage set and costume designer. Biography
<mask> was born in 1942 in Naples, Italy. She is the daughter of Conte <mask>'Aquila d'Aragona and Nora Elisabetta Pattison, descendant of a family of English shipbuilders and engineers. Raimonda grew up in Naples, where she studied architecture. She currently lives between Rome, London, Positano and Tuscany. Career
<mask> started her career working as a costume designer for theater productions, often in association with Italian directors. She then worked as set designer, costume designer and art director for theater, opera, ballet and cinema all over the world.Her sketches and costumes have been exhibited in Italy and in England. Theater
In 1973, Gaetani designed the costumes for Saturday, Sunday, Monday by Eduardo De Filippo, at The Old Vic, London, directed by Franco Zeffirelli, starring Laurence Olivier and Joan Plowright. Again for Zeffirelli, she designed stage sets and costumes for the English production of the comedy Filumena Marturano by De Filippo at the Lyric Theatre in London, and later at the Royal Theater in Copenhagen and National Theater in Oslo. From 1974 she started regularly cooperating with Eduardo De Filippo, for whom she designed stage sets and costumes for productions in Rome, Naples and Florence. She also designed a number of TV productions of De Filippo, Scarpetta and Pirandello. At the National Theatre in London she created stage sets ad costumes for Inner Voices with Ralph Richardson, directed by Mike Ockrent. Again

masks:
Raimonda Gaetani
Donna Raimonda Gaetani
Raimonda Gaetani
Don Roberto Gaetani dell
Gaetani


title: Raimonda Gaetani

texts:
 Verona (Teatro Filarmonico), Los Angeles (LA Opera, 2015), and Muscat (Royal Opera House, 2018). <mask> also designed both sets and costumes for Cavalleria Rusticana (Opera North). She created costumes for La Traviata at the Metropolitan Opera House in New York (1998), at the Teatro de la Maestranza of Seville in Spain (1999) and later in Rome (2007) and Messina (Teatro Vittorio Emanuele, 2018), always directed by Zeffirelli. Moreover, hers are the costumes for Il Trovatore at Arena di Verona (2001, 2016). Ballet
Gaetani has been very active also as a costume designer for ballet.She created the costumes for Esoterik Satie by Lorca Massine (Teatro alla Scala in Milan), Pulcinella (Teatro La Fenice in Venice), Gaité Parisienne (Garnier Theatre in Monte Carlo), as well as a following (2005) edition for the Bolshoi Theatre in Moscow. She designed the costumes for Peer Gynt by Jamey Hampton (Grand Théâtre de Genève) and for Capriccio for Piano and Orchestra by Igor Stravinsky with choreography by Lorca Massine (Rome Opera). Moreover, she worked as set and costume designer for the ballet Raymonda (Rome Opera, 2008), for Mary Stuart, the last night (2004), and for The Nutcracker starring Carla Fracci and directed by Beppe Menegatti (Rome Opera, 2009). Cinema
Gaetani collaborated with distinguished Italian directors, such as Armando Pugliese, Carlo Cecchi, Enrico Maria Salerno, and Mario Monicelli. She worked with Nando Scarfiotti in the film Avanti!, directed by Billy Wilder, with Danilo Donati for Fellini's Casanova (Academy Award for Best Costume Design)


title: Raimonda Gaetani

texts:
 directed by Federico Fellini. In 1989, she was the production designer for the special, Leonardo 2000, an experimental production in SHOWSCAN directed by Douglas Trumbull. She was art director for Young Toscanini by Zeffirelli with Elizabeth Taylor and for two further Zeffirelli's films: Sparrow in 1992 and Jane Eyre in 1996.<mask> <mask> also designed costumes for productions by foreign directors such as Kirsten Sørlie, Bentein Baardson, Mike Ockrent. Exhibitions

1995 <mask> Gaetani. Il teatro di Eduardo, scenografie e bozzetti, Antonia Jannone Gallery, Milan
2006 <mask> Gaetani. Il teatro, la pittura, Il Gabbiano Gallery, Rome
2018 <mask> Gaetani For the English Stage, Italian Institute of Culture, London

Following the exhibition <mask> <mask> for the English Stage, the Department of Theater and Performance of the Victoria and Albert Museum asked to acquire the works of <mask> <mask> to be collected in their archives. An interview for Arte (in Italian language) evokes the atmospheres of Gaetani's productions in England, which were at the core of the exhibition. References

Living people
1942 births
Theatre people from Naples
Italian costume designers
Italian set

masks: Raimonda Gaetani Raimonda Raimonda Raimonda Raimonda Gaetani Raimonda Gaetani


title: Jan van Kessel the Younger

texts:
<mask> or <mask> (Antwerp, 23 November 1654 - Madrid, 1708), known in Spain as Juan Vanchesel el Mozo or el Joven, was a Flemish painter who after training in Antwerp worked in Spain. Known mainly for his portraits he became a court painter to the King and Queen of Spain. A few landscapes and mythological and allegorical scenes have also been attributed to him. He was formerly believed to have been active as a landscape painter, but this is now no longer generally accepted. Life
<mask> the Younger was born in Antwerp as the son of <mask> (1626–1679) and <mask>en. He was a scion of the famous Flemish dynasty of painters of the Brueghel family. His father was the son of <mask> the Younger and Paschasia Brueghel (the daughter of <mask> the Elder).<mask> <mask> the <mask> was thus, through his paternal grandmother, the great-grandson of <mask> the Elder and great-great-grandson to Pieter Brueghel the Elder. As his mother was the daughter of the painter <mask> Apshoven the Elder, he was also related to the <mask>en family of artists. His brother Ferdinand was also a painter. He likely trained under his father <mask> <mask> <mask>. Rather than becoming a master in the Antwerp Guild of Saint Luke, he moved to Madrid in or before 1679. In Madrid he became a painter to the court and gained a reputation mainly through his portraits. The artists gained recognition at court under the reign of Charles II of Spain for the portraits he made of Queen Marie Louise d'Orléans, first wife of Charles II.In 1686 he became officially the painter of the Queen. He is said to have received a commission from the Queen to paint scenes on the ceiling of her chambers in the Royal Alcazar of Madrid. Upon the death of the first wife of Charles II, <mask> continued to serve as a portrait painter at the court and gained the favour of the king's new wife, Maria Anna of Neuburg. With the change of ruling dynasty from the Habsburgs to the Bourbons following the accession to the throne of Philip V of Spain in 1700, the artist's popularity at court went into

masks:
Jan van Kessel the Younger
Jan van Kessel II
Jan van Kessel
Jan van Kessel the Elder
Maria van Apshov
Hieronymus van Kessel
Jan Brueghel
Jan van
Kessel
Younger
Jan Brueghel
Ferdinand van
van Apshov
Jan van
Kessel
the Elder
van Kessel


title: Jan van Kessel the Younger

texts:
 decline. This was likely due to his continued close relationship with the widowed former Queen, whom he accompanied in her exile in Toledo with the title of furrier's aid. He did not join her in her exile to Bayonne in 1706 due to his precarious health. Instead, <mask> returned to Madrid.The new king was not happy with his work possibly due to the ascendancy of French tastes at the Bourbon court. The artist had become well-off by that time. He is believed to have died in Madrid in 1708. Work

General
He is said to have painted portraits, flower pieces, still lifes, game pieces, art galleries and landscapes. Some art historians have questioned whether the attribution to <mask> <mask> the Younger of still lifes. Such attribution may have been caused in certain instances by confusion with other artists with a similar name all active in the 17th century. In addition to his father, there was another Antwerp painter with the name <mask> <mask> (referred to as 'the other' <mask> <mask>) who painted still lifes, while in Amsterdam there was a <mask> <mask> known as a landscape painter.To complicate things further, because his father had an uncle also called <mask> <mask>, his father is sometimes referred to as <mask> <mask> II and <mask> <mask> the <mask> as <mask> <mask> III. Finally there was another member of the <mask> family who was called <mask> <mask> who worked principally as a genre painter. As <mask> rarely signed his paintings, his oeuvre has been reconstructed based on stylistic grounds. Portraits

<mask>'s main duty as a court painter was to paint portraits of the royal family and in particular the queen. His portrait style was described by his contemporary Antonio Palomino as very close to that of his fellow Flemish painter <mask> Dyck. Upon his arrival in Spain he seems to have followed the style of royal portraiture introduced by Diego Velázquez and continued by Claudio Coello. These portraits were characterized by their simplicity of shapes and color which included hardly any props or symbols and set off the

masks:
van Kessel
Jan van
Kessel
Jan van
Kessel
Jan van
Kessel
Jan van
Kessel
Jan van
Kessel
Jan van
Kessel
Jan van
Kessel
Younger
Jan van
Kessel
van Kessel
Jan Thomas
van Kessel
van Kessel
Van Kessel
Anthony van


title: Jan van Kessel the Younger

texts: sitter against a neutral background.This influence of the local Spanish portrait tradition is visible in the Portrait of Maria Anna of Neuburg (1690, private collection in Madrid). He abandoned this style in the Portrait of Maria Anna of Neuburg by adding more color and a view into a landscape in the background. This work forms a pair with the Portrait of Charles II of Spain. The two oval works had originally been part of a larger square painting representing flower garlands which would have encircled the oval portrait. He had already commenced his innovation of Spanish court portraiture in the Portrait of Maria Nicolasa de la Cerda (c. 1685, Ministry of Public Administration, Madrid) in which he used vivid color and played with the contrast between a clear light and carefully placed shadows. Some portrait paintings have been attributed to him on stylistic grounds by comparing it to his signed paintings. This is the case of the Portrait of Marie Louise d’Orléans, which is still listed as by an unknown painter on the Prado Museum website.<mask> was a specialist of the genre of group portraits. An example is the Portrait of a family in a garden in the Prado Museum, which depicts a Flemish gentleman (believed to be a protector or patron of <mask>ssel) with his family. The symbolic intent of the work is to praise family life and family virtues such as fidelity. The guitar playing man symbolises family harmony and the dog the virtue of fidelity. The mature woman surrounded by the small children symbolizes the virtue of charity while the young couple holding hands represent conjugal love. The painting includes a self-portrait of the artist who is leaning out of a window in the background to the right. A slightly different version of the work, painted in the same year as the Prado version, is in the National Museum in Warsaw.He was also known as a painter of small portraits. Such works were very much in vogue among the higher nobility of that period. They were treated as intimate objects that were regaled between family members

masks:
Van Kessel
van Ke


title: Jan van Kessel the Younger

texts:
 as well as friends and were therefore in a less formal style than the official portraits. They had the advantage that they could be carried easily by their owners as an object to remember their loved ones by. The first known small portrait he made was the effigy of Charles II (now lost) which was placed in the "big jewel" that the king gave to his spouse Maria Anna of Neuburg as a matrimonial present upon his arrival in Spain in 1690. Another example are the pair of small portraits of Charles II of Spain and Maria Anna of Neuburg (Colección Abelló, Madrid), which are less formal than traditional official portraits. A pair of small portraits of the royal couple are also attributed to him in the Lázaro Galdiano Museum and were likely created to be sent to the Russian court as a diplomatic gift as it shows the king in armor.In another pair of small portraits in a private collection, dated between 1696 and 1700, Charles II of Spain is represented as Saint Ferdinand and Maria Anna of Neuburg as Saint Helena. A further pair of small portraits of the royal couple are in the Museo Nacional de Artes Decorativas in Madrid. Two small effigies of Philip V of Spain and his spouse Maria Luisa of Savoy, dated around 1701, are in the collection of the Real Academia de la Historia in Madrid. Still lifes
While some art historians have questioned whether <mask> <mask> the Younger was a still life painter, various still lifes have been attributed to him. Similar in style to those of his father, these still lifes are perfectly balanced compositions, which are characterized by an attention for detail and the use of delicate colours. It has been speculated that the Flemish style of these still lifes gradually took on some of the features of the style of still life painting of his adoptive country Spain. A number of still life works previously given to <mask> <mask> the Younger by scholars Klaus Ertz and Christa Nitze-Ertz in their 2012 publication on the painters called <mask> Kessel, has since 2017 been reattributed by the Netherlands

masks:
Jan van
Kessel
Jan van
Kessel
Jan van


title: Jan van Kessel the Younger

texts:
 Institute for Art History (RKD) to Pseudo-<mask> <mask> the Younger.Pseudo-<mask> <mask> the Younger is the notname given to an artist or workshop to whom or which are attributed about 200 small still lifes produced in Southern Europe in the late 16th and early 17th century. <mask> <mask> the <mask>'s small known authentic oeuvre is different in style and execution and substantially higher in quality than the works, which have now been attributed to Pseudo <mask> <mask> the Younger. Landscapes

Antonio Palomino also mentioned that <mask> was a skilled landscape artist. No work in this genre has been securely attributed to <mask>. A topographical view of a street in Madrid representing a View of the Carrera de San Jerónimo and the Paseo del Prado with a Procession of Carriages (Thyssen-Bornemisza Museum, Madrid) has tentatively been attributed to him. Other subjects
<mask>'s father <mask> Elder, his great-grandfather <mask> the Elder and great-uncle <mask> the <mask> all painted a wide range of subjects including mythological and allegorical paintings in a similar tradition. Regularly works on such subjects have been attributed to <mask> <mask> the Younger.This includes the Venus in the forge of Vulcan (Hampel Munich auction of 12 December 2013 lot 564, figures by another artist) and the Allegory of Earth (Artcurial auction of 13 November 2018 lot 40, a collaboration with Abraham Willemsens). Both works show how <mask> <mask> the Younger continued the traditions of his family as well as the work practice of Antwerp's workshops in which compositions were often created in collaboration between specialist artists. In each work the figures were not painted by <mask> himself but by specialist figure painters. Further reading
Dr. Klaus Ertz & Christa Nitze-Ertz, Die Maler <mask> Kessel: der Ältere, der Jüngere, der "Andere": Die Gemälde mit kritischen Oeuvrekatalogen, Luca-Verlag, Lingen, Germany, 2012. References

External links

1654 births
1708 deaths
Flemish Baroque painters
Flemish portrait painters
Bruegel

masks:
Jan van
Kessel
Jan van
Kessel
Jan van
Kessel
Younger
Jan van
Kessel
van Kessel
van Kessel
Van Kessel
Jan the
Jan Brueghel
Jan Brueghel
Younger
Jan van
Kessel
Jan van
Kessel
van Kessel
Jan van


title: Shubigi Rao

texts:
<mask> (born 1975) is a Mumbai-born Singaporean contemporary artist and writer known for her long-term, multidisciplinary projects and installation works that often use books, etchings, drawings, video, and archives. Her interests include archaeology, libraries, neuroscience, histories and lies, literature and violence, and natural history. <mask> has exhibited internationally, presenting work at the 10th Taipei Biennial in 2016, the 3rd Pune Biennale in 2017, the 2nd Singapore Biennale in 2008, as well as the 4th Kochi-Muziris Biennale in 2018. In 2018, <mask> received the Juror's Choice Award at the APB Foundation Signature Art Prize for her work, Written in the Margins (2014–2016), the first instalment of her ongoing 10-year project on the destruction of books and libraries, titled Pulp: A Short Biography of the Banished Book. In August 2020 <mask> won the Singapore Literature Prize in Creative Nonfiction for her book, Pulp II: A Visual Bibliography of the Banished Book. The first volume from the Pulp project was also shortlisted for the Singapore Literature Prize in 2018. <mask> will curate the fifth edition of South Asia's biggest visual arts event, the Kochi-Muziris Biennale, which was initially planned to take place from December 2020 to April 2021, before being postponed to November 2021 to February 2022 due to COVID-19.Alongside Kochi-Muziris Biennale founder and artist Bose Krishnamachari, <mask> was featured on the 2019 and 2020 editions of the ArtReview Power 100 list, which charts the most influential individuals working in contemporary art. In 2022, <mask> will represent Singapore at the 59th Venice Biennale, with Ute Meta Bauer as curator for the artistic team. Education and personal life
<mask> was born in 1975 in Mumbai, and is currently based in Singapore. In 1996, <mask> obtained her Bachelor of Arts (Honours) in

masks:
Shubigi Rao
Rao
Rao
Rao
Rao
Rao
Rao
Rao
Rao


title: Shubigi Rao

texts:
 English Literature from the University of Delhi. She would later obtain her Diploma in Fine Arts, Bachelor of Fine Arts (First Class) and Master of Fine Arts (First Class) from LASALLE College of the Arts, Singapore in 2005, 2006, and 2008 respectively. She previously lectured part-time in Art Theory and was a MFA Dissertation supervisor for the Faculty of Fine Arts at LASALLE College of the Arts. Career
From 2003 to 2013, <mask> assumed the role of a fictitious male scientist named S<mask> and presented his work at scientific conferences and group art exhibitions.<mask> "killed him off" in a 2013 solo show at the Institute of Contemporary Arts Singapore, The Retrospectacle of S. <mask>, which memorialised him after he supposedly tripped over an installation by <mask> and died. The exhibition assembled some of <mask>'s works from the past 10 years that was based around the figure of <mask>. The exhibition was accompanied by the publication, History's Malcontents: The Life And Times of S<mask>, which served both as a guide to the character of <mask>, and to a selection of <mask>’s works beyond the show itself. In 2014, <mask> initiated her currently ongoing 10-year project on the destruction of books and libraries, Pulp: A Short Biography of the Banished Book. In 2016, as an artist-in-residence at the NTU Centre for Contemporary Art Singapore, <mask> self-published the first book from her project, also titled Pulp: A Short Biography of the Banished Book. The book was later nominated for the 2018 Singapore Literature Prize. From June 2016 to May 2017, as an international artist-in-residence at Künstlerhaus Bethanien, Berlin, <mask> would develop the first instalment of the Pulp project, Written in the Margins (2014–2016).In 2018, she would receive the Juror's Choice Award at the APB Foundation Signature Art Prize for Written in the

masks:
Rao
. Raoul
Rao
Raoul
Rao
Rao
Raoul
. Raoul
Raoul
Rao
Rao
Rao
Rao


title: Shubigi Rao

texts: Margins. In August 2018 at Objectifs, Singapore, <mask> would hold the solo exhibition, The Wood for the Trees, which functioned as a "visual bibliography" of the various texts, individuals, and sites <mask> had encountered in the duration of her ongoing Pulp project. Here, she would launch the second volume of her project, titled Pulp II: A Visual Bibliography of the Banished Book. During the fourth edition of the Kochi-Muziris Biennale from December 2018 to March 2019, <mask> was Singapore's sole representative, presenting a video installation that constructed a fictive history of book smugglers in the Indian port city. In February 2019, <mask> exhibited alongside American actress and artist Lucy Liu in a joint exhibition at the National Museum of Singapore, Unhomed Belongings. In May 2019, it was announced that <mask> would curate the fifth edition of the Kochi-Muziris Biennale. Alongside Kochi-Muziris Biennale founder and artist Bose Krishnamachari, <mask> was featured on the 2019 edition of the ArtReview Power 100 list, which charts the most influential individuals working in contemporary art.Titled "In our Veins Flow Ink and Fire," its first announced artist list involved 25 participating artists and collectives. She would be featured alongside Krishnamachari on the ArtReview Power 100 list once again in 2020. In August 2020 <mask> won the Singapore Literature Prize in Creative Nonfiction for her second volume from the Pulp project, Pulp II: A Visual Bibliography of the Banished Book. The judging panel, comprising Clarissa Oon, Eddie Tay and Sarah Churchwell, commented: “Probing, exhaustive in its global scope, intellectually ambitious and deeply felt, the second volume in artist-writer <mask> <mask>’s decade-long documentary project on reading, libraries and censorship gets to the heart of what ‘creative non-fiction’ can be. As a

masks: Rao Rao Rao Rao Rao Rao Rao Shubigi Rao


title: Shubigi Rao

texts:
 book on the value of books, rendered through incisive prose and visual imagery, it provokes the whole question of what a book is, in terms of form. In terms of content, it is replete with insight and wisdom, constantly shifting our expectations of the subject matter and in the process, able to stand with the best in world literature." <mask> has been selected to represent at the Singapore Pavilion for the 59th Venice Biennale in 2022, with Ute Meta Bauer serving as curator for the artistic team.Art

S<mask>
As part of her projects from 2003 to 2013, <mask> assumed the identity of S<mask>, a fictional archaeologist, scientist, and theorist, whose interests spanned immortal jellyfish to the risks of brain damage posed by contemporary art. <mask>'s interests were expressed through the persona of <mask>, which included archaeological studies of contemporary Singapore in works such as The Study of Leftovers, Pseudoscience in Suitcase, and Earth=Unearth. Originally commissioned for the 2008 Singapore Biennale, The Tuning Fork of the Mind involves a tongue-in-cheek brain scan conducted through a series of steps that revealed the supposedly damaging effects of exposure to contemporary art upon one's brain. Pulp
Initiated in 2014, Pulp: A Short Biography of the Banished Book is <mask>'s current ongoing 10-year film, book, and visual art project, with <mask> visiting various collections both public and private, libraries, and archives internationally for research. The project examines the history of book destruction, censorship, and various other forms of repression, conceiving of the book as a symbol of resistance, focusing on instances such as the 1992 shelling of Sarajevo's national library. The first instalment of the project, Written in the Margins (2014–2016), was presented at the Künstlerhaus Bethanien, Berlin in 2016 and the APB

masks:
Rao
. Raoul
Rao
. Raoul
Rao
Raoul
Rao
Rao


title: Shubigi Rao

texts:
 Foundation Signature Art Prize exhibition in Singapore in 2018. This installation featured drawings, books, and an interactive archive of video testimonials from activists and individuals involved in saving or destroying books, such as Firefighters who attempted to save the burning national library of Sarajevo during civil unrest in the 1990s, or smugglers of books and paintings who brought these objects to safety during that period.Two of five planned volumes of books have been published for the project, the first being Pulp: A Short Biography of the Banished Book, and the second, Pulp II: A Visual Bibliography of the Banished Book. Awards
In 2020, <mask> won the Singapore Literature Prize 2020 (Creative Nonfiction) for her book Pulp II: A Visual Bibliography of the Banished Book. <mask> also won the Juror's Choice Award at the APB Foundation Signature Art Prize 2018 for the first instalment of the Pulp project, Written in the Margins (2014–2016). <mask> has also been commissioned by Singapore's Land Transport Authority to develop a public artwork for the Stevens interchange on the upcoming Thomson–East Coast MRT line. She has been awarded the Creation Grant (2019, 2013), and the Presentation Grant (2018, 2013, 2012), from the National Arts Council Singapore, and was awarded the Winston Oh Travel Award in 2005. Selected exhibitions and projects

Some of the information in the table above was obtained from <mask> <mask>'s artist CV from 21 February 2016, archived and accessed on 27 July 2020. References

Further reading

External links

 <mask> <mask>'s website
 Kochi-Muziris Biennale 2020 curator

1975 births
21st-century Singaporean women writers
Living people
LASALLE College of the Arts alumni
Singaporean artists
Singaporean installation artists
Singaporean people of Indian descent
Singaporean women artists
Singaporean women

masks: Rao Rao Rao Shubigi Rao Shubigi Rao


title: Ziya Bunyadov

texts:
<mask>v ( sometimes spelled in English as Zia Buniatov or Bunyatov) (21 December 1923, Astara – 21 February 1997, Baku) was an Azerbaijani historian, academician, and Vice-President of the National Academy of Sciences of Azerbaijan. As a historian, he also headed the Institute of History of the Azerbaijani Academy of Sciences for many years. Bunyadov was a World War II veteran and Hero of the Soviet Union. Life

<mask>v was born on December 21, 1923 in the town of Astara in Azerbaijan. His father, originally from Bibiheybat village of Baku, was a customs officer and, due to his work, the Bunyadov family changed their residence several times. After finishing secondary school in Goychay in 1939, he joined Baku Military School. In 1942 he was sent to World War II to fight on the Caucasus Front, near the town of Mozdok.Krasnaya Zvezda (Red Star), the official newspaper of the Soviet Army, wrote about Bunyadov in 1942: "sly, swift as a tiger, the intelligence officer <mask> Bunyadov, who under improbable conditions, in the most complex situation could clearly orient himself, bring precise data about the number, armament and location of the enemy. He was valued in the battalion for his romantic soul and literary erudition" . He went on to fight on the European Front and participated in the Soviet capture of Warsaw and Berlin. <mask> Bunyadov was awarded the Soviet Union's highest military honor, Hero of the Soviet Union, for his actions in the battle over a bridge on Pilica river in Poland on January 14, 1945, resulting in 100 enemy fatalities and 45 enemy prisoners taken. As well as this medal, for his participation and heroism in World War II Bunyadov was also awarded the honors Red Banner, Red Star, Alexander Nevsky, and 2nd degree Patriotic War. For a year after the end of war, he was deputy military commandant of the Pankow district of Berlin. Academic career
After the war, Bunyadov graduated from the Moscow Institute of Oriental Studies and in 1954 defended his doctorate dissertation.He

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title: Ziya Bunyadov

texts:
 returned to Baku and started working at the Institute of History of the Academy of Sciences of the Azerbaijan SSR. Here he progressed from the position of research associate to chief scientist, head of the Institute of History, corresponding member of the Academy of Sciences and then finally full academician and vice-president of the Academy of Sciences. He was the author and editor of numerous monographs, books, and articles on the history of Caucasus. Soviet orientalist and journalist Farid Seyful-Mulukov noted regarding Bunyadov's translation of the Quran: "He was an outstanding scholar. Quran translation requires excellent knowledge of the Arabic language and few dare to embark upon that job. <mask> Bunyadov managed to do excellent translation of the Holy Book." Death

On February 21, 1997, Bunyadov was murdered at the entrance to his apartment in Baku.Though the official state investigation placed the responsibility on a group of Islamic extremists, many of whom received life sentences, the culprits and circumstances of Bunyadov's murder remained mysterious. According to John W. Parker, chief of the Division for Caucasus and Central Asia within the U.S. State Department, Bunyadov's murderers were trained in Iran. He was buried at the Alley of Honor. Critics
Bunyadov researched ancient and medieval Azerbaijani historiography, specializing in Caucasian Albania and Azerbaijan during the Arab caliphate rule, concentrating on events from the 7th19th centuries AD. In different areas, Bunyadov's work has met severe criticism. According to journalist Thomas de Waal:
"Buniatov's academy reissued thirty thousand copies of a forgotten racist tract by the turn of the century Russian polemicist Vasil Velichko; later Buniatov began a poisonous quarrel for which Caucasian Albanians themselves should take none of them blame. Buniatov’s scholarly credentials were dubious.It later transpired that the two articles he published in 1960 and 1965 on Caucasian Albania were direct plagiarism. Under his own