title: Trammell Crow

texts:
 bringing to Dallas the 1984 Republican National Convention, which renominated U.S. President Ronald W. Reagan and Vice President George Herbert Walker Bush.He and his wife, the former Margaret Doggett, were avid collectors of Asian art, for which they established a museum, The Trammell & Margaret Crow Collection of Asian Art. This private museum is open to the public without charge. It is located on Flora Street in the Arts District of downtown Dallas. <mask> married his wife Margaret in 1942 and at the time of his death, they had been married for sixty-six years. The couple has six surviving children: Lucy C. Billingsley, <mask>, <mask>, <mask>, <mask>, and <mask> S. <mask>. The <mask>s have sixteen grandchildren and three great-grandchildren. His eldest son, Robert, was a drug addict during the 1980s and often found himself in rehabilitation clinics.Late in life, <mask> suffered from Alzheimer's disease and died at age 94 in his sleep at his ranch near Tyler on January 14, 2009. He is interred at the Texas State Cemetery in Austin, Texas. His widow Margaret died in 2014, five years later, also at the age of 94. References

Further reading

 Robert Sobel. Trammell <mask>, Master Builder. Willam Bragg Ewald, Jr., Trammell Crow: A Legacy of Real Estate Business Innovation

External links
 Trammell Crow Company Website
 The holding company for the Trammel Crow family's investments

1914 births
2009 deaths
American real estate businesspeople
American art collectors
People from Dallas
People from Tyler, Texas
Military personnel from Texas
Businesspeople from Texas
Texas Republicans
American accountants
Ranchers from Texas
Woodrow Wilson High School (Dallas) alumni
Southern Methodist University alumni
United States Navy officers
Neurological disease deaths in Texas
Deaths from Alzheimer's disease
Burials at Texas State Cemetery
20th-century American

masks:
Crow
Robert Crow
Harlan Crow
Howard Crow
Stuart Crow
Trammell
Crow
Crow
Crow
Crow


title: Simone Leigh

type: original

texts:
<mask> (born 1967) is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. <mask> has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. <mask> has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. Early life and education
<mask> was born in 1967 in Chicago, Illinois to Jamaican missionaries. She grew up on Chicago's South Side in a highly segregated neighborhood.Describing her childhood in an interview, <mask> stated "Everyone was black, so I grew up feeling like my blackness didn’t predetermine anything about me. It was very good for my self-esteem. I still feel lucky that I grew up in that crucible." <mask> attended Earlham College in Richmond, Indiana; she received a BA in Art with a minor in Philosophy in 1990. Career
"I came to my artistic practice via the study of philosophy, cultural studies, and a strong interest in African and African American art, which has imbued my object and performance-based work with a concern for the ethnographic, especially the way it records and describes objects. "After graduating, <mask> planned to become a social worker. After an internship at the National Museum of African Art and stint at a studio near Charlottesville, Virginia, she embraced art as a career.In 2015 she remarked "I tried not to be an artist for a really long time but at a certain point I realized I was not going to stop

masks:
Simone Leigh
Leigh
Leigh
Simone Leigh
Leigh
Leigh
Leigh


title: Simone Leigh

texts:
 doing it." <mask> combines her training in American ceramics with an interest in African pottery, using African motifs which tend to have modernist characteristics. Though she considers herself to be primarily a sculptor, she recently has been involved in social sculpture, or social practice work that engages the public directly. Her objects often employ materials and forms traditionally associated with African art, and her performance-influenced installations create spaces where historical precedent and self-determination co-mingle. She describes this combination representing "a collapsing of time." Her work has been described as part of a generation's reimagining of ceramics in a cross-disciplinary context. She has given artist lectures in many institutions nationally and internationally, and has taught in the ceramics department of the Rhode Island School of Design.In October 2020, <mask> was selected to represent the United States at the 2022 Venice Biennale. She is the first black woman to do so. Works and critical reception

<mask> has exhibited internationally including: MoMA PS1, Walker Art Center, Studio Museum in Harlem, Yerba Buena Center for the Arts, The Hammer Museum, The Kitchen, The Bronx Museum of the Arts,  Tilton Gallery, Contemporary Arts Museum Houston, SculptureCenter, Kunsthalle Wien in Vienna, L'appartement 22 in Rabat, Morocco, the Andy Warhol Museum in Pittsburgh, and the Association for Visual Arts Gallery in Cape Town, South Africa. <mask> organized an event with a group of women artists, who performed in "Black Women Artists for Black Lives Matter" part of her solo exhibition, The Waiting Room at the New Museum in 2016. <mask>'s work was selected among "the most important and relevant work" by curators Jane

masks: Leigh Leigh Leigh Leigh Leigh


title: Simone Leigh

texts:
 Panetta and Rujeko Hockley for the 2019 Whitney Biennial. During her residency at the New Museum, <mask> Castille, and in protest against other similar injustices against black lives. <mask> is the creator of the Free People's Medical Clinic a social practice project created with Creative Time in 2014.A reenactment of the Black Panther Party's initiative of the same name. The installation was located in a 1914 Bed-Stuy brownstone called the Stuyvesant Mansion, previously owned by notable African-American doctor Josephine English (1920–2011). As an homage to this history, <mask> created a walk-in health center with yoga, nutrition and massage sessions, staffed by volunteers in 19th-century nurse uniforms. She is the recipient of many awards, including: a Guggenheim Fellowship; The Herb Alpert Award; a Creative Capital grant; a Blade of Grass Fellowship; the Studio Museum in Harlem's Joyce Alexander Wein Artist Prize; the Guggenheim Museum's Hugo Boss Prize; United States Artists fellowship; and a Foundation for Contemporary Arts Grants to Artists award (2018). She was named one of Artsy Editorial's "Most Influential Artists" of 2018. Her work has been written about in many publications, including Art in America, Artforum, Sculpture Magazine, Modern Painters, The New Yorker, The New York Times, Small Axe, and Bomb magazine. Brick House
 The Brick House sculpture's torso combines the forms of a skirt and a clay house while the sculpture's head is crowned with an afro framed by cornrow braids.This 5,900-pound  bronze bust is of a Black woman with a torso standing 16 feet high and 9 feet in diameter at its base.Brick House is the inaugural commission for the High Line Plinth, a new landmark destination for major public artworks in New York City,

masks:
Leighando
Simone Leigh
Leigh


title: Simone Leigh

texts:
 and is part of a series of art installations that will rotate every eighteen months and the first space on the High Line dedicated solely to new commissions of contemporary art. The content of <mask>'s sculpture directly contrasts the location in which it is sited in New York since it is situated where "glass-and-steel towers shoot up from among older industrial-era brick buildings, and where architectural and human scales are in constant negotiation." In 2020, another original Brick House was permanently installed in another urban location (albeit surrounded by a patch of grass) at the key gateway to the University City campus of University of Pennsylvania (near corner of 34th Street and Woodland Walk adjacent to Penn's School of Design). Brick House is the first piece in Leigh's Anatomy of Architecture collection, an ongoing body of work where the artist combines architectural forms from regions as varied as West Africa and the Southern United States with the human body. Brick House combines a number of different architectural styles: "Batammaliba architecture from Benin and Togo, the teleuk dwellings of the Mousgoum people of Cameroon and Chad, and the restaurant named Mammy's Cupboard located on US Highway 61 south of Natchez, Mississippi." The Waiting Room
The Waiting Room was exhibited at the New Museum in New York City from June to September 2016. This exhibition honors Esmin Elizabeth Green, who died from blood clots after sitting in a waiting room of a Brooklyn hospital for 24 hours, and provides an alternative vision of health care shaped by female, African-American experience.In an interview with the Guardian, <mask> says "obedience is one of the main threats to black women's health" and "what happened to Green is an example of the

masks: Leigh Leigh


title: Simone Leigh

texts:
 lack of empathy people have towards the pain of black women." The Waiting Room involved public and private care sessions from different traditions of medicine such as herbalism, meditation rooms, movement studios, and other holistic approaches to healthcare. Outside of museum hours this exhibition became "The Waiting Room Underground" providing free, private workshops outside of the public eye, an homage to the healthcare work of the Black Panthers and the United Order of Tents. Additionally this exhibition featured lectures; workshops on self-defense, home economics, and self-awareness; Taiko drumming lessons for LGBTQ youth, and summer internships with the museum for teens. This work came after and is related to <mask>'s previous project Free People's Medical Clinic (2014). Recognition
<mask> is a recipient of The Studio Museum in Harlem's Joyce Alexander Wein Artist Prize (2017); John Simon Guggenheim Memorial Foundation Fellowship (2016); Anonymous Was a Woman Award (2016); Herb Alpert Award in the Arts (2016); and A Blade of Grass Fellowship for Socially Engaged Art (2016). Guggenheim Fellowship (2012), Louis Comfort Tiffany Foundation Biennial Award, Creative Capital Grantee, Lower Manhattan Cultural Council's Micheal Richards Award (2012), Joan Mitchell Foundation Grant, Artist-in-Residence The Studio Museum in Harlem (2010–11), NYFA Fellowship, Art Matters Foundation Grant (2009), Foundation for Contemporary Arts Grants to Artists Award (2018), The Hugo Boss Prize (2018) (a $100,000 award facilitated by the Guggenheim Museum that ranks among the world's top art prizes).Art market
From 2019 until 2021, <mask> was represented by Hauser & Wirth. She previously worked with Luhring Augustine Gallery (2016–2019) and David Kordansky

masks: Leigh Leigh Leigh


title: Gary Cosier

texts:
<mask> (born 25 April 1953) is a former Australian international cricketer who played in 18 Test matches and nine One Day Internationals between 1975 and 1979. Cosier's star shone very briefly following a sensational debut, when he became only the ninth Australian to post a century in his first Test. Overview
The stocky, redheaded Cosier was a middle-order batsman who often attacked the bowling when a more judicious method was the order of the day. Given an extended trial at international level over four seasons, he never really established himself as a Test batsman, although he was vice-captain of Australia for a brief period. He had two major highlights at Test level – a hundred on his Test debut at Melbourne against the West Indies in 1975–76, and a 168 against Pakistan the following season. Test bowlers were quick to exploit his technical deficiencies, in particular a very short backlift and abbreviated footwork. Cosier was all brute force with little finesse, but he did try to modify his technique somewhat during the 1978–79 Ashes series, when he was incongruously used as an opener.He could back his batting with slow medium-pacers that swung alarmingly when the conditions favoured him. On the 1977 tour of England he showed in an ODI at Edgbaston that he could have been well suited to the burgeoning genre of one-day cricket when he snared five for 18. However, Cosier's bowling was not really used in Tests and his first Test wicket did not come until his 13th match. He was also an excellent close-in fielder and secure slipper. Early career
Born and raised in Melbourne, Cosier attended University High School, where he captained the First XI and represented the Australian junior team in the West Indies. Highlights of that trip included 96 against Barbados. Cosier played club cricket for Northcote where his captain was Bill Lawry.He made his first-class debut aged 18 for Victoria during the summer of 1971–72, opening with Lawry. Early sports writers sometimes


title: Gary Cosier

texts:
 and Rod Marsh famously refused to go for a victory. Cosier later said "there's no way that I have had any second thoughts about the way Rod or I batted in Adelaide... I loved it." Cosier was much criticised, including by Ian Chappell in an article in Cricketer magazine in January 1977 which stated:
I must confess I've still yet to be convinced that Cose is ready for test cricket. Last summer he earned his test place, and confirmed it with his century in Melbourne.But since then a question mark has arisen over his dedication to cricket, and also over his ability to play on wickets which are doing a bit. And he is definitely suspect outside his off stump. I'd like to see <mask> work harder at his game. He appears to be overweight and I wonder how hard he is prepared to work at his batting at this stage. Cosier responded with a first innings 168 in the second test, crucial to helping set up an Australian victory. Cosier said Chappell's article "was really the thing that spurred me on to prove him wrong. That article got me a century."In the third test he top scored in Australia's first innings with 50 but only scored 4 in the second as Australia fell to a defeat. In a February 1977 interview, Cosier admitted "I've got doubts about my own ability. I'm not convinced I"m a test batsman yet. I've got a long way to go... At the moment I'm playing one good innings and then three bad ones. I don't know why. Maybe I need to relax myself more of perhaps it's got something to do with attitude. All I know is I'm trying to work on it...I've heard about the things they say about me outside the off stump and to an extent I go along with them... I admit I'm a bit overweight." Tour of New Zealand
Cosier did not have a particularly memorable tour of New Zealand. In the first test he scored 23 and 2. In the second he made 21. However he did scored 93 off 92 balls against Northern Districts in a tour game. Centenary Test
Cosier kept his place for the Centenary Test.He scored 10 and 4.


title: Gary Cosier

texts:
 Cosier was also selected on the 1977 Ashes. During the game Cosier noticed Austin Robertson handing out brown envelopes to players. Cosier later recalled:
I was told he was handing out a few theatre tickets and I didn't suspect anything because he always looked after the boys. He was close to a number of players, obviously a lot closer than I understood at the time. I didn't have any hint that it wasn't him just organising something for the boys to go to that night. 1977 Ashes
A back injury got Cosier's tour off to a poor start, forcing him to miss a game.Things got worse when it was revealed most of the Australian squad had signed to play World Series Cricket. Only four had not been invited: <mask>, Geoff Dymock, Kim Hughes and Craig Serjeant. Cosier:
It was incredible really. In 1977, I flew over to England with the players and that was the flight on which Rodney Marsh broke the world beer drinking record. Three-quarters of the players on that flight had signed these sensational Packer contracts and they were all as drunk as you could imagine. But the secret still didn't get out. I sat beside Hookesy on the flight over and I had been best man at his wedding and not even he breathed a word of it to me... [After I found out] I went up and talked to Hookesy he said: "Sorry mate, I didn't know whether you had signed or not."Hookesy said he had wanted to tell me, but he just couldn't. Cosier said the revelations greatly affected the tour:
All of a sudden we had two Australian teams on one tour... I certainly felt excluded... At one stage in England I was waiting in a bar for my teammates to come downstairs, but because everyone was up the street with Packer, they never came... I was certainly disappointed to be left out. At that stage I think I had played nine Tests and was averaging 40 and you had other people who were barely Shield cricketers being called up by Packer. I didn't know the reasons why those guys were in it and I wasn't. That is always a question I


title: Gary Cosier

texts:
 will wonder about.I certainly kept being mates with Hookesy... It was a strange feeling. There were times when we were there to play for Australia and some blokes were off at a meeting about something else. There were times when there were arguments in the bar that got a lot louder than what they should have been. Cosier played in the second ODI, taking 5-18 with his medium pacers, but an Australian collapse meant they lost the game. Cosier did not play a test match on the tour, with David Hookes, Richie Robinson, Craig Serjeant and Kim Hughes all being preferred to him. Cosier:
I didn't play that well in stages of the tour and other players deserved a game.But we got to halfway through the tour and (captain) Greg Chappell came to me and said there was trouble at the top of the order and asked if I would like to open the batting in the county games. I did that and I was quite successful. I think at the end of the tour I finished about fifth in the batting averages. But that didn't seem to make any difference. I was the only one who didn't play a Test match. Cosier's highlights for the tour were 56 against Glamorgan, 56 against Warwickshire, and 100 against Nottinghamshire. World Series Cricket

1977–78 vs India
The World Series Cricket defections meant that Cosier was one of the few players left in Australian first class cricket with recent test experience.He received a lucrative offer to play for Queensland and moved to Brisbane at the beginning of the summer. A score of 55 runs off 50 balls against West Australia and 62 against South Australia helped ensure his selection for the first test. For the first test, Cosier was made opener, and scored 19 and 0. An injury meant he missed the second test, but he was back for the third, making 67 and 34, but being unable to prevent an Australian defeat. In the fourth test he made 17 and 68. For the fifth test <mask> was put down the order and scored 1 and 34. He also took some crucial catches to help Australia


title: Gary Cosier

texts:
 win.Cosier:
To be honest, I wasn't very smart about things. At that stage I was still averaging 40 after nine Tests or so and with the Packer players away, most of the other guys in the Aussie Test team were very new to the team. I thought it was up to me to compete with the Packer boys. When the Packer catchcry was "Lillee getting wickets and Hookesy clearing pickets" I felt that anyone who was coming to watch me play needed to be entertained. I probably played more aggressively than I should have. My feeling was I wanted to give the crowd something to look at when they came in the gates. I should have been more circumspect.In a lot of cases I was happy to get out for 30 or 40. But I felt we needed to compete with WSC boys. 1977–78 Tour of the West Indies
Cosier began the West Indies tour well. He scored 84 off 78 balls in the first one-day game. In the first test he made a courageous 46 in Australia's first innings of 90. In the second test he failed twice, making 1 and 8. But he scored 114 against Guyana in a tour game.The third test saw Cosier score 9 and 0. He broke a thumb against Windward Islands, could not bat in the second innings and did not play another game on tour. 1978–79 Ashes
Cosier began the next summer well with 94 against Victoria. He was picked for the first test against England, made vice captain to Graham Yallop. During the match it was announced he had signed a 10-year contract with a sporting ground developer worth $50,000 a year. Playing as opener again he made 1 and 0. The second test he was put down the order and made 4 and 47; the latter was Australia's second highest score of that innings but by then Cosier had been dropped for Allan Border.One Day Achievements
Cosier was kept on for the one day series that summer. He scored a lusty late innings 28 off 14 balls which helped Australia win the 4th IDO. He then took 3-22 in the next game and scored 8 not out, another Australian victory. 1979 World Cup
<mask> was selected in the Australia


title: Marcio Kogan

texts: <mask> (born March 6, 1952, São Paulo) is a Brazilian architect and filmmaker best known for his work on private homes and retail design. The son of engineer <mask> (1924–1961), a designer and contractor of several major skyscrapers of 1950s–1960s São Paulo such as Edificio São Vito and Edificio Mirante do Vale, he graduated from the Mackenzie Presbyterian University School of Architecture and Urbanism in 1976. <mask>'s early career was split between cinema and architecture, usually in partnership with former Mackenzie classmate Isay Weinfeld. In 1988, the duo produced the feature film Fire and Passion, and, between 1995 and 2004, did 5 exhibitions together about architecture and humor. In 2001, Kogan's practice changed its name to Studio MK27 and has since gained greater international projection, with projects in Peru, Uruguay, Chile, the United States, Canada, Spain, Portugal, Switzerland, India, Israel, and Indonesia. Its portfolio also includes interiors, product design, and furniture design. In 2012, Studio MK27 was selected to represent Brazil at the Venice Biennale of Architecture, exhibiting at the national pavilion curated by Lauro Cavalcanti, alongside an installation by Lúcio Costa.Kogan's projects are characterized by their high level of detail, formal simplicity, strong relations between inside and outside, focus on thermal comfort through passive sustainability, use of pure volumes, and the application of traditional elements such as mashrabiyas, as well as by functional internal plans. He favors the use of raw materials such as wood, concrete, and stone. Nearly all of his designs include references to Brazilian modern architecture, of which Kogan has long declared himself a great fan. In 2011, Kogan was named an Honorary Member of the

masks:
Marcio Kogan
Aron Kogan
Kogan


title: Marcio Kogan

texts:
 American Institute of Architects (AIA). In 2013, New York Times critic Paul Goldberger cited Kogan as one of the main references of Brazilian contemporary architecture. <mask> is a faculty member at Escola da Cidade and the Polytechnic University of Milan. His son, <mask>, is also an architect and architecture critic.Early work
During the first years of his career, the architectural projects were divided with <mask>'s dedication to film-making. Between 1973 and 1979 he produced – together with Isay Weinfeld – 13 short films in Super 8, winning numerous awards in national festivals. In 1983, the two made another short film, now in 35mm, “Idos com o Vento”, which received a prize at the Gramado Festival and at the Ibero-American Cine Huelva in Spain. Five years later, they launched their first and only long-feature, Fire and Passion (1988), with a star-filled cast that included Mira Haar, Cristina Mutarelli, Carlos Moreno, Rita Lee and Fernanda Montenegro. All of their film productions had a strong relation with humor, above all through visual jokes, expressed by the interaction of the characters and the scenario. In Architecture, the principal projects of the onset of his career were the buildings of his office in 1977 (located in São Paulo) – where he still maintains his activities – and Edificio Ljis (a 12-floor Residential building), finished in 1980. Other than there solo projects, he also did with Weinfeld the Goldfarb House in 1989, which brought references of Vila Arpel From the film My Uncle by Jacques Tati.The 1990s
During the 1990s, Kogan and Weinfeld designed the Metropolis Building (a residential tower in Morumbi), finished in 1996, and the Hotel Fasano, one of the most important luxury hotels in São Paulo, and headed by a traditional family

masks:
Kogan
Gabriel Kogan
Kogan


title: Marcio Kogan

texts:
 of restaurateurs of the city. Construction of Fasano started in 1996 and was completed in 2003. The partnership in film-making opened for exhibits about architecture and humor. Among the individual architectural projects developed in the 1990s, the outstanding ones are the Larmod Store and the Uma Store in Vila Madalena. The projects explored the internal spatiality with large ceiling-heights and minimized the use of materials and colors, almost always done in white mortar. The 2000s
In 2001, <mask> <mask>'s office became more collaborative and also received a new name, Studio MK27. The work system adopted gave greater freedom as well as responsibility to the architects, who have also now become co-authors of the projects, signing together with Kogan.In this organization, the task division was minimized and each architect accompanied all of the phases of the project, from the briefing with the client until the project delivery. Already in this phase, the Gama Issa House (2002) was greatly published in international magazines. Highlights from these first years of Studio MK27 also include Coser Photographic Studio – built within an industrial warehouse in the Cambuci neighborhood of São Paulo – and the Microbiology Museum at the Butantan Institute in São Paulo – a retrofit of an older structure, transformed into a center for didactic activities. During the first decade of the 20th century, two of Studio MK27 houses won the Record House Award, promoted by the prestigious North-American magazine Architectural Record: the Du Plessis Home (2004), which does a re-reading of the traditional elements of Brazilian architecture, such as veranda, the mashrabiyas and the patio, and shortly thereafter BR House (2005). For Micasa VolB, Studio MK27 returns with humor

masks: Marcio Kogan


title: Marcio Kogan

texts:
 the Mies Crown Hall Americas Prize as one of the 36 projects built in America between 2000 and 2013. In 2014, Moleskine launched a supplement about Studio MK27 showing the quotidian in the office, sketches and their main inspirations. The book will be a part of the series “Inspiration and Process in Architecture”. Studio MK27
The office is comprised, besides <mask> Kogan, by Beatriz Meyer, Carlos Costa, Carolina Castroviejo, Constanza Cortes, Diana Radomysler, Eduardo Chalabi, Eduardo Glycerio, Elisa Friedman, Eline Ostyn, <mask>, Giovanni Meirelles, Lair Reis, Laura Guedes, Luciana Antunes, Márcio Tanaka, Maria Cristina Motta, Mariana Ruzante, Mariana Simas, Oswaldo Pessano, Pedro Ribeiro, Renata Furlanetto, Samanta Cafardo and Suzana Glokowski. Since 2001 Studio MK27 has won more than 200 Brazilian and international awards, as IAB-BR, WAF, Architectural Review, Dédalo Minosse, Record House, LEAF, D&AD, Sparks, Barbara Capochin, Icônico, AZ and Wallpaper Design Award. 2, with Isay Weinfeld, at the Brazilian House Museum, São Paulo
 Prostheses and Grafts (2010), São Paulo, at Micasa VolB, São Paulo
 Protesi & Innesti (2012) with Manoela Verga and Paolo Boatti, London
 Venice Biennale of Architecture, Brazilian Pavilion, Peep (2012), Venice

Sources

 MOLESKINE.<mask> <mask> - Studio MK27, Inspiration and Process in Architecture. Moleskine. 2014
 SERAPIÃO, Fernando. Revista Monolito, n.5 & 6. Editora Monolito. 2012. STUDIOMK27.2001-2011, Projetos Selecionados. Portfólio do escritório. 2011. External links
Official Web Site
Kogan intervém no “design da sobreviência”
<mask> Kogan - Residência, Paraty, RJ
Entrevista de Marcio Kogan para a Projeto Design

1952 births
Living people
Brazilian architects
People from São Paulo
Mackenzie Presbyterian University

masks:
Marcio
Gabriel Kogan
Marcio
Kogan
Marcio


title: Julio César de León

texts:
<mask> (; born 13 September 1979) is a Honduran footballer who currently plays for Olancho F.C. in the Honduran Liga Nacional de Ascenso as a midfielder. He is known for being a free-kick specialist and was an important key for the Honduras national football team. Club career

Early career
Nicknamed Rambo, he made his debut for C.D. Platense in 1996 against Real Maya of Tegucigalpa, scoring his first National Soccer League goal. His last goal in the Honduran National League was playing for Olimpia on 26 May 2001 against Club Broncos of Choluteca. Earning a good reputation in Honduras, <mask> moved abroad to Mexico's First Division, where he played for Atletico Celaya.After the season was over, Atletico Celaya did not renew his contract, so he returned to Honduras and became part of C.D. Olimpia of Tegucigalpa. Once he finished his one-year contract with Olimpia, he left for Uruguay where he played shortly for Deportivo Maldonado. Reggina
From there, <mask> moved to Reggina of Serie B in Italy. <mask> started off very well for his new club. With his goals and assists, 'Rambo' helped his team to regain a place in the Italy's Serie A. Once in the first division, <mask>'s participation was intermittent, partly due to the acquisition of the Japanese international Shunsuke Nakamura.<mask> was relegated to the bench, playing on and off as a substitute player. The following seasons in Italy proved to be frustrating for "Rambo". He was sent on loan back to Serie B where he played for a number of teams, including Fiorentina, Teramo and Catanzaro. His lack of playing time continued to such degree, that he was sent to the third division or Serie C1, where he played for Sambenedettese. In 2006, 'Rambo' was requested by coach Mazzarri to come back to Reggina Calcio. <mask> was given a new chance, and he took it. For a while <mask> was considered the team's most valuable player.Genoa
However, on 16 January

masks:
Julio César de León Dailey
de León
de León
De León
de León
De León
De León
de León


title: Julio César de León

texts:
 2007, <mask> was transferred by Reggina Calcio again, this time in a permanent deal to Genoa of Serie B, for €3.2 million, along with Filippo Carobbio (co-ownership), hoping that his services would help the team to regain a spot in the Serie A. The fans of Reggina disapproved of the sale of <mask>, in a time when the team really needed his talent. But the president of the team, Lillo Foti, justified the sale with economic reasons: "The offer was good and it was something that we could not refuse.". On 10 June 2007, <mask>'s new team, Genoa, did regain a spot in Serie A, tying at home with Napoli 0–0. After this, his last game of the season, and some subsequent celebrations, <mask> quickly traveled to Houston, Texas where the Honduran national team would play Cuba on 13 June 2007. He helped Honduras reach the quarter-finals of the 2007 CONCACAF Gold Cup. Parma
He was awarded the 'Player of the Season' award by Genoa.but eventually sold to Parma of Serie B, for €2.9 million,; Parma player Andrea Gasbarroni (€2M) and Magnus Troest (50% rights for €1.5M) moved to opposite side as part of the deal. His Genoa team-mate Alessandro Lucarelli (€1.2M) also joined the Emilia–Romagna side. He scored his first goal for the team on 28 November 2008 after a perfectly executed free kick to the corner. Then, he made his second and third goals against Grosseto on 14 February 2009 in Parma's 4–0 victory. He scored his fourth goal for the club on 17 March 2009 against A.C. Mantova in the 82nd minute to put Parma up 1–0 and eventually win the match. His fifth goal was a long-range free kick effort against Pisa F.C. to make the match 2–0 and almost guarantee promotion for Parma into Serie A of Italy.On 16 May 2009, <mask> <mask> celebrated the fifth promotion of his career, this time with Parma FC. He finished the season with a total of six goals and also contributed several assists, which proved vital for their

masks:
De León
de León
de León
de León
Julio César
de León


title: Julio César de León

texts:
 return to Serie A. After having not played for Parma in the first two games, on 28 August 2009, he was loaned to Torino in the Serie B along with Manuel Coppola, as part of Nicola Amoruso deal. He missed the promotion playoffs of Toro due to international call-up. From Shandong Luneng to Messina to Real Sociedad
At the start of 2010–11 Serie A he was sold to Shandong Luneng for just €775. In the 2011–2012 season he has played for F.C. Motagua.In 2012, he played for Messina in the Italian Serie D and then moved to newly promoted C.D. Real Sociedad in Honduras. International career
<mask> played at the 1999 World Youth Cup and made his senior debut for Honduras in a May 1999 friendly match against Haiti. As of December 2012, he has earned a total of 83 caps, scoring 14 goals. He has represented his country in 34 FIFA World Cup qualification matches and played at the 2003 UNCAF Nations Cup as well as at the 2000, 2003 and 2007 CONCACAF Gold Cups.,

<mask> also competed for Honduras at the 1999 Pan American Games and 2000 Summer Olympics. and he also was part of the memorable squad in 2001 that defeated Brazil 2–0 and came third in the Copa América. On 20 August 2008 he scored an excellent goal against Mexico to make the score 1–0 for Honduras in the first half of the match, but this goal wasn't enough to draw Pável Pardo's two goals that he scored later in the game.However, shortly after, on October, 2008, 'Rambo' was excluded from the squad by head coach Reinaldo Rueda due to injury. <mask> <mask> announced he was returning to Italy shortly after arriving in Miami, Florida to join the National Team for the match against Canada. Upon arrival, he lashed out against the National Team for being malequipped to treat an injury that he had conjured in Italy. The coach had a discussion with him in the hotel and he was sent back on another plane shortly after. After long amounts of speculation, he

masks:
De León
De León
Julio César
de León


title: Julio César de León

texts:
 returned to the squad in February, 2009 where he had not been reported to have any problems since. <mask> was originally named in the 23-men final 2010 FIFA World Cup squad, but on 15 June, one day before the opening match of Honduras, had to pull out due to injury and was replaced by Jerry Palacios, who he was given the opportunity to play alongside his two brothers. International goals
Scores and results list Honduras' goal tally first.Honours

Club
C.D. Platense
Honduran Cup (2): 1996, 1997

Shandong Taishan, Chinese super league champion 2010

Notes

References

External links
 Profile - FIFA

1979 births
Living people
People from Puerto Cortés
Association football midfielders
Honduran footballers
Honduras international footballers
2000 CONCACAF Gold Cup players
2001 Copa América players
2003 UNCAF Nations Cup players
2003 CONCACAF Gold Cup players
2007 CONCACAF Gold Cup players
Olympic footballers of Honduras
Footballers at the 2000 Summer Olympics
Pan American Games medalists in football
Pan American Games silver medalists for Honduras
Footballers at the 1999 Pan American Games
Platense F.C. players
C.D. Olimpia players
Deportivo Maldonado players
Reggina 1914 players
ACF Fiorentina players
U.S. Catanzaro 1929 players
S.S. Sambenedettese Calcio players
U.S. Avellino 1912 players
S.S. Teramo Calcio players
Genoa C.F.C. players
Parma Calcio 1913 players
Torino F.C. players
Shandong Taishan F.C. players
F.C.Motagua players
C.D. Real Sociedad players
A.C.R. Messina players
Liga Nacional de Fútbol Profesional de Honduras players
Honduran Liga Nacional de Ascenso players
Serie A players
Serie B players
Chinese Super League players
Honduran expatriate footballers
Expatriate footballers in Mexico
Expatriate footballers in Uruguay
Expatriate footballers in Italy
Honduran expatriate sportspeople in Italy
Expatriate footballers in China
National Premier Soccer League players
Medalists at the 1999


title: Carl F. Brand

texts:
<mask> (October 8, 1892 – March 27, 1981) was an American historian. He was a professor of history at Stanford University for thirty-four years, and was one of the leading American authorities on the history of the British Labour Party. His books, British Labour's Rise to Power (1941) and The British Labour Party (1964), are regarded as definitive works in this field. He built the Hoover Institution's collection of Labour Party documents, long recognized as the finest collection outside of the United Kingdom. Early life and education
<mask> was born in Greenfield, Indiana. He was the only child of <mask>, a glass worker, and <mask>, a homemaker, musician and artist, whose name reflected her family's admiration of General John C<mask> and his wife, Jessie. The first member of his family to go to college, <mask> received a degree from Indiana University Bloomington in 1915, where he was elected to Phi Beta Kappa.Although he majored in history, he was a teaching assistant in music during his senior year. He served as director of the Marching Hundred, the famous Big Ten marching band, in which he played the clarinet. In 1914 he became Chief Musician, with the rank of sergeant, when the band was mustered into the Indiana National Guard. In 1916 the band, including <mask>, was sent to the Mexican Border following Pancho Villa's raid. <mask> earned a master's degree in 1916. His thesis, "The Know-Nothing Party in Indiana," was later published serially in the Indiana Magazine of History (1922), and is still cited by scholars today. After teaching high school for a year, he began to study for a Ph.D in English history at Harvard University under Professor C.

masks:
Carl Fremont Brand
Brand
Charles Samuel Brand
Jessie Fremont Davis
. Fremont
Carl
Carl
Career Brand


title: Carl F. Brand

texts:
 H. McIlwain.He also studied with <mask> Turner, Sidney B. Wayne, Robert Howard Lord, and Harold Laski. After teaching at Smith College he traveled to Europe to research his dissertation, The Movement for Parliamentary Reform in England 1832-67 (1923) at the British Museum and the London School of Economics. In London he met and was influenced by R. H. Tawney, and Sidney Webb and Beatrice Webb, as well as, once again, Harold Laski, who had returned to London after having been dismissed from Harvard for supporting the Boston Police Strike. For three years <mask> was an instructor in English history at the University of Michigan at Ann Arbor. In 1924 he became an assistant professor at Stanford teaching English history, then an associate professor in 1930 and a professor in 1940. He retired from Stanford in 1958, after thirty-four years. He was proud that he had taught at Stanford for half of its existence.Oriental rug collection
On a month-long visit to Istanbul in 1928, <mask> began what was to become a lifelong collection of oriental rugs. While exploring the bazaar, he made the fortuitous acquaintance of Rudolf Riefstahl, the American pioneer in the appreciation of Turkish and Persian rugs for their artistic value. Also advised by another early American expert, Arthur Upham Pope, <mask> concentrated on Turkish and Persian, as well as Caucasian and Turkmen carpets, handmade before the use of aniline dyes. He eventually acquired a collection of many dozens at its greatest extent. Large bales purchased for relatively small amounts of money would arrive in California still redolent of the camels that had transported them in Persia and Turkey. One

masks:
Frederick Jackson
Brand
Brand
Brand


title: Carl F. Brand

texts:
 noteworthy prayer rug from Dagestan had a woven-in date equivalent to 1814/15 AD. Rare embroidered Uzbekistan Susanis made by young girls for their bridal chests have appreciated greatly in value.Personal life
In 1930 <mask> was married to Nan Alwida Surface, the daughter of Dr. <mask>. Surface, a director under Herbert Hoover in the Department of Commerce, and later an executive with Standard Oil of New Jersey (now part of ExxonMobil). The <mask>s had three sons, Charles in 1932, Robert in 1934, and Donald in 1937. During World War II, the family sent some 1,600 bundles of food and clothing, collected from students and friends, to Britain over six years. Their home near the Stanford campus became known as a center of hospitality for holiday parties. Great effort was put into the creation of a locally famous garden, noted especially for its roses. Many years later the property was sold to the physicist Edward Teller. Professor <mask> died at Stanford University Hospital in 1981 after a brief illness.He was 88 years old. Selected bibliography

"The History of the Know Nothing Party in Indiana," The Indiana Magazine of History (1922) 18: 47-81, 177-206, 266-306. JSTOR

"The Conversion of the British Trade-Unions to Political Action," The American Historical Review (1925) 30: 251-270.  http://ahr.oxfordjournals.org/content/by/year

"Peace Programmes of the British Labor Party," (Also known as "The War Aims and Peace Programs of British Labor"), Proceedings of the Pacific Coast Branch of the American Historical Association January 1926: 62-72. "An Early Nineteenth Century View of Magna Carta," The American Historical Review (1927) 32: 793-794.

masks:
Brand
Frank M
Brand
Brand


title: Carl F. Brand

texts:
 General Election of 1955," The South Atlantic Quarterly 55 (1956), 289-312. "The British Labor Party and Nationalization," The South Atlantic Quarterly 58 (1959), 153-166. "The British General Election of 1959," The South Atlantic Quarterly 59 (1960), 521-542. The British Labour Party: A Short History. Stanford, CA: Stanford University Press, 1964.340 pp. Revised Ed. (Stanford, CA: Hoover Institution Press, 1974), 424 pp. "The British General Election of 1964," The South Atlantic Quarterly 64 (1965), 332-350. "The British General Election of 1966," The South Atlantic Quarterly 66 (1967), 129-147. "The British General Election of 1970," The South Atlantic Quarterly 70 (1971), 350-364. Notes

References

"<mask>, Stanford Professor, Authority on British Labor," Obituary.New York Times, March 27, 1981, accessed January 19, 2014. "Guide to the Carl F. <mask> Papers in the Stanford University Library (20 linear feet)." Online Archive of California, an initiative of the California Digital Library. Copyright 2009 The Regents of the University of California, accessed January 19, 2014. http://www.oac.cdlib.org/findaid/ark:/13030/kt7r29s0wc/

Snyder, Rixford K., et al. "Memorial Resolution: <mask> <mask> (1892-1981), History Department, Stanford University, accessed January 19, 2014.  https://web.archive.org/web/20110727044118/http://histsoc.stanford.edu/pdfmem/BrandC.pdf

External links

1892 births
1981 deaths
Stanford University faculty
Harvard Graduate School of Arts and Sciences alumni
Indiana University Bloomington alumni
Smith College faculty
20th-century American historians
20th-century American male writers
University of Michigan faculty
American male

masks:
Carl Brand
Brand
Carl Fremont
Brand


title: Michael Colgrass

texts:
<mask><mask> (April 22, 1932 – July 2, 2019) was an American-born Canadian musician, composer, and educator. Life and career
<mask>'s musical career began in Chicago as a jazz musician (1944–49). He graduated from the University of Illinois (1954) with a degree in percussion performance and composition, including studies with Darius Milhaud at the Aspen Festival and Lukas Foss at Tanglewood. He served two years as timpanist in the Seventh Army Symphony in Stuttgart, Germany, and then spent eleven years supporting his composition activities as a free-lance percussionist in New York City where his performance experiences included such varied groups as the New York Philharmonic Orchestra, The Metropolitan Opera, Dizzy Gillespie, the Modern Jazz Recording Orchestra's Stravinsky Conducts Stravinsky series, and numerous ballet, opera and jazz ensembles. He organized the percussion sections for Gunther Schuller's recordings and concerts, as well as for recordings and premieres of new works by John Cage, Elliott Carter, Edgard Varèse and Harry Partch. During his New York period, he continued to study composition with Wallingford Riegger (1958) and Ben Weber (1958–60). <mask> received commissions from the New York Philharmonic and The Boston Symphony (twice), as well as the orchestras of Minnesota, Detroit, San Francisco, St.Louis, Pittsburgh, Washington, Toronto (twice), the National Arts Centre Orchestra (twice), The Canadian Broadcasting Corporation, the Lincoln Center Chamber Music Society, the Manhattan and Muir String Quartets, the

masks:
Michael C
. Colgrass
Colgrass
Colgrass


title: Michael Colgrass

texts: Brighton Festival in England, the Fromm and Ford Foundations, the Corporation for Public Broadcasting, and numerous other orchestras, chamber groups, choral groups and soloists.He won the 1978 Pulitzer Prize for Music for his symphonic piece Déjà vu, which was commissioned and premiered by the New York Philharmonic. In addition, he received an Emmy Award in 1982 for a PBS documentary Soundings: The Music of <mask>. Other awards include two Guggenheim Fellowships, a Rockefeller Grant, First Prize in the Barlow and Sudler International Wind Ensemble Competitions, and the 1988 Jules Léger Prize for New Chamber Music. Among recent works are Crossworlds (2002) for flute, piano and orchestra commissioned by the Boston Symphony Orchestra and premiered with soloists Marina Piccinini and Andreas Heafliger. In 2003 he conducted the premiere of his new chamber orchestra version of the Bach-Goldberg Variations with members of the Toronto Symphony Orchestra. Most recent premieres are Side by Side (2007) for harpsichord, altered piano (one player) and orchestra, commissioned by the Esprit Orchestra, The Boston Modern Orchestra Project and The Richmond Symphony featuring soloist Joanne Kong. The Toronto premiere took place on 13 May 2007 under conductor Alex Pauk, and the Boston premiere on 2 November 2007 under Gil Rose.Also Pan Trio, for steel drums, harp and percussion (marimba/vibraphone), commissioned and premiered in Toronto on 21 May 2008 by Soundstreams Canada and featuring pans virtuoso Liam Teague. His work is also featured on the Mark


title: Michael Colgrass

texts:
 Hetzler 2015 recording Blues, Ballads and Beyond. Recently, he devised a system of teaching music creativity to children which he has taught to middle and high school music teachers who have used his techniques to teach children to write and perform new music of their own. His articles on these activities have appeared in the Music Educators Journal (September 2004) and Adultita, an Italian education magazine. He has also written a number of works for children to perform. As an author, <mask> wrote My Lessons with Kumi, a narrative/exercise book, outlining his techniques for performance and creativity. He also gives workshops throughout the world on the psychology and technique of performance.He performed with the ensemble of Harry Partch. <mask> lived in Toronto, Ontario, Canada, and made his living internationally as a composer. His wife, Ulla, is a journalist and editor who writes about music and the arts, and his son Neal is an editor, journalist and screenwriter. He was an associate composer of the Canadian Music Centre. He died on July 2, 2019, at the age of 87. Interview with <mask>, December 17, 1986

1932 births
2019 deaths
Musicians from Chicago
Musicians from Toronto
Aspen Music Festival and School alumni
Jules Léger Prize for New Chamber Music winners
Canadian classical composers
Pulitzer Prize for Music winners
University of Illinois at Urbana–Champaign School of Music alumni
Pupils of Darius Milhaud
20th-century classical composers
21st-century American composers
21st-century classical composers
20th-century American

masks:
Colgrass
Colgrass
Michael Colgrass


title: Liz Johnson Artur

texts:
<mask> (born 1964) is a Ghanaian-Russian photographer based in London, England. Her work documents the lives of black people from across the African Diaspora. Her work strives to display and celebrate the normal, the vibrant and the subtle nuances of each of these people lives that she encounters. <mask> works as a photojournalist and editorial photographer for various fashion magazines and record labels all over the world, as well as her independent artistic practice. Her monograph with Bierke Verlag was included in the "Best Photo Books 2016" list of The New York Times. Early life

Childhood
<mask> was born in Bulgaria but grew up in Eastern Europe and Germany. Her father was Ghanaian and she was raised by her Russian mother.She says that she is "a product of Migration". She lived in West Germany for three months with her mother on a tourist visa before it expired; then they lived as illegal immigrants. <mask> spent most of her days on the streets unable to go to school due to her status. This was when her initial encounters with strangers occurred; "What I most remember about this time is the pleasure I got from meeting strangers on the street, I think this has affected me as a photographer in a big way." Introduction to photography
In 1985 she got her first camera and began taking photos during a trip to New York City. During this trip, she stayed with a Russian family in a black neighbourhood in Brooklyn. In an interview with The Fader, she said: "I'd never been in a black neighbourhood before and I didn't take any pictures then.But my memory of what I saw made me want to start taking pictures." This began her journey to take and compile photographs of weddings, parties, church and everyday life. In an interview with i-D Magazine, <mask> explained that she got into photography because she "wanted to record the normality of black lives and black culture, which is something that isn't often reflected in the

masks:
Liz Johnson Artur
Johnson Artur
Liz Johnson Artur
Johnson Artur
Johnson Artur


title: Liz Johnson Artur

texts:
 mainstream media." For her, photography was a way of gaining access to people and spaces that sparked her curiosity. The goal of her work is to move beyond stereotypes of black people and represent each person as a unique individual. <mask> received her MA in Photography from the Royal College of Art in London and has taught at the London College of Communication. Career
<mask> has spent the past 30 years photographing the diverse experience of black people across the globe.For the majority of her recent career, she has been focused on representing black people in South London. Artistic practice
Photography is a very personal act for <mask>ur. She has a collaborative attitude toward her work and makes close connections with her subjects as a way of respecting the vulnerability they show by letting her into their spaces. This process gives a sense of intimacy to her photographs. The photographs have an unfinished quality to them. Though some photos are posed, the attention <mask>ur pays to each individual’s sense of self presentation lends an element of authenticity to the work. In an interview with The Photographers' Gallery she described this need to represent the personal style and the people she is capturing: "This way I believe photography can show us something very unique and still familiar."Ideology
<mask> is committed to consistently photographing black people globally, and noticing the diverse aesthetics in these communities. When asked if she considered her work to be political, she responded: "I take what I do very seriously, but I wouldn't necessarily have called it political unless you asked me that question. My work's political in the sense that it's about communicating, about being able to understand people's struggles, to learn how we can live together." <mask>'s work focuses on themes of self-presentation and issues of representation. The photographs are taken in public spaces in an endeavour to

masks:
Johnson Artur
Johnson Artur
Johnson Art
Johnson Art
Johnson Artur
Johnson Artur


title: Liz Johnson Artur

texts:
 capture moments; to connect, see, hear and photograph with authenticity. In taking the photo she is establishing their presence. These brief encounters are prompted by style, flamboyance and body language of people who catch her attention.Exhibitions
Brooklyn Museum, New York: <mask> Artur: Dusha (3 May-18 August 2019)
This solo exhibition, curated by Drew Sawyer, featured material from the Black Balloon Archive, including the artist's photo sketchbooks. The term Dusha is the Russian word for "soul." David Nolan Gallery, New York: This Synthetic Moment (18 January–10 March 2018)

Curated by David Hartt, this exhibition also included work by James Barnor, Kwame Brathwaite, David Hartt, Zoe Leonard, and Christopher Williams. The show focused on themes of national identity, border crossing, transition and how we view each other in the public sphere. Lothringer 13 Halle, Munich: A Thousand and X Little Actions (10 October–21 November 2016)

In this exhibition, Johnson Artur’s Black Balloon Archive was shown for the first time. She was included in this show because of her focus and curiosity towards the lives of others, and her exploration of relationships between human beings. The show was curated by Jörg Koopmann and also included artists Jacob Holdt, David Hartt, William E. Jones, and Jason Larkin.Kunstverein, Leipzig: 1.-3.Personal plural: wir, ihr, sie (20 August–6 September 2016)

Thirteen of <mask>ur’s photographs were included in this exhibition curated by Anna Voyswinckel. The themes explored included border crossing, personal and community identity, Othering, and the relationship between artist and viewer. The Photographer's Gallery, London: Made You Look: Dandyism and Black Masculinity (15 July–25 September 2016)

Twelve of <mask> Artur’s photographs from the Black Balloon Archive were included in this group photography exhibition, curated by Ekow Eshun. Among other artists included in the exhibition were Malick

masks:
Liz Johnson
Johnson Art
Johnson


title: Liz Johnson Artur

texts:
 Sidibé, Jeffrey Henson Scales, and Samuel Fosso. The theme of the show was to explore the complications of the identity of the black dandy, how these men are trendsetters in many media realms while also at a high degree of vulnerability and at risk of state violence and incarceration. Editorial and commercial work
<mask> <mask> has worked for the last 30 years as a freelance editorial and commercial photographer on countless publications, including Vibe Magazine, Fader, i-D Magazine, and Spin Magazine. She has said that working commercially has provided her with opportunities photograph people and places relevant to her own artistic practice that she would not have had access to otherwise to.She has photographed the likes of Mos Def, Blur, Amy Winehouse, the Spice Girls and toured with  M.I.A, Lady Gaga, and Seun Kuti. Other projects

Black Balloon Archive

Consisting of hundreds of gelatin silver prints and chromogenic prints, Black Balloon Archive is an archive of images that reflect black communities and their members globally. It began in 1991 and is an ongoing project that involves a desire to create powerful images of the black diaspora and is motivated by a hunger to make connections with communities which, until her mid twenties, she barely knew existed. The name Black Balloon Archive comes from a song by Syl <mask> called "Black Balloons". Black Balloon Archive is a project whose goal is to show respect to her subject’s ability to control how they are presented in their own lives by honestly representing that image. In a media climate that often dehumanizes black people and uses their images in unethical ways, Artur’s body of work is especially important as she focuses on her subjects’ ability to self-determine how they present and are seen by the viewer. The artist explained to i-D magazine that "there's a sense of pride in how people display themselves.It's why I like street portraits, because I think

masks:
Liz Johnson
Artur
Johnson


title: Liz Johnson Artur

texts:
 there's a real presence that everyone has." Russians of Colour

Inspired by reconnecting with her father in 2010, <mask> began documenting the stories of "Russians of Colour". Working in conjunction with journalist Sarah Bentley, the project focuses on black Russians who have grown up without either or both of their parents and who collectively describe themselves as Afro-Russians. Publications
In 2016, <mask> <mask>, a monograph on the artist, was published by Bierke Verlag. This is the first comprehensive overview of her work which captures more than 30 years of photographing strangers globally. This cloth hardcover book was designed by Hendrik Schwantes and is 22x27cm, 136 pages with 114 colour & black and white images. Awards
AIMIA AGO Prize

<mask> <mask> was a nominee for the 2017 AIMIA AGO Prize alongside Raymond Boisjoly, Taisuke Koyama, and Hank Willis Thomas.She received a prize for her place on the shortlist. During this competition the Black Balloon Archive was displayed at the Art Gallery of Ontario alongside sketchbooks and two larger prints. Press
 "Hunger and Black Balloons: An Interview with <mask> Artur", Canadian Art, 18 April 2016. Brief Encounters: An interview with <mask>-Artur, The Photography Gallery, 17 August 2016.
 liz johnson-artur’s photos celebrate black communities, black aesthetics, and black creativity, i-D Magazine, 29 September 2016
 Photographer <mask> Artur On Capturing Beautiful Moments Of Everyday Black Life Around The World, The FADER, 28 November 2016. Yasufumi Nakamori, <mask> Artur, A Conversation from South London, Camera Austria International 149 | 2020

References

External links
 Official website
 #1 Shirley: Black Balloon Archive. An Audiovisual Collection with Jenny Gallego

1964 births
Russian people of Ghanaian descent
Alumni of the Royal College of Art
English contemporary artists
Photographers from London
Living people
Russian artists
Street photographers
Russian

masks:
Johnson Artur
Liz Johnson
Artur
Liz Johnson
Artur
Liz Johnson
Liz Johnson
Liz Johnson
Liz Johnson


title: William A. Shomo

texts:
<mask> (May 30, 1918 – June 25, 1990) was a United States Army Air Forces fighter pilot during World War II. He is credited with eight victories during the conflict. Seven of these occurred during a single mission while flying a reconnaissance version of the P-51 Mustang, for which he received the Medal of Honor. Early life
<mask> was born on May 30, 1918, in Jeannette, Pennsylvania to <mask> and Bertha May (née Uncapher) <mask>. He attended the Cincinnati College of Embalming and the Pittsburgh School of Embalming between 1937 and 1940, and then he worked as a mortician for a short time before enlisting in the Aviation Cadet Program of the United States Army Air Forces on August 18, 1941. His father's family was from the Johnstown, Pennsylvania area and, prior to his father's birth, were survivors of the 1889 Johnstown Flood with his uncle, <mask> "Frank" <mask>, being the last known living survivor of the flood. Military service
<mask> joined the United States Army Air Corps from Pittsburgh, Pennsylvania in August 1941.For over a year, <mask> was assigned to the 82nd Tactical Reconnaissance Squadron. His unit had moved from airstrip to airstrip along the northern coast of New Guinea and then to Morotai supporting General <mask>'s drive to the Philippines performing dangerous photo recon and ground attack missions. His squadron was equipped with older P-39 Airacobras and Curtiss P-40s, which were adequate for the photo recon/ground attack role, but too short-ranged to reach areas where they might encounter Japanese aircraft. In December 1944, the squadron was given F-6Ds; P-51 Mustangs designed for armed photo reconnaissance. On 24 December, <mask> was put in command of the squadron and ordered to move it to Mindoro, an island off the southwest coast of Luzon, to support <mask>'s landing at Lingayen Gulf. During that landing on January 9, <mask> led his first combat mission in the squadron's new

masks:
William Arthur Shomo
Shomo
George Washington Shomo
Shomo
Adam Franklin
Shomo
Shomo
Shomo
MacArthur
Shomo
MacArthur
Shomo


title: William A. Shomo

texts:
 planes. The low-level reconnaissance was to gather intelligence on the air strength of Japanese in northern Luzon.They approached the Japanese airfield at Tuguegarao, where he scored his first air victory, an Aichi D3A "Val" dive bomber coming in on its final approach. <mask> had been in the undertaker business before the war. He named all his aircraft "Snooks" (plus the appropriate numeral) to note this. The F-6D in which he won his Medal of Honor was "Snooks 5"; this aircraft was later lost while being flown by another pilot. The next F-6D was briefly "Snooks 6" but was changed to "The Flying Undertaker". Though Shomo flew more than 200 combat missions in World War II, he saw only a total of 14 enemy aircraft from his cockpit and destroyed eight of them. Medal of Honor action
Two days after his first victory, on January 11, 1945, Captain <mask> and his wingman, Lieutenant Paul Lipscomb, were heading north for the Japanese airfields at Tuguegarao, Aparri, and Laoag, when they saw several enemy planes flying south at about .Despite being outnumbered, they immediately pulled Immelman turns and found themselves behind 11 Kawasaki Ki-61 "Tonys" and one Nakajima Ki-44 "Tojo" escorting a Mitsubishi G4M "Betty" bomber. On their first pass through the formation, <mask> closed to less than  before opening fire. He shot down four Tonys, then came up under the bomber, firing into its belly. The bomber caught fire and began to lose altitude as its pilot attempted to crash-land the plane. Two of the Tonys escorting the bomber stayed with it as it went down. Shomo pulled up in a tight vertical spiral to gain altitude while the Tojo turned to engage him. The Japanese fighter fired until it stalled and slipped into the clouds.The Betty exploded as it bellied in, and the two escorting Tonys broke away, staying low. <mask> made a second diving pass at the two Tonys and downed them both. In under six minutes, Shomo

masks: Shomo Shomo Shomo Shomo


title: William A. Shomo

texts:
 had shot down seven enemy planes, becoming an "ace in one day." (Only one other American fighter pilot scored more confirmed victories in a single mission: Navy Commander David McCampbell, with nine confirmed victories and two probables on 24 October 1944.) Meanwhile, his wingman shot down three of the remaining six planes. The three other Japanese planes fled. By April 1, 1945, <mask> had been promoted to major and was awarded the Medal of Honor for leading an attack against heavy odds and destroying seven enemy aircraft.Medal of Honor citation

Maj. <mask> was lead pilot of a flight of 2 fighter planes charged with an armed photographic and strafing mission against the Aparri and Laoag airdromes. While en route to the objective, he observed an enemy twin engine bomber, protected by 12 fighters, flying about 2,500 feet above him and in the opposite direction Although the odds were 13 to 2, Maj. <mask> immediately ordered an attack. Accompanied by his wingman he closed on the enemy formation in a climbing turn and scored hits on the leading plane of the third element, which exploded in midair. Maj. <mask> then attacked the second element from the left side of the formation and shot another fighter down in flames. When the enemy formed for Counterattack, Maj. Shomo moved to the other side of the formation and hit a third fighter which exploded and fell. Diving below the bomber he put a burst into its underside and it crashed and burned. Pulling up from this pass he encountered a fifth plane firing head on and destroyed it.He next dived upon the first element and shot down the lead plane; then diving to 300 feet in pursuit of another fighter he caught it with his initial burst and it crashed in flames. During this action his wingman had shot down 3 planes, while the 3 remaining enemy fighters had fled into a cloudbank and escaped. Maj. <mask>'s extraordinary gallantry and intrepidity in attacking such

masks: Shomo Shomo Shomo Shomo Shomo


title: William A. Shomo

texts:
 a far superior force and destroying 7 enemy aircraft in one action is unparalleled in the southwest Pacific area. Postwar life
He would stay with the Air Force after the war and was promoted to lieutenant colonel on 20 February 1951. He then was assigned to Colorado and served in operations and training assignments for a year. In March 1952, he became Executive, Commander and Administrative Officer for the 175th Fighter Interceptor Squadron (FIS) at Rapid City Air Force Base (AFB), South Dakota. He directed combat operations at Headquarters 31st Air Division in St. Paul, Minnesota for about a year, and then became Commander of the 14th FIS at Sioux City, Iowa.He also commanded a similar squadron, the 59th FIS, at Goose Bay, Labrador in January 1955, and that June, led the squadron to victory in the Northeast Air Command Rocket Meet. Lieutenant Colonel <mask> next became Commander of Headquarters, 473rd Air Defense Group and in July 1957 took over the 54th Fighter Group at the Greater Pittsburgh Airport. In January 1958, he became Executive Officer for HQ 79th Fighter Group at Youngstown Municipal Airport in Ohio. His last assignment was at Thule AFB, Greenland, with the 4683rd Air Defense Wing, before retiring in 1968. <mask> died on 25 June 1990 and is buried in St. Clair Cemetery in Greensburg, Pennsylvania. Awards and decorations
His awards and decorations include:

  Command pilot

See also

List of Medal of Honor recipients

References

United States Army Air Forces pilots of World War II
American World War II flying aces
United States Army Air Forces Medal of Honor recipients
Aviators from Pennsylvania
People from Jeannette, Pennsylvania
Recipients of the Distinguished Flying Cross (United States)
Recipients of the Air Medal
United States Air Force colonels
United States Army Air Forces officers
1918 births
1990 deaths
World War II recipients of the Medal of Honor
Military personnel from

masks: Shomo Shomo


title: Róża Czacka

texts:
Countess Róża <mask> (also known under religious name of Elżbieta, born 22 October 1876 – died 15 May 1961), was a Polish Roman Catholic professed religious who founded the Franciscan Sisters Servants of the Cross. Czacka suffered an accident in her childhood that later led to her becoming blind after she turned 22 despite the numerous surgical interventions that were performed on her. The next decade saw Czacka travel throughout Europe hoping to learn about techniques that she could use to help the blind; she adapted Polish phonetics into the Braille alphabet that ended up becoming mandated in all schools for the blind since 1934. <mask> entered the Franciscan Third Order in 1917 before founding her own religious congregation in late 1918 based on ideas that she had formulated since at least 1915. Her work received approval from the apostolic nuncio Achille Ratti (the future Pope Pius XI) who lauded her efforts as an exceptional apostolate. In 1950 she retired her role as the Superior General for her order (having held the post since around 1923) due to her declining health. The process for her beatification launched in 1988 in her native Poland before it moved to Rome for further investigation.Pope Francis confirmed her heroic virtue and named her as Venerable on 9 October 2017 before later approving a miracle attributed to her in late 2020. This latter confirmation enabled for Czacka to be beatified in Warsaw on 12 September 2021. Life

Early life and education
<mask> <mask> was born in Bila Tserkva in Kyiv as the sixth of seven children to Count Feliks Czacki and Countess Zofia Ledóchowska. Her great-grandfather was Tadeusz Czacki and her uncle was Cardinal Włodzimierz Czacki. The Czacki family of the Świnka coat of arms came from Silesia and were part of the Polish nobility. Many outstanding ancestors contributed to its importance, including Cardinal Włodzimierz Czacki, the secretary to and friend of Pope Pius IX and later advisor to Pope Leo XIII. Róża’s father was the grandson of Tadeusz

masks: Czacka Czacka Róża Czacka


title: Róża Czacka

texts: essential foundation for comprehensive and professional instruction as well as for developing the correct attitude to the life of someone who wants to achieve maximum competence and independence.’ As for the vocational preparation of people suffering from blindness, she drew on examples from England and Ireland, where effective vocational training methods for the blind had been successfully applied ..The work she had begun was halted by the outbreak of the First World War. Her Society struggled with serious shortages of food and other items essential for everyday existence. It was forced to limit its activities. <mask> left Warsaw for three years, 1915–1918, and moved to Wołyń (Volhynia). She settled in Żytomierz, the capital of the Łuck- Żytomierz diocese, where many inhabitants of Poland’s eastern territories found refuge. Initially, she lived in the home of the habitless sisters of the Third Order of St Francis. She planned to found a new congregation whose major mission it would be serve the blind.Under the direction of her confessor, Fr Władysław Krawiecki, a lecturer at the Żytomierz seminary, she completed her individual novitiate. Róża took her vows and adopted the religious name of Elżbieta (Elisabeth). After the ban on wearing religious garments was officially lifted, she donned the Franciscan habit. In the spring of 1918, before the end of the war, she returned to Warsaw as a consecrated person. In order to be able to receive candidates to the newly founded Franciscan Sisters Servants of the Cross (FSC), Czacka acquired permission from the Church authorities, namely Cardinal Aleksander Kakowski, with the knowledge and blessing of the then-apostolic nuncio Achilles Ratti, who later became Pope Pius XI. The accepted date for the official founding of the religious congregation was 1 December 1918. The charism of the Franciscan Sisters Servants of the Cross was the apostolate and paying penance to God for ‘the spiritual blindness of the world’.The congregation was open to blind


title: Róża Czacka

texts: candidates. The congregation’s first spiritual director Father Władysław Krawiecki died in 1920, and he was succeeded Father Władysław Korniłowicz. In the first years of his ministry, Korniłowicz could not oversee the order’s affairs systematically. Being at the same time the director of a boarding school and lecturer at the Catholic University of Lublin, he had to travel a considerable distance from that part of Poland to Warsaw and Laski. His broad intellectual horizons and numerous contacts, however, opened up new perspectives for the FSC. On his initiative, new institutions and centers were founded, including the Library of Religious Knowledge, a publishing house and the Verbum bookshop as well as a retreat house. From 1930, Fr Korniłowicz finally set up permanent residence Laski.University students and young intelligentsia were attracted to his so-called ‘Circle’. Some of them consequently entered the FSC or the Third Order of St Francis. Czacka’s decision to include lay co-workers from the Society for the Care of the Blind in the religious life of the Congregation was initially treated with reluctance by the church authorities. They considered that connecting a charity for the blind so closely with the Catholic Church, or rather a religious congregation would hinder the latter’s mission. This, however, did not happen. Czacka was convinced that her sisters could provide comprehensive aid to the blind only with the help of the laity. Among these, a particularly important role was played by the tertiaries: members of the Third Order of St Francis, whose spiritual instructor was Władysław Korniłowicz.<mask> <mask> perceived the religious congregation she had founded as one of three elements of her work. The second was Society for the Care of the Blind, which she headed. The third were the apostolic outposts headed by Władysław Korniłowicz. In 1924, Czacka and Korniłowicz gave the entirety of the organizations they had founded the collective name of Triuno, i.e. ‘three in one’. This was in

masks: Róża Czacka


title: Róża Czacka

texts:
 treated the wounded, the staff provided dressings and meals. After the end of the war, Czacka together with her co-workers set about reorganizing the schools and training facilities in Laski as well as the congregation’s religious houses in Warsaw and Żułów. Despite the difficult socio-political and economic conditions, the ideological, organizational and educational goals of Czacka’s original project were implemented throughout the period of the so called Polish People's Republic.In 1946, the Society for the Care of the Blind received state permission for the administration and use of a 70 ha agricultural estate in Sobieszewo. At the farm, the Society organized a summer place of recreation for blind children and adults. In 1956, Cardinal Stefan Wyszyński granted the Franciscan Sisters Servants of the Cross the Church of St Martin together with monastery rooms in the Warsaw Old Town. Also in the 1950s, Zofia Kossak-Szczucka bequeathed to Czacka’s project the Pedagogical Lyceum building in Rabka. Sisters of the congregation’s general council supported its founder in the administrative work. Many outstanding priests and preachers were associated with Czacka and Laski. Apart from the aforementioned Władysław Korniłowicz and Stefan Wyszyński, noteworthy contributors included: Jan Zieja, Tadeusz Fedorowicz and Bronisław Dembowski.Active here were also eminent scientists, educators and pioneers of Polish special pedagogics, including Maria Grzegorzewska and Wanda Szuman. Death
Due to illness, Róża <mask> withdrew from active work in 1950. She passed away in Laski on 15 May 1961. Beatification
The beatification process launched after Cardinal Józef Glemp petitioned authorities in Rome to provide approval for the canonization cause. The diocesan process launched on 22 December 1987 before the Congregation for the Causes of Saints issued the official "nihil obstat" (no objections to the cause) edict on 8 February 1988; the diocesan process concluded in September 1995. The C.C.S. later received the


title: Fiona Shackleton

texts:
<mask>, Baroness <mask> of Belgravia LVO (née Charkham; born 26 May 1956) is an English solicitor and politician, who has represented members of the British royal family and celebrities, including Sir Paul McCartney, Prince Andrew, Duke of York, Charles, Prince of Wales, and Princess Haya bint Hussein. Her charm and resoluteness earned her the nickname "Steel Magnolia". Biography
Born <mask> in London, she is the daughter of Jonathan Charkham, an economist and adviser to The Bank of England, and Moira Elizabeth Frances Salmon, daughter of Barnett Alfred and Molly Salmon. Her mother's family, the Salmon family, were co-owners of the J. Lyons & Co. cornerhouse empire. Through the Salmon family, <mask> is a cousin to Nigella and Dominic Lawson, and George Monbiot. <mask> was educated at Benenden School in Kent. She attended Exeter University, graduating with a third class degree in law.<mask> then trained as a cordon bleu chef, and became an executive caterer for boardrooms before training to be a solicitor. In July 2010, she was awarded an honorary degree from the University of Exeter in the form of an LL.D. On 21 December 2010, the Queen created <mask> a life peer as Baroness <mask> of Belgravia, of Belgravia in the City of Westminster. She sits as a Conservative in the House of Lords. Shackleton supported the research by the University of Exeter examining compatibility and the ten key aspects of a successful relationship (named the Shackleton Project). The research was published in July 2018. Legal career
<mask> qualified as a solicitor in 1980, and by 1986 she had become a partner at Farrer and Co, the firm of solicitors employed by the British royal family.In the same year <mask> and other international family lawyers, including Jane Simpson and Raymond Tooth, co-founded the International Academy of Matrimonial Lawyers, an invitation-only organisation which now consists of over 500 of the world's leading family lawyers. Her first

masks:
Fiona Sara Shackleton
Shackleton
Fiona Sara Charkham
Shackleton
Shackleton
Shackleton
Shackleton
Shackleton
Shackleton
Shackleton


title: Fiona Shackleton

texts:
 high-profile case was that of the Duke and Duchess of York. <mask> joined Payne Hicks Beach in 2001 as a partner. <mask> is reputed to have fallen out of royal favour in the aftermath of the Paul Burrell affair and the suggestions of a cover-up over allegations of a homosexual rape within the royal household put <mask>, in her own words, "under pressure for a solution to be reached more speedily than I was able to achieve". She was criticised in the Peat Report on the proceedings. In the 2006 New Year Honours, she was made a Lieutenant of the Royal Victorian Order (LVO) and remains solicitor for the Duke of Cambridge and the Duke of Sussex. In March 2012, one of <mask>'s former clients filed a negligence claim against her for incorrect advice on a child support case.The former client states that due to this erroneous advice he lost out on more than £260,000. <mask> charged over £95,000 in fees for the advice. The case was subsequently dropped and the client paid his own costs. Famous cases
<mask>'s high-profile cases include:
 The Duke and Duchess of York: where <mask> represented the Duke. The Duchess was able to negotiate a £3 million settlement. The Prince and Princess of Wales: where <mask> represented the Prince. The Princess was able to negotiate a £17 million settlement and observers saw the outcome as a creditable draw.On the same date that Buckingham Palace announced to the public that the Prince and Princess had reached a settlement, the Queen issued letters patent to regulate the styles and titles of former members of the royal family after divorce. Information about those letters patent was included by the Palace in the same press release that contained the announcement of the divorce agreement. In accordance with those letters patent, Diana lost her style of Royal Highness when the decree absolute of divorce was issued. The forfeiture of the title of Royal Highness is often attributed to the diligence of <mask>, but styles

masks: Shackleton Shackleton Shackleton Shackleton Shackleton Shackleton Shackleton Shackleton Shackleton


title: Fiona Shackleton

texts:
 of members of the royal family are governed by the prerogative of the sovereign. Sir Paul McCartney and Heather Mills McCartney: in which <mask> represented the former Beatle, and secured leading QC Sir Nicholas Mostyn before Mills's solicitor Anthony Julius, leading to their being known during the case by the media as the "legal dream team." Mills described <mask> in an interview with Larry King thus: "There’s this nasty woman – <mask>. She wants to drag it out as long as possible to fill her pockets and she’s said some pretty mean things when I was in a wheelchair."At the final settlement hearing, Mills poured a jug of water over <mask>'s head. Claire and Thierry Henry: in which <mask> represented wife Claire Merry, whose marriage broke down after the Arsenal striker left for Barcelona. John Cleese and Alyce Faye Eichelberger: in which she represented Alyce Faye. Cleese said afterwards, "What I find so unfair is that if we both died today, her children would get much more than mine". Sheikh Mohammed bin Rashid Al Maktoum and Princess Haya bint Hussein: in which <mask> represented Princess Haya. Personal life
<mask> is married to Ian, who runs a business called The Chatham Archive & Document Storage Company, and who is related to Antarctic explorer Sir <mask>. The couple have two daughters.See also
<mask>, Baron Shackleton
James Stewart
Marilyn Stowe
Jane Simpson
Collaborative Family Law

References

External links
Profile at Payne Hicks Beach
Profile: <mask>leton Sunday Times (London), 23 March 2008. Retrieved 25 March 2008
 Publication of the Report to HRH The Prince of Wales by Sir Michael Peat and Edmund Lawson QC, 13 March 2003

1956 births
Living people
Lawyers from London
People educated at Benenden School
Alumni of the University of Exeter
English Jews
English solicitors
Lieutenants of the Royal Victorian Order
Conservative Party (UK) life peers
Life peers created by Elizabeth II
Female life peers
Salmon family
Jewish British

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Shackleton
Shackleton
Fiona Shackleton
Shackleton
Shackleton
Shackleton
Shackleton
Ernest Shackleton
Edward Shackleton
Fiona Shack


title: Richard Meier

texts:
<mask> (born October 12, 1934) is an American abstract artist and architect, whose geometric designs make prominent use of the color white. A winner of the Pritzker Architecture Prize in 1984, Meier has designed several iconic buildings including the Barcelona Museum of Contemporary Art, the Getty Center in Los Angeles, and San Jose City Hall. In 2018, 5 of Meier's employees accused him of sexual assault, which led to his resignation in 2021. Early life
Meier was born to a Jewish family, the oldest of three sons of Carolyn (Kaltenbacher) and <mask>, a wholesale wine and liquor salesman, in Newark, New Jersey. He grew up in nearby Maplewood, where he attended Columbia High School. He earned a Bachelor of Architecture degree from Cornell University in 1957. After graduating, Meier traveled to Palestine, Greece, Germany, France, Denmark, Finland, and Italy, among other places, to network with architects.Meier is also the second cousin of Peter Eisenman, an architect, theorist, and fellow member of The New York Five. Career

In New York City, Meier worked for Skidmore, Owings and Merrill briefly in 1959, and then for Marcel Breuer for three years, prior to starting his own practice in 1963. In 1972, he was identified as one of The New York Five, a group of modernist architects: Meier, Peter Eisenman, Michael Graves, Charles Gwathmey, and John Hejduk. Early in his career, Meier worked with artists such as painter Frank Stella and favored structures that were white and geometric. Meier first gained significant recognition for his designs of various residences, in addition to The Atheneum in New Harmony, Indiana (1979) and the High Museum of Art in Atlanta, Georgia (1983).One of his favourite workers was Indian architect Bijoy Jain. Although Meier was an acclaimed architect for many years, his design of the Getty Center, a massive museum complex in Los Angeles, California,

masks:
Richard Meier
Jerome Meier


title: Richard Meier

texts:
 along the river and run the road underneath it. "It's an improvement," says Meier, adding that "the reason that wall was there has to do with traffic and noise. Once that is eliminated, the idea of opening the piazza to the river is a good one." The mayor's office said Alemanno hopes to complete the project before the end of his term in 2013. Recognition
In 1984, Meier was awarded the Pritzker Prize. The jury citation declared that Meier has "created structures which are personal, vigorous, original."In 2008, he won the gold medal in architecture from the Academy of Arts and Letters and his work Jesolo Lido Village was awarded the Dedalo Minosse International Prize for commissioning a building. Meier is a Senior Fellow of the Design Futures Council. He was awarded the AIA Gold Medal in 1997. In 2013, he was awarded the A+ Lifetime Achievement Award. In 1996, he received the Golden Plate Award of the American Academy of Achievement. In 2010, Cornell established a new professorship named for Meier. Paying tribute Meier on the occasion of his firm's 50th anniversary, the Fondazione Bisazza presented the exhibition “<mask>: Architecture and Design” in Vicenza, Italy.In 2014, Meier opened a 15,000-square-foot exhibition space museum at Mana Contemporary in Jersey City. The space gathers much of his life's work under one roof, and replaces a much smaller version that opened in 2007 in Long Island City, Queens, and that until 2013 was open only by appointment to students and tour groups. The new venue provides room to show his own sculptures, architectural drawings and collages for the first time, and is planned to include a research library. Sexual harassment and resignation

On March 13, 2018, The New York Times detailed allegations from five women that Meier had sexually harassed or assaulted them. Meier responded by saying that he would take a leave of six months from


title: Richard Meier

texts:
 his firm. In response to the allegations and Meier's apology, his alma mater Cornell University declined his intended endowment of a named chair and instituted a review of his previous donations. On April 6, 2018, an additional four women who formerly worked at Meier's architecture firm came forward with allegations against him.The most recent allegations dated to 2009. On October 9, 2018, the firm announced that his resignation was permanent. Works

Major works by Meier include the High Museum in Atlanta, the Barcelona Museum of Contemporary Art, Meier on Rothschild, and On Prospect Park. References

Further reading
 Tom Grotta (ed. ): The Grotta Home by <mask>er. A Marriage of Architecture and Craft. arnoldsche Art Publishers 2019, .Frampton, Kenneth, Rykwert, Joseph: <mask>, Architect, Rizzoli, 1998
 Frampton, Kenneth: <mask>, Phaidon, 2012

External links

 <mask>er in the National Gallery of Australia's Kenneth Tyler collection
 Official "Meier Tower" website
 Ara Pacis Museum, Rome
 Burda Museum website
 Rachofsky House website
 An appreciation of the Hague City Hall
 Collages by <mask>er
 Over 100 photographs of the <mask> designed Rachofsky House which received AIA honor award in 2002
 Official "Bodrum Houses" website
 "The Surf Club" website
 <mask>er video at Web of Stories

 <mask>er Architecture on Google Maps

Modernist architects from the United States
1934 births
Living people
20th-century American Jews
Jewish architects
Cornell University College of Architecture, Art, and Planning alumni
People associated with the J. Paul Getty Museum
Artists from Newark, New Jersey
Pritzker Architecture Prize winners
Recipients of the Praemium Imperiale
Recipients of the Royal Gold Medal
20th-century American architects
21st-century American architects
Members of the Académie d'architecture
Fellows of the American Academy of Arts and Sciences
21st-century

masks:
Richard Mei
Richard Meier
Richard Meier
Richard Mei
Richard Mei
Richard Meier
Richard Mei
Richard Mei


title: Mwalim

texts:
Mwalim (Morgan James Peters I, born June 6, 1968), also known as "Mwalim *7" and "Mwalim DaPhunkee Professor" is an American performing artist, writer, and educator. He is a tenured associate professor of English and former director of Black Studies at the University of Massachusetts Dartmouth. He is also a founding member of The GroovaLottos, a multiple Grammy Award-nominated soul-funk-blues band, for which he is the keyboard player, a vocalist, and the resident songwriter. Early life
Born to a West Indian American (Barbados) mother and Mashpee Wampanoag father, Mwalim grew up in both the Northeast Bronx and Mashpee, Massachusetts. Mwalim's first instrument was the viola which he began studying at the age of ten, playing in his school orchestra, the Bronx Borough-wide Orchestra, and studied privately at Bronx House music school. He auditioned for and attended Music & Art High School (Now LaGuardia School for the Arts), and was interested in music and short-story writing from an early age. As a student at Music & Art he studied viola privately at the 3rd Street Music School and also began studying piano and composition with his Grandfather, noted band leader, arranger, and record producer for Decca and Southern Records in the 1920's, '30's and '40's, Allan H. Nurse.<mask> also began his career as a studio session player at age 16, adding string parts to various recordings and becoming one of the youngest session players in EMI Records history. He went on to major in music composition and history at Boston University. During this time, he also worked as an intern and session musician at various recording studios


title: Mwalim

texts:
 around the Boston and New York City, most notably, Jazzy J Recording Studio in the Bronx. He also became a part of the college's Black Drama Collective as a stage band musician and sketch writer. <mask> joined New African Company in 1991, where he received his formal training in theater arts and education. Career
After college and graduate school, <mask> chose to settle on Cape Cod as opposed to back to New York. He worked with a small group of local performers to co-found Oversoul Theatre Collective, Inc., and became the group's artistic director.He has used music, theater and storytelling as a platform to explore the Black and Native American experience; and the American phenomenon of having to choose one race, despite the rhetoric of the American melting pot. He has called himself a "Black Wampanoag." In 2000, <mask> became a part of the Lincoln Center Theatre's Director's Lab program, and later held residencies at the Harlem Theatre Company, The POINT CDC/Live From The Edge theater, and the Bronx Writer's Center, where he presented his original plays and performance pieces as well as taught workshops in creative writing, filmmaking and drama. He was also a very active presenter and performer at the Nuyorican Poet's Cafe, the Afrikan Theatre, and The Baggot Inn in Greenwich Village, where he led the house band. His plays also began getting picked up for productions by various Off-Broadway and Off-Off Broadway theater groups as well as productions throughout the USA, Canada, the U.K. and the Caribbean. His award-winning one-man show "A Party at the Crossroads" is subtitled the tales and adventures of a Black

masks: Mwalim Mwalim Mwalim


title: Mwalim

texts:
 Indian growing up in a Jewish neighborhood, has been presented at the Mashantucket Pequot Museum in Connecticut and as a part of the Indian Summer series at the American Indian Community House in New York City. His performance piece, based on memories of Mashpee of the past, "Backwoods People" was presented at the 1999 National Black Theatre Festival in Winston-Salem, NC.His romantic comedy, Working Things Out was a hit at the 2005 festival. <mask>hunkee Professor." According to Black Masks Magazine, <mask> is considered a leading voice in the new generation of artists. <mask> earned his MFA in Creative Writing from Goddard College in July 2006. His focus was playwriting. He was recently named Filmmaker-In-Residence by WGBH, Bostons PBS television station, and will be the residency programs first narrative filmmaker, where he will be producing a film adaptation of Look At My Shorts, a collection of <mask>'s short plays exploring contemporary Black Indian experiences in Massachusetts.Some of his musical recordings have won awards from the New England Urban Music Awards

Books

 A Mixed Medicine Bag: Original Black-Wampanoag Folklore (2017, Talking Drum Press, LTD)
 LAND of the BLACK SQUIRRELS: A Bronx Boheme Novel (2020, Thirty-three Pages, LLC)

+ <mask> appears in numerous poetry, short story, and essay anthologies and edited volumes. Plays & Performance Works

 The Barber of Seville Street (1995)
 Things I've Enjoyed Telling White Folks: The Quaker & Unitarian Monologues (1997)
 Out! By The Roots!!! (1997)
 A Party at the Crossroads (1998)
 Guess Who's Rockin' The Party... (1999)
 OM! A Street Corner

masks: MwalimP Mwalim Mwalim Mwalim Mwalim


title: Mats Wilander

texts: <mask> (; born 22 August 1964) is a Swedish former world No. 1 tennis player. From 1982 to 1988, he won seven Grand Slam singles titles (three at the French Open, three at the Australian Open, and one at the US Open), and one Grand Slam men's doubles title (at Wimbledon). His breakthrough came suddenly and unexpectedly when he won the 1982 French Open at the age of 17. In 1988, <mask> won three of the four Grand Slam singles events and finished the year ranked as world No. 1. Although he never won the singles title at Wimbledon, <mask> twice won the Australian Open when it was played on grass courts.This makes <mask> one of only six men (along with Jimmy Connors, Andre Agassi, Rafael Nadal, Roger Federer and Novak Djokovic) to have won Grand Slam singles titles on grass courts, hard courts, and clay courts. since it was first achievable in 1978 (when US Open was played on a Hard Court). Since 1978 he, Nadal, and Djokovic are the only men to have won at least two Grand Slam singles titles on each of the three surfaces (two Australian when it was played on grass, one Australian and one US on hard court, and three French on clay). <mask> won his fourth Grand Slam singles title at the age of 20, the youngest man in history to have achieved that feat. He also won eight Grand Prix Super Series titles (1983–88), the precursors to the current ATP World Tour Masters 1000. He won 33 singles titles and seven doubles titles during his career. He was also a driving force behind Sweden's run of seven consecutive Davis Cup finals in the 1980s.In 2002, <mask> was inducted into the International

masks:
Mats Arne Olof Wilander
Wilander
Wilander
Wilander
Wilander
Wilander


title: Mats Wilander

texts:
 Tennis Hall of Fame. Career

Juniors
Born in Växjö, Sweden, <mask> first came to the tennis world's attention when he won the French Open junior title, the European under-16 and under-18 championships, and the Orange Bowl under-16 event in Miami. 1980–1988
<mask> made his debut on the professional tour at the clay court tournament in Båstad, Sweden in 1980. In September 1981, he lost his only career match against Björn Borg, losing in the first round of the Geneva Open in straight sets. <mask> surprised the tennis world at the 1982 French Open. As an unseeded player, he upset second seed Ivan Lendl in the fourth round, fifth seed Vitas Gerulaitis in the quarterfinals, fourth seed José Luis Clerc in the semifinals, and third seed Guillermo Vilas in a four-set final that lasted 4 hours and 42 minutes. At the end of the semifinal against Clerc he requested replay of the match ball as he did not want to win the game due to a questionable referee decision.This was seen as an extraordinary display of fair play and garnered him the Pierre de Coubertin World Fair Play Trophy. He was the youngest ever male Grand Slam singles champion at 17 years, 9 months, a record since broken by Boris Becker and Michael Chang. In only his third entry in a Grand Slam tournament, <mask> also became the player who needed the fewest attempts to win one, a record since equaled by Gustavo Kuerten at the 1997 French Open. <mask> then lost in the fourth round at both Wimbledon, to Brian Teacher, and the US Open to Lendl. <mask> won three additional tournaments in 1982 and finished the year ranked no. 7. During

masks: Wilander Wilander Wilander Wilander Wilander Wilander


title: Mats Wilander

texts: that year, <mask> was awarded the Svenska Dagbladet Gold Medal.<mask> returned to the French Open in 1983, where he lost to Yannick Noah after defeating John McEnroe in a quarterfinal. He lost in the third round at Wimbledon to Roscoe Tanner and in the quarterfinals of the US Open to Lendl. <mask> won his second Grand Slam title later that year at the Australian Open, played on grass at Kooyong Stadium, where he defeated McEnroe in a semifinal and Lendl in the final. He won eight other tournaments in 1983, including two Grand Prix Championship Series titles, and finished the year ranked no. 4. <mask> retained his Australian Open title in 1984, beating Stefan Edberg in the quarterfinals and Kevin Curren in the final. He lost in the semifinals of the French Open to Lendl, the second round at Wimbledon to Pat Cash, and the quarterfinals of the US Open to Cash.He won three tournaments in 1984 including his third Championships Series title and again finished the year ranked no. 4. In 1985, <mask> won the French Open for the second time, beating Lendl in the final, and again reached the Australian Open final, where he lost to Edberg. However, he lost in the first round at Wimbledon to Slobodan Živojinović and the semifinals of the US Open to McEnroe. He won three tournaments in 1985 and finished the year ranked no. 3. <mask> rose to the no.2 ranking, behind Lendl, on 28 April 1986. He then lost in the third round of the French Open to Andrei Chesnokov, the fourth round of Wimbledon to Cash, and the fourth round of the US Open to Miloslav Mečíř. His consistency at other tournaments,


title: Mats Wilander

texts: however, allowed him to again finish the year ranked no. 3. <mask> partnered with countryman Joakim Nyström to win the men's doubles title at Wimbledon in 1986. He also won his fourth Grand Prix Championship Series title. The 1987 season saw <mask> unveil a more potent service and a new highly effective one-handed slice backhand, the latter a somewhat remarkable development for a mid-career top-level tennis professional.Despite the improvements, however, <mask> was defeated by Lendl in the finals of both the French Open and the US Open in 1987. Cash again proved to be <mask>'s nemesis at Wimbledon, winning their quarterfinal match in straight sets. <mask> won five tournaments in 1987 including two Grand Prix Tennis Championship Series titles and six overall, finishing the year ranked third in the world for the third consecutive year. 1988 was the pinnacle of <mask>'s career. In January, he won his third Australian Open singles title, this time on Melbourne Park's hardcourts, defeating Edberg in a five-set semifinal and home town favourite Cash in a five-set final. In doing so, he became the only player to win the Australian Open on both grass and hardcourt. <mask> faced another home crowd favourite, Henri Leconte, in the final of the French Open.<mask> won in straight sets, missing only two out of 73 first serves in the entire match. At Wimbledon, <mask> reached the quarterfinals where he lost to Mečíř. At the US Open, he reached his third Grand Slam final of the year. In a repeat match-up of the previous year's final, he defeated Lendl in five sets in close to 5 hours and ended

masks: Wilander Wilander Wilander Wilander Wilander Wilander Wilander Wilander Wilander