title: James Garrard

texts: office.Many of the recent settlers in Kentucky were unaware of his illustrious military record and unimpressed with his unsophisticated speaking skills. Although the candidates themselves rarely spoke negatively of each other, opponents of each candidate independently raised issues that they felt would hurt that candidate. John Breckinridge, Garrard's long-time political nemesis, tried to goad Garrard into making another impassioned plea for emancipation of slaves, which was a minority position in the state, but Garrard recognized Breckinridge's tactics and refused to express any bold emancipationist sentiments during the campaign. The fact that the slavery protections in the new constitution were even stronger than those in the previous document ensured that the incumbent's previous anti-slavery sentiments were not a major concern to most of the electorate. The family of Henry Field, a prominent leader in Frankfort, attacked Garrard for not issuing a pardon for Field, who was convicted of murdering his wife with an ax. After examining the evidence in the case, Garrard concluded that the verdict was reached justly and without undue outside influence, but the charge was raised so late in the campaign that Garrard's defense of his refusal to issue a pardon could not be circulated widely. With the advantages of incumbency and a generally popular record, Garrard garnered large majorities in the state's western counties, Jefferson County, and the Bluegrass region of central Kentucky.Surprisingly, he even found support among some voters who had favored Logan four years earlier. The final voting showed <mask> the winner with 8,390 votes, followed by Greenup with 6,746, Logan with


title: James Garrard

type: original

texts: territories along the Mississippi River. He urged President Thomas Jefferson to act and publicly declared that Kentucky had 26,000 militiamen ready to take New Orleans by force if necessary. Jefferson was unaware, however, that the secret Treaty of San Ildefonso had ceded control of Louisiana to the French dictator Napoleon Bonaparte in 1800, although a formal transfer had not yet been made.As Jefferson deliberated, Napoleon unexpectedly offered to sell Louisiana to the United States for approximately $15 million. Robert R. Livingston and <mask>, Jefferson's envoys in France, accepted the offer. The purchase delighted most Kentuckians, and Garrard hailed it as a "noble achievement". Soon after the agreement, the Spanish government claimed that the French had not performed their part of the Treaty of Ildefonso and, as a result, the treaty was nullified and Louisiana still belonged to Spain. Jefferson ignored the Spanish protest and prepared to take Louisiana by force. He instructed Garrard to have 4,000 militiamen ready to march to New Orleans by December 20, 1803. The Kentucky General Assembly quickly passed a measure guaranteeing 150 acres of land to anyone who volunteered for military service, and Garrard was soon able to inform Jefferson that his quota was met.Spain then reversed course, relinquishing its claims to Louisiana, and the territory passed into U.S. control two months later. The last months of Garrard's second term were marred by a dispute with the General Assembly over naming a new registrar of the state's land office. Garrard first named Secretary of State Harry Toulmin, but the Senate rejected that nomination on December 7, 1803. Next, Garrard nominated former


title: James Garrard

texts:
 rival Christopher Greenup, but Greenup had designs on succeeding Garrard and asked Garrard to withdraw the nomination, which he did. The Senate then rejected Garrard's next nominee, John Coburn, and accused the next, Thomas Jones, of "high criminal offense" and barred him from any further appointive office. Following Jones' rejection, Garrard vetoed a bill that would have allowed the legislature to select the state's presidential and vice-presidential electors; despite the fact that the law ran contrary to the state constitution, Garrard's veto further strained his relations with the Senate. After the Senate rejected nominee William Trigg, the state's newspapers openly talked of an executive-legislative feud and claimed the Senate had its own favorite candidate for the position and would not accept anyone else.When the Senate rejected Willis Green in January 1804, Garrard declared that he would make no more nominations for the position. Accusations of bad faith were exchanged between the governor and the Senate, after which Garrard nominated John Adair, the popular Speaker of the House. The Senate finally confirmed this choice. Later life and death
His dispute with the General Assembly over the naming of a land registrar left Garrard embittered, and he retired from politics at the expiration of his second term. He privately backed Christopher Greenup's bid to succeed him in 1804, and Bourbon County's vote broke heavily for Greenup in the election. Although his sons William and <mask> would continue running for public office into the 1830s, Garrard never indicated a desire to run again. Garrard returned to Mount Lebanon, where he developed a reputation as a notable


title: James Garrard

texts:
 agriculturist.His son <mask> oversaw the day-to-day operation of the farm and frequently won prizes for his innovations at local agricultural fairs. The Mount Lebanon estate was badly damaged by one of the New Madrid earthquakes in 1811, but Garrard insisted on repairing the damage as thoroughly as possible in order to reside there for the rest of his life. He imported fine livestock – including thoroughbred horses and cattle – to his farm and invested in several commercial enterprises, including several saltworks, which passed to his sons upon his death. He died on January 19, 1822, following several years of feeble health. He was buried on the grounds of his Mount Lebanon estate, and the state of Kentucky erected a monument over his grave site. Notes

In her research of the Garrard family, Anna Russell Des Cognets notes that thirteen years elapsed between the birth of Garrard's older brother Daniel and <mask>arrard. She speculates that other children, who died in infancy, may have been born to Garrard's parents during this period, but notes that she is unable to locate any records confirming this.(Des Cognets, p. 6)

References

Bibliography

External links

Biography from Lawyers and Lawmakers of Kentucky
<mask> at The Political Graveyard

1749 births
1822 deaths
American Revolutionary War prisoners of war held by Great Britain
Baptist ministers from the United States
Baptists from Virginia
Governors of Kentucky
Kentucky Democratic-Republicans
Members of the Virginia House of Delegates
People from Stafford County, Virginia
Virginia militiamen in the American Revolution
Democratic-Republican Party state governors of the United States
People excommunicated by Baptist

masks:
James
James G
James Garrard


title: Marina Salandy-Brown

texts:
<mask> FRSA, Hon. FRSL, is a Trinidadian journalist, broadcaster and cultural activist. She was formerly an editor and Senior Manager in Radio and News and Current Affairs programmes with the British Broadcasting Corporation (BBC) in London, one of the BBC's few top executives from an ethnic minority background. She is the founder and inaugural director of the NGC Bocas Lit Fest, held annually in Trinidad and Tobago since 2011, "the biggest literary festival in the Anglophone Caribbean", and of the OCM Bocas Prize for Caribbean Literature. She was also co-founder of the Hollick Arvon Caribbean Writers Prize. In 2020, Salandy-Brown received the Ferdinand Magellan Award from Chile, and was elected an Honorary Fellow of the United Kingdom's Royal Society of Literature. Biography
She was born <mask>ys apparently started there, but I come from everywhere in Trinidad.Although I was a town girl, my father ran government experimental (agricultural) stations and we were lucky enough to also live all over rural Trinidad. I lived in Maracas, St Joseph, when you had to go down into the river five times before getting to our house at the end of the road. When we lived in Matelot, the road wasn't properly paved." She attended the government secondary school in Diego Martin. Career in Britain
At the age of 17, Salandy-Brown left Trinidad and migrated to Britain to attend university. In London, she began her working life in publishing as an editor with the Melrose Press, after which she was for more than 20 years an editor and senior manager in BBC Radio and News and Current Affairs programmes, until her return to Trinidad in 2004. Among the BBC radio programmes she produced was BBC Radio 4's Start the Week, presented by Melvyn Bragg.Bragg recalled the beginning of their successful long-term collaboration: "I met this

masks:
Marina Salandy Brown
Marina Salandyand


title: Marina Salandy-Brown

texts: producer <mask>-Brown and neither she nor I wanted to go on doing the same Start the Week. I remember we had lunch together – and I said, 'Well, if I'm going to go on I want to do this sort of stuff,' And she said, 'So do I' – or she said it first and I agreed…. And then we just conscientiously, steadily put that into operation and changed the programme." In their new styling of the programme, "The producer, <mask>-Brown, and I introduced scientists, historians and philosophers on to that Monday morning slot, and changed the nature of the programme. A change which I am glad that my successor Jeremy Paxman and his successor Andrew Marr have kept." Other programmes Salandy-Brown produced for BBC Radio 4 included the series Work Talk (1991–92), presented by Ferdinand Dennis, and Book at Bedtime, a 1993 edition featuring Lawrence Scott's novel Witchbroom, abridged by Margaret Busby. As Home Editor of BBC Radio 5 Live, Salandy-Brown was concerned with implementing a diversity policy, arguing in 2002 that "there is no point having diverse people if you don’t allow them to be diverse".She explained the context: "When I joined the BBC in 1984 there were no people of colour working in radio production in the four national domestic services, except one producer from India.... On BBC TV there was one Caribbean woman news presenter, Moira Stuart.... I was determined not to be the first and last Caribbean person to be a BBC radio producer. I immediately started making programmes about people whose voices were never heard by the British public. I made programmes that promoted Caribbean and developing country cultures, politics and people.... The programmes won prizes and proved that there was a world of stories out there to be told and that all people could be included in the BBC without outraging the British

masks:
Marina Salandy
Marina Salandy


title: Marina Salandy-Brown

texts:
 Alleyne presented her with the Doctor of Letters (DLitt), Honoris Causa of the UWI.In October 2020, an award was conferred on Salandy-Brown marking the 500th anniversary of Ferdinand Magellan's first circumnavigation of the world, in recognition of her work founding the Bocas Lit Fest, promoting art and literature throughout the Caribbean, and exploring other cultures. The inaugural Strait of Magellan Award was presented to her at the Bocas Lit Fest headquarters, Alcazar Street, Port of Spain, on 30 November by Ambassador of Chile Juan Aníbal Barría, who called Salandy-Brown "an explorer like Magellan, who, thanks to her discipline, work and innovation, has managed to build an educational space that crosses the frontiers of knowledge and contributes to the dissemination of the rich Caribbean culture." Salandy-Brown was elected an Honorary Fellow of the Royal Society of Literature in 2020, the 200th anniversary of its founding. Alongside the Bocas Lit Fest that she founded, Salandy-Brown was celebrated by the International Women's Forum (IWF) in the "Ideas Remaking the World" segment of IWF's World Leadership Conference in November 2021. References

External links
 Essiba Small, "<mask>-Brown - Bringing readers & writers together", Trinidad Express Newspapers, 15 March 2013. Janine Mendes-Franco, "‘Not Just About Writers': Talking with NGC Bocas Lit Fest Founder", Global Voices, 13 May 2013. Shereen Ali, "<mask>-Brown...A determined lobbyist", Sunday Guardian, 10 November 2013."Start Me Up – Honorary Graduand <mask>-Brown", UWI Today. Living people
Trinidad and Tobago journalists
BBC radio producers
Trinidad and Tobago women journalists
Women columnists
Trinidad and Tobago broadcasters
British radio producers
Trinidad and Tobago columnists
Trinidad and Tobago women writers
Year of birth missing (living

masks:
Marina Salandy
Marina Salandy
Marina Salandy


title: Harvey Goldsmith

texts:
<mask>  (born 4 March 1946 in Edgware, Middlesex) is an English performing arts promoter. He is best known as a promoter of rock concerts, charity concerts, television broadcasts for the Prince's Trust and more recently the Teenage Cancer Trust shows at the Royal Albert Hall. In 1985, <mask> promoted the Live Aid concert held at Wembley Stadium in London. During early 2007, he appeared on the Channel 4 programme Get Your Act Together with <mask>. In October the same year, he promoted a reunion concert for surviving members of Led Zeppelin in memory of Atlantic Records founder Ahmet Ertegun, which was held at London's O2 Arena. <mask> has produced, managed and promoted shows with many of the world's major artists including Yes, Genesis, Led Zeppelin, Pink Floyd, Queen, The Eagles, Elton John, U2, Madonna, Andrea Bocelli, Muse, Bob Dylan, The Rolling Stones, The Who, Bruce Springsteen, Santana, Luciano Pavarotti, Sheryl Crow, Shania Twain, Bee Gees, Jools Holland, Oasis, Paul Weller, Rod Stewart, Diana Ross, Saxon, Shirley Bassey, Coldplay, Nigel Kennedy, Eric Clapton, Richard Ashcroft, Ash, Madness, Aswad, David Gray, Scissor Sisters, Van Morrison, Sting, and Jeff Beck. Career
Born on 4 March 1946 to a Jewish family in Edgware, Middlesex, <mask> started out as a pharmacy student in Brighton, East Sussex where he founded Club 66, a successful weekly student live music venue and organized larger events at the Brighton Metropole.<mask>'s first big break in the world of music promotion came with founding the popular 'Garden Party' festivals at Crystal Palace Bowl, which started in 1971 and ran annually until 1980. A decade later the scale of many popular concerts had increased and moved to larger stadiums and had established Wembley Stadium as a major venue for the top artists of the world. In 1975, he was the promoter behind the Loftus Road Concert at Queens Park Rangers' Stadium for Yes, when they were touring for their

masks:
Harvey Goldsmith
Goldsmith
Harvey Goldsmith
Goldsmith
Goldsmith
Goldsmith


title: Harvey Goldsmith

texts: Relayer album. During 1979 <mask> promoted the Concerts for Kampuchea, at Hammersmith Odeon, London, featuring artists including Paul McCartney, Queen and The Who. The event raised over $2 million from worldwide sales. In 1985, <mask> organised Live Aid with Bob Geldof which became a £140 million fundraising venture within ten weeks. Live Aid was the first ever "Global Juke Box", featuring two near-simultaneous concerts, at Wembley Stadium in the UK and JFK Stadium in the US, with over 60 countries showing the 17-hour event live on television.Following the success of Live Aid, <mask> became involved with concerts in aid of human rights, including a worldwide Amnesty Tour. He joined The Prince's Trust in 1982 and produced the first Prince's Trust Rock Gala. <mask> then became a member of The Prince's Trust Board and Vice Chairman of Prince's Trust Trading Ltd. In 1986, he promoted Luciano Pavarotti at Wembley Arena. Because of <mask>'s expertise in staging charity events, his company Harvey Goldsmith Artiste Management productions was brought in as executive producers of the 1990 live performance of Pink Floyd's The Wall, from Berlin. Due to the success of these concerts, Pavarotti agreed to perform at a free concert in Hyde Park, which was organised by <mask> in 1991. This concert was part of Pavarotti's 30th anniversary celebrations and attracted 125,000 people.In 1992 <mask> organised The Freddie Mercury Tribute Concert to increase AIDS awareness and this was a live TV success. In the same year he became chairman of the first National Music Day (UK), which was instigated to promote the importance of music in UK. <mask> arranged a programme of 1,500 musical events nationwide, in many musical styles. <mask> persuaded Pavarotti to return and perform again in UK at the Leeds Castle in Kent during 1993. In 1994 under the auspices of The Prince of Wales and President Havel of the Czech Republic, <mask> was appointed Executive

masks: Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith


title: Harvey Goldsmith

texts: Producer of The Prague Heritage Fund Gala Classical Concert. This concert featured Sir Georg Solti, Dame Kiri Te Kanawa, Murray Perahia, and Gabriela Beňačková, and was televised worldwide. The same year, he co-promoted the SummerSlam wrestling show at Wembley Stadium with the World Wrestling Federation.In 1994 <mask> began working with Cirque du Soleil. This has been one of the most successful shows to perform in the UK, returning to London's Royal Albert Hall on a regular basis. The show has been seen by around 183,000 people and sells in the region of 98% of its tickets. In 2005 <mask> managed the show in London, Birmingham and Manchester. This marked the first time in Europe for having three different productions in the same country. He continues to promotes this show. In the Queen's Birthday Honours 1996 <mask> was appointed a Commander of the Order of the British Empire for his work in the entertainment industry.Between 1996 and 1998 <mask> oversaw spectacular productions of the Lord of the Dance musical, which featured Michael Flatley in the leading role. he also promoted Pavarotti for a fourth time, in Manchester during 1997. In October 2002 <mask> promoted Bruce Springsteen at Wembley Arena. Tickets for this show sold out in 40 minutes, making it one of his most successful promotions. This was followed by three sellout stadium shows in May 2003. In November 2006 <mask> produced the UK Arena dates of Springsteen's sell-out tour with the Seeger Sessions band. In January 2006 <mask> was awarded the Chevalier des Arts et des Lettres from the French Minister of Culture.He presented the dance spectacular The Merchants of Bollywood, the first ever Bollywood production to tour straight from Film City in Mumbai. The show toured the UK and opened at the Hammersmith Apollo in London on 21 December 2006. <mask> was honoured with the 15th Music Industry Trust's Award in October 2006, one of the highest accolades to be awarded

masks: Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith


title: Harvey Goldsmith

texts: in the music industry, in recognition of his contribution to the music industry. In the same year, Midem honoured The Live Aid founders and Live 8 producers <mask>, Bob Geldof and John Kennedy OBE, with the Midem Personality of the Year Award, which was awarded in recognition of their outstanding work in bringing the music industry together to help alleviate poverty and famine in Africa. It was the first time in the 17-year history of Midem that this accolade was awarded to more than one person. In 2007 he promoted a six-month European tour of The Merchants of Bollywood. In May and June 2008 <mask> brought Bruce Springsteen and the E Street Band back to the UK.They played at Manchester Old Trafford Stadium, London Emirates Stadium and Cardiff Millennium Stadium. This was the first concert ever held at the Emirates Football Stadium. In October 2008 <mask> produced Salute Petra, the official tribute concert to the life of Luciano Pavarotti, held in Petra, Jordan under the patronage of Princess Haya Bint Al Hussein. The tribute featured artists from the world of opera such as Angela Gheorghiu, Andrea Bocelli, José Carreras, and Plácido Domingo, and pop artists such as Sting, Zucchero, and Laura Pausini. The concert was filmed and made into a DVD, whose sales raised money for the UN Fund for Refugees. In November 2008 <mask> was honoured with the Armand de Brignac VIP Award from Classic Rock Magazine, and he also won the award for Event of the Year for the Led Zeppelin concert at the O2 Arena in honour of Ahmet Ertegun. In December 2008 <mask> took over the management of Jeff Beck after meeting at the Classic Rock Awards where they were both collecting awards.The National Outdoor Events Association presented <mask> with the Lifetime Achievement Award from the Outdoor Events Industry in February 2009. The British Music Experience opened at the O2 Arena in March 2009; <mask> is chairman of the foundation and of its board. The

masks: Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith Goldsmith


title: Harvey Goldsmith

texts: BME is a registered charity and is the UK's museum of music history, with the purpose to advance the education and appreciation of the art, history and science of music in Britain. It helped over 14,000 students in the last year and administered over £140,000 in education grants for the local community. In September 2009 <mask> produced the Tower Festival in the Tower of London which ran for 10 days. Weeks later, Last Night of the Poms starring Dame Edna and Sir Les Patterson went on tour around the UK reviving the hit show from 28 years previous. Before the year was out, <mask> produced Andrea Bocelli's UK tour in conjunction with Kilimanjaro, and also produced the first tour by Yusuf, formerly known as Cat Stevens in nearly 30 years.The tour ended with a night at the Royal Albert Hall, which featured a preview section of Yusuf's new musical Moonshadow. 2010 saw the release of Jeff Beck's first studio album in over six years, released on Rhino. In support of this album, entitled Emotion & Commotion, Beck embarked on a tour of Australia, New Zealand, Japan, Korea, the US and Europe. <mask> also reassembled legendary rock band Faces to perform a handful of UK dates. In April 2010 <mask> was honoured as the International Music Person of the Year for his outstanding contributions to the Music Industry at the Musexpo by the City of West Hollywood. <mask> promoted a concert at the beginning of 2011 for the charity Killing Cancer with a lineup of artists including Richard Ashcroft, Bryan Adams, Jeff Beck, Debbie Harry and The Who. In February 2011 <mask> produced City Rocks, which was in support of the Lord Mayor's Appeal, attended by the Lord Mayor of London, Alderman Michael Bear and the Lady Mayoress, Barbara Bear.City Rocks was the first major rock concert held in the city of London. In recognition of his outstanding contribution to the institution's music education, <mask> was awarded an honorary fellowship from


title: Harvey Goldsmith

texts:
 Ravensbourne, the university sector college innovating in digital media and design, in September 2011. <mask> chaired the judges' panel for the Editorial Intelligence Awards in October 2011 and became a board member. The Lord Mayor of London honoured <mask> with the Freedom of the City in November 2011. In December 2011, <mask> was named Event 100 Club's most influential person in the events business. He was also chairman of Ignite in 2011. As part of the Queen's Diamond Jubilee celebrations in May 2012, <mask> received The Diamond Award for his contribution to The Arts.July 2012, the University of Brighton presented <mask> with an honorary degree of Doctor of Arts. In August 2014, <mask> was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September's referendum on that issue. In 2017, <mask> staged a hugely successful world tour for Hans Zimmer, one of the most successful film music composers working today. Concerts featured themes from Gladiator, Interstellar, The Da Vinci Code, Pirates of the Caribbean, Sherlock Holmes, The Dark Knight Trilogy, The Lion King, Crimson Tide, Inception, Rain Man, and Driving Miss Daisy. Promotion companies
In 1973 he formed Artiste Management Productions Limited, to produce and manage artists in the music industry. In 1976 Harvey Goldsmith Entertainments Limited was formed, which became the UK's leading promoter of concerts and events. In 2002 Harvey Goldsmith Productions was formed to carry on the legacy of leading concert and events promotions.References

External links
Music Week (2007-12-08) <mask> interview at musicweek.com
Finn, Gary and McCann, Paul. The Independent (1999-09-30) Pavarotti tickets always read <mask> at  independent.co.uk
Kemp, Ed (2008-02-05) <mask> marketing profile at brandrepublic.com

English Jews
Commanders of the Order of the British Empire
Music promoters
1946 births
Living

masks:
Goldsmith
Goldsmith
Goldsmith
Goldsmith
Goldsmith
Goldsmith
Goldsmith
Harvey Goldsmith
Harvey Goldsmith
Harvey Goldsmith


title: Laura Oldfield Ford

texts:
<mask> (born 1973), also known as <mask>, is a British artist and author. Her work, in ballpoint pen, acrylic paint and spray paint, explores political themes and focuses on British urban areas. Her zine Savage Messiah, which centres on London, was published from 2005 to 2009 and collected as a book in 2011. Biography

Early life
<mask> was born in Yorkshire in 1973 and grew up in Halifax, West Yorkshire in a community hit by the decline of the textile industry. In Leeds and later in London, she became involved in the punk, rave and squatting scenes and produced zines and posters influenced by Raymond Pettibon, Linder Sterling and Jon Savage. She took her Bachelor of Arts at the Slade School of Fine Art and her Master of Arts at the Royal College of Art (RCA). At the RCA's graduation show in 2007 she exhibited a four-section painting depicting herself in each panel against a backdrop of urban chaos.Work and career
Savage Messiah, which takes its name from H. S. Ede's biography of the French sculptor Henri Gaudier-Brzeska, was self-published from 2005 to 2009. Each issue focuses on a different London postcode. Savage Messiah uses the Situationist technique of the dérive: "urban drifts", or walks, during which Oldfield Ford collected images which were then placed alongside both original and found texts, with the purpose of describing places, people and events. In 2008 Owen Hatherley named Savage Messiah 10: Abandoned London as one of his "books of the year", describing it as "an oneiric vision of a depopulated, post-catastrophe capital, pieced together from snatched conversations and reminiscences, set in a landscape of the labyrinthine ruins of 1960s architecture and today's negative-equity banlieue." The entirety of Savage Messiah, featuring an introduction by Mark Fisher, was published in book form by Verso Books in September 2011. Reviewing the book for The Guardian, Iain Sinclair commented: "Collided into a great block, the catalogue of urban rambles takes on a

masks:
Laura Oldfield Ford
Laura Grace Ford
Ford


title: Laura Oldfield Ford

texts: new identity as a fractured novel of the city" and praised Ford's "authentic gifts as a recorder and mapper of terrain." Summing up Savage Messiah, Sinclair wrote: "In the end, it's about walking as a way of writing, recomposing London by experiencing its secret signs and obstacles."In his review for Eye, Rick Poynor praised her "acutely observant" writing and "assertively linear style of drawing"; concluding, he described the work as "graphic literature of great urgency." Hari Kunzru listed the Verso publication as a "book of the year" for 2011 and described it as "a wake-up call to anyone who can only see modern cities through the lens of gentrification." In 2012 Greil Marcus described Savage Messiah as a continuation of the work of the Situationists Guy Debord, Ivan Chtcheglov, and Michèle Bernstein, and as "a delirious, doomstruck celebration of squats, riots, vandalism, isolation, alcohol, and sex with strangers, all on the terrain of a half-historical, half-imaginary city that the people who <mask> follows, herself at the center, can in moments believe they built themselves, and can tear don as they choose." In a 2013 review for the American Book Review, Sukhdev Sandhu described the Verso publication as an example of "invisible literature" and "avant-pulp psychogeography" able "to rekindle erased histories of popular dissent from the 1970s to the 1990s", and one relevant to "a new and possibly endless age of austerity". J. D. Taylor has interpreted Savage Messiah as an exploration of themes of surveillance, gentrification and class conflict and the use of architecture as "a cynical strategy of social management and expropriation" and suggested that Ford's work is part of a trend involving the "reclamation of the non-place". Comparing Ford's work to that of Burial, Taylor suggests their representation of "non-times and lost futures" constitutes "a means of imagining an alternative future." Dominic Davies has read Savage Messiah in terms of the account of


title: Laura Oldfield Ford

texts:
 capitalist realism in Fisher's Capitalist Realism: Is There No Alternative?, noting that Ford rejects literary realism in favour of "a dystopian aesthetic" and fragmented nonlinear narratives.Comparing Savage Messiah to Alan Moore and Eddie Campbell's From Hell, Davies argues that both works draw on London's past to critique its present. Noting the recurrent imagery of eyes in Savage Messiah, Davies sees "the image of the disembodied eyeball ... as a commentary on the proliferation and prevalence of CCTV infrastructure" and "the social ramifications of proliferating levels of security and diminishing public space." In 2018 Ford described Savage Messiah as "a series of stories; broken narratives that articulated a certain moment, a certain relationship with the city. It was about transience and impermanence, but also about the bonds that form in those moments: kinship, comradeship and love." She described her subsequent work as a continuation of the same project. A new edition of Verso's Savage Messiah was published in 2019, featuring a new zine about west London in the wake of the Grenfell Tower fire and an introduction by Greil Marcus that identifies Walter Benjamin, Surrealism, the Situationist International and work by Nan Goldin and Andrea Arnold as precursors to Ford's work. Exhibitions
From January until March 2009, a collection of her work entitled London 2013, Drifting Through the Ruins, including all ten issues of Savage Messiah, was featured in London's Hales Gallery.<mask> was one of three artists whose work was exhibited as part of Slump City at SPACE in London in June 2009. Another exhibition, Britannia 2013–1981 ran in Hatfield from November 2009 until January 2010. In February 2011, <mask>'s work was on display in Bristol as a part of Poster Sites, a project commissioned by Arnolfini. She created 11 posters based on dérives in the city; though Arnolfini produced a map and <mask> led a walk between them, they were primarily left to be casually

masks: Ford Ford Ford


title: Laura Oldfield Ford

texts:
 witnessed by the public. Also in 2011, her work was featured in Orbitecture, an exhibition at the Grundy Art Gallery in Blackpool. In 2012 her work was exhibited as part of There Is a Place... at The New Art Gallery in Walsall. Also in 2012, work by <mask> inspired by El Raval and protests in Barcelona were featured in Desire Lines at the Espai Cultural Caja Madrid in Barcelona.In 2014 <mask>'s work was featured in Soft Estate at The Bluecoat in Liverpool. The same year, her work was included in Ruin Lust at the Tate Britain. Later that year a solo exhibition of paintings and collaged drawings entitled Seroxat, Smirnoff, THC ran at the Stanley Picker Gallery in Surbiton. Her solo exhibition Chthonic Reverb ran at Grand Union Gallery in Birmingham in 2016. Featuring audio and visual work, the exhibition focuses on Birmingham, where <mask> lived in the early 1990s, including Herbert Manzoni's impact on the city and the Big City Plan. In 2017 Ford's solo exhibition Alpha/Isis/Eden ran at The Showroom in London. The exhibition focused on the effects of urban regeneration in the neighbourhood surrounding the gallery near Edgware Road in central London, and included audio recordings of the area.Themes and practice
Skye Sherwin of The Guardian writes that Ford's work "focuses on areas haunted by an urban dispossessed, which regeneration seeks to concrete over: city wastelands where fortress-like old tower-blocks rise, with their Escher-like walkways and bleak 'recreational' open spaces." These include the East End of London and the new towns of Harlow, Hatfield and Stevenage. Her work on the East End is critical of the 2012 Summer Olympics, held in London, and the associated development program, in particular the regeneration process surrounding the Olympic Park. Christopher Collier has argued that Ford's work utilises "semi-fictionalised settings of dilapidated blue-collar and immigrant districts of a post-Thatcherite London increasingly ghettoised, defunded and


title: Laura Oldfield Ford

texts: threatened by the state." Her work also engages with architecture. In a 2009 interview <mask> reiterated the centrality of a critique of urban regeneration, and expressed an interest in brutalist architecture (referring specifically to Broadwater Farm in Tottenham and Robin Hood Gardens in Poplar. Ford has argued that brutalism is significant due to "the collective ideals inherent in it: the rethinking and radical reshaping of public space, the idea of cities being conducive to an endless 'derive', the postwar idea that everyone is entitled to a publicly owned house."She also critiqued "an obsession with friendly looking architecture, curved lines, outgrowths of green roof tops, panels and balconies in Scandinavian wood or brightly coloured aluminium", describing these trends as "playschool architecture". In 2018, <mask> noted that her recent work was concerned less with inner cities and more with suburbs and urban peripheries: "That's mostly where you have to go now if you want to encounter the former intensity of zones 1 and 2 ... It used to be the inner cities that were sacrificed, ruled by slum landlords, starved of investment and surrounded by circles of unreachable affluence. But in the past decade or so there has been an accelerated reversal of this process." In the Transactions of the Institute of British Geographers, Andrew Harris wrote that London 2013, Drifting Through the Ruins (2009) "attempts to reactivate more conflictual architectural, political and aesthetic strategies that have been largely erased by the widespread gentrification of London since the 1970s" and is an example of an intervention which offers "an important and neglected resource for complicating, disrupting and re-visioning understandings of urban change". Paul Gravett describes Ford's work as being fuelled by a longing for a past incarnation of the punk subculture and a "recovery of punk's provocation and politicisation". Contemporary archaeologist James R. Dixon set Ford's February

masks: Ford Ford


title: Laura Oldfield Ford

texts:
 2011 Arnolfini exhibition against the April 2011 Bristol riot.Dixon saw in her work "the material conditions that can be identified as a contributing factors" in the riot, and noted that rather than being immediately apparent, those conditions are identified by <mask> through the dérive technique and her use of found images. Dixon argues that, like the riot itself,

Oldfield Ford's work exposes what is hidden by the veneer of respectability ... [it shows] just how thin that veneer is, how beneath the fake harmony of consumerism and happy lives there is a "truth" of hardship, decay, and violence that will, on occasion, reveal itself. It is ... observed not easily, but by durational engagement with places, both in the form of the drifts and "off-site" in the forming of the juxtapositions of images and text that most accurately represent the potential of a place to experience civil unrest. She describes her practise as centring on walks through London and the creation of "emotional maps". Ford has said "I regard my work as diaristic; the city can be read as a palimpsest, of layers of erasure and overwriting. The need to document the transient and ephemeral nature of the city is becoming increasingly urgent as the process of enclosure and privatisation continues apace." Discussing Alpha/Isis/Eden in 2018, she said "I walk around London to gauge what's happening, to tune into the affective shifts.This is how I think about walking and memory, as a process of piecing fragments together to resurrect something, to stop them being erased, and to will something into being." She also said, in the same interview:

Streets are indelibly marked by moments of socio-political intensity – uprisings, occupations and raves, trauma, anxiety and militancy – as well as the tremors and faultlines of your own past. The purpose of my walks is to identify something lingering, fizzing in the present. I'm not thinking about memory as a sanitised image, but as a texture in the moment, the


title: Laura Oldfield Ford

texts:
 sense that a place is crackling with agency. For me, this spectrality allows for a revisiting and reactivating of emancipatory currents. While <mask>'s work has been described as psychogeography, Mark Fisher suggested that it be understood instead in terms of Jacques Derrida's account of hauntology, in order to better understand the ways the urban spaces she depicts represent "ghosts" or political paths not taken. Christopher Collier, conversely, has proposed that <mask>'s work be understood as both hauntology and psychogeography, and that such an approach allows a reappraisal of the politics of psychogeography.Collier argues that "Savage Messiah is psychogeographical in that it involves drifting through the city, exploring the effects of the environment upon behaviour and emotion", but also draws on hauntology as a means of engaging "the failures of social democracy and post-war Modernist urban planning, but also ... the collapse of the psychogeographic revival" of the 1990s. Other work
<mask>'s work subsequent to Savage Messiah tends to move beyond the zines' focus on London and beyond the zine from, concerning other geographical spaces and adopting other forms including paintings and installations. Her work was also featured in Urban Constellations, a 2011 collection edited by Matthew Gandy. As of 2019 <mask> was writing fiction and collaborating with the musician Jam City on work continuing the themes of the Savage Messiah project. References

External links

1973 births
Living people
21st-century English painters
21st-century English writers
Alumni of the Royal College of Art
Alumni of the Slade School of Fine Art
British poster artists
English bloggers
English short story writers
English women painters
People from Halifax, West Yorkshire
Psychogeographers
British women bloggers
British women short story writers
21st-century British women writers
21st-century British women artists
21st-century British short story writers
Women graphic

masks: Ford Ford Ford Ford


title: Hank Worden

texts:
<mask> (born <mask>; July 23, 1901 – December 6, 1992) was an American cowboy-turned-character actor who appeared in many Westerns, including many John Ford films such as The Searchers and the TV series The Lone Ranger. Biography
Born in Rolfe, Iowa, <mask> was raised on a cattle ranch near Glendive, Montana and was educated at Stanford University and the University of Nevada as an engineer. He enlisted in the U.S. Army hoping to become an Army pilot, but failed to pass flight school. An expert horseman, he toured the country in rodeos as a saddle bronc rider. During one ride, his horse landed atop him and fractured his neck, but aside from a temporary soreness, Worden did not know of the nature of the damage until x-rayed 20 years later. While appearing in a rodeo at Madison Square Garden in New York, he and fellow cowboy Tex Ritter were chosen to appear in the Broadway play Green Grow the Lilacs (1931). Following the run of the play, Worden drove a cab in New York, and then worked on dude ranches as a wrangler and as a guide on the Bright Angel trail of the Grand Canyon.A chance encounter with actress Billie Burke at a dude ranch led her to recommend him to several film producers. <mask> made his film debut as an extra in Cecil B. DeMille's The Plainsman (though a few later films were released prior to The Plainsman). By this time, Tex Ritter had become a star, and Worden played sidekick roles in a number of Ritter's Westerns. In several of his early appearances, Worden was billed as "Heber Snow", until he reverted to his real name. A small part in Howard Hawks's Come and Get It led to a number of later appearances for that director, who also recommended him to director John Ford. He

masks:
Hank Worden
Norton Earl Worden
Worden
Worden


title: Hank Worden

texts:
 appeared in six episodes of the TV series The Lone Ranger. Worden eventually became a member of the John Ford Stock Company, and was directed by Ford twelve times in films and television.The connection with Ford led to an association with actor John Wayne, and Worden appeared in 17 of Wayne's films. Foremost among his collaborations with Wayne and Ford in The Searchers, the 1956 classic Western in which <mask> portrayed his most memorable role, that of "Mose Harper," the Shakespearean fool who only longed for "a roof over [his] head and a rocking chair by the fire." Worden's best performances were given for demanding directors. He had a striking appearance: tall, thin, bald, his voice and mannerisms unforgettable to anyone who saw him. He worked steadily in television as well as films, long outliving Hawks, Ford and Wayne, and achieving some late notice as a senile hotel waiter in David Lynch's Twin Peaks TV series. In 1992, Worden hosted and co-produced, with director Clyde Lucas, an independent special shown on the Nostalgia Channel and some PBS stations entitled Thank Ya, Thank Ya Kindly. The special looked back on <mask>'s career and featured guests Clint Eastwood, Paul Hogan, Harry Carey Jr., Ben Johnson, Frankie Avalon, Burt Kennedy and stuntman Dean Smith.Widowed by his wife of 37 years (the former Emma Louise Eaton) in 1977, he later shared his house for several years with actor Jim Beaver. In good health through his 91st year, he died peacefully during a nap at his home in Los Angeles on December 6, 1992. He was survived by his daughter, Dawn Henry, whom he and his wife had adopted as an adult. Selected filmography

John Wayne films

 Stagecoach (1939) as Cavalryman extra

masks: Worden Worden


title: Hank Worden

texts:
 (uncredited)
 The Night Riders (1939) as Rancher (uncredited)
 A Lady Takes a Chance (1943) as Walter (uncredited)
 Angel and the Badman (1947) as Townsman (uncredited)
 Fort Apache (1948) as Southern Recruit
 Red River (1948) as Sims Reeves
 3 Godfathers (1948) as Deputy Curly
 The Fighting Kentuckian (1949) as Abner Todd (uncredited)
 The Searchers (1956) as Mose Harper
 The Horse Soldiers (1959) as Deacon Clump
 The Alamo (1960) as Parson
 McLintock! (1963) as Curly Fletcher
 True Grit (1969) as R. Ryan - Undertaker (uncredited)
 Chisum (1970) as Elwood - Stationmaster
 Rio Lobo (1970) as <mask> - Hotel Clerk (uncredited)
 Big Jake (1971) as <mask>
 Cahill U.S. (1977) as The Flunky
 Big Wednesday (1978) as Shopping Cart
 Sgt. Pepper's Lonely Hearts Club Band (1978) as Old Lonely Hearts Club Band
 They Went That-A-Way & That-A-Way (1978) as Butch Collins
 Every Which Way But Loose (1978) as Trailer Court Manager
 Bronco Billy (1980) as Station Mechanic
 Scream (1981) as John
 Soggy Bottom, U.S.A. (1981) as Old Geezer
 Hammett (1982) as Pool Room Attendant
 Flush (1982)
 Island Fury (1983) as Gramps Jebediah
 The Ice Pirates (1984) as Elderly Jason
 UFOria (1985) as Colonel
 Runaway Train (1985) as Old Con
 Space Rage (1985) as Old codger
 Once Upon a Texas Train (1988, TV Movie) as Old Timer
 Big Bad John (1990) as Good Ole Boy
 Almost an Angel (1990) as Pop, Patient in Hospital

Television
The Lone Ranger - episode - The Tenderfeet (1949) as Rusty Bates
The Lone Ranger - episode - Woman from Omaha (1953) as Whip
The Lone Ranger - episode - The Ghost of Coyote Canyon (1953) as Ed
The Lone Ranger - episode - Stage to Tishomingo (1954) as Ike Beatty, Stage driver
The Lone Ranger -

masks: Hank Hank


title: Connor Menadue

texts:
<mask> (born 19 September 1996) is a former professional Australian rules footballer for the North Melbourne Football Club in the Australian Football League (AFL), having previously played for 39 AFL matches over a five-year tenure with the Richmond Football Club. He was drafted by Richmond in the second round of the 2014 national draft and made his debut in round 7 the following season. Menadue played in a premiership with Richmond's reserves side in the VFL side in 2019. After being delisted by Richmond at the end of 2019 and after one year out of the league, he was redrafted by North Melbourne in the 2021 rookie draft. Early life and junior football
Menadue spent his teenage years in Seabrook in Melbourne's south-west. He played junior football with Altona Junior Football Club before crossing over to play with Spotswood in the Western Region Football League in 2012. In 2013 Menadue played TAC Cup football with the Western Jets.He returned to the club in 2014, playing 16 games and kicking 16 goals for the season. He also held averages of 19.6 disposals and four tackles per game. Menadue played for the Victorian Metro side at 2014's  Under-18 National Championships. He appeared in three matches and recorded an average of five tackles per game. At the 2014 draft combine he recorded the fifth best time in the 20 metre sprint. He was lauded by draft experts for his elite speed and running ability. AFL


title: Connor Menadue

texts:
 career

Richmond (2015–2019)
Menadue was drafted by  with their second pick and 33rd selection overall in the 2014 AFL draft.He made his AFL debut in round 7 of the 2015 AFL season in a match against Collingwood at the MCG. Menadue was initially selected as an emergency before being called up to the team on the morning of the match. He was substituted into the game at three-quarter time and recorded one disposal and two tackles in the last quarter of the Tigers' victory. Menadue kicked his first career goal the next week, in a round 8 victory against . He would play five straight matches before being omitted from Richmond's round 13 side, playing the rest of the season in the club's reserves side in the VFL. Strong form in the 2016 pre-season competition saw <mask> return to the senior side for round 1, 2016, kicking two goals and recording 13 disposals in the club's victory over . He would go on to play in each of the club's first nine matches.He was subsequently dropped, and played VFL football until being recalled for the club's round 14 match with . It was a then-career best match, with Menadue recording his best disposal output to date (19) and a team-high six tackles. <mask> was again dropped from the senior side in round 18 before returning in round 22 for just one more senior match. He finished the season having played 14 matches and averaging 13.2 disposals. <mask> began 2017 playing with Richmond's

masks: Menadue Menadue Menadue


title: Connor Menadue

texts: reserves side in the VFL and made his first senior appearance in round 4's victory over Brisbane. He was dropped from the side following the round 5 win over , but would return in round 9 to face the GWS Giants at Spotless Stadium in Sydney. He kicked two goals in the tight loss and would remain in the side for the following two weeks.Through Richmond's bye at the mid-way point of the season he had played five matches, kicked two goals and recorded an average of 11.4 disposals per game. Returning from the bye in round 13 against , <mask> was involved in an incident where Swans forward Lance Franklin hit him with a bump during play. Menadue spoke down the impacts of the hit and Franklin ultimately avoided suspension. After round 15 Menadue placed second in the league for peak on-field sprint speeds recorded during the season (35.0 kilometres per hour). He played his final senior match for the season in round 16, being dropped the week following for his part in the club's 67-point loss to . He played the remainder of the season with the club's reserves side in the VFL. There he joined the team through its three finals wins and in its losing grand final against Port Melbourne.Though he would not play in the match like his premiership winning club mates, Menadue was still involved in Grand Final day, winning the Grand Final sprint and upsetting pre-race favourite Jayden Hunt. Leading into 2018 Menadue underwent a


title: Connor Menadue

texts: role change, shifting from the wing to the half-back position. He had a largely uninterrupted pre-season training campaign but some soreness and minor injuries in late February and early March meant he was unable to partake in the AFL pre-season competition. He was worked back into fitness during VFL pre-season matches in late March however, including one against the  where he recorded an equal team-high 25 disposals. Menadue remained with the reserves team into the start of their season proper and after some strong form  was named the carryover emergency for the club's AFL match-up with  in round 3. Though he would not earn senior selection immediately he did continue an impressive run of form at the lower level, noted by backline coach Ryan Ferguson for his ability to break lines off of half-back. In late May he  played in his first AFL match of the year, a round 10 victory over .<mask> remained in the senior side for a further two matches, including in round 11 where he kicked his first goal of the year. He was dropped back to reserves level however, after an eight disposal match against  in round 12. There he was immediately trialed in a new role as an inside midfielder which saw him gather seven clearances and 16 contested possessions in a VFL win over the Northern Blues. Menadue was illustrious across multiple roles at VFL level in the month that followed, used as a half-back, wing and inside midfielder


title: Connor Menadue

texts: before earning an AFL recall in round 18. An unnamed injury saw Menadue miss in round 19 before making an immediate return in round 20. It would prove to be a one-match run though as <mask> was again dropped to VFL level despite gathering a season-best 18 disposals in the win over . He remained at the lower level for the remainder of the season, unable to gain senior selection despite being named as an emergency on multiple occasions.<mask> was a meaningful contributor in the club's two VFL finals losses including recording 26 disposals and two goals in the knock-out semi-final loss to . That effort would see him in the selection frame, though ultimately unselected for the club's final AFL match of the year, a preliminary final loss to . <mask> finished the year having played five AFL matches as well as 14 with the club's reserves side in the VFL. After signing a one year contract for the 2019 season, Menadue completed a largely uninterrupted pre-season training program in the 2018/19 summer. During that period he was labeled by AFL Media and Fox Footy as a candidate for regular senior football at Richmond that year, following the off-season departure of fringe players Anthony Miles, Corey Ellis and Sam Lloyd and well as regularly selected winger Reece Conca. Despite those plaudits, Menadue could not earn selection in the club's first official pre-season matches in March and was instead only named as an


title: Connor Menadue

texts: emergency. Though he would earn selection to play half a match in the second and final match of that series, his nine disposal performance was not enough to earn AFL selection in round 1.He was instead named an AFL emergency and started his season with VFL matches in late March and early April. In round 4, <mask> was initially named as an AFL emergency before a late injury to veteran Bachar Houli saw Menadue selected for his first match of the season. Houli was ruled fit to play after just one match on the sidelines however, and <mask> was immediately returned to VFL football in round 5. After two weeks at the lower level, <mask> earned a second shot at AFL football that year in Richmond's round 7 loss to the . He recorded 15 disposals in that match before turning in a career-best 23 disposals in the club's round 8 win over  in Perth. <mask> remained at AFL level for another two matches including a stint in the forward line in round 10, before being dropped back to VFL level in round 11. It was not to be his last AFL match that year however, when he was recalled to senior level in round 13 following two strong matches at half-back in the VFL.<mask> could manage just 11 disposals however, and was immediately dropped back to reserves level. Despite largely being passed over for selection, <mask> was named an AFL emergency on a club-most eight occasions to round 13, meaning he had been in the emergencies or final

masks: Menadue Menadue Menadue Menadue Menadue Menadue


title: Connor Menadue

texts: lineup for every Richmond AFL side to that point in 2019. He continued to be regularly named as an AFL emergency in the back half of the season, while playing a variety of roles at VFL level including in the midfield and as a forward. <mask> was prolific at VFL level in the lead in to the finals, named best on ground twice in the final six weeks and kicking two goals in each of three separate matches as the side secured a second-straight minor premiership. He kicked a further two goals in Richmond's come-from-behind VFL qualifying final victory over the  reserves in the first week of the finals series. Menadue was best-on-ground in the preliminary final that followed, kicking three goals and recording 27 disposals as Richmond won through to a VFL grand final. Despite his form, Menadue continued to miss out on selection during the club's AFL finals run and instead stayed with the VFL team as they defeated  in the grand final to win the club's first reserves-grade premiership since 1997.Menadue finished 2019 having played six matches at AFL level along with 15 games for 14 goals in the reserves, including in that year's VFL premiership. In the weeks following the end of the 2019 season, media reports began emerging with claims  were interest in trading for the out of contract Menadue given the impending loss of wingers Bradley Hill and Ed Langdon. Richmond list boss Neil Balme expressed public support for


title: Connor Menadue

texts:
 scope="row" style="text-align:center" | 2017
|
| 37 || 9 || 3 || 1 || 59 || 59 || 118 || 29 || 24 || 0.3 || 0.1 || 6.6 || 6.6 || 13.1 || 3.2 || 2.7
|-
! scope="row" style="text-align:center" | 2018
|
| 37 || 5 || 1 || 3 || 39 || 21 || 60 || 17 || 9 || 0.2 || 0.6 || 7.8 || 4.2 || 12.0 || 3.4 || 1.8
|- style="background-color: #EAEAEA"
!scope="row" style="text-align:center" | 2019
|
| 37 || 6 || 0 || 0 || 62 || 23 || 85 || 19 || 13 || 0.0 || 0.0 || 10.3 || 3.8 || 14.2 || 3.2 || 2.2
|-
! scope="row" style="text-align:center" | 2020
| —
| — || 0 || — || — || — || — || — || — || — || — || — || — || — || — || — || —
|- class="sortbottom"
|- class="sortbottom"
! colspan=3| Career
! 39
! 11
! 9
! 256
!221
! 477
! 122
! 99
! 0.3
! 0.2
! 6.6
!5.7
! 12.2
! 3.1
! 2.5
|}

Honours and achievements
Team
 McClelland Trophy (): 2018

VFL
 VFL premiership player: 2019

References

External links

<mask>'s statistics from Footy Wire

Living people
1996 births
Western Jets players
Australian rules footballers from Victoria (Australia)
Richmond Football Club players
North Melbourne Football Club


title: Daisuke Ono

texts:
 switched to radio program production, and during the creation of a radio drama, became a performer due to a shortage of staff, which led him to pursue voice acting. In 2007, he started his music career under his own name with the mini-album Hinemosu. Since 2008, he has been performing at the "Original Entertainment Paradise" held at the end of every year as one of the hosts and the leader. The other hosts are Showtaro Morikubo, Kenichi Suzumura, and Takuma Terashima. In 2008, he won the 2nd Seiyu Award for Best Actor in a Supporting Role and won the 4th award in 2010. In 2011, he won the Grand Prix at the 33rd Animage Anime Grand Prix in the voice acting category.In 2015, <mask> won the 9th Seiyu Award for Best Actor in a Leading Role and Personality, the BEST COMFORT RADIO Healing Radio Award for the TV anime Barakamons web radio Radikamon, which he was a personality for at the 1st Aniradi Awards, and the Voice Actor Award at the Tokyo Anime Award Festival 2015, Anime of the Year Category. In February 2016, <mask> left Mausu Promotion, to which he belonged for many years, and started his freelance career. Filmography

Animated series2002G-On Riders, Announcer, Official
Heat Guy J,

masks: Ono Ono


title: Daisuke Ono

texts:
 Kiseki｣Dragonaut ~ Character Song Vol. 5｢Venus! Venus!｣Hanayoi Romanesque ~ Saigo No Piece｢Saigo No Piece｣ (with Hikaru Midorikawa)Higurashi no Naku Koro ni Kai ~ Irie-tachi no Gyakushuu｢BUCHIKAMACE 徹甲弾！｣Kuroshitsuji Character Song ｢Sono Shitsuji, Kashou｣｢Anata no Koe ga Iroaseyou Tomo, Meiyaku no Uta ga Sono mune ni Todokimasu you ni｣
｢Tsuki no Ame｣Monochrome Factor ED ~ AWAKE ~Boku no Subete~｢Awake Boku no Subete｣ (with Hiroshi Kamiya)Monochrome Factor Character Song Factor 1. Akira｢Destiny｣Monochrome Factor PS2 Cross Road OST｢AWAKE ~Boku no Subete~ Another Side｣Neo Angelique ~ Sincerely｢Tsukibae no Yasouku｣Neo Angelique Abyss ~ Joy To The World｢Joy To The World｣ (with Hiroki Takahashi, Toru Ohkawa & Masaya <mask>ka)
｢Platonic Garden｣ (with Hiroki Takahashi, Toru Ohkawa & Masaya <mask>ka)Neo Angelique Abyss Character Song~ Scene 05｢Rinka no Shiku｣Neo Angelique Abyss ~Second Age~ Silent Destiny｢Eternal Green~Kimi to iu Eien｣ (with Hiroki Takahashi, Toru Ohkawa & Masaya <mask>ka)
｢Silent Destiny｣ (with Hiroki Takahashi, Toru Ohkawa & Masaya Onosaka)Neo Angelique Abyss ~ Sunshine Party｢PROUD YOU｣ (with Daisuke Hirakawa)
｢Sunshine Party｣ (with Daisuke Hirakawa)Neo Angelique Abyss ~

masks: Onosa Onosa Onosa


title: Daisuke Ono

texts:
 Variety 1｢Obuhanta 5 no Theme｣｣ (with Hiroki Takahashi, Toru Ohkawa, Masaya Onosaka & Aya Endo)Petit Four ~ Character CD Vol. 4 ~Izayoi Tsukishima｢Home Station｣
｢Senro ha hashiru 6 no ji ni ~ Ooedo-sen he youkoso ~ Tsukishima ver.~｣Neo Angelique Special ~ Platinum Harmony｢Home Sweetest Home｣ (with Toru Ohkawa)
｢Treasure Tomorrow｣ (with Hiroki Takahashi, Toru Ohkawa, Masaya Onosaka, Kappei Yamaguchi & Daisuke Hirakawa)
｢Kurenai no Rondo｣｣ (with Kappei Yamaguchi)
｢Kiseki~The Brilliant Days｣Nyoron☆Churuya-san ~ YouTube Anime Session Image CD.3｢Machigatte Sumochitaberu｣ (with Yuki Matsuoka)Rikei Danshi. Benkyo ni Naru!? Character Song 1 Vol.4｢Genshibunshi MAIN ~ Bokura no Rikashitsu (Soroba Jon ver.)｣
｢Mayoi no Nucleotide｣Suzumiya Haruhi-chan no Yuutsu ~ OP&ED Ima made no Arasuji｢Atogaki You na Mono｣ (with Tomokazu Sugita, Aya Hirano, Minori Chihara & Yuko Goto)
｢Ima made no Arasuji｣ (with Tomokazu Sugita, Aya Hirano, Minori Chihara & Yuuko Goto)Original Drama Series 響演 第6弾「Wish」「Type two」

2010Durarara!! DVD Vol.3 Tokuten Cover Song Collection of Shizuo Heiwajima｢Tsugaru Kaikyo Fuyugeshiki｣FULL SCORE Vol 04 ~ Mixture｢Borderless Music!! !｣ (with Koji Yusa, Mamoru Miyano, <mask>


title: Daisuke Ono

texts:
 Kamiya)

2011A Channel｢Kimi no Te｣Densetsu no Yusha no Densetsu ~ Character Song Sion｢Hikari to Kattou no Shoushitsuten｣Densetsu no Yusha no Densetsu ~ Blu-ray Vol.12｢君思う空の下｣ (with Jun Fukuyama)Minami-ke Vol. 9 ~ Drama CD + Character songs｢Let's Oyasai｣ (with Minori Chihara)Otomen Charity Song Project ~Brand New Love~｢Ever Smile｣ SHOW&KENN with ALL FRIENDS (with Kenn, Kenji Nojima, Showtaro Morikubo, Tsubasa Yonaga, Hiroaki Miura & Tomoaki Maeno)Rikei Danshi. Benkyo ni Naru!?~ Character song 3｢Fall in love 完了!｣
｢30 minutes Shootin' Star｣ (with Hiroshi Kamiya)Tonari no Kaibutsu-kun ~ Drama CD｢Ore to Bat to Tama to Ore｣Vitamin X ~ OAD Addiction ~ Character song 02｢100V no Ai Shogeki｣
｢100V no Ai Shogeki ~ びた★ぱら Re-Mix☆EXTREAM｣Vitamin X Addiction ~ Ending Theme 1｢Gakuen Frontier ~ Tsubasa & Hajime｣(with Tatsuhisa Suzuki)
｢Gakuen Frontier ~ Hajime Ver.｣Vitamin X Addiction ~ Opening Theme｢Dekiai X ~ Tsubasa & Hajime｣ (with Tatsuhisa Suzuki)
｢Dekiai X ~ Hajime Ver.｣Vitamin X to Z ~ RED-SKY｢ENDLESS SKY｣ (<mask> Ono & Tomoaki Maeno)
｢ENDLESS SKY ~ Hajime Ver.｣Working'!! ~ Ending Theme ｢Itsumo you ni LOVE & PEACE! !｣ (with Jun Fukuyama & Kamiya Hiroshi)WORKING!! きゃらそん☆MENU 06｢SUGAR &


title: Daisuke Ono

texts:
 Suzuki)
｢絶対不滅の愛(ダイヤモンド)｣ (Ono Daisuke's solo)

2014Sengoku Musou 4 Ouka Ranman｢Ouju ga Gotoku｣
'"Kamigami no Asobi
 『I Miss You』

2015 (2015/09/11)
｢Eikyuu Paradise｣ (with cast of B-Project) (2015/11/25) (with Daisuke Kishio)
｢Koiseyo Otome｣
｢Karma｣
｢Eikyuu Paradise (Kitakore Ver.)｣
｢Kitakore Secret Talk (Drama Story)｣

2016Mysterious Kiss (2016/04/06) (with <mask> Kishio)
｢Mysterious Kiss｣
｢Wonderful Days｣ (2016/06/07)
｢Kodō＊Ambitious｣ (with cast of B-Project)
｢｣ (with <mask> Kishio) (2016/07/27)
｢'｣ (with <mask> Kishio) (2016/12/21) (with cast of B-Project)
｢Muteki＊Dangerous｣
｢Eikyuu Paradise (14 Vocal Ver. )｣
｢Eikyuu Paradise (Short Size)｣
｢Muteki＊Dangerous -message from B-｣

2017B-Project: Kodō＊Ambitious Volume 6 (2017/01/25)
｢Starrynight Cinderella｣ (2017/03/15) (with <mask> Kishio)
｢Wonder☆Future｣
｢Vivid Scenery｣Hope Of Mankind (2017/06/21) BLACK (2017/07/19)
｢S-Kyuu Paradise｣ (with cast of B-Project)
｢Muteki＊Dangerous｣ (with cast of B-Project)
｢Karma｣ (with <mask> Kishio)
｢Mysterious Kiss｣ (with <mask> Kishio) WHITE''' (2017/07/19)
｢S-Kyuu Paradise｣ (with cast of B-Project)
｢｣ (with <mask> Kishio)
｢Eikyuu Paradise｣ (with cast of B-Project)
｢Wonder☆Future｣ (with <mask>

masks: Daisuke Daisuke Daisuke Daisuke Daisuke Daisuke Daisuke Daisuke


title: Daisuke Ono

texts:
 Kishio)
｢Wonderful Days｣ (with <mask> Kishio)
｢Koiseyo Otome｣ (with Daisuke Kishio)

Awards

References

 Nakagami, Yoshikatsu. "The Official Art of AIR". (October 2007) Newtype USA. pp. 135–141. Maeda, Hisashi."The Official Art of The Melancholy of Haruhi Suzumiya". (November 2007) Newtype USA''. pp. 133–139. External links

<mask> Ono at Ryu's Seiyuu Info

1978 births
Living people
Best Actor Seiyu Award winners
Japanese male pop singers
Japanese male video game actors
Japanese male voice actors
Mausu Promotion voice actors
Nihon University alumni
Male voice actors from Kōchi Prefecture
21st-century Japanese male actors
21st-century Japanese singers
21st-century Japanese male

masks: Daisuke Daisuke


title: Matheus Nicolau

texts:
<mask> (born January 6, 1993) is a Brazilian mixed martial artist who is currently competing in the Flyweight division for the Ultimate Fighting Championship (UFC). He has also competed in the Brave Combat Federation (Brave CF) and the Future FC. As of October 11, 2021, he is #8 in the UFC flyweight rankings. Mixed martial arts career
<mask> made his professional mixed martial arts debut in August 2010 at the age of 17. He compiled a record of 10-1-1, competing primarily for various regional promotions in Brazil before trying out for The Ultimate Fighter in early 2015. The Ultimate Fighter
In March 2015, it was announced that <mask> was one of the fighters selected to be on The Ultimate Fighter: Brazil 4. In his first fight on the show, Nicolau faced Mateus Vasco.He won the fight via submission (rear-naked choke) in the first round. In the quarterfinals, Nicolau faced off against Reginaldo Vieira. He won the fight via unanimous decision after three rounds. In the semifinals, Nicolau faced Dileno Lopes. He lost via unanimous decision. Ultimate Fighting Championship
<mask> made his official debut for the promotion on November 7, 2015 at UFC Fight Night 77 where he faced fellow castmate Bruno Rodrigues. He won the fight submission in the third round.<mask> next faced John Moraga on July 8, 2016 at The Ultimate Fighter 23 Finale. He won the fight via split decision. <mask> was expected to face Ulka Sasaki on November 19, 2016 at UFC Fight Night 100. However Nicolau was pulled from the bout on November 3 after the USADA revealed a potential anti-doping violation from a sample that was taken October 13. <mask> faced Louis Smolka on December 30, 2017 at UFC

masks:
Matheus Nicolau
Nicolau
Nicolau
Nicolau
Nicolau
Nicolau
Nicolau


title: Matheus Nicolau

texts:
 219. He won the fight via unanimous decision. <mask> faced Dustin Ortiz on July 28, 2018 at UFC on Fox 30.He lost the fight via knockout due to a head kick and follow-up punches in the first round. In February 2019, news surfaced that Nicolau had been released from the UFC. Future FC
After being released from the UFC, <mask> signed with Brazilian mixed martial arts promotion Future FC where he fought in the bantamweight division. In his promotional debut he faced Alan Gabriel at Future FC 5 on May 24, 2019. He won the fight via anaconda choke. In August 2019, it was also announced that Nicolau had signed with Brave CF, making his promotional debut against Felipe Efrain at Brave CF 25 on August 31, 2019. Nicolau won the fight via unanimous decision.In February 2020, news surfaced that Nicolau would be participating in Brave CF Flyweight tournament. In the initial round, <mask> was expected to face Jose Torres at Brave CF 35 on March 28, 2020. However, the event was postponed until a to-be-determined date due to the COVID-19 pandemic

Return to UFC
<mask> was scheduled to face Tagir Ulanbekov on January 24, 2021 at UFC 257. However, Ulanbekov withdrew due to undisclosed reasons. The pairing was eventually rescheduled for UFC Fight Night 187. However, Ulanbekov withdrew from the bout the second time for undisclosed reason and he was replaced by Manel Kape. He won the fight via controversial split decision.21 out of 21 media members scored the fight for his opponent Kape. <mask> faced Tim Elliott on October 9, 2021 at UFC Fight Night 194. He won the fight via unanimous decision. <mask> is set to face David Dvořák on March 26, 2022 at UFC Fight Night

masks: Nicolau Nicolau Nicolau Nicolau Nicolau Nicolau


title: Pete Sell

texts:
<mask>Drago<mask>, (born August 5, 1982) is an American mixed martial artist who most recently competed in the Welterweight division. A professional competitor since 2002, he has formerly competed for the UFC, and was a competitor on The Ultimate Fighter: The Comeback. Career

Ultimate Fighting Championship
Sell made his debut with the UFC at UFC 51, defeating Top contender Phil Baroni by guillotine choke submission in what was considered a major upset, considering he was a 5–1 underdog. After a controversial Technical knockout stoppage in his first fight against The Ultimate Fighter veteran Nate Quarry at UFC Ultimate Fight Night, Sell was then seen as a middleweight contestant on The Ultimate Fighter: The Comeback, which premiered on August 17, 2006. He entered the competition alongside Matt Serra, who competed one weight class below Sell in the welterweight division. Sell defeated "Chainsaw" Charles McCarthy to move on the semi-finals of the competition, where he lost to the ultimate winner of the tournament Travis Lutter. Although Sell did not proceed the finals, he was featured on the undercard of the season finale where he lost to Scott Smith in a back and forth war that ended via sudden highlight reel knockout.He then fought and lost to Thales Leites at UFC 69. He lost the

masks:
Peter '
' Sell


title: Pete Sell

texts:
 fight via unanimous decision. His next fight was a rematch against Nathan Quarry, at UFC Fight Night 11. <mask> lost to Quarry once again via KO in the third round. <mask> made his second appearance on The Ultimate Fighter as a trainer for Team Serra for season 6, The Ultimate Fighter: Team Hughes vs. Team Serra. <mask> has dropped down to welterweight for his latest matches; a victory over Josh Burkman at UFC 90, and a knockout loss to Matt Brown at UFC 96.His match against Brown was somewhat controversial, as referee Yves Lavigne pulled Matt Brown off of a stunned <mask> early in the bout, but quickly after ordered both men to resume fighting. After the event, <mask> was still visibly dazed, and was unable to mount any offense, or competently defend himself. Eventually Brown knocked <mask> out with a series of punches 1:32 into the first round. Post-UFC career
After a two-year hiatus from MMA, <mask> finally made his return and defeated Elijah Harshbarger via armbar in the second round at Ring of Combat XXXVI. <mask> then faced Nordine Taleb at Ring of Combat 38 on November 18, 2011. <mask> lost the bout via technical knockout in the second round. <mask> would then win his next fight via unanimous decision against Mitch Whitesel at Ring of Combat 39 on February 10, 2012.<mask> was

masks:
Sell
Sell
Sell
Pete Sell
Sell
Sell
Sell
Sell
Sell
Sell
Sell


title: Pete Sell

texts:
 expected to face Elijah Harshbarger for a second time at Ring of Combat 49 on September 19, 2014. However, the bout was cancelled for unknown reasons. The bout was rescheduled to September 25, 2015, which <mask> lost by unanimous decision. Championships and accomplishments
Ring of Combat
ROC Middleweight Championship (One time)
Ultimate Fighting Championship
Fight of the Night (One time) vs. Scott Smith

Mixed martial arts record

|-
| Loss
| align=center| 10–7
| Elijah Harshbarger
| Decision (unanimous)
| Ring of Combat 52
|
| align=center| 3
| align=center| 5:00
| Atlantic City, New Jersey, United States
|For Ring of Combat Welterweight Championship. |-
| Win
| align=center| 10–6
| Mitch Whitesel
| Decision (unanimous)
| Ring of Combat 39
|
| align=center| 3
| align=center| 5:00
| Atlantic City, New Jersey, United States
|Catchweight (180 lbs) bout. |-
| Loss
| align=center| 9–6
| Nordine Taleb
| TKO (punches)
| Ring of Combat 38
|
| align=center| 2
| align=center| 0:53
| Atlantic City, New Jersey, United States
|Lost Ring of Combat Welterweight Championship. |-
| Win
| align=center| 9–5
| Elijah Harshbarger
| Submission (armbar)
| Ring of Combat 36
|
| align=center| 2
| align=center| 3:24
| Atlantic City, New Jersey, United States
|Won Ring of Combat Welterweight


title: Sam Fender

texts:
<mask> (born 25 April 1994) is an English singer, songwriter, musician, and actor. <mask> was born and grew up in North Shields. He found his vocation as a singer-songwriter around the age of fourteen and commenced acting in television series afterwards. He released several singles independently, being named one of the BBC's Sound of 2018. <mask> signed to Polydor Records and released his debut EP, Dead Boys, in November 2018. He won the Critics' Choice Award at the 39th Brit Awards and released his debut album, Hypersonic Missiles, in September 2019, which entered the UK Albums Chart at number one. In 2020, <mask> was nominated for an Ivor Novello Award.His second album Seventeen Going Under was released in October 2021 and also topped the UK Albums Chart. <mask> received the 2022 Brit Award for Best British Alternative/Rock Act. Early life
<mask> <mask> was born on 25 April 1994 in North Shields, England, to Alan and <mask>. He has a brother, Liam, ten years his senior. <mask> had a tumultuous childhood; his mother left when he was eight years old, but he later moved back in with her after he was kicked out of his father's house by his stepmother as a teenager. When he was 17, his mother had to end her 40-year career as a nurse due to fibromyalgia; he considered selling drugs to support her, but she talked him out of it. <mask> attended John Spence Community High School and the sixth form at Whitley Bay High School.He was bullied for being overweight and unathletic as a child but found musically-minded friends at high school. Whilst he studied A-level English language and theatre at Whitley Bay, <mask> met Joe Atkinson, and they soon developed a friendship. He held several jobs during and after high school, working in a call centre and a bar. Whilst studying, he simultaneously held two jobs at a restaurant and local pub (where his manager later discovered him) and consumed alcoholic beverages daily from the age of 17 and a half to 18,

masks:
Samuel Thomas Fender
Fender
Fender
Fender
Fender
Samuel Thomas
Fender
Shirley Fender
Fender
Fender
Fender


title: Sam Fender

texts:
 relieving him from work fatigue. At the age of 20, <mask> was diagnosed with a potentially life-threatening illness, shortly after which his father moved to France. His father and brother are also both musicians. His father is a singer-songwriter, guitarist, and pianist, whilst his brother plays the drums.Career

2013–2015: Early beginnings
When he was eight years old, <mask> received his first guitar from his father, a gift when his parents divorced. He had started becoming proficient at age 10 while being fascinated by Jimmy Page, Jimi Hendrix, and Slash. <mask> had met his friend Dean Thompson at the age of 12 and continued to play the guitar alongside him, also covering songs from Kings of Leon. The following year, he performed for the first time in front of an audience accompanied by Thompson at the latter's uncle's birthday. His ambition at this point was to become a professional musician; <mask> recalled, "when I hit 13 it was the only thing I wanted from life". He learned to sing at the age of 14 by listening to Jeff Buckley's Grace, an album his brother gave him. <mask> began to write songs at the same age, after being introduced to Bruce Springsteen's albums Born to Run and Darkness on the Edge of Town by his brother.At the age of 15, he started to play at his brother's open mic nights and formed his first band. When he was 15, <mask> acted in the pilot episode of the ITV drama series  Vera which aired in 2011. He also played the character of Dean in an episode of the fantasy series Wolfblood which first aired on CBBC in 2012. At the age of sixteen, <mask> entered a Teenage Cancer Trust competition where Matty Healy was a judge and won. When he was about 18 he began performing paid gigs at restaurants. In 2013, <mask> was spotted performing in Low Lights Tavern, the pub where he worked, by Ben Howard's manager Owain Davies, who took him on as a client. Throughout 2013, <mask> played a series of gigs across the country supporting

masks: Fender Fender Fender Fender Fender Fender Fender Fender Fender


title: Sam Fender

texts:
 a number of artists including Howard and Willy Mason.<mask> then took two years out for health reasons. <mask> has said that prior to this time he tried to write songs that he thought would be popular as he was "desperate to do well" to get himself and his mother out of their financial and living situation. However, <mask> said that having a major health scare and facing the possibility of death changed his outlook on life. His recovery refocused his songwriting efforts and he began to write songs for himself. It was out of this period that <mask> wrote a number of the songs he went on to release. 2017–2018: Singles and Dead Boys EP

In March 2017, <mask> independently released his debut single "Play God". In the summer of 2017, <mask> played the first shows with his band, consisting of Thompson, Atkinson, Tom Ungerer, and Drew Micheal.Throughout this period <mask> toured with support slots for acts such as Bear's Den, Declan McKenna, and Michael Kiwanuka. In 2017, he put out singles "Friday Fighting" and "Start Again", which sparked a breakthrough. In November 2017, <mask> was placed on BBC's Sound of 2018 shortlist alongside Billie Eilish, Khalid, Lewis Capaldi, and winner Sigrid. In 2 December 2017, he played a BBC Music Introducing session at Maida Vale Studios. At the end of the year, <mask> announced his first UK headline tour scheduled for February and March 2018. In June 2018, he signed to Polydor Records. The single "Dead Boys" was premiered as Annie Mac's Hottest Record in the World in October.The track would be considered <mask>'s breakthrough song as it was the first to bring him mainstream attention and was subsequently nominated for a 2020 Ivor Novello Award for Best Song Musically and Lyrically. The song deals with the subject of male suicide, and <mask> Holland. The single "Play God" would appear in the FIFA 19 video game soundtrack. <mask> released the Dead Boys EP on 20 November 2018, which also featured the tracks

masks: Fender Fender Fender Fender Fender Fender Fender Fender Fender Fender Fenderols Fender


title: Sam Fender

texts:
 "Spice", "Poundshop Kardashians" and "That Sound". Alongside the EP's release, he embarked on a headline tour including three sold-out shows at the London's Omeara club and one at Newcastle University and toured with Blossoms in December. At the end of December 2018, <mask> was included in The Irish News "Who are the ones to watch in music in 2019?"list. 2019–2020: Hypersonic Missiles
In January 2019, saxophonist Johnny "Blue Hat" Davis—who worked with the Who's Roger Daltrey—completed the final band line-up. In anticipation of his debut album, <mask> re-released "Play God" on 14 January 2019. He performed the track in his first Live Lounge alongside a cover of Ariana Grande's "Break Up With Your Girlfriend, I’m Bored". <mask> received widespread recognition winning the Critics' Choice Award at the 2019 Brit Awards. On 6 March, <mask> released the title track of the album "Hypersonic Missiles", which he described as an "unorthodox love song". The single has since been BRIT certified Gold.In March, he performed the song on his US television debut on Jimmy Kimmel Live! He embarked on his first-ever North American tour in mid-March, including six shows at the South by Southwest festival in Texas and sold-out shows in New York and Los Angeles. In May, <mask> made an appearance on The Graham Norton Show to promote the forthcoming album and performed at Radio 1's Big Weekend in Middlesbrough. On 6 July, he announced the album alongside the release of the single "Will We Talk?". After extensive touring, including playing two sold-out shows at Shepherds Bush Empire, <mask> had to cancel several gigs, including Glastonbury Festival, after experiencing severe bleeding in his vocal cords. However, after a month of rest, he recovered sufficiently to support Bob Dylan and Neil Young in Hyde Park and play a fast-selling date at the Mouth of the Tyne Festival, where he was the headliner. On 1 August 2019, <mask> was the musical guest on The Tonight Show

masks: Fender Fender Fender Fender Fender Fender Fender


title: Sam Fender

texts: Starring Jimmy Fallon, where he performed "Will We Talk?".After that, he performed at the Lollapalooza festival in Chicago and the Summer Sonic Festival in Osaka and Tokyo. The last single, "The Borders" was released two weeks prior to the album. <mask> has said the track is the most personal on the album and that it shows the musical direction that he will be going in, both sonically and thematically. <mask> released his debut studio album, Hypersonic Missiles, on 13 September 2019. It debuted and peaked at number twelve on the Billboard Heatseekers Albums chart. The album topped the UK Albums Chart selling 41,000 copies in the first week; outselling the rest of the top 5 combined. <mask> supported Liam Gallagher at a gig for Radio X at the O2 Ritz Manchester on 21 September.He was awarded the Number One Album Trophy by Alan Shearer for the BBC's Match of the Day. Subsequently, he returned for a second North American tour spanning from 25 September to 20 October. On 22 November, <mask> began a headlining tour of 20 dates in the UK and Ireland, which completely sold out, including two nights at O2 Brixton Academy and four nights at O2 Academy Newcastle. On 10 December 2019, "All Is On My Side" was released being described as one of his oldest songs and a staple of his live set, which didn't make it on the album. Hypersonic Missiles was certified Gold by the British Phonographic Industry (BPI) for selling over 100,000 units in the UK, two months after the album release, on 13 December 2019. <mask> was nominated for Best New Artist at the 2020 Brit Awards, losing out to Lewis Capaldi. He performed in the Live Lounge playing a cover of "Back To Black" by Amy Winehouse, a previous Brit Award winner, which was later officially released.Elton John personally invited <mask> to perform at his annual AIDS Foundation Academy Awards Party after the 2020 Oscars and joined him on stage for a rendition of "Will We Talk?". On 13 February, the track "Hold

masks: Fender Fender Fender Fender Fender Fender


title: Sam Fender

texts:
 Out" was released which <mask> said was to be the last song released of the Hypersonic Missiles era. To promote the album, he was supposed to embark on a UK tour in Spring 2020, with his first-ever arena shows, including dates at Newcastle's Utilita Arena and London's Alexandra Palace. However, in March, <mask> was forced to reschedule the tour due to the COVID-19 pandemic. In mid-August 2020, he was the first act to perform at the Virgin Money Unity Arena, a specially created socially distanced venue at Gosforth Park in Newcastle. Opening the show with "Will We Talk? ", he played three unreleased songs, including "The Kitchen" and "Seventeen Going Under".On 24 November 2020, <mask> released the track "Winter Song", a cover of a 1970s track by Lindisfarne, which was premiered as Annie Mac's Hottest Record in the World. The track was released to raise money for The Big Issue in collaboration with homelessness charity People Of The Streets. <mask> has said that the issue is "close to home" for him as he has "family members and friends" who have been homeless. He performed this track with the Royal Northern Sinfonia at Sage Gateshead Christmas Cracker event on 18 December. 2021–present: Seventeen Going Under
On 7 July 2021, <mask> released "Seventeen Going Under" as the lead single and title track of his second studio album. It debuted at number forty-four on the UK Singles Chart. The track focuses on the time <mask> was seventeen and struggling to help his mother financially.Alongside this, <mask> announced the tracklist of his then-forthcoming album and described it as "a coming of age story. It's about growing up. It's a celebration of life after hardship, and it's a celebration of surviving". The two-minute track "Howdon Aldi Death Queue" was released as a B-side the following month. After the title track was released, <mask> followed it with the politically charged single "Aye", which he described as being "about the polarity between the

masks: Fender Fender Fender Fender Fender Fender Fender Fender


title: Sam Fender

texts: left and the right wing". On 8 September, he released the third single, "Get You Down". The final single, "Spit of You", released on 27 September, chronicled <mask>'s relationship with his father and was played in the music video by actor Stephen Graham.<mask> contributed a cover of the Metallica song "Sad but True" (recorded live) to the charity tribute album The Metallica Blacklist, released in September 2021. In the same month, <mask> appeared on one of three cover versions of Rolling Stones UK edition. "Get You Down" was later featured on the FIFA 22 video game soundtrack. Produced by Bramwell Bronte, Seventeen Going Under was released on 8 October 2021 through Polydor Records. The album debuted at number one on the UK Albums Chart, marking <mask>'s second time to debut at the top spot. It also debuted at number one on the Scottish Albums Chart and in a top 10 position on the Irish Albums Chart and the German Albums Chart. Seventeen Going Under shifted 44,000 copies in its first week, of which 79% of those were physical sales, outselling the rest of the top 10 combined.This made it Fender's highest first-week sales to date and the fifth-biggest opening week of 2021. It received "universal acclaim", based on the cumulative reviews on the website Metacritic. <mask> said that "as a record, I think this one is leagues ahead of Hypersonic Missiles, I'm more proud of this than anything I've ever done. It's probably the best thing I've done in my life." Elton John and Paul Weller acclaimed the album. Grant Moon of Guitar World called it "a masterclass in songwriting". <mask> appeared on The Tonight Show Starring Jimmy Fallon on 10 November 2021, where a performance of "Spit of You" recorded at the Low Lights Tavern in North Shields was played.He also presented a BBC Four documentary on the life of Alan Hull, named Lindisfarne's Geordie Genius: The Alan Hull Story, which featured contributions from Sting, Elvis Costello, Mark Knopfler, Dave


title: Sam Fender

texts:
 Stewart, and Peter Gabriel. It was broadcast by BBC Four on 26 November 2021. On 7 January 2022, "Seventeen Going Under" peaked at number three on the UK Singles Chart after twenty-five weeks on the chart. On 8 February 2022, he received the award for Best British Alternative/Rock Act from Ronnie Wood at the Brit Awards at the O2 Arena in London. <mask> and his band also performed a song there. <mask> is set to embark on a UK-headline arena tour, his most significant to date, to support Seventeen Going Under, which will begin on 20 March. The tour includes Wembley Arena, SSE Hydro Arena, and 3Arena in Dublin.He will also be supporting the Killers on four of their UK and Irish dates in 2022. Artistry

Influences
<mask> grew up in a family where his parents listened to soul, jazz, rock, and 1990s music through his brother. He cites Aretha Franklin, Donny Hathaway, Joni Mitchell, Jeff Buckley, Adam Granduciel, and his father's favourite band, Steely Dan, as his early inspirations. His godfather was also a significant source of musical inspiration to him growing up; thus, visiting him, <mask> would listen to songs by Mitchell and the Smiths. He also listened to Joy Division and Talking Heads growing up. He names Springsteen as a major influence. Springsteen's 1975 album, Born to Run, marked a turning point in his artistic development.Voice and musical style
<mask> has been classified as an indie rock and British rock singer. His musical style incorporates the indie rock, pop rock, post-punk, Americana, and heartland rock genres. "Play God" has been characterised as math rock. Max Winkler of the Hamburg Evening Newspaper called <mask> "the future of rock'n'roll", while Neil McCormick of The Daily Telegraph wrote that through his music, he "continues his crusade to keep Britain safe for rock'n'roll". Financial Times critic Ludovic Hunter-Tilney felt a musical approach associated with classic rock and considered <mask> to have established his


title: Sam Fender

texts:
 "authentically British version" of heartland rock as Dire Straits had done in the 1980s. <mask> is known for his high tenor voice and strong Geordie accent (North East England). His voice has been described as "earnest" with keening harmonies.<mask> has stated that he tends to sing at the top of his vocal range when writing and performing; he said, "I'm always belting." He is a multi-instrumentalist, playing  guitar, bass, piano, synthesizer, Hammond organ, glockenspiel, harmonica, and mandolin. Songwriting and lyrical themes
<mask> was described by Al Newstead of the Australian Broadcasting Corporation as "a songwriter with skill, honesty, and a great love for anthemic rock". Moon deemed his lyrics as "powerful, poetic, personal stufftraditional songwriting with a modern edge". <mask>'s songwriting leans towards a direct style which he called "descriptive", imbued with reality and details, rather than a metaphorical style, exemplified in the lyrics of "The Dying Light", "This town is a world of waifs and strays, comedy giants, penniless heroes/Dead men at the bar, I drank with them all." The urban environment and local pubs' atmosphere often serve as a thematic framework for his songs. Songs provide the narrative of his personal experiences and those of his friends, ranging from "troubled childhoods", working class life in North Shields, to male suicides.The New York Timess Alex Marshall wrote that through the theme of social classes depicted in his songs, <mask> continues in the tradition of the Clash, Sex Pistols, Pulp, and the "Britpop battles of the 1990s"citing Oasis and Blur. His songs also addressed communication, romantic failures, and relationships—including "complicated" ones between fathers and sons. Some lyrics were about self-esteem and growing up in England, whilst others chronicled the country's political spectrum and the ensuing tensions. Others thematically refers to teenage life, friendship, mental health, poverty, and

masks: Fender Fender Fender Fender Fender


title: Sam Fender

texts:
 "toxic masculinity". His second album was described as <mask> "turning the mirror on himself; his adolescence and the trials and tribulations of growing up", with North Shields as "the ever-present backdrop". Personal life
<mask> has ADHD, which he believes helped him focus on music. He was asked to be in the Ariana Grande music video for "Break Up with Your Girlfriend, I'm Bored", but he turned it down as he was shooting a video for his own single "Play God" on the same day.He later covered the song in the Live Lounge. <mask> had his Brit Award "made into a beer pump" at the Low Lights Tavern in North Shields. He is a Newcastle United F.C. fan. <mask> holds left-wing views, but has said that the British Left had "alienated their grassroots supporters" by concentrating on identity politics, leaving the working class to "being picked up by the right". He is a supporter of Jeremy Corbyn, telling The Big Issue: "I loved Corbyn, quite frankly. I mean, he fucked up a lot of things.But I think his heart was in the right place and that's something that we've not seen for a long time. I just think he was done a massive disservice by the British press. And I think a lot of people who he would have potentially helped, were groomed to hate him. The Tory party knew exactly what they were doing when it comes to turning him into a fucking enemy." Backing band members
Current
 Dean Thompson – lead guitar
 Tom Ungerer – bass guitar
 Joe Atkinson – keyboards, synthesizers, guitar
 Drew Michael – drums
 Johnny "Blue Hat" Davis – saxophone

Discography

Studio albums
 Hypersonic Missiles (2019)
 Seventeen Going Under (2021)

Extended plays
 Dead Boys (2018)

Awards and nominations

References

External links

1994 births
21st-century British male singers
21st-century English singers
Brit Award winners
English male singers
English male singer-songwriters
English tenors
Living people
Musicians from Tyne and Wear
People from North Shields
Polydor

masks: Fender Fender Fender Fender


title: Sol Metzger

texts:
<mask><mask> (December 29, 1880 – January 18, 1932) was an American football player, coach of football and basketball, college athletics administrator, and sports journalist. He served as the head football coach at Baylor University (1904), the University of Pennsylvania (1908), Oregon State University (1909), West Virginia University (1914–1915), Washington & Jefferson College (1916–1917), Union College (1919), the University of South Carolina (1920–1924). <mask> was also the head basketball coach at South Carolina for one season in 1920–21, tallying a mark of 7–11. In addition, <mask> wrote a nationally syndicated sports column. Early life
<mask> was born in Bedford, Pennsylvania on December 29, 1880. He was of son of American Civil War veteran Captain <mask> and his wife Margaret (Andrews<mask>. He was one of six children with three brothers and two sisters.Growing up in Bedford he attended Bedford Public Schools and the Bedford Academy before going to Phillips-Andover Academy in Andover, Massachusetts. He graduated from Phillips-Andover Academy in 1899 where he was a member of the track team as a member of the quarter mile relay team. University of Pennsylvania
Metzger was a graduate of University of Pennsylvania in 1903 with a Bachelor of Architecture. He was active in many organizations including Phi Kappa Psi fraternity and Sphinx Society. He was also business manager of the University’s monthly periodical, The Red and Blue. At Penn he was also much involved in several athletic programs including being the manager of the varsity rowing team, a member of the track team and most notably the football team. Football player
As a freshman.<mask> made the freshman football team. He lettered three years at end and quarterback on the varsity team. His first varsity year was played under College Football Hall of Fame coach George Washington Woodruff and last

masks:
Sol S
. Metzger
Metzger
Metzger
Metzger
Sol Metzger
) Metzger
Metzger


title: Sol Metzger

texts:
 two under Carl S. Williams. In 1901, <mask> first season for the Quakers, he played as a backup. The team started strong by winning their first seven games, but were weakened in part to injuries accumulated during the earlier games. The Quakers lost five out the last eight to finish the season 10–5. The five losses were the most under Woodruff.In addition to the tough season the team had to deal with an undergraduate and dental student revolt upset about the coaching of the team. This led to Head Coach George W. Woodruff to resign as coach. After Woodruff resignation was accepted, the members of the football team sent a letter to the Football Committee unanimously requesting that Woodruff be reinstated as coach. The letter was ignored. In 1902, Carl Sheldon Williams succeeded George W. Woodruff as coached and the Quakers improved to 9–4. The following year <mask> was named captain and led Penn to a 9–3 mark. During his playing career he was best known for playing right end on Defense where he was known for his tackling and stopping the opposition’s runs around end.Coaching career

Baylor
After graduating from Penn, he took a job as coach at Baylor University. He compiled a 2–5–1 record in 1904. Pennsylvania
In 1908, Metzger succeeded Carl Williams, his former coach, at the University of Pennsylvania. Penn won a retroactive national title after an 11–0–1 campaign in his only year at the helm of the Quakers. During the championship run, the Quakers out-scored their opponents, 215–18. A 6–6 tie with the Carlisle Indians was only blemish on their season. This team was led by two future members of the College Football Hall of Fame, All-American senior captain Bill "Big Bill" Hollenback at halfback and All-American Hunter Scarlett at end.Oregon State
In 1909, <mask>  became head coach at Oregon State University (then known as Oregon Agricultural College) where

masks: Metzger Metzger Metzger


title: Sol Metzger

texts:
 he posted a 4–2–1 record including late season losses to Washington and the Oregon. During the season, Metzger removed the team's captain, Carl Wolff, from the squad for insubordination. West Virginia
After spending  time raising fruit in Lewiston, Idaho,  <mask> coached at West Virginia University from 1914 to 1915, where he and compiled a 10–6–1 record. <mask> replaced Edwin Sweetland to please outraged alumni calling for the hiring of a nationally known coach. During his tenure as coach he was credited with bring in stars such as Ira Errett Rodgers, Russ Bailey and Clay Hite. While at West Virginia he was also noted for being one of the first coaches to employ the screen pass. In Metzgers first season at West Virginia, the team finished with a 5–4 record.During the season his coaching was hindered when he broke his leg in an automobile accident. The 1915 squad improved to a record of 5–2–1 and gained some national attention. The team scored 216 points to 25 by their opponents. The two losses were a 7–0 loss to traditional power the University of Pennsylvania to start the season, and a forfeit to Washington and Lee. During the Washington & Lee game, Metzger pulled his team off the field alleging rough play while leading 8–6. The only other blemish was a tie to Washington & Jefferson which later defeated traditional power Yale. <mask> was offered the coaching position for the next season but turned it down, instead signing to coach Washington and Jefferson College.Tower play controversy
In 1915, <mask> was involved in a controversy with what would become known as a "Tower Play" during a game between West Virginia and Marshall. The Mountaineers were heavily favored and <mask> told the media he would "eat his hat if Marshall scores." As expected, <mask>'s team won the game handily by a score of 92–6. West Virginia mostly ran ball to the side line where

masks: Metzger Metzger Metzger Metzger Metzger Metzger


title: Sol Metzger

texts:
 Blondie Taylor was so to punish him for transferring from WVU to Marshall before the season. To prevent the shutout, Marshall coach Boyd Chambers developed a special play. On their fourth possession. Marshall moved the ball down to the 15-yard line.Marshall back Dayton Carter came in the game. Marshall quarterback Brad Workman, took the snap and set up to pass. Marshall's tackle Okey Taylor and Carter ran toward the end zone. Carter was hoisted onto Taylor's shoulders as Workman rifled a high pass in their direction. Carter caught the ball and fell into the end zone for a score. Metzger argued with the officials, but the referee and umpire could find no rule to discount the score. The next day the Huntington Herald Dispatch head line was “Marshall Scores”  The story did not mention much about West Virginia until the middle of the article instead focusing on the Tower play.Metzger protested to former Yale coach Walter Camp, who was in charge of college football rules. Camp upheld the score, however, he changed the rules to not allow the play for the 1916 season. Washington & Jefferson
In 1916, <mask> moved Washington & Jefferson College where he coached for two years. During his tenure he coached the Red and Black to a record of 15–5. <mask> replaced Robert Folwell who became coach of the University of Pennsylvania. The 1916 season <mask> had to contend with injuries and suspensions. Two players (Nuss and Ruble) were injured in a loss to Yale.Before the team left for Richmond, Virginia to play Washington and Lee, three players, Fain, Whitehill and Nall, were declared ineligible due to poor grades. During the victory over Washington and Lee, center Bill Shields fractured ankle and was out for the rest of the season. Before the last game of the season, a victory over Rutgers, Metzger became ill with ptomaine poisoning. Washington and Jefferson was