title: Bettina von Arnim

texts:
 Das unbekannte Briefbuch. Berlin 2019. <mask>'s letters to  her friend Julius Döring.Renate Moering, ed., Achim <mask> – Bettine Brentano verh. von Arnim: Briefwechsel. 3 vols. Complete edition after the original manuscripts with commentary, Reichert, Wiesbaden 2019. Gajek, Enid and Bernhard Gajek, eds., Bettine <mask>, <mask> Pückler-Muskau, »Die Leidenschaft ist der Schlüssel zur Welt«. Briefwechsel 1832–1844 (“Passion is the key to the world.” Correspondence 1832–1844), with commentary, Cotta, Stuttgart 2001,

Legacy
The German-American settlement of Bettina in the state of Texas was founded in 1847, and named by its progressive, idealistic founders after Bettina von Arnim. Located near the juncture of Elm Creek and the Llano River, it lasted only a year.No trace of the Bettina community survives, though two of its three founders subsequently became prominent: Gustav Schleicher, later a U.S. congressman and namesake of Schleicher County, and Dr. Ferdinand Ludwig Herff, who in 1854 became the first surgeon to use anesthesia in Texas. The community's third founder was Hermann Spiess. Part of <mask>'s design for a colossal statue of Goethe, executed in marble by the sculptor Carl Johann Steinhäuser (1813–1878), was displayed in the museum at Weimar in 1911. The chamber opera Bettina by Friedrich Schenker, which was premiered in Berlin in 1987, deals with her friendship to Karoline <mask>nderrode. From 1991 until 31 December 2001, her portrait was on the German 5-Deutsche Mark bill. In 2006, the German government turned Künstlerhaus Schloss Wiepersdorf, the estate of the von Arnims, into a literary institute. The institute contains a museum devoted to the von Arnims' literary legacy.References

External links

1785 births
1859 deaths
19th-century German composers
19th-century German women writers
Bettina
German women composers
German illustrators
German-language poets
German women novelists
People from the Free City of Frankfurt
Writers from Hesse
19th-century

masks:
Arnim
von Arnim
von Arnim
Hermann von
von Arnim
von Gü


title: David Davis (footballer)

type: original

texts:
<mask> (born 20 February 1991) is an English professional footballer who plays as a midfielder for  club Shrewsbury Town. Having trained with Walsall's Centre of Excellence as a boy, and then played local football for Tividale, <mask> began a scholarship in Wolverhampton Wanderers' youth academy in 2007. He turned professional in 2009, and made his senior debut the same year while on loan to Darlington of League Two. He spent time on loan at three other clubs in the lower leagues – Walsall and Chesterfield of League One and League Two Shrewsbury Town – as well as at Scottish Premier League side Inverness Caledonian Thistle, before making seven appearances for Wolves in the Premier League at the end of the 2011–12 season during their unsuccessful fight against relegation. Although playing fairly regularly in the Championship, he never established himself as a consistent member of the starting eleven as Wolves were again relegated. He fell out of favour the following season, and left for West Midlands neighbours Birmingham City in August 2014. He spent six-and-a-half years with the club, during which he made nearly 200 appearances in all competitions and was voted Birmingham's Player of the Year for 2016–17 before falling out of favour and spending time on loan at Charlton Athletic.He was released by mutual consent in January 2021 and joined Shrewsbury Town. Early life and career
<mask> was born in Smethwick, Sandwell. His older brother, Dion Scott, played as a defender in the Football League for Walsall and Kidderminster Harriers. <mask> spent time in Walsall's Centre of Excellence as a boy, and then played local

masks:
David Lowell Davis
Davis
Davis
Davis


title: David Davis (footballer)

texts:
 youth football for Tividale. Spotted by Wolverhampton Wanderers as a 15-year-old, he had trials with the club and was given "a year to try and impress" before beginning a two-year scholarship in 2007. According to his first-year academy profile, he was a midfielder who "shows good versatility and all round game" and was "adept in possession." In 2009, <mask> was one of seven academy players to sign professional contracts.Senior career

First-team football on loan
<mask> joined League Two club Darlington on 22 October 2009 on a month's loan (later extended to January 2010) to gain experience of first-team football. According to manager Steve Staunton, who had watched him play against Arsenal Reserves, "he's combative, he's excellent on the ball, he's strong and he's a good passer". He made his senior debut in the starting eleven at Barnet two days later; the Northern Echo reported that he "showed some promise" but "wasted a great scoring chance" when he beat the offside trap only for his lobbed shot to go over the bar. In a 5–2 defeat at Chesterfield, he was used as the defensive organiser in a five-man midfield: the Echo reporter described how he "sat in front of the back four and barked out orders" but thought his passing "left a lot to be desired". After a 4–0 home defeat by Morecambe, <mask> was one of five players left out. He remained out of the side for three matches, then bad weather left Darlington without a match for several weeks, so he returned to his parent club. He had played five league matches and once in the FA Cup.In September 2010 he went out on another month's loan, this time to League One club

masks: Davis Davis Davis


title: David Davis (footballer)

texts: Walsall, where he had spent time as a junior. The Birmingham Mail reported that on his debut, in a defeat at Rochdale, he had "a quiet first half but showed some impressive touches in the second period and fitted well into Walsall's 4–3–3 formation." His captain, Darren Byfield, "thought <mask> was superb. Usually when you have players who love to tackle and get in your face, they can't use the ball – but he was playing balls around the corners and off the strikers. You can see already he's not one of those who come from the Premiership thinking 'what am I doing here?' He's listening to people and his attitude is superb." He played the whole of Walsall's six matches during his initial month, apart from the last 15 minutes against Swindon Town when he was stretchered off with an injured ankle.The first five of those sixfour losses and a drawsaw Walsall drop from 13th place to bottom of the table, and, again according to the Mail, <mask> "did as well as can be expected from a 19-year-old pitched into a team in freefall". The loan was extended for another month, but because Wolves had injury problems, manager Mick McCarthy included a clause allowing them to recall him at 24 hours notice if they needed him. <mask> played just once more for Walsall before he was recalled. With three first-team midfielders unavailable, McCarthy included him on the bench for Wolves' Premier League visit to Chelsea; he remained unused. After more appearances on the first-team bench, and a sending-off for a "reckless challenge" in a reserve-team local derby against West Bromwich Albion, <mask> signed for League Two Shrewsbury Town on 31

masks: David Davis Davis Davis


title: David Davis (footballer)

texts:
 January 2011 on loan for a month, later extended to the end of the campaign. He went straight into the starting eleven and "combined a crispness in the tackle with an impressive range of passing" in what the Shropshire Star called "a highly intelligent display" as Shrewsbury beat Burton Albion 3–0. He "rifled home a first time shot from just inside the box" for his first senior goal to equalise away to Northampton Town on 5 March; Shrewsbury won 3–2.In all, <mask> made 19 league appearances, all as a member of the starting eleven, and scored twice. His second goal, on the final day of the regular season contributed to a 3–0 defeat of Oxford United, but Wycombe Wanderers' win meant Shrewsbury missed out on automatic promotion and went into the play-offs instead. <mask> played in both legs of the semi-final, in which his team lost on aggregate to Torquay United. Wolves debut and more loans
During his time with Shrewsbury, <mask> extended his contract with Wolves until 2013. He made his debut for the club in the League Cup second-round tie away to Northampton Town on 23 August 2011, coming off the bench for the last few minutes as Wolves won 4–0. A week later, he made yet another loan move, this time to Scottish Premier League (SPL) side Inverness Caledonian Thistle until January 2012. Ahead of his debut, he said he felt the intensity of the training sessions had improved his fitness, and while admitting that the standard of the SPL would be rather higher than he was used to, he hoped to prove himself ready and able to play regularly.He started the match against Hearts on 10 September, a 1–1 draw in which he played 65


title: David Davis (footballer)

texts: minutes, received a standing ovation, and was the Scottish Express reporter's "calm and creative" man of the match. He made 14 appearances in the SPL, all starts, and scored once, with a curling shot from  after three minutes of the 3–2 home defeat against Motherwell. He also experienced his first senior sending-off; after his "surging run" and cross set up a second-minute goal for Jonny Hayes against Dundee United, he was yellow-carded for a tackle on Gary Mackay-Steven that caused a collision in which <mask>'s teammate Chris Hogg suffered serious knee damage. Another foul on Mackay-Steven in the 83rd minute earned <mask> a second yellow card. Manager Terry Butcher had hoped to keep <mask> and two other loanees for the whole season, because they had all performed well and he had no budget to add to the squad, but the player chose to return to England where he could go on loan somewhere closer to his parent club. According to Butcher, Mick McCarthy "felt <mask> had gone away a boy and returned a man, as regular SPL action had developed him physically and improved his match awareness." A few days after his spell at Inverness ended, <mask> joined League One side Chesterfield on loan for three months.He was ever-present over nine league matches and also played twice in the Football League Trophy, a cup competition open to teams from the third and fourth tiers of the Football League; a 3–1 aggregate win against Oldham Athletic in the Northern Final earned Chesterfield a place in the final itself. On 6 March, he was recalled by Wolves' new manager, Terry Connor, after an injury to Karl Henry left Wolves in need of

masks: Davis Davis Davis David Davis


title: David Davis (footballer)

texts:
 midfield cover. <mask> himself felt that the possibility of playing Premier League football for Wolves far outweighed the prospect of a Wembley final. First-team football with Wolves
<mask> made his Premier League debut in Wolves' 2–0 defeat to Blackburn Rovers on 10 March 2012. He played 75 minutes before coming off with cramp, and produced a "courageous performance" that earned him the club's man-of-the-match award. He kept his place for the next match, against Manchester United, broke a rib in the first half, but still went on to make seven top-flight appearances as the team unsuccessfully battled relegation. Towards the end of the season, and despite having signed a new deal less than a year earlier, <mask> signed a three-year contract to run until 2015.In recognition of his performances, he received the club's Young Professional of the Season award. When <mask> and other youngsters signed new deals in 2011, McCarthy had said they stood less chance of first-team football in the Premier League than when the team were playing in the Championship. A year later and back in the Championship, <mask> was in the team at the beginning of the season, but lost form and returned to the reserves. By November, he was again challenging for a first-team place, and manager Ståle Solbakken turned down the chance to re-sign Arsenal midfielder Emmanuel Frimpong, still regaining fitness after serious injury, preferring to let the home-grown product prove himself. <mask> featured regularly, but more often from the bench than in the starting eleven. Dean Saunders, appointed in January 2013 as Wolves' fourth manager in twelve months,

masks: Davis Davis Davis Davis Davis Davis


title: David Davis (footballer)

texts: brought <mask> into the starting eleven as a holding midfielder alongside Karl Henry for two matches. Those were his last starts until 16 March, when he returned against Bristol City, only to give the opposition the lead when his backpass went through the legs of goalkeeper Carl Ikeme.Wolves finished as 2–1 winners, but Ikeme was unable to play the second half after punching the tactics board in the dressing-room at half-time and breaking his hand. Two weeks later, he "produced arguably his best display yet in a Wolves shirt" when involved in all three goals in a 3–2 win away to Birmingham City that took his side out of the relegation positions. His season was cut short when he suffered an ankle injury against Bolton Wanderers on 6 April which ruled him out for the rest of the campaign, which ended in the club being relegated to League One. <mask> began the 2013–14 season in the starting eleven under yet another new manager, Kenny Jackett, but soon lost his place amid competition from new signing Kevin McDonald and two younger midfielders, Lee Evans and Jack Price. On his last start for Wolves, on 16 November, he was reportedly fortunate not to be sent off before being substituted at half-time. Thereafter he played only 54 minutes of first-team football as the team were promoted back to the Championship at the first attempt, and although Jackett insisted that he still had a future at the club, <mask> became frustrated. Ahead of the new season, Jackett suggested that, as there were at least four players more likely than <mask> to be selected, a loan move would be best for him.Barnsley of League One were interested,

masks: Davis Davis Davis Davis


title: David Davis (footballer)

texts:
 but terms could not be agreed. Birmingham City
On 11 August 2014, <mask> moved to West Midlands neighbours Birmingham City of the Championship. Viewed as a replacement for Tom Adeyemi, who had just left for Cardiff City, <mask> signed a two-year deal with the option of a further year. The fee was officially undisclosed, but was variously reported as approaching or around £100,000 or as "a knockdown £150,000". He made an "outstanding" debut the next day in the first-round League Cup win against Cambridge United, partnering captain Paul Caddis in central midfield, and scored his first goal, a second-half equaliser away to Charlton Athletic on 4 October, with a "crisp drive inside the post from a tight angle". Regular football improved his confidence and with it his effectiveness. Under Lee Clark, he started regularly but was often substituted; under Gary Rowett, who replaced Clark in late October, he played every minute of Birmingham's league fixtures, usually partnering Stephen Gleeson in a 4–2–3–1 formation, until injuring a knee in mid-February.He missed the 4–3 defeat at Brighton & Hove Albion, in which the local newspaper attributed Birmingham's defensive frailties to his absence. On his return, away at Ipswich Town, his presence achieved more in attack than defence, twice – with a header and then with a volley – restoring Birmingham to only one goal behind before Ipswich secured a 4–2 win in stoppage time. Rowett signed Nottingham Forest midfielder Robert Tesche on loan on 2 March. Initially he played alongside <mask> in place of the suspended Gleeson, and then as part of a three-man midfield, but when Rowett


title: David Davis (footballer)

texts: reverted to 4–2–3–1, it was <mask> who missed out. According to the Birmingham Mail end-of-season review, "for most of the season no other midfielder could challenge [<mask>] in terms of energy, tackles, clearances or blocks", and he was a close second to 16-goal striker Clayton Donaldson as their player of the season. Nevertheless, he lost his starting spot to new signing Maikel Kieftenbeld, and Rowett thought that his anxiety to regain his place in the team made him try too hard when coming on as a substitute. After a strong performance in the League Cup against Premier League Aston Villa, <mask> started and played well in two consecutive away wins, but his next start did not come until mid-March.Away to Wolverhampton Wanderers, he came close to scoring the winning goal and, according to Rowett, "controlled the match with his physicality. He gets about the place, he holds people off and comes out with the ball. He does that really, really well." The club promptly took up their option for a further year on his contract, and Rowett said they were considering an extension until 2018. <mask> scored his first goal of the season in the penultimate match, a "brilliant half-volley from the edge of the area" after the ball was not fully cleared by the defence, to secure a draw at home to Middlesbrough. Although he started a third fewer Championship matches than in 2014–15, he established himself in the team towards the end of the season because of what the Birmingham Mail viewed as the stability he gave to the side. Although the return of Tesche on a permanent contract seemed likely to endanger <mask>'s first-team place,

masks: Davis Davis Davis Davis Davis


title: David Davis (footballer)

texts: he began the 2016–17 season in the starting eleven.He was booked in each of the first four matches, but two goals and a series of strong performances meant that when the fifth booking finally arrived in mid-October, he came straight back into the side after serving his suspension. He was named man of the match in the Second City derby against Aston Villa. Initially used on the right of midfield to counteract the attacking threat of Jordan Amavi, he moved into a more familiar central role after <mask> entered the match, and within minutes scored the equalising goal with a composed finish from the edge of the penalty area. The goal earned him the club's Moment of the Season award. January 2017 began with six months left on his contract and the club linked with signings in midfield; new manager Gianfranco Zola confirmed that <mask> had "a big future" with the club, that Zola and the staff trusted him and that agreement on a new contract was imminent. On 13 Januaryamid reports of <mask> being a transfer target for divisional rivals Nottingham Forest, Queens Park Rangers and Fulham and two days after Birmingham re-signed midfielder Craig Gardnerhe signed a new three-and-a-half-year contract. In a struggling side, that avoided relegation only by winning the last two matches of the campaign, <mask> set personal bests in terms of league goals (4) and Championship starts (40)despite missing four matches through suspension after finishing with the worst disciplinary record in the division.He was recognised both by the club's supporters and by its players as player of the season. <mask> was again a fixture in the 2017–18

masks:
David Cotterill
Davis
Davis
Davis
Davis


title: David Davis (footballer)

texts: starting eleven despite a regular turnover of managers. Harry Redknapp's attempts to sign defensive midfielders such as Afriyie Acquah and Alex Song fell through, and the club turned down an offer of "around £1.5 million" for <mask> to link up with Rowett at Derby County. The player welcomed a period of intensive training under successor Steve Cotterill, and hoped it would boost his performance to the standards he admitted not having reached thus far. In November, Cotterill chose <mask> to captain the team when Michael Morrison was not in the starting eleven, but the experiment did not last. Through Christmas and January, he was used in a more advanced role as part of a stable starting eleven that produced a series of wins that lifted the team out of the relegation places; he scored twice, in 3–1 wins against Sunderland and Sheffield Wednesday, and his assist in the latter match was "evidence of how effective he can be running in behind". Injuries to <mask> and others coincided with a dip in the team's form, and in early March, Cotterill was replaced as manager by Garry Monk.The knee problem kept <mask> out until he was safe from suspension for 10 yellow cards; he returned to the team as a late substitute in a 3–0 win against Hull City, and started the remaining eight matches of the season in the centre of a 4–4–2 formation as Birmingham again avoided relegation on the final day. He ended the campaign with 38 league appearances and 14 yellow cards, and signed a one-year extension to his contract to take its expiry date to 2021. <mask> fractured an ankle in training in early July 2018 and required surgery. He


title: David Davis (footballer)

texts:
 returned to action on 12 February 2019, as a late substitute, and finished the season with 11 appearances. On 14 January 2021, <mask> was released by Birmingham City after six-and-a-half years at the club. Charlton Athletic loan
On 31 January 2020, <mask> moved to Championship club Charlton Athletic on loan for the rest of the 2019–20 season. On 1 June 2020, Charlton manager Lee Bowyer confirmed <mask>' refusal to play for the club ahead of the resumption of the 2019–20 EFL Championship season, following the suspension of the season due to the COVID-19 pandemic in the United Kingdom.Shrewsbury Town
On 15 January 2021, <mask> rejoined League One club Shrewsbury Townwhere he had played on loan ten years earlieruntil the end of the 2020–21 season. After a period in self-isolation because of contact with someone with COVID-19, he made his first appearance on 2 February, playing just behind the forwards for the last few minutes of a defeat at home to Crewe Alexandra. On 12 May 2021 it was announced that he would leave Shrewsbury at the end of the season, following the expiry of his contract. He returned to the club on 13 July 2021. Style of play

On joining Walsall as a 19-year-old, <mask> described himself as "the type of player who likes to break things down and do what I call the 'nitty-gritty'. I like to get stuck in and work hard". He is primarily a defensive midfielder, reportedly priding himself on "ball-winning ground-covering defensive midfield work"; his major contribution to his team comes from "flying around midfield winning the ball and disrupting the opposition".Lee Clark suggested he looks best when using


title: David Davis (footballer)

texts:
 his power and strength and keeping his use of the ball simple. Dean Saunders mentioned his "winning mentality"; according to the Birmingham Mail Brian Dick, "when Blues are down no-one leads by example quite as much as <mask>". Career statistics

Honours
Wolverhampton Wanderers
Football League One: 2013–14

References

External links

Birmingham City F.C. profile via archive.org

1991 births
Living people
Sportspeople from Smethwick
English footballers
Association football midfielders
Walsall F.C. players
Wolverhampton Wanderers F.C. players
Darlington F.C. players
Shrewsbury Town F.C.players
Inverness Caledonian Thistle F.C. players
Chesterfield F.C. players
Birmingham City F.C. players
Charlton Athletic F.C. players
English Football League players
Scottish Premier League players
Premier League players
Black British


title: Jared Taylor

texts:
<mask> (born September 15, 1951) is an American white supremacist and editor of American Renaissance, an online magazine espousing such opinions, which was founded by <mask> in 1990. He is also the president of American Renaissances parent organization, New Century Foundation, through which many of his books have been published. He is a former member of the advisory board of The Occidental Quarterly and a former director of the National Policy Institute, a Virginia-based white nationalist think tank. He is also a board member and spokesperson of the Council of Conservative Citizens. <mask> and many of his affiliated organizations are accused of promoting racist ideologies by civil rights groups, news media, and academics studying racism in the United States. Early life and education
<mask> was born on September 15, 1951, to Christian missionary parents from Virginia in Kobe, Japan. He lived in Japan until he was 16 years old and attended Japanese schools up to the age of 12, becoming fluent in Japanese.He attended Yale University, where he earned a Bachelor of Arts in philosophy in 1973. <mask> then spent three years in France and received a Master of Arts degree in international economics at Sciences Po in 1978. During a period that interrupted his undergraduate and later graduate college years, he worked and traveled extensively in West Africa, improving his French in the Francophone regions of the continent. <mask> is fluent in French, Japanese, and English. Career
<mask> worked as an international lending officer for the Manufacturers Hanover Corporation from 1978 to 1981, and as West Coast editor of PC Magazine from 1983 to 1988. He has also taught Japanese at the Harvard Summer School, and worked as a courtroom translator. In the 1980s, at the time of the country's

masks:
Samuel Jared Taylor
Taylor
Taylor
Taylor
Taylor
Taylor
Taylor


title: Jared Taylor

texts: strong economic growth, <mask> was viewed as a "Japan expert" in the mainstream media.In 1983 he published a well-received book on Japanese culture and business customs entitled Shadows of the Rising Sun: A Critical View of the Japanese Miracle. While critical of certain aspects of Japanese culture, <mask> argued that Japanese society was more successful in solving social issues than the West, with lower crime rates and a similar or higher standard of living. Sometime in his early thirties, <mask> reassessed the liberal and cosmopolitan viewpoint commonly professed in his working environment, which he had himself shared until then. He became deeply convinced that human beings are tribal in nature and feelings, and that they differ in talent, temperament and capacity. In the mid-1980s, he developed an interest in the emerging fields of evolutionary biology and evolutionary psychology, especially in the controversial works of Richard Lynn, J. Philippe Rushton and Helmuth Nyborg, and came to believe that differences between human beings are largely of genetic origin, and therefore quasi-immutable. All the social miracles of Japan, <mask> averred by 1991 under the pen name Steven Howell, were at least partly a result of Japan's racial and cultural homogeneity. In November 1990, he founded and published the first issue of American Renaissance, a white supremacist subscription-based monthly newsletter.He created the New Century Foundation in 1994 to assist with the running of American Renaissance. Many of the early articles were written by <mask> himself and were intended to put white racial advocacy on a higher intellectual level than the traditional Klansman's or white skinhead's discourse that dominated the media at that time. The journal ceased its print publication in 2012 to

masks: Taylor Taylor Taylor Taylor Taylor


title: Jared Taylor

texts:
 focus on a daily webzine format. In 1992, <mask> published a book titled Paved with Good Intentions in which he criticizes what he deems the unwise welfare politics that contributed to the economic situation of the African-American underclass. Unlike many of his American Renaissance articles, the work avoids genetic-based reasoning due to fears of not being able to get it published had he talked about IQ differences. In 1994, he was called by the defense team in a Fort Worth, Texas black-on-black murder trial, to give expert testimony on the race-related aspects of the case. Prior to testifying in the trial, <mask>, presented as a "race-relations expert and author" by the Washington Post, called young black men "the most dangerous people in America" and added "This must be taken into consideration in judging whether or not it was realistic for [the defendant] to think this was a kill-or-be-killed situation."Views
<mask> has been described as a white nationalist, white supremacist, and racist by civil rights groups, news media, academics studying racism in the US, and others. <mask> has "strenuously rejected" being called a racist, and maintains that he is instead a "racialist who believes in race-realism." He has also disputed the white supremacist label, preferring to describe himself as a "white advocate", and contends that his views on nationality and race are "moderate, commonsensical, and fully consistent with the views of most of the great statesmen and presidents of America's past". News coverage of <mask> has associated him with the alt-right. <mask> is a proponent of scientific racism and voluntary racial segregation. <mask> also asserts that there are racial differences in intelligence among the various ethno-racial groups across the world. <mask> argues that Blacks

masks:
Taylor
Taylor
Taylor
Taylor
Taylor
Race Taylor
Taylor
Taylor


title: Jared Taylor

texts: are generally less intelligent than Hispanics, while Hispanics are generally less intelligent than whites, and whites are generally less intelligent than East Asians: "I think Asians are objectively superior to Whites by just about any measure that you can come up with in terms of what are the ingredients for a successful society.This doesn't mean that I want America to become Asian. I think every people has a right to be itself, and this becomes clear whether we're talking about Irian Jaya or Tibet, for that matter". <mask> describes himself as an advocate for white interests. He states that his publication, American Renaissance, was founded to provide a voice for such concerns, and argues that its work is analogous to other groups that advocate for ethnic or racial interests. American Renaissance, however, has been described as a white supremacist publication and a "forum for writers disparaging the abilities of minorities". In the journal in 2005, he stated, "Blacks and whites are different. When blacks are left entirely to their own devices, Western civilization any kind of civilization disappears."A 2005 feature in the Pittsburgh Post-Gazette described <mask> as "a racist in the guise of expert". <mask> presents his segregationist project as based on civil liberties and freedom of association, and has described government-mandated segregation as morally unjust. He believes that all anti-discrimination laws "from the Civil Rights Act of 1964 onward" are an unacceptable expansion of federal power. <mask> also opposes anti-miscegenation laws as impinging on the freedom of association of private citizens. <mask> believes that the multi-racial American society is "doomed to failure", and that non-white groups should not constitute a significant part of the American population,


title: Jared Taylor

texts:
 especially Hispanics, Africans, Afro-Caribbeans and Middle Easterners, although he also includes Northern Asians, whom he holds in high regard. He thus supports immigration policies that would favor white immigrants over other groups. <mask> has said: "Whites deserve a homeland," and when questioned about the US immigration laws passed in 1965, under the Hart-Celler Act, said that "Whites are making a terrible mistake by setting in motion forces that will reduce them to a minority."<mask> supports the white genocide conspiracy theory, and has hosted the Suidlanders on his AmRen podcast to discuss the topic, while encouraging donations to the South African organization. He has recommended Jean Raspail's The Camp of the Saints to his followers. Attitude towards anti-Semitism
<mask> welcomes Jews to his organization and views American Jews as potential powerful allies. He has never sought to either welcome or expel anti-Semitic voices, and several speakers of Jewish descent have participated in American Renaissance conventions. This position has sparked tensions with far-right anti-Semitic organizations claiming that Jews are infiltrating their movements. In 2006, a clash erupted at one convention between anti-Semitic conspiracy theorist David Duke and Michael Hart, a Jewish astrophysicist sharing many of <mask>'s ideas. The Forward reported that <mask> "has been trying to de-Nazify the movement and draw the white nationalist circle wider to include Jews of European descent.But to many on the far right, taking the Jew-hatred out of white nationalism is like taking the Christ out of Christmas — a sacrilege." The Southern Poverty Law Center (SPLC) comments that <mask> is unusual among the radical right in "his lack of anti-Semitism." Scholar Kathleen R. Arnold states that "unlike

masks: Taylor Taylor Taylor Taylor Taylor Taylor


title: Jared Taylor

texts:
 many other white supremacists, <mask> is not anti-Semitic, and in fact encourages Jews to join his fight... however many within the white supremacist/anti-immigration movement disagree with <mask>... and he has been under tremendous pressure to break ties with the Jewish community." Donald Trump
<mask> supported Donald Trump's presidential campaign, and recorded robocalls to support Trump before the Iowa caucus and New Hampshire primary. <mask> attended Trump's inauguration with front-row VIP tickets, and he described the event as "a sign of rising white consciousness". A spokesperson told CNN that the candidate "disavows all super PACs offering their support and continues to do so." When asked about the robocalls in an interview with CNN, Trump responded "I would disavow that, but I will tell you people are extremely angry."Influence
Madison Grant, the author of The Passing of the Great Race (1916), and Lothrop Stoddard, the author of The Rising Tide of Color (1920), each the object of celebratory articles in American Renaissance, seem to have influenced or reinforced <mask>'s belief in separate racial homelands. Southern conservatives Samuel Francis and Sam Dickson, who have been regular speakers at American Renaissance conferences, are also cited as influential on <mask>'s views. According to scholar Russell Nieli, "the combination of southern regional conservatism and <mask>'s experience of living in (...) Japan has undoubtedly had a formative effect on his thinking about race." Hoping his ethnonationalist project will go global, <mask> has sought in recent years to establish relations with populist radical right parties in Europe such as France's National Rally, Britain's UKIP, Austria's Freedom Party, Germany's Alternative für Deutschland, and Flanders's Vlaams Belang.

masks: Taylor Taylor Taylor Taylor Taylor Taylor Taylor Taylor


title: Jared Taylor

texts:
 Nieli notes that <mask> appears to have a special intellectual affinity for the French New Right author Guillaume Faye, whose books were favorably reviewed by <mask> in American Renaissance; both of them believe that white people need to join in a worldwide fight for their racial, cultural, and demographic survival. According to Nieli, <mask> "may well have been as central to structuring the fledgling [America's radical Right] in the 1990s as the late William F. Buckley Jr. was in the 1950s and 1960s in structuring post-World War II American conservatism. The growing Alt Right movement in America today owes a great deal to <mask>'s past efforts."Reception
The Southern Poverty Law Center describes <mask> as "a courtly presenter of ideas that most would describe as crudely white supremacist—a kind of modern-day version of the refined but racist colonialist of old." Mark Potok and Heidi Beirich, writers for the Intelligence Report (a publication of the SPLC), have written that "<mask> is the cultivated, cosmopolitan face of white supremacy. He is the guy who is providing the intellectual heft, in effect, to modern-day Klansmen." They have also stated that "American Renaissance has become increasingly important over the years, bringing a measure of intellectualism and seriousness to the typically thug-dominated world of white supremacy". On December 18, 2017, his account (as well as the account for American Renaissance) was suspended by Twitter, after Twitter adopted new rules prohibiting accounts affiliated with the promotion of violence. In February 2018, <mask> filed a lawsuit against Twitter, claiming that the suspension violated his right to free speech. <mask>'s lawsuit was dismissed, and an appeals court upheld the dismissal, agreeing that services can control what is

masks:
Taylor
Taylor
Taylor
Taylor
Taylor
Jared Taylor
Taylor
Taylor


title: Jared Taylor

texts:
 published on their sites.In March 2019, <mask> said on his website that he had been banned from the Schengen Area for two years on the instigation of Poland. References

Bibliography

1951 births
Living people
Alt-right writers
American anti–illegal immigration activists
American chief executives in the media industry
American expatriates in Japan
American magazine editors
American magazine publishers (people)
American media company founders
American media executives
American nonprofit chief executives
American political commentators
American political writers
American white supremacists
Anti-immigration politics in the United States
Council of Conservative Citizens
Critics of multiculturalism
Editors of Virginia newspapers
Race and intelligence controversy
People from Oakton, Virginia
People from Kobe
Sciences Po alumni
Scientific racism
Writers from Virginia
Yale University alumni
White


title: Sharron Backus

texts:
<mask> (born February 12, 1946) is a former softball player and coach. She played as a shortstop and third baseman on seven Amateur Softball Association national championship teams from 1961 to 1975. She served as the head softball coach at UCLA from 1975 to 1997 and led her teams to nine national collegiate softball championships. At the time of her retirement in 1997, she was the winningest college softball coach in the history of the sport. <mask> has been inducted into both the National Softball Hall of Fame and the National Fastpitch Coaches Association Hall of Fame. Softball player
<mask> attended Cal State Fullerton and played for 15 years as a shortstop and third baseman in the Amateur Softball Association ("ASA") from 1961 to 1975. She played on seven ASA championship teams, including the 1961 national championship with the Whittier Gold Sox and five national championships with the Raybestos Brakettes between 1971 and 1975.She also played on two teams that won international crowns. <mask> began her coaching career at UCLA in 1975. She was the head softball coach at UCLA for 23 years from 1975 to 1997 and led the Bruins to nine national championships. <mask> was hired as a part-time coach by Judith Holland, UCLA senior associate athletic director. Holland recalled, "I had seen her play, and she was probably one of the best shortstops who ever played the game." <mask> was a physical education teacher at a high school in Anaheim, California when she was hired by UCLA and kept her teaching job for the first couple years after being hired at UCLA.<mask> taught in Anaheim in the mornings and

masks:
Sharron Backus
Backus
Backus
Backusus
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title: Sharron Backus

texts: drove to UCLA for practice and games in the afternoon. Holland recalled that UCLA paid <mask> about $1,500 year as a part-time coach, "and I don't think the money even paid for her gas." In <mask>'s first three years at UCLA, the team struggled. Between 1975 and 1977, UCLA compiled a record of 44-20. In the formative years of the program, the Bruins played at city parks, where they were "often bumped from fields by recreational softball leagues." <mask> moved her team to the UCLA intramural field, but it was not until 1980 that her team got its own field. In 1978, the Bruins won their first national softball championship with a 31-3 record.After women's softball became an NCAA sport in 1982, <mask>'s teams won six of the first nine NCAA softball tournaments. In all, <mask> led UCLA to eight NCAA tournament championships (in addition to the 1978 pre-NCAA championship) in 1982 (33-7-2), 1984 (45-6-1), 1985 (41-9), 1988 (53-8), 1989 (48-4), 1990 (62-7), 1992 (54-2), and 1995 (50-6). From 1988 to 1990, the Bruins won three consecutive NCAA championships and compiled a record of 163-19. <mask>'s success led the Los Angeles Times in 1990 to compare <mask> to UCLA's legendary basketball coach John Wooden:"When you talk about UCLA dynasties, you start with John Wooden, who coached the men's basketball team to 10 NCAA titles. But <mask> has built a dynasty of her own. ... In total, the Bruins have won seven national titles, finished second twice and third twice in <mask>' 15 seasons."Commenting on the pressure and anxiety fostered by success, <mask> noted, "John Wooden once said that he wished one

masks: Backus Backus Backus Backus Backus Backus Backus Backus Backus Backus


title: Sharron Backus

texts: national championship to his best friends, but four to his enemies." In December 1995, the UCLA women's softball program was placed on probation after an investigation revealed that UCLA had awarded more scholarships than were permitted under UCLA rules. The Fresno Bee wrote that the penalties "bring shame to college softball and added, "The image of UCLA's softball program won't ever be the same. The Bruins got caught. ... For two seasons, they went over the scholarship limit, the equivalent of cheating on taxes. Now they must pay." Amid an NCAA probe prompted by a Los Angeles Times investigation into UCLA pitcher Tanya Harding, <mask> announced her retirement in January 1997 after 21 years as the team's head coach.<mask> compiled a record of 847 wins, 167 losses and 3 ties at UCLA. At the time of her retirement, she was "the winningest college softball coach" in the history of the sport. <mask> told the press when she retired, "I've had a great career at UCLA, but it's time for a change. My primary reason for stepping down has to do with the illness and death of my mother in early October. That, plus the ongoing NCAA probe of the softball program have created a level of stress that I feel is best to put behind me at this time." <mask> coached 29 All-Americans and numerous top players at UCLA, including Dot Richardson, Lisa Fernandez (the first softball player to win the Honda-Broderick Cup as the top female collegiate athlete), Sheila Cornell-Douty, Kerry Dienelt, Debbie Doom, Jennifer Brundage, Joanne Brown, Tanya Harding, Sue Enquist, Lisa Longaker (three-time All-American), Samantha Ford,

masks: Backus Backus Backus Backus


title: Sharron Backus

texts:
 Tiffany Boyd, Lorraine Maynez, DeeDee Weiman, Yvonne Gutierrez, Heather Compton, Tracy Compton, Shanna Flynn, Shelly Montgomery, Missy Phillips, Leslie Rover, Monica Tourville, Lisa Richardson, Jan Jeffers, Karen Andrews, Tricia Mang, Alleah Poulson and Jancie Park. Women's Pro Fastpitch
In 1998, <mask> coached the Orlando Wahoos in the Women's Pro Fastpitch league.WPF league director Rayla Allison said at the time, "With Sharron, we've stepped up the level of professionalism and improved our marketability. Her name will be a big drawing card for fans, players and coaches." <mask> noted that her goals were to attract youngsters to the game and to bolster the league so that it might reach the status of the Women's National Basketball Association. Honors and recognition
<mask> was inducted into the Amateur Softball Association's National Softball Hall of Fame in 1985, and the National Fastpitch Coaches Association Hall of Fame in 1991. She has also been inducted into the Women's Sports Foundation Hall of Fame. See also
List of college softball coaches with 800 career wins

References

1946 births
Cal State Fullerton Titans softball players
Living people
American softball coaches
UCLA Bruins softball

masks: Backus Backus Backus


title: Teddy Kollek

texts:
Theodor "<mask><mask> (; 27 May 1911 – 2 January 2007) was an Israeli politician who served as the mayor of Jerusalem from 1965 to 1993, and founder of the Jerusalem Foundation. <mask> was re-elected five times, in 1969, 1973, 1978, 1983, and 1989. After reluctantly running for a seventh term in 1993 at the age of 82, he lost to Likud candidate and future Prime Minister of Israel Ehud Olmert. During his tenure, Jerusalem developed into a modern city, especially after its reunification in 1967. He was once called "the greatest builder of Jerusalem since Herod." Early life and marriage
Theodor (<mask>) <mask> was born in Nagy-Vázsony, 120 km from Budapest, Hungary as <mask> Tivadar. His parents, Alfred and Margaret, née Fleischer, named him after Theodor Herzl.The family moved to Vienna in 1918. Growing up in the Austrian capital city, <mask> came to share his father Alfréd's Zionist convictions. In 1935, three years before the Nazis seized power in Austria, the <mask> family immigrated to British-controlled Mandatory Palestine. In 1937, he was one of the founders of Kibbutz Ein Gev, on the shore of Lake Kinneret. That same year he married Tamar Schwarz. They had two children, a son, the film director <mask> (born in 1947), and a daughter, Osnat. Intelligence services

The "Hunting Season"
In 1942 <mask> was appointed the Jewish Agency's deputy head of intelligence.Between January 1945 and May 1946 he was the Agency's chief external liaison officer in Jerusalem and was in contact with MI5's main representative as well as members of British Military Intelligence. In the 1940s, on behalf of the Jewish Agency (Sochnut) and as part of the "Hunting Season" or

masks:
Teddy
" Kollek
Kollek
Teddy
Kollek
Kollek
Kollek
Kollek
Amos Kollek
Kollek


title: Teddy Kollek

texts:
 "Saison", <mask> was the Jewish Agency's contact person with the British Mandate MI5, providing information against right-wing Jewish underground groups Irgun and Lehi (known as "Stern Gang"). He succeeded Reuven Zaslani and preceded Zeev Sherf in this function, and was carrying out the Jewish Agency's policy of assisting the British in fighting these groups. On 10 August 1945 he revealed to MI5 the location of a secret Irgun training camp near Binyamina. Twenty-seven Irgun members were arrested in the raid that followed. Second World War
During World War II, <mask> tried to represent Jewish interests in Europe on behalf of the Jewish Agency. Cooperation with the USA
In 1947–48, he represented the Haganah in Washington, where he assisted in acquiring ammunition for Israel's then-fledgling army.<mask> was a key figure in creating an alliance between the Mossad and the CIA during the 1940s and 1950s. In national politics
<mask> became a close ally of David Ben-Gurion, serving in the latter's governments from 1952 as the director general of the prime minister's office. Mayor of Jerusalem

In 1965 <mask> succeeded Mordechai Ish-Shalom as Mayor of Jerusalem. On his motivations for seeking the mayor's office in Jerusalem, <mask> once recalled:
I got into this by accident[...]  I was bored. When the city was united, I saw this as an historic occasion. To take care of it and show better care than anyone else ever has is a full life purpose. I think Jerusalem is the one essential element in Jewish history.A body can live without an arm or a leg, not without the heart. This is the heart and soul of it. During his tenure Jerusalem developed into a modern city,

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Kollek
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Teddy Kollek
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title: Teddy Kollek

texts:
 especially after its reunification in 1967. He was often called “the greatest builder of Jerusalem since Herod.”

<mask> was re-elected five times, in 1969, 1973, 1978, 1983, and 1989, serving 28 years as mayor of Jerusalem. In a reluctant seventh bid for mayor in 1993, <mask>, aged 82, lost to Likud candidate Ehud Olmert. Relationship with the Arab community
In the Six-Day War of 1967, East Jerusalem, which had been under Jordanian control since 1948, was captured by Israel. As mayor of a newly united Jerusalem, <mask>'s approach toward the Arab inhabitants was governed by pragmatism.Within hours of the transfer of authority, he arranged for the provision of milk for Arab children. Some Israelis considered him pro-Arab. <mask> advocated religious tolerance and made numerous efforts to reach out to the Arab community during his tenure. Muslims continued to have access to al-Aqsa Mosque and Temple Mount for worship. While he was adamant that Jerusalem never be divided again and remain under Israeli sovereignty, he believed in concessions to reach a final settlement. <mask>'s views on the annexation of East Jerusalem softened after leaving office. Civic and cultural projects

<mask> dedicated himself to many cultural projects during his lengthy term in office, and served as the founder and head of the Jerusalem Foundation, through which he helped finance the projects.<mask> was also instrumental in the establishment of the Jerusalem Theater. The Israel Museum
<mask>'s most notable cultural project was the development and expansion of the Israel Museum. From 1965 to 1996, he was president of the museum, and officially designated its founder in 2000. When the

masks: Kollek Kollek Kollek Kollek Kollek Kollek Kollek Kollek


title: Teddy Kollek

texts:
 museum celebrated its 25th anniversary in 1990, <mask> was named "Avi Ha-muze'on" ("father of the museum"). Through a leadership which spanned decades, <mask> raised millions of dollars from private donors for civic development projects and cultural programs. <mask> once remarked that Israel needed a strong army, but it also needed expressions of culture and civilization. Jerusalem zoo

Kollek was considered the "number-one friend" of the Jerusalem Biblical Zoo, which occupied a  site in Romema from 1950 to 1991.Though the zoo attracted many visitors to its exhibits of animals, reptiles and birds mentioned in the Bible and was successful in breeding and protecting endangered species, it was considered small and inferior to zoos in Tel Aviv and Haifa. <mask> promoted the idea of moving the zoo to a larger location and upgrading it to a state-of-the-art institution. Around 1990, under the auspices of the Jerusalem Foundation, the Tisch family of New York agreed to underwrite the expensive undertaking. The zoo re-opened as The Tisch Family Zoological Garden in Jerusalem on a  expanse near the neighborhood of Malha in 1993. <mask> helped the zoo raise money to build the elephant enclosure and to bring in female elephants from Thailand at $50,000 apiece. The zoo named its male elephant <mask> and one of its female elephants Tamar in honor of the mayor and his wife. For <mask>'s 90th birthday in 2001, the zoo feted him and the Jerusalem Foundation unveiled a new sculpture garden dedicated in his honor.Retirement and death
<mask> continued to be active in retirement, maintaining a five-day work week into his nineties, even as he became increasingly infirm. He and

masks: Kollek Kollek Kollek Kollek Kollek Teddy Kollek Kollek


title: Teddy Kollek

texts:
 his wife lived in their walk-up Rehavia apartment until the mid-1990s, when they moved to Hod Yerushalayim, a retirement home in the Kiryat HaYovel neighborhood. <mask> died on 2 January 2007. He is buried at the Mount Herzl national cemetery, Jerusalem. Awards and commemoration

 In 1985, <mask> was awarded the Peace Prize of the German Book Trade. In 1988, he was awarded the Israel Prize for his special contribution to society and the State of Israel. In 1988, he received the Four Freedoms Award from the Roosevelt Institute for the Freedom of Worship.In 1996, <mask> was awarded the Prize of Tolerance of the European Academy of Sciences and Arts. In 2001, he was honoured with the title of Honorary Citizen of Vienna. <mask> Stadium in Malha, Jerusalem, is named for him. <mask> Fountain in Jerusalem is named for him. Quotes

"Jerusalem's people of differing faiths, cultures and aspirations must find peaceful ways to live together other than by drawing a line in the sand". See also
 List of mayors of Jerusalem
 List of Israel Prize recipients
 List of honorary citizens of Vienna

References

Further reading
 Ruth Bachi-Kolodny 2008, "<mask>. The Man, His Life and His Jerusalem", Gefen Publishing House.External links

  by Leon Charney on The Leon Charney Report

1911 births
2007 deaths
Mayors of Jerusalem
Jewish mayors
Israel Prize for special contribution to society and the State recipients
Ashkenazi Jews in Mandatory Palestine
Israeli Ashkenazi Jews
Israeli people of Hungarian-Jewish descent
Austrian emigrants to Mandatory Palestine
Austrian Jews
Hungarian Jews
Burials at Mount Herzl
Grand Crosses with Star and Sash of the Order of Merit of the Federal

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title: Jean Philippe d'Orléans

texts:
<mask>, bâtard d'Orléans (28 August 1702 – 16 June 1748), called le chevalier d'Orléans or le Grand Prieur d'Orléans, was an illegitimate son of <mask>'Orléans, nephew and son-in-law of Louis XIV. Biography
Born at Chilly-Mazarin, a southern suburb of Paris, he was the illegitimate son of <mask> (future Regent of France, 1715–1723, acting for the infant Louis XV) and his mistress Marie-Louise Madeleine Victorine Le Bel de La Bussière (1684–1748), known as the comtesse d'Argenton or madame d'Argenton. His mother, known as Mademoiselle de Séry was Lady-in-waiting to the Dowager Duchess of Orléans. She started an affair with <mask>'Orléans, son of the Dowager Duchess. This infuriated Louis XIV, who maintained that actresses were bad enough, particularly when they gave birth to sons, but which the Duchess of Orléans did not. As well, by flaunting Séry, <mask> was insulting not only his wife but also the King, Madame d'Orléans' father. However, for the first time in his life, <mask> was seriously in love.Within a short time of their first encounter, Marie Louise was pregnant and installed in a pretty house near the Palais-Royal. After several years the Duke was forced to give her up as, the King maintained she was endangering the Duke's daughter's prospects of marrying the Duke of Berry (1713), a grandson of Louis XIV. His father had him legitimised in 1706 with the permission of his father in law then the reigning Louis XIV. His legitimisation was registered with letters patent at Versailles signed in July 1706; these were then registered at the Chambre des comptes on 18 July and the at

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Philippe d
Philippe d Orléans
Philippe d
Philippe
Philippe


title: Jean Philippe d'Orléans

texts:
 the Parlement de Paris on  27 September the same year. He was brought up at the College of Jesuits in Paris. Under the direction of the Maréchal de Tessé, <mask> was named the Général des galères (a sort of master of ships) in June 1716. At the death of Louis XIV in September 1715, his father <mask>'Orléans was named a member of the Regency council and the duc du Maine was named Regent of France.<mask>'Orléans had the will reversed and became Regent instead. The regency of <mask>'Orléans lasted from 1715 till the majority of Louis XV in 1723. This power, allowed his father to create him the général des galères on 27 August 1716. <mask> remained the general till his death in 1748, when the charge was abandoned. His paternal grandmother, the Dowager Duchess of Orléans wrote of <mask>;
My son has three illegitimate children, two boys and a girl; but only one of them is legitimated, that is, his son by Mademoiselle de Séry, a lady of noble family, and who was my Lady in waiting. The younger Margrave of Anspach was also in love with her. This son is called the Chevalier d'Orléans.The other, who is now [1716] about eighteen years old, is an Abbe; he is the son of La Florence, a dancer at the Opera House. The daughter is by Desmarets, the actress. My son says that the Chevalier d'Orléans is more unquestionably his than any of the others; but, to tell the truth, I think the Abbé has a stronger family likeness to my son than the Chevalier, who is like none of them. I do not know where my son found him; he is a good sort of person, but he has neither elegance nor beauty. It is a great pity

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Philippe d
Philippe d
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title: Jean Philippe d'Orléans

texts:
 that the Abbe is illegitimate: he is well made; his features are not bad; he has very good talents, and has studied much. He is a good deal like the portraits of the late Monsieur in his youth, only that he is bigger. When he stands near Mademoiselle de Valois it is easy to see that they belong to the same father.My son purchased for the Chevalier d'Orléans the office of General of the Galleys from the Marechal de Tasse. He intends to make him a Knight of Malta, so that he may live unmarried, for my son does not wish to have the illegitimate branches of his family extended. The Chevalier does not want wit; but he is a little satirical, a habit which he takes from his mother.,

He was later created the Grand Master or Grand Prior of the Knights of the Order of Malta in France which had previously been filled by the Chevalier de Vendôme who had resigned. Vendôme was a grandson of César de Bourbon, illegitimate son of Henri IV. The registration of this position occurred with the permission of Pope Clement XI on 26 September 1719. He commissioned the artist <mask>-Marc Nattier to decorate the Palais du Temple, the Parisian residence of the Grand Prieur. The 8 January 1721 saw <mask> created the Abbot of the Abbaye Saint-Pierre d'Hautvillers dans la Marne, four months after the death of the previous Abbot, Monseigneur de Noailles.<mask> officially became Abbot on 13 February 1722. According to contemporaries, he was very appreciative of religion, his father not being pious at all. During the Regency, <mask> had a range of diplomatic missions on behalf of his cousin Louis XV. He

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Jean
Jean Philippe
Jean Philippe
Jean Philippe


title: Jean Philippe d'Orléans

texts:
 accompanied the infant Mademoiselle de Beaujolais (his legitimate half sister) to Spain when she was engaged to Infante Carlos of Spain in 1726. For this he was created a Grandee of Spain by Philip V despite the marriage between Beaujolais and Carlos never materialising. On behalf of Louis XV himself, <mask> went from Paris to Cannes, in southern France, to greet the newly created Duke of Parma; The duke was the previously mentioned Infante Carlos who was later King of Naples and Sicily and later the King of Spain; he married in 1738 to Maria Amalia of Saxony, the marriage with Mademoiselle de Beaujolais being cancelled and she dying in 1734 aged 19. <mask> had one natural daughter, named Amable Angélique de Villars, born in 1723, she was <mask>'s only child.Amable Angélique was the daughter of Amable-Gabrielle de Villars (18 February 1706 – 16 September 1742) who was in turn the daughter of Adrien Maurice de Noialles and Françoise Charlotte d'Aubigné, niece of Madame de Maintenon. The married Amable Angélique, was the wife on 5 August 1721 of the renowned homosexual Honoré-Armand de Villares, 2e duc de Villars (4 December 1702 – May 1770), by whom she had no issue. Amable Angélique took de Villars name. He was wounded in 1744 on the Rhine and commanded galleys in the Mediterranean in 1746. He died in 1748 in Paris in his 46th year; he was followed by debts to the tune of almost 1 million livres. References and notes

Sources
 Abbé Manceaux, Histoire de l'abbaye et du village d'Hautvillers, 1880. 1702 births
1748 deaths
18th-century French people
<mask> Philippe
French

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Jean Philippe
Jean Philippe
Jean Philippe
Jean


title: Mona Hatoum

texts:
<mask> (; born 1952) is a British-Palestinian multimedia and installation artist who lives in London. Biography
<mask> was born in 1952 in Beirut, Lebanon, to Palestinian parents. Although born in Lebanon, Hatoum was ineligible for a Lebanese identity card and does not identify as Lebanese. As she grew up, her family did not support her desire to pursue art. She continued to draw throughout her childhood, though, illustrating her work from poetry and science classes. Hatoum studied graphic design at Beirut University College in Lebanon for two years and then began working at an advertising agency. Hatoum was displeased with the advertising work she produced.During a visit to London in 1975, the Lebanese Civil War broke out and Hatoum was forced into exile. She stayed in London, training at both the Byam Shaw School of Art and the Slade School of Fine Art (University College, London) between the years 1975 and 1981. In the years since, "she has traveled extensively and developed a dynamic art practice that explores human struggles related to political conflict, global inequity, and being an outsider." Artwork and themes
Hatoum explores a variety of different subject matter via different theoretical frameworks. Her work can be interpreted as a description of the body, as a commentary on politics, and on gender and difference as she explores the dangers and confines of the domestic world. Her work can also be interpreted through the concept of space as her sculpture and installation work depend on the viewer to inhabit the surrounding space to complete the effect. There are always multiple readings to her work.The physical responses that Hatoum desired to provoke psychological and

masks:
Mona Hatoum
Mona Hatoum


title: Mona Hatoum

texts:
 emotional responses ensures unique and individual reactions from different viewers. Early work
<mask>'s early work consisted largely of performance pieces that used a direct physical confrontation with an audience to make a political point. She used this technique as a means of making a direct statement using her own body; the performances often referenced her background and the political situation in Palestine. In her work, she addressed the vulnerability of the individual in relation to the violence inherent in institutional power structures. Her primary point of reference was the human body, sometimes using her own body. Measures of Distance
Created in 1988, Measures of Distance illustrates Hatoum's early themes of family, displacement, and female sexuality. The video piece itself is fifteen minutes long and consists of intimate, colored photographs of Hatoum's mother showering.Hatoum overlays the photographs with letters that her mother, living in Beirut during the civil war, wrote to Hatoum, living in London. Handwritten in Arabic, the letters make up the video's narration and themes, and speak to the difficulty of sending letters in a time of conflict. Hatoum reads the letters aloud in Arabic and English. The video roots itself in the brief family reunion that occurred in Beirut between Hatoum and her parents in 1981. While primarily about the mother–daughter relationship, in her mother's letters Hatoum's father is mentioned and thus the father–daughter relationship as well as the husband–wife relationship is examined in this video. The elements of the video—the letters, Hatoum's mother's wish to see her, and mentions of the war by Hatoum's mother—explore how the war in


title: Mona Hatoum

texts:
 referencing grand political events, or appealing to a generalized cultural consciousness, but instead to a seemingly unattainable threat that is only possible to address on an individual scale.Hatoum has tied her works to other political movements, especially black struggle. In an interview with Michael Archer in 1997, Hatoum said: "At the beginning it was important to think about the black struggle as a total political struggle. There are common political forces and attitudes that discriminate against people. In the same way as feminism started off with this totalizing concept of 'sisterhood', and then we ended up with many feminisms, if you like. The black struggle became more diversified once the basic issues were established. And blackness here is not to do with the colour of your skin but a political stance." Exhibitions
Since 1983, <mask> has been displaying both her installations and her video performance art pieces in exhibitions around the world.She has been featured in individual exhibitions as recently as 2018 at White Cube in Hong Kong. Some of her other solo exhibitions of note include: Centre Pompidou, Paris (1994), Museum of Contemporary Art, Chicago (1997), The New Museum of Contemporary Art, New York (1998), Castello di Rivoli, Turin (1999), Tate Britain, London (2000), Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004) and Museum of Contemporary Art, Sydney (2005), Parasol Unit, London (2008), Darat Al Funun, Jordan (2008), Fondazione Querini Stampalia, Venice (2009), Beirut Art Center (2010), and the Menil Collection (2017). She has also participated in a number of recognized group exhibitions, including: The Turner Prize (1995), Venice


title: Mona Hatoum

texts:
 Biennale (1995 and 2005), Biennale of Sydney (2006) and the Biennale of Montreal; Drone the automated image (2013). A solo exhibition entitled Turbulence is organized in 2014 by Mathaf Arab Museum of Modern Art in Doha. Hatoum's work was featured in a solo exhibition at the Institute of Contemporary Art, Boston in 2015. In May 2016, Tate Modern held a "comprehensive exploration into 35 years of Hatoum's work in Britain, from her early performance and video works to her sculpture and large-scale installation"

The Menil Collection in Houston, Texas organized a solo exhibition titled "<mask> Hatoum: Terra Infirma" that was on view from 12 October 2017 to 25 February 2018. This exhibition then traveled to the Pulitzer Arts Foundation and was on view from 6 April to 11 August 2018.In March 2018, Hatoum was shortlisted for the Hepworth Prize for Sculpture, alongside Michael Dean, Phillip Lai, Magali Reus and Cerith Wyn Evans. The work of the shortlisted artists was displayed at the Hepworth Wakefield gallery from the end of October of that year. In January 2020, Hatoum was part of Artpace’s exhibit titled Visibilities: Intrepid Women of Artpace. Also in 2020, she received the Julio González award, featuring in a solo exhibition at Institut Valencià d'Art Modern in 2021. 1994 Galerie René Blouin, Montreal

1994 Centre Georges Pompidou, Paris

1994 CRG Gallery, New York

1993 <mask>, Arnolfini, Bristol. 1993 Recent Work, Arnolfini, Bristol, UK

1993 South London Gallery (with Andrea Fisher), London

1993 Socle du monde, Galerie Chantal Crousel, Paris

1993 Positionings/Transpositions (with Barbara Steinman), Art Gallery of Ontario, Toronto, Canada

1992 Mario Flecha Gallery,

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Mona
Mona Hatoum


title: Mona Hatoum

texts:
 London

1992 Dissected Space: New Installations 1990–1992, Chapter Arts Centre, Cardiff. 2021 – Julio González Price 2020

See also
 Palestinian art

References

Further reading
 Michael Archer, Guy Brett, and Catherine M. De Zegher, eds., <mask>m, Phaidon, Oxford, 1997
 Catherine de Zegher.Women's work is never done: an anthology. AsaMER, Gent, 2014

External links

 <mask>m at Whitecube.com
 <mask>m at Female-artists.net
 <mask>m at daratalfunun.org
 <mask>m at for-site.org
 <mask>m Artist CV at Whitecube.com

Palestinian video artists
Feminist artists
Lebanese artists
Living people
1952 births
Artists from Beirut
Alumni of the Slade School of Fine Art
Alumni of the Byam Shaw School of Art
Members of the Academy of Arts, Berlin
Lebanese people of Palestinian descent
Palestinian women artists
Palestinian contemporary artists
Lebanese women artists
20th-century women

masks:
Mona Hatou
Mona Hatou
Mona Hatou
Mona Hatou
Mona Hatou
Mona Hatou


title: Jonathan Little (composer)

texts:
<mask> FCLM, FISM, FRSA (born 1965 in Melbourne, Australia) is a contemporary classical composer, arts educator and author on cultural history based in the UK and Australia. In 2008 his first CD was voted one of the top recordings of the year by US Fanfare magazine ("The Want List 2008"). He was subsequently featured in a news article in Musical Opinion in early 2009. As a composer, he first came to prominence in America in 2006 when The American Society of Composers, Authors and Publishers (ASCAP) ran an article on him having five of his works accepted for recording (2004–07) by the US-headquartered French contemporary music label ERM (Editions de la Rue Margot), aimed at showcasing international contemporary composers. He was awarded the Collard Fellowship of the Worshipful Company of Musicians in 2011, and in 2012 was elected a Fellow of the Royal Society of Arts. He was appointed inaugural Professor of Composition and Music History at the University of Chichester in 2017, and Emeritus Professor from 2019. Music and background

He studied Composition, Performance and Musicology with Peter Dennison at the University of Melbourne, where he won the Lady Turner Exhibition for overall excellence, and a St. Mary's College Academic Prize (where he was a resident student from 1984–87).He holds the degree of Doctor of Philosophy in music for his research at Monash University into the development of "exotic" 19th- and 20th-century orchestration, and has


title: Jonathan Little (composer)

texts: written and broadcast extensively on this, and related topics such as songwriting and composition. In 2008, the first compilation album of his music was released, entitled Terpsichore and Other Works US critic Lynn René Bayley ranked the album second among her Top 5 worldwide releases for the year (in Fanfares "Want List 2008"). Terpsichore is one of a series of epic orchestral tone pictures on the theme of the legendary "Nine Muses" – and the complete series remains a work-in-progress. <mask> works in a variety of genres, including large-scale choral, string and symphonic works. Recordings have been supported by the Foundation for New Music (US), the Kenneth Leighton Trust (UK) and ASCAP (US). In 2009 <mask> received a grant from the Musicians' Benevolent Fund to work on a second CD of his compositions, entitled Polyhymnia (The Muse of Sacred Poetry).Thomas, Simon, "Little: Terpsichore and other works", in Music OMH (November 2008) (UK), Online at: See Anderson, Martin, "<mask> and the Importance of Ecstasy" (the composer interviewed by the music producer, publisher, and founder/director of Toccata Classics and Toccata Press, Martin Anderson), in Fanfare (USA), Vol. 36, No.1 (Sept/Oct 2012). .See Estren, Mark J., "Modern but Accessible", in Infodad (1 March 2012). Online at: http://transcentury.blogspot.co.uk/2012/02/modern-but-accessible.html This second disc (released in early 2012) appeared on the Navona label of PARMA Recordings (US),

masks:
Jonathan Little
Little
Jonathan Little


title: Jonathan Little (composer)

texts: supported by ASCAP and the Musicians Benevolent Fund.See Tempo (Cambridge University Press), Vol. 66, No. 259 (Jan 2012) Soon after its release, Polyhymnia was nominated in Spain as "Best Album of the Year". In December 2011, <mask> was elected The John Clementi Collard Fellow in Music of the Worshipful Company of Musicians (a City of London Livery Company established in 1500). <mask> joins the relatively few composers to have received this award - alongside such former Collard Fellows as Herbert Howells, Constant Lambert, William Alwyn, Edmund Rubbra, Gordon Jacob and Alan Rawsthorne.<mask> was also awarded a PRS For Music Foundation / Bliss Trust Composer Bursary in 2012, to support the composition of the next work in his "Nine Muses" series - Erato. In 2015, <mask> was granted an Australian Government / Australia Council "Individual International Arts Project Award", to help fund the creation of an album of multi-part, a cappella polychoral music (or contemporary cori spezzati). He was also one of only seven living composers whose work was selected for the Royal Philharmonic Society and BBC Radio 3's "Encore Choral" Programme – for performance and broadcast during 2016–17. In October 2016, he was selected to participate in a BBC Singers' Choral Music Workshop, led by Judith Weir, Master of the Queen's Music, and in January 2017 became recipient of a Special Distinction in the ASCAP Rudolf Nissim Prize competition (USA). In 2017, with funding

masks: Little Little Little Little


title: Jonathan Little (composer)

texts:
 from the Australia Council, a CD of sacred and secular choral works entitled Woefully Arrayed, was released on the US Navona label - featuring "polychoral" techniques: multi-part, multi-divisi, solo, echo and spatial effects. For his work in polychoral music, he was nominated for the 2018 Australia Prize for Distinctive Work. Career and writings

<mask> has also pursued an academic and writing career.He was appointed Senior Lecturer at Buckinghamshire New University in 1999 on their Music Industry Management course (the first such degree course in Europe) – where he specialised in the workings of the British and international recording industry, and taught songwriting analysis. In 2001, he became Principal of the Academy of Contemporary Music in Guildford, England – Europe's largest specialist academy for students of contemporary music, and the first music education establishment to win the Queen's Award for Enterprise (Innovation category). <mask> is listed in the Music Publishers Association (UK) Register of Expert Musicologists. In 2005, he was appointed Consultant Editor to A&C Black's flagship volume of musical reference, the Musicians' and Songwriters' Yearbook, and he has contributed articles on the future of music to the Hudson Institute's American Outlook magazine,Little, Jonathan, "Celestial Cinema; or, From Celluloid to Silicon: eCinema, Cyberentertainment and the Napsterization of Hollywood", in American Outlook, Vol. IV, No. 4

masks:
Jonathan Little
Little


title: Jonathan Little (composer)

texts: (July/Aug, 2001), 28-33. and the British Academy's Heart & Soul: Revealing the Craft of Songwriting (published by Sanctuary to celebrate the 50th anniversary of the Ivor Novello Awards). His writings on the future of the music industry initially stemmed from a report surveying the first European digital distribution conference in 2000, and subsequently with Scottish music industry analyst JoJo Gould, he co-founded and edited Music Business Journal ().Having acted as a Curriculum Consultant to the British and Irish Modern Music Institute, and Visiting Lecturer in Media Music Composition at the University of Surrey, <mask> became Reader (2012), and then Professor (2017), in Music Composition and Music History at the University of Chichester. <mask> has written two academic studies on musical orientalism and exotic orchestration for EMP, New York: The Influence of European Literary and Artistic Representations of the 'Orient' on Western Orchestral Compositions, ca. 1840-1920: From Oriental Inspiration to 'Exotic' Orchestration, together with its companion volume, Literary Sources of Nineteenth-Century Musical Orientalism: The Hypnotic Spell of the Exotic on Music of the Romantic Period. (This 950-page, two-volume study won an Authors' Foundation/Royal Literary Fund Award for 2011.) Many of <mask>'s compositions are issued by Wirripang. The National Library of Australia holds copies of <mask>'s selected verse, and all his published musical works.


title: Jonathan Little (composer)

texts:
 M720041728. Kyrie, Op. 5 from Missa Temporis Perditi (a cappella SATB double choir and soloists), c. 5' (Wollongong, Australia: Wirripang, 2005) ISMN M720007908. Wasted and Worn, Op. 6 (part song for a cappella SSAATTBB soloists or choir), c. 6' (publication pending)
Recordare Domine (On Ixion's Wheel), Op. 9 (a cappella SSSSAAAATTTTBBBB choir), c. 21' (Wollongong, Australia: Wirripang, 2010) ISMN 9790720101972. Gloria, Op.18 from Missa Temporis Perditi (a cappella SATB double choir and soloists), c. 10'; (Wollongong, Australia: Wirripang, 2019)
Missa Brevis, Op. 23 (a cappella SATB double choir and soloists), c. 15' (Wollongong, Australia: Wirripang, 2019)

 Recordings

Terpsichore and Other Works: Tallis Chamber Choir / Philip Simms; String soloists of the Czech Philharmonic Orchestra; Vocal soloists of the Sofia National Opera; Cardiff Percussion Duo; Kiev Philharmonic Orchestra (and principal soloists) / Robert Ian Winstin. Dilute Recordings, UK (Jan. 2008). Cat. No. DIL 07-002. Polyhymnia: Strings of the Moravian Philharmonic Orchestra (and principal soloists) / Petr Vronsky; Kiev Philharmonic Orchestra (and principal soloists); String soloists of the Czech Philharmonic Orchestra / Robert Ian Winstin; Tallis Chamber Choir / Philip Simms; Navona (28 February 2012).Cat. No. NV5867. Woefully Arrayed: Sacred and Secular Choral and Polychoral Works of <mask> <mask>. Vox Futura / Andrew Shenton; Stanbery Singers / Paul John Stanbery; Thomas Tallis

masks:
Jonathan David
Little


title: Marty Jannetty

texts:
<mask> (born February 3, 1960) is an American professional wrestler who has worked for promotions including the World Wrestling Federation/Entertainment (WWF/E), the American Wrestling Association (AWA), World Championship Wrestling (WCW) and Extreme Championship Wrestling (ECW), and has won a total of 20 championships. Jannetty is widely known for his tenure as half of tag team The Rockers, in which he partnered with Shawn Michaels. The duo originally found success during the mid-to-late 1980s under the moniker of The Midnight Rockers, becoming two-time AWA World Tag Team Champions and winning various regional titles. They became one of the foremost teams of the WWF's "Golden Age", headlining multiple events. The Rockers held the WWF World Tag Team Championship in late 1990, but their reign was voided for disputed reasons. After splitting from Michaels in early 1992, Jannetty became a one-time WWF Intercontinental Champion and a one-time WWF World Tag Team Champion with the 1-2-3 Kid. He competed in multiple world championship matches between ECW and the WWF from 1995–1996, but Jannetty's star faded thereafter, and he was largely used as enhancement talent during a late 1990s run in WCW.He made sporadic appearances for WWE during the latter half of the 2000s (including a brief 2005 reunion with Michaels), and has remained a challenger for titles on the independent circuit. Although his career was continually halted by personal issues and his achievements overshadowed by those of Michaels, Jannetty was described by Talksport as being "as smooth and jaw-dropping as his partner, with a drop-kick to rival any". Early life

Jannetty was an amateur wrestler in the state of Georgia,


title: Marty Jannetty

texts:
 qualifying for the state championship tournament his last three years of high school. He also boxed while in high school, and won many Golden Gloves events. After high school, he wrestled at Chattahoochee Valley Community College in Alabama where he was a two time NJCAA qualifier. He then went to Auburn University to wrestle, but the school dropped its wrestling program. He thought about trying football, but was instead coaxed into professional wrestling by Jerry Oates, who trained him.Professional wrestling career

Early career (1983–1984)
Jannetty began his wrestling career in September 1983 for Mid-South Wrestling teaming with trainer Jerry Oates (as "cousin" <mask>), until November. After leaving Mid-South, he would wrestle under his real name for Southeastern Championship Wrestling, where he would wrestle the likes of Super Olympia and Mr. Olympia. Central States Wrestling (1984–1986)

Jannetty resumed his wrestling career in March 1984, wrestling for the National Wrestling Alliance affiliate Central States Wrestling. He wrestled in singles and tag team competition with various partners, including Bulldog Bob Brown, Dave Peterson and Tommy Rogers (as The Uptown Boys) until joining forces with fellow rookie Shawn Michaels in late 1985. The two teamed as The Midnight Rockers and quickly won the NWA Central States Tag Team Championship from The Batten Twins. Jannetty wrestled Ric Flair for the NWA World Heavyweight Championship during his time in CSW. In the summer of 1985, Jannetty wrestled his first Japanese tour for All Japan Pro Wrestling, where his biggest match there was a loss to Tiger Mask II on September 5.American Wrestling Association (1986–1988)

In 1986, the duo


title: Marty Jannetty

texts:
 left CSW for the American Wrestling Association. In the AWA, <mask> and Michaels quickly built a reputation as a talented tag team, performing many acrobatic moves in tandem and electrifying crowds with their athleticism. The two won the World Tag Team Championship twice, first defeating Buddy Rose and Doug Somers and then The Midnight Express for their second and final reign. They also won the Southern Tag Team Championship twice after defeating the Rock 'n' Roll RPMs on two separate occasions before jumping to the World Wrestling Federation in 1988. World Wrestling Federation

The Rockers (1988–1992)

Now called simply The Rockers, <mask> and Michaels' popularity carried over from their stint in the AWA and the team was often called "tag team specialists" by commentator Gorilla Monsoon. They made their WWF debut at a television taping on June 18, 1988, and they faced tag teams such as Demolition, The Hart Foundation, and the Brain Busters for the rest of 1989. Duos including The Rockers routinely headlined house show events during this era of tag team wrestling.Despite their previous success, The Rockers never officially won the Tag Team Championship during their three-year run together in the WWF. On October 30, 1990, The Rockers were scheduled to win the titles from The Hart Foundation due to Jim Neidhart, one-half of the championship team, being in the process of negotiating his release from the company. The match was taped with The Rockers fairly winning the belts, but soon after, Neidhart reportedly came to a stop-gap agreement with management and was rehired. On the other hand, Michaels claimed in his book that the Hart Foundation lobbied backstage to keep the title. The

masks: Jannetty Jannetty


title: Marty Jannetty

texts:
 another series of house show matches, and his final match came on August 31 when he lost to Konnan on Nitro. Jannetty was released from his contract while recovering from a shoulder injury suffered during this match. Third Return to WWE (2005–2009)
On the March 14, 2005 episode of Raw, Jannetty returned for a one-time only reunion with his former tag team partner Shawn Michaels, once again billed as The Rockers and performing their traditional entrance with their original music, against La Résistance (Sylvain Grenier and Rob Conway). Jannetty scored the win for his team after he used his signature Rocker Dropper. This was preparation for Jannetty's match with Kurt Angle on that week's SmackDown!, as Angle had challenged Jannetty prior to his WrestleMania 21 match with Shawn Michaels. Angle claimed that since Jannetty had taught Michaels "everything he knows" while part of The Rockers, he could teach Michaels "how to tap out" by forcing Jannetty to submit on SmackDown!. Angle made good on his promise and forced Jannetty to submit to his ankle lock, but only after a nearly twenty-minute match and an impressive showing for Jannetty which saw him nearly pin the Olympic champion.WWE soon signed him to a new contract, however he was arrested and unable to meet the commitments of his WWE contract, leading to his release on July 6. On the February 20, 2006 episode of Raw, Shawn Michaels was pitted against four of the five members of the Spirit Squad in their in-ring debut. After he had used Sweet Chin Music, Michaels was attacked by all five members until an unknown man came storming in to the ring to defend Michaels. During the melee, it was revealed that it was <mask>y coming to defend


title: Marty Jannetty

texts:
 of Raw, Mr. Kennedy, who was feuding with Shawn Michaels at the time, said that he would speak to three people who knew Michaels very well as part of a feud between him and Michaels. The three were imposters dressed as Razor Ramon, Diesel, and Jannetty. Along with a fake Michaels, they were all attacked with Sweet Chin Music by the real Michaels. The next week on the 15th anniversary of Raw, Jannetty appeared along with Michaels in an interview.Michaels wanted to see what would happen when Kennedy fought the real <mask>. In the end, he was defeated by Kennedy. On October 19, 2009, Jannetty made an appearance on Raw, losing in a match against The Miz. Chikara (2011–2013)
On October 22, 2011 it was announced that Jannetty had signed with Chikara as a trainer and as a wrestler. His debut match for the promotion was booked for October 29 against Tursas, but the show was eventually cancelled. He then made his official debut on November 13 at High Noon, Chikara's inaugural internet pay-per-view, by accompanying The Young Bucks (Matt and Nick Jackson) to the ring. Jannetty made his Chikara in-ring debut on August 12, 2012, when he teamed with Green Ant in a tag team match, where they were defeated by Los Ice Creams (El Hijo del Ice Cream and Ice Cream, Jr.).Jannetty returned on September 16, 2012, when he and the 1-2-3 Kid won the annual tag team gauntlet match at the 2012 King of Trios. When <mask> and the 1-2-3 Kid also defeated the Heart Throbs (Antonio Thomas and Romeo Roselli) on November 18, they earned their third point, or third back-to-back win, and a future shot at the Chikara Campeonatos de Parejas. <mask> and the 1-2-3 Kid received their title shot on December 2 at the Under

masks: Jannetty Jannetty Jannetty


title: Liz Mullinar

texts:
<mask> (née, Hopkinson)  is a London-born former film casting consultant. She is one of the founders of Advocates for Survivors of Child Abuse (now Blue Knot Foundation) and is the Founder of the Heal For Life Foundation (formerly Mayumarri Healing Centre) and created the TREE (Trust, Release, Empower Educate) Model of Trauma Recovery. Mullinar is regarded as an expert in the field of trauma. In 2019, she presented the TREE model at the International Congress of Trauma and Attachment alongside other trauma experts including American Psychiatrist Daniel J. Siegel, and British Psychoanalyst Peter Fonagy OBE. Honours
She was made a Member of the Order of Australia (AM) in the 1997 Australia Day Honours for her services to the performing arts and entertainment as a theatrical and film casting consultant and to the community. She was awarded the Australian Centenary Medal in 2001 for her services as co-founder and advocate for Advocates for Survivors of Child Abuse. In 2011, she was a State Finalist in the Australian of the Year Awards.TED Talk

In 2011, Mullinar gave a TEDx Talk on treating the core problem of addiction and mental illness. The talk explains the link between trauma and mental illness and has had over 185,000 views. Career

Film casting director
<mask> was born Elizabeth Laura Hopkinson. She was a casting director in the Australian film industry for more than 25 years. She worked as a consultant in the early careers of actors including Nicole Kidman, Cate Blanchett, Portia De Rossi, and Geoffrey Rush. Her company was responsible for casting such films as Picnic at Hanging Rock, Shine and Babe. Founder, Advocate for Survivors of Child Abuse (Blue Knot Foundation)
After a visit to a hospital to visit her newborn niece, Mullinar experienced a "triggered response" which she states entailed weeks of illness and sleepless nights.With help from a professional,

masks:
Elizabeth Laura Mullinar
Liz Mullinar


title: Liz Mullinar

texts:
 Currently, the organisation does not accept government funding for its programs. Author
<mask> has written three books.Breaking The Silence - Survivors of Child Abuse Speak Out, The <mask> Story, and Heal For Life: How to heal yourself from the pain of childhood trauma

Controversy
Mullinar has faced controversy for her beliefs in recovered memories and the practice of satanic ritual abuse within the community. Richard Guilliatt, a journalist for The Australian and author of the book Talk of the Devil: Repressed Memory and the Ritual Abuse Witch-Hunt has been an outspoken critic of the validity of claims by survivors of child abuse, including Mullinar and her colleague in trauma advocacy, Dr Cathy Kezelman. Some critics have accused Mullinar as contributing to a moral panic. due to her position on ritual abuse. However, the Royal Commission into Institutional Responses to Child Sexual Abuse revealed a significant issue with child sexual abuse within ritualistic institutions. According to research conducted by Central Coast Research and Evaluation, 6.3% of Mayumarri clients claimed to be victims of Ritual Abuse. After speaking publicly about her ordeal as a child in response to an article by Richard Guilliatt, Mullinar received significant media attention.Initially, Mullinar believed her future in advocacy would be with the church and she completed her Bachelor of Theology with the intent to become an Anglican minister. She was rejected by the Anglican Archdiocese of Newcastle as an unsuitable candidate for ordination. It was later reported by the Royal Commission in regards to the Anglican Archdiocese of Newcastle: "The cumulative effect of a number of systemic issues allowed a group of perpetrators to operate within the diocese for at least 30 years. The report found that systemic issues included a focus on protecting the reputation of the Church and its powerful

masks:
Mullinar
Liz Mullinar


title: Edward Bawden

texts:
<mask>,  (10 March 1903 – 21 November 1989) was an English painter, illustrator and graphic artist, known for his prints, book covers, posters, and garden metalwork furniture. Bawden taught at the Royal College of Art, where he had been a student, worked as a commercial artist and served as a war artist in World War II. He was a fine watercolour painter but worked in many different media. He illustrated several books and painted murals in both the 1930s and 1960s. He was admired by <mask>, David Gentleman and other graphic artists, and his work and career is often associated with that of his contemporary Eric Ravilious. Early life and studies
<mask> was born on 10 March 1903 at Braintree, Essex, the only child of <mask>, an ironmonger, and <mask> (née Game). His parents were Methodist Christians.A solitary child, he spent much time drawing or wandering with butterfly-net and microscope. At the age of seven he was enrolled at Braintree High School, and began studying or copying drawings of cats by Louis Wain, illustrations in boys' and girls' magazines, and Burne Jones' illustrations of Malory's Morte d'Arthur. Later his parents paid for him to attend the Friends' School at Saffron Walden, and there, when he was fifteen, the headmaster recommended him to study for one day a week at Cambridge School of Art. Upon leaving school in 1919, he attended Cambridge School of Art full-time from 1919 to 1921. There he became interested in calligraphy and in the work of Aubrey Beardsley, Richard Doyle, William Morris and other Victorians. This was followed in 1922 by a scholarship to the Royal College of Art School of Design in London, where he took a diploma in illustration until 1925. Here he met his fellow student and future collaborator Eric Ravilious; the pair were described by their teacher Paul Nash

masks:
Edward Bawden
Edward Gorey
Edward Bawden
Edward Baden
Eleanor Bawden


title: Edward Bawden

texts:
 later in his career are:
 1946 – Appointed a Commander of the Order of the British Empire (CBE)
 1947 – Associate of the Royal Academy
 1949 – Royal Designer for Industry (RSA)
 1949/50 – Guest instructor for the Summers of 1949/50 at the Banff School of Fine Art, Canada
 1951 – Trustee of the Tate Gallery (1951–1958
 1956 – Elected Royal Academician
 1962 – Honorary Associate of Manchester College of Art
 1963 – Honorary Fellow of the Royal College of Art
 1964 – Silver Medal from the Society of Industrial Artists
 1970 – Honorary Doctorate from the Royal College of Art
 1974 – Honorary Doctorate from the University of Essex
 1979 – Honorary Fellow of the Royal Society of Painter-Etchers and Engravers

Writings by Bawden
 Life in an English Village (King Penguin Books No. 51) (1949, Penguin Books)
 The English Scene (1952, Sheneval Press)
 Hold Fast By Your Teeth (1963, Routledge & Kegan Paul)
 Travels of a War Artist 1940–45 (1983, Imperial War Museum)
 <mask>, war artist, and his letters home, 1940–1945 edited by Ruari McLean. 1989, Scolar Press, Aldershot, in association with the Imperial War Museum

References

Further reading

External links

 Bawden's Cats

 Cecil Higgins Art Gallery
 Great Bardfield Parish Council
 1980 interview with <mask>, © IWM

1903 births
1989 deaths
20th-century British painters
Academics of Goldsmiths, University of London
Academics of the Royal College of Art
Alumni of the Royal College of Art
British illustrators
British male painters
British war artists
British World War II prisoners of war
Chartered designers
English artists
People educated at Friends School Saffron Walden
People from Braintree, Essex
People from Great Bardfield
People from Saffron Walden
Shipwreck survivors
World War II artists
British printmakers
World War II prisoners of war held by

masks:
Edward Bawden
Edward Baden


title: Mary Scott (novelist)

texts:
<mask> (; 23 September 1888 – 16 July 1979) was a New Zealand novelist, teacher and librarian. She was a prolific writer who specialised in romantic comedies set in rural New Zealand, and her books were widely read both in New Zealand and overseas. From 1953 to 1978 she wrote at a rate of at least one book per year. She published over thirty novels, five detective novels written jointly with Joyce West, an autobiography, and three collections of plays. Early life and education
<mask> was born in Waimate North, Northland, New Zealand in 1888. She was the daughter of Marsden Clarke, a grazier, and his wife Frances Emily Stuart. She was a great-granddaughter of George Clarke, an early New Zealand missionary.After <mask>'s father died in 1889, her mother took her and her older siblings to Napier, New Zealand to live with their maternal grandfather, Edward Stuart, the second Bishop of Waiapu. She attended Napier Girls' High School for two years, after which the family moved to Auckland and she attended Auckland Girls' Grammar School. In 1905 she went to Auckland University College to study English, French and history. After a period of teaching at Gisborne High School, she completed a Masters of Arts with first-class honours, graduating in 1910. After graduating she continued her teaching career. In around 1912 she climbed the mountain range of The Remarkables with her brother and was possibly the first woman to do so. Marriage and farm
In October 1914 she married <mask>, her sister's husband's brother, and they moved to a sheep farm on the slopes of Mount Pirongia in the King Country.They had four children together. The farming life was a difficult one and the family struggled with most of their cattle dying

masks:
Mary Edith Scott
Scott
Scott
Walter Scott


title: Mary Scott (novelist)

texts:
 of bush sickness, and much of their property being destroyed by two fires in 1917 and 1918. Years later she was to tell the story of their struggle to develop the property and raise a family in her autobiography, Days That Have Been (1966), and would also use these experiences as the basis for her novel The Unwritten Book (1957). In 1927 the family moved to a new farm at Ngutunui, near Te Awamutu, and <mask> took a job as a librarian in town. Literary career
<mask> began writing in the late 1920s, in order to supplement the family's income. She wrote humorous sketches, based on her own life on the farm and starring the character "Barbara", a farmer's wife, for the Dunedin Evening Star, The New Zealand Herald and other newspapers on a weekly basis. In 1930 the New Zealand Artists' Annual recognised her as its "Annual Discovery".She continued writing for newspapers in both New Zealand and the UK for the next fifty years, at times as many as fourteen articles a month. <mask>'s first two novels, Where the Apple Reddens and And Shadows Flee were published under a pseudonym, Marten Stuart, in the mid-1930s. Unlike her later novels, they were historical romances set in early nineteenth century New Zealand, and she was later to say that they were "better buried in oblivion". Her newspaper "Barbara" stories proved so popular that they were published in five collections over the next twenty years, beginning with Barbara and the New Zealand Back-blocks (1936), and recorded for radio broadcast. The first collection was published by Thomas Avery & Sons, New Plymouth and they were thereafter published by A.H. and A.W. Reed. They were set on the New Zealand "backblocks", a term used in Australia and New Zealand to

masks: Scott Scott Scott


title: Mary Scott (novelist)

texts: describe remote rural farmland.In a review of Barbara Prospers, the Otago Daily Times said that her Barbara books were "a series of lively, intimate pictures, by turn uplifting or depressing, but never pessimistic or cheerless, of the everyday happenings of backblocks life". The Manawatu Times said the first collection was "a gem which should be on the shelves of all collectors of New Zealand books", and warned readers that "the whole edition is likely to be sold out by Christmas". <mask>'s novels were mainly light and contemporary romantic comedies set in the King Country, published both in London and New Zealand. They were described by Joan Stevens as "certainly readable; they follow an easily foreseen pattern, evoke the expected reactions, and provide comedy without ever stretching the faculties too far". Stevens highlighted One of the Family (1958) as one of the most successful of the novels, about an English uncle visiting New Zealand. They did, however, have an undercurrent of seriousness, due to <mask>'s family's experiences in the Great Depression; many of her stories featured themes of debt and poverty, or the failure of being forced to leave the backblocks and return to living in town. She also published three volumes of plays, and in the 1960s collaborated with fellow New Zealand writer Joyce West on five detective novels starring the character Inspector Wright.In 1940 <mask> was asked how she managed to find time to run a farm, a family and a home as well as write. In response, she said that her husband would be annoyed if she said she ran the farm, that nobody could be said to "run" a family, and that her home ran itself. <mask> was a household name in New Zealand during her lifetime. New

masks: Scott Scott Scott Scott