title: Auro de Moura Andrade

texts:
 Goulart his legitimate right to Jânio Quadros succession. Had an important acting in the changing to the parliamentary system, which made possible the inauguration of Vice President João Goulart as President of the Republic. Along with Mazzilli and Ernesto Geisel, received Jango in the airport when he returned to Brasília on 5 September. Never were clear the reasons that made <mask> declare vacancy of the Presidency in 1 April 1964.In the occasion, João Goulart was in Rio Grande do Sul, as the press reported in those days and, besides that, there was the reading of a letter forwarded to the National Congress by then Chief of Staff of the Presidency of Republic Darcy Ribeiro, communicating that Goulart trip was official. Was invited to be Prime Minister, as long as he left written a resign-letter in the hands of the President. Refused to accept the imposition, saying to Goulart that such suggestion would make him - <mask> <mask> - "not Prime Minister, but Last". 1964 coup d'etat
In March 1964, <mask> <mask> participated, in São Paulo, in the March of the Family with God for Liberty, public act against the government. In the 30th of the same month, launched a manifest to the nation declaring disruption between the Legislative and the Executive powers, called in the militaries to position themselves in the defense of the institutions. On the next day, the coup happened and, even with President Goulart in the office and in Brazilian soil, <mask> <mask>, in a tumultuous session of the Congress, presided by him, declared the Presidency vacant, going personally, by foot, ahead of a legion of congressmen, to the Planalto Palace, to inaugurate the deputy Ranieri Mazzilli as President of the Republic. Stated in this day, before ending the session:

Was appointed by many parliamentarians to compose, as Vice President, the ticket

masks: Auro Moura Andrade Moura Andrade Moura Andrade


title: Auro de Moura Andrade

type: original

texts:
 that would elect marshal Castelo Branco for President, but however, resigned the candidacy in the Second Round of the indirect election, on 11 April 1964, and José Maria Alkmin replaced him, who practically had no opposition.Disenchanted with the coup that he supported, <mask> <mask>, with the boldness that characterized him, publicly stated that "Japona wasn't gown", after being falsely accused by a superior official in charge of an inquiry. Because of that, even having great prestige, was defeated in partisan convention that chose the ARENA party candidates for the Senate to represent São Paulo in 1970, what made his re-election impossible. Was ambassador of Brazil in Spain for a year and a half between 1968 and 1969 when returned to Brazil, leaving the politics. Was president of the Development Bank of São Paulo State, in 1982, when passed away. In retrospective (notably with the end of the Military Regime), the role of <mask> <mask> in 1964 started to be severely questioned. Many criticize him for, in his attributions as president of the National Congress, for giving institutional support for the illegitimate power takeover by the Armed Forces (contradicting the Constitution of 1946), instead of maintaining the republican order and assure the continuity of a government elected democratically. Books
 Um Congresso contra o arbítrio: Diários e memória.Rio de Janeiro: Nova Fronteira, 1985. See also
 Pascoal Ranieri Mazzilli
 1964 Brazilian coup d'etat

Explanatory notes

References

1915 births
1982 deaths
People from Barretos
National Democratic Union (Brazil) politicians
Social Democratic Party (Brazil, 1945–65) politicians
National Renewal Alliance politicians
Members of the Chamber of Deputies (Brazil) from São Paulo
Presidents of the Federal Senate
Ambassadors of Brazil to Spain
Brazilian lawyers
20th-century

masks: Moura Andrade Moura Andrade


title: Francis Johnston (architect)

texts:
<mask> (1760 – 14 March 1829) was an Irish architect, best known for building the General Post Office (GPO) on O'Connell Street, Dublin. <mask> was born in Armagh, Ireland, son of <mask>, also an architect, and studied architecture. He practised in Armagh, and then lived in Drogheda from 1786 before moving to Dublin about 1793. In 1805, he was appointed to the Board of Works as an architect. In 1824 he was made president of the Royal Hibernian Academy of Arts which had been founded the previous year, and he provided headquarters for the academy in Lower Abbey Street at his own expense. Works

Two early projects were the completion of Rokeby Hall and Ballymakenny Church, Co. Louth, to the designs of Thomas Cooley in whose office he first trained. In 1789 he was commissioned by Richard Robinson, 1st Baron Rokeby, and Archbishop of Armagh to design the Armagh Observatory and in 1790 he designed a new club house for Daly's Club on College Green, close to the Irish Houses of Parliament.<ref name="gilbert">{{Cite book |last=Gilbert |first=John Thomas |author-link=John Thomas Gilbert |title=A History of the City of Dublin, vol.3 |publisher=McGlashan & Gill |year=1859 |location=Dublin |url=https://books.google.com/books?id=MsQ9AAAAcAAJ&pg=PA39 }}</ref> Townley Hall,  west of Drogheda, built between 1794 and 1798, is considered his finest work. He was responsible for the design of Armagh Courthouse built between 1806 and 1809. At a time of huge rebuilding in Georgian Dublin, <mask> was one of the architects responsible for Sackville Street (now O'Connell Street). The great

masks:
Francis Johnston
Life Johnston
William Johnston
Johnston


title: Francis Johnston (architect)

texts: Galtrim House, Co. Meath (c. 1802) and Ballynegall House, Co. Westmeath, built in 1808, are attributed to <mask>.In 1813 he began work on Richmond Gaol as a prison to relieve the pressure on Newgate Prison, Dublin, which had been designed by his teacher Thomas Cooley. He played a major role in designing Nelson's Pillar in Dublin, the construction of which was started in 1808. The original plans for the Pillar were submitted to the organising committee by William Wilkins, a London architect, Fellow of Caius College, Cambridge, and accepted by them in 1808. However, for some reason, the committee wrote later that they were incapable of "executing his design precisely as he had given it." <mask> "afforded the necessary assistance with his acknowledged ability, which...he did with the utmost cheerfulness." He made several drawings, one of which met the approval of the committee sufficiently for construction to start. Curiously, the table of expenditure for the Pillar does not include an architect's fee.The Pillar was destroyed by a bomb in 1966. He was responsible for the design of Charleville Forest Castle in Tullamore, County Offaly, considered one of the finest of its type in the country. As well as the 1807 design of Ballycurry House, Ballycurry Demesne, Ashford, County Wicklow.Philip Smith (writer), An Introduction to the Architectural Heritage of County Wicklow (Dublin: Wordwell Press / Government of Ireland, Department of the Environment, Heritage, and Local Government, National Inventory of Architectural Heritage, 2004). p.49. The design (c''. 1810) of

masks: Johnston Johnston


title: Francis Johnston (architect)

texts:
 Turbotstown House, Coole, County Westmeath has been attributed to <mask>. He assisted in the design of plans that were later used for St. Andrew's Church, Westland Row, Dublin, and designed the east gates of Slane Castle demesne in County Meath.In Drogheda, County Louth, he added the Gothic tower and balustrade to Saint Peter's Church of Ireland church in 1793, designed the Corn Exchange (now the Court House) in Fair Street, and designed Saint Peter's Roman Catholic Church in West Street, that was replaced by a Neo-Gothic church in 1881. He was the architect who assisted the 2nd Earl of Longford in turning Tullynally House of County Westmeath into Tullynally Castle, completing these works in 1803. In Swords, County Dublin, he designed the Old Borough School (now a public house) on the main street, completed 1809, and designed Saint Columba's Church of Ireland church, completed 1818. <mask> designed the Courthouse in Duleek, County Meath. It was built  as a sessions house for the Meath Grand Jury, commissioned by John Trotter. It was converted to a library and environmental offices in 1960. He lived for many years in his house at 64 Eccles Street, where he kept a large collection of curiosities.He died in 1829 and was buried in St. George's churchyard, which was attached to a temporary church on Whitworth Road (later taken over by the Whitworth Hospital). References

External links
Architects of Ireland – <mask>

1760 births
1829 deaths
Irish architects
People from Armagh (city)
Irish ecclesiastical architects
Burials at St. George's Church Cemetery,

masks:
Johnston
Johnston
Francis Johnston


title: Alan W. Jones

texts:
Major General <mask> (October 6, 1894 − January 22, 1969) was a career officer in the United States Army. He is best known for his command of the 106th Infantry Division during World War II. Early life
<mask>. was born in Goldendale, Washington on October 6, 1894, a son of Jessie M<mask> and <mask>. He was raised in Walla Walla, Washington, and attended Whitman College and the University of Washington. <mask> was working as a laborer for the Union Pacific Railroad in Seattle in 1917 when he applied for a commission in the U.S. Army. <mask>' application was approved in October 1917, and he was commissioned a second lieutenant of Infantry and assigned to the 43rd Infantry Regiment. After completing his in processing at Fort Leavenworth, Kansas, <mask> joined his regiment at Fort Douglas, Utah.During World War I, <mask> was promoted to first lieutenant and then temporary captain, and served at posts including Camp Pike, Arkansas and Pensacola, Florida. After the war, <mask> reverted to his permanent rank of first lieutenant and continued his army career. Military education
<mask> was a 1925 graduate of the Infantry Officer Course. In 1930 he completed the Infantry Officer Advanced Course. He was then selected for attendance at the Field Artillery Officer Advanced Course, from which he graduated in 1931. <mask> graduated from the United States Army Command and General Staff College in 1936. Chosen for further professional education at the United States Army War College, <mask> began attending in 1937 and graduated in 1938.Post-World War I
In 1920, <mask> was promoted to permanent captain. He continued to serve in Infantry assignments, including an early 1920s posting to the

masks:
Alan Walter Jones
Alan Walter Jones Sr
. Jones
Milton S Jones
Jones
Jones
Jones
Jones
Jones
Jones
Jones
Jones
Jones


title: Alan W. Jones

texts:
 Philippines with the 45th Infantry Regiment. In the late 1920s, <mask> served on the staff of the Army Infantry School at Fort Benning, Georgia and in 1929 he was assigned to Camp Perry, Ohio as a faculty member for a newly organized program of marksmanship instruction which preceded an annual military shooting competition. In the early 1930s, <mask> served with the 12th Infantry Regiment at Fort Washington, Maryland, followed by an assignment to the staff of the Army's Chief of Infantry. He was promoted to major in 1934, and served with the 7th Infantry Regiment at Vancouver Barracks, Washington. In 1938, <mask> was posted to the 19th Infantry Regiment at Schofield Barracks, Hawaii, and he was promoted to lieutenant colonel in 1940. World War II

<mask> was ordered to the Army staff at the War Department in 1941, and assigned to the office of the deputy chief of staff for operations and training, G-3.In December 1941, <mask> was promoted to colonel. <mask> was assigned to the staff of the Army Ground Forces headquarters in April 1942, and in June he received promotion to brigadier general. After becoming a general officer, <mask> took over from Charles W. Ryder as assistant division commander (ADC) of the 90th Infantry Division, commanded by Major General Henry Terrell Jr. <mask> served in this position until January 1943. Samuel Tankersley <mask> succeeded him as ADC of the 90th. 106th Infantry Division
In January 1943, <mask> was assigned to command the 106th Infantry Division during its organization and training at Fort Jackson, South Carolina. He was promoted to major general in March. The 106th Division trained at Fort Jackson and participated in the Second Army's

masks: Jones Jones Jones Jones Jones Jones Jones Jones Williams Jones


title: Alan W. Jones

texts: 1943 and 1944 Tennessee Maneuvers.In March 1944, the 106th Infantry Division moved to Camp Atterbury, Indiana, where many of its soldiers received new assignments as replacements for soldiers killed and wounded in combat and postings to units of the Army Service Forces. Newly assigned soldiers were not as experienced and trained as their predecessors. In October 1944, the division moved to Massachusetts, where it embarked for transport to Europe. The division arrived in Belgium in early December and was immediately transferred to the front lines near St. Vith and the Ardennes forest, where it relieved the 2nd Infantry Division on December 12. Four days after the 106th Infantry Division took its place on the front lines, the German army began the offensive that became known as the Battle of the Bulge. <mask>' inexperienced division initially performed well, but quickly became combat ineffective, with two of its three regiments, the 422nd and 423rd Infantry, encircled and cut off near Schönberg in Eupen-Malmedy, which resulted in their surrender to the Germans. During the fighting, <mask> was agitated and apprehensive over the loss of the regiments, one of which included his son, who was a captain in the 423rd Infantry.He suffered a heart attack and on December 22 turned command of the division over to his deputy, Herbert T. Perrin. <mask> was then assigned as deputy to his superior, XVIII Airborne Corps commander Matthew Ridgway. In March 1945, <mask> was taking part in offensive operations between Bonn and Cologne when a German bomb landed near him and he sustained head wounds that required him to be hospitalized. <mask> remained on active duty as a major general until

masks: Jones Jones Jones Jones Jones


title: Alan W. Jones

texts:
 he retired for medical reasons in October 1945. Post-World War II
After retiring, <mask> lived in Washington, DC. He was active in the 106th Infantry Division's veterans association and was a member of the Army and Navy Club and the Corinthian Yacht Club. Death and burial
<mask> was diagnosed with cancer in 1968.His condition steadily worsened and in December he was moved to Walter Reed Hospital for treatment. He died there on January 22, 1969. His funeral took place at the Fort Myer, Virginia post chapel on January 27 and was attended by several 106th Infantry Division veterans, including his former division artillery commander and chief of staff. <mask> was buried at Arlington National Cemetery. Awards
<mask> was a recipient of the Purple Heart for his World War II service. In addition, he received the Legion of Honor and the Croix de Guerre from France. Family
In 1917, <mask> married Alys O. Pickering (1899-1998) of Prescott, Washington.They were the parents of two children, Colonel <mask><mask> Jr. (1921-2014), a career Army officer and Hallie (1924-2008), the wife of U.S. Marine Corps Colonel Ewald A. Vom Orde. References

Sources

Books

Internet

Magazines

Newspapers

External links
Arlington National Cemetery

Generals of World War II

1894 births
1969 deaths
People from Goldendale, Washington
People from Walla Walla, Washington
United States Army Command and General Staff College alumni
United States Army War College alumni
United States Army personnel of World War I
Recipients of the Legion of Honour
Recipients of the Croix de Guerre 1939–1945 (France)
Burials at Arlington National Cemetery
United States Army generals of World War II
United States Army

masks:
Jones
Jones
Jones
Jones
Jones
Alan W
. Jones


title: Tally Hall (soccer)

texts:
Talmon Henry "<mask>" <mask> (born May 12, 1985) is an American retired soccer goalkeeper who spent eight of his ten professional seasons in Major League Soccer (MLS) with the Houston Dynamo (2009–2014), Orlando City (2015) and D.C. United (2016). He was a starter from 2011 to 2015 and helped the Dynamo reach MLS Cup in both 2011 and 2012. He was an MLS All-Star in 2011 and 2013. Since 2017, <mask> has worked as a police officer for the Orlando Police Department. College
Born in SeaTac, Washington, <mask> attended Gig Harbor High School. While searching for a college, <mask> wanted to go to a Division 1 program in a warm climate with a full time goalkeeper coach. The only program matching his criteria who offered a scholarship was San Diego State, with the scholarship only being worth $500.<mask> repaid the faith of the coaches and turned into a star for the Aztecs. He helped lead the Aztecs to the NCAA tournament in 2005 and 2006, their first appearances since 1989. <mask> received numerous honors during his college career. He was named an NSCAA and College Soccer News All-American in 2005 and 2006, a semi-finalist for the M.A.C. Hermann Trophy in 2006, and was a first-team all-Pacific-10 Conference honoree for 2005 and 2006. During his college years, <mask> also played with Boulder Rapids Reserve in the USL Premier Development League. In 2019, <mask> was inducted to the Aztec Hall of Fame.Club

Esbjerg fB
<mask> was drafted by the Los Angeles Galaxy in the 4th round 2007 MLS SuperDraft. He turned down the offer from LA and signed with Danish club Esbjerg fB instead. Esbjerg sporting director Niels Erik Søndergaard described <mask> as well liked by his teammates, positive, and having a professional attitude. Despite this, <mask> was unable to get past Lars Winde on the depth chart, spending his time in Denmark as a backup and playing for the reserve team. When Esbjeg signed

masks:
Tally
Hall V
Hall
Hall
Hall
Hall
Hall
Hall
Hall
Hall
Hall
Hall


title: Tally Hall (soccer)

texts:
 Lukáš Hrádecký in January 2009 as the new backup goalkeeper, <mask> and the club officials agreed it was time for him to move on in order to find first team opportunities. Houston Dynamo
<mask> signed with Major League Soccer club Houston Dynamo on January 23, 2009. During his first season in Houston, <mask> served as the backup to Pat Onstad and did not make a league appearance, although he did feature in cup competitions.He made his Dynamo debut on July 1, 2009, getting 3 saves in a 2–0 win over the Austin Aztex in the U.S. Open Cup third round. <mask> kept another shutout in his next appearances,  Houston's 4–0 win over the Charleston Battery in the Open Cup quarterfinals. In the semifinals, the Dynamo traveled to <mask>'s home state of Washington to face the Seattle Sounders. <mask> made 10 saves in the game, but the Dynamo lost 2–1. He made his continental debut on August 26, helping Houston to a 1–1 draw with Árabe Unido in the 2009–10 CONCACAF Champions League group stage. On October 21, <mask> became the first and only goalkeeper to score in Dynamo history. During a Champions League match, he kicked it long into the Isidro Metapán box and the ball bounced in after Dynamo striker Brian Ching collided with Isidro Metapán goalkeeper Jose Luis Gonzalez.The referee ruled it wasn't a foul and the goal stood. Despite <mask> contributing to the scoring, the Dynamo still lost the game 3–2. Houston finished 3rd in the group and was eliminated, with <mask> playing in 4 of the 6 group stage games. In 2010, <mask> again served as the backup to Onstad. He made his MLS debut on May 22, getting the start in a 2-0 win over D.C. United while Onstad was away on international duty with Canada. His next appearance came on June 29, helping Houston to a 1–0 win over Miami FC in the Open Cup. He would play in their next Open Cup game, but the

Dynamo fell to Chivas USA 3–1.After Onstad went

masks: Hall Hall Hall Hall Hall Hall Hall Hall Hall Hall


title: Tally Hall (soccer)

texts: down with an injury in mid July, <mask> started all four of Houston's games in the North American SuperLiga, helping them reach the semifinal. <mask> also started four straight MLS matches before Onstad returned from injury. <mask> missed the final month of the season due to an ankle injury. Ahead of the 2011 season, the Dynamo declined the option on Onstad's contract and the Canadian keeper decided to retire (he would later come out of retirement briefly). <mask> then beat out Tyler Deric for the starting position in preseason. In July of 2011, <mask> was named an MLS All-Star. He came on as a substitute in the game, a 4–0 loss to Manchester United.<mask> played every minute of the regular season for the Dynamo, anchoring the second lowest scoring defense in the Eastern Conference as well as helping the Dynamo finish second in the Eastern Conference standings. <mask> played every minute of the Dynamo's playoff run, keeping 2 clean sheets in 4 appearances as he helped the Dynamo reach MLS Cup 2011, where Houston lost to the Los Angeles Galaxy 1–0. <mask> enjoyed another successful season in 2012, setting the Dynamo record for shutouts in a season with 12. He appeared in 33 of the 34 regular season games, getting a rest in the season finale. <mask> helped Houston finish 5th in the Eastern Conference and qualify for the playoffs. <mask> again played every minute of the playoffs as he kept 1 shutout in 6 appearances. Houston returned to the MLS Cup final and faced off with the Galaxy in a rematch of the previous final.This time the Dynamo lost by a score of 3–1. In 2013, <mask> played every minute of the regular season helping the Dynamo finish 4th in the Eastern Conference. In the playoffs, <mask> played every minute of the Dynamo playoff run, keping 2 clean sheets in 5 appearances as he helped Houston reach the Conference Semifinals for the thirds straight season, where they

masks: Hall Hall Hall Hall Hall Hall Hall Hall Hall Hall Hall Hall


title: Tally Hall (soccer)

texts:
 lost to Sporting Kansas City 2–1 on aggregate. He also featured in continental competitions during the season, playing in both legs of the 3–1 aggregate loss to Santos Laguna in the 2012–13 CONCACAF Champions League quarterfinals as well as playing in 2 of the 4 games in the 2013–14 CONCACAF Champions League group stage. <mask> enjoyed a strong season individually as well, being named a 2013 MLS All-Star reserve and being named Dynamo Team MVP. In 2014, <mask> started 24 of the first 25 MLS games of the year for Houston before going down with a torn right ACL on August 29 in a 3–1 win over Sporting Kansas City. The Dynamo would end up missing the playoffs, finishing 8th in the conference.Orlando City
On October 28, 2014, it was announced that <mask> was traded to MLS expansion team Orlando City SC ahead of their inaugural season in exchange for allocation money and an international roster spot. On May 17, 2015, <mask> made his Orlando City debut after recovering from his torn ACL, playing the full 90 minutes in a 4–0 win over the LA Galaxy. He started 23 straight games for Orlando before suffering a torn meniscus in his right knee on October 16 during a 2–1 win over New York City FC. <mask> underwent surgery on October 20, keeping him out of the regular season finale. Despite missing significant time due to injury, <mask> was voted the Fans’ Player of the Year. On November 25, 2015, Orlando City declined <mask>'s contract option. D.C. United
On April 1, 2016, <mask> signed with D.C. United.On July 29, 2016, he retired from professional soccer. <mask> trained with the United States U-23 men's national soccer team multiple times, but never featured in a game. He was called up to the full United States national team for the January camp in 2013 and was called up for a World Cup Qualifying game against Jamaica in 2013, but never earned a cap. Career statistics

Club

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Hall
Hall
Hall
Hall
Hall
Hall
Hall
International Hall


title: Tally Hall (soccer)

texts:
Source:

Honors

Club
Houston Dynamo

 MLS Eastern Conference Championship: 2011, 2012

Individual

 MLS All-Star: 2011, 2013
 Houston Dynamo Team MVP: 2013
 Orlando City Fans’ Player of the Year: 2015
 Aztec Hall of Fame: 2019

Post-playing career
<mask> was sworn in as an Orlando Police Department officer in late-March 2017. Personal life
<mask> was born in SeaTac, Washington and raised in Gig Harbor, Washington by his parents Talmon and Gail. The elder Talmon served as a firefighter. He met his wife Erica while he was at San Diego State.She was a midfielder for the Aztecs women's soccer team. They began dating in 2004 and got married in December 2007. Together they have one son and one daughter. In 2012, <mask> and Dynamo teammate Brad Davis founded Banded Brigade Outdoors. The charity takes current and former members of the U.S. Armed Forces and their families on fishing and hunting trips to help them recover from physical and mental injuries and build relationships with other veterans. <mask> felt compelled to start a charity for veterans due to his personal connections to the military, with both of his grandfathers serving in the Navy, his wife's grandfather being a Marine, and his brother serving in the Air Force. References

External links

SDSU bio

1985 births
Living people
American soccer players
American expatriate soccer players
San Diego State Aztecs men's soccer players
Colorado Rapids U-23 players
Esbjerg fB players
Houston Dynamo FC players
Orlando City SC players
D.C. United players
Soccer players from Washington (state)
LA Galaxy draft picks
USL League Two players
Major League Soccer players
Major League Soccer All-Stars
Expatriate footballers in Denmark
People from SeaTac, Washington
Sportspeople from King County, Washington
American expatriate sportspeople in Denmark
People from Gig Harbor, Washington
American municipal police officers
Association

masks: Hall Hall Hall Hall


title: Pierre Olaf

texts:
<mask> (14 July 1928 — 16 September 1995) was a French actor, cabaret artist, and clown. He first achieved success as a stage actor in Paris in the musical revues of Robert Dhéry. He achieved particular acclaim in Dhéry's Jupon Volé (1954) and La Plume de Ma Tante (1955); the latter of which served as an international vehicle for him with productions in Paris, London's West End (1955-1958), and in New York City on Broadway (1958-1960). In 1959 he and the rest of the cast of La Plume de Ma Tante were awarded a non-competitive Special Tony Award. In 1962 he was nominated for a competitive Tony Award for his portrayal of Jacquot in the original Broadway production of Bob Merrill's Carnival! (1961). <mask> began his career in French cinema in the 1950s.A friend of French director and writer Jean Renoir, he appeared in stage, television, and film works written and directed by him. He was a featured interviewee in the 1993 documentary film on Renoir. He also appeared in many films associated with Dhéry, and performed in both French and American films and television programs during the 1960s, 1970s, and 1980s. In 1962 he was a regular performer on Perry Como's Kraft Music Hall. Some of his notable Hollywood film credits include the Tony Curtis comedy Wild and Wonderful (1964), the James Garner and Dick Van Dyke comedy The Art of Love, and the Academy Award winning musical film Camelot (1967). One of his final screen credits was as Captain Rondicherry in the 1989 television miniseries  Around the World in 80 Days made for CBS television. Early career in French cinema and theatre
Born <mask>-<mask> in Caudéran in the Gironde department of Bordeaux, France, <mask> began his professional

masks:
Pierre Olaf
Olaf
Pierre
Olaf Trivier
Olaf


title: Pierre Olaf

texts: acting career on the stage in his late teens.He excelled in comedy roles; aided in that capacity by his small stature and an "owlish face". He first appeared in French cinema in his early 20s, beginning with the role of Sanchez in Marcel Aboulker's Le Trésor des Pieds-Nickelés (1950). Other French films he appeared in during his early career included Miquette et sa mère (1950), Trois femmes (1952), Soyez les bienvenus (1953), Mam'zelle Nitouche (1954), and Ah ! les belles bacchantes (1954). On the stage, <mask> was frequently used in the comedic musical revues of Robert Dhéry in Paris during his early career. The French director Jean Renoir cast <mask> as Roberto, a whistling pierrot, in his 1955 film French Cancan, after seeing his performance in Dhéry's 1954 Paris revue Jupon Volé. Renoir became a close friend with <mask> during the making of this film, a friendship which lasted until Renoir's death in 1979.<mask> starred as Philippe in Renoir's 1955 play Orvet at the Théâtre de la Renaissance. Of Dhéry musical reviews, the most highly regarded on the international stage was La Plume de Ma Tante; which was adapted for the West End's Garrick Theatre from its original French language Paris production by English songwriter Ross Parker. Premiering in London in 1955, the production ran for two and a half years before transferring to Broadway's Royale Theatre in 1958. <mask> portrayed multiple comedic roles in both the West End and Broadway productions, and was one of the production's main comedic talents. In 1957 he appeared on BBC Television in "Jack Hylton presents The Robert Dhéry Show" which included adaptations from the West End musical among other material by Dhéry. The entire

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title: Pierre Olaf

texts:
 cast of La Plume de Ma Tante, including <mask>, was awarded a Special Tony Award in 1959. Carnival!After the Broadway production of La Plume de Ma Tante closed in December 1960, Dhéry remained in the United States and took the part of Jacquot in the original Broadway production of Bob Merrill's Carnival! starring Anna Maria Alberghetti, Jerry Orbach, and Kaye Ballard. The musical premiered at the National Theatre in Washington, D.C. for out of town tryout performances in March 1961. After further tryouts in Philadelphia, the production moved to Broadway's Imperial Theatre where it opened on April 12, 1961. The part of Jacquot was a critical success for <mask> who received a nomination for the Tony Award for Best Featured Actor in a Musical in 1962. A review in Billboard magazine stated the following about his performance: "The real showman of the group is <mask>, the great French clown from 'La Plume de Ma Tante'. <mask> contribute's 'Carnival's' most effective production number, a bright exhilarating turn titled 'Grand Imperial Cirque de Paris'."<mask> recorded the role of Jacquot on the 1961 original cast album of the musical. That Broadway cast recording reached No. 1 on the Billboard album chart dated July 17, 1961. <mask> later reprised the role of Jacquot at New York City Center in 1968 with the New York City Center Light Opera Company. Work in American television and film
In late 1961 <mask> went to Hollywood to make his first appearances on American television and film; beginning with the role of a clown in a television adaptation of Leonid Andreyev's He Who Gets Slapped starring Richard Basehart and Julie Harris. He portrayed the title role in the December 1961 television

masks:
Olaf
Olaf
Pierre Olaf
Olaf
Olaf
Olaf
Olaf


title: Pierre Olaf

texts:
 film The Enchanted Nutcracker with Carol Lawrence and Robert Goulet as his co-stars. In 1962 he had a recurring role in comedy sketches in Perry Como's television program Kraft Music Hall.In 1966 he portrayed the recurring role of Milan Petros in the television series The Trials of O'Brien. He also portrayed roles in multiple television miniseries, including Lace (1984, as Serge), The Free Frenchman (1989, Georges Auget), and  Around the World in 80 Days (1989, as Captain Rondicherry). His  film roles include Jacquot in Wild and Wonderful (1964), Inspector Carnot in The Art of Love (1965), Petros in Too Many Thieves (1967), Dap in Camelot (1967), Chef in Don't Drink the Water (1969), Cozzier in The Gamblers (1970), Lacoste in Irish Whiskey Rebellion (1972), a Courtier in Cheech & Chong's The Corsican Brothers (1984), and the priest in American Dreamer (1984). He also starred in the 1966 Warner Brothers short film By the Sea. Other stage work in the United States
<mask> remained involved with theatre while venturing into television and film. He starred as Passepartout in the world premiere of Sig Herzig, Sammy Fain and Victor Young's musical adaptation of Around the World in Eighty Days at the Saint Louis Municipal Opera in June 1962. That production co-starred Cyril Ritchard, and it transferred to the Starlight Theatre in Kansas City, Missouri after its Saint Louis run the following August.In between those production, <mask> starred in Frank Lowe's stage adaptation of James Thurber's The 13 Clocks at the Barter Theatre in Abingdon, Virginia in July 1962. <mask> was a featured entertainer at the 1964 New York World's Fair. That same year he returned to Broadway as Jerome Lahutte in

masks: Olaf Olaf Olaf


title: Pierre Olaf

texts:
 Yves Jamiaque's play A Murderer Among Us, and appeared Off-Broadway as Ferdinand Goddard in Cy Young's That Hat!, a musical adaptation of the farce The Italian Straw Hat. Neither work was well received, with critics blaming the scripts for not giving <mask> material to display his comedic talent. In 1965 he starred as Raphael Bonnardon in the world premiere of <mask> Aumont's Madame Mousse with Molly Picon in the title role at the Westport Country Playhouse. Other work in French cinema, television, and theatre
In 1964 <mask> reunited with Robert Dhéry to make the film Allez France!, which screened in the United States two years later with the English language title The Counterfeit Constable. He worked with Dhery again ten years later on the film Vos gueules, les mouettes !.In 1970 <mask> reunited with Renoir to make the 1970 television film-series The Little Theatre of Jean Renoir; portraying Gustave in "La Cireuse électrique". He was a featured interviewee in the 1993 documentary film on Renoir. In 1984 <mask> portrayed Bob Cratchit in a French language adaptation of Charles Dickens's A Christmas Carol for TF1 television. In 1985 he created the role of Abdul in the premiere of Peter Ustinov’s play Comme de mal entendu at the Théâtre de la Madeleine. Later life and death
In his latter years, <mask> lived in a small apartment in Montmartre, Paris which had window views that overlooked the Sacré-Cœur. He died in Paris on September 16, 1995. References

External links
<mask> at IMDB
<mask> at IBDB

1928 births
1995 deaths
20th-century French male actors
French male film actors
French male musical theatre actors
French male stage actors
French male television actors
Special Tony Award

masks:
Olaf
Jean Pierre
Olaf
Olaf
Olaf
Olaf
Pierre Olaf
Pierre Olaf


title: Jácome Ratton

texts:
Jacques or <mask> (7 July 1736 in Monestier de Briançon, Hautes-Alpes – 3 July 1820 in Paris) was a Franco-Portuguese businessman, who was a leading figure in the mainly foreign group of industrialists in 18th-century Portugal. He published his Memoirs (Recordaçoens) in 1813 in exile in London, which remain a significant source on Portuguese economic life in the period. Early life

His father was Jacques (in Portugal called <mask>) <mask> (died Mâcon, France in 1779), the son of a Conseil du Roi (in effect a public prosecutor) in Mâcon of the same name, and his wife Jeanne Orsel. Soon after the birth of his eldest son by his marriage to Françoise Bellon (died Mâcon, 1794), daughter of Jacques Bellon and a mother of the Berard family, Jacques emigrated to Portugal, where his brother-in-law Jacques Bellon was already established in Porto, married to Marie Purat. <mask> emigrated to Portugal soon after the birth of his son <mask>, who was brought up by his grandparents and educated in France, before joining his parents at the age of fourteen in Portugal – a pattern typical of the French mercantile community, which <mask> was to repeat with his own children. His Memoirs stress the importance of this – he is highly critical of the backwardness of the Portuguese mercantile classes, who he said hardly used double-entry bookkeeping and were generally unbusiness-like in their ways. In 1758, <mask> married Ana Isabel Clamous, daughter of the French Consul in Porto (again, a son would marry the daughter of another Consul), and in 1762, when France and Portugal were on opposite sides in the Seven Years' War, he was naturalised as Portuguese.However, the Introduction to the 1920 Coimbra edition of his memoirs mentions that, nearly fifty years later, his Portuguese has "irregularidades gramaticais". His father had moved to Lisbon and was in

masks:
Jácome Ratton
Jácome
Ratton
Jacques Ratton
Jácome
Jácome
Jácome Ratton


title: Jácome Ratton

texts:
 business, including a partnership with his brother-in-law in Oporto; after Jacome was established in business he retired to France. The 1755 Lisbon earthquake, vividly described in the Memoirs, caused great losses for the business: 300,000 cruzados, according to the Memoirs. Industrialist
Jacome was an inventive and successful businessman, whose enterprises included a dye-works, a textile mill in Tomar, a paper mill in Elvas, and factories making felt hats in Elvas and Lisbon, the building for which still exists. The Tomar textile mill was the first in Portugal to use modern machinery, and created what was until recently the main industry of the town. The hats were made under a monopoly, though he criticises these in his Memoirs, saying that businessmen should be rewarded with titles instead. He traded in cloth, cognac, Bohemian window-glass, and other products.He invested in sea-salt making at Alcochete, near his country estate, and was also responsible for introducing the eucalyptus to Portugal (a rather mixed blessing), as well as the Araucaria ("monkey-puzzle tree"). His memoirs recount how he made designs for a type of water-pump new to Portugal from a Dutch print. Protege of Pombal
The Marquis of Pombal, the Portuguese prime minister, was keen to encourage industry in Portugal, and consulted with <mask>, although it was not until after Pombal's death that he was made a member of the Real Junta de Commercio, Agricultura, e Navegação, which played an important part in Pombal's efforts to stimulate, and regulate, Portuguese commerce. <mask> was made a Knight of the Order of Christ (who had opposed his mill at their headquarters in Tomar) and ennobled as a nobleman of the royal household. He lived in Lisbon in the neo-classical Ratton Palace, near his hattery, which (partly remodelled by his son Diogo) is now the home of the

masks: Ratton Ratton


title: Jácome Ratton

texts:
 Portuguese Constitutional Court, with a large country estate at Barroca d’Alva on the Tagus estuary as well, where he reclaimed land. War and exile

The French invasion of 1807 not only destroyed commerce but put the Franco-Portuguese community, of which Jacombe was the most prominent member, in a difficult position. It did not help that General Paul Thiébault, the chief-of-staff to Junot, the French commander, had billeted himself at Jacome's house, and they became friends.After they lost the Battle of Vimeiro in 1808, the French negotiated a withdrawal from Portugal with the British (to the fury of British public opinion). In June 1810 the Regency government in Lisbon persuaded the Prince-Regent in Rio de Janeiro to dismiss Jacome from the Junta after twenty-two years, and in September the same year he was arrested along with many "radicals" and exiled to the small island of Terceira in the Azores. He managed, perhaps through his Freemason connections, to convert this into exile in England, where he remained until ca. 1816, before moving to Paris, where he died. The King had invited him to return to Portugal, but though several of his children were there, he declined. He married Ana Isabel Clamouse, daughter of Bernard Clamouse, from Languedoc, and Geneviève Hartsoeker (she was probably the granddaughter of the scientist Nicolaas Hartsoeker), and they had four sons and four daughters. His son Diogo <mask> was appointed to a commission to improve Portuguese commerce; when no report was published he began to publish his own views in 1821 in a series of short works: Reflexões sobre o Commercio, sobre as Alfandegas, sobre os Depositos, e sobre as Pautas with his proposal for a "Tribunal do Commercio" and other reforms.Diogo's letters to António Araujo de Azevedo, Comte da Barca (1812–1817) were published in 1973 (Paris, Fondation C.


title: Jácome Ratton

texts:
 Gulbenkian, 1973). His memoirs, whose short title was Recordaçoens de Jacome <mask> sobre ocurrencias do seu tempo em Portugal de Maio de 1747 Setembro de 1810, were published in Portuguese in London by H. Bryer in 1813. They were probably first written in French and a manuscript fair copy in French, with an inscription recording its  presentation by <mask> to General Paul Thiébault, was on the English book market in the 2010s. There have been two 20th century Portuguese editions, Coimbra University Press, 1920 and Lisbon: Fenda, 1992. A school and a sports centre in Tomar are named after him. Sources

Memoirs
The Memoirs are the principal source for all details of <mask>'s life up to 1810:
Recordaçoens de Jacome <mask> sobre ocurrencias do seu tempo em Portugal de Maio de 1747 Setembro de 1810, London: H. Bryer, 1813. Modern editions: Coimbra: University Press, 1920, Online PDF, 394 pages; Lisbon: Fenda, 1992
 A manuscript translation into French by the author also exists (see link below).Bibliography

-Michèle Janin-Thivos, Marchands migrants du Briançonnais, Monestier de Briançon au XVIIIe siècle, 2018 Editions du Fournel. Notes

External links, and sources
XIV International Economic History Congress, Helsinki 2006, Merchant networks and the Brazilian gold: reappraising national abilities.Leonor Freire Costa & Maria Manuela Rocha, pp 8, 9 & passim
Description of MS translation into French of the Memoirs
Genealogy, partly in Portuguese
Photo of Palacio <mask> in Lisbon
extracts from the Memoirs in Portuguese
Jacome <mask> from "Portugal – Dicionário Histórico, Corográfico, Heráldico, Biográfico, Bibliográfico, Numismático e Artístico, Volume VI" 1904–15

1736 births
1820 deaths
18th-century Portuguese businesspeople
18th-century French businesspeople
Portuguese nobility
Knights of the Order of Christ (Portugal)
19th-century

masks: Ratton Ratton Ratton Ratton Ratton Ratton


title: Effie Gray

texts:
Euphemia Chalmers Millais, Lady Millais (née <mask>; 7 May 1828 – 23 December 1897) was a Scottish artists' model and the wife of Pre-Raphaelite painter John Everett Millais. She had previously been married to the art critic John Ruskin, but the marriage was annulled, and she left him without it having been consummated. This famous Victorian "love triangle" has been dramatised in plays, films, and an opera. Early life
<mask> was born on 7 May 1828 to <mask> (née Jameson; 1808–1894) and <mask> (1798–1877) in Perth, Perthshire, Scotland. Her father was a lawyer and businessman and her maternal grandfather, Andrew Jameson, was Sheriff-substitute of Fife. She grew up at Bowerswell, an Italianate-style house near the foot of Kinnoull Hill. Though she was given the pet-name "Phemy" by her parents as a child, she started to be known as "Effie" by the time she was a teenager.Her sisters Sophie and Alice often modelled for John Everett Millais. Relationship with John Ruskin

John Ruskin wrote the fantasy novel The King of the Golden River for <mask> in 1841, when she was 12 and he was 21. <mask>'s family knew Ruskin's father and encouraged a match between the two when she had matured. She ended up marrying Ruskin, after an initially unsteady courtship, when she was 19 years old on 10 April 1848. During their honeymoon, they travelled to Venice, where Ruskin was doing research for his book The Stones of Venice. While in Perth, Scotland, they lived at Bowerswell, the <mask> family home, and site of their wedding. It had, coincidentally, previously been the home of Ruskin's paternal grandparents.In 1817, Ruskin's mother, Margaret, during her engagement to Ruskin's father, had stayed at Bowerswell and was witness to three

masks:
Gray
Euphemia Chalmers Gray
Sophia Margaret Gray
George Gray
Gray
Gray
Gray


title: Effie Gray

texts:
 tragic deaths within its walls in quick succession (Ruskin's grandmother, grandfather, and newborn cousin). This caused her to develop a severe phobia of the place, keeping her from attending her son's wedding to <mask>. <mask> and Ruskin's different personalities were thrown into sharp relief by their contrasting priorities. For <mask>, Venice provided an opportunity to socialise while Ruskin was engaged in solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Palazzo Ducale (Doge's Palace), because he feared they would soon be destroyed by the occupying Austrian troops. One of the troops, Lieutenant Charles Paulizza, made friends with Effie, apparently with no objection from Ruskin. Her brother, among others, later said that Ruskin was deliberately encouraging the friendship in order to compromise her, as an excuse to separate.Meeting John Everett Millais
When she met John Everett Millais five years later, she was still a virgin. Ruskin had persistently put off consummating the marriage. <mask> and Ruskin had agreed upon abstaining from sex for five years to allow Ruskin to focus on his studies. Another reason involved his apparent disgust with some aspect of her body. As she later wrote to her father:

He alleged various reasons, hatred to children, religious motives, a desire to preserve my beauty, and, finally this last year he told me his true reason...  that he had imagined women were quite different to what he saw I was, and that the reason he did not make me his Wife was because he was disgusted with my person the first evening. Ruskin confirmed this in his statement to his lawyer during the annulment proceedings: "It may be thought strange that I could abstain from a woman

masks: Effie Effie Effie Gray


title: Effie Gray

texts:
 who to most people was so attractive. But though her face was beautiful, her person was not formed to excite passion.On the contrary, there were certain circumstances in her person which completely checked it." The reason for Ruskin's disgust with "circumstances in her person" is unknown. Various suggestions have been made, including revulsion at either her pubic hair, or menstrual blood. Robert Brownell, on the contrary, in his analysis Marriage of Inconvenience, argues that Ruskin's difficulty with the marriage was financial and related to concerns that <mask> and her less affluent family were trying to tap into Ruskin's considerable wealth. Relationship with John Everett Millais

While married to Ruskin, she modelled for Millais' painting The Order of Release, in which she was depicted as the loyal wife of a Scottish rebel who has secured his release from prison. She then became close to Millais when he accompanied the couple on a trip to Scotland in order to paint Ruskin's portrait according to the critic's artistic principles. During this time, spent in Brig o' Turk in the Trossachs, they fell in love.While working on the portrait of her husband, Millais made many drawings and sketches of her. He also sent humorous cartoons of him, <mask> and Ruskin to friends. She copied some of his works. After their return to London, she left Ruskin, nominally to visit her family. She sent back her wedding ring with a note announcing her intention to file for an annulment. With the support of her family and a number of influential friends, she pursued the case, causing a public scandal and their marriage was annulled on the grounds of "incurable impotency" in 1854. Marriage to John Everett Millais

In 1855, she married

masks: Effie Effie


title: Effie Gray

texts:
 John Millais and they had eight children together: Everett, born in 1856; George, born in 1857; <mask>, born in 1858; Mary, born in 1860; Alice, born in 1862; Geoffrey, born in 1863; John in 1865; and Sophie in 1868.Their youngest son, John Guille Millais, was a notable bird artist and gardener. <mask> also modelled for a number of her husband's works, notably Peace Concluded (1856), which idealises her as an icon of beauty and fertility. In 1885, her husband was elevated to the baronetage by Queen Victoria, having been created Baronet Millais of Palace Gate, in the parish of St Mary Abbot, Kensington, in the county of Middlesex, and of Saint Ouen, in the Island of Jersey. Upon her husband's elevation, <mask> became entitled to use the style Lady Millais. Ruskin's rapport with Rose La Touche

In 1858, Ruskin met Rose La Touche; at the time she was 10 years old, and he became her teacher in drawing as well as other subjects. Ruskin became attracted to La Touche and when she turned 18 sought to become engaged. Rose's parents were concerned and wrote to Effie, asking for her opinion of Ruskin as a husband.<mask>'s reply described him as oppressive. The engagement was broken off. Influence on Millais

<mask> was an effective manager of Millais' career and often collaborated with him in choosing his subjects. Her journal indicates her high regard for her husband's art, and his works are still recognisably Pre-Raphaelite in style several years after his marriage. However, Millais eventually abandoned the Pre-Raphaelite obsession with detail and began to paint in a looser style which produced more paintings for the time and effort. Many paintings were inspired by his family life with his wife, often using his

masks: Effie Effie Effie Effie Effie


title: Effie Gray

texts:
 children and grandchildren as models. Millais also used his sister-in-law, <mask>, then in her early teens, as the basis of some striking images in the mid to late 1850s, provoking suggestions of a mutual infatuation.Later life

<mask> had been officially presented to Queen Victoria on 20 June 1850. This was arranged by Lady Davy, a friend and neighbour of hers from London who was also friends with one of the queen's ladies-in-waiting. However, the annulment from Ruskin barred her from events at which the queen was present. Her social status was affected negatively, although many in society were still prepared to receive her and to press her case sympathetically. Eventually, when Millais was dying, the queen relented through the intervention of her daughter Princess Louise, allowing <mask> to attend an official function. Sixteen months after Millais' death, <mask> died at Bowerswell on 23 December 1897 and was buried beside her 20-year-old son, George,  in Kinnoull Parish Church churchyard, Perth, which is depicted in Millais's painting The Vale of Rest. <mask>'s father had donated the Millais window, the West window, to Kinnoull Church in 1870.It is based on designs drawn by Millais. In drama and literature
Her marriage to Ruskin and subsequent romance with Millais have been dramatised on many occasions:

The Love of John Ruskin (1912), a silent movie about Ruskin, <mask> and Millais. The Love School (1975), a BBC series about the Pre-Raphaelites, starring Anne Kidd (Gray), David Collings (Ruskin), and Peter Egan (Millais). John Ruskin's Wife (1979), a novel about the relationship by Eva McDonald. Dear Countess (1983), a radio play by Elizabeth Morgan, with Derek Jacobi (Ruskin), Bridget McCann (Gray),

masks:
Sophie Gray
Effie
Gray
Effie
Gray
Gray


title: Effie Gray

texts:
 Timothy West (Old Mr Ruskin) Michael Fenner (Millais). The author played Ruskin's mother. The Passion of John Ruskin (1994), a short film directed by Alex Chappel, starring Mark McKinney (Ruskin), Neve Campbell (Gray) and Colette Stevenson (Gray's voice).Modern Painters (1995), an opera about Ruskin, <mask> and Millais, music by David Lang, libretto by Manuela Hoelterhoff. Parrots and Owls, (1994) a radio play by John Purser about the O'Shea brothers in which <mask> appears as a friend of James O'Shea and her marital problems are discussed. The Countess (1995), a play written by Gregory Murphy concentrating on the breakdown of the marriage between Ruskin and <mask>. The Order of Release (1998), a radio play by Robin Brooks about Ruskin (Bob Peck), <mask> (Sharon Small) and Millais (David Tennant). The Woman Who Gave Birth to Rabbits (2002), a collection of short stories by Emma Donoghue, contains a story "Come, Gentle Night" about Ruskin and <mask>in (2003), a play by Kim Morrissey about the breakdown of the marriage and <mask>'s fraught relationship with Ruskin's domineering mother. Desperate Romantics (2009), a six-part BBC television drama serial about the Pre-Raphaelite Brotherhood.She is played by Zoe Tapper. <mask> <mask> (2014), a film produced by Emma Thompson with Dakota Fanning as the titular character, Tom Sturridge as Millais and Greg Wise as Ruskin. References

External links

Birmingham Museums & Art Gallery's Pre-Raphaelite Online Resource
An overview of the women involved in the Pre-Raphaelite circle

1828 births
1897 deaths
British artists' models
John Ruskin
People from Perth, Scotland
Pre-Raphaelite Brotherhood artists' models
Scottish female models
Women of the Victorian era
Wives of

masks: Gray Gray Gray Gray Grayusk Gray Effie Gray


title: Thomas P. Riccio

texts:
<mask><mask> (born 1955) is an American multimedia artist and academic. He received his BA from Cleveland State University in English Literature in 1978, his MFA from Boston University in 1982, and studied in the PhD program in Performance Studies at New York University from 1983 to 1984. <mask> has directed over one hundred plays at American regional theatres, off-off and off Broadway and has worked extensively in the area of indigenous and ritual performance conducting research and/or creating performances in: South Africa, Zambia, Burkina Faso, Tanzania, Kenya, Ethiopia, Europe, Russia, Siberia, Korea, India, Nepal, China, and Alaska. In 1993 the People's Republic of Sakha (central Siberia) declared him a “Cultural Hero”. Career
In 1980 <mask> was appointed Assistant Literary Director at the American Repertory Theatre, Cambridge, MA and Research Assistant to Robert Brustein. In 1984 he was appointed Dramaturg and Resident Director of the Cleveland Play House. 1985 he served as Artistic Director of the Organic Theatre, Chicago.In 1988 <mask> was appointed as Professor of Theatre at the University of Alaska Fairbanks, and Artistic Director of Tuma Theater, an Inuit theatre group. He continued in both of these positions until 2003. From 2003 until present he has been the Professor of Performance Studies and Aesthetic Studies at the University of Texas at Dallas. Since 2006 <mask> has worked with David Hanson at Hanson Robotics as a lead narrative engineer. He has also served as a Visiting Professor at the Korean National University for the Arts, California Institute of Integral Studies and the University of Dar es Salaam. He is a producing artist with Project X a Dallas-based

masks:
Thomas P
. Riccio
Riccio
Riccio
Riccio
Riccio


title: Thomas P. Riccio

texts:
 performance collective . He was created two media installations with Frank DuFour, The Invention of Memory (2010) and Not So Indifferent (2012) both at Central Trak Gallery, Dallas.In 2011 with Lori McCarty he formed Dead White Zombies, a Dallas-based experimental, post-disciplinary performance and media group that utilizes ritual and indigenous expressions. <mask> serves as <mask>o <mask> (artistic director) of the group and has written, directed, and created installations for four works since its founding. Blah Blah (2011); Flesh World (2012), (w)hole (2012), and T.N.B. (2013), Bull Game (2013), , Karaoke Motel (2014) , DP92 (2015) , and Holy Bone (2017) Was an artist in residence at the Watermill Arts Center (2016)  and is collaborating on 12 Shouts, a performance project with Sibyl Kempson for the Whitney Museum. Visiting Professor in Ethnography and Anthropology, Jisou University, Hunan, China. Principal actor, Wedding Dresses. 2009: Orange Oranges play published by Sojourn Literary Journal
 2009: Video Documentary Director and Editor, There is Never a Reference Point premiere Dallas Video Festival
 2009-2010: Featured Performance Artist, "All the World's a Stage," Dallas Museum of Art
 2010: Published Articles "Robot as Ritual Oracle and Fetish," University of Tartu (Estonia), "Performance of Body, Space and Place" chapter in Healing Collective Trauma, Springer Publishing
 2010: Participated in the creation of Bina, a conversational robot for Hanson Robotics
 2010: PlayLab reading of new play TNB (Typical Nigga Behavior) Great Plains Theatre Conference and Workshop Instructor
 2011 Blah Blah, writer, director, installations, Dead White Zombies, Dallas.Semi-Finalist,

masks:
Riccio
Po
Pa Doo


title: Thomas P. Riccio

texts:
 National Playwright's Conference
 2012 Flesh World writer, director, installations, Dead White Zombies, Dallas. Semi-finalist, National Playwright's Conference
 2012 (w)hole writer, director, installations, Dead White Zombies, Dallas
 2012 Ethiopia and Its Double article published by Theatre Forum Magazine
 2012 Rhythm Reality published, a chapter In Rhythms And Steps Of Africa, Studies on Comparative Aesthetics, volume 2: Studies On Anthropology And Aesthetics Of The African Dance, editor Wiesna Mond-Kozłowska. 2012 Shadows in the Sun: Context, Process and Performance in Ethiopia, published, New Theatre Quarterly, Cambridge Univ. Press
 2012 At Play With the Dead White Zombies, an interview published in Arts and Culture, Dallas, December 2012-January 2013. 2013 Collective (Re)Creation as Site of Reclamation, Reaffirmation, and Redefinition, chapter in Collective Creation in Contemporary Performance, Palgrave
 2013 Lecture Series at Tribruvan University, Nepal. Performance workshop with Mandala Theatre, Kathmandu. Article, Kathmandu Post.2013 Performance Workshops, Pondicherry University, India. Research in Theru Koothu, Tamil folk performance. 2013 T.N.B. a site-specific performance immersion, writer-director
 2013 The Weirdest Theatre Mind in Dallas, published in Dallas Observer, August 2013
 2014 100 Dallas Creatives: Offbeat Intellect <mask>cio article published in The Dallas Observer, September, 2014
 2014 Artist Residency, Halka Center, Istanbul, Turkey
 2014 "Dead White Zombies, Dallas Texas" published in Theatre Forum, International Journal
 2015 Lecture Series at Jishou University, China, research in Miao traditional performance , named Visiting Professor in


title: Thomas P. Riccio

texts:
 Anthropology and Ethnography
 2016 "Narrative of Place" chapter published in Audience Revolutions, TCG Press, Caridad Svich, editor
 2016 Watermill Center, NY, Artist-in-Residence, February–March
 2016 Huan Nuo Yuan, a video documentary of a Miao ritual, shown at Dallas Video Festival, EthnograFilm Festival (Paris), Beijing Film Festival, International Film Festival of Ethnographic Films, Sophia, Bulgaria, and Martinique Film Festival. 2017 Holy Bone, a site specific immersion performance, writer-director, Dead White Zombies
 2017 <mask> Dead White Zombies an podcast interview, by Brett Cowell, Total Life Complete Fall 2017
 2017 Dead White Zombies Theatre Like You Never Seen It feature article published in D Magazine, February 2017
 2018 Africa Agency and the Anthropocene article published in Anthenaeum Review
 2019 Nuoyuan Exorcism and Transformation in Miao Ritual Drama article published in TDR, The Drama Review, MIT Press Summer 2019

References

External links
 <mask>cio homepage
 Dead White Zombies homepage
 <mask> biography at UT Dallas

Living people
1955 births
American artists
University of Alaska Fairbanks faculty
Cleveland State University alumni
Boston University College of Fine Arts alumni
New York University alumni
University of Texas at Dallas

masks:
Thomas Riccio
Thomas Ric
Thomas Riccio


title: David Bromige

texts:
<mask> (October 22, 1933 – June 3, 2009) was a Canadian-American poet who resided in northern California from 1962 onward. Bromige published thirty books, many so different from one another as to appear to be the work of a different author. Associated in his youth with the New American Poetry and especially with Robert Duncan and Robert Creeley, Bromige is sometimes associated with the language poets, but this connection is based more on his close friendships with some of those poets, and their admiration for his work. It is difficult to fit Bromige into a slot. He departs from language poetry in the thematic unity of many of his poems, in the uses to which he puts found materials, with the romantic aspect of his lyricism, and with the sheer variety of his approaches to the poem. Early life
Bromige was born in London, England. At an early age, he showed signs of being tubercular and was sent to an isolation hospital, but after four months, his condition improved, and he was discharged.That hospital was the first of four crucial interludes, which molded his adult life. The second of these interludes came during the London Blitz. A stick of bombs falling in their customary sequence appeared likely to destroy the Bromiges’ house, with them inside. The next interlude involves his schooling and work experience. When the war ended, Bromige won a scholarship to Haberdashers' Aske's Hampstead School and a chance to study at a socially superior school. After completing his School Certificate, Bromige accepted an offer to be a dairyman on a farm in southern Sweden. Each of these interludes changed him.The first made him suspicious of his family; the bombing made him vow to be someone else; work and study gave


title: David Bromige

texts:
 him the worldly experience to be a poet. Becoming a poet
He met other poets at the University of British Columbia such as George Bowering, Fred Wah, Frank Davey, <mask>, and Jamie Reid, and they encouraged him to write and publish his work. At the 1963 Vancouver Poetry Festival Bromige met Robert Creeley, Charles Olson, Denise Levertov, Allen Ginsberg, and Robert Duncan. The result of this endeavor led to the publication of many poems. Robert Hass, the chairman of the Western States Book Award Committee, wrote glowingly of his work and chose his 1988 book, Desire: Selected Poems, 1963-1987 to win the first prize for poetry. He has twice been honored by the Poetry Foundation, once with a $3,000 and again with a $10,000 prize. And he has twice been honored by the National Endowment for the Arts.He won the college prize for the first poem he ever published. Three years later, Bromige won a Woodrow Wilson Scholarship. The rules stated that he had to do his graduate work at a different university. In 1962, he chose the University of California at Berkeley after graduating from the University of British Columbia. At UC-Berkeley, Bromige studied with Frederick Crews, Stephen Booth, and Thomas Parkinson. Living in the Bay Area also brought him into contact with a younger generation of American poets, including Ron Loewinsohn, Michael Palmer, Ron Silliman, <mask>, Kathleen Fraser, Kenneth Irby, Rae Armantrout, Bob Perelman, Harvey Bialy, Robert Grenier, Stephen Ratcliffe, Pat Nolan, Alistair Johnson and more. In 1968, his third book, The Ends of the Earth, was published by Black Sparrow Press.It was the beginning of a twenty-three-year partnership that produced eleven of his books. The poems in this book

masks:
David Dawson
David Melnick


title: David Bromige

texts:
 have a ghostly tone. It is as though Cocteau was doing a very detailed description of Bromige's life. The change apparent in his fifth book, Threads, is startling. It reads as though the ghostly presences from The Ends of the Earth had fleshed out and learned to speak a language from the various lives whose talk fills the book. Academic career
Leaving UC-Berkeley A.B.D., (All but dissertation), <mask> took a teaching position in the English Department at Sonoma State University in 1970. Then came seven books in two years.This is Bromige at an early peak. Ten Years in the Making began it. This book consisted of some of his early work, going back to 1960, work engagingly open to the merest reader. Then come selections from The Gathering, followed by poems from Threads. Next came Birds of the West, from Victor Coleman of Coachhouse Press in Toronto. This book consists of three sections: a journal of gardening and visitors; a section of more finished poems, filled with a landscape of Western Sonoma County; and a single, long poem written in sparse triplets to reflect a white-tail kite's hovering flight. Soon afterwards, Tight Corners and What’s Around Them was issued by Black Sparrow.Bromige has stated it was the most interesting to him of this clutch of books. "I was using a fairly familiar sort of sentence, in prose, with a last line that either boosted sales or fell flat as a flapjack. I didn’t care. Banal or brilliant, it made no difference in the world I was living in. Besides, sometimes the banal turned brilliant as I listened." He also did three pint-sized books about this time for the "Sparrow" series. In 1974, he also published a book of occasional poems, Spells and Blessings.<mask> continued

masks: Bromige Bromige


title: David Bromige

texts: to publish prodigiously in magazines and, in 1980, published a book called My Poetry. The 1980s started with a Pushcart Prize for My Poetry and ended with the Western States Poetry Award for his selected poems, Desire. In between, Bromige devoted himself to his wife and young daughter while carrying a full-time professor's responsibilities in the English Department at Sonoma State University. He coordinated poetry conferences at SSU, published a collaboration with Opal Nations, wrote an analysis of Allen Fisher's four-day residency at Langton Street in San Francisco, and was himself the subject of an issue of Tom Beckett's The Difficulties. In 1990, John Martin, who had moved Black Sparrow Press to Santa Rosa, published Men, Women & Vehicles, a book of selected prose. <mask> retired early from Sonoma State University in 1993, and he continued to publish and give readings. Tiny Courts in a World Without Scales, Brick Books, is a book of fifty short poems, showing Bromige at his droll and sarcastic best.He had fun with They Ate, a cut up from a turn-of-the-century detective novel, before producing A Cast of Tens (Avec Press). Each stanza has 10 lines but in each poem is distributed variously. The Harbormaster of Hong Kong (Sun and Moon) came next with many kinds of writing in it including a perfect sonnet. Bromige's final book from the 90's was Vulnerable Bundles, a limited edition of thirty, from Potes and Poets Press. Missing teaching, Bromige returned to it part-time at the University of San Francisco, and he also began writing what would later be As in T as in Tether, which was awarded A Best Book of the Year (2003) recognition from Small Press Traffic. Bromige published Indictable Suborners and


title: David Bromige

texts:
 Behave or Be Bounced with dPress, Sebastopol, in 2003. For the past few years, Bromige had been collaborating with poet and dPress editor Richard Denner on 100 Cantos.Spade: Cantos 1-33 was published in 2006. <mask> lived in Sebastopol, California. He died on June 3, 2009 of complications from diabetes. Bibliography
The Gathering. Buffalo, NY: Sumbooks, 1965. Please, Like Me. Los Angeles, CA: Black Sparrow Press, 1968.The Ends of the Earth. Los Angeles, CA: Black Sparrow Press, 1968. The Quivering Roadway. Berkeley, CA: Archangel Press, 1969. Threads. Los Angeles, CA: Black Sparrow Press, 1970. Three Stories.Los Angeles, CA: Black Sparrow Press, 1973. Ten Years in the Making. Vancouver, BC: New Star Press, 1974. Tight Corners & What's Around Them. Los Angeles, CA: Black Sparrow Press, 1974. Birds of the West. Toronto, Ontario: Coach House Books, 1974.Out of My Hands. Santa Barbara, CA: Black Sparrow Press, 1974. Spells & Blessings. Vancouver, BC: Talonbooks, 1975. Credences of Winter. Santa Barbara, CA: Black Sparrow Press, 1976. Living in Advance (with deBarros and Gifford).Cotati, CA: Open Ready Press, 1976. My Poetry. Berkeley, CA: The Figures Press, 1980. P-E-A-C-E.  Berkeley, CA: Tuumba Press, 1981. In the Uneven Steps of Hung Chow. Berkeley, CA: Little Dinosaur Press, 1982. It's the Same Only Different/The Melancholy Owed Categories.Weymouth, England: Last Straw Press, 1984. You See, Parts 1 & 2 (with Opal Nations). San Francisco, CA: Exempli Gratia Press, 1986. Red Hats. Atwater, OH: Tonsure Press, 1986. Desire: Selected Poems 1963-1987. Santa Rosa, CA: Black Sparrow Press, 1988.Men, Women & Vehicles: Prose Works. Santa Rosa, CA: Black Sparrow Press, 1990. Tiny Courts in a Year Without


title: David Bromige

texts:
 Scales. London, ON: Brick Books 1991. They Ate. Sebastopol, CA: X-Press Books, 1992. The Harbormaster of Hong Kong.Los Angeles, CA: Sun & Moon Press, 1993. A Cast of Tens. Penngrove, CA: Avec Books, 1994. Vulnerable Bundles. Hartford, CT: Cricket Press, 1995. From the First Century. 1995.Piccolo Mondo. Toronto, Ontario: Coach House Books, 1998. Authenticizing. San Francisco, CA: a+bend press, 2000. As in T, As in Tether. Tucson, AZ: Chax Press, 2002. Indictable Suborners.Sebastopol, CA: DPress  2003. Behave or Be Bounced. Sebastopol, CA: dPress, 2003. Ten Poems from Clearings in the Throat. Sebastopol, CA dPress, 2005. Spade (with Richard Denner). Sebastopol, CA: dPress, 2006.
if wants to be the same as is: Essential Poems of <mask>, edited by Jack Krick, Bob Perelman and Ron Silliman, with an introduction by George Bowering, Vancouver, BC: NewStar Books, forthcoming.References

External links

<mask> page at the Electronic Poetry Center
<mask>ige page at the University of Calgary
An Interview with <mask>ige
PennSound has numerous audio recordings of <mask> reading his poems
<mask>ige 1933 - 2009 This "cyber-tombeau" at Silliman's Blog by poet Ron Silliman includes comments, tributes, and links
<mask>ige Correspondence MSS 6. Special Collections & Archives, UC San Diego Library. 1933 births
2009 deaths
Deaths from diabetes
20th-century Canadian poets
20th-century Canadian male writers
Canadian male poets
21st-century Canadian poets
20th-century American poets
21st-century American poets
Sonoma State University faculty
Canadian expatriate academics in the United States
Canadian expatriate writers in the United States
Writers from the San Francisco Bay Area
21st-century Canadian male

masks:
David Bromige
David Bromige
David Brom
David Brom
David Bromige
David Brom
David Brom


title: Bud Scott

texts:
<mask> (January 11, 1890 – July 2, 1949) was an American jazz guitarist, banjoist and singer. He was one of the earliest musicians associated with the New Orleans jazz scene. As a violinist he performed with James Reese Europe's Clef Club Orchestra at a historic 1912 concert at Carnegie Hall, and the following year worked with Europe's ensemble on the first jazz recordings on the Victor label. A graduate of the Peabody School of Music, <mask> was a notable rhythm guitarist in Chicago's Jazz Age nightclubs of the 1920s. After performing and recording with Jimmie Noone's Apex Club Orchestra in 1928 he moved to California. He was able to make a living as a professional musician through the 1930s, when traditional jazz was eclipsed by big-band swing music, and formed his own trio. In 1944 <mask> joined an all-star combination that evolved into Kid Ory's Creole Jazz Band, an important force in reviving interest in New Orleans-style jazz in the 1940s, and he wrote the majority of the band's arrangements.Biography
<mask> <mask>, known as <mask>, was born January 11, 1890, in New Orleans, Louisiana. As a teenager he played with <mask>; he played guitar and violin as a child and performed professionally from an early age. His first job was with New Orleans dance band leader John Robichaux in 1904. In 1911 he was playing guitar with Freddie Keppard's Olympia Orchestra. <mask> left New Orleans with a large travelling show in 1912. After the show's New York engagements, <mask> joined the Clef Club, a musical society that included Marian Anderson and Paul Robeson. At age 22 he was in the string section of the

masks:
Arthur Budd Scott
Scott
Scott
Arthur Budd
Scott
Bud Scott
Buddy Bolden
Scott
Scott


title: Bud Scott

texts: 125-piece Clef Club Orchestra when it performed a historic concert at Carnegie Hall May 2, 1912, under the direction of James Reese Europe."That was the first time jazz was heard in that sedate hall — although we called it 'ragtime' then," <mask> told jazz historian Floyd Levin. "We received a standing ovation from the first racially mixed audience ever permitted in Carnegie Hall." <mask> played on a number of Victor Talking Machine Company ragtime recordings with James Reese Europe's Society Orchestra in 1913. He worked with Europe at Vernon and Irene Castle's fashionable nightclub, but he remained in New York when the orchestra accompanied the Castles on their first national tour. <mask> studied music theory with Walter Damrosch, and he later graduated from the Peabody School of Music. <mask> found work playing banjo with Bob Young in Baltimore in 1917. In 1921 he played in Will Marion Cook's Orchestra.In 1923 <mask> moved to Chicago and replaced Bill Johnson in King Oliver's Creole Jazz Band. When Oliver's band recorded "Dippermouth Blues", <mask> originated the now-traditional shout, "Oh, play that thing!" He also worked with Johnny Dodds and Jimmy Blythe, Erskine Tate, Jelly Roll Morton's Red Hot Peppers and Richard M. Jones' Jazz Wizards. <mask> was the first person to use a guitar in a modern dance orchestra, in Dave Peyton's group accompanying Ethel Waters at Chicago's Cafe de Paris. He then joined Jimmie Noone's Apex Club Orchestra, and was part of the Vocalion recording sessions in 1928 that included "Blues My Naughty Sweetie Gives to Me", featuring <mask>'s guitar solo; "King Joe", written

masks: Scott Scott Scott Scott Scott Scott Scott Scott


title: Bud Scott

texts: by <mask>; and "Sweet Lorraine", which <mask> would later call "the best recording I ever made". In 1929 <mask> was one of the many New Orleans musicians who moved to California. "I joined Mutt Carey's band playing in clubs around Los Angeles", <mask> told jazz historian Floyd Levin."From 1930 to 1944 I played every conceivable sort of date to make a living. I played solos, worked in vaudeville shows, film and radio studios, and the pit orchestra at the Lincoln Theater. I formed a trio and played in some of the best Hollywood spots including the Florentine Gardens". In 1944 <mask> joined an all-star traditional New Orleans band that was a leader of the West Coast revival, put together for the CBS Radio series The Orson Welles Almanac. The All Star Jazz Group also included Mutt Carey, Ed Garland, Jimmie Noone (succeeded by Barney Bigard), Kid Ory, Zutty Singleton and Buster Wilson. Renamed Kid Ory's Creole Jazz Band, the group then made a significant series of recordings on the Crescent Records label. Ory and <mask> co-wrote "Get Out of Here", one of the 16 sides the band recorded.<mask> continued to play with Kid Ory's band. With his academic background <mask> also wrote most of the band's arrangements — a talent that earned him the nickname "The Master". <mask> was one of the jazz greats who performed and appeared in the 1947 film, New Orleans. Uncredited, Kid Ory's Creole Jazz Band performed on the soundtrack of the 1947 RKO feature film, Crossfire, with clarinetist Barney Bigard; "I do remember <mask> had to sing Shine in that old deep voice of his," Bigard later recalled. <mask> was performing with

masks:
Scott
Scott
Scott
Scott
Scott
Scott
Scott
Scott
Scott
Bud Scott
Scott


title: Bud Scott

texts:
 Ory's band in San Francisco in September 1948 when he suffered a severe stroke that forced him to retire from music. A group of friends organized a benefit concert January 23, 1949, to help <mask> and his wife Alice with medical expenses. Performers included Danny Barker, Blue Lu Barker, Benny Carter, Pete Daily and the Chicagoans, Firehouse Five Plus Two, Erroll Garner, Dizzy Gillespie, Nappy Lamare, Nellie Lutcher,  Eddie Miller, Albert Nicholas, Zutty Singleton, Ted Vesley's Dixieland band and T-Bone Walker.Kid Ory's Creole Jazz Band closed the program with "Blues for Jimmie" in honor of Jimmie Noone, whose widow was in the audience. The proceeds totalled $400, worth ten times that amount today. <mask> died in Los Angeles July 2, 1949, aged 59. His obituary ran on the front page of the Los Angeles Sentinel. "Kid Ory wept during prayers at <mask>s's Masonic funeral," wrote jazz historian Floyd Levin. "So did I. It was a great privilege to know this scholarly man."<mask> was buried at Lincoln Memorial Park cemetery in Carson, California. References

External links

 1944 Orson Welles Broadcasts at The Kid Ory Archive
 1945 Jade Palace at The Kid Ory Archive
 Kid Ory's Creole Jazz Band: 1944–1945 The Legendary Crescent Recording Sessions at AllMusic (<mask>ow)
 Arthur "<mask><mask> (1890-1949) at Red Hot Jazz Archive

1890 births
1949 deaths
American Freemasons
American jazz banjoists
American jazz guitarists
Jazz musicians from New Orleans
20th-century American guitarists
Guitarists from Louisiana
American male guitarists
20th-century American male musicians
American male jazz musicians
Red Hot

masks:
Scott
Scott
Bud Scott
Scott
Scott Yan
Bud
" Scott


title: Giacomo Matteotti

texts:
<mask>  (; 22 May 1885 – 10 June 1924) was an Italian socialist politician. On 30 May 1924, he openly spoke in the Italian Parliament alleging the Fascists committed fraud in the recently held elections, and denounced the violence they used to gain votes. Eleven days later he was kidnapped and killed by Fascists. The presumed fraud in the 1924 elections (however won by PNF thanks to the Acerbo Law, ad-hoc made in order to make the Party win) was not the only cause of his murder. In fact, according to Renzo De Felice's essay Breve Storia del Fascismo, <mask> also publicly condemned the alliance of the socialist trade unions and the fascist counterpart. Yet, the most important aspect, and probably the main reason for his murder, was that he found out the evidence of bribes from Sinclair Oil in favour to Mussolini, in order to get permission for the petroleum reservoir exploitation in North Africa. Political career
<mask> was born a son of a wealthy family, in Fratta Polesine, Province of Rovigo in Veneto.He graduated in law at the University of Bologna. An atheist and from early on an activist in the socialist movement and the Italian Socialist Party, he opposed Italy's entry into World War I (and was interned in Sicily during the conflict for this reason). He was elected deputy three times: in 1919, 1921 and 1924. As a follower of Filippo Turati, <mask> became the leader of the Unitary Socialist Party in the Italian Chamber of Deputies after the scission of the Socialist Party. He openly spoke out against Fascism and Benito Mussolini, and for a time was leader of the opposition to the National Fascist Party (NFP). From 1921 he denounced fascist violence in a pamphlet titled Inchiesta socialista sulle gesta dei fascisti in Italia (Socialist enquiry on the deeds of the fascists in Italy). In 1924 his book The Fascisti

masks:
Giacomo Matteotti
Matteotti
Matteotti
Matteotti


title: Giacomo Matteotti

texts:
 Exposed: A Year of Fascist Domination was published and he made two impassioned and lengthy speeches in the Chamber of Deputies denouncing Fascism and declaring that the last election, marked by intimidation and militia violence, was "invalid".Murder
On 10 June 1924 <mask> was bundled into a Lancia Lambda and stabbed several times with a carpenter's file as he was struggling to escape. His corpse was found after an extensive search near Riano, 23 kilometers north of Rome, on 16 August 1924. Five men (Amerigo Dumini—a prominent member of the Fascist secret police, the Ceka—Giuseppe Viola, Albino Volpi, Augusto Malacria and Amleto Poveromo) were arrested a few days after the kidnapping. Another suspect, Filippo Panzeri, fled from arrest. Only three (Dumini, Volpi and Poveromo) were convicted and shortly after released under amnesty by King Victor Emmanuel III. Before the trial against the murderers, the High Court of the Senate started a trial against general Emilio De Bono, commander of the Fascist paramilitary Blackshirts (MVSN), but he was discharged. After the Second World War, in 1947, the trial against Francesco Giunta, Cesare Rossi, Dumini, Viola, Poveromo, Malacria, Filippelli and Panzeri was re-opened.Dumini, Viola and Poveromo were sentenced to life imprisonment. In none of these three trials was evidence found of Mussolini's involvement. Mussolini's alleged involvement

The involvement of Mussolini in the assassination is much debated. Historians suggest some different theories. The main biographer of Mussolini, Renzo De Felice, was convinced that the Duce was not innocent. Even Aurelio Lepre and Emilio Gentile thought that Mussolini wanted the death of <mask>. The former socialist and anti-fascist journalist Carlo Silvestri in 1924 was a harsh accuser of Mussolini; later, when he joined the Italian Social

masks: Matteotti Matteotti


title: Giacomo Matteotti

texts:
 Republic, he affirmed that Mussolini had shown him the papers for the Matteotti case, and eventually he changed his mind.Silvestri became a strong defender of Mussolini's innocence in <mask>'s murder, and suggested that the socialist was killed by a plot, in order both to damage Mussolini's attempt to raise a leftist government (with the participation of Socialists and Popolari) and to cover some scandals in which the Crown (with the American oil company Sinclair Oil) was involved. De Felice argued that maybe Mussolini himself was a political victim of a plot, and almost surely he was damaged by the crisis that followed the murder. Many fascists left the Party, and his government was about to collapse. Moreover, his secret attempt to bring Socialists and Popolari into a new reformist government was ruined. John Gunther wrote in 1940 that "Most critics nowadays do not think that the Duce directly ordered the assassination ... but his moral responsibility is indisputable", perhaps with underlings believing they were carrying out Mussolini's desire performing the kidnapping and murder on their own. Other historians, including Justin Pollard and Denis Mack Smith, thought Mussolini was probably aware of the assassination plot but that it was ordered and organized by someone else. Mauro Canali suggests that Mussolini probably did order the murder, as Matteotti uncovered and wanted to make public incriminating documents proving that Mussolini and his associates sold to Sinclair Oil exclusive rights to all Italian oil reserves.Consequences of the murder
The death of <mask> sparked widespread criticism of Fascism. A general strike was threatened in retaliation. Since Mussolini's government did not collapse and the King refused to dismiss him, all the anti-fascists (except for the  Communist Party of Italy) started to abandon


title: Giacomo Matteotti

texts: the Chamber of Deputies. They retired on the "Aventine Mount", like ancient Roman plebeians. They thought to force the Crown to act against Mussolini, but on the contrary this strengthened Mussolini. After a few weeks of confusion, Mussolini gained a favourable vote by the Senate of the Kingdom, and tried to defuse the tension with a speech. Despite pressure from the opposition, Victor Emmanuel III refused to dismiss Mussolini, since the Government was supported by a large majority of the Chamber of Deputies and almost all the Senate of the Kingdom.Moreover, he feared that compelling Mussolini to resign could be considered a coup d'état, that eventually could lead to a civil war between the Army and the Blackshirts. But during the summer, the trial against <mask>'s alleged murderers and the discovery of the corpse of <mask> once again spread rage against Mussolini: newspapers launched fierce attacks against him and the fascist movement. On 13 September, a right-wing fascist deputy, Armando Casalini, was killed on a tramway in retaliation for <mask>'s murder by the anti-fascist Giovanni Corvi. During the autumn of 1924, the extremist wing of the Fascist Party threatened Mussolini with a coup, and dealt with him on the night of San Silvestro of 1924. Mussolini devised a counter-maneuver, and on 3 January 1925 he gave a famous speech both attacking anti-fascists and confirming that he, and only he, was the leader of Fascism. He challenged the anti-fascists to prosecute him, and claimed proudly that Fascism was the "superb passion of the best youth of Italy" and grimly that "all the violence" was his responsibility, because he had created the climate of violence. Admitting that the murderers were Fascists of "high station", as Hitler later did after the Night of the Long Knives, Mussolini rhetorically claimed fault,

masks: Matteotti Matteotti Matteotti


title: Giacomo Matteotti

texts:
 stating "I assume, I alone, the political, moral, historical responsibility for everything that has happened.If sentences, more or less maimed, are enough to hang a man, out with the noose!" Mussolini concluded with a warning: Italy needs stability and Fascism would assure stability to Italy in any manner necessary. This speech is considered the very beginning of the dictatorship in Italy. Works
 1924 The Fascisti Exposed: A Year of Fascist Domination, ,  (1969)

<mask>'s son
<mask>'s son, , became a Social Democratic parliamentary deputy after World War II, serving as Italy's minister of tourism in 1970–72 and minister of foreign trade from 1972–1974, and died in 2000. See also
Il delitto Matteotti by Florestano Vancini (1973). Matteotti is played by Franco Nero. Footnotes

Bibliography

 Luigi Cyaheled, Matteotti è vivente, Napoli, Casa Editrice Vedova Ceccoli & Figli, 1924.Carlo Silvestri, <mask>, Mussolini e il dramma italiano, Roma, Ruffolo, 1947. Renzo De Felice, Mussolini il fascista, I, La conquista del potere. 1921–1925, Torino, Einaudi, 1966. Carlo Rossini, Il delitto Matteotti fra il Viminale e l’Aventino, Bologna, Il Mulino, 1968. Antonio G. Casanova, <mask>. Una vita per il socialismo, Milano, Bompiani, 1974. Adrian Lyttelton, La conquista del potere.Il fascismo dal 1919 al 1929, Roma-Bari, Laterza, 1974. Ives Bizzi, <mask> a Villamarzana. 30 anni di lotte nel Polesine (1915–1945), Treviso, Giacobino, 1975. Carlo Silvestri, <mask>, Mussolini e il dramma italiano, Milano, Cavallotti editore, 1981. Alexander J. De Grand, Breve storia del fascismo, Roma-Bari, Laterza, 1983. <mask>, Quei vent’anni.Dal fascismo all’Italia che cambia, Milano, Rusconi, 1985. Fabio Andriola, Mussolini. Prassi politica e rivoluzione sociale, S.l., F.U.A.N., 1990. Mauro Canali, Il delitto Matteotti. Affarismo e politica nel primo

masks:
Matteotti
Matteotti
Matteotti
Matteotti
Da Matteotti
Matteotti
Matteo Matteotti


title: Giacomo Matteotti

texts:
 governo Mussolini, Camerino, Università degli studi, 1996; Bologna, Il Mulino, 1997, 2004, 2015. ; 2004. Valentino Zaghi, <mask>, Sommacampagna, Cierre, 2001. Marcello Staglieno, Arnaldo e Benito.Due fratelli, Milano, Mondadori, 2003. Mauro Canali, Il delitto Matteotti, Bologna, Il Mulino, 2004. Nunzio Dell'Erba, <mask>: azione politica e pensiero giuridico, in "Patria indipendente", 28 maggio 2004, a. LIII, nn. 4–5, pp. 21–23. Stanislao G. Pugliese, Fascism, Anti-fascism, and the Resistance in Italy: 1919 to the Present, Rowman & Littlefield, 2004. Enrico Tiozzo, La giacca di Matteotti e il processo Pallavicini.Una rilettura critica del delitto, Roma, Aracne, 2005. Gianpaolo Romanato, Un italiano diverso. <mask>, Milano, Longanesi, 2010. Giovanni Borgognone, Come nasce una dittatura. L'Italia del delitto Matteotti, Bari, Laterza, 2012. Alexander J. De Grand, Italian Fascism: Its Origins & Development, University of Nebraska Press, 2000,
 Adrian Lyttelton, The Seizure of Power: Fascism in Italy, 1919–1929, Routledge, 2003,
 Stanislao G. Pugliese, Fascism, Anti-fascism, and the Resistance in Italy: 1919 to the Present, Rowman & Littlefield, 2004,

External links

What a Murder by Mussolini Teaches Us About Khashoggi and M.B.S., By Alexander Stille, Oct. 23, 2018, The New York Times

1885 births
1924 deaths
1924 murders in Europe
People from the Province of Rovigo
Italian Socialist Party politicians
Unitary Socialist Party (Italy, 1922) politicians
Deputies of Legislature XXV of the Kingdom of Italy
Deputies of Legislature XXVI of the Kingdom of Italy
Deputies of Legislature XXVII of the Kingdom of Italy
Politicians of Veneto
Italian anti-fascists
Italian anti-capitalists
Italian atheists
Kidnapped Italian people
Assassinated Italian politicians
Deaths by stabbing in Rome
People murdered in Italy
1924 crimes in

masks:
Giacomo Matteotti
Matteotti
Giacomo Matteotti


title: Pat Chapman

texts:
<mask>  (born 20 December 1940) is an English food writer, broadcaster and author, best known for founding The Curry Club. Early days
<mask> was born in London during the Blitz. His grandfather had achieved senior rank in the British Indian Army; his father served in the wartime Merchant Navy and his mother was a former midwifery training sister at Queen Charlotte's Hospital London, before running her own maternity nursing home in Ealing. His primary education was dysfunctional, with him going to no fewer than four schools. As a chorister at a local church, he auditioned to join the Westminster Abbey Choir School but failed because he had been watching trams driving around Westminster on a very smoggy evening, which clogged up his voice. Had he passed, he would have sung at Queen Elizabeth II's coronation ceremony in June 1953. Instead, his secondary education was at Bedales School whose headmaster, Hector Jacks, said that he would never pass A-Level examinations, which turned out to be true.Bedales, the countryside and the farm were revelations for a 13-year-old London boy, born and bred in the concrete jungle of Ealing. He disliked afternoon sports and opted to do 'Outdoor Work' (O.W) instead. At the time the Bedales farm was fully operational with a herd of Friesian cows, poultry and sheep. It also had a piggery at the south west corner of the estate, with its own pigman and a number of pedigree Wessex Saddleback pigs (with black bodies and a white-collar and front hooves). <mask> chose to work at the piggery and' or the dairy (he learned to hand-milk and machine milk the cows) for his O.W. The farm supplied the school with meat, milk and fruit and vegetables. Since being taken to a pantomime at the London Palladium, aged 10 or so, he became intrigued by all things backstage.He followed this by taking  course at the Central School of Speech and Drama, now renamed as

masks:
Patrick Lawrence Chapman
Chapman
Pat


title: Pat Chapman

texts:
 The Royal Central School of Speech and Drama. Sir Laurence Olivier and  Dame Peggy Ashcroft were Central's most famous alumni, though they were students (in 1925), long before <mask>'s time there. <mask>'s most celebrated contemporaries included Julie Christie and James Bolam). As a teenager, <mask> first obtained work during school holidays as an electrical stage hand at the Lyric Theatre Hammersmith then as a  light board operator in West End theatre land, obtaining a highly coveted NATKE union card. (The National Association of Theatrical Television and Kine Employees, which represented employees who worked in theatres, cinemas and television.) NATKE is now known as Unison. On leaving drama school, he worked full-time in the theatre, including stage management at the Belgrade Theatre Coventry, where from time to time he was required to play bit parts, and he actually 'trod the boards' with the likes of Ian McKellen, David Warner and Edina Ronay.<mask> Belgrade Theatre 6.   https://theatricalia.com/person/1pq7/patrick-chapman

He followed this by joining the Royal Air Force where he trained as a fast jet pilot. He then worked for six years on sales and marketing at Lesney Products, during which time he went to night school at Enfield Tech (latterly part of Middlesex University) obtaining an HNC in Business Studies and a Diploma from the Chartered Institute of Marketing. This led to his being accepted as a mature student at Fitzwilliam College, University of Cambridge reading economics. At the same time he started the stage lighting and sound company, Entec. In 1968 his company established itself by providing the lighting for Cambridge May Balls, as well as performing liquid light shows for BBC Television, including a six-month contract on Top of the Pops and a four-part Doctor Who story, Claws of Axos in 1970/1. <mask> was a pioneer in touring lighting for rock acts

masks:
Pat
Pat
Pat
Pat Chapman
Chapman


title: Pat Chapman

texts: and festivals, introducing techniques which are in use to this day. <mask> and his crews provided lighting and sound systems for an eclectic mix of rock, heavy metal, pop and glam rock groups, including, to name some, The Carpenters, Bing Crosby, Black Sabbath, Ray Conniff, Dusty Springfield, Bob Dylan, Bob Marley and the Wailers, Mud, The New Seekers, Lou Reed, Status Quo, Rod Stewart, Sweet, Ike and Tina Turner and Wings.In 1979 <mask>'s investor, the Marquee Club's Harold Pendleton, took over <mask>'s Entec interests. He moved to Haslemere, Surrey, where he still lives, and spent the next four years consulting to a number of major entertainment multiples the like of Mecca Leisure Group, Rank Ballrooms, Warner Bros. and Pontins, both in the UK and overseas, advising on the equipping and installation of lighting and sound systems. Branches of <mask>'s family had lived in India from 1715 to 1935, first working for the East India Company then the British Raj. <mask> inherited their deep-rooted interest in the country, her history, her food and curry in particular. After he left school, <mask>'s friends, knowing his passion for the subject, asked him to teach them the secrets of spices and their cooking. At that time little information had been published on the subject of curry, yet national interest in the subject was emerging. He decided to set up a club as the vehicle to exchange information.In 1981 <mask>'s friend and writing mentor, columnist Carol Sarler, then editor of the best-selling Honey Magazine and currently a contributor to the Times Group wrote a piece on curry featuring the (then) non-existent Curry Club with recipes by <mask>. Time it was started. Carol had in effect kicked started The Curry Club. Honey was a monthly magazine for young women in the United Kingdom[1] which Fleetway Publications launched in April 1960. [2] Audrey Slaughter (later wife of

masks: Chapman Chapman Chapman Chapman Chapman Pat Chapman Chapman


title: Pat Chapman

texts:
 Charles Wintour and stepmother of Anna Wintour) founded it, with Jean McKinley as editor. Honey is regarded as having established the teen magazine sector in the UK. At its height, Honey sold about 250,000 copies a month.Staff on Honey included Eve Pollard and Catherine Bennett after which was founded on 1 January 1982. Many like-minded people have joined the Curry Club since it began and come from every continent including Asia. Membership is a cross-section of the British public. Currently
<mask> frequently demonstrates curry, holds regular curry cookery courses and from time to time takes small groups of curry enthusiasts to India to visit a region and sample its cuisine. Since 2008 <mask> has been an active member of the Army Benevolent Fund committee, specifically to help with fund-raising for their annual Big Curry event. For the 2010 National Curry Week celebrations he was commissioned by Cobra Beer to create recipes which add spice to top British Regional favourite dishes. Since 2012 he has been a trustee of the Cobra Foundation, an independent charity supported my Molson Coors and Cobra Beer to distribute funds to young people in South Asia by providing health, education, community support.On 17 November 2019 <mask> was awarded a Lifetime Achievement Award at the Asian Curry Awards from the Asian Catering Federation, of which he is the longstanding Chairman of Judges. Too ill to attend in person, (he was suffering from a very bad cold) fellow judge George Shaw accepted the award on his behalf saying, "Everyone who works in the curry sector owes <mask> a huge debt and never has a Lifetime Achievement Award so been richly deserved." To come
On 22 November 2020 it was planned that Sanjay Anand of Madhu's Caterers and Restaurants would present this Lifetime Achievement Award to <mask> in conjunction with Yawar Khan owner Akash Tandoori Restaurant, Wallington, Surrey

masks:
Chapman
Chapman
Chapman
Pat
Pat Chapman


title: Pat Chapman

texts:
 and founder The Asian Catering Federation and Awards. Because of COVID-19 this presentation is postponed and now planned to take place at Grosvenor House Hotel Great Room, date tba. Writing
<mask>'s first cookery book, The Indian Restaurant Cookbook, was published in 1984 and is still in print. To date <mask> has written some 36 books, with international sales exceeding 2 million copies. Most are on Curry, but some of his other books cover cuisines such as Thai, Chinese, Middle Eastern and International spicy cuisines.His Balti Cookbook was the first on the subject and became a Sunday Times Number 1 bestseller. <mask> built up a database on Indian restaurants, which as of 2018 contained over 10,000 entries. In 1984, this led to the publication of the Good Curry Guide, a critique of the top 1,000 UK curry restaurants. It has been sponsored by Cobra Beer since 1992, and was cited by the Oxford English Dictionary for usage of the word balti

Television appearances
<mask> has appeared on British television many times, including on the shows Who'll Do The Pudding?, This Morning, Food and Drink, Great Food Live and Good Food Live. He also had a regular spot on the Good Morning with Anne and Nick show. See also
The Curry Club
Curry Club Magazine
Good Curry Guide
Curry Awards
Curry
Balti
Tandoori

Books
To see pictures of the following books, go to Eat Your Books! 2013 Cobra Good Curry Guide, Curry Club Publisher, Haslemere —  Complete rewrite.DVDs
 <mask>'s Curry Magic (2006)

References

<mask> Belgrade Theatre 6.   https://theatricalia.com/person/1pq7/patrick-chapman

External links
An interview with <mask>
The Independent
Theatricalia

Living people
1940 births
People from Ealing
People educated at Bedales School
Royal Air Force officers
Alumni of Fitzwilliam College, Cambridge
People from Haslemere
English chefs
English television chefs
English food writers
British cookbook

masks:
Chapman
Chapman
Chapman
Chapman
Pat Chapman
Pat Chapman
Pat Chapman