Furtwängler had a very unusual way of conducting. His movements with the baton were very awkward and jerky. Some people said he looked "like a puppet on a string" when he conducted. He liked to slow down and speed up the music very often. Furtwängler believed that there was more to music than just the notes on the score. He felt it was the performer's job to make each performance something special. This meant that he often played the same piece in very different ways at different concerts. Even when he changed the way he played a piece, though, the music was thought to be very beautiful. He did not like conductors who just played the notes on the page without doing anything special with the music.