By December 4, 1930, Eisenstein was on his way to Mexico by train. He was joined by Alexandrov and Tisse. Later he came up with a short summary of the six-part movie which would come. This would be the final plan Eisenstein would settle on for his project. The title for the project, "¡Que viva México!", was decided on some time later. While in Mexico, Eisenstein mixed socially with Frida Kahlo and Diego Rivera. Eisenstein liked these artists and Mexican culture in general. They inspired Eisenstein to call his movies, "moving frescoes."