Critic Dennis Schwartz likes "the strong emotional performances of the diminutive Lillian Gish". He decides that "this old-fashioned bucolic soap opera doesn't translate well to modern-times. It's quintessential Griffith melodrama, a mix of opposing forces between those favoring Bible morality and the wealthy hedonists who mock God with their amorality ... [the movie] has an irritating moralistic Bible flavor in supporting monogamy ... The [movie]'s most exciting scene was made without any special effects, and is the only thing about the [movie] worth remembering."