Vincent Canby wrote in the "New York Times" on November 6, 1979: " ... the climactic confrontation between the Don and the Commendatore is surprisingly tepid visually. I've seen better descents into hell at our own Metropolitan Opera and in any number of Hammer horror pictures. Mr. Losey and his associates haven't destroyed "Don Giovanni," but then they haven't illuminated it either. Their film is a busy, disorienting spectacle, superbly sung ... "