Cynthia Saltzman writes in "Old Masters, New Worlds" (2009) that "Lady Delmé has a long, elegant face, heavy-lidded eyes, and towering powdered hair. She wears a white dress and a cloak that covers her knees in a cascade of rose-colored satin that speaks both to her beauty and to the luxury at her command." Saltzman writes that "Lady Delmé" is one of the finest representatives of Reynolds's intent to raise portraiture to the level of history painting. English portraiture of the period "flattered the sitter", Saltzman explains, by depicting the sitter as a member of a powerful ruling class whose very existence made the world a better place.