In any event, in going to Italy, Cervantes was doing what many young Spaniards of the time did to further their careers. Rome would reveal to the young artist its ecclesiastic pomp, ritual, and majesty. In a city teeming with ruins Cervantes could focus his attention on Renaissance art, architecture, and poetry (knowledge of Italian literature is readily discernible in his own productions) and on rediscovering antiquity. He could find in the ancients "a powerful impetus to revive the contemporary world in light of its accomplishments". Thus, Cervantes' continuing desire for Italy, as revealed in his later works, was in part a desire for a return to an earlier period of the Renaissance.