The most significant element that auto-ethnography introduces to the study of culture and society is the shift from a depersonalized, “seen from a vantage point” and neutrally distanced narrative to a storyline with which the audience can engage morally, aesthetically, and intellectually, and, thus, co-participate in the events described. Especially for ethnographers who use multiple informants, auto-ethnography introduces an alternative way of writing where “the distinction between ethnographer and ‘others’ is unclear”, thereby challenging “imposed identities and boundaries”.