The painting was not unanimously admired at the time. Due to his depiction of holy persons in the nude, with exposed genitals, Michelangelo was accused of immorality and obscenity. The cardinal said that this could not be tolerated inside the most important church of Christianity. A censorship campaign was lauched, known as the "Fig-leaf campaign". Carafa and Monsignor Sernini (Mantua's ambassador) launched the campaign to remove the frescoes. When the Pope's own Master of Ceremonies, Biagio da Cesena, said "it was mostly disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully," and that it was no work for a papal chapel but rather "for the public baths and taverns," Michelangelo worked the Cesena's semblance into the scene as Minos, judge of the underworld (far bottom-right corner of the painting). It is said that when Cesena complained to the Pope, the pontiff responded that his jurisdiction did not extend to hell, so the portrait would have to remain.