Bacchus and Ariadne were on the left, and Mars and Venus on the right. At that time, they formed a closed composition with figures of Bacchus and Mars facing each other. Both images use synthesis, and a bottom-up perspective, indicating that they have been positioned high up and intended to be viewed from below. They are painted freely, almost cast, without defining outlines and details, which also shows that they were not created to be observed closely. Thanks to this artistic style, the compositions seen from afar take on air and lightness, joyful and elegant because they are destined for the high nobility.