Trier's next film, "Breaking the Waves" (1996), was not a dogma movie, but the intense melodrama of sexuality and religiosity was narrated with troubled handheld camera and led to an international breakthrough. The female suffering stories continued in the dogma movie "The Idiots" (1998) and especially in the musical "Dancer in the Dark" (2000), which won the Gold Palm at Cannes. Taken together, the three films form the so-called "Golden Heart" trilogy, named after a picture book Trier had as a child.