Grace Robert writes in "The Borzoi Book of Ballet" that Bakst was responsible for the choreography. Nijinsky simply carried out his directions. However, Nijinsky's sister alleged that Bakst and Diaghilev were not involved with the choreography and were admitted to rehearsals only in the last stages. The truth will never be known; those involved are dead. The choreography however caused a scandal, especially the ending. Here, the Faun appears to climax upon a Nymph's scarf. Gaston Calmette, the editor of "Le Figaro", attacked the choreography on moral grounds. Sculptor Auguste Rodin defended it. The furor assured the public's interest in the ballet, then and now. 