Fokine may have been influenced by other ballets about life-size animated dolls such as "Coppelia" (1870), "Arlekinada" ("Les Millions d'Arlequin"), and "Fairy Doll" (1903). Some moments and scenes in "Arlekinada" presage similar ones in "Petrushka". Fokine's most revolutionary gestures in "Petrushka" are the demotion of virtuoso star roles to character roles, and the elimination of classical ballet's narrative introduction, "white" act, obligatory virtuoso dances for the stars, and divertissement. The solo moments for The Moor and Petrushka are basically mime, and, without her own scene, The Ballerina has no solo. 