Critics such as Richard Dawkins often argue that the teleological argument would in turn apply to the proposed designer, arguing any designer must be at least as complex and purposeful as the designed object (in Dawkins' words, "The Ultimate 747", a reference to Hoyle's analogy to a windstorm sweeping through a junkyard and constructing a 747). This, they say, would create the absurdity of an infinite series of designers.