Arkzin’s distinctive design resonated well especially with younger audiences and activists, leading to a number of cultural and media initiatives turning to Arkzin’s designers for help in visually shaping their promotional materials and political messages. The fact that designers often did not charge for their services certainly contributed to this. The above-mentioned interview with Dejan Dragosavac Rutta states the following:"He designed and graphically edited a number of magazines and journals:  Arkzin, Nomad, Godine nove, Libra libera, Gordogan, Up&underground, Civilno društvo.hr, Frakcija, etc. His clients are mostly present in the field of culture and civil-society scene: Multimedia Institute, Kontejner – bureau of contemporary art praxis, Platforma 9.81, Eurøkaz, SKD Prosvjeta, Oceanmore, British Council, the initiative Pravo na grad, for which he designs catalogues, books, promotional materials, campaigns, etc."In parallel with the increased engagement, Arkzin's graphic editors publicly thematized the social responsibility of art and design, reaffirming some of the repressed names of Croatian engaged design, such as Mirko Ilić and .