The Lost
Jonathan Aycliffe draws on the first part of Bram Stoker'sDraculafor the bones of his story--a naive Englishman travels to a remote, forbidding castle in the mountains of Transylvania (postcommunist Romania)--and then fleshes it out with appealing characters and a different (but unabashedly gothic) plot. Aycliffe's writing is simple and fluid, concisely developing the shifting emotions and relationships as the dark underbelly of the story slowly reveals itself. The evil beings inThe Lostare not vampires, butstrigo&iuml;--free-floating shades of an ancient family of lords. They die and yet don't decay. Their appetites are even more unspeakable than bloodsucking. AsGahan Wilsonwrites inRealms of Fantasy, &quot;If you enjoy this sort of thing at all, you will have a fine, frightening time as Aycliffe hints at and then delivers nasty surprises, ghastly revelations, and increasingly appalling villainies.&quot;--This text refers to an out of print or unavailable edition of this title.