TROUBLE ON TYCHO
 

 By NELSON S. BOND
 
 
 Isobar and his squeeze-pipes were the bane of the Moon Station's existence. But there came the day when his comrades found that the worth of a man lies sometimes in his nuisance value.
 
 [Transcriber's Note: This etext was produced from Planet Stories March 1943. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]
 
 
 
 The audiophone buzzed thrice—one long, followed by two shorts—and Isobar Jones pressed the stud activating its glowing scanner-disc.
 
 "Hummm?" he said absent-mindedly.
 
 The selenoplate glowed faintly, and the image of the Dome Commander appeared.
 
 "Report ready, Jones?"
 
 "Almost," acknowledged Isobar gloomily. "It prob'ly ain't right, though. How anybody can be expected to get anything right on this dagnabbed hunk o' green cheese—"
 
 "Send it up," interrupted Colonel Eagan, "as soon as you can. Sparks is making Terra contact now. That is all."
 
 "That ain't all!" declared Isobar indignantly. "How about my bag—?"
 
 It was all , so far as the D.C. was concerned. Isobar was talking to himself. The plate dulled. Isobar said, "Nuts!" and returned to his duties. He jotted neat ditto marks under the word "Clear" which, six months ago, he had placed beneath the column headed: Cond. of Obs. He noted the proper figures under the headings Sun Spots : Max Freq. — Min. Freq. ; then he sketched careful curves in blue and red ink upon the Mercator projection of Earth which was his daily work sheet.
 
 This done, he drew a clean sheet of paper out of his desk drawer, frowned thoughtfully at the tabulated results of his observations, and began writing.
 
 " Weather forecast for Terra ," he wrote, his pen making scratching sounds.
 
 The audiophone rasped again. Isobar jabbed the stud and answered without looking.
 
 "O.Q.," he said wearily. "O.Q. I told you it would be ready in a couple o' minutes. Keep your pants on!"
 
 "I—er—I beg your pardon, Isobar?" queried a mild voice.
 
 Isobar started. His sallow cheeks achieved a sickly salmon hue. He blinked nervously.
 
 "Oh, jumpin' jimminy!" he gulped. " You , Miss Sally! Golly—'scuse me! I didn't realize—"
 
 The Dome Commander's niece giggled.
 
 "That's all right, Isobar. I just called to ask you about the weather in Oceania Sector 4B next week. I've got a swimming date at Waikiki, but I won't make the shuttle unless the weather's going to be nice."
 
 "It is," promised Isobar. "It'll be swell all weekend, Miss Sally. Fine sunshiny weather. You can go."
 
 "That's wonderful. Thanks so much, Isobar."
 
 "Don't mention it, ma'am," said Isobar, and returned to his work.
 
 South America. Africa. Asia. Pan-Europa. Swiftly he outlined the meteorological prospects for each sector. He enjoyed this part of his job. As he wrote forecasts for each area, in his mind's eye he saw himself enjoying such pastimes as each geographical division's terrain rendered possible.
 
 

 
 If home is where the heart is, Horatio Jones—known better as "Isobar" to his associates at the Experimental Dome on Luna—was a long, long way from home. His lean, gangling frame was immured, and had been for six tedious Earth months, beneath the impervite hemisphere of Lunar III—that frontier outpost which served as a rocket refueling station, teleradio transmission point and meteorological base.
 
 "Six solid months! Six sad, dreary months!" thought Isobar, "Locked up in an airtight Dome like—like a goldfish in a glass bowl!" Sunlight? Oh, sure! But filtered through ultraviolet wave-traps so it could not burn, it left the skin pale and lustreless and clammy as the belly of a toad. Fresh air? Pooh! Nothing but that everlasting sickening, scented, reoxygenated stuff gushing from atmo-conditioning units.
 
 Excitement? Adventure? The romance he had been led to expect when he signed on for frontier service? Bah! Only a weary, monotonous, routine existence.
 
 "A pain!" declared Isobar Jones. "That's what it is; a pain in the stummick. Not even allowed to—Yeah?"
 
 It was Sparks, audioing from the Dome's transmission turret. He said,
"Hyah, Jonesy! How comes with the report?"
 
 "Done," said Isobar. "I was just gettin' the sheets together for you."
 
 "O.Q. But just bring it . Nothing else."
 
 Isobar bridled.
 
 "I don't know what you're talkin' about."
 
 "Oh, no? Well, I'm talking about that squawk-filled doodlesack of yours, sonny boy. Don't bring that bag-full of noise up here with you."
 
 Isobar said defiantly, "It ain't a doodlesack. It's a bagpipe. And I guess I can play it if I want to—"
 
 "Not," said Sparks emphatically, "in my cubby! I've got sensitive eardrums. Well, stir your stumps! I've got to get the report rolling quick today. Big doings up here."
 
 "Yeah? What?"
 
 "Well, it's Roberts and Brown—"
 
 "What about 'em?"
 
 "They've gone Outside to make foundation repairs."
 
 "Lucky stiffs!" commented Isobar ruefully.
 
 "Lucky, no. Stiffs, maybe—if they should meet any Grannies. Well, scoot along. I'm on the ether in four point sixteen minutes."
 
 "Be right up," promised Isobar, and, sheets in hand, he ambled from his cloistered cell toward the central section of the Dome.
 
 He didn't leave Sparks' turret after the sheets were delivered. Instead, he hung around, fidgeting so obtrusively that Riley finally turned to him in sheer exasperation.
 
 "Sweet snakes of Saturn, Jonesy, what's the trouble? Bugs in your britches?"
 
 Isobar said, "H-huh? Oh, you mean—Oh, thanks, no! I just thought mebbe you wouldn't mind if I—well—er—"
 
 "I get it!" Sparks grinned. "Want to play peekaboo while the contact's open, eh? Well, O.Q. Watch the birdie!"
 
 He twisted dials, adjusted verniers, fingered a host of incomprehensible keys. Current hummed and howled. Then a plate before him cleared, and the voice of the Earth operator came in, enunciating with painstaking clarity:
 
 "Earth answering Luna. Earth answering Luna's call. Can you hear me, Luna? Can you hear—?"
 
 "I can not only hear you," snorted Riley, "I can see you and smell you, as well. Stop hamming it, stupid! You're lousing up the earth!"
 
 The now-visible face of the Earth radioman drew into a grimace of displeasure.
 
 "Oh, it's you ? Funny man, eh? Funny man Riley?"
 
 "Sure," said Riley agreeably. "I'm a scream. Four-alarm Riley, the cosmic comedian—didn't you know? Flick on your dictacoder, oyster-puss; here's the weather report." He read it. "' Weather forecast for Terra, week of May 15-21 —'"
 
 "Ask him," whispered Isobar eagerly. "Sparks, don't forget to ask him!"
 
 

 
 Riley motioned for silence, but nodded. He finished the weather report, entered the Dome Commander's log upon the Home Office records, and dictated a short entry from the Luna Biological Commission. Then:
 
 "That is all," he concluded.
 
 "O.Q.," verified the other radioman. Isobar writhed anxiously, prodded Riley's shoulder.
 
 "Ask him, Sparks! Go on ask him!"
 
 "Oh, cut jets, will you?" snapped Sparks. The Terra operator looked startled.
 
 "How's that? I didn't say a word—"
 
 "Don't be a dope," said Sparks, "you dope! I wasn't talking to you. I'm entertaining a visitor, a refugee from a cuckoo clock. Look, do me a favor, chum? Can you twist your mike around so it's pointing out a window?"
 
 "What? Why—why, yes, but—"
 
 "Without buts," said Sparks grumpily. "Yours not to reason why; yours but to do or don't. Will you do it?"
 
 "Well, sure. But I don't understand—" The silver platter which had mirrored the radioman's face clouded as the Earth operator twirled the inconoscope. Walls and desks of an ordinary broadcasting office spun briefly into view; then the plate reflected a glimpse of an Earthly landscape. Soft blue sky warmed by an atmosphere-shielded sun ... green trees firmly rooted in still-greener grass ... flowers ... birds ... people....
 
 "Enough?" asked Sparks.
 
 Isobar Jones awakened from his trance, eyes dulling. Reluctantly he nodded. Riley stared at him strangely, almost gently. To the other radioman, "O.Q., pal," he said. "Cut!"
 
 "Cut!" agreed the other. The plate blanked out.
 
 "Thanks, Sparks," said Isobar.
 
 "Nothing," shrugged Riley " He twisted the mike; not me. But—how come you always want to take a squint at Earth when the circuit's open, Jonesy? Homesick?"
 
 "Sort of," admitted Isobar guiltily.
 
 "Well, hell, aren't we all? But we can't leave here for another six months at least. Not till our tricks are up. I should think it'd only make you feel worse to see Earth."
 
 "It ain't Earth I'm homesick for," explained Isobar. "It's—well, it's the things that go with it. I mean things like grass and flowers and trees."
 
 Sparks grinned; a mirthless, lopsided grin.
 
 "We've got them right here on Luna. Go look out the tower window, Jonesy. The Dome's nestled smack in the middle of the prettiest, greenest little valley you ever saw."
 
 "I know," complained Isobar. "And that's what makes it even worse. All that pretty, soft, green stuff Outside—and we ain't allowed to go out in it. Sometimes I get so mad I'd like to—"
 
 "To," interrupted a crisp voice, "what?"
 
 Isobar spun, flushing; his eyes dropped before those of Dome Commander Eagan. He squirmed.
 
 "N-nothing, sir. I was only saying—"
 
 "I heard you, Jones. And please let me hear no more of such talk, sir! It is strictly forbidden for anyone to go Outside except in cases of absolute necessity. Such labor as caused Patrolmen Brown and Roberts to go, for example—"
 
 "Any word from them yet, sir?" asked Sparks eagerly.
 
 "Not yet. But we're expecting them to return at any minute now. Jones! Where are you going?"
 
 "Why—why, just back to my quarters, sir."
 
 "That's what I thought. And what did you plan to do there?"
 
 Isobar said stubbornly, "Well, I sort of figured I'd amuse myself for a while—"
 
 "I thought that, too. And with what , pray, Jones?"
 
 "With the only dratted thing," said Isobar, suddenly petulant, "that gives me any fun around this dagnabbed place! With my bagpipe."
 
 

 
 Commander Eagan said, "You'd better find some new way of amusing yourself, Jones. Have you read General Order 17?"
 
 Isobar said, "I seen it. But if you think—"
 
 "It says," stated Eagan deliberately, "' In order that work or rest periods of the Dome's staff may not be disturbed, it is hereby ordered that the playing or practicing of all or any musical instruments must be discontinued immediately. By order of the Dome Commander ,' That means you, Jones!"
 
 "But, dingbust it!" keened Isobar, "it don't disturb nobody for me to play my bagpipes! I know these lunks around here don't appreciate good music, so I always go in my office and lock the door after me—"
 
 "But the Dome," pointed out Commander Eagan, "has an air-conditioning system which can't be shut off. The ungodly moans of your—er—so-called musical instrument can be heard through the entire structure."
 
 He suddenly seemed to gain stature.
 
 "No, Jones, this order is final! You cannot disrupt our entire organization for your own—er—amusement."
 
 "But—" said Isobar.
 
 "No!"
 
 Isobar wriggled desperately. Life on Luna was sorry enough already. If now they took from him the last remaining solace he had, the last amusement which lightened his moments of freedom—
 
 "Look, Commander!" he pleaded, "I tell you what I'll do. I won't bother nobody. I'll go Outside and play it—"
 
 "Outside!" Eagan stared at him incredulously. "Are you mad? How about the Grannies?"
 
 Isobar knew all about the Grannies. The only mobile form of life found by space-questing man on Earth's satellite, their name was an abbreviation of the descriptive one applied to them by the first Lunar exployers: Granitebacks. This was no exaggeration; if anything, it was an understatement. For the Grannies, though possessed of certain low intelligence, had quickly proven themselves a deadly, unyielding and implacable foe.
 
 Worse yet, they were an enemy almost indestructible! No man had ever yet brought to Earth laboratories the carcass of a Grannie; science was completely baffled in its endeavors to explain the composition of Graniteback physiology—but it was known, from bitter experience, that the carapace or exoskeleton of the Grannies was formed of something harder than steel, diamond, or battleplate! This flesh could be penetrated by no weapon known to man; neither by steel nor flame, by electronic nor ionic wave, nor by the lethal, newly discovered atomo-needle dispenser.
 
 All this Isobar knew about the Grannies. Yet:
 
 "They ain't been any Grannies seen around the Dome," he said, "for a 'coon's age. Anyhow, if I seen any comin', I could run right back inside—"
 
 "No!" said Commander Eagan flatly. "Absolutely, no ! I have no time for such nonsense. You know the orders—obey them! And now, gentlemen, good afternoon!"
 
 He left. Sparks turned to Isobar, grinning.
 
 "Well," he said, "one man's fish—hey, Jonesy? Too bad you can't play your doodlesack any more, but frankly, I'm just as glad. Of all the awful screeching wails—"
 
 But Isobar Jones, generally mild and gentle, was now in a perfect fury. His pale eyes blazed, he stomped his foot on the floor, and from his lips poured a stream of such angry invective that Riley looked startled. Words that, to Isobar, were the utter dregs of violent profanity.
 
 "Oh, dagnab it!" fumed Isobar Jones. "Oh, tarnation and dingbust! Oh— fiddlesticks !"
 
 

 II
 
 "And so," chuckled Riley, "he left, bubbling like a kettle on a red-hot oven. But, boy! was he ever mad! Just about ready to bust, he was."
 
 Some minutes had passed since Isobar had left; Riley was talking to Dr. Loesch, head of the Dome's Physics Research Division. The older man nodded commiseratingly.
 
 "It is funny, yes," he agreed, "but at the same time it is not altogether amusing. I feel sorry for him. He is a very unhappy man, our poor Isobar."
 
 "Yeah, I know," said Riley, "but, hell, we all get a little bit homesick now and then. He ought to learn to—"
 
 "Excuse me, my boy," interrupted the aged physicist, his voice gentle,
"it is not mere homesickness that troubles our friend. It is something deeper, much more vital and serious. It is what my people call: weltschmertz . There is no accurate translation in English. It means
'world sickness,' or better, 'world weariness'—something like that but intensified a thousandfold.
 
 "It is a deeply-rooted mental condition, sometimes a dangerous frame of mind. Under its grip, men do wild things. Hating the world on which they find themselves, they rebel in curious ways. Suicide ... mad acts of valor ... deeds of cunning or knavery...."
 
 "You mean," demanded Sparks anxiously, "Isobar ain't got all his buttons?"
 
 "Not that exactly. He is perfectly sane. But he is in a dark morass of despair. He may try anything to retrieve his lost happiness, rid his soul of its dark oppression. His world-sickness is like a crying hunger—By the way, where is he now?"
 
 "Below, I guess. In his quarters."
 
 "Ah, good! Perhaps he is sleeping. Let us hope so. In slumber he will find peace and forgetfulness."
 
 But Dr. Loesch would have been far less sanguine had some power the
"giftie gi'en" him of watching Isobar Jones at that moment.
 
 Isobar was not asleep. Far from it. Wide awake and very much astir, he was acting in a singularly sinister role: that of a slinking, furtive culprit.
 
 Returning to his private cubicle after his conversation with Dome Commander Eagan, he had stalked straightway to the cabinet wherein was encased his precious set of bagpipes. These he had taken from their pegs, gazed upon defiantly, and fondled with almost parental affection.
 
 "So I can't play you, huh?" he muttered darkly. "It disturbs the peace o' the dingfounded, dumblasted Dome staff, does it? Well, we'll see about that!"
 
 And tucking the bag under his arm, he had cautiously slipped from the room, down little-used corridors, and now he stood before the huge impervite gates which were the entrance to the Dome and the doorway to Outside.
 
 On all save those occasions when a spacecraft landed in the cradle adjacent the gateway, these portals were doubly locked and barred. But today they had been unbolted that the two maintenance men might venture out. And since it was quite possible that Brown and Roberts might have to get inside in a hurry, their bolts remained drawn. Sole guardian of the entrance was a very bored Junior Patrolman.
 
 Up to this worthy strode Isobar Jones, confident and assured, exuding an aura of propriety.
 
 "Very well, Wilkins," he said. "I'll take over now. You may go to the meeting."
 
 Wilkins looked at him bewilderedly.
 
 "Huh? Whuzzat, Mr. Jones?"
 
 Isobar's eyebrows arched.
 
 "You mean you haven't been notified?"
 
 "Notified of what ?"
 
 "Why, the general council of all Patrolmen! Weren't you told that I would take your place here while you reported to G.H.Q.?"
 
 "I ain't," puzzled Wilkins, "heard nothing about it. Maybe I ought to call the office, maybe?"
 
 And he moved the wall-audio. But Isobar said swiftly. "That—er—won't be necessary, Wilkins. My orders were plain enough. Now, you just run along. I'll watch this entrance for you."
 
 "We-e-ell," said Wilkins, "if you say so. Orders is orders. But keep a sharp eye out, Mister Jones, in case Roberts and Brown should come back sudden-like."
 
 "I will," promised Isobar, "don't worry."
 
 

 
 Wilkins moved away. Isobar waited until the Patrolman was completely out of sight. Then swiftly he pulled open the massive gate, slipped through, and closed it behind him.
 
 A flood of warmth, exhilarating after the constantly regulated temperature of the Dome, descended upon him. Fresh air, thin, but fragrant with the scent of growing things, made his pulses stir with joyous abandon. He was Outside! He was Outside, in good sunlight, at last! After six long and dreary months!
 
 Raptly, blissfully, all thought of caution tossed to the gentle breezes that ruffled his sparse hair, Isobar Jones stepped forward into the lunar valley....
 
 How long he wandered thus, carefree and utterly content, he could not afterward say. It seemed like minutes; it must have been longer. He only knew that the grass was green beneath his feet, the trees were a lacy network through which warm sunlight filtered benevolently, the chirrupings of small insects and the rustling whisper of the breezes formed a tiny symphony of happiness through which he moved as one charmed.
 
 It did not occur to him that he had wandered too far from the Dome's entrance until, strolling through an enchanting flower-decked glade, he was startled to hear—off to his right—the sharp, explosive bark of a Haemholtz ray pistol.
 
 He whirled, staring about him wildly, and discovered that though his meandering had kept him near the Dome, he had unconsciously followed its hemispherical perimeter to a point nearly two miles from the Gateway. By the placement of ports and windows, Isobar was able to judge his location perfectly; he was opposite that portion of the structure which housed Sparks' radio turret.
 
 And the shooting? That could only be—
 
 He did not have to name its reason, even to himself. For at that moment, there came racing around the curve of the Dome a pair of figures, Patrolmen clad in fatigue drab. Roberts and Brown. Roberts was staggering, one foot dragged awkwardly as he ran; Brown's left arm, bloodstained from shoulder to elbow, hung limply at his side, but in his good right fist he held a spitting Haemholtz with which he tried to cover his comrade's sluggish retreat.
 
 And behind these two, grim, grey, gaunt figures that moved with astonishing speed despite their massive bulk, came three ... six ... a dozen of those lunarites whom all men feared. The Grannies!
 
 

 III
 
 Simultaneously with his recognition of the pair, Joe Roberts saw him. A gasp of relief escaped the wounded man.
 
 "Jones! Thank the Lord! Then you picked up our cry for help? Quick, man—where is it? Theres not a moment to waste!"
 
 "W-where," faltered Isobar feebly, "is what ?"
 
 "The tank, of course! Didn't you hear our telecast? We can't possibly make it back to the gate without an armored car. My foot's broken, and—" Roberts stopped suddenly, an abrupt horror in his eyes. "You don't have one! You're here alone ! Then you didn't pick up our call? But, why—?"
 
 "Never mind that," snapped Isobar, "now!" Placid by nature, he could move when urgency drove. His quick mind saw the immediateness of their peril. Unarmed, he could not help the Patrolmen fight a delaying action against their foes, nor could he hasten their retreat. Anyway, weapons were useless, and time was of the essence. There was but one temporary way of staving off disaster. "Over here ... this tree! Quick! Up you go! Give him a lift, Brown—There! That's the stuff!"
 
 He was the last to scramble up the gnarled bole to a tentative leafy sanctuary. He had barely gained the security of the lowermost bough when a thundering crash resounded, the sturdy trunk trembled beneath his clutch. Stony claws gouged yellow parallels in the bark scant inches beneath one kicking foot, then the Granny fell back with a thud. The Graniteback was not a climber. It was far too ungainly, much too weighty for that.
 
 Roberts said weakly, "Th-thanks, Jonesy! That was a close call."
 
 "That goes for me, too, Jonesy," added Brown from an upper bough.
"But I'm afraid you just delayed matters. This tree's O.Q. as long as it lasts, but—" He stared down upon the gathering knot of Grannies unhappily—"it's not going to last long with that bunch of superdreadnaughts working out on it! Hold tight, fellows! Here they come!"
 
 For the Grannies, who had huddled for a moment as if in telepathic consultation, now joined forces, turned, and as one body charged headlong toward the tree. The unified force of their attack was like the shattering impact of a battering ram. Bark rasped and gritted beneath the besieged men's hands, dry leaves and twigs pelted about them in a tiny rain, tormented fibrous sinews groaned as the aged forest monarch shuddered in agony.
 
 Desperately they clung to their perches. Though the great tree bent, it did not break. But when it stopped trembling, it was canted drunkenly to one side, and the erstwhile solid earth about its base was broken and cracked—revealing fleshy tentacles uprooted from ancient moorings!
 
 

 
 Brown stared at this evidence of the Grannies' power with terror-fascinated eyes. His voice was none too firm.
 
 "Lord! Piledrivers! A couple more like that—"
 
 Isobar nodded. He knew what falling into the clutch of the Grannies meant. He had once seen the grisly aftermath of a Graniteback feast. Even now their adversaries had drawn back for a second attack. A sudden idea struck him. A straw of hope at which he grasped feverishly.
 
 "You telecast a message to the Dome? Help should be on the way by now. If we can just hold out—"
 
 But Roberts shook his head.
 
 "We sent a message, Jonesy, but I don't think it got through. I've just been looking at my portable. It seems to be busted. Happened when they first attacked us, I guess. I tripped and fell on it."
 
 Isobar's last hope flickered out.
 
 "Then I—I guess it won't be long now," he mourned. "If we could have only got a message through, they would have sent out an armored car to pick us up. But as it is—"
 
 Brown's shrug displayed a bravado he did not feel.
 
 "Well, that's the way it goes. We knew what we were risking when we volunteered to come Outside. This damn moon! It'll never be worth a plugged credit until men find some way to fight those murderous stones-on-legs!"
 
 Roberts said, "That's right. But what are you doing out here, Isobar? And why, for Pete's sake, the bagpipes?"
 
 "Oh—the pipes?" Isobar flushed painfully. He had almost forgotten his original reason for adventuring Outside, had quite forgotten his instrument, and was now rather amazed to discover that somehow throughout all the excitement he had held onto it. "Why, I just happened to—Oh! the pipes! "
 
 "Hold on!" roared Roberts. His warning came just in time. Once more, the three tree-sitters shook like dried peas in a pod as their leafy refuge trembled before the locomotive onslaught of the lunar beasts. This time the already-exposed roots strained and lifted, several snapped; when the Grannies again withdrew, complacently unaware that the "lethal ray" of Brown's Haemholtz was wasting itself upon their adamant hides in futile fury, the tree was bent at a precarious angle.
 
 Brown sobbed, not with fear but with impotent anger, and in a gesture of enraged desperation, hurled his now-empty weapon at the retreating Grannies.
 
 "No good! Not a damn bit of good! Oh, if there was only some way of fighting those filthy things—"
 
 But Isobar Jones had a one-track mind. "The pipes!" he cried again, excitedly. "That's the answer!" And he drew the instrument into playing position, bag cuddled beneath one arm-pit, drones stiffly erect over his shoulder, blow-pipe at his lips. His cheeks puffed, his breath expelled. The giant lung swelled, the chaunter emitted its distinctive, fearsome, " Kaa-aa-o-o-o-oro-oong! "
 
 Roberts moaned.
 
 "Oh, Lord! A guy can't even die in peace!"
 
 And Brown stared at him hopelessly.
 
 "It's no use, Isobar. You trying to scare them off? They have no sense of hearing. That's been proven—"
 
 Isobar took his lips from the reed to explain.
 
 "It's not that. I'm trying to rouse the boys in the Dome. We're right opposite the atmosphere-conditioning-unit. See that grilled duct over there? That's an inhalation-vent. The portable transmitter's out of order, and our voices ain't strong enough to carry into the Dome—but the sound of these pipes is! And Commander Eagan told me just a short while ago that the sound of the pipes carries all over the building!
 
 "If they hear this, they'll get mad because I'm disobeyin' orders. They'll start lookin' for me. If they can't find me inside, maybe they'll look Outside. See that window? That's Sparks' turret. If we can make him look out here—"
 
 " Stop talking! " roared Roberts. "Stop talking, guy, and start blowing! I think you've got something there. Anyhow, it's our last hope. Blow! "
 
 "And quick!" appended Brown. "For here they come!"
 
 
 Isobar played, blew with all his might, while the Grannies raged below.
 

 
 He meant the Grannies. Again they were huddling for attack, once more, a solid phalanx of indestructible, granite flesh, they were smashing down upon the tree.
 
 " Haa-a-roong! " blew Isobar Jones.
 
 

 IV
 
 And—even he could not have foreseen the astounding results of his piping! What happened next was as astonishing as it was incomprehensible. For as the pipes, filled now and primed to burst into whatever substitute for melody they were prodded into, wailed into action—the Grannies' rush came to an abrupt halt!
 
 As one, they stopped cold in their tracks and turned dull, colorless, questioning eyes upward into the tree whence came this weird and vibrant droning!
 
 So stunned with surprise was Isobar that his grip on the pipes relaxed, his lips almost slipped from the reed. But Brown's delighted bellow lifted his paralysis.
 
 "Sacred rings of Saturn-look! They like it! Keep playing, Jonesy! Play, boy, like you never played before!"
 
 And Roberts roared, above the skirling of the piobaireachd into which Isobar had instinctively swung, "Music hath charms to soothe the savage beast! Then we were wrong. They can hear, after all! See that? They're lying down to listen—like so many lambs! Keep playing, Isobar! For once in my life I'm glad to hear that lovely, wonderful music!"
 
 Isobar needed no urging. He, too, had noted how the Grannies' attack had stopped, how every last one of the gaunt grey beasts had suddenly, quietly, almost happily, dropped to its haunches at the base of the tree.
 
 There was no doubt about it; the Grannies liked this music. Eyes raptly fixed, unblinking, unwavering, they froze into postures of gentle beatitude. One stirred once, dangerously, as for a moment Isobar paused to catch his breath, but Isobar hastily lipped the blow-pipe with redoubled eagerness, and the Granny relapsed into quietude.
 
 Followed then what, under somewhat different circumstances, should have been a piper's dream. For Isobar had an audience which would not—and in two cases dared not—allow him to stop playing. And to this audience he played over and over again his entire repertoire. Marches, flings, dances—the stirring Rhoderik Dhu and the lilting Lassies O'Skye , the mournful Coghiegh nha Shie whose keening is like the sound of a sobbing nation.
  The Cock o' the North , he played, and Mironton ... Wee Flow'r o' Dee and MacArthur's March ... La Cucuracha and—
 
 And his lungs were parched, his lips dry as swabs of cotton. Blood pounded through his temples, throbbing in time to the drone of the chaunter, and a dark mist gathered before his eyes. He tore the blow-pipe from his lips, gasped,
 
 "Keep playing!" came the dim, distant howl of Johnny Brown. "Just a few minutes longer, Jonesy! Relief is on the way. Sparks saw us from his turret window five minutes ago!"
 
 And Isobar played on. How, or what, he did not know. The memory of those next few minutes was never afterward clear in his mind. All he knew was that above the skirling drone of his pipes there came another sound, the metallic clanking of a man-made machine ... an armored tank, sent from the Dome to rescue the beleaguered trio.
 
 He was conscious, then, of a friendly voice shouting words of encouragement, of Joe Roberts calling a warning to those below.
 
 "Careful, boys! Drive the tank right up beneath us so we can hop in and get out of here! Watch the Grannies—they'll be after us the minute Isobar stops playing!"
 
 Then the answer from below. The fantastic answer in Sparks' familiar voice. The answer that caused the bagpipes to slip from Isobar's fingers as Isobar Jones passed out in a dead faint:
 
 "After you? Those Grannies? Hell's howling acres— those Grannies are stone dead !"
What is the plot of the story?
6
fbb302599a4a417fbc34eb1b65558c19
Isobar Jones’ first call of the day was from Dome Commander Colonel Eagon telling him to deliver his weather reports to Riley Sparks, the Terra contact, ASAP. He works diligently but is soon called again, this time by Eagon’s niece who wants to know about the weather in a certain sector. Shyly, he answers then quickly finished his work. Sparks calls him and asks him to bring his reports to him, as well as informing him that Roberts and Browns were sent Outside for repair work. Sparks makes fun of Isobar’s bagpipes. 
In Sparks’ office, Isobar delivers his work then waits for him to make the call. Once he’s delivered the report, Sparks asks the Earthman to turn his microphone around. As he does so, the video changes from his face to that of Earth, beautiful trees, and green grass. Isobar is grateful to Sparks and tells him so. They talk about Isobar’s homesickness until Colonel Eagon walks in to hear them discussing the Outisde. He quickly shuts it down and informs Isobar that it is now forbidden for him to play his bagpipe, due to the horrendous noise. Beyond frustrated, Isobar runs back to his rooms, grabs his bagpipes, and sneaks his way Outside by tricking the patrolman. Once he’s breathing in the thin air, he calms down and makes his way two miles out from the gate. Suddenly, he hears the sound of a gun and is brought back to reality. Roberts and Brown rush into view, both injured but grateful to see him, thinking he answered their distress call. However, he didn’t bring an armored tank with him, only a pair of bagpipes. A dozen Granniebacks run behind them, so Isobar helps Roberts and Brown climb a tree to escape. 
The Grannies are unable to climb trees due to their significant size, but they can tear it down. As they pull and heave on the trunk, Isobar has the idea to play his bagpipes so the Dome will hear it and come looking for them. Roberts thinks it’s a good idea, so he begins to play, and slowly the Grannies all relax and lay down on the ground. They’re all amazed, but when Isobar stops playing, one of the Grannies starts to move again. He plays his entire repertoire and more before the armored tank arrives. The men from the dome reveal that the Grannies are dead, and the sound of the bagpipes must be what killed them. Isobar saved the team. 

8
2c2ff9b714dd4faa967a4a5554ae60e6
Horatio "Isobar" Jones lives and works in the Experimental Dome at Lunar III, a frontier outpost functioning as a rocket refueling station, teleradio transmission point, and meteorological base on Luna, Earth's moon. As a meteorologist forecasting weather for Earth, Isobar owes daily weather reports to Dome Commander Colonel Eagan, whose niece he also advises on forecasts for her personal travels. Isobar receives a call from his associate "Sparks" Riley, who manages communications with Earth in the Dome's transmission turret. Isobar tells "Sparks" he is about to bring him the report, and "Sparks" implores him to leave behind his bagpipe, the only item that brings Isobar any joy in the Dome. He also informs Isobar that the maintenance men Roberts and Brown have gone Outside to make foundation repairs to the Dome. Isobar gets jealous when he hears this, and when "Sparks" makes his call to Earth, Isobar asks him to request the Earth radioman to twist his mike so he can get a glimpse of Earth's nature that he misses so much. When Commander Eagan enters the room, he informs Isobar that he must stop playing his bagpipe, as the sounds travel through the air-conditioning system and disturb the other workers. Indignant, Isobar says he will go Outside the Dome, which is forbidden due to the existence of the Granitebacks, called "Grannies"--a fast-moving native species with impenetrable, protective carapaces known to kill humans. Eagan doubles down on his commands, and an angry Isobar returns to his quarters. In his absence, "Sparks" converses with Dr. Loesch, who diagnoses Isobar with "weltschmertz"--a deep world-weariness that makes the sufferer resort to radical acts in order to feel happiness. At the same time, Isobar takes his bagpipes, tricks the Junior Patrolman attending to the impervite gates, and goes outside to feel the sunlight on his face, breathe fresh air, and play his bagpipes in peace. Outside, Isobar walks several miles away from the entrance to the Dome, where he stumbles upon Roberts and Brown, who are injured and running away from a hostile group of Grannies. Because no weapons can pierce the thick carapaces of the Grannies, the men scurry up a nearby tree adjacent to "Sparks'" transmission turret. When the Grannies begin attacking the tree, the men believe they will die; however, Isobar decides to play his bagpipes, hoping the music will alert "Sparks" to their dilemma by way of the air-conditioning vent. As Isobar plays, the men notice the Grannies seem to be entranced by the music. Isobar continues to play until help arrives, and they all realize the music has actually killed the Grannies.
1
67c82f069a9a4635bed093a1021a945d
Horatio Jones, known as Isobar, is ready to report the weather to the Dome Commander, Colonel Eagen. Isobar is stationed on the moon at Lunar III.  His job involves reporting the weather forecasts for Earth. When he signed up to be part of the Frontier Service, he expected an exciting adventure, but his life for the last six months has been boring. Isobar especially hates the stale air that he must breathe every day. 

When Isobar’s coworker Riley makes contact with Earth’s radioman, Isobar hangs around and begs him to ask the operator for a glimpse of Earth. He obliges. The grass, birds, and flowers make Isobar even more homesick. Riley says that there’s plenty of foliage to look at outside on the moon, but Isobar complains that he isn’t allowed to venture Outside. It’s too dangerous to leave the station because the Granitebacks, also known as Grannies, are ready to attack at any moment. In fact, Brown and Roberts are currently risking their lives to make repairs to the building. The Grannies are creatures that appear to be made of rock. They are not very intelligent, but they have exoskeletons harder than diamonds, and their speed allows them to take down humans in a matter of seconds.

Isobar’s only pleasure is playing his bagpipe, and he has been informed that all instruments are banned. Isobar offers to go Outside to play his bagpipes, but he’s reminded that no one is allowed to leave the station unless it’s absolutely necessary.

Riley sees Isobar is angry,, and he gets a kick out of it. On the other hand, Dr. Loesch, an older physicist, feels sorry for Isobar. He argues that Isobar is suffering from weltschmertz, or weariness of the world. Some men with the condition commit suicide while others rebel in unforeseen ways. He’s right because Isobar is lying to the guard so that he can go Outside and play his bagpipes.

Isobar feels the warm air, and he is instantly happy. A short time later, he hears a pistol go off, and he sees Roberts and Brown. They believe he has received their calls for help, but that isn’t the case. The men are being chased by a dozen Grannies, and Isobar instructs them to climb up a tree. The group of Grannies begin to hurl their bodies at the tree like a battering ram. The three men believe they are about to die. Isobar decides to play his bagpipes to get his colleagues’ attention. As soon as the music begins, the Grannies stop attacking. Although the men believe the Grannies are deaf, they appear to be laying down on the ground, unmoving, to listen. Eventually, an armored tank comes to rescue the men, and Isobar passes out from playing the pipes so fervently. The Grannies, it turns out, were killed by the music

10
940a74449f5c4675b5ca79b654ffb809
Horatio Jones (also called Isobar or Jonesy) is a meteorological forecaster at the Experimental Dome on Luna stationed within a hemispheric dome called Lunar III. He had spent six months there and would not get to go home for at least another six. It was a desolate place that only served as a rocket refueling station, transmission center, and meteorological base.
Isobar is crunching the data to write a new weather report to be delivered to his colleagues Sparks and Riley to transmit to the station on Earth. After delivering the report, he lingers in the transmission tower, desperately wanting to get a peek at Earth during the video transmission of his work to Earth. The receiving person on Earth complies and turns the video feed around the room so that they get a view out of the window to the outdoors on Earth with green grass and people enjoying the day. 
Isobar reveals he longs to experience the flowers and trees again to his colleagues. There is a place that this can be done on Luna, in another adjacent hemispheric dome called “Outside” that contains a lush valley, but this is strictly forbidden other than absolute necessities for things like repairs due to extremely dangerous beasts called Granitebacks (Grannies). Dome Commander Eagan overhears Isobar’s admissions, becoming serious about how under no circumstances is he to go Outside or to play the bagpipes because the sound transmits to everyone through the air conditioning system. Seeing an opportunity for himself, Horatio suggests he go Outside to play his beloved bagpipes, citing that two of his colleagues (Brown and Roberts) are also Outside conducting orders. The Commander is steadfast in his decision and strictly forbids Isobar from going outside.
Horatio returns to his room and immediately takes the bagpipes and goes Outside by convincing the patrol guard there were orders for him to take his post while he reports to general headquarters. He is enthralled by the lush life in the hemisphere, and wanders a great distance from the gates until he is underneath of Sparks’ radio turret and hears the loud firing of a Haemholtz ray pistol. Brown and Roberts are being attacked by a group of Grannies, and have radioed the Dome for help with no response. Isobar is helpless to assist other than suggesting they all climb a tree. To their luck, the Grannies can’t climb, but they start ramming the tree until it is obvious that they will all die up there soon once they knock it over and devour them. 
Isobar starts playing the bagpipes to alert the attention of Sparks in the tower above them. He is successful in getting the attention of Sparks who comes with a tank to rescue them, but even more amazingly the bagpipe music has killed all the of the Grannies at the base of the tree. Isobar saves the day with the bagpipe music everyone in the Dome hates.

What is the significance of the bagpipes?
6
fbb302599a4a417fbc34eb1b65558c19
The bagpipes are Isobar’s one relief and a reminder of home. Isobar Jones hates his new job and position on Luna III and plays the bagpipes as a form of therapy. When they are taken away from him, he quickly revolts and rushes Outside to play once more. 
Though the bagpipes are initially only significant to Isobar, they quickly become the savior of the whole story. After Roberts and Brown run into Isobar, followed by Grannies, they climb a tree and hope for the best. Isobar plays the bagpipes as a way to alert those in the dome that they are outside, seeing as the air conditioning valve was near. However, as it turns out, the Grannies are able to hear, and the sound of the bagpipes slowly but surely killed them. The bagpipes saved Isobar’s life in multiple ways, as well as that of Roberts and Brown. They also proved to be a scientific breakthrough, as they are the only thing to ever kill a Grannie. 

8
2c2ff9b714dd4faa967a4a5554ae60e6
The bagpipes are Isobar's most cherished possession. Six months into his one-year term at Lunar III, Isobar begins to experience extreme homesickness, and he begins to loathe the artificial air-conditioning of the Experimental Dome as well as the rule against going Outside because of the threat of the "Grannies." To keep himself sane, Isobar plays the bagpipes. However, the loud sound disturbs the other workers in the organization, and soon Commander Eagan orders Isobar to cease playing the bagpipes for the rest of his term. This causes Isobar to rebel, and he leaves the Dome against orders to play his bagpipes in peace. Once Outside, Isobar discovers Roberts and Brown are under attack by a group of Grannies, and he plays his bagpipes to try to alert "Sparks" that they are cornered up a tree. As a result of Isobar's music, the men discover the sound of the bagpipes not only calms the Grannies, but it also eventually kills them. Therefore, Isobar's insistence on playing the bagpipes leads to the discovery of a solid defense against the humans' primary threat on Luna.
1
67c82f069a9a4635bed093a1021a945d
Isobar is miserable while stationed at the Lunar III, and playing his bagpipes is the only pastime he has that he truly enjoys. He has been part of the Frontier Service for six months, and he regrets leaving Earth and the beautiful landscape to sit in a bubble day after day and breathe recycled air. His colleagues hate his music, and it’s difficult to stop the sounds from emanating all over the station because of the air conditioning vents. When he refuses to stop playing on multiple occasions, his Dome Commander institutes General Order 17, which is a ban on all musical instruments. Isobar does not take this news very well. He can’t suppress his anger at this news after being disappointed and depressed for a long stretch of time. Isobar argues that he should be able to go Outside and play, but of course that’s off-limits. The Grannies would almost surely attack him, and he’s forbidden from leaving unless it’s absolutely necessary. Isobar decides to ignore the rules because playing the bagpipes is what truly makes him happy. He tells the guard that’s working at the door to the Outside that he’s been sent to take his place. Instead of watching for Roberts and Brown, however, he slips outside with his pipes. After he sees his colleagues being attacked by the Grannies, he completely forgets about his instrument, but it’s a good thing that Roberts asks him about it, because the bagpipes actually save the trio’s lives. Isobar decides to play his instrument to alert his coworkers about the trouble he and Roberts and Brown are in, but by the time help arrives, they no longer need it. The Grannies are killed by the music, the one thing that all the humans hated with a passion. 
10
940a74449f5c4675b5ca79b654ffb809
Isobar loves to play the bagpipes, but is discouraged by his colleagues, like when Sparks tells him not to bring them with the forecast he is delivering to him because of his sensitive eardrums. Doodlesack is the word his colleagues Riley and Sparks call the bagpipes to tease him. Later in the story, the Dome Commander Eagan actually cites a new rule he has made that practising musical instruments must be discontinued immediately by dome staff because the sound travels through the air conditioning system and annoys people. 
After Isobar smuggles the bagpipes Outside to play them and gets swept up in an near-death attack by the Grannies with Brown and Roberts that has them stuck up a tree waiting to die, his colleagues continue to tease him by saying they can’t even die in peace since he'll be playing the bagpipes.
Although Isobar’s intention was to get help to come rescue them by playing the bagpipes and alerting Sparks in the nearby control tower to their danger with their loud sound, the story ends in an amazing twist instead. The bagpipe music is the only thing known to be capable of killing the Grannies. All the Grannies at the base of the tree layed down and died when the music was played, and Isobar’s hated musical instrument saves the day.
More than this, the Grannies are a barrier to humans being able to advance their colony on Luna, so Isobar’s discovery that the bagpipes are lethal might be an important key for progress.

Describe the Grannies, or Granitebacks.
6
fbb302599a4a417fbc34eb1b65558c19
Granitebacks are huge creatures that live on Luna III. Their immense size, hulking form, and impenetrable body make them practically indestructible. As of the beginning of this story, no Grannie had ever been killed. It was also believed that they were unable to hear, lacking ear canals, and potentially intelligence. Their exoskeleton or carapace was impenetrable, even harder than diamond or steel. Each weapon the Earthman devised to use against the Grannies failed. However, at the end of the story, it’s revealed that Grannies can, in fact, hear and are deeply affected by the sounds of the bagpipe. Isobar’s playing kills them all within 10 minutes and allows him and his companions to escape safe and sound. 
8
2c2ff9b714dd4faa967a4a5554ae60e6
The Granitebacks, colloquially referred to as the "Grannies", are the only mobile form of life found on Luna, and were named by the first explorers of the moon. Although the Grannies have low intelligence, they are a deadly threat to humans. They move fast for their size and weight, and their bodies are covered with impervious exoskeletons impenetrable even by humans' most sophisticated technologies. Isobar does not fear them because they haven't been seen around the Dome in quite a long time. However, when Roberts and Brown run afoul of a hostile group of them during a routine maintenance run Outside, they take shelter with Isobar up a tree, knowing that none of their weapons can defend against the Grannies. The Grannies attack as a group, throwing their hard bodies against the tree, which bends and dents upon impact. When Isobar plays his bagpipes, the men learn that Grannies can be lulled and ultimately killed by the sounds emitted from that instrument. 
1
67c82f069a9a4635bed093a1021a945d
The Grannies, also known as Granitebacks, are mobile creatures that live on the moon, and they are highly dangerous to humans. The people working at Lunar III are not allowed to venture Outside because the Grannies will attack with little notice or reason. They are described as rocks on legs, which is where their moniker came from. The Grannies are not highly intelligent creatures, but intelligence isn’t necessary when they have exoskeletons made of incredibly strong material that can’t be wounded by steel or fire. Their exteriors are stronger than diamonds, steel, or any other known material to humans. Due to their immense weight, the Grannies cannot climb trees, so Isobar’s plan to climb to avoid them is a great move. However, the creatures work in packs, and about a dozen of them begin hurling their bodies at the tree at the same time, and this breaks the tree’s trunk. The men believe that the Grannies are deaf, but that turns out to be incorrect information. So far, the humans have not found a single weapon that works to fight against the Grannies.  Isobar’s discovery that the music he creates with the bagpipes actually kills the Grannies is literally lifesaving. 
10
940a74449f5c4675b5ca79b654ffb809
The Granitebacks (Grannies) are deadly beasts of low intelligence - the only life form found on Luna - so named because they are indestructibly impervious to human weapons. Their biology is a mystery to science because one has never been killed so it can be studied in a laboratory. All that is known is that their outer shell is harder than steel, diamond, or battleplate. 
One weakness of the Grannies is that they are unable to climb, which is how Isobar, Roberts and Brown escape their land attack by climbing a tree in the Outside dome. However, the Grannies are exceptionally strong, capable of uprooting a tree large enough to hold three adult men. Ultimately, the thing that kills Grannies is bagpipe music, which causes them to lay down and die.

What is the setting of the story?
6
fbb302599a4a417fbc34eb1b65558c19
Trouble on Tycho takes place on Luna III, a new frontier for space technology. The planet itself is lush and green, with a beautiful network of trees and greenery. However, it is inhabited by Granitebacks, an unbeatable foe known to kill any Earthmen who dare cross their path. So, the new inhabitants of Luna III built a giant dome to keep themselves safe from the Grannies, at least until they devised a way to beat them. The dome allows its residents to see out but makes it very difficult for them to escape. The inhabitants are there to provide Earth with news from space as well as other meteorological forecasts. The dome has air-conditioning and thick glass walls, so there’s no fresh air or real sunlight, only the meager, filtered kind. 
8
2c2ff9b714dd4faa967a4a5554ae60e6
The story takes place on Earth's moon, Luna. Since the first Lunar expedition, humans have established Lunar III, a frontier outpost that operates as a rocket refueling station, teleradio transmission point, and meteorological base. Resting in a lunar valley rich with grass, flowers, insects, sunlight, trees, and fresh air, the outpost is comprised of several domes, including the Experimental Dome from which Isobar Jones observes and reports weather on Earth. The Dome has a transmission turret, operated by Sparks Riley, which allows communication with Earth, and the atmosphere of the entire outpost is controlled with atmo-conditioning units reoxygenating the air. Isobar plays his bagpipes locked inside his office, but everyone in the Dome can hear him thanks to the air-conditioning system that can't be shut off. To prevent people from leaving and to protect against the Granitebacks, massive impervite gates protect the entrance to the Dome. The moon's only mobile, native species are the Granitebacks, called "Grannies", who are dangerous to humans and have bodies protected by thick exoskeletons impenetrable to any known weapon.
1
67c82f069a9a4635bed093a1021a945d
“Trouble on Tycho” is set on Earth’s moon, and it mostly takes place on Lunar III, a frontier outpost which is used for rocket refueling, teleradio transmission, and meteorological observances. There are airtight domes in the station that make Isobar feel like a goldfish in a glass bowl. The sunlight is filtered through ultraviolet wave-traps so the workers’ skin does not get burnt, and this makes them very pale. The air is constantly recycled through atmo-conditioning units, and it’s anything but fresh. The men who work on Lunar III have beautiful views to take in, but they are not allowed to go Outside. Outside the post is a beautiful valley filled with green foliage and small insects. A warm breeze blows through the flowery meadows. However, the picturesque scenery is ruined by the Granitebacks, or Grannies, that will attack humans without provocation. 

10
940a74449f5c4675b5ca79b654ffb809
The story is set in an Experimental Dome on Luna, and the main character, Isobar is stationed within a hemispheric dome unit called Lunar III. There are separate quarters for the employees and towers for transmitting video and radio signals to Earth. Sunlight is filtered through ultraviolet wave-traps, which leaves Isobars skin pale and clammy. The air is scented and reoxygenated and is pumped in through atmo-conditioning units. Isobar has been stationed there for six months, and will be there for at least six more, leading to a kind of disdain for these features.
In the transmission tower that communicates with Earth there are desks like a typical broadcasting office and a plate on the wall that projects the video from Earth. Out the window on the Earth side of the video feed, there is blue sky, trees, birds, flowers, and people. 
There is an “Outside” hemispherical dome which houses a lush valley adjacent to the air conditioned living quarters the employees are confined to, and guarded under heavy gates. “Outside” is warm with thin, fragrant breezes, good sunlight, and abundant forest flora that make Isobar feel replenished after being in the sanitized quarters of the Dome.

Who is Isobar Jones and what happens to him throughout the story?
6
fbb302599a4a417fbc34eb1b65558c19
Isobar Jones, real name Horatio, has been living on Luna III for six long months now. Working as a meteorologist for Earth and radio operator, he spends his days locked in the Experimental Dome of Luna meant to protect them from the Grannies, the indestructible creatures in the Outside. His only relief comes from playing his bagpipes, but his weariness, homesickness, and blues were catching up to him. 
After sending out his forecasts to Earth, Isobar reveals his deep desire to escape the dome and venture Outside. Caught by Colonel Eagon, he is punished by a new commandment stating that no musical instrument can be played as it disturbs the rest of the dome. An ardent player of the bagpipes, he is heartily disappointed and upset by the news. His weariness or weltschmertz as Dr. Loesch called it makes Isobar take his bagpipes Outside the dome so he can play in peace. He tricks the junior station manning the door and slips out once he’s out of sight. After walking for a long time through the beautiful scenery, he hears the sound of a gun firing. Knowing what this means, fear quickly strikes deep inside him. Roberts and Brown come towards him, followed by a dozen Grannies. Isobar helps them climb a tree while explaining that he doesn’t actually have the armored tank they called for. Once there, he explains his idea to them about playing his bagpipes so that the Dome would hear them and come to their rescue. The air conditioning valve was nearby, so the sound would carry. As he begins to play, the Grannies fall to the ground and remain there. Supposedly resting, Isobar keeps playing until backup arrives. They are shocked to find that Isobar’s playing didn’t just put the Grannies to sleep, it actually killed them. Isobar made a huge scientific discovery and rescued his companions. 
8
2c2ff9b714dd4faa967a4a5554ae60e6
Horatio "Isobar" Jones is a meteorologist working a one-year term in the Experimental Dome at the Lunar III frontier outpost on Earth's moon, Luna. Isobar is lean and gangly and has a good working relationship with others at the outpost. However, Isobar has begun to miss Earth and the feeling of nature, since it is prohibited to leave the Dome due to the existential threat of the Grannies. He asks Sparks Riley to request the radioman show him the view outside when Sparks calls Earth to relay Isobar's weather report; when Sparks tells him Patrolmen Roberts and Brown have left the Dome to conduct routine maintenance Outside, Isobar feels jealous. He begins to loathe the recycled air in the dome and the clammy feeling it creates on his skin. Isobar becomes easily irritated and lashes out with profanities. Dr. Loesch suggests to Sparks that Isobar is the victim of "weltschmertz", an intense kind of world-weariness that can drive a person to extreme measures to feel happiness again. The only activity that brings Isobar joy anymore is playing the bagpipes, which disturbs his co-workers so much that Commander Eagan eventually orders him to stop playing it. This command sends Isobar over the edge, and he tricks Junior Patrolman Wilkins into giving up his post at the entrance gate so that he can leave the Dome and go outside to get some fresh air and play his bagpipes in peace. While he is outside, Isobar runs into Roberts and Brown, who are running away from a group of Grannies. After they take refuge up a tree, Isobar plays his bagpipes in order to signal Sparks for help. In the process, he learns that the music of the bagpipes has a powerful sedative effect upon the Grannies--so much so that it actually kills them.
1
67c82f069a9a4635bed093a1021a945d
Isobar Jones’s real name is Horatio. He joined the Frontier Services six months ago because he was eager to go on an adventure on the moon and do something exciting with his life. He is deeply disappointed in his decision because he gets very little joy out of his job. He enjoys making observations about the meteorological patterns on Earth, but he does not like the constant instructions from the Dome Commander. Most of all, he hates being trapped inside without fresh air and the familiar feeling of sunshine warming his skin. He brought his bagpipes to the Lunar III because playing music is one of his favorite hobbies, but his coworkers become annoyed with his incessant playing. There is nowhere for him to go and play that won’t bother others. The music travels through the air conditioning system, and it’s impossible to turn it off. After the Dome Commander receives several complaints, he decides to make a rule forbidding all instruments. Isobar is devastated. He was already feeling depressed and anxious, but prohibiting music is the final straw for him. He devises a plan to go Outside to play his bagpipes, which is strictly forbidden. He knows that there’s a real possibility that he will run into a Graniteback, but he assumes that he can run away from them quickly. After he tricks a guard into leaving his post, he moseys outside and travels two miles away from the gate to the building. There, he encounters Brown and Roberts, who both believe that Isobar has been sent to help them. Their calls to the station have gone unanswered, and they quickly realize that Isobar does not have an armored vehicle. He’s actually equipped with his bagpipes. Isobar’s idea to climb a nearby tree to escape a pack of Grannies buys the men time, and his next idea, to play his instrument to alert their colleagues that they're in need of help, actually saves their lives. Isobar does not intend to kill the Grannies with his music, but they fall to the ground and die after hearing him play. 
10
940a74449f5c4675b5ca79b654ffb809
Isobar Jones (real name, Horatio Jones, also referred to in the story as Isobar or Jonesy) is a meteorological forecaster stationed on Luna. He has been there for six months, and is developing a kind of stir-craziness from the sterile living environment and being forbidden from his one true joy - playing the bagpipes. Dr. Loesch claims he has a sickness called weltschmertz, which is a dangerous mental condition of “world sickness” that can make a person do wild things.
Isobar delivers a weather forecast to the transmission tower early in the story where he begs his colleague to have the Earth receiver person turn the video feed around to their window. This demonstrates how much Isobars longs for the outdoors that a video feed out a window on Earth soothes him. He is strictly forbidden from playing the bagpipes or from going “Outside” to the adjacent hemispheric dome that houses a lush valley by the Dome Commander Eagan. Being overcome with his desire for both the bagpipes and to go Outside, Isobar defies orders, tricks a guard into leaving his post, and sets into the lush Outside. It is deeply restorative for him, but he is snapped to reality when he discovers his colleagues, Brown and Roberts, are being attacked by Grannies. 
Isobar is helpless to assist them other than suggesting they all climb a tree. To their luck, the Grannies can’t climb, but they start ramming the tree until it is obvious that they will all die up there soon once they knock it over and devour them. Isobar starts playing the bagpipes to alert the attention of Sparks in the tower above them. He is successful in getting the attention of Sparks who comes with a tank to rescue them, but even more amazingly his bagpipe music has killed all the of the Grannies at the base of the tree. 
Isobar becomes the hero of the story, since his bagpipe music is the first thing known to be capable of killing the Grannies, which will allow humans to now study them and perhaps make advancements to their settlement on Luna. 
