[User] Please transcribe this text

[Assistant] I mentioned the work on immutability and Michael has gone on to work, uh,


[User] Please transcribe this text

[Assistant] And many of these are fun acronyms, uh, and some of them I went over, some of them I didn't, but if you like acronyms and gemstones, we have plenty of those, and there are lots more on my website.


[User] Please transcribe this text

[Assistant] Uh, naturally all this work was done with my students, or by my students.


[User] Please transcribe this text

[Assistant] And so I have to thank them, I have to thank my funding people, uh, mostly from the NSF but also from a bunch of companies, and then I have to thank you for inviting me.


[User] Please transcribe this text

[Assistant] We would have pictures, we would have a list of functions or functionalities that are required, and it's a little tricky, but we definitely are very careful to make sure that the question doesn't give away any of the aspects of the answer that we're looking for.


[User] Please transcribe this text

[Assistant] And, uh, there's definitely a lot of work in that, uh, so Google has something called their API Explorer, uh, that's, uh, kind of on the front of their API.


[User] Please transcribe this text

[Assistant] Uh, with different configurations and different parameters right there on the web without having to configure anything.


[User] Please transcribe this text

[Assistant] And uh, they found, they did some, one of the papers they wrote was how people are using that, and it's not.


[User] Please transcribe this text

[Assistant] The most obvious use is not what you think of people actually doing that, but in fact people are using that as documentation because it kind of shows you what kind of parameterizations make sense for this.


[User] Please transcribe this text

[Assistant] So companies are definitely thinking about


[User] Please transcribe this text

[Assistant] You know, given that people are doing this interactively, uh, what would be some interesting, uh, new ways of presenting it that aren't just PDF documents or webpages or whatever?


[User] Please transcribe this text

[Assistant] And then certainly researchers have done some interesting work in this area, so.


[User] Please transcribe this text

[Assistant] Uhm, and his thesis from, was it here, or Berkeley?


[User] Please transcribe this text

[Assistant] Uhm, and then, uh, you know, you got documentation and examples all in context and that, you know, uhm,


[User] Please transcribe this text

[Assistant] Made it, the kind of explorations we're talking about, uh, more, uh, integrated.


[User] Please transcribe this text

[Assistant] On which of those is the most usable? Uh, so yeaah, there definitely is this whole ecosystem of different aspects. In some sense, when people are making wrappers around your client libraries, then that's kind of a hint that there's some problem with your client libraries. And so the companies are definitely very


[User] Please transcribe this text

[Assistant] Interested in evaluating why people are feeling like they need wrappers around their client libraries. But a lot of the stuff we were talking about, like automatic generation.


[User] Please transcribe this text

[Assistant] And, you know, all of that about generating their client libraries. We definitely heard in the interviews that uhm,


[User] Please transcribe this text

[Assistant] Like some of the designers in obscure languages were...


[User] Please transcribe this text

[Assistant] Annoyed that the automatically generated client libraries.


[User] Please transcribe this text

[Assistant] Didn't seem very consistent with the way their language would normally be done, uh, cause they were designed by people who were like Java experts. And so, you know, they would say, oh, the automatically generated client libraries are too Java-like, and in my language that's really not the right way you would think about things.


[User] Please transcribe this text

[Assistant] Uh, so I think that's definitely a good area for future research of how can we make these client libraries better so that people aren't motivated to try and wrap them.


[User] Please transcribe this text

[Assistant] I don't remember much specific about that. Uh, the main thing is as I mentioned already that


[User] Please transcribe this text

[Assistant] They use that as a signal that there were problems that they might want to address.


[User] Please transcribe this text

[Assistant] And, you know, you have to remember that most of these, especially the web APIs change.


[User] Please transcribe this text

[Assistant] Uh, in some of our experiments it took programmers a week to figure out how to get three or four methods to actually work because they kept having to send emails off to somebody and waiting for answers. Uh, because the designs were so awful that there was really no way to figure them out without


[User] Please transcribe this text

[Assistant] Somebody knowledgeable telling you the answer. Uh, and so in a better design they could do that in, you know, three or four minutes. So uhm,


[User] Please transcribe this text

[Assistant] That was, you know, a completely different order of magnitude than, uh, we could even imagine testing in the lab.


[User] Please transcribe this text

[Assistant] And, uh, you know, in terms of these companies, uhm,


[User] Please transcribe this text

[Assistant] Nobody would give me any numbers, but they all agreed that they have lost sales as a result of API usability to their competitors.


[User] Please transcribe this text

[Assistant] And so, I definitely had the sense that they were monetary.


[User] Please transcribe this text

[Assistant] measurements that you could imagine making, but they wouldn't tell me the answers to, uh, that were the monetary impact of usability as they lost customers compared to other APIs that were more usable.


[User] Please transcribe this text

[Assistant] Uh, right, so most of the web messages you get error rates. You get an error message return, you know, 405 or bad.


[User] Please transcribe this text

[Assistant] I forget all the code numbers, right? And then eventually you'll get a successful return.


[User] Please transcribe this text

[Assistant] Which is a 200 return from your HTTP message. And so, you know, all of the


[User] Please transcribe this text

[Assistant] Bad messages were errors because the people didn't understand how to use the APIs correctly. So I don't think you can really...


[User] Please transcribe this text

[Assistant] Distinguished errors from learning because that's kind of fundamental.


[User] Please transcribe this text

[Assistant] Well, it's almost the classic Hollywood story and I, who have always felt that I was sort of outside the system and could always make it work for me, just felt completely vulnerable to it. In the sense that I had a movie that had a kind of a large budget.


[User] Please transcribe this text

[Assistant] So I thought, well, how am I going to make this big kind of expansive bonfire of the vanities? And then I proceeded to try to figure out ways in order to make the character a little more likeable so that you might go to a broader audience. And then I made decisions down the line like that. Consequently,


[User] Please transcribe this text

[Assistant] Well I made the classic mistake, which is to, to change the text that I love so much. And I changed it to a point that nobody


[User] Please transcribe this text

[Assistant] No, Asher McCoy was an arrogant aristocrat and a very unlikable character.


[User] Please transcribe this text

[Assistant] Absolutely. I mean, you may think, well, maybe it really should be somebody else, but if you're gonna go with this particular vision, and it was my idea as much as anybody's, then I ultimately make the final decision.


[User] Please transcribe this text

[Assistant] So you can't say well it was the studio or people were making me do this or making you do that. And I think what's interesting about the book in the sense that why Julie was sort of invited in to write about it, because I've been constantly asked questions over the years about well did the studio make you do this or did the studio make you do that. And it was like


[User] Please transcribe this text

[Assistant] The reporters were writing about MGM in the thirties and forties and they had no sort of


[User] Please transcribe this text

[Assistant] Contemporary idea of what the system of making movies is like today, and I thought, well, here's a chance to let them see what it's like, for better or for worse.


[User] Please transcribe this text

[Assistant] I guess basically when we started to preview it and, you know, we sort of got all kinds of negative responses from the audience.


[User] Please transcribe this text

[Assistant] You don't think you've made a bad movie and I will say to this day, this movie


[User] Please transcribe this text

[Assistant] The way I made it is an interesting movie that I liked. It is not Tom Wolf's Bonfire of the Vanities.


[User] Please transcribe this text

[Assistant] It's like reinterpreting a Shakespeare play and putting it all in the Trump Tower or something. It's a complete different interpretation. The problem is that everybody that wrote about


[User] Please transcribe this text

[Assistant] The movie read the book. And consequently their first perception was


[User] Please transcribe this text

[Assistant] No, you basically want to hide because, you know, it's like all your instincts seemed wrong, nothing you did worked out, you get incredible negative reviews and the picture bombs, so the business thinks you're completely hopeless and you begin to wonder if you know anything anymore.


[User] Please transcribe this text

[Assistant] Not really, because, you know, I've made such mainstream films like The Untouchables, this was, by making Bonfire was a risky, risky thing to do for any director.


[User] Please transcribe this text

[Assistant] Not so much that. It's a difficult, dark, black satire. And if you make it the way it is, you may make something like The Magnificent Ambersons, which is a great movie, but nobody went to see it.


[User] Please transcribe this text

[Assistant] Absolutely, absolutely, uh, you have a feeling that, wait a minute, I'm so off base here that I gotta go back and do


[User] Please transcribe this text

[Assistant] What I really understand and, uh, and my wife, Gale Ann Hurd, was very helpful in this because she likes this genre. And basically, uh, by working together, we created basically this very modest,


[User] Please transcribe this text

[Assistant] They, the great thing about actors is they, they feel things are not right and sometimes they can't articulate it.


[User] Please transcribe this text

[Assistant] So that you quite understand what's going on. But I remember once when I was doing Scarface, I mean I had this scene in this office.


[User] Please transcribe this text

[Assistant] Uh, where Al has to confront, uh, one of the drug king kingpins, and he was having problems with it. And we'd rehearsed it a lot. And he, he, he has to shoot this guy, and there's something about this that didn't work for him.


[User] Please transcribe this text

[Assistant] And we went back, we rehearsed it, I couldn't figure it out, and then I finally, by the way he was moving, I could see that he didn't have enough space in the set to play the scene. It was as simple as that. But I could see him feeling for something, but I had to figure out what it was.


[User] Please transcribe this text

[Assistant] Nobody knew, but there was, he wanted to do something that the space didn't allow him to do and then we just built the set about three times bigger and then he did this scene brilliantly where he sort of moves around the table to confront the guy.


[User] Please transcribe this text

[Assistant] I saw John doing plays in college. I mean, he was... Where, where, where in college?


[User] Please transcribe this text

[Assistant] Well, he was, he went to Harvard, but he used to be, uh, do plays at the McCarter Theater. And I saw him in Princeton do Moliere, you know, when I was 62, 63. And he was amazing. And I recommended him to a director who subsequently put him in a film.


[User] Please transcribe this text

[Assistant] Play different characters and physically look different without putting on any makeup.


[User] Please transcribe this text

[Assistant] And in Raising Cain, where he plays a whole bunch of different characters, we didn't put any makeup on him at all, except when he plays his own father. And he looks so different by the way he plays the part, which is very unusual in film actors, because you're mostly used to Cary Grant.


[User] Please transcribe this text

[Assistant] Burt Lancaster or Richard Gere where you have a face that says this is the star and you're not used to having them look completely different within the characterization of what they're playing.


[User] Please transcribe this text

[Assistant] The film is about a child psychologist, uh, who gets very obsessed with raising his own child, and, uh, to the point where, uh, he winds up, uh, kidnapping her for all types of strange deeds, uh, and, uh, John plays this, uh, child psychologist, uh, and, uh,


[User] Please transcribe this text

[Assistant] There are all kinds of other characters that you don't know whether they're real or not because they may be imagined and they may actually.


[User] Please transcribe this text

[Assistant] Well the thing is that you make all kinds of different movies, but I always have these kind of mystery and suspense ideas. And this is an idea I had for many years.


[User] Please transcribe this text

[Assistant] I have a little trauma here. I can study how it grows and progresses. And that was the whole basis of where this came from. And uh, Raising Kane is the character that in fact was studied and how in fact he evolved as he grew older.


[User] Please transcribe this text

[Assistant] But I think Bridge on the River Quay is really the perfect movie. Why?


[User] Please transcribe this text

[Assistant] He builds all his characters and he sets the, the political world. He brings them all in conflict and of course they're all right is wrong for every one of them.


[User] Please transcribe this text

[Assistant] Everyone who thinks they're doing right is absolutely doing wrong. And then he brings all these characters to play out this tragedy in this great physical scene of blowing this train up on this bridge. It's like the perfect movie.


[User] Please transcribe this text

[Assistant] Well, after you've made like as many movies as I've made, and I'm working on like my 22nd now, you, you want to try to expand your vision as much as you can. You want to use all the things that you've learned.


[User] Please transcribe this text

[Assistant] And then you have to have an idea or an emotional thing that stirs you enough to put all this to work. And the problem most of the time is that there's nothing that moves you enough to do it because you've made so many movies and you know all the pitfalls and mistakes.


[User] Please transcribe this text

[Assistant] It's not something that's going to evolve in a way that's going to be exciting to you.


[User] Please transcribe this text

[Assistant] It's getting the idea. See, I tend, see, I'm a basically, I'm a visual stylist, so I basically get some incredible visual ideas.


[User] Please transcribe this text

[Assistant] And in Raising Cain, the interesting idea was that, well suppose I told a mystery story in an entirely different way. Most mystery stories are going from character to character and getting more information.


[User] Please transcribe this text

[Assistant] Which works great in books, but, you know, when in movies, you know, you drive up to the bar, get a little information, then you go and talk to the reporter, then you go and talk to the ex-wife, then you go and talk to this and that, and it's basically a lot of scenes of people driving over to places and talking to people. Talking like you and I are talking now.


[User] Please transcribe this text

[Assistant] Fantasies, flashbacks, so you don't know if it's real or not until you've sort of seen it from a whole bunch of different points of view. Then you've got to sort of determine whether what happened did happen or was it imagined.


[User] Please transcribe this text

[Assistant] And consequently, the audience is working all the time and it's great because if you watch it with an audience, you see them sort of arguing about it and saying, did that happen? Didn't she do that? Isn't he real? And then they finally get it all put together in the end, which to me makes it very satisfying.


[User] Please transcribe this text

[Assistant] Yes, but see my movies are so well worked out in advance that it's not like you have to sort of piece it together. You don't have to save it in the editing room. No, no.


[User] Please transcribe this text

[Assistant] Well, this has a very complicated structural style in the sense of, uh, you know, there are whole dreams within dreams within dreams, and the audience is constantly being pulled one direction and the other.


[User] Please transcribe this text

[Assistant] There's so many things that are so important. Casting is very important. If you have an actor that's not up to the role, you're dead in the water. You know, you cannot.


[User] Please transcribe this text

[Assistant] Cut around to like a bad performance, you basically have to cut it out. So, you know, it's very important.


[User] Please transcribe this text

[Assistant] But see, the great things about movies are, there's so many things that are important. The script's important, the actors are important, the directors are important, and when you see it all cooking, like in a great film, like Lawrence of Arabia or Bridge on the River Kwai, you say, my god, this is what it can be. It can be this big, this wonderful, this vast, this emotional.


[User] Please transcribe this text

[Assistant] Uh, and most of the time we see like the smallest of things happening.


[User] Please transcribe this text

[Assistant] Well, great movies I think are always made when you get a great group of talents like the Renaissance together in the same place at the same time.


[User] Please transcribe this text

[Assistant] You know, we had Sam Spiegel, you had, you know, a great script, you had David Lean, you had all these things that came together at the time and made this great movie. The problem today now, and I was thinking about this a little bit as I was thinking exactly that question, you know, when the old studio system existed,


[User] Please transcribe this text

[Assistant] It was interesting, you could get a whole bunch of really great actors.


[User] Please transcribe this text

[Assistant] Because they're all under contract, and you can say go over to sound stage X, you're making Casa Blanca this week. You know, and they went because they were under contract. Now I was thinking how do you get all those actors together?


[User] Please transcribe this text

[Assistant] You know, I was sort of blessed with something like the Untouchables when I was able to get Costner, who was basically, was not discovered then, even in a couple of movies. Sean Connery. Sean Connery, Bob De Niro, Andy Garcia. And when you get all those actors together in one movie, wow! It's always great when you've got great actors.


[User] Please transcribe this text

[Assistant] That is always possible, but there's nothing better than having your best talent all in the same place at the same time.


[User] Please transcribe this text

[Assistant] I mean, you have Kevin Costner and Bob DeMiro going at each other. It's like, that's really exciting. You know? It's just, great actors rise with great actors to act with.


[User] Please transcribe this text

[Assistant] You're a good interviewer. You're a great interviewer. So you get a good interview when you're dealing with somebody that rises to the occasion. You get a couple of dead heads here, we'll put everybody to sleep.


[User] Please transcribe this text

[Assistant] As you've probably heard, Donald Trump still refuses to release his tax returns. One reason he might be doing that is so we can't actually confirm how much money he's given to charity. And now a new report suggests that the donations that come from Trump's personal foundation are almost entirely other people's money. For more on this, it's time for Closer Look.


[User] Please transcribe this text

[Assistant] In general, Trump's aversion to paying people like contractors and employees who did work for businesses has hurt him. Even now, on the campaign trail, it causes him problems. For example, you may remember this dance troupe of young girls called the USA Freedom Kids who performed at a Trump rally earlier this year.


[User] Please transcribe this text

[Assistant] That song sounds like it was translated from English to Japanese and then back to English.


[User] Please transcribe this text

[Assistant] Well, you'll never guess what happened next. Donald Trump stiffed the


[User] Please transcribe this text

[Assistant] Trump is being sued by a group of children because he won't pay them. Think of how sad that is. Right now the USA Freedom Kids are at home trying to find words that rhyme with subpoena.


[User] Please transcribe this text

[Assistant] Then again, in Trump's defense, look what happens when he does give money to kids.


[User] Please transcribe this text

[Assistant] And it isn't just the USA Freedom Kids. Trump also used to have a policy office in DC. Now most normal presidential candidates have policy offices where staffers work on ideas to fill out a candidate's platform. But Trump's policy office quickly fell apart once again because he stiffed people.


[User] Please transcribe this text

[Assistant] Oh yea, I mean it definitely was a success. I mean just look at the extremely in-depth policy plan the Trump team came up with to fix Obamacare.


[User] Please transcribe this text

[Assistant] Did they at least come up with a detailed policy plan for fighting ISIS?


[User] Please transcribe this text

[Assistant] So obviously Trump did not care that his policy office fell apart. In fact, Trump has been so resistant to having actual policies that by his own telling, it took repeated badgering from his daughter Ivanka to get him to unveil a new maternity leave policy yesterday.


[User] Please transcribe this text

[Assistant] So Trump's unwillingness to pay people has resulted in lawsuits and a lack of policy. Now that might give Trump a reputation as something of a miser, but at least there's all the money he's given to charity, right? He and his campaign have bragged about that so many times.


[User] Please transcribe this text

[Assistant] But without proof in the form of tax returns, reporters have had to check for themselves to find Trump's personal donations. One reporter in particular, David Ferenthold of the Washington Post, has been trying for months to track down Trump's charitable giving and he's come up almost completely


[User] Please transcribe this text

[Assistant] That's like saying you have a private jet when you only have a private jetta.


[User] Please transcribe this text

[Assistant] So that's Trump's personal giving. And then there's the Donald J. Trump Foundation. The foundation has Trump's name on it, so you'd think it consists at least in part of Trump's own money. But not only has Trump not given to his own foundation in years, the foundation has actually charged charities for using Trump facilities.


[User] Please transcribe this text

[Assistant] When has anybody ever been paid half a million dollars just for holding two balls? Aww. Come on, guys. No. Sham-


[User] Please transcribe this text

[Assistant] Man, am I gonna miss stand-up comedy Obama.


[User] Please transcribe this text

[Assistant] You all see this, uh, Trump painting? You know, the eyes follow you wherever you go. Unless you, uh, go into a black neighborhood. What else?


[User] Please transcribe this text

[Assistant] What else? Anybody here got a wife? Make you eat healthy?


[User] Please transcribe this text

[Assistant] So to recap, Trump won't give money to children who perform at his rallies or staffers who work on his policy proposals, but he will use other people's money to buy signed football helmets and a giant painting of himself. And he still could be our next president. As the USA Freedom Kids put it,


[User] Please transcribe this text

[Assistant] You need to see a therapist, get some help, turn your life around because I like to think the best of people and you, you're actually very mean and very naughty.


[User] Please transcribe this text

[Assistant] Is there a connection between magnetic center and consciousness?


[User] Please transcribe this text

[Assistant] In three, two, one, go.


[User] Please transcribe this text

[Assistant] And I got my kill stolen. I'm literally touching grass.


[User] Please transcribe this text

[Assistant] Hi, this is Rich. The second planet was inhabited by a conceited man. And I am about to receive a visit from an admirer. He exclaimed from afar when he first saw the little prince coming.


[User] Please transcribe this text

[Assistant] For to conciliate men, all other men are admirers.


[User] Please transcribe this text

[Assistant] Good morning, said the little prince. That is a queer hat you're wearing.


[User] Please transcribe this text

[Assistant] We did a hat for salutes, the conceited man replied.


[User] Please transcribe this text

[Assistant] Yes, so the little prince, who did not understand what the conceited man was talking about, clapped his hands one against the other. The conceited man now directed him. The little prince clapped his hands.


[User] Please transcribe this text

[Assistant] The conceited man raised his hat in the mother's salute.


[User] Please transcribe this text

[Assistant] This is more entertaining than the visit to the king, the little prince said to himself. And he began again to clap his hands, one against the other. The conceited man again raised his hat in salute.


[User] Please transcribe this text

[Assistant] After five minutes of this exercise, the little prince grew tired of the game's monotony. What should one do to make the hat come down, he asked. But the conceited man did not hear him. Conceited people never hear anything but praise.


[User] Please transcribe this text

[Assistant] Do you really admire me very much? He demanded of the little prince.


[User] Please transcribe this text

[Assistant] What does that mean, admirer? To admirer means that you regard me as the handsomest, the best dressed, the richest and the most intelligent man on this planet. But you are the only man on your planet.


[User] Please transcribe this text

[Assistant] Do me this kindness. Admire me just the same.


[User] Please transcribe this text

[Assistant] I admire you, said the little prince, shrugging his shoulders slightly. But what is there in that to interest you so much? And the little prince went away. The grown-ups are certainly very odd, he said to himself, as he continued on his journey.


[User] Please transcribe this text

[Assistant] Start em moving. We leave. Chain them together.


[User] Please transcribe this text

[Assistant] No, a hundred's too much. Too many of them die on the way.


[User] Please transcribe this text

[Assistant] She's tickled silly. That's great news, boy. Had to stop and congratulate you. Wait a minute, Dan.


[User] Please transcribe this text

[Assistant] You have been in every prospect I have ever seen since on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with.


[User] Please transcribe this text

[Assistant] The stones of which the strongest London buildings are made are not more real or more impossible to be displaced by your hands than your presence and influence have been to me, there and everywhere, and will be.


[User] Please transcribe this text

[Assistant] Estella, to the last hour of my life you cannot choose but remain part of my character, part of the little good in me, part of the evil. But in this separation I associate you only with the good.


[User] Please transcribe this text

[Assistant] And I will faithfully hold you to that always, for you must have done me far more good than harm. Let me feel now what sharp distress I may. Oh, God bless you, God, forgive you.


[User] Please transcribe this text

[Assistant] In what ecstasy of unhappiness I got these broken words out of myself I don't know.


[User] Please transcribe this text

[Assistant] A rhapsody welled up within me like blood from an inward wound and gushed out.


[User] Please transcribe this text

[Assistant] I held her hand to my lips some lingering moments and so I left her.


[User] Please transcribe this text

[Assistant] That while Estella looked at me merely with incredulous wonder, the spectral figure of Miss Havisham, her hands still covering her heart,


[User] Please transcribe this text

[Assistant] For a while I hid myself among some lanes and bypass and then struck off to walk all the way to London.


[User] Please transcribe this text

[Assistant] For I had by that time come to myself so far as to consider that I could not go back to the inn and see drum-all there. That I could not bear to sit upon the coach and be spoken to.


[User] Please transcribe this text

[Assistant] My readiest access to the temple was close by the riverside, through white friars.


[User] Please transcribe this text

[Assistant] I was not expected till tomorrow, but I had my keys and if Herbert were gone to bed, could get to bed myself without disturbing him.


[User] Please transcribe this text

[Assistant] As it seldom happened that I came in at that white fryer's gate after the temple was closed.


[User] Please transcribe this text

[Assistant] And as I was very muddy and weary, I did not take it ill that the night porter examined me with much attention as he held the gate a little way open for me to pass in. To help his memory, I mentioned my name. I was not quite sure, sir, but I thought so. Here's a note, sir. The messenger that brought it said, Would you be so good as to read it by my lantern? Much surprised by the request, I took the note. It was directed to Philip Pip Esquire.


[User] Please transcribe this text

[Assistant] And on the top of the superscription were the words Please read this here. I opened it.


[User] Please transcribe this text

[Assistant] The watchman holding up his light and read inside in Wemmick's writing, Don't go home.


[User] Please transcribe this text

[Assistant] All right. So the saints while we were away, a couple of things happened to saints.


[User] Please transcribe this text

[Assistant] Actually put pen to paper. We came out like with a show covering this right before it happened.


[User] Please transcribe this text

[Assistant] And ultimately the saints finally got it done. Remember this is a similar thing that happened.


[User] Please transcribe this text

[Assistant] With, uh, Alante Taylor last year, the Saints finally inked their last draft pick, second round draft pick, Isaiah Foskey.


[User] Please transcribe this text

[Assistant] Got his deal done. We'll cover that in this episode of TSC. Also talk about the updated salary cap situation because the saints are currently.


[User] Please transcribe this text

[Assistant] Several years ago it happened with Demario Davis when they were working on Elvin Kamara's contract and then all of a sudden Elvin gets his deal.


[User] Please transcribe this text

[Assistant] And it happened right around the same time. Remember the Saints? Sean Payton went out to Houston or went to Texas, whatever they're going to talk to.


[User] Please transcribe this text

[Assistant] Uh, who was it? J-J-Jadevii Clowney. To try to see if he wanted to be here, all this kind of stuff. It was turned into something that was totally unfruitful.


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[Assistant] But in the end, the Saints were able to, after that got out of the way, they were able to sign Elvin Kamara and as a extra to the deal, they were able to ink Demario Davis as to an extension as well. So Cam Jordan gets his deal. Perhaps somebody else is in line for another one as well.


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[Assistant] As the saints sign Isaiah Foskey, New Orleans finally sign former Notre Dame defensive in Isaiah Foskey.


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[Assistant] Their second round pick according to the team. This is from Saints News Network. Shout out to Bob Rose.


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[Assistant] On the, uh, drop in the scoop. Saints signed second round draft pick Isaiah Foskey to a deal and made the Saints agree to terms with their six other draft picks, including running back Kendre Miller in the third, Nick Seldivari in the fourth.


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[Assistant] Defensive back Jordan Howden in fifth, wide receiver A.T. Perry in the sixth, and they signed him in mid-May. Now, first round draft choice, Brian Breesie, the defensive tackle in fourth round pick.


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[Assistant] Under deals. Now the Saints rookies report the training camp on July the 18th. That was the other day. Veterans report following the week on July the 25th with the first official practice the next day on July the 26th.


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[Assistant] Foskey, a defensive end from Notre Dame, was the ninth pick of the second round and 40th overall. He was the first defensive lineman off the board in day two and the fourth defensive end chosen out of all of them.


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[Assistant] Now the Saints have selected a defense event in the first or second round in the last three of the last six drafts.


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[Assistant] Foskey follows first round as Davenport 2018, Peyton Turner 21, Trey Henderson was also selected in the third round.


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[Assistant] The twenty seventeen draft now twenty two first.


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[Assistant] Power alone, energy as a reporter, pass rush moves comparable to second. A seasoned pro holds up well at the point of attack.


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[Assistant] And also very effective against the run. He could break off with long arms. One of the best traits I've seen. We did film work on him.


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[Assistant] Isaiah Foskey, if you can't get to you, use those long arms to keep you.


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[Assistant] Uh, you know, away from him so that he could then push off from you and pursue the ball carrier.


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[Assistant] Or try to get a hold to a quarterback. Like you see in this clip right here is a quarterback trying to get away from him.


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[Assistant] And you can see him with those long strides, long arms, he gonna eventually get to you.


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[Assistant] Saints defensive in Camp Jordan franchise legends still playing at a high level, returns 34 in all season interest, 13th season.


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[Assistant] That Davenport Departing for Agency turn hasn't done nothing in the past two years, and Foskey is expected to infuse disruption, explosion as officer to Jordan. It'll be an immediate factor in the rotation, hopefully. New Orleans had 48 sacks in 2022, fourth highest in NFL, but rang near the bottom of the league in hurries and pressures. Jordan contributed 8.5 sacks,


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[Assistant] But the Saints got 10 combined sacks from Davenport, Turner, Carl Granderson and Passanio. That has to improve. That's where Isaiah Foskey and others are here. So congratulations to Isaiah Foskey and the Saints for making that happen.


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[Assistant] As there are no impediments for getting him into a training camp. Moving on to the updated New Orleans Saints current salary cap situation according to Sport Track. This is from the Saints wire. Saints have, you know, got all the guys signed, including Foskey. So what does it look like? How much cap space do the Saints have?


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[Assistant] Most accurate estimate comes from over the cap. Analysts say that the sinks are under the cap by as much as 13.3 plus mil.


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[Assistant] At the time of the writing, uh, another popular sports, uh, fi-finance outlet, SportTrack, posts a more conservative 10.1 plus mil.


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[Assistant] You know, the NFL play association often a few days behind media outlets reporting public salary cap data, but have New Orleans at 4.14.4 plus.


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[Assistant] OTC's numbers are usually the most reliable given their sources among player agents and front office around the league. So the 13.3 million they're using is likely closer to what the Saints are working with eternally. So contract extensions should be expected. This is the first time of the year when the Saints finalized long-term extensions with cornerstone players in recent years, they hammered out deals.


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[Assistant] Lattie Daddy, Ram Check, Dave DiMario, Dave's talking about that with Elm Kamara. And we already know Cam is a priority for him. He's made it clear he's, he's receptive to finish his career in black and gold. That should work out sooner rather than later. But who are some of the other players that can sign multi-year extensions with the Saints?


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[Assistant] Look at their list of pending free agents in 2024. Starters like guard Cesar Ruiz, defensive end Carl Grandison have both set the test for agency.


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[Assistant] Uh, and you also have unique cases like quarterback, Jamis Winston, wide receiver, Michael Thomas and Winston Casey's likely hoping for one reception and free agency in the spring while Thomas hoping for returning the good health so he can reestablish himself as a premier talent.


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[Assistant] And then of course they still have some holes to plug on their roster. They could use some more defensive linemen with real pro experience, both at tackle and, and Yannick Ngocqui is the best rusher left on the market.


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[Assistant] There are veteran interior linemen available like Matt Leonidas and Shelby Harris, but the proposed pay would envision a role where we need to agreeably be.


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[Assistant] For the Saints to land in them. Don't look for Jadevion Clown to reunite with his old defensive.


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[Assistant] Depth in the linebacker core is unproven. DiMaria has been a rock for the Saints, but Warners durability issues have become a concern.


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[Assistant] You know, with injury sidelining them for five games in 2022, there are high hopes for Zach Bowen and DeMarco Jackson, but they're both returning from season ending injuries.


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[Assistant] Behind them is a mixed adjournment and undrafted rookie, someone like Juan Alexander Wood.


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[Assistant] Build a lot of confidence in the group, but he wants to compete for a starting job and that's unlikely to happen in New Orleans.


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[Assistant] Our five projected starters, Pennant missed 11 games in 2022, Pete missed six games in 2022, 11 games in 21, McCoy missed four games in 2022, five games in 21, Cesar Rees missed two games in 2022, Ramchak missed one game in 2022, seven in 21.


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[Assistant] But still, Ramchak didn't look like nothing in the spec that he missed.


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[Assistant] One game, he still didn't look like the Ram I knew. I don't know what's going on there, but.


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[Assistant] What about the trade? There is some smoke linking the Saints to a trade with the Raiders. A slot receiver Hunter Renfro for four months now even predating the landmark signing of Carr.


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[Assistant] Injuries, the rim flow makes a lot of sense for what the Saints wanted to do. Offensively trading rim flow now would save the Raiders almost 7 million.


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[Assistant] And, uh, the Raiders currently has third lowest cap, uh, space in league according OTC.


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[Assistant] Or a new deal altogether. We've already talked about the options available at Lent. The Saints and Raiders can agree on a trade compensation. They have enough space to fit Renfro on the books. Just need imagination. Ain't nothing too far for Derek Hart, man. So Saints have made that.


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[Assistant] Very interesting. Set realistic expectation would be nice for the Saints to make an exciting move to send things in training camp with a little momentum, but that's just not likely. They've made ample time to acquire more players, fill out the depth chart.


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[Assistant] Eyes are there to see the focus on getting a head start on extensions, pending 24 free agents like Jordan signing a few street free agents to minimize deals for competition for the bottom of the roster. But you never know deadlines per action.


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[Assistant] If the Saints don't like what they see in a few training camp practices, they can shake things up. They made moves to bring players like Bradley Roby late in off season after being dissatisfied with the level of competition in camp.


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[Assistant] If there are too many drop passes or practices missed by receivers, battling injury, you might finally get a resolution.


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[Assistant] Anything's possible with the saints when you talk about car injuries could happen. The saints could reach out.


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[Assistant] A subpar season and a nine playoff season is not going to be acceptable. Again, it'll be a three years or nine playoff thing. I'm not saying it, but this is, this is the thing. This is why the Saints are moving like this. They understand.


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[Assistant] The natives say that Kipsang will die at sundown.


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[Assistant] You ordered her to leave, so she's going with the rest of the traders. She didn't go with the traders. She went with Kypins.


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[Assistant] Well, it's all about volcanic origin.


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[Assistant] It took me a long time to learn where he came from. The little prince, who asked me so many questions, never seemed to hear the ones I asked in.


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[Assistant] It was from words dropped by chance that, little by little, everything was revealed to me. The first time he saw my airplane, for instance, I shall not draw my airplane. That would be much too complicated for me. He asked me, what is that object?


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[Assistant] That is not an object. It flies. It is an airplane. It is my airplane. And I was proud to have him learn that I could fly.


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[Assistant] You cried out then. What? You dropped out from the sky? Yes, I answered modestly.


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[Assistant] And that is funny, and the little prince broke into a lovely pile of laughter, which irritated me very much. I like my misfortunes to be taken seriously. Then he added, so you too come from the sky. Which is your planet?


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[Assistant] At that moment, I caught a gleam of light in the impenetrable mystery of his presence, and I demanded abruptly, Do you come from another planet? But he did not reply.


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[Assistant] He touched his head gently, without taking his eyes from my plane.


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[Assistant] It is true that on that you can't have come from very far away. And he sank into a reverie, which lasted a long time. And taking my ship out of his pocket, he buried himself in the contemplation of his treasure.


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[Assistant] You can imagine how my curiosity was aroused by his half confidence about the other planets.


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[Assistant] I made a great effort therefore to find out more on this subject. My little man, where do you come from?


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[Assistant] What if this is where I live, of which you speak? Where do you want to take your seat? After a reflective silence he answered. The thing that is so good about the box you have given me is that at night he can use it as his house.


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[Assistant] That is so, and if you are good, I will give you a string too, so that you can tie him during the day. And a post to tie him to. But the little prince seemed shocked by the offer. Tie him? What a queer idea.


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[Assistant] But if you don't tie him, I said, he will wander off somewhere and get lost. My friend broke into another pool of laughter. But where do you think he would go? Anywhere, straight ahead of him.


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[Assistant] Then the little prince said earnestly, that doesn't matter, where I live, everything is so small.


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[Assistant] This was that the planet the little prince came from was scarcely any larger than a house. That did not really surprise me much.


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[Assistant] Such as the Earth, Jupiter, Mars, Venus, to which we have given names. There are also hundreds of others, some of which are so small that one has a hard time seeing them through the telescope.


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[Assistant] I have serious reason to believe that the planet from which the little prince came is the asteroid known as B612.


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[Assistant] This asteroid has only once been seen through the telescope. That was by a Turkish astronomer. In 1909, the astronomer had presented it to the International Astronomical Congress in a great demonstration.


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[Assistant] But he was in Turkish costume, and so nobody would believe what he said. Grown-ups are like that.


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[Assistant] Fortunately, however, for the reputation of asteroid B612, a Turkish dictator made a law that his subjects, under pain of death, should change to European costume. So in 1920, the astronomer gave his demonstration all over again, dressed with impressive style and elegance.


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[Assistant] And this time everybody accepted his report if I have told you these details about the asteroid and made a note of its number for you. It is on account of the grown-ups and their ways.


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[Assistant] When you tell them that you have made a new friend, they never ask you any questions about essential matters.


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[Assistant] If you were to say to the grown-ups, I saw a beautiful house made of rosy brick, with geraniums in the windows and doves on the roof. They would not be able to get any idea of that house at all.


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[Assistant] You would have to say to them, I saw a house that cost $20,000. And they would exclaim, what a pretty house that is.


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[Assistant] Just so, you might say to them, the proof that the little prince existed is that he was charming, that he laughed, and that he was looking for a sheep. If anybody wants a sheep, that is the proof that he exists.


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[Assistant] And what good would it do to tell them that? It would shrug their shoulders and treat you like a child. But if you said to them,


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[Assistant] The planet he came from is asteroid B612. Then they would be convinced and leave you in peace from their questions.


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[Assistant] They are like that. Children should always show great forbearance toward grown-up people. But certainly for us who understand life, figures are a matter of indifference.


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[Assistant] Forget a friendly sound. Not everyone has had a friend.


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[Assistant] And if I forget him, I may become like the grown-ups who are no longer interested in anything but figures. It is for that purpose again that I have bought a box of paints and some pencils. It is hard to take up drawing again at my age.


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[Assistant] When I have never made any pictures except those of the boa constrictor from the outside and the boa constrictor from the inside.


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[Assistant] Since I was 6, I shall certainly try to make my portrait as true to life as possible.


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[Assistant] But I am not at all sure of success. One drawing goes along alright, and another has no resemblance to its subject.


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[Assistant] In certain more important details, ISO make mistakes also.


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[Assistant] But that is something that will not be my fault. My friend never explained anything to me.


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[Assistant] He thought, perhaps, that I was like himself. But I, alas, do not know how to see sheep through the walls of boxes. Perhaps I am a little like the grown-ups. I have had to grow old.


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[Assistant] This is part three and four of le belly prince, the little prince. This is Rhett.


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[Assistant] What have I done? What have I done? And so again, twenty, fifty times over, what had she done? Miss Havisham, I said when her cry had died away, you may dismiss me from your mind and conscience, but Estella is a different case.


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[Assistant] To have left her a natural heart, even to be bruised or broken.


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[Assistant] With that, Ms. Havisham looked distractedly at me for a while and then burst out again. What had she done?


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[Assistant] If you knew all my story, she pleaded, you would have some compassion for me in a better understanding of me. Miss Havisham, I answered as delicately as I could. I believe I may say that I do know your story and have known it ever since I first left this neighborhood.


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[Assistant] Does what has passed between us give me any excuse for asking you a question relative to Estella? Not as she is, but as she was when she first came here.


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[Assistant] She was seated on the ground with her arms on the ragged chair and her head leaning on them. She looked full at me when I said this and replied, Go on. Whose child was Estella? She shook her head. You don't know? She shook her head again. But Mr. Jaggers brought her here, or sent her here? Brought her here. Will you tell me how that came about? She answered in a low whisper and with caution, I had been shut up in these rooms a long time.


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[Assistant] I don't know how long. You know what time the clocks keep here.


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[Assistant] When Juliet heard what had happened, she was terribly upset, frightened, and extremely angry. She was angry that Romeo had killed her cousin, and now she couldn't see him anymore, and they had just been married.


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[Assistant] At first Juliet could not decide between her love and her anger. She did not know whether to hate Romeo or love him. But soon love won, and Juliet cried tears of joy and sadness.


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[Assistant] Romeo had gone to Friar Lawrence's house to hide.


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[Assistant] For Romeo, the prince's punishment was more terrible than death. How would he see Juliet? To Romeo, there was no world outside of Verona. No life without Juliet. Heaven was where Juliet was. Hell was everywhere else. Romeo shouted and tore his hair. He talked about killing himself.


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[Assistant] The good friar Lawrence took this opportunity to urge Romeo. You have killed Tybalt. Now you want to kill yourself too? How selfish and ridiculous. You are alive and Juliet is alive too. She has become your dear lady. How can you think of dying? What would happen to her? Be courageous like a man should be.


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[Assistant] You should be thinking about your and Juliet's future. When Romeo was a little calmer, Friar Lawrence made a plan.


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[Assistant] He said that Romeo should go to the town of Mantua and hide for a while. The friar would stay in Verona and speak to the lovers' families. He would tell them the truth. Perhaps when the lords learn of this marriage, they will end their quarrel, he said. Go to Julia tonight.


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[Assistant] Tomorrow go to Mantua and wait for my message. That night, Romeo went to find Juliet in secret. They spent the night together in Juliet's bedroom. They were very happy but also sad. The next day they would separate. They did not know when they'd see each other again. The morning arrived too soon.


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[Assistant] Romeo said goodbye to Juliet with a sad heart. He promised to write her letters everyday


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[Assistant] He climbed down the wall and stood staring up at Juliet. Juliet's mind was very afraid.


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[Assistant] This was only the beginning of the lover's terrible tragedy.


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[Assistant] Romeo had only been gone from Verona for a few days. When the trouble began.


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[Assistant] Her father did not know that his young daughter was already married. Paris was a young, noble and handsome man.


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[Assistant] Juliet might have liked him very much if she had never met Romeo. But now she could love no one else. Juliet was very afraid.


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[Assistant] She tried to persuade Lord Capulet that she was too young to marry.


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[Assistant] She said that her cousin Tybalt's death had made her sad and ill. She couldn't marry anyone now.


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[Assistant] It would be terrible for the Capulets to celebrate a marriage so soon after Tybalt's death.


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[Assistant] Juliet gave her father every reason why she couldn't marry Paris. But the true one. But Lord Capulet would not listen.


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[Assistant] You will marry Paris on Thursday, which is in two days," he said firmly. He ordered Juliet to get ready for the wedding. Juliet didn't know what to do. She decided to go and talk to Friar Lawrence. Perhaps he could help her make a plan.


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[Assistant] After they had talked a while about the terrible situation, Friar Lawrence had an idea. Lady Juliet, I think I can help you, but this plan is very strange. You must have courage.


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[Assistant] Said Juliet. Then here is what you must do. Go home and pretend to be happy. Tell your father you will marry Paris.


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[Assistant] Tomorrow night is the night before your marriage to Paris.


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[Assistant] You must drink this bottle of medicine which I am giving you.


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[Assistant] When you drink this medicine, you will fall asleep for almost two days. You will appear cold and dead. When they find you on Thursday morning, they will think you are dead.


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[Assistant] Then your family will take you to be buried in the family tombs. Now, Lady Juliet, if you will do this and not be afraid, then when you wake up, Romeo will be with you. I will tell Romeo of our plan. Romeo will come to the family tomb in the night. When you wake up, he will take you to Mantua. Juliet agreed to this plan. The friar gave her the medicine.


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[Assistant] When Juliet left the friar's house, she met with Paris. She agreed to marry him in two days. This news made Lord and Lady Capulet very happy. Everyone was busy getting ready for the wedding. There would be feasting, dancing and music. On Wednesday night, Juliet took out the bottle. She felt a little afraid. What if the friar had given her poison? What if she woke up before Romeo came?


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[Assistant] Then she would be alone in the dark, cold tomb of the Capulet family. She would be surrounded by dead Capulets. Bloody Tybalt would be there. But her love for Romeo gave her courage.


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[Assistant] Juliet drank the liquid and the next morning when Paris came to find her, she appeared to be dead. Paris was of course very upset.


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[Assistant] But his feelings were little compared to Juliet's parents. Juliet was their only child.


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[Assistant] Now instead of a wedding, they were having a funeral.


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[Assistant] Meanwhile the friar had written a letter to Romeo which said, When you hear of Juliet's death do not be sad. She is living. I have given her some sleeping medicine. The funeral is not real.


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[Assistant] Your lady will lay in the tomb for only a short time. You must go to her, and take her to Mantua.


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[Assistant] Unfortunately, bad news always travels faster than good. Romeo heard that his Juliet had died before the friar's letter reached him.


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[Assistant] Romeo immediately prepared to return to Verona with one of his servants. He wanted to see his wife in her tomb. Romeo was so unhappy he wanted to die.


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[Assistant] On the way to Verona, he stopped at a medicine shop and bought some poison. He decided to kill himself so he and Juliet would be together.


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[Assistant] So Romeo returned to Verona to see the dead Juliet, or so he thought. After I have kissed her cold lips, I will die too, he thought. Then we will be buried together.


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[Assistant] At midnight, Romeo arrived at the Church of Verona. There were many tombs surrounding it. The largest was the Capulet's tomb. Romeo had a light with him and a spade and wrenching iron. He would use the tool to open the door of the tomb.


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[Assistant] As Romeo was doing this, he was interrupted by a shout. Horrible Montague! Someone cried. This was the young man, Paris.


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[Assistant] He had come to Juliet's tomb to put flowers on her grave. He saw Romeo and knew he was a Montague. Paris did not know why Romeo was there.


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[Assistant] He only knew that Romeo was the enemy of the Capulet family.


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[Assistant] Have you come here to disturb this lady's body, you criminal? said Paris angrily. Go away, I warn you. I killed Tybalt and I will kill you too, said Romeo coldly. Paris attacked Romeo, but Romeo was a good fighter. He killed Paris quickly and easily. Then he broke into Juliet's tomb. There she lay. She looked fresh and beautiful.


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[Assistant] Death has no power over her. Her cheeks are as pink as roses, Romeo whispered. Next to Juliet's body lay the dead Tybalt. Romeo now felt sorry for Tybalt's death. Cousin Tybalt, do not be angry.


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[Assistant] I am about to do you good by killing your enemy, myself, said Romeo. Then Romeo kissed Juliet's cold lips and drank the poison he had bought. A minute later, he was dead. He never knew that Juliet was alive.


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[Assistant] The good priest, friar Lawrence, learned that his letter hadn't reached Romeo. He came to the tomb to find Juliet. The friar saw light burning in the Capulet's tomb. Then he saw the open door, and then the bodies of Romeo and Paris.


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[Assistant] Before the friar had time to think, Juliet woke up. She saw the friar standing there.


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[Assistant] She asked the friar. But the friar only said, Lady Juliet, you must come out of there. Something terrible has happened. But before he could explain, the friar heard a noise. Someone was coming. Very afraid, he ran away. Now Juliet saw Romeo lying dead on the ground. The cup of poison was in his hands. She quickly guessed that he had killed himself.


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[Assistant] She said to Romeo. Then Juliet saw Romeo's knife.


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[Assistant] Soon everyone in the town of Verona knew something was happening at the Capulet's tomb.


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[Assistant] Soon all the noises woke up the Lord Capulet and the Lord Montague.


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[Assistant] When these two reached the graveyard they saw a terrible sight. Romeo and Juliet lay next to each other, both dead.


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[Assistant] Then the friar who had returned told Lord Capulet and Lord Montague the whole sad story. He told them how Romeo and Juliet had met, fallen in love and secretly married. I was glad for this marriage. I was going to tell you about it, hoping that your quarrel would end, said the friar sadly. But before I could do so,


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[Assistant] Lord Capulet tried to make Juliet marry Paris. So Juliet and I created a plan.


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[Assistant] Where Romeo would find her and take her to Mantua. But the plan failed. My letter to Romeo was late. I do not know why. Now they are both really and truly dead. As for Paris, I do not know why he also is here. He said sadly. One of Paris's servants then came forward. He explained that Romeo and Paris had fought and Romeo had killed Paris.


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[Assistant] Then a servant of Romeo's explained that Romeo had written his parents a letter.


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[Assistant] The letter was only to be delivered if Romeo died.


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[Assistant] Romeo had written that he was sorry to cause his parents pain. But his love, Juliet, had died, so he wanted to die too.


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[Assistant] So these two poor old men became friends again. The town of Verona was peaceful once again.


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[Assistant] But the price that these families paid for peace and friendship, the lives of their children, was too terrible.


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[Assistant] The lords could only hope that these lovers were together in heaven.


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[Assistant] We played with flags, I answered. What lies I was telling. Estella waved a blue one, and I had a red one.


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[Assistant] And Miss Havisham waved one with little gold stars on out of the carriage window.


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[Assistant] Fortunately, they asked no more questions and were still discussing the wonderful things I had seen when Joe came in from the forge.


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[Assistant] When I saw his blue eyes open wide in surprise, I felt very sorry I had lied.


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[Assistant] And that evening, as soon as I found Joe alone for a moment,


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[Assistant] I confessed to him that I had lied about my visit to Miss Havisham. Is none of it true, Pip? He asked, shocked. No black carriage? But at least there were dogs! Weren't there, Pip? No? Not even one dog? No, Joe. I'm sorry. Pip, old boy? His kind face looked very unhappy.


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[Assistant] If you tell lies, where do you think you'll go when you die? I know, Joe. It's terrible. I don't know what happened.


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[Assistant] Oh, I wish I didn't have such thick boots and such coarse hands. I'm so miserable, Joe. That beautiful young lady at Miss Havisham said I was common. And I know I am. Somehow, that made me tell lies.


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[Assistant] Elizabeth colored and laughed as she replied, Yes, you know enough of my frankness.


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[Assistant] If I had taken a Hackney chariot and gone by the streets, I should have missed my aim. Going as I did, I caught the coach just as it came out of the yard.


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[Assistant] I was the only inside passenger jolting away knee deep in straw when I came to myself.


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[Assistant] For I really had not been myself since the receipt of the letter. It had so bewildered me ensuing on the hurry of the morning.


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[Assistant] The morning hurry and flutter had been great, for long and anxiously as I had waited for Wemmick, his hint had come like a surprise at last.


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[Assistant] And now I began to wonder at myself for being in the coach and to doubt whether I had sufficient reason for being there and to consider whether I should get out presently and go back and to argue against ever heeding an anonymous communication and, in short, to pass through all those phases of contradiction and indecision


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[Assistant] To which I suppose very few hurried people are strangers.


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[Assistant] Still, the reference to Provis by name mastered everything.


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[Assistant] I reasoned as I had reasoned already without knowing it, if that may be reasoning.


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[Assistant] In case any harm should befall him through mine not going, how could I ever forgive myself?


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[Assistant] It was dark before we got down and the journey seemed long and dreary to me who could see little of it inside and who could not go outside in my disabled state.


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[Assistant] Avoiding the blue bore, I put up at an inn of minor reputation down the town and ordered some dinner.


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[Assistant] While I was preparing, I went to Sadie's house and inquired for Miss Haversham. She was still very ill, though considered something better.


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[Assistant] My inn had once been part of an ancient ecclesiastical house and I dined in a little octagonal common room like a phong.


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[Assistant] As I was not able to cut my dinner, the old landlord with a shining bald head did it for me.


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[Assistant] This, bringing us into conversation, he was so good as to entertain me with my own story. Of course, with the popular feature that Pumblechook was my earliest benefactor and the founder of my fortunes. Do you know the young man? said I.


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[Assistant] Know him, repeated the landlord, ever since he was no height at all.


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[Assistant] In there I speak of, said the landlord, Mr. Pumble-Jook. Is he ungrateful to no one else?


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[Assistant] No doubt he would be if he could, returned the landlord, but he can't.


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[Assistant] And why? Because Pumblechook done everything for him. Does Pumblechook say so?


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[Assistant] Say so? replied the landlord. He had no call to say so. But does he say so?


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[Assistant] It would turn a man's blood to white wine vinegar to hear him tell of it, sir, said the landlord.


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[Assistant] I thought yet, Joe, dear Joe, you never tell of it.


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[Assistant] Long suffering and loving Joe, you never complain, Nor you, sweet-tempered biddy.


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[Assistant] Your appetite's been touched like by your accident, said the landlord, glancing at the bandaged arm under my coat. Try a tender a bit. No, thank you, I replied, turning from the table to brood over the fire. I can eat no more, please take it away.


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[Assistant] I had never been struck at so keenly for my thanklessness to Joe as through the brazen imposter Pumblechook.


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[Assistant] My heart was deeply and most deservedly humbled as I mused over the fire for an hour or more.


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[Assistant] The striking of the clock aroused me, but not from my dejection or remorse.


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[Assistant] I had previously sought in my pockets for the letter that I might refer to it again, but I could not find it, and was uneasy to think that it must have been dropped in the straw of the coach.


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[Assistant] I knew very well, however, that the appointed place was the little sluice-house by the lime kiln on the marshes, and the hour nine. Towards the marshes I now went straight, having no time to spare.


[User] Please transcribe this text

[Assistant] Hey, Park might do, said she, if the Gouldings would quit it, or the great house at Stoke, if the drawing-room were larger, but Ashworth is too far off. I could not bear to have her ten miles from me, and as for Purvis Lodge, the attics are dreadful.


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[Assistant] said she. And certainly ought not to have appeared, but consider how much it must increase his disappointment.


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[Assistant] No, I do not know that you were wrong in saying what you did.


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[Assistant] Dear Lizzie, only consider what he must have suffered, such a disappointment, and with the knowledge of your ill opinion too, and having to relate such a thing of his sister,


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[Assistant] It is really too distressing. I am sure you must feel it so.


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[Assistant] Poor Wickham, there is such an expression of goodness in his countenance, such an openness and gentleness in his manner.


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[Assistant] I never thought Mr. Darcy so deficient in the appearance of it as you used to do.


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[Assistant] Lizzie, when you first read that letter, I am sure you could not treat the matter as you do now.


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[Assistant] How unfortunate that you should have used such very strong expressions in speaking of Wickham to Mr. Darcy, for now they do appear wholly undeserved.


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[Assistant] Surely there can be no occasion for exposing him so dreadfully. What is your opinion?


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[Assistant] He is now, perhaps, sorry for what he has done, and anxious to reestablish a character. We must not make him desperate.


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[Assistant] My love, should you not like to see a place of which you have heard so much? said her aunt.


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[Assistant] A place too, with which so many of your acquaintances are connected. Wickham passed all his youth there, you know.


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[Assistant] But the grounds are delightful. They have some of the finest woods in the country.


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[Assistant] Uh, a mission to actually specifically elect Donald Trump.


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[Assistant] And he starts insisting that's not true. We have the biggest crowd ever. He tells Sean Spicer, his press secretary, you go out there and tell them that. And it sets the tone. It sets the tone from the beginning. You know, this is not about healing. This is not about bringing people together.


[User] Please transcribe this text

[Assistant] On The Apprentice, you just simply say you're fired and that's the end of it. The idea of working with the legislature is kinda, it's a mystery to him. And so, how is it these Republicans can't get this done? What is it you're doing, Paul Ryan? You told me you were going to get this done.


[User] Please transcribe this text

[Assistant] He wants division. He craves it. He, he enjoys, uh, finding seams and, and, and driving right into them, you know. There's no fight he doesn't want to be part of. Uh, and there are plenty of fights he'd like to start. The fight is the goal. It's, it's, it's, uh, uhm, there's no reward from his point of view in unity. There's a reward in fighting.


[User] Please transcribe this text

[Assistant] Trump sees courts as just another political body. You know, he refers to judges, he refers to an Obama judge or a Bush judge or a Trump judge. You know, you might as well put a D or an R after their names. He doesn't see judges as being independent.


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[Assistant] Figures, uh, he sees them as just an extension of the political battles.


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[Assistant] So the advantage of the House flipping is now he has one. He has somebody to blame other than Republicans, you know, if things don't get done. Wall not being built, that's because the Democrats, you know, immigrants coming over the border, that's because the Democrats.


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[Assistant] So after the Access Hollywood tape, our poll numbers took a hit, and some national polls had us down to 35%, her at 48. That's with one month ago exactly.


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[Assistant] You're saying it's a falsehood, and they're giving Sean Spicer, our press secretary, gave


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[Assistant] And the president would tell you he knows a thing or two about that.


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[Assistant] Somethin' down town, A-Street.


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[Assistant] It was just my mom, like, I ain't had no parents, like, you feel me? But, yeaah, it was my mom, uh, I grew up in the head, like, you feel me? Like,


[User] Please transcribe this text

[Assistant] I was raised like on the sidewalks, like running up and down the sidewalks, like just in the hood.


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[Assistant] It wasn't like, it wasn't like rough like, I won't say rough, it was more like...


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[Assistant] Just growing like I had my days, I did what I did or what not, but it's laid back, the head to the head.


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[Assistant] Y'all history downtown lit and you feel me stupid. That boy lit down there.


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[Assistant] I was like, at that time high school, like coming out of middle school, I was like, you're feeling like you went into the streets like a little harder. So I ain't too much had like a whole experience with the high school.


[User] Please transcribe this text

[Assistant] Around the town, like, just not starting trying to sell drugs, uh.


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[Assistant] Just like, in and out of baseloads, stolen cars, like, you feel me? I was like, at that time, like, doing whatever, like, hustling and like. Right. So, you know, that's how we ate. That's how I ate, like.


[User] Please transcribe this text

[Assistant] Now I had, uh, I had a couple folks that, uh, I looked up to, like, like, for them, like, feminine-wise, like, Big Cousin, Tech, uh, Blunt, R.I.P. Blunt, uh, like, you feel me, Sevelson, Moosey, like, you feel me, like, but like, it wasn't just all about that though, like,


[User] Please transcribe this text

[Assistant] They also put the other, the other thing, like, you feel me, like, do this, do that, the right way. I had to go at life too, though, but, you feel me, I just, I just chose to do what I wanted to do, though.


[User] Please transcribe this text

[Assistant] The people that I did look up or what not, and, and, and chose the light, you feel me? They like, admire the light, you feel me? They like legends in my eyes and always like so. Ain't trippin'.


[User] Please transcribe this text

[Assistant] Oh yeaah, I've been dealing with the law for a minute now.


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[Assistant] Well that like, actually like, it really started like,


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[Assistant] As I turned, like, became a duck, for real, for real. I ain't too much hair, I know like, like no juvenile, like.


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[Assistant] Like I said, like, I was coming through, I wasn't no bad mothafucka, like for real, like fucking like getting in like a lot of trouble and that. It was just like, just fighting amongst my kids and little kids and then be a cousin and shit like that, but uhm.


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[Assistant] Like when my first time, uh, getting fucked up, it was actually like...


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[Assistant] I'm driving while I suspended like the three, like three times like some shit down there and I, my first time I did like nine months.


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[Assistant] Or what not, and it started from there. And I been like in and out with the drugs, like, caught up like.


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[Assistant] Yeaah, I didn't do it when I ain't gon' say long, long bids, cause I don't consider it like long, like anything old fast as long, but I don't, uh, I done got it like two and a half, three years, like, but.


[User] Please transcribe this text

[Assistant] It wasn't no major years like off and on. Like my first bid, like my first bid was like, like a year and a day.


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[Assistant] I keep like just running and not with a lot of like little stupid shit in and out, being them and all this type shit. Like, it ain't a major though. I don't see it major, but.


[User] Please transcribe this text

[Assistant] Uh, shit, I was like into like females, like I always had females.


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[Assistant] At all times, like. You're one of those guys. I know guys like that who just, they always are on the phone with a girl. Yea, I'm always on one. I'm always on the other, like. I don't know. But yea, yes.


[User] Please transcribe this text

[Assistant] Yeah, they got ones that like, you feel me, but I done had some like better. But like, when I'm with her now, like, we good, we lit, we in for long, how we here? How long you been with her?


[User] Please transcribe this text

[Assistant] Going on like 12 years, like. 12? Holy shit. Probably a little longer than that though, like. I'm assuming there's been ups and downs. Oh yea, this shit been like real crazy. Right.


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[Assistant] Oh, she's just running with it. She ain't, she just laid back. I'm just doing me like, she ain't tripping, we ain't tripping.


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[Assistant] Like real shit, like I was, this shit like crazy like, I wasn't, I wasn't, nah I wasn't on all that, for real, for real.


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[Assistant] Nah, it's, it's never entertained me like, I never had it. That's crazy. All I've been on on phones like, uh, YouTube. It's like looking at a new video or something.


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[Assistant] Me personally, like, shit, I'm on that. Nah, I wouldn't definitely wanna.


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[Assistant] I told, I told my, I told my boy like today that shit never like, it never had excited me like, I ain't, I ain't, I ain't seen nothing in it like.


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[Assistant] Like real talk, but I admit I came across some legends and...


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[Assistant] Ehm, like, it's what they know that you feel it.


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[Assistant] Yeaah, that's exactly how I was looking at it like, cause it's like, with like the iPhone and shit and I like, the shit's just like, just talk to you like, like crazy, like you ask Siri what they doing like, like shit like that ain't never like, you feel me like, shit go to talking to my partner like, what the fuck, like.


[User] Please transcribe this text

[Assistant] And then get caught in the wrong situation, the wrong type, that shit like, it's crazy like, I ain't never like, yea I was away from all that cause I always thought it was like,


[User] Please transcribe this text

[Assistant] Another way to keep a track of you feeling like what you doing and shit, so.


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[Assistant] A lot of people are getting caught up because of that phone. Yeaah.


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[Assistant] That's what I'm talking about, like they, they gonna, yea, they, they bad for you.


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[Assistant] I got one, like, I still got my first phone, like, with me to this day, like, my people left it in the car, but yeaah.


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[Assistant] I got it still. It ain't on the way now, but I just...


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[Assistant] Ever since then, shit has been real different. Look at me now, like yeaah, that's what it is like, but yeaah, they still open like, you feel me? It ain't, it ain't up for it now, but I don't know.


[User] Please transcribe this text

[Assistant] Back to Florida, like, I had came from Baldwin County to Florida, and insane that I got booked in and fingerprinted and whatnot. And this morning, I called home, and my girl, she was like, uh,


[User] Please transcribe this text

[Assistant] Man, you know they got your, uhm, mug shot, your picture all over the internet, and it's just going around, like, and they just coming, and I'm like, yo, but me, I'm thinking the shit funny, like, I'm like, shit crazy, like, so I'm just laying down, like,


[User] Please transcribe this text

[Assistant] Like, lay out the 10 o'clock that night. Know I'm lying, like, round by, uh, 7 or something.


[User] Please transcribe this text

[Assistant] I end up getting on the phone the next day and they'll shoot light.


[User] Please transcribe this text

[Assistant] Yeah, you know that, uhm, your face and your inner, your, uhm, mug shout out on Facebook, this and that, this and that.


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[Assistant] I'm like, for what? Nah, these are like, these just passing around, just coming and just making fun of you. I'm like, ain't even worrying about that. I got other shit going on.


[User] Please transcribe this text

[Assistant] So later on that day, she started telling me, like, the next day...


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[Assistant] Same thing, later on that day, she was like, uh, you seen the TV? You been watching TV? I was like...


[User] Please transcribe this text

[Assistant] It's not for real, but what's going on? She's like, her head's on a sports center.


[User] Please transcribe this text

[Assistant] What the hell, sports something got to do with this shit right here, and then the whole time, like, E4's like, bruh, like, I'm in the fucking cell right now, and E4's like going this hard.


[User] Please transcribe this text

[Assistant] And then she was like, and this morning she was like, my momma was on her way to work cause my momma leave home, like her and her husband leave home, like.


[User] Please transcribe this text

[Assistant] Like early mornin', like 4, 3, 5 o'clock in the mornin' or what not. So I guess they be on the Steve Harley and the uh, D.H.R. Hoogley showin' shit in the mornin' or what not. And they fucked around and was jokin' about me on some and my momma heard it. And my momma tell me about it.


[User] Please transcribe this text

[Assistant] I ain't never been, I wasn't never like mad or in my feelings about the whole situation. Like, I'm like, I wasn't never mad or upset.


[User] Please transcribe this text

[Assistant] Thinking crazy and none of that, like, I would like more like just trippin', like, cause I can't believe, like, out of all these years I've been in prison, been out of jail, meantime, I got a million different other mug shots besides this one's worse than this one.


[User] Please transcribe this text

[Assistant] Like, I'm like, just, wouldn't like, just, really like, think like, what's, what, what, what, what, what I know, like, you feel me?


[User] Please transcribe this text

[Assistant] As I think about it, me feeling my mom and my grandma, like, like, before all that came about, like,


[User] Please transcribe this text

[Assistant] Talk about a case, it's about my case, but anyways, I can't tell you this. Anyways, I was on, uh, I was on life support. I was on life support, like, for like two days.


[User] Please transcribe this text

[Assistant] Right before this? Right before this, like, right before this I was on live support. This how, this how, right before, like, everything came about, but...


[User] Please transcribe this text

[Assistant] Like right before this, this had the warrants and everything that I became refusing and all this cause the deal with what I was supposed to went on had it end up being on life support.


[User] Please transcribe this text

[Assistant] I mean, I can, but I'd rather not. Like I said, I got my case there. But I end up on life support.


[User] Please transcribe this text

[Assistant] After two days or whatnot, I woke up like, kinda like crying like, and the first thing I asked was I didn't say a-


[User] Please transcribe this text

[Assistant] And the nurse like, that's kind of like crazy to her because like,


[User] Please transcribe this text

[Assistant] I really didn't know, like, I've been on life support, like.


[User] Please transcribe this text

[Assistant] It's long ago right now and I'm open now. I'm open my eyes to a room full of like, my family members. That's the first thing I ask when I'm going to jail.


[User] Please transcribe this text

[Assistant] Licking at all the tools and the IVs and shit in my arms and shit, like I'm scrapped to the bed and shit. So I'm like, what the fuck going on? So I go to like.


[User] Please transcribe this text

[Assistant] Finally, I'm like just calm, relaxed. You ain't going to jail, this and that, this and that. And like filling me up with what was going on and what not.


[User] Please transcribe this text

[Assistant] So I ended up going home, my mama came, my grandma in there, and they was like, baby, God just told me, like, he got something for you, like, he was like, God was like, they was like, you ain't gotta do it no more, like, you done, like, you ain't gotta do it no more, you ain't gotta, you ain't gotta do it no more, like, just, it's over with from here on out, God got you.


[User] Please transcribe this text

[Assistant] That's how I like, as I, as I think about it and I look at it like, that's what, that's how, that's how I'm pitching it but like, like I said like, my mom and my grandma like, they always like,


[User] Please transcribe this text

[Assistant] I always been like the praying woman, like they stay like praying and a big believer and this and that, like they always telling me God coming to them saying this, telling me this, like, like been trying to like, they even like


[User] Please transcribe this text

[Assistant] Try to treat me to church just for the, like, the preacher to like, to like, pray for me and all types of stuff or what not. But anyways, yeaah.


[User] Please transcribe this text

[Assistant] And from that day on, like, my mom knew, and they told me, like, it was on, like, I ain't had to do it no more, like, it was, God had something for me, and I end up, I end up going to jail, like, a couple months later, in another county.


[User] Please transcribe this text

[Assistant] But I went to jail for, uh, in the other county for, uh, fleeing the law, possession and dispossession and that.


[User] Please transcribe this text

[Assistant] There's no paraphernalia in this, this type of time or whatnot and end up coming back from Florida.


[User] Please transcribe this text

[Assistant] It never been a roast, like, if it was a roast, if it was a roast thing, like, I never knew none of that, like, I swear.


[User] Please transcribe this text

[Assistant] Like they know like, I don't fuck off, they know what it is, they know how I'm coming. You feel me? Like, people know like, but like, I like.


[User] Please transcribe this text

[Assistant] The world, like, other than that, like, they good, like, it don't offend me, like, you feel me? Like, I'm 31 years old, you feel me?


[User] Please transcribe this text

[Assistant] But it wasn't never no roasting section. It wasn't. We ain't even.


[User] Please transcribe this text

[Assistant] Good dope. Good crack. Good everything. Like, you feel me? Like, it was good on the streets. Like, straight hood. Like, you feel me? Like, hard. Like,


[User] Please transcribe this text

[Assistant] And I came up in the, into like, you feel me? Like, it wasn't never no roasting, man. Man, like, I, no, it wasn't never no roasting, like.


[User] Please transcribe this text

[Assistant] I mean, like, I done met a couple cool cats, man. Reggie, like, you feel me? Doughboy, like, you feel me, like? Hello, Doughboy. You feel me, like?


[User] Please transcribe this text

[Assistant] So many folks like man, like they, they, they fucks with me like, and I'm just, I'm just, I'm him man, I'm just.


[User] Please transcribe this text

[Assistant] I ain't gon' never change. I'm the same dude, man. Like, I don't owe nobody nothing. I ain't gotta explain myself. You feel me?


[User] Please transcribe this text

[Assistant] Man, from day one, I've been feeling like it was some bullshit, but at the same time, like, from day one, like,


[User] Please transcribe this text

[Assistant] Comin' in like, I like, I got hooked up with Shrunk Gang, Mill, Femme, Patti Supreme, Long Neck.


[User] Please transcribe this text

[Assistant] You feel me gang, like, you feel me? One number love from day one. You feel me? It's just...


[User] Please transcribe this text

[Assistant] I don't want these feelings, I'm just running out of like, I'm healing like, we just, we just trying to like, stamp it like, for real like.


[User] Please transcribe this text

[Assistant] Nah, that's a big deal, like, I mean, like...


[User] Please transcribe this text

[Assistant] As long as I'm out, as long as I'm out to see that shit, like, I'm good, like, anywhere else, I'm good. I'm good anywhere, but it just, I just feel like, I don't know. I don't know, it's like, I'm just him, man.


[User] Please transcribe this text

[Assistant] I flew out there to Miami, they flew me out to Miami.


[User] Please transcribe this text

[Assistant] When I didn't met long that me or no Patty no, you feel me?


[User] Please transcribe this text

[Assistant] We all just, really just went out there and like, we chatted up, chatted what not. And it was like, shit, we gotta do something, like. And I'm like, I'm thinking like, bruh, like, I'm saying to myself, like,


[User] Please transcribe this text

[Assistant] Man, I'm not even on this type of time, like dawg. I'm not like, it's not me. Like, I'm like, uhm.


[User] Please transcribe this text

[Assistant] I'm like, from coming in day one, like. You're from a very different world. Yeah, like, it's like, I don't, it's like, it ain't gonna work, like, that's how, like, my mind frame is like.


[User] Please transcribe this text

[Assistant] It wasn't in the world, like, this ain't my lifestyle, this ain't my, you feel me, this ain't my environment. Like, so much different shit, like.


[User] Please transcribe this text

[Assistant] I really thought it wasn't going to work, like sometimes, like right now, like I be like, like getting angry and shit, like just from like all kinds of like different situations and shit, but I don't know, I got to get used to it.


[User] Please transcribe this text

[Assistant] I'm just, I'm just mean like. Is it weird hanging out with a bunch of younger white dudes after? It's crazy. It's crazy. It's crazy. But like, like I said, but it's much love though. I fuss with them like, I fuss with them like, I swear I do like, it's just, it's just so crazy because they stay turned.


[User] Please transcribe this text

[Assistant] Dude, friend as fuck, dude, like bruh, bruh turn it though, bruh, like he won't handle it, like he gonna tell you how it is, like, no cap, like, but.


[User] Please transcribe this text

[Assistant] Yeah, he laid back. He kinda, he kinda, he kinda like, you can't figure him out right now cause he don't really like, he don't sit still right now, you can't figure him out.


[User] Please transcribe this text

[Assistant] It's that crazy, like, there's no tint of wet. There's no tint of wet, mate.


[User] Please transcribe this text

[Assistant] Be recorded, uh, be seen over at night, just be that lit, like, we just have to.


[User] Please transcribe this text

[Assistant] First time in life I can really say I'm just like falling right now. Like, you feel me? Like, I'm just in the line. Like, I can say that like, I don't know nobody like so. I'm just, you feel me? It's fine. I, I, you feel me? I'm in it.


[User] Please transcribe this text

[Assistant] But like, right now, I still ain't, I still ain't used to it right now, like, I ain't even used to all this shit right here, like this shit.


[User] Please transcribe this text

[Assistant] Like a year ago, like it's so crazy. And then I came by, like you said, I came by on my fucking neck, like.


[User] Please transcribe this text

[Assistant] But I really came b- I came about for me in a real ass street nigga, hustlin', grindin', like, you feel me? Like, holdin' my own, you feel me? So like, it's just a better situation, I'm here.


[User] Please transcribe this text

[Assistant] No, I ain't never had no health problems with my neck. I never been rushed to no hospital. I never like... No.


[User] Please transcribe this text

[Assistant] Fun, I've been going to a hospital like, appointments like, going to get some pills called Ritalin's at the time.


[User] Please transcribe this text

[Assistant] I had to take one before I leave the house and I had to take one at school.


[User] Please transcribe this text

[Assistant] And it's just to keep me calm. That kept you good in school? Yea, that kept me, that kept me calm in school. I'm getting in trouble.


[User] Please transcribe this text

[Assistant] Yeaah, I use drugs, yeaah, I definitely use drugs. I don't use drugs, drugs, like...


[User] Please transcribe this text

[Assistant] I just, like, my type of drill is just drink.


[User] Please transcribe this text

[Assistant] Ain't no telling what a nigga like, dealing with or whatnot, but that's what I use.


[User] Please transcribe this text

[Assistant] I really just been like, just traveling like, just enjoying life like, I ain't like, my family back home is good. You feel me like?


[User] Please transcribe this text

[Assistant] I'm just like, just hanging out like this.


[User] Please transcribe this text

[Assistant] All my Instagrams, you know, they go stoop. Like, I make money in all kinds of ways, for real.


[User] Please transcribe this text

[Assistant] I don't understand which boomer, what's harder boomer, like which boomer is harder than how you ever like, I just, you feel me?


[User] Please transcribe this text

[Assistant] Like, shit that I'm, like, be doing or whatever I'm doing, like, it's gonna be me for real, for real. You feel me? It just ain't gonna be like...


[User] Please transcribe this text

[Assistant] I fuss with it, I'm gonna do something, it's a movement. I mean, you're doing crazy numbers. Yeah, that's what I don't understand, like.


[User] Please transcribe this text

[Assistant] I'm just taking it day by day for real, like, I just, like, you feel me? I just don't want to get caught up. In reality, like, just, uh, I ain't trying to get caught up.


[User] Please transcribe this text

[Assistant] Like, more than that, like, I say ain't no rap, nigga, I'm just, I'm just, I'm just doing it.


[User] Please transcribe this text

[Assistant] I don't know, but yeaah, I don't know, I'm just, I'm just like ready to do whatever like, you know, we together like, grinding, moving.


[User] Please transcribe this text

[Assistant] And y'all look man, y'all go and follow me man, my Instagram is damn wide, Nick.


[User] Please transcribe this text

[Assistant] Man, the only ones that don't know what it's about, like the ones that know what it's about, they like, they ain't trippin'. They ain't trippin'. I'm used to it, like.


[User] Please transcribe this text

[Assistant] It wasn't like, I don't know, I wasn't like, I had people like, probably look at it like, man, I know this dude had like,


[User] Please transcribe this text

[Assistant] Anything, I was the class clown. I stayed and kicked out of class. I stayed, you feel me? Stayed fine, like, on football and all, like.


[User] Please transcribe this text

[Assistant] Like I said, like I ain't had no, I ain't had no days like when I ever came home from school, like mama, like dude, like picking on me.


[User] Please transcribe this text

[Assistant] Somebody took this, I ain't never had them type of days, I ain't, you feel me? I ain't like...


[User] Please transcribe this text

[Assistant] Respect me like, like if I'm in a way in your prison, like you feel me.


[User] Please transcribe this text

[Assistant] Shrimp gang, man. Wide neck, man. Now go follow us, man. Fuck with the gang. Fuck with the gang.