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[Assistant] Exactly right. They don't have it right now. And when anywhere I've been, when I was a signal caller, I was so demonstrative with my calls and I had, we had this saying,


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[Assistant] If we're all wrong, we're all right. So if I made the wrong call,


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[Assistant] You have to go out and find a veteran that at least understands the coverage and understands how to communicate.


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[Assistant] And I would preach at this point, you have to over communicate with everything. And what I'm seeing, what tends to happen with a younger group is


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[Assistant] You communicate just a call, right? But you don't communicate based on the formation. Say, hey, alert for the smash ago, alert for the deep over alert. I don't see a lot of guys pointing and doing all the pre snap reading and.


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[Assistant] This was, to me, normally when people, you hear about teams doing players only meetings, you're like, oh, here we go. This is the beginning of the end. But I thought it was necessary. I've been involved in many of them.


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[Assistant] When the leaders stand up, they're calling guys out. They're telling guys, I need you to play better. I need to play better. You need to play. And it's a grown man discussion. And you got to bring your big boy pants.


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[Assistant] And listen, it's a sign of, know what? We must win this week. We have the Steelers coming up. We need to get our crap together. We need to get on the same page. Now, they played better, but it's still some things they need to work on, but those players only means.


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[Assistant] Yes, yes, that's fair, that's fair. But I think Jacoba said, no one thought he would play this efficiently.


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[Assistant] Clearly he's comfortable orchestrating this offense from an empty set. He can see the field. It's an easier read, uh, from a defensive standpoint. And he was anticipating, uh, throws, anticipating route, um, routes from, you know, Cooper, uh, and Joku had a career day in the first half.


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[Assistant] They can be so much better. It doesn't have to be this close. Again, it came down to an onside kick. I know this team is a lot better than what they're playing and then have their two in one right now, which is a great sign. You win the games.


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[Assistant] I think so. I think he settled in. I think they, they got together and he's like, Hey Jacobi, give me your list of plays that you're very comfortable with when we need to spread the ball around.


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[Assistant] They're, they're finding it out and it's going to show you. Look, in the last two games, especially last night,


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[Assistant] I mean, I, I've never seen this from Baker. I've never seen him officially throw the ball around and be comfortable, be decisive of getting the ball out of his hands and using what the defense gives you. And, you know, there was a lot of plays which, uh, there was a lot of plays that, uh, Kevin Stefanski schemed up the third and one for instance, um, you know,


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[Assistant] Cooper's wide open down the field. It was a great route, but he's wide open. So it's a combination of them really trusting each other and


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[Assistant] I tell you the biggest play of that game for me offensively was obviously the fourth down conversions were big and it would have been a hundred percent if you know, Mario Cooper catches the ball on fourth and two, but when he had a quarterback sneak and he got up and he just, he was so emotional and he got the crowd into it. That reminded me of a Tom Brady.


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[Assistant] You gotta get, you gotta get lucky. You better hope your D lineman gets lower than the offensive line because he does a great job. Most quarterbacks.


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[Assistant] Who haven't really been in that situation of time, they'll run right behind the center, even though they have two line, two defense alignment in both a gaps and a linebacker looking right at you over the center. They don't know how to find the open, open window and he's a big enough body and a tough enough guy to be able to work from.


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[Assistant] From both a gaps to the tackle position. So I think he does a great job at it and it's so difficult to defend, you know, fourth and inches fourth and one when you know, you have a big strong quarterback is very hard to defend him. You just got to get lucky.


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[Assistant] When I was watching that game, I was like, if I don't see a linebacker on that front line, that at least can block and catch.


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[Assistant] Uh, when it comes to that, because you can win or lose games and they've lost a game based on them not being the inability to recover or block, uh, and just catch the football, man. So.


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[Assistant] I don't know, they got the work cut out, man, cause those are plays that should be, you shouldn't have to worry about.


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[Assistant] Yeah, I see, I see there's gonna be some changes. If things don't get better, there will be a lot of changes made and Kate York needs to


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[Assistant] The defense is playing awful. I'm going to use your word. And the special teams has been just, you cannot have.


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[Assistant] These blemishes from your special teams unit. You cannot have it.


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[Assistant] They're lucky to be two in one right now. They should be three in one and they're not even playing on all cylinders. We don't, they're not playing as well as we know they can, but you know, hopefully this continues. This is correctable. It can be fixed, but in terms of a punt block, it shouldn't happen. It should not.


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[Assistant] That they better have their opportunities and they're gonna have their opportunities and they need to be ready when those opportunities come. You know, Bill had a situation yesterday where he called, I heard you say it earlier, Brad, he called a Paul across the middle and I was with you. I'm like, is he gonna get there at some point? Cause he's moving. He was running backwards.


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[Assistant] My soul doth magnify the Lord, and my spirit doth rejoice at God my savior, for he that is mighty hath done great things to me.


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[Assistant] No Jumper. Coolest podcast in the world. And today I'm here with my new friend, Garrett D. Kennedy, who wrote this awesome book about NWA, one of the most important rap groups of all time. Probably the most important. Can we settle on that?


[User] Please transcribe this text

[Assistant] Definitely the ones who changed the game the most, who uh, probably, I mean this is really the story of the biggest change socially, lyrically, sonically that hip hop probably has ever or will ever go through.


[User] Please transcribe this text

[Assistant] So you wanna tell us a little bit about yourself before we even get into the book, uh, your history, where you're coming from, and everything like that?


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[Assistant] That's fire though. I grew up so obsessed with comic books, and I sometimes think about that, that like, if I was really gonna interview people that I was really interested in, that I'd probably be going on my way to interview comic book artists and writers, because I still am weirdly fascinated by just that strange space.


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[Assistant] That's awesome, but so yeaah, you're kind of like in an interesting place, cause like everybody wants to talk about how journalism is dead, print is dying, but you've actually managed to make a career for yourself, uh, in this modern time, and you're writing books, which is also supposed to be dead, but yeaah, there you go.


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[Assistant] Uhm, that's amazing. So, so what is the path that led you to even being involved with this book in general?


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[Assistant] Did you, so for the record for people who don't know, basically there was an assault case that Dr. J was involved with back in the early days of NWA. She was a host on, do you remember the show?


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[Assistant] Okay, yeaah. And so Dr. Dre, I mean, it's pretty crazy because I'd always heard those stories of like, oh, Dr. Dre had assault cases, this kind of thing. But then when you actually read it in your book, it's like, oh, this was not just some little slap on the cheek or anything. This was like a real deal, like beat the shit out of her in front of a lot of people at a party.


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[Assistant] And then it was completely left out of the, of the NWA movie, which is kind of strange. It was very strange.


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[Assistant] And she had basically like dissed them publicly in their perspective at that time.


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[Assistant] There's a lyric that I think you pinpointed where he's talking about basically a bank robbery where then, you know, he goes to basically rape one of the cashiers and then it turns out that she has a penis so he shoots her in the penis.


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[Assistant] Was it hard to sort of make the decision to tackle a lot of that stuff? Because obviously it would be easier for the group's legacy to just look away from that and be like, oh, that's a sign of the times. But it was a lot worse than a lot of the other rap music at the time in terms of just being problematic.


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[Assistant] Oh, but he says something specifically about that? She's fourteen. Oh my god, that's terrifying.


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[Assistant] For sure. I mean, I think another interesting thing that I got from the book that I always sorta wanted to know more about


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[Assistant] Was just kind of how Dr. Dre made the transition from like world class wrecking crew, uh, you know, wearing makeup and like these sequined outfits and stuff like that, which Eazy-E like famously taunted the shit out of him for. But like how that transition actually happened, like,


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[Assistant] Let's just take that because that's kind of what I'm really interested in with you writing the book is like what your, your research process was like, like something like world-class record crew, not terribly well documented in comparison to NWA. Like how did you specifically go out and like learn about the history of all how that happened? Like what were the tactics?


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[Assistant] You know, MC Ren's book is the kind of thing that, you know, that's deep. I'm sure there's really, really interesting stuff in there, but unless you're writing a book, it's kind of like that is probably not going to serve you well for writing more short form stuff for the paper or whatever.


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[Assistant] Yeezy's one of the most fascinating characters in the book because he, you know, basically was the star, at least the start of the biggest rap group in the history of rap music. And then by the time he passed away, because of the fact that it was AIDS and the public didn't really know about AIDS, and combined, I think, with the fact that his later works were sort of like cartoonish.


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[Assistant] It changed a lot from sort of the really focused intent of how NWA started. Even as a kid, I remember listening to Eazy-E and just slowly being like, whoa, like the newer albums are just weird. You know, but in a lot of ways he's really like the most under-celebrated in comparison to his influence, uh,


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[Assistant] That person in, in rap music who died really not at the peak of his career but close to it and, and he's just not celebrated in the same breath as somebody like Tupac or Biggie.


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[Assistant] Yeah, and EZ was the realest one out of the people in the group. You know, you kind of have dudes in the group around like a spectrum from like super real to really not part of that, you know, the street world at all. And EZ was probably the most legitimate like crack dealer.


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[Assistant] But then he also was the savviest one who realized, oh, like, I can play up this part of my image, most of my fans now are white, or at least detached from, you know, the ghetto, and they're not gonna know that these things I'm saying are totally crazy. And that really ended up kind of...


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[Assistant] Becoming his undoing over time as you had somebody like Snoop who maybe wasn't being as vulgar or graphic, but he seemed more believable.


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[Assistant] It's a weird, a weird transition how that happened. Uhm, and, and then, easy just in general, like, I, I don't know, it's like, was there, was there anything in particular that stood out about reporting on his story? Like, cause he, he has a bunch of surviving relatives in Los Angeles and stuff too. Was that, was that interesting?


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[Assistant] When, as soon as he was set apart from Dre's production,


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[Assistant] That that really kinda like, you know, cause he was definitely a character, an enjoyable character, a person who people loved and everything, but from a music standpoint, he definitely was not a musician. He wasn't really even a rapper. So then once he didn't have that to go on, like, you know, he was the kind of person who was so great when he had


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[Assistant] That's crazy. Yeaah, I think that's probably one of the most interesting things, uh, about, like, the, the process of creating the chronic is just how Dre really went in and said, like, I'm gonna revolutionize production and really, like, change rap. Which, at that point, when you, when you listen to, uhm, Straight Outta Compton, or, or, like, Fuck the Police or something, it's very much like,


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[Assistant] The production, you could see how the production hadn't come around yet to where it was at on the chronic and the chronic was just so much more of a fitting sound for what would then become California rap.


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[Assistant] Uhm, is that like, are you, are you like fluent in production in a way that made you able to really understand it? Because I'm not, so I'm just kind of listening to it and like getting the vibe of it, but I've never produced or like played instruments and stuff like that. Was that the kind of thing that you were really interested in in the research?


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[Assistant] That's that groove, like man, I'm listening to too much SoundCloud rap and you throw on the chronic and you're like, oh man.


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[Assistant] It's just, it's just a great feel to that. And you know, I was saying off camera before, but like, that's very much like the music that I grew up around. I think I started listening to rap in like 91, 92. So that was the background audio, but it, you know, it never really stood out to me that like,


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[Assistant] I never had a real understanding. I think that's probably like the main thing I got from this book was like just an understanding of the climate that created that sound on the chronic and doggy sound and everything. Cause like, you know, fuck the place was already like old school rap by like 91.


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[Assistant] It just sounded very dated in comparison to what they ended up doing a little bit more down the road.


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[Assistant] Yeah, I think the other crazy thing about this book that really stood out to me is just that understanding of where rap music comes from because a lot of things like the fact that the group was kind of put together, that they weren't necessarily best friends, the fact that


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[Assistant] Easy wasn't ha- wasn't even writing his own raps and that Dre, I was so surprised that Dre even early on was basically doing one line at a time punch-ins with him.


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[Assistant] Like that serious shit that you don't think about dudes doing, punching in per bar, that's like a very modern thing for rappers. The fact that they were doing that at that time, but how does that shape your perspective of like modern rap where like a lot of these things like writing your own lyrics and stuff are like held to be the sign of being like a real rapper?


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[Assistant] The, uh, the Post Malone Rockstar song, it just comes out there like Joey Badass and, uh, T-Pain.


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[Assistant] Right, and they just keep it super low key, and they change- I mean, that's the surprising thing about the fuckin' Post Malone Rockstar Exposé is just the fact that we even found out so early on.


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[Assistant] What is your memory of NWA like as a kid? Like how old were you when you first became aware of them and stuff?


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[Assistant] Yeah, that moment when you're a kid and you finally realize like what your socioeconomic status is. Like I had a friend who lived in a trailer park. Like I lived in an okay house. My friend lived in a trailer park. I remember the day that I saw his mom and my mom talking.


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[Assistant] Become aware of what my place in the world in that regard was. That's such a strange thing to...


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[Assistant] Go through, you know, there's something about NWA too that kinda, when I was a kid, I remember thinking of NWA and Public Enemy as being so linked and this book kinda makes that connection more literal, but there's a sort of like a feeling of like I'm being yelled at with both of them that that sort of was like


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[Assistant] That's kind of like a really interesting connection there too, that when Ice Cube left NWA, he went off.


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[Assistant] I didn't, I wasn't able to make that connection as a kid because I didn't understand that Public Enemy were in New York and that, uh, NWA were the west coast and it was just very different worlds.


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[Assistant] Did you run, I know at the end of the book you said that uhm, you ran into a lot of roadblocks in terms of trying to get interviews and stuff. What was that process like? Cause obviously like, you know, somebody like Dr. Dre is probably really not looking to talk to anybody. Uhm, what was that like?


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[Assistant] Yeah, have you gotten a reaction from anybody who's kind of close to the situation?


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[Assistant] Yeah, and you know, that's one thing that you really, if you're someone who's somewhat knowledgeable or at least passionate about rap music, that's like the kind of vibe that you get with a lot of interviews that you do is like, oh, like these people are so used to being interviewed by people who don't know shit about them. And the more famous you get, the more you deal with that. I mean, I've definitely like,


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[Assistant] Been able to utilize that dynamic a lot on this podcast in the sense that like, you know, I'm genuinely interested in like, you know, the, the ninth.


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[Assistant] So therefore, you know, I did an interview with fucking, um,


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[Assistant] I mean, that was, like, to go into that environment and be able to be like, no, like, hell rel, like, you matter a lot.


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[Assistant] That was like the best, and like I can see that with DOC too, like he's such an interesting story, like the people who don't know and you should know, he basically like got into a car accident that completely obliterated his fucking throat and he was never able to rap again, so it was sort of one of the first of many sad stories associated with that whole empire and it's crumbling.


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[Assistant] It seems like those cops should probably be in jail, at least if it happened then.


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[Assistant] Well, so basically right before the accident where he almost killed himself or whatever, he gets pulled over by the cops, and then the cops realize it's him, take photos with him, let him keep driving, boom, then he goes. It's a fucked up scenario. Those cops like, if they wanted to be cool about it, they could have maybe like, took him, took him home or something, you know.


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[Assistant] When you think about the whole censorship conversation that kind of was, that was really one of the biggest contributions to the, that NWA had to the world at that time and what took them to a huge level was just the fact that


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[Assistant] They were saying things and then, you know, the GOP and not even just them because the Democrats, everybody was just reacting in absolute horror to a lot of the stuff that they were saying at the time and it really cracked open this whole debate about, you know, what's okay.


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[Assistant] What's crazy is now it just seems like that conversation has mutated into a lot of different directions, but you very rarely see rappers attacked for their lyrics anymore.


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[Assistant] And also the lyrics are largely not nearly as offensive as they were at that time, at least with NWA. Uhm, is that, is that something that stood out a lot? Just that, that this is a very different conversation about censorship these days?


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[Assistant] Yeah, like, like, fuck the police, like, we are now have-


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[Assistant] That seems like everybody's kinda come around that like that's an okay thing to have in a rap song.


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[Assistant] Yeah, and, uh, what was I gonna say? There's, um, another thing that stood out to me like crazy too was, oh yeah, the scene that you describe where, uh, they're performing and they had been on this whole tour, NWA, and they hadn't played Fuck the Police on the entire tour, and then they finally decide to go for it. You could probably fill in a lot more of the details, but then all of a sudden there's like,


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[Assistant] Right. Which is weird, that's like all of a sudden we're like looking at the cops like, oh you guys are kind of just a regular old gang. Right, yeaah. Came here to set these guys up. It's really gang shit though.


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[Assistant] Yeaah, I mean, that's just like a scary sight. Did you, did you uhm, was there video of that concert in which the cops sort of stormed the stage?


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[Assistant] Yeah, you know, I remember, you know, like a funny thing that came out of, uh, obviously this isn't in your book or whatever, but,


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[Assistant] This is really starting to look like we're just picking on black people, so maybe we should find some white art to focus in on too. Maybe. They basically made the most like famous death metal band of all time because they decided to throw cannibal corpse in there.


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[Assistant] Which is hilarious to me because Cannibal Corpse, if anything, if you look at their lyrics, they're just as clearly satirical and fantasy as NWA, you know, the mutilated corpses and all this crazy stuff that like, in 1992,


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[Assistant] Me as a second grader or third grader, as I found out about that shit, was through the news or whatever. It seemed very shocking and appealing, but it's kinda hilarious to imagine being like Bob Dole and actually being offended by like a bloody Cannibal Corpse album cover. But that was their version of blowing like, we're gonna go find some white media that's also offensive.


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[Assistant] It's just so strange to imagine now like taking rap lyrics that literally like, you know, I was just thinking about 21 Savage, you know, I got one, two, three, four shooters ready to gun you down and nobody's really like, oh, like that's, that's a worrisome thought that he has all these gunner, gunmen around him.


[User] Please transcribe this text

[Assistant] Nobody's really too concerned about that, he's basically threatening you with murder, anyone really, whoever he's speaking to, and then that is just...


[User] Please transcribe this text

[Assistant] Yeah, I mean, do you, I mean, you just wrote a big, uh, article about XXXTentacion who, uh, in many ways came up off of his appearance on the show. It was kind of, I'm assuming you watched it during the...


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[Assistant] Yeah, that was a weird thing to think about now. I was a few years ago just interviewing some random kid and then he became the most polarizing, uh,


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[Assistant] He's certainly, you know, not in the, the bucket of people who could get, you know, a monster energy deal. You know, that's the way that dudes are censored now is that they have certain opportunities taken away from them and stuff. But does that seem strange? Like writing about somebody like him who


[User] Please transcribe this text

[Assistant] In the, the current situation is kind of, I'm going to give it to him. He's probably the closest thing to NWA in a lot of ways because he's, uh,


[User] Please transcribe this text

[Assistant] He's, you know, in terms of just being extremely controversial, having bad conduct and, you know, content in his music that is very, very controversial. Do you see those parallels? And was that strange for you, like, after the book to be writing about somebody like him?


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[Assistant] I had him on my live stream like a few months back and I kind of tried to talk to him about all that. It's like, he's the kind of dude who's, he's hearing his own questions. Right. You know, like he's not really like, you know, there's a lot of Kanye interviews from a few years ago that are like that too. Like you can ask him whatever you want. It's not necessarily.


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[Assistant] John Caramanica had a really good piece in the Times the other day where he was sort of talking about how in rap...


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[Assistant] We're seeing almost like the total opposite effect of like, you know, the Me Too movement and everything this year. All of a sudden, you know, we've got, uh, you know, all these actors being removed from TV shows and stuff. Meanwhile, in rap, if you look at like the most popular up and coming rappers of this year, pretty much all of them have really strange.


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[Assistant] System and I mean, I think to a lot of people, especially more social justice type people, it's kind of frustrating because they're seeing rap as being like one of these last places where these sort of vulgar things and actions are being accepted and it's because like we've entered into this world where the fans are really the ones calling the shots.


[User] Please transcribe this text

[Assistant] Yeaah, it's crazy, especially cause I feel like most of the time the criticism, uh, towards dudes comes from outside of like, the real...


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[Assistant] Yeah, it's crazy. Do you think that, like, are you even able to imagine a situation in which the labels would be like so publicly shamed that they wouldn't sign certain people? I'm not really able to, seems like the free market kind of rules in hip-hop, at least for the time being.


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[Assistant] And it's weird too, when you think about somebody like Lil Reese who, you know, got signed by Interscope, then a video comes out of him beating up a girl, boom, his career is just frozen, they're never gonna let him put anything out, they're never gonna let him out of that contract. That's really kinda fucked up too, I had that conversation with a lot of people in the music industry, just like, you know, regardless of him hitting that girl, like the way that they did him, where they made it so that he couldn't even come and


[User] Please transcribe this text

[Assistant] Try to do his own thing? I mean, that's fucked up too, you know?


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[Assistant] I don't know, that's a sort of weird situation. Yea, I'm in a weird position too, cause it's like, at times I feel like I want to...


[User] Please transcribe this text

[Assistant] Be more explicit about like, oh, I don't agree with so and so's actions, whatever. But then at the same time, I feel like I've kind of worked my way into this place where I'm kind of just trying to be an advocate for the artists part of it. And then if they end up fucking up, like with X, it's like, we did that interview. And then when I, when I did speak to him on stream, I tried to bring up the, the allegations, everything, but it was kind of like, you know,


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[Assistant] I wanted to have that conversation before we like reach the end of this is basically what are your attitudes towards young kids, uh, people who maybe are in later into high school or college or whatever and they want to do what you're doing. They want to write books. They want to cover the culture through writing.


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[Assistant] I would just like to have that kind of conversation, sort of speak to them a little bit.


[User] Please transcribe this text

[Assistant] Yeah, like a lot of people want to be a writer, but then they don't want to, you know, wake up two hours early and sit in front of their laptop with their phone in the other corner of the room and actually work on their writing. I figured that out myself. I figured out like, man, I'm not sh-


[User] Please transcribe this text

[Assistant] Result of me paying attention to the culture for my whole life and at a certain point realizing like you know what I think I might actually be capable of like having some of these conversations publicly.


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[Assistant] And, you know, I mean that's, I feel for kids that way too, and especially because


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[Assistant] I think now more than ever, if you want to be a writer, and let's say that you're capable of being funny on Twitter,


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[Assistant] Setting up a fucking, uh, medium account or a Tumblr or whatever the fuck people are doing these days and just writing stuff. It's like, if you actually are talented, a lot of times people might be looking in and think like, oh well he's just friends with this person or this person just, they just went and like met this person and stuff. But if you really are talented, that shit just stands out like crazy as a writer, you know?


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[Assistant] Crazy. Uhm, do you have any other books in the pipeline or anything like what stands out to you after having written your first one? Like, has that changed the way that you look at your creative career and what you want to do with your time going forward?


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[Assistant] Well, yeaah, cause I probably should have asked this earlier, but you said you really enjoyed the research part? Is the writing the painful part?


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[Assistant] Amazing. Alright, hey, uh, where should people, well, I mean, you get, I don't know about Barnes & Noble or Amazon.com, I'm sure, but if they wanted to like really support you, is there anywhere you'd prefer that they go to get this thing?


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[Assistant] That's what's funny is that there's a good chance it's gonna be there for like 10, 20 years too. You know, like a good cli- Like realistically, nobody's gonna stop listening to Dr. Dre, Eazy-E, Ice Cube, etc. So it's just, you can kinda count on it that if you did a good job that the book's gonna be around for a long ass time. That's gotta be a good feeling, a little legacy building.


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[Assistant] Weird feeling for sure. Hey, well, second edition, maybe? Yeah, I hope so. Man, I, I, I'm gonna, I'm gonna say I noticed like one grammatical error in there. But out there, just one?


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[Assistant] There was some, one like word that I noticed out of place and I just like read the sentence like four times and I'm like, oh.


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[Assistant] You know, I was in Barnes and Noble the other day and I thought about buying that and I was just like, just telling myself in my head, I'm like, no, this is not directly related to what you're doing with your life. You could read a fucking summary on Politico. It's okay. And then I bought a pimp C biography instead. And I'm like, this is way, this is going to like affect your career in a more important way.


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[Assistant] At the end of the day, there's so much fun stuff you could read about why Donald Trump is the worst, but at a certain point, it kinda becomes like porn, where no matter how much more you take in, you're not making yourself a better person. Well, from your perspective, of course, you gotta write about it and shit, that's important. Yeah, hey man, it was good talking to you.


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[Assistant] This is fun. Thanks so much and everybody go check this out and, uh, his Twitter's on the screen. Make sure you throw him a follow, go write a review on Amazon. Appreciate it, man.


[User] Please transcribe this text

[Assistant] Yeah. Who else have you been seeing?


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[Assistant] The natural market has been largely neutralized.


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[Assistant] You speak of goodwill. No, don't say that. Just a moment.


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[Assistant] That's right. Uh, paragraph. I'm sure we'll have already refreshed your memory from our earlier correspondence on the subject.


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[Assistant] In this video, we are going to look at one of the most famous recursively defined sequences, the Fibonacci sequence.


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[Assistant] I'm going to introduce the Fibonacci sequence by an example referred to Dudney's cows. And this is a logician that had a whole bunch of fun little math games like this, and this example is going to become the Fibonacci sequence. So here's the story.


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[Assistant] We are imagining that we have a cow, and that this cow is going to have another female calf, but it's not gonna have another female calf for two years. Takes a little bit of a while to grow up, so it's only in its second year that it's gonna produce another female calf.


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[Assistant] And then after that point, we're assuming this cow isn't going to ever die. It just every single year it has another female calf. And then all those female calves have the same property. It takes two years before they start having children and then they have a female calf every year afterwards.


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[Assistant] So then the question would be, like, after some number of years, like after five years, how many female cows are there?


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[Assistant] And then a year goes by and because this cow doesn't produce another cow until the end of two years as I start my


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[Assistant] Second year, I'm only gonna have that one cow. Only one year's gone by and so I had the first cow and then it's just hanging out there in this second year or the start of my second year and I still have that one cow.


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[Assistant] But now let's look at what happens as I start my third year. Well,


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[Assistant] Alright, let's iterate one more time. Well, the original cow I started with is still gonna be there. This calf is still gonna be there.


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[Assistant] But because the calf hasn't hit two yet, the calf doesn't produce any new cows.


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[Assistant] So I believe I should have three down at this level, the two that I started with, the original and the new cow, and then we get one more one that is being born, so I have a total of three. Okay, let's go one more year into the future.


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[Assistant] So we're gonna have the three that we started with, plus the two from the prior level are gonna make two additional ones. And so I get a grand total of five.


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[Assistant] But it's not the five that's pre-re-re-gonna be able to reproduce. It's the previous step. These three that we have here, they are now gonna all be old enough to reproduce. And so we're gonna have three new ones. Those are gonna be reproduced by the three that are at this stage plus the five that we had. So then if I let


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[Assistant] F of say three denote how many cows I have in the third year, then we can count them like this. There's one cow in the first year, one cow in the second year, two, three, five, and eight going forward.


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[Assistant] Now, the key insight that I want you to notice here is that let's focus for the moment on the fifth year. I'm trying to make the fifth year, which happens to have five counts.


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[Assistant] It was going to be the sum of two things. The sum of the amount of cows in the fourth year because all of those cows, they just survive and they carry on. So it's the sum of the things in the fourth year plus...


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[Assistant] The amount of cows in the third year, cause it's the third year cows that are able to reproduce and make these extra new ones in the fifth year because of that two year gap.


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[Assistant] Sequence of numbers that we have here is known as the Fibonacci sequence, and I can define it recursively like this.


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[Assistant] The amount of cows in the previous year, those are the ones just carried forward, plus the ones that are able to breathe the amount of cows two years before it. So this is gonna be the Fibonacci sequence.


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[Assistant] And sometimes we'll write it in this notation where we're defining it with a sub k notation. And sometimes we're gonna use it


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[Assistant] This notation where, because it's such a famous sequence, and we give it the capital F for Fibonacci here, we say the k-th step of the Fibonacci sequence is gonna be defined in this way, in terms of the sum of the previous two steps.


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[Assistant] It turns out that the Fibonacci sequence is one of the most interesting sequences.


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[Assistant] So, well, for our perspective, it was just sort of this cute little sequence that we define in terms of this sort of toy example involving cows. It turns out that the Fibonacci sequence has fundamental, uh, importance and a whole bunch of interesting properties that permeate a very large number of disciplines.


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[Assistant] Today in the United States, we have a problem which can only be described as a cult explosion.


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[Assistant] A mass of individuals between 25 and 30 million functioning here in America on the periphery of Christianity.


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[Assistant] They have their own liturgy, they have their own extra-biblical revelations, their own leaders, their own revelations, and they make copious use of the Bible, most always out of context.


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[Assistant] of cultic systems are made up of people that were previously in Christianity.


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[Assistant] Whether they were Orthodox, Catholic, or Protestant, the cults do not proselytize the unchurched generally. What they do is go to those who have some religious foundation and then attempt to build their foundation on top of that.


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[Assistant] Armstrong has always been talking about the end of the world. The Jehovah's Witnesses have been talking about the end of the world since 1889.


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[Assistant] And they predicted it first in 1914, and they have consistently missed it ever since.


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[Assistant] Their pivotal point of worship, and they'll follow Him anyplace.


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[Assistant] Now the people at Johnstown were just normal human beings who underwent the alteration of personality. And this can happen in many cultic structures.


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[Assistant] Why, they get you into the church working like a beaver for Sun Myung Moon. Raising funds and promoting what he says is true.


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[Assistant] The challenge that faces us today is to reach out to people like this and to contrast the other Jesus, the other Spirit, the other Gospel with the Word of God.


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[Assistant] And as you go further into Mormonism, you find that it is polytheistic. There are many gods, and every Mormon male in the priesthood has an opportunity to reach that third level of the celestial heaven where he too may become a polygamous god for all eternity.


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[Assistant] In other words, Jesus is a created God.


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[Assistant] A second God. So the Jehovah's Witnesses have two gods for all their talk about Jehovah and one God.


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[Assistant] With a Christ consciousness. And that Christ consciousness is shared by all of us. Jesus only had it in a greater degree than we possess it.


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[Assistant] If you talk to the Jesus of Sun Myung Moon's Unification Church, you are talking to a Lord of the Second Advent who returned to Korea in early 1920s. Obviously, Sun Myung Moon himself.


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[Assistant] We must never forget that when you talk about Jesus Christ or salvation, the vocabulary is entirely different.


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[Assistant] You must never, ever make the mistake of assuming that you are talking the same language.


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[Assistant] The cults is not the Jesus of the Bible.


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[Assistant] He's another Jesus. And the way you find out is to contrast the Jesus that they talk about with the Jesus revealed in Scripture.


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[Assistant] Pure, old-fashioned Hinduism dressed up in Western terminology and Western gear to make it palatable to the Western mind.


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[Assistant] And they can't reach the western mind by giving them the religion of India.


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[Assistant] The inevitable conflict is between Christianity and Hinduism because Hinduism absorbs all other religions.


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[Assistant] I was a member of the Worldwide Church of God founded by Herbert Armstrong for ten years. I attended his college for three years.


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[Assistant] Worked in two different offices on the campus and married an Ambassador College graduate.


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[Assistant] How can a small relatively unknown church afford such luxurious surroundings? Enter the Doctrine of Tithing.


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[Assistant] I began to cry out to God that there must be something more than just this organization.


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[Assistant] Yeah, I'm not sure if he's playing. He suffered a concussion two games ago against Arizona. So that's a one week. I think it's going to end up being Sanders.


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[Assistant] What did you, I'm curious, I just traded him away in a league. I'm curious what you gave up to get him.


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[Assistant] Well, first of all, if you've already missed out on Khalil Herbert and Jamal Williams and Alexander Madison, you're not going to like what's left on the waiver wire. We're talking about guys like


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[Assistant] I still think it's worth trying to stash Brian Robinson, who might be back as soon as next week as the lead running back for the commanders. But I think instead of trying to get those guys off the waiver wire, if you can still find them, God bless you.


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[Assistant] I think it's going to be fine. But I also think that if Montgomery's out for a long period of time,


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[Assistant] Or, and there's a couple of internet doctors that say that he may have suffered a high ankle sprain. If that's the case, Herbert could be a legal one.


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[Assistant] And somebody that you trade for on the cheap now, or pick up off the waiver wire, or even back in August, draft him and throw him on your bench.


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[Assistant] He's got it in him. You saw it last week. He looked amazing. He looked pretty good in week one too. But I think you've got to pivot toward wide receiver if you're trying to pick up guys off the waiver wire.


[User] Please transcribe this text

[Assistant] Still out there in a bunch of leagues, Zay Jones with Jacksonville, Greg Dortch with Arizona, Isaiah McKenzie with the Bills. Those guys are going to continue to get picked up in a bunch of leagues.


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[Assistant] And I think they're all at least bench worthy, if not flex worthy.


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[Assistant] In full PPR, you can make the case for someone like Zay Jones or Greg Dorch ahead of, I don't know, Miles Sanders maybe. Yeah.


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[Assistant] Of course, but I think Arizona's defense is terrible.


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[Assistant] It is. And I think their offense is going to have to throw quite a bit and if James Connor goes, then they're not going to have much of a run game.


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[Assistant] That happens, which means it's going to all fall on Kyler's shoulders and it could be a pass heavy offense, much like we've seen from Buffalo and


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[Assistant] Kinda sorta from Baltimore this season already. And if that's the case, then anybody who's getting targets in Arizona could be good. I think Hopkins return will hurt Zach Ertz the most.


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[Assistant] Of anybody in Arizona. Dortch probably next after that, but it's three weeks away from happening. So picking up Greg Dortch now, you might be cutting him in three weeks, but in PPR he should be good for at least 13 points a game.


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[Assistant] I think it's going to be more of a one week wonder type thing than a sustainable thing. This guy's been in the league for a long time. He's had the potential for games like this, but he makes a lot of mistakes. Uh, he just didn't do that very much last week.


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[Assistant] When Runfro comes back, he's going to have that slot roll locked up. I'm not sure how many targets will be there for Matt Collins. And it would be, it would be pretty crazy if Matt Collins is the guy that takes numbers away from Darren Waller and Devontae Adams this year. That's what we saw last week. I wouldn't count on it happening very often.


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[Assistant] These leagues of yours are crazy. In normal, mortal leagues.


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[Assistant] And I mean, he's a cheat code because he runs the ball so well and the Ravens don't have a reliable run game.


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[Assistant] And I don't think they want one at this point. I think it's all going on Lamar's shoulders and I think he keeps it going.


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[Assistant] He's probably the second hottest quarterback in fantasy right now behind Josh Allen.


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[Assistant] Alan just threw for 400 yards and no one's talking about it. They're talking about Lamar Jackson and how great he's looked.


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[Assistant] Waller over Nijoku, but I did like, listen, if he's gonna keep getting those short area targets, he will be good for fantasy. I think it's really more of a coverage thing for Nijoku and why he did so well. But Waller has more of it.


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[Assistant] That, what I was seeing is a defense and the Steelers that didn't want to give up the big play. Right. You know, spoiler, they did to Cooper.


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[Assistant] But they also didn't want to give up some runs and bad news, they did chub at a huge game.


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[Assistant] And so when that's happening, it leaves the middle of the field open.


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[Assistant] And, and I, I think when they play defenses and they're playing another one this week in the Atlanta Falcons, yeah, he's, he's going to be available and he'll be good for fantasy.


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[Assistant] Burrow is a top four quarterback for me this week. I think that the Bengals smash up the Dolphins. Remember this Dolphins defense on the field for 92 snaps last Sunday in the heat, emotional win. Now they're on the road on a short week. I think the Bengals have their way with them. Next question.


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[Assistant] He did. He did. He did. And Devontae Smith had a nice game too. I think I would go with Smith, especially because it's PPR, just by a nose over Lockett. Both of them had a pierce because it's full PPR.


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[Assistant] Yeaah. The nice thing about Hun is he's getting 15 touches a week.


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[Assistant] Atlanta, for what it's worth, they're pretty okay against the run.


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[Assistant] They haven't really been tested. I think they'll get tested more by chubb than they will by...


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[Assistant] The first wave of cults consists of the ones that most people are probably familiar with, the older ones, the Jehovah's Witnesses, the Mormons, and so forth.


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[Assistant] However, in recent years, we've experienced a newer wave.


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[Assistant] Consisting primarily of spiritual teachings, philosophies, and occult practices imported from the East.


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[Assistant] More recently yet, we have experienced an even newer wave, which seems to consist of a combination


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[Assistant] If you really want to get to the bottom of all of this stuff, you have to go back to the beginning to understand it, literally to the beginning of the Bible, the third chapter of Genesis, to the story of the fall of humanity in the Garden of Eden. The promise that the serpent made to Eve was that her eyes would be open and she would be as God.


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[Assistant] How long ago was it, Dr. Ben? 25 years. The day we buried your twin brother.


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[Assistant] Alright, if you'd like. Oh, I wouldn't advise it. The house is very old and badly in need of repair. It really isn't safe.


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[Assistant] Just get in? Just going out. Don't take it off. We're going to Raiden House.


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[Assistant] That'll be all for tonight, Joseph. Come in here, John.


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[Assistant] Yours and father's. The finest free institution of its kind in the south. We've saved hundreds of lives and checked for major epidemics.


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[Assistant] It's worth quite a good deal. Don't you agree, John? I certainly do. Well, it's cost me quite a good deal. More than an ordinary man would care to pay.


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[Assistant] I falsified a death certificate for your brother Paul.


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[Assistant] Well, your father and I have kept him hidden for 25 years. A hopeless maniac. And lately a dangerous one.


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[Assistant] John, I'm, I'm quite an old man. I carried this load for a long time. I feel it's up to you to take that burden off my shoulders.


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[Assistant] They always park the car here. They can't see it from the highway.


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[Assistant] Didn't you ever wonder why you were shipped away? Not particularly. Well, your father did that deliberately. He knew your mother worshipped both of you boys.


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[Assistant] To shut out her screams, he said. She'd been dead for two months. Even now, that's how he's a tight start. Puts his hands to his ears. He still thinks he hears her screaming.


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[Assistant] Tell me, Paul, what prompted you to come and see me so late at night?


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[Assistant] Oh, poor. Not if you think hard. Tell me what happened.


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[Assistant] This time in the morning they'll go after him like a wild animal with dogs and shotguns. If that's what you want, it's a phone on my desk.


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[Assistant] What does that suggest to you? Oh, that somebody's been smart enough to take advantage of that story about Pompey in the papers.


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[Assistant] Good. Hold a minute, John. You better let me talk to him. Hello, Andy. Mr. Raiden's tied up right now. This is Doc Saunders.


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[Assistant] Just a minute. What is it? I want you to put up a reward. Reward? Yeah, reward for the capture of the killer. I think you better do it. Are you out of your mind? Not entirely. Hello, Andy. Mr. Raiden says make it 5,000.


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[Assistant] That's pretty high-handed business, Dr. Ben. Well, I'm doing you a favor, John. Say, happen to discover Paul before we do, you'll have a perfect alibi.


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[Assistant] You might find it rather difficult to explain why you didn't report Pompey's death right after it happened. People might think you were trying to shield your brother. That's being an accessory in your libel to criminal action. No more than you. That's right. No more than I. But I don't intend to face such action if I can prevent it.


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[Assistant] I think I see what's bothering you. It's those false death certificates. There's a lot of people in this town depending on me, John.


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[Assistant] I don't intend to let myself get tripped up at this stage of the game.


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[Assistant] Every man for himself now. Is that it, Jerm? Put it any way you like.


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[Assistant] If they ever do open that grave, they'll find the unrecognizable remains of a boy of ten. You have no evidence against me. But on the other hand, my statement that despite my appeal, you allowed Paul to run loose after he killed Poppy will put you in an embarrassing position.


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[Assistant] Dr. Ben, I don't believe you'd have the nerve to do that. Well, there's one sure way to find out.


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[Assistant] Insanity sometimes runs in families. Take it over, John.


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[Assistant] John here has been telling you the truth. It's his brother Paul who's responsible for these murders. Not John.


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[Assistant] That anybody had ever walked into a crime scene before in Stanislaus County where there were four dead people.


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[Assistant] I think that where you have people who practice, uh, satanic rites, uh, or devil worship, they have a focus point. Satan. Uh, I don't believe that Gerald ever had a focus point more than Gerald.


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[Assistant] And this is defined to be all values x such that x is in one of two different sets. Either the x is inside of an A set or the x is inside of a B set.


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[Assistant] Two different sets. I've got an A, and I've got a B. And perhaps they overlap, or perhaps they don't overlap. I've drawn them in a way they overlap, we don't know.


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[Assistant] And then the union is just gonna be everything. It's every element that's in one or the other, or I'm allowing under this construction, both.


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[Assistant] Now, you'll notice that in the definition of the union that right up here I put an or statement. So,


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[Assistant] The union is sort of analogous in the world of sets to the disjunctive or statement that we have in the idea of logic.


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[Assistant] Indeed, if we think about union as being some exes such that they obey some property, that property is a disjunctive. It's an or statement. It's either in the one or in the other.


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[Assistant] So then, if we focus on a specific example, like here's an a and a b, and notice these are different a and b's than the ones from the previous example, but the a appears to be n equal to 2p, so that's all of the even integers, when p is an integer.


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[Assistant] So, I've got the even integers as a, I've got the odd integers as b, and the question is, what is a union b?


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[Assistant] Let's do the same sort of heuristic that we had before, namely,


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[Assistant] However, other rationals like three-halves or irrationals like pi, they're not being highlighted here, only the even and the odd integers.


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[Assistant] Which, if you think about what equality of sets means, it's actually two different claims tied together. I want to show that A union B is included in the integers, as in A union B is a subset of the integers.


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[Assistant] And I want to show that the integers are a subset of A union B. That's what it means to make them equal, is to say that anything in the one is in the other, and anything in the other is in the one.


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[Assistant] And then I'm going to write a biconditional arrow again. I'm going to apply the definitions of both A and B at the same time. So this is saying that N is even or N is odd.


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[Assistant] You couldn't. Let's leave it this way. Apparently you're honest. It's not usual in this house. I was prepared to dislike you, but I find I have nothing against you. I shall call you Mrs. Lamphere. Fair enough. I hope that later.


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[Assistant] A lot of responsibility and a lot of let down from, from a loss like that. So it's, it's a tough situation for the next couple of days in that locker room. You're going to have to rely on the leaders within the locker room to really kind of, you know, police, uh, you know, the locker room and get guys motivated, get ready to practice and start focusing on the game this week.


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[Assistant] The extreme right in Germany today is clearly drawing upon this old völkisch ideology, this ethno-nationalism.


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[Assistant] There's a belief, I think it's a delusional one, that the time has come to overthrow the system they hate, to overthrow democracy.


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[Assistant] They want society to be homogenous along ethnic lines, to change the things that define Germany as a state. Today many people who are obviously German citizens are not perceived as Germans through the prism of ethno-nationalism. That's what they want.


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[Assistant] Even before the AfD was founded, a certain segment in German society held much more conservative, if not to say right-wing and even racist views, than were reflected in Angela Merkel's Christian Democratic Party. But there was no one on the stage who said this openly, or with an air of credibility and legitimacy.


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[Assistant] And now racist values and worldviews are not just being fought, but openly expressed.


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[Assistant] There are astonishing continuities in electoral behavior that go back to the time of National Socialism. This shows us that the political culture, radical right-wing attitudes, don't suddenly disappear or change overnight. There's continuity. These attitudes are passed down in families and communities.


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[Assistant] Being a visible force, on the streets, in protests, is essential to radical tendencies. It makes a statement. Here we are. Join us. Follow us. We're in the vanguard and ready to fight.


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[Assistant] The radical left isn't trying to overthrow democracy, but to overthrow capitalism. The radical right wants to do away with democracy and human rights. This difference is also apparent in their behavior on the streets.


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[Assistant] The idea that the population will be supplanted, that there'll be something like a great replacement, as the new right calls it, is widespread.


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[Assistant] What they're saying violates our concept of citizenship and the values of our constitution. When they say that people are not German because of their heritage, that's a modern form of racism. A German is a person who's a German citizen, and that's what the new right is unwilling to accept.


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[Assistant] Both then and now the main enemy under this ideology are Jews, who are perceived as powerful, as infiltrators. That hasn't changed.


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[Assistant] The trick behind this is to present demographic change as a larger threat. That's then dressed up in racist garb. There's no way to come up with the idea of a great replacement unless you're thinking in terms of ethnicity and employing racist categories.


[User] Please transcribe this text

[Assistant] If you compare European countries, you can see the far right is quickly gaining ground in many of them.


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[Assistant] We're not a society that's getting poorer, we're a society that's getting richer. Anyone can in theory grow wealthy.


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[Assistant] But the upper 60% in our society keep getting richer, while the lower 40% haven't made any gains in the last 15 years. And that's a problem.


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[Assistant] Even with the expansion of opportunity, social inequality has grown.


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[Assistant] The new radical right is pursuing a policy of ratcheting up social tensions. They want to push it to the point where tensions will erupt and destroy liberal democracy.


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[Assistant] The trend is that we're very gradually seeing a return to those things. Social polarization, right-wing extremism, the rise of an anti-democratic party, the rise of right-wing violence.


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[Assistant] A state and a government that no longer seem to be able to cope with this situation.


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[Assistant] We're not repeating that history, but we must draw on our knowledge of what happened to the Weimar Republic to make sure it doesn't happen again.


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[Assistant] But just with forms of expression, with human forms.


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[Assistant] Two things. First, we asked the YouTube chat.


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[Assistant] Who had a better outfit, G or Tyvis? We got 180 votes already.


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[Assistant] I played basketball for the first time in six months last night and two really quick things. Shout out to Matt and the Jeju church over in university heights. What up Matt?


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[Assistant] You know, I was on the email chain somehow. It's kind of a long, confusing story. That's how I didn't know who I was until I showed up. But second off, we have Dequel coming in on Friday. I haven't played in six months, but he's got no chance at a three point shootout.


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[Assistant] PCC Airfoils looking for a job with career advancement and great benefits. PCC Airfoils is a leading manufacturer in Northeast Ohio. All locations of PCC Airfoils in Eastlake, Mentor, Wycliffe, and Minerva are hiring for all positions starting at $18 and up plus full benefit packages, paid time off, and signing bonuses apply online at precast.com slash careers to learn more.


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[Assistant] Offense taken. Mhm. I'm shaking in my little space boots. I'm not very much. I like that meme anyhow. Let's take the next one. Yeah.


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[Assistant] If the year was 2013, then maybe, but the last time I checked, it's 2022, so, no.


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[Assistant] And let's take the first one. True or false? The Joker was Notre Dame's first unanimous all-American since Manti Teo.


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[Assistant] How many are there so we know how to pace ourselves? There's eight. Okay. There's always eight and we give a tiebreaker just in case. Number two, true or false? Joker not only had D1 scholarship offers in football. That's true. He also had them in basketball. Yeah, that's true.


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[Assistant] Huh. Okay, you have to answer one of these first. Yeah, okay, I'll say f- I don't think that's true.


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[Assistant] Joker took down Sam Darnold for his first collegiate sack in a 49-14 butt whooping over USC in 2017.


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[Assistant] No, we'll let both start. No, no, don't take it out. We got someone at the end. A little surprise for you guys at the end, but yeah, let's do final takes. Let's get both final take special tag board. Hold on.


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[Assistant] We added Miles Straw for zero dollars.


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[Assistant] These are gonna be handed out at the MuniLot and every bar in the... WOOO! ...West 9th, West 6th area.


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[Assistant] Men like to see women cry. It makes them feel superior.


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[Assistant] It's amazing. I mean, you, you hear me talk about the Browns and I will say this every week.


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[Assistant] I don't care who your quarterback is. Your identity is running the football and whatever you do.


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[Assistant] I don't care if Aaron Rodgers is your quarterback, Tom Brady is your quarterback. It don't matter. It's starting with Nick Chubb.


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[Assistant] And that's just, look, sometimes you end up falling into the type of team you gonna be. Sometimes you end up falling into your identity. Accept it. Accept it.


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[Assistant] We tend to make things so much about, and the quarterback is an important position. I'm not denying that. Okay?


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[Assistant] But sometimes guys get quarterbacks that have success and they start


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[Assistant] Uh, going away from their identity because the quarterback is having success. And then when you get in those crunch times, when you get in pressure situations, you have nothing to fall back on.


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[Assistant] So when I talk about this season and how this season is going to play out with Jacoby Brissette, be who you are and who you've been.


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[Assistant] And that should be able to carry you because you are excellent, not good, excellent at running the football and playing defense.


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[Assistant] Look, it's going to be, it's going to be one of those situations where, um, it's not because he's not talented, but there's going to be five or six guys on your team that are going to rotate with that depending on who you play. And that's just the way it is.


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[Assistant] Sometimes it's a DB, sometimes it's, you know, and you have to understand that those guys who play special teams are going to be the guys


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[Assistant] That gonna seem to be active every week, even they don't play a liquor, uh, offensive defense. So a lot of it goes into that, but he is the, the third running back.


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[Assistant] And when you got a healthy Nick Chubb, you have a healthy Kareem Hunt.


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[Assistant] And you basically do one back, but now they're starting to use them both, right? Kinda that, that west coast look with the two backs in the back for you. Uhm, you know, it's gonna,


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[Assistant] That's just, that's just how it is with, you know, maybe five or six guys on every football team.


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[Assistant] And he's not ready yet, so he's the, the, the third guy and.


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[Assistant] They've expanded the roster in every other way. Right.


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[Assistant] I played every game to not come out. If you want me out, you better call me cause I ain't just coming out.


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[Assistant] I think that they should do that, but as far as the injury thing, you're just playing football. You ain't thinking about that stuff.


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[Assistant] You know what I mean? It's like, there's certain, there's certain positions. I don't care what happened. You ain't coming out anyway.


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[Assistant] Probably two of the most unique backs in the league in that.


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[Assistant] They both can carry the ball, they both can go out on pass pro, pass routes, and they both can pass protect.


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[Assistant] Okay, so when you put those two guys in the backfield,


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[Assistant] They have no idea which way you gonna go. You would like to think, oh, they going with Nick Chubb. That's their horse. And then Kareem Hunt get the ball. You see what I'm saying?


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[Assistant] They fake it to Kareem Hunt and Chubb goes in the flat. They fake it to Chubb and Kareem goes in the flat and runs a little iso route or something along those lines. So from that standpoint,


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[Assistant] It just, it just expands, especially, again, think about this. Think about where your start point is.


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[Assistant] Your start point is running the football to give.


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[Assistant] Uh, Jacoby Brissette as much space as possible to make plays. And when you do that,


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[Assistant] Now you standing two backs in the backfield and the defense has no idea which way you gonna go? I mean, you saw, you saw Ty break it down, right? Throw another back in the game!


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[Assistant] For an offense, we have checks too.


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[Assistant] So I'll write, I'll routes adjust based on single safety or double safety.


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[Assistant] Our routes on the outside adjust versus single safety or, or, um, double safety. And so you got this game being played.


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[Assistant] And, and here's the thing. Here's what's so funny about defense. Cause I heard time is breaking that down.


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[Assistant] Let's be clear. You know, I always have this thing about defenders.


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[Assistant] You know, I would say this. There's a lot of breakdowns in coverage.


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[Assistant] And, and, and it's simply for the things that Tyvis was talking about.


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[Assistant] They have so many rules, and the coaches will emphasize, how many yards? How many yards before you break this up? 10, coach. Alright. And they sticklers on that. But football is a flowing thing.


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[Assistant] It, it's adjustments being made. If it's, guess what? If it's third and seven, you might cut that off at eight. If it's third and twelve,


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[Assistant] You might go that same run at 13 yards. We got rules too.


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[Assistant] So, it happens a lot. It happens because we don't know.


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[Assistant] That one extra step that changes the coverage.


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[Assistant] We just know, we trying to pick up a first, we trying to find an open spot, we trying to just, you know, move the ball down the field. And they're just stickler to these rules. It happens a lot. Now here's the problem.


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[Assistant] As an offense, we're looking at a certain side of the ball. You are reading a certain man for coverage.


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[Assistant] So it works both ways and it's amazing. And it's when you watch a football game and you watch all these moving pieces.


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[Assistant] You're right. That, that is something you don't want to, don't want to catch up to you. You got to show the league and you got to show all these teams that if you slip,


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[Assistant] And if you pay too much attention to the run, that we can beat you over the top.


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[Assistant] You gotta let them know. It's gonna be one of those type of games where you gonna be guessing what we're gonna do.


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[Assistant] Uhm, now if you have a success running the ball, who cares, right? But here's, here's the deal. I think that Jacoby's eyes need to be looking at the right area of the field at all times.


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[Assistant] Because there was a couple of times where he identified the open receiver.


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[Assistant] But it made the throw much tougher because he was late.


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[Assistant] Coming across because you took too long to get to it because you got some backside action where Tyrus was talking about. Right? That safety roll up on, uh, the safety on the browns rolled up to the wrong side and that tight end was going across the field, going up the field. If you wait


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[Assistant] And somebody has speed to catch up, then you feel you gotta rush the throw.


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[Assistant] And what happens is the throat ends up sometimes being errant because he's trying to throw it too hard. He's not, you know, he's not just putting it in a breadbasket and just throwing a little teardrop. He got to rifle it because he waited too long.


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[Assistant] Is that one of the things that they have to kind of pay attention to? I don't know if that's the case, but to me, and we've all seen it,


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[Assistant] Those open throws came a little bit late. Yep. And, and that's why maybe they were off a little bit because he waited so long he felt like he had to rush it. What'd you make of David Njoku's production?


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[Assistant] We've heard that. Um, just with, just with his ability and what he does and how he, you know, is able to kind of control the middle of the field. I think that one of the reasons why, uh, Amari Cooper,


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[Assistant] Was because a lot of times they were afraid to leave the middle of the field open.


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[Assistant] Right, you have to look at the big picture. See, we can all look at, go back and look at.


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[Assistant] Well, why didn't SoSo have more catches? Why didn't SoSo have more catches? Why didn't... Well, one, because you were controlling the line of scrimmage and you didn't have to throw it that much. But two, uhm, one of the reasons why...


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[Assistant] Uh, and Joko didn't have, uh, that many, uh, targets was because the ball was going outside. Right.


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[Assistant] Now, if you complete those passes, you complete those two passes, we're having a totally different conversation.


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[Assistant] I think his sweet spot is 20 to 25 times.


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[Assistant] You thinking, you thinking you're gonna have, and here's what throws it off a little bit. They have so many plays. Like, they can try everything.


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[Assistant] Hey, we ran that play earlier. They tried the other one. Like, they just had so many plays. The time of possession, everything was in their favor. But, if you can run the football, and then here's the thing, Jacoby Reset, I think he'll be better off.


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[Assistant] Give a little play fake, give a little roll out, a three quarter roll out. You, you, you only read one side of the field.


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[Assistant] You gotta be able to make, look, when they give you an opportunity for a big play.


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[Assistant] Because here's what I, here's what sucks when you're a fan of a football team. Doesn't it always seem like the other team don't miss?


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[Assistant] So that's always going to be an issue. They're going to try to run the ball too. And I'm going to tell you what I would do. I don't care what team that I play for.


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[Assistant] I'm a run the ball up the middle. I'm a double team, one of your D tackles and I'm going to see if they're going to keep trying to rush the passer and I'm going to put pressure on them that way.


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[Assistant] You have to do it. You have to make Miles Garrett.


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[Assistant] Uh, being in a passing situation also.


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[Assistant] I think, I think we, uhm, I think we did do a little too back. We did a little bit.


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[Assistant] But I would say, I would look back at, I would look back at Robert and say, hey, don't expect nothing great, big fella.


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[Assistant] But yeaah, we did, we did, we did it a couple of times, we did it a couple of times, we did, uh, you know, we did some.


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[Assistant] If you were that confident in Baker making those plays, he would still be a Brown.


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[Assistant] You didn't win in fancy football. You can't wear that shirt.


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[Assistant] So was I. I'll go into town and have them send out a tow car. That is if I can get a ride.


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[Assistant] Where they always are, the wheels spin, Juan Volcker retires young, and Mr. Clamart always loses. Why don't you come down and bring me some luck? I can have you there in 95 minutes.


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[Assistant] After all, speed isn't necessarily movement. It can be a kind of philosophy too. Pattern for living.


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[Assistant] Well, it's the best way to measure time. Look at this watch. I love you. Those three words took exactly nine tenths of a second. Yet there are years in them.


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[Assistant] I forgot, I didn't know what I was doing, did I?


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[Assistant] I'd like to get one thing clear. As far as Karen's concerned, am I talking to the doctor or the past? To the doctor. Why didn't you leave the choice up to her? I did tonight. You've seen her? You've asked her to go back to the mountain?


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[Assistant] I thought I did too, but not tonight. Tomorrow will be better.


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[Assistant] There's more to it than that, isn't there? There's more to it than just our coming back here for treatment. Yes. When I asked you if you were the doctor of the past, you said you were the doctor.


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[Assistant] Goodbye, doctor. Tell her I came to wish her luck.


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[Assistant] Tell her I had to leave without seeing her because I've gone down a sub-letter pyramid. She'll understand.


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[Assistant] Co-host. People are like, how'd you end up co-hosting No Jumper? And I was like, not, not really quite sure.


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[Assistant] Look at myself like some kind of like, uh, anthropologist, like coming in being like, what? Like, I, this scene and this whole vibe, whatever was going on, like, I didn't know about it and I learned about it, like, on the show.


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[Assistant] And so it was always super interesting to see it, uh, kind of grow and develop into 1 million subscribers.


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[Assistant] We made a lot of mistakes. I mean, I don't mean like you, but maybe I do mean you. I feel like there was a lot of weird experiments.


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[Assistant] Exactly yeaah. That, that could have been better with less people on microphones.


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[Assistant] Uh, Nick Coletti, Getter, we had too many funny people, Evan Breen, me, you, like Catfish, Screaming.


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[Assistant] All of those guys are independently super funny and then everyone like has a little bit of an ego and just trying to be funny over each other.


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[Assistant] And I, I made the mistake in early episodes. I think that when it started,


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[Assistant] You were like, learning how to interview, learning what it was, kinda learning as you went, and, uh, a lot of times you're like,


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[Assistant] This, this might be a little bit of a weird conversation. I'll bring a co-host so we can at least talk in case whoever's over here isn't talking.


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[Assistant] There were a few, a few interviews where I definitely took too much of a leap in not being like the co-host or the, you know, you know, color commentary guy. I tried to grab it and just go with it and I realized that causes a lot of people talking over each other and you don't, you know.


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[Assistant] That's more, once we, once the livestream started, that's more of the livestream atmosphere, like, we gotta kill six hours, let's bring a bunch of guys in, circle them in, you can have little side conversations or whatever, but I definitely agree that like, even me watching the interviews, when it's someone I really want to hear from, and there's fucking house phone or me saying something dumb on the side, you're like, shut the fuck up, let the guy talk or whatever.


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[Assistant] The, the, the way he described Nojumper originally to me was like, this is for all, to everybody, like this is for...


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[Assistant] By the way, I want to talk about YouTubers because I'm like so fascinated by all that shit. I've like been watching a lot more YouTube and I don't watch it. I don't know how you watch like a vlog or someone or whatever, but I like click, click, click, you know, like ADD kind of watch and burn through stuff and then get something interesting and then click something else and kind of go on that spider web.


[User] Please transcribe this text

[Assistant] But, uh, I think the, the people watching Nojumper want to see like musicians, rappers specifically, and that's kind of the path that like has led to the most success on this channel.


[User] Please transcribe this text

[Assistant] That makes, yeaah, that makes a lot of sense because this particular episode we're doing right now won't do crazy numbers like, you know, some popular rapper just because this is for like the hardcore people who want to see what goes on behind the scenes and get a little bit deeper into just the, maybe the business side of stuff.


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[Assistant] Yo, so, wait, fuck, I just lost my entire train of thought, but I was gonna say, oh,


[User] Please transcribe this text

[Assistant] On the NoJumper channel, there have been some very NoJumper, um, focused, you know, vlogs that have done great numbers and what. So like, if you go on a tour, are there still going to be, like, maybe vlogs that go on a NoJumper, or is it all M22?


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[Assistant] Because let's be honest, let's be honest, not all vlogs are created equal.


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[Assistant] And there are some where it's like you in your car and then you at the apartment.


[User] Please transcribe this text

[Assistant] I was never really super into it. You go like, Hey, can you co-host this thing with somebody that I don't know? And I'm like, all right. And I try to like do a quick amount of research, but I just don't have like the patience for that.


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[Assistant] Damn, let me think. I mean, it's really, for me, it was really all about what the guest brought, that we gave me to work with, you know. Anytime they were girls, you know, we're having a blast. That's our element. Yeah, it was just fun.


[User] Please transcribe this text

[Assistant] How many views does it have now? About 300k. The Adam 22 interview?


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[Assistant] It was, uh, it was always interesting like who, who would get an interview or whatever in the beginning and stuff and, and, uh, and also,


[User] Please transcribe this text

[Assistant] I think that you can't, you can't ignore it though. I think that the daily vlogging really helped the channel grow and get to where it's at, but also turn some people who might, you know, just be more casuals like off to the channel. And I think that swinging it back around to be more focused is a great idea because like vlogs now are, it's so over saturated.


[User] Please transcribe this text

[Assistant] And here's the thing, this is why I want to talk about YouTube, man, it's like, like what do you think about, uhm, Jake Paul and the Jake Paulers?


[User] Please transcribe this text

[Assistant] You know, I shouldn't be watching Jake Paul. I'm 32, like I should not be talking about Jake Paul, but here I am doing that because it was so interesting how out of everybody, there's people with way more subscribers. His own brother has way more subscribers, or you know, millions more subscribers than him.


[User] Please transcribe this text

[Assistant] Or whatever, but he just like did a series of kind of like really hateable things that got him like main old school like media press coverage which now like brought him


[User] Please transcribe this text

[Assistant] He went down and then he went back up or whatever and he's just like, literally I saw something like, alright, I'll watch some of this shit.


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[Assistant] And it's like literally all this dude has is just energy, and he brings energy every day, bottom of a mansion and like, Lamborghinis and shit.


[User] Please transcribe this text

[Assistant] Yeah, and it's fucking, it's crazy and then I like dig deeper and I'm like...


[User] Please transcribe this text

[Assistant] Oh, he's beefing with like this dude Faze Banks. Did you go to his house?


[User] Please transcribe this text

[Assistant] Did you see there, like he just got in a fight in his bar in Cleveland.


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[Assistant] That's the thing is that the part that didn't look great is face throwing the glass and face swinging on the guy from the back.


[User] Please transcribe this text

[Assistant] But if someone even touches your girl, you can probably go after them, but it was just like, I don't have a violent bone in my body, all of a sudden you swing in.


[User] Please transcribe this text

[Assistant] The scary thing is like, the scary thing is like, yo, the narcissism level of, of what it takes to actually like be a daily vlogger combined with like, you know, the abuse of power if you get some, some drinks in you and all of a sudden think someone wronged you and you deserve to be


[User] Please transcribe this text

[Assistant] I-I got a couple of my friends now are taking some stuff for the hairline. They're asking me about mine. It's just like, it's just gonna happen. My shit's just gonna happen how it happens and...


[User] Please transcribe this text

[Assistant] Yeah, I can't. If I go shaved head and we're sitting here talking, that's a problem.


[User] Please transcribe this text

[Assistant] Okay, let me ask you something. You might have to edit this out.


[User] Please transcribe this text

[Assistant] Is the official channel, did it get switched to nojumper or does it still come up how-to's?


[User] Please transcribe this text

[Assistant] YouTube is the weirdest thing with that, and they're still so weird with that, with the naming convention.


[User] Please transcribe this text

[Assistant] You did break through because I remember the, the huge adpocalypse and when you got demonetized and you made the, uh,


[User] Please transcribe this text

[Assistant] Was the live streaming always a plan or did it just happen at because of the demonetization and the Patreon not really doing a thing?


[User] Please transcribe this text

[Assistant] You did Bill Ratched, right? That was alive. That was, that was alive.


[User] Please transcribe this text

[Assistant] Okay, so it kinda has the crossover between like, media, rap.


[User] Please transcribe this text

[Assistant] I came in, I sat in on the side for one Ice Poseidon. I didn't know who he was until he got here. And, uh, he was saying how he was like, I'm one of the, I'm one of the CX by the way.


[User] Please transcribe this text

[Assistant] I think also what it does on Twitch is it like, it gets rid of the ads.


[User] Please transcribe this text

[Assistant] Kim Kardashian? She got her dick sucked online, didn't matter.


[User] Please transcribe this text

[Assistant] And also here's the thing, like who's to say if you make your own media company, who's to say you don't make the PG rated version channel? You know what I'm saying? So and that you're not in it because you don't want to like put, you know, a bad element in there, but you know, you have some clean cut host or whatever, you know, some young dude making like


[User] Please transcribe this text

[Assistant] That's why when we sat, I was, I was harking back to this one interview, but it was really good. It was, um, fucking Adam LZ.


[User] Please transcribe this text

[Assistant] You know, and you always the bridge of the line between company and person, you know, so people know Adam and no jumper synonymous and they, it has a personality. People can actually like relate to a person here about like, but complex.


[User] Please transcribe this text

[Assistant] That's just a company, fucking, there's a bunch of, we don't really know. They have personalities that come and go, but those guys aren't as married to the complex brand as someone who started it, is founding it, is a face of it kind of thing.


[User] Please transcribe this text

[Assistant] I think, I hear what you're saying, I just, I think that, that the way that these companies eventually kind of beer off path or go wrong is that like,


[User] Please transcribe this text

[Assistant] There's people running them that are connected to what they're talking about at all. And they're trying to think, okay, what, what would, what would everyone think is cool? And then let's just try to do that. But they're not really showing you like the full access where it's like, you can watch it. Nate Richter blog or Chris long walking around the store and.


[User] Please transcribe this text

[Assistant] That people, like, you know, Logan Paul did the biggest meet and greet.


[User] Please transcribe this text

[Assistant] In, you know, history in Dubai or some shit, and he's just a vlogger. And like, these vloggers...


[User] Please transcribe this text

[Assistant] I think are like almost looked at as like media companies that like, you know, it's more focused on them. But like there's some kind of, I think there's some kind of fine line where


[User] Please transcribe this text

[Assistant] You know, you, you're a different, you're obviously going to be a different kind of media company, but there's something there where it's like, this one's just different because they have, there's more access, it feels more real, I can see more about it. Maybe it's, maybe it is produced content, you know, about the day, every day in the office or whatever.


[User] Please transcribe this text

[Assistant] I got you, I'm just thinking, I'm just thinking out loud, and I think that like, when I look at the actual facts of what people are watching, the actual facts of what channels are growing the fastest, and how like, one dude can be, have more subscribers and tons of more views than like, one gigantic media company or whatever, and how things are shifting and,


[User] Please transcribe this text

[Assistant] Well yeaah, I mean, the community is tiny. Like that only goes so far.


[User] Please transcribe this text

[Assistant] Well that's the thing, is music the biggest medium in the world, in my opinion, most powerful at least, in terms of like, reach and how it affects people and stuff, and...


[User] Please transcribe this text

[Assistant] I don't know what you've done at all to even look at worldwide stuff, like, can you, like, is there someone translating these videos in China on their own, trying to get them out there and stuff, you know, there's so much more to go with worldwide.


[User] Please transcribe this text

[Assistant] There's rappers that everyone wanted or that just kind of.


[User] Please transcribe this text

[Assistant] Oh really, okay, so yeaah, so, so there was just stuff where it's like, here they are, the tiny little core of like super hardcore fans knows about them, interview, boom, and people go, oh that interview makes them huge or whatever, and it's like, eh no, like a bunch of different things line up together and this thing definitely helped, you know, but why, you know, and then, or, or,


[User] Please transcribe this text

[Assistant] The other interviews would be like, once it got big enough, it'd be like guy who's had his career peak and now is like, you know, in his kind of twilight years and be still fucking cool as hell. And like we're doing the interviews of like super established older dudes who are like running businesses now. But like, how do you get 21 Savage?


[User] Please transcribe this text

[Assistant] But yeah, but why, why didn't, you know, that's weird, right? So why wouldn't he, you know?


[User] Please transcribe this text

[Assistant] Yeah, but those guys you all just mentioned are, you know, some would argue, like, not at, like, their prime, like, you know, the total saturation, right?


[User] Please transcribe this text

[Assistant] I know, I know, I know, that's a personal goal, but I'm saying that like, could there be a world and is there a world where it's like someone at their like absolute prime, like full saturation, they're on like four or five songs on the radio, whatever it is like.


[User] Please transcribe this text

[Assistant] What's the smallest thing Drake has done or the strangest like, you know, thing he's done, you know, after his maybe second or third album came out or whatever, you know, if anything.


[User] Please transcribe this text

[Assistant] Yeah, and those guys like, I mean, he just has more to lose than gain by coming on here, you know?


[User] Please transcribe this text

[Assistant] Here's the important and strange thing about Los Angeles and those kind of going for those big shots in general is like, what's more beneficial to you in the long run? One Drake interview where you hound him a little bit and he comes on here and he does it or whatever or like,