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[Assistant] A ravaged landscape whose scars are still visible today.


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[Assistant] American soldiers began clearing the mines that were buried everywhere. German prisoners of war were forced to help them.


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[Assistant] But they could only remove a small number of the deadly devices.


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[Assistant] In September 1945, August Scholl returned home from the war.


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[Assistant] It had been almost completely destroyed during the fighting.


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[Assistant] In the first summer after the war, large parts of the woods that had survived the fighting would suddenly catch fire.


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[Assistant] During the fighting, the Americans had used phosphorus in their ammunition, which ignited very easily in the heat.


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[Assistant] Many of the dead were recovered by former German Army Captain Julius Erasmus, who dedicated the rest of his life to searching the forest for fallen soldiers.


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[Assistant] The war cemetery in Fosunak became the last resting place for around 2,300 dead soldiers.


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[Assistant] And a meeting place for veterans and relatives of the German Fallen.


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[Assistant] Nearly 3,000 soldiers are buried there, many of them in unmarked graves.


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[Assistant] Since the Americans did not want their soldiers buried in Germany, the former enemy,


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[Assistant] At the military cemetery of Henri Chapelle, for example.


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[Assistant] The battle also left its legacy in the forest itself.


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[Assistant] Over the subsequent years, bomb disposal experts have frequently been called in to remove bombs, hand grenades, and other ordinance. The dangers that lurk here


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[Assistant] Even now, 75 years after the battle, the war is still present in the ground of the Hötgen Forest.


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[Assistant] This footage from 1984 shows the yield of a search lasting two weeks.


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[Assistant] For a number of years now, historical researchers have been studying the Hürtgenwald using the latest scientific methods.


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[Assistant] They've been able to reconstruct the course of the battle in places where this wasn't previously possible.


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[Assistant] Many local people have kept the memory of the battle alive.


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[Assistant] Thousands of Americans who had been sent to Europe to end the Nazi terror perished here, although this is by no means clear everywhere.


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[Assistant] Today, there are now signs for walkers and hikers in various places, telling the story of the Battle of the Hürtgen Forest.


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[Assistant] They also remind us of its importance for the Western Allies' advance through Germany.


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[Assistant] But the Hötgenwald will probably never be a normal forest again. Certainly not now, some 75 years after the battle.


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[Assistant] They had no precise idea.


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[Assistant] So that means you get closer to your own...


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[Assistant] Uhm, and it actually took decades, uhm, until uhm,


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[Assistant] Herr Erasmus, wie viel Menschen haben Sie geborgen?


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[Assistant] Extremely sorry, I didn't hear you. I just wanted to make sure you were awake. And ask you what to do about the morning delegation of crap.


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[Assistant] Among them a lady reporter who wants to know why you conduct with a stick.


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[Assistant] What's the matter with him? He says because it's a Paris version with the Venice Bank music. Do you want the French finger?


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[Assistant] We have evidence that his brain was deprived of oxygen.


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[Assistant] For a length of time significant enough to cause severe anoxic encephalopathy. In other words, brain damage caused by lack of oxygen to the brain has to be at least, at least four minutes.


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[Assistant] This is an example of what a normal brain looks like. And then this is an example of a brain with changes similar to what Otto had. Where you can see that the ventricles are huge.


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[Assistant] But then he would, may also have something called Contracoup injury, which is across the brain to this side of the head. He might have changes as well.


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[Assistant] If they gave him something to sedate him that made him stop breathing for a period of time, a long enough period of time, absolutely.


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[Assistant] I can't argue with anybody that says, hey, this could have been caused by electrodes. It could have been, but maybe it was something that was placed in the skin that got infected. That could have been too. So there's nothing specific about that healed scar.


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[Assistant] There was a criminal act here. I would be very loud about it and would definitely be stating that. Unfortunately, the evidence we have does not point to anything in particular as far as this is what happened to him.


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[Assistant] And, uhm, that I shouldn't, that I was being disloyal, uh, to the president and, uhm, that I shouldn't disagree with the president, especially in such a public way.


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[Assistant] When I replied, I do believe that this case has the potential to go beyond the personal tragedy suffered by the Warmbier family and perhaps one day save lives. That is deter North Korea with the right kind of punitive damages and the judgment that the judge, uh, will make.


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[Assistant] So this is a slightly different angle of discussion, very important. But did North Korea intend to kill?


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[Assistant] It's victim. Or not, I don't know for sure, but that does not matter in the legal case.


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[Assistant] No I'm not anymore. Believe it or not, it's great to see you two kids together.


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[Assistant] Well, I'm sorry to shove off so early, but you know the old saying, early to bed, early to rise. Well, good night everybody.


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[Assistant] Yeah, that ought to be lots of fun. Thanks for the suggestion.


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[Assistant] It wasn't Dartmouth, Randy. It was Lehigh. And it wasn't football. It was baseball. And it wasn't halfback. It was shortstop. And I guess I know three strikes when I hear it. Three strikes, you're out.


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[Assistant] Randy, in a year's time, the position he's put himself in, the typical ex-husband.


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[Assistant] Oh, well that's not. Now that we're alone, let's talk about us, Valerie. You and me. Forget Randy.


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[Assistant] Oh darling, you know how much I love you. I always have and always will.


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[Assistant] Anything wrong? Valerie, you, uh, you wouldn't feel like giving me your answer now, would you?


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[Assistant] Marvellous girl. Now, Randy, if you have at the back of your mind to go to Hillsborough, too, I want to know it. That's exactly where I am going. Ah, now look, Randy, I admit that when you and Valerie were married, I tagged along and played a few gags on you, but we're older now. Don't you spoon that same sort of thing this time. You're right, Paul. This time everybody ought to be, well, a little more serious. It's got to mean a great deal to Valerie. That's exactly right.


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[Assistant] No, not if you haven't. I guess it won't be too indelicate. What?


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[Assistant] I was thinking of Randy. He's had the experience. He'll be so darn critical. But I'll do the best I can. I'll try to forget he's there.


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[Assistant] However, when I went back to our rooms on Monday, my head full of arrangements for the journey, I found a letter addressed to me and delivered by hand. It said, If you want information about your guest,


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[Assistant] You should come tonight or tomorrow night to the old house near the lime kiln on the marshes. Tell no one. You must come alone. I did not have time to consider.


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[Assistant] I stopped in town only to ask about Miss Havisham. She was still very ill, it seemed. Then I walked fast onto the dark lonely marshes.


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[Assistant] But to my surprise there was a bed, a table and a candle inside. Suddenly the candle was blown out.


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[Assistant] I was attacked from behind, and my arms were tied close to my sides with a thick rope. The pain in my injured arm was terrible. In a moment, the candle was lit again, and I recognized my attacker, Orlik. I saw he had been drinking, and I knew I was in a very dangerous situation.


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[Assistant] Our bill is ending forced arbitration of sexual harassment.


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[Assistant] Because women from all walks of life and politics are targeted. It's time for all of us to hold hands across the aisle and get something real done for women.


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[Assistant] And that's because... And that's because in society we've chosen two ways to resolve sexual harassment cases and they're both secret. One is settlements where the women can never tell you what happened.


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[Assistant] And the other is forced arbitration, which is also a secret chamber so women can never tell you what happened.


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[Assistant] If a woman's being sexually harassed in the workplace and she has an arbitration clause, she's screwed.


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[Assistant] Because see, we've been fooling our culture into thinking we had solved this problem since Anita Hill. Because we don't hear about these stories.


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[Assistant] But the reason we don't hear about these stories...


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[Assistant] Is because they're going to one of two secret chambers.


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[Assistant] Can you speak to me about the bill that you're working on? What I've been doing on Capitol Hill.


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[Assistant] Is trying to get a bipartisan bill passed to take forced arbitration out of employment contracts on this issue. I'm very happy to say that in December, I was successful in getting a bipartisan bill in the House and a bipartisan bill in the Senate to be introduced.


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[Assistant] What else can we do? So people can get involved on the local level. They can change laws locally. They can change laws at the state level. They can call their members of Congress.


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[Assistant] You can also be proactive within the confines of your own workplace structure. You can get together and say, you know what, maybe we should go as a group and talk to HR and say, we don't like arbitration clauses in our contracts. You can have a voice inside the workplace. If there was ever a time to do that, the time is now. Collectively, our voice is so much stronger than just one person.


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[Assistant] It is worrying that, uh, you know, the community has to live in these conditions, you know.


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[Assistant] During this period, but uh, imagine when it does come, you know, and...


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[Assistant] It requires a period of constant developments and it's very hard to do with the lack of resources that we have. Science tells us we have a timeline. Something that we, it's very hard to accept right now.


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[Assistant] We're so thrilled to be back. We really, really are. We missed you while we were away. I went back to London for Christmas and I had the best time. But there was some really sad news over Christmas that...


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[Assistant] Hit me really hard. I know it hit you really hard, Reg. Uhm, the, the passing away of George Michael. Uhm, he, George was...


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[Assistant] I feel like I've loved George Michael as long as I've kind of loved music in a way, and I know so many of his fans feel the same, like sometimes


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[Assistant] I can remember so many specific times in my life.


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[Assistant] Where I might have felt on my own, and George's music, uh, would feel like he just...


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[Assistant] It would feel like you would listen to a song and he would reach his hand out and tell you that you weren't on your own. And that these feelings were, were not particular to you. And uhm,


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[Assistant] And it really, it really hit me, and I think it hit me a bit harder because I was lucky enough back in 2011 to, um, to meet George and spend some time with him.


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[Assistant] Uh, because he very kindly agreed to do a sketch.


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[Assistant] For, for Comic Relief, which is a huge charity in the UK, and a big day called Red Nose Day, and I wanted...


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[Assistant] I wanted George to be in this sketch with me and we'd called his management and we called the label and uhm, I'll never, I'll never ever forget it that they said, uh, George would like to talk to you about this himself and, uh,


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[Assistant] It's gonna be because George Michael's on the phone, and uh, I'm gonna talk to him about this sketch, and we chatted for an hour.


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[Assistant] And we talked about music and I felt very privileged to be able to tell him how much his music meant to me.


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[Assistant] And then we got round to talking about this sketch, and in this sketch the idea was that a character from a sitcom I was in at home was driving to the offices of Comic Relief to try and save Red Nose Day.


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[Assistant] And we had come up with this idea to have me and George Michael singing in a car.


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[Assistant] And it was the first time I'd ever sung in a car with anybody. And...


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[Assistant] And he really inspired it, and when we started the show here...


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[Assistant] We were trying to get people to do Carpool Karaoke and not many artists wanted to do it and we would send them this clip.


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[Assistant] I have so much to thank him for, for the music that he's given, that will last forever, but we personally here at this show, we owe him so much, and we thought we'd show you this sketch now. This is me and George Michael driving to comic relief to try and save Red Nose Day.


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[Assistant] Just to teach them how to eat food and how to prepare food. With this they never do it before.


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[Assistant] Sick, you know, and receive the right food, so cut down the, uhm, lack of vitamins in their food and not a...


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[Assistant] I paid 30,000 left for Rosie.


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[Assistant] We went to her parents and I asked them if I could have her for that son.


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[Assistant] Just look what happens on this Facebook. A woman already has three children, but she writes to another man and then falls in love with him.


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[Assistant] Let me explain. If a daughter of mine wanted to marry someone from outside our clan, I would do everything to prevent it, irrespective of whether she were from another Roma clan or a Bulgarian.


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[Assistant] We repaired all sorts of things. Coffee pots, pans, and kettles. We did everything by hand.


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[Assistant] And back then we used to travel from village to village. I would simply go up to a house, introduce myself, and ask if they had any pots and pans that need repairing. Then I'd do the job. There was lots of work for us. Today, maybe 3% of my income still comes from tinsmithing.


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[Assistant] People have thrown away most of their copper receptacles. Only a few people still use copper pans and pots for making ivor, for example.


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[Assistant] If I had enough to do as a tinsmith, I certainly wouldn't work on roofs.


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[Assistant] If I were to fall off, who would look after my wife and the children? I wouldn't wish a job like this on anyone.


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[Assistant] I wish I knew exactly, but I think Ohio's own Malachi Branum would be a good fit. I think he's someone that they should consider. I think someone that they will consider.


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[Assistant] I mean, one, I think he's young and fits their timeline. You look at Cleveland, this is a, a playoff team, essentially a playoff team with a lottery pick and Branham has the potential to be a three level scorer. He actually kind of reminds me of Chris Middleton, kind of has like this old school.


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[Assistant] Become a reliable 3-point shooter, he gives the calves some of the spacing that they really need.


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[Assistant] Yeah, and I think you also have to factor off the court. I mean, think about when we were 17 or 18 or 19 years old, how we would react if we had 10, 20 million dollars guaranteed in our bank account. Make it and don't make it. Sometimes it's not talent, it's just...


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[Assistant] But yeaah, I think it's definitely tougher and it puts all the pressure on the teams. But as long as the teams keep drafting guys that are 18 or 19 years old, then it's not gonna change.


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[Assistant] I mean, you really have to start in high school. You know, you have to start sometimes as early as 16 years old. I mean, I think you can rank LeBron James for that. Not saying that he was the first guy that people followed as a teenager, but...


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[Assistant] He was someone that kind of had a big reputation and had a brand at an early age and I think now...


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[Assistant] You see that more often, and you don't really see like the stars in college. Like for example, Ju Timmy is probably one of the most recognizable college names, but he's not in this draft. And the longer you stay in college, it's almost like the more it hurts your draft stock because they think something's wrong with you.


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[Assistant] I honestly think that Jayden Ivy has superstar potential. I also feel like Paolo Bencaro has superstar potential. I think there's going to be some really, really good players. There's a kid, Shady Sharp.


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[Assistant] No, he's from Canada. Oh, okay. He's from Canada. Yep, so he, uh, started off playing, he was the number one player in the high school class of 2022.


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[Assistant] Somehow he was eligible for the draft and he went to Kentucky for a semester but didn't play. And right now I have him at number 11. Most people think he's one of the most talented players in the draft.


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[Assistant] He could fall to where I have him going simply because there's such a small sample size, but nobody questions his talent. It's just, it's such a risky choice because he didn't play college basketball.


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[Assistant] You know, well one, he just has this elite level self confidence. And I think sometimes the confidence that he has that himself leads to the questionable shot selection or whatever. But I think that Sexton could have value if you bring him in as a six man, kind of the Jason Terry, Lou Williams type role.


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[Assistant] Maybe, I mean, I don't know him, obviously, but maybe like, if, with a bigger contract, with a second contract, it makes him more likely to accept that role. But from his standpoint, I could understand why he may say like, no, I'm the starter, I deserve to start.


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[Assistant] To me, I wouldn't focus on starting, I'd focus on finishing, and I think if you get a


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[Assistant] A guy in a starting lineup that has some size that can knock down open shots. It will make the starting lineup better and then you can have a dynamic score off the bench in Colin Sexton. So I think it all depends on if he wants to accept the six man row.


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[Assistant] So speaking of foreign players, there's a kid, Ushman Jang. He's from France, 6'10". He's more of a...


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[Assistant] Now, if you look at his numbers, you're gonna be surprised. The numbers look really, really bad. He got off to a, just a really, really slow start, but in the second half of the season, which he played in Australia, in the second half of the season, he


[User] Please transcribe this text

[Assistant] He ended up turning it on, and I think he could end up going where he was projected to go before the season started.


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[Assistant] I project a lottery pick and then like I said, the numbers were bad, but I spent this whole entire basketball season overseas scouting the international prospect. I have a good handle on the overseas players. And one of the things with, with Jang, when you look at the numbers and just to put it in context, he's a 18 year old kid that's from.


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[Assistant] I mean think about an American kid going to college and he may struggle and now you factor in that he's going to a different country, language barrier, and I think that played a major role in his early season struggles, but he made up for it in the second half of the season.


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[Assistant] Yeah man, I love this, like if I, if I won a gazillion dollars today, my life would change. I enjoy watching basketball, traveling, so I'm having fun with this. Cool.


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[Assistant] Anytime you want me on, let me know. I can make it happen. I love it. Thank you very much. Thanks for the insight, man.


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[Assistant] And a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbott were disposed to entertain of me. The fact is, I was a trifle beside myself, or rather out of myself, as the French would say.


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[Assistant] I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and like any other rebel slave, I felt resolved in my desperation to go all length. Hold her arms, Miss Abbott, she's like a mad cat!


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[Assistant] For shame, for shame, cried the lady's maid. What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son, your young master.


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[Assistant] No, you're less than a servant, for you do nothing for your keep.


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[Assistant] There, sit down and think over your wickedness.


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[Assistant] They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool.


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[Assistant] My impulse was to rise from it like a spring. Their two pair of hands arrested me instantly.


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[Assistant] If you don't sit still you must be tied down," said Bessie. Miss Abbott, lend me your garters. She would break mine directly.


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[Assistant] Miss Abbott turned to divest a stout leg of the necessary ligature.


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[Assistant] This preparation for bonds and the additional ignominy it inferred took a little of the excitement out of me. Don't take them off, I cried. I will not stir.


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[Assistant] And when she had ascertained that I was really subsiding, she loosened her hold of me.


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[Assistant] Then she and Miss Abbott stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity.


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[Assistant] I've told Mrs. Offen my opinion about the child, and Mrs. Agreed with me.


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[Assistant] She's an underhand little thing. I never saw a girl of her age with so much cover.


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[Assistant] Bessie answered not, but ere long addressing me, she said,


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[Assistant] You ought to be aware, Miss, that you are under obligations to Mrs. Reed. She keeps you. If she were to turn you off, you would have to go to the poor house." I had nothing to say to these words. They were not new to me.


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[Assistant] My very first recollections of existence included hints of the same kind.


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[Assistant] This reproach of my dependence had become a vague sing-song in my ear, very painful and crushing, but only half intelligible. Miss Abbott joined in.


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[Assistant] And you ought not to think yourself on inequality with the Mrs. Read and Master Read, because Mrs. Kindly allows you to be brought up with them. They will have a great deal of money, and you will have none.


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[Assistant] Then perhaps you would have a home here. But if you become passionate and rude, Mrs. will send you away, I'm sure.


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[Assistant] Besides, said Miss Abbott, God will punish her. He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her. I wouldn't have her heart for anything.


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[Assistant] Say your prayers, Miss Eyre, when you're by yourself, but if you don't repent, something bad might be permitted to come down my chimney and fetch you away." They went, shutting the door, and locking it behind them.


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[Assistant] The red room was a spare chamber, very seldom slept in. I might say never, indeed.


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[Assistant] Yet it was one of the largest and stateliest chambers in the mansion. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre.


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[Assistant] The two large windows with their blinds always drawn down.


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[Assistant] The walls were a soft fawn colour, with a blush of pink in it.


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[Assistant] The wardrobe, the toilet table, the chairs would have darkly polished old mahogany.


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[Assistant] Out of these deep surrounding shades rose high and glared white the piled up mattresses and pillows of the bed, spread with a snowy Marseille counterpaint.


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[Assistant] Scarcely less prominent was an ample cushioned easy-chair near the head of the bed, also white, with a footstool before it, and looking, as I thought, like a pale throne. This room was chill, because it seldom had a fire.


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[Assistant] It was silent because remote from the nursery and kitchens, solemn because it was known to be so seldom entered.


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[Assistant] The housemaid alone came here on Saturdays to wipe from the mirrors and the furniture a week's quiet dust.


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[Assistant] And Mrs. Reed herself, at far intervals, visited it to review the contents of a certain secret drawer in the wardrobe.


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[Assistant] And in those last words lies the secret of the red room.


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[Assistant] The spell which kept it so lonely in spite of its grandeur. Mr. Reed had been dead nine years. It was in this chamber he breathed his last.


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[Assistant] Here he lay in state. Hence his coffin was borne by the undertaker's men.


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[Assistant] And since that day, a sense of dreary consecration had guarded it from frequent intrusion.


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[Assistant] My seat, to which Bessie and the bitter Miss Abbott had left me riveted, was a low ottoman near the marble chimney-piece. The bed rose before me. To my right hand there was the high, dark wardrobe.


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[Assistant] With subdued broken reflections varying the gloss of its panels. To my left were the muffled windows.


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[Assistant] A great looking-glass between them repeated the vacant majesty of the bed and room. I was not quite sure whether they had locked the door, and when I dared move, I got up and went to see. Alas, yes, no jail was ever more secure. Returning, I had to cross before the looking-glass.


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[Assistant] My fascinated glance involuntarily explored the depth it revealed.


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[Assistant] And the strange little figure there gazing at me with a white face and arms specking the gloom.


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[Assistant] Glittering eyes of fear moving where all else was still had the effect of a real spirit.


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[Assistant] I'm from everywhere, arrived as the drowsy hum of bees. It is so quiet and peaceful, and I sit here and ponder, and I'm restless.


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[Assistant] It is the quiet that makes me restless. This seems unreal. All the world is quiet, but it is the quiet before the storm.


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[Assistant] I string my years and all my senses for some betrayal of that impending storm. Oh, that it may not be premature, that it may not be premature.


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[Assistant] What are you talking about? This was the suit that was hanging in my room. Someone must have changed it. Yes, someone must have, David. Okay. Okay, I see what's going on.


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[Assistant] What are you doing? I thought that was my cue. Cue for what? Can we start again please? You can go. Alright. Go on, out you go. Should I go? Yes you should.


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[Assistant] The headline in the newspaper reads, the rich are getting richer and richer. Which is true. The rich are getting richer. Yes, it's true. But it's also false.


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[Assistant] Now, the rich are getting richer even faster, because one factor is probably that they can dedicate much more time to increasing their wealth.


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[Assistant] I'm not a socialist though. I can only do things because I have things.


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[Assistant] The banks don't joke around if you're highly indebted and then you come in with huge losses. That was critical. And then I had a heart attack in 96.


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[Assistant] Then millions of people would be happy and things would be good for a while. Because millions of people would have more money.


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[Assistant] So today I was thinking we could discuss on the topic of mythology.


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[Assistant] That we, we would, most devotees would recoil at having say the Ramayan or the Mahabharat or Krishnila being called as mythology.


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[Assistant] And in that sense, the word has the association of something imaginary, something, uh, non-real basically.


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[Assistant] Mythology doesn't have that connotation. It's a normal usage.


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[Assistant] Say for example, if you go on Quora somewhere, it's Hindu mythology and, uh,


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[Assistant] There's a, it's understood that there's a lot we can learn from mythology. In fact, mythologist is like a profession of some people now and


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[Assistant] And math is numbers and the relationship that tell you the story of nature of reality.


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[Assistant] Existing culture, existing philosophy, existing literature.


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[Assistant] Actually when the East India Company lost its power after the 1857 revolution, just a year before that the rationalists over there had lost. So that's how then Christianizing started a bit more.


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[Assistant] The Vedas, especially the Upanishadic narratives, they contain lofty philosophy.


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[Assistant] And that has become like a contamination of Hinduism and somehow some Indian leaders also played into that narrative.


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[Assistant] By Christianity and Abrahamic religions because they said we are monotheistic. And they labeled India as polytheistic.


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[Assistant] So basically that's how the, their idea of myths was. And they had a quite a, quite a success they could say.


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[Assistant] Of course they are not entirely successful because many Hindu leaders tried to redefine Hinduism. There was the Bengal Renaissance and Bhaktinath Thakur was at the heart of that also in some ways.


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[Assistant] After all, which king died at what time, which king killed how many people and what happened and what date? How much does it matter for us today?


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[Assistant] It's only after Newtonian physics, now that's a whole big subject which we could discuss some other time about science and spirituality, but basically what


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[Assistant] So something being non-objective doesn't necessarily make it false or imaginary.


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[Assistant] So the way of doing history that say our tradition has.


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[Assistant] Sorry, when you go back into history, even with this archeological scientific approach, you can never have like a 100% reality. Because in Newtonian physics, if Newton said if you drop a ball, it will fall down. Well, I can take checker ball and make it fall down. But there's repeatability is possible.


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[Assistant] Then we might be able to say if, if there were rocks brought by the Ravana Ras, then they brought it from various places.


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[Assistant] The study of the Ramayana, the Mahabharata, I would begin by very strongly emphasizing this is not mythology. This is real. This is historical.


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[Assistant] So depending on how important it is for someone, uh, the research can be done and things can be on case by case accepted.


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[Assistant] If the traditions value, the traditions teachings can be explained or vindicated by the current knowledge system, that can be of help.


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[Assistant] So we may explain some of our truths, our traditions truths, in scientific language. And some people may need it, some people may not need it.


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[Assistant] Everybody needs some models, some inspiration, and let's play that vital role. And this was the point I was making earlier, and maybe I would like your comments on this also.


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[Assistant] They are too very different. Jesus hardly, there is no record of Jesus talking about Plato or Socrates or Aristotle or anyone.


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[Assistant] Plato and Sp. Socrates are depicted as if that they are Christians, that they wear the dress or whatever. Although there was nothing like that they were doing.


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[Assistant] So these are sacred narratives for them and so for, so with them trying to emphasize the


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[Assistant] Nowadays, there is a lot of emphasis on using the epics to teach moral values and also to take the tradition and teach some shlokas, teach some songs, do some dramas. That's important.


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[Assistant] We started by talking about how there is a revived interest in, uh, in mythical literature today.


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[Assistant] Then there we discussed if somebody approaches for moral lessons, then how valid it is.


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[Assistant] Don't hide that kind of thing from us.


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[Assistant] She likes the noise, then she feels something different. Is it a baby crying? She thinks and looks up.


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[Assistant] The killer whales come nearer and nearer. Tonya can't feel her legs. It's okay, they're cold, that's all, she thinks. She starts to swim away from the big fins.


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[Assistant] Help me! she shouts. Help, help, help! The killer whales are all around her. She closes her eyes and waits.


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[Assistant] In five minutes the confused throng was resolved into order, and comparative silence quelled the babal clamour of tongues. The upper teachers now punctually resumed their posts, but still all seemed to wait.


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[Assistant] Ranged on benches down the sides of the room, the 80 girls sat motionless and erect.


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[Assistant] A quaint assemblage, they appeared, all with plain locks combed from their faces, not a curl visible.


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[Assistant] In brown dresses made high and surrounded by a narrow tucker about the throat, with little pockets of holland, shaped something like a Highlander's purse, tied in front of their frocks, and destined to serve the purpose of a work-bag, all too wearing woollen stockings and country-made shoes, fastened with brass buckles.


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[Assistant] Above twenty of those clad in this costume were full-grown girls, or rather young women.


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[Assistant] It suited them ill, and gave an air of oddity even to the prettiest.


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[Assistant] None of whom precisely pleased me, for the stout one was a little coarse, the dark one not a little fierce, the foreigner harsh and grotesque, and Miss Miller, poor thing, looked purple, weather-beaten, and overworked, when, as my eye wandered from face to face, the whole school rose simultaneously, as if moved by a common spring. What was the matter? I had heard no order given. I was puzzled. Ere I had gathered my wits, the classes were again seated.


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[Assistant] But as all eyes were now turned to one point, mine followed the general direction, and encountered the personage who had received me last night.


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[Assistant] She stood at the bottom of the long room, on the hearth, for there was a fire at each end.


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[Assistant] She surveyed the two rows of girls silently and gravely. Miss Miller approaching seemed to ask her a question.


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[Assistant] While the direction was being executed, the lady consulted moved slowly up the room. I suppose I have a considerable organ of veneration.


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[Assistant] And a fine penciling of long lashes round relieved the whiteness of her large front.


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[Assistant] On each of her temples her hair, of a very dark brown, was clustered in round curls according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue.


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[Assistant] Her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet.


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[Assistant] A gold watch. Watches were not so common then as now, shone at her girdle.


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[Assistant] Let the reader add to complete the picture refined features, a complexion, if pale, clear, and a stately air and carriage, and he will have, at least as clearly as words can give it, a correct idea of the exterior of Miss Temple.


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[Assistant] Maria Temple, as I afterward saw the name written in a prayer book, and trusted to me to carry to church.


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[Assistant] The superintendent of Lowood, for such was this lady, having taken her seat before a pair of globes placed on one of the tables, summoned the first class round her, and commenced giving a lesson in geography. The lower classes were called by the teachers.


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[Assistant] Repetitions in history, grammar, etc. went on for an hour.


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[Assistant] More writing and arithmetic succeeded, and music lessons were given by Miss Temple to some of the elder girls.


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[Assistant] I have ordered that a lunch of bread and cheese shall be served to all. The teachers looked at her with a sort of surprise.


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[Assistant] The bread and cheese was presently brought in, and distributed to the high delight and refreshment of the whole school.


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[Assistant] Each put on a coarse straw bonnet, with strings of coloured calico and a cloak of grey frieze.


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[Assistant] I was similarly equipped, and following the stream I made my way into the open air.


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[Assistant] And broad walks bordered a middle space divided into scores of little beds.


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[Assistant] These beds were assigned as gardens for the pupils to cultivate, and each bed had an owner. When full of flowers they would doubtless look pretty.


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[Assistant] But now, at the latter end of January, all was wintry blight and brown decay. I shuddered as I stood and looked round me.


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[Assistant] It was an inclement day for outdoor exercise, not positively rainy, but darkened by a drizzling yellow fog.


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[Assistant] All underfoot were still soaking wet with the floods of yesterday.


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[Assistant] The stronger among the girls ran about and engaged in active games, but sundry pale and thin ones herded together for shelter and warmth in the veranda, and amongst these


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[Assistant] As the dense mist penetrated to their shivering frames, I heard frequently the sound of a hollow cough.


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[Assistant] You know, I think a lot of people are sleeping on Pam Wiodaro. I think she's one of the best releases of the year. I absolutely love the three little drum pieces we have. She has a great expression.


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[Assistant] The drumsticks are in a pretty cool position, like they're all spread out. She's absolutely going to town on it. I just love it, you know, it's a great.


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[Assistant] But no one's really too excited to find Pam Wieldar. Maybe it's because there are two in the case and people want to find Vuzy Racing Tractor, but all they can find is Pam Wieldar. I feel that I get your pain. That happened to me too. But anyways guys, welcome back to another Disney docket presentation. Today we'll be obviously reviewing


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[Assistant] So definitely, definitely check it out so you know what you need to look for. Like Canada, Australia, the United States, Europe. Case G is the case of


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[Assistant] Earth right now. Let's get into review. Obviously new for 2021 here. Metal, desert horizon background.


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[Assistant] Choking Hazard because she comes with these three accessories of course.


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[Assistant] You know, as accurate as, you know, and accurately thin as they were in the movie but they still tried their best.


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[Assistant] Hot Rod Luis Nash is another new release in this case, which I'll be reviewing in a couple days. Muddy Rusty's Racing Center McQueen, Trainer Cruz Ramirez, and Jimmy Cables. This guy was new to 2021 in Case G, but these ones were from E. Casey.


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[Assistant] So I'll be right back with this excellent casting all opened up.


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[Assistant] Right next to Sweet T, of course, you know, one of the band members, along with rapper Jam Jones and Rich Hurrie, the slide guitar player who will be released in a couple


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[Assistant] And the eyes in one shot without this, you know, contraption.


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[Assistant] You know, the airport pitties use screws so they're easier to take out. And then you could like take this little forklift off and you almost have yourself a new character.


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[Assistant] But yeaah, so here are the drumsticks, mine has a little blemish there, that kind of stinks. They are plastic of course.


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[Assistant] Got the little blue wheels here, a very light kind of cyan, pretty faded.


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[Assistant] And then her little propane tank on the back here as a lot of forklifts in real life do, although we haven't seen this.


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[Assistant] And you know, many actually, this is only the second time we've seen like a propane tank on the back of a forklift in cars. But in real life, that's very common.


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[Assistant] And then you have this additional like plastic piece on the back here, this black piece, which connects like the fenders. So just kind of showing you that Mattel is trying to make.


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[Assistant] These cars using the least amount of metal as possible. So this is plastic.


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[Assistant] This is plastic and then boom, big piece of plastic around the back.


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[Assistant] And it stands well. Don't worry about that. No, this is a drum. I know this is a drum.


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[Assistant] Yeah, very nicely detailed. I'll zoom in a little bit here. So yeah, you can see like around the wooden part, you know, this is probably, you know, meant to look like wood. Looks really nice and detailed. Little gradient there on the,


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[Assistant] Bottom and the top, it's darker. In the middle, it's a little bit more reddish. This is a little textured here like the pad. Very nicely done.


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[Assistant] Love it. And then last but definitely not least is her main drum and it shows like this kind of weathered down logo of Sweet Tea and the Legends, like her band name with T there for T of course, like sweet T.


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[Assistant] This drum has gone through a lot. And so you have her little pedal here. So this lever would like bang on the drum.


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[Assistant] And so I guess she would use like her tire to operate that. So yeah, that's really nice. Really creative on Pixar's part.


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[Assistant] And yeaah, this is super cool. Let's try and get her set up here and see how she would look. So she's got to have one of her wheels be able to touch that.


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[Assistant] So she's got to have this thing over here and then this over here and then bam, she's got the whole setup. I love it. I absolutely adore it. Now let's compare her to a couple other piggies.


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[Assistant] But of course you have different like contractions, like so the forklifts are the additional plastic piece. So those are just easily switched out, you know, to change it from this to this. But yeaah.


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[Assistant] I do like that they made the propane tanks different colors because they probably easily could have made them the same.


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[Assistant] Considering we don't really see them too much in the movie. I feel like they kinda made Pam's black and no one really- have really bad an eye. But yea. Both have those plastic hats.


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[Assistant] A very cool piece to compare him to, or her to, is this member of Uncle Topolio's band that also has the drumsticks. And now, of course, these guys, all of the instruments, like, attach to themselves, as you can see here.


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[Assistant] Here's the like banjo player or whatever, and we have the accordion guy, tuba.


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[Assistant] And then the drummer here, so he's got it wrapped around himself. He's not as cool as Pam to have a whole set, you know, but he does have the...


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[Assistant] Little soft tips on his forklifts there so he can, you know, make some good noise.


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[Assistant] Pretty similar to Pam in that sense. So yeaah, very cool. Thank you guys so much for watching. I guess I should compare.


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[Assistant] Her two Robert Jam Jones a little bit, even though they are entirely different pity models, but they are in the same band.


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[Assistant] Thank you guys very much for watching this video. Let me know in the comment section below, who is your favorite band member so far? You're Sweetsie, Robert Jam Jones, and Pam Rildero. Mine is Pam.


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[Assistant] Just love her drum set and her expression. I will catch you guys soon for another video. Bye now.


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[Assistant] Chaosified monsters can be controlled and utilized as we wish. Acquiring them's our primary focus. And it'll remain so for many years to come. I knew it! You are part of the Chaos Company!


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[Assistant] Allow me to reintroduce myself. My name is Grimoire, Master Wisdom Secretary.


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[Assistant] That's exactly why I'm here. Master Wisdom promised you an audience and that he shall. Now please come this way.


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[Assistant] Well, you never make mistakes Master Wisdom.


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[Assistant] I believe in you 100%. It's been a long time.


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[Assistant] I have no words, master. I am overcome with emotion.


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[Assistant] If you're ready, you may head to the fighting stage Master Gao. The rest of you may observe the match from here.


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[Assistant] The original Wisdom's deepest desire for the Wisdom Clan will now be realized. And you naive fools have helped make it happen.


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[Assistant] After a brief pause in the assault, the drifters seem now to be initiating another wave of attacks.


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[Assistant] You know, it's, uh, since I met you for the first time in Radha Gopinath temple, almost seven, seven or a decade ago, since that time I've admired you as a proficient writer and not just a proficient writer, somehow you have this distinctive ability to


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[Assistant] It's not just writing, it's not a tool. You have actually elevated writing to the level of art in Krishna's service.


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[Assistant] Make English speaking people feel that Bhakti is in their home territory, rather than in some alien, some other distant language or a distant tradition. So I feel that,


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[Assistant] But gardening is relatively speaking quite easily accessible and


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[Assistant] Two things, I fully agree that, uh, Prabhupada did not, as he nicely put, salvationist. At the same time,


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[Assistant] So we often attract very good students from IITs and NITs and the overall ethos was


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[Assistant] But the idea was that the study is not something which is intrinsically or potentially spiritual, because they might be doing some engineering, computer engineering or material science or whatever, but that is a tool


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[Assistant] I had a discussion with Mahatma Prabhu on this topic of do devotees need to take care of their emotional health and he said that


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[Assistant] I was going to ask you about these, so thank you for bringing this up.


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[Assistant] But sometimes, uh, people of the lower caste were treated as lower than human beings.


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[Assistant] And so the caste system is not just a relic of the past.


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[Assistant] And many students would have been much happier in other vocations.


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[Assistant] So, you mentioned earlier Bhakti's Thakur has been your model. I often thought about


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[Assistant] Managing the sadhana, managing the family responsibilities and then managing a job that itself takes a whole life.


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[Assistant] It seems to be quite a huge demand on a person and unless a person has


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[Assistant] The, we don't have a right to judge the results. That's like a, just the efficacy of our surveys. Uh, that's quite a radical statement. Cause we also have Prabhupada saying, phalay na parichayate. It will be known by the fruits.


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[Assistant] So Prabhupada would often say that the fruit of his purity was that there was so much, so many people became devotees and there was so much results.


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[Assistant] Can I quickly summarize and then you could put some concluding words?


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[Assistant] Like you give the example of Tamal Krishna Maharaj helping Nithyananda Prabhu to improve his schedule, then that is what is going to attract people much more.


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[Assistant] And some people might be, some of us might be able to do it on a big scale and some of us might


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[Assistant] Do it on a small scale, but that is not for us to judge that. Because we are all doing our part.


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[Assistant] Still, it is, you know, it is our spirituality to keep doing our parts. And then you concluded some past times of how Prabhupada was engaged in the practical aspects of


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[Assistant] I kinda wanted all the lyrics in that hook to all start with a W, so it's like, what do you want from me?


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[Assistant] I have a comment sort of related to what you just said. It seemed like as you were laying out your framework, a lot of it was about input. When you said do, it was largely what people could, you know,


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[Assistant] Move and cause to happen as inputs to a system, whereas a lot of times accessibility is about ability to sense.


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[Assistant] Uhm, and so you get the blind or low vision, the deaf or hard of hearing and so forth. Uhm, do you have any thoughts about how, uhm, VR, uhm,


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[Assistant] Is useful in one versus the other or how you would make things accessible and available to people.


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[Assistant] It, with the input disabilities versus the output disabilities.


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[Assistant] Some grooms punished a horse for getting too excited, but not John. He knew how to control me with only the sound of his voice, and I was very fond of him. Sometimes we did have our freedom in the field for an hour or two. This was on fine Sunday in the summer.


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[Assistant] Back in 1992, I was accused of killing a three-year-old child. Something I know I didn't do. I've been on death row in Mississippi for five years, and I know they have the wrong person locked up.


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[Assistant] To live his life in the world, he has to live in will require faith and love and courage.


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[Assistant] So world, I wish you would sort of take him by a young hand and teach him the things he will have to know. Teach him, but gently if you can.


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[Assistant] Teach him that for every scoundrel, there is a hero. That for every crooked politician, there is a dedicated leader.


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[Assistant] Teach him gently, world, but don't coddle him, because only the test of fire makes fine steel. That is big order, world, but see what you can do. He's such a nice little fellow.


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[Assistant] Sorry ma'am, during the war this sort of thing wasn't allowed. I never thought I'd see the day that I'd be wishing for another war. Good afternoon ma'am.


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[Assistant] We always were doing some stuff. We were always doing some crazy, like, I dunno, cause we grew up homeschooled also, so it was a lot of like, going on little...


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[Assistant] I feel like I learned, you learn more when you're having fun, I feel like. But there was always music playing, we were always like somehow, somebody was listening to music, somebody was playing it, somebody was singing it, it was always something. So, it was very loud in our house. Okay.


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[Assistant] I don't know, we're best friends, so that's our relationship. We just get along really well, so it's like, I mean it is our job and it is like what we have to do, but it's also like, I think we enjoy it.


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[Assistant] I mean, we fight every two seconds. Okay, first of all, I can't take arguments seriously. I just laugh through them. And if I do try to be serious, it's fake. I'm just doing it to look like I'm actually taking it seriously. I'm not.


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[Assistant] Yeah, there's pressure, but it's like, I already have something that's working.


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[Assistant] One day, sure. Like I'm not, I'm not closed minded to anything. I'm always gonna have an open mind to things.


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[Assistant] That's a hard question, I don't know, I feel like I always come up with a different answer for that because I have so many-


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[Assistant] Weird ideas for why I think that. I don't think I know why I actually like doing all that stuff. I don't like being predictable. What I've been kind of


[User] Please transcribe this text

[Assistant] Not really face them, but just like see that I'm doing them. And the same thing, I'm kinda doing that with the next cycle of like visuals and stuff. I'm like gonna...


[User] Please transcribe this text

[Assistant] I'll put a freaking tarantula in my mouth and let it crawl out, but I won't, you know, go into the ocean and like swim super deep. That just freaks me out.


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[Assistant] That's kinda always been like, not something I've been interested in. I'm gonna dive into it. Literally. Literally. Literally. Okay. Which is, I don't know why I do it to myself, but it's art. And the thing is that I don't mean to be like, Billie Eilish is scary, teenage, I think that's so stupid. Like, it's art to me, and like, I feel like art is a lot of different things, and sometimes it makes you uncomfortable.


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[Assistant] What every single line means in that whole song, like exactly what it means, specifically what it's about, why, you know, we wrote it the way we wrote it. But for that one, I kinda like the idea of it being up for interpretation. And that's what my favorite thing about music is, is like,


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[Assistant] I was a little curious about how you're thinking about playtesting.


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[Assistant] But of course it can be difficult to bring in participants, so I was wondering just sort of, do you?


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[Assistant] This is one of the things actually that uhm, I think is, has been really kind of picked up on in a really positive way is that you are just you and you haven't fallen into any of the pre-designed conventions of what you need to do in order to get attention.


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[Assistant] Kind of position, because I think a lot of kids look at you and go, great, someone finally isn't playing the game.


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[Assistant] I've experienced this myself in my life and in my family life. I've seen it. And...


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[Assistant] Excellent. So panelists, you can go ahead and unmute yourselves and ask questions if you'd like. We also have some


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[Assistant] You mentioned that convincing these machine learning practitioners to engage and collaborate with you was really difficult. So how did you build that rapport and how did you build that trust?


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[Assistant] Thanks. I'm wondering, how do the anti-bi- anti-bias and fairness designs gain traction without violating equal protection? Or if you have thoughts on that kind of trade-off.


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[Assistant] I think maybe, maybe the right thing is to say there's just discussions around equal protections and uh, fairness and so on.


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[Assistant] Whether the analytics you used in, uhm, Luminolo were limited to quantifiable situations, as, as you put it, like taking tests. And...


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[Assistant] Was wondering how representative those kinds of situations are of learning more broadly. Sort of like, what can and can't this help with?


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[Assistant] I'm noting we're at time, so why don't we end it here. Thank you so much for sharing this with us. Uh, everyone, please silently clap with your videos on or off. Thank you for having me. Yes.


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[Assistant] The Baby Owls. Written by Beverly Randell.


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[Assistant] Down on the farm, the cows are asleep. The pigs are asleep. The dogs are asleep. Up in the tree, the owls are not asleep. Look! Look! The baby owls are hungry! Mother owl is looking for moths. Mother owl sees a big moth. Here comes mother owl. Mother owl comes to the tree. The big moth is for the baby. Owls. Look! Look! Look! Look! Down on the farm, the cows are asleep.


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[Assistant] He loved the tree and the tree loved to play with him. Time went by. The little boy had grown up and he no longer played around the tree.


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[Assistant] So the boy cut the tree trunk to make a belt. He went sailing and didn't show up for a long time. Finally, the boy returned after he left for so many years. Sorry, my boy, but I didn't have anything for you anymore. No more apples for you, the tree said. I don't have teeth to bite, the boy replied. No more trunk for you to climb on.


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[Assistant] The boy sat down and the cheer was glad and smiled with tears. This is a story of everyone.


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[Assistant] That's probably somebody from Mr. Lowndes and my daughter. You can go, Peter. Hello?


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[Assistant] Who's dad? I said this is Bill. If this is somebody's idea of a joke. Joke? Listen, Papa, Daddy.


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[Assistant] He called up from Northern. He said something about being rescued from an island by a boat. And he was just about to catch a plane.


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[Assistant] I heard you. I heard every word. You did? You proud of yourself? I have to protect my own daughter. From what? You could have sent one of them to a hotel. Which? Alright, both of them. Why? Why?


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[Assistant] You were in the guest room. I tucked them in. Oh, that's nice. Now what are they supposed to do?


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[Assistant] You're darned right it is. I'll be upstairs. You can call me when you made up your mind.


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[Assistant] I think it's a great idea. So do I. Don't mind me, I'm only an idiot.


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[Assistant] I will. Upstairs. In bed. You better get some rest. All we can do is wait.


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[Assistant] The perfect outfit in three words. Original, original, original. Whatever you want. Ooh, whatever, no wait, yeaah. Whatever you want.


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[Assistant] Make sure to give it one of these boys. And uhm, subscribe and do all that stuff that you do on YouTube. So you can see more.


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[Assistant] I took acid once. Maybe even didn't need to. Probably could've just watched this documentary.


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[Assistant] Yes, Papa. I think the whole thing must have been your fault.


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[Assistant] What are you gonna do? Move out? I am not. I'm gonna find out who the wolf is. Well, whoever he is, he sure howls pretty. Well, I won't do him any good. I'm saving myself for Danny. Suppose Danny finds out. Oh, how's he gonna find out? Way out there in the Pacific. You know, I got a hunch there's another Judy Peabody. Say, I never thought of that. I wonder who she is. I wonder what she does.


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[Assistant] Oh no, I've been there over three years and I've never even seen him look sideways at anybody. Just the same, he's around 40 and that's a dangerous age.


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[Assistant] Alright, I'll tell you. I inherited some money.


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[Assistant] How could I tell him the truth when I don't even know it myself? Why can't you show him the letter? Oh, fine. Let him think the worst. The letter says I've been very accommodating. Oh, if only he'd come home yesterday.


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[Assistant] But you don't understand, Pop. You see, I think I know who it is.


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[Assistant] What do you think I am? Don't answer that.


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[Assistant] I get it. Oh, I almost forgot what I came here to tell you.


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[Assistant] Men's department, this is Miss Judy Peabody at the York Towers. Could you send a representative up to my apartment to measure 12 men for dinner jackets, tropicals, and a half dozen business suits apiece?


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[Assistant] Why don't you stop it, Pop? I thought of that one ahead of you. Call Curtis. Find out for yourself. Yeah, he would know. I want to talk to him anyway.


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[Assistant] No, I won't let him. I know how Danny feels and maybe has a right to. Maybe he hasn't. That's between us. These guys have nothing to do with it. You and the band have to stick together. We don't. You see, Danny, I can leave with a clear conscience. You couldn't. Well, I've got everything I could ask for. Singing with your band would just be an anticlimax. I'm the one that's bowing out.


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[Assistant] But if you ever really fall in love, you trust the girl.


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[Assistant] I won't till you believe in me and I know you won't let me till you know the truth.


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[Assistant] Well, my grandfather was lost in the blizzard of 51, and Pop and his father have been looking for me ever since. Pop changed his name to Butler while searching for me.


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[Assistant] Not that I don't appreciate the thought and all, but oh, I don't know. I don't seem to be able to get along with money.


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[Assistant] My happiness will come with Danny singing with the band on those one night stands. Bad hotels, bad food, but we'll be together. We'll be riding on cloud nine just outside of heaven.


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[Assistant] He breaks $32 worth of dishes, and she calls it a gag. Who was he? An old mick she brought around. He had a brogue that thick. Somebody owes me $32 for dishes.


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[Assistant] It was a dark day when she saw and loved and married the painter. He was already famous for his art and was always studying and working. The great love of his life was his work, his painting.


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[Assistant] But she learned to fear and then to hate everything about painting. Her husband's work was her enemy because it kept him away from her hour after hour.


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[Assistant] For many weeks, she sat in a dark high room where the light above fell onto the painting and onto her.


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[Assistant] Bedtime Reading The Time Machine Chapter 1


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[Assistant] Sitting around the dinner table, a teacher, a doctor, a psychologist, and myself


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[Assistant] All of us, pleasantly full from the meal we had just finished and pleasantly relaxed from the wine we had been drinking.


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[Assistant] I'd like to ask that you open your minds a little to what I am about to tell you.


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[Assistant] For it will be most natural for you to think me a crazy fool when you hear it.


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[Assistant] And how is that any different from the way we think of you now, dear scientist?


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[Assistant] But seriously, I'm afraid that I have come to the conclusion that many of the things we were taught in school were quite incorrect, especially mathematics.


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[Assistant] But that is, of course, why our progress is so slow and limited, dear Philby, replied the scientist. Take, for example, a line.


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[Assistant] Here the scientist took a notepad from his pocket and began to draw as he spoke.


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[Assistant] Are you trying to insult our intelligence? asked Manning, the doctor. We studied this in high school geometry. Please have patience.


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[Assistant] Now, if we draw three more lines, we then make a square, which we can measure not only by its length, but its width as well.


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[Assistant] Could you hand me that box of cards, please?


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[Assistant] With pleasure, sir," said Philby, smiling and pushing the box toward the scientist.


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[Assistant] Yes, yes. Could you please get to the point, interrupted the doctor, impatiently.


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[Assistant] The point is this, it seems our math teachers all believe that space is measured according to just those three basic dimensions, height, width, and depth.


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[Assistant] However, they are mistaken here, for there is a fourth dimension.


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[Assistant] And what dimension would that be? asked Philby, now seeming a little uncomfortable. Why, time, of course. The whole room remained silent.


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[Assistant] After giving the gentleman a few moments to think about this, the scientist continued by pointing to three paintings leaning against the wall behind him.


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[Assistant] And in the last, he is twenty-one.


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[Assistant] That is the fourth dimension being expressed by the other three dimensions. Do you understand? I then felt the need to speak.


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[Assistant] I think I do. However, I see a problem.


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[Assistant] Space is something in which we should be able to move.


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[Assistant] We can move about in the other dimensions of space.


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[Assistant] We can walk forward, backward, side to side, and we can jump up and down. We cannot however move in time. We must always remain in the present. Very good.


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[Assistant] If you consider how impossible it must have seemed to people not very long ago,


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[Assistant] Look, even if you could somehow show that 2 plus 2 equals 5, I still wouldn't believe it.


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[Assistant] I'm afraid that that would be too difficult for me to prove.


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[Assistant] But I can prove the possibility of time travel. I've been performing experiments. Would you like to see the results? Experiments, ha! laughed the doctor. Please, oh please, scientist.


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[Assistant] I beg you, share with us your wonderful discovery.


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[Assistant] The scientist smiled at this, and with his hands in his pockets he left the room and walked slowly down the hall towards his laboratory, leaving the three of us alone in the dining room. The doctor lit another cigar and said, This must be some kind of joke.


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[Assistant] Remember last Christmas when he somehow made that spirit appear before us? I don't know how he did it, of course.


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[Assistant] But these scientists are all very clever, and much too eager for fame and fortune.


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[Assistant] They love to show off their intelligence by tricking us into believing in their grand ideas.


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[Assistant] No one else said anything, for the scientist was just then returning to the room.


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[Assistant] In his hands he held a small metal object, no larger than an alarm clock.


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[Assistant] It looked very fragile because of all the small instruments inside.


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[Assistant] He set it carefully on the table and moved a lamp closer so that we could see it more clearly.


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[Assistant] This is a model of a machine I am building.


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[Assistant] I spent two years planning and putting it together. Well, it's certainly well made. Very lovely indeed, said Philby.


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[Assistant] This machine will make it possible for me to travel through time.


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[Assistant] Look here, this is where the passenger sits and operates the machine. Do you see this lever inside?


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[Assistant] Pushing this will send me forward into the future, however far I desire. And by pulling back that other lever, I can travel into the past.


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[Assistant] Now, doctor, would you be so kind as to give me your hand?


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[Assistant] What do you plan to do? Ask the doctor, a little frightened.


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[Assistant] I'm going to let you pull one of the levers and send this model into another time.


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[Assistant] But first, I want all of you to take a very close look at it.


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[Assistant] I want there to be no question about the reality of this machine and its abilities.


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[Assistant] I'm not playing any tricks on you. I'm showing you this model at great cost. For once this machine is gone, I will never be able to get it back.


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[Assistant] Giving the men time to examine the machine and its surroundings, the scientist again addressed the doctor. Now, please, sir, your hand.


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[Assistant] Taking the doctor's hand in his, he guided it toward the machine.


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[Assistant] You needn't be so gentle. The levers are quite strong.


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[Assistant] The doctor's finger slowly pushed one of the levers forward.


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[Assistant] The machine then started to turn round and round faster and faster until it became unclear to the eye.


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[Assistant] Moments later, it disappeared, leaving only the lamp on the table.


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[Assistant] I began to search about the room and under the table for any signs of the machine.


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[Assistant] Do you really believe that that machine is now traveling in time as we speak? asked the doctor. Of course it is.


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[Assistant] However, I could not see which lever you moved, so I'm not sure whether it is going forward or backward in time. It must be going backward, said Philby.


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[Assistant] And why do you say that? asked the scientist.


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[Assistant] Because, if it were moving forward into the future, we should still be able to see it.


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[Assistant] The scientist was excited to see us taking the machine so seriously. Smiling, he said


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[Assistant] Actually, gentlemen, it's quite simple. Think of a gun, for example.


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[Assistant] When someone shoots it, can we see the bullet as it flies through the air? Of course not. My time machine is no different.


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[Assistant] Because of the great speed at which it is traveling, it cannot be seen until it stops traveling.


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[Assistant] It can only be seen at the time and place at which it is stopped.


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[Assistant] Gentlemen, I assure you, this has not been a trick of any kind, said the scientist very seriously. Would you like to see the real machine?


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[Assistant] You'll have to come with me to my laboratory this time.


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[Assistant] The machine is much too large to bring in here.


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[Assistant] We followed him down the long hallway and into the large room that was his work area.


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[Assistant] Everywhere were scientific instruments and glass containers bubbling with different colored liquids.


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[Assistant] Please, tell me that this is some kind of joke, said the doctor.


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[Assistant] If you cannot take this seriously, you can never take me seriously.


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[Assistant] So I beg of you, please stop looking for a trick in all this. Answered the scientist.


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[Assistant] All of us stood there staring at the wonderful machine before us. None of us knew what to think of it.


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[Assistant] We all respected and admired the scientist, but this was something too impossible to believe.


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[Assistant] I looked over at Philby, who knew the scientist better than any of us, and was surprised to see him smiling. He turned to me and started to shake his head, saying softly, What if he really has done it? What if this is all for real? Think about it.


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[Assistant] Do you actually plan to risk your life in that thing? Asks the doctor.


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[Assistant] The scientist closing the curtain replied,


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[Assistant] What would be the point of building it if I didn't intend to carry out the experiment?


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[Assistant] In 1982, he bought a prized piece of real estate along the Atlantic City boardwalk. To get Holiday Inn to make a deal with him, he invited their executives to the site and made it look like construction was well underway.


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[Assistant] The Rocky Mountain News is a terrific paper. I tell you what, if you take out that paper, people will not be informed anymore. And an uninformed society breeds a lot of social evils.


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[Assistant] Hey I'm Chip Foose, we're here at Foose Design and today let's talk about the Series 1 E-Type. Now I suspect that Enzo Ferrari was talking about the convertible when he said that the E-Type was the most beautiful car in the world. What I want to play with is the coupe and how can we make that a real beautiful car.


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[Assistant] Now when I look at this car, to me it looks top heavy. The wheels are very small. The body has a real short


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[Assistant] It looks really, really tiny here. I think I would like to drop the rocker a bit. Bring that section down. To bring the car down.


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[Assistant] And then I want to play with the windshield and the side glass and the height of the top and


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[Assistant] Just kind of make it a hot rod and something that's a one-off car possibly. So the way I'm going to start is just by getting the proportions. Make it look kind of like the E-type coupe, but uh, then we'll start pushing some things around and figure out what we're going to do to it.


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[Assistant] Now that original rocker was probably about here. I'm gonna drop the whole car down. Get that section down in there. I wanna drop the car down over the top of the wheels.


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[Assistant] I think all I'm gonna do is just clean up what I've got here because I'm liking what I see so far.


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[Assistant] Just a bit more lean and, uh, a little more stylized than the original car. And what I mean by, uh, using the word stylized, I'm slanting everything a little bit. It's not so flat and square as the original car was.


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[Assistant] A lot of people have asked me what's the difference between working on a Camaro or a 32 Ford or working on this Jaguar that we just did here.


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[Assistant] And to me, there is no difference. It's just metal that you're cutting up and moving around. The biggest difference is calling across the globe to get some of the parts that you need. But other than that, it's all the same to me. Design what you're going to build and then build it.


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[Assistant] When I talk about stylizing, you can see I've given everything a little bit more of a lean. The top more of a lean. Brought the A-pillar so it's directed towards the center of the front wheel, which just kind of gives it a point to go to rather than just dropping down like it used to do. It makes it a much more modern looking car. Still has the feel of that original E-type, but just brought up to date.


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[Assistant] When I talk about design, I've always said that simplicity is elegance.


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[Assistant] And that's one of the keys to the E-type Jaguar.


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[Assistant] Shall we say lay back and flow and directing some of the lines like the A post to the center of the front axle. Brings it up to date, but doesn't get rid of that simple elegance.


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[Assistant] As you can see, I'd like to have a little fun with the coupe. Starting, I brought the roof line down. I brought the windshield further forward so it's actually the A post is coming out of the center of the front wheel. So it has an anchor.


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[Assistant] I dropped the rockers down, added the chrome trim at the bottom of the door where the front hood would lift up from. I added the waste gate in the side. I cleaned up the headlight a bit and also got rid of the big nerf bars on the bumpers, cleaned those up. Took the tail lights, the left I put on the right underneath the bumper and the right I put on the left underneath the bumper.


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[Assistant] Side window, uh, and then what I would do is, uh, add a chrome trim all the way around it, around the windshield and across the back edge of the hood, coming into the side and top of the door.


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[Assistant] Pretty simple. Larger wheels. Make a billet wheel that looks like a wire similar to what I did on the, uh, roadster that we did here at the shop. But, uh, just a simple cleaning it up. It's an elegant car, but brings it into today.


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[Assistant] Hey, this is Billie Eilish and you're watching Trending Topics with Pigeons and Planes. It's your fucking life, I don't give a fuck what you do.


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[Assistant] And you best not give a fuck what I do because it's my fucking life so fuck you, fucker. When people hate on you, listen to them because they're probably right. I mean...


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[Assistant] I think hate's funny, dude. Like when I- I love hate, like I read hate comments more than I would like-


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[Assistant] Read nice comments. Cause that's like, wow.


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[Assistant] They're creative, you know what I mean? They're really creative with what they say. And most of the shit that they say... Sorry mom. Most of the stuff that they say, I agree with. 100%. So like, listen to your haters, they're right. I was wearing these glasses one time and someone was like, those aren't clout goggles, those are clout-rejector goggles.


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[Assistant] Aaaaah. Right? Look at it. It looks like his head. But that's not, I'm not, no shade. I love Swae Lee. I love Brace Rammert. I love Slim Jimmy. Okay, nope.


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[Assistant] I make music. You know, when I'm not making music, I'm making music. I'm singing. I'm listening to music. You know what I mean? Like it's never, there's never really, it's not like I have two different me's. That one is with music and one is without. You know, so music is always there and you can't get away from it. So get a face tattoo, then we'll talk.


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[Assistant] Thanks for, uh, thanks for watching. Catch me next time I'm on something.


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[Assistant] Flora's mom has got a new job in the city. Flora says goodbye to the country. Bye, Grandma. Flora will miss the blue skies, trees, and flowers. The city flat is clean, but it's cold and empty. Flora puts pictures on the blank walls. She hangs paper clouds from the ceiling. She puts flower pots on the floor. But Flora's still sad.


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[Assistant] Do you want to go back home? No thanks. Flora looks at the flat. She doesn't want to leave mom.


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[Assistant] What do you miss most about the country? Ask mom. Flora doesn't know, but mom does. The doorbell rings. Grandma!


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[Assistant] Chapter 18 The End of Magwitch's Story


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[Assistant] Looking round all the time to check that no one was following us. Magwitch seemed quite happy, smoking his pipe and watching the water.


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[Assistant] If you completely let go of any sort of notion of universal human rights, then you're also going to be dealing with...


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[Assistant] You know, you yourself called out behaviors that were, for example, harmful to women, right? Which may be totally reasonable within the local community's ethical framework, but one that, at least in my sense, was implicit, implicitly you were critiquing.


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[Assistant] So I wanted to sort of draw that tension out and ask you how you recommend we navigate it, both at a sort of a high level than maybe specifically within one of the projects you want to do. How are you going to deal with that?


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[Assistant] I'd love to close with a student question. Based on, uh, your research, what concretely do you think that the big tech companies like Facebook should do so that they can be more catered toward local populations?


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[Assistant] We will see you all soon. Some of the folks in the group will have a chance to chat with you earlier today or later today. Thanks for ending our seminar for the quarter. We're very grateful that you joined us. We'll see you all soon.


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[Assistant] Well, perhaps he wasn't caught. Maybe in a woman. He was co-responding to something, I believe.


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[Assistant] For the first few weeks in the farmer's house, life was difficult.


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[Assistant] Everything around me was so big, and I was unable to do anything for myself.


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[Assistant] The giants had to help me with simple things, like eating food and moving around the enormous house. Luckily, the farmer's daughter, who was a nine-year-old girl named Glumdalglitch, was a kind and sweet young girl.


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[Assistant] She and I became very good friends, and Glumdalglitch was always happy to help me. Glumdalglitch's mother had taught her many useful skills, so she was able to make me new clothes.


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[Assistant] Glum Doll Glitch had a house for her dolls and toys that was the perfect size for me to live in. In this doll house, I was able to sleep and live comfortably.


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[Assistant] She called me Gryldrig, which in the Giants language means the tiny man.


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[Assistant] In the next few weeks, Glymsoglitch became my teacher. She taught me much of the Giants' language.


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[Assistant] I learned that this land was called Brobdingnag.


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[Assistant] I felt that the farmer and his family were very kind to me and I was thankful for all their help and protection in this land of giants. Although I was small, I tried to help the family in any way I could.


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[Assistant] If the farmer asked me to do something, I was always happy to do it. One day some other giants came to visit the family.


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[Assistant] The farmer asked me to entertain his guests by showing them my skill with a sword. I was happy to do this.


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[Assistant] Because I knew that the other giants would be interested to see a tiny man. I put on a show for the farmer's guests and even was able to speak to them a little in their language. The other giants were very pleased with me. After I had entertained the guests, one of the giants told the farmer that the people of Brabdingnag would pay lots of money to see me and watch me perform.


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[Assistant] The next day was the day that all the giants went to the market to buy and sell fruits and vegetables.


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[Assistant] The farmer decided to take me to the market so that I could entertain people while they bought things.


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[Assistant] He woke me up early that morning and I saw that he had prepared a small box for me to sit in.


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[Assistant] He had cut small holes in the top of the box so that I could breathe. I did not like the idea of sitting in a small dark box, but I wanted to be polite to the farmer.


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[Assistant] Glumtalklich was worried that the giants in town might be too rough with me and hurt me in some way. She cried as her father closed the box with me inside it. She told her father that she was coming with us whether he liked it or not.


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[Assistant] The farmer agreed, and all three of us got on his horse and rode into town.


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[Assistant] The giant horse's quick movements made me feel as though I was on a ship in a terrible storm. I began to feel very sick in the small box. Luckily, Glumdalglitch asked her father to stop every few minutes so I could rest a little.


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[Assistant] When we arrived at the market, the farmer asked some boys to tell everyone that he had found a tiny man and that the man would perform for everyone at the town's inn.


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[Assistant] Once we were Indian, the farmer let me out of my box.


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[Assistant] I stood on a large table with Undelglitch sitting next to me. She explained to me what the farmer wanted me to do.


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[Assistant] She told me that I should first greet each visitor in their language and then drink a toast to their health from a tiny glass. Next, I should show everyone my skills with a sword.


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[Assistant] The farmer sold tickets to this performance at the door of the inn. Because the room was small, he would only allow about 30 people to see me at one time.


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[Assistant] After my first performance, the news of a tiny man in Brabdingnag spread quickly through the town.


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[Assistant] Everyone was excited and was willing to stand in long lines just to be able to look at me. The farmer made me do 12 performances that day. He did not allow me any rest or time to eat. After eight hours of this work, I was extremely tired and hungry. The farmer's actions made me angry.


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[Assistant] I was not an animal or a toy, and I wanted to be treated with respect.


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[Assistant] The farmer made so much money that day that he decided to bring me to the inn the next day as well.


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[Assistant] Also many people had heard of my performance and went to the farmer's house wanting to see me. When the farmer realized that he could make money just sitting in his house, he made me perform for people every day.


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[Assistant] For the next two months, I did ten performances every day and was tired and hungry much of the time.


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[Assistant] All my good feelings for the farmer disappeared, but I did not know what else to do. I certainly could not escape, because I could not feed or care for myself alone.


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[Assistant] Luckily, Glumdoklic was still my good friend. She cared for me every evening after I was finished working. Her friendship helped me to tolerate all the long, boring performances.


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[Assistant] One day, the farmer decided that he would become even richer if he took me to perform in the capital city of Brabdingnag. This city, called Lorbrogerud, was hundreds of miles away. During our journey,


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[Assistant] The farmer wanted to stop at many towns and villages so that I could perform for the local people.


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[Assistant] Glumdelglitch prepared a new box for me to travel in. This box was like a little house, filled with a small bed and some other furniture. On October 12th, we began our journey to Lorbrugge.


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[Assistant] Each day we would stop in one or two towns, and I would perform many times for the townspeople.


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[Assistant] After two weeks, we finally arrived in Lorbroughood. The farmer rented a room in the largest inn in the city and decided to use this inn for my performances each day.


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[Assistant] I began to think that I would become seriously ill.