[User] Please transcribe this text

[Assistant] If you're just watching this video, make sure you check out the playlist. All these things have been covered over there, what is scanner and everything. Okay.


[User] Please transcribe this text

[Assistant] So the idea is that we're gonna take input from user till user does not press x or x. Okay. Till that time we are going to keep taking like input from the user. First we are going to take the operation from the user.


[User] Please transcribe this text

[Assistant] And like plus minus into or divide and, uh,


[User] Please transcribe this text

[Assistant] So basically I can create an infinite while loop over here, that while true, okay, while true, char ch, take the, take the character input, take the,


[User] Please transcribe this text

[Assistant] Operator as input, so I'm just gonna say char ch is equal to what? Uh, or my operation, my operation, uh, operator in, is equal to what? In dot next, no, no, no, no, next dot trim.


[User] Please transcribe this text

[Assistant] Now, basically, I'm just going to make a check. I'm basically going to check that if


[User] Please transcribe this text

[Assistant] My operator is equal to equal to you know plus or my operator is equal to equal to


[User] Please transcribe this text

[Assistant] Minus or my operator is equal to equal to multiply or my operator is equal to equal to divide.


[User] Please transcribe this text

[Assistant] Because if you add something as an op, uh, if you add this as a character, oh, this can also be a, uh, you know, remainder thing. So I can say, or if my operator is equal to equal to model. You can also, you know, get very, but if you add something like and,


[User] Please transcribe this text

[Assistant] That should not give you any answer, right? You're not using bitwise operators. If you add something like dollar, okay? So what, what is that dollar? Dollar is nothing.


[User] Please transcribe this text

[Assistant] So that is why we are taking only these five basic operators. Okay. Now what we're going to do is we're going to input two numbers.


[User] Please transcribe this text

[Assistant] Num 1 is equal to int dot next int. Int number 2 is equal to int dot next int.


[User] Please transcribe this text

[Assistant] Or not print. I can just say I take my result over here somewhere. I can say my int answer.


[User] Please transcribe this text

[Assistant] Is equal to zero, and in the end I can just say print answer.


[User] Please transcribe this text

[Assistant] Ah, makes sense, because, uh, I haven't added like, uh, the condition to break this while loop right now. We'll do that. Because this is an infinite while loop.


[User] Please transcribe this text

[Assistant] And we have to make a condition to break it which is whenever the user inputs x because currently there is no condition for that and it will keep on running infinitely hence we need to put a condition for that as well.


[User] Please transcribe this text

[Assistant] Anyway, in this case I can say answer is equal to, um, what? num1 plus num2.


[User] Please transcribe this text

[Assistant] That is it. Then I can say, just copy paste this. If operator is equal to equal to minus, answer is equal to num1 minus num2. If operator is equal to equal to, you know, multiplied, I can say answer is equal to num1 into num2. If operator is equal to equal to divide, I need to basically here make a check.


[User] Please transcribe this text

[Assistant] Okay, I need to make a check that, uh, you know, if number 2 is not equal to 0 because you cannot divide by 0,


[User] Please transcribe this text

[Assistant] Then I can say something like answer is equal to num and divide by num.


[User] Please transcribe this text

[Assistant] Something like modulo, see I can just add, answer is equal to num1 modulo num2.


[User] Please transcribe this text

[Assistant] Okay, now the last thing is that, uh, if this is not the case, okay, if these are not the operators, then, uh, basically it means that you input something like x. So in that case, you can say something like, uh, you know,


[User] Please transcribe this text

[Assistant] Otherwise, it's, let's say, not a particular operator or not a, you know, either X or capital X. In that case, you can just print.


[User] Please transcribe this text

[Assistant] Something like that. Straight out, let me add some, let's add some like, uh,


[User] Please transcribe this text

[Assistant] Then an operator, let's say plus, enter two numbers, three and four.


[User] Please transcribe this text

[Assistant] It should actually display the answer as well at every point.


[User] Please transcribe this text

[Assistant] Okay, so basically I can display the answer, I forgot to display, this will not, uh, yeaah. I can display the answer over here after every operation.


[User] Please transcribe this text

[Assistant] Basically it was outside the while loop, so uh, it will only display like one answer, but I need to display at every point of time. Don't think I need the extra lines over here, so I can just remove the new line statements.


[User] Please transcribe this text

[Assistant] Enter the operator, plus enter two numbers, three and four, answer is seven.


[User] Please transcribe this text

[Assistant] It is asking for the operator again because you can see.


[User] Please transcribe this text

[Assistant] There's an infinite while loop. So infinite while loop, it says,


[User] Please transcribe this text

[Assistant] You know, enter the operator, it's saying okay, input it. If it lies over here, cool. And then it's going to ask for, you know,


[User] Please transcribe this text

[Assistant] Uh, it's gonna print the answer and then ask for the operator again. If it lies over here, cool, because I initially mentioned there are three conditions, one if condition,


[User] Please transcribe this text

[Assistant] It should give me 12. 12? Now let's say I input x. Program over.


[User] Please transcribe this text

[Assistant] So when I input x, it's going to say, does x lie over here? Does this condition satisfy x? It's going to be like, no, it does not. Then it's going to check. If else, else if operation is equal to, it's going to be like, yes it is, break outside the while loop.


[User] Please transcribe this text

[Assistant] I can also try some other operator like this, saying invalid operation, enter the operator again. Okay.


[User] Please transcribe this text

[Assistant] That's basically the idea. Very simple stuff. You can try to make a flowchart of this if you want. It's gonna be pretty big, but it's gonna be good practice. And just a lot of copy-pasting over here, and uh, yeah, simple, simple calculator program.


[User] Please transcribe this text

[Assistant] Make sure you check out the links in the description. I'll be uploading the assignment and notes and everything. And, uh,


[User] Please transcribe this text

[Assistant] From the next session, we'll be doing arrays, which is going to be bringing us very many amazing things, sorting, searching, and I know interview problems as well. So make sure you subscribe and I'll see you in the next video.


[User] Please transcribe this text

[Assistant] I think, uhm, our mutual friend, Brian Kaczynski. Shout out to Kaczynski. Uhm, yeaah, big shout out to him. He had this, where my office was, eh, in this building called Lacuna, he had the Baker, he had like his BMX track in there, and it was super cool, it was really dope. Do you know why that got shut down?


[User] Please transcribe this text

[Assistant] Yeah, cause he used to be in like the, I think wasn't he in like the wonder, the old like bread factory? I never went to the first one.


[User] Please transcribe this text

[Assistant] I've been to a bunch of video shoots in that bread factory. Right. Uhm, cause it like, rapper, it was such a grim looking location that rappers were always used to shoot videos and you could just walk in.


[User] Please transcribe this text

[Assistant] Yeah, I was just a guy going to shows, man. I was, you know, I've, I've been listening to hip hop since I was eight years old. Always loved the culture, wanted to work in it, but it's, you know, it's way easier for people to get into it now. Like if you were trying to get into industry now, it's so much easier. But like, as you know, like 10 years ago, there was none of this, what we're doing right now. This didn't exist.


[User] Please transcribe this text

[Assistant] You know, years later, I'm in Chicago going to shows.


[User] Please transcribe this text

[Assistant] And I would read them and I would be like, you know, they're great. I used to read Byron Crawford all the time. And then, uh, Nas, uh, Cocaine Blunts was one of my favorite ones. And then Early Not Right. And I'm like, man, I could do this. Right. You know, I can write about this stuff. I have as, you know, as much knowledge to, to, to cover this stuff. So.


[User] Please transcribe this text

[Assistant] Unless you were like Kanye, Common, Lupe, or Twista, you weren't getting any national love. Right. But there was all these things happening. It's like national artists would come to Chicago and their shows would be like half full. Right. But like the cool kids would have a line down the street. Right. Around the corner, people trying to get in and dying to be a part of it. I'm like, there's something special here. We need to jump on it.


[User] Please transcribe this text

[Assistant] And that's just always weird to me when there's like, I feel like you have to get the certain couple websites to talk about you before everybody else will.


[User] Please transcribe this text

[Assistant] They're on every website and you think that they're way bigger. And I mean, that's what kind of also happened, you know, with the.


[User] Please transcribe this text

[Assistant] Alright guys, that's fine and you, you do need to pay attention to that cause that's what's like hot in the city right now, but like, you know, there's like a kid named Chance the Rapper who's, you know, he's selling out 500 cap rooms and doesn't even have a mixtape yet. Right. You know, so like there's other stuff going on here, but it took them years to like, to figure that out. Like people just, you know,


[User] Please transcribe this text

[Assistant] But so, what was your, uh, so you just started a blog? Like, how did this go down? I just started it, like, I literally one morning, I woke up, I was like hungover, and then the name Fake Shore Drive popped in my head, cause it was, you know, based on Lakeshore Drive, which is like a famous, you know, road in Chicago. Right. And I'm like, I'm just gonna call it that.


[User] Please transcribe this text

[Assistant] And, I'll just start writing. Cause you know, the hardest part is, is like, taking the chance to do it. Cause you're like, uh, is this, is this dorky? Cause blogging was definitely not cool then.


[User] Please transcribe this text

[Assistant] The blog game wasn't as saturated as it is now or was even five years ago. You know, ten years ago it was...


[User] Please transcribe this text

[Assistant] They're, but still people kind of all doing the same thing, right? They were covering national stuff. So I was like, well, how can I be different? Right. Because I'm just not going to write a, if I write about what everything, you know, there's already an outright, there's already a two dope boys and they're covering everything. Like I got to separate myself somehow. Right. And so I focused just on Chicago.


[User] Please transcribe this text

[Assistant] And people thought I was crazy. People were like, this is not going to work. You're going to be out of business. I mean, it was just a hobby. It wasn't like I ever thought I would be able to do it full time.


[User] Please transcribe this text

[Assistant] That was pretty soul draining, huh? I mean, it just, and I'm not knocking anybody cause people love it. People, it just wasn't for me. You know, my heart was in music and I had to try to figure out how to do it. So thankfully I was able to eventually make that happen.


[User] Please transcribe this text

[Assistant] Get in touch with like No I.D. and the legendary Traxtor and I think one time that was


[User] Please transcribe this text

[Assistant] You know, I had no connections, I didn't know anybody, I didn't know one rapper. I think Chuck English was like the first guy that I met. And he showed love, he was cool, but like, you know, I was just a fan.


[User] Please transcribe this text

[Assistant] And so I really, you know, think that part of my success has been...


[User] Please transcribe this text

[Assistant] I have this resurgence with no ID and good music and he was kind of affiliated with them a little bit and then that all fell apart. Yea, cause he had like Kanye verses at one point, right? Yea, I mean, Kanye produced like four or five songs on what was going to be his Atlantic debut. It could have been huge, yea, it's crazy. It could have been, I thought, I mean, I think everybody


[User] Please transcribe this text

[Assistant] And I mean, Twista is kind of a street artist, right? But like, he still is known for like slow jams and overnight celebrity. Like he wasn't like a, you know, his street songs weren't the ones that were, that made him famous. Uhm, so I think that kind of side of Chicago had been suppressed.


[User] Please transcribe this text

[Assistant] Uh, nationally, uhm, for a long time. And Keith was just right there at the


[User] Please transcribe this text

[Assistant] And I was like, you would see those views, and I'd be like, man, these views, these


[User] Please transcribe this text

[Assistant] The, the next, uh, generation of like Waka Flocka and Gucci Mane. I mean, it was more influenced by the southern stuff. But yeaah, I was drawn to it. At first, I was like a little, like,


[User] Please transcribe this text

[Assistant] See the thing about when, when Keith and all those other guys and King Louie and Reese and everybody, when they started taking off, uhm, you know, there was other rappers in line.


[User] Please transcribe this text

[Assistant] And, you know, us covering it rubbed some people the wrong way.


[User] Please transcribe this text

[Assistant] And that's what I did. I mean, I let them know, hey look, you know, we're covering everything. We're not just, but you can't ignore it. And I, and I always thought it was weird when people would try to say, you know, you don't, you should leave them alone. You should not, like you want to, you really want to suppress these kids? Like you don't want these kids to get their messages out regardless if you, you know, think,


[User] Please transcribe this text

[Assistant] You know, cause they had their time and then it was like, you know, Chance and Vic Mensa and all those guys like to save money, Joey Perpin.


[User] Please transcribe this text

[Assistant] The coverage was just of the drill. The outside media publications that were really exploiting it were only covering the negative. And so that created even more bad attention. And I think that's what made a lot of people upset too. Right. Because it was like, hey, there is other stuff going on here. And I think once that coverage got balanced, it kind of chilled everybody out.


[User] Please transcribe this text

[Assistant] Uhm, he was around, like I knew Vic Mensa since he was like 15.


[User] Please transcribe this text

[Assistant] Uhm, used to be a writer for Fake Short Drive, and so he put me on to Chance. And so he brought him to my office, uhm, like late 2011.


[User] Please transcribe this text

[Assistant] And I could just tell by some of the stuff that they were doing, like he would go to, uhm,


[User] Please transcribe this text

[Assistant] You know, he, he was doing his thing and those Save Money guys were definitely popping around that time. Uhm, and then you kind of had G Herbo and like Bibby who were starting to take off and do their thing as well.


[User] Please transcribe this text

[Assistant] Um, and they were kind of labeled as drill, but they're really not drill. They're more of like a lyrical type of thing. And then you had the females like Tink and Drizzy. Right.


[User] Please transcribe this text

[Assistant] He's gone. He had to get out of Chicago. It was just too much. He was getting arrested all the time. Cops were always at his house. They moved out to the suburbs. There was even more trouble out there. So it was like, alright.


[User] Please transcribe this text

[Assistant] Uhm, you know, a lot of different things happen between the artists. They all got deals. And I think once...


[User] Please transcribe this text

[Assistant] I think once like the labels got involved and like, you know, when they were all together making music, it was beautiful, right? The music was great. Everybody was kind of playing their roles, but like once people saw that they could make money from them, you know, whether it be managers or labels or production,


[User] Please transcribe this text

[Assistant] You know, groups, whatever, come in and it broke up the chemistry.


[User] Please transcribe this text

[Assistant] It just, people started beefing, rival crews started getting into it and there was jealousy and hatred and then that kind of like, that scene just kind of imploded.


[User] Please transcribe this text

[Assistant] And it definitely, I think people taught people a lesson, like, you know, if you have these opportunities, you can't squander them.


[User] Please transcribe this text

[Assistant] Uhm, but Keef is still like a cult-like figure. I mean, I thought people like wanted to say that he was going to be done. People wanted to be like, he's done. He got dropped from Interscope. He's a knucklehead. Like he's done. We don't, you know, I think that's what, uhm, people wanted. They wanted him to fail. And that's what kind of upset me. People like wanted him to fail and he didn't.


[User] Please transcribe this text

[Assistant] You know, you should, maybe you don't agree with his content or you don't like him, but like, you know, you shouldn't want to see one of these, you want to see this kid make it. Right. And, cause once they start seeing other things and touring and getting around the world, like, their, their point of view is going to change and they can help other people.


[User] Please transcribe this text

[Assistant] It just didn't work out like that, but then, you know, he drops finito.


[User] Please transcribe this text

[Assistant] If I had to and, you know, I was running it from my desk, right? I was running fake short drive like.


[User] Please transcribe this text

[Assistant] To have a successful blog at that time, you had to do, you know, 10, 20 posts a day.


[User] Please transcribe this text

[Assistant] Like around 2010 is when Ty came on, uh, some guy named Ty who's been around ever since, and uhm, you know, we've had different writers, but pretty much mainly me and then Ty for sure, like.


[User] Please transcribe this text

[Assistant] We're doing it. I mean, I still update it to this day every day. Uhm, so I was able to quit around then. My wife was the one that really, she was not my wife then, but she was the one that really pushed me to do it. To like,


[User] Please transcribe this text

[Assistant] She's like, you gotta do it now, we don't have kids when I'm married. Like, if you don't take this chance and try to at least do it full time now.


[User] Please transcribe this text

[Assistant] You know, you're never gonna do it. Right. So just do it. If you fail, I got you. Right. Uh, you know, she had, she has a job so she could, she could support us if something went wrong. So, you know, everybody tried to talk me out of it. That's a hell of a woman you got in your hands. I know, right?


[User] Please transcribe this text

[Assistant] Then I started working with brands and that's what I really enjoy doing. Okay. Uhm, probably, you know, my biggest client or partner that I work with is Red Bull.


[User] Please transcribe this text

[Assistant] Uhm, so like, okay, for example, with Red Bull, what I do is, I'm part of their, uhm, was one of the first curators for this program that they have called Sound Select, right? Right. So...


[User] Please transcribe this text

[Assistant] Uh, you know, get a big headliner and then we want to bring on two local artists who are like on the rise. And then we're going to bring them through the Red Bull system. We're going to get them on shows. We're going to put them in the studio with other people. We're just going to try to give them an opportunity because there's not as much money in the music industry and we want to do cool stuff. We're not trying to overly brand it or anything like that.


[User] Please transcribe this text

[Assistant] So some of the artists that I brought in, uhm, to Sound Select, I brought Chance in.


[User] Please transcribe this text

[Assistant] So like, Lucky X, like a lot of the different, you know, uh, uh, rappers who've been hot in Chicago, I've brought them through that system. Um, Smino, they've had great success. They've been on tours with them.


[User] Please transcribe this text

[Assistant] And you know, I under promise and over deliver. So everything, every show that we do sells out. It's crazy lying down the street.


[User] Please transcribe this text

[Assistant] You know, a lot of special guests. Uhm, and just, you know, give them what they want. Give them more than what they want. And they've been great to me and, you know, that's why I'm here in LA doing the show tonight.


[User] Please transcribe this text

[Assistant] Yeah, so you know, you were where my office was. Yeah. Right? And I got rid of that office. I don't have that office anymore.


[User] Please transcribe this text

[Assistant] You know, I would have to try to time it to go when like, I didn't think people would like, you know, I got to go like really early in the morning and like get out of there by like two or three o'clock because people just come knock on my door all day. And like, if I didn't lock it, like I'd always have to lock it, but if I didn't lock it, like people just walk in. So like people would just like walk in and start rapping.


[User] Please transcribe this text

[Assistant] I don't get involved with any of that stuff. You know, I'm a, I'm a, you know, I'm a nice guy. Right. I don't, I've never ripped anybody off. I've never taken money for a post. I've never, you know, tried to sign these kids. I don't try to put them on paperwork. And that's what people always tell me like, you need to sign these kids and start getting paid off them. But I'm like, dude, that's not.


[User] Please transcribe this text

[Assistant] Most kids that are getting in the music industry don't know. I think people are more educated today about it, but there's sharks. You know, there's a lot of the old school guys in Chicago that would just want to, you know, you know, they see blood in the water and they're going to try to get in and sign them and, you know, take away, you know, put them on some crazy like 10 album contract or something like that.


[User] Please transcribe this text

[Assistant] People offer me all kinds of money, all kinds of crazy stuff to get post, but you just, it's not worth it. I wouldn't be still in business if I was taking money.


[User] Please transcribe this text

[Assistant] And you just learn from like a lot of the older Chicago DJs that were taking money to play people's stuff on the radio and people get shanked and beat up.


[User] Please transcribe this text

[Assistant] You know, you start playing with people's money that people feel like they own you. Right. You know what I mean? And so like, you know, they give you a thousand bucks for, you know, a post or a couple posts and then, you know, remember that time I gave you a thousand bucks? Yea. Like, you know, you need to keep- It'd be a shame if people knew about that. Right.


[User] Please transcribe this text

[Assistant] And Instagram, like they have, people have their own followings on there, right? And now you have Twitter personalities, like releasing music. People are not going to blogs anymore. Or if they're going to blogs, they're going to like one of the big four, you know, they're going to fader complex or noisy or pitchfork or something like that. You know, whereas a lot of the,


[User] Please transcribe this text

[Assistant] Because now, you know, once all the bigger sites saw that, you can't compete with a site that has all this crazy, crazy traffic and has 30 employees.


[User] Please transcribe this text

[Assistant] And then now, like, you can just follow the artists that you want. Like, and you can just follow them and you don't have to go to a blog. Like, people want the content right there and you don't even have to leave your Twitter timeline to listen or watch stuff now.


[User] Please transcribe this text

[Assistant] You know, people saw like a lot of the good work I was doing for different companies and you know, they would want to come in. And so like the stuff that people told me I was crazy for in the beginning.


[User] Please transcribe this text

[Assistant] You know, you just focusing on Chicago or being in Chicago is going to be the kiss of death for you. You're never going to succeed. Right. But it's like, no, it's been very beneficial because I'm the guy in Chicago, right? So they're calling me because they want to try to get in the market.


[User] Please transcribe this text

[Assistant] Everybody leave. Like so many people leave Chicago, you gotta have people there. You gotta have people there. And I think I carved out a niche and I have my own thing there. I think, and I don't know if it would make sense to leave. Cause I can come out here all the time, but I think maybe I could hit a ceiling.


[User] Please transcribe this text

[Assistant] Like you know, it's just, the beauty of it is, you know, we can, you can get information out so much faster.


[User] Please transcribe this text

[Assistant] It was fun, I enjoyed doing it. So to see somebody like you have so much success with it and, you know, cause it's a labor of love and it's difficult to keep a following


[User] Please transcribe this text

[Assistant] I'll cross those lines. I don't necessarily, I don't necessarily care, but you know, he, he has that and he's a really good writer. I mean, he's one of the, he's one of the better writers I think of today. I mean, he's amazing. So he kind of looked at it from a different perspective, but he was really going in depth where I try to say,


[User] Please transcribe this text

[Assistant] You know, I was not like a journalist. I taught myself how to write because I was doing the blogs every day. Uhm, and I can write. I don't necessarily, it's not like my favorite thing to do. I can if I want to. But my thing is trying to say the most with saying the least. You know, I'm trying to make like really wordy things. I just try to be direct about it.


[User] Please transcribe this text

[Assistant] But I don't know how, like sometimes I've clicked on stuff and it was like, you know, you find this gem and then other times, most of the time it's just like, it's a lot of just terrible stuff. There's no hard end to it. You know, like you can just tell by the way they're rapping, like they're not really even interested in it. They're just


[User] Please transcribe this text

[Assistant] It's a lot easier and it just, you know, I feel like I've been doing it so long that I kind of have a method to the madness and I can almost eyeball something and be like, that's not going to be good.


[User] Please transcribe this text

[Assistant] And I think my track record, I mean I've had some, I've had a good track record of, you know, discovering these artists in Chicago and putting them on and, and telling people about them that, you know, I think that I've kind of have a good eye for that. Right.


[User] Please transcribe this text

[Assistant] Uhm, you know, I try to keep, try to keep up with as much as I can. You ever have a conversation with Kanye?


[User] Please transcribe this text

[Assistant] I have. How was that? Uhm, I've had a few conversations with Kanye. They're always interesting. And he gets what you do or? I don't know.


[User] Please transcribe this text

[Assistant] Like, okay, one time we talked and he was like really nice and he was like, oh, that's cool, you know, blah, blah, blah. And like, we have mutual friends. So I know all his people and I've been, you know, backstage at his shows and I've been around him a number of times, but like,


[User] Please transcribe this text

[Assistant] I don't know, it's just, it's always like, like there was that one point where he wasn't talking.


[User] Please transcribe this text

[Assistant] Like the Kardashians were back there and like Stevie Wonder was back there. It was just like the weirdest situation I'd ever been in. There's all these like real celebrities. Not like just, not to say that Chicago celebrities aren't real, but it's like, like these are Hollywood people. These aren't people that are in Chicago. You know what I mean?


[User] Please transcribe this text

[Assistant] And like I went up to him, he was just kind of sitting in the corner by himself and he was just having like people come in and like say hi to him. And I went up to him and like, they were like, yeah, Andrew's here and he just like bowed his head and like shook my hand and like gave me a hug.


[User] Please transcribe this text

[Assistant] And then like nodded his head and like approval, and then that was it.


[User] Please transcribe this text

[Assistant] I mean, and, and, more so than the fa- in the fashion. Right. I mean, that's where, that's, that's how he's been able to transcend these, I mean, he's like the god to these kids. Right. You know, they all want to dress like him, they all...


[User] Please transcribe this text

[Assistant] I mean, you got guys like Famous Dex who are doing their thing, so you have, you know, there's a, there's just a lot of different stuff now, and it's cool to


[User] Please transcribe this text

[Assistant] And you know what's crazy is, is that it's five years. It's about to be the five year anniversary when all that stuff happened. So like, such a short period of time, really.


[User] Please transcribe this text

[Assistant] The lifespan of a hip-hop artist, unless you're one of the greats, is like three to five years.


[User] Please transcribe this text

[Assistant] And like if that, in the windows open, like you better get, you better get your full body through it and like, don't, I think what a lot of people do is they, they get hot, you know, they start getting some money, women, more people in their ears, they start getting lazy.


[User] Please transcribe this text

[Assistant] And then, like, they get lazy or they don't work on their stage show so people don't go see them live. And then it's easy, then it's easy to fall off, then it's easy, cause there's so many rappers now and they're coming out faster and faster and they're getting younger and younger.


[User] Please transcribe this text

[Assistant] You know, the, the, the industry is gonna change. You know, I've just from, you know, the decade that I've been doing it, it's changed over a few times already. And like people who were hot, you know, when I started fake short drive,


[User] Please transcribe this text

[Assistant] Not, you know. Could not sell 10 tickets to a show now. Some of the people who used to be able to do 500 or 1,000. Yea, right. Guys that were doing like the House of Blues 1,200 tickets, you know, now they're doing, you know, 300 cap rooms. It's that. So it moves fast. You gotta take advantage of it. You gotta strike while the iron's hot.


[User] Please transcribe this text

[Assistant] What do you, what do you think you're going to be in five years? I'm like, I don't know. You know, I'm just trying to stay.


[User] Please transcribe this text

[Assistant] Right, cause if it gets stale, then people will move on. And even as you get older, like, you know, I'm way smarter and knowledgeable than I was 10 years ago, but like,


[User] Please transcribe this text

[Assistant] Not at every show. And I think you have to be, you have to be, you have to be rare with your appearances and you have to, um, you know, cause I think sometimes like you show up plays that people like they expect that it like as a, that's like a cosign and then like their rates could go up or something like that. Like, Oh, barber's here at the show. Like this guy must be next. Like what, you know,


[User] Please transcribe this text

[Assistant] It's a fine line. It's a fine line. And as you see, everything's changing, right? And I think even streaming has hurt like blogs. Cause I think people...


[User] Please transcribe this text

[Assistant] Are looking to, you know, just try to get on the Spotify rap caviar list now. People want to get on the playlist. You know, I think people care more about maybe getting on. And I think even within the next couple years, you're going to see that.


[User] Please transcribe this text

[Assistant] Because now people are just putting their music on, on Spotify or Apple Music, so there's more money coming in again.


[User] Please transcribe this text

[Assistant] But at the same time, man, I think, you know, I saw a lot of people...


[User] Please transcribe this text

[Assistant] But now I think they're starting to figure out how to make money again. And I want to see people succeed, you know? Obviously everybody's not going to make it to the level of a Chance the Rapper. You know, very few, if anybody, ever will make it to that type of level. But there should be people that are able to make a living doing it and be able to tour and, you know,


[User] Please transcribe this text

[Assistant] You know, you don't have to be a superstar to make a living off, you know, doing what you love and doing music. Right. And so that's kind of what we've always stood for is to try to help those people.


[User] Please transcribe this text

[Assistant] We still can't break artists on the radio in Chicago. Really? It's, it's, it's hard and it's been difficult and that's why we, we do the Shade 45 show. Right. It's to play, you know, artists that are not getting radio play anywhere on uhm, you know, a satellite station.


[User] Please transcribe this text

[Assistant] People have lost so much money because they can't do shows. They can't do shows within like 60, 60 miles of Chicago.


[User] Please transcribe this text

[Assistant] Uhm, especially the drill artist. And I think that will eventually change, but like I was supposed to do a talk with Lil Dirk at the Apple store.


[User] Please transcribe this text

[Assistant] On Michigan Avenue when his last album came out and that got shut down like a couple hours before it was gonna happen. Somebody from the city or police department.


[User] Please transcribe this text

[Assistant] I think it's, I think it's, it's definitely, they erase, you know, there's a lot of racist cops that don't like what they're doing and there's always problems with, you know, the Chicago police department and, and, and the black community in Chicago. There's, you know, there's, there's documented, you know, kids are getting shot unfairly and it's just, it's a mess. And so I think there's a lot of just power struggle between those two, uh, entities.


[User] Please transcribe this text

[Assistant] You know, people don't want, you know, when it starts getting closer to downtown, you know, Michigan Avenue, they don't want any problem over there because that's where all the tourists come. That's where all the high end shops are. So when it starts getting in their backyard, that's when they start getting like overly worried about it.


[User] Please transcribe this text

[Assistant] It was improved. I mean, the murder rate had declined. I mean, but it's now back up the highest since like the nineties, but it had been declining every year for like 20 years and now it's back up, but it's just, you know,


[User] Please transcribe this text

[Assistant] It's just a lot of crazy stuff going on, man. It's like people don't respect each other's lives and...


[User] Please transcribe this text

[Assistant] And it's not even about money or like drugs anymore, it's really about like, you diss me on social media. And I do say this like, social media is probably going to be our undoing as a society.


[User] Please transcribe this text

[Assistant] I don't think that that ever got solved. That was a very sensitive issue. That was a, that was like, that was like kind of like the beginning of the end of like the drill. Right. Like that kind of impl- it caught all


[User] Please transcribe this text

[Assistant] Uhm, you know, I had people that were cool within the industry, but you know.


[User] Please transcribe this text

[Assistant] The music industry is weird. A lot of people don't want to help you. I don't feel like, I never had a mentor or anybody that like really showed me the way. So like I had to get tough and get a thick skin and try to climb my way up. Cause it's not like,


[User] Please transcribe this text

[Assistant] People give me looks, I mean, eventually like a Red Bull who's been great to work with, you know, they've done more for me than anybody. It's not like...


[User] Please transcribe this text

[Assistant] I didn't really have anybody to really put their neck out. And I think a lot of times maybe people feel threatened when they see the next generation person coming up. They don't embrace them. They don't, you know, I don't want to lose my job to him. And I'm not saying that's the case, but I feel like that's kind of the music business mentality.


[User] Please transcribe this text

[Assistant] And let me, let me just say this, like, and it's, it's, we're, we're still figuring this new era out one, cause it's one day at a time.


[User] Please transcribe this text

[Assistant] So like, what happens when you're a rapper and you become irrelevant but you still have like 2 million Instagram followers?


[User] Please transcribe this text

[Assistant] Yeah, uhm, at FakeShortDrive on all social media, Instagram, Twitter, fakeshortdrive.com is the website.


[User] Please transcribe this text

[Assistant] Chateaus. You mustn't think of these things. I know, I know.


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[Assistant] The forces that will prevent your marriage are desperate and will stop at nothing. We shall proceed seeing no one, speaking to no one.


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[Assistant] Oh, senora. Dona Clara, please, may I not even say goodbye? You will leave a note. It'll be easier that way.


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[Assistant] The princess begs to inform you that out of loyalty to her countrymen, she will appear at the ceremony tomorrow and submit to marriage with the French Duke. Until then, she wishes to be alone.


[User] Please transcribe this text

[Assistant] And may I further remind you that I am being held responsible for the success of the marriage ceremony. And I assure you I don't intend to fail.


[User] Please transcribe this text

[Assistant] To see how it came to this, let's quickly review the history of modern American racism.


[User] Please transcribe this text

[Assistant] You know, and seeing that church and the graveyard and the red brick wall that's still there, still around it. And, uh, when I was about eight or nine years old, I heard these stories about these groups of people called them, they know nothings.


[User] Please transcribe this text

[Assistant] And uhm, that the Irish-American community, uh, gathered around the church, not just the men, but the women and the children too, and the groups of know-nothings who came down from, uh, Bowery down Prince Street.


[User] Please transcribe this text

[Assistant] Uh, we're stopped by that and turned away and, uh, uh, I was surprised to hear that story because, um, eight or nine, I thought everybody, there was no problem coming to America that when, uh, when immigrants came in, uh, uh, everybody just assimilated. There was no, you know, uh, what was the problem? I was surprised to hear about the, uh, the, uh, the, uh,


[User] Please transcribe this text

[Assistant] The anger and the rage against Catholicism and the Irish at that time. And so I started doing a lot of...


[User] Please transcribe this text

[Assistant] Finding these old books from the period about St. Patrick's Hall Cathedral and researching. And then I found the book, Gangs of New York. And what did that do for you?


[User] Please transcribe this text

[Assistant] Well, that really made it very clear in my mind that, uh, that there was a whole section and a sense of, uh, uh, in a way you'd call it American history, it's New York history.


[User] Please transcribe this text

[Assistant] Uh, that, uh, was not really taught, uh, to many of us at school. I think, uh,


[User] Please transcribe this text

[Assistant] Where we thought about the Civil War, that there was a North and a South, I mean, elementary schools, not, not later, but, but especially, I'm talking about an education and elementary school in the 1950s.


[User] Please transcribe this text

[Assistant] And, uh, when I read the Gangs of New York, the, the, the, the Herbert Asbury book, uh, uh, the richness of the life of the underworld in New York at that time, and particularly the place of the Five Points, which, uh, was termed the worst slum in the world.


[User] Please transcribe this text

[Assistant] No, what they did to him was to take him to an old mission. The brewery. The old brewery mission, I should say. They had a class of young immigrant children who all cleaned up and they showed them a class of immigrants being taught arithmetic.


[User] Please transcribe this text

[Assistant] Yeah, I really felt, I, I felt that, uh, I felt I wanted to create that world that nobody's really ever seen before in film. Kind of a, a world that, uh, uhm, in a, in a sense, the foundation from all...


[User] Please transcribe this text

[Assistant] Ultimately, ultimately getting my head around what exactly the story I wanted to tell was. Because for me, the book.


[User] Please transcribe this text

[Assistant] He had me come down to, uh, to, uh, hear a reading of the script and I didn't like the way the script was going. It was written by, actually, Wesley Strick was really good. But it was this, uhm, I just, and also, the original Cape Fear is a very good film, so I said I don't want to, you know, do it.


[User] Please transcribe this text

[Assistant] I always talk to Steven Spielberg myself, Jay Cox, Paul Schrader. Everybody knew this project. We all talked Brian De Palma. Uhm, and Steven had Schindler's List.


[User] Please transcribe this text

[Assistant] I worked on the script for a while and then after, during the process I realized, you know, that this is really his passion.


[User] Please transcribe this text

[Assistant] Really, it wasn't that easy, but there was a thought of Daniel when we were doing Age of Innocence. Jay Cox was a co-writer on that, and Jay had given me that script in the story, the novel, Age of Innocence. And we had just done another pass on Gangs of New York once again, back in 1990, Jay and I. And so, Jay did. And uhm, uh,


[User] Please transcribe this text

[Assistant] Right, but uhm, Bill, Bill Poole was uhm, Bill the Butcher Poole, who was a great gambler and uhm, man about town, uhm, a nativist in sentiment, uhm, who was uhm,


[User] Please transcribe this text

[Assistant] And it was a weekend night, a fight broke out, uh, sometimes some things were said and, uh, and Mr. Baker came back with a gun and shot up the place and he got hit. And within five days later, he died. But in time enough for him, his friends to say, uh, to his friends, his friends to report his, his last words were, goodbye boys. Thank God I die a true American.


[User] Please transcribe this text

[Assistant] Uh, our Bill the Butcher, William Cutting, we changed the name, uh, dying during the draft rights in 1863. Uhm, uh, also he became, in a sense, the character that, uh, William Cutting is sort of based on, uh, became a kind of, uhm, uh, a martyr.


[User] Please transcribe this text

[Assistant] In 1856, it was apparently what you would consider now, whether it was talked about in the 1920s, the great gangland funerals, with, uh, apparently this was the first of them, 10,000 people in the streets, and, uh, there was a great deal of anti-Irish, uh, feeling and hatred at the time.


[User] Please transcribe this text

[Assistant] The Native Americans and the White Awakes and all those groups, uh, changed, uh, changed, uh, configuration I think after the Civil War.


[User] Please transcribe this text

[Assistant] In a way, the country was unified, finally. And, uh, the years of, uh, the 19th century in America was the most violent century in American history.


[User] Please transcribe this text

[Assistant] And, uh, uh, I wanted to give the impression of that, that world, what it would be like to be in a world like that. Very primitive, in that area, the underworld at the time in New York. Almost all civilization, lawless, broken down, uh, relegated to, uhm, uh, tribalism, in a way. And, uh, still in the midst of New York City.


[User] Please transcribe this text

[Assistant] That, as I said, sort of based in codes for each tribe.


[User] Please transcribe this text

[Assistant] And fraternities, yeah. Just in that natural situation, people come over and people, the Irish in a sense, building some, gathering themselves into different gangs, they come over, there's no jobs, people don't like them because they don't speak English, and most importantly, they are, they're subject to another foreign power, which is the Vatican.


[User] Please transcribe this text

[Assistant] The teens, turn of the century, one of them particularly called, one gang called the Five Pointers, and the other called the Forty Thieves. That the names were apparently so, uh,


[User] Please transcribe this text

[Assistant] Uh, interesting that, uh, they were just regenerated in each generation. Uh, different ethnic groups would take them over. Uh, but, uhm, uh, it was also a place in New York called the Fourth Ward, which was very tough, downtown.


[User] Please transcribe this text

[Assistant] Uhm, now of course this was after Titanic too, so that along with


[User] Please transcribe this text

[Assistant] Yeah, to a certain extent, we, we had left it, uh, uh, uh, Jay Cox had left it in 1990, I think, at a certain point. We said, listen, if it's ever gonna be a reality, we'll go back to it and, and he'll work on it again. Jay will work on it again. And that's what we sort of did. And we started, we started harnessing the picture because, uhm, over the years, naturally, there was so much in it.


[User] Please transcribe this text

[Assistant] That we had to keep getting it down to a shootable length and, uh, uh, size, really. One of the big problems we had in this picture for twenty years, twenty-some odd years, is that none of these places exist in New York.


[User] Please transcribe this text

[Assistant] Uhm, uh, wants to, wanted to, uh, uh, regenerate their, uh, their presence in, in film, in the film community, in the film world, uh, made a very good deal for the American companies, and, uh, built, I think, the biggest sets ever, at, at, at, at Chenechita and probably,


[User] Please transcribe this text

[Assistant] I know when George Lucas came to visit a few weeks before shooting started, he was looking around, he was shooting Star Wars there in Italy.


[User] Please transcribe this text

[Assistant] And he's looking around and he said, let's get a picture taken. We had a little picture of the two of us in Paradise Square. There was nobody else there. And he said, uhm, one side is the old and one side is the new.


[User] Please transcribe this text

[Assistant] You know, I think it's the last time. Cause he's the master of digital technology. Yeaah. Maybe the last time sets like this were built. Maybe it was the mile of New York was built. Based on, you know.


[User] Please transcribe this text

[Assistant] I met her, she was very nice, I saw something about Mary, I thought she was very funny, very good. I saw a John Malkovich film, I thought she was good. Uhm, and then when, once again, in one of the further steps into production was an audition process. And she said she would audition, so when we were auditioning all these other young women, she came along, and uhm, quite honestly when, uhm, she auditioned with Leo, together, I saw something happen between the two of them.


[User] Please transcribe this text

[Assistant] I saw kind of a spark and a humor and an attitude and I thought this is what we need. It was just one of those things I had never really, I didn't quite, I'd only see her in two movies.


[User] Please transcribe this text

[Assistant] I thought it was great. I thought it was great. And also the character she's playing, I thought, there was a character we were still working on again, Jenny.


[User] Please transcribe this text

[Assistant] Like that, yeaah. And, uh, he was just reacting off camera to, to Bill off camera.


[User] Please transcribe this text

[Assistant] of Leo reacting to the knife throws and the hits, uh, they were all separate shots, all designed separately in tracks and moves and all sorts of things so that we overlapped and re-re-redid it a number of many times really.


[User] Please transcribe this text

[Assistant] We kind of like that as a favorite, uh, this, uh, this little sequence. Each one of the shots, uh, each shot.


[User] Please transcribe this text

[Assistant] I mean, every film, every shot should have something, uh,


[User] Please transcribe this text

[Assistant] Yeah, I know exactly what you mean, but in that sense, the choices he made or the choices he felt were made, uh, uh, literally, uh, intrinsically, as he was working.


[User] Please transcribe this text

[Assistant] I gotta say, like, they talk about now these director's cuts on DVD. No, this is it. This is the picture. There's no director's cut. This is the one.


[User] Please transcribe this text

[Assistant] It's the result of a process that's gone on for a long period of time.


[User] Please transcribe this text

[Assistant] Pretty much every film is, but, uh, this one even longer. And everything has been melted away, shaped, shaped. It's almost like a giant piece of sculpture that we've been knocking around the editing room. And, uhm, uhm, I have to come to terms with, ultimately,


[User] Please transcribe this text

[Assistant] It's not, yeah, I mean, uhm, uhm, but you know, Harvey Weinstein is great in marketing, great, uhm, showman, and a studio.


[User] Please transcribe this text

[Assistant] Absolutely, in a studio, a studio, a studio, uh, it reminds me of some of the older, the older Hollywood, uh, the old Hollywood history of, uh, Selznick or, or, or produces, uh, studio heads at that level. Uhm, and he has certain, uh, certain, uh, vision about films, but he also has a certain extraordinary vision, I think, and, uh, intuition about selling a picture. And, uhm,


[User] Please transcribe this text

[Assistant] But I really tried then, 2001, and then of course I realized that the film needed much more. Everything needed shaping. It was like a year in the editing. It's a big movie. A real year in the editing. We took a couple of months off after September 11th happened. Everything kind of stopped for about two or three months.


[User] Please transcribe this text

[Assistant] And, and, and in range too. I'd said, uh, start to do something, and I'd said, I need, I need, I need to be somewhat more emotional if you can, and next thing you know, uh, she was taking it to a level that I hadn't really...


[User] Please transcribe this text

[Assistant] The quote in the film when he says, uh, when Tweed tells his assistant, he said, uh, the assistant says, uh,


[User] Please transcribe this text

[Assistant] I'm attracted by the place, in a sense, because it makes people behave a certain way. Uhm, uh, meaning first for survival. And ultimately, I always think, you know,


[User] Please transcribe this text

[Assistant] You know? And, and, uh, sometimes it's just bad luck and they're forced into a situation.


[User] Please transcribe this text

[Assistant] Uhm, you think of 3 Penny Opera, you think of some of the lines from the lyrics, you know, first feed the face, then talk right and wrong.


[User] Please transcribe this text

[Assistant] You know, and uh, what do you expect? And I'm, I, I'm always drawn to that, and in a funny way, this is what we talked about, like science fiction in reverse, in a way, going back in time, and creating what, uh, creating a heightened sort of impression.


[User] Please transcribe this text

[Assistant] That's not the right story for Dino. I'm not sure what the story is. Nick had a good take on it. But we left the script at a certain point.


[User] Please transcribe this text

[Assistant] And we never came back to it. In fact, there was, uh, at some point when Warner Brothers expected me to do the film, but it turned out we had a chance to do gangs and we switched the projects. Uh, but we were about to go for another of maybe a year's work of writing on that alone, if that was to be made.


[User] Please transcribe this text

[Assistant] Over on the next pitch, Adam Burchill takes training with the under-16s, who have a home game against Reading on Saturday.


[User] Please transcribe this text

[Assistant] As the players train, remote cameras film the session and beam the footage back to the analysts inside the building who prepare Adam's pre-match briefing.


[User] Please transcribe this text

[Assistant] I sat down, staring helplessly at the array of jars and bottles.


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[Assistant] I had been living day to day since our return to Liokh, deliberately suppressing the memories of my earlier life.


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[Assistant] Deep down, I knew that I must soon make some kind of decision. But I had delayed.


[User] Please transcribe this text

[Assistant] Putting off the necessity from day to day and hour to hour.


[User] Please transcribe this text

[Assistant] Burying my uncertainties in the pleasures of Jamie's company. And his arms.


[User] Please transcribe this text

[Assistant] He sank onto my stool, left foot outstretched and grimaced unpleasantly at it. The grimace seemed to be more of annoyance than pain.


[User] Please transcribe this text

[Assistant] So I knelt to examine the offending appendage with relatively little concern.


[User] Please transcribe this text

[Assistant] Mild strain, I said, after a cursory inspection. What did you do? Fell off, Jamie said succinctly. Off the fence, I asked, teasing. He glowered. No, off donus.


[User] Please transcribe this text

[Assistant] In fact, lads, you were doing quite well, Liam, for a bit. I know I was.


[User] Please transcribe this text

[Assistant] Snap Jamie, gritting his teeth as I pulled the bandage tight. A bee stung him. The bushy brows lifted. Ooh, ooh, how was it?


[User] Please transcribe this text

[Assistant] This beast acted like he'd been struck with an elf dart, he confided to me, went straight up in the air on all fours and came down again, then went stark staring mad, all over the pen like a bumblebee in a jar. Your wee laddie stuck on too, he said, nodding at Jamie, who invented a new unpleasant expression in response, until the big yellow fiend went over the fence. Over the fence?


[User] Please transcribe this text

[Assistant] Where is he now? I asked, standing up and dusting my hands. Halfway back to hell, I expect, said Jamie, putting his foot down and trying his weight gingerly on it, and welcome to stay there. Whincing, he sat back.


[User] Please transcribe this text

[Assistant] I doubt the deal's got much use for a half-broke stallion," observed Alex.


[User] Please transcribe this text

[Assistant] Being able to turn themselves into a horse when needed.


[User] Please transcribe this text

[Assistant] Perhaps that's who Donas really is, I suggested, amused. I wouldn't adote it.


[User] Please transcribe this text

[Assistant] Said Jamie, still smarting, but beginning to recover his usual good humour.


[User] Please transcribe this text

[Assistant] The deal's customarily a black stallion knew as he knew. Oh aye, said Alec.


[User] Please transcribe this text

[Assistant] A great black stallion that travels as fast as the thought between a man and a maid. He grinned genially at Jamie and rose to go.


[User] Please transcribe this text

[Assistant] Why is it? I demanded, looking after the crusty old horse-master.


[User] Please transcribe this text

[Assistant] Jamie tried his weight on the foot again, bracing himself on the counter. For one thing, we've been married less than a month, he observed. For another, he looked up and grinned, shaking his head. I've told you before, Sassenach, everything you think, shoes on your face. Bloody hell, I said.


[User] Please transcribe this text

[Assistant] I've been at the Saints training camp, but I imagine doesn't the NFL, I mean with Discovery.


[User] Please transcribe this text

[Assistant] Not everything is gonna be great for John Gruden to come out, right? I mean, uh, and if he burns the NFL's house down, which owner is going to say, oh, yeaah, we'll hire you and put you on the sideline.


[User] Please transcribe this text

[Assistant] I mean, again, I'm, I'm, I just hear something like that. I'm just like the commissioner's got so many other fish to fry. Like he's, he's hearing John Gruden's bad mouth and I'm not, that might just, he would laugh that off. Not like say, let's do something that could potentially be.


[User] Please transcribe this text

[Assistant] That's the thing, I don't understand, if the NFL leaked it, then this is something that the NFL doesn't want discussed? That an executive and a coach is actually saying these sorts of things?


[User] Please transcribe this text

[Assistant] Strange, I had the occasion to mention your name today, Miss Ashton. Did you? You recall those three Bibles you bought? Yes.


[User] Please transcribe this text

[Assistant] I just mentioned the fact to a couple of gentlemen from London who were making a survey on the sale of religious books.


[User] Please transcribe this text

[Assistant] I did, yes. I told them it was a healthy sign in a world of sin when one person buys three Bibles at one time.


[User] Please transcribe this text

[Assistant] I'll put this side for you, Miss Ashton. Good day.


[User] Please transcribe this text

[Assistant] Pullafield challenged our view of what a heavyweight was in many ways. First of all, he really wasn't a knockout fighter. And then he brought this demeanor that was the antithesis of Mike Tyson. Mike Tyson talked about crushing your brain in. Well, Evander was just gonna pray for you and just try to beat you and move on.


[User] Please transcribe this text

[Assistant] That showed really what a great fighter he was because he was able to make the adjustment even though it was against his very nature. That to me is the greatest moment of his career.


[User] Please transcribe this text

[Assistant] That he wasn't gonna quit, Mike wasn't gonna quit. Olafield and Tyson had a big press conference in New York before the fight that never happened. And afterward, HBO's cameras took them and recorded a little face to face. I snuck back and watched. The two of them walked up to each other, stood face to face, and both of them instantly started laughing. They couldn't do it.


[User] Please transcribe this text

[Assistant] Tyson came out and threw every piece of arsenal he had at Holyfield. It absolutely did nothing to keep Holyfield away.


[User] Please transcribe this text

[Assistant] Until 2015, we had light touch regulation. The consumer was best served with light touch regulation. It's under that light touch framework. Light touch regulation. Light touch regulation. And that's the kind of success that we want to promote in the future with light touch regulation.


[User] Please transcribe this text

[Assistant] As I listed them in another video, which is the zero conditional mean of errors assumption.


[User] Please transcribe this text

[Assistant] So written mathematically, that means that the expectation of my error


[User] Please transcribe this text

[Assistant] Given any of my independent, given any of my independent variables x has to be equal to zero. So...


[User] Please transcribe this text

[Assistant] So I could draw this graphically, and drawing it graphically, I could illustrate a sampling distribution like this. And it would be the case that the center of this sampling distribution, which is the expected value of my least squared estimator,


[User] Please transcribe this text

[Assistant] Would not be equal to the population parameter beta p. So in this circumstance we have got this being upheld which means that essentially my least squared estimators are going to be upwardly biased. So,


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[Assistant] Line that I can draw simply which shows either sort of positive correlation, negative correlation.


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[Assistant] So this is probably the most important of the Gauss Markov assumptions because there are a number of ways practically which this assumption can be violated and that's what the next few videos are going to be about.


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[Assistant] Oh man, oh Cootie Breeze is gonna love this. Alright, so. Alright, uhm.


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[Assistant] And you must expect someone like that to be different from the rest of it.


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[Assistant] I think you know what the problem is just as well as I do. What are you talking about?


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[Assistant] The Desire of Ages, chapter 31. The Sermon on the Mount.


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[Assistant] Besides the usual crowds from the Galilean towns,


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[Assistant] The people constantly pressed upon him, yet the disciples understood that they were not to be crowded away from his presence. They sat close beside him, that they might not lose a word of his instruction.


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[Assistant] And from the events of the morning they gathered assurance that some announcement concerning it was about to be made.


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[Assistant] They hoped that Christ would give them the rich and costly robes of their conquerors.


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[Assistant] That Israel was soon to be honored before the nations as the chosen of the Lord.


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[Assistant] And to give his hearers a right conception of his kingdom and of his own character.


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[Assistant] Yet he did not make a direct attack on the errors of the people. He saw the misery of the world on account of sins.


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[Assistant] Leaving them to draw their own conclusions as to its nature.


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[Assistant] Who recognize their spiritual poverty and feel their need of redemption. The gospel is to be preached to the poor, not to the spiritually proud.


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[Assistant] Those who claim to be rich and in need of nothing, is it revealed? But to those who are humble and contrite?


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[Assistant] And stripped of all self sufficiency, he yields himself to the control of God.


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[Assistant] Then he can receive the gift that God is waiting to bestow. From the soul that feels his need, nothing is withheld.


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[Assistant] I dwell in the high and holy place with him also that is of a contrite and humble spirit to revive the spirit of the humble and to revive the heart of the contrite ones.


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[Assistant] By these words, Christ does not teach that mourning in itself has power to remove the guilt of sin.


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[Assistant] He gives no sanction to pretense or to voluntary humility. The morning of which he speaks does not consist in melancholy and lamentation. While we sorrow on account of sin,


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[Assistant] The Spirit reveals the ingratitude of the heart that has slighted and grieved the Savior and brings us in contrition to the foot of the cross.


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[Assistant] We mourn for the sins that have brought anguish upon Him.


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[Assistant] The worldly may pronounce this sorrow a weakness, but it is the strength which binds the penitent to the infinite one with links that cannot be broken.


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[Assistant] It shows that the angels of God are bringing back to the soul the graces that were lost through hardness of heart and transgression.


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[Assistant] The tears of the penitent are only the raindrops that precede the sunshine of holiness. This sorrow heralds a joy which will be a living fountain in the soul. Only acknowledge thine inequity that thou hast transgressed against the Lord thy God.


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[Assistant] And I will not cause mine anger to fall upon you, for I am merciful, saith the Lord.


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[Assistant] And to them that mourn in Zion he has appointed to give beauty for ashes, the oil of joy for mourning


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[Assistant] the garment of praise for the spirit of heaviness and for those also who mourn in trial and sorrow there is comfort the bitterness of grief and humiliation is better than the indulgences of sin through affliction


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[Assistant] Unknown chapters in regard to ourselves are open to us and the test comes whether we will accept the reproof and the counsel of God.


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[Assistant] We should not rebel or worry ourselves out of the hand of Christ. We are too humble the soul before God. The ways of the Lord are obscure to him.


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[Assistant] Who desires to see things in a light pleasing to himself. They appear dark and joyless to our human nature. But God's ways are ways of mercy, and the end is salvation.


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[Assistant] Not for him the descent into the dust of death, but the ascent in glory.


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[Assistant] With the convoy of celestial chariots to the throne on high. God's word for the Sauraring is, I have seen his ways and will heal him. I will lead him also.


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[Assistant] And restore comforts unto him and to his mourners. I will turn their mourning into joy and will comfort them and make them rejoice from their sorrow.


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[Assistant] We shall rise above the slights, the rebuffs, the annoyances to which we are daily exposed.


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[Assistant] He who under abuse or cruelty fails to maintain a calm and trustful spirit robs God of his right to reveal in him his own perfection of character.


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[Assistant] It is the token of their connection with the courts above.


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[Assistant] Not only the busy worker full of zeal and restless activity, no, the poor in spirit.


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[Assistant] The humble in heart whose highest ambition is to do God's will. These will gain an abundant entrance.


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[Assistant] Blessed are they which do hunger and thirst after righteousness.


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[Assistant] If the eye is kept fixed on Christ, the work of the spirit ceases not until the soul is conformed to his image. The pure element of love will expand the soul.


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[Assistant] Giving it a capacity for higher attainments, for increased knowledge of heavenly things, so that it will not rest short of the fullness.


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[Assistant] Every impure thought defiles the soul, impairs the moral sense, and tends to obliterate the impressions of the Holy Spirit.


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[Assistant] The Lord may and does forgive the repentant sinner, but though forgiven, the soul is marred. All impurity of speech


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[Assistant] More than freedom from that ceremonial defilement which the Jews so rigorously shunned. Selfishness prevents us from beholding God.


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[Assistant] Human plans for the purification and uplifting of individuals or of society will fail of producing peace because they do not reach the heart.


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[Assistant] The only power that can create or perpetuate true peace is the grace of Christ. When this is implanted in the heart


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[Assistant] And that fame and the honor of men were much to be coveted. It was very pleasing to be called Rabbi.


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[Assistant] And to be extolled as wise and religious, having their virtues paraded before the public. This was regarded as the crown of happiness. But in the presence of that vast throng, Jesus declared that earthly gain and honor


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[Assistant] After explaining what constitutes true happiness and how it may be obtained,


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[Assistant] He knew that they would often suffer from disappointment and discouragement that they would meet with decided opposition


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[Assistant] While those who yield to the influence of the Holy Spirit begin war with themselves, those who cling to sin.


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[Assistant] They are treading the path that has been trodden by the noblest of the earth. Not with sorrow, but with rejoicing should they meet persecution. Every fiery trial is God's agent for their refining. Each is fitting them for their work as co-laborers with him.


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[Assistant] Each conflict has its place in the great battle for righteousness.


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[Assistant] Do not withdraw yourselves from the world in order to escape persecution. You are to abide among men.


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[Assistant] That the savour of the Divine Love may be a salt to preserve the world from corruption.


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[Assistant] Of God's people whom they despise and depress. But if Christians are such in name only, they are like the salt that has lost its savor. They have no influence for good in the world.


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[Assistant] The religion of the Bible is not to be confined between the covers of a book, nor within the walls of a church. It is not to be brought out occasionally for our own benefit, and then to be carefully laid aside again, it is to sanctify the daily life


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[Assistant] True character is not shaped from without and put on. It radiates from within.


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[Assistant] But he did not leave his hearers to conclude that he had come to set aside its requirements.


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[Assistant] It was because of his great reference for the law and the prophets that he sought to break through the wall of traditional requirements which hemmed in the Jews.


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[Assistant] Think not that I am come to destroy the law or the prophets. I am not come to destroy, but to fulfill. Here Jesus refutes the charge of the Pharisees. His mission to the world is to vindicate the sacred claims of that law which they charge him with breaking.


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[Assistant] It lifts us above the power of natural desires and tendencies, above temptations that lead to sin. God desires us to be happy, and He gave us the precepts of the law, that in obeying them, we might have joy. When at Jesus' birth the angels sang, Glory to God in the highest, and on earth peace, good will toward men.


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[Assistant] And as the Holy Spirit of God touches the heart, as the light of Christ reveals to men their need of His cleansing blood and His justifying righteousness,


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[Assistant] The law is still an agent in bringing us to Christ, that we may be justified by faith.


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[Assistant] The systems of types that point to Jesus as the Lamb of God was to be abolished at his death.


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[Assistant] Those who disobey the commandments of God and teach others to do so are condemned by Christ.


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[Assistant] and showed the excellence of character that obedience would develop


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[Assistant] All who break God's commandments are sustaining Satan's claim that the law is unjust and cannot be obeyed.


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[Assistant] Thus they second the deceptions of the great adversary and cast dishonor upon God. They are the children of the wicked one.


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[Assistant] But their works had divorced righteousness from religion. While they were punctilious in ritual observances, their lives were immoral and debased.


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[Assistant] Often accompanies a hatred of genuine truth as made manifest in life.


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[Assistant] Many take it for granted that they are Christians simply because they subscribe to certain theological tenets. But they have not brought the truth into practical life. They have not believed and loved it. Therefore they have not received the power


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[Assistant] And grace that come through sanctification of the truth. Men may profess faith in the truth, but if it does not make them sincere, kind, patient, forbearing, heavenly minded,


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[Assistant] It is a curse to its possessors, and through their influence, it is a curse to the world.


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[Assistant] The righteousness which Christ taught is conformity of heart and life to the revealed will of God. Sinful men can become righteous only as they have faith in God and maintain a vital connection with Him.


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[Assistant] Jesus takes up the commandments separately and explains the depth and breadth of their requirement. Instead of removing one shot of their force,


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[Assistant] He shows how far reaching their principles are.


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[Assistant] Jesus bade them not to deceive themselves with the thought that they could in heart rise up against their oppressors and cherish the longing to avenge their wrongs.


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[Assistant] It is true, there is an indignation that is justifiable even in the followers of Christ.


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[Assistant] If thou bring thy gift to the altar, and there rememberest that thy brother hath ought against thee, leave there thy gift before the altar, and go thy way.


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[Assistant] Many are zealous in religious services while between them and their brethren are unhappy differences which they might reconcile.


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[Assistant] Be therefore perfect even as your father which is in heaven is perfect. This command is a promise.


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[Assistant] The plan of redemption contemplates our complete recovery from the power of Satan. Christ always separates the contrite soul from sin. He came to destroy the works of the devil and he has made provision that the Holy Spirit shall be imparted to every repentant soul to keep him from sinning.


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[Assistant] Satan is jubilant when he hears the professed followers of Christ making excuses for their deformity of character.


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[Assistant] It is these excuses that lead to sin. There is no excuse for sinning. A holy temper, a Christ-like life.


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[Assistant] The ideal of Christian character is Christ-likeness. As the son of man was perfect in his life, so his followers are to be perfect in their life. Jesus was in all things made like unto his brethren. He became flesh even as we are. He was hungry and thirsty and weary. He was sustained by food and refreshed by sleep. He shared the lot of man, yet he was the blameless son of God. He was God in the flesh.


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[Assistant] Christ is the ladder that Jacob saw, the base resting on the earth and the topmost round reaching to the gate of heaven, to the very threshold of glory.


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[Assistant] If that ladder had failed by a single step of reaching the earth, we should have been lost. But Christ reaches us where we are. He took our nature and overcame that we, through taking His nature, might overcome. Made in the likeness of sinful flesh, He lived a sinless life.


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[Assistant] He bids us by faith in Him attain to the glory of the character of God. Therefore are we to be perfect even as our Father, which in heaven is perfect.


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[Assistant] Jesus had shown in what righteousness consists and had pointed to God as its source. Now he turned to practical duties. In almsgiving, in prayer, in fasting, he said, Let nothing be done to attract attention or been praised to self.


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[Assistant] The heart of the Pharisee is a barren and profitless soil in which no seeds of divine life can flourish.


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[Assistant] For through fellowship with God, men become workers together with Him in presenting His character in humanity.


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[Assistant] The attributes of the character of Christ are imparted, and the image of the Divine begins to shine forth.


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[Assistant] The faces of men and women who walk and work with God express the peace of heaven. They are surrounded with the atmosphere of heaven. For these souls the kingdom of God has begun. They have Christ's joy, the joy of being a blessing to humanity.


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[Assistant] They have the honor of being accepted for the Master's use. They are trusted to do His work in His name.


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[Assistant] No man can serve two masters. We cannot serve God with a divided heart.


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[Assistant] As if the canvas were dipped into the color until every thread of the fabric were dyed a deep, unfading hue.


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[Assistant] Do not blend into each other imperceptibly like the colours of the rainbow.


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[Assistant] If one sin is cherished in the soul, or one wrong practice retained in the life, the whole being is contaminated.


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[Assistant] All who have chosen God's service are to rest in his care.


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[Assistant] And bade his hearers consider these objects of God's creation Are not ye of much more value than they?


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[Assistant] The little brown sparrow is watched over by Providence. The flowers of the field, the grass that carpets the earth, share the notice and care of our Heavenly Father.


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[Assistant] The great master artist has taken thought for the lilies, making them so beautiful that they outshine the glory of Solomon. How much more?


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[Assistant] As the sunbeam imparts to the flowers their varied and delicate tints, so does God impart to the soul the beauty of his own character.


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[Assistant] All who choose Christ's kingdom of love and righteousness and peace, making its interests paramount to all others


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[Assistant] In the book of God's providence, the volume of life, we are each given a page.


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[Assistant] That page contains every particular of our history. Even the hairs of the head are numbered. God's children are never absent from his mind. Be not therefore anxious for the morrow. We are to follow Christ day by day. God does not bestow help for tomorrow.


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[Assistant] The strength and wisdom imparted are for the present emergency. If any of you lack wisdom for today,


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[Assistant] Let him ask of God that giveth to all men liberally and upbraideth not, and it shall be given him. Judge not that ye be not judged. Do not think yourself better than other men, and set yourself up as their judge


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[Assistant] So the fruit born in the life testifies as to the condition of the heart and the excellence of the character. Good works can never purchase salvation, but they are in evidence of the faith that acts by love and purifies the soul.


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[Assistant] If you would build upon human theories and inventions, your house will fall. By the winds of temptation, the tempests of trial, it will be swept away.


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[Assistant] But these principles which I have given will endure. Receive me. Build on my words.


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[Assistant] So beta tilde we had from the last video is equal to beta plus the sum of bi times ui.


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[Assistant] And then I can put this into this above relationship here. So I've got the beta tilde is equal to beta plus the sum of vi plus ci times ui here. So again, this sum is going from i equals one to n.


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[Assistant] And if you don't understand why I've squared this, it's just because the variance of some number a times the stochastic variable x is just equal to a squared times the variance of x. And I go into more detail when I derive the variance for the least squared estimator a few videos ago. So this is our variance of beta tilde.


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[Assistant] Vi are least squared weights plus a small difference Ci. And again, this is something from i equals one to n.


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[Assistant] We know from least squares that the sum of Vi is actually equal to zero. So this actually implies that the sum of our Ci is going to be equal to zero.


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[Assistant] And again, we're summing from i equals 1 to n. If I sort of write this out explicitly or write out the individual terms, that's the sum of i equals 1 to n of v i times x i.


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[Assistant] Plus the sum of c i times x i, where again I'm summing from i equals 1 to n.


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[Assistant] We are going to use our sum of c i equal to zero and our sum of c i x i being equal to zero together with our variance of beta tilde to


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[Assistant] Finalize our proof of the gas Markov theorem in the next video. I'll see you then.


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[Assistant] This is a LibriVox recording. All LibriVox recordings are in the public domain.


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[Assistant] He had a dreamy, far-away look in his eyes, and his sad, insistent voice, gentle-spoken as a maid's, seemed the placid embodiment of some deep-seated melancholy. He was the Leopard Man, but he did not look it.


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[Assistant] His business in life, whereby he lived, was to appear in a cage of performing leopards before vast audiences, and to thrill those audiences by certain exhibitions of nerve for which his employers rewarded him on a scale commensurate with the thrills he produced. As I say, he did not look it.


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[Assistant] He was narrow hipped, narrow shouldered, and anemic.


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[Assistant] While he seemed not so much oppressed by gloom as by a sweet and gentle sadness, the weight of which was as sweetly and gently borne. For an hour I had been trying to get a story out of him, but he appeared to lack imagination.


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[Assistant] To him, there was no romance in his gorgeous career. No deeds of daring. No thrills.


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[Assistant] Nothing but a grey sameness and infinite boredom.


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[Assistant] Lions? Oh yes, he had fought with them. It was nothing. All he had to do was stay sober.


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[Assistant] Anybody could whip a lion to a standstill with an ordinary stick. He had fought one for half an hour once. Just hit him on the nose every time he rushed, and when he got artful and rushed with his head down, why, the thing to do was stick out your leg. When he grabbed at the leg, you drew it back and hit him on the nose again. That was all.


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[Assistant] With the faraway look in his eyes and his soft flow of words, he showed me his scars. There were many of them.


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[Assistant] And one recent one where a tigress had reached for his shoulder and gone down to the bone.


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[Assistant] I could see the neatly mended rinse in his coat he had on. His right arm, from the elbow down, looked as though it had gone through a threshing machine.


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[Assistant] What of the ravage wrought by claws and fangs? But it was nothing, he said.


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[Assistant] Only the wounds bothered him somewhat when rainy weather came on. Suddenly his face brightened with a recollection.


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[Assistant] I suppose you've heard of the lion tamer who was hated by another man? He asked.


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[Assistant] He paused and looked pensively at a sick lion in the cage opposite. Got the toothache, he explained.


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[Assistant] Well, the lion tamer's big play to the audience was putting his head in a lion's mouth.


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[Assistant] The man who hated him attended every performance in the hope sometime of seeing that lion crunch down. He followed the show about all over the country.


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[Assistant] The years went by, and he grew old, and the lion tamer grew old, and the lion grew old,


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[Assistant] And at last, one day, sitting in a front seat, he saw what he'd waited for.


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[Assistant] The lion crunched down and there wasn't any need to call a doctor.


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[Assistant] The Leopard Man glanced casually over his fingernails in a manner which would have been critical had it not been so sad.


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[Assistant] Now that's what I call patience, he continued, and it's my style. But it was not the style of a fellow I knew. He was a thin little


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[Assistant] Sawed off, sword swallowing and juggling Frenchmen.


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[Assistant] Deville, he called himself, and he had a nice wife.


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[Assistant] She did trapeze work, and used to die from under the roof into a net, turning over once in the way as nice as you please. De Vil had a quick temper, as quick as his hand, and his hand was as quick as the paw of a tiger.


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[Assistant] One day, because the ringmaster called him a frog eater or something like that, and maybe a little worse.


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[Assistant] And there, before the audience, DeVille kept the air on fire with his knives, sinking them into the wood all around the Ringmaster so close that they passed through his clothes and most of them bit into his skin.


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[Assistant] The clowns had to pull the knives out to get him loose, for he was pinned fast. So the word went around to watch out for Deville.


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[Assistant] And no one dared be more than barely civil to his wife. And she was a sly bit of baggage, too. Only all hands were afraid of DeVille.


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[Assistant] But there was one man, Wallace, who was afraid of nothing. He was the lion tamer.


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[Assistant] And he had the self same trick of putting his head into the lion's mouth.


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[Assistant] He'd put it into the mouths of any of them, though he preferred Augustus, a big, good-natured beast who could always be depended upon.


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[Assistant] As I was saying, Wallace, King Wallace we called him, was afraid of nothing alive or dead. He was a king and no mistake.


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[Assistant] I've seen him drunk and on a wager go into the cage of a lion that had turned nasty and without a stick beat him to a finish. Just did it with his fist on the nose. Madam DeVille, at an uproar behind us, the leopard man turned quietly around.


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[Assistant] It was a divided cage, and a monkey, poking through the bars and around the partition, had had its paw seized by Big Grey Wolf, who was trying to pull it off by main strength.


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[Assistant] The arm seemed stretching out longer and longer, like a thick elastic, and the unfortunate monkey's mates were raising a terrible did.


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[Assistant] No keeper was at hand, so the leopard man stepped over a couple of paces,


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[Assistant] dealt the wolf a sharp blow on the nose with the light cane he carried


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[Assistant] He laughed at us as he laughed at De Vil one day when he shoved De Vil's head into a bucket of paste because he wanted to fight.


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[Assistant] De Vil was in a pretty mess. I helped to scrape him off, but he was cool as a cucumber and made no threats at all. But I saw a glitter in his eyes, which I had seen often in the eyes of wild beasts, and I went out of my way to give Wallace a final warning.


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[Assistant] He laughed, but he did not look so much in Madame de Ville's direction after that. Several months passed by. Nothing had happened and I was beginning to think it all a scare over nothing. We were west by that time, showing in Frisco.


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[Assistant] It was during the afternoon performance, and the big tent was filled with women and children.


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[Assistant] When I went looking for Red Denny, the head canvas man who had walked off with my pocket knife.


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[Assistant] Passing by one of the dressing tents, I glanced in through a hole in the canvas to see if I could locate him.


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[Assistant] He wasn't there, but directly in front of me was King Wallace in tights waiting for his turn to go on with his cage of performing lions.


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[Assistant] He was watching with much amusement a quarrel between a couple of trapeze artists.


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[Assistant] All the rest of the people in the dressing-tent were watching the same thing, with the exception of DeVille.


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[Assistant] Whom I noticed staring at Wallace with undisguised hatred.


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[Assistant] Wallace and the rest were all too busy following the quarrel to notice this or what followed. But I saw it through the hole in the canvas.


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[Assistant] DeVille drew his handkerchief from his pocket, made as though to mop the sweat from his face with it, it was a hot day, and at the same time walked past Wallace's back.


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[Assistant] The look troubled me at the time, for not only did I see hatred in it, but I saw triumph as well.


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[Assistant] De Vil will bear watching, I said to myself, as I really breathed easier when I saw him go out


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[Assistant] A few minutes later, I was in the big tent, where I had overhauled Red Denny.


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[Assistant] King Wallace was doing his turn and holding the audience spellbound.


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[Assistant] He was in a particularly vicious mood, and he kept the line stirred up until they were all snarling. That is, all of them except old Augustus. And he was just too fat and lazy and old to get stirred up over anything.


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[Assistant] Finally Wallace cracked the old lion's knees with his whip and got him into position.


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[Assistant] Old Augustus, blinking, good-naturedly, opened his mouth and in popped Wallace's head.


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[Assistant] The jaws came together. CRUNCH! Just like that.


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[Assistant] The Leopard Man smiled in a sweetly wistful fashion, and the faraway look came into his eyes.


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[Assistant] And that was the end of King Wallace. He went on in a sad, low voice.


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[Assistant] After excitement cooled down, I watched my chants and bent over and smelled Wallace's head. Then I sneezed.


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[Assistant] Snuff that DeVille dropped on his hair in the dressing-tent. Old Augustus never meant to do it. He only sneezed.


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[Assistant] End of The Leopard Man Story by Jack London


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[Assistant] Such a beautiful beard. He'll probably wanna kill you.


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[Assistant] 2021 is upon us and there is no better way to start off the Disney Cars diecast mainline than with a legend racer from the 1950s piston cup era. And of course that is exactly what Floyd Morgan is here. And before we dive into the review,


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[Assistant] This is the first video I've recorded in about two months. I am back from college now, guys, so no more pre-recorded videos. These will all be freshly recorded, so I hope you guys are looking forward to a little bit of a new era here on the Disney Docket channel. Looking forward to the 12 days of Christmas.


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[Assistant] Give me collectibles, my main supplier for that kind of stuff is not getting the cases in because they're all going to Target and Walmart stores, at least for the United States, and that's kind of what they do for the first few cases of the year and then as the year goes on, Target and Walmart


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[Assistant] Basically they're just not as much of a hog later on in the year. So we will be doing case unboxings in the future, but instead I will be doing a case breakdown slash analysis.


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[Assistant] I'm just working on getting all the cars from the case and then we'll go through all of them, talk about them and you know, it'll basically be the same thing as a case unboxing just without the unboxing part, which is a little sad, but I hope you guys are still looking forward to it.


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[Assistant] But yeaah, they do kind of identify the 2021 mainline, which as you can see has different packaging.


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[Assistant] I don't really want to call this like the metal line. Like people say like that's blue desert. This is not the metal line. Like everything's metal. They're just emphasizing now that these are really die cast metal cars and not plastic like a lot of toys are these days. I am calling this desert horizon and I hope you guys like that name.


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[Assistant] My friends and I are calling it that, and I hope it sticks. Desert Horizon versus desert, blue desert or anything, but I think it looks really cool. A little hazy in the background, simplistic. The big art though is really what matters, and I like that.


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[Assistant] Also for 2021, they're identifying which cars are new.


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[Assistant] And so far they've been accurate, but I have a feeling that they're going to put this on a car that they have already made before or in like a multi-pack that kind of sneaks up on them. But for Floyd Morgan, they got it right here. New, Novo Nuevo, Novo 2021. Love it.


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[Assistant] Now, we'll talk a little bit more about Floyd here as the video goes on, but he has been cancelled before in 2019. Well, he was cancelled.


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[Assistant] Wait, let me get this straight. He was revealed in 2019, cancelled for the 2021, or no, the 2020 mainline, my bad, and now released in the 2021 mainline. So he was revealed basically a little over a year ago. We waited and waited for him. He never showed up.


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[Assistant] I mean, I'm not gonna complain, like, it literally has just been a year and he's here now, so, no big deal.


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[Assistant] And also they are breaking the cars up into movie instead of series this time around. So as you can see here, it says as seen in cars three.


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[Assistant] Again, something, another like classification that they could get wrong, Mattel could easily get wrong, and they did already get it wrong with Rusty's Lightning McQueen, who they put in cars too. They probably thought it was like Hudson Hornet pissing cut McQueen, so that's the first one they screwed up on, but hopefully, hopefully,