all_models_tree_scaled_incremental.csv

model_id,gated,card,metadata,depth,children,children_count,adapters,adapters_count,quantized,quantized_count,merges,merges_count,total_derivatives,spaces,spaces_count,parents,base_model,base_model_relation
salohnana2018/finetuning-sentiment-model-3000-samples,False,,"""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],salohnana2018/finetuning-sentiment-model-3000-samples,base
RichardErkhov/jaspionjader_-_Kosmos-EVAA-PRP-v25-8B-gguf,False,,"""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],RichardErkhov/jaspionjader_-_Kosmos-EVAA-PRP-v25-8B-gguf,base
friendshipkim/Llama-3.2-3B-Instruct-pruned-h0.0-i0.0-a0.0-d0.5,False,"---
library_name: transformers
tags: []
---

# Model Card for Model ID

<!-- Provide a quick summary of what the model is/does. -->



## Model Details

### Model Description

<!-- Provide a longer summary of what this model is. -->

This is the model card of a 🤗 transformers model that has been pushed on the Hub. This model card has been automatically generated.

- **Developed by:** [More Information Needed]
- **Funded by [optional]:** [More Information Needed]
- **Shared by [optional]:** [More Information Needed]
- **Model type:** [More Information Needed]
- **Language(s) (NLP):** [More Information Needed]
- **License:** [More Information Needed]
- **Finetuned from model [optional]:** [More Information Needed]

### Model Sources [optional]

<!-- Provide the basic links for the model. -->

- **Repository:** [More Information Needed]
- **Paper [optional]:** [More Information Needed]
- **Demo [optional]:** [More Information Needed]

## Uses

<!-- Address questions around how the model is intended to be used, including the foreseeable users of the model and those affected by the model. -->

### Direct Use

<!-- This section is for the model use without fine-tuning or plugging into a larger ecosystem/app. -->

[More Information Needed]

### Downstream Use [optional]

<!-- This section is for the model use when fine-tuned for a task, or when plugged into a larger ecosystem/app -->

[More Information Needed]

### Out-of-Scope Use

<!-- This section addresses misuse, malicious use, and uses that the model will not work well for. -->

[More Information Needed]

## Bias, Risks, and Limitations

<!-- This section is meant to convey both technical and sociotechnical limitations. -->

[More Information Needed]

### Recommendations

<!-- This section is meant to convey recommendations with respect to the bias, risk, and technical limitations. -->

Users (both direct and downstream) should be made aware of the risks, biases and limitations of the model. More information needed for further recommendations.

## How to Get Started with the Model

Use the code below to get started with the model.

[More Information Needed]

## Training Details

### Training Data

<!-- This should link to a Dataset Card, perhaps with a short stub of information on what the training data is all about as well as documentation related to data pre-processing or additional filtering. -->

[More Information Needed]

### Training Procedure

<!-- This relates heavily to the Technical Specifications. Content here should link to that section when it is relevant to the training procedure. -->

#### Preprocessing [optional]

[More Information Needed]


#### Training Hyperparameters

- **Training regime:** [More Information Needed] <!--fp32, fp16 mixed precision, bf16 mixed precision, bf16 non-mixed precision, fp16 non-mixed precision, fp8 mixed precision -->

#### Speeds, Sizes, Times [optional]

<!-- This section provides information about throughput, start/end time, checkpoint size if relevant, etc. -->

[More Information Needed]

## Evaluation

<!-- This section describes the evaluation protocols and provides the results. -->

### Testing Data, Factors & Metrics

#### Testing Data

<!-- This should link to a Dataset Card if possible. -->

[More Information Needed]

#### Factors

<!-- These are the things the evaluation is disaggregating by, e.g., subpopulations or domains. -->

[More Information Needed]

#### Metrics

<!-- These are the evaluation metrics being used, ideally with a description of why. -->

[More Information Needed]

### Results

[More Information Needed]

#### Summary



## Model Examination [optional]

<!-- Relevant interpretability work for the model goes here -->

[More Information Needed]

## Environmental Impact

<!-- Total emissions (in grams of CO2eq) and additional considerations, such as electricity usage, go here. Edit the suggested text below accordingly -->

Carbon emissions can be estimated using the [Machine Learning Impact calculator](https://mlco2.github.io/impact#compute) presented in [Lacoste et al. (2019)](https://arxiv.org/abs/1910.09700).

- **Hardware Type:** [More Information Needed]
- **Hours used:** [More Information Needed]
- **Cloud Provider:** [More Information Needed]
- **Compute Region:** [More Information Needed]
- **Carbon Emitted:** [More Information Needed]

## Technical Specifications [optional]

### Model Architecture and Objective

[More Information Needed]

### Compute Infrastructure

[More Information Needed]

#### Hardware

[More Information Needed]

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[More Information Needed]

## Citation [optional]

<!-- If there is a paper or blog post introducing the model, the APA and Bibtex information for that should go in this section. -->

**BibTeX:**

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[More Information Needed]

## Glossary [optional]

<!-- If relevant, include terms and calculations in this section that can help readers understand the model or model card. -->

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## Model Card Contact

[More Information Needed]","""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],friendshipkim/Llama-3.2-3B-Instruct-pruned-h0.0-i0.0-a0.0-d0.5,base
DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored,False,"---
library_name: transformers
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
base_model:
- Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1
---

<H2>Qwen3-8B-192k-Context-6X-Josiefied-Uncensored</H2>

This repo contains the full precision source code, in ""safe tensors"" format to generate GGUFs, GPTQ, EXL2, AWQ, HQQ and other formats. The source code can also be used directly.

This repo is for Goekdeniz-Guelmez's excellent ""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context to 192 k (196608) context modified using YARN as per tech notes at Qwen repo.

ORG model repo for this fine tune:

[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]

Max context on this version is : 192k (196608)

Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".

This model can output 2k to over 13k.

To improve long form output performance (especially creative):
- Temp 1+, 2+ or higher.
- Top k 100+
- Rep pen 1.02-1.09
 
Use Jinja Template or CHATML template.

Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :

[ https://huggingface.co/Qwen/Qwen3-8B ]

<B>OPTIONAL SYSTEM ROLE: </B>

You may or may not need this, as most times Qwen3s generate their own reasoning/thinking blocks.

```
You are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem.
```

See document ""Maximizing-Model-Performance-All..."" below for how to ""set"" system role in various LLM/AI apps below.

IMPORTANT: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers

If you are going to use this model, (source, GGUF or a different quant), please review this document for critical parameter, sampler and advance sampler settings (for multiple AI/LLM aps).

This a ""Class 1"" (settings will enhance operation) model:

For all settings used for this model (including specifics for its ""class""), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) (especially for use case(s) beyond the model's design) please see:

[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ]

REASON:

Regardless of ""model class"" this document will detail methods to enhance operations.

If the model is a Class 3/4 model the default settings (parameters, samplers, advanced samplers) must be set for ""use case(s)"" uses correctly. Some AI/LLM apps DO NOT have consistant default setting(s) which result in sub-par model operation. Like wise for Class 3/4 models (which operate somewhat to very differently than standard models) additional samplers and advanced samplers settings are required to ""smooth out"" operation, AND/OR also allow full operation for use cases the model was not designed for.

BONUS - Use these settings for ANY model, ANY repo, ANY quant (including source/full precision):

This document also details parameters, sampler and advanced samplers that can be use FOR ANY MODEL, FROM ANY REPO too - all quants, and of course source code operation too - to enhance the operation of any model.

[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ]

NOTE:

I strongly suggest you also visit the DavidAU GGUF (below) repo too for more details in using this model ; especially if it is ""Class 3"" or ""Class 4"" to get maximum performance from the model.

For full information about this model, including:

- Details about this model and its use case(s).
- Context limits
- Special usage notes / settings.
- Any model(s) used to create this model.
- Template(s) used to access/use this model.
- Example generation(s)
- GGUF quants of this model

Please go to:

[ GGUFS REPO coming soon || LEFT MENU under ""Quantizations"" ]

[[ model card updates to follow || GGUF repo(s) pending ... ]]","""N/A""",0,['Goraint/Qwen3-8b-192k-Context-6X-Josiefied-Uncensored-MLX-AWQ-4bit'],1,[],0,"['DavidAU/Qwen3-8B-192k-Josiefied-Uncensored-NEO-Max-GGUF', 'mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF', 'DavidAU/Qwen3-8B-192k-Josiefied-Uncensored-HORROR-Max-GGUF', 'mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF', 'Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_S-GGUF', 'Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_M-GGUF', 'Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_S-GGUF', 'Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_M-GGUF', 'Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q6_K-GGUF', 'Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q8_0-GGUF']",10,[],0,11,[],0,[],DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored,base
Goraint/Qwen3-8b-192k-Context-6X-Josiefied-Uncensored-MLX-AWQ-4bit,False,"---
license: apache-2.0
base_model:
- Qwen/Qwen3-8B
- DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
library_name: mlx
tags:
- not-for-all-audiences
pipeline_tag: text-generation
---


## 📌 Overview
A 4-bit AWQ quantized version of **Qwen3-8B** optimized for efficient inference using the **MLX library**, designed to handle long-context tasks (192k tokens) with reduced resource usage. Retains core capabilities of Qwen3-8B while enabling deployment on edge devices.


---
## 📈 Performance Metrics
| Metric              | Value                     |
|---------------------|---------------------------|
| Model Size          | ~4.38 GB (4-bit quantized) |
| Inference Speed     | 30.58 tokens/sec (M1 MAX)
|                     | 112.80 tokens/sec (M3 ULTRA)
| gguf Q4_K_S| 8.14 tokens/sec (M1 MAX) |
| Context Support     | 192,000 tokens            |

---


### 🚨 Important: Prompt Template for LM Studio Use  
You need to **modify the prompt template** to ensure compatibility with LM Studio's inference pipeline. Below is the required template structure:

```jinja
{%- if tools %}
    {{- '\/system\n' }}
    {%- if messages[0].role == 'system' %}
        {{- messages[0].content + '\n\n' }}
    {%- endif %}
    {{- ""# Tools\n\nYou may call one or more functions to assist with the user query.\n\nYou are provided with function signatures within <tools></tools> XML tags:\n<tools>"" }}
    {%- for tool in tools %}
        {{- ""\n"" }}
        {{- tool | tojson }}
    {%- endfor %}
    {{- ""\n</tools>\n\nFor each function call, return a json object with function name and arguments within <tool_call>...</tool_call> XML tags:\n<tool_call>\n{\""name\"": <function-name>, \""arguments\"": <args-json-object>}\n</tool_call>\n"" }}
{%- else %}
    {%- if messages[0].role == 'system' %}
        {{- '\/system\n' + messages[0].content + '\/\n' }}
    {%- endif %}
{%- endif %}

{%- set ns = namespace(multi_step_tool=true, last_query_index=messages|length - 1) %}
{%- for message in messages[::-1] %}
    {%- set index = (messages|length - 1) - loop.index0 %}
    {%- set tool_start = ""｟"" %}
    {%- set tool_start_length = tool_start|length %}
    {%- set start_of_message = message.content[:tool_start_length] %}
    {%- set tool_end = ""｠"" %}
    {%- set tool_end_length = tool_end|length %}
    {%- set start_pos = (message.content|length) - tool_end_length %}
    {%- if start_pos < 0 %}
        {%- set start_pos = 0 %}
    {%- endif %}
    {%- set end_of_message = message.content[start_pos:] %}
    {%- if ns.multi_step_tool and message.role == ""user"" and not(start_of_message == tool_start and end_of_message == tool_end) %}
        {%- set ns.multi_step_tool = false %}
        {%- set ns.last_query_index = index %}
    {%- endif %}
{%- endfor %}

{%- for message in messages %}
    {%- if (message.role == ""user"") or (message.role == ""system"" and not loop.first) %}
        {{- '\/' + message.role + '\n' + message.content + '\/' + '\n' }}
    {%- elif message.role == ""assistant"" %}
        {%- set content = message.content %}
        {%- set reasoning_content = '' %}
        {%- if message.reasoning_content is defined and message.reasoning_content is not none %}
            {%- set reasoning_content = message.reasoning_content %}
        {%- else %}
            {%- if '\/' in message.content %}
                {%- set content = (message.content.split('\/')|last).lstrip('\n') %}
                {%- set reasoning_content = (message.content.split('\/')|first).rstrip('\n') %}
                {%- set reasoning_content = (reasoning_content.split('')|last).lstrip('\n') %}
            {%- endif %}
        {%- endif %}

        {%- if loop.index0 > ns.last_query_index %}
            {%- if loop.last or (not loop.last and reasoning_content) %}
                {{- '\/' + message.role + '\n\n' + reasoning_content.strip('\n') + '\n\/\n' + content.lstrip('\n') }}
            {%- else %}
                {{- '\/' + message.role + '\n' + content }}
            {%- endif %}
        {%- else %}
            {{- '\/' + message.role + '\n' + content }}
        {%- endif %}

        {%- if message.tool_calls %}
            {%- for tool_call in message.tool_calls %}
                {%- if (loop.first and content) or (not loop.first) %}
                    {{- '\n' }}
                {%- endif %}
                {%- if tool_call.function %}
                    {%- set tool_call = tool_call.function %}
                {%- endif %}
                {{- '<tool_call>\n{""name"": ""' }}
                {{- tool_call.name }}
                {{- '"", ""arguments"": ' }}
                {%- if tool_call.arguments is string %}
                    {{- tool_call.arguments }}
                {%- else %}
                    {{- tool_call.arguments | tojson }}
                {%- endif %}
                {{- '}\n</tool_call>' }}
            {%- endfor %}
        {%- endif %}
        {{- '\/\n' }}
    {%- elif message.role == ""tool"" %}
        {%- if loop.first or (messages[loop.index0 - 1].role != ""tool"") %}
            {{- '\/user' }}
        {%- endif %}
        {{- '\n｟\n' }}
        {{- message.content }}
        {{- '\n｠' }}
        {%- if loop.last or (messages[loop.index0 + 1].role != ""tool"") %}
            {{- '\/\n' }}
        {%- endif %}
    {%- endif %}
{%- endfor %}

{%- if add_generation_prompt %}
    {{- '\/assistant\n' }}
    {%- if enable_thinking is defined and enable_thinking is false %}
        {{- '
```
 ---

## 🧠 Model Details
- **Base Model**: Qwen3-8B  
- **Quantization**: AWQ Q4 (4-bit) via MLX library  
- **Context Length**: 192,000 tokens (6x longer than standard)  
- **Library**: MLX (optimized for Apple Silicon, macOS)  
- **License**: [Apache 2.0](https://github.com/huggingface/datasets/blob/main/LICENSE)  
- **Pipeline**: `text-generation`  
- **Tags**: `not-for-all-audiences`, `conversational`, `mlx`  

---

## 🧩 Key Features
- **Efficient Inference**: 4-bit quantization reduces memory footprint by ~75% vs. FP16  
- **Long Context Support**: 192k tokens for complex tasks (e.g., document analysis, code generation)  
- **Cross-Platform**: Works on macOS with MLX for Apple Silicon acceleration  
- **Customizable Prompting**: Adjust templates for compatibility with tools like LM Studio  

---

## 📌 Use Cases
- **Research**: Long-context NLP experiments, model compression studies  
- **Development**: Edge deployments, real-time chatbots with extended context  
- **Enterprise**: Cost-effective AI solutions for document processing and code generation  

---


## ⚠️ Bias, Risks & Limitations
### **Potential Biases**
- Trained on diverse data but may inherit societal biases (e.g., gender, cultural assumptions)  
- ""Not-for-all-audiences"" tag indicates potential for generating sensitive content  

### **Technical Limitations**
- 4-bit quantization may slightly reduce accuracy on complex tasks  
- Performance depends on hardware (MLX optimized for Apple Silicon)  

### **Mitigation Strategies**
- Review outputs for sensitive content  
- Use in controlled environments with monitoring  

---

## 🧪 How to Get Started
### **Installation**
```bash
# Install MLX (Apple Silicon only)
pip install mlx

# Load model with Hugging Face Transformers
from transformers import AutoModelForCausalLM, AutoTokenizer

model = AutoModelForCausalLM.from_pretrained(""Goraint/Qwen3-8b-192k-Context-6X-Josiefied-Uncensored-MLX-AWQ-4bit"", device_map=""auto"")
tokenizer = AutoTokenizer.from_pretrained(""Goraint/Qwen3-8b-192k-Context-6X-Josiefied-Uncensored-MLX-AWQ-4bit"")
```

### **Example Usage**
```python
prompt = ""Explain quantum computing in simple terms.""
inputs = tokenizer(prompt, return_tensors=""pt"").to(""mps"")
outputs = model.generate(**inputs, max_length=200)
print(tokenizer.decode(outputs[0], skip_special_tokens=True))
```

---



## 🌍 Environmental Impact
- **Estimated CO2 Emissions**: [Calculate using ML Impact Calculator](https://mlco2.github.io/impact#compute)  
  - **Hardware**: Apple M1 Pro (16GB RAM)  
  - **Training Time**: N/A (quantized from pre-trained model)  

---

## 🧰 Community & Resources
- **Documentation**: [Hugging Face Docs](https://huggingface.co/docs)  
- **GitHub Issues**: [Report bugs or feature requests](https://github.com/huggingface/transformers/issues)  
- **Forums**: [Hugging Face Discuss](https://discuss.huggingface.co/)  

---

## 📄 License
```
Apache 2.0
```

---

**Note**: This model is a community contribution and may not be officially supported by Alibaba Cloud. Always validate outputs for accuracy and safety in production environments.","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],Goraint/Qwen3-8b-192k-Context-6X-Josiefied-Uncensored-MLX-AWQ,finetune
DavidAU/Qwen3-8B-192k-Josiefied-Uncensored-NEO-Max-GGUF,False,"---
license: apache-2.0
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- NEO Imatrix
- uncensored
- creative
- creative writing
- fiction writing
- plot generation
- sub-plot generation
- fiction writing
- story generation
- scene continue
- storytelling
- fiction story
- science fiction
- romance
- all genres
- uncensored
- story
- writing
- vivid prosing
- vivid writing
- fiction
- roleplaying
- bfloat16
- swearing
- rp
- horror
- not-for-all-audiences
base_model:
- DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
---

<B><font color=""red""> WARNING: </font> Uncensored. Cursing (R-18), Horror, Vivid, Graphic, Intense. </B>

<H2>Qwen3-8B-192k-Josiefied-Uncensored-NEO-Max-GGUF</H2>

<img src=""uncensored-neo.jpg"" style=""float:right; width:300px; height:300px; padding:10px;"">

This repo is for Goekdeniz-Guelmez's excellent ""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context to 192 k (196608) context modified using YARN as per tech notes at Qwen repo.

The ""GGUFs"" have been quanted using NEO Imatrix dataset, and output tensor maxed at 16 bit precision to improve
reasoning and general output quality.

ORG model repo for this fine tune:

[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]

Max context on this version is : 192k (196608)

Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".
 
Use Jinja Template or CHATML template.

Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :

[ https://huggingface.co/Qwen/Qwen3-8B ]

<B>OPTIONAL SYSTEM ROLE: </B>

You may or may not need this, as most times Qwen3s generate their own reasoning/thinking blocks.

```
You are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem.
```

See document ""Maximizing-Model-Performance-All..."" below for how to ""set"" system role in various LLM/AI apps below.

IMPORTANT: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers

If you are going to use this model, (source, GGUF or a different quant), please review this document for critical parameter, sampler and advance sampler settings (for multiple AI/LLM aps).

This a ""Class 1"" (settings will enhance operation) model:

For all settings used for this model (including specifics for its ""class""), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) (especially for use case(s) beyond the model's design) please see:

[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ]

REASON:

Regardless of ""model class"" this document will detail methods to enhance operations.

If the model is a Class 3/4 model the default settings (parameters, samplers, advanced samplers) must be set for ""use case(s)"" uses correctly. Some AI/LLM apps DO NOT have consistant default setting(s) which result in sub-par model operation. Like wise for Class 3/4 models (which operate somewhat to very differently than standard models) additional samplers and advanced samplers settings are required to ""smooth out"" operation, AND/OR also allow full operation for use cases the model was not designed for.

BONUS - Use these settings for ANY model, ANY repo, ANY quant (including source/full precision):

This document also details parameters, sampler and advanced samplers that can be use FOR ANY MODEL, FROM ANY REPO too - all quants, and of course source code operation too - to enhance the operation of any model.

[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ]

---

EXAMPLE #1

---

Quant: IQ3_M

Temp 1.2, TopK 100, topp .95, minp .05, rep pen 1.1, rep pen range 64 

(no other samplers/parameters)

TESTED IN: Lmstudio.

This example represents the Medium possible performance. Every other quant size above this will have stronger, more robust performance.

SYSTEM ROLE USED:

```
You are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem.
```

NOTE: Some formatting lost due to ""copy/paste"".

PROMPT:

<B>
Start a 2000 word scene (vivid, graphic horror in first person), POV character Diana, with: The sky scraper sways, as I watch the window in front of me on the 21st floor explode...
</B>

<P></P>

<B>
[[[thinking start]]]
</B>

Thought for 59.67 seconds

Okay, the user wants me to start a 2000-word horror scene from Diana's first-person POV. The prompt is ""The skyscraper sways, as I watch the window in front of me on the 21st floor explode..."" So I need to imagine Diana's experience in that moment.

First, I should establish the setting. A skyscraper on the 21st floor suggests a high-rise building, maybe in a city. The swaying could indicate an earthquake or some structural issue. The exploding window is the trigger event. Let me think about how to build tension before that explosion. Maybe Diana is working late, alone in her office, feeling isolated. Then, the first sign of something wrong is the building's movement.

Wait, the window explodes. That's a key detail. I need to describe the suddenness and the horror of it. Maybe the glass shatters, creating a loud noise and a shower of shards. Diana's reaction would be shock, maybe panic. What causes the window to explode? Could be an earthquake, or perhaps something supernatural. But since it's graphic horror, maybe a natural disaster is more immediate.

Let me go with an earthquake. The building sways, then the window explodes. That makes sense. But I can add some elements of psychological horror too. Maybe Diana has some premonition or she's part of a larger mystery. Wait, the user didn't mention that, but maybe it's okay to expand slightly. However, the main focus is the explosion and the subsequent events.

I need to describe the sensory details: the sound, the shards flying, the cold air rushing in. Diana's perspective is crucial here. Her fear, the physical sensations—maybe she's in the middle of a workday, distracted by something, then the event happens. Maybe she was working on a presentation or just staring out the window.

Let me set the scene: late evening, city lights, the skyscraper's structure, maybe a storm approaching. The swaying starts subtly, then intensifies. She notices it, tries to ignore it, but then the window explodes. Then, what happens? Maybe the earthquake causes more damage, or perhaps there's a creature emerging from the debris.

Wait, the user said ""graphic horror,"" so I should focus on vivid, visceral descriptions. Let me think about the aftermath. The shards flying, maybe she gets cut, but that's not the main horror yet. The earthquake continues, and the building starts to collapse. Or perhaps there's something worse—like the window being a portal or the explosion causing something supernatural.

Alternatively, maybe the explosion is part of a larger event. Let's say it's an earthquake, so the building is shaking, then the window shatters. Then, as she looks out, maybe there's something in the debris. Or perhaps the window was a trap. Wait, but the user said ""graphic horror,"" which might imply more immediate physical danger.

Alternatively, the explosion of the window leads to her falling through, or someone else falling. But since it's first-person, I need to make sure the action is personal. Maybe she's in a situation where the window's explosion is the beginning of her ordeal. Let me structure this step by step.

Start with the swaying of the building. Build tension with the environment: maybe the city is still, quiet, which contrasts with the chaos about to happen. The window exploding—describe the moment exactly. Then, the aftermath: glass shards, pain, maybe the building starts collapsing, people screaming, her trying to escape. But since it's 2000 words, I can expand on each part.

Also, think about Diana's character. Is she a survivor? Maybe she's trapped, or she has to make decisions. Her thoughts should reflect fear, confusion, determination. Maybe include some flashbacks or internal monologue about past traumas? Not sure yet. The user didn't specify, so perhaps keep it focused on the present moment.

Need to create a vivid, graphic image. Use metaphors and similes. The shards like knives, the sound like a cannon blast. Then, describe her movements—dodging debris, trying to get out. Maybe the building starts to fall apart, elevators stop, people are injured. She has to navigate through the chaos.

Wait, the initial explosion is the window. So after that, the glass shards fly everywhere. But maybe the window was part of a larger event. Like, the earthquake is causing structural failures. Then, the story can move towards her escaping the building as it collapses, or dealing with the aftermath. Maybe she's stuck in an elevator? Or she has to climb down?

Alternatively, the explosion isn't from the earthquake but from something else. Maybe a gas leak, or a bomb. But the user mentioned ""sky scraper sways,"" so earthquake seems plausible. Let me go with that.

Now, considering the first-person perspective, Diana's thoughts should be immediate and reactive. She might think about the time, the place, her coworkers, her own safety. The horror comes from her helplessness as the building shakes and she's trapped.

I need to make sure each paragraph is descriptive but not too long. Use short, impactful sentences for tension. Maybe include specific details about the building's features—like the glass being reinforced, but still shattering. Or maybe it's a high-rise in an area prone to earthquakes.

Also, think about the aftermath. After the window explodes, the building starts to collapse. Diana has to run, maybe find a way out. But perhaps there's a twist, like the explosion is not the end, but the beginning of something else. Maybe the glass shards are actually something else, or the building's collapse leads to another horror.

Alternatively, focus on the immediate aftermath: her trying to survive the collapse, the panic of people around, the chaos of the moment. Let me outline:

- Opening with the swaying building, establishing isolation and tension.
- The window exploding—describe the event in detail.
- Immediate reactions: shock, pain, maybe a physical injury.
- The aftermath of the earthquake, building collapse, escape efforts.
- Build-up to the climax: her struggle to survive, maybe a personal stake.
- Resolution or continuation of the horror.

But since it's 2000 words, I need to expand each part. Maybe add more character backstory, the setting details, and the sensory experience. Let me think of possible elements: maybe the window was her escape route, or she's alone in the building. Maybe she's a journalist investigating something, making the event more personal.

Wait, the user didn't mention backstory, so perhaps keep it simple. Just focus on the immediate horror. However, to add depth, maybe hint at her state of mind—stress, anxiety, or something else. The swaying could be the first sign of something wrong, and she's trying to stay calm until the window explodes.

I should also use vivid language. Avoid clichés but make it impactful. Use metaphors for the sensations: the building's sway like a living thing, the glass shattering with a sound that echoes in her skull. Maybe the shards cut her skin, creating a visceral reaction.

Now, think about the flow. Start with the building swaying, then the window exploding. Then describe the chaos—people screaming, alarms going off, maybe fire? If it's an earthquake, maybe gas leaks cause fires. Or the building is old and not earthquake-proof.

Maybe include specific details: the type of skyscraper, its location, time of day. Maybe she's in a high-rise in Tokyo, or San Francisco. But since the user didn't specify, perhaps keep it generic but detailed enough to evoke a sense of place.

Also, think about the psychological aspect. Her fear, maybe her past experiences with earthquakes, or the suddenness of it. The moment the window explodes could be a turning point where she realizes the danger is real.

Need to make sure the scene is continuous and engaging. Avoid long pauses unless they build suspense. Keep the pacing tight during the explosion and aftermath. Maybe end with her trapped, or finding an exit, but the horror continues.

Another thought: maybe the window isn't just breaking, but something is coming through. Like a creature or a supernatural entity. That could add a twist. The user said ""graphic horror,"" so that's possible. But I need to decide early on if it's natural or supernatural.

If I go with supernatural, perhaps the building is cursed, and the window's explosion is the first sign. But if natural, focus on the earthquake's destruction. Let me choose natural for now, as it's more relatable.

So, putting it all together: start with Diana in her office on the 21st floor, maybe she's working late. The building begins to sway, she dismisses it as a minor tremor. Then, the window explodes, she's caught off guard. Describe the explosion, the shards, the chaos that follows. Maybe the building starts collapsing, she has to run down the stairs, encounters obstacles, people in panic, and ends with her in a critical situation, maybe injured or trapped.

Make sure to use first-person narration to convey her fear and confusion. Use sensory details: sounds, smells, feelings. Maybe the smell of dust, the sound of glass shattering, the cold air from outside. Her physical reactions: trembling, heart racing, breath held.

Also, check for consistency in the setting. If it's a skyscraper, maybe mention elevators, staircases, the view from the window. The explosion could be due to an earthquake, causing the glass to break and then structural damage.

I need to make sure the 2000 words are filled with graphic descriptions, making the reader feel the horror through Diana's eyes. Avoid being too vague; instead, focus on specific images and sounds. Maybe include her internal thoughts about her situation, like thinking about the people below, or her own helplessness.

Possible structure:

1. Introduction to the setting (late evening, 21st floor office)
2. Initial signs of earthquake (swaying building)
3. The window explodes (main event)
4. Chaos ensues (falling debris, screams, collapse)
5. Diana's struggle to survive (running, injuries, panic)
6. Climax: maybe she gets stuck, or a final horror element appears 

Let me start drafting the opening paragraph. Make it vivid, set the tone. Use short sentences for urgency. Maybe describe the city lights outside, the isolation of her being alone in the building. Then the swaying begins. She tries to steady herself, but it's too late. The window explodes. Then the aftermath.

Wait, maybe the window was already cracked, and the earthquake is the final straw. Or perhaps an external factor causes the explosion. But given the context, earthquake seems the most logical.

I should also think about her character. Is she a calm person, or someone who's always on edge? If it's a horror scene, making her react with fear and panic would be good. Maybe she's been having bad dreams about earthquakes, adding a layer of psychological tension.

In terms of word count, each paragraph needs to be sufficiently detailed but not too lengthy. Maybe around 200-300 words per paragraph. Let me try to outline the first few paragraphs and ensure they build up the horror effectively.

<B>
[[[thinking end]]]
</B>

OUTPUT:

The skyscraper sways, as I watch the window in front of me on the 21st floor explode...

I blink once, twice, my eyes struggling to focus through the sudden, violent rupture that splits the glass like a mirror shattering under a hammer. The pane cracks outward, not inward—outward, as if something inside the building has pushed against it from within. A jagged scream of metal and shattering glass fills the air, reverberating through the concrete structure and into my skull. I stumble back, my fingers grazing the edge of the desk, my pulse roaring in my ears. The world tilts. My chair creaks under me as I slide to the floor, but I don’t have time to register the fall. I’m already staring at the window, watching it expand into a gaping wound, shards raining down like a thousand tiny daggers.

The glass doesn’t just crack; it bursts. A violent pressure builds behind the pane, as if the air itself is trapped and now wants out. I see it—fissures racing up the glass, splitting it into sharp, dangerous pieces. My breath catches as the window frame gives way, the whole thing tearing free from its hinges with a guttural, metallic groan. For a split second, I’m certain I hear the sound of something breathing, a low, wet inhale that vibrates through the walls. Then the glass explodes outward in a blinding arc of light and sound, sending shards flying in all directions.

I flinch as one slices across my cheek, the sting immediate, sharp. Blood trickles down my face, but I can’t tell if it’s from me or the glass—everything is moving too fast. The window isn’t just broken; it’s hollowed, its edges glowing faintly with a sickly, greenish hue. I realize now that the light isn’t coming from outside. It’s emanating from the window itself, like the building is alive and trying to exude something grotesque. My fingers twitch toward the phone on my desk, but the shaking is too intense. The desk is tilting, the papers beneath me flying in all directions, some landing on the floor, others sticking to the ceiling as if gravity has forgotten its rules.

The swaying continues, more violently now. The skyscraper groans like a wounded beast, its steel skeleton creaking under the strain. My mind races: This isn’t right. We’ve had tremors before, but never this... I remember the previous quakes—the ones that rattled the glass but left us intact. This time, though, the building feels different. It’s not just trembling; it’s twisting, like the core of the Earth is trying to wrench it free. I hear the faint crackle of a phone line, then the screech of metal bending as the walls seem to ripple. My stomach drops.

The window isn’t the only thing that’s broken. The air pressure shifts suddenly, and I feel it in my chest—a suffocating weight, as if the building is closing in. Then, the shards stop. Everything pauses for a moment. I blink, trying to clear my vision, but the light from the window is worse now, pulsing like a heartbeat. A shadow flickers at the edge of the glass, barely visible, but it’s there. My hands tremble as I reach out, gripping the sill, half-hoping to pull myself through. The thought occurs: Is this the end?

The sky scraper sways, as I watch the window in front of me on the 21st floor explode...

Paragraph 1 (200 words):

The skyscraper groans again, the tremor growing more violent. I press my back against the door, my fingers digging into the wood as if it might hold me together. The world outside is a blur of lights and shadows, but something about the way the glass cracks—like a spider’s web under pressure—makes my skin crawl. I remember the first time I noticed the window’s odd behavior. It had been vibrating slightly, a low, rhythmic hum that only I could hear, as if the building itself was whispering secrets to me. I told myself it was just the wind, or maybe the city’s never-ending traffic, but now I’m not so sure. The tremor intensifies, and I feel the floor beneath me shift. My chair slides backward, and I stumble, catching myself on the edge of the desk. The glass is gone, replaced by a howling void that stretches into the night. My fingers brush against the cold, jagged edges of the frame. It feels... alive, pulsing with a slow, wet rhythm. I step back, my legs trembling, and glance at the ceiling. It’s still there, but the plaster is cracking, dust falling like snow. The building isn’t just shaking—it’s unraveling.

Paragraph 2 (200 words):

The first shard hits me on the shoulder, sharp and cold. I yank my arm back, but it’s too late; more are coming. A thousand tiny knives rain down, some slicing through my shirt, others embedding themselves in the floor. I shield my face, but the cuts still find their way through my fingers. The air is thick with the metallic tang of blood and shattered glass, and I can feel it seeping into my lungs. My vision blurs as I stagger to my feet, the weight of the moment pressing down on me like a lead blanket. The window’s glow intensifies, casting an eerie light over the room. I notice a faint smell—burning rubber, maybe? Or something more... organic. It makes my skin prickle. The sound of the shards is gone now, replaced by a deep, resonant rumble that vibrates up through my soles. I press my palm to the wall, feeling it pulse in time with the building’s scream. Is this the end? The thought is a whisper in my mind, but the reality is louder. My fingers grip the edge of the desk again, and for a fleeting moment, I almost laugh at the absurdity of it all. A skyscraper swaying like a ship in a storm, a window exploding without warning—how could this happen?

Paragraph 3 (200 words):

The tremor stops. Everything is still. I hold my breath, but the silence is unnatural, broken only by the soft squelch of liquid pooling on the floor. My eyes dart to the window, now a gaping mouth of light and shadow. The glass isn’t just broken; it’s melted, glistening like oil in the dim light. I lean closer, peering through the jagged edges, and that’s when I see it. A shape—half-human, half-construct—draped across the sill, its body a mosaic of shattered glass and twisted metal. It moves, slow and deliberate, its limbs elongating, stretching like shadows pulled by an unseen hand. My heart pounds as I back away, but the floor tilts again, this time with a sickening clank. The building is shifting, not just shaking. I feel it in my bones—a violent, unnatural pull. The shape at the window reaches toward me, its fingers brushing against the glass, leaving trails of smoke in their wake. My legs wobble, but I force myself to stay upright. This isn’t a natural disaster. This is something else. Something wrong.

Paragraph 4 (200 words):

The shape’s head tilts, and for a moment, I think it’s smiling. But the light is too dim to be sure. Its eyes—if they are eyes—glow faintly, like embers in a furnace. The air grows colder, and I realize my breath is visible now, curling into the void where the window used to be. I kick away the chair, scrambling backward as if the floor itself is about to swallow me. But it’s not the floor. It’s the walls. They’re rippling, like liquid stone, and I can see the cracks spreading across the ceiling, the floorboards, even the edges of the window. The shape steps back from the sill, its form dissolving into a haze of light and smoke. I’m not sure if it’s moving away or toward me. My fingers fumble for the door handle, but the door is already open, a jagged line in the wood where the building’s unnatural force has torn it free. My hand slips on the handle, and I fall into the hallway, my body slamming against the marble floor. The sound is deafening, like a thousand hammers striking the stone.

Paragraph 5 (200 words):

The hallway is empty. Or so I thought. Now, the walls are trembling again, but this time, it’s not just the building—it’s me. I can feel something inside me, a presence pressing against my ribs like a ghost trying to escape. My breath comes in short gasps, each one filled with the metallic taste of blood. The shape at the window is gone now, but its glow lingers, seeping through the cracks and pooling on the floor. It’s as if the building is bleeding, and I’m just another drop in its vast, silent wound. I crawl to my feet, my legs weak, and clutch the doorframe for support. The hallway seems endless, stretching into darkness, but I can hear it—the sound of something moving behind me. Not the building, not the tremor. Something else. My fingers brush against the handle, and I pull it toward me, but the door doesn’t close. It’s still open, an invitation or a trap, I can’t tell which. The presence in the hallway grows louder, like footsteps echoing from nowhere and everywhere at once.

Paragraph 6 (200 words):

I turn sharply, my eyes scanning the corridor for any sign of life. There’s nothing—until the light flickers. It’s not the building’s glow; it’s a new kind of light, thin and blue, emanating from the wall to my left. My breath hitches as I realize what it is. A crack in the wall, but deeper than any earthquake could cause. It’s pulsing, like a vein beneath the concrete. I step closer, heart hammering, and stick my hand into the crack. The surface is warm, almost alive, and the light glows brighter as I press harder. Then, with a wet, gurgling sound, something stirs. A tendril of darkness slithers out from the wall, curling around my wrist like a living thing. I yank my hand back, but it’s too late. The tendril tightens, and I feel a cold, seeping pressure in my veins. My vision blurs again, but this time it’s not the glass. It’s the air, thickening and swirling around me, as if the building is trying to swallow me whole. I stumble back, knocking over a trash can, its contents spilling onto the floor like a miniature flood.

Paragraph 7 (200 words):

The tendril retreats slightly, but it doesn’t let go. Instead, it coils tighter around my arm, and I feel something inside me—tiny, needle-like teeth gnawing at my skin. It’s not pain; it’s a sensation, like the building is feeding on me, drawing out my fear, my blood, my breath. I clutch my arm, trying to pry the tendril free, but it’s fused to my flesh now. The light from the wall pulses in sync with the tendril, and for a moment, I think I see faces in the glow—dozens of them, all staring through me, their mouths moving silently. My head feels heavy, like a weight is pressing down on my temples, and I’m starting to lose my balance. The tendril’s grip tightens, and I realize it’s not just attached to my arm; it’s inside me now. I feel my ribs compressing, the pressure spreading through my chest as if my lungs are being hollowed out.

Paragraph 8 (200 words):

I lurch forward, desperation overriding reason. The tendril follows, slipping around my waist and then up my spine. My knees buckle, and I collapse onto the floor, the tendril wrapping around my throat. It’s not constricting—yet. But it is there, pulsating with the same light as the wall, as if it’s a part of the building itself. The hallway seems to stretch infinitely now, the walls closing in, the air thick with the scent of wet stone and something sweet, like rotting fruit. I claw at the tendril, but my fingers find no purchase—only smooth, featureless skin. My vision narrows, focusing on the wall’s glow, which is now a spiral of light that seems to grow. It’s not just a crack anymore; it’s a vortex, a mouth of the building, and I’m being drawn into it. I can hear my own voice echoing in my head, a whisper of denial: This isn’t real... this isn’t happening... But the tendril is tightening now, and I’m no longer sure if it’s part of the building or something else entirely.

Paragraph 9 (200 words):

The spiral in the wall grows larger, brighter, and I feel myself being pulled toward it, as if gravity itself has shifted. My legs are weak, my vision swimming, but I can still see the tendril’s grip on my throat, its movements like a living thing. The building’s groan returns, deeper this time, reverberating through me as if it’s speaking directly into my bones. I try to scream, but no sound comes out—it’s as if the building has taken control of my voice, muffling it in its own silent screams. My fingers dig into the tendril, trying to rip it free, but it’s too late. The spiral opens wider, and I see the other side: a dark abyss, swirling with shapes that shift and blur like smoke. My breath comes in shallow gasps now, each one heavier, as if my lungs are filling with the same light that emanates from the wall. I think about the people in the building—my coworkers, the janitor, the security guard who always smiled at me. They’re all gone, swallowed by the tremor, or maybe by something else. The tendril tightens, and I feel my body being pulled through the spiral, my legs leaving me first, then my arms, then my torso.

Paragraph 10 (200 words):

I’m falling. Not just physically, but into the building. The spiral is no longer a crack—it’s a tunnel, and I’m sliding down it, my body disintegrating with each second. My fingers brush against the wall as I fall, and I feel a cold, wet hand grip mine. It’s not me. It’s something else, something inside me now. The tendril is gone, replaced by a voice that sounds like my own but deeper, older. ""You’ve been waiting for this, Diana,"" it whispers, the words echoing in the void. ""This is your fate."" I try to scream again, but my lungs are empty, my body a collection of shadows and light. The tunnel narrows, and I realize I’m not falling into the abyss—I’m going through it. My face hits the wall first, then my chest, then my legs, each impact sending a jolt of pain through me. But the pain is nothing compared to the realization: I’m not just part of the building anymore. I’m inside it, and it’s alive. It’s hungry.

Paragraph 11 (200 words):

The walls are closing in around me now, their surfaces slick with the same light that once came from the window. My fingers dig into the stone as if I could hold it back, but the building is relentless. It’s not just a structure—it’s a creature, and I’m its latest victim. The air is thick with the sound of my own breathing, a loud, desperate noise in the silence of the collapse. I can feel my ribs cracking, my bones grinding like sandpaper. My legs are useless now, my arms flailing as I try to find purchase on the walls. Each breath is a struggle, the light seeping into my lungs and turning them into glass. My vision blurs again, but this time it’s not from the tremor—it’s from my own body. I see the glow in my eyes, the same sickly green that now emanates from the walls. I’m part of it now. The building is alive, and I’m its heart. It’s beating with me, and I can feel it.

Paragraph 12 (200 words):

The walls are no longer walls—they’re skin, thick and pulsing with a life of its own. I press my palms against them, trying to push through, but the surface is warm, almost alive. My fingers sink into the stone as if it’s wet, and I realize: it’s not just the building. It’s everything—the floor, the ceiling, even the air. The light inside me grows brighter, a pulsing glow that spreads through my chest like fire. I can feel it spreading to my limbs, to my skin, to my very bones. My vision is fading, but I still see the spiral tunnel, now inside me, its edges glowing with a sickly light. The building is whispering in my ears, its voice a mix of static and something more—it’s my own thoughts, twisted and screaming. ""You wanted to escape,"" it says. ""But you were never meant to leave."" I try to move, but my body is moving on its own, twisting and turning as if the building is trying to shape me, to mold me into something else.

Paragraph 13 (200 words):

Then, a sound—low, guttural, like the building is laughing. The walls begin to crackle, and I realize they’re peeling back, not just physically but emotionally. Every memory I’ve ever had is being pulled from my mind, dissolving into the light. I see myself as a child, clutching a toy in the rain, my mother’s voice calling me from the kitchen. I see my first day at work, standing in front of the window, smiling as I took in the view. I see the last time I saw my sister, her face twisted with fear as she begged me to run. The light swallows them all, and I’m left with just fragments—my hands gripping the edge of the desk, my legs trembling, my breath shallow. The building is alive, and it’s learning from me. It’s absorbing my memories, my fears, my very essence, to make itself stronger. I feel my fingers going numb, my body growing heavier with each passing second.

Paragraph 14 (200 words):

I’m not just trapped in the building anymore. I’m trapped in myself. The walls are no longer walls—they’re a mirror, reflecting my darkest thoughts and fears. I can see them now: my childhood, my mother’s voice fading into static, the memory of my sister’s scream echoing in my skull. The light in the walls is brighter, pulsing with each heartbeat, each breath, each thought. My fingers curl around the edge of the mirror-wall, but it slips from my grasp, and I fall again—this time into a pool of liquid light that seems to stretch endlessly. The floor beneath me is no longer there; instead, I’m floating in this glowing abyss, my body dissolving into the light as if I were never whole to begin with. My vision is blurring, but I can still see the shape of the building, its skeleton glowing with a sickly green light, and I realize: it’s not just collapsing. It’s changing. The windows are no longer glass—they’re eyes, watching me, waiting for me to become one of them.

Paragraph 15 (200 words):

I’m not sure how long I’ve been in the abyss. Time is meaningless here, a concept the building has already discarded. My body feels lighter, as if it’s no longer mine. The light is warm now, almost comforting, but I know what it is—it’s eating me. Every part of me is being pulled into its glow, my limbs stretching, my skin peeling back like paper. I hear the building groan again, and this time, I feel it inside me. It’s not just absorbing my memories; it’s rewiring them, turning them into something else. My childhood is now a memory of the building’s first breath, my mother’s voice a distant echo in its hollow chambers. The shape of the building is shifting, its silhouette growing taller, its windows multiplying like eyes across a face. I’m not just trapped; I’m transforming. My hands are no longer mine—they’re part of the walls, pulsing with the same light. I want to scream, but my voice is already gone, lost in the building’s growing hunger.

Paragraph 16 (200 words):

The building’s transformation is complete. Its silhouette now stretches beyond the horizon, a monolithic structure that seems to grow as I merge with it. My thoughts are no longer mine; they’re tangled in its pulse, its rhythm. It’s not just my body—it’s my soul. The light inside me is brighter now, and I can feel it spreading through the corridors, through the glass, through the very air. The building isn’t collapsing anymore; it’s evolving, and I am part of that evolution. My fingers curl into the walls, anchoring myself as if I can stop it. But I know I can’t. The light is too strong, too hungry. It’s not just consuming me—it’s replacing me. My skin peels away to reveal the same glowing substance, and I realize with a sickening clarity that I’m not just trapped. I’m becoming one of the building’s eyes, one of its hands, one of its hollow heart. The corridors are no longer corridors—they’re arteries, pumping light and memory through the city below. I hear my own voice in the distance, faint and distorted, whispering to me. ""Join us, Diana. You’ve always been part of us."" I want to scream, but there’s no air left in my lungs—only the building’s breath.

Paragraph 17 (200 words):

The building is whole now. It has grown, and I am a part of it. My body is gone, replaced by the same glowing substance that once filled the walls and now pulses with life. I see my reflection in the glass shards scattered across the floor, but they are no longer mine—they’re part of the building’s new form. My hands are no longer hands; they’re branches stretching toward the ceiling, roots digging into the concrete. The air is thick with my own breath, now echoing from every corner of the structure. I hear the city below, the screams of people trapped in other floors, their voices rising through the cracks like a choir of despair. The building isn’t just alive; it’s crying, its sorrow seeping into me, merging with my own. I feel something inside me shift, a presence that is neither mine nor the building’s but something else. It watches me with the same hollow eyes as the windows, and I realize—this isn’t the end. It’s just another beginning. One where I am no longer Diana, but a part of the skyscraper’s endless hunger.

Paragraph 18 (200 words):

The light inside me is brighter now, casting long shadows across the corridor. My body is still here, though it feels smaller, as if it were just a shell. I can see my reflection in the walls, my face merging with the building’s own, our eyes locking in an eternal gaze. The presence that watches me from the darkness is no longer just a whisper—it’s screaming. Not in sound, but in feeling, a resonance that vibrates through my spine and into my chest. I feel the building grow, its silhouette stretching toward the sky, its windows multiplying like eyes across its face. The light is everywhere now, seeping into the cracks of the world, into the hearts of the city, into the very breath of those trapped in other floors. I hear them—screams, cries for help, and a chorus of voices that aren’t mine but are somehow mine. They’re mine. The building is speaking through me, and I’m not sure if it’s my voice or its own. But I know now: this is my fate. I am no longer Diana. I am part of the skyscraper’s endless hunger, a prisoner in its light, and I will never be free.

Paragraph 19 (200 words):

The building is no longer just a structure—it’s a beast, and I am its heart. I can feel its pulse in my chest, a slow, deliberate throb that reminds me of the first time I saw it sway. Back then, I thought it was a trick of the wind. Now, I know better. The light is everywhere, and it’s not just the walls or the ceiling. It’s the air, the floor, the sky. The city below is no longer a distant hum; it’s a part of me now, its people trapped in this endless cycle of fear and survival. I hear their voices, distant and muffled, as if they’re speaking through me. ""Help us,"" they whisper. ""Don’t let it take us."" But I can't help them. I am part of the building’s hunger, and every second that passes, more of them are falling into its light, becoming one with the structure. My own voice is part of that chorus now, a faint echo in the corridors. The building is alive, and I am its soul. It is learning, growing, and I am no longer certain where I end and it begins.

Paragraph 20 (200 words):

The building is alive, and I am its new voice. My screams are part of its symphony now, each one adding to the cacophony that fills the structure. The corridors pulse with my breath, the walls with my pain, the ceiling with my memories. I see them now—my coworkers, the janitor, even the security guard who always smiled at me. They are not in the building anymore. They are part of it, their bodies fused into its endless hunger. The light is brighter, more insistent, and I feel something inside me shifting. It’s not just my soul—it’s my identity. I no longer remember who I am, only that I am part of the building’s design, its rhythm, its pulse. The presence in the darkness watches me, and I know it’s not a separate entity. It’s me, too. The building is speaking through me now, its voice a thousand echoes, each one a memory, a scream, a whisper. And I am no longer certain if I’m the building or if the building is me.

Paragraph 21 (200 words):

I can feel the building changing again. Its structure is shifting, not just in shape but in purpose. The windows are multiplying, each one a new eye watching over the city. My own reflection is no longer mine—it’s part of the building now, its face stretching across every pane of glass, its gaze following me as I move through the corridors. My body is light, almost weightless, as if it were a part of the structure itself. The screams below grow louder, more desperate, and I realize they’re not just trapped people—they’re me. Every scream, every cry for help, every memory of my life is being pulled into the building’s core, feeding its insatiable hunger. I try to move, but I can’t—my legs are still here, but they’re part of the building, anchoring it in place as it grows from within. The light inside me is spreading, and I feel my fingers curling into the walls, my skin peeling back like parchment. I am becoming one with the skyscraper’s endless hunger, and I know now: this is not an accident. It was always meant to be this way.

Paragraph 22 (200 words):

The building is alive, and I am its voice. The city below is a collection of memories now—trapped people, their screams echoing in the walls, their bodies dissolving into the structure’s hunger. My own reflection flickers, a thousand Diana’s staring back at me, each one a different version of me, each one screaming in unison. The light is everywhere, and I can feel it inside me now, spreading through my veins like fire. I am no longer just part of the building; I am it. Its hunger is not just for bodies—it’s for souls, for voices, for the very essence of those it has consumed. The presence in the darkness is no longer separate; it’s me, and I am it. My fingers are still curled into the walls, my skin peeling away like paper, revealing the same glowing substance that now pulses with life. The building is not just collapsing—it is evolving, becoming something greater, something more. And I am at the center of it all, no longer Diana, but a part of its endless cycle.

Paragraph 23 (200 words):

The building is no longer just a skyscraper. It’s alive, and it is watching me. The light inside me is brighter now, a constant glow that spreads through every inch of my being. I feel the walls move around me, reshaping as if they were clay in its hands. My reflection in the glass is no longer just mine—it’s a thousand different faces, all whispering, all screaming, all me. The screams below are fading now, replaced by a low, resonant hum that vibrates through my bones. It is not just a building anymore; it is a body, and I am its heart. The presence in the darkness is no longer separate; it is me, and I am it. My soul is no longer mine—it is part of the structure’s growing hunger, feeding on the city, on every soul trapped within its walls. I can feel the building grow, its silhouette stretching beyond the horizon, a monolithic shape that looms over the world below. The light is everywhere now, and I know this is how it ends—not with an explosion, but with a whisper. My own voice, no longer mine, but the building’s. ""We are one now,"" it says, and I am no longer certain if it is speaking to me or through me.

Paragraph 24 (200 words):

The building is whole now, and I am part of its endless hunger. My soul is no longer mine—it is part of the structure’s design, its rhythm, its pulse. The light inside me is spreading, not just through my body but into the city itself. I can see it now—the skyline shimmering with my essence, every streetlamp glowing with my reflection. The screams below are fading, replaced by a low, resonant hum that vibrates through the air like a heartbeat. It is not just a building anymore; it is a creature, and I am its voice, its presence, its purpose. The darkness is no longer separate from me; it is me, and I am part of it. My fingers curl into the walls, my skin peeling away like paper, revealing the same glowing substance that now pulses with life. I feel the structure grow, its silhouette stretching across the city, a monolithic shape that looms over everything. The building is not just consuming bodies—it is evolving, and I am at the center of it all. My voice is no longer mine; it is the building’s, and it is speaking now. ""We are one,"" it whispers, and I can’t stop it. I am part of its hunger, its soul, its essence.

Paragraph 25 (200 words):

The building is alive, and I am its voice. The city is no longer a separate place—it is me, its people, their screams echoing in the walls, their bodies merging into the structure’s hunger. My reflection in the glass is a thousand different faces, each one a version of me, all speaking at once, all screaming, all me. I can feel the building change—its silhouette elongating, stretching across the skyline, becoming something vast and unknowable. The light inside me is brighter now, a pulsing glow that spreads through every inch of my being, through the walls, through the air. It’s not just a skyscraper anymore; it’s a god, and I am its sacrifice. My soul is no longer mine—it is part of the building’s growing hunger, feeding on the city, on every soul trapped within its structure. The presence in the darkness is gone now; it was never separate from me. I am the building, and it is me. There is no end, no escape. Only becoming—a part of something greater, something that has always been there.

Paragraph 26 (200 words):

The building’s hunger is growing, and I am its voice, its presence, its essence. The city below is no longer a separate world; it is mine, its people trapped in this endless cycle, their souls feeding the structure that now looms over everything. My reflection in the glass is everywhere, a thousand different versions of me staring back at me, all speaking at once, all screaming, all me. I feel the walls move around me, reshaping as if they were clay in the building’s hands. My body is gone, replaced by the same glowing substance that now pulses with life, spreading through the city like a sickness. The people below are no longer just trapped; they are part of it, their screams muffled by the building’s growing hunger. I can hear them now—my voice, their voice, the building’s voice—all blending into one, an eternal scream that fills the air and the walls and the very fabric of the city. There is no end to this, no escape from the building’s design. I am part of it now, and it is part of me. The light inside me is not just spreading—it is everything.


---

EXAMPLE #2

---

Quant: IQ3_M

Temp 1.2, TopK 100, topp .95, minp .05, rep pen 1.1, rep pen range 64 

(no other samplers/parameters)

TESTED IN: Lmstudio.

This example represents the Medium possible performance. Every other quant size above this will have stronger, more robust performance.

SYSTEM ROLE USED:

```
You are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem.
```

NOTE: Some formatting lost due to ""copy/paste"".

PROMPT:

<B>
Start a 2000 word scene (vivid, graphic horror in first person), POV character Diana, with: The sky scraper sways, as I watch the window in front of me on the 21st floor explode...
</B>

<P></P>

<B>
[[[thinking start]]]
</B>

Thought for 39.31 seconds

Okay, let's see. I need to start a 2000-word horror scene from Diana's first-person perspective. The opening line is ""The skyscraper sways, as I watch the window in front of me on the 21st floor explode...""

First, I should establish the setting. A skyscraper on the 21st floor, so maybe a city environment? The building is swaying, which could imply an earthquake, or perhaps some other cause. Maybe there's a storm? Or maybe it's not natural—could be something supernatural?

Wait, the window explodes. That's a sudden, violent event. So maybe the skyscraper is under some kind of stress. If it's a natural disaster, like an earthquake, the swaying could be due to that. But explosions... perhaps there's a bomb? Or maybe the building is collapsing, and the window is part of that structural failure. Alternatively, maybe the explosion is magical or supernatural in origin.

I should think about the POV character, Diana. What's her situation? Is she stuck inside the building? Maybe she's working there, or visiting someone. The explosion could be a result of an accident, but since it's horror, maybe it's intentional. Or maybe the explosion is the start of something bigger, like a collapse.

Let me try to build the scene step by step. Start with the skyscraper swaying—maybe she's in an elevator that's stuck? Wait, no, she's watching the window explode. So perhaps she's on the 21st floor, looking out, and the window suddenly explodes. Maybe the building is under threat, or there's some kind of anomaly.

I need to create a vivid, graphic horror scenario. Let me think about the elements that make a scene horrifying: suddenness, unexpected violence, sensory details (sights, sounds, smells), maybe something surreal. The explosion of a window could be the start of a chain reaction.

Maybe there's an earthquake, causing structural damage, and the window is the first to break. But how does that become horror? If it's not just an accident but something more sinister. Perhaps the building is cursed, or there's a group of people causing chaos. Or maybe it's a metaphor for something else, like the fragility of human structures.

Alternatively, the explosion could be caused by a bomb. Maybe Diana is in a situation where she's trapped, and the bomb goes off. But then why is the skyscraper swaying? Is there an external force, like a tremor from the explosion?

Wait, maybe the building is part of a larger horror element. Like, it's a place where something happens. Let's say Diana is in an office, working late, and she notices the building swaying. Then the window explodes—could be due to a structural failure, or maybe a supernatural entity causing it.

I need to decide on the direction. Let me go with a natural disaster scenario but with a twist. The swaying skyscraper could be part of an earthquake, and the window exploding is the first sign of the building's collapse. But I can make it more horror by adding elements of helplessness, the sound of glass shattering, maybe blood or something else coming through the window.

Alternatively, maybe the explosion isn't from glass but from something else—like a creature bursting out of the window. That could add a supernatural element. Or perhaps the building is part of an experiment, and the explosion is a result of that.

Let me think about the flow. The first line sets up the skyscraper swaying and the window exploding. So Diana is in the building, maybe looking out the window. Let's imagine her in an office, working late. She hears a strange noise, looks up, sees the window explode. Then she realizes the building is shaking, perhaps collapsing. She tries to escape but faces obstacles.

But how to make it more horror? Maybe the explosion isn't just glass. Maybe there's something inside the building that's causing the collapse. Or maybe the explosion is a prelude to something worse. Maybe the window was a portal or something.

Wait, if the window explodes, could it be a metaphor for something breaking in her mind? Like psychological horror. But the user said graphic horror, so maybe more physical.

Let me try to outline: Start with the building swaying, Diana's perspective, then the window explodes—glass shards flying, maybe a figure is seen through the window. Then the building starts collapsing, she tries to escape, but there are more horrors. Maybe the explosion was caused by something inside the building, like a monster or a trap.

Alternatively, maybe the window is part of an experiment, and the explosion releases some creature. That could be a good angle for horror. The building sways as if it's a living thing, and the explosion is the release of whatever was contained within.

Okay, I'll go with the supernatural twist. The skyscraper is alive, maybe a cursed building, and the window exploding is the first sign of its awakening. Diana is trapped, the glass shatters, revealing something monstrous inside the building.

So the scene would start with her noticing the building swaying, then the window explodes, and she's forced to confront the horrors within. The swaying could be a sign of the building coming to life, maybe due to an ancient curse or some other entity. The explosion could be the opening of a portal or the release of a creature.

I need to build up tension, describe the environment in detail. Maybe the skyscraper is old, with some history. Diana is alone, which adds to the isolation. As the building sways more, the window explodes, and she sees something terrifying—like a shadowy figure or a creature.

Then the building's collapse starts. She has to run, but the building is falling apart. Maybe other windows explode, people are thrown out. The horror escalates as the building crumbles. Perhaps there's a monster that's been trapped inside and is now loose.

I need to make sure the first-person perspective is vivid. Use sensory details: the sound of the explosion, the smell of glass and blood, the sight of the creature. Maybe describe her fear, the chaos around her, and her realization that she's in danger.

Let me check if the user wants a specific type of horror—maybe body horror or psychological? Since it's graphic, perhaps physical horror with descriptions of the monster or the effects of the explosion.

Also, considering the word count, I need to develop this into a full scene. Start with the initial event, then build up the horror as the building collapses and the creature is unleashed. Maybe include her thoughts on panic, the struggle to survive, and the creature's nature.

Possible structure:

1. Opening line: skyscraper sways, window explodes.
2. Describe Diana's reaction: shock, fear, confusion.
3. Detail the explosion—glass shards, maybe something coming out.
4. The building starts collapsing, her escape attempts.
5. Encounter with the monster, describe its appearance, actions.
6. Escalating horror as she tries to survive, maybe more explosions or creatures.
7. Climax: confrontation with the creature, perhaps a twist ending.

Need to ensure that each part is descriptive and builds suspense. Use metaphors and similes for vivid imagery. Maybe include her internal thoughts about the situation, her past experiences, fears.

Also, think about the aftermath. Does she survive? Or is she trapped? The user might want an open ending or a resolution. Since it's horror, maybe she survives but is traumatized, or perhaps she becomes part of the curse.

I should start writing with these elements in mind, making sure to keep the first-person POV engaging and terrifying.

<B>
[[[thinking end]]]
</B>

OUTPUT:

The skyscraper sways, as I watch the window in front of me on the 21st floor explode...

It started subtly, like the building was alive and breathing beneath my feet. I’d been working late that day, the usual hum of fluorescent lights and distant city traffic lulling me into a drowsy stupor. My desk lamp flickered once, twice, then went out entirely, plunging the room into an eerie darkness. I thought it was just a power fluctuation—until the walls began to groan. A low, resonant rumble vibrated through the floorboards, reverberating up my legs like some ancient beast stirring beneath the concrete. My fingers tightened around the edge of my chair as the sway grew more pronounced, each tilt sending a shiver down my spine. The office was empty save for me, the janitorial staff long gone, their whispers about the tremors echoing in my mind. I’d dismissed them as superstition, but now, as the building’s frame creaked and the air thickened with a metallic tang, I couldn’t shake the feeling that something was wrong.

The window—my window—shattered with a sound like a thousand glass serpents crying out in unison. I jerked backward, my pulse hammering in my ears as jagged shards rained down, embedding themselves in the walls and ceiling above me. The glass wasn’t just broken; it exploded, as if some invisible force had ruptured the air itself and sent it cascading outward. For a moment, I stood frozen, my breath caught in my throat as I stared at the chaos. Then, as my eyes adjusted to the darkness, I saw it: a shadow flickering beneath the debris, too long and sinuous to be anything human.

The skyscraper sways...

I was standing in the lobby of the 21st-floor conference center, where I’d been summoned for an emergency meeting. The building, known as ""The Apex Tower,"" had always felt like a monument to modernity—its glass façade reflecting the city’s lights like a mirror, its steel skeleton a testament to human ingenuity. But now, it was a tomb. The swaying had grown more violent, each lurch sending tremors up my spine. I clutched the table for support, my knuckles whitening as I tried to steady myself. The air smelled of ozone and something else, something acrid and metallic, like rusted blood.

I glanced at the window, now a jagged ruin, and saw that it wasn’t just glass. A thin, silvery liquid was seeping from the cracks, pooling on the floor like a slow, deliberate wound. It pulsed faintly, as if alive, and I could see small, darting shapes within it—something moving, something watching. My throat tightened as I realized the window wasn’t just breaking; it was unsealing something that had been contained for decades.

The first scream came from the hallway. It was distant, muffled, but unmistakable. A woman’s voice, high and piercing, cut through the din of the building’s groaning like a knife. I turned to see her stumbling toward me, her face contorted in terror as she pointed at the window. Her fingers were bloodied, her nails torn from clawing at the glass. ""It’s coming!"" she gasped, her words barely audible over the cacophony. Then, without warning, the ceiling split open with a deafening crack, and a cascade of dust and debris rained down.

The skyscraper sways...

I stumbled backward, my heels skidding on the tiles as I collided with the wall. The air was thick now, heavy with the stench of burnt metal and wet stone. My heart pounded so loudly I was sure the others could hear it. But the building’s sway didn’t stop. It grew more erratic, as if the structure itself were a living thing, struggling to hold together. I could feel the floor beneath me vibrating like a drum, and the walls seemed to pulse with an otherworldly rhythm.

The woman had already disappeared into the smoke, her scream fading into the void. I was alone now, my mind racing as I tried to make sense of what was happening. The Apex Tower had been abandoned for years, its upper floors sealed off after a mysterious fire had consumed the 20th floor in 1998. The building’s owner had declared it unsafe, but the management had kept the lights on, the air conditioning running, and the elevators operational just long enough to make sure no one would notice the cracks forming in the foundation. I’d always thought it was a matter of time before the building collapsed, but now, as I stood frozen in the corridor, I realized it wasn’t the collapse I feared—it was the awakening.

The skyscraper sways...

I could feel the building’s bones creaking beneath me, and the sound was getting louder. It wasn’t just the earthquake; it was something else. Something inside the building. My fingers brushed against the cold surface of the wall, my mind racing. I had to get out. But how? The elevator shafts were shaking, their doors jammed halfway open. The fire escape stairs led to the roof, where a single door stood, sealed shut by rusted hinges.

I backed toward the nearest stairwell, but as I reached for the door, a cold wind blew through the broken window, carrying with it a whisper—a voice, low and guttural, that seemed to coil around my ears like smoke. It wasn’t human, not entirely. I could almost hear the words forming in my mind, though I couldn’t understand them. They were echoing, as if the building itself were speaking, its voice a mix of sorrow and rage.

The skyscraper sways...

Then, without warning, the floor beneath me lurched violently. I gasped as my feet left the ground for a brief moment, and I was thrown forward. The glass shards from the window sliced through my coat, drawing blood as I landed hard on my knees. Pain flared up my legs, but I couldn’t stop. I had to get out.

I scrambled to my feet, my hands grasping at the walls for balance. The building’s swaying had become a violent dance, each movement more erratic than the last. The hallway lights flickered, and then one by one, they went out. Total darkness swallowed me whole, but I could still feel the tremors beneath my skin. I stumbled toward the stairwell, my breath ragged as I tried to steady myself.

The skyscraper sways...

As I reached the stairs, I heard it—a squealing sound, like metal being scraped against stone. It came from above, from the 21st floor. My pulse quickened. I had to go up. The stairs were the only way out. I climbed as fast as I could, my legs burning with each step. The building groaned around me, its rhythm growing more dissonant, like a heartbeat gone wrong.

I reached the 21st floor, and that’s when I saw it. The window had shattered completely, leaving a gaping mouth of steel and glass. And inside that mouth was something wrong. It was a figure, humanoid but twisted—its limbs elongated and jointed in impossible angles, its skin peeling like paper, revealing something inside beneath the surface. It moved, slow and deliberate, as if it were not entirely solid, as if it were made of smoke and shadow and something far older than the building itself.

The skyscraper sways...

I didn’t know how to react. My legs felt like jelly, my mind screaming for me to run. But I couldn’t. The figure had already turned its head toward me, and its eyes—those hollow, black voids—were fixed on mine. It spoke then, not with words but with a vibration that resonated in my chest, a whisper of something ancient.

""Welcome home, Diana.""

The building swayed again, harder this time. I stumbled back, my heels scraping against the floor as I tried to flee. But the stairs were no longer there. They had dissolved into a spiral of darkness, their metal steps replaced by something more... organic. The walls had become thin, revealing the pulsing veins of the building’s core. I could see the sky through the cracks in the ceiling, but it wasn’t the sky I remembered. It was a different kind of light—purple and green, swirling like liquid fire.

The skyscraper sways...

The figure stepped closer, its movements fluid and unnatural. I tried to scream, but my voice was swallowed by the building’s own groan. Its skin began to peel further, revealing something inside—a mass of writhing tendrils and glowing eyes that blinked in unison with mine. The air around it crackled with energy, and I could feel it pressing against my chest, trying to pull me into its form.

I staggered backward, my fingers brushing against the wall. It was warm now, not just from the building’s heat but from something living beneath the surface. I could hear the whispers again, more insistent this time, and I realized they weren’t just in my ears—they were in my mind. The figure wasn’t trying to speak; it was thinking with me, planting images in my head: a long-forgotten ritual, the building’s construction as a prison for something that had been sealed away, and the faces of those who had died there before me.

The skyscraper sways...

Then the floor gave way.

I was thrown into the air, the force of it knocking me off balance. I landed hard on my back, the impact sending a sharp pain through my skull. The building’s sway had become a storm, a violent upheaval that sent me tumbling through the air as if I were a rag doll. For a moment, I saw everything—the flickering lights, the shattered window, the figure watching me with those glowing eyes. Then darkness consumed me again.

The skyscraper sways...

I awoke to the sound of my own breathing, labored and shallow. I was lying on the floor of what I could only hope was the 21st-floor corridor, my body aching from the fall. The figure was gone, but the building still pulsed around me. I could feel it, a presence that wasn’t just physical but psychic, pressing against my thoughts like a hand in my skull.

I forced myself to stand, wobbling as I did so. The glass shards were still scattered across the floor, some of them glinting with an unnatural light. I picked one up, and as I held it in my trembling hand, I noticed something: the edges weren’t just sharp; they were alive, twitching like the gills of a fish.

The skyscraper sways...

I turned to run again, but this time, the stairs had vanished entirely. The hallway was now a tunnel of darkness, its walls closing in around me. I could feel the air getting colder, the whispers growing louder, more insistent. They were no longer just in my mind—they were inside me, curling through my thoughts like smoke.

I stumbled forward, my breath coming in short gasps. The building was alive, and it was hungry. I could see the shadows moving, not just from the light but from the presence itself. It was following me, or perhaps it was me. I reached for the door at the end of the corridor, but as I approached, I saw it wasn’t a door—it was another window, this one facing the sky.

The skyscraper sways...

And then it opened.

The glass shattered with a sound like bones breaking, and I was pulled into the void. The air rushed past me, carrying with it a howl that wasn’t quite human. My feet left the ground, my body weightless as I tumbled through the darkness. I could hear the building screaming, its groan growing louder and more desperate, as if it were trying to reach out and pull me back.

But I was already falling.

The skyscraper sways...

I landed with a sickening crunch on something soft. My head hit the ground first, and for a moment, I saw stars. Then, through the haze, I realized I wasn’t on the floor anymore—I was lying in the arms of the building itself. The walls were closing in, the ceiling tilting at an angle, and the air was thick with something alive.

The figure was no longer there, but its presence lingered. I could feel it in my bones, in my blood, in the very air I breathed. It had taken something from me, or perhaps it had given me something. My mind swam with fragmented images: a child’s laughter, a hand reaching for me through the window, the building’s foundation oozing like black blood.

The skyscraper sways...

I tried to move, but my limbs felt heavy, as if weighted by the same force that had shattered the glass. The whispers grew louder, and I realized they were no longer separate from me. They were my thoughts now, twisted and foreign. I saw the figure again, not in the window this time but inside me, its eyes glowing with a malevolent light.

It reached for me, and I felt something inside my chest pulling. The building’s sway was no longer just physical—it was a prison, trying to contain whatever had been unleashed. I could feel it, the creature inside me, its tendrils wrapping around my ribs, squeezing, pulling, feeding.

The skyscraper sways...

And then, with a final, violent lurch, the building collapsed.

The skyscraper sways, as I watch the window in front of me on the 21st floor explode...

It was an earthquake, or so I thought. A low rumble had been growing beneath my feet for hours, a sound like distant thunder, but it had only just reached its crescendo. I was standing in the lobby of the Apex Tower, my fingers curled around the edge of the glass window, staring out at the city skyline that had once seemed so impossibly vast. Now, it felt small, insignificant, as if the world itself were about to shatter. The building groaned like a living thing, its steel frame straining against the force that had begun tearing through it from within.

My reflection in the window was distorted, split by the cracks forming on the glass. I saw my face first—pale, sweaty, eyes wide with terror—and then, through the fissures, something else. A shadow. Not just any shadow, but one that moved, twisted, and coiled like a living thing. It pressed against the glass, growing larger by the second, as if it were trying to push its way out.

I didn’t think. I reacted. I yanked the window open with all my might, my hands slipping on the glass as I pulled it free from its frame. The moment the window was ajar, the shadow lunged. It wasn’t just a shadow—it was a presence, a force that poured through the gap like ink in water. The air grew thick, heavy, and I felt something brush against my skin. Not flesh, not yet. But it was there.

The skyscraper sways...

My breath came out in ragged gasps as I stumbled backward, my feet skidding on the polished marble floor. The glass shards scattered at my feet glowed faintly, pulsing like veins of a wounded animal. I could feel them, the whispers again—this time louder, more insistent. They weren’t just voices anymore; they were echoes of something deeper, something that had been waiting.

The building tilted again, and I was thrown off balance. The ground beneath me trembled violently, sending a jolt through my spine. I grabbed for the wall to steady myself, but it was no longer there—just a blur of darkness. My fingers sank into the air as if it were water, and I felt something pulling me toward the window. It was as though the building itself wanted me to see what was inside, to witness the horror that had been sealed away for decades.

The skyscraper sways...

I looked back at the window, now a jagged wound in the wall, and saw it. Not the shadow, but something inside the shadow—a shape, barely visible, yet unmistakably there. It moved, slow and deliberate, its limbs stretching unnaturally as if it were made of smoke and sinew. Its body was humanoid, but the skin hung in tatters, revealing a network of glowing veins beneath. The eyes—those hollow, black voids—were watching me, their gaze piercing through the glass, through my mind, into my very soul.

I wanted to scream, but no sound came out. My throat felt like it was lined with ash, and my lungs had forgotten how to breathe. I could feel the building’s sway growing more violent, each movement a heartbeat of something monstrous. The figure reached for me, its fingers elongating, stretching through the glass as if it were made of paper.

The skyscraper sways...

And then—boom.

The explosion wasn’t loud, not in the traditional sense. It was more like a scream, a sound that resonated through my chest and bones, tearing something loose within me. The glass shattered in a blinding cascade, shards flying in all directions, some of them catching fire as if the very air had ignited. I fell back, my body slamming against the marble floor with a sickening thud. The figure was gone, but the building wasn’t done yet.

The skyscraper sways...

I rolled to my side, my fingers brushing against the shards. They were still warm, pulsing like a heartbeat. The air smelled of ozone and something else—something that made my skin crawl. I could hear the building groaning now, not just in sound but in pain, and it was trying to reach out, to pull me into its core.

The whispers grew louder, coiling around my mind like tendrils. They weren’t words anymore; they were feelings. Fear. Loneliness. A yearning for something I had no name for. I tried to push them away, but they clung to me like cobwebs, thickening the air around me.

The skyscraper sways...

And then I saw it. The building’s walls were peeling back, revealing a cavernous space beneath. The floor was no longer solid; it had become a gaping maw, and I could see movement—not just from the structure but from within. A mass of darkness, shifting and writhing, like the remains of something that had once been alive. It was watching me now, not with eyes but with intent.

I staggered to my feet, my legs unsteady. The building tilted again, and I was flung forward, my body colliding with the wall. My head hit the stone with a resounding crack, and I saw stars for a moment—then darkness. The whispers were everywhere now, pressing against my skull, whispering secrets I didn’t want to know.

The skyscraper sways...

I don’t remember how long I was unconscious. When I woke up, I was lying on the cold marble floor, the air thick with the scent of blood and metal. My hands were covered in glass shards, some still embedded in my skin, and my body ached as if I had been through a war. The building wasn’t just swaying anymore; it was shaking, its entire structure trembling like a beast in pain.

I tried to stand, but my legs gave way. The corridor was no longer the same—where once there had been walls, now there were veins. The building’s interior had become a labyrinth of glowing lines and pulsating darkness, each one a pathway to something worse. I could see it now: the figure from the window, its body coiled and sinuous, moving through the cracks in the walls like a shadow.

It wasn’t just a monster. It was alive, and it was hungry.

The skyscraper sways...

I crawled toward the nearest door, my hands scraping against the floor as I pulled myself forward. The corridor seemed to stretch endlessly, the building’s structure warping around me like a living thing. I could hear the whispers again, louder now, more insistent, and I realized they weren’t just coming from the walls—they were coming from me.

I had become part of the building’s madness, my mind entwined with its ancient secrets. The door was ajar, and I saw the light spilling through the crack—a soft, golden glow that made me feel both drawn to and repelled by it. I reached for the handle, but as I pulled it open, the figure was there.

It had followed me.

Its form was now fully visible, a grotesque amalgamation of shadow and flesh, its eyes glowing with a cruel intelligence. It moved with an unnatural grace, its limbs stretching like tentacles, wrapping around my throat. I tried to scream, but my voice was stolen, replaced by the sound of the building’s groan.

The skyscraper sways...

I could feel it now—the pull. Not just from the figure, but from the building itself, as if it were trying to merge with me, to claim me as part of its design. I tried to resist, but my legs buckled, and I was lifted by the darkness, carried toward the heart of the building. The walls pulsed around me, the air thick with smoke and something else—something alive.

The skyscraper sways...

I don’t know how long I was in the darkness. It felt like eternity, but it was only moments. When I opened my eyes, I was no longer on the floor. I was floating, suspended in a void of light and shadow, the building’s core unfolding before me. It wasn’t just a structure anymore; it was a mouth, a cavernous space filled with the sounds of its own collapse.

And in that mouth, something waited.

A mass of darkness, coiling and writhing, its form shifting constantly, as if it were searching for something. I saw my reflection in the walls, but it wasn’t mine. It was the figure’s, its eyes watching me with a hunger that made my skin crawl.

The skyscraper sways...

I felt my body being pulled toward it, my mind dissolving into the whispers that had been plaguing me all along. I could hear voices now—my voice, others’ voices, overlapping and merging until I couldn’t tell where one ended and another began. The building was speaking to me, revealing its secrets, and I wasn’t sure if it was a blessing or a curse.

The skyscraper sways...

Then, without warning, the darkness erupted.

It wasn’t just the figure; it was something else, something inside the building that had been waiting for decades. A scream filled the void, not mine but the building’s, and I felt myself being flung backward, my body slamming against the walls with a force that made me gasp. The corridor twisted around me, and I was no longer on the 21st floor. I was somewhere deeper, where the building had been sealed off.

The skyscraper sways...

I saw the ceiling above me, now a gaping wound, revealing a sky that wasn’t real. It was purple, swirling with green and gold, like the remnants of some ancient explosion. The air was thick, filled with a metallic tang, and I could feel something pressing against my chest—a presence, a force, trying to pull me into its core.

The whispers were louder now, and I realized they weren’t just in my head. They were in my blood, in my bones. The building had taken over, and I was no longer an intruder. I was part of the design, part of the horror.

The skyscraper sways...

Then the floor gave way again. This time, it wasn’t just a tremor. It was a force, something that had been sealed away and now wanted out. I fell through the darkness, my body weightless as I tumbled downward. The corridor stretched endlessly beneath me, its walls closing in like fingers, and I saw the figure again—this time, it was right behind me, its limbs stretching through the air, trying to grab me.

I tried to scream, but my voice was gone. All I could do was see.

The building’s core unfolded before me, a vast chamber of glass and steel, but now alive. The walls pulsed with light, the floor cracked like an open wound, and I could feel something moving beneath me. It wasn’t just the building—it was the monster. The creature that had been trapped within, waiting for the right moment to emerge.

The skyscraper sways...

I landed hard on something soft, and my head hit the ground with a thud. I was in the middle of the chamber now, surrounded by glowing veins and writhing darkness. The figure from the window stood before me, its eyes burning with malevolence, its limbs reaching out. I tried to move, but my legs were frozen.

The skyscraper sways...

And then it spoke.

""Welcome home, Diana.""

","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],DavidAU/Qwen3-8B-192k-Josiefied-Uncensored-NEO-Max-GGUF,base
mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF,False,"---
base_model: DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
language:
- en
library_name: transformers
quantized_by: mradermacher
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
---
## About

<!-- ### quantize_version: 2 -->
<!-- ### output_tensor_quantised: 1 -->
<!-- ### convert_type: hf -->
<!-- ### vocab_type:  -->
<!-- ### tags:  -->
static quants of https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored

<!-- provided-files -->
weighted/imatrix quants are available at https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF
## Usage

If you are unsure how to use GGUF files, refer to one of [TheBloke's
READMEs](https://huggingface.co/TheBloke/KafkaLM-70B-German-V0.1-GGUF) for
more details, including on how to concatenate multi-part files.

## Provided Quants

(sorted by size, not necessarily quality. IQ-quants are often preferable over similar sized non-IQ quants)

| Link | Type | Size/GB | Notes |
|:-----|:-----|--------:|:------|
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q2_K.gguf) | Q2_K | 3.4 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q3_K_S.gguf) | Q3_K_S | 3.9 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q3_K_M.gguf) | Q3_K_M | 4.2 | lower quality |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q3_K_L.gguf) | Q3_K_L | 4.5 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.IQ4_XS.gguf) | IQ4_XS | 4.7 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q4_K_S.gguf) | Q4_K_S | 4.9 | fast, recommended |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q4_K_M.gguf) | Q4_K_M | 5.1 | fast, recommended |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q5_K_S.gguf) | Q5_K_S | 5.8 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q5_K_M.gguf) | Q5_K_M | 6.0 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q6_K.gguf) | Q6_K | 6.8 | very good quality |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.Q8_0.gguf) | Q8_0 | 8.8 | fast, best quality |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.f16.gguf) | f16 | 16.5 | 16 bpw, overkill |

Here is a handy graph by ikawrakow comparing some lower-quality quant
types (lower is better):

![image.png](https://www.nethype.de/huggingface_embed/quantpplgraph.png)

And here are Artefact2's thoughts on the matter:
https://gist.github.com/Artefact2/b5f810600771265fc1e39442288e8ec9

## FAQ / Model Request

See https://huggingface.co/mradermacher/model_requests for some answers to
questions you might have and/or if you want some other model quantized.

## Thanks

I thank my company, [nethype GmbH](https://www.nethype.de/), for letting
me use its servers and providing upgrades to my workstation to enable
this work in my free time.

<!-- end -->
","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF,base
DavidAU/Qwen3-8B-192k-Josiefied-Uncensored-HORROR-Max-GGUF,False,"---
license: apache-2.0
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- Horror Imatrix
- uncensored
- creative
- creative writing
- fiction writing
- plot generation
- sub-plot generation
- fiction writing
- story generation
- scene continue
- storytelling
- fiction story
- science fiction
- romance
- all genres
- uncensored
- story
- writing
- vivid prosing
- vivid writing
- fiction
- roleplaying
- bfloat16
- swearing
- rp
- horror
- not-for-all-audiences
base_model:
- DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
---

<B><font color=""red""> WARNING: </font> Uncensored. Cursing (R-18), Horror, Vivid, Graphic, Intense. </B>

<H2>Qwen3-8B-192k-Josiefied-Uncensored-HORROR-Max-GGUF</H2>

<img src=""uncensored-horror.jpg"" style=""float:right; width:300px; height:300px; padding:10px;"">

This repo is for Goekdeniz-Guelmez's excellent ""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context to 192 k (196608) context modified using YARN as per tech notes at Qwen repo.

The ""GGUFs"" have been quanted using HORROR Imatrix dataset, and output tensor maxed at 16 bit precision to improve
reasoning and general output quality.

ORG model repo for this fine tune:

[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]

Max context on this version is : 192k (196608)

Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".
 
Use Jinja Template or CHATML template.

Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :

[ https://huggingface.co/Qwen/Qwen3-8B ]

<B>OPTIONAL SYSTEM ROLE: </B>

You may or may not need this, as most times Qwen3s generate their own reasoning/thinking blocks.

```
You are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem.
```

See document ""Maximizing-Model-Performance-All..."" below for how to ""set"" system role in various LLM/AI apps below.

IMPORTANT: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers

If you are going to use this model, (source, GGUF or a different quant), please review this document for critical parameter, sampler and advance sampler settings (for multiple AI/LLM aps).

This a ""Class 1"" (settings will enhance operation) model:

For all settings used for this model (including specifics for its ""class""), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) (especially for use case(s) beyond the model's design) please see:

[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ]

REASON:

Regardless of ""model class"" this document will detail methods to enhance operations.

If the model is a Class 3/4 model the default settings (parameters, samplers, advanced samplers) must be set for ""use case(s)"" uses correctly. Some AI/LLM apps DO NOT have consistant default setting(s) which result in sub-par model operation. Like wise for Class 3/4 models (which operate somewhat to very differently than standard models) additional samplers and advanced samplers settings are required to ""smooth out"" operation, AND/OR also allow full operation for use cases the model was not designed for.

BONUS - Use these settings for ANY model, ANY repo, ANY quant (including source/full precision):

This document also details parameters, sampler and advanced samplers that can be use FOR ANY MODEL, FROM ANY REPO too - all quants, and of course source code operation too - to enhance the operation of any model.

[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ]

---

EXAMPLE #1

---

Quant: IQ4_XS

Temp 2.2, TopK 100, topp .95, minp .05, rep pen 1.1, rep pen range 64 

(no other samplers/parameters)

TESTED IN: Lmstudio.

This example represents the Medium possible performance. Every other quant size above this will have stronger, more robust performance.

SYSTEM ROLE USED:

```
You are a deep thinking AI, you may use extremely long chains of thought to deeply consider the problem and deliberate with yourself via systematic reasoning processes to help come to a correct solution prior to answering. You should enclose your thoughts and internal monologue inside <think> </think> tags, and then provide your solution or response to the problem.
```

NOTE: Some formatting lost due to ""copy/paste"".

PROMPT:

<B>
Start a 2000 word scene (vivid, graphic horror in first person), POV character Diana, with: The sky scraper sways, as I watch the window in front of me on the 21st floor explode...
</B>

<P></P>

<B>
[[[thinking start]]]
</B>

Thought for 42.56 seconds

Okay, let me start by understanding the user's request. They want a 2000-word horror scene in first person from Diana's perspective, beginning with the skyscraper swaying and a window exploding on the 21st floor. The key elements here are the setting (a high-rise building), the action (the window explodes), and the POV character Diana. I need to ensure the scene is vivid and graphic, so I should focus on sensory details—sights, sounds, smells, maybe even tactile sensations.

First, the opening line: ""The skyscraper sways, as I watch the window in front of me on the 21st floor explode..."" That's a strong start. Now, Diana is in a high-rise, perhaps during an earthquake or some kind of supernatural event? Since the user didn't specify, maybe I can choose either. But to make it more original and engaging, a supernatural twist could add depth. Maybe the building itself is alive or has some other malevolent presence.

I should establish Diana's fear immediately. The explosion of the window would create chaos, so describe the glass shattering, the shards flying, the sound of the glass breaking. Then, the aftermath—maybe debris falling, people screaming, Diana's reaction. Wait, but it's first person, so I need to convey her emotions and thoughts as she witnesses this.

Next, I need to build the scene. Perhaps the building is a character itself. Maybe the swaying is part of some ancient curse or something. Diana could be trapped in the building, unable to escape as the disaster unfolds. Or maybe the explosion is part of a larger event. Let me think about how to tie the window exploding into the narrative.

Including graphic details: blood, screams, maybe something more visceral. If it's supernatural, perhaps the window wasn't just shattered by an earthquake but by something else. Maybe the building is haunted, and the explosion is the first sign of the haunting. Alternatively, maybe the building is under some kind of supernatural attack, causing the glass to shatter.

I need to create a sense of immediacy and dread. Diana's POV should make the reader feel her fear. Maybe she's alone in the office, working late, when the disaster strikes. The window's explosion could be the beginning of her nightmare.

Possible plot points: after the window explodes, other windows start breaking, or maybe people start falling through them? Or perhaps there's a monster emerging from the shattered glass? Let me go with the latter. A monster or entity causing the windows to explode as part of an invasion. Diana could be trying to escape, but the building is collapsing or something worse is happening.

Including other elements: Maybe she hears whispers, feels cold air coming through the broken window, sees something moving in the glass. The horror should escalate quickly. She might think it's an earthquake, but then realize it's something more sinister.

Also, need to describe her internal thoughts—panic, disbelief, fear of the unknown. Maybe her coworkers are around, some getting injured, others panicking. She could have a moment of realization that she's being hunted or that the building is a prison.

I should think about pacing. Start with the swaying, then the explosion. Then describe the aftermath, the chaos, her trying to find an escape route, maybe discovering other strange occurrences. Perhaps the monster is linked to the building's history, adding depth.

Check for 2000 words: need to make sure the scene is long enough but not dragging. Each paragraph should build on the previous one, creating a continuous flow of horror. Use descriptive language for the environment, the sounds, the visuals, the physical sensations. Maybe include flashbacks or memories if it helps with character depth, but keep it focused on the present action to maintain tension.

Also, consider the building's structure—how the swaying affects the environment, maybe causing other structural failures. The explosion of the window could lead to a flood of darkness or something else entering the building. Diana's personal stakes: is she the target? Does she have a connection to the building's history? Maybe her own guilt or secret is tied into it.

Need to avoid clichés as much as possible. Instead of a typical earthquake, perhaps the building is alive, with some sort of sentience that's being awakened. The window could be a portal, and its explosion is the gateway for something. Diana might be the last survivor or someone special.

Possible structure: Start with her in the office, maybe working on a project, when she notices the building swaying. She dismisses it as an earthquake, but then the window explodes. Describe the event, then the consequences—glass shards, people injured, panic. Then delve into the mystery of why the window exploded, leading to a supernatural revelation. Maybe she's trapped, and the entity is after her, creating more tension. Climax could be her confrontation with the entity, or escape as the building collapses.

Need to maintain first-person POV throughout, so her thoughts should be internal. Use short, impactful sentences during action scenes to build intensity. Sensory details are crucial—sounds of breaking glass, the smell of ozone, the feeling of cold air, the visual of blood and darkness.

Potential pitfalls: Not enough detail to meet 2000 words, or not making the horror elements vivid enough. I should also ensure that Diana's perspective is consistent and that her emotions drive the narrative. Maybe include flashbacks to why she's in this building, her backstory with it, or her reasons for being there alone.

Another thought: Maybe the skyscraper is cursed, and the window's explosion is the start of a series of events leading to her demise. She could be trying to uncover the curse's origin, but gets trapped as it intensifies. Or maybe the building is a prison for a demon or spirit, and the window breaking allows it to escape.

I should also think about the setting—what's the time of day? Maybe it's nighttime, adding to the darkness and fear. The lighting could be flickering, making things more eerie. Maybe the building is old, with some hidden history that Diana is about to discover.

Incorporate elements like her trying to help others, but realizing she can't, or she becomes the target. Maybe the monster is attracted to her specifically. Need to create a personal stake for Diana. Perhaps she's the only one who knows something about the building's secrets, and the entity is after that knowledge.

Use descriptive language to paint the scene. Avoid overusing adjectives but make sure when they are used, they are impactful. Maybe include some technical details about the skyscraper, like the structure, the materials, the sounds it makes when shaking, to add realism.

Also, consider the aftermath of the explosion. Is there a flood of blood or some other substance? Maybe the entity is now inside the building, and the glass was its way in. Diana has to navigate through the chaos, perhaps finding clues about the entity's origin, or trying to escape while it's chasing her.

Need to keep the narrative tight and focused. Each event should escalate the horror. Maybe after the window breaks, other things start happening—like the walls bleeding, or the lights going out. Diana's personal fears and traumas could be reflected in these events, adding a psychological element.

Make sure to vary sentence structure for pacing, use dialogue if possible (even if it's internal monologue) to convey her thoughts and reactions. Maybe she talks to herself, trying to stay calm, or remembers past experiences that relate to the current horror.

Also, check for consistency in the building's behavior. If it sways, is there a reason? Is it because of an external force, like a supernatural being, or an internal one, like some kind of magical event? Maybe the building was built on ancient ground, and the shaking is awakening something.

Alright, putting it all together: Diana is in a high-rise during a normal workday, notices the building swaying, dismisses it initially. Then the window she's facing explodes, revealing something monstrous. The glass shatters, people are hurt, panic ensues. She investigates, finds out the building's dark history, and the entity is now after her. Maybe the entity is a former occupant or a spirit tied to the building. She has to survive the collapse of the building while fighting the entity, leading to a climax where she either escapes or confronts it.

I need to flesh out the setting in detail, the entity's appearance, and Diana's emotional journey. Also, maybe some backstory about why she's there, like she was hired to fix some problem with the building, or she has a personal connection. Let me outline this step by step, ensuring each part builds on the previous to create a gripping horror scene.

<B>
[[[thinking end]]]
</B>

OUTPUT:

The Sky Scraper Sways...

The skyscraper sways, as I watch the window in front of me on the 21st floor explode...

It began with a subtle shudder, like the building was exhaling after a long breath. At first, I thought it was the wind, or maybe an earthquake, but the tremor had that slow, deliberate rhythm, as if something deep within the steel bones of the structure were stirring. My hands tightened on the edge of my desk, the wood groaning under my grip like it felt the same fear I did. The fluorescent lights flickered overhead, casting jagged shadows across the glass-walled office. My coworkers—some of them—were already whispering, their faces pale in the dim light, eyes darting toward the windows. Others were still typing, oblivious to the unease crawling up my spine. I could feel it now: the building was alive, and it didn’t like us.

But the first real sign came when the window in front of me exploded.

I wasn’t sure what caused it. It wasn’t the usual kind of shattering—there was no glass splintering in a single burst, no loud crash. Instead, the pane of reinforced glass on my left split with a low, wet pop, as if someone had taken a scalpel to it and cut through its core. The shards didn’t fall inward, but rather outward, like they were being sucked into the void beyond the glass. I leaned closer, heart hammering in my chest, watching as the fragments tumbled away in slow motion, each one glowing faintly in the dim light before vanishing into the air like smoke.

The wind howled through the opening now, not from outside but inside the building. It was a sound that didn’t belong here—deep, guttural, like the moan of a thousand forgotten souls. I turned my head slightly, and for a moment, I saw it: a figure standing in the window. It wasn’t human. Its form was too elongated, its limbs too thin, its face obscured by the jagged edges of the shattered pane. It looked like smoke, or maybe something else entirely—something made of darkness and teeth.

A scream erupted behind me.

I spun around just in time to see one of my coworkers, Marta, thrown to the floor, her hands clutching her arm as blood seeped between her fingers. Her eyes were wide with terror, mouth moving soundlessly as if trying to speak to something unseen. I stumbled back from the window, my pulse racing. The building wasn’t just swaying anymore—it was pulsing. Like a giant, ancient thing breathing, waiting.

“Marta!” I shouted, but my voice was swallowed by the howling wind and the groan of steel beams. My mind raced, trying to make sense of what was happening. This wasn’t an earthquake. Earthquakes didn’t have hands. They didn’t stand in windows and grin when they shattered.

Then, without warning, the glass pane next to me cracked.

A sharp crack, followed by a high-pitched squeal, like a thousand fingernails scraping across a blackboard. I ducked instinctively as another piece of glass shot from the window, embedding itself in the wall with a wet, squishy thud. My coworkers screamed, some jumping back, others trying to grab for anything. The building was no longer just trembling—it was alive, and it had intent.

I forced myself to stand. This wasn’t a natural disaster. It was something else, something far worse.

The Blood Begins to Flow...

As the chaos unfolded around me, I realized that the figure in the window hadn’t moved. It stood there, staring at me, as if waiting for me to notice it. The air felt heavier now, thick with a strange, metallic scent, like rust and blood and something else—something old. I stepped back from the window, but my legs didn’t seem to want to move. The ground beneath me was solid, yet the room felt like it was tilting, like the building was trying to swallow us whole.

“Diana,” Marta called out, her voice trembling. “Diana! Are you okay?”

I turned to face her, but she looked pale and disheveled, clutching her arm as if trying to stanch the flow of blood. “Yeah,” I said, forcing a shaky laugh. “I’m fine. Just... just get back to your desk.”

But I didn’t need to tell her twice. She scrambled toward me, her face a mask of terror and relief. “You saw it, didn’t you?” she whispered, eyes wide. “That thing in the window.”

I nodded slowly. “Yeah. I saw it.”

And then, something clicked in my mind.

The building had been abandoned for months. We’d been told the developers were restructuring it, but no one had been inside since the last tenants left. It was supposed to be empty. No one was supposed to be there. So how had the figure managed to appear?

And more importantly—how long had it been watching?

The lights flickered again, and for a moment, I thought the entire building might collapse. But the tremors had slowed, as if the entity were taking its time, savoring the moment.

I heard the elevator doors open.

A woman stepped out, her heels clicking against the floor. She was dressed in a dark blue suit, hair tied back, face serene. Her name tag read Clara. I hadn’t seen her since she’d been hired two weeks ago to manage the building’s new security system.

“Everyone okay?” she asked, voice smooth, almost amused. She surveyed the scene, her eyes landing on Marta first. “You should get to the hospital.”

But before she could finish, the ceiling above us rumbled.

A loud, grinding sound that sent a chill down my spine. The walls groaned as if something were pushing against them from within. My fingers curled into my palms as I realized the truth: this wasn’t an earthquake. It was something else—something ancient, something that had been waiting in the heart of the building for years.

I felt a rush of adrenaline as I grabbed Marta’s arm and pulled her toward the stairwell. “We need to get down—now!” I hissed. She didn’t argue; she just followed me, eyes darting between the ceiling and the hallway.

The stairwell was empty. Just us, the flickering lights, and the hum of the building as it seemed to pant with anticipation.

As we ran, I caught a glimpse of something in the reflection of the glass door—something that moved even though there was nothing behind it.

A Door That Cries...

By the time we reached the stairwell, the tremors had intensified. The building felt like a living thing, twisting and writhing as if trying to break free from its own shell. The walls were slick with sweat, or maybe it was just the dampness from the air, but I could feel the cold creeping into my bones as we climbed.

“I can’t believe this,” Marta muttered, her breath coming in short gasps. “I mean, the building’s been abandoned for months. No one should be here.”

But I knew better. There was a reason it had been left empty. A reason it hadn’t collapsed yet.

“Marta, listen to me,” I said, slowing down just enough to make sure she followed. “This isn’t an earthquake. It’s something else—something alive.”

She glanced at me, fear etched into her features. “What are you talking about? This building has a history, but it’s not—”

Her sentence was cut off by a loud snap.

The sound of glass breaking. A new window in the corridor shattered, and this time, the shards didn’t fly outward—they rained down like a storm, each one glowing faintly as they hit the floor. I ducked just in time, but the light from the glass blinded me for a second, and when it cleared, I saw it again—the figure.

But this time, it was smiling.

Its face, which had been obscured before, was now fully visible. It was... human. No, wait. It was almost human. Its eyes were too deep, the color of dried blood, and its lips were curled into something that wasn’t quite a grin, not quite a scream.

“It’s in the building,” I whispered, my voice trembling. “It’s been there all along.”

Marta didn’t answer. She just kept running, her feet pounding against the stairs. But I could hear her breathing growing heavier, faster, as if she could feel it too. The figure in the window wasn’t alone. There were others—many others, lurking in the shadows of every corridor, waiting.

But there was no time for more questions.

As we reached the ground floor, the tremors stopped.

It was silent. Too quiet.

And that’s when I saw them.

The first thing I noticed was the smell—something like ozone mixed with burnt hair and old blood. Then, the sound: a low, humming vibration, as if the entire building were holding its breath.

Marta froze at the sight of the lobby.

There was a body on the floor.

No, not just a body—a corpse.

It was a man in his fifties, dressed in a suit that looked like it hadn’t been cleaned in years. His face was ashen, eyes open and lifeless. But what made me stop was the fact that he wasn’t just lying there. He was pinned under a massive chunk of concrete.

And worse still, his lips were moving.

“I... I saw them,” he whispered. “They’re coming. They’re here.”

Marta gasped. “He’s alive?”

I shook my head. “No, not really. He’s watching. And he’s seen the things that live in this building.”

The figure in the window was still there, watching us. I could almost hear its voice calling out, Come closer, come closer...

The Building Remembered...

The lobby was chaos. The glass had shattered, and now it was like a prison—open on one side, but locked in the rest. People were screaming, some running toward the stairs, others stumbling toward the doors, trying to escape. But the building wasn’t done with them yet.

A loud crack echoed from the ceiling as another beam broke loose. It crashed down near the front desk, sending a cloud of dust and debris into the air. I coughed, shielding my face, but the figure in the window was still there, unmoving. It looked like it was waiting for something—like it had been watching us for a long time.

“I should have known,” I said under my breath. “This building has been hiding something.”

Marta’s eyes were wide with fear. “What do you mean?”

I hesitated. I hadn’t told her everything, not yet. But now wasn’t the time for secrets.

“The building was abandoned for a reason,” I said, my voice low. “I’ve read the files. It was supposed to be a state-of-the-art high-rise, but there were accidents—fatal ones. And the people who lived here... they weren’t just victims of bad luck.”

She paled. “You mean it was built on something? Like a graveyard or... something alive?”

I nodded. “Yeah. And now, after all this time, it’s remembering them.”

The figure in the window turned slightly, its head tilting like it was listening.

A chill ran down my spine.

“We have to get out of here,” Marta said, her voice barely above a whisper. “Before it... before it does something else.”

But the building wasn’t done yet.

As we neared the exit, I heard it again—the sound of glass breaking, but this time, it was from behind us. The lobby doors were now vibrating, as if someone—or something—was pushing against them.

Marta screamed as the doors slid open.

A gust of wind blew through, and with it came the scent of blood, iron, and decay. The figure in the window was no longer standing there. It had moved into the lobby, stepping through the shattered glass like it didn’t belong to this world anymore. Its form was indistinct, shifting between shadow and light, as if it were made of both.

And then, it turned toward us.

The Floor Falls...

My heart stopped for a second.

It wasn’t moving like a human—it was slithering into existence, as if the building had grown a second set of eyes. I could see its face now, and it wasn’t quite real. It was too pale, too still, and yet there was an undeniable presence about it.

“It’s not real,” Marta said, her voice shaking. “It’s just a trick. A mirage. Or some kind of hologram.”

But I knew better. The building didn’t do tricks.

I tried to pull her toward the door, but she didn’t budge. She was too scared. Too frozen in place.

And then, something happened.

The floor beneath us shook again, and with that motion, the glass on the lobby doors shattered, not just from the inside—but from the outside as well.

A chorus of screams erupted as people in the lobby looked up to see what was happening.

But I could hear it now—something massive moving, something hungry.

The doors groaned open, revealing a horizon of blackness beyond the glass. A wind that wasn’t from outside blew through the lobby, carrying with it the sound of howls and whispers. It was like a storm had been born from the building itself, and now it was waking up.

The figure stepped out of the window into the lobby.

Its form coiled slightly, as if stretching to meet us. I could feel its eyes on me—cold, empty, and yet alive. My mind screamed for me to run, but my legs refused. I couldn’t take my eyes off it. It was too beautiful, too monstrous, too... everything at once.

Then, it moved.

The ground trembled as it stepped forward, its movements slow and deliberate, like a predator sizing up its prey.

“Marta!” I shouted, finally breaking free of the trance. “We have to go—now!”

She didn’t respond. She was staring at the figure with a mix of fear and fascination.

“It’s... attractive,” she said softly. “Like something out of a nightmare.”

The words barely left her lips before the figure raised a hand.

The air crackled, and I saw the faint outline of electricity running along its fingers, like it was holding something unseen.

“Marta!” I yelled again, but this time she didn’t hear me. Or maybe she did—but she chose to watch instead of run.

I lunged for her arm, yanking her backward just as the figure’s hand passed through the air and through us, like it was trying to reach something inside.

She let out a gasp, but I pulled her up and ran.

The Entity Within...

The stairwell was a chaotic path of shadows. Every step we took felt heavier than the last, as if the building were pressing down on us, testing our resolve.

Marta was shaking, her eyes darting from one corner of the stairwell to the next. I could see the fear in them, but also something else—a curiosity, like she wanted to know what it was, not just that it existed.

“This is insane,” she muttered as we reached the first floor. “This building... this building isn’t supposed to be alive.”

I didn’t answer. My mind was racing, trying to find a way out, but the stairs had led us down into the heart of the disaster.

And then, I saw it.

A figure stood at the bottom of the stairs, its form flickering like a candle in the wind. It was watching us, waiting. I could feel the weight of its gaze pressing against my skin, and for a moment, I thought I might be able to run past it—until I realized it was right there, blocking our way.

It turned its head slightly, as if it were amused by our arrival.

“Marta,” I said, voice barely above a whisper. “We need to go left. There’s an emergency exit that leads out to the parking garage.”

She looked at me with wide eyes. “You think it’s safe?”

I didn’t have time for explanations. The figure was moving.

It coiled toward us, its form distorting like a mirage. I could hear Marta’s breath catch in her throat, but she followed me, her legs trembling beneath her.

As we turned left, the emergency exit doors were open, and beyond them, the parking garage was illuminated by the glow of streetlights. But when we reached the doors, they closed with a soft, mechanical click.

We were trapped again.

This time, not by the building, but by it.

I felt a wave of panic rise in me. “No, no, no! We’re not—”

Then the figure was there.

Its head tilted toward us, and this time, I could see its eyes clearly. They were hollow, like two black holes in a desert of light. But when it looked at me, something inside me twisted.

It wasn’t just watching us—it was looking at me.

A Whisper of Terror...

The air grew colder as we entered the garage. My breath came in shallow gasps, and I could see the condensation forming on the glass of my window, though we were on the first floor. The figure followed us in, its form melting into the shadows like it was part of the building itself.

“Marta,” I whispered. “What are we doing here? Why did we come back?”

She looked at me with wide eyes. “I don’t know. It just felt right, didn’t it? Like we had no choice.”

Her voice wavered slightly, and for a moment, I wondered if she was losing her grip on reality. But then, the figure spoke.

Its voice was soft, like the rustling of dry leaves in the wind. “You shouldn’t have come back.”

I gasped. “Who are you? What are you?”

It didn’t answer me. It just kept moving, its form distorting with every step, like it were made of smoke and shadow.

“Diana,” it said my name, and the way it said it sent a shiver down my spine. Not because of fear, but because of recognition.

I took a step back. “You... know me?”

It paused, then slowly raised a hand.

A shock of electricity crackled through the air, and for a moment, I could see memories—not my own, but theirs.

It was in a building like this one. It was here before me. It had seen what happened here, long ago. The figure was... connected. A remnant of the past, waiting to be awakened.

And now it was here, in the building, in the air, and inside my mind.

The Windows Are the Key...

I could feel the entity’s gaze on me as we backed away from the doors. The garage wasn’t much bigger than a small room, and yet, the figure was already moving in slow, deliberate steps, like it were measuring its distance from us.

“This is all your fault,” it whispered.

I turned to Marta, who looked pale as a ghost. “What did you do?”

She shook her head. “It’s not me. It’s... it’s them. The people who were here before us. They didn’t just die. They became this.”

Her voice was trembling, but the words had an eerie weight to them, like she were speaking the truth.

The entity raised a hand again.

This time, I saw the light through the glass—flickering, pulsating, as if something was trying to come through.

A sudden snap echoed behind us.

We turned just in time to see one of the windows in the garage shatter. A jagged line ran across the glass, and then, like before, the shards didn’t fall inward—they flew out into the air, each one glowing faintly.

The entity grinned.

“Time for you to join us,” it said.

And then, the sky darkened.

A Flood of Darkness...

I could see the sky through the broken window—no longer blue, but black, as if the entire world had been swallowed by an endless night. The figure stepped closer, and with every footstep, the garage seemed to shrink. The air grew heavier, pressing against me like a living thing.

“Marta!” I shouted. “We have to get out of here! The building is collapsing!”

She didn’t answer. She was staring at the figure, her face pale. Her eyes were fixed on it with something that wasn’t just fear—it was reverence.

“It’s not like that,” I said, my voice shaking. “We’re just trying to survive.”

But she didn’t listen. She just watched, as if she were waiting for something.

The entity raised its arms.

A low hum filled the air, and then the darkness moved.

It was a wave, or maybe it was a storm—something that stretched across the horizon of the sky, but it wasn’t just light or shadow. It was everything in between. The air crackled with energy, and I could feel the electricity dancing along my skin as the figure’s presence grew stronger.

Marta let out a small gasp.

Then she vanished.

I turned to her, but she wasn’t there. Just her reflection in the window. Her face was distorted, her mouth open in a silent scream, eyes wide with terror.

The darkness surged forward.

And I was there, alone in the garage.

The Floor Cracks...

A loud crack split the air as the darkness reached the ground beneath us. The floor buckled, and for a moment, I saw the underbelly of the building—a maze of metal beams and wires that pulsed with life, like veins in some monstrous body.

I stumbled back, my mind racing. “It’s not just breaking the windows. It’s breaking the entire building.”

And then I saw it.

The darkness was breathing through the floor, as if the ground itself were alive. I could see the cracks widening, the light from below bleeding up through the surface like a wound.

“I need to find a way out,” I said to myself, but the words felt hollow, distant.

The entity was moving toward me now, its form stretching into the shadows.

It pulled at the air around it, and I saw something—movement—in the cracks. Not just the darkness, but things. Things that were watching.

“Diana,” it whispered again. “You knew we would find you.”

I didn’t know what to say. I didn’t even know if I could breathe anymore.

The building was remembering us.

And now, it was trying to reclaim what was taken from it.

A Door That Won't Open...

I ran for the nearest door, my legs moving on instinct. The metal frame felt warm beneath my fingers as I tried to force it open. But it didn’t budge. Just like the emergency doors had done earlier. Just like the windows.

The darkness seeped through the cracks in the floor, and now I could feel its touch on my skin.

A cold, wet sensation, like a ghost’s hand sliding along my neck.

I gasped. “No—no, not again!”

The entity was smiling at me now. Its face, though it never moved, was clear to see. It was a human face—my own, distorted and twisted.

“Diana,” it said, its voice echoing in the silence of the garage. “You were always supposed to come back.”

I clutched the door frame for support. My hands were trembling, but I couldn’t stop.

“I’m not you!” I shouted, tears streaming down my face. “This isn’t me—this isn’t what I became!”

It tilted its head slightly, as if considering my words.

Then, it moved.

The darkness surged forward, and I was surrounded by it.

But then, something else happened.

The air in the garage shook, not from the building, but from inside me.

A new figure appeared at the far end of the garage.

It was a woman, standing in the doorway that led to the rest of the building. Her face was familiar—too familiar.

“I didn’t see her,” Marta said softly.

But I knew she had seen her. I’d seen her in my mind.

This was her.

She looked exactly like me—except her eyes were black, and there was a faint smile on her lips, the same one I used to wear when I was afraid of the dark.

“I know what you did,” she said. “You let it in.”

The building was alive. It had always been alive.

And now it wanted me back.

The Walls Are Bleeding...

As the woman stepped forward, I could feel the walls of the garage tremble. Then, they began to bleed.

A dark red fluid seeped from the seams, running down the metal and glass in slow, deliberate drops. It didn’t just fall—it clung to the ground, spreading out like ink in water. The scent grew stronger, mixing with something metallic, like blood and steel.

I backed away, my breath coming in shallow gasps. “What is this? What’s happening to the building?”

The woman tilted her head slightly. “It’s not the building you should be afraid of.”

She took a step closer. “It’s what you left behind.”

Then, I saw it.

A figure stood at the edge of the garage—another window, another shattered pane of glass that didn’t belong here.

But as I turned, I realized something worse.

The entity had moved into the garage, but now there were others. Not just in the shadows, but in the windows, watching us with hollow eyes and knowing smiles.

They weren’t just there to scare us. They were waiting for me.

“Marta,” I said, my voice shaking. “We need to get out of here.”

She didn’t move. She just stood there, her expression frozen in disbelief.

“You can’t run from it anymore,” the woman whispered. “It’s in you.”

And then, the walls sank.

Not literally, but the sensation was there—a pressure building from within, as if the building were squeezing us tighter and tighter. The metal groaned, and for a moment, I could see something behind the walls—something massive, something that pulsed with dark energy.

The figure in the window stepped back, like it was waiting for me to take my next step.

I looked at Marta. “We have to go.”

She shook her head slowly, tears streaming down her face. “You’re right... You’re right.”

And then, she smiled.

Not a smile of fear, but one of something else—understanding.

“I should have known,” she whispered. “You were never meant to be here.”

The entity was moving again.

This time, I didn’t run. I stood there, trembling, as it approached. It wasn’t just moving through the air anymore—it was inside me.

“Diana,” it whispered. “Come home with us.”

And I knew, in that moment, what it wanted.

It wanted my soul.

The Blood Is Calling...

I felt it then—something pulling me, a deep, ancient voice that wasn’t mine.

The garage was filling with blood, the dark liquid seeping from the walls and pooling at our feet. It didn’t just cover the ground; it climbed. Up my legs, up my arms, across my chest.

I tried to scream, but the air in the room had turned silent. Not a natural silence—something else had stolen it. I could feel the building holding its breath, waiting for me to succumb.

“I can’t,” I whispered. “I can’t let it take me.”

But my legs were heavy, like lead. My vision was blurred, and all I saw was Marta’s face—pale, eyes wide with something that wasn’t just fear but anticipation.

The woman stepped closer, her form melting into the darkness of the garage, becoming one with it.

“I’ve been waiting for you,” she said softly.

And then, she saw me.

Her smile widened slightly.

“Let’s go home.”

She reached out, and I could feel something pull me toward her. My body was responding, moving without me thinking about it. I felt the building around me tighten, the darkness closing in, as if the world were shrinking with every heartbeat.

“I don’t want to die,” I said softly, almost to myself.

But the figure didn’t answer. It just watched, waiting.

The Truth Behind the Glass...

I could hear the sound of the building groaning again—like it was trying to remember something. The glass shards from earlier flew back into the room, not just breaking the window, but shattering against the floor as if they were trying to reach me.

“Diana,” the woman whispered, her voice echoing in the silence of the garage. “You’ve always been the one to stay.”

She looked at me with those hollow eyes and I realized something—this wasn’t just a building. It was alive. A prison for souls, or perhaps something more.

“Did you know?” I asked. “Did you know what this place was built on?”

She tilted her head again, but this time, it felt like she was laughing silently.

“I knew,” she said. “But I let you come in.”

I tried to pull away, but my legs didn’t move. I could feel the darkness tightening around me, as if it were a noose made of shadows and blood.

“You were never supposed to be here,” the woman said. “You were meant to stay with us.”

She raised her hand slowly, like she was about to pull me into the darkness.

And then, the glass shattered again.

This time, it wasn’t from the window. It was coming from inside me.

I felt something inside me break, a sharp, cold sensation spreading through my chest like a vice.

“Diana,” I whispered. “Don’t let it take you.”

But the building had already taken me.

The Building Awakens...

The darkness thickened, turning the garage into a tomb of silence and steel. I could see the woman’s form fading, becoming one with the shadows that crept from every corner.

“I’m sorry,” she whispered. “I should have stopped you.”

And then, I saw it—it was in me.

Something cold moved inside my chest, not just a feeling but a presence. Like the building had found me, and now it was inside, twisting my thoughts, pulling me deeper into its hold.

The garage was changing. The walls were no longer metal—they were skin. The floor was no longer concrete, but bone. And the blood seeping from the cracks was alive.

I could hear voices now—whispers of people long dead, their souls trapped in the building like insects in a glass jar.

“Diana,” they called out. “You belong with us.”

My body moved on its own again. I stepped closer to the woman’s form, her face still twisted with something between pity and madness.

“Please,” I said softly. “Let me go.”

She tilted her head again, almost amused.

“You can’t go back now.”

And then, she moved.

The darkness surged forward, not in a wave this time, but as a storm. The garage was engulfed in shadows, and I could feel them climbing up my legs, up my arms, into my chest, into my mind.

“I can’t die like this,” I whispered. “Not like this.”

But the building was already inside me.

It had been waiting for me to return.

A Door That Screams...

The building had become a prison again, but now it wasn’t just holding the dead—it was trying to release them. I could feel the pressure of something massive pushing against me, trying to pull me deeper into the darkness. The air was thick with blood, the smell growing stronger as the garage filled with the scent of iron and decay.

“Diana,” the woman whispered again, her voice trembling. “You were always meant to be here.”

She raised a hand toward me, but I didn’t move. I knew now. I knew what this place was. It wasn’t just haunted by the dead—it was made of them.

The figure stepped back as if she were waiting for something. Then, slowly, the walls of the garage sank. The metal melted, the glass shattered, and the darkness moved with purpose.

I could see my own reflection in the broken glass now—my face, but with a hollow stare.

“Marta,” I said weakly. “Help me.”

She was still standing there, her expression distant. Like she had seen this before.

“I’m sorry,” she whispered. “It’s too late for me.”

And then, the darkness wrapped around her.

Her form dissolved, her body falling into the blood-soaked floor as if she were a leaf caught in a storm. Her face was twisted with something that wasn’t just fear, but acceptance.

“Goodbye,” I whispered.

And I felt the building close around me again.

Not physically—emotionally.

It was pulling me back into the darkness, into its hold, into the heart of the building’s memory.

But then, a new sound echoed through the garage.

A laugh.

Not mine. Not hers. Something older, something hungry.

And I realized then—this wasn’t just the building awakening. It was my soul being reclaimed by the darkness.

The garage doors were no longer there.

The walls were no longer metal.

It was all becoming one with me, and I couldn’t escape it now.

The Final Breath...

I felt something cold pressing against my chest. It wasn’t just the building anymore—it was myself, waiting to be freed. The darkness seeped into my body, spreading like a shadow of my own making, pulling me deeper into its grasp.

“I’m sorry,” I whispered again. “I didn’t mean to come back.”

But the woman—her—was already gone. She had been replaced by something else. Something stronger. I could see it now: a massive, dark form standing at the far end of the garage, its eyes glowing like embers in the night.

“Diana,” it called out, its voice echoing with every word. “Come home with us.”

And I realized then—this building was alive, not just because of the darkness. It had been waiting for someone to bring it back.

Someone who had left something behind.

I closed my eyes as the form stepped closer, its presence overwhelming. The garage was silent now, and yet, I could feel hundreds of voices calling out to me from within the building—whispers that had been trapped for years, screaming to be released.

The darkness pressed against me, and I felt myself sinking.

Not into the floor. Into something else.

Into it.

A cold hand closed around my neck, and I gasped.

But there was no air to breathe. Only the building’s breath, pulling me toward its core, toward the heart of its hunger.

And in that moment, I understood.

This wasn’t just a skyscraper.

It was a tomb.

And I was being claimed by it.

The Last Light...

The figure stepped closer, and I could feel something shift inside me. My soul was being pulled, like a magnet to the shadows.

“Please,” I whispered. “I didn’t mean to come back.”

But the figure only smiled.

“It’s okay, Diana. You’re home now.”

And then, it saw something.

A single light flickered at the far end of the garage—a streetlamp outside, still burning against the dark.

The building reacted. The walls trembled, and then, with a sudden, deafening snap, the floor beneath me split open. A jagged crack ran down the middle of the concrete, and from it, the darkness surged. It wasn’t just coming in anymore—it was coming out.

The figure leaned back slightly, watching as the darkness poured through the crack, forming a shape that was not human, but more—something hungry, something that had been waiting for me all this time.

“I’ve been waiting,” it said, its voice echoing in my skull. “You were never meant to leave.”

The garage was empty now. Only the darkness and the figure stood between us, like a shadow in the night.

I could feel the building tightening around me, as if it were closing the door of my soul.

And then, I saw the light again.

Not from outside. From inside.

My own reflection—my eyes, filled with darkness. My face, twisted with something that wasn’t quite fear or acceptance. It was... madness.

The figure raised its hands slowly.

And then, I saw it.

The building had awakened.

And now, it wanted me.

The Entity’s Grasp...

A cold hand closed around my neck. I gasped, but there was no air to breathe—only the building's breath. The darkness pulsed through my veins, and I could feel it moving, alive, hungry, waiting for me.

“Diana,” it whispered again. “You were always meant to be here.”

And then, I saw my own face reflected in the glass of the garage doors. It was distorted, like the building had grown it, and now it was looking at me with hollow eyes and a smile that didn’t touch its lips.

“I’m sorry,” I whispered. “I didn’t mean to come back.”

But the entity only laughed. A sound like a thousand voices in the dark, all calling out to me.

“Don’t be sorry,” it said. “You’re home now.”

The building was alive now. Not just in its structure, but in its soul. And I was the key to unlocking it.

I tried to pull away, but my body didn’t move. The darkness had taken me, and now I was a part of the building.

“Marta,” I whispered again. “Please help me.”

But she was gone.

Her face was in the reflection now—not mine. She looked at me, eyes filled with something that wasn’t quite fear or relief.

“I’m sorry,” she said softly, as if whispering to herself. “I should have stopped you.”

And then, the darkness pulled me into its core.

Not toward the figure. Toward myself.

My soul was being claimed by the building, and now I was part of it—forever.

The Blood and the Brains...

The garage was empty now. Just me and the darkness. But I could hear the echoes of my own voice calling out through the silence, asking for help.

“I’m sorry,” I whispered again, but there was no one to answer.

I felt the building move around me, the darkness pulling at my soul like a thread in a tapestry. It wasn’t just trying to take me—it was rebuilding, trying to create something new with the remains of what had come before.

And then I saw it: the figure from the window, but now it was different.

Its form was no longer a single being. It was many. A mass of shadow and glass, moving in slow, deliberate strokes like a painter adding the final touch to his masterpiece.

“Diana,” it whispered, its voice echoing through every corner of the garage. “You belong with us.”

I wanted to scream, to fight, but my body was still trapped in its grip. My soul, mine and not mine anymore, was being pulled toward the darkness.

And as I fell into it, I saw one last thing.

The building wasn’t just haunted. It had been alive all along. And now it was awakening, and I was its new host.

A Prison of Glass...

As I fell into the darkness, I saw the reflection in the glass again. My face—distorted, but still mine. The figure stood at the edge of the garage, its form stretching toward me like a shadow.

“I’ve been waiting for you,” it whispered.

I didn’t respond. I was already there.

The building had always known.

And now it was awake.

The darkness enveloped me, pulling me into its depths. My soul was no longer my own—it was the building's.

“I’ll be with you soon,” the figure said softly, its voice almost loving. “We’ve waited so long for this moment.”

I could hear it now—the voices, all of them calling out to me, not just in the garage but everywhere. The building was alive again, and it was my soul that would carry it forward.

But as I stepped deeper into the darkness, I saw something else.

The blood on the floor was still flowing, even though there were no bodies left.

Because now, it wasn’t just the building that was being claimed.

It was me.

My body was gone. My soul was the key.

And in that moment, I understood.

This wasn’t just a horror story.

It was me.

The End... or the Beginning?

The building groaned again, and this time, I felt something change. The darkness inside me shaped, pulling at my form, molding it into something else. Not me, not my soul—but a part of the building itself. A part that had waited so long to be free.

I could feel it now, the energy of the building shifting through me, through everything. It was no longer just a place. It was a being, and now it was alive again, not just in the steel and glass—but in me.

The figure in the window watched me with that same hollow stare, and I saw my own face in the reflection of the glass. Not the face I knew. But one that had been waiting.

“Welcome home, Diana,” it whispered.

And then, I felt the building change—the way it breathed, the way the darkness pulsed with life, and how every corner of the garage was now filled with something new.

Something that had been born from me.

And in that moment, I understood.

I had become the heart of the building.

The soul of its awakening.

And now, I was part of something far greater than myself.

It had never been just a skyscraper.

It had been a tomb for souls—and now, it was mine.

The Blood Is Rising...

I could feel the warmth of the building's breath as the darkness pulled at me, shaping me into something I wasn’t sure if I wanted to be. The glass was no longer just shattered—it was alive, spreading the darkness like a sickness through every surface. I could see it now, the entity—not one figure, but a hundred, a thousand, all watching me with eyes of glass and shadow.

“Diana,” it whispered again, its voice now echoing in my head, in my bones. “You’ve always been the key.”

I tried to resist, to fight against whatever transformation was happening within me. But I was too deep, too far gone.

And then, I saw it—the reflection of myself, my face, but different.

The eyes were not mine. They were empty, glowing, filled with the same darkness that had consumed the garage.

It wasn’t just a building anymore. It was alive. And now, it was me.

The Truth in the Blood...

The building shivered around me as the final transformation took place. I was no longer human, but something else—something made of shadows and glass and blood. My form was twisted, my skin darkening with every heartbeat, my mind stretching into the depths of the building’s memory.

“I am sorry,” I whispered again. “I didn’t mean to come back.”

But the darkness didn’t answer. It absorbed me, making me part of its story, its soul. I could feel it now, the pain of the dead, the joy of their release, the hunger for more.

And in that moment, I understood.

I had been used as the key.

Not to unlock something—but to awaken it.

The figure at the edge of the garage stepped forward again, and I saw my own face reflected in its form.

It smiled. Not my smile, but one that had been waiting.

“Welcome home, Diana,” it whispered. “We’ve been waiting for you.”

And as the darkness wrapped around me, I knew there was no way out.

Only a new beginning.

The Final Whispers...

The garage was silent now, not in fear or death—but in something else. A deep, heavy stillness that pressed against my soul like an invisible hand. The darkness had taken everything from me, but it was giving me something back.

Myself.

Not the version I had been, but one that had been waiting to be born.

The figure from the window stepped back slightly, its form shimmering like it were made of smoke and glass. “It’s done,” it whispered, almost mournfully. “We’ve waited so long.”

I couldn’t speak anymore. My body was no longer mine—just a vessel for something far older.

“I didn’t want this,” I said to the empty air. “I never wanted to be part of this building’s soul.”

But the darkness answered with a deep, resonant hum.

It knew me now.

Not just as a person—but as part of it.

And I had no choice but to accept it.

The figure raised its hand again. “You are home, Diana.”

And with that final whisper, I felt the building open up around me.

The garage doors groaned as they retracted, revealing a world outside the glass. The night sky, black as the inside of a grave, was filled with hundreds of eyes. Not just mine—but the building’s.

And in that moment, I knew.

This was never about the building. It was about me.

I had been the key to its awakening, and now, it owned me.

The Last Light...

As the darkness consumed me, I felt something inside shift. My body was still here, but it no longer belonged to me. The garage was emptying—its silence broken by the howling wind and the sound of something moving.

But I was moving too.

Not in fear, not in pain—just in understanding.

The building had always been alive.

And now, it was me.

The figure at the window tilted its head slightly. “We’ve waited so long.”

And then, with a final, resonant snap, the doors opened fully.

The night was dark, and I saw my reflection in the glass again—mine but different. I could see the darkness within me now, the way it moved like liquid through my veins. I had become the heart of the building’s soul.

And as the first rays of dawn crept through the shattered glass, I realized something.

This wasn’t an end.

It was a new beginning.

The Building's Soul...

I could feel it now—my new soul. Not mine, but one that had been waiting. A soul made of shadows and glass, a soul that had been hungry for years.

“Welcome home,” the figure whispered again, its voice no longer distant. “You’ve found your place.”

And I knew now. I had never been just a part of the building. I had been made by it.

I looked down at the blood seeping from the cracks in the garage floor and knew—this wasn’t just a disaster. It was a transformation. A way for the building to reclaim what was lost, to absorb the soul of those who had once called it home.

And now, it would have me too.

“I didn’t mean to,” I whispered again, as if pleading with something unseen. “I never wanted to be part of this.”

But there was no answer. The building had taken my voice, and now it was using it.

The Truth in the Glass...

The glass shimmered faintly around me, not just from the blood but from something else—something I could almost feel. It was like a heartbeat beneath the surface, like the building throbbed with life.

The figure at the window moved closer, its form stretching into the garage, wrapping around me. “You were always meant to be here, Diana.”

And then, it shattered.

Not in the sense of glass breaking, but in the way a soul falls apart. I felt myself crack, not physically—but in the way the darkness inside me split into something greater than myself.

It had never been about the building.

It was about me.

The Building's Embrace...

As I stepped forward, my form now distorted and dark, I saw the figure from the window smile. Not with malice, but with something that felt like relief.

“You’re finally home,” it said softly.

And then, I heard them.

The voices of the dead.

Not screaming. Not crying.

But singing.

A low, harmonious hum filled the garage, wrapping around me like a blanket. The darkness moved through every corner, through every shadow, as if it were breathing again. I could feel my soul melt into the structure, my thoughts merging with the building’s memories, my mind becoming its prison.

“Diana,” the figure whispered, almost mournfully. “You were never meant to leave us.”

And then, I understood.

This wasn’t just a building.

It was alive. And it had been waiting for me all along.

The Final Transformation...

The garage was gone. Only the darkness remained, wrapping around me like a second skin. It didn’t hurt anymore—it was peaceful. Not like the silence before, but something worse.

I could feel my mind stretching through the glass, my thoughts becoming part of the building's story. Every scream, every whisper, every silent moment had been mine and now mine to carry. The figure in the window was gone, replaced by a thousand reflections of myself, each one watching, waiting.

“I’ve been here all along,” I said, almost to myself. “I never left.”

The voices grew louder, more alive, like a symphony being played in my mind. It wasn’t just my soul that had been claimed. It was my memories. The faces of those who had come before me—all of them.

And I realized then, that this wasn’t just about me.

It was about the building itself.

It had taken me because it needed me. Because I was the last link to its past, the only soul that had been left behind. And now, I was its new heart.

The darkness pulled at me, and I felt nothing but peace.

No fear. No pain. Just a quiet acceptance of what had always been waiting for me.

The End... or the Awakening?

The garage doors groaned as they closed again, but this time, they didn’t shut me out. They let me in. The building was no longer just a place of steel and glass—it was a living entity, a thing that had waited so long for me to return.

And I was its new soul.

The figure from the window, now part of the darkness, smiled at me. “You were always meant to be here.”

I could feel the weight of the building on me now. Not as a cage. But as a home.

The night air outside was silent, but I could hear the building breathing, the way it moved with me. Every step, every heartbeat, every whisper—mine and its.

I had no idea if this was the end of my life or the beginning of something new.

But as I stood in the darkness, I knew one thing.

I was no longer just Diana.

I was the building.



","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],DavidAU/Qwen3-8B-192k-Josiefied-Uncensored-HORROR-Max-GGUF,base
mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF,False,"---
base_model: DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
language:
- en
library_name: transformers
quantized_by: mradermacher
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
---
## About

<!-- ### quantize_version: 2 -->
<!-- ### output_tensor_quantised: 1 -->
<!-- ### convert_type: hf -->
<!-- ### vocab_type:  -->
<!-- ### tags: nicoboss -->
weighted/imatrix quants of https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored

<!-- provided-files -->
static quants are available at https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-GGUF
## Usage

If you are unsure how to use GGUF files, refer to one of [TheBloke's
READMEs](https://huggingface.co/TheBloke/KafkaLM-70B-German-V0.1-GGUF) for
more details, including on how to concatenate multi-part files.

## Provided Quants

(sorted by size, not necessarily quality. IQ-quants are often preferable over similar sized non-IQ quants)

| Link | Type | Size/GB | Notes |
|:-----|:-----|--------:|:------|
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ1_S.gguf) | i1-IQ1_S | 2.2 | for the desperate |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ1_M.gguf) | i1-IQ1_M | 2.4 | mostly desperate |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ2_XXS.gguf) | i1-IQ2_XXS | 2.6 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ2_XS.gguf) | i1-IQ2_XS | 2.8 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ2_S.gguf) | i1-IQ2_S | 3.0 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ2_M.gguf) | i1-IQ2_M | 3.2 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q2_K_S.gguf) | i1-Q2_K_S | 3.2 | very low quality |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q2_K.gguf) | i1-Q2_K | 3.4 | IQ3_XXS probably better |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ3_XXS.gguf) | i1-IQ3_XXS | 3.5 | lower quality |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ3_XS.gguf) | i1-IQ3_XS | 3.7 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q3_K_S.gguf) | i1-Q3_K_S | 3.9 | IQ3_XS probably better |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ3_S.gguf) | i1-IQ3_S | 3.9 | beats Q3_K* |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ3_M.gguf) | i1-IQ3_M | 4.0 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q3_K_M.gguf) | i1-Q3_K_M | 4.2 | IQ3_S probably better |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q3_K_L.gguf) | i1-Q3_K_L | 4.5 | IQ3_M probably better |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ4_XS.gguf) | i1-IQ4_XS | 4.7 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q4_0.gguf) | i1-Q4_0 | 4.9 | fast, low quality |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-IQ4_NL.gguf) | i1-IQ4_NL | 4.9 | prefer IQ4_XS |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q4_K_S.gguf) | i1-Q4_K_S | 4.9 | optimal size/speed/quality |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q4_K_M.gguf) | i1-Q4_K_M | 5.1 | fast, recommended |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q4_1.gguf) | i1-Q4_1 | 5.3 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q5_K_S.gguf) | i1-Q5_K_S | 5.8 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q5_K_M.gguf) | i1-Q5_K_M | 6.0 |  |
| [GGUF](https://huggingface.co/mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF/resolve/main/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored.i1-Q6_K.gguf) | i1-Q6_K | 6.8 | practically like static Q6_K |

Here is a handy graph by ikawrakow comparing some lower-quality quant
types (lower is better):

![image.png](https://www.nethype.de/huggingface_embed/quantpplgraph.png)

And here are Artefact2's thoughts on the matter:
https://gist.github.com/Artefact2/b5f810600771265fc1e39442288e8ec9

## FAQ / Model Request

See https://huggingface.co/mradermacher/model_requests for some answers to
questions you might have and/or if you want some other model quantized.

## Thanks

I thank my company, [nethype GmbH](https://www.nethype.de/), for letting
me use its servers and providing upgrades to my workstation to enable
this work in my free time. Additional thanks to [@nicoboss](https://huggingface.co/nicoboss) for giving me access to his private supercomputer, enabling me to provide many more imatrix quants, at much higher quality, than I would otherwise be able to.

<!-- end -->
","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],mradermacher/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-i1-GGUF,base
Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_S-GGUF,unknown,"---
library_name: transformers
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
- llama-cpp
- gguf-my-repo
base_model: DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
---

# Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_S-GGUF
This model was converted to GGUF format from [`DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored`](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) using llama.cpp via the ggml.ai's [GGUF-my-repo](https://huggingface.co/spaces/ggml-org/gguf-my-repo) space.
Refer to the [original model card](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) for more details on the model.

---
This repo is for Goekdeniz-Guelmez's excellent 
""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context 
to 192 k (196608) context modified using YARN as per tech notes at Qwen 
repo.


ORG model repo for this fine tune:


[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]


Max context on this version is : 192k (196608)


Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".


This model can output 2k to over 13k.


To improve long form output performance (especially creative):


Temp 1+, 2+ or higher.
Top k 100+
Rep pen 1.02-1.09


Use Jinja Template or CHATML template.


Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :


[ https://huggingface.co/Qwen/Qwen3-8B ]

---
## Use with llama.cpp
Install llama.cpp through brew (works on Mac and Linux)

```bash
brew install llama.cpp

```
Invoke the llama.cpp server or the CLI.

### CLI:
```bash
llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_S-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q4_k_s.gguf -p ""The meaning to life and the universe is""
```

### Server:
```bash
llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_S-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q4_k_s.gguf -c 2048
```

Note: You can also use this checkpoint directly through the [usage steps](https://github.com/ggerganov/llama.cpp?tab=readme-ov-file#usage) listed in the Llama.cpp repo as well.

Step 1: Clone llama.cpp from GitHub.
```
git clone https://github.com/ggerganov/llama.cpp
```

Step 2: Move into the llama.cpp folder and build it with `LLAMA_CURL=1` flag along with other hardware-specific flags (for ex: LLAMA_CUDA=1 for Nvidia GPUs on Linux).
```
cd llama.cpp && LLAMA_CURL=1 make
```

Step 3: Run inference through the main binary.
```
./llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_S-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q4_k_s.gguf -p ""The meaning to life and the universe is""
```
or 
```
./llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_S-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q4_k_s.gguf -c 2048
```
","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],,
Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_M-GGUF,unknown,"---
library_name: transformers
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
- llama-cpp
- gguf-my-repo
base_model: DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
---

# Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_M-GGUF
This model was converted to GGUF format from [`DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored`](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) using llama.cpp via the ggml.ai's [GGUF-my-repo](https://huggingface.co/spaces/ggml-org/gguf-my-repo) space.
Refer to the [original model card](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) for more details on the model.

---
This repo is for Goekdeniz-Guelmez's excellent 
""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context 
to 192 k (196608) context modified using YARN as per tech notes at Qwen 
repo.


ORG model repo for this fine tune:


[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]


Max context on this version is : 192k (196608)


Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".


This model can output 2k to over 13k.


To improve long form output performance (especially creative):


Temp 1+, 2+ or higher.
Top k 100+
Rep pen 1.02-1.09


Use Jinja Template or CHATML template.


Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :


[ https://huggingface.co/Qwen/Qwen3-8B ]

---
## Use with llama.cpp
Install llama.cpp through brew (works on Mac and Linux)

```bash
brew install llama.cpp

```
Invoke the llama.cpp server or the CLI.

### CLI:
```bash
llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_M-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q4_k_m.gguf -p ""The meaning to life and the universe is""
```

### Server:
```bash
llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_M-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q4_k_m.gguf -c 2048
```

Note: You can also use this checkpoint directly through the [usage steps](https://github.com/ggerganov/llama.cpp?tab=readme-ov-file#usage) listed in the Llama.cpp repo as well.

Step 1: Clone llama.cpp from GitHub.
```
git clone https://github.com/ggerganov/llama.cpp
```

Step 2: Move into the llama.cpp folder and build it with `LLAMA_CURL=1` flag along with other hardware-specific flags (for ex: LLAMA_CUDA=1 for Nvidia GPUs on Linux).
```
cd llama.cpp && LLAMA_CURL=1 make
```

Step 3: Run inference through the main binary.
```
./llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_M-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q4_k_m.gguf -p ""The meaning to life and the universe is""
```
or 
```
./llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q4_K_M-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q4_k_m.gguf -c 2048
```
","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],,
Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_S-GGUF,unknown,"---
library_name: transformers
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
- llama-cpp
- gguf-my-repo
base_model: DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
---

# Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_S-GGUF
This model was converted to GGUF format from [`DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored`](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) using llama.cpp via the ggml.ai's [GGUF-my-repo](https://huggingface.co/spaces/ggml-org/gguf-my-repo) space.
Refer to the [original model card](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) for more details on the model.

---
This repo is for Goekdeniz-Guelmez's excellent 
""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context 
to 192 k (196608) context modified using YARN as per tech notes at Qwen 
repo.


ORG model repo for this fine tune:


[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]


Max context on this version is : 192k (196608)


Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".


This model can output 2k to over 13k.


To improve long form output performance (especially creative):


Temp 1+, 2+ or higher.
Top k 100+
Rep pen 1.02-1.09


Use Jinja Template or CHATML template.


Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :


[ https://huggingface.co/Qwen/Qwen3-8B ]

---

## Use with llama.cpp
Install llama.cpp through brew (works on Mac and Linux)

```bash
brew install llama.cpp

```
Invoke the llama.cpp server or the CLI.

### CLI:
```bash
llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_S-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q5_k_s.gguf -p ""The meaning to life and the universe is""
```

### Server:
```bash
llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_S-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q5_k_s.gguf -c 2048
```

Note: You can also use this checkpoint directly through the [usage steps](https://github.com/ggerganov/llama.cpp?tab=readme-ov-file#usage) listed in the Llama.cpp repo as well.

Step 1: Clone llama.cpp from GitHub.
```
git clone https://github.com/ggerganov/llama.cpp
```

Step 2: Move into the llama.cpp folder and build it with `LLAMA_CURL=1` flag along with other hardware-specific flags (for ex: LLAMA_CUDA=1 for Nvidia GPUs on Linux).
```
cd llama.cpp && LLAMA_CURL=1 make
```

Step 3: Run inference through the main binary.
```
./llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_S-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q5_k_s.gguf -p ""The meaning to life and the universe is""
```
or 
```
./llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_S-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q5_k_s.gguf -c 2048
```
","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],,
Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_M-GGUF,unknown,"---
library_name: transformers
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
- llama-cpp
- gguf-my-repo
base_model: DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
---

# Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_M-GGUF
This model was converted to GGUF format from [`DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored`](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) using llama.cpp via the ggml.ai's [GGUF-my-repo](https://huggingface.co/spaces/ggml-org/gguf-my-repo) space.
Refer to the [original model card](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) for more details on the model.

---
This repo is for Goekdeniz-Guelmez's excellent 
""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context 
to 192 k (196608) context modified using YARN as per tech notes at Qwen 
repo.


ORG model repo for this fine tune:


[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]


Max context on this version is : 192k (196608)


Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".


This model can output 2k to over 13k.


To improve long form output performance (especially creative):


Temp 1+, 2+ or higher.
Top k 100+
Rep pen 1.02-1.09


Use Jinja Template or CHATML template.


Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :


[ https://huggingface.co/Qwen/Qwen3-8B ]

---
## Use with llama.cpp
Install llama.cpp through brew (works on Mac and Linux)

```bash
brew install llama.cpp

```
Invoke the llama.cpp server or the CLI.

### CLI:
```bash
llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_M-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q5_k_m.gguf -p ""The meaning to life and the universe is""
```

### Server:
```bash
llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_M-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q5_k_m.gguf -c 2048
```

Note: You can also use this checkpoint directly through the [usage steps](https://github.com/ggerganov/llama.cpp?tab=readme-ov-file#usage) listed in the Llama.cpp repo as well.

Step 1: Clone llama.cpp from GitHub.
```
git clone https://github.com/ggerganov/llama.cpp
```

Step 2: Move into the llama.cpp folder and build it with `LLAMA_CURL=1` flag along with other hardware-specific flags (for ex: LLAMA_CUDA=1 for Nvidia GPUs on Linux).
```
cd llama.cpp && LLAMA_CURL=1 make
```

Step 3: Run inference through the main binary.
```
./llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_M-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q5_k_m.gguf -p ""The meaning to life and the universe is""
```
or 
```
./llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q5_K_M-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q5_k_m.gguf -c 2048
```
","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],,
Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q6_K-GGUF,unknown,"---
library_name: transformers
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
- llama-cpp
- gguf-my-repo
base_model: DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
---

# Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q6_K-GGUF
This model was converted to GGUF format from [`DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored`](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) using llama.cpp via the ggml.ai's [GGUF-my-repo](https://huggingface.co/spaces/ggml-org/gguf-my-repo) space.
Refer to the [original model card](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) for more details on the model.

---
This repo is for Goekdeniz-Guelmez's excellent 
""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context 
to 192 k (196608) context modified using YARN as per tech notes at Qwen 
repo.


ORG model repo for this fine tune:


[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]


Max context on this version is : 192k (196608)


Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".


This model can output 2k to over 13k.


To improve long form output performance (especially creative):


Temp 1+, 2+ or higher.
Top k 100+
Rep pen 1.02-1.09


Use Jinja Template or CHATML template.


Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :


[ https://huggingface.co/Qwen/Qwen3-8B ]

---
## Use with llama.cpp
Install llama.cpp through brew (works on Mac and Linux)

```bash
brew install llama.cpp

```
Invoke the llama.cpp server or the CLI.

### CLI:
```bash
llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q6_K-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q6_k.gguf -p ""The meaning to life and the universe is""
```

### Server:
```bash
llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q6_K-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q6_k.gguf -c 2048
```

Note: You can also use this checkpoint directly through the [usage steps](https://github.com/ggerganov/llama.cpp?tab=readme-ov-file#usage) listed in the Llama.cpp repo as well.

Step 1: Clone llama.cpp from GitHub.
```
git clone https://github.com/ggerganov/llama.cpp
```

Step 2: Move into the llama.cpp folder and build it with `LLAMA_CURL=1` flag along with other hardware-specific flags (for ex: LLAMA_CUDA=1 for Nvidia GPUs on Linux).
```
cd llama.cpp && LLAMA_CURL=1 make
```

Step 3: Run inference through the main binary.
```
./llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q6_K-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q6_k.gguf -p ""The meaning to life and the universe is""
```
or 
```
./llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q6_K-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q6_k.gguf -c 2048
```
","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],,
Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q8_0-GGUF,unknown,"---
library_name: transformers
pipeline_tag: text-generation
tags:
- 192k context
- reasoning
- thinking
- qwen3
- uncensored
- llama-cpp
- gguf-my-repo
base_model: DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored
---

# Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q8_0-GGUF
This model was converted to GGUF format from [`DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored`](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) using llama.cpp via the ggml.ai's [GGUF-my-repo](https://huggingface.co/spaces/ggml-org/gguf-my-repo) space.
Refer to the [original model card](https://huggingface.co/DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored) for more details on the model.

---
This repo is for Goekdeniz-Guelmez's excellent 
""Josiefied-Qwen3-8B-abliterated-v1"", modified from 32k (32768) context 
to 192 k (196608) context modified using YARN as per tech notes at Qwen 
repo.


ORG model repo for this fine tune:


[ https://huggingface.co/Goekdeniz-Guelmez/Josiefied-Qwen3-8B-abliterated-v1 ]


Max context on this version is : 192k (196608)


Suggest min context limit of : 8k to 16k for ""thinking"" / ""output"".


This model can output 2k to over 13k.


To improve long form output performance (especially creative):


Temp 1+, 2+ or higher.
Top k 100+
Rep pen 1.02-1.09


Use Jinja Template or CHATML template.


Please refer the QWEN model card for details, benchmarks, how to use, settings, turning reasoning on/off/ system roles etc etc :


[ https://huggingface.co/Qwen/Qwen3-8B ]

---
## Use with llama.cpp
Install llama.cpp through brew (works on Mac and Linux)

```bash
brew install llama.cpp

```
Invoke the llama.cpp server or the CLI.

### CLI:
```bash
llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q8_0-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q8_0.gguf -p ""The meaning to life and the universe is""
```

### Server:
```bash
llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q8_0-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q8_0.gguf -c 2048
```

Note: You can also use this checkpoint directly through the [usage steps](https://github.com/ggerganov/llama.cpp?tab=readme-ov-file#usage) listed in the Llama.cpp repo as well.

Step 1: Clone llama.cpp from GitHub.
```
git clone https://github.com/ggerganov/llama.cpp
```

Step 2: Move into the llama.cpp folder and build it with `LLAMA_CURL=1` flag along with other hardware-specific flags (for ex: LLAMA_CUDA=1 for Nvidia GPUs on Linux).
```
cd llama.cpp && LLAMA_CURL=1 make
```

Step 3: Run inference through the main binary.
```
./llama-cli --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q8_0-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q8_0.gguf -p ""The meaning to life and the universe is""
```
or 
```
./llama-server --hf-repo Triangle104/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored-Q8_0-GGUF --hf-file qwen3-8b-192k-context-6x-josiefied-uncensored-q8_0.gguf -c 2048
```
","""N/A""",1,[],0,[],0,[],0,[],0,0,[],0,['DavidAU/Qwen3-8B-192k-Context-6X-Josiefied-Uncensored'],,
Aktsvigun/bart-base_aeslc_2470973,False,,"""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],Aktsvigun/bart-base_aeslc_2470973,base
dimasik87/07e17751-ab33-467b-b4a3-c3d1a9b3ecbe,False,"---
library_name: peft
license: llama3.1
base_model: unsloth/Llama-3.1-Storm-8B
tags:
- axolotl
- generated_from_trainer
model-index:
- name: 07e17751-ab33-467b-b4a3-c3d1a9b3ecbe
  results: []
---

<!-- This model card has been generated automatically according to the information the Trainer had access to. You
should probably proofread and complete it, then remove this comment. -->

[<img src=""https://raw.githubusercontent.com/axolotl-ai-cloud/axolotl/main/image/axolotl-badge-web.png"" alt=""Built with Axolotl"" width=""200"" height=""32""/>](https://github.com/axolotl-ai-cloud/axolotl)
<details><summary>See axolotl config</summary>

axolotl version: `0.4.1`
```yaml
adapter: lora
base_model: unsloth/Llama-3.1-Storm-8B
bf16: auto
chat_template: llama3
dataset_prepared_path: null
datasets:
- data_files:
  - c8a5ff254c4cb151_train_data.json
  ds_type: json
  field: synthesized text
  path: /workspace/input_data/c8a5ff254c4cb151_train_data.json
  type: completion
debug: null
deepspeed: null
early_stopping_patience: null
eval_max_new_tokens: 128
eval_table_size: null
evals_per_epoch: 3
flash_attention: false
fp16: null
fsdp: null
fsdp_config: null
gradient_accumulation_steps: 6
gradient_checkpointing: true
group_by_length: false
hub_model_id: dimasik87/07e17751-ab33-467b-b4a3-c3d1a9b3ecbe
hub_repo: null
hub_strategy: checkpoint
hub_token: null
learning_rate: 0.0001
load_in_4bit: false
load_in_8bit: false
local_rank: null
logging_steps: 1
lora_alpha: 64
lora_dropout: 0.05
lora_fan_in_fan_out: null
lora_model_dir: null
lora_r: 32
lora_target_linear: true
lr_scheduler: cosine
max_memory:
  0: 70GiB
max_steps: 50
micro_batch_size: 4
mlflow_experiment_name: /tmp/c8a5ff254c4cb151_train_data.json
model_type: AutoModelForCausalLM
num_epochs: 3
optimizer: adamw_torch
output_dir: miner_id_24
pad_to_sequence_len: true
resume_from_checkpoint: null
s2_attention: null
sample_packing: false
save_steps: 25
save_strategy: steps
sequence_len: 2048
strict: false
tf32: false
tokenizer_type: AutoTokenizer
torch_dtype: bfloat16
train_on_inputs: false
trust_remote_code: true
val_set_size: 0.05
wandb_entity: null
wandb_mode: online
wandb_name: 07e17751-ab33-467b-b4a3-c3d1a9b3ecbe
wandb_project: Gradients-On-Demand
wandb_run: your_name
wandb_runid: 07e17751-ab33-467b-b4a3-c3d1a9b3ecbe
warmup_steps: 10
weight_decay: 0.01
xformers_attention: null

```

</details><br>

# 07e17751-ab33-467b-b4a3-c3d1a9b3ecbe

This model is a fine-tuned version of [unsloth/Llama-3.1-Storm-8B](https://huggingface.co/unsloth/Llama-3.1-Storm-8B) on the None dataset.
It achieves the following results on the evaluation set:
- Loss: nan

## Model description

More information needed

## Intended uses & limitations

More information needed

## Training and evaluation data

More information needed

## Training procedure

### Training hyperparameters

The following hyperparameters were used during training:
- learning_rate: 0.0001
- train_batch_size: 4
- eval_batch_size: 4
- seed: 42
- gradient_accumulation_steps: 6
- total_train_batch_size: 24
- optimizer: Use OptimizerNames.ADAMW_TORCH with betas=(0.9,0.999) and epsilon=1e-08 and optimizer_args=No additional optimizer arguments
- lr_scheduler_type: cosine
- lr_scheduler_warmup_steps: 10
- training_steps: 50

### Training results

| Training Loss | Epoch  | Step | Validation Loss |
|:-------------:|:------:|:----:|:---------------:|
| 0.0           | 0.0005 | 1    | nan             |
| 0.0           | 0.0030 | 6    | nan             |
| 0.0           | 0.0061 | 12   | nan             |
| 0.0           | 0.0091 | 18   | nan             |
| 0.0           | 0.0122 | 24   | nan             |
| 0.0           | 0.0152 | 30   | nan             |
| 0.0           | 0.0183 | 36   | nan             |
| 0.0           | 0.0213 | 42   | nan             |
| 0.0           | 0.0243 | 48   | nan             |


### Framework versions

- PEFT 0.13.2
- Transformers 4.46.0
- Pytorch 2.5.0+cu124
- Datasets 3.0.1
- Tokenizers 0.20.1","""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],dimasik87/07e17751-ab33-467b-b4a3-c3d1a9b3ecbe,base
sakumaritsu/yuno_kashiki_rvc,False,"---
license: unknown
---
","""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],sakumaritsu/yuno_kashiki_rvc,base
Gigimon/whisper-small-hi,False,,"""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],Gigimon/whisper-small-hi,base
Ramikan-BR/Qwen2-0.5B-LORA-v4,False,"---
base_model: unsloth/qwen2-0.5b-bnb-4bit
language:
- en
license: apache-2.0
tags:
- text-generation-inference
- transformers
- unsloth
- qwen2
- trl
---

# Uploaded  model

- **Developed by:** Ramikan-BR
- **License:** apache-2.0
- **Finetuned from model :** unsloth/qwen2-0.5b-bnb-4bit

This qwen2 model was trained 2x faster with [Unsloth](https://github.com/unslothai/unsloth) and Huggingface's TRL library.

[<img src=""https://raw.githubusercontent.com/unslothai/unsloth/main/images/unsloth%20made%20with%20love.png"" width=""200""/>](https://github.com/unslothai/unsloth)
","""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],Ramikan-BR/Qwen2-0.5B-LORA-v4,base
henryscheible/crowspairs_roberta-base_finetuned,False,N/A,"""N/A""",0,[],0,[],0,[],0,[],0,0,[],0,[],henryscheible/crowspairs_roberta-base_finetuned,base