The sculpture's figure, modeled after the portrait, is the sitting style with the bottom of the priest's robe hanging down, and the established way of expression was the combination of the simple depiction of the clothed body and the graphic depiction of the face.
彫刻の場合、頂相画に倣って法衣の裾を長く垂らして座る姿に表されるが、衣に包まれた体部は単純に表し、写実は面貌に集中する表現法が確立している。