On the other hand, Tadatomo O, who was a gakushi (musician) of the Ministry of the Imperial Household, emphasized the importance of kaguramai (Shinto dance) in religious services, citing the Japanese mythology, and composed Urayasu no mai, which marked the acceptance of his assertion.
また、宮内省の楽師であった多忠朝は神社祭祀に於ける日本神話に基づく神楽舞の重要性を主張し、其れが認められる形で浦安の舞を制作した。