After that, Yoshimoto placed a priority on manzai for performances in yose, and promoted an exclusive contract with Harudanji KATSURA and other rakugo storytellers, having them perform only in 'Kagetsu', a yose that Yoshimoto operated.
その後吉本が寄席で漫才主体の番組構成をとったことや、桂春団治など落語家の専属契約を推し進め、自社の経営する寄席である「花月」のみの出演とした。