He resided at Horinin of Onjo-ji Temple for a long time and made a great contribution in collecting Esoteric Buddhist art as well as nurturing artists while striving to develop his own painting technique.
ながらく園城寺法輪院に住し、密教図像の集成と絵師の育成に大きな功績を残したほか、自らの画術研鑽にも努めた。