He took some local daimyo (feudal lord) as his pupils, and as a performer in the Konparu school, he revived an old classic, 'Seki-dera Komachi (Komachi at Seki-dera),' which had ceased to be performed for a long time, and left 'Dobusho' (Comments on Noh Plays).
各地の大名を弟子に持ち、金春流では長らく途絶していた秘曲「関寺小町」を復活させ、「童舞抄」などの伝書を記すなどの活躍を見せた。