Nakahira, who always changed staging and the tone of the screen image to suit the film, made a soft screen image in this film by changing the method of intensifying treatment, so that it had a unique color that was light and blurred (However, this was a sensitive effect which could be reproduced only on the screen in a theater, so that it is difficult to see it on TV or video).
作品によって常に演出や映像のトーンを変える中平は、本作ではフィルムの増感処理の方法を変えてソフトな画面を作っており、色彩も薄く滲んだ独特のトーンになっている（ただし劇場の映写されたスクリーンで観なければ識別できない微妙な効果のため、テレビやビデオ鑑賞では判りにくい）。