In works representative of Tang dynasty period China, such as Ouyang Xun's "Jiu Cheng Gong Li Quan Ming," Yu Shinan's "Kong Zi Miao Tang Bei," and Chu Suiliang's "Yan Ta Sheng Jiao Xu," the start and end points of the lines and their position left and right are always aligned and the lines are written straight, in contrast to the uneven 'chirashi-gaki' style described above.
中国唐を代表する『欧陽詢九成宮醴泉銘』・『虞世南孔子廟堂碑』・『チョ遂良雁塔聖教序』などの作品は、行頭・行末を揃え、左右の文字の位置を揃え、行をまっすぐに書いており、上述の「散らし書き」といかに対照的な書字法であるかが分かる。