The 'tegoto-mono' were stylistically no different to the Kyoto style 'tegoto-mono' and there is no particular sense of Yoshizawa having developed anything new since by that time, shamisen technique was already fully developed, although they possess a slightly different originality compared to the Kyoto composers.
手事ものは様式的には「京流手事もの」を完全に踏襲しており、さすがに既に三味線の技巧が極められてしまっている時代であるだけに、特別に吉沢が新たに切り開いた感はないが、やはり京都の作曲家のものとは少し違う独自性が感じられる。