Subsequently, Beian came to deeply respect the works of Beisong-dynasty calligrapher MI Fei (or MI Fu, or Futsu BEI in Japanese, written as "米芾"), and Tang-dynasty calligrapher YAN Zhenqing (Shinkei GAN in Japanese, written as "顔真卿") and others, and devoted himself to studying their styles of penmanship.
その後、北宋代の書家・米芾や唐代の書家・顔真卿らの書を敬慕しその筆法を研鑽する。