Contrastingly, in the case of sankyoku gasso some parts are added to a tune that is originally a solo, so the music is somewhat fluid, heterophonic and ornamental, and in its orchestration it's as flexible as baroque music.
これと違い、三曲合奏は本来独奏曲に後から他のパートを付けたものであり、どちらかと言えば流動的、並列的、装飾的であって、その編成にはバロック音楽のように自由さがある。