The works were often in oblong composition, in many cases with flowers, birds and still objects painted in the foreground in deep colors, and landscapes, such as waterfronts, painted in the background, or nothing but light colors to denote a feeling of distance.
近景に濃彩の花鳥や静物を描き、遠景には水辺などの風景、あるいは何も描かずに淡い色彩で距離感を示している場合が多く、縦長構図の作品が多い。