Although simple and beautiful, they were not gorgeous enough at the time, and were not popular until Shunei MATSUZAKA in Kyoto complemented gorgeous tegoto in Meiji period.
簡潔で美しいが当時の音楽としては華やかさに足りず、明治に京都の松坂春栄が華麗な手事を補作するまでは普及しなかった。