These 37 pieces were transferred from one owner to the other due to changes in the socioeconomic conditions and social turmoil after World War II, and many of the pictures were in collections of public or private museums.
これら37分割された歌仙像は、その後も社会経済状況の変化、第二次大戦終了後の社会の混乱等により、次々と所有者が変わり、公立・私立の博物館・美術館の所蔵となっているものも多い。