After the Meiji Restoration, followers of Matarokuro ISSO and Mikuma SHIMADA standardized the performance styles within the school, and consequently, there is little difference in performance style between performers or regions.
維新後、一噌又六郎、島田巳久馬の師弟によって流儀の統一がはかられたこともあって、役者・地域ごとの芸風の差は少ない。