However, there was a backlash against the method in which the total stage effects focused on Buyo dance such as a demand on music to be modified to fit in with the choreography, and 博三 MACHIDA, a researcher of Japanese music, criticized the methods of Jusuke.
しかし音楽に注文をつけ、振りをつけにくい節を修正させるなど、演出の全てを舞踊中心にした手法には反発があり、邦楽の研究家である町田博三は壽輔の手法を非難した。