In "Theme and Variation of Etenraku in Banshikicho Mode for Piano and Orchestra" arranged by Yoritsune MATSUDAIRA (in 1951), the melody line of Etenraku was used in Banshikicho mode which is different from "Hyo-jo" (a basic mode) while attempts for fusion with dodecaphony, Twelve-tone technique and with boogie-woogie are observed.
松平頼則作曲の『盤渉調越天楽の主題によるピアノと管弦楽のための主題と変奏』（1951年）は平調とは異なる盤渉調の越天楽のメロディを採用しつつ十二音技法やブギウギとの融合も試みられている。