On the other hand, Naonobu's kinpeki-shohekiga (paintings on gold foil-pressed paper sliding doors and screens) tended to have simplification of objects, so he seems to have tended to decorate his work while Tanyu's kinpeki-shohekiga aiming at Japanizing.
一方、金碧障壁画の着色作品は、対象を単純化し要とする傾向が見られ、探幽が金碧画の中にも和様化を目指したのに対し、尚信は装飾化へ向かおうとしたようだ。