At that time, the relationship between an actor and a choreographer was valued, and it was not unusual that actors, who took same stage, had different schools for choreography.
当時は役者と振付師の個人的な関係が重んじられたため、同じ舞台に上がった役者でもそれぞれ異なる流派の振付師がつくことが珍しくなかった。