This is a precious record from which we can gather the fact that Sangaku performers at the time performed not only stunts but also humorous mimicry which led to kyogen (farce played during a Noh play cycle).
当時の散楽師が曲芸だけでなく、今の狂言に通じる滑稽物真似的な芸もしていたことが窺える貴重な記録である。