Sennojo, in contrast to his elder brother, is a versatile theorist and is remarkable in many fields such as creating new Kyogen, reproducing old Kyogen, or directing operas and musicals, but in recent years, he has matured and mellowed as a Kyogen performer.
千之丞は兄と対照的に多才な理論家で、狂言の新作や復曲をしたりオペラやミュージカルの演出を手がけたりと、多方面での活動が目立つが、近年は狂言師としても円熟味を増している。