His style was evaluated as lacking in balance due to his broad forms, but he exerted great influence on the younger generations such as IKE no Taiga and YOSA no Buson who became germinators of Japanese nanga that later accomplished nanga, as well as Kenkado KIMURA who appeared after them.
作風は様式が幅広く不安定と評されるが、日本南画の萌芽となってのちに南画を大成させた池大雅や与謝蕪村、その後の木村蒹葭堂など後進に与えた影響は大きい。