On the other hand, there were some manzai-shi, who maintained the classic style of using some musical instrument, including Sutemaru SUNAGAWA, Haruyo NAKAMURA, Kashimashi-Musume in Kansai, and Keiko and Yoshie UTSUMI as well as Chiyowaka and Chiyokiku SHOKAKUYA in Tokyo.
一方、砂川捨丸・中村春代やかしまし娘、東京では内海桂子・好江、松鶴家千代若・千代菊など、お囃子を取り入れた古典的なスタイルを崩さなかった漫才師もいた。