And moreover, the third "Ennosuke ICHIKAWA" energetically performed revived Kyogen, into which he fully reintroduced the factors of Keren that were once despised; Ennosuke sought to improve Kabuki as the theater, so he tried a much more boldly staged Kabuki, called Super Kabuki.
さらに、市川猿之助(3代目)は復活狂言を精力的に上演し、その中では一時的には蔑まれたケレンの要素を存分に復活させた（猿之助は、さらなる演劇形式としての歌舞伎を模索しスーパー歌舞伎と呼ばれる、より大胆な演出を強調した歌舞伎にも挑戦した）。