There are scenes that make sense when they are performed independently within the framework of 'Midori kyogen' (select performance pieces), but these scenes become nonsensical when they are performed as a 'toshi kyogen' (performance of the entire play) because the content becomes too obvious.
通常の「見取り狂言」の枠内でその場その場のみを上演すればまったく問題のない設定でも、「通し狂言」で上演すると前後のつながりが明白なので無理矛盾が生じてしまう。