While it is often performed by koto solo, Yoshizawa himself composed a kaede (accompanying melody) of koto resembling a kokyu part, and an ensemble of honte (melody part) and kaede by koto is often performed beyond the border of schools.
箏の独奏で行なわれることも多い一方、吉沢本人が胡弓パートに類似した箏の替手も作っており、箏の本手、替手による合奏が流派を越えてよく行なわれる。