Examples include 'changes of tuning (modulation)' in the course of a piece in the case of the So and Shamisen (see Jiuta), or 'half-open finger holes' and 'changes of holding style' in the case of the Shakuhachi and Shinobue.
例：箏・三味線における「楽曲途中での調弦変更（『転調』）地歌を参照」)や、尺八・篠笛の「指穴半開」、「持ち替え」