In whole, peeling off and fading of pigment is noticeable, but they are very precious as big pieces of Buddhist painting in the early Heian period, ninth century, for which the number of existing relics is small.
全体に絵具の剥落・退色が目立つが、現存遺品の少ない平安時代前期、9世紀の仏教絵画の大作として貴重。