In the section of 'naku koe ni,' the song gradually returns to a song based on the koto music leading to a short but beautiful intermezzo of a delicate tremolo played by kokyu.
「鳴く声に」で次第に箏曲的な歌に戻り、胡弓が繊細なトレモロを奏する、短いが美しい間奏となる。