The drawing method, in which the main motifs are gathered together in the lower-left corner of the painting and void space on the right side, is called 'Zanzanjosui' and 'Henkaku no Kei,' which were the specialty of Baen (Ma Yuan), a Chinese painter from the Southern Sung Dynasty.
主たるモチーフを画面の左下に集め、画面右方を広い空間とする構図法は「残山剰水」「辺角の景」と呼ばれるもので、南宋の画家馬遠が得意としたものである。