As Izumi school Kyogen performers in Nagoya were mostly half-amateur noh performers, who had other jobs to make their livings, they tended to be open and liberal and to have a relatively loose bond among them.
名古屋の和泉流狂言師には、別に生業を持つ手猿楽的な役者が多かったため、比較的ゆるやかなつながりで開明的な傾向を持っている。