In this play, the Gidayu dialogue in "Kaze-ni-Kuruu Kawabe-no-Me-Yanagi," a performance of Kiyomoto which is a kind of Yosogoto Joruri is so effective that the glamorous music can just amplify the grisly tragedy of Kobei and make the audience satisfied with his superior capability in writing the play.
ここでは余所事浄瑠璃の清元『風狂川辺芽柳』に義太夫の掛け合いが効果的で、華やかな音楽がかえって陰惨な幸兵衛の悲劇を倍増させ、黙阿弥の優れた作劇術が堪能できる。