Especially Shiro FUJISAWA, who is put down by Hangaku, sets the stage alight with his clownish ha-gataki (bit-part actor for enemy role) characteristics such as the dialog of 'mon dukushi' (filled with gates) in nori-ji (in a rhythmic manner) to the accompaniment of the stage-right music while leading the rotos (retainers) wearing hanayoten (constables in colorful uniform), even though he is shivering with fright caused by Hangaku's mighty strength.
とくに板額にやり込められる藤沢四郎は、板額の怪力に震えながらも花四天の郎党を引き連れて、下座の音楽に乗ってノリ地で門尽くしの台詞を述べるなど、道化じみた端敵の性格で劇を盛り上げている。