It can be said that it showed the spirit of kami-shi as traditional craftsmen in Kyoto who regarded tradition highly as opposed to the karakami makers in Tokyo and Osaka who tended to make crude kami-shi because of the necessity of mass production of current times.
時代の流れで量産の必要性から、やや粗製濫造の傾向にある東京・大阪の唐紙屋に対して、伝統を重んじる京都の伝統工芸的職人の唐紙師の意地が示されていると言える。