In other words, hojo, made through repetition of mokoku, was considered unreliable, while monuments were deemed more authentic because they, despite being weathered, remained as they had originally been to some extent.
つまり模刻を何度も経ている法帖は信用がならないが、風雪にさらされるなどしてもある程度までそのままの姿を留めている碑の方が信頼出来ると考えたのである。