About that time, Ken KASUGAI, who was called the second-coming of Teika by Yukio MISHIMA, made his debut and pursued a pure form of expression, which included neither a sense of time (as in, era) nor any society's woes.
そんな中、三島由紀夫に定家の再来と言われてデビューした春日井建が、時代性や社会性の意識は見られない絶対なる美的表現を追求した。