This Kyogen play was later handed down to Danjuro ICHIKAWA the seventh and then to Danzo ICHIKAWA the seventh, but after the Meiji period, as Kabuki became higher, it was gradually forgotten.
その後市川團十郎(7代目)を経て、市川團蔵(7代目)へとこの狂言は伝承されていくが明治以降の歌舞伎の高尚化とともに忘れられていった。