Directors in all 3 films had no idea how to create mood or tension with this great source material
This was the last in the trilogy of Swedish writer Stieg Larsson’s stories about Lisabeth Salander/Noomi Rapace. It starts off where the last one left off with Salander in the hospital after almost being killed by her father who tried to off her. It deals with the powers in Sweden who sponsored her dad and whether they could be exposed with the help of journalist Mikael Blomkvist/Michael Nyqvist. The story plays out like a mystery with Salander and Blomkvist trying to dig up dirt. The problem as ever is that director Daniel Alfredson who also did the previous movie had no idea how to create any mood or tension. There’s no dark lighting to match the content of the story. There’s not even a soundtrack to emphasize important scenes. That is the downfall of all three movies. There was this great material but not the director to translate it to the big screen.
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 {"Audio languages": ["Svenska"], "Subtitles": ["None available"], "Directors": ["Daniel Alfredson"], "Producers": ["Susann Billberg-Rydholm", "Wolfgang Feindt", "Peter Nadermann", "Gunnar Carlsson", "Jon Mankell", "Anni Faurbye Fernandez", "Klaus Bassiner", "Lone Korslund", "Jenny Gilbertsson"], "Starring": ["Michael Nyqvist", "Noomi Rapace", "Lena Endre"]}

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