When it's over you feel like you've been taken on a pointless ride by David Lynch
David Lynch liked to make movies about the darker side of things and Mulholland Drive is no exception. The problem is he went for effect over a proper plot.<br /><br />Part of the movie is like a dream and the other is like a nightmare mixed in with a hefty dose of surrealism. That’s shown with the two main characters. Laura Harring as the brunette escapes an assassination attempt, while Naomi Watts the blond is brand-new to Los Angeles hoping to make it in the movies. The former has a nightmare experience while the latter is like a dream. For instance, there’s a white glow around Watts when she first enters LA and everyone is smiling and happy around her. That also brings up the surreal elements and the major drawbacks of Mulholland Drive. It appears that Lynch went overboard with being weird at the expense of a coherent story. There’s a guy with a nightmare scene for instance that has nothing to do with the main plot. Then there’s a whole side story about a movie director which turns out to only be tangentially related. When the movie concludes it feels like you’ve been taken on a pointless ride by Lynch.
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 {"Content advisory": ["Nudity", "violence", "alcohol use", "smoking", "foul language", "sexual content"], "Audio languages": ["English"], "Subtitles": ["English [CC]"], "Directors": ["David Lynch"], "Producers": ["Neal Edelstein", "Tony Krantz", "Michael Polaire", "Alain Sarde"], "Starring": ["Justin Theroux", "Naomi Watts", "Laura Harrington"], "Studio": ["Lions Gate Films", "Inc."]}

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