Covers the exceptional talent business sense and contradictions of Sam Cooke
The documentary follows the usual pattern of talking heads mixed in with footage and songs by Sam Cooke. It goes in chronological order from his start in a Gospel group and then move towards Pop-Soul tunes. It also covers some of the things Cooke did differently like owning his own publishing rights which meant he made far more money than anyone else in his trade. One of the ironies of his career was that he yearned for white acceptance. He got the teens but he always wanted middle aged whites to like him. That was why he always wanted to be a hit at the Copa Cabana club in New York. To achieve that he had to do a set like Frank Sinatra. It was a sign that with all of his success he still wasn’t completely happy with just being himself likely because of growing up in America where black people are told they have to be like whites.
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 {"Content advisory": ["Violence", "smoking", "foul language"], "Audio languages": ["English"], "Subtitles": ["English [CC]"], "Directors": ["Mary Wharton"], "Producers": ["Mary Wharton", "Robin Klein", "Mick Gochanour"], "Starring": ["Sam Cooke", "Lou Rawls", "Aretha Franklin"], "Studio": ["ABKCO Films", "a division of ABKCO Music & Records", "Inc."]}

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