Re-imagining of Robin Hood into a tale of English nationalism
Robin Hood takes place in 12th Century England. It’s portrayed as a country full of poverty. The king is dead, his brother Prince John has assumed power only to abuse it, and the King of France is planning to invade. Into the middle of this comes Robin who gave a promise to return to a knight’s home in Nottingham. He becomes the town’s protector against the greed of the time and is elevated to the savior of England by the end.<br /><br />The movie actually doesn’t emphasize the traditional story of Robin stealing from the rich, although there is one scene where he does rob the church of seeds. What it does instead is show how humble Robin was compared to the king who was loud and boisterous. It also revealed that Robin’s father wanted a bill of rights for England. That’s hinting at the Magna Carta which was signed in the 13th Century. In so doing the story becomes about English nationalism against the French and the lords against the king. History books would call the Magna Carta and the lords rising up the start of democracy even though it was the landed aristocracy wanting their say in government over an autocrat with the common people still being excluded.<br />C
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 {"Content advisory": ["Violence", "alcohol use", "foul language", "sexual content"], "Audio languages": ["English", "English [Audio Description]"], "Subtitles": ["English [CC]"], "Directors": ["Ridley Scott"], "Producers": ["Michael Costigan", "Russell Crowe", "Michael Ellenberg", "Brian Grazer", "Ryan Kavanaugh", "Nikolas Korda", "Charles J.D. Schlissel", "Ridley Scott", "James Whitaker"], "Starring": ["Russell Crowe", "Cate Blanchett", "William Hurt"], "Studio": ["UNIVERSAL PAY TELEVISION"]}

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