Matt Damon Plays Dangerous Game
Starring Matt Damon as the enigmatic Jason Bourne of the Robert Ludlum novels, this third chapter finds Bourne seeking clues to a past he's been brainwashed into forgetting.  Director Paul Greengrass ("United 93") doesn't spend a lot of screen time refreshing your memory about where the story left off in "The Bourne Supremacy," preferring instead to dive right in and get the action percolating.<br /> A British reporter (Paddy Considine) has received information from a source about a connection between Bourne and a cryptic operation known as Blackfriars.  Noah Vosen (David Strathairn), a high-ranking CIA operative, believes the leak has come from Bourne himself, whose knowledge of the secret operation could compromise national security and the CIA infrastructure as well.  He issues orders to have Bourne eliminated.<br /> This doesn't sit well with Vosen's associate, Pamela Landy (Joan Allen), who wants to bring Bourne in for questioning instead.  But Bourne is at least five steps ahead of the spy agency as he engages in an elaborate cat-and-mouse game, employing his programmed knowledge to outthink, outmaneuver, and outsmart Vosen and his hit teams.<br /> Director Greengrass has given "The Bourne Ultimatum" a driving, relentless energy.  Dialogue has been pared to the minimum in favor of many breathtaking action sequences.  There are assassins, good guys who are really bad guys, people who may be double agents, a nail-biting car chase, a dazzling series of exotic locations, and a conspiracy plot implicating people in high places.<br /> Damon fits into Bourne's skin effortlessly in this third go-round.  With his focused expression, he manages to infuse Bourne with humanity.  Plagued by disturbing flashbacks he doesn't comprehend, Bourne thinks in triple time, acts instantaneously to avoid danger or warn others of it, and fearlessly takes on lethal adversaries -- all of this while deciphering clues to who he really is and trying to learn why the CIA wants him dead.<br /> Joan Allen's Pamela Lundy has more of a role this time than in the previous films, where she simply looked efficient and barked orders.  Here, she actually appears to have a conscience and regards herself as not a team player when the team is up to no good.  Since this turnaround and warming of personality occur abruptly, without preparation, it would not be convincing were it not for Allen's skill at conveying her character.  We've come to see her as cold efficiency -- a company gal all the way.  This time around, she offers a more human face for an agency that the film otherwise paints as omnipotent, impersonal and  conscienceless.<br /> Nicky Parsons (Julia Stiles) is brought into the movie about halfway through.  Her ostensible purpose is to serve as a necessary ally to Bourne, but really she's there mostly to be placed in danger and rescued by Bourne.  Though she's sharper than traditional female characters in spy flicks, she's still the resident damsel in distress.<br /> Director Greengrass uses a rapid-fire editing style in "The Bourne Ultimatum" to move the film briskly and hold the viewer captivated for two hours of cars smashing, deadly hand-to-hand combat, and classification of characters by whether they are helpful or harmful to Bourne.  This dazzling editing technique works fine initially, but ultimately it is self-defeating.<br /> I love the close, one-on-one fights featured in the Bourne films.  Usually they occur without much warning, so we are taken off guard along with Bourne.  These sequences are impeccably staged, both to be sure the actors don't actually hurt each other and so that they ring true.<br /> By breaking up these terrific sequences into jigsaw pieces reassembled at lightning speed, Greengrass never allows us to really concentrate on a clever move, a distracting feint, or how the combatants take advantage of items in their surroundings.  The fights therefore wash over us rather than let us appreciate them as the involved, meticulously planned set pieces they are.<br /> Greengrass makes very good use of the narrow, twisting streets of Madrid and Tangier and New York's unmistakable atmosphere.  He also knows how to position crowds and stage car stunts for maximum effect.  Happily, "The Bourne Ultimatum" is not a movie that lives or dies based on computer-generated technology.  The stunts are actually staged the old-fashioned way, and they are staged excitingly.
The movie title "The Bourne Ultimatum (Widescreen Edition)," available on Movies & TV, has received an average rating of 4.8 from 8449 reviewers. 
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 {"Genre": "Drama, Mystery & Suspense/Thrillers, Mystery & Suspense, Action & Adventure", "Format": "Multiple Formats, Color, Dolby, AC-3, NTSC, Subtitled, Widescreen, Dubbed", "Contributor": "Oliver Wood, Matt Damon, Corey Johnson, Julia Stiles, Christopher Rouse, Daniel Br\u00fchl, Glenn Scott, Albert Finney, Joan Allen, Joey Ansah, Scott Glenn, Paul Greengrass, David Strathairn, Tom Gallop, Edgar Ramirez, Paddy Considine, Colin StintonOliver Wood, Matt Damon, Corey Johnson, Julia Stiles, Christopher Rouse, Daniel Br\u00fchl, Glenn Scott, Albert Finney, Joan Allen, Joey Ansah, Scott Glenn, Paul Greengrass, David Strathairn, Tom Gallop, Edgar Ramirez, Paddy Considine, Colin Stinton   See more", "Language": "English (Dolby Digital 5.1), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1), Unqualified (DTS ES 6.1)", "Runtime": "1 hour and 56 minutes", "Aspect Ratio": "2.40:1", "Is Discontinued By Manufacturer": "No", "MPAA rating": "PG-13 (Parents Strongly Cautioned)", "Product Dimensions": "0.56 x 5.39 x 7.5 inches; 2.72 Ounces", "Item model number": "61032274", "Director": "Paul Greengrass", "Media Format": "Multiple Formats, Color, Dolby, AC-3, NTSC, Subtitled, Widescreen, Dubbed", "Run time": "1 hour and 56 minutes", "Release date": "December 11, 2007", "Actors": "Matt Damon, Joan Allen, Albert Finney, Scott Glenn, Colin Stinton", "Dubbed": "Spanish, French", "Subtitles": "English, Spanish, French", "Studio": "Universal Pictures Home Entertainment", "Number of discs": "1"}

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