Roger Moore stars in Twilight Zone-ish tale
“The Man Who Haunted Himself” (1970), based on the short story “The Strange Case of Mr. Pelham” by Anthony Armstrong, stars Roger Moore (“The Spy Who Loved Me,” “Moonraker”) as Harold Pelham, a conservative executive with a frustrated wife (Hildegarde Neil), two young children, and a bland suburban life. After he recovers from a serious car accident, Pelham’s life becomes unsettling as co-workers, friends, and family start referring to actions, behaviors and comments of his that he absolutely can’t recall. It soon becomes clear that another version of himself is out there — more caustic, riskier, sexier — who seems determined to throw his carefully constructed world into utter chaos. What remains unclear for most of the film is whether there is a real, physical doppelgänger or it’s a figment of Pelham’s imagination.<br /><br />With a fascinating script by director Basil Dearden (“Dead of Night”) and Michael Relph, “The Man Who Haunted Himself” is a psychological thriller owing much to both Alfred Hitchcock and “The Twilight Zone.” An average man finds himself in an escalating series of bizarre events and tries desperately to figure out what’s happening to him. It may even be classified as a horror film in that Pelham is faced with an alternate version of himself who seems to be taking over his own life.<br /><br />If you’re only familiar with Roger Moore from his tenure as James Bond in seven 007 films, you’ll be surprised to see what a textured performance he turns in as not only Pelham, but his own doppelgänger. On screen for most of the movie, he easily dominates the production, convincing us of Pelham’s confusion, concern, and eventual terror.<br /><br />Supporting cast performances are uniformly good, with the exception of Freddie Jones as the psychiatrist who seems to have wandered in from a Monty Python comedy sketch. Jones plays the role too broadly, with distracting mannerisms that undercut his credibility as a man of science.<br /><br />“The Man Who Haunted Himself” was Basil Dearden’s final film in a career going back to 1939. Dearden builds the story gradually, starting off traditionally with Pelham routinely entering his car after work and heading home. But once on the highway, something compels him to gun the engine and race madly through traffic. What prompts him to be so reckless and wind up horribly injured in an awful accident? Setting up suspense and drawing us in as things turn increasingly weird, the film may hang on a strange occurrence in the operating room after the accident that creates more questions. This is the kind of thriller that forgoes graphic violence and gore in favor of creating mood and producing chills.<br /><br />A TV adaptation of the same story by Armstrong appeared on TV’s “Alfred Hitchcock Presents” in 1955 starring Tom Ewell as Mr. Pelham. Treated as a dark comedy rather than serious thriller, it was one of only a handful of the series’ installments personally directed by Hitchcock, who was nominated for an Emmy for that episode.<br /><br />Director Dearden and cinematographer Tony Spratling have given the movie a textured look with an interesting color palette. Early scenes of Pelham tend toward darker colors to suggest Pelham’s conservative lifestyle. But when Pelham’s doppelganger appears, colored lights and brighter colors are employed. Pelham 1’s sedan is brown, Pelham 2’s Lamborghini is bright silver. A climactic scene incorporates a broken mirror reflecting split images, and there’s quite an impressive scene in which Pelham 1 talks to Pelham 2 as 2 circles around 1. Usually, at the time, split screen was used to create the effect of the same actor talking to himself. The effect is striking, even by today’s standards.<br /><br /> Bonus materials on the Blu-ray release include audio commentary, two horror directors discussing “The Man Who Haunted Himself,” and four theatrical trailers.
The movie title "The Man Who Haunted Himself (Special Edition) [Blu-ray]," available on Movies & TV, has received an average rating of 4.5 from 223 reviewers. 
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 {"Genre": "Mystery & Suspense", "Format": "Anamorphic, NTSC, Subtitled", "Contributor": "Roger Moore, Hildegard Neil, Alastair Mackenzie", "Language": "English", "Runtime": "1 hour and 34 minutes", "MPAA rating": "PG (Parental Guidance Suggested)", "Product Dimensions": "0.7 x 7.5 x 5.4 inches; 2.36 Ounces", "Media Format": "Anamorphic, NTSC, Subtitled", "Run time": "1 hour and 34 minutes", "Release date": "May 7, 2019", "Actors": "Roger Moore, Hildegard Neil, Alastair Mackenzie", "Studio": "KL Studio Classics", "Country of Origin": "USA", "Number of discs": "1"}

Here is a brief synopsis of the title : In this creepy psychological thriller, conservative executive Harold Pelham (a harrowing and atypical performance by Roger Moore, ffolkes, The Naked Face, Gold) is involved in a car accident and declared momentarily dead. When he’s eventually released from the hospital, Pelham discovers that his exact double has recently been seen in places that he’s never been, taken over his family, undermined his business and even begun an extramarital affair. Is Pelham being stalked by a doppelgänger with a taste for the wild life, or is he simply a man going insane? The Man Who Haunted Himself was Roger Moore’s last movie before taking over the role of James Bond on seven 007 classics, as well as the final film by legendary director Basil Dearden (The Mind Benders, Dead of Night, The League of Gentlemen).Special Features:-Audio Commentary with star Roger Moore and uncredited writer/producer Bryan Forbes. moderated by journalist Jonathan Sothcott -Masters of Horror Joe Dante and Stuart Gordon on "The Man Who Haunted Himself" -Theatrical Trailer.