Gripping performance by Maximilian Schell...
“The Man in the Glass Booth” is one of the films adapted from prominent plays as part of the early 1970s subscription series, The American Film Theatre. Based on Robert Shaw’s play and directed by Arthur Hiller (“The Americanization of Emily,” “Silver Streak”), the story concerns manic Jewish millionaire Arthur Goldman (Maximilian Schell), already teetering on the verge of insanity, who becomes diabolical when he is abducted from his Manhattan penthouse by Israeli agents and put on trial for war crimes committed while serving as a colonel in a Nazi concentration camp.<br /><br />Testifying within a soundproof, bullet-proof glass enclosure, he unleashes a torrent of vitriol against his accusers, and exposes a secret that is both tragic and terrifying. The film, through Schell’s mesmerizing performance, explores the ongoing horrors of the Holocaust on one deeply troubled individual 30 years after the end of World War II. His performance is frequently theatrical, rather than cinematic, as he shouts, gestures, and overemphasizes his lines, yet is nonetheless enthralling because of Shaw’s dialogue and the riveting subject matter. With little variation in terms of locations, the movie has a decidedly stage-bound look, which may have been the purpose of executive producer Eli Landau. The play’s the thing here, not cinematic pizzazz and fancy photography.<br /><br />Bonus extras on the newly restored widescreen Blu-ray release include interviews with director Arthur Hiller and producer Ely Landau, a promotional film for The American Film Theatre, and a gallery of trailers for The American Film Theatre. “The Man in the Glass Booth” is rated PG.
The movie title "The Man in the Glass Booth (1975)," available on Movies & TV, has received an average rating of 4.4 from 124 reviewers. 
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The additional details include the following in key-value format :
 {"Genre": "Drama", "Format": "NTSC", "Contributor": "Lawrence Pressman Lois Nettleton Luther Adler, Maximilian Schell, Arthur Hiller", "Language": "English, German", "Runtime": "1 hour and 57 minutes", "Is Discontinued By Manufacturer": "No", "MPAA rating": "PG (Parental Guidance Suggested)", "Product Dimensions": "0.7 x 7.5 x 5.4 inches; 2.4 Ounces", "Director": "Arthur Hiller", "Media Format": "NTSC", "Run time": "1 hour and 57 minutes", "Release date": "June 6, 2017", "Actors": "Maximilian Schell, Lawrence Pressman Lois Nettleton Luther Adler", "Studio": "Kino Classics", "Number of discs": "1"}

Here is a brief synopsis of the title : A manic Jewish millionaire (Maximilian Schell), already teetering on the edge of sanity, becomes purely diabolical when he is abducted from his Manhattan penthouse by Israeli agents and put on trial for war crimes committed while serving as colonel in a Nazi concentration camp. Testifying within a sound-proof, bullet-proof glass case, he unleashes a torrent of vitriol upon his accusers, and exposes a secret that is as tragic as it is terrifying. Upon its release, the Los Angeles Times called the film, daring, outrageous, utterly provocative, endlessly ambiguous and strikingly effective. In this new 2K restoration from the original 35mm negative, the film proves itself to be just as powerful today as it was more than forty years ago.Special Feature: Interview with director Arthur Hiller | Interview with Edie Landau | Ely Landau: In Front of the Camera, a promotional film for the American Film Theatre | Gallery of trailers for the American Film Theatre.