Hepburn and Grant shine in comedy of manners
“Holiday,” a 1938 movie adaptation of the 1928 play by Philip Barry, is a comedy of manners about upper class mores and how an outsider breathes fresh air into a stuffy family and challenges its values. Johnny Case (Cary Grant), a free-spirited, rising businessman, is about to marry Julia Seton (Doris Nolan), daughter of a wealthy tycoon. At their intimidatingly expansive home, he meets his fiancé’s sister, Linda (Katharine Hepburn), the self-labeled black sheep of the family, and their brother, Ned (Lew Ayres), who copes with their controlling father’s perpetual bullying by keeping himself perpetually drunk.<br /><br />The theme of “Holiday” is that wealth alone cannot buy happiness. Julia is a pampered socialite, her father (Henry Kolker) a man bound by social convention who fails to understand anything but pursuit of ever greater riches. Linda and Johnny are less concerned with mergers and stock prices than with playful acrobatics and impromptu song.<br /><br />Director George Cukor keeps the action largely within the Seton mansion, opening it up only for a few exterior establishing shots of the home. But by  keeping his camera moving, he avoids a stagey, static look. Assuming that Julia works at the stately home, Johnny enters the house to visit her through the servants’ entrance. From there, he is escorted by the butler through several massive rooms to be introduced properly and is obviously surprised at how regal they appear. He soon discovers that this isn’t Linda’s world. Though she lives under that roof, her refuge is the old playroom, a place where happy memories reside. A good part of the film takes place here during a New Year’s Eve party.<br /><br />Johnny’s success as a fledgling businessman shows enough promise to impress Julia’s father. But her father doesn’t know that Johnny’s goal is to earn enough to abandon business for a while and spend time enjoying life rather than become permanently immersed in finance. This shocks old Mr. Seton, who refuses his consent to the marriage until Julia convinces him that Johnny will come around to his way of thinking. In contrast, Linda is happy for Julia. Linda likes Johnny immediately and empathizes with his  attitude about what’s important in life.<br /><br />Cukor contrasts the humorless, starchy upper class types with Johnny’s pals Nick and Susan Potter (Edward Everett Horton, Jean Dixon), a middle-class couple who feel out of place among the swells at Julia and Johnny’s lavish engagement party and retreat to Linda’s playroom, where much of the action takes place. Here, everyone lets their hair down and speaks their mind freely.<br /><br />The chemistry between Hepburn and Grant is electric and raises “Holiday” from a satirical look at how wealthy people think and act to a fun romp. They are so natural with each other, the dialogue often seems spontaneous. Linda and Ned talk about having given up their artistic aspirations because of their father’s disapproval. Linda was a painter, Ned a musician. Now, Ned seems barely alive and Linda seems like a caged animal, longing to get away from her father and his expectations, yet dependent on him. Johnny brings to the Seton house a wild, daring spirit  and she comes alive. Cukor neatly balances pathos with comedy.<br /><br />Grant and Hepburn made “Bringing Up Baby” the same year as “Holiday” and both were box office flops. Hepburn was considered “box office poison,” a label that would disappear in 1940 with the success of “The Philadelphia Story.” “Holiday” has elements of screwball comedy but is more serious in its exploration of how different individuals regard happiness, and it provides a pleasant showcase for Hepburn and Grant in roles perfectly suited to their personalities.<br /><br />Bonus materials on the Blu-ray release include the 1930 version of “Holiday,” starring Ann Harding, Mary Astor, and Robert Ames; a conversation between filmmaker/distributor Michael Schlesinger and film critic Michael Sragow; audio excerpts from an American Film Institute oral history with director George Cukor, recorded in 1970 and 1971; costume gallery; and a booklet containing a critical essay.
The movie title "Holiday (The Criterion Collection) [Blu-ray]," available on Movies & TV, has received an average rating of 4.8 from 202 reviewers. 
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 {"Genre": "Comedy", "Format": "Blu-ray, Subtitled", "Contributor": "Howard Hickman, Henry Kolker, Beatrice Blinn, Maurice Brierre, Edward Everett Horton, Lillian West, Edward Cooper, Frank Shannon, Henry Daniell, Lew Ayres, Beatrice Curtis, Charles Trowbridge, Doris Nolan, Mabel Colcord, Jean Dixon, Bess Flowers, Katharine Hepburn, George Pauncefort, Aileen Carlyle, George Hickman, Hilda Plowright, Charles Richman, Harry Allen, Binnie Barnes, Cary Grant, Marion Ballou, Raymond Lawrence, Matt McHugh, George Cukor, Neil Fitzgerald, Everett J. Riskin, Margaret McWadeHoward Hickman, Henry Kolker, Beatrice Blinn, Maurice Brierre, Edward Everett Horton, Lillian West, Edward Cooper, Frank Shannon, Henry Daniell, Lew Ayres, Beatrice Curtis, Charles Trowbridge, Doris Nolan, Mabel Colcord, Jean Dixon, Bess Flowers, Katharine Hepburn, Geo\u2026  See more", "Language": "English", "Studio": "The Criterion Collection", "MPAA rating": "NR (Not Rated)", "Product Dimensions": "0.7 x 7.5 x 5.4 inches; 3.21 Ounces", "Director": "George Cukor", "Media Format": "Blu-ray, Subtitled", "Release date": "January 7, 2020", "Actors": "Katharine Hepburn, Cary Grant, Doris Nolan, Lew Ayres, Edward Everett Horton", "Producers": "Everett J. Riskin", "Country of Origin": "USA", "Number of discs": "1"}

Here is a brief synopsis of the title : Two years before stars Katharine Hepburn and Cary Grant and director George Cukor would collaborate on The Philadelphia Story, they brought their timeless talents to this delectable slice of 1930s romantic-comedy perfection, the second film adaptation of a hit 1928 play by Philip Barry. Grant is at his charismatic best as the acrobatically inclined free spirit who, following a whirlwind engagement, literally tumbles into the lives of his fiancée’s aristocratic family—setting up a clash of values with her staid father while firing the rebellious imagination of her brash, black-sheep sister (Hepburn). With a sparkling surface and an undercurrent of melancholy, Holiday is an enchanting ode to nonconformists and pie-in-the-sky dreamers everywhere, as well as a thoughtful reflection on what it truly means to live well. BLU-RAY SPECIAL EDITION FEATURES • New 4K digital restoration, with uncompressed monaural soundtrack • Holiday (1930), a previous adaptation of Philip Barry’s play, directed by Edward H. Griffith • New conversation between filmmaker and distributor Michael Schlesinger and film critic Michael Sragow • Audio excerpts from an American Film Institute oral history with director George Cukor, recorded in 1970 and ’71 • Costume gallery • PLUS: An essay by critic Dana Stevens.