A return to the wild and wooly world of Roger Corman...
“Roger Corman’s Death Race 2050” is a blend of satire and gore from the 90-year-old legendary filmmaker, who has been making low-budget flicks since the mid-1950s with such titles as “The Beast With a Million Eyes,” “Swamp Women,” and “Not of This Earth.” The performances in his latest effort are broad, bordering on camp and sometimes becoming wild excursions into B moviemaking.<br /><br />The original “Death Race 2000” was based on the idea that hit-and-run incidents would no longer be illegal in the year 2000. They would, in fact, become the national sport, and a way to earn bonus points in an event known as the Transcontinental Road Race.<br /><br />The year is 2050. The planet has become overpopulated. The United States of America no longer exists. It has been replaced by the United Corporations of America and the states have been replaced by bigger regions with names such as Onepercentia, Gasarcana, and Pharmatopia. To help control the swelling population, the government, headed by The Chairman (Malcolm McDowell), develops a contest — the Death Race. Annually, eight drivers line up for a high-speed race across the country, scoring points by killing people with their cars. Modified to inflict as much damage as possible to innocent bystanders, the vehicles are tricked out with fins, spikes, and other sharp metallic objects to help each team score as many points as possible.<br /><br />The film is filled with blood, mayhem, and over-the-top acting and, in style, resembles one of Corman’s low-budget quickies of yore. The Corman touch is evident throughout, with its wild collection of bizarre characters, loopy dialogue, and gruesomely funny violence, as only Corman can deliver. You can see elements of other, much better films in “Death Race 2050,” including “Ben-Hur” (those spiked wheels), “1984” (the Big Brother-type leader), and the “Mad Max” pictures (wild armored vehicles zooming at breakneck speed). For those who like unrelieved action without the burden of complex characterization or moralistic themes, this is the film to see.<br /><br />Bonus extras on the 2-disc widescreen release include the featurettes “The Making of ‘2050’;” “Cars! Cars! Cars!,” a look at the one-of-a-kind vehicles depicted in the movie; and “The Look of 2050,” an overview of the picture’s production design and a discussion of filming in Peru. A digital HD copy is included.
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 {"Aspect Ratio": "1.78:1", "Is Discontinued By Manufacturer": "No", "MPAA rating": "R (Restricted)", "Product Dimensions": "7.25 x 5.75 x 0.5 inches; 4 Ounces", "Item model number": "43379936", "Director": "G.J. Echternkamp", "Media Format": "Color, NTSC, Subtitled, Widescreen, Digital_copy", "Run time": "1 hour and 33 minutes", "Release date": "January 17, 2017", "Actors": "Manu Bennett, Malcolm McDowell, Marci Miller", "Subtitles": "French, Spanish", "Producers": "Roger Corman", "Language": "English (Dolby Digital 5.1), French (Dolby Digital 5.1), French (DTS 5.1), Spanish (Dolby Digital 5.1), Spanish (DTS 5.1), English (DTS-HD Master Audio 5.1)", "Studio": "Universal Pictures Home Entertainment", "Writers": "Max Yamashita, G.J. Echternkamp", "Number of discs": "2"}

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