Light, frothy World War II era musical
Made during World War II, “Pin Up Girl” (1944) is a lighthearted bit of musical nostalgia starring Better Grable as a stenographer who yearns to be a showgirl. Back home in Oakland, California, Lorry Jones (Grable) and her friend Kay (Dorothea Kent) volunteer as USO hostesses and Lorry entertains the boys with song-and-dance numbers. The girls move across the bay to San Francisco for office jobs in the big city and get waylaid into show biz. When the show closes, the girls leave for Washington, D.C. to work for the government as stenographers, but Lorry tells everyone she’s going on a USO tour. On the way, the train makes an overnight stop in New York City, where Lorry meets sailor Tommy Dooley (John Harvey), a returning war hero, and Kay meets his buddy Dud (Dave Willock).<br /><br />The girls join the boys at a nightclub run by Tommy’s friend Eddie (Joe E. Brown), and Lorry continues her deception by telling Tommy she’s a Broadway musical comedy star. When they later meet accidentally in Washington a few days later, she changes her appearance by donning a conservative suit and glasses pinning up her hair. Amazingly, Tommy fails to recognize her (guess she possesses the Clark Kent/Superman magic).<br /><br />A hyperactive Martha Raye stars as Molly McKay, the real Broadway star. She sings a few songs and offers forced comedy moments, while also serving as Lorry’s rival for the affections of Tommy.<br /><br />The film, a mere trifle, features Charlie Spivak and his Orchestra, a second-tier swing band of the period. The songs by Mack Gordon and James V. Monaco include “You’re My Little Pin Up Girl,” “Time Alone Will Tell,” “Don’t Carry Tales Out of School,” and “Yankee Doodle Hayride,” none of which became hits. The choreography is by Hermes Pan, who worked often with Fred Astaire. Pan’s most elaborate creation for the film involves the Skating Vanities, roller skater/dancers who carry huge ostrich feather fans of red, white, and blue and glide around creating interesting patterns reminiscent of Busby Berkeley’s elaborate geometric arrangements of chorus girls in Warners musicals of the 1930s. Pan also duets with Grable in an excellent Apache dance number. The Condos Brothers, a tap dance duo, perform two numbers marked by precision synchronization.<br /><br />Most of the numbers take place on a stage or in a night club, so they emerge naturally, rather than stopping the action dead. The finale, which goes on far too long, features Grable as a drill sergeant calling commands to an all-female chorus marching in close order drill. Intended as a patriotic salute to the fighting men overseas, the sequence should have been edited down considerably.<br /><br />The tone is bright and the conflicts easily resolved. The film is pure escapism (the studio didn’t want any dark material to mar its cheeriness). The title capitalizes on a famous photo (shown under the title credits) of Grable wearing a one-piece bathing suit and high heels, back to camera as she peers over her shoulder. This was given out to thousands of servicemen and became one of the iconic pin-up photos of the war. As a musical, the movie is just fair. Without memorable songs or a captivating screenplay, it is no more than a mildly entertaining artifact of Hollywood’s World War II output.<br /><br />The unrated 83-minute Blu-ray is released as a Limited Edition of 3,000 units. Bonus materials include audio commentary, a deleted musical number, original theatrical trailer, Twilight Time catalogue, and a booklet.
The movie title "Pin Up Girl," available on Movies & TV, has received an average rating of 4.6 from 107 reviewers. 
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The additional details include the following in key-value format :
 {"Genre": "Military & War", "Contributor": "Betty Grable", "Language": "English", "MPAA rating": "Unrated (Not Rated)", "Package Dimensions": "6.73 x 5.35 x 0.39 inches; 2.61 Ounces", "Actors": "Betty Grable", "Subtitles": "English", "Number of discs": "1"}

Here is a brief synopsis of the title : Real life and reel life happily intersected for vivacious Betty Grable, she of the vaunted, iconically photographed “million dollar legs,” seen to great effect in the custom-tailored Technicolor musical vehicle Pin Up Girl (1944). A loosely assembled but consistently bubbly diversion about a yarn-spinning USO hostess playing a dizzying game of dual identities with potential soldier beaus while passing through New York, it also gives ample room to comedy favorites Martha Raye, Joe E. Brown and Eugene Pallette. Toss in superb Condos Brothers tap dancing, the swing stylings of Charlie Spivak and His Orchestra and the rolling revelries of the Skating Vanities and you’ll gladly put a pin in this World War II-era delight..