The political Jean-Luc Godard...
“Jean-Luc Godard + Jean-Pierre Gorin: Five Films, 1968-1971” is a 6-disc box set containing films intended to make political statements. After finishing his film “Weekend” in 1967, Jean-Luc Godard shifted gears to embark on engaging more directly with the radical political movements of the era, and thus create a new kind of film, or, as he eventually put it: new ideas distributed in a new way. This new method in part involved collaborating with the precocious young critic and journalist, Jean-Pierre Gorin.<br /><br />Included in this box set are five films, all originally shot in 16mm celluloid, that serve as examples of Godard and Gorin’s revolutionary project:<br />“Un film comme les autres” [“A Film Like Any Other”]: An analysis of the social upheaval of May 1968 made in the immediate wake of the workers and students protests. The picture consists of two parts, each with with identical image tracks, and differing narration.<br /><br />“British Sounds,” aka: “See You at Mao:” An examination of the daily routine at a British auto factory assembly line, set against class-conflict and The Communist Manifesto.<br /><br />Vent d’est” [“Wind from the East”]: A loosely conceived leftist-western that moves through a series of practical and analytical passages ( an organization of shots, Godard called it) into a finale based around the process of manufacturing homemade weapons.<br /><br />“Lotte in Italia” / Luttes en Italie” [“Struggles in Italy”]: Not necessarily a film about the struggles in Italy largely shot in Godard and Anne Wiazemsky’s home at the time, this is a reflection on a young Italian woman’s shift from political theory to political practice and, at the same time, a self-questioning of its own practice and theories.<br /><br />“Vladimir et Rosa” [“Vladimir and Rosa”]: A searing and satirical comic-reportage on the trial of the Chicago Eight, featuring Juliet Berto and Godard and Gorin themselves.<br /><br />Bonus materials on the Blu-ray set include an interview with Jean-Luc Godard from 2010 by Dominique Maillet and Pierre-Henri Gibert, and a100-page full-color book containing English translations for the first time of writing by, and interviews with, Godard and Gorin. The films are in French, with English subtitles.
The movie title "Jean-Luc Godard + Jean-Pierre Gorin: Five Films, 1968-1971 (6-Disc Special Edition) [Blu-ray + DVD]," available on Movies & TV, has received an average rating of 4.7 from 19 reviewers. 
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 {"Genre": "Drama", "Format": "Anamorphic, NTSC, Widescreen", "Contributor": "Jean-Pierre Gorin, Jean-Luc Godard", "Language": "French", "Runtime": "7 hours and 36 minutes", "Product Dimensions": "0.7 x 7.5 x 5.4 inches; 2.88 Ounces", "Director": "Jean-Luc Godard, Jean-Pierre Gorin", "Media Format": "Anamorphic, NTSC, Widescreen", "Run time": "7 hours and 36 minutes", "Release date": "February 27, 2018", "Actors": "Jean-Luc Godard", "Studio": "Arrow Video", "Number of discs": "1"}

Here is a brief synopsis of the title : After finishing his film Weekend in 1967, Jean-Luc Godard shifted gears to embark on engaging more directly with the radical political movements of the era, and thus create a new kind of film, or, as he eventually put it: new ideas distributed in a new way. This new method in part involved collaborating with the precocious young critic and journalist, Jean-Pierre Gorin. Both as a two-person unit, and as part of the loose collective known as the Groupe Dziga Vertov (named after the early 20th-century Russian filmmaker and theoretician), Godard and Gorin would realize some political possibilities for the practice of cinema and craft new frameworks for investigating the relationships between image and sound, spectator and subject, cinema and society..