Outstanding early Brian De Palma
“Sisters” is Brian De Palma’s 1972 homage to Alfred Hitchcock. In addition to directing, De Palma co-wrote the screenplay based on his own original story and filmed it largely on Staten Island. Despite its low budget, this tense thriller has the look of a much more expensive picture.<br /><br />Danielle Breton (Margot Kidder) meets Philip (Lisle Wilson) as contestants on a game show. They go out to dinner and take the ferry to Danielle’s Staten Island apartment, where they spend the night together.  But the pleasant date turns jarringly violent and the point of view shifts to Grace Collier (Jennifer Salt), a neighbor with a direct view of Danielle’s window, who believes she has witnessed a murder. She calls the police and they  investigate but find nothing suspicious.<br /><br />A reporter for a local newspaper, Grace determines to get to the bottom of the mystery. As she investigates, the information she discovers about Danielle’s past places Grace in great danger.<br /><br />De Palma’s deliberate Hitchcock touches include the use of subjective camera, an innocent person getting involved in serious peril, masterful build-up of suspense, and unforeseeable twists. Hitchcock aficionados will recognize influences from “Psycho,” “Rear Window,” “Spellbound,” and “North by Northwest.”<br /><br />There is also a dark sense of humor that runs through the film to lighten the mood. Charles Durning plays a by-the-book private investigator hired by Grace’s newspaper to see if there’s anything to her claims that a murder was committed. Comic tension arises when she makes suggestions and he proudly proclaims his expertise. A conversation between Grace and her mother (Mary Davenport, Jennifer Salt’s actual mother) revolves around a recurring complaint: Grace is 25 and still not married.<br /><br />De Palma uses split screen to show simultaneous actions that build suspense. In an early scene, Danielle is going into convulsions waiting for Philip to bring her medicine from the pharmacy. As she writhes in agony, we also see the unknowing Philip leisurely stopping at a bakery and buying a birthday cake for Danielle. Little does he realize that minutes count.<br /><br />“Sisters” holds up quite well. Performances are excellent. Ms. Kidder plays Danielle with a French-Canadian accent and a fetching twinkle in her eyes. Her range is impressive and is crucial in making the plot believable. Ms. Salt’s Grace is appropriately brash, outspoken, and abrupt.<br /><br />A prime ingredient contributing to the success of “Sisters” is the score by Bernard Herrmann, who scored many features for Hitchcock. His music adds to the tension of slower scenes and comes to chilling crescendos when on-screen images are intense. He’s the perfect composer for this psychological thriller.<br /><br />Bonus materials include interviews, audio from a 1973 American Film Institute discussion with De Palma, a Margot Kidder appearance on “The Dick Cavett Show,” photo gallery, radio spots, and a booklet containing a critical essay.
The movie title "Sisters (The Criterion Collection) [Blu-ray]," available on Movies & TV, has received an average rating of 4.5 from 472 reviewers. 
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The additional details include the following in key-value format :
 {"Genre": "Mystery & Suspense", "Format": "Subtitled, Widescreen", "Contributor": "Margot Kidder;Jennifer Salt, Brian De Palma", "Language": "English", "Runtime": "1 hour and 33 minutes", "Is Discontinued By Manufacturer": "No", "MPAA rating": "R (Restricted)", "Product Dimensions": "0.7 x 7.5 x 5.4 inches; 2.4 Ounces", "Item model number": "BRCC2957BD", "Director": "Brian De Palma", "Media Format": "Subtitled, Widescreen", "Run time": "1 hour and 33 minutes", "Release date": "October 23, 2018", "Actors": "Margot Kidder;Jennifer Salt", "Subtitles": "English", "Studio": "Criterion Collection", "Country of Origin": "USA", "Number of discs": "1"}

Here is a brief synopsis of the title : Margot Kidder is Danielle, a beautiful model separated from her Siamese twin, Dominique. When a hotshot reporter (Jennifer Salt) suspects Dominique of a brutal murder, she becomes dangerously ensnared in the sisters' insidious sibling bond. A scary and stylish paean to female destructiveness, Brian De Palma's first foray into horror voyeurism is a stunning amalgam of split-screen effects, bloody birthday cakes, and a chilling score by frequent Hitchcock collaborator Bernard Herrmann..