In response to large studio productions, the "Generation of the 60s" appeared, a group of filmmakers that produced the first modernist films in Argentina during the early years of that decade. These included Manuel Antín, Lautaro Murúa and René Mugica, among others. During the second half of the decade, films of social protest were presented in clandestine exhibitions, the work of Grupo Cine Liberación and Grupo Cine de la Base, who advocated what they called "Third Cinema". At that time, the country was under a military dictatorship after the coup d'état known as Argentine Revolution. One of the most notable films of this movement is ''La hora de los hornos'' (1968) by Fernando Solanas. During the period of democracy between 1973 and 1975, the local cinema experienced critical and commercial success, with titles including ''Juan Moreira'' (1973), ''La Patagonia rebelde'' (1974), ''La Raulito'' (1975), and ''La tregua'' (1974) – which became the first Argentine film nominated for the Academy Award for Best Foreign Language Film. However, because of censorship and a new military government, Argentine cinema stalled until the return of democracy in the 1980s. This generation – known as "Argentine Cinema in Liberty and Democracy" – were mostly young or postponed filmmakers, and gained international notoriety. ''Camila'' (1984) by María Luisa Bemberg was nominated for the Best Foreign Film at the Academy Awards, and Luis Puenzo's ''La historia oficial'' (1985) was the first Argentine film to receive the award.