During the Turkish occupation (1541–1686), Islamic culture flourished in Budapest; multiple mosques and baths were built in the city. These were great examples of Ottoman architecture, which was influenced by Muslims from around the world including Turkish, Iranian, Arabian and to a larger extent, Byzantine architecture as well as Islamic traditions. After the Holy League conquered Budapest, they replaced most of the mosques with churches and minarets were turned into bell towers and cathedral spires. At one point the distinct sloping central square in Budapest became a bustling Oriental bazaar, which was filled with "the chatter of camel caravans on their way to Yemen and India". Budapest is in fact one of the few places in the world with functioning original Turkish bathhouses dating back to the 16th century, like Rudas Baths or Király Baths. Budapest is home to the northernmost place where the tomb of influential Islamic Turkish Sufi Dervish, Gül Baba is found. Various cultures converged in Hungary seemed to coalesce well with each other, as if all these different cultures and architecture styles are digested into Hungary's own way of cultural blend. A precedent to show the city's self-conscious is the top section of the city's main square, named as Szechenyi. When Turks came to the city, they built mosques here which was aggressively replaced with Gothic church of St. Bertalan. The rationale of reusing the base of the former Islamic building mosque and reconstruction into Gothic Church but Islamic style architecture over it is typically Islamic are still visible. An official term for the rationale is spolia. The mosque was called the djami of Pasha Gazi Kassim, and djami means mosque in Arabic. After Turks and Muslims were expelled and massacred from Budapest, the site was reoccupied by Christians and reformed into a church, the Inner City Parish Church (Budapest). The minaret and Turkish entranceway were removed. The shape of the architecture is its only hint of exotic past—"two surviving prayer niches facing Mecca and an ecumenical symbol atop its cupola: a cross rising above the Turkish crescent moon".