In the early 16th century, the Renaissance sculptures appeared, which were mostly created by Italian sculptors: Bernardinus Zanobi da Gianotti, Giovani Cini, Giovanni Maria Padovano. In the Renaissance period, portrait tombstones and medals were highly valued (e.g. marle tomb of Albertas Goštautas, 1548, by B. Z. da Gianotti, tomb of Povilas Alšėniškis, 1555, by G. Cini, both located in the Vilnius Cathedral). The works of Italian sculptors are characterized by a naturalistic treatment of forms, precise proportions, tectonicity, a realistic representation of the deceased. The local sculptors took over only the iconographic scheme of the Renaissance tomb; their works (e.g. tomb of Lew Sapieha, ca. 1633, at Church of St. Michael) are characterized by conditionality of forms, stylization. During this period local and Western European painters created religious, mythologic compositions, portraits, which were intertwined with late Gothic and Baroque features. Illustrated prayer books illustrations and miniatures have survived.