Post-war modern Korean art started to flourish in the 1960s and 1970s, when South Korean artists took interest in geometrical shapes and intangible subjects. Establishing a harmony between man and nature was also a favorite of this time. Because of social instability, social issues appeared as main subjects in the 1980s. Art was influenced by various international events and exhibits in Korea, and with it brought more diversity. The Olympic Sculpture Garden in 1988, the transposition of the 1993 edition of the Whitney Biennial to Seoul, the creation of the Gwangju Biennale and the Korean Pavilion at the Venice Biennale in 1995 were notable events.