The birth of Tunisian contemporary painting is strongly linked to the School of Tunis, established by a group of artists from Tunisia united by the desire to incorporate native themes and rejecting the influence of Orientalist colonial painting. It was founded in 1949 and brings together French and Tunisian Muslims, Christians and Jews. Pierre Boucherle was its main instigator, along with Yahia Turki, Abdelaziz Gorgi, Moses Levy, Ammar Farhat, and Jules Lellouche. Given its doctrine, some members have therefore turned to the sources of aesthetic Arab-Muslim art: such as miniature Islamic architecture, etc. Expressionist paintings by Amara Debbache, Jellal Ben Abdallah, and Ali Ben Salem are recognized while abstract art captures the imagination of painters like Edgar Naccache, Nello Levy, and Hedi Turki.