The nationalism gave way to a notion of Cypriotness in the 1970s, with the influence of Yaşın, Türkay and Yalçın. During this period, the so-called "1974 generation of poets" arose, led by poets including Mehmet Yaşın, Hakkı Yücel, Nice Denizoğlu, Neşe Yaşın, Ayşen Dağlı and Canan Sümer. The poetry of this generation was characterised by the appreciation of the Turkish Cypriot identity as distinct from Turkish identity and the identification of Cyprus as the Turkish Cypriot homeland instead of Turkey, in contrast to the previous nationalist poetry. This approach is often called the "Cypriot poetry of rejection" as it resists the influence of Turkey, highlighting the cultural rift between Turkey and Cyprus due to the recent experience of war and therefore the independence of the Turkish Cypriot poetry and identity. This was followed by an increased adoption of the Mediterranean identity in the 1980s, accompanied by the effects of the liberalisation of the Turkish Cypriot society, as reflected in the feminist elements, of which a particular example is Neriman Cahit.