In this task, you will be presented with a context passage, a question about that paragraph, and a possible answer to that question. The task is to check the validity of the answer. Answer with "Yes" or "No".

Q: In the meantime the Indians had retreated to the lava beds and bade defiance to the soldiers. General Wheaton, commanding the district of the Lakes, ordered the concentration of troops from Camps Warner and Bidwell, while General Canby sent the forces under Colonel John Green and Major Mason from Ft. Vancouver to join the command under General Wheaton. As soon as the settlers could fort up for mutual protection, the entire forces of regulars and volunteers were concentrated at Van Bremer's ranch west of the lava beds under General Wheaton and at Land's ranch on the east side of Tule Lake and directly north of the stronghold. Such was the disposition of the forces when I arrived at headquarters at Van Bremer's ranch. By orders of Governor Grover of Oregon the volunteers under Captains O. C. Applegate and Kelley were placed under the command of General Wheaton. The two companies numbered about 225 men, and were commanded by General John E. Ross, a veteran Indian fighter, but too old to withstand the hardships of a winter campaign against Indians. The men were all poorly provided with clothing and bedding, most all having taken only what they could strap behind their saddles, but in spite of this and a temperature often below zero, no murmur was heard, and all anxiously, eagerly looked forward to a meeting with the brutal savage murderers of their fellow citizens. Such were the conditions when I arrived at headquarters. <sep>The area to where the Indians had retreated, where in proximity to Van Bremer's ranch?<sep>Yes, because the lava beds stronghold was east of Van Bremer's ranch

A: Yes
****
Q: Hundreds of thousands of years before China was to become the world's longest-running civilization, the prologue was enacted by means of the flicker of a carefully tended fire. Peking Man, a forebear of Homo sapiens, achieved a mastery of fire. We might call it the first Chinese invention. Not that he devised flint and steel, matches, or any other way of creating fire. Peking Man simply learned how to capture flame, perhaps from a forest fire, and keep it alight. He thus enjoyed two revolutionary luxuries: light and heat. Technologically and sociologically, it was a phenomenal breakthrough: with fire, communities could live year 'round in one cave, in which cooking and even smelting could be pursued. And so, by 600,000 b.c., about 50 km (31 miles) southwest of present-day Beijing, the ancestors of mankind were ready to settle down. Several hundred thousand years later, when Marco Polo reached the capital of China, he was astonished by a further development in fire technology. The Chinese, he announced, used black stones dug out of mountains as fuel. Europeans did not yet have a word for "coal," nor had they discovered a use for it. The First Dynasty The confluence of mythology and history in China took place around 4,000 years ago during what is referred to as the Xia (Hsia) Dynasty. This was still the Stone Age, but the people are thought to have made silk from thread produced by the worms they cultivated on the leaves of their mulberry trees. And written language (which evolved as early as 4,500 to 5,000 years ago) was already in use, originally by oracles and then by official scribes — China's first scholars. During the second of the quasi-legendary dynasties, the Shang (from about the 16th to 11th centuries b.c.), the Chinese developed an interest in art. Careful geometric designs as well as dragon and bird motifs adorned bowls and implements. And with the arrival of the Bronze Age, the Chinese created bronze vessels of such beauty and originality that, until modern times, archaeologists refused to believe they were cast 3,000 years ago. The Shang Dynasty gave rise to the concept of one Chinese nation under one government. <sep>During the Shang Dynasty, the Chinese developed an interest in what type of designs?<sep>Careful geometric designs

A: Yes
****
Q: Appended to the last book, however, is a self-contained essay on aesthetics, which Durer worked on between 1512 and 1528, and it is here that we learn of his theories concerning 'ideal beauty'. Durer rejected Alberti's concept of an objective beauty, proposing a relativist notion of beauty based on variety. Nonetheless, Durer still believed that truth was hidden within nature, and that there were rules which ordered beauty, even though he found it difficult to define the criteria for such a code. In 1512/13 his three criteria were function ('Nutz'), naive approval ('Wohlgefallen') and the happy medium ('Mittelmass'). However, unlike Alberti and Leonardo, Durer was most troubled by understanding not just the abstract notions of beauty but also as to how an artist can create beautiful images. Between 1512 and the final draft in 1528, Durer's belief developed from an understanding of human creativity as spontaneous or inspired to a concept of 'selective inward synthesis'. In other words, that an artist builds on a wealth of visual experiences in order to imagine beautiful things. Durer's belief in the abilities of a single artist over inspiration prompted him to assert that "one man may sketch something with his pen on half a sheet of paper in one day, or may cut it into a tiny piece of wood with his little iron, and it turns out to be better and more artistic than another's work at which its author labours with the utmost diligence for a whole year." <sep>How many years passed between the first and final drafts of Durer's essay on aesthetics?<sep>15 years had passed since his first draft

A:
No
****
