In this task, you are given a text of many news articles seperated by special token "|||||". Your task is to summarize them.

A life in fashion : How Alexander McQueen became 'the most influential designer of his generation' 
  
 Fashion's brightest star: Alexander McQueen, 40, was found dead today after committing suicide 
  
 Victoria Beckham today led tributes to Alexander McQueen, the East End boy whose breathtaking fashion creations became adored the world over. 
  
  
  
 Within hours of Lee Alexander McQueen's suicide, thousands of industry insiders had come forward to pay their respects to the fashion great. 
  
 Beckham, who is frequently photographed in McQueen designs, said: 'McQueen was a master of fashion, creative genius and an inspiration. 
  
 'Today the fashion industry has lost a true great. An icon of all time. He made all he touched beautiful and will be desperately missed. 
  
  
  
 'My heart is very much with his family and friends at this very sad time.' 
  
 British Vogue editor Alexandra Shulman said: 'He was the most brilliant designer of his generation and his influence can be seen in the way that women dressed over the last 15 years. 
  
 'It is an incredible loss not only for British fashion but for fashion the world over.' 
  
 Former CEO at Alexander McQueen, Sue Whiteley, said: 'This is devastating news. He was an unforgettable part of my life. He was a talent who was beyond others. 
  
  
  
 People who worked with him would give 100 per cent and more because he was totally inspiring. 
  
  
  
 'This is an unimaginable loss for the fashion world. 
  
  
  
 'He was able to bring creativity to whatever he turns his hand to, from perfume bottles to every piece of clothing. 
  
  
  
 'It is a dark, dark day to hear this news. He was a British icon in fashion whose loss is unimaginable.' 
  
 A true original, who once incorporated human hair into his designs, and last September sent 12-inch platforms down the catwalk, McQueen combined masterful tailoring and a haute couture sensibility with an imagination that spanned from obscure to sublime. 
  
 His designs, which he once described as 'armour', were adored by countless celebrities from Joan Collins to Lady GaGa. 
  
 Tall order: Alexander McQueen's controversial Armadillo shoes as part of the Spring 2010 collection inspired by Charles Darwin's Origin of Species 
  
 He once said in an interview: 'When you see a woman wearing McQueen, there's a certain hardness to the clothes that makes her look powerful. It kind of fends people off. You have to have a lot of balls to talk to a woman wearing my clothes.' 
  
 A fragrance, a trainer collection for Puma and luggage line for Samsonite made his designs accessible for the masses, and a cheaper, diffusion collection, McQ, was launched in 2005 to be sold alongside his mainline collection. 
  
 Born in Lewisham, McQueen was the son of a London cab driver and the youngest of six children. 
  
 Though his career officially began at the age of 16, he often recalled his earliest memory when, aged 3, he drew a picture of a dress on the wall of his family's council house in the East End of London. 
  
  
  
 He was close with his mother, and is said to have taken her death badly when she died last week. 
  
  
  
 In a joint interview in 2004, she had asked him: 'What is your most terrifying fear?' 
  
  
  
 He replied: 'Dying before you.' 
  
  
  
 To which she replied: 'Thank you, son.' 
  
  
  
 McQueen called himself the 'pink sheep' of his family, and admitted he had known he was gay for at least ten years before he came out to his family, aged 18 -something he described as a 'rocky period'. 
  
 Golden oldies: Alexander's Paris show in April 2009, where he served up a selection of his greatest hits 
  
 Surreal: The 2009 collection included hats made of 'found' items including umbrellas, lampshades and wheels 
  
 A daydreamer, he left Rokeby Comprehensive with one O-level in art, before becoming an apprentice at Savile Row tailor Anderson & Sheppard. 
  
 After a stint at Gieves & Hawkes, he worked at theatre costumier Angels & Bermans before becoming a pattern-cutter at Romeo Gigli in Milan. Ever the rebel, he famously wrote: 'I am a c***' in the lining of a jacket designed for the Prince of Wales. 
  
 When he returned to London, at this point aged just 21, he applied for a job teaching pattern-cutting at Central Saint Martins. Instead of a job, he was offered a place on the school's prestigious MA course. 
  
 On graduation, his first collection was bought in its entirety by the late, legendary fashion editor Isabella Blow, who would go on to become his friend and mentor. Blow convinced him to change his name from Lee to Alexander and after Icelandic singer Bjork wore an early design for the cover of her album, Homogenic, the Alexander McQueen was label born. 
  
 Dramatic: A model presents a wedding dress with crinoline for Givenchy Spring-Summer 2000 
  
 In 1996 LVMH chose McQueen to succeed John Galliano as head designer at Givenchy. He caused a stir at the fashion label and was forced to tone down his act after telling Vogue that his first couture collection was 'crap' and dismissing Hubert Givenchy as 'irrelevant'. 
  
 Later, he would admit: 'I treated Givenchy badly. It was just money to me. But there was nothing I could do: the only way it would have worked would have been if they had allowed me to change the whole concept of the house, to give it a new identity, and they never wanted me to do that. 
  
  
  
 '[Bernard] Arnault was never going to allow Givenchy to overshadow Dior; to him, Givenchy is just a perfume.' 
  
 McQueen eventually parted ways with Givenchy in 2001, when he claimed his contract with the French label was 'constraining his creativity.' 
  
  
  
 Under his own label, and with the help of the Gucci group, which acquired a 51 per cent stake in the business, he built a fashion empire, with stores in cities across the world, including London, New York, Los Angeles, Milan and Las Vegas. 
  
 Designs such as his skull-print scarf and the Novak bag were widely imitated, and celebrities from Kate Moss, Sarah Jessica Parker and Victoria Beckham to Rihanna and Lady GaGa can be counted among his biggest fans. 
  
 Bold: McQueen's elaborate and theatrical accessories, pictured in 2000, played a pivotal role in his shows 
  
  
  
 Juxtoposition: McQueen's collections often included contrasts between the wildly romantic and the controversial. Erin O Connor models a feathered creation in 2000 
  
  
  
 Integral to the McQueen culture was the fusion of contrasting elements: fragility and strength, tradition and modernity, fluidity and severity. 
  
  
  
 Always relevant, his high-impact, dramatic collections saw him hailed as fashion's 'enfant terrible', and his catwalk shows have been a highlight of Paris Fashion Week since he started showing there in 2000. 
  
 His inspirations varied from the dark to the bizarre, among them Sydney Pollack's film 'They Shoot Horses, Don't They?', Hitchcock heroines, Lord Of The Flies and even a chess game. The designer called his shows: 'My own living nightmares', and admitted: 'Nicey nicey just doesn't do it for me.' 
  
  
  
 Controversial: McQueen sent double amputee model Aimee Mullins down the catwalk on carved wooden legs 
  
 Among his most exciting collections was last September's ethereal collection, a teenage passion for ornithology evident in an offering inspired by Darwin's The Origin Of The Species. 
  
 Models were forced to walk the catwalk in towering 12-inch platforms - indeed several refused - with their hair teased into devil-like horns, in minidresses decorated with all manner of colourful, elaborate skins. 
  
 Ruffled hemlines were frilled to resemble feathers, and vibrant fabrics were printed to resemble amphibian-like breastplates. 
  
 Energy: McQueen, pictured in 1998, was renowned for the dramatic effect created during shows 
  
  
  
 Throwback: The 1998 collection was a nod to 17th Century fashion in Marie Antoinette-style designs 
  
  ||||| Stuart Isett for The New York Times 
  
 Alexander McQueen’s death is just incredibly sad. That is the only word for it. “I’m sad for him,” said the milliner Philip Treacy, a friend of McQueen’s for the last 20 years. “Creativity is a very fragile thing, and Lee was very fragile. He was a fragile person with a front of whatever you want to call it. It’s not easy being Mr. McQueen. We’re all human. His mum had just died. And his mum was a great supporter of his talent. I don’t really know what happened.” 
  
 Mr. McQueen’s mother, Joyce, died on Feb. 2 after a long illness. Her funeral is scheduled for tomorrow in London. Mr. McQueen’s body was found this morning at his home in the Mayfair section of London. I spoke to an executive at the McQueen company, and he, like everyone, was stunned by the news. He said he was unable to provide additional information about Mr. McQueen’s death. 
  
 I’ve done a number of interviews with Mr. McQueen over the years, since the period when he was living and working in Hoxton Square, when the brash boy of London fashion, the creator of the “bumster” trousers, and I found him about as complex and beguiling as any human. He was enormously creative and intelligent — and funny and rude and fearless. He said what he thought — a rarity in the fashion establishment — and very often he could wind you up, toy with you, pull a bit of wool over your wide, innocent eyes. 
  
 But he was the real: a genuinely talented man. Soulful, deeply English and, of course, dark. He did have a dark, romantic side that surfaced in his collections. Depressed at times? I didn’t know him well enough to say so, but I would imagine he had his moments of despair. This is a tough business, and as tough and brash as he often appeared, he was, as Mr. Treacy said, a sweet and sensitive person. 
  
 Mr. Treacy, who has contributed many of his hats to McQueen shows over the years, said he last saw the designer two weeks ago in his studio in London. Mr. McQueen was working on his fall collection,—imagine a skylight studio, assistants on one side of the room, bolts of fabric everywhere and sketches papering the opposite wall. Mr. Treacy recalled the scene. “He was making this dress on the model with one piece of material. With some pins he made this exquisite dress out of one flat piece of material, with drapes around the front and this tight bodice. I said to him, ‘Did you just do that?’ And he said, ‘What?’ ” Mr. Treacy laughed. 
  
 He continued: “Weirdly enough, he had a white ghostly sailing ship on his mind. He wanted me to do a hat for the show. I had once made a sailing ship hat, and he had asked me before to do one, and I said, ‘I haven’t time to make it.’ ” 
  
 I asked Mr. Treacy what he thought the significance was, if any, in the ship. He answered: “I thought, O.K. It’s just interesting that he had finally gotten what he wanted out of me.” ||||| Getty Images A mourner outside the Alexander McQueen store in New York Thursday. 
  
 Designer Richard Chai learned of Alexander McQueen’s death as he was preparing for his 11 a.m. show at the Bryant Park tents this morning. “Obviously it is such a tragedy. He was a genius,” Mr. Chai said after his show. “I really have no words.” 
  
 Others in the industry were reeling from the news as well. 
  
 As fashion director at Saks Fifth Avenue in the early 1990s, Nicole Fischelis was the one who first convinced the store to start carrying Alexander McQueen‘s line, making Saks the first retailer in the U.S. to do so. 
  
 Upon hearing of Mr. McQueen’s death, Ms. Fischelis, who is the current fashion director at Macy’s Inc., said: “I am totally devastated. I can’t believe it… He was in the prime of his success.” 
  
 Saks, she says, used to host one-night London Now events in the early 1990s, in which the store invited new British designers. . . |||||
The apparent suicide of 40-year-old British designer Alexander McQueen has stunned the fashion world. "I found him about as complex and beguiling as any human,' writes fashion journalist Cathy Horyn in the New York Times. "He was enormously creative and intelligent—and funny and rude and fearless." More than anything, though, he was a "genuinely talented man." “I think this whole world maybe was too much for him," Saks fashion director Nicole Fischelis tells the Wall Street Journal. "The business has evolved, the business is changing. It became much more about who wears it than who makes it. Alexander McQueen was a real artist." "He was the most brilliant designer of his generation, and his influence can be seen in the way that women dressed over the last 15 years," British Vogue editor Alexandra Shulman tells the Daily Mail. Check the photo gallery for samples of his work.