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In this task, you are given a text of many news articles seperated by special token "|||||". Your task is to summarize them.

Neil Diamond, Alice Cooper, Tom Waits, Dr. John and Darlene Love are the latest inductees to the pantheon of the Rock and Roll Hall of Fame, the organization will announce on Wednesday morning. 
  
 Ms. Love, the go-to backup singer in the 1960s who sang on many of Phil Spector’s biggest hits — sometimes as the lead, but not always with credit — had been nominated twice before, but all of the other performers had been nominated for the first time. In addition, Leon Russell is being honored with the award for musical excellence (formerly known as the sidemen award), and nonperformer honors will go to Jac Holzman, who founded Elektra Records, and Art Rupe, who created the Specialty label. 
  
 As always, who didn’t get in says as much as who did. A look at the nominees who didn’t make the cut suggests that the Hall of Fame voters played it safe, after some criticism last year when Abba, the epitome of 1970s disco-pop, was admitted in favor of Kiss. This year, on the other hand, the disco-affiliated nominees (Donna Summer, Chic) were shut out, as well as anyone who could have added to the Rock Hall’s limited hip-hop roster (LL Cool J, the Beastie Boys). 
  
 Also shut out was Bon Jovi, whose nomination stirred some debate, as well the singer-songwriters Donovan and Laura Nyro, and the R&B singers Joe Tex and Chuck Willis. 
  
 Artists become eligible for nomination 25 years after the release of their first single or album, and the awards are voted on by more than 500 music professionals. The 26th annual induction ceremony will be held on March 14 at the Waldorf-Astoria in New York. ||||| Jon Bon Jovi: rocker and . . . presidential adviser? It's true. The "Livin' on a Prayer" singer has been appointed to the 25-member White House Council for Community Solutions.In its announcement Tuesday, the White House said the new panel will "provide advice to the President on the best ways to mobilize citizens, nonprofits, businesses and government to work more effectively together to solve specific community needs."Bon Jovi, a long-time supporter of the Democratic Party, performed at President Obama's inauguration. The Grammy winner heads the Jon Bon Jovi Soul Foundation, a group devoted to ending homelessness.Other appointees include eBay CEO John Donahoe; Paula Boggs, an executive vice president of Starbucks; and Patti Stonesifer, chair of the Board of Regents for the Smithsonian Institution."These impressive men and women have dedicated their lives and careers to civic engagement and social innovation," the president said in the statement. "I commend them for their outstanding contributions to their communities, and I am confident that they will serve the American people well in their new roles on the White House Council for Community Solutions."The White House said the council will be tasked with three key functions: "enlisting leaders in the non-profit, private, and philanthropic sectors to make progress on key policy goals; providing strategic input and recommendations to help the federal government promote greater innovation and cross-sector collaboration; and honoring and highlighting those making a significant impact in their own communities." ||||| “Stevie Ray Vaughn is dead and we can’t get Bon Jovi near a helicopter? Come on, folks. ‘Get on that helicopter, John. Shut the fuck up and get on that helicopter! There's a hairdresser in there. Yeah, go ahead in there, yeah, yeah!’” 
  
 The comedian Denis Leary spoke—or, rather, shouted—those words nearly 20 years ago, when it was easier to lump New Jersey’s other favorite sons together with other poodle-haired, smugly grinning, lite-metal acts such as Dokken, Cinderella, Poison, and Ratt. That Bon Jovi survived the alternative-rock meteor shower that killed off most of their 80s peers can be attributed to luck or karaoke, but shouldn’t we finally give the band themselves some credit for the Springsteen-level success they are now enjoying in middle age? With the recession making Tommys and Ginas of all of us, Jon and Richie feel somehow more necessary than they did back when they were still writing songs about Diane Lane. This week, Billboard announced that, for the second time in three years, Bon Jovi was the most profitable touring act in the world, edging out McCartney, U2, The Eagles, The Dave Matthews Band, and such respectably heavy rockers as Metallica and AC/DC. These guys are even outselling Gaga and the Black Eyed Peas. 
  
 In September, Bon Jovi was nominated for induction into the Rock and Roll Hall of Fame, putting them in the company of critical darlings like Laura Nyro, Tom Waits, Dr. John, and the Beastie Boys. They may not get in (in which case they will also be in good company, alon gside Roxy Music, T. Rex, The Smiths, and Sonic Youth—but don’t get me started on a Leary-style rant), but for many fans it’s a major step towards righting a weird injustice. [Update: Bon Jovi failed to get into the Hall of Fame on their first nomination, but on Thursday, President Obama named Jon to a special White House council.] If you are asking how this happened, just go to the set list. Or, the next time you’re in your car, driving really fast, pull up “Runaway” (and dig the Morrissey-like falsetto at the end) or “You Give Love A Bad Name.” How about “I’ll Be There For You” or (once you’ve parked) “Born to Be My Baby”? Bon Jovi speak the truth—“Sometimes when you’re alone, all you do is think!”—and in a Ponzi-scheme world, this has real value. The Jov can be facile at times (“Have A Nice Day” is supposed to be ironic, right?) but they believe they’re being profound, and that keeps them from getting lazy. Certainly not onstage where they tend to sell even the most pat sentiments. 
  
 The most appealing thing about this band, though, is the size of their heads. They are low-maintenance heroes, and I’m pretty convinced their stature is down to tenacity and not some elaborate marketing campaign to get people like me to write words like these. (I could be wrong, but you gotta believe, right?) I once interviewed them for Nylon magazine. It was one of those terrible situations where the Q & A and the photo shoot are done at the same time, which usually finds the writer waiting for hours while trousers and split ends are discussed by the stylists and the photographer. Not at a Bon Jovi shoot. They walked right in, Jon ran a hand through his hair, shook his head out, and said, “O.K., let’s go.” Later, he shrugged as he told me, “It’s just genetics.” I’d never seen anyone less affected, much less a major rock star. 
  
 It’s a little odd to proclaim affection (and respect) for Bon Jovi, since what I do for a living is completely irrelevant to them. I occasionally contribute to the music magazine Uncut and I read all of the expensive English music mags and papers (Q, Mojo, the N.M.E.), which essentially dictate what bands we are supposed to like (even the ones that come from America), and I cannot recall a single feature on Bon Jovi ever. (Please correct me if I’m wrong here.) And yet, when they play over there, it’s cricket fields or Wembley Stadium. I know some of those in attendance must be rock writers in disguise. I once got a text from a very influential music journalist who was standing on the side of the stage during a Bon Jovi show out in Jersey. It was a gush; the kind of thing you can’t tweet if you want to keep your job. 
  
 But slowly, with every passing honor and record set, the secret is getting out. |||||
Output:
Their big-haired peers from the 1980s have mostly faded to oblivion, but Bon Jovi is the most profitable touring act in world—for the second time in three years. "Shouldn’t we finally give the band themselves some credit for the Springsteen-level success they are now enjoying in middle age?" asks Marc Spitz in a Vanity Fair blog. (The White House apparently thinks so, naming Jon Bon Jovi himself to a 25-member advisory panel on "community solutions," reports AOL's Politics Daily.) Yes, the band got shut out of the Rock Hall of Fame today, notes the New York Times, but Spitz runs through the set list (Runaway, You Give Love A Bad Name, I’ll Be There For You) and thinks the nomination itself was legit for these "low-maintenance heroes." Bon Jovi is the band critics can't admit liking, but Spitz recounts a text from "a very influential music journalist" at a Jersey show. "It was a gush; the kind of thing you can’t tweet if you want to keep your job. But slowly, with every passing honor and record set, the secret is getting out."