In this task, you will be presented with a context passage, a question about that paragraph, and a possible answer to that question. The task is to check the validity of the answer. Answer with "Yes" or "No".

Q: Also on Feb. 12, a week before the ice dancing finals, Tokhtakhounov told Anissina's mother in a telephone call that the Russian federation official "had called me from America" to assure that "we are going to make" Anissina "an Olympic champion." He told her that the Russian skating federation official "will help -- he has two or three judges." On or about March 7, in a conversation between Tokhtakhounov and Anissina, she said she would have won the event without his assistance because the Russian judge did not vote for her and her partner. She also apologized for not calling to thank him earlier, but that Gailhaguet had forbidden her. She told Tokhtakhounov that she knew the FBI had interviewed Gailhaguet because of information that Tokhtakhounov "was involved with the results" of the ice dancing. He assured her that it was nonsense, but that Gailhaguet "knows my name very well -- he tried to help me, and later he made stuff up to scare you so you would not connect me to him even more." The conversations seem to indicate a familiarity between Tokhtakhounov and Anissina. Tass, the official Russian news agency, reported that Anissina attended a ceremony in 1999 at a Paris hotel honoring Tokhtakhounov for his philanthropy. That Russian organized crime may have infiltrated international sport at the Olympics stunned Phyllis Howard, president of the U.S. Figure Skating Association. "This is a criminal act and it certainly puts things in a different league," Howard said. Lloyd Ward, chief executive officer of the U.S. Olympic Committee, said in a statement, "Competitors from all nations must be assured that they compete on a level playing field." <sep>Who is going to help making Anissina "an Olympic champion"?<sep>Tokhtakhounov

A: Yes
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Q: In architecture Durer cites Vitruvius but elaborates his own classical designs and columns. In typography, Durer depicts the geometric construction of the Latin alphabet, relying on Italian precedent. However, his construction of the Gothic alphabet is based upon an entirely different modular system. The fourth book completes the progression of the first and second by moving to three-dimensional forms and the construction of polyhedra. Here Durer discusses the five Platonic solids, as well as seven Archimedean semi-regular solids, as well as several of his own invention. In all these, Durer shows the objects as nets. Finally, Durer discusses the Delian Problem and moves on to the 'construzione legittima', a method of depicting a cube in two dimensions through linear perspective. It was in Bologna that Durer was taught (possibly by Luca Pacioli or Bramante) the principles of linear perspective, and evidently became familiar with the 'costruzione legittima' in a written description of these principles found only, at this time, in the unpublished treatise of Piero della Francesca. He was also familiar with the 'abbreviated construction' as described by Alberti and the geometrical construction of shadows, a technique of Leonardo da Vinci. Although Durer made no innovations in these areas, he is notable as the first Northern European to treat matters of visual representation in a scientific way, and with understanding of Euclidean principles. In addition to these geometrical constructions, Durer discusses in this last book of Underweysung der Messung an assortment of mechanisms for drawing in perspective from models and provides woodcut illustrations of these methods that are often reproduced in discussions of perspective. <sep>What kind of solids does Durer discuss in his fourth book?<sep>Platonic and seven Archimedean semi-regular solids

A: Yes
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Q:  We were cornered in a sort of way already.  But these butchers up the cavern had been surprised, they were probably scared, and they had no special weapons, only those little hatchets of theirs.  And that way lay escape.  Their sturdy little forms--ever so much shorter and thicker than the mooncalf herds--were scattered up the slope in a way that was eloquent of indecision.  I had the moral advantage of a mad bull in a street.  But for all that, there seemed a tremendous crowd of them.  Very probably there was.  Those Selenites down the cleft had certainly some infernally long spears.  It might be they had other surprises for us.... But, confound it!  if we charged up the cave we should let them up behind us, and if we didn't those little brutes up the cave would probably get reinforced.  Heaven alone knew what tremendous engines of warfare--guns, bombs, terrestrial torpedoes--this unknown world below our feet, this vaster world of which we had only pricked the outer cuticle, might not presently send up to our destruction.  It became clear the only thing to do was to charge!  It became clearer as the legs of a number of fresh Selenites appeared running down the cavern towards us. <sep>Where are the Selenites in relation to the narrator?<sep>Beneath

A:
No
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