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Washington, Wahlberg Are Bad Boys, And Whatcha Gonna Do? 
  
 Enlarge this image toggle caption Patti Perret/Universal Patti Perret/Universal 
  
 2 Guns Director: Baltasar Kormakur 
  
 Genre: Action, Comedy, Crime 
  
 Running Time: 109 minutes Rated R for violence throughout, language and brief nudity With: Denzel Washington, Mark Wahlberg, Edward James Olmos, Paula Patton 
  
 Hypermacho but tongue-in-cheek, the first 20 minutes of 2 Guns are enormous fun. Tough guys Bobby and Stig (Denzel Washington and Mark Wahlberg) bicker and flirt — with a pretty diner waitress, and with each other — while casing a small-town Texas bank. 
  
 Then they set the diner on fire, don masks, and knock over the bank for $43 million, all while taking care to save any cops from getting hurt and even kissing an available baby. The heist, it would seem, has gone according to plan. Yet something's a little off. 
  
 In fact, nearly everything's a little off, including the bulk of Blake Masters' script (derived from a comics series written by Steven Grant). As the countdown-clock plot ticks toward its conclusion, every tock moves the movie further into overplotted tedium. 
  
 It turns out that, though neither knows the other's true identity, both Bobby and Stig are not crooks but undercover agents, and each is trying to use the other to snare a Mexican drug lord (Edward James Olmos). Bobby works for the DEA, which is plausible, while Stig toils for, uh, Naval Intelligence. 
  
 Naval Intelligence targets Mexican drug cartels? Why not have Stig employed by the CIA? The movie does provide an answer to the latter question: Bobby can't be CIA because the tale also has a role for that agency, embodied by the purringly sadistic Earl (Bill Paxton). So the battle over the stolen $43 million becomes a four-way contest, and that's not counting a few double-crossers. 
  
 Enlarge this image toggle caption Patti Perret/Universal Pictures Patti Perret/Universal Pictures 
  
 Stig reports to a by-the-rulebook officer (James Marsden) who may not apply the same rigor to his own behavior; Bobby, to his colleague and sometime lover Deb (Paula Patton). She's depicted nearly nude and with leering close-ups of her sexy bits in a hotel makeout-session scene so much like the one in Flight as to suggest that such moments are obligatory in any R-rated Denzel Washington movie. (Maybe they're in the actor's rider, like Van Halen's no-brown-M&M's directive?) 
  
 Having betrayed each other, Bobby and Stig are then forced to work together, though they're still inclined to quarrel. (During one dispute, they roll around in the dirt, punching as wildly as little boys.) The agents are constantly on the move, with regular jaunts across the Mexican border, all while being pursued by multiple varieties of thugs. 
  
 One advantage of their being frantically and forever on the run is that the guys are constantly grabbing new cars, trucks or dune buggies; they switch vehicles as often as the protagonists of a chick flick might change shoes. 
  
 The action is helmed efficiently, and with blessedly little CGI, by Baltasar Kormakur, who directed Wahlberg in Contraband but started by making arty little films in his native Iceland. Kormakur's work is well supported by Michael Tronick's taut editing and Clinton Shorter's rousing if predictable ambient-blues score. 
  
 The script is less propulsive, and not just because it's overstuffed with reversals and revelations. 2 Guns loses its charm amid multiple incidents of torture and brutality, including animal cruelty, and its attempt to riff on reports of CIA involvement in the drug trade just burdens a movie whose adolescent-daydream ideas about manliness aren't terribly helpful as an approach to real-world issues. When two charismatic bad boys are being chased across the border by phalanxes of cops, thugs and spies, social commentary is just so much excess baggage. ||||| Starting in 1996, Alexa Internet has been donating their crawl data to the Internet Archive. Flowing in every day, these data are added to the Wayback Machine after an embargo period. ||||| The only thing simple and direct about "2 Guns" is its title. This self-consciously nihilistic action movie is one slick piece of business as well as something of a double-edged sword. 
  
 On one hand, it can be briefly diverting to see Icelandic director Baltasar Kormakur and stars Denzel Washington and Mark Wahlberg use style and attitude to put a different spin on traditional genre plot dynamics in a story of misplaced drug money and mistaken identity. 
  
 But it's also true that the plot of "2 Guns" — filled as it is with multiple feints, dodges and mystifications — is so tricky that events all but evaporate as soon as they happen. Though individual set pieces are well done, the film inevitably leaves an empty taste behind it once it's done. 
  
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 Written by Blake Masters and based on Steven Grant's series of five graphic novels, "2 Guns" throws us into the middle of a story, then almost immediately tells us that everything we think we know about that story is completely wrong. 
  
 We're introduced to Robert "Bobby" Trench (Washington) and Michael "Stig" Stigman (Wahlberg), a pair of wise-cracking hard guys whose glib patter is more irritating than amusing. 
  
 Seated in a diner in a small Texas town, they're directly across the street from the Tres Cruces Savings & Loan, a fiduciary establishment with ties to a Mexican drug cartel that they are fixing to rob. 
  
 Just a week earlier, however, both men were south of the border trying to do a deal with the cartel's leader, ruthless Manny "Papi" Greco (Edward James Olmos). 
  
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 Nothing about Trench and Stigman, as it turns out, is as it seems, including Trench's strategically placed gold teeth. They are both undercover agents, Trench for the Drug Enforcement Agency, Stigman for U.S. naval intelligence. More than that, neither one knows that the other guy is an agent. 
  
 Even more baffling is the fact that this small-town savings & loan turns out to have more money in its vaults than either man anticipated. A whopping $40 million more, which scares the pants off everyone involved, including Trench's DEA boss Deb Rees (Paula Patton) and Stigman's superior officer Lt. Cmdr. Quince (James Marsden). 
  
 Not amused one little bit by the robbery is Earl (a nasty Bill Paxton), who shows up representing the owner of all that money, an entity whose identity the film keeps secret for as long as it can. A man so scary he is known as "God's S.O.B.," Earl is beside himself when it turns out that no one, including Trench and Stigman, seems to know where that money they stole has disappeared to. 
  
 Though they are both arrogant and antisocial, these two guns are forced to cooperate in the face of Earl's machinations if they want to stay alive in a world where you never know where you stand. 
  
 It can be fun initially to see how director Kormakur, who first came to international attention with expert Icelandic films such as "101 Reykjavik" and "Jar City," doles out this information to us with cinematic elan (helped by energetic, persuasive editing by Michael Tronick). But this is not enough for the long haul, particularly when Trench and Stigman's non-winning personalities and the film's exploitative attitude toward women and violence are added into the mix. Slickness can take you only so far. 
  
 kenneth.turan@latimes.com 
  
 "2 Guns" 
  
 MPAA rating: R for violence throughout, language and brief nudity 
  
 Running time: 1 hour, 49 minutes 
  
 Playing: In general release 
  
  
  
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Output:
The laid-back action flick 2 Guns, starring Mark Wahlberg and Denzel Washington, has a comic-book feel, refreshingly little CGI, and two characters that just won't quit. But though the title hardly describes the amount of gun-wielding that goes on, it's probably a good indication of how many stars critics would slap on this shoot-em-up. Read on as critics shoot it down: Wahlberg and Washington are "a hugely likable pair, exchanging one-liners with the same ease in which they trade gunfire," but it's not enough for Rene Rodriguez at the Miami Herald, who calls 2 Guns an "unremarkable, standard-issue shoot-em-up that rests entirely on the charisma of its two stars." She liked the set pieces, though. So did Kenneth Turan at the Los Angeles Times. But "though individual set pieces are well done, the film inevitably leaves an empty taste behind it once it's done." And he disagrees when it comes to the stars, or at least their characters: This is a slick movie, but that can only take it so far when the characters' "non-winning personalities and the film's exploitative attitude toward women and violence are added into the mix." The "multiple incidents of torture and brutality, including animal cruelty," didn't sit well with Mark Jenkins at NPR, either, though the first 20 minutes of flirting and bickering were "enormous fun." After that, "nearly everything's a little off, including the bulk of Blake Masters' script," Jenkins writes. "As the countdown-clock plot ticks toward its conclusion, every tock moves the movie further into overplotted tedium." So is there anyone who liked it? Sure. Chris Knight at the National Post writes that the movie "succeeds on the script, which has Wahlberg and Washington sparring and trading quips like a couple in an old screwball comedy. ... Even the stellar supporting cast tends to fade into the background; with these 2 guys, there’s no need for anyone else."