In this task, you will be presented with a context passage, a question about that paragraph, and a possible answer to that question. The task is to check the validity of the answer. Answer with "Yes" or "No".

Ex Input:
In her storage room-turned-office, Jennifer Baum works under an expanding leak that is causing the ceiling to turn brown and crumble. Mold grows in the buckets positioned to catch the water. She shrugs it off. Outside her office she has taped up a clear plastic suit, and a sign that reads, "All employees must don protective gear before coming in." Such is life in limbo. Nearly a year after Sept. 11, the Legal Aid Society-the lawyers for New York's poor and homeless-remains, well, homeless. The nonprofit has been barred from returning to its 90 Church St. headquarters, across from the World Trade Center site, because of environmental concerns. Legal Aid has uncomfortable company. More than 11,500 New Yorkers continue to work out of temporary space, according to analysis by Manhattan-based real estate brokerage TenantWise.com Inc. and Crain's New York Business. That's 8% of the 137,000 workers who lost their offices or access to them when the Twin Towers collapsed. Legal Aid's 450 displaced attorneys and staffers have spent the past 12 months spread among previously unused spaces-some unused for good reason-in the nonprofit's other offices. It could be another year and a half before they return to their old desks. They have contended with difficult working conditions as demand for Legal Aid's services is on the rise because of Sept. 11 and the deteriorating economy. The civil division is spread among a few boroughs. Their papers and documents, some 20,000 boxes worth, are stuck in a storage facility in Linden, N.J. "I am counting the days till we can have all the parts back in one place," says Steven Banks, Legal Aid's associate attorney in chief. In the memories of the exiled workers, the old office has achieved mythical proportions. They say the wood paneling and rugs had the ability to cool emotions and lift spirits. The Legal Aid office on Montague Street in Brooklyn Heights, where 65 displaced workers have cobbled together space amid the faded and scratched walls, looks more like a bargain basement. <sep>Where was the original address of the Legal Aid Society headquarters<sep>New York

Ex Output:
No


Ex Input:
A flight from Los Angeles to Nashville is diverted to land in Las Vegas , Nevada when one of the passengers , Ralph Bundt becomes violent and attacks a stewardess . Ralph had been bitten by a hamster Which is really a lab rat , brought onto the plane by Henry for his school students . Ralph is restrained , but not before he bites the flight attendant Paula . The plane is forced to make an emergency landing in Las Vegas , and once it has landed , air traffic control refuses to let it approach the gate . Disobeying orders , Captain Forrest and his co-pilot Willsy find a jetway operated by a baggage handler Ed Ramirez . Almost everyone evacuates the plane , except for the elderly couple Bev Stevens and her paralyzed mute husband Doc Stevens , and the pilots , who try to keep the violent Ralph contained in an aircraft bathroom . However , they learn that they have been locked out of the airport . Soon , armed soldiers and what appear to be CDC scientists surround the terminal . One of the passengers , a military medic named Shilah Washington , reveals she has a medical kit in her bag in the plane's cargo hold . The lead flight attendant Jenny , Henry , Ed , Nial Britz , and Preston sneak back into the plane to retrieve it . They retrieve Shilah's kit and Nial's gun and they try to leave the hold . While in the plane , Jenny is attacked by an infected Captain Forrest and Nial shoots and kills him , but it seems that some of the captain's blood had gotten into Nial's eye . <sep>What causes Ralph to bite the flight attendant?<sep>Psyco

Ex Output:
No


Ex Input:
PHOTOGRAPH COLLECTING gains new stature as prices rise. Price records are being set at auctions this week. At Christie's, a folio of 21 prints from Alfred Stieglitz's "Equivalents" series sold for $396,000, a single-lot record. Other works also have been exceeding price estimates. In part, prices reflect development of a market structure based on such variables as the number of prints. This information used to be poorly documented and largely anecdotal, says Beth Gates-Warren of Sotheby's. "There is finally some sort of sense in the market," she says. Corporations and museums are among the serious buyers, giving greater market stability, says Robert Persky of the Photograph Collector. "When I see prints going into the hands of institutions, I know they aren't going to come back on the market." Most in demand: classic photographs by masters such as Stieglitz and Man Ray. But much contemporary work is also fetching "a great deal of money," says Miles Barth of the International Center of Photography. <sep>Which entities are setting auction price records this week?<sep>Sotheby's

Ex Output:

No


