Teacher:In this task, you are given a text of many news articles seperated by special token "|||||". Your task is to summarize them.
Teacher: Now, understand the problem? Solve this instance: Lynn Caponera, president of the Maurice Sendak Foundation, was going through the late artist’s files last year “to see what could be discarded,” she said. “I was asking myself, do we really need all these?” when she found a typewritten manuscript titled Presto and Zesto in Limboland, co-authored by Sendak and his frequent collaborator, Arthur Yorinks. Caponera, who managed Sendak’s household for decades, didn’t remember the two friends working on a text with that title, so she scanned the manuscript and e-mailed it to Michael di Capua, Sendak’s longtime editor and publisher. 
  
 “I read it in disbelief,” said di Capua. “What a miracle to find this buried treasure in the archives. To think something as good as this has been lying around there gathering dust.” 
  
 Not only is the manuscript complete, so, too, are the illustrations. Sendak created them in 1990 to accompany a London Symphony Orchestra performance of Leoš Janáček’s Rikadla, a 1927 composition that set a series of nonsense Czech nursery rhymes to music. 
  
 Voila! So it is that Sendak, considered by many to be the most influential picture book creator of the 20th century, will have another publication in the 21st, five years after his death. PW has the exclusive news that Michael di Capua Books/HarperCollins plans to publish Presto and Zesto in Limboland in fall 2018. 
  
 This will be the third book collaboration for Yorinks and Sendak, following The Miami Giant (1995) and Mommy? (2006), which were both also edited by di Capua. In addition to their publishing collaborations, the longtime friends also co-founded the Night Kitchen Theater. The title of the new book references an inside joke between them. 
  
 Though Yorinks had often visited Sendak at his home in Connecticut, “I only knew where he lived in relation to the train station.” So when Yorinks later moved to Connecticut himself, he called Sendak and said, “‘I think we’re close,’ but Maurice thought I was about a half hour drive away,” Yorinks recalled. “Then I got in the car and I was there in three minutes. When he opened the door he said, ‘Presto!’ That became my nickname.” Yorinks, in turn, dubbed Sendak “Zesto.” 
  
 Yorinks had seen the pictures Sendak made in 1990 for Janáček’s symphony and remembers thinking, “What a shame that they would be seen just once.” Di Capua had the same thought. “We talked about getting really good translations of the Czech verses but they were like Edward Lear squared,” di Capua said. “It just seemed hopeless, like trying to translate Finnegan’s Wake, and Maurice had many other fish to fry.” 
  
 So the illustrations went into a drawer for seven years until the violinist Midori asked Sendak if she could use them for a symphonic piece she was putting together to raise money for her foundation, which provides music education programs to underserved children in New York City public schools. 
  
 Before they went back in a drawer again, Yorinks was direct. “ ‘They could be a book, no?’ ” he asked Sendak. “We both agreed they could, but what was story?” On a drawing table in Sendak’s studio, they laid out the 10 illustrations—which they always called the “sugar beets” pictures because one of the rhymes was about the marriage of two beets—and riffed. 
  
 “It was a hysterical afternoon of cracking each other up,” Yorinks said. “But after a few hours a narrative thread began to coagulate. The story became an homage to our own friendship so we named the characters after ourselves—Presto and Zesto.” 
  
 Over the course of the next few months, they refined the text. Di Capua says the book might have been published 20 years ago but for Brundibar, the book Sendak produced with the playwright Tony Kushner about the opera performed by the children imprisoned at Terezin, a Nazi concentration camp. “[Sendak] became a bit obsessed with that,” di Capua recalled. 
  
 Yorinks was being pulled in different directions, too. “At that time, I was more into theater than books,” he said. “In all honesty, we just forgot it.” 
  
 When di Capua called Yorinks to ask if he wanted to go forward with publishing the book, the response was unambiguous: “He asked, ‘Are you interested?’ I said, ‘Holy mackerel. Are you kidding me?’ ” 
  
 Only minor revisions to the text were needed, which Yorinks did happily. “The memory of writing it originally flooded back in a wonderful kind of way,” Yorinks said. “We always had a lot of laughs for two really depressed guys.” ||||| The man who spread monstrous, magical nighttime adventures to millions is about to embark on one of his own. Maurice Sendak, author of Where the Wild Things Are, is going to publish a book from the grave. 
  
 The Maurice Sendak Foundation announced yesterday that a new story by the beloved American writer and illustrator, who died in 2012, will be released next fall. Presto and Zesto in Limboland was co-written by Sendak and writer and theater director Arthur Yorinks, and will be published by Michael di Capua Books, an imprint of HarperCollins. 
  
 “It’s about two guys who are taking a walk and not realizing where they’re going, and they end up in Limboland,” says Yorinks, a longtime collaborator of Sendak. “It’s a book about friendship and dealing with a mixed up world.” 
  
 Presto and Zesto were nicknames that Sendak and Yorinks had for each other. The ten illustrations in the book were created first by Sendak in 1990, as accompaniment to an orchestra performance. Yorinks saw them and thought they should last beyond the one-time use. Together, the friends came up with a story to accompany the illustrations in one afternoon. They exchanged notes about Presto and Zesto after that, but both were too busy at the time with other projects to pursue it, says Yorinks. 
  
 The finished text and illustrations were found in Sendak’s files by Lynn Caponera, the Maurice Sendak Foundation president. Though she knew Sendak well, she hadn’t heard of the story, according to Publishers Weekly. She sent it to Sendak’s editor, and after getting in touch with Yorinks, they decided to publish the book. 
  
 For anyone clinging to departed children’s book legends, the story is familiar. In the last two years alone, lost stories by beloved deceased authors Beatrix Potter and Dr. Seuss have surfaced during file-rifling, going on to become bestsellers. 
  
 Yorinks is firm that this is not a hastily thrown together half-manuscript published without the author’s consent. “I knew Maurice for 40 years,” he says. “He would have absolutely been thrilled to have this published, absolutely no question about it.” He adds, “This isn’t some ersatz pieced-together thing; it’s a fully fledged book that just happened, due to various circumstances, to be stuck in a drawer.” |||||
Student:
Maurice Sendak died in 2012, but the world is getting a new book from the beloved children's author and artist nonetheless. The president of the Maurce Sendak Foundation was cleaning out Sendak's files when she found the manuscript of a "lost book," Publishers Weekly reports. "I read it in disbelief," says Sendak's longtime editor and publisher about Presto and Zesto in Limboland. "What a miracle to find this buried treasure in the archives. To think something as good as this has been lying around there gathering dust." The book was co-authored by Arthur Yorinks, who also collaborated with Sendak on The Miami Giant and Mommy? The manuscript is complete, and there are illustrations for it that Sendak created in 1990 to accompany a London Symphony Orchestra performance of a composition involving nursery rhymes. Yorinks explains that he saw the illustrations and thought how sad it was they might only be used once. "They could be a book, no?" he remembers asking Sendak 20 years ago. They had "a hysterical afternoon of cracking each other up" while coming up with a storyline that fit with the pictures, then spent a few months refining it, but ultimately both got busy with other projects and forgot about the book. Yorinks made minor revisions to the text, and HarperCollins will publish the book in fall of 2018. Quartz notes that lost stories by Beatrix Potter and Dr. Seuss have also recently been found and published.