In this task, you will be presented with a context passage, a question about that paragraph, and a possible answer to that question. The task is to check the validity of the answer. Answer with "Yes" or "No".

Mr. Andrews pointed to one of the oak chairs. "You sit there," he commanded, "it's reserved for members of the bar, but it's all right. You're with ME." Distinctly annoyed, slightly bewildered, the banker sank between the arms of a chair. He felt he had lost his individuality. Andrews had become his sponsor. Because of Andrews he was tolerated. Because Andrews had a pull he was permitted to sit as an equal among police-court lawyers. No longer was he Arnold Thorndike. He was merely the man "with Mr. Andrews." Then even Andrews abandoned him. "The judge'll be here in a minute, now," said the assistant district attorney, and went inside a railed enclosure in front of the judge's bench. There he greeted another assistant district attorney whose years were those of even greater indiscretion than the years of Mr. Andrews. Seated on the rail, with their hands in their pockets and their backs turned to Mr. Thorndike, they laughed and talked together. The subject of their discourse was one Mike Donlin, as he appeared in vaudeville. To Mr. Thorndike it was evident that young Andrews had entirely forgotten him. He arose, and touched his sleeve. With infinite sarcasm Mr. Thorndike began: "My engagements are not pressing, but—" A court attendant beat with his palm upon the rail. "Sit down!" whispered Andrews. "The judge is coming." Mr. Thorndike sat down. The court attendant droned loudly words Mr. Thorndike could not distinguish. There was a rustle of silk, and from a door behind him the judge stalked past. <sep>Andrews said the oak chairs were reserved for whom?<sep>Members of the kingdom
No

Porky is looking all over the big city for a hotel room , but due to a convention there are no vacancies . Porky takes the only available vacancy at one hotel , but will have to share with Daffy Duck , who is a very loud , obnoxious and annoying sort . Daffy introduces his invisible kangaroo friend `` Hymie '' , but Porky wo n't believe that . Daffy spends the rest of the night annoying Porky : pestering him with questions , shaking the bed , spilling water from a glass , hogging the blanket and finally literally sending the both of them flying off the bed when Daffy kicks , and startles , Porky with his literally frozen feet . Fed up with his antics , Porky stuffs Daffy in a pillow case and drops him out of the window . As Porky goes back to bed , Daffy returns bandaged , but shakes them off and prepares to get revenge . Daffy tricks the half-asleep pig into stepping out of a window thinking he 's boarding a train . Daffy hides the window saying it 's `` too gruesome '' to watch . Suddenly he hears train noises , and behind the shade , sees the still-drowsy Porky pulling away on an actual train and waving at Daffy . Daffy finds this silly . Then he bounces all around the room , `` Hoo-Hoo ! '' - ing wildly . <sep>Why did Daffy Duck hide the window and say it was too gruesome?<sep>Avoid drama
Yes

"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". <sep>Who is the her in "Toyoo, her human lover"?<sep>Toyoo's wife

No

