TASK DEFINITION: In this task, you will be presented with a context passage, a question about that paragraph, and a possible answer to that question. The task is to check the validity of the answer. Answer with "Yes" or "No".
PROBLEM: (OPRAH.com) -- Chris Rock is an Emmy-winning comedian, devoted husband and loving father --but it's time to get to know a new side of this funnyman. Meet Chris Rock, hair expert. It's a detour he took after an innocent carpool ride left Rock with an idea he just couldn't shake. "I was with my daughter one day, and we're in the car and she's with one of her friends in the back seat, a little white friend," he says. "She was just kind of raving about her friend's hair a little too much for my comfort [saying]: 'You've got great hair. Oh, your hair's so good.'" Not wanting to make her comments a big deal, Rock says he tried to play his them off. "[I said]: "Oh, baby, your hair's beautiful. Come on,'" he says. "If I would have really reacted, then she would have a complex about her hair." Still, Rock couldn't let it go. "It sparked something in me," he says. Oprah.com: Oprah's hair throughout the years! What Rock discovered is a $9 billion industry that affects the daily activities, wallets, self-esteem -- and even the sex lives -- of black women. Because women spend so much time and money on their hair, Rock says men are forced to adopt a hands-off policy. "You cannot touch a black woman's hair. You are conditioned not to even go there," he says. "When I was a dating guy, I dated women from different races. Anytime I was with an Asian or a Puerto Rican girl or a white girl, my hands would constantly be in their hair. <sep>Which women do not allow men to touch their hair, according to Chris Rock?<sep>White women

SOLUTION: No

PROBLEM: { { Plot } } Tom plays pool in a deserted pool hall , pocketing two balls by lowdown means and then wakes Jerry up by shooting the 10-ball into the pocket where he is sleeping .  Jerry awakes just in time to avoid the 10-ball and is carried out to the ball return , where the 10 and the 13 smash the mouse between each other .  Jerry is mad and walks up through the pocket , first sees nothing , but after a few steps back to the pocket , he spots Tom perched behind it .  Jerry tries to jump into another corner pocket , but Tom aims a cue ball with so much force that it roll's into the pocket , and spins back out of it and it rolls Jerry backwards to Tom , who has made a ramp with his cue stick for the mouse to slide up .  Jerry stops at the top of the stick and is then blown down by Tom , who then shoots a stream of balls to make the mouse flat .  The whole train rebounds back towards the cat and the balls stack up at Tom's end of the table .  Tom shoots all the balls in succession with his cue , and then tries to shoot Jerry , but the mouse hangs onto the cue tip .  The cat , as if he were saying `` Have it your way '' , chalks up and shoots the 8-ball using Jerry .  The mouse drops off the cue tip and then is upended by the 8-ball rolling in circles , and Tom forces Jerry to jump through the ball rack as if he were a circus performer .  Tom then sets it on fire to add an additional level of torment , and when Jerry accomplishes this with poise , Tom discards the flaming rack and shoots the 8-ball across the table and back . <sep>How is Tom able to blow Jerry down the stick?<sep>Because he is much bigger than the mouse

SOLUTION: Yes

PROBLEM:  Rolfe put down the little dog he had been holding, and went out into the hall.  The dog accompanied him, frisking about him in friendly fashion.  Rolfe first examined the bedroom that he had seen Inspector Chippenfield enter.  It was a small room, containing a double bed.  It was prettily furnished in white, with white curtains, and toilet-table articles in ivory to match.  A glance round the room convinced Rolfe that it was impossible for a man to secrete himself in it.  The door of the wardrobe had been flung open by the inspector, and the dresses and other articles of feminine apparel it contained flung out on the floor.  There was no other hiding-place possible, except beneath the bed, and the ruthless hand of the inspector had torn off the white muslin bed hangings, revealing emptiness underneath.  Rolfe went out into the hall again, and entered the room next the bedroom.  This apartment was apparently used as a dining-room, for it contained a large table, a few chairs, a small sideboard, a spirit-stand, a case of books and ornaments, and two small oak presses.  Plainly, there was no place in it where a man could hide himself.  The next room was the bathroom, which was also empty.  Opposite the bathroom was a small bedroom, very barely furnished, offering no possibility of concealment.  Then the passage opened into a large roomy kitchen, the full width of the rooms on both sides of the hall, and the kitchen completed the flat. <sep>Why did Rolfe stop his search in the first room?<sep>The was no place to rest

SOLUTION:
No

