Instructions: In this task, you are given a text of many news articles seperated by special token "|||||". Your task is to summarize them.
Input: Shot amid the unfurling drama of the European migration crisis and described as “haunting” by one member of the competition jury, this black and white image by Australian photographer Warren Richardson has won the coveted World Press Photo of the Year award – the most prestigious prize in photography. 
  
 The image, which shows a father handing his young child under a barbed-wire border fence toward an outstretched pair of hands, beat more than 80,000 submissions in the annual competition. 
  
 Even the photographer himself admits the frame made him “gulp” the first time he saw it. Richardson, who comes from Mornington, Victoria, spent six months covering the migration crisis last year and told Guardian Australia the image was created on a tense night in August as refugees sought to pass from the village of Horgoš in Serbia to Röszke in Hungary. 
  
 “There were about 200 Syrians hiding in an apple tree farm, looking for a way to get across the border,” he said. “I stuck with them for about four hours and they were playing cat and mouse with the police, being gassed by the police with pepper spray. The police were yelling out: ‘Don’t come to Hungary illegally – if you get here we’re going to arrest you’. 
  
 World Press Photo 2016 winners - in pictures Read more 
  
 “I knew what they had to do [to cross the border], so when they had to be quiet, I had to be quiet. I had to follow their code because I didn’t want to break their rules and hurt them.” 
  
 When the picture was taken, Richardson said, “it was just a constant flow of people running down the ditch, straight under the fence, straight onto the other side of this road into a corn field. It moved very quickly, so I literally had to take the lens up, keep it at a certain distance and just hope for luck to get a decent picture because it was so dark. It was a full moon that night, so the light in the picture is basically moonlight.” 
  
 The circumstances were so fraught that Richardson didn’t realise the quality of the image he had created until he was at home reviewing his work, and even then he hadn’t intended to enter the photo into the World Press Photo competition until his partner, who is also a photographer and photo editor, urged for it to be submitted. 
  
 “You know when you’re in a picture theatre and they dim the lights and all of a sudden the image comes on the screen?” he said, explaining the moment he first saw the photo. “Well, when I was at home I had all the lights off, because I work when my family’s asleep, and all of a sudden this picture comes up and it was the same thing. I just lifted the levels slightly and the image emerged from the darkness. It kind of made me gulp. It made my heart-rate pick up.” 
  
 Francis Kohn, chair of the World Press Photo general jury, said the image “had such power because of its simplicity, especially the symbolism of the barbed wire”. 
  
 “We thought it had almost everything in there to give a strong visual of what’s happening with the refugees,” he said. “I think it’s a very classical photo, and at the same time it’s timeless. It portrays a situation, but the way it’s done is classic in the greatest sense of the word.” 
  
 Australian Life prize 2015: the colour, the joy, the weird and wonderful – in pictures Read more 
  
 The photograph, which also took first prize in the Spot News category, is the first black and white winner of the main award since 2009 when Anthony Suau’s image of a police officer entering an empty property following the US housing market collapse was given the award. 
  
 Richardson learned of his triumph on the day he was due to fly back to Europe to continue his documentary work – he plans to walk from Serbia to the Arctic Circle in Norway, following the journeys of the refugees he met and meeting up with former acquaintances along the way. 
  
 “Every time I photograph a person I’m learning something,” he said, reflecting on the personal nature of his work. “We’re all teachers and we’re all students, no matter how old and how young. We’ve all got something to learn and something to give.” ||||| The World Press Photo of the Year honors the photographer whose visual creativity and skills made a picture that captures or represents an event or issue of great journalistic importance in the last year. 
  
 Richardson’s picture–which also won first prize in the Spot News category–shows refugees crossing the border from Serbia into Hungary, near Horgoš (Serbia) and Röszke (Hungary). Taken at night on 28 August 2015, this man and child were part of the movement of people seeking to cross into Hungary before a secure fence on the border was completed. 
  
 Richardson is a freelance photographer, currently based in Budapest, Hungary. He explained how the picture was made: 
  
 I camped with the refugees for five days on the border. A group of about 200 people arrived, and they moved under the trees along the fence line. They sent women and children, then fathers and elderly men first. I must have been with this crew for about five hours and we played cat and mouse with the police the whole night. I was exhausted by the time I took the picture. It was around three o’clock in the morning and you can’t use a flash while the police are trying to find these people, because I would just give them away. So I had to use the moonlight alone. 
  
 Francis Kohn, chair of the general jury, and photo director of Agence France-Presse, said: 
  
 Early on we looked at this photo and we knew it was an important one. It had such power because of its simplicity, especially the symbolism of the barbed wire. We thought it had almost everything in there to give a strong visual of what’s happening with the refugees. I think it’s a very classical photo, and at the same time it’s timeless. It portrays a situation, but the way it’s done is classic in the greatest sense of the word. 
  
 Other members of the jury also spoke about the winning photograph. 
  
 Huang Wen, director of new media development at Xinhua News Agency, said: 
  
 It’s a haunting image. You see the anxiousness and the tension in such a mood which is pretty different from those in-your-face images. It’s subtle, and shows the emotion and the real feeling from the deep heart of a father just trying to hand over his baby to the world he was longing to be in. This is really something. 
  
 Vaughn Wallace, deputy photo editor Al Jazeera America, said: 
  
 This is an incredible image from the refugee crisis of 2015. It’s incredibly powerful visually, but it’s also very nuanced. We’ve seen thousands of images of migrants in every form of their journey, but this image really caught my eye. It causes you to stop and consider the man’s face, consider the child. You see the sharpness of the barbed wire and the hands reaching out from the darkness. This isn’t the end of a journey, but the completion of one stage of a very long future. And so, for me, this had to be the photo of the year. 
  
 Lars Boering, managing director of the World Press Photo Foundation, said this year’s contest went smoothly despite the volume of work being considered: 
  
 This year we had more photographers and more entries than ever in our contest and we see this as a great support of the industry. As an organization, we are delighted by the outcome this independent jury produced, and ready to present an exhibition of wonderful and powerful imagery to a global audience that can trust what they see. We see that the photographers are as committed as we are to providing accurate and fair images on the world’s most important events and issues. We had a new code of ethics for the photo contest and a transparent and rigorous verification process. This resulted in many more entries being checked, but fewer problems than last year being found. In 10 days we will be releasing a detailed technical report reviewing the verification process, and we will then lead the public conversation on these issues. Today, we celebrate the incredible and important work of all our prizewinners, especially Warren Richardson’s photograph. 
  
 2016 Photo Contest in numbers 
  
 The 2016 contest drew entries from around the world: 5,775 photographers from 128 countries submitted 82,951 images. The jury gave prizes in eight categories to 41 photographers from 21 countries: Australia, Austria, Brazil, Canada, China, France, Germany, Iran, Italy, Japan, Mexico, Portugal, Russia, Slovenia, South Africa, Spain, Sweden, Switzerland, Syria, Turkey, and the USA. Discover all of the winners and the awarded photos in an image gallery: http://www.worldpressphoto.org/collection/photo/2016 
  
 You can also watch and download exclusive video interviews with the jury members here: https://vimeo.com/album/3786599 
  
 2016 Photo Contest jury and procedures 
  
 A group of 18 internationally recognized professionals in the fields of photojournalism and documentary photography from 16 countries—chaired this year by Francis Kohn—convened in Amsterdam beginning on 1 February to judge all entries. 
  
 The jury is independent, and all entries were presented anonymously. A secretary without voting rights safeguards the fairness of the process, which is explained in full here: http://www.worldpressphoto.org/activities/photo-contest/judging 
  
 For the full list of jury members and secretaries, please see: http://www.worldpressphoto.org/news/2015-11-12/world-press-photo-foundation-announces-2016-photo-contest-chair-and-jury 
  
 The World Press Photo Foundation will release a technical report reviewing the contest, including the code of ethics, entry rules, and verification process on Monday, 29 February 2016. 
  
 Prizes 
  
 The premier award, the World Press Photo of the Year, carries a cash prize of 10,000 euros. In addition, Canon will present the winning photographer with the recently launched Canon EOS-1D X Mark II camera and lens kit. For more information about the prize, please go to: http://www.canon-europe.com/for_home/product_finder/cameras/digital_slr/eos_1dx_mark_ii/ 
  
 The jury gives first, second and third prizes in all categories. All winners receive a Golden Eye Award, a diploma, and travel plus lodging expenses to attend the Awards Days. The Awards Days are a two-day gathering of industry participants and celebration of the prizewinners held in Amsterdam on 22 and 23 April 2016. For more information about the Awards Days, please go to: http://www.worldpressphoto.org/activities/awards-days 
  
 2016 Exhibition 
  
 The prize-winning pictures are presented in an exhibition visiting around 100 cities in about 45 countries over the course of the year and seen by more than 3.5 million people worldwide. The first World Press Photo 16 exhibition opens in De Nieuwe Kerk, Amsterdam, on 16 April 2016. For more information about the exhibition in Amsterdam, please go to: http://www.worldpressphoto.org/exhibitions/2016-exhibition/amsterdam 
  
 This year's exhibition displays will be printed on Canon large-format printers and Arizona flatbed printers by Océ, which is part of the Canon Group. Please see the Canon website for further information: http://www.canon-europe.com/ 
  
 Download the press kit here: http://bit.ly/wpphpresskit2016 |||||
Output:
A freelance photographer has captured an image that is "really something"—so much so that it's been named the World Press Photo of the Year, beating out a record 82,950 other images. Now in its 59th year, "the most prestigious prize in photography," as the Guardian puts it, hands 10,000 euros (about $11,000) and a Canon camera to the photographer whose image "captures or represents an event or issue of great journalistic importance in the last year." That photographer was Australian Warren Richardson, and that event was the border crossing from Serbia into Hungary of a man and his child on August 28. Says jury member Vaughn Wallace: "We've seen thousands of images of migrants in every form of their journey, but this image really caught my eye." Wallace continues, "It causes you to stop and consider the man’s face, consider the child. You see the sharpness of the barbed wire and the hands reaching out from the darkness." Richardson tells the Guardian he was with about 200 Syrians in an apple tree farm as they searched for a way to cross. "We played cat and mouse with the police the whole night," he says in a press release. "I was exhausted by the time I took the picture. It was around three o'clock in the morning and you can't use a flash while the police are trying to find these people, because I would just give them away. So I had to use the moonlight alone." It's the first black and white photo to win the top prize since 2009. See a selection of additional winning photos in the gallery.