Detailed Instructions: In this task, you are given a text of many news articles seperated by special token "|||||". Your task is to summarize them.
Q: Disney’s “Ralph Breaks the Internet” recharged for its second consecutive weekend atop the North American box office, generating a healthy $25.8 million. 
  
 That marks a decline of just 53%, and pushes the animated sequel’s domestic haul past $100 million. Overseas, “Ralph” earned $33.7 million this weekend, taking its international total to $87 million. Keeping in line with end of the year traditions, major studios largely sat out the post-Thanksgiving frame. The only new nationwide release, “The Possession of Hannah Grace,” opened in line with industry estimates and brought in $6.5 million from 2,065 locations. 
  
 “The Possession of Hannah Grace” follows “Pretty Little Liars” star Shay Mitchell as a morgue worker who realizes a disfigured cadaver has been possessed by a demon. Neither critics nor audiences have embraced the R-rated supernatural thriller (it carries a 19% on Rotten Tomatoes and a C- CinemaScore), though reviews don’t always influence horror buffs. Sony’s Screen Gems distributed the movie, and Broken Road handle production. The movie, which was entirely shot on a small and inexpensive Sony a7s II, carries a $10 million production budget. 
  
 However, a handful of holdovers dominated the domestic market. Illumination and Universal’s “The Grinch” returned to second place, stealing $17.7 million and taking its stateside tally to $203.5 million. Benedict Cumberbatch’s take on the green grouch who loathes Christmas has picked up a sizable $268 million globally. 
  
 “Creed II,” the second movie in the Rocky Balboa spinoff series, dropped to third and brought in $16.8 million during its second weekend of release. The boxing drama has now amassed $81 million. 
  
 In fourth, “Fantastic Beasts: The Crimes of Grindelwald” added $11.2 million for a domestic total of $134 million. While it has struggled to gain the same traction as the first “Fantastic Beasts,” the sequel in the “Harry Potter” prequel series has seen promising returns overseas. “Crimes of Grindelwald” has made $385.3 million from foreign markets, taking its worldwide tally past $500 million. 
  
 Rounding out the top five is “Bohemian Rhapsody” with $7.9 million. Fox’s Freddie Mercury biopic has picked up an impressive $164.3 million in North America. 
  
 At the specialty box office, Fox Searchlight’s “The Favourite” saw another strong weekend when it expanded to 34 theaters. Yorgos Lanthimos’ absurdist period drama made $1.1 million this weekend for an impressive screen average of $32,500. The Oscar hopeful that centers on the drama between two cousins jockeying to be the court favorites during the reign of Queen Anne launched last weekend with the best per-theater average ($105,600) in two years. The cast includes Rachel Weisz, Emma Stone, and Olivia Colman. Fox Searchlight plans to bring the film to around 80 theaters as it continues its gradual platform release. 
  
 Other indie releases were less fortunate. Warner Bros.’ “Head Full of Honey” failed to impress when it opened in four locations in New York and Los Angeles. The drama that sees Nick Nolte portray a widower with Alzheimer’s made just $2,250 per location. 
  
 Meanwhile, Orion Pictures’ zombie musical “Anna and the Apocalypse” brought in $50,000 when it debuted on five screens, averaging $10,000 per theater. 
  
 In notable milestones, National Geographic’s “Free Solo” became the fourth documentary this year to cross $10 million at the domestic box office. The non-fiction film about the first free solo rock climb of Yosemite’s El Capitan is now the fourth-highest grossing documentary this year, behind “Won’t You Be My Neighbor” ($22.6 million), “RBG” ($14 million), and “Three Identical Strangers” ($12.3 million). 
  
 The 2018 box office continues to outpace last year, with revenues up 10% from 2017, according to Comscore. This weekend’s totals were up a strong 11.8% compared to the same outing last year when the second frame of “Coco” made $27.5 million. 
  
 “Typically the post-Thanksgiving weekend is a snooze-fest in theaters,” said Paul Dergarabedian, a senior media analyst with Comscore. “While this year was comparatively quiet, it still had the advantage of a strong slate of very popular holdovers, plus the continually expanding roster of awards season films.” 
  
 Multiplexes won’t see a huge boost in ticket sales until Dec. 14 when “Spider-Man: Into the Spider-Verse,” “The Mule,” and “Mortal Engines” open nationwide. The following weekend will be one of the more competitive frames with “Mary Poppins Returns,” “Aquaman,” and “Bumblebee” looking to entice moviegoers during a crowded Christmas race. ||||| Lionsgate and Summit’s Robin Hood earned $4.7 million in its second weekend for a poor $21.727m 12-day domestic cume. Truth be told, a 49% drop after Thanksgiving almost qualifies as “leggy,” but the numbers are too small (and the budget, around $100m, is too big), for any optimism. The Taron Egerton/Jamie Foxx/Ben Mendelsohn flick earned $15m its major overseas expansion, bringing its global cume to $48m worldwide. It didn’t get an overseas rescue, so it’s pretty much time to call it on this unrequested (but just good enough for me to wish it were good) reboot actioner. 
  
 Universal/Comcast expanded Green Book into 1,063 theaters over Thanksgiving (after a 25-theater platform the weekend prior) and ended up with a halfway decent $8 million ten-day cume. The (depending on who you ask) crowd-pleasing or controversial Jim Crow-era dramedy earned another $3.9m (-29%) in its third weekend for a $14m 17-day cume. That’s a fine hold, but the Viggo Mortensen/ Mahershala Ali period-piece will still need long legs (and some Oscar love… the National Review Board victory helps) to stick around. That’s especially true with the upcoming Christmas blitz. 
  
 Paramount/Viacom Inc.’s Instant Family earned another $3 million (-40%) on its third Friday for a likely $6.9m (-44%) weekend and $45.67m 17-day cume. That’s halfway decent for the frankly terrific Mark Wahlberg/Rose Byrne foster family comedy, and you really ought to check this one out over the next two weeks. Ditto Fox’s Widows, which is a top-notch crime drama/heist flick that should end up in the Oscar race. The Viola Davis (and friends) flick earned $1.274m (-59%) on its third Friday for a likely $4.11m (-50%) weekend and $32.77m 17-day total. Alas, like Green Book, this one may need Oscar attention to save its butt. 
  
 In other Oscar movie news, A Star Is Born has now earned $193 million domestic and $262m worldwide. Boy Erased (which is… okay even if The Miseducation of Cameron Post is the better gay conversion therapy drama) will have $5.5m by tonight. First Man is essentially done with $44.7m domestic and $99.9m worldwide (alas). The terrific Can You Ever Forgive Me? is winding down with $6.8m by tomorrow while The Old Man and the Gun is slowly crawling over the $11m mark. The Hate U Give is essentially done and it won’t crack $30m domestic. Dammit… 
  
 Oh, and Crazy Rich Asians bombed in China (“But to me, it was Tuesday…”) with a $1.2 million debut weekend. No matter, the $30m rom-com has $64m overseas and $174m domestic. Speaking of crazy rich (if not Oscar glory), Venom has earned $262m in China (-39% in its fourth weekend… which is incredible for a Hollywood export) and has $844m worldwide. Barring a fluke in either direction, the Tom Hardy/Michelle Williams flick should end its run with an unthinkable $875m worldwide cume. Yes, it could be just over/under the $873m worldwide total of Batman v Superman and the $881m global cume of Spider-Man: Homecoming. |||||
A:
Ralph Breaks the Internet surfed to a second straight week of box-office dominance by banking another $25.8 million—just a 53% ebb that put it over $100 million, Variety reports. Holdovers filled out the domestic top five with The Grinch ($17.7 million) followed by Creed II ($16.8 million), Fantastic Beasts: The Crimes of Grindelwald ($11.2 million) and Bohemian Rhapsody ($7.9 million). Horror pic The Possession of Hannah Grace eked out $6.5 million despite ho-hum reviews (just 17% on Rotten Tomatoes) and—your movie factoid of the week—Crazy Rich Asians tanked in China with a $1.2 million bow, per Forbes.