Detailed Instructions: In this task, you are given a text of many news articles seperated by special token "|||||". Your task is to summarize them.
Problem:Share 
  
 There’s no shortage of movies and shows for you to binge on Netflix, but sometimes, even in the midst of all these options, boredom pervades. After all, you can almost always predict the endings of entertainment these days, and sometimes, plots are so similar you feel like you’ve seen everything already. But now, Netflix may have a solution for you. It’s called Interactive Storytelling, and it’s Netflix’s way of letting you choose your own adventure. 
  
 On Tuesday, the streaming platform announced its first “interactive ‘branching’ narrative episodes Puss in Book: Trapped in an Epic Tale and Buddy Thunderstruck: The Maybe Pile, where Netflix members are in control of how the stories unfold.” Heralded as the melding of Netflix engineers’ technical prowess and Hollywood creatives’ imaginative direction, this new kind of content promises a “new world of storytelling possibilities.” ||||| Netflix’s latest episode of television is an experiment in storytelling that will be familiar to people who are familiar with video games (or Choose Your Own Adventure books). The company launched an interactive TV show today, the first in a series of efforts that will allow viewers to decide which turns a story takes. 
  
 The first interactive offering from Netflix is Puss in Book: Trapped in an Epic Tale, a 23-minute spinoff of the Netflix kids series The Adventures of Puss in Boots. (The show’s titular cat originated in DreamWorks Animation’s Shrek film franchise; he starred in his own spinoff movie, Puss in Boots, in 2011.) Trapped in an Epic Tale lets viewers dictate the progression of the episode’s story, asking them questions like, in an encounter with strangers, “Should Puss fight them valiantly, or chitchat with them over tea?” 
  
 Netflix will soon expand its library with additional interactive shows. Buddy Thunderstruck: The Maybe Pile, an extension of the Netflix original series Buddy Thunderstruck, is set to premiere July 14. The third title is Stretch Armstrong: The Breakout, which will be a follow-up to this year’s upcoming animated series Stretch Armstrong & the Flex Fighters. Netflix said The Breakout is coming in 2018. 
  
 “The children’s programming space was a natural place for us to start” 
  
 You may have noticed that all three of Netflix’s initial interactive shows are geared toward children, and the company did that for a reason: Consider the fact that Dora the Explorer asks kids to yell “Swiper, no swiping” at their TVs. 
  
 “The children’s programming space was a natural place for us to start since kids are eager to ‘play’ with their favorite characters and already inclined to tap, touch and swipe at screens,” said Carla Engelbrecht Fisher, Netflix’s director of product innovation, in a blog post today. “They also talk to their screens, as though the characters can hear them.” 
  
 Puss in Book: Trapped in an Epic Tale is available on a wide variety of devices that offer the streaming service. But at the moment, interactive shows will not function on Android, Apple TV, Chromecast or the Netflix website. You can still watch them on unsupported platforms — they’ll just revert to a traditional linear version without choices. 
  
 Netflix isn’t the only streaming service to explore interactive TV. Twitch is also looking to get into the field, the company said earlier this year. ||||| Netflix’s first interactive episode arrives on the service today, giving viewers a chance to shape the narrative through a series of decisions they make throughout the experience. The new episode of Puss in Book: Trapped in an Epic Tale gives users more than a dozen decision points throughout its length, giving young viewers reason to rewatch it several times to explore the branching paths. A second interactive episode, for the children’s show Buddy Thunderstruck, arrives next month. For now, Netflix is calling its interactive episodes an experiment. But if its 99 million subscribers like them, the format could come to the service’s more popular shows — and help bring a new form of interactive storytelling into the mainstream. 
  
 First, though, Netflix has to see whether the mainstream has an appetite for it. To begin, the company decided to focus on making interactive shows for children. “Kids are already talking to the screen,” says Carla Engelbrecht Fisher, Netflix’s director of product innovation, who oversaw development of the episodes. “They’re touching every screen. They think everything is interactive.” Children’s exposure to interactive stories in video games and mobile apps has left them with an expectation that TV will behave the same way. Netflix’s experiment suggests that eventually it could — at least in some cases. 
  
 “Kids think everything is interactive.” 
  
 To start with, the interactive shows will be available on some modern smart TVs, game consoles, iOS devices, and Roku devices. They won’t be available on the web, Apple TV, Chromecast, or Android devices, at least for now. You’ll use your device’s controller to make a series of choices in the narrative — there are a total of 13 for Puss in Book, and 8 for Buddy Thunderstruck — or, if you wait too long to choose, Netflix will simply choose for you. For each show, the creators created custom illustrations for each choice. “We think it’s important to feel as if it’s of the story world,” Fisher says. 
  
 The result is a show with a length that will vary significantly depending on your choices. The shortest path through Puss in Book is about 18 minutes; the longest is 39 minutes. Buddy Thunderstruck’s run time can be as short as 12 minutes and as long as... until your TV stops working, thanks to an infinitely looping narrative that spins out of one of those choices. 
  
 The company’s push into interactive entertainment began after Fisher arrived three years ago to work on products for kids. Before that, she had founded the game design firm No Crusts Interactive and worked for Highlights for Children and PBS Kids. Fisher says her work began with one overarching question: what stories can we tell at Netflix that can’t be told elsewhere? “Netflix is an interactive device ecosystem,” she says. “We’re not beholden to terrestrial television. We’re not beholden to linear schedules.” 
  
 “We’re not beholden to terrestrial television.” 
  
 That led the team to think about interactive storytelling — about whether it could offer a modern, televised version of the old Choose Your Own Adventure series, which sold 250 million copies in the 1980s and ‘90s. The multiple-choice approach to narrative was already the default for video games and educational software. And hit Hollywood movies had also played with branching narratives, from Clue to Sliding Doors to Memento. The fact that interactivity had not yet come to television came to look, from Netflix’s perspective, like a technical problem. And so it set about building. 
  
 Netflix approached DreamWorks Animation Television, makers of Puss In Book, and American Greetings Entertainment, which created the Netflix original series Buddy Thunderstruck, about piloting the interactive format. (The interactive Buddy Thunderstruck episode lands July 14th.) A third interactive episode, Stretch Armstrong: The Breakout, is coming next year. 
  
 For Ryan Wiesbrock, the creator of Buddy Thunderstruck, interactive storytelling came naturally. He had previously worked in educational software, which often involves elements of user choice. The question became how to map that format onto Buddy Thunderstruck, a stop-motion animated comedy aimed at boys 6 to 11 that he describes as “Dukes of Hazzard meets Fantastic Mr. Fox.” (Buddy is a dog who races trucks in a small town.) 
  
 ‘Dukes of Hazzard’ meets ‘Fantastic Mr. Fox’ 
  
 The writing team settled on a format they call the “string of pearls”: a main spine for the story that branches out to four possible endings. (The result is enough animation for two Buddy episodes.) In a demonstration I saw, the narrative choices resulted in different hijinks for his buddy and his friend without altering the core progression of the story. But Wiesbrock hopes the audience will replay the episode to explore all the alternatives. “We wanted every choice to be as good and as compelling as all the others,” Wiesbrock said. 
  
 For adult Netflix viewers, it’s fun to imagine what an interactive episode of one of its most popular series might look like. A House of Cards where you guide Frank Underwood to power — or undermine him? An Orange Is the New Black where you navigate Piper through a prison break? Maybe they would be full of narrative inventions — or maybe they would feel like modern-day full-motion video games, which had a brief moment of popularity as PC games in the 1990s before giving way to animations. 
  
 But Netflix is in a competitive moment. Amazon, HBO, Hulu, YouTube, and others are all competing for viewers’ attention — and their subscription dollars. To date, they have competed primarily on the quality of their shows. If Netflix can master interactive programming, it could bring the company a competitive advantage — one that it will take significant resources to match. 
  
 In the future, Wiesbrock said he would be interested in making a show in which every episode is interactive. “I’d love to come up with something like this that is interactive from the get-go,” he says. “Where you could be more complex, or offer more choices, or get into some of the mind-bending aspects of it.” Says Fisher: “There are some really awesome possibilities.” 
  
 Correction: June 20th, 2:39PM ET: Due to a Netflix error, this article originally described American Greetings Entertainment as the producer of Buddy Thunderstruck. It is the creator. ||||| Traditionally, Netflix hasn't been known for canceling its original shows, but it's turned over a vicious new leaf this month. 
  
 Just a few days after Netflix announced it was not picking up The Get Down for a second season, the streaming service is now letting fans know its sprawling, sci-fi drama Sense8 is also getting the ax and will not be returning for a third season. 
  
 The news is extra painful to fans who just finished watching the show's second season a couple weeks ago, which ends on a cliffhanger where the sensates finally appear to have an upper hand in their war against main antagonist Whispers. 
  
 Though it only ran for 2 seasons, Sense8 became known as one of the most groundbreaking shows on air in terms of sexuality and race representation, telling the story of 8 diverse strangers from around the planet who can physically share their experiences with one another. 
  
 Some of the stars of the show shared their grief over the cancellation news on social media. 
  
 Brian Smith, who played the cop and de facto sensate leader, Will, wrote the show "was the greatest experience of [his] career, and [he's] going to miss it more than [he] can say" on his Instagram. 
  
 And of course, fans of the show also took to social media to express their sadness and anger over the cancellation. 
  
 Many fans also pointed out the ridiculous timing of the cancellation: the first day of LGBTQ+ Pride month. 
  
 Considering how inclusive the show has been to LGBTQ+ representation, it felt like another dagger to the heart of many fans. 
  
 Twitter 
  
 Twitter 
  
 But a Sense8 fan never gives up. A number of fans are also tweeting at Netflix to renege on the cancellation and allow the show to have a final season. Some are even tweeting at other networks to pick up the show. 
  
 Twitter 
  
 Twitter 
  
 Twitter 
  
 But sadly, it looks like this is goodbye to Sense8. 
  
 Citations: Netflix Cancels 'Sense8' (Variety) |||||
Solution:
Netflix is introducing something that will likely appeal to fans of "Choose Your Own Adventure" books—interactive TV shows. So far, the shows are for kids (Puss in Boots and Buddy Thunderstruck will both feature interactive episodes this year; Stretch Armstrong is getting one next year, per Polygon), but if they prove to be a hit with subscribers, Netflix says it could expand the interactive format to its more popular series—or create a series in which every episode is interactive. The interactive episodes will also only be available, to start, on certain devices including game consoles, iOS devices, Roku devices, and some modern smart TVs. They won't yet be available on Android devices, Apple TV, Chromecast, or the web. "Kids are already talking to the screen," Netflix’s director of product innovation explains to the Verge. "They’re touching every screen. They think everything is interactive." The device controller will be used to make a series of choices (13 in Puss, eight in Buddy), although if too much time passes, Netflix will make the choice automatically. The shortest path through the choices is 12 minutes; the longest in Puss is 39 minutes. In Buddy, there's an "infinitely looping narrative" created by one of the choices. Kids can go back and rewatch the episodes to make different choices and ultimately experience all the possible endings. The interactive Puss episode launched Wednesday; the Buddy episode is out July 14, per Digital Trends. (Netflix subscribers are angry about this show's cancellation.)