Detailed Instructions: In this task, you are given a text of many news articles seperated by special token "|||||". Your task is to summarize them.
Q: With Tina Fey hosting what she called “the Mother’s Day episode of Saturday Night Live,” there was a feminine-friendly vibe you don’t get most weeks on this show. The six-months-pregnant humorist (“I have the number one book in the country and the 86th TV show”) brought out also-great-with-child Maya Rudolph to sing a duet to their so-called “feti.” The unborn children (played by Kristen Wiig and Kenan Thompson, naturally) harmonized along with their mothers. 
  
 An hour later, Rudolph co-starred in a pretty amazing birth-class sketch that parodied 25 year-old home-birthing films. It worked on every level, from the appalled reactions of Fey and other cast members watching it, to the movie itself, a document full of pseudo-mystical gush, and make-up and acting performances intentionally reduced to the level of a high-minded porn film. 
  
 Late in the show, there was a perfect parody of Bravo’s hideous Pregnant In Heels, with Abby Elliott capturing the pretentious diction of host Rosie Pope (“every morning a thousand bees sting my tongue”); her vacuous, too-rich-for-their-own-good clients (Fey ran “a p.r. firm that represents other p.r. firms”); and the show’s slavish pandering to the pampered women’s whims (Fey, in the delivery room, to doctor: “Don’t cut the cord! I might want to return it!”). 
  
 And right under the wire, Paul Brittain did a solo, taped turn in “The Hallmark Mother Collection for Weirdos,” an Anthony Perkins/Psycho-ish salute to 
  
 motherhood that was delightfully creepy. 
  
 All of the above contained pure jolts of Fey’s sharp sensibility, and gave SNL an extra, distinctive crackle. Also showing her sisterhood was Nasim Pedrad, who offered a fine new edition of her Bedelia character. That’s the brainy girl who loves, admires, and respects her mom (played this week by Fey), much to her friends’ dismay. I love that clever, independent girl. 
  
 Set aside the almost-obligatory sketch in which Fey could morph into Sarah Palin (a debate between undeclared Presidential candidates that included the return of Darrell Hammond as Donald Trump) 
  
 and a typically riotous “Weekend Update” appearance by the giggly, skeevy Stephon (Bill Hader at his most impish) 
  
 and much of the rest of the show was devoted to a single subject: Osama bin Laden. 
  
 From the cold-open to “Weekend Update” jokes (Seth Meyers’ line about conspiracy theorists doubting President Obama’s bagging of the terrorist — “the first black person ever to have to prove he killed someone” — lit up Twitter), it was Osama-a-go-go; too much so. Having bin Laden’s shrouded corpse drop in on The Little Mermaid was a visual gag that became soggy fast; so did Jason Sudeikis’ usually-reliable Devil on “Weekend Update.” Even the Devil seemed a bit bored having to complain about receiving bin Laden in hell; only Sudeikis’ unexpected throwaway jab at Outsourced made me laugh during this bit. 
  
 Music guest Ellie Goulding sang gamely in a chalky voice; the British star (oh my gosh, she sang at Kate and Will’s wedding reception!) probably didn’t win over too many new American fans with her draggy version of Elton John’s already-maudlin classic “Your Song.” Oh well, her album went to number one in Merrie Olde England! 
  
 I almost forgot: The “Digital Short” with Andy Samberg and his Lonely Island collaborators, working with a Michael Bolton who insisted on singing about movies such as Pirates of the Caribbean and Scarface when they wanted him to go hiphop-in-the-club? The notion of Bolton working against Samberg and company added an extra zing to an already amusing idea. (Don’t cheer too loudly for Bolton, though — you’ll only encourage some producer to put him on, say, The Voice.Which actually I guess is where he belongs.) 
  
 In general, this week’s SNL had a schizophrenic quality. Fey disappeared for stretches of time (hey, I’m not knocking her for that; I hope she had her feet up backstage — I would if I was six months pregnant), time that was filled with the show’s standard unpredictable unevenness. But the moments that carried her sensibility were among the strongest of the night. Of course, that’s just my guess — for all we know, maybe she wrote most of the bin Laden stuff, too. 
  
 Twitter: @kentucker ||||| Kicking off what she dubbed 'the Mother's Day episode,' Tina Fey hosted 'Saturday Night Live' this weekend with a dose of her usual self-deprecation.Making the most of her six-months' pregnant figure, the '30 Rock' star -- and former 'SNL' head writer -- brought out fellow expectant mom Maya Rudolph for a belly-bump greeting, and a song devoted to their soon-to-be-born children.The soothing lullaby opened with lyrics such as "I cannot wait to know you," then quickly segued into a raunchy ode to procreation: "You are the proof that we've been doin' it....makin' super sexy heat...your mom and daddy been doin' it!" Mid-duet, the two even had a faux sonogram while each fetus, played by Keenan Thompson and Kristen Wiig, sang along in utero., don't miss Fey's 'SNL' sketch about a horrifying birthing class -- a freak show far crazier than the class she took with Amy Poehler in 'Baby Mama.'But first, watch the 'Bossypants' author as her maternal monologue turns into a loony musical number: |||||
A:
Tina Fey returned to both Saturday Night Live and a familiar character last night. Her Sarah Palin persona made another appearance during a debate skit with other GOP candidates, including The Donald, notes Entertainment Weekly. “It’s just so great to be back on Fox News, a network that both pays me and shows me the questions ahead of time,” Fey said as Palin. “I just hope that tonight the lamestream media won’t twist my words by repeating them verbatim.” PopEater also loves the pregnant Fey's sketch with Maya Rudolph about a "horrifying birth class." Click to see that one.