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In this task, you are given a text of many news articles seperated by special token "|||||". Your task is to summarize them.

Everett Collection 
  
 After financial problems and lengthy delays, “Spider-Man Turn Off The Dark” finally got underway on Sunday night, and Broadway message boards and Twitter feeds lit up with reports from the packed Foxwoods Theatre during the show’s hotly anticipated first preview. 
  
 Theatergoers buzzed online about the music, the acting and delays that held up the musical in mid-performance. “Spidey got stuck over audience just before the break, but overall: WOW on flying thru theater,” TomHTweets wrote on Twitter around the time the show broke for intermission. 
  
 The show appeared to run more than three hours long: set to start at 6:30, it did not break for intermission until about 8:30, and audience members reported leaving the theater after the show at around 10:15. 
  
 Stage flying has proven an expensive and high-profile part of this production—a New York state safety inspector last week approved the musical’s aerial tricks, clearing the way for Sunday night’s preview—but also one that director Julie Taymor is banking will pay off. The more than $60 million musical, with a score by U2’s Bono and The Edge, will cost roughly $1 million a week to run, meaning it must be a blockbuster to survive. 
  
 Some theatergoers said they were wowed by the flying tricks: “One of the best parts of Act I is an aerial battle with Spider-man and a villain only a few feet above the audience. My heart was racing,” danielgeneNYC wrote on Twitter. 
  
 Audience members detailed roughly five stoppages during the show, apparently to address technical issues. One audience member wrote that an actress had been dangling upside down for five minutes during one glitch. Another described an usher warning theatergoers at intermission not to get out of their seats because actors would be flying around them. Someone else described a rope falling on the audience at the end of Act I. Those reports could not be verified on Sunday night, and attempts to reach a spokesman for the show were unsuccessful. 
  
 Broadwayworld.com, a theater fan site and message board, picked up on many Twitter feeds and posted them on a thread devoted to the show’s first preview, including this one: “Show so far is a cross between Cirque du soleil, the LXD, Scream (really) and comic books. Everyone trying hard.” 
  
 All That Chat, another theater message board, included this report: “One lady shouted something like ‘I feel like we’re guinea pigs. This is like a dress rehearsal, not a preview.’ She was booed down. Fact is, so many people would have gladly bought her ticket for the very experience she was complaining about…” 
  
 Twitter lit up during the evening. “So far the best I can say is that live theater is an organic process and it is previews, which allow for changes. I do hope there are some,” wrote atu2comSherry on Twitter. That same Twitter feed described theatergoers applauding Patrick Page, who plays the villain Green Goblin, as he played “I’ll Take Manhattan” at the piano and ad libbed during a technical delay in Act I. 
  
 Reports surfaced over the weekend that the show would be performed without interruption for the first time Sunday night after an earlier weekend run-through was canceled. Audience members described a packed house that included Sarah Jessica Parker, Matthew Broderick and Sean Hayes—as well as some theatergoers in Spider-Man costumes. 
  
 An in-depth “60 Minutes” piece on the show aired Sunday evening, chronicling the musical’s at-times tortured path, including when work halted at the theater last year after the production ran out of money. Referring to the start of previews, Taymor, who directed the long-running hit Broadway show “The Lion King,” told the news program: “Oh yeah, I’m scared. If you don’t have fear then you’re not taking a chance.” 
  
 Throughout the night, the chatter about the show ranged from praise—one theatergoer already vowed to see it a second time—to a report of a disgruntled audience member asking for a refund during one of the delays. 
  
 One of the most important audiences for this musical: youngsters. Judging by one child’s reaction, the show hit the mark. SimplySuperheroes.com, a site that sells super hero costumes for kids, featured a feed on the first preview that included this testimonial: “Intermission…awesome, ambitious, funny and wow according to my 8 yr old son.” 
  
 Sunday night promises to be just the first of what will be much “Spider-Man” watching, ruminating and dissecting in the weeks before the show is set to open on Jan. 11. As one poster on Broadway World wrote shortly after word surfaced that the first preview had just ended: “Seems to be over or is over? Might be hard to tell. Now let the fun begin!” 
  
 For more on “Spider-Man Turn Off the Dark”: 
  
 ‘Spider-Man’ on Broadway: The First Reports ||||| All $65 million of the new Broadway musical “Spider-Man: Turn Off the Dark” took flight on Sunday night at its first preview performance, but not without bumps. The show stopped five times, mostly to fix technical problems, and Act I ended prematurely, with Spider-Man stuck dangling 10 feet above audience members, while Act II was marred by a nasty catcall during one of the midperformance pauses. 
  
 Rarely is the very first public run-through of a new musical perfect, and indeed, the creators of this “Spider-Man” — the most expensive and technically ambitious production ever on Broadway — used news media interviews recently to lower expectations that work on the musical was anywhere near done. But after a two-week delay in performances already this month, which sucked up about $4 million, the producers decided that on Sunday night the show would go on. 
  
 Costing more than twice as much as the previous record-holder for a big-budget show, “Shrek the Musical,” “Spider-Man: Turn Off the Dark” took a bit of time revealing some of the reasons for its high expense. After beginning at 6:54 p.m. — 24 minutes late, mostly because of 1,900 people taking their seats — the show unfolded for 30 minutes with few of the special effects that have been the talk of Broadway this fall. 
  
 At 7:23 p.m., an aerial scene began in Peter Parker’s bedroom to the delight of some audience members — yet it was halted two minutes later with the first of four pauses in Act I, apparently to free the lead actor, Reeve Carney (who plays Peter Parker and is one of those playing Spider-Man), from an aerial harness. 
  
 Most of the night’s major flying sequences — which make up a relative fraction of the show — went off without a hitch, with children and some adults squealing in delight. And there were no signs of injuries, which had been a point of concern after two performers were hurt during an aerial sequence this fall. 
  
 The fourth and final pause at the end of Act I was the worst glitch of the night by far. Spider-Man had just flown and landed onstage with the musical’s heroine, Mary Jane Watson (played by Jennifer Damiano), in his arms. He was then supposed to zoom off toward the balcony seating area, a few hundred feet away. Instead, a harness and cables lifted Spider-Man several yards up and over the audience, then stopped. A production stage manager, C. Randall White, called for a halt to the show over the sound system, apparently in hopes of fixing and re-doing the stunt. 
  
 Crew members, standing on the stage, spent 45 seconds trying to grab Spider-Man by the foot, as the audience laughed and oohed. When they finally caught him, Mr. White announced intermission, and the house lights came on. 
  
 The intermission began at 8:19 p.m.; it was still under way 34 minutes later when some in the audience began to clap in unison, as they passed their two-hour mark inside the theater. Mr. White, the production stage manager, then said over the microphone, “I know, guys, I know, I beg your patience,” and the clapping stopped. 
  
 Act II began shortly after 9 p.m. and unfolded fairly smoothly until about 50 minutes later, when Mr. White called for a pause. After a few minutes, as some audience members were stretching, a woman in the audience suddenly shouted, “I don’t know how everyone else feels, but I feel like a guinea pig today — I feel like it’s a dress rehearsal.” She was met with a chorus of boos. The performance resumed a moment later; the show ended at 10:09 p.m. 
  
 The musical has attracted outsized public and media attention by Broadway standards, in large part because of the money and talent involved: U2’s Bono and the Edge signed on to create the show nine years ago, and have written a full-length score, their first for Broadway, and helped recruit as the director Julie Taymor, a Tony Award winner for one of the last musical spectaculars to open on Broadway, “The Lion King.” |||||
Output:
Previews of Broadway musicals are rarely perfect, but last night's debut of the long-plagued Spider-Man: Turn Off the Dark was especially troubled. The start was delayed 24 minutes; the show was paused five times for technical problems; an actress hung upside down in the air for six minutes. Yet none of it was enough to dissuade many of the fans, who tweeted throughout expressing delight at the aerial stunts. Samples from the Wall Street Journal: "My heart was racing," said one audience member; "WOW on flying thru theater," said another. Still, not everyone was impressed. During one pause, a woman shouted, "I don’t know how everyone else feels, but I feel like a guinea pig today—I feel like it’s a dress rehearsal," the New York Times reports, but she was booed. The $65 million musical, long delayed due to financial difficulties, has garnered quite a bit of attention thanks to the score, written by U2's Bono and the Edge, as well as the flying stunts—which injured two actors during rehearsals. It is scheduled to open Jan. 11, 2011.