Given a premise, an initial context, an original ending, and a counterfactual context, the task is to generate a new story ending aligned with the counterfactual context and as close to the original ending as possible. Each instance consists of a five-sentence story. The premise is the first sentence of a story, and the second sentence, which is the initial context, provides more information about the story's context and the story's general plot. The original ending is the last three sentences of the story. Also, a counterfactual context is a slight modification to the initial context. You should write a new story ending that edits the original story ending as little as possible to regain coherence with the counterfactual context. To sum up, you should write the last three sentences of a story based on the premise(first sentence) and the counterfactual context(second sentence) of the story.

Input: Consider Input: Premise: Amy and Beth were feuding. 
 Initial Context: Amy had nothing good to say about Beth. 
 Original Ending: Amy's friend Sue reminded Amy that Beth was her friend for 10 years. Sue begged Amy to forgive her friend. Amy was too stubborn to take Sue's advice. 
 Counterfactual Context: Amy wanted to make Beth feel good again.

Output: Amy's friend Sue had reminded Amy that Beth was her friend for 10 years. She convinced Amy to forgive her friend. Amy was glas she took Sue's Advice. 


Input: Consider Input: Premise: Jane went to her aunt's funeral. 
 Initial Context: It was a sad experience. 
 Original Ending: She started crying at one point. Before it was over she left. It was too emotionally draining. 
 Counterfactual Context: It was a joyous event.

Output: She started laughing at one point. Before it was over she left. It was too emotionally draining. 


Input: Consider Input: Premise: George was an accomplished artist. 
 Initial Context: He painted a fantastic portrait of Marie. 
 Original Ending: George gave the painting to Marie as a present. An art collector offered Marie $15,000 for the painting. Marie loved the painting too much to sell it. 
 Counterfactual Context: He had done many portraits for celebrities.


Output: George gave the collection of celebrity paintings to Marie as a present. An art collector offered Marie $15,000 for the paintings. Marie loved the paintings too much to sell any of them. 


