In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[Q]: Question: How many different directors did Prada work with in 1976 and 1977? Passage:When Jaya Prada was a teenager, she performed a dance at her school's annual function. A film director in the audience offered her a three-minute dance number in the Telugu film Bhoomi Kosam. She was hesitant, but her family encouraged her to accept it. She was paid only 10 rupees for her work in the film, but the rushes of those three minutes of film were shown to the major figures of the Telugu film industry. Major filmmakers offered her starring roles in quality films, and she accepted them. She became a huge star in 1976 with major hit films. Director K. Balachander's black-and-white film Anthuleni Katha (1976) showcased her dramatic skills; K. Viswanath's color film Siri Siri Muvva (1976) showed her playing a mute girl with excellent dancing skills; and her title role as Sita in the big-budget mythological film Seetha Kalyanam confirmed her versatility. In 1977, she starred in Adavi Ramudu, which broke box office records and which permanently cemented her star status. The song "Aaresukoboyi Paresukunnanu" performed by Prada and co-star N.T. Rama Rao became a mass hit. Important filmmakers were casting her and repeating her in their films. Filmmaker Vijay introduced her to Kannada cinema in his 1977 super-hit movie Sanadi Appanna alongside Kannada matinee idol Raj Kumar. The movie is also known to be the only movie to feature shehnai rendition by Ustad Bismillah Khan. Jaya Prada repeated her successful pairing with Rajkumar in films such as Huliya Halina Mevu (1979), Kaviratna Kalidasa (1983) and Shabdavedhi (2000). In 1979, K. Balachander repeated her in the Tamil film Ninaithale Inikkum opposite Kamal Haasan and Rajinikanth in which she played a terminally-ill patient. She continued to act in more films in Telugu opposite actors such NTR, ANR, Krishna, Krishnam Raju and Sobhan Babu throughout the 70s and 80s. K. Viswanath remade Siri Siri Muvva (1976) in Hindi as Sargam, introducing Jayaprada to Bollywood in 1979. The film was successful and she became a star there as well. She earned her first Filmfare nomination as Best Actress but couldn't capitalize on her success since she couldn't speak Hindi.
 Links: a. Adavi Ramudu (1977 film) b. Filmfare c. Shehnai d. Anthuleni Katha
[A]: d


[Q]: Question: Who was older when Heitler obtained his doctorate, Arnold Sommerfeld or Karl Herzfeld? Passage:In 1922, Heitler began his study of physics at the Karlsruhe Technische Hochschule, in 1923 at the Humboldt University of Berlin, and in 1924 at the Ludwig Maximilian University of Munich (LMU), where he studied under both Arnold Sommerfeld and Karl Herzfeld. The latter was his thesis advisor when he obtained his doctorate in 1926; Herzfeld taught courses in theoretical physics and one in physical chemistry, and in Sommerfeld's absence often took over his classes. From 1926 to 1927, he was a Rockefeller Foundation Fellow for postgraduate research with Niels Bohr at the Institute for Theoretical Physics at the University of Copenhagen and with Erwin Schrödinger at the University of Zurich. He then became an assistant to Max Born at the Institute for Theoretical Physics at the University of Göttingen. Heitler completed his Habilitation, under Born, in 1929, and then remained as a Privatdozent until 1933. In that year, he was let go by the university because he was Jewish.
 Links: a. University of Göttingen b. Ludwig Maximilian University of Munich c. Arnold Sommerfeld d. Arnold Sommerfeld
[A]: c


[Q]: Question: Was Forbes or the Guardian founded first? Passage:"The Lazy Song" has received generally mixed reviews from contemporary music critics. Eric Henderson of Slant Magazine noted that in song Mars "paints a portrait of Al Bundy as a young man" and Andy Gill of The Independent classified the song as a "laidback acoustic groove". Tim Sendra of AllMusic said it was one of the tracks from Doo-Wops & Hooligans that captured the laid-back groove. Scott Mervis of the Pittsburgh Post-Gazette described the song as a "Jason Mraz/Sugar Ray-style reggae." Sean Fennessey, a reviewer of The Washington Post, felt the song was written in a "quality that is both endearing and damning". A mixed review came from Digital Spy reviewer Lewis Corner, who commented that the song is a "summery ditty more head-boppable than a Churchill nodding dog, which, given his current state of mind, is probably about all he could muster", giving it three stars out of five. and from Blues & Soul magazine who called it "reggae tinged" and found it to be "somewhat of a filler but for the likes of Peter Andre" is great. Entertainment Weeklys Leah Greenblatt considered that "other modes suit him less well; The Lazy Song is perhaps better left to Jason Mraz". Alexis Petridis of The Guardian, gave the song a negative review, writing that "The Lazy Song" "gets no further than the second verse before Mars – nothing if not keen to keep his fans abreast of his every activity in a world of 360-degree connectivity – announces that he's planning on having a wank". Nick Messitte writing for Forbes criticized the single for copying the "happy-go-lucky meanderings of Jason Mraz's "I'm Yours", but also using the same pattern as Travie McCoy and Mars' "Billionaire" (2011).
 Links: a. Forbes b. Peter Andre c. AllMusic d. Entertainment Weekly
[A]:
a


