In this task, you are given an article. Your task is to summarize the article in a sentence.

Input: Consider Input: The multi-talented musician won three prizes at this month's Progressive Music Awards in London, including album of the year for Hand. Cannot. Erase. The Guardian's five-star review called it "a smart, soulful and immersive work of art".
Since the 1980s, Wilson has been the driving force in a number of musical projects, the best known of which is the rock band Porcupine Tree.
Now, ahead of two sell-out shows at the Royal Albert Hall, Wilson is releasing a vinyl-only double LP, Transience, to showcase the "more accessible" side of his solo output.
He tells the BBC about his love of vinyl, his busy schedule and explains how comic actor Matt Berry came to be his support act.
What does vinyl mean to you?
I grew up at the very tail end of the vinyl era, and at the time, I remember, we couldn't wait for CD to come along because vinyl was so frustrating. You would buy the record, take it home, and it would have a scratch, and you would have to take it back again.
I love CDs, and for some kinds of music - classical for example - it is better than vinyl.  But the problem with the CD and digital downloads is that there's nothing you can really cherish or treasure.
Owning vinyl is like having a beautiful painting hanging in your living room.  It's something you can hold, pore over the lyrics and immerse yourself in the art work.
I thought it was just a nostalgic thing, but it can't be if kids too young to remember vinyl are enjoying that kind of experience.
Do you have a piece of vinyl that you treasure?
The truth is I got rid of 100% of my vinyl in the 90s.  All the vinyl I have is re-bought. I started off from the perspective that I wanted to recreate the collection I had when I was 15,  but it's gone beyond that.
The first record which I persuaded my parents to buy for me was Electric Light Orchestra's Out of the Blue. If I still had my original copy, it would have sentimental value, but, alas, it's in a charity shop somewhere.
Why release your new compilation Transience on vinyl?
It was originally conceived as an idea for Record Store Day, but we missed the boat on that.
My record company had suggested I put together some of my shorter, more accessible songs. I got a bit obsessed by the idea to make something like "an introduction to Steven Wilson", and I was committed to it being a vinyl-only release.  Anyone who buys the vinyl does also get a high-res[olution] download.
Do you have a concern that the album won't show your work in a true light?
No - because although I do focus on more long-form pieces of music, there is one thing I have always valued above everything else: melody.
There is a lot of progressive rock which focuses on the technical complexity of the track rather than the melodic side.  Pink Floyd, the most successful progressive rock band of all time, have stood the test of time because the emphasis was always on melody and atmosphere.
What do you have in store for your Albert Hall shows?
I don't want to give away too much. The repertoire will be completely different each night.
The first night is going to be a version of the Hand. Cannot. Erase. show I've been doing this year - but on steroids - with a couple of guests.
The second night is going to be more of a trip into my history, which is more aimed at the fans have been following me for years.
How did it come about that Matt Berry is the support act on the second night?
Myself and everyone on the tour bus are massive fans of [Channel 4 comedy series] Toast of London to the point that we are quoting it endlessly.
I thought that I should check out Matt's music, so I picked up a copy of his Music for Insomniacs. I chatted with him about our love of Mike Oldfield and asked him to play at the Royal Albert Hall.
I'm going to be incredibly star struck by my opening act.
You've been remixing albums by the likes of XTC, Tears for Fears and Yes.  How much does that influence your own work?
I don't consciously draw from that, but, inevitably, if you are deconstructing these classic albums they really get into your head.
My last solo album, The Raven That Refused to Sing, was without doubt the most old-school progressive album I've ever done.  I don't think it was coincidence that I had been remixing King Crimson, Jethro Tull and Yes almost exclusively for the previous year.
The current album, Hand. Cannot. Erase., opened up a lot more because I'd been working on Tears for Fears and XTC.
You are often described as progressive rock's busiest musician.  Is that how it feels?
You can remove the word progressive.  I think I am probably one of the most work-obsessed people in the music business today, and I don't say that with any sense of pride because believe me it's a curse.
I think I get it from my father, who also had an incredibly strong work ethic. If I don't do anything for a whole day, I start to feel this creeping guilt. That's why the remix work has been such a gift to me because it means I don't have to be doing my own music all the time.
The music industry is a hard place to make a living for yourself. I wouldn't recommend it to anyone as a profession now.  I work every day, and I'm not rich, but I make a good living. I love what I do,  it's a privilege, but if I was lazy about it, I don't think I'd be able to survive.
Transience is out in the UK on 25 September. Steven Wilson plays the Royal Albert Hall on 28 and 29 September as part of his 2015-16 tour of Europe.

Output: Steven Wilson is often dubbed the hardest working musician in the world of progressive rock.


Input: Consider Input: Almost 69% of code red calls were responded to within eight minutes in October, exceeding the 65% target.
Around 5% of all 999 calls were subject to the target that month, compared to 40% before the year-long trial began.
Deputy Health Minister Vaughan Gething said the new system was working, but opposition parties dispute the claim.
"We know that change can be difficult in the health service - for staff and the public," said Mr Gething.
"However, the initial figures from this pilot suggest that the new clinical response model is ensuring that patients are getting the right care, in the right place, at the right time."
Tracey Myhill, chief executive of the Welsh Ambulance Service, said: "We've made a really solid start on this ground-breaking new pilot, and today's figures are testament of that."
Welsh Lib Dem leader Kirsty Williams said she was concerned that the "vast majority" of emergency calls were no longer subject to any time-related targets or had any performance data published.
She said: "This new targeting regime may make life easier for Labour ministers, giving them one less negative headline every month, but in reality people are being left in the dark as to how well their ambulance service is actually performing."
Plaid Cymru health spokesperson Elin Jones and Ms Williams both pointed out that ambulances in three health board areas - Hywel Dda, Cwm Taf and Powys - still failed to meet the 65% threshold for code red calls responded to in eight minutes.
"The Labour government is still struggling to meet its watered-down targets," Ms Jones added.
"It is wrong of the government to call its performance a success."
The Welsh government denied Ms Williams's claim about the lack of data on non-red calls, pointing out that response data on amber calls had also been published.
Conservative shadow health minister Darren Millar congratulated the ambulance service on the figures.
"Whilst the targets are lower than those elsewhere in the UK this is a significant achievement and hardworking staff should be commended," he said.
But Mr Millar added: "The answer to sustained improvement in performance does not lie in the Labour approach of scrapping targets and record breaking NHS budget cuts; instead we need to see extra investment in the ambulance service and our wider unscheduled care system."

Output: Ambulances in Wales have met a key time target for responding to the most life-threatening emergencies after a change to the way calls are classed.


Input: Consider Input: A supermoon occurs when the Moon is in the closest part of its orbit to Earth, meaning it appears larger in the sky.
This phenomenon was last observed in 1982 and will not come again until 2033.
These images were captured over Wales.


Output: People around the world have witnessed a rare celestial event, as a lunar eclipse coincided with a so-called "supermoon".


