1. The range of Gibney's subjects, the rigour of his research and the complexity of his questions make We Steal Secrets breathlessly compelling, but it's the moments of psychological probing that haunt the most.
2. This thorough, engrossing film shows how idealistic Aussie hacker Julian Assange took on the might of the US, exposing their military and diplomatic misconduct, then allowed his own murky personal life to tarnish his credibility.
3. In truth, there's little in Alex Gibney's film that won't be familiar to attentive news watchers, but this skilled documentarian has mastered the art of condensing a vast and complex amount of information into a gripping and entertaining package.
4. This is an expertly organised documentary; Gibney's always are.
5. This is saying something important. Check your Facebook settings.
6. With a subject matter that oddly feels both timely and out-of-date, this documentary is packed with telling details about WikiLeaks, Although it gets muddy as it delves into the lives of founder Julian Assange and whistleblower Bradley Manning.
7. A thorough and decently intentioned work, though it accepts a little too glibly the more-in-sorrow-than-in-anger line against Assange: that he is a fascinating radical who simply became a paranoid authoritarian.
8. We Steal Secrets is much concerned with conspiracy theories and may well wind up fuelling new ones.
9. Alex Gibney adds to his forensic examinations of Enron and Abu Ghraib with another fine documentary.
10. Noxious government activities may warrant exposure, but Gibney points out that the whistleblowers can be pretty flawed too.
As fascinating as it is provocative, We Steal Secrets: The Story of Wikileaks presents another documentary triumph for director Alex Gibney, as well as a troubling look at one of the more meaningful issues of our time.

1. A work of straightforward emotion and pulse-quickening tension.
2. For a piece of propaganda, this has a lot more artfulness than you'll recall, replete with quiet moments of public mourning and a stirring flag-hoisting (dyed red on the new print, too).
3. Sergei Eisenstein's masterpiece is a persistently political work salvaged by its unforgettable grasp of motion.
4. Battleship Potemkin is agitprop, but cinematically magnificent agitprop...
5. The direction of Sergei Eisenstein is original and powerful.
6. Eisenstein proved himself to be the first of what would become a familiar filmmaking type: the entertainer/sadist.
7. Packs so much eye-and-heart power that its abrupt ending seems to come hard on the opening rather than an hour-and-a-third later.
8. Capturing a unique moment in time, Eisentsein's 1925 masterpiece is a must-see for viewers interested in film theory, history, and aesthetics, and not just because of its seminal Odessa Steps sequence, later imitated by many directors.
9. Startlingly beautiful.
10. comes from a time where films communicated primarily through images, even if its themes fade into historical irrelevance.
A technical masterpiece, Battleship Potemkin is Soviet cinema at its finest, and its montage editing techniques remain influential to this day.

1. Basically, it's The A-Team meets Rambo meets Mission: Impossible, with a mission that's one part trickiness, four parts blowing stuff up.
2. ...a cheesy, drive-in B movie that's a helluva lot of fun, despite a tragic opening jolt and some seriously nonsensical plotting.
3. Proving that ensemble chemistry can make or break a franchise, The Losers redeems itself with comedic camaraderie delivered by a well-chosen batch of rising stars.
4. There's just enough over-the-top action in this revenge-thriller. In fact, the action is enough to right this vehicle even when the plotting gets a little sketchy or convoluted.
5. "The Losers" is exactly what you would hope for from an action film: a wham-bam-glitz-and-glam good time with two-fisted action and brains to boot ...
6. Like nearly all action movies, horror films, and thrillers in the last 15 years, a sense of motion is conveyed predominately with editing as opposed to through physical space. The compression of time, distance, and movement into hectic cuts is deadening.
7. Outrageously violent and crass with one scene too sexually suggestive for a PG-13-rated film, this adaptation of the DC Comic book by British author Andy Diggle directed by Sylvain White ("Stomp the Yard") is what your kiddies can see without your approva
8. Harmless fun when it works, but utterly disposable.
9. The script is boilerplate, the wit pretty much witless.
10. There's nothing wrong with style for its own sake, but The Losers works so strenuously to be cool at every moment that it can only be anything but.
The Losers is loud, fast, and unrelentingly violent -- but it's also funny and well-acted, which will make all the difference for some action fans.

1. The most entertaining horror movie set in the British Isles since An American Werewolf in London.
2. It not only functions as a parody of the genre, it works as a straight-up entry, and ends up being a loving homage.
3. Ridiculous and heartfelt, it's both the funniest zombie movie and the scariest romantic comedy you're likely to ever see.
4. It's Dude, Where's My Car? meets 28 Days Later... Perhaps Dude, Where's My Zombie? would be more appropriate.
5. Like all self-respecting zombie flicks, the oft-funny Shaun of the Dead deals as much with wicked social commentary as it does with gruesome murder and maniacal mayhem.
6. British-import "Rom-Zom-Com" has a little undead life to it, but it's definitely a zombie-come-lately.
7. Spiced with a healthy supply of jokes and enough gross-out gags to keep youthful audiences gagging happily.
8. It's frequently laugh-out-loud funny and surprisingly scary.
9. Finally, a great zombie movie! Disguised as a romantic comedy!
10. 'Shaun of the Dead' is that rarest of birds-a film that not only lives up to its considerable hype, it actually exceeds it.

Shaun of the Dead cleverly balances scares and witty satire, making for a bloody good zombie movie with loads of wit.