You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

 The screenplay of Gandhi is available as a published book. The film opens with a statement from the filmmakers explaining their approach to the problem of filming Gandhi's complex life story:
No man's life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the record and to try to find one's way to the heart of the man...
The film begins on the day of Gandhi's assassination on 30 January 1948. After an evening prayer, an elderly Gandhi is helped out for his evening walk to meet a large number of greeters and admirers. One of these visitors, Nathuram Godse, shoots him point blank in the chest. Gandhi exclaims, "Oh, God!" ("H  Ram!" historically), and then falls dead. The film then cuts to a huge procession at his funeral, which is attended by dignitaries from around the world.
The early life of Gandhi is not depicted in the film. Instead, the story flashes back 55 years to a life-changing event: in 1893, the 23-year-old Gandhi is thrown off a South African train for being an Indian sitting in a first-class compartment despite having a first-class ticket. Realising the laws are biased against Indians, he then decides to start a nonviolent protest campaign for the rights of all Indians in South Africa. After numerous arrests and unwelcome international attention, the government finally relents by recognising some rights for Indians.
After this victory, Gandhi is invited back to India, where he is now considered something of a national hero. He is urged to take up the fight for India's independence, (Swaraj, Quit India) from the British Empire. Gandhi agrees, and mounts a nonviolent non-cooperation campaign of unprecedented scale, coordinating millions of Indians nationwide. There are some setbacks, such as violence against the protesters and Gandhi's occasional imprisonment. The Jallianwala Bagh massacre is also depicted in the film.
Nevertheless, the campaign generates great attention, and Britain faces intense public pressure. After World War II, Britain finally grants Indian independence. Indians celebrate this victory, but their troubles are far from over. The country is subsequently divided by religion. It is decided that the northwest area and the eastern part of India (current-day Bangladesh), both places where Muslims are in the majority, will become a new country called Pakistan. It is hoped that by encouraging the Muslims to live in a separate country, violence will abate. Gandhi is opposed to the idea, and is even willing to allow Muhammad Ali Jinnah to become the first prime minister of India, but the Partition of India is carried out nevertheless. Religious tensions between Hindus and Muslims erupt into nationwide violence. Horrified, Gandhi declares a hunger strike, saying he will not eat until the fighting stops. The fighting does stop eventually.
Gandhi spends his last days trying to bring about peace between both nations. He thereby angers many dissidents on both sides, one of whom (Godse) is involved in a conspiracy to assassinate him.
As Godse shoots Gandhi in a scene recalling the opening, the film cuts to black and Gandhi is heard in a voiceover, saying "Oh, God!" The audience then sees Gandhi's cremation; the film ending with a scene of Gandhi's ashes being scattered on the holy Ganga. As this happens, viewers hear Gandhi in another voiceover from earlier in the film:
 When I despair, I remember that all through history the way of truth and love has always won. There have been tyrants, and murderers, and for a time they can seem invincible, but in the end they always fall. Think of it. Always. 
As the list of actors is seen at the end, the hymns "Vaishnava Jana To" and "Raghupati Raghava Raja Ram" are heard.
Who is disparaging Indian's in India?

 In 1954 New England, six strangers are invited to a party at a secluded New England mansion known as Hill House. After being met at the door by the butler Wadsworth, the guests are reminded that they have been given a pseudonym to protect their true identity and asks that they only use that name with the other guests. During dinner, Wadsworth admits a seventh attendee, Mr. Boddy, and announces that each of the guests is being blackmailed:
Professor Plum is a former professor of psychiatry and current member of the World Health Organization whose medical license was revoked because he had an affair with one of his female patients.
Mrs. Peacock is the wife of a U.S Senator who has been accused of accepting bribes to deliver her husband's vote and claims she must pay their blackmailer to avoid a political witch hunt.
Miss Scarlet is the owner of an illegal escort service in Washington, D.C..
Colonel Mustard is thought, at first, to have been blackmailed for scandalous photographs with one of Miss Scarlet's employees, but it is later revealed that he was a war profiteer who made his money from selling stolen radio components on the black market. He now works at the Pentagon on a private fusion bomb (which is revealed later in the film).
Mrs. White is an alleged "black widow" who was drawn in to avoid a scandal regarding the mysterious death of her nuclear physicist husband. She was previously married to an illusionist, who also disappeared under mysterious circumstances.
Mr. Green is a homosexual, a secret that would cost him his job with the State Department if it were widely known.
Finally, Wadsworth reveals Mr. Boddy's secret to the guests: he is the one who has been blackmailing them. As the guests begin to shout at Mr. Boddy, Wadsworth explains that he has gathered all the guests together to confront Mr. Boddy and turn him over to the police. Confronted by Wadsworth's revelation, Mr. Boddy reminds the guests that, if turned over to the police, he can reveal their secrets while in police custody. Mr. Boddy then distributes to each guest a wrapped gift box which, when opened, reveal one of six weapons: a wrench, a candlestick, a lead pipe, a knife, a revolver, and a rope with a hangman's knot. Mr. Boddy suggests that they use the weapons provided to kill Wadsworth and destroy the evidence, keeping their secrets safe. Mr. Boddy turns out the lights in the room, creating a moment of chaos in which someone shoots the revolver. When the lights come back on, Mr. Boddy is lying on the ground and is pronounced dead by Professor Plum.
Everyone denies killing Mr. Boddy, and Wadsworth reveals that he arranged the event in revenge for his wife who had committed suicide after being blackmailed by Mr. Boddy for having Socialist friends. While trying to decide how to proceed, Wadsworth and the guests check on Ho, the Cook, who is found dead in the meat locker with the knife. Upon returning to The Study, Mr. Boddy is gone and is later found dead by Mrs. Peacock in the bathroom from the candlestick. Wadsworth and the guests assume there must be another person in the house that killed The Cook and Mr. Boddy, so they split up in pairs and search the house with the weapons locked in the cupboard. Over the course of search, three others visit the house and are subsequently found dead: a stranded motorist, found dead in the Lounge with the wrench; a police officer investigating the motorist's abandoned car, found dead with the lead pipe in the Library; and a singing telegram girl, found dead in the Hall with the revolver. Yvette, the maid, is found dead in the Billiard Room with the rope.
Wadsworth announces to the other guests that he deduced the identity of the murderer and runs through a frantic re-enactment of the entire evening, scene by scene, with the guests in tow. Wadsworth points out that each of the victims had a connection to one of the guests and were actually accomplices that enabled Mr. Boddy to find out the secrets he later used to blackmail the guests.
The cook had earlier been employed by Mrs. Peacock.
The motorist was Colonel Mustard's driver during the war and knew of his involvement with the black market.
Yvette had worked for Miss Scarlet and had an affair with Mrs. White's husband, which made Mrs. White hate her, and led her to kill her husband. Colonel Mustard's scandalous photographs were of him and Yvette "in flagrante delicto" (caught in the act).
The police officer had been on Miss Scarlet's payroll for his silence.
The singing telegram girl was one of Professor Plum's patients. He once had an affair with her.
The accounting is interrupted by an evangelist at the front door warning "the 'Kingdom of Heaven' is at hand", who is encouraged to leave. Wadsworth then flips the electricity to the house.
At this point, the story proceeds to one of three endings: A, B, or C.
Why was Professor Plum's medical license revoked? 

 Stoddard s novel traces the education and development of a young female in American middle-class society. The protagonist, Cassandra Morgeson, is educated by a series of journeys she makes throughout her youth and early adulthood. Each new setting represents a different stage in her intellectual development.
Cassandra is born in Surrey, a small New England town. Surrey is quiet and isolated, granting a young woman little intellectual stimulation. Cassandra escapes the boredom of domestic life through stories of adventure and exploration. Surrey instills in Cassandra a restlessness that drives her quest for knowledge and experience.
At the age of thirteen, Cassandra s parents send her to live with her grandfather in Barmouth. Excessively religious, Grandfather Warren takes it upon himself to put Cassandra in her place. She is both intellectually and emotionally starved in Barmouth. Her life becomes narrowed down to home, school and church. In school, all the students dress alike and wear their hair in the same fashion. She learns an important lesson in conformity (peer pressure).
When Cassandra turns eighteen she is invited to stay with some cousins in Rosville. Rosville offers her a glimpse of city life. She attends numerous balls, whist parties and shopping sprees in Boston. She also falls in love with her cousin Charles. Charles s dark sensuality and power awakens Cassandra s sexuality, which is an integral part in her self-discovery. Cassandra quickly finds herself caught up in a passionate, adulterous love affair. Their affair is cut short in a tragic accident that costs Charles his life. Cassandra escapes with a scar across her face, which remains with her as a constant reminder of the affair.
Cassandra then travels to Belem, a city of wealth and nobility. She stays in the home of her friend, Ben Somers. In Belem she is forced to confront the social injustice of class. Here she falls for Ben s brother, Desmond. Desmond sees into Cassandra s heart through the scar on her face. He finds in Cassandra a reason to reform himself and conquer his alcoholism. He promises himself to her and then goes off to Spain to cure his addiction.
Upon her return to Surrey, Cassandra discovers that her mother has died. As the eldest and most capable daughter, the role of lady of the house is passed down to her. She becomes responsible for managing the household and taking care of her younger sister, Veronica. Cassandra resents her inherited role and envisions the rest of her days spent in monotony and misery. Her sister, Veronica, marries the wealthy but alcoholic Ben Somers. Two years after they are married, Ben dies of alcoholism, leaving Veronica to look after their child who  never cries, never moves, except when it is moved  (252). Some critics see this child as a physical representation of how Veronica s search for independence and autonomy has been stunted by her marriage. In the close of the novel  her eyes go no more in quest of something beyond  (252).
Cassandra marries the newly reformed Desmond. Her quest for self-definition does not end with marriage though. Cassandra narrates the closing pages of the novel from her desk. She is in the process of writing her life story. Writing allows Cassandra to take an active role in defining herself. Her novel helps her to assert her autonomy and achieve her goal of self-possession.

What is Veronica to Cassandra?

