Given a paragraph about movies, and a set of conversational question answers about the paragraph, answer a follow-up question from the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[Q]: CONTEXT: As a writing device, it's far funnier to let the viewers imagination run away with the wild descriptions that Howard gives. Additionally, by not showing Howards mother, the writers are able to characterize and describe her any way they like, without having to find an actor who lives up to that description. Howard repeatedly describes his mother as having no neck, facial-hair that needs to be removed, and at one point, it was mentioned that she wears a wig. Howards mother is essentially a charicature of an overbearing, overprotective, troubled but caring, single-parent. Now imagine if we were to actually see Mrs. Wolowitz's reactions when Howard yells at her. Perhaps we would start to feel uncomfortable witnessing this coddled, well-off guy in his 20's, yelling at this morbidly obese, lonely woman. By not showing his mother, the audience can separate the charicature of the woman from the far less funny "reality."  <sep>  Q: Why is Howard Wolowitz' mother not shown in The Big Bang Theory? A: As a writing device  <sep> FOLLOWUP_Q: What Is a writing device?
[A]: far funnier to let the viewers imagination run away with the wild descriptions that Howard gives


[Q]: CONTEXT: Many reviews are calling this a black comedy or dark comedy, which is comedy that makes light of a serious subject or a comedy with gloomy or disturbing elements. If this film was just a drama, it would be a serious depiction of four girls going on spring break and the tragedy that unfolded when they got mixed up with a gangster. Instead, there are pink ski masks, bikinis in court, lots of sex, references to Britney Spears, the mere existence of a drug dealer named Alien who shows up to bail the girls out of jail... The basic premise is ridiculous, and the way that violence is interspersed with this ridiculousness sets up an uncomfortable edge that seems to keep audiences talking about this movie. Mostly the characters are flat and the story is not that gripping, but the edge that Harmony Korinne keeps the audience on - never knowing which direction it would go - seems to keep viewers engaged, whether they are engrossed or repelled.  <sep>  Q: How exactly is the movie a comedy? A: reviews are calling this a black comedy or dark comedy  <sep> FOLLOWUP_Q: What is a dark comedy?
[A]: comedy that makes light of a serious subject or a comedy with gloomy or disturbing elements


[Q]: CONTEXT: They didn't change the whole climax scene. In one version Rudra's father saying him that the girl he loved is actually his step sister, so he can not marry her. On the other hand, the scene is same but there is no dialogue as it is muted and audience needs to understand from their reaction and background score. This change was made because the film got poor audience response due to the dialogue delivery of the conversation.  <sep>  Q: What are the differences between two climax of Solo? A: In one version Rudra's father saying him that the girl he loved is actually his step sister, so he can not marry her  <sep> FOLLOWUP_Q: What happens in the other version?
[A]:
On the other hand, the scene is same but there is no dialogue as it is muted and audience needs to understand from their reaction and background score


