In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Nesf El Donya (in Arabic نصف الدنيا), also known as "Nesf El Donia", (meaning "Half of the World" in English) is an Arabic weekly women's and political magazine published in Egypt. Context_2 : Brigitte is the largest women's magazine of Germany, with a circulation of around 800,000 and an estimated readership of 3,6 million. Context_3 : The El Paso Women's Hall of Fame honors and recognizes the accomplishments of El Paso women. The El Paso Hall of Fame is sponsored by the El Paso Commission for Women and was established in 1985. Inductees are women who live in El Paso and who have made a significant contribution and impact on the community. The Commission accepts nominations from the public. There are four honorary members, including Herlinda Chew, Polly Harris, Drusilla Nixon and Hedwig Schwartz. Context_4 : Infierno en el Ring (2012) (Spanish for "Inferno in the Ring") was an annual professional wrestling major event produced by Consejo Mundial de Lucha Libre (CMLL), which took place on June 29, 2012 in Arena México, Mexico City, Mexico. The 2012 "Infierno en el Ring" replaced CMLL's regularly scheduled Friday night Super Viernes show. The 2012 Infierno en el Ring was the fourth show under that name, the 14th time CMLL have promoted an "Infierno en el Ring" cage match and the first time it featured women competing in the main event. The main event of the show was the eponymous "Infierno en el Ring" match that CMLL traditionally has traditionally held approximately once a year and which has headlined its own specific show since 2008. The "Infierno en el Ring" match is a multi-person Steel Cage match contested under "Lucha de Apuestas", or bet match, rules which means that the loser of the match would be forced to unmask or have their hair shaved off per Lucha Libre traditions. At the 2012 event 10 women participated, risking either their mask, (La Seductora and Goya Kong) or their hair (La Amapola, Estrellita, Dark Angel, Lady Apache, Tiffany, Marcela, Dalys la Caribeña and Princesa Blanca). Context_5 : Women as Lovers ("Die Liebhaberinnen", published 1975) is a novel by Austrian Nobel laureate Elfriede Jelinek that details the lives of the characters Brigitte and Paula, as the two women transition from dreams of the future, to life with a husband and children. In the novel, Brigitte succeeds in "snagging the social and economic commodity Heinz, which directly results in an upgrading of her socioeconomic status." But she pays for it with her body and the loss of her private autonomy. Paula's existence, on the other hand, is "destroyed by her belief in the illusion of love." Context_6 : Magazines in Portugal are mostly women's magazines, society magazines and TV magazines. In 1994 there were nearly 984 magazines in the country. Context_7 : Ali: Fear Eats the Soul (German: Angst essen Seele auf ) is a 1974 West German film written and directed by Rainer Werner Fassbinder and starring Brigitte Mira and El Hedi ben Salem. The film won two awards at the 1974 Cannes Film Festival. It is considered to be one of Fassbinder's most powerful works and is hailed by many as a masterpiece. Brigitte Mira received the German Film Award for her performance. The film revolves around an unlikely relationship which develops between an elderly woman and a Moroccan migrant worker in post-war Germany. Context_8 : The magazine sector in Austria is under the dominance of Germany. This influence decreased at the end of the 1990s, but it continued on the women's magazines and fashion magazines. However, business magazines have not been subject to the dominance of Germany. The major fields of Austrian magazines are news, popular science and special interest topics. On the other hand, since the Austrian press market is divided between magazines and newspapers, magazines have a significant function in the press market. Context_9 : Ahmed El-Sakka (Arabic: أحمد محمد صلاح الدين السقا‎ ‎ ) (born March 1, 1973) is an Egyptian Action actor. Early in his acting career he appeared in popular series like "Nesf Rabeea El-Akhar". The role that introduced him to a large audience was a co-starring role with actor Mohamed Henedi in "Sa'eedi fil gamaa el amrekeia" (Arabic for "A Country Man in the American University") (1998). The following year he co-starred with Mohamed Henedi in "Hamam fi Amsterdam", but in a larger role of the tough guy, which seemed to be his role in most of his hit movies afterwards. His next films were all action movies where he played the main character. Probably the most famous of these movies is "Mafia" (2002) which was a big success for El Sakka and is considered by many as one of the best action actors in the history of Egyptian movies . Context_10 : The first women's magazine was published in Malaysia in 1932. In the 2000s there were nearly fifty local titles addressing women in the country. These magazines also include those having an Islamic perspective. Some international women's magazines are also published in Malaysia. One of them is "Elle Malaysia", which was first published in March 2014. Another one, "Women’s Health", was started in April 2015. Comic magazines and film magazines are also common in Malaysia. fact_1 : Brigitte is the largest women's magazine of Germany, with a circulation of around 800,000 and an estimated readership of 3,6 million. fact_2 : Nesf El Donya (in Arabic نصف الدنيا), also known as "Nesf El Donia", (meaning "Half of the World" in English) is an Arabic weekly women's and political magazine published in Egypt. Answer: yes
Solution:
Are Brigitte and Nesf El Donya both womens magazines?