In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : The 1960 Arkansas Razorbacks football team represented the University of Arkansas in the Southwest Conference (SWC) during the 1960 college football season. In their third year under head coach Frank Broyles, the Razorbacks compiled an 8–3 record (6–1 against SWC opponents), won the SWC championship, and outscored all opponents by a combined total of 185 to 87. The Razorbacks' only losses during the regular season came against Baylor by a 28–14 score and to Mississippi by a 10–7 score. The team was ranked #7 in both the final AP Poll and the final UPI Coaches Poll and went on to lose to Duke in the 1960 Cotton Bowl Classic by a 23–14 score. Context_2 : The 1960 Gator Bowl was a post-season college football bowl game between the Baylor Bears of the Southwest Conference (SWC) and the Florida Gators representing the Southeastern Conference (SEC). Florida defeated Baylor 13–12. Both quarterbacks were the game's Most Valuable Player: Florida's Larry Libertore and Baylor's Bobby Ply. Context_3 : The 1959 Arkansas Razorbacks football team represented the University of Arkansas in the Southwest Conference (SWC) during the 1959 college football season. In their second year under head coach Frank Broyles, the Razorbacks compiled a 9–2 record (5–1 against SWC opponents), finished in a tie with Texas for the SWC championship, and outscored all opponents by a combined total of 163 to 101. The Razorbacks' only losses came against Texas by a 13–12 score and to Mississippi by a 28–0 score. The team was ranked #9 in both the final AP Poll and the final UPI Coaches Poll and went on to defeat Georgia Tech in the 1960 Gator Bowl by a 14–7 score. Halfback Jim Mooty was selected by the Associated Press as a first-team player on the 1959 All-America Team. Context_4 : John Franklin Broyles (December 26, 1924 – August 14, 2017) was an American football player and coach, athletics administrator, and broadcaster. He served as the head football coach at the University of Missouri in 1957 and at the University of Arkansas from 1958 to 1976. Broyles also was Arkansas' athletic director from 1974 until his retirement on December 31, 2007. Context_5 : The 2011 Florida Gators football team represented the University of Florida in the sport of American football during the 2011 college football season. The Gators competed in the Football Bowl Subdivision (FBS) of the National Collegiate Athletic Association (NCAA) and the Eastern Division of the Southeastern Conference (SEC). They played their home games at Ben Hill Griffin Stadium on the university's Gainesville, Florida campus, and were led by first-year head coach Will Muschamp. Muschamp coached the Gators to a third-place finish in the SEC East, a 3–5 conference record, a 24–17 Gator Bowl victory over the Ohio State Buckeyes, and an overall win-loss record of 7–6 (.539). Context_6 : The 2010 Michigan Wolverines football team represented the University of Michigan in the 2010 NCAA Division I FBS football season. Michigan played its home games at Michigan Stadium in Ann Arbor, Michigan and competed in the Big Ten Conference. The season was the first since the renovation of Michigan Stadium, begun in 2007, was completed. The Wolverines were led by third-year head coach Rich Rodriguez. After its week 10 win against Illinois, Michigan became bowl eligible for the first time since 2007, and later accepted a bid to play in the Gator Bowl against Mississippi State on January 1, 2011, losing 52–14. The Wolverines finished the season sixth out of 120 Division I FBS teams in total offense, 110th in total defense and 112th in passing defense. Michigan finished with an overall record of 7–6, 3–5 in Big Ten play. After the season, head coach Rich Rodriguez and his staff were dismissed on January 5, 2011. Context_7 : The 2011 Gator Bowl game was a post-season college football bowl game between the Michigan Wolverines of the Big Ten and Mississippi State Bulldogs of the SEC, and was played on January 1, 2011 (1:30 p.m. ET), at EverBank Field in Jacksonville, Florida. It was the 66th edition of the bowl game and was broadcast by ESPN2. It was the first time these two teams have ever met. After the game started fairly close, Mississippi State ultimately pulled away and routed Michigan 52-14. It was the most points ever scored by one team in the Gator Bowl, and the worst loss Michigan has ever suffered in any bowl game in its long history. Rich Rodriguez was fired by Michigan after the game, marking the beginning of the "Brady Hoke Era," as Hoke would be named Rodriguez's replacement as Michigan head coach. Context_8 : The 1960 Gator Bowl was a college football bowl game between the Southwest Conference (SWC) co-champion Arkansas Razorbacks and the Georgia Tech Yellow Jackets representing the Southeastern Conference (SEC). Arkansas defeated Georgia Tech, 14–7, in front of 45,104 spectators. There were two players named Most Valuable Player: Jim Mooty of Arkansas and Maxie Baughan of Georgia Tech. Context_9 : The 1960 Baylor Bears football team represented Baylor University during the 1960 college football season. The Bears were led by second-year head coach John Bridgers and played their home games at Baylor Stadium in Waco, Texas. They competed as members of the Southwest Conference, finishing in second and ranked 12th in the final AP Poll with a regular season record of 8–2 (5–2 SWC). They were invited to the 1960 Gator Bowl, where they lost to Florida, 12–13. Context_10 : The 1955 Cotton Bowl Classic was a post-season college football bowl game between the Southwest Conference champion Arkansas Razorbacks and the champions of the SEC, the Georgia Tech Yellow Jackets. Georgia Tech defeated Arkansas, 14-6, in front of 75,550 spectators. Arkansas would get their revenge in the 1960 Gator Bowl, a 14-7 Hog win. fact_1 :  In their second year under head coach Frank Broyles, the Razorbacks compiled a 9–2 record (5–1 against SWC opponents), finished in a tie with Texas for the SWC championship, and outscored all opponents by a combined total of 163 to 101. fact_2 :  The team was ranked #9 in both the final AP Poll and the final UPI Coaches Poll and went on to defeat Georgia Tech in the 1960 Gator Bowl by a 14–7 score. fact_3 :  Broyles also was Arkansas' athletic director from 1974 until his retirement on December 31, 2007. Question: When did the head coach who led the Razorbacks to victory in the 1960 Gator Bowl retire?

Solution: December 31, 2007