In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : The Lion's Mound (French: "Butte du Lion" , "Lion's Hillock/Knoll"; Dutch: "Leeuw van Waterloo" , "Lion of Waterloo") is a large conical artificial hill located in the municipality of Braine-l'Alleud (Dutch: Eigenbrakel), Belgium. King William I of the Netherlands ordered its construction in 1820, and it was completed in 1826. It commemorates the location on the battlefield of Waterloo where a musket ball hit the shoulder of William II of the Netherlands (the Prince of Orange) and knocked him from his horse during the battle. It is also a memorial of the Battle of Quatre Bras, which had been fought two days earlier, on 16 June 1815. Context_2 : The Battle of Ligny (16 June 1815) was the last victory of the military career of Napoleon Bonaparte. In this battle, French troops of the Armée du Nord under Napoleon's command, defeated part of a Prussian army under Field Marshal Prince Blücher, near Ligny in present-day Belgium. The Battle of Ligny is an example of a tactical win and a strategic loss for the French. While the French troops did force the enemy to retreat, the Prussian army survived and went on to play a pivotal role two days later at the Battle of Waterloo, reinforced by IV Prussian corps that had not participated in the battle at Ligny. Had the French army succeeded in keeping the Prussian army from joining the Anglo-allied Army under Wellington at Waterloo, Napoleon might have won the Waterloo Campaign. Context_3 : The Battle of Waterloo was fought on Sunday, 18 June 1815, near Waterloo in present-day Belgium, then part of the United Kingdom of the Netherlands. A French army under the command of Napoleon Bonaparte was defeated by two of the armies of the Seventh Coalition: a British-led Allied army under the command of the Duke of Wellington, and a Prussian army under the command of Gebhard Leberecht von Blücher, Prince of Wahlstatt. Context_4 : Field Marshal Arthur Wellesley, 1st Duke of Wellington, {'1': ", '2': ", '3': ", '4': "} (1 May 1769 – 14 September 1852) was an Anglo-Irish soldier and statesman who was one of the leading military and political figures of 19th-century Britain. His defeat of Napoleon at the Battle of Waterloo in 1815 put him in the first rank of Britain's military heroes. Context_5 : The Battle of Redinha was a rearguard action which took place on March 12, 1811, during Masséna's retreat from Portugal, by a French division under Marshal Ney against a considerably larger Anglo-Portuguese force under Wellington. Challenging the Allies with only one or two divisions, Ney's 7,000 troops were pitched against 25,000 men. The success of Ney's action delayed the Allied advance and bought valuable time for the withdrawal of the main body of the French army. Context_6 : The Battle of the Marne (French: Première bataille de la Marne , also known as the Miracle of the Marne, "Le Miracle de la Marne") was a World War I battle fought from 6–10 September 1914. It resulted in an Allied victory against the German armies in the west. The battle was the culmination of the German advance into France and pursuit of the Allied armies which followed the Battle of the Frontiers in August and had reached the eastern outskirts of Paris. A counter-attack by six French armies and the British Expeditionary Force (BEF) along the Marne River forced the Imperial German Army to retreat north-west, leading to the First Battle of the Aisne and the Race to the Sea. The battle was a victory for the Allies but led to four years of trench warfare stalemate on the Western Front. Context_7 : The Battle of Landen (or Neerwinden), in the current Belgian province of Flemish Brabant, was a battle in the Nine Years' War, fought in present-day Belgium on 29 July 1693 between the French army of Marshal Luxembourg and the Allied army of King William III of England. The French assaulted the Allied position three times before the French cavalry finally penetrated the allied defences and drove William's army from the field in a rout. The battle was, however, quite costly for both sides, the French losing 9,000 men to the Allies' 14,000. The French failed to follow up on their victory, allowing William to escape. Context_8 : The Battle of Wavre was the final major military action of the Hundred Days campaign and the Napoleonic Wars. It was fought on 18–19 June 1815 between the Prussian rearguard, consisting of the Prussian III Corps under the command of General Johann von Thielmann (whose chief-of-staff was Carl von Clausewitz) and three corps of the French army under the command of Marshal Grouchy. A blocking action, this battle kept 33,000 French soldiers from reaching the Battle of Waterloo and so helping in the defeat of Napoleon at Waterloo. Context_9 : The Battle of Solferino (referred to in Italy as the Battle of Solferino and San Martino) on 24 June 1859 resulted in the victory of the allied French Army under Napoleon III and Sardinian Army under Victor Emmanuel II (together known as the Franco-Sardinian Alliance) against the Austrian Army under Emperor Franz Joseph I. It was the last major battle in world history where all the armies were under the personal command of their monarchs . Perhaps 300,000 soldiers fought in the important battle, the largest since the Battle of Leipzig in 1813. There were about 130,000 Austrian troops and a combined total of 140,000 French and allied Piedmontese troops. After the battle, the Austrian Emperor refrained from further direct command of the army. Context_10 : The Panorama of the Battle of Waterloo (French: "Panorama de la Bataille de Waterloo" ) is a rotunda in Belgium that houses a monumental panoramic painting depicting the Battle of Waterloo. The neoclassical building is located immediately to the north of the Lion's Mound on the battlefield of the Battle of Waterloo in the municipality of Braine-l'Alleud in the Belgian province of Walloon Brabant. fact_1 : The Battle of Redinha was a rearguard action which took place on March 12, 1811, during Masséna's retreat from Portugal, by a French division under Marshal Ney against a considerably larger Anglo-Portuguese force under Wellington. fact_2 : Field Marshal Arthur Wellesley, 1st Duke of Wellington, {'1': ", '2': ", '3': ", '4': "} (1 May 1769 – 14 September 1852) was an Anglo-Irish soldier and statesman who was one of the leading military and political figures of 19th-century Britain. fact_3 :  His defeat of Napoleon at the Battle of Waterloo in 1815 put him in the first rank of Britain's military heroes. Question: What nation was allied against the French in both the Battle of Waterloo and the Battle of Redinha?

Solution: Britain