In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Frederik Robbert "Freek" van de Graaff (20 February 1944 – 24 June 2009) was a Dutch rower who won a bronze medal in the coxed fours at the 1964 Summer Olympics. His team mates were Marius Klumperbeek (cox), Lex Mullink, Bobbie van de Graaf and Jan van de Graaff. The three "van de Graaf(f)s" were all born in 1944. Context_2 : Andorra was represented by Marian van de Wal with the song "La mirada interior", which was chosen over two stages organized by Andorran Television. Andorra began their search for a representative with Eurocàsting 2004, which eventually narrowed down 32 competitors into only 3. Marian van de Wal, Mar Capdevila, and Ishtar Ruiz each performed two song in the final. After a tie between Marian van de Wal and Mar Capdevila, the youngest jury member selected Marian van de Wal to represent Andorra at the 2005 Eurovision Song Contest. On January 22, Marian van de Wal performed three candidate songs in a show hosted by Meri Picart & Josep Lluís Trabal. A combination of SMS Voting and a professional jury selected "La Mirada Interior". Context_3 : William Travis "Bully" Van de Graaff (October 25, 1895 – April 26, 1977) was an American football player, coach, and college athletics administrator. He attended Tuscaloosa High School. He played college football at the University of Alabama, where he was selected as an All-American in 1915, Alabama's first. He was 6'1" 187 pounds. "Bully" was placed on an "Associated Press" Southeast Area All-Time football team 1869-1919 era. Van de Graaff served as the head football coach at Colorado College from 1926 to 1939, compiling a record of 49–47–6. He coached hall of famer Dutch Clark. He died in Colorado Springs, Colorado on April 26, 1977 at the age of 81. He was the older brother of physicist Robert J. Van de Graaff, the designer of the Van de Graaff generator which produces high voltages. Bully's two older brothers, Hargrove and Adrian, were also Alabama football players. Context_4 : Remon van de Hare (born May 23, 1982) is a Dutch former professional basketball player. He is 7'3.25" (2.22 m) tall and played as center. He was picked in the second round of the 2003 NBA draft by the Toronto Raptors, but never played a game in the NBA. Van de Hare was also a member of the Dutch national basketball team in 2008. Van de Hare retired on December 31, 2009. Context_5 : The 2003 NBA draft was held on June 26, 2003, at The Theater at Madison Square Garden in New York City, New York. The NBA announced that 41 college and high school players and a record 31 international players had filed as early-entry candidates for the 2003 NBA draft. The Cleveland Cavaliers, who had a 22.50 percent probability of obtaining the first selection, won the NBA draft lottery on May 22, and Cleveland chairman Gordon Gund said afterward his team would select LeBron James. The Detroit Pistons and the Denver Nuggets were second and third respectively. Lebron was selected first overall by the Cleveland Cavaliers. Darko Milicic was selected 2nd overall by the Detroit Pistons. Carmelo Anthony was drafted 3rd overall by the Denver Nuggets. Context_6 : The Van de Kamp Bakery Building was built in 1930 in the Glassell Park neighborhood of Los Angeles. It served as the headquarters of the chain of bakeries and coffee shops known for their distinctive windmill architecture. The building was designed by New York architect J. Edwin Hopkins to resemble a Dutch 16th century farmhouse. Originally there was a Van de Kamp's store next to the building, which was one of the first Van de Kamp's stores ever made and had the famous Van de Kamp's windmill style design. The building remains the only example of an industrial plant in the Dutch Renaissance Revival style. The bakery closed in October 1990 after Van de Kamps filed for Chapter 11. The building is a designated Los Angeles Historic-Cultural Monument, declared on May 12, 1992. Context_7 : Jan van de Graaff (born 24 September 1944) is a retired Dutch rower. He won the world title in the coxed pair at the 1966 World Rowing Championships and a bronze medal in the coxed fours at the 1964 Summer Olympics. At the 1964 Olympics his team mates were Marius Klumperbeek (cox), Lex Mullink, Bobbie van de Graaf and Freek van de Graaff. The three "van de Graaf(f)s" were all born in 1944. Context_8 : Van der Wal (or van de Wal, Vander Wal, Vanderwal, van de Wall) is a toponymic surname of Dutch origin. The original bearer of the name may have lived or worked at or near a "wal": a river embankment, quay, or rampage. In 2007, Van de(r) Wal was the 47th most common surname in the Netherlands (15,646 people). In Belgium, the form Van de Walle is more abundant. People with the name Van de(r) Wal include: Context_9 : Remon van Bochoven (born 27 April 1989 in Zoetermeer) is a footballer who plays as a striker for Derde Divisie side Westlandia. Context_10 : Van de Velde, Vande Velde, or Vandevelde is a Dutch toponymic surname meaning "from the field". Van de Velde is the 32nd most common name in Belgium, with 8,903 people in 2008, while in 2007 there were 3,319 people named "Van de Velde" in The Netherlands. Among other variations on this name are Van der Velde, Vandevelde, Van Velde, Van de Velden, and Van der Velden. fact_1 :  He was picked in the second round of the 2003 NBA draft by the Toronto Raptors, but never played a game in the NBA. fact_2 : The 2003 NBA draft was held on June 26, 2003, at The Theater at Madison Square Garden in New York City, New York. Question: On what date was Remon van de Hare drafted in the NBA?

Solution: June 26, 2003