In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : The Romania men's national handball team is governed by the Romanian Handball Federation (Romanian: "Romanian Federaţia Română de Handbal" ) and takes part in international team handball competitions. Romania was for many decades the most successful nation in handball with 4 gold medal wins at the World Championships, they served as a model for the sport. However, Romania failed to win a medal since 1990. Context_2 : The Portugal national handball team is the national handball team of Portugal. It is governed by the Portuguese Handball Federation and takes part in international team handball competitions. The Portuguese squad achieved minor results at international level, but has qualified three times for the World Men's Handball Championship, and reached the 12th place in the 2003 edition, when they hosted the competition. Context_3 : Afghanistan national handball team is the national handball team of Afghanistan. National team is governed by Afghanistan handball federation. Afghanistan handball team affiliated to Asian Handball federation in 2004. Context_4 : Anouk Nieuwenweg (born 20 August 1996) is a Dutch handballer who plays for HSG Bad Wildungen and the Netherlands national team. Context_5 : The Netherlands women's national handball team is the national team of the Netherlands. It is governed by the "Nederlands Handbal Verbond" (NHV). Context_6 : The Pakistan national beach handball team (Urdu: ‎ ) is the men's beach handball team that has represented Pakistan in international competition since 1984. It is governed by the Pakistan Handball Federation. They have been an affiliate of the International Handball Federation and member of the Asian Handball Federation (AHF), since April 1985. Context_7 : Madeleine McAfee (born 5 February 1993 in Brisbane) is an Australian team handball player. She plays on both the Australia women's national beach handball team (beach Handball) and the Australian national team (indoor Handball), and participated at the 2016 Beach handball world Championships as well as the 2011 World Women's Handball Championship in Brazil and in the 2009 Women's World Championships in China. She has also captained the Australian Junior Women's Handball Team for the championships in Spain and Italy. McAfee has also been a significant presence in the European Handball sporting club at her high school, Lourdes Hill College. Context_8 : The Netherlands Handball Association (Dutch: "Nederlands Handbal Verbond" ) (NHV) is the national Handball association in Netherlands. NHV organizes team handball within Dutch and represents the Dutch handball internationally. The Association is a member of the International Handball Federation (IHF) and European Handball Federation (EHF). Context_9 : Alice Keighley (born 1993) is an Australian team handball and beach handball player. As a member of the Australian national team, Alice played in the 2011 World Women's Handball Championship in Brazil and in the 2015 IHF Four Nations Tournament in Kazakhstan. As a member of the Australian Women's Junior Handball Team, she competed in the 2013 IHF Intercontinental World Cup Challenge Trophy in Mexico and the 2012 IHF Oceania Continental Challenge Trophy. In 2010, she was selected in the Australian Youth Olympic handball team to attend the 2010 Summer Youth Olympics, where the team came 6th. As a member of the Australia women's national beach handball team, she competed in the 2012 Beach Handball World Championships in Oman, the World Games 2013 in Colombia and the 2014 Beach Handball World Championships in Brazil. Context_10 : The Macedonia national handball team is the national handball team of the Republic of Macedonia. The team is run by the Macedonian Handball Federation, the governing body of handball in Macedonia. Prior to joining the International Handball Federation in 1993 as an independent country, Macedonia was represented within the Yugoslavia national handball team. fact_1 : Anouk Nieuwenweg (born 20 August 1996) is a Dutch handballer who plays for HSG Bad Wildungen and the Netherlands national team. fact_2 : The Netherlands women's national handball team is the national team of the Netherlands. Question: What is the other handball team Anouk Nieuwenweg plays for besides the Nederlands Handbal Verbond governed team?

Solution: HSG Bad Wildungen