In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : "She's All I Got" is a song written by Gary U.S. Bonds and Jerry Williams, Jr. in which the male narrator pleads to someone else not to take away his lover. It has been recorded by several artists. The first version, released in 1971 by Freddie North, was a Top 40 U.S. pop hit, and a version by Johnny Paycheck was a number 2 U.S. country hit that same year. A second country music version was released on Conway Twitty's 1972 Decca LP I Can't See Me Without You. There was also a version titled "He's All I Got" that was on Tanya Tucker's 1972 album "Delta Dawn". Yet another cover titled "Don't Take Her She's All I've Got" was released by Tracy Byrd, whose version reached number 4 on the U.S. and Canadian country singles charts. Context_2 : "Delta Dawn" is the nickname of an unidentified decedent found in Moss Point, Mississippi in late 1982. The child was a murder victim, as she had both been smothered and drowned shortly before her body was found in the Escatawpa River. Context_3 : "Delta Dawn" is a song written by former child rockabilly star Larry Collins and songwriter Alex Harvey, best known as a 1972 top ten country hit for Tanya Tucker and a number one hit for Helen Reddy in 1973. Context_4 : Delta Dawn is the début album of American country singer Tanya Tucker. Working with famed producer Billy Sherrill, who also produced the records of Tammy Wynette, the album began Tucker's career in country music. Her first released single from the album was the title song, "Delta Dawn," which reached number 6 on the Billboard Country Singles charts in April 1972. The other two charting singles both did slightly better: "Love's the Answer" and "The Jamestown Ferry" both rose to number 5. The album itself was at number 32 on the Country Albums chart. Context_5 : Tanya Denise Tucker (born October 10, 1958, in Seminole, Texas) is an American country music artist who had her first hit, "Delta Dawn", in 1972 at the age of 13. Over the succeeding decades, Tucker became one of the few child performers to mature into adulthood without losing her audience, and during the course of her career, she notched a streak of top-10 and top-40 hits. Context_6 : LaCosta Tucker (born December 12, 1951) is an American country music artist who recorded in the 1970s and 1980s as La Costa. The sister of country singer Tanya Tucker, LaCosta charted several singles of her own in the 1970s on the "Billboard" country singles charts, including the No. 3 "Get on My Love Train." Context_7 : "Love's the Answer" is a song written by Emily Mitchell and Norro Wilson, and recorded by American country music artist Tanya Tucker. It was released in September 1972 as the second single from her album "Delta Dawn". The song peaked at number 5 on the "Billboard" Hot Country Singles chart. It also reached number 1 on the "RPM" Country Tracks chart in Canada. Context_8 : The Best of Helen Reddy is a compilation album by Australian-American pop singer Helen Reddy that was released in 1991 by EMI Music Group and focuses exclusively on her first seven LPs. The 20 songs selected are evenly balanced between chart hits such as "I Am Woman", "Delta Dawn", and "Angie Baby", and lesser-known album tracks, including "Summer of '71" and "Tulsa Turnaround". Context_9 : Tanya Tucker's Live at Billy Bob's Texas is another in the series featuring various country music artists performing at Billy Bob's nightclub in Fort Worth, Texas, the club that promotes itself as "The World's Largest Honky Tonk." In Tucker's long career this is only the second live album that she has released. All of the sixteen tracks are live versions of some of the better known tunes in her career, ranging from her first hit, "Delta Dawn," in 1972 to "Hangin' In" in 1994. A DVD version of this album is also available, and contains four additional tunes: "Oh What It Did to Me," "Love Me Like You Used To," "A Memory Like I'm Gonna Be," and "Texas (When I Die)." Context_10 : Feel So Young is an album by Australian-American pop singer Helen Reddy that was released in 1990 by Helen Reddy, Inc., and includes new recordings of some of her hits ("Ain't No Way to Treat a Lady", "Angie Baby ", "I Am Woman", and "You and Me Against the World") and two songs from her 1983 "Imagination" album ("Let's Go Up" and "Looks Like Love") as well as four new songs. It has been reissued by many other independent labels under various names and with varying track lists, some of which include some or all of three additional re-recordings of "Delta Dawn", "I Don't Know How to Love Him", and "Leave Me Alone (Ruby Red Dress)". Some of the names of these reissues include: fact_1 :  The sister of country singer Tanya Tucker, LaCosta charted several singles of her own in the 1970s on the "Billboard" country singles charts, including the No. 3 "Get on My Love Train." fact_2 : Tanya Denise Tucker (born October 10, 1958, in Seminole, Texas) is an American country music artist who had her first hit, "Delta Dawn", in 1972 at the age of 13. Question: Which LaCosta Tucker sister had her first hit, "Delta Dawn", in 1972 at the age of 13?

Solution: Tanya Tucker