In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : White Cyclone (ホワイトサイクロン , Howaito Saikuron ) is a wooden roller coaster at Nagashima Spa Land in Mie Prefecture, Japan. At 1700 m in length, White Cyclone is the third longest wooden roller coaster in the world, and is the longest wooden roller coaster outside of the United States. Despite its length, White Cyclone is still considerably shorter than the 2479 m Steel Dragon 2000, the world's longest steel roller coaster, which is also at Nagashima Spa Land. In addition to being the third longest wooden roller coaster, White Cyclone is the seventh tallest wooden roller coaster in the world and the fourth tallest wooden roller coaster outside the United States. A single ride on the White Cyclone costs ¥1,000 (approximately $9 USD), and the ride is restricted to those individuals above 1.3 m in height; and those individuals under 54 years of age. Context_2 : Roller Coaster (Vietnamese: Tàu Lượn Siêu Tốc) is a steel roller coaster located at Dam Sen Cultural Park in Ho Chi Minh City, Vietnam. Built in 1998, it is the first roller coaster in Vietnam. Until the opening of a similar roller coaster at Đại Nam Văn Hiến which has 4 inversions, the Dam Sen roller coaster had the most inversions in Vietnam. Context_3 : The Wooden Roller Coaster (formerly Coaster) is a wooden roller coaster at Playland in Vancouver, British Columbia, Canada. Opened in 1958, it is the oldest roller coaster in Canada. The ride is 2840 ft long—which established it as the largest roller coaster in Canada at the time it was completed—and has a height of 68 ft and speeds of up to 76 km/h . The coaster was awarded the Coaster Classic and Roller Coaster Landmark statuses by American Coaster Enthusiasts. Context_4 : Leviathan is a steel roller coaster in the Medieval Faire section of the park at Canada's Wonderland in Vaughan, Ontario, Canada. It is the first roller coaster designed by Swiss firm Bolliger & Mabillard to exceed a height of 300 ft , putting it in a class of roller coasters commonly referred to as "giga". At 5486 ft long, 306 ft tall, and with a top speed of 92 mph , Leviathan is the tallest and fastest roller coaster in Canada. s of 2015 , Leviathan is ranked as the eighth-tallest, and the eighth-fastest roller coaster in the world, and the third-tallest traditional lift-style coaster in the world. It was the 16th roller coaster to be built at Canada's Wonderland, and the ride's track was completed in February 2012, with the first test run being completed on 15 March 2012. The coaster opened to season pass holders on 27 April 2012, and to the general public on 6 May 2012. Context_5 : Corkscrew is the name of a roller coaster at Valleyfair in Shakopee, Minnesota featuring one vertical loop and two corkscrews. Built in 1980, Corkscrew was planned to reflect the design of its sister roller coaster Corkscrew at Cedar Point. It is notably one of the first roller coasters to feature a double corkscrew, as well as a vertical loop. The main differences that the Valleyfair model has is the addition of a finale helix and the omission of the camelback before the loop. Until the hypercoaster Wild Thing (the fifth highest and fastest roller coaster in the world at the time it opened in 1996), Corkscrew was the only outdoor all-steel roller coaster in Minnesota. Corkscrew is currently the only roller coaster at Valleyfair with inversions. The coaster's track was painted blue when it open in 1980 but was repainted orange and yellow in 2011. Context_6 : Titan is a steel hyper coaster located at Six Flags Over Texas in Arlington, Texas. Unlike most hypercoasters, Titan is a combination of an out and back roller coaster and a twister roller coaster. It stands at 245 feet and contains a 255 drop. Context_7 : Maverick is a steel roller coaster built by Intamin at Cedar Point in Sandusky, Ohio, United States. It was the seventeenth roller coaster built at the park since Blue Streak in 1964. It is notable as being the 500th roller coaster designed by German engineer Werner Stengel and the first roller coaster featuring a Twisted Horseshoe Roll. Maverick's US$21-million price tag makes it Cedar Point's fourth most expensive roller coaster, behind Millennium Force, Top Thrill Dragster, and GateKeeper. The 4450 ft course makes it the fourth longest roller coaster at Cedar Point. Context_8 : The Cyclone was a wooden roller coaster that operated at Revere Beach in Revere, Massachusetts, from 1925 until 1969. When Cyclone was constructed, it was the tallest roller coaster ever built, as well as being the first roller coaster in the world to reach 100 ft in height. In addition to being the tallest roller coaster of its day, some also claim that it was the largest and fastest roller coaster in the world, with a length of 3600 ft and top speeds between 45 and 50 mph (some dispute the speed record claim and instead award that honor to the Giant Dipper). Cyclone held the title of world's tallest roller coaster until 1964 when it was surpassed by Montaña Rusa at La Feria Chapultepec Mágico in Mexico City, Mexico. Context_9 : Millennium Force is a steel roller coaster built by Intamin at Cedar Point amusement park in Sandusky, Ohio, United States. It was the fourteenth roller coaster to be built at the park since Blue Streak opened in 1964. Upon completion in 2000, Millennium Force broke six world records and was the world's first Giga Coaster, a roller coaster that exceeds 300 ft in height and completes a full circuit. It was briefly the tallest and fastest in the world until Steel Dragon 2000 opened later the same year. The ride is also the third-longest roller coaster in North America after The Beast at Kings Island and Fury 325 at Carowinds. It was the first roller coaster to use a cable lift system rather than a traditional chain lift. The coaster has a 310 ft , 45-degree lift hill with a 300 ft drop and features two tunnels, three overbanked turns, and four hills. It has a top speed of 93 mph . Context_10 : Goliath is a steel roller coaster made by Giovanola of Switzerland. The hypercoaster is located in the Screampunk District area of Six Flags Magic Mountain in Valencia, California and is promoted with a sub-tropical theme that is characterized by ruins of the ancient Mayan civilization. The ride is nearly identical to Titan at Six Flags Over Texas. Its differences from its Six Flags twin is that Goliath lacks the 540-degree upward helix on Titan prior to the mid-course brake run (Goliath simply banks left to the brake run instead) and Goliath is also slightly shorter than Titan. fact_1 : Goliath is a steel roller coaster made by Giovanola of Switzerland. fact_2 :  The ride is nearly identical to Titan at Six Flags Over Texas. fact_3 : Titan is a steel hyper coaster located at Six Flags Over Texas in Arlington, Texas. Answer: Goliath
Solution:
Which roller coaster is similar to one found in Arlington, Texas?