In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Lydia Goehr is a Professor of Philosophy at Columbia University. Her research specialties include the philosophy of music, aesthetics, critical theory, the philosophy of history, and 19th- and 20th-century philosophy. Goehr was born in London, on January 10, 1960. She is the daughter of the composer Alexander Goehr and granddaughter of Walter Goehr. She received her Ph.D. from Cambridge University, where her dissertation on the ontology of music was supervised by Bernard Williams. In addition to her permanent appointment at Columbia, Goehr has accepted a number of visiting appointments, including a position as Visiting Ernest Bloch Professor at UC Berkeley's music department in 1997, as the visiting Aby Warburg Professor at the University of Hamburg in 2002-2003, as a visiting professor at the Freie Universität in Berlin in 2008, and as a visiting professor in the Fu-Berlin SFB Theater und Fest in 2009. Context_2 : The UC Berkeley-UCSF Joint Medical Program (JMP) is a joint degree program in the University of California system, between the UC Berkeley School of Public Health and the UCSF School of Medicine. The JMP begins with three years at UC Berkeley, where students complete the basic science component of their medical education while concurrently completing a Masters of Science in health and medical sciences. Students then matriculate to the UCSF School of Medicine for two years of clinical clerkships at UCSF-affiliated hospitals. At the end of this 5-year program, students graduate with an M.D. from UCSF and an M.S. from UC Berkeley. Context_3 : David G. Messerschmitt (born May 26, 1945) is an engineer and professor emeritus at the University of California, Berkeley in the Department of Electrical Engineering and Computer Sciences in the UC Berkeley College of Engineering. He retired from UC Berkeley in 2005. At present he is conducting research at Berkeley, is a visiting professor in the Software Business Laboratory at the Helsinki University of Technology, and is doing research on interstellar communications at the SETI Institute. Context_4 : The Asian American Political Alliance (AAPA) was a political organization started at University of California, Berkeley in 1968 that aimed to unite all Asian Americans under one identity to push for political and social action. The two main chapters were at UC Berkeley, and San Francisco State College, both of which became heavily involved in the larger Asian American movement throughout the 1960s, including at the Third World Liberation Front strikes at SF State and at UC Berkeley. The AAPA identified as an anti-imperialistic, Third World political organization that fought for self-determination and liberation for Asian Americans. They expressed solidarity and support for other people of color throughout the US and throughout the world, particularly in colonized or recently decolonized countries. The AAPA's participation in the Third World Liberation Front strikes at SF State and UC Berkeley resulted in the creation of a School of Ethnic Studies at SF State and an Ethnic Studies department at UC Berkeley. The AAPA was also involved in movements such as the Black Power Movement and the anti-Vietnam War movement. Although both main chapters were short-lived and disbanded in 1969, the AAPA played a large role in the Asian American movement and was influential in encouraging other Asian Americans to get involved in political action. Context_5 : Nijaz Ibrulj (born 2 July 1956) is a Bosnian philosopher and a professor at the University of Sarajevo's Department of Philosophy and Sociology. He lectures on logic, analytic philosophy, methodology of social sciences, theory of knowledge, and cognitive science. His interests also extend to the field of social ontology. In 2000-2001 Ibrulj was awarded a Fulbright Visiting Scholarship to visit the University of California at Berkeley, where he worked with John Searle and Donald Davidson. Context_6 : John Rogers Searle ( ; born 31 July 1932) is an American philosopher. He is currently Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley. Widely noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959. Context_7 : Stephen D. Sugarman is the Roger J. Traynor Professor of Law at the UC Berkeley School of Law, where he has taught since 1972. He was the associate dean of the UC Berkeley School of Law from 1980 to 1982, and then again from 2004 to 2009. At UC Berkeley, he teaches multiple classes in the social justice curriculum, including classes torts and sports law. He has been a visiting professor at the London School of Economics, at University College, London, and at Columbia University, among other institutions. Context_8 : Frances C. Butler (born 1940 in St. Louis, Missouri) is an American book artist and educator. Butler received her B.A. in History at the University of California, Berkeley in 1961, her M.A. in History at Stanford University in 1963, and a second M.A. in Design at UC Berkeley in 1966. She was a professor at UC Berkeley from 1968–70, and began teaching at UC Davis in 1970. She ran Goodstuffs Handprinted Fabric from 1973–79, and co-founded Poltroon Press with Alastair Johnston in 1975. Context_9 : The Jacobs Institute for Design Innovation is a building on the UC Berkeley campus, part of the UC Berkeley College of Engineering. Construction began in August 2014 with a $20 million gift from the Paul and Stacy Jacobs Foundation. The ribbon-cutting ceremony took place on August 20, 2015, with speeches by speeches by various UC Berkeley administrators, Ellen Lupton, Paul E. Jacobs, executive chairman of Qualcomm, and the building opened for instruction on September 16. The 24,000-square-foot building was constructed at a cost of $25 million, funded by philanthropy. Context_10 : Angela P. Harris (born 1961) is a legal scholar at UC Davis School of Law, in the fields of critical race theory, feminist legal scholarship, and criminal law. She held the position of professor of law at UC Berkeley School of Law, joining the faculty in 1988. In 2009, Harris joined the faculty of the State University of New York at Buffalo Law School as a visiting professor. In 2010, she also assumed the role of acting vice dean for research and faculty development. In 2011, she accepted an offer to join the faculty at the UC Davis School of Law, and began teaching as a professor of law in the 2011–12 academic year. fact_1 :  In 2000-2001 Ibrulj was awarded a Fulbright Visiting Scholarship to visit the University of California at Berkeley, where he worked with John Searle and Donald Davidson. fact_2 : John Rogers Searle ( ; born 31 July 1932) is an American philosopher. fact_3 :  Widely noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959. Answer: John Rogers Searle
Solution:
Who noted for his contributions to the philosophy of language, philosophy of mind, and social philosophy, he began teaching at UC Berkeley in 1959, worked with the man who was  awarded a Fulbright Visiting Scholarship to visit the University of California at Berkeley?