In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : The Collection is a compilation album released by English heavy metal band Black Sabbath in 1992. The album was released on the label Castle, who released two CD versions of this album in the UK, both with the same cover art and songs. The album includes greatest songs of Black Sabbath with Ozzy Osbourne prior to his dismissal in 1979, from the eponymous album to "Never Say Die!". The album has 15 tracks, two from "Black Sabbath", two from "Paranoid", one from "Master of Reality", two from "Black Sabbath Vol. 4", two from "Sabbath Bloody Sabbath", two from "Sabotage", two from "Technical Ecstasy" and two from "Never Say Die!". Context_2 : This is an incomplete list of heavy metal festivals. Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United States and the United Kingdom. With roots in blues rock and psychedelic rock, the first heavy metal bands such as Led Zeppelin, Black Sabbath and Deep Purple attracted large audiences, and during the late 1960s and mid-1970s these band and others in their genre were featured at a number of historic rock festivals. Judas Priest helped spur the genre's evolution by discarding much of its blues influence. Context_3 : Kekal (sometimes stylized as KEKAL) is a heavy metal and electronic music band formed in 1995 in Jakarta, Indonesia. According to AllMusic, Kekal was one of the first heavy metal bands from Indonesia to make international inroads, and according to sociologist of heavy metal, Keith Kahn-Harris, was one of the few extreme metal bands from Southeast Asia to ever make more than a minimal impression on the global scene. Founded by two musicians known simply Yeris and Newbabe, the band underwent some shifts in lineup in its early years, but emerged with a consistent lineup of three key-members, guitarist/vocalist Jeff Arwadi, bassist Azhar Levi Sianturi, and guitarist Leo Setiawan. Frequently labeled as black metal, progressive metal, and avant-garde metal, Kekal plays a very diverse range of music styles within the frame of metal and rock, incorporating many other music genres such as ambient, electronic, jazz fusion, and progressive rock. Over the course of its career, Kekal has transitioned from a heavy metal-based style to a more experimental and electronic sound. Context_4 : Daniel Alan Spitz (born January 28, 1963) is an American musician and watchmaker best known for his work as the lead guitarist, principal songwriter and co-producer of the American heavy metal band Anthrax from 1983 to 1995 and from 2005 to 2008. With Anthrax, Spitz was nominated for three Grammy awards and has been awarded platinum and multiple platinum RIAA certified albums for his entire Anthrax catalog of work. Dan Spitz is the first heavy metal songwriter to have his music playing on two planets. NASA chose his song alongside only 9 other artists such as Frank Sinatra and the Beatles to be played on the Lunar Rover Curiosity making him the first heavy metal artist to have a top 10 charting song on two planets. Spitz also founded the Christian music group Red Lamb alongside Dave Mustaine of Megadeth as his writing partner, the first to bring autism awareness into any genre of music or music video. Context_5 : Black Sabbath is the debut album by the English rock band Black Sabbath. Released on 13 February 1970 in the United Kingdom and on 1 June 1970 in the United States, the album reached number eight on the UK Albums Charts and number 23 on the "Billboard" charts. Although it was poorly received by most contemporary music critics at the time, "Black Sabbath" is now widely considered the first heavy metal album. Context_6 : Metal Health is the third studio album by American heavy metal band Quiet Riot. It was released on March 11, 1983, bolstered by the No. 5 hit "Cum On Feel the Noize" and the No. 31 hit "Metal Health". "Metal Health" is notable for being the first heavy metal album to reach the top spot on the "Billboard" 200, replacing the Police's "Synchronicity" at number one in November 1983. The album went on to sell more than six million copies and is considered a classic among heavy metal fans. Some critics, such as AllMusic, describe it as a one-hit wonder, owing to Quiet Riot's relative lack of critical and commercial success with following albums (and subsequent disintegration) towards the end of the 1980s. The title track was ranked No. 35 on VH1's 40 Greatest Metal Songs. Context_7 : The History of Heavy Metal ("Hårdrockens historia") is a Swedish 2001 documentary movie made for TV spanning through the timeline of heavy metal music. It starts with the roots of heavy metal and ends with the metal of present times. Through interviews and archive material, the movie tries to give answers on many questions, including "which was the first heavy metal band?". It was produced by Malik Bendjelloul and edited by Mikael Björnsson and Johan Larsson for Barracuda Film & TV. Context_8 : Acrassicauda is an American-based Iraqi heavy metal band formed in 2001. It is often credited as being the first heavy metal group to emerge from Iraq. The original band consisted of three Arab members and one Assyrian (Tony Aziz Yaqoo). The band formed and played concerts under the regime of Saddam Hussein. It became well known outside of the local Iraqi metal scene after Vice magazine did a profile of the band. It received even greater coverage when it was profiled in a feature-length documentary about the band and its troubles in Iraq called "Heavy Metal in Baghdad". The band's first album was released on March 9, 2010. Context_9 : Slave to the Grind is the second studio album by American heavy metal band Skid Row, released on June 11, 1991 by Atlantic Records. The album displayed harsher sound than its predecessor and lyrics that avoided hard rock cliches. "Slave to the Grind" is the first heavy metal album to chart at number one on the "Billboard" 200 in the Nielsen SoundScan era, selling 134,000 copies in its opening week. The album was certified 2× platinum by the Recording Industry Association of America (RIAA) in 1998 for shipping two million copies in the United States. It produced five singles: "Monkey Business", "Slave to the Grind", "Wasted Time", "In a Darkened Room" and "Quicksand Jesus", all of which did not receive significant airplay as the singles from the previous record. Skid Row promoted the album opening for Guns N' Roses in 1991 and as a headliner the following year. Context_10 : Event Horizon is the debut studio album by British heavy metal band I Am I, released in 2012. The album was originally released on USB, then onto CD format, making I Am I the first heavy metal band ever to release an album only on USB first. The album has a few traces of the power metal sound of ZP's previous band DragonForce. The album has been described as "old school meets new school" by lead vocalist and co-writer ZP Theart. The album is quite melodic and a bit similar to the AOR of the 1970s and 1980s. The lyrics deal with human emotions, social life, and issues that people struggle with. fact_1 : The Collection is a compilation album released by English heavy metal band Black Sabbath in 1992. fact_2 :  The album has 15 tracks, two from "Black Sabbath", two from "Paranoid", one from "Master of Reality", two from "Black Sabbath Vol. fact_3 : Black Sabbath is the debut album by the English rock band Black Sabbath. fact_4 :  Although it was poorly received by most contemporary music critics at the time, "Black Sabbath" is now widely considered the first heavy metal album. Question: The Collection has tracks from the first heavy metal album maker and who else?

Solution: Paranoid, one from Master of Reality