In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Gaius Terentius Varro ( ; fl. 3rd century BC) was a Roman consul and commander. Along with his colleague, Lucius Aemilius Paullus, he commanded at the Battle of Cannae in 216 BC, during the Second Punic War, against the Carthaginian general Hannibal. The battle resulted in a decisive Roman defeat and his colleague Paulus's death and he was completely discredited by everyone upon returning to Rome due to his leadership and took no further part of the war. Context_2 : The Battle of the Rhône Crossing took place during the Second Punic War. The Carthaginian army under Hannibal Barca, while marching to Italy in the autumn of 218 BC, fought an army of the gallic Volcae tribe on the east bank of the Rhone River possibly near Aurasio. The pro-Roman Volcae, acting on behalf of a Roman army camped on the east bank near Massalia, intended to prevent the Carthaginians from crossing and invading Italy. Devising a plan to circumvent the Volcae, the Carthaginians, before crossing the river to attack the Gauls, had sent a detachment upriver under Hanno, son of Bomilcar, to cross at a different point and take position behind the Gauls. Hannibal led the main army across after Hanno sent smoke signals saying that the ambush was in place. As the Gauls massed to oppose Hannibal’s force, Hanno attacked them from behind and routed their army. Although the battle was not fought against a Roman army, the result of the battle had a profound effect on the war. Had the Carthaginians been prevented from crossing the Rhone, the 218 invasion of Italy might not have taken place. This is the first major battle that Hannibal fought outside the Iberian Peninsula. Context_3 : The Battle of Cannae ( or ) was a major battle of the Second Punic War that took place on 2 August 216 BC in Apulia, in southeast Italy. The army of Carthage, under Hannibal, surrounded and decisively defeated a larger army of the Roman Republic under the consuls Lucius Aemilius Paullus and Gaius Terentius Varro. It is regarded both as one of the greatest tactical feats in military history and as one of the worst defeats in Roman history. Context_4 : Villa Mondragone is a patrician villa originally in the territory of the Italian comune of Frascati (Latium, central Italy), now in the territory of Monte Porzio Catone (Alban Hills). It lies on a hill 416m above sea-level, in an area called, from its many castles and villas, Castelli Romani about 20 km southeast of Rome, near the ancient town of Tusculum. Context_5 : Marcus Atilius Regulus (fl. 213 BC), a son of Marcus Atilius Regulus, the consul captured during the First Punic War, and a grandson of Marcus Atilius Regulus (consul 294 BC), was a Roman consul for the year 227 BC, together with Publius Valerius Flaccus, and was a consul "suffectus" in 217 BC, replacing Gaius Flaminius Nepos, who was killed in battle at Lake Trasimene. Marcus Atilius Regulus agreed to accompany the consuls of 216 BC, Gaius Terentius Varro and Lucius Aemilius Paullus, along with the other surviving former consul of 217 BC, Gnaeus Servilius Geminus, when an army of 80,000 Romans and allies was amassed together to smash the Carthaginian army under Hannibal. The historian Polybius records that both he and Servilius died fighting bravely at the Battle of Cannae. Context_6 : The Pentri (Greek: Πέντροι ) were a tribe of the Samnites, and apparently one of the most important of the subdivisions of that nation. According to Salmon, their name comes from the Celtic pen- <peak>. Their capital city was Bovianum Undecumanorum (Livy ix. 31), modern Bojano, in the very heart of the Samnite territory, and it is therefore probable that they occupied the whole of that rugged and mountainous district which extends from the frontiers of Latium, in the valley of the Liris (modern Liri), to those of the Frentani, towards the Adriatic Sea. But it is impossible to determine their exact limits, or to separate their history from that of the remaining Samnites. It is probable, indeed, that, throughout the long wars of the Romans with the Samnites, the Pentri were the leading tribe of the latter people, and always took part in the war, whether specified or not. The only occasion when we hear of their separating themselves from the rest of their countrymen, is during the Second Punic War, when we are told that all the other Samnites, except the Pentri, declared in favour of Hannibal after the battle of Cannae, 216 BC. (Liv. xxii. 61.) This is the last occasion on which we find their name in history; all trace of the distinction between them and the other Samnites seems to have been subsequently lost, and their name is not even mentioned by Strabo or Pliny. Context_7 : The quincunx was an ancient Roman bronze coin produced during the Roman Republic. It was not part of the standard Roman monetary system. It was only produced during the Second Punic War (218 to 204 BC), by mints at Luceria (mod. Lucera), Teate (mod. Chieti), Larinum (mod. Larino), and northern Apulia. A coin with the same value was minted in Capua, during the Second Punic War, after the defeat of Cannae. Context_8 : The Battle of Monte Porzio (also called the Battle of Tusculum) was fought on 29 May 1167 between the Holy Roman Empire and the Commune of Rome. The communal Roman army, which one historian has called the "greatest army which Rome had sent into the field in centuries", was defeated by the forces of the Emperor Frederick Barbarossa and his local allies, the Counts of Tusculum and the ruler of Albano. Comparing its effect on the city of Rome, one historian has been called Monte Porzio the "Cannae of the Middle Ages". Context_9 : The second battle of Herdonia took place in 210 BC during the Second Punic War. Hannibal, leader of the Carthaginians, who had invaded Italy eight years earlier, encircled and destroyed a Roman army which was operating against his allies in Apulia. The heavy defeat increased the war’s burden on Rome and, piled on previous military disasters (such as Lake Trasimene, Cannae and others), aggravated the relations with her exhausted Italian allies. For Hannibal the battle was a tactical success, but did not halt for long the Roman advance. Within the next three years the Romans reconquered most of the territories and cities lost at the beginning of the war and pushed the Carthaginian general to the southwestern end of the Apennine peninsula. The battle was the last Carthaginian victory of the war; all battles which followed were either inconclusive or Roman victories. Context_10 : The Battle of Canusium was a three-day engagement between the forces of Rome and Carthage. It took place in Apulia during the summer of 209 BC, the tenth year of the Second Punic War. A larger Roman offensive, of which it was a part, aimed to subjugate and to punish cities and tribes that had abandoned the alliance with Rome after the Battle of Cannae, and to narrow the base of the Carthaginian leader, Hannibal, in southern Italy. fact_1 :  Comparing its effect on the city of Rome, one historian has been called Monte Porzio the "Cannae of the Middle Ages". fact_2 : The Battle of Cannae ( or ) was a major battle of the Second Punic War that took place on 2 August 216 BC in Apulia, in southeast Italy. Question: The Battle of Monte Porzio (also called the Battle of Tusculum) was fought on 29 May 1167 between the Holy Roman Empire and the Commune of Rome, comparing its effect on the city of Rome, one historian has been called Monte Porzio the "Cannae of the Middle Ages",which major battle of the Second Punic War that took place on 2 August 216 BC in Apulia, in southeast Italy, is called?

Solution: Battle of Cannae