Problem: Background: Michael "Jakko" Jakszyk (born Michael Lee Curran, 8 June 1958) is an English musician, record producer, and actor. He has released several solo albums as a singer, songwriter, and multi-instrumentalist and has been the lead singer for King Crimson since 2013. His work has been variously credited to "Jakko", "Jakko Jakszyk", and "Jakko M. Jakszyk". Before joining King Crimson, he led bands for over thirty years, including 64 Spoons, Dizrhythmia, 21st Century Schizoid Band, Jakszyk Fripp Collins, and Rapid Eye Movement.
Context: Signing a solo deal with Chiswick Records in 1981, Jakszyk began to record his debut solo album, Silesia, aided by Dave Stewart, David Jackson, and Amanda Parsons. During 1982, Chiswick released three singles ("The Night Has a Thousand Eyes", "Straining Our Eyes", and "Grab What You Can"), although none were hits. A full release of Silesia was shelved at the last minute when Chiswick declared bankruptcy while the album was at the manufacturing stage (although the album had a limited release in Germany). Strengthening his existing links to British art rock, Jakszyk began working with Peter Blegvad and would go on to play on the latter's first three solo albums (beginning with 1983's The Naked Shakespeare).  In 1983, Jakszyk signed a second solo recording contract with Stiff Records. Three further singles followed between 1983 and 1984 ("Dangerous Dreams", "I Can't Stand This Pressure", and "Who's Fooling Who") and recordings were made for a second solo album. Due for release in 1985, this album met the same fate as Silesia. It was shelved in 1985 when Stiff Records filed for bankruptcy.  Discouraged but not defeated, Jakko supplemented his income with acting work while continuing to pursue music. He continued his collaboration with Dave Stewart, contributing to his duo work with Barbara Gaskin and playing a prominent role on the Stewart-produced Neil's Heavy Concept Album (a 1984 spin-off from the Young Ones comedy series). During this time he also met an up-and-coming drummer Gavin Harrison, who would become one of his most frequent collaborators. It was also during this time that he finally visited the United States to meet his birth mother.  Jakszyk's third attempt at recording a solo album, this time for MDM Records in 1986-87, was shelved when MDM's distributor, Virgin Records, dropped its support. Some of the "lost" material from this and the previously shelved albums resurfaced on Jakszyk's 1996 compilation album Are My Ears on Wrong?, while Jakko's ill-fated first album Silesia was briefly issued on CD in the late 1990s.  In 1987, Jakszyk joined Peter and Kristoffer Blegvad, John Greaves, and Anton Fier in the short-lived New York-based band The Lodge, with whom he recorded one album, The Smell of a Friend.
Question: What was The Lodge?
Answer: In 1987, Jakszyk joined Peter and Kristoffer Blegvad, John Greaves, and Anton Fier in the short-lived New York-based band The Lodge,

Background: Raymond Emmett Berry Jr. (born February 27, 1933) is a former American football player and coach in the National Football League (NFL). He played as a split end for the Baltimore Colts from 1955 to 1967, and after several assistant coaching positions, was head coach of the New England Patriots from 1984 to 1989. With the Colts, Berry led the NFL in receptions and receiving yards three times and in receiving touchdowns twice, and he was invited to six Pro Bowls. He and the Colts won consecutive NFL championships, including the 1958 NFL Championship Game--known as "The Greatest Game Ever Played"--in which Berry caught 12 passes for 178 yards and a touchdown.
Context: Berry overcame several physical ailments during his football career, a fact he became famous for, but one that according to Berry was often exaggerated by the media. He was skinny and injury prone, such that when his college teammates saw him for the first time they sarcastically dubbed him, "Jack Armstrong, the All-American Boy". Reportedly, because one leg was shorter than the other, Berry had to wear padding inside his shoe in order to walk properly. However, according to Berry, this was not entirely true. In actuality, bruised nerves near the sacroiliac joint occasionally caused misalignment in his back, which in turn affected his legs and caused one to become slightly shorter; it was not a permanent condition. To alleviate this, he wore a back brace for 13 years in the NFL. That he required specialized shoes was a myth, which Berry says was perpetuated by an overzealous information director with the Colts when Berry tried to compensate for his condition by putting something in his shoe during training camp.  Due to his poor eyesight, Berry wore contact lenses when he played. Because the lenses would often slip when he did rapid eye movements toward the ball, he tried many different lenses, which led sportswriters to believe he must have had major eye problems. "I tried all kinds of lenses till we got what we wanted," he said. "I even had tinted lenses for sunny days, so I could watch the ball come right across the sun."  Berry was famous for his attention to detail and preparation, which he used to overcome his physical limitations. Considered slow for a wide receiver, he ran the 40-yard dash in 4.8 seconds. Rather than speed, he was renowned for his precise pass patterns and sure hands; he rarely dropped passes, and he fumbled only once in his career. He would squeeze Silly Putty constantly to strengthen his hands. He and Unitas regularly worked after practice and developed the timing and knowledge of each other's abilities that made each more effective. The reason for this, according to Berry, was that the two did not think on the same wavelength. "Every season we had to start all over on our timing, especially the long ball," said Berry. "He knew he had to release the ball when I was eighteen yards from scrimmage for me to receive it thirty-eight yards out. I knew I had to make my break in those first eighteen yards and get free within 2.8 seconds." He also relied on shifty moves, and by his count, he had 88 different moves to get open, all of which he practiced every week.  Even in his adult years, Berry was soft-spoken and reserved. He preferred not to draw attention to himself, and was described by sportswriter Jim Murray as "polite as a deacon, as quiet as a monk." Both as a player and as a coach, he was studious, serious, and orderly; "He was too straight and narrow--but a great guy, a hell of a guy," former Colts teammate Art Donovan said of Berry. "He was a little peculiar, to say the least."
Question: WHAT YEAR DID HE BECOME HEAD COACH
Answer: