Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.
Example: CONTEXT: The balance of power had shifted considerably since the first set of quotes. King Joffrey is dead, and his younger brother Tommen is now king. Unlike his wild card of an elder brother, Tommen is gentler and more prone to manipulation by his new bride. The Lannisters impeccable image has also been shattered. They failed to prevent the assassination of their king in the midst of his own wedding day, and the suspected assassin is the king's Lannister uncle. Not only do they look incompetent, they are divided among themselves. On the other hand, the Tyrells' situation is much stronger now. Tommen is already wrapped around Margaery's pretty little finger, and she knows that the assassination was orchestrated in part by her own family. In Margaery's eyes, the Lannisters look disoriented and lost. Putting on a show trial for one of their own, whom she knows is innocent of any wrongdoing. Whatever power Cersei held over Margaery has now been diminished. <sep>  Q: What was Margaery's motivation to call Cersei 'sister' again? A: Whatever power Cersei held over Margaery has now been diminished.
Example solution: Why has it been diminished?
Example explanation: The question is valid since it is on the same topic and a follow-up of the previous answer in the conversation. The question asks about the reason why the power held over Margaery by Cersei have diminished.

Problem: CONTEXT: These days it is more common for people to 'buy' themselves a credit on TV and film productions through financial backing, sponsorship or other enabling methods. Traditionally (at least on film), the executive producer(s) coughed up the money to get the production rolling - they generally wouldn't have any other impact on the production. Of course, there are a few horror stories about executive producers only providing finances on the proviso that their terrible niece got a role, or they could sit in on the set (and interfere). In the case of AGT, I suspect that this roster of EPs is made up mostly of financial backers.  <sep>  Q: Why does America's Got Talent have so many executive producers? A: Traditionally (at least on film), the executive producer(s) coughed up the money to get the production rolling  Q: Do they have anything to do with making the show? A: These days it is more common for people to 'buy' themselves a credit on TV 

Solution: Are they all the same type of producer?