Write the right answer to the question based on the context passage.
One example: Television drama's whole point is to bring you through an often slow start, followed by a complex development to a point where there are two or three potential dénouements before, "Cut!", it is the end of the episode and you will have to await the "right answer" in the following week's show.
This post came to me at 10pm last night, on Day 16 of this challenge, after a day of holidaying in London and with my head (and feet) too weary to put finger to touchscreen.
Mrs Mc and I had just watched another live instalment of Broadchurch, murder mystery extraordinaire, particularly since in the second series there is no actual fresh murder to investigate. The verdict is about to be given on the accused killer from Series 1 when the inevitable happens... Cue title music.
This moment has even gained a moniker in British homes, based on the theme tune to the real masters of the four-times-a-week cliffhanger, London-based soap opera Eastenders. It's call a "ba...ba...ba...ba, ba, ba-ba-ba-ba" (YouTube will provide overseas readers with auditory explanation).
Eastenders is such a master of writing in the perfect pace that every 28 minute episode ends with a tantalising screen freeze on the latest shocked face / smirking baddy / confused victim. For really big stories the cliffhanger can last significantly longer. This week, to celebrate the show's 30 year birthday, we will finally find out the answer to a question unanswered for the past 14 months: "Who killed Lucy Beale?"
Now, most classrooms do not involve murder, incest, dodgy deals and danger, but "good teaching" encourages a type of pacing that totally ignores the ingredients that have millions in the edges of their seats every day: the good old cliffhanger. In fact, we see teachers giving away the punchline at the beginning: "Today we are learning this:...". Question: What was the soap opera admired by British people that the author says is a master of writing?
Solution is here: Eastenders
Explanation: The seventh sentence of the passage clearly states that Eastenders is master of writing. So, the answer is Eastenders.

Now, solve this: When Patch finally found his way out of the seed-pod, Toro was gone, and there were rats all around him. Some hid beneath the huge black seed-pods, some scuttled in the shadows of the nearby mountain. Patch knew from their smells there were at least a dozen of them.
There was another smell too, mixed with that of the rats. The very same unsavory squirrel-smell he had detected in Silver's abandoned drey.
"What do you want?" Patch asked, from his perch atop the mound of seed-pods. He was concerned but not yet frightened. Rats and squirrels were neither friends nor enemies. Squirrels were bigger and stronger, but rats were far more numerous. There were legends of long-ago wars between the two species, but no squirrel Patch knew had ever been attacked by rats. Squirrels lived aboveground, in the sun; rats frequented the night and the dark underworld. Of course, squirrels found rats disgusting and disagreeable -- but so did all other animals.
An unusually large rat climbed up to the top of a seed-pod. It was almost as big as Patch himself. Rats usually avoided light, but this one stood unafraid beneath the sun, and demanded: "Who are you?"
"I am Patch son of Silver, of the Seeker clan, of the Treetops tribe, of the Center Kingdom," Patch said. "Who are you that asks?"
"I am Snout," the rat replied. "Why are you here?"
"I came to look for food."
"This is our food. These mountains are ours."
"Your food?" Patch asked, bewildered. There was no ownership of food in the Center Kingdom, not until it had actually been eaten. "That's ridiculous. It's food. It belongs to whoever finds it first."
"Then you belong to us," Snout hissed. "Because we are the rats who will suck the marrow from your broken bones." Question: Who did Patch meet in the Center Kingdom?
Solution:
Scout