What would you do – you’re driving past hundreds of citrus trees. With a better look, they’re mandarins, or, more precisely clementines. On the roadside is a truck selling crates of them for 1 euro a kilo. You stop, right? And buy a crate of 10 kilos. Even though you have to get on a plane the next day. I couldn’t help myself. Marco, who I had already made turn 180 degrees to drive back to the truck, gave me that look of disapproval when I want to do something totally unreasonable like impulse buy citrus fruit that we can’t keep. “What are we going to do with these?” He questioned. I wasn’t sure. I wanted to taste them, I wanted to photograph them. And maybe I could even squeeze some of them into our tiny bag to take home. “It won’t be a waste, I’ll give the rest away!” I reasoned. He just shook his head, giving in. I bought them, a big grin on my face. We were just outside the port city of Taranto, on the western coast of Puglia in Italy’s deep south, where we spent a long weekend recently and where clementines have special IGP (Protected Geographical Indication) status. These clementines — a hybrid of oranges and mandarins — grow in the fertile soil around the gulf of Taranto, particularly around the town of Palagiano (also known as “the city of clementines” — they celebrate the symbol of their city with a sagra, a food festival, every December) and the delicate fruit is harvested by hand. We don’t get these in Florence, it was my only chance to taste them – they are small with very few, if any, seeds, and they are very sweet. What did the oranges taste like? Pick the correct answer from the following options: - not enough information - very tangy - slightly sour - Very sweet
Very sweet
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Was it the things she told me or the situation I was in? I was working with someone who, basically, should never have been hired into the job, and then should not have been kept as long as she was. She was entirely inadequate for the role we performed. I was a new graduate and so lucky to get a job in my field, pretty much right out of university. We worked in a small office of three. The third was a sales rep and out visiting clients most of the time. She was, more or less, my superior, though the company made it clear that she was not someone to emulate… yet gave me no one else to look to for advice or guidance. She would constantly say “this place will leave you to sink or swim” (amongst other phrases, all along these lines). That’s probably the worst saying ever, though I can’t really consider it ridiculous because, frankly, I absolutely see why she would say that (for example, I met my manager once during my interview and then the next time was about four months into being hired… that should tell you the level of support given). But I cannot even explain to you the way this statement biased me against this company and the job I was doing. I was lost and truly believed that I couldn’t do any better (because I was sinking and couldn’t figure out how to swim on my own). Yes, you may have issues in whatever job your in… but to tell a newbie that they have to figure it out on their own… that’s pretty ridiculous. If this is something you hear or think and asking others for help or finding a supportive environment is not an option… try replacing it with “learn to fly on the way down”. At the very least, you won’t have such a negative frame of mind. What did the superior say that is offensive? Pick the correct answer from the following options: - not enough information - learn to fly on the way down - this place will leave you to sink or swim - grow up and be smart
this place will leave you to sink or swim
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What was the reason behind you becoming a Wiccan? I had very bad experiences with the old angry bearded GOD in the Christian religion. He had turned his back on me. He had betrayed me time and time again. So, I left. Still wanting connection with a higher power, I hungered for connection. I liked communing with the Wiccan Gods. I also liked how They made me feel, at peace, and I felt I had the strength to change my own life for the better. They are always there for me. How did you find it? When I was a teen I heard the word Wicca. I didn’t know what that was. I was curious and decided to investigate it. So, the next day I went to a book store. I asked the lady behind the counter if they had any books on “Wicca.” She got excited and whisked me off to the metaphysical section of the store. She told me she was pagan and started handing me book after book into my arms. Soon I could barely see over the books in my arms. I mumbled behind the books, “Which ONE book would you recommend.” She then handed me Scott Cunningham’s book Wicca, A Guide for the Solitary Practitioner. I purchased the book and took it home. With my dyslexia it was not easy for me to read. But I started reading and plowed through the book. I found many things I was already doing. He talked about things I already understood to be true. The book rang true for me. I dedicated myself to the God and Goddess when I finished the book. Have you ever had any bad experiences after completing a spell? I did a prosperity spell once and got the opposite reaction I was hoping for. I lost all my income! I realized later my mistakes and redid the spell correctly and then got the results I truly wanted. How does the author feel when the clerk hands them a stack of books? Pick the correct answer from the following options: - Sad - Overwhelmed - not enough information - Angry
Overwhelmed
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For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together they have organized a series of one-day mini-conferences designed to foster dialogue and collaboration among librarians, archivists, and curators at California institutions that house architecture archives. The goal of these semiannual meetings is to create a space for convergence among professionals who intersect with architectural archives in different ways. Architecture archives, often containing large drawings and scale models, present unique problems due to their size and fragility. CalArchNet participants are interested in improving the overall user experience for visitors to the archives by looking for solutions to obstacles to access. This space for an informal exchange of ideas provides an opportunity to be transparent about the challenges repositories face when managing and processing architecture holdings, as well as encourages investigation and experimentation into ways new technologies may help to solve accessibility issues, such as improved interaction with digitized collections via the IIIF protocol or 3D-scanned facsimile models and virtual walk-throughs. October 27 marked the third meeting of CalArchNet, held at the Palm Springs Art Museum, Architecture and Design Center, with representatives from 13 institutions in attendance. Topics discussed included historic site preservation research methodology, leveraging statewide resources to enhance discovery of collections, security considerations, GIS mapping technologies, and the use of linked open data to make connections between collections. The day concluded with a curator-led tour of the exhibition Albert Frey and Lina Bo Bardi: A Search for Living Architecture. If you’re an archivist, librarian, or curator working with architecture... When did Aimee Lind found the California Architecture Archive network? Pick the correct answer from the following options: - Before October - Before she became a librarian - Before she organized one day mini-conferences - not enough information

Before she organized one day mini-conferences
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