Please capitalize where necessary: 27 but if ye will not hearken unto me to hallow the sabbath day, and not to bear a burden, even entering in at the gates of jerusalem on the sabbath day; then will i kindle a fire in the gates thereof, and it shall devour the palaces of jerusalem, and it shall not be quenched.
A: 27 But if ye will not hearken unto me to hallow the sabbath day, and not to bear a burden, even entering in at the gates of Jerusalem on the sabbath day; then will I kindle a fire in the gates thereof, and it shall devour the palaces of Jerusalem, and it shall not be quenched.
Q: small bull in leaf otherwise beautiful and well maintained

A: Small bull in leaf otherwise Beautiful and well maintained
Q: many "ordinary" speakers has got a spl of 90-93 db - a leap of 10 db.
A: Many "ordinary" speakers has got a SPL of 90-93 dB - a leap of 10 dB.
Problem: “together with the ferrari ict department, kaspersky lab had tailored an endpoint solution that met ferrari’s specific needs,” kaspersky said upon renewing the deal in 2015.
Can you repeat this sentence, but capitalize it?
Answer: “Together with the Ferrari ICT department, Kaspersky Lab had tailored an endpoint solution that met Ferrari’s specific needs,” Kaspersky said upon renewing the deal in 2015.
Text: let's look at some typical examples.

Correct capitalization: Let's look at some typical examples.
Problem: and this observation accords well with the fact that in general langgaard's music is not carried along by the melody, but on the contrary by the style, the tone and the 'mood' - and by the fact that the musical character and the tonal universe established in the first seconds of a work were in langgaard's eyes decisive for the work as a whole.
Can you repeat this sentence, but capitalize it?
Answer:
And this observation accords well with the fact that in general Langgaard's music is not carried along by the melody, but on the contrary by the style, the tone and the 'mood' - and by the fact that the musical character and the tonal universe established in the first seconds of a work were in Langgaard's eyes decisive for the work as a whole.