For much of the world, the Algarve is synonymous with Portugal, yet the Portuguese will tell you the exact opposite: the region has little in common with the rest of the country. The southern stretch of coast is more reminiscent of a North African landscape than a European one. It has no cosmopolitan cities, like Lisbon and Porto, which are farther north. Most of Portugal is known for quaint towns, medieval castles, and grand palaces. The Algarve is more recognizable for impenetrable blocks of tourist apartments, hotels, and meticulously manicured golf courses. And beaches. Think Algarve and the mind pictures long, glorious stretches of golden sands, secluded coves framed by odd ochre-colored rock formations, and deep green waters. With about 160 km (100 miles) of coastline, Portugal's southern province is one of Europe's premier beach destinations. The occasionally chilly ocean is the Atlantic, but the Algarve has a sultry Mediterranean feel. Its consistent climate is the best in Portugal, and one of the kindest in the world: more than 250 days of sunshine a year — more than almost any other international resort area. The moderating effect of the Gulf Stream produces a fresh springtime breeze throughout winter, and in late January and February, white almond blossoms blanket the fields. In summer the heat is intense but rarely unbearable, and regardless, beautiful beaches and innumerable pools are always just a dive away. Magnificent year-round weather has made the Algarve a huge destination for sporting vacations. Superb golf facilities abound — several with tees dramatically clinging to cliffs and fairways just skirting the edge of the ocean — and horseback riding, tennis, big-game fishing, sailing, and windsurfing are immensely popular. Sports, beaches and hospitable weather — not to mention easily organized package vacations — are surely the reasons the Algarve receives as many visitors as the rest of Portugal in its entirety. But it's not just international tourists that descend on the Algarve; many Portuguese from Lisbon and elsewhere in the north have holiday homes and spend their summer vacations here. The coast is neatly divided into the rugged Barlavento to the west and the flat beauty of Sotavento to the east. West is where you'll find the famous orange cliffs and surreal eroded rock stacks. 

What land has no cosmopolitan cities, like Lisbon and Porto which are farther north?


 The one person who, by his interference, could have settled all doubts was debarred by circumstances from interfering in the matter.  Wykham Delandre had quarrelled with his sister--or perhaps it was that she had quarrelled with him--and they were on terms not merely of armed neutrality but of bitter hatred.  The quarrel had been antecedent to Margaret going to Brent's Rock.  She and Wykham had almost come to blows.  There had certainly been threats on one side and on the other; and in the end Wykham, overcome with passion, had ordered his sister to leave his house.  She had risen straightway, and, without waiting to pack up even her own personal belongings, had walked out of the house.  On the threshold she had paused for a moment to hurl a bitter threat at Wykham that he would rue in shame and despair to the last hour of his life his act of that day.  Some weeks had since passed; and it was understood in the neighbourhood that Margaret had gone to London, when she suddenly appeared driving out with Geoffrey Brent, and the entire neighbourhood knew before nightfall that she had taken up her abode at the Rock.  It was no subject of surprise that Brent had come back unexpectedly, for such was his usual custom.  Even his own servants never knew when to expect him, for there was a private door, of which he alone had the key, by which he sometimes entered without anyone in the house being aware of his coming.  This was his usual method of appearing after a long absence. 

Who did Margaret flee to after the bitter quarrel with her brother?


As for engravings, Durer's work was restricted to portraits and illustrations for his treatise. The portraits include Cardinal-Elector Albert of Mainz; Frederick the Wise, elector of Saxony; the humanist scholar Willibald Pirckheimer; Philipp Melanchthon, and Erasmus of Rotterdam. For those of the Cardinal, Melanchthon, and Durer's final major work, a drawn portrait of the Nuremberg patrician Ulrich Starck, Durer depicted the sitters in profile, perhaps reflecting a more mathematical approach. Despite complaining of his lack of a formal classical education, Durer was greatly interested in intellectual matters and learned much from his boyhood friend Willibald Pirckheimer, whom he no doubt consulted on the content of many of his images. He also derived great satisfaction from his friendships and correspondence with Erasmus and other scholars. Durer succeeded in producing two books during his lifetime. "The Four Books on Measurement" were published at Nuremberg in 1525 and was the first book for adults on mathematics in German, as well as being cited later by Galileo and Kepler. The other, a work on city fortifications, was published in 1527. "The Four Books on Human Proportion" were published posthumously, shortly after his death in 1528. 


Who engraved the portrait of Cardinal-Elector Albert of Mainz?