Q: 1. Just middling funny, with no truly memorable high points and a sum impact that goes poof! before you've left the parking garage.
2. Be afraid, be very afraid.
3. It's better than the second film...
4. This PG-13 has R-rated stuff.
5. Fun, stupid stuff with no sense of a narrative arc or plot structure ... but hey, it made me laugh anyway.
6. As with Scary Movie parts one and two, you pays your money, you gets your laughs, and you won't remember a thing in a few months.
7. Zucker's slapstick may have the satiric delicacy of a chainsaw lobotomy, but it hasn't harmed the franchise.
8. Basically, any movie that suffers from a lack of Charlie Sheen has got problems.
9. If you're looking for anything other than a parody clipshow, you won't find it.
10. This is just a stab in the dark, the wildest of guesses on my part, but I don't think Michael Jackson would recommend "Scary Movie 3."
Based on these individual reviews, what is the critic consensus?

A: Consensus: Though an improvement over the second Scary Movie, the laughs are still inconsistent.
1. This is our cultural conversation right now, and Bruno minces in, ready to demolish preconceptions in every direction.
2. It's a funny, funny, funny movie. It'd just not revolutionary anymore.
3. Wilder and riskier but also more calculated than Borat, Bruno shows outre sexual images, and how can you not like a gay Austrian who decides to repent after realizing that our top stars, Cruise, Travolta and Spacey share one thing, they're all straight
4. Brüno is like Milk, but with a talking penis.
5. The crown of the reigning king of bad taste must pass from John Waters to Sacha Baron Cohen.
6. The fallacy that Baron Cohen's comedy is politically pertinent derives from its pandering to Lefty biases.
7. Those who go in with their jaws clenched are bound to find offense. Better to focus on the stuff that works outrageously.
8. Outrage is entertainment!
9. If Bruno is not quite up to the lofty standards of Borat, it is daring and sometimes insightful.
10. ... it feels funny enough -- and that may be the unkindest thing of all you could say about a comedy
Consensus: Crude and offensive, but with ample cultural insights and gut-busting laughs, Bruno is another outlandish and entertaining mockumentary from Sacha Baron Cohen.
Q: 1. Don's journey becomes a vision of lost opportunities and paths not taken, and in Murray's hands it is sublime.
2. ...both Jarmusch and Murray ... do what they do best, even if their specialty is starting to feel like spinning wheels.
3. Don's journey peels back the surface of so many American dreams to find them wanting, while Winston, dodging kids and doting on his 'perfect' wife, seems as rich as a king.
4. There's so much going on behind Murray's sad eyes that words aren't necassary. A great performance.
5. Murray has never been more inward and unanimated ... It's a deeply chilled-out performance ... [and] like the rest of the movie, it's worth seeing.
6. Broken Flowers is ultimately more interesting than it is good.
7. It kept me absorbed all the way through, especially the collaboration between acting auteur Bill Murray and Mr. Jarmusch in virtually every frame of the film.
8. It is not an unpleasant way to spend time.
9. ...has a bottomless poignancy that Jarmusch cements in quiet character moments, symbolic imagery and out-of-reach temptations that wiggle effectively into the subconscious.
10. A wholly and ingeniously realized joy.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Bill Murray's subtle and understated style complements director Jim Jarmusch's minimalist storytelling in this quirky, but deadpan comedy.
1. The painted backgrounds are lush, realistic, and full of luxuriant foliage. The character animation, while stiff by Disney standards, is appropriate to the characters and expressive enough to bring them to life for the audience.
2. Miyazaki is a genius.
3. what Miyazaki has animated is an idyll, that most melancholic and nostalgic of genres, where landscapes vanish, innocence is lost and death is as much a part of nature as life.
4. Obviously aimed at an international audience, the film evinces a disorienting combination of cultures that produces a nowhere land more confused than fascinating.
5. How can I describe its inexplicable power? It is like how childhood memories feel, if you had a happy childhood  wide-eyed and blissful, matter-of-factly magical and entrancingly prosaic
6. The lack of sentimentality will be utterly refreshing to those raised on a diet of Disney.
7. The beauty of My Neighbor Totoro is its simplicity. It's a warm and friendly story that just made me feel good after watching it.
8. A real contender for the greatest animated family film ever made.
9. A sensibilidade ao retratar os personagens, a magia do universo concebido por Miyazaki e a qualidade impecбvel da animaзгo fazem deste filme um clбssico instantвneo.
10. A little dated and a little immature when compared to later Miyazaki works, but that's not such a bad thing, really.
Consensus: My Neighbor Totoro is a heartwarming, sentimental masterpiece that captures the simple grace of childhood.
Q: 1. Clever, taut, drenched in Hitchcockian dread, and very well done.
2. This multi-layered thriller is a tightening knot of noir fascination involving mysterious bodyguards, car chases, top-secret documents, the CIA and end even hidden codes.
3. It might not be the right time for a Polanski film to play in a theater near you, but those unwilling to forgive the sinner will be missing the first great film of 2010, a Manchurian Candidate for the post-9/11 world.
4. How odd that the two latest films by two of the world's greatest living filmmakers should be adaptations of bestsellers set on islands off the coast of Massachusetts. And that both should be disappointing.
5. Polanski and co-writer Robert Harris mix political allegory and standard thriller conventions effectively, executing all the twists with style.
6. A smart, tight picture that looks just nifty and goes down as smooth as a glass of the nicely aged whisky enjoyed at intervals by the film's protagonist.
7. Polanski draws in his viewers with this well paced, suspense-drama that grows increasingly darker, both in tone and texture.
8. It's not one of Polanski's masterpieces, but The Ghost Writer doesn't dilute his reputation as a master of suspense.
9. ... although the film's locations are suspect, the overall production, capped by an Alexander Desplat score that recalls "North by Northwest," has Hitchcockian pleasures.
10. I am consistently amazed at Roman Polanski's seemingly effortless mastery of cinematic craft. There is no wasted energy and no indulgence.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: While it may lack the revelatory punch of Polanski's finest films, Ghost Writer benefits from stylish direction, a tense screenplay, and a strong central performance from Ewan McGregor.