Here are some reviews for a movie: 1. This is easily the most absurd of the Star Trek stories -- and yet, oddly enough, it is also the best, the funniest and the most enjoyable in simple human terms.
2. An effective and enjoyable sample of entertainment -- not good science fiction, but a lightweight piece of comic fantasy utilizing characters so familiar that they feel like old friends.
3. A happy, heartfelt chapter that reunites the original cast with the original TV format, shying away from the cold and epic scale of the preceding movie adventures.
4. Immensely pleasurable.
5. One of the series' strongest episodes.
6. Better than the previous two films in the series.
7. Funny back-to-the-future adventure spiced with a save-the-whales theme.
8. The original cast appears to be having more fun than they ever had before.
9. The most successful and widely appealing of the Star Trek films, The Voyage Home is also the most idiosyncratic some of the most humorous and humane moments in the Trek canon.
10. The best until First Contact...

Here is the consensus of critics:Star Trek IV: The Voyage Home is perhaps the lightest and most purely enjoyable entry of the long-running series, emphasizing the eccentricities of the Enterprise's crew.

Here are some reviews for a movie: 1. As raw and immediate as it is heartfelt.
2. film portraiture of rare intelligence and subtlety
3. While that's not enough to make me go crazy over this one (like some people), it is enough for me to genuflect quite a bit in awe of good characters and good details done.
4. Using decidedly unglamorous locales and stars, director Erick Zonca has given the story what amounts to an almost documentary feel; Isa and Marie seem so true-to-life at times you might feel a bit voyeuristic.
5. It mopes around most of the time with not much to say.
6. Just a bunch of uninteresting characters who spend their time co-existing in an uneasy friendship, smoking too much, and having sex with people who are even worse than them.
7. It's a compelling work about loneliness and two ways of dealing with it.
8. We aren't just watching Isa and Marie endure the tiny triumphs and hardships of their lives; we're experiencing those ups and downs alongside them.
9. Completely absorbing, almost rudely poignant.
10. Heralds a humanist cinema that neither shortchanges our minds nor cheapens what's in our hearts.

Here is the consensus of critics:Showcasing excellent lead performances, The Dreamlife of Angels is an intelligent, absorbing character study of two women.

Here are some reviews for a movie: 1. Never Say Never pinpoints, celebrates, and then channels that indescribable feeling that fans gets from loving their idol unconditionally
2. Its insistence on furthering the Bieber brand makes the movie feel more like a well-honed presidential campaign than an insightful look into the teen sensation.
3. "Never Say Never" is about as revealing as a Canadian snowmobile suit.
4. Never Say Never is a legit documentary made for the fans and the haters. I dare anyone to watch this movie and tell me they weren't inspired. The 3D was fantastic!
5. This concert film is designed as a marketing tool to make Bieber a bigger global star, but given that, you can observe his charm, ambition and talent, and recognize that he is the first teen idol totally created by the new technologies and social media
6. The surprising thing about the new behind-the-scenes documentary Justin Bieber: Never Say Never is that it should have appeal well beyond the star's young, adoring female fan base.
7. It's all about a quick cash in and providing instant gratification for the singer's army of hardcore fans
8. An undeniably engaging musical portrait that delivers major bangs for the buck.
9. Though anyone who needs convincing won't touch this one with a 10-foot pole, Justin Bieber: Never Say Never makes a persuasive case for its titular star as a far more talented-than-usual teen idol.
10. Justin Bieber: Never Say Never may be the concert film as glorified promotional product, but it captures a genuine youthquake.

Here is the consensus of critics:As a tour documentary, it's rather uninspired -- but as a 3D glimpse of a building pop culture phenomenon, Never Say Never is undeniably entertaining.

Here are some reviews for a movie: 1. It's just nasty.
2. "The Hills Have Eyes" combines psychological tension with visceral scenes of gore and the odd laugh or two.
3. Where is the fun in a movie like this? There are no jolts, no flashes of humor, no camp aspect, no winking at the audience--just bloodletting that crosses the line. Those who want this sort of thing can have it.
4. Well, nobody can beat horror meister Wes Craven when it comes to scaring the living daylights of us.
5. Tout comme pour le Hostel d'Eli Roth, on sent également que cet excčs de violence est utilisé ŕ des fins beaucoup plus publicitaires que cinématographiques.
6. Everything great horror used to be: Disturbing, outrageous, subtextual, and (don't run from it) morally aware.
7. Horror is the cinema du jour it seems, and this movie is simply a casualty of that trend.
8. What's fundamentally missing is the anarchic, irrational unpredictability that made the original so terrifying.
9. Can anyone tell me why inbred hillbillies -- mutant or otherwise -- invariably boast housekeeping skills that make mine look like Martha Stewart's?
10. The Hills Have Eyes is scary, something that a lot of today's horror films aren't as they compete in the game of one-upmanship in quantity and quality of gore.

Here is the consensus of critics:
Faster paced for today's audiences, this Hills remake ratchets up the gore for the hardcore horror fans, but will turn away casual audiences.