Here are some reviews for a movie: 1. Entertaining for kids (as long as it doesn't scare them) and thankfully short for adults, the film is by no means an animated classic, but it delivers the goods.
2. A mishmash that is sometimes moving, sometimes absurd and most of the time just oddly off balance.
3. A fine, rousing, G-rated family film, aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats.
4. Adams' hoarse anthems become a betrayal of this horse opera's true potential; fortunately, there is enough fine achievement here to make the film worth seeing.
5. A robust adventure story, unlike any we've seen told before by Hollywood animators.
6. A cartoon that's truly cinematic in scope, and a story that's compelling and heartfelt -- even if the heart belongs to a big, four-legged herbivore.
7. It should satisfy the kids it was made for.
8. Refusing to condescend to us with the usual cutesy anthropomorphic qualities often foisted on animated animals, Asbury and Cook keep matters realistic.
9. DreamWorks animators have done a fine job of making their characters visually expressive, words are extraneous.
10. The animation is dull, the thought is fuzzy, the storytelling is vague and the music just plain stinks.

Here is the consensus of critics:A visually stunning film that may be too predictable and politically correct for adults, but should serve children well.

Here are some reviews for a movie: 1. It's good that a kid, and maybe even an adult, may want to 'touch' one of the so-called aliens thrust out for our inspection. But more important, a kid, and maybe even an adult, may want to become a human scientist.
2. I want the old James Cameron back.
3. [Cameron] speculates that the ocean's depths contain mysterious life unlike anything else on Earth.
4. That IMAX 3-D cameras have plunged so deep to record an often bizarre array of sea creatures undoubtedly delivers a certain 'wow' factor, but the accompanying commentary is heavier on breathless excitement than solid fact.
5. The final shot, in particular, is awesome, and confirms that the sooner Cameron gets back to making proper movies, instead of Boys' Own diversions, the better.
6. Once you get used to the "awesome" and "wow"-heavy dialogue, James Cameron's excursion into both 3-D technology and deep ocean trenches delivers some fascinating footage.
7. Even if these plants and animals did not exist, we may have already invented them, courtesy of those sci fi special effects magicians working overtime for the past decades.
8. It's not usual for documentaries to ingest the sci-fi genre, but in this case it's an eye pleasing and mind boggling excursion, beautifully realised and seamlessly integrated into the film.
9. The far more interesting stuff is back here at the bottom of the sea.
10. A fascinating science lesson for anyone interested in either deep-sea -- or outer space -- exploration.

Here is the consensus of critics:An amazing array of images from beneath the sea.

Here are some reviews for a movie: 1. It's an A-grade cast all right, but there's no escaping that this is a B-movie.
2. After repeated taunts to "Bring it," increasing evidence of the barely-there story, and a war's worth of bullets and fireballs, The Expendables gets pretty tiresome.
3. misses many opportunities to truly exploit its old-school ethos, instead falling into the trap of hyper-edited incoherence
4. The Expendables is like dating a jock - no sparkling conversation or subtlety but great to have around when you need to blow sh-t up or kick some ass.
5. Is it that big a deal to have a cast that includes Steve Austin, Randy Couture and Terry Crews? These guys would line up for a straight-to-DVD American Pie sequel if asked.
6. Something about the large scope of the action confounds Stallone, and his excessively large number of unit directors. It's too hectic, too confusing to be cool, or exhilirating.
7. Botched sensitivity aside, The Expendables delivers epic action.
8. Stallone's dozens of remaining fans know exactly what to expect, and he gives it to them good and hard.
9. Stallone, never a clear speaker, spends most of his time grunting like a Gloucester Old Spot or barking like a sea lion with a sore throat.
10. Not since Rocky worked out in a meat locker has Sylvester Stallone surrounded himself with so much aging beef.

Here is the consensus of critics:It makes good on the old-school action it promises, but given all the talent on display, The Expendables should hit harder.

Here are some reviews for a movie: 1. To keep empire building, Perry needs to step up his game. And his new film -- the almost-musical I Can Do Bad All By Myself -- ain't quite there.
2. Perry predictably delivers a "lesson" toward the end of the film about the power of love over violence. After watching the movie, you'll either leave inspired or ready to turn in your church membership.
3. Like a chef who keeps making the same recipe over and over, Tyler Perry has found his strength and he's sticking to it.
4. Perry plugs into the primal power of gospel, blues, soul, and the black church in ways that make Bad far more affecting than it has any right to be.
5. By shoving half a dozen songs -- gospel, funk and soul -- into the film, Perry shows he still hasn't mastered pace and learned to sacrifice scenes to make his movies faster and smoother.
6. It's discouraging to watch Bad build an unusual rhythm in the opening scenes only to stop itself and sprint back into Madea/preach mode, where the uncomfortable marriage of Jesus and domestic violence reigns.
7. Newcomers willing to go along for the ride may be surprised at how good it feels to be spoonfed all this hope and love.
8. On that positive and melodious note, Perry's I Can Do Bad All By Myself does no harm.
9. Despite a plot that's arguably Perry's most predictable, I Can Do Bad All By Myself is genuinely affecting when the gospel spirit takes hold and is a marked improvement over his last two pieces of moral burlesque.
10. Unashamedly fond of mixing messages of vengeance and piety, Perry nevertheless manages to reduce the tonal whiplash, so that this newest entry glides a little more easily from broad laughs to teary anguish and finally sweeping uplift.

Here is the consensus of critics:
Though somewhat formulaic and predictable, Perry succeeds in mixing broad humor with sincere sentimentality to palatable effect.