1. This supposed action-comedy is so staggeringly unfunny, unoriginal and uninspired that its title should have been Agent Cody Banks 2: Contractually Obligated Sequel.
2. Director Kevin Allen offers a lot more gadgets in Cody 2, but surprisingly little in the way of memorable action.
3. If your kid has recently suffered brain damage or undergone a frontal lobotomy, they probably still won't be fooled by this cookie-cutting, lifeless drudge.
4. A junky, creatively bankrupt rush job of a sequel that has no connection to the original outside of the title character.
5. entertaining, but not enough to make you want to root for the characters
6. This is one franchise that should be grounded before it takes off for any more international forays.
7. Vapid, banal, humourless, witless; a cynical cash-grab.
8. I cried 'Please, Lord, make it stop' at about the 90-minute mark -- long after I was numbed into a vegetative state by reheated spy cliches and sub-sophomoric bathroom jokes.
9. ... tedious, forgettable and wholly unnecessary.
10. ...isn't all bad - but it isn't all good either.
Consensus: Young kids may find this London adventure fun, but older kids may find it too simplistic.
Q: 1. The first--and still best--version of the Cold War sci-fi, despite compromised ending that was imposed by producer Walter Wanger on the director to make the tale less downbeat and anarchic.
2. An all time classic. The "message" was lost on most original viewers.
3. Don Siegel's superb little effort, with its matter-of-fact isolation of hero Kevin McCarthy (ironic, no?) from the smarmy complacency of a small town gone to hell -- and way beyond -- points the way to his gripping action films of the 60s and 70s.
4. A superbly crafted film by innovative director Siegel, this low-budget science fiction tale became one of the great cult classics of the genre.
5. Tenso e bem construнdo, conta com uma уtima trilha sonora, a direзгo expressiva de Siegel e com um roteiro que pode ser lido como uma alegoria clara do mccarthismo.
6. Siegel's brilliant movie sits as a perfect bookend to Romero's "Night Of The Living Dead."
7. It's still a chilling picture, gaining over Phil Kaufman's smart remake by virtue of its intimate small town setting, and it has one of the greatest endings ever filmed.
8. Some genuinely creepy moments and good social commentary raise this horror film
9. I still believe in the reality of pod people.
10. Chilling still. Do not fall asleep while watching it!
Based on these individual reviews, what is the critic consensus?

A: Consensus: One of the best political allegories of the 1950s, Invasion of the Body Snatchers is an efficient, chilling blend of sci-fi and horror.
1. The real problem is that it just isn't very exciting.
2. Marred by cheeseball sets and special effects, lame fight sequences, and some of the worst acting ever to disgrace the screen.
3. The only positive spin I can put on this movie is that if bad comic adaptations like it hadn't been done in the late 1980s and early 1990s, Marvel never would have needed to have its current, high-quality big-screen resurgence.
4. Often underrated comic-book adaptation that lacks the trademark skull logo but delivers the superhero presence that the Thomas Jane remake sadly lacks.
5. Й difнcil escolher o que й pior: os diбlogos risнveis, a direзгo amadora, as lutas nada convincentes, a pйssima atuaзгo (oh!) de Lundgren ou sua "maquiagem de deprimido".
6. A terrible one-man-army action flick. The 2004 version is far more effective.
7. Much better than the 2004 version. A surprisingly potent blast of '80s action moviemaking.
8. With origins in a Marvel Comics character, The Punisher is, as might be expected, two-dimensional.
9. Destructive, reprehensible, and marvellous fun.
10. It maintained a tongue in cheek attitude toward all the violence and hokum, which made it comic book lite and easier to take.
Consensus: Despite the seemingly indestructible Dolph Lundgren with a crossbow, The Punisher is a boring one-man battle with never-ending action scenes.
Q: 1. Grease seems kickier now than it did 20 years ago.
2. Lively, fresh and bright, Grease still stands tall and is destined to become a classic with its memorable, toe-tapping songs, imaginative choreography, plus the dazzle of John Travolta and Olivia Newton John.
3. ...comes to life when Travolta and company are singing and dancing.
4. Problematic but ultimately irresistible adaptation of Jim Jacobs and Warren Casey's hit Broadway musical. [Blu-ray]
5. The screenplay is a prepubescent shambles, the direction is by acne out of disposable douches, the dubbing and looping of the songs is painfully obvious, the characterizations are generally repulsive and the whole thing is utterly without style.
6. Anonymous and semi-competent filmmaking with no real personality, pepped up by the fake energy.
7. What makes it work is its youthful vitality, the tremendous energy and imagination expended on its virtually wall-to-wall song and dance number.
8. A grave disappointment to anyone in search of style or substance.
9. One of the most commercially successful transfers of a Broadway musical to the big screen, Grease is not a great movie but it's a lot of fun to watch and listen due to superlative cast.
10. A film that's immortal for its unbridled enthusiasm and top notch production that makes it arguably the best musical ever made...
Based on these individual reviews, what is the critic consensus?

A: Consensus: Grease is a pleasing, energetic musical with infectiously catchy songs and an ode to young love that never gets old.
1. ... perfectly watchable drama that benefits substantially from the stellar efforts of its two stars.
2. Ramin Bahrani continues on his successful journey as a purveyor of excellent and challenging films for the thinking audience.
3. It's a fast-moving and angry vehicle, and Shannon is so much nasty fun to watch that it never lost my attention.
4. 99 Homes brings an unbearable subject, excruciatingly close; Bahrani makes you feel powerless to the machinations of the greedy, perhaps that's the point.
5. Well-constructed, courageous and savvy.
6. Bahrani's dismantling of the American dream -- a dream deferred -- has finally reached its finest conclusion with the director's finely wrought (and seriously fraught) 99 Homes.
7. Yes, there are probably more complex and nuanced ways of tackling this topic, but it's hugely important that a mainstream drama on this subject exists.
8. As it is, Bahrani has still created an urgent work, the burning anger of which will viscerally connect with many viewers, who will recognize themselves or people they know up on the screen.
9. A searing, compassionate film set in the wake of the 2008 financial crisis, 99 Homes is one of the finest films about contemporary American life.
10. ...it's a solid and well-made drama that avoids its genre's typical tear-jerking traps and hints at awards-season potential.

Consensus: Fueled by powerful acting and a taut, patiently constructed narrative, 99 Homes is a modern economic parable whose righteous fury is matched by its intelligence and compassion.