1. There are so many tactical errors in "Hannibal" that it's hard to know where to start.
2. Hannibal should make everyone involved ashamed.
3. Anthony Hopkins plays the grim doctor here with Freddy Krueger relish, only occasionally nailing the speech patterns and attitude from the previous film, and the so-reliable Julianne Moore winds up being a poor surrogate for Foster's pluckiness.
4. A loathsome, indefensible work.
5. Hannibal is arguably the most visually stunning movie in what could be a horror-movie franchise.
6. Un principio lento, un final decepcionante y una dirección irregular, hacen de Hannibal la cinta más decepcionante en lo que va del ańo
7. I felt that the film had earned its right to be brutal
8. The only thing scary about HANNIBAL is the fact that it's somehow managed to make $150 million at the box office so far.
9. The pile of vomit left by a theater patron as they made a hasty exit was probably the best free publicity Ridley Scott's film could ever have hoped for.
10. it fully achieves neither the gripping, operatic tension of The Silence of the Lambs nor the darkly comedic effect for which the filmmakers were obviously striving.
What is the critic consensus?
A: While superbly acted and stylishly filmed, Hannibal lacks the character interaction between the two leads which made the first movie so engrossing.

1. In its present form, however, the film's merits are compromised by structural and conceptual flaws.
2. The high point of this entertaining documentary is [Rob] Stewart's stop-at-nothing passion to save the sharks, especially when he hooks up with renegade conservationist Paul Watson to track down poachers off the coast of Costa Rica.
3. Thanks to [t]his sometimes gruesome, sometimes harrowing and often exuberant film, you will never look at sharks the same way again.
4. Pretty, if polemical look at Sharks, the illegal harvesting of fins, and one man's journey into radical activism.
5. The film does what it's supposed to, inspire outrage. But still, Jaws will never have the appeal of those baby pandas.
6. It is forceful. It is advocacy journalism. It is a documentary with a social conscience and a scientific agenda.
7. How strange to gaze upon the jaws of the most feared creatures on Earth, and to contemplate how they are no match for the teeth of man.
8. Rob Stewart's labour of love goes beyond mere obsession with our 'most amazing and mysterious animal.'
9. Torontonian Rob Stewart's underwater polemic on the many enemies of the behemoths at the top of the ocean's food chain comes on a little strong.
10. Cautionary environmental documentary that asserts there's more to sharks than "Jaws."
What is the critic consensus?
A: In addition to its breathtaking underwater photography, Sharkwater has a convincing, impassioned argument of how the plight of sharks affects everyone.

1. Everything else we're meant to care about is an afterthought compared to the sketch of a relationship at the fringe of the film which somehow benefits from not being at the center.
2. A very impressive bit of storytelling and style that only steps wrongly in its final third.
3. For Fincher purists, The Girl With The Dragon Tattoo is lumpier in plot fluidity than his other, sleeker work, but his call sign is still very much present ...
4. Mara's performance stands on its own and likely gives birth to a new star.
5. Fincher's chilly, precision filmmaking knows how to tease, while still looking head-on into the abyss.
6. There's nothing wrong with David Fincher's remake. Was it strictly necessary? That's debatable.
7. Shockingly sexual, brilliantly acted, and overall strangely appealing
8. A tense, unsettling plunge into a dark, toxic world where the bleak Scandinavian setting isn't the only thing cold, cruel and unforgiving.
9. Vengeance is the ace card in this rough game of acquiring justice in a cloaked system with degenerates at every turn. And, it's a heavyweight component of the Trilogy's impact no matter the medium used for its telling.
10. The logic of a Hollywood adaptation, for the benefit of a largely untapped domestic market, is clear, not least for the film's corporate sponsors: step forward McDonalds and Apple; two brave companies who've tethered their brands to incest and murder.
What is the critic consensus?
A: Brutal yet captivating, The Girl With the Dragon Tattoo is the result of David Fincher working at his lurid best with total role commitment from star Rooney Mara.

1. Abrams deserves a lot of credit for keeping this movie's heart in the right place even as the plot gets increasingly implausible.
2. Writer/director J.J. Anrams' nifty, nostalgic homage to the innocence and wonder epitomized by his mentor/producer Steven Spielberg.
3. The kids have no effect on the story, not the military's interference in the accident clean up, not the finale, etc. Even the Super 8 reel doesn't change their behavior, so it's almost as if the entire movie is a MacGuffin.
4. Worthy of the adjective Spielbergian indeed.
5. J.J. Abrams' Super 8 can't live up to its advanced billing, but it's still a crisp combination of 'Goonies,' 'Stand By Me' and ... I can't spoil the rest.
6. Will serve as brilliant family viewing, or viewing for science fiction geeks...
7. It is said that imitation is the sincerest form of flattery. With Super 8, Steven Spielberg must be blushing like a reticent schoolgirl who just got asked to the formal.
8. A love letter to a cinematic era, before 'blockbuster' became a synonym for 'franchise' or 'tent pole.'
9. Remember the good old days? This is the movie you went to see on a Saturday afternoon in the good old days.
10. Let's be honest: the b.s. sci-fi plot is so much empty machinery, which becomes steadily more apparent as the film wends its way toward a heavy-metal climax that's narratively and emotionally questionable.
What is the critic consensus?
A:
It may evoke memories of classic summer blockbusters a little too eagerly for some, but Super 8 has thrills, visual dazzle, and emotional depth to spare.