Critic consensus:My Summer of Love is a moody, bittersweet love story featuring outstanding performances from the leads.

Numbered reviews:1. It's the revealing performance from Press that breathes life into the film.
2. A portrait of adolescence at its most innocent -- and most resilient.
3. Pawlikowski treats the girls' escalating attraction with delicacy, avoiding the titillating pitfalls of the genre.
4. Their romance seems alternately fluid and jaunty, as they explore one another and their own feelings.
5. Pavlikovsky ends up falsifying everything his style was working so effectively to create, and only because he ultimately chose content over style.
6. It is, in short, a very good coming-of-age story of love and obsession, but not a remarkable one.
7. Arguably the best film of the summer, perhaps even the year.
8. Intoxicating, even hypnotic...The steamy relationship between Mona and Tasmin has an almost tactile sultriness.
9. Sometimes predictable and cliched, occasionally even dull, but worth watching because of the performances of newcomers Natalie Press and Emily Blunt.
10. Thoughtful, carefully crafted drama about youth and summer love in a small town is a great acting showcase for a talented cast.


Critic consensus:A calm documentary that doesn't resort to shrill polemics, The Unforeseen also benefits from great interview subjects and jaw-dropping cinematography.

Numbered reviews:1. The kind of transformative viewing experience that has made the current period a golden age for nonfiction film.
2. A beautiful, soulful work about real estate development and sprawl, focused on Austin's beloved Barton Springs, and if you think that's impossible you haven't seen it.
3. It provides a multilayered examination of what it means for society to "develop" and "grow" while depleting its natural resources.
4. The director makes a convincing case against the extremism of property rights when those rights trample on the needs of the public.
5. Shots of musty skylines don't pack much power in this post-Inconvenient Truth era, where every luxury hi-rise is advertised as a 'green building.'
6. The movie's glacial pace and willingness to let its mind and eye wander that produces its spiritual and intellectual heft-not to mention its atypical visual splendor.
7. One of the great documentaries of our time, The Unforeseen is a rapturous nightmare.
8. We can appreciate the film's good intentions, but we can't shake the feeling that we've been talked down to, rather than informed.
9. Add The Unforeseen to the catalog of artfully produced nonfiction films that show how humans are screwing up the planet.
10. The movie wavers between Sundance-friendly issue film and spiritual reverie.


Critic consensus:Despite flashy sets and special effects, Super Mario Bros. is too light on story and substance to be anything more than a novelty.

Numbered reviews:
1. They should have used cheat codes to make this a winner.
2. If the very expensive special-effects extravaganza Super Mario Bros. is any indication, we probably won't be seeing Legend of Zelda: The Movie very soon.
3. Super Mario Bros. is about as playful and challenging as an unplugged pinball machine.
4. This film's two directors and three screenwriters have clearly tried hard to breathe life into their nonstory, to the point where the film's intensity seems more crazy than cynical.
5. As the ad campaign helpfully pointed out, "this ain't no game, it's a live-action thrill ride." Half-true: it is surely not a game, for it is typically held that games are pleasurable.
6. Game over, man.
7. Despite eye-catching sets and smart casting, this first feature-length film to be adapted from a video game is a bloated muddle.
8. Wildly overproduced and derivative.
9. Ultimately, it's one more stop in the arcade, beckoning, waiting to soak up time and money.
10. Unfortunately, the highlights are sporadic.