1. Rushed into production with no better drape for its threadbare gags than Cloverfield, this carpet-fouling mongrel of a movie no more deserves release than do anthrax spores.
2. Consider the word 'putrid.' If I had an online personal dictionary, the films of Jason Friedberg and Aaron Seltzer would link to my definition of that word.
3. Cobbled together with plotlines, characters, catchphrases and other assorted gimmicks still lodged in the short-term memory cavities of our pop cultural consciousness.
4. I want to say thanks again and thanks for proving that dumb movies pretending to be comedy will not stand any longer...
5. It's hard to put into words just how excruciatingly painful it is to watch Disaster Movie, but let's just say it will make you appreciate those dreadful experiences in your life like, say, going to the dentist or waiting in line at the DMV.
6. Disaster Movie is not, as you might have guessed, a parody of disaster movies. But it is a disaster.
7. Since many of the targets (Cloverfield, Hancock, Kung Fu Panda) already have a cheeky self-consciousness, the comedy rarely seems more than a hasty patchwork of cheap-shot allusions.
8. Disaster Movie is lazily written, insulting rubbish and it's unquestionably one of the worst films of the year. Avoid like your life depended on it.
9. I'm not sure if Disaster is the worst movie the boys have churned out, but, at this point, that's like asking if a bullet hurts more than a knife.
10. Of Disaster Movie it is difficult to speak, or even think, articulately, a handicap that seems to have afflicted the film's makers.
Consensus: Returning to their seemingly bottomless well of flatulence humor, racial stereotypes, and stale pop culture gags, Jason Friedberg and Aaron Seltzer have produced what is arguably their worst Movie yet.
Q: 1. [VIDEO] "A Good Old-Fashioned Orgy" is tame to the point of boredom. If you're curious about how a sex farce can be neither sexy nor funny, this movie will eradicate any such questions.
2. Jason Sudeikis completes his 2011 dude-comedy trilogy with A Good Old Fashioned Orgy, a genial film of good old-fashioned humorlessness.
3. There are occasional big laughs, albeit not enough to qualify this as a must-see comedy.
4. Screenwriters Alex Gregory and Pete Huyck have devised a merely sophomoric reason to get these actors to take their clothes off to have sex.
5. Fast, fun, raunchy.
6. These immature, fairly pitiable protagonists go about their absurd project in all the wrong ways. But you just keep rooting for them.
7. Bob & Carol & Ted & Alice meets a considerably tamed Van Wilder for a mediocre romp in the Hamptons.
8. Unable to decide whether to pitch their story as chastely sweet or ridiculously raunchy, filmmakers Alex Gregory and Peter Huyck end up with something that just lays there flacid.
9. Sex-themed comedy has some heart amid all the raunch.
10. 'Orgy' None Too Exciting
Based on these individual reviews, what is the critic consensus?

A: Consensus: Its titillating title promises ribald laughs, but the lazily written, indifferently acted, and only sporadically funny A Good Old Fashioned Orgy fails to consummate.
1. ...Isn't about or for anyone past puberty.
2. "How to Eat Fried Worms" is a tasty little treat for grade-school kids.
3. Throughout this fifth-grade Fear Factor, there are scattered lessons on the ills of bullying, the benefit of being true to yourself, the joy of true friendship. But really, what boy is going to remember a moral when there's an exploding worm?
4. This is a movie for kids in the 8-12 range who see it as something that reflects their own lives. You may not care about How to Eat Fried Worms, but your kids will.
5. A gross-out movie with a sweet story.
6. [The actors are] all believably mischievous--and, when the need arises, they're also convincingly courageous in taking a moral stand.
7. With its universal themes about fitting in, How To Eat Fried Worms is an endearing family film guaranteed to provide a wriggling good time. While the premise has a certain gross-out factor which will delight eleven year old boys, the script is clever, and
8. not particularly original or effective
9. Based on the, uh, classic kid's book, Fried Worms captures that feeling of spending a Saturday on a secret mission -- one that seems like the most important thing in the whole world -- until the next day, when you find another one.
10. Yes, the movie can be outstandingly irritating. But it's also a lot of fun, with keen instincts on kids' love for the gross-out.
Consensus: This Fear Factor for kids is good-natured and tasty enough.
Q: 1. The documentary offers a privileged behind-the-scenes look at the workings of a business. It's also about the difficulties of the creative process, the running of an organization, and the adjustments that must be made when a new boss is in town.
2. A completely fascinating peek inside a legendary fashion house where the demands of business and art clash in interesting ways.
3. Dior and I expertly observes all aspects of Simons' stressful transition, especially in the minutiae of being both an artist and a manager.
4. The drama of getting new dresses on the runway turns out to be transfixing, while the hero redefines the notion of intense.
5. Pleasant but slight.
6. Frederic Tcheng's Dior and I is a fashion doc with both a sense of history and a feel for the energy of a work in progress.
7. Though nicely made, Dior and I is every bit as escapist as the last Star Trek movie.
8. Much more than a documentary about a fashion house, this film finds real resonance in its central characters
9. This exceptional [cross cutting] structure allows the past to continue informing the present, reaching a climax after lights out in the ateliers, Tcheng projecting old Dior imagery over the white toiles that are the blueprints of Simons' first collection.
10. It is absurd, but mesmeric.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Dior and I will obviously appeal to fashion fans, but this beautifully tailored documentary may draw in even the least sartorially inclined.
1. The latest retelling of their saga is a lot like many other movies. A lot.
2. I'm not sure how dumb it was supposed to be, but laughing at it -- if not with it -- is a good enough way to spend 94 minutes.
3. it's all so neat and clean and noble that it doesn't even earn its dubious PG-13 rating
4. Truly, those who do not remember Young Guns are condemned to remake it.
5. Picture 1860s Missouri as Ft. Lauderdale during Spring Break and you've got the idea.
6. So devoid of a narrative, it plays like a prolonged version of the Wild West stunt show at Knott's Berry Farm.
7. It's the Wild West re-visited as a galloping, formulaic date movie.
8. So lifeless that it's enough to turn the Generation Y demographic off to the western genre completely.
9. Lazy storytelling at its worst, so disposable it is likely to be forgotten before it even reaches the end.
10. It makes a viewer feel like an investor in one of the banks Jesse James hit.

Consensus: With corny dialogue, revisionist history, anachronistic music, and a generically attractive cast, American Outlaws is a sanitized, teenybopper version of Jesse James.