Here are some reviews for a movie: 1. Because I Said So is a work of comic desperation, and an especially cruel betrayal of Keaton, who looks radiant in her 60s yet keeps finding herself cast in roles that use her age as the foundation for cut-rate slapstick.
2. Throughout most of her career Diane Keaton has shown sound instincts, so it's a mystery why she failed to sniff this false, brittle comedy out as a waste of her gifts.
3. The brain recoils at even having to recount the ill-conceived plot.
4. Speaking as a longtime Keaton fan, it's hard watching her go through this overbearing mother phase.
5. [An] obnoxious, headache-inducing horror show.
6. Avoid the movie so you won't waste 90 minutes of your life on an unfunny, derivative mess.
7. Keaton may well be the only actress in Hollywood who could play this character without making her despicable or treacly.
8. It's a perfect title for a film so utterly lacking in worthwhile qualities that there is no logical reason to actually see it.
9. ...Keaton kneads the part until it begins to resemble a human being.
10. There's not a member of the cast who isn't better than this premise or its execution.

Here is the consensus of critics:Overly reliant on caricatures and lacking any human insight, Because I Said So is an unfunny, cliche-ridden mess.

Here are some reviews for a movie: 1. Unless you're looking for a midnight movie to watch in the middle of the afternoon, beware when you walk into the multi-plex or you just might make a wrong turn and wind up watching this - you'll be sorry!
2. A negative pickup by Fox, dumped into theaters on Friday without benefit of press previews, Wrong Turn is steeped only in frightless torpor.
3. Lazy would-be horror film.
4. The plot unfolds like a slasher-by -the-numbers kit.
5. Dull, humorless slasher flick.
6. There are a lot of things wrong with this movie, and no things that are right. It's just about as bad a movie as I've seen in all the years I've been reviewing films.
7. Bad directions are the least of its problems.
8. It entertained me for 'what it was.'
9. [It] is better than the average entry in the subgenre because it eschews exposition in favor of thrills.
10. This sleazy slice of hicksploitation features a band of inbred mountain men so monstrous and foul, they make the toothless hillbillies of Deliverance look like the Vienna Boys Choir.

Here is the consensus of critics:An unremarkable slasher flick that fails to distinguished itself from others of its ilk.

Here are some reviews for a movie: 1. Bicentennial Man misses the big picture.
2. A good time.
3. The film is cute, saccarhine, overlong, at times overbearing...but not completely unpleasant.
4. Tries to win our hearts without doing much for our brains or our funny bones, and it just doesn't work.
5. Relies too heavily on the inconsequential silliness that ensues from the robot's simplistic and transparent manner of communicating with the more complex and fallible humans.
6. Bicentennial Man is crusty, dusty, and musty. Metal or flesh-and-bone, Robin's rusty.
7. It's a step in the right direction for both its star and maker.
8. Bicentennial Man too mushy, heavy-handed.
9. Those who get a catch in the throat just thinking about Valentines Day might not mind slogging through this epic... Everyone else will emerge from "Bicentennial" feeling about 200 years older than they were when they went in.
10. This tin man has a heart, but his movie needs a pulse.

Here is the consensus of critics:Bicentennial Man is ruined by a bad script and ends up being dull and mawkish.

Here are some reviews for a movie: 1. Crystal Skull is the worst in the series with some really bad twists and dull moments, but the action scenes alone save the film and warrants at least one viewing.
2. Ford is vitally and vibrantly present every moment on screen.
3. Awesome production design and death-defying stunts mask the movie's flaws: uninvolving relationships and narrative hodge-podge.
4. Even with the ponderous dialogue, there is considerable fun, and it's good to see that Indy, though slightly weary, still has the goods.
5. Even in its inflated and creaky fourth incarnation, the Indy series retains a certain unassuming quality, at least compared to Hollywood's recent monstrous productions.
6. A rollicking class reunion that stands as the second best entry in the venerable series.
7. It is a load of old nonsense, of course, but the journey is worth the price of admission.
8. The role belongs to Ford, and he is his usual sly self, with dry comic delivery and intrepid air, which was always more important than death-defying acrobatics.
9. It feels as lively and buoyant, as effortlessly entertaining, as you could realistically want in an Indiana Jones flick.
10. Deft, clever and fast-paced; it hits all the nostalgic touchstones and introduces memorable, worthwhile new players.

Here is the consensus of critics:
Though the plot elements are certainly familiar, Indiana Jones and the Kingdom of the Crystal Skull still delivers the thrills and Harrison Ford's return in the title role is more than welcome.