Given the below context:  Major Vic Deakins and Captain Riley Hale, pilots in the United States Air Force, are assigned to a secret exercise flying a B-3 Stealth Bomber (a fictional iteration of the B-2 Spirit stealth bomber) with two B83 nuclear bombs on board. After successfully evading Air Force radar, Deakins suddenly attacks Hale and ejects him out of the plane. Deakins then releases the bombs without detonating them and reports that Hale has gone rogue. He then ejects from the plane, leaving it to crash. A USAF search and rescue team led by Chief Master Sergeant Sam Rhodes is sent to recover the warheads. Failing to locate them, they report a "Broken Arrow", a situation wherein nuclear weapons are missing. Next morning the search team locates the warheads in a canyon but is ambushed by mercenaries. Rhodes tries to disable the warhead but is killed by the other survivor, Master Sergeant Kelly, who was serving as a mole for Deakins. Deakins arrives moments later and plots his next move with Pritchett, the mercenaries' financier. They plan to blackmail the US government with the threat of detonating the warhead in a populated area. Hale, who survived the ejection, is almost arrested by park ranger Terry Carmichael, who had been investigating the unusual events in the park. He convinces her to help him track down Deakins. Deakins' mercenaries commandeer the USAF search and rescue helicopter to kill Hale, but Hale and Terry manage to bring it down. The loss of the helicopter forces Deakins' men to transport the warheads with Hummer trucks.  Guess a valid title for it!
Ans: Broken Arrow (1996 film)

Given the below context:  Thomson's most famous paintings are his depictions of pine trees, particularly The Jack Pine and The West Wind. David Silcox has described these paintings as "the visual equivalent of a national anthem, for they have come to represent the spirit of the whole country, notwithstanding the fact that vast tracts of Canada have no pine trees", and as "so majestic and memorable that nearly everyone knows them". Arthur Lismer described them similarly, saying that the tree in The West Wind was a symbol of the Canadian character, unyielding to the wind and emblematic of steadfastness and resolution.Thomson had a great enthusiasm for trees and worked to capture their forms, their surrounding locations, and the effect of the seasons on them. He normally depicted trees as amalgamated masses, giving "form structure and colour by dragging paint in bold strokes over an underlying tone". His favourite motif was of a slight hill next to a body of water. His enthusiasm is especially apparent in an anecdote from Ernest Freure, who invited Thomson to camp on an island on Georgian Bay: One day while we were together on my island, I was talking to Tom about my plans for cleaning up the dead wood and trees and I said I was going to cut down all the trees but he said, "No, don't do that, they are beautiful." The theme of the single tree is common in Art Nouveau, while the motif of the lone, heroic tree goes back even further to at least Caspar David Friedrich and early German Romanticism. Thomson may also have been influenced by the work of MacDonald while working at Grip Limited. MacDonald in turn was influenced by the landscape art of John Constable, whose work he likely saw while in England from 1903 to 1906. Constable's art influenced Thomson's as well, something apparent when Constable's Stoke-by-Nayland (c. 1810–11) is compared with Thomson's Poplars by a Lake.Thomson's earlier paintings were closer to literal renderings of the trees in front of him, and as he progressed the trees became more expressive as Thomson amplified...  Guess a valid title for it!
Ans: Tom Thomson

Given the below context:  A few months before the D-Day landings during the Second World War, the British government decides to launch a campaign of disinformation; spreading a rumour that the landings just might take place at a location other than Normandy. The details of the operation (actually, there were several such operations) are handed to two intelligence officers, Colonel Logan and Major Harvey. They are initially unable to devise such a plan – but one night, Harvey sees an actor at a London theatre, putting on a convincing impression of General Bernard Montgomery. Logan and Harvey discover that the actor is M. E. Clifton James (who plays himself in the film), a lieutenant stationed in Leicester with the Royal Army Pay Corps and that he was a professional actor in peacetime. He is called to London, on the pretext that he is to make a test for an army film, and a plan is devised that he should tour North Africa, impersonating 'Monty'. 'Jimmy' as Harvey calls him, is doubtful that he can carry off an impersonation of Montgomery, especially with his air of command, but with time running short and no options open to him, he agrees. Disguised as a corporal, he spends some days at Montgomery's headquarters and learns to copy the general's mannerisms and style. After an interview with the general himself, he is sent off to tour North Africa. Accompanied by Harvey, who has been 'promoted' to brigadier for his cover as Montgomery's aide-de-camp, 'Jimmy' arrives at Gibraltar, where the governor, who has known the general for years, can't get over the likeness. To further foster the deception, a local businessman and known German agent, Karl Nielson, is invited to dinner, knowing that he will spread the information. This happens quickly and their aeroplane is (unsuccessfully) attacked on leaving Gibraltar.  Guess a valid title for it!

Ans: I Was Monty's Double (film)