Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : Shaolin (also known as The New Shaolin Temple) is a 2011 Hong Kong-Chinese martial arts film produced and directed by Benny Chan, and starring Andy Lau and Nicholas Tse with a special appearance by Jackie Chan. Context_2 : The Grandmaster is a 2013 Hong Kong-Chinese martial arts drama film based on the life story of the Wing Chun grandmaster Ip Man. The film was directed and written by Wong Kar-wai and stars Tony Leung as Ip Man. It was released on 8 January 2013 in China. It was the opening film at the 63rd Berlin International Film Festival in February 2013. The film was selected as part of the 2013 Hong Kong International Film Festival. The Weinstein Company acquired the international distribution rights for the film. The film was selected as the Hong Kong entry for the Best Foreign Language Film at the 86th Academy Awards, making the January shortlist, but did not get the nomination. The film was nominated for Best Cinematography (Philippe Le Sourd) and Best Costume Design (William Chang Suk Ping) at the 86th Academy Awards. Context_3 : The Shaolin Temple is a 1982 Hong Kong-Chinese martial arts film directed by Chang Hsin Yen and starring Jet Li in his debut role (though his name is misspelled in the credits as Jet Lee). The film is based on the Shaolin Monastery in China and depicts Shaolin Kung Fu. The film was the first Hong Kong production to be filmed in mainland China. Context_4 : Kung Fu Hustle is a 2004 Hong Kong-Chinese martial arts gangster comedy film, directed, co-produced and co-written by Stephen Chow, who also stars in the lead role. The other producers were Chui Po-chu and Jeffrey Lau, and the screenplay was co-written with Huo Xin, Chan Man-keung, and Tsang Kan-cheung. Yuen Wah, Yuen Qiu, Danny Chan Kwok-kwan, and Bruce Leung Siu-lung co-starred in prominent roles. Context_5 : Raymond Wong Ying-wah () is a Hong Kong film score composer. Among his works is the score for the 2004 martial arts film directed by Stephen Chow, "Kung Fu Hustle", which was nominated for the Best Original Film Score in the 24th Hong Kong Film Awards. He also received nominations in the Hong Kong Film Awards for his score to Chow's 2001 film "Shaolin Soccer", and for the 1995 Tsui Hark film "Love in the Time of Twilight" ( ). Context_6 : Dragon () is a 2011 Hong Kong-Chinese martial arts film directed by Peter Chan, and starring Donnie Yen, Takeshi Kaneshiro and Tang Wei. Yen also served as the film's action director. It premiered on 13 May 2011 at the 2011 Cannes Film Festival in the Midnight Screenings category. Donnie Yen and Peter Chan presided over the lighting of a billboard for "Dragon" that broke the Guinness Book of World Records for its size, 3591 square metres, previously held by a poster for a Michael Jackson album. Context_7 : SPL II: A Time for Consequences (also known as Kill Zone 2) is a 2015 Hong Kong-Chinese martial arts action film directed by Cheang Pou-soi, and produced by Wilson Yip and Paco Wong. The film starred Tony Jaa, Wu Jing, Simon Yam and Zhang Jin, with Louis Koo making a guest appearance. The film was released on 18 June 2015 in both 3D and non-3D formats. Context_8 : The soundtrack to the film "Kung Fu Hustle" was released in 2004 and 2005 in conjunction with the 2004 Hong Kong-Chinese martial arts film directed by and starring Stephen Chow. The majority of the film's original score was composed by Raymond Wong and performed by the Hong Kong Chinese Orchestra. The score imitates traditional Chinese music in 1940s swordplay films. Context_9 : Happy Ghost III () is a 1986 Hong Kong comedy film directed by Johnnie To. Produced and written by Raymond Wong, the film stars Wong and Maggie Cheung. The film is about a spirit of the late female singer Tsui Pan Han (Maggie Cheung) waits in the afterlife for a chance to be reincarnated. She meets the Godfather (Tsui Hark) who has found an appropriate musical family for her to be reincarnated with. Her opportunity to be born into the new family is ruined when Sam Kwai (Raymond Wong) takes the pregnant wife to the wrong hospital. Pan Han is given one month to find a new body to assume her reincarnation in, and decides in the meantime to harass Sam Kwai. Kwai eventually summons the Happy Ghost to help him out. Context_10 : Once Upon a Time in Shanghai is a 2014 Hong Kong-Chinese martial arts film directed by Wong Ching-po and starring Sammo Hung, Philip Ng and Andy On with action choreography by Yuen Woo-ping and Yuen Cheung-yan. The film is a remake of the 1972 film "Boxer from Shantung" which starred Chen Kuan-tai, who also appears in a supporting role in this film. fact_1 :  Among his works is the score for the 2004 martial arts film directed by Stephen Chow, "Kung Fu Hustle", which was nominated for the Best Original Film Score in the 24th Hong Kong Film Awards. fact_2 : Kung Fu Hustle is a 2004 Hong Kong-Chinese martial arts gangster comedy film, directed, co-produced and co-written by Stephen Chow, who also stars in the lead role. Question: Who starred in the lead role of the 2004 Hong Kong-Chinese martial arts gangster comedy film for which Raymond Wong wrote the score?
Student:
Stephen Chow