Generate an appropriate single-sentence summary for the given text such that it includes the main topic of the text.

The list, announced on Tuesday, marked the achievements of 50 living women and remembered 50 women who have died. Wales' Women's Equality Network drew up the list to mark the centenary of some women getting the vote. The list of 50 late women will be shortlisted to five and one will be picked for a statue in Cardiff's Central Square. The move follows complaints about the lack of public statues of women in Wales. Wales' Women's Equality Network, which campaigns for women's rights, said the list featured women who had excelled in the arts, business, education, politics, social reform and sport. The women on the list being considered for the statue include Lady Rhondda, otherwise known as Margaret Haig Thomas, who was born in 1883 and was a suffragette and businesswoman. Others include Betty Campbell, an activist and Wales' first black head teacher who died in 2017, and anti-slavery campaigner Jessie Donaldson (1799-1889). Megan Lloyd-George, the first Welsh female MP, and Betsi Cadwaladr, a Crimean War nurse who worked with Florence Nightingale are also on the list. While they will not be considered for the statue, 50 living women also feature on the list. They include Dame Shirley Bassey, poet Gillian Clarke, award-winning film maker Rungano Nyoni and actress Catherine Zeta-Jones. Entrepreneurs Hayley Parsons, founder of the Go Compare website, and Rachel Rowlands, founder of Rachel's Organic Dairy Products, also made the cut. WEN Wales director Catherine Fookes said: "Our 100 Welsh women have made great contributions to politics, language, culture and industry in Wales."
Wales' first female MP and a suffragette have made a list of 100 women who influenced Welsh life.

Channel 4's Dispatches highlighted the thousands of tickets, for acts including Coldplay and Take That, sold in this way for inflated prices. Viagogo said it aimed "to ensure that if you buy a ticket you get a ticket in time for the event". It earlier failed in a High Court bid to stop the programme airing. The company had sought an injunction on the grounds of breach of commercial confidence. The High Court held the material was not commercially confidential and even if it had been, it would have been in the public interest to report. The issue of reselling concert tickets is a divisive one, with opponents complaining that desperate fans often have to pay over-inflated prices. 'Premium partner' On Thursday night's Dispatches programme, fans were shown complaining that tickets were resold at higher prices on secondary ticketing websites within minutes of events selling out. They also complained that they had believed they were buying from other fans, rather than promoters, and said they had less chance of buying tickets at face value. Dispatches alleged that Live Nation, which works with artists including Madonna and U2, and SJM Concerts, which works with One Direction and Jessie J, had allocated large numbers of tickets to Viagogo. Viagogo UK director Ed Parkinson told the BBC News website its business model was to "guarantee that buyers get their tickets and sellers get paid". "We allow anyone to sell on our marketplace and the overwhelming majority of our sellers are individuals but it also includes larger sellers which can include concert promoters. "We don't discriminate. We allow anyone to sell on our market place as long as they deliver the tickets that they sell." Music fans on the Dispatches programme also complained that some desirable tickets at concerts, including for front row seats, were put straight onto ticketing websites. Mr Parkinson said that, as a "premium ticketing partner" to a number of promoters and organisations, "this will mean that certain premium seats will be made available to us". Viagogo makes money by taking a cut of a ticket's selling price. A spokeswoman said the same rate applied to tickets sold by major concert promoters as those sold by individual music fans. But she could not comment on any further deals made with partners. Neither Live Nation nor SJM Concerts have commented on the practice but the Concert Promoters Association (CPA), of which both are members, said some promoters "at least in part, operate in the secondary market". It said this was because the last government had failed to outlaw the resale of concert tickets, despite lobbying from the CPA. "If promoters put tickets into the secondary market then the result is that prices are brought down whilst also ensuring that some of the tickets available in the secondary are actually genuine ones," the CPA said in a statement. The secondary market was "effectively being used as a premium price primary market for those fans who wish to use it for convenience", it added. Those fans would be happier that a premium paid "went to the artist via the promoter rather than went to a tout", it said. The CPA said "the real problem" facing fans was that "tickets that touts put onto the secondary market don't actually exist and those that do are not in their possession to sell on". Earlier this month, Jon Webster, chief executive of the Music Managers Forum, called for a cap on resale values. He told the BBC: "It reflects badly, at the end of the day, on the artists - probably more so than anyone. "Punters don't know who the promoters are most of the time so, in the end, the fans blame the artist."
Secondary ticketing website Viagogo has defended the practice of gig promoters selling tickets on its website saying "we don't discriminate".

By Tom EspinerBusiness reporter, BBC News After the Danish toy-maker turned itself around more than a decade ago, last year it failed to click with customers. It said it had produced too many bricks, and had to sell off excess stock at a discount. How can Lego have too many bricks? Isn't it just that it didn't manage to sell the sets it had produced? In a way, yes. Every year it forecasts how much Lego it thinks it will need to manage its production, and last year its forecast wasn't on the money. Though to be fair, for the previous 13 years it has consistently underestimated how much it would need to produce, and hasn't made enough stock, says Frederique Tutt, global toy industry analyst at the NPD Group. Euromonitor toy analyst Matthew Hudak says "a big issue is that Lego has now is that it's grown so quickly with only one product that it inevitably had slow down and hit a wall." Lego says its consumer sales in 2017 were flat, but it "started 2017 with a higher than optimal levels of inventories". "The amount of Lego parents bought in 2017 was consistent with the prior year. However, because we sold fewer sets to retailers as we cleaned up inventories, revenues declined," it says. Has Lego lost its imagination? Are the pieces getting too specific? It's a bit harsh to say Lego has lost its imagination, says Ms Tutt. The toy industry like every other is cyclical, and after 13 years it's "fair enough to say it can have a rest", she says. As for the pieces being too specific, she says today's children "like to be taken by the hand" rather than being given a set of generic blocks, and that themed sets have been "a driver of success" for Lego. However, in 2017 there "was a bit too much of Star Wars, not just in Lego, but everywhere", she says. After three years of successive marketing the market was slightly saturated, she says. In addition, there's "not a lot of evidence that a toy company can lean too much on licensing as licensed toys are growing quite a bit globally," says Mr Hudak. "The high proliferation of smartphones allows children to watch their favourite shows all the time, which is growing demand for more licensed products," he says. Lego says it hasn't run out of imagination. "Only one out of five top selling themes in 2017 was licenced. That was Star Wars. The other themes were those created by our own talented designers." Is Lego too expensive? Lego is more expensive than its direct competitors, but Ms Tutt says its quality is higher. It doesn't tend to use promotions that much because it doesn't have to, she says. As for permanently reducing price to stimulate sales - "I don't think Lego wants to go that way", she says. Lego pays licensing for sets that are linked to blockbuster brands such as Star Wars. That cost is directly passed on to consumers, making those sets more expensive. Lego says: "We believe Lego products are unique and deliver great value for money. In addition, our products meet the highest safety and quality standards and last for generations." Has Lego failed to keep up with 2017 trends? "Households can have too many Lego products and not want more each year, and equally important is that children have fickle tastes, and simply lose interest in Lego," says Mr Hudak. One of the big trends in 2017 in toys was "collectibles" - that is, toys that can be built up into a set. Whereas the year before Lego was more fashionable, in 2017 the focus was on toys such as Lol Surprise! Dolls, says Ms Tutt. However, in terms of what it does, Lego remains the market leader, with about two thirds of the global market in "construction toys", says Euromonitor. There was also a general slowdown in the toy market in the UK as people's disposable income was squeezed by higher inflation and low wage growth, Ms Tutt adds. Lego says: "We launched some great products in 2017. In addition to our top-selling themes such as Lego City, Lego Friends and Lego Duplo, we introduced new play experiences inspired by the latest digital trends." Who are Lego's main customers? Boys aged between 5 and 9. The company has been diversifying towards trying to attract more girls, but boys (or more specifically, their parents, relations, and people with disposable income buying for them) remain the core customers, Ms Tutt says. There are Lego sets aimed at adult collectors, such as a Beatles Yellow Submarine, but these are more niche, says Ms Tutt. Lego's largest markets are the US, Western Europe - specifically UK, Germany, and France - and China, says Mr Hudak. Could Lego start using reclaimed plastic to help recycling efforts? In a word, no, at least not soon. The type of plastic Lego uses is acrylonitrile butadiene styrene (ABS) which is tough to recycle. Reclaimed plastic would not be of a high enough quality. Lego is trying to move towards using more sustainable materials - it recently announced that it is moving towards using "plant-based polyethylene" from sugar cane. This is still a hard-wearing plastic. As children become more environmentally aware, Lego is likely to continue to get greener, says Ms Tutt. Lego says: "We have set ourselves an ambitious target to make our bricks from sustainable sources by 2030... We are also working on developing new materials. Use of recycled materials presents many challenges, and to ensure that the product safety and quality is not compromised we are currently working on finding the right solution for using recycled materials in our products."

Lego's latest set of annual numbers showed its first drop-off in profits and revenues for 13 years this week.

