Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : Gone from Danger is a Joan Baez album from 1997. Rather than relying on her own songwriting, Baez instead selected work by younger folk and rock artists to perform. She included Dar Williams' "If I Wrote You", Richard Shindell's "Reunion Hill", and Betty Elders' "Crack in the Mirror", as well as two Sinéad Lohan compositions. Around the time of the album's release, Baez confessed that she no longer found herself able to write songs, and felt more comfortable reverting to her original role, as an interpreter. The one track for which she receives credit, "Lily" (about a girlhood friend), was a poem written by Baez, to which Greenberg and Wilson added music. Context_2 : Paul Frederic Simon (born October 13, 1941) is an American musician, singer-songwriter and actor. Simon's musical career has spanned seven decades, with his fame and commercial success beginning as half of the duo Simon & Garfunkel, which was formed in 1964 with Art Garfunkel. Simon was responsible for writing nearly all of the pair's songs, including three that reached No. 1 on the U.S. singles charts: "The Sound of Silence", "Mrs. Robinson", and "Bridge over Troubled Water". Context_3 : Two Can Dream Alone is a compilation album by folk rock duo Simon & Garfunkel. The album is a collection of songs from before they recorded their debut album "Wednesday Morning, 3 A.M.". It also has solo recordings by both Paul Simon and Art Garfunkel during this era of their careers. It contains all of Simon & Garfunkel's singles from these years. Six years after its release, a similar album was released which contains all Paul Simon songs except for "Beat Love" by Art Garfunkel, which appears on both albums. The songs on that album are also from their early years. Context_4 : Joan Baez in San Francisco was a demonstration record recorded by the 17-year-old Joan Baez in 1958, released without permission on Fantasy Records in 1964. Baez sued to block its distribution and it was withdrawn. There have since been authorized releases on other labels. It was released by Bear Family Records as A Package of Joan Baez. Context_5 : "My Little Town" is a 1975 song by the American duo Simon & Garfunkel. It was written by Paul Simon, who produced the track along with Art Garfunkel and Phil Ramone. Although the song would not appear on any of the duo's albums until later, it was included on both the solo releases for Simon ("Still Crazy After All These Years") and Garfunkel ("Breakaway") in 1975. This song was the first new single for Simon & Garfunkel since 1972's single hit "America". It became an all-new Simon & Garfunkel reunion single. Context_6 : Portrait of Joan Baez is a 1967 Joan Baez compilation album, released in the UK. It includes material from her early 1960s traditional folk and her Bob Dylan and Phil Ochs covers. The album is mono and was released on Vinyl in the UK. It features a mix of studio and live recordings. Context_7 : The Joan Baez Lovesong Album was a 1976 compilation Vanguard put together in their series of Joan Baez reissues, following Baez' 1972 departure from their label. This album was a collection of love songs Baez had recorded during her Vanguard years, including traditional and contemporary work, as well as an arrangement of E. E. Cummings' "All in Green My Love Went Riding" by Peter Schickele. The cover painting was done by painter and musician Eric Von Schmidt. Context_8 : Gracias a la Vida (subtitled Joan Baez canta en español), or Here's to Life: Joan Baez sings in Spanish is a 1974 studio album released by Joan Baez. It was performed mainly in the Spanish language (just one song in Catalan language). Baez stated at the time that she released the album as a "message of hope to the Chileans suffering under Augusto Pinochet", in the wake of the death of Salvador Allende. (Baez is known for her criticism of US foreign policy in Latin America, and has toured and worked on behalf of improving human rights in the region). Songs include selections by Chilean composers Victor Jara (who was tortured and killed in the aftermath of the 1973 coup d'état) and Violeta Parra, who composed the title song. Context_9 : Diamonds & Rust in the Bullring is a Joan Baez album, recorded live in the bullring of Bilbao, Spain. It featured twelve songs, six of which were performed in English, five in Spanish and one - "Txoria Txori" - in Basque. Most of the songs had been performed and recorded by Baez previously, with the exception of Leonard Cohen's "Famous Blue Raincoat". Context_10 : Joan is a 1967 album by Joan Baez. Having exhausted the standard voice/guitar folksong format by 1967, Baez collaborated with composer Peter Schickele (with whom she'd worked on the 1966 Christmas album, "Noël"), on an album of orchestrated covers of mostly then-current pop and rock and roll songs. Works by Donovan, Paul Simon, Tim Hardin, the Beatles, and Richard Fariña were included, as well as selections by Jacques Brel and Edgar Allan Poe. fact_1 :  Works by Donovan, Paul Simon, Tim Hardin, the Beatles, and Richard Fariña were included, as well as selections by Jacques Brel and Edgar Allan Poe. fact_2 : Paul Frederic Simon (born October 13, 1941) is an American musician, singer-songwriter and actor. fact_3 :  Simon's musical career has spanned seven decades, with his fame and commercial success beginning as half of the duo Simon & Garfunkel, which was formed in 1964 with Art Garfunkel. Answer: Paul Frederic Simon
Student:
Works by what man, who was part of the duo Simon  Garfunkel, were included in the 1967 Joan Baez album, Joan?