In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Q: Question: In which country did the Essex v Northamptonshire match take place? Passage:The Essex v Northamptonshire match was played at Valentines Park, Ilford 17 to 20 May. Northamptonshire won the toss and decided to bat, scoring 215 all out with a top score of 49 by Vince Broderick while Essex's Test leg break and googly bowler Peter Smith took four for 65. By close of play on Saturday, Essex had replied to 170 for 4 with opener Chick Cray on 90 not out. He completed his century, exactly 100, on Monday morning and Essex went on to total 267 all out. Northamptonshire were 219 for 5 at the close on Monday evening with their veteran batsman John Timms on 90 not out. Timms was out for 112 on Tuesday morning and Peter Smith completed ten in the match by taking six for 84 in the Northamptonshire total of 291. Essex therefore needed 240 to win with ample time left on the final day. They had a good stand of 103 for the fourth wicket between Frank Vigar (60) and Len Clark (64) but spinners Broderick and Bertie Clarke kept picking up the wickets and Essex were still ten behind when the ninth went down. The last pair were captain Tom Pearce and wicketkeeper Tom Wade who managed to level the scores before Wade was bowled by Clarke to tie the match.


A: The Essex v Northamptonshire match was played at Valentines Park, Ilford 17 to 20 May
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Q: Question: Where was the director of Yojimbo born? Passage:While the first game imitated popular Spaghetti Western film soundtracks, the second game aimed to become more unique. Jackson estimated that he changed the music about four times throughout development, from extreme experimentation to classic Western sounds, ultimately blending to make "something different". Pavlovich felt that in order to find an effective result, they had to "push it almost until you break it, and then you swing back". To avoid imitating the bell used in Spaghetti Western soundtracks, Jackson instead used a mandolin used by the Wrecking Crew. The music team found reference points in Willie Nelson's album Teatro (1998) and the soundtrack for the 1971 film The Hired Hand. Session guitarist Matt Sweeney took inspiration from segments of other music—such as the insistent drums in the work of Ennio Morricone—without being derivative. While researching for the game's score, Jackson found that Morricone's work—particularly on Sergio Leone's Dollars Trilogy—was already a departure from typical Western music of the time, instead featuring sounds popular at the time such as "psychedelic guitars, lots of noises", so Jackson felt that he could also take such creative liberties with Red Dead Redemption 2. Similarly, he was even more influenced by Masaru Sato's score on Akira Kurosawa's film Yojimbo (1961), which he felt focused on emotion rather than trying to replicate the sound of feudal Japan, the film's setting.


A: Similarly, he was even more influenced by Masaru Sato's score on Akira Kurosawa's film Yojimbo (1961), which he felt focused on emotion rather than trying to replicate the sound of feudal Japan, the film's setting
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Q: Question: Was Richter or Kentridge born first? Passage:Goodman has stated that she believes a dealer should be committed to working with an artist for fifteen to twenty years. The gallery represents leading foreign artists, including William Kentridge, the painter Gerhard Richter, the photographer Thomas Struth, the sculptor Thomas Schütte, and the mixed-media documenter Lothar Baumgarten, of Germany; the sculptors Tony Cragg and Richard Deacon and the video and filmmakers Eija-Liisa Ahtila, of Finland, Steve McQueen and Tacita Dean, of England; the installation-makers Christian Boltanski and Annette Messager, the filmmaker Chantal Ackerman, the site-specific painter Niele Toroni, and the digital animator Pierre Huyghe, of France; the Mexican aesthetic gamesman Gabriel Orozco; the sculptor and provocateur Maurizio Cattelan and the arte povera notables Giuseppe Penone and Giovanni Anselmo, of Italy; the Canadian creator of staged light-box photographs Jeff Wall; the Irish maker of gnomic slide shows James Coleman; the Dutch photographer Rineke Dijkstra; the Vietnamese born Danish poetic installation and performance artist who is living and working in Berlin Danh Vo; the Ethiopian creator of densely layered abstract paintings Julie Mehretu; and the South African film animator and puppeteer William Kentridge. Goodman also represents American artists Dan Graham, Lawrence Weiner and John Baldessari. Kentridge, Struth and Orozco, like most of Goodman's artists, joined her relatively early in their careers. One exception is Richter, who had three exhibitions with Sperone Westwater before deciding to show simultaneously there and with Goodman. After several years of this joint arrangement, he dropped the original gallery.


A:
The gallery represents leading foreign artists, including William Kentridge, the painter Gerhard Richter, the photographer Thomas Struth, the sculptor Thomas Schütte, and the mixed-media documenter Lothar Baumgarten, of Germany; the sculptors Tony Cragg and Richard Deacon and the video and filmmakers Eija-Liisa Ahtila, of Finland, Steve McQueen and Tacita Dean, of England; the installation-makers Christian Boltanski and Annette Messager, the filmmaker Chantal Ackerman, the site-specific painter Niele Toroni, and the digital animator Pierre Huyghe, of France; the Mexican aesthetic gamesman Gabriel Orozco; the sculptor and provocateur Maurizio Cattelan and the arte povera notables Giuseppe Penone and Giovanni Anselmo, of Italy; the Canadian creator of staged light-box photographs Jeff Wall; the Irish maker of gnomic slide shows James Coleman; the Dutch photographer Rineke Dijkstra; the Vietnamese born Danish poetic installation and performance artist who is living and working in Berlin Danh Vo; the Ethiopian creator of densely layered abstract paintings Julie Mehretu; and the South African film animator and puppeteer William Kentridge
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