In this task, you are given an article. Your task is to summarize the article in a sentence.

After a goalless first half, Gary Hooper struck on the rebound to put the hosts in front.
A mistake by Cardiff goalkeeper David Marshall led to an own goal from Lee Peltier, before Hooper scored his second in added time.
Sixth-placed Wednesday now have an unassailable seven-point lead over Cardiff in seventh with one game left.
Carlos Carvalhal's side will have to wait until the final weekend - when they are away at Wolves - to discover their play-off opponents.
They are guaranteed to finish at least sixth but could yet climb to fifth, with current occupants Derby at third-placed Brighton on Monday.
Wednesday only needed a draw against Cardiff to secure the final play-off spot but looked intent on claiming victory with a forceful start.
Roared on by a packed Hillsborough, the hosts were close to opening the scoring with Daniel Pudil shooting over and Hooper striking the post from 25 yards.
Cardiff dug in to keep the game goalless at the interval, threatening briefly as Peter Whittingham fired wide from the edge of the area.
Wednesday eventually broke their opponents' resistance after 64 minutes, as Hooper struck high into the net after Pudil's initial shot was saved.
Former Celtic and Norwich striker Hooper had a hand in the second goal 10 minutes later, pinching the ball from Marshall and forcing Peltier to put the ball into his own net.
Hooper scored his second with a neat finish in added time.
Sheffield Wednesday head coach Carlos Carvalhal: "I said from the beginning that we were outsiders this season.
"We achieved this place because we have a fantastic group of players, they're acting like a team, we are one as a team.
"We feel strong at the moment, like at the beginning of the season. We saw that today. We saw the reaction when we lost the ball - we were like dogs.
"Getting to the play-offs is the work of a lot of people; the players, the chairman and the fans who turn out home and away."
Cardiff manager Russell Slade told BBC Radio Wales: "It hurts. I'm just very disappointed with the second half and a couple of the goals we conceded.
"If you stay in the game, the pressure mounts on them but we were not able to apply that in the second period.
"We were not a great enough threat in that second half. It was not to be. I have to say we got beaten by the better side."
Match ends, Sheffield Wednesday 3, Cardiff City 0.
Second Half ends, Sheffield Wednesday 3, Cardiff City 0.
Goal!  Sheffield Wednesday 3, Cardiff City 0. Gary Hooper (Sheffield Wednesday) right footed shot from the centre of the box to the centre of the goal. Assisted by Atdhe Nuhiu with a headed pass.
Offside, Sheffield Wednesday. Atdhe Nuhiu tries a through ball, but Gary Hooper is caught offside.
Attempt missed. Sammy Ameobi (Cardiff City) left footed shot from outside the box misses to the right. Assisted by Scott Malone.
Attempt missed. Marco Matias (Sheffield Wednesday) right footed shot from outside the box misses to the right. Assisted by Gary Hooper.
Attempt missed. Peter Whittingham (Cardiff City) left footed shot from outside the box is close, but misses to the right from a direct free kick.
Foul by Kieran Lee (Sheffield Wednesday).
Stuart O'Keefe (Cardiff City) wins a free kick in the attacking half.
Foul by Atdhe Nuhiu (Sheffield Wednesday).
Sammy Ameobi (Cardiff City) wins a free kick in the defensive half.
Corner,  Sheffield Wednesday. Conceded by Lee Peltier.
Attempt blocked. Marco Matias (Sheffield Wednesday) left footed shot from outside the box is blocked. Assisted by Kieran Lee.
Substitution, Sheffield Wednesday. Marco Matias replaces Lucas João because of an injury.
Delay over. They are ready to continue.
Delay in match Lucas João (Sheffield Wednesday) because of an injury.
Attempt saved. Lucas João (Sheffield Wednesday) left footed shot from the left side of the box is saved in the bottom right corner. Assisted by Barry Bannan.
Corner,  Cardiff City. Conceded by Kieran Lee.
Substitution, Sheffield Wednesday. Jeremy Helan replaces Daniel Pudil.
Attempt missed. Atdhe Nuhiu (Sheffield Wednesday) left footed shot from the right side of the box misses to the left.
Offside, Sheffield Wednesday. Atdhe Nuhiu tries a through ball, but Lucas João is caught offside.
Attempt missed. Sammy Ameobi (Cardiff City) left footed shot from outside the box misses to the right. Assisted by Kadeem Harris.
Own Goal by Lee Peltier, Cardiff City.  Sheffield Wednesday 2, Cardiff City 0.
Scott Malone (Cardiff City) is shown the yellow card.
Substitution, Cardiff City. Kadeem Harris replaces Kagisho Dikgacoi.
Attempt saved. Atdhe Nuhiu (Sheffield Wednesday) header from the right side of the six yard box is saved in the bottom right corner. Assisted by Barry Bannan.
Substitution, Sheffield Wednesday. Atdhe Nuhiu replaces Fernando Forestieri.
Lucas João (Sheffield Wednesday) wins a free kick in the attacking half.
Foul by Bruno Ecuele Manga (Cardiff City).
Attempt saved. Craig Noone (Cardiff City) left footed shot from outside the box is saved in the centre of the goal. Assisted by Sammy Ameobi.
Goal!  Sheffield Wednesday 1, Cardiff City 0. Gary Hooper (Sheffield Wednesday) left footed shot from the left side of the six yard box to the high centre of the goal.
Attempt saved. Daniel Pudil (Sheffield Wednesday) left footed shot from a difficult angle and long range on the left is saved in the bottom left corner. Assisted by Kieran Lee.
Fernando Forestieri (Sheffield Wednesday) wins a free kick on the left wing.
Foul by Lee Peltier (Cardiff City).
Substitution, Cardiff City. Bruno Ecuele Manga replaces Sean Morrison because of an injury.
Foul by Lucas João (Sheffield Wednesday).
Sammy Ameobi (Cardiff City) wins a free kick on the left wing.
Attempt saved. Craig Noone (Cardiff City) left footed shot from outside the box is saved in the centre of the goal. Assisted by Kagisho Dikgacoi.
Foul by Kieran Lee (Sheffield Wednesday).
Stuart O'Keefe (Cardiff City) wins a free kick in the defensive half.
Sheffield Wednesday sealed their place in the Championship play-offs by beating Cardiff at Hillsborough.

The dancer on the stage, in front of the drummers, wears a large carved wooden head dress for this performance of Kathakali, one of India's most recognisable male-led dance-dramas.
His eyes are wide and red, the contours of his face extended with a mask of moulded rice paper. His painted green face tells the audience he is their Sathwika, their hero.
Part-dance and part-mime, Kathakali originated in the state of Kerala between the 16th and 17th centuries, around the same time as Shakespeare. The Kalluvazhi Chitta style being performed by these dancers was born on the stage at the now-closed Kathakali school at Olappamanna Mana in Vellinezhi, almost 200 years ago.
It was originally taught in old live-in boarding schools, under the strict mentorship of a teacher, or ashan.
"The Kalluvazhi Chitta style of Kathakali is distinct in the eye and feet movements. The dancer keeps their weight on the side of their feet, with the small toes bent, so that the strong steps don't cause a rush of blood to the head," says Olappamanna Damodaran, whose family ran the school (or Kaliyogam) in sleepy Vellinezhi until the 1940s.
But he and others worry the old style of the dance may be dying out.
The dancers I saw are the students of the school's final graduating class. And they aren't teaching anyone new.
Olappamanna Mana is a 500-year-old feudal home. It holds particular significance for me.
"Your great-grandfather used to come here from a very young age. He performed here as a young Kathakali dancer and was later a visiting professor at our dance school," Mr Damodaran tells me.
Until his death in 1970, my great-grandfather was one of Kathakali's most well-known names. Guru Kunju Kurup won the Padma Buschan and Padma Shri, two of India's highest civilian awards, for his dancing.
Although he was commonly identified as an expert of the south Kerala style of the dance, the Thekkan style, his time at Olappamanna Mana made him fluent in the northern style, the Kalluvazhi Chitta.
There's only one student of Olappamanna Mana Kaliyogam who is still alive to remember the training first hand.
MN Paloor studied there as a young boy shortly before the school closed. In those days, a Kathakali dancer was trained for eight to 10 years.
"Training was very hard. Very hard. We woke up at 3.30am in the morning and started with our eye exercises. The teaching at Olappamanna Kaliyogam was strict and went on for more than 11 hours a day, but it resulted in the creation of great, strong Kathakali artists," MN Paloor tells me at his home in Calicut, a couple of hours away.
"There's a huge difference with the training now. You can't call it 'training' nowadays. Kathakali has been destroyed."
KK Gopalakrishnan, an author well known for his writings on Kathakali, agrees the old schools were rigorous.
"Strenuous physical training and beatings by the ashans were the hallmark of Kathakali training, to some extent till the late 1970s. The basic rule was to 'not spare the rod and spoil the child'.
"Absolute and unquestioning discipline was expected of students. Today, a trainer adhering to this old rule would end up behind bars!
"Therefore, trainers prefer sparing the rod at the expense of the future of the art and this change is inevitably reflected in the standard of the students' work. This affects both the quality of performance and the stage stamina."
Traditionally, Kathakali would be performed unrehearsed, on a stage level with the audience, at sunset, free of charge for locals. Patrons and feudal families would sponsor the dancers.
But Mr Gopalakrishnan says these days performances, which once lasted up to eight hours in order to tell the entire religious story, have been reduced to around two hours to cater for modern audiences. Although foreign tourists to Kerala can expect to pay 30,000-50,000 rupees ($430-$720 ; Â£300-Â£500) to watch a performance, junior dancers earn between 1,000-2000 rupees, he says.
Changing feudal traditions in the 1940s meant that Mr Damodaran's family could no longer be trustees of the Olappamanna Mana Kaliyogam, and the Kathakali school closed.
Many of Olappamanna Mana's most famous teachers, including my great-grandfather, started teaching at larger institutions like the Kerala Kalamandalam University of Art and Culture. Initially, the style of teaching was true to the strict parameters of the old styles, but that changed.
"We've had to adapt with the times," says M Krishnakumar, who is head of the department of Kathakali at the Kerala Kalamandalam. "Training was intense in your great-grandfather's day. Back then, students had evening classes as well as day classes - sometimes they only slept for two hours at night before they were up to practice again.
"Now, you couldn't ask students to do that. Now we've cut down the hours students practice dancing and added classes in subjects like English and Hindi to give them a more rounded education.
"This change in teaching doesn't mean we still couldn't produce great Kathakali dancers. If Kathakali runs in your blood, you can still become a great artist."
Back in Vellinezhi, Mr Damodaran, whose family now run a home stay on the 300-acre estate, isn't convinced.
"If Kathakali training is now a module, alongside other subjects like English and History, it means the art form is being diluted. And a dilution of a classical art means it is leading towards death."
But he says the style can still be preserved.
"If we have the will and support of the community. We could re-open the Kaliyogam here and teach the Kalluvazhi Chitta Kathakali here still, using local dancers who were taught by Olappamanna Mana alumni."
In the exact same strict style as before?
"Not the exact same way," he concedes, "but almost."
Archive video footage from the David Bolland Collection/Rose Bruford University. Photo of Olappamanna Mana school by TS Nagarajan - from his book Vanishing Homes of India, by permission of his family. Performance by the Kala Chethena Kathakali Company.
In the south Indian village of Vellinezhi something rare is happening - the villagers, hearing the drums, are making their way to an outdoor stage lit by brass lamps.

Some estimates say that up to 200,000 pensioners - some of whom are unwell - could typically receive £2,000 each.
Prudential and Standard Life have agreed to review hundreds of thousands of policies, which go back to July 2008.
Standard Life has set aside £175m to cover the compensation programme.
Analysts have said that Prudential is likely to have to pay at least £200m.
It follows an investigation from the Financial Conduct Authority (FCA), which concluded that between 39 and 48% of those sold annuities by both companies were provided with "insufficient information".
Many of those people may have qualified for so-called enhanced annuities.
Enhanced annuities pay consumers a higher income, on the basis that they are in ill health and are likely to live for a shorter period than average.
Those who bought standard annuities instead would have lost up to £240 a year in pension income, according to FCA estimates.
In October 2016, the FCA estimated that 90,000 may have been sold the wrong annuities, but industry experts believe the final figure will now be higher.
Some of those sold the policies are likely to be in their 70s and not in good health.
Nevertheless, Prudential said it would take two years for them to go through all the cases. Standard Life said that most cases should be settled by the end of 2018.
"It is deeply disappointing that it has taken this long," said Tom McPhail, head of retirement at Hargreaves Lansdown.
The policies in question were "non-advised", meaning the customers took no independent advice and did not shop around for an alternative provider.
Earlier this week, the FCA said that 58% of those who buy an annuity - or income for life - did so from their existing provider.
"The way to avoid this situation arising in the future is for customers to shop around on the open market," said Mr McPhail.
"Worryingly, FCA data published only yesterday shows that over half of investors retiring today are still buying their retirement income arrangement from their existing pension provider, which begs the question as to whether the problem has actually been fixed."

Tens of thousands of pensioners who were sold the wrong type of annuity with two of the UK's biggest insurance companies are to receive compensation.

