We all present these glossy lives to the world; coffee cups presented to dewy sunrises, champagne in airport lounges, luxurious restaurants that cost more than they should and share the blue skies days of exploration. I’m as guilty as anyone. But, what about behind those scenes? Those days where the wind is so strong you can’t instastory for talking (I’m looking at you Cornwall), when travel mistakes happen (like in Vienna where I accidentally booked our trip a day short) or when everyone asks you what your next trip will be and you sheepishly have to answer ‘er, not sure’. So I thought I’d get a few things off my chest, and confess a few of the reasons why I probably shouldn’t be calling myself a travel blogger. And yes, these are all very much first world problems. 1. I hate photographs of myself. Ironic, no? Especially when one of the first rules of blogging is all about the cult of personality. I just don’t like them. I wish I did, but there are few times that I fancy a photo and even less when I like the result. 2. We nip into a MacDonalds at least once every trip. It has now become a tradition between nicer restaurants to nip in and order a Big Mac and fries at some point of our trip – but especially in Europe for some reason. Why do their MacDonalds meals taste better? 3. Pastels aren’t really my shade. Again, I wish I could be super girly, twirling in gossamer skirts painted in spring shades but I’m just not. My colour palette is decidedly autumnal/jewel hued and usually sticks to a scarf draped around my neck in a hopefully fashionable manner. And I’m totally ok with that. 4. I once travelled all the way to New Zealand and back (stopping in 3 countries enroute) without a lens cap on my brand new, fairly expensive camera. This is in no way a #humblebrag about the trip, but a comment on how impractical I can be – and how careful I also am. I lovingly wrapped my camera in a soft scarf every day for 3 weeks, growled under my breath at anyone who looked like they might jostle me and at one point found... Question: When did the blogger leave the lens cap off her camera? === The answer to the above question is
OPTIONS:
- when she was in Cornwall
- when she was in McDonald's
- not enough information
- en route to New Zealand and back
en route to New Zealand and back


Light dappled through the trees in the family courtyard, painting shadows on the paving stones. Li Reiko knelt by her son to look at his scraped knee. "I just scratched it." Nawi squirmed under her hands. Her daughter, Aya, leaned over her shoulder studying the healing. "Maybe Mama will show you her armor after she heals you." Nawi stopped wiggling. "Really?" Reiko shot Aya a warning look, but her little boy's dark eyes shone with excitement. Reiko smiled. "Really." What did tradition matter? "Now let me heal your knee." She laid her hand on the shallow wound. "Ow." "Shush." Reiko closed her eyes and rose in the dark space within her mind. In her mind's eye, Reiko took her time with the ritual, knowing it took less time than it appeared. In a heartbeat, green fire flared out to the walls of her mind. She dissolved into it as she focused on healing her son. When the wound closed beneath her hand, she sank to the surface of her mind. "There." She tousled Nawi's hair. "That wasn't bad, was it?" "It tickled." He wrinkled his nose. "Will you show me your armor now?" She sighed. She should not encourage his interest in the martial arts. His work would be with the histories that men kept, and yet... "Watch." Pulling the smooth black surface out of the ether, she manifested her armor. It sheathed her like silence in the night. Aya watched with obvious anticipation for the day when she earned her own armor. Nawi's face, full of sharp yearning for something he would never have, cut Reiko's heart like a new blade. "Can I see your sword?" She let her armor vanish back into thought. "No." Reiko brushed his hair from his eyes. "It's my turn to hide, right?" Question: Who summoned the armor from the ether? === The answer to the above question is
OPTIONS:
- Li Reiko
- Nawi
- Aya
- not enough information

Answer: Li Reiko


I’ve learnt a great amount throughout this studio, first and foremost I was taught: how the art world functions, how specific galleries such as Gertrude St Contemporary run and how artists earn a living. The studio also provided me with basic filmmaking skills such as how to: create a shooting schedule, write a shooting script, set up three-point lighting, conduct an interview, utilise visual storytelling and edit a short film. Throughout the shooting process with my artist I also developed my abilities regarding how to use a: Sony Zoom H2N (and other such handy recorders), a lapel mic, my own Canon EOS 60D and Adobe Premiere Pro editing software. Overall I think the studio functioned quite successfully, it was great to be in a studio with nineteen people who all were interested in the same topics as you. I felt that overall, the studios had a very happy and supportive environment, and you walked away knowing a great deal about the art world and how to make short documentaries. The project itself taught me a great deal about how to work with talent, as well as my group members. Having to work independently forced me to be completely all over every aspect of the shoot, whether that be choosing which questions to ask, deciding what to focus on, where I wanted the shoot to happen, deciding what gear to use, getting to the shoot, carrying all the gear, what I wanted to shoot, managing the audio, managing the lighting, managing the camera set-ups, managing the talent, editing the film, and finding a great soundtrack for it. I’m a pretty self-conscious person and I often doubt the decisions I make or ask someone else for their opinion (should I shoot this angle, or what do you think of this question etc.). Working independently pushed me to go with my gut instincts, to make decisions and to not seek others approval. It forced me to develop my aesthetic as a filmmaker and to own the work that I ended up producing, so ultimately I was really glad with how everything panned out. Question: After the end of the story, the narrator probably still is === The answer to the above question is
OPTIONS:
- A developer
- A filmmaker
- not enough information
- A writer

A filmmaker