Write a question from the passage such that it identifies a character (a person or a thing) in the passage.

Example Input: I'm sitting at the airport on a Sunday morning waiting for my flight to Las Vegas for the now-annual pilgrimage to the NamesCon conference. A few years ago, Vegas was one of my "bucket list" places – one of those iconic cities that one should visit at least once in their life. For me, once was enough. This is now my 4th (I think?) trip to Vegas, and while the city has a lot to offer, it's just not my cup of tea.
For one thing, I'm not a gambler, like at all. I don't have anything against it, I just don't enjoy it. It either feels pointless or stressful to me. The city itself makes me a little sad – in some cases, it reeks of desperation. Last time I was there, my cab driver entertained me with stories of how she was working 3 jobs to save up enough to join some mega-massive bingo game. She won a small jackpot a few years back and that allowed her to work only one job for a few months. She was hoping to win again so she could cut back to 1 or 2 jobs.
I wondered how many people do similar things – gambling their money away, in big or small chunks, in the hopes of that big score and in the process, putting themselves in a not-great financial situation. I suppose as long it makes them happy, then it's all OK, but I can't help but think someone like my cab driver might be happier overall if she only worked 1 job instead of 3, instead of working extra jobs to save up money to gamble her way to financial freedom. But that's for her to decide, not me.

The juxtaposition of extreme and in-your-face wealth and the homeless people on the Strip also makes me sad. It's difficult to see people begging for food and sleeping on the street while all around you, millions of dollars are poured into creating a massive playground with every type of indulgence possible. But I'm the first to say that I've enjoyed staying in some of the nicer hotel properties there and eating several excellent meals at some of the finer restaurants in the area, so I'm not exactly helping to solve the problem.
Example Output: Who wanted to enter a mega jackpot Bingo game?

Example Input: The night when she thought she would finally be a star, Maria Isabella du'l Cielo struggled to calm the trembling of her hands, reached over to cut the tether that tied her to the ground, and thought of that morning many years before when she'd first caught a glimpse of Lorenzo du Vicenzio ei Salvadore: tall, thick-browed and handsome, his eyes closed, oblivious to the cacophony of the accident waiting to occur around him.
Maria Isabella had just turned sixteen then, and each set of her padrinos had given her (along with the sequined brida du caballo, the dresses of rare tulle, organza, and seda, and the diadema floral du'l dama -- the requisite floral circlet of young womanhood) a purse filled with coins to spend on anything she wanted. And so she'd gone past the Calle du Leones (where sleek cats of various pedigrees sometimes allowed themselves to be purchased, though if so, only until they tired of their new owners), walked through the Avenida du'l Conquistadores (where the statues of the conquerors of Ciudad Meiora lined the entirety of the broad promenade) and made her way to the Encantu lu Caminata (that maze-like series of interconnected streets, each leading to some wonder or marvel for sale), where little musical conch shells from the islets near Palao'an could be found. Those she liked very much.
In the vicinity of the Plaza Emperyal, she saw a young man dressed in a coat embroidered with stars walk almost surely to his death. In that instant, Maria Isabella knew two things with the conviction reserved only for the very young: first, that she almost certainly loved this reckless man; and second, that if she simply stepped on a dog's tail -- the very dog watching the same scene unfold right next to her -- she could avert the man's seemingly senseless death.
Example Output: Who was watching the man?

Example Input: One of the more surprising objects in the Getty Villa's newly reinstalled gallery of later Roman sculpture is a marble bust of a youth leaning out of a circular frame, mounted high on the gallery wall. J. Paul Getty originally acquired this particular sculpture in 1973, but it has been off view for many years. The recent reinstallation of the Getty Museum's antiquities collection at the Villa provided the opportunity to resurrect many such objects from storage and put them on display.
Bringing this strange object back to the public eye enabled us to ask—and answer—several questions about it. Who—if anyone—does it represent? When was it carved? Where was it made, and how did it end up in Los Angeles? In preparation for its display, we researched and reinterpreted the object, exploring both its ancient function and modern history.
In its new display, this object is fittingly surrounded by other examples of late Roman sculpture from the third and fourth centuries. Its inclusion in this gallery was not always a given, however, as the figure was long misidentified as a portrait of young Caracalla, who at ten years old became joint emperor with his father in A.D. 198.(1) But recent scholarship questioned the Caracalla identification and the object's date, suggesting it was carved at least a hundred years later.(2) In light of this research, curator Jens Daehner pushed to reexamine the sculpture and consider including it in the reinstallation.
In early 2015, the Antiquities Department brought this tondo and many other potential objects for the new galleries out of storage for viewing, providing curators, conservators, mount makers, preps, and registrars a chance to approve and prepare artworks for possible display.
After the storage viewing and subsequent research, we updated the object record to conform with what scholars had suggested: this is not a second-century portrait of Caracalla but a fourth-century bust of a youth or divinity. To answer our next question of who the tondo represents, we then had to take a closer look at the curious origin and function of this sculpture type.
Example Output:
Who owned the large estate?

