In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Judy Blume (born Judith Sussman; February 12, 1938) is an American writer known for children's and young adult (YA) fiction. Some of her best known works are "Are You There God? It's Me, Margaret" (1970), "Tales of a Fourth Grade Nothing" (1972), "Deenie" (1973), and "Blubber" (1974). "The New Yorker" has called her books "talismans that, for a significant segment of the American female population, marked the passage from childhood to adolescence." Context_2 : Starring Sally J. Freedman as Herself is a 1977 young adult novel by Judy Blume. The story is set in 1947 and follows the imaginative 10-year-old Sally, who likes to make up stories in her head, when her family moves from New Jersey to Miami Beach. While not as controversial as some of her other novels, Blume does manage to address the following themes of late 1940s life in America: racism, anti-Semitism and sibling rivalry. This novel is her most autobiographical, with many parallels between Blume's own life and that of Sally. Blume has said, "Sally is the kind of kid I was at ten." Context_3 : Tiger Eyes is a young adult novel written by Judy Blume in 1981 about a 15-year-old girl attempting to cope with the unexpected death of her father. In 2012, the novel was adapted into a film of the same name, directed by Judy's son, Lawrence Blume and starring Willa Holland as Davey Wexler. Davey is often sad, depressed and defensive on everything. She has a short breakdown at her brother, Jason. Her mom becomes incapable of doing things about the house, making Davey more depressed. Context_4 : Sandra Dallas is an award-winning American author of 13 adult novels, 2 children's novels, and 7 non-fiction books. Previously, she was an ex-reporter and bureau chief for "BusinessWeek" magazine for the Denver region. Context_5 : David Sandner is an author and editor of fantasy literature. His poetry and fiction have appeared in the publications "Asimov's Magazine of Science Fiction", "Weird Tales", "Realms of Fantasy", "Pulphouse", and the anthologies "Baseball Fantastic", "The Mammoth Book of Black Magic" and others. He is also the author of non fiction books "The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-century Children's Fantasy Literature" (Greenwood, 1996) and two time Mythopoeic Award Finalist "Critical Discourses of the Fantastic, 1712-1831" (Ashgate, 2011). David is the editor of "Fantastic Literature: A Critical Reader", and co-editor of "The Treasury of the Fantastic" with Jacob Weisman (Tachyon Publications, 2013). Context_6 : Catherine DeVrye is a Canadian born Australian author of 8 best selling non fiction books and a former Australian Executive Woman of the Year winner. Context_7 : Then Again, Maybe I Won't is a young adult novel written by Judy Blume. Intended for pre-teens and teenagers, the novel deals with puberty from a 1970's male perspective as well as the other trials of growing up. Judy Blume claimed that she was inspired to write the story following the success of her preceding novel "Are You There God? It's Me, Margaret." Given her earlier novel was about a girl entering puberty making the transition to womanhood, she decided to write one about a boy going through puberty and making a transition to manhood. Context_8 : Jaideep Varma is an Indian writer, screenwriter and filmmaker. He has made 5 feature films – "Hulla" (2008, fiction), "Leaving Home – the Life & Music of Indian Ocean" (2010, non-fiction), "Baavra Mann – a Film on Sudhir Mishra & Other Indian Realities" (2013, non fiction). , I Am Offended! (2015, non fiction) and Par Ek Din (2017, non fiction). Context_9 : R.J. Robertson (1946 – 8 April 1994) was an American writer and actor. He is best known for working on a number of scripts with Jim Wynorski. He also wrote some non fiction books. Context_10 : The Judy Blume Diary is an activity book meant to be written in for approximately one year by aspiring writers. In 1981, Judy Blume created the book to finance her KIDS Fund, which promotes communication between children and their parents. fact_1 : Judy Blume (born Judith Sussman; February 12, 1938) is an American writer known for children's and young adult (YA) fiction. fact_2 : Sandra Dallas is an award-winning American author of 13 adult novels, 2 children's novels, and 7 non-fiction books. Answer: Sandra Dallas is an award-winning American author of 13 adult novels, 2 children's novels, and 7 non-fiction books.

Solution: Has Judy Blume or Sandra Dallas written more non fiction books?