In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as `a` for Yes or `b` for No.

Ex Input:
Question: What is the population of the city where Haschka was born and died? Passage:Haschka was born and died in Vienna. In his youth, he was a member of the Society of Jesus. On the suppression of the Society (1773) he devoted himself, in secular life, to poetry, this was now to become his vocation and his means of livehood. His pupil, the wealthy Johann Baptist von Alxinger, an imitator of Christoph Martin Wieland, came to his assistance. Haschka also found aid in the home of poet Karoline Pichler. Having left the Jesuits, under the influence of Josephinism, he became a freemason and wrote odes against the papacy during the presence of Pius VI in Vienna, as well as against the religious orders. He returned to Catholicism after the death of Joseph II, Holy Roman Emperor, and was selected to compose a national anthem, which was first sung on 12 February 1797, at the celebration of Francis II's birthday. Haschka was given a position as assistant in the library of the University of Vienna and was made instructor in aesthetics in the newly founded Theresianum. He retired in 1824.


Ex Output:
b


Ex Input:
Question: How old was John Sargent the year Vassos moved to Boston? Passage:Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.


Ex Output:
b


Ex Input:
Question: How many goals did Ruud Heus score in the 1994-95 season? Passage:In 1993, Feyenoord secured another Dutch Championship by beating Groningen 5–0 in the last league match of the season. The match was played at the Oosterpark Stadion in Groningen, so 40.000 Feyenoord fans watched the game on giant screens in De Kuip. The title was followed by another two Dutch Cups in 1994 (beating NEC 2–1) and 1995 (beating Volendam 2–1). During the 1994–95 UEFA Cup Winners' Cup, Feyenoord reached the quarter finals after beating Werder Bremen in the second round. They eventually lost to Real Zaragoza. In the quarter-finals in the 1995 KNVB Cup, Feyenoord visited Ajax, which would win the 1994–95 UEFA Champions League later that season. Ajax was leading 1–0 when Ruud Heus equalised with a penalty just before full time. In extra time, Feyenoord became the only team to defeat Ajax the same season they won the Eredivisie and the Champions League unbeaten. The goal scored by Mike Obiku was the decider as the new golden goal rule became in use. During the 1995–96 UEFA Cup Winners' Cup, Everton and Borussia Mönchengladbach were beaten. A total of 14,000 Feyenoord fans travelled to Germany to support the team against Mönchengladbach. Feyenoord were eliminated in the semi-finals by a Carsten Jancker-inspired Rapid Wien.


Ex Output:

b


