Write a question from the passage such that it identifies a character (a person or a thing) in the passage.

Q: Today, I want to share why I think you should interview real estate agents before hiring one.
Why You Should Interview Real Estate Agents
Truth be told, I have only purchased one house and I'm in the process of selling it. My husband and I thought long and hard about whether we would try to sell our property on our own or hire someone to represent us. In the end, we chose the latter.
If you have ever shared with friends or family that you're looking for a home or thinking of selling your own, most everyone says something along the lines of, "Oh! I know a realtor I can recommend!" Many of you may know a real estate agent personally as well.
I still think it makes sense to interview any prospective agents because they are being paid by you. When you hire someone to do work on your home, you get estimates and gather information about how and when the work will be done. When you are looking for babysitters, you meet them and see how they'll interact with your child. When you're an employer, you interview any potential employees.
Don't Take The Easy Route with Previous Agents and Friends
Just because a friend is a realtor, doesn't mean they'll be the best real estate agent for you. Just because a friend recommends their realtor to you, doesn't mean you have to hire him/her. It's business and nobody should take it personally.
Interviewing real estate agents just makes sense.
Oftentimes, people don't.
Why not just use the realtor that sold you the house you're currently in? Well, you can. But do you know how that realtor handles business when they are the listing agent versus the buyer's agent? Do you know if they'll want to pursue the option to be a dual agent (and double their commission)? Why not interview them while interviewing others? It won't hurt.

A: Who should interview real estate agents?
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Q: I already gave this example in another post but I think it was a really interesting situation with an interesting outcome so I'm going to repeat it. When I was 21 years old I produced a play. It was actually my second. The first was really successful. With the second I bit off a lot more than I could chew and I got too big for my britches and I ended up with a sprawling money eating disaster that caused me to have to move to a poor part of town and to go to court with my publicist and to be in debt for a couple of years. I could have absolutely let this ruin me and discourage me. And I realized this was a very delicate situation for my creativity and my sense of hope for the future. So I said to myself one day, "let me take a walk to the park and have this situation out with myself once and for all." Two blocks from my house was this wonderful neo classical park with beautiful stairs leading from level to level. I walked up and down the stairs and basically said to myself "this was a failure. I am having a failure experience. But I have a choice of how I look at this. And the big Takeaway for me with this experience is that I have talent and there is a big creative future for me. And I have hope. I have to slow down. I have to make sure I don't get ahead of myself. I definitely have to clean up this mess and be patient for however long it takes . But bottom line the big take away from this experience is that I have talent and I have a future and I have Hope." It was one of the most amazing moments I've ever had with myself. There are about 100 other experiences in my life where I wish I had had a conversation like this. This one was a treasure.

A: Who does the author say had gotten too big for their britches?
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Q: My love affair with technology began at an early age. On my seventh birthday, my parents bought me a second-hand ZX Spectrum and, in a foretaste of my life to come, I immediately set about learning how to use it to get attention. It's a sign of how rapidly technology develops that my crappy Spectrum, with its 48k of memory, already had 12k more storage power than the computer that had guided the Apollo 11 moon landing eighteen years earlier* With power like that, there seemed to be no limit to what I could do.
While my other computer-owning peers would sit for hours while their tape drives squawked away loading 'Manic Miner' or 'Bubble Buster' I was more fascinated by learning to write my own programs. The first of these consisted of just two lines of code* that made the word 'shit' appear again and again on my screen, to the huge amusement of my friends and the irritation of my parents, who obviously had more educational motives for bringing a computer into the house.
From that day on, the possibilities offered by technology to both subvert the norm and get attention had me hooked.
Years later, at secondary school, I convinced my English teacher, Mr Coen, to teach me desktop publishing, ostensibly to work on the official school magazine, but in reality to produce an alternative underground version - complete with less than flattering articles about teachers and fellow pupils and distributed via the publicly accessible shared hard drive that was supposed to be used for collaborative coursework. That particular stunt got me banned from the school computer room for half a term.
And then, in 1997, I discovered the Internet.
Throughout history, every fame-hungry media dickhead has found his preferred medium for pursuing fame and wealth (in that order). For Tony Parsons - and Hitler, for that matter - it was books. William Randolph Hearst chose newspapers. Don Imus and Howard Stern preferred radio. For Nick Griffin it's inflammatory leaflets. For Tracy Emin it's art. Or at least an approximation of it. With the Internet I had found mine - and it was a doozy.

A:
Who prefered radio for pursuing fame and wealth?
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