You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

 The poem is separated into twelve "books" or sections, the lengths of which vary greatly (the longest is Book IX, with 1,189 lines, and the shortest Book VII, with 640). The Arguments at the head of each book were added in subsequent imprints of the first edition. Originally published in ten books, a fully "Revised and Augmented" edition reorganized into twelve books was issued in 1674, and this is the edition generally used today.
The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being recounted later.
Milton's story has two narrative arcs, one about Satan (Lucifer) and the other following Adam and Eve. It begins after Satan and the other rebel angels have been defeated and banished to Hell, or, as it is also called in the poem, Tartarus. In Pand monium, Satan employs his rhetorical skill to organise his followers; he is aided by Mammon and Beelzebub. Belial and Moloch are also present. At the end of the debate, Satan volunteers to poison the newly created Earth and God's new and most favoured creation, Mankind. He braves the dangers of the Abyss alone in a manner reminiscent of Odysseus or Aeneas. After an arduous traversal of the Chaos outside Hell, he enters God's new material World, and later the Garden of Eden.
At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan's rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan's forces take place over three days. At the final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World, culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, he gave them one explicit command: not to eat from the tree of the knowledge of good and evil on penalty of death.
The story of Adam and Eve's temptation and fall is a fundamentally different, new kind of epic: a domestic one. Adam and Eve are presented for the first time in Christian literature as having a full relationship while still being without sin. They have passions and distinct personalities. Satan, disguised in the form of a serpent, successfully tempts Eve to eat from the Tree by preying on her vanity and tricking her with rhetoric. Adam, learning that Eve has sinned, knowingly commits the same sin. He declares to Eve that since she was made from his flesh, they are bound to one another   if she dies, he must also die. In this manner, Milton portrays Adam as a heroic figure, but also as a greater sinner than Eve, as he is aware that what he is doing is wrong.
After eating the fruit, Adam and Eve have lustful sex. At first, Adam is convinced that Eve was right in thinking that eating the fruit would be beneficial. However, they soon fall asleep and have terrible nightmares, and after they awake, they experience guilt and shame for the first time. Realizing that they have committed a terrible act against God, they engage in mutual recrimination.
Meanwhile, Satan returns triumphantly to Hell, amidst the praise of his fellow fallen angels. He tells them about how their scheme worked and human kind has fallen, giving them complete dominion over Paradise. As he finishes his speech, however, the fallen angels around him become hideous snakes, and soon enough, Satan himself turned into a snake, deprived of limbs and unable to talk. Thus, they share the same punishment, as they shared the same guilt.
Eve appeals to Adam for reconciliation of their actions. Her encouragement enables them to approach God, and sue for grace, bowing on suppliant knee, to receive forgiveness. In a vision shown to him by the angel Michael, Adam witnesses everything that will happen to mankind until the Great Flood. Adam is very upset by this vision of the future, so Michael also tells him about humankind's potential redemption from original sin through Jesus Christ (whom Michael calls "King Messiah").
Adam and Eve are cast out of Eden, and Michael says that Adam may find "a paradise within thee, happier far". Adam and Eve also now have a more distant relationship with God, who is omnipresent but invisible (unlike the tangible Father in the Garden of Eden).
What is the one thing Adam and Eve are not to do?

 Banzai (Peter Weller) prepares to test his Jet Car, a modified Ford F-350 pickup truck powered by a jet engine and capable of exceeding the speed of sound. The car is also equipped with a secret device called an "oscillation overthruster", which Banzai and his associates hope will allow it to drive through solid matter. The test is a success: Banzai stuns onlookers by driving the Jet Car directly through a mountain. Emerging on the other side, Banzai finds that an alien organism has attached itself to the undercarriage.
Hearing of Banzai's success, physicist Dr. Emilio Lizardo (John Lithgow) breaks out of the Trenton Home for the Criminally Insane, after being held there for 50 years. A flashback shows Banzai's mentor, Dr. Hikita (Robert Ito), was present at Lizardo's failed overthruster experiment in 1938. Crashing half through the target wall, Lizardo had been briefly trapped in the 8th dimension where his mind was taken over by Lord John Whorfin.
Whorfin is the leader of the Red Lectroids, a race of alien reptiles who wage war against Planet 10. After being defeated by the less-aggressive Black Lectroids, Whorfin and his group were banished into the eighth dimension. Lizardo's failed experiment accidentally released Whorfin and he soon brings many of the Red Lectroids to Earth in an incident that was reported in 1938 by Orson Welles in his radio broadcast The War of the Worlds, only to be forced by the aliens to retract it all as fiction.
The Red Lectroids now pose as employees of the defense contracting company named Yoyodyne Propulsion Systems. They have been working on building a large spacecraft under the guise of a United States Air Force program, the Truncheon bomber. They intend to rescue the remaining 8th dimension exiles and take over Planet 10. They were unable to produce a working overthruster like Banzai's, so Whorfin plans to steal it. Banzai's team, the Hong Kong Cavaliers, finds out about Yoyodyne and hacks into their computer. They discover that everyone there has the first name John, with various last names such as Yaya, Smallberries and Bigboot . At first they believe it to be a joke, but then they notice all the Yoyodyne employees applied for Social Security cards on November 1, 1938 and all in the same town: Grover's Mill, New Jersey.
In the meantime, a Black Lectroid spacecraft orbiting Earth contacts Banzai, giving him an electric shock that enables him to see through Lectroids' camouflage. (Black Lectroids appear to be Rastafarian Jamaicans, while Red Lectroids appear to be Caucasians.) The ship also sends a "thermo-pod" to Earth, with a holographic message from the Black Lectroids' leader, John Emdall (Rosalind Cash), explaining Lord Whorfin's motives and giving an ultimatum: stop Whorfin and his army or else the Black Lectroids will protect themselves by staging a fake nuclear attack, causing the start of World War III.
With help from the Black Lectroid messenger John Parker, Banzai and the Hong Kong Cavaliers, a collection of civilian volunteers named "The Blue Blaze Irregulars" and a young woman named Penny Priddy (Ellen Barkin), a long-lost twin sister of Buckaroo's late wife, Buckaroo succeeds in his mission, destroying the Red Lectroids and saving Earth. The end credits announce an unproduced sequel Buckaroo Banzai Against the World Crime League.
What is the name of the secret device installed within the Jet Car?

 Linda Condon is about a wealthy woman the eponymous heroine who never learns to have, let alone show, any emotions or, as the narrator puts it, to "lose herself". Although she does not do anybody any harm, in the course of the novel Linda is likened to Siberia, described by her husband as a "woman of alabaster", and calls herself "the most sterile woman alive". Married at 18, she sees herself "in a place of little importance" and at the same time "bound on a journey with a hidden destination". Linda Condon is dedicated to Carl Van Vechten.Linda Condon is raised by her single mother, who denies the girl any information about her absentee father. Mother and daughter live together in a seemingly endless succession of hotels in various regions of the United States, and Linda receives little formal education. While Stella Condon frequently goes out with men of dubious reputation, her daughter, who is always loyal to her shallow and superficial mother, spends her early adolescent days alone in her hotel room or with other guests in the artificial and phony atmosphere of the lobby. Stella Condon does have a suitor, a self-made millionaire and widower of Jewish descent called Moses Feldt, but she explains to Linda that she is not going to repeat past mistakes by getting married again.
However, when Stella Condon realizes the onset of old age and her vanishing beauty, she consents to a marriage of convenience with Feldt. From one day to the next Linda's itinerant life is replaced by life in a palace-like New York mansion together with her mother, Feldt and his two daughters. Already at the early age of 15 Linda experiences a "sense of looking on, as if morning, noon and night she were at another long play. [...] Probably it would continue without change through her entire life."
Through Feldt's daughter Judith and her boyfriend Markue, Linda, not yet 18 years of age, is launched into New York society. At a party she meets Dodge Pleydon, a sculptor many years her senior who is fascinated by the young girl despite, or maybe because of, her frozen charm and subdued behaviour. Her first kiss, which she gets from Pleydon later that night, does not mean a lot to her, so she is hardly moved when he announces his intention to go abroad for an indefinite period of time.
Her life takes a decisive new direction when, after attending a concert, she is approached by her father's sister, who has recognized her immediately because, as she claims, Linda is taking after her father. Naturally curious to learn more about the paternal branch of her family, Linda accepts her aunt's invitation to visit her and her sister in Philadelphia and to stay in the house where her father, now dead, was raised. Her decision to go there leads to an ever-increasing estrangement from her mother. In Philadelphia, Linda is introduced to her aunts' 45-year-old nephew Arnaud Hallet, a lawyer and confirmed bachelor who immediately falls for the girl just like Pleydon before him. Caught between the two men, who both propose to her, Linda eventually decides to marry Hallet, with the fact that he has "a hundred thousand dollars a year" certainly adding to his attraction.
Seven years later, Arnaud and Linda Hallet have two children, Lowrie and Vign . Remembering her own unhappy childhood spent in hotels, Linda realizes how different from herself her children are being brought up. However, she feels inadequate as a wife and especially as a mother. She sees that both Lowrie and Vign  have inherited their love of books from their father, while she herself has never taken up reading. Also, she regrets not being able to play the piano. And although she is only in her late twenties, she imagines her beauty is fading without finding solace in the "vicarious immortality of children". She believes she has "lost her youth without any compensating gain of knowledge".
Several years pass until Lowrie becomes a law student at university. Vign  follows in her mother's and maternal grandmother's footsteps by getting married at the age of 18. Linda admires her daughter, who with perfect ease has picked an eligible young man, and whose "radiant happiness" is something she has never experienced herself.
When she learns that a public statue created by Pleydon has been destroyed she suddenly feels sympathy and maybe even more for the sculptor, who has always considered her his muse. Considering that Arnaud Hallet has "had over twenty years of her life, the best", Linda leaves him without a word to go and live with Pleydon. Once at his studio, she realizes that there is no way she could stay with that ageing, sickly man whose love for her could never be more than platonic. On the following day, she returns to her husband without ever telling him about her intended betrayal.
At the end of the novel, three years after her aborted decision to live with Pleydon, her son Lowrie marries a college-educated suffragette while Linda Hallet herself, while grieving over Pleydon's death, starts dyeing her hair in a fruitless struggle against time.

Why does Linda dye her hair?

