Read the passage and find the corresponding pronoun for the given name. The word between ** ** is the target name. The pronoun should be one of 'her', 'him', 'he', 'she' and 'his' with proper casing based on the position in the passage.

[Q]: The musical style is essentially tonal, evoking the work's period setting through galops and marches; instrumental interludes are highly programmatic, and choral ensembles make use of original onomatopoeic devices. The music of Treasure Island is more adventurous; colorful hornpipes are used, but the language is richly chromatic and there is considerable rhythmic intensity. Through his editorial work, **Elkus** has focused on the music of Charles Ives.
[A]: his


[Q]: Between October 2000 and January 2001, the Victoria and Albert Museum, which owns the originals of many of their posters in its permanent collection, mounted a retrospective exhibition of their work titled ``Cosmic Visions-- Psychedelic Posters from the 1960s''. **Michael English** had studied art under Roy Ascott at Ealing Art College in West London between 1963 and 1966. He took part in Ascott's revolutionary Groundcourse, the first year of which focused on changing preconceptions and involved exercises such as students being subjected to continuous pulses of light and darkness in the lecture theatre before being asked to walk over a floor covered with glass marbles.
[A]: He


[Q]: He has also closely worked with Pink Floyd guitarist David Gilmour as a recording engineer on his 1984 solo album About Face and also engineered his On an Island album, the Live in Gda*sk album, the David Gilmour in Concert DVD and Remember That Night DVD. He also engineered Roger Waters ' first full length solo album The Pros and Cons of Hitchhiking. In addition to his work with Pink Floyd since 1982, **Andrew** has also worked with bands like Heatwave, The Boomtown Rats (most notably mixed their hit ``I Don't Like Mondays'') and goth rock group Fields of the Nephilim.
[A]:
his


