Information:  - Aimeric de Belenoi ( fl . 1215 -- 1242 ) was a Gascon troubadour . At least fifteen of his songs survive and there are seven more which were attributed to him in some medieval manuscripts . Aimeric 's birthplace was the castle of Lesparra in the Bordelais ( metropolis civitas Burdigalensium , the modern Gironde ) . He was related to another troubadour , Peire de Corbiac , who was his uncle . His vida says he was a cleric and later a jongleur before he took to `` inventing good songs , which were beautiful and charming . '' He seems to have later been the feudal lord of Belenoi , an unknown location . The chief object of his songs was a lady named Gentil de Rieux ( Gentilis de Gienciaco ) , a Gascon from Gensac - Saint - Julien and the wife of Raimon de Benque . His biographer records that he lingered in Gascony a long time `` for her '' before eventually moving on to Catalonia , where he died . Aimeric 's poetry refers to events at Toulouse , Provence , and Italy , implying that he was so widely travelled . He was at the Este court in Ferrara in the 1210s , where he probably had contact with Aimeric de Pegulhan , Albertet de Sestaro , Guillem Augier Novella , and Peirol . He probably also made the acquaintance of Peire Cardenal . Aimeric went to Castile before making his final trip to Catalonia . His last datable work was Nulhs hom en res no falh , a planh for Nuño Sánchez , who died in 1242 . This planh was addressed to the comtessa Beatris , wife of Raymond Berengar IV of Provence , and senher N'Imo , her brother Aimone , son of Thomas I of Savoy . Though the work is often found ascribed to Raimbaut de Vaqueiras in the chansonniers , the reference to this pair and the style of the work , favour ascription to Aimeric . It is the only piece of work by Aimeric which survives with a melody , though that melody is ascribed ( with the lyrics ) in its lone manuscript to Peirol . The melody is through - composed . Aimeric 's verses were first collected by Maria Dumitrescu as Poésies du troubadour Aimeric de Belenoi...  - A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (11001350). Since the word "troubadour" is etymologically masculine, a female troubadour is usually called a trobairitz.  - Old Occitan (Modern Occitan: "occitan ancian"), also called Old Provençal, was the earliest form of the Occitano-Romance languages, as attested in writings dating from the eighth through the fourteenth centuries. Old Occitan generally includes Early and Old Occitan. Middle Occitan is sometimes included in Old Occitan, sometimes in Modern Occitan. As the term "occitanus" appeared around the year 1300, Old Occitan is referred to as "Romance" (Occitan: "romans") or "Provençal" (Occitan: "proensals") in medieval texts.  - Lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. The term derives from a form of Ancient Greek literature, the lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a lyre. The term owes its importance in literary theory to the division developed by Aristotle between three broad categories of poetry: lyrical, dramatic and epic.  - The trobairises (singular: trobairitz) were Occitan female troubadours of the 12th and 13th centuries, active from around 1170 to approximately 1260. The word "trobairitz" was first used in the 13th-century romance "Flamenca". It comes from the Provençal word "trobar", the literal meaning of which is "to find", and the technical meaning of which is "to compose". The word "trobairitz" is used very rarely in medieval Occitan, as it does not occur in lyrical poetry, grammatical treatises, or in the biographies of the "trobairitz" or troubadours. "Trobairitz" composed, wrote verses, and performed for the Occitan noble courts. They are exceptional in musical history as the first known female composers of Western secular music; all earlier known female composers wrote sacred music. The "trobairitz" were part of courtly society, as opposed to their lower class counterparts the "joglaressas". Although troubadours sometimes came from humble originsBernart de Ventadorn may have been the son of a castle's bakerthe "trobairitz" were nobly born. The most important "trobairitz" are Alamanda de Castelnau, Azalais de Porcairagues, Maria de Ventadorn, Tibors, Castelloza, Garsenda de Proença, Gormonda de Monpeslier, and the Comtessa de Diá.    Given the information above, choose from the list below the object entity that exhibits the relation 'native language' with the subject 'aimeric de belenoi'.  Choices: - ancient greek  - occitan  - old occitan
The answer to this question is:
old occitan