Read the following context and answer the question. Context: One time I was walking my puppy (profile pic) who was then around 5 months, with my mum and grandma. By the time we were about to reach our house, we spot two dogs, a German Shepherd and a Husky, both male, on the other side of the street sniffing around with no owner in sight. I was ready to hightail out of there with my dog, but I knew if I ran they would chase, so we formed a wall in front of her to hide her. Of course she decides to stick out her head and start barking. Those two dogs whipped their heads so fast and came running towards us to see her. Since she is a puppy she has zero impulse control and starts throwing herself at them, at their backs, face, plus the fact that she doesn’t like being sniffed at her rear (which they are trying very hard to get to). Here I am nervously sweet talking to them, my voice trembling saying good boys. My grandma is her despair grabs the GS’s neck, and his hair bristled and growled for a second before turning back to our pup. At this point my baby girl is sitting down with her tail tucked close, ears flattened, and head down. I thought “Dear Lord someone’s losing a limb today.” When suddenly this car comes pulling up and this man comes out with a leash, the owner. He practically had to wrestle the GS into the car. A woman in a pickup truck comes next trying to get the husky but he ran away again, but my mom didn’t care, she scooped up our pup and ran, the leash trailing behind her, and even my grandma who has troubles in her knees speed walked. My mom would later laugh at me because I became so pale and because I tried to baby talk a dog to leave us alone. Question: When did he and his puppy spot a German Shepherd and a Husky? Answer:

Answer: Before reaching his house


Read the following context and answer the question. Context: Back at their house by the cemetery, Paul and Chloe found Bee in her room, what Paul referred to as her sanctum sanctorum - although no one else ever got the joke, and he refused to explain the comic book reference. As always, lighting was minimal (as opposed to Bee's workshop out behind the house, which was flooded with fluorescents). A bank of TV sets and computer monitors covered one whole wall, arranged on a precarious system of metal shelves that Bee had installed herself. A low, flat coffee table squatted below the glowing displays, supporting three keyboards, a bank of video editing tools and four different phone carriages. Bee sat in her accustomed place - in the midst of a pile of cushions on the floor, fiddling with a mouse in one hand and typing on one of the keyboards while she talked quietly into her headset. Paul and Chloe didn't bother to knock as they came in - Bee already knew they were there. Paul glanced at one of the screens mounted on the wall. Its display, divided into four quadrants, showed various images from inside the house, including the front door they'd just come through and the stairs they'd just climbed. The screen next to it - which Paul himself had salvaged from a bar on Duval that'd recently renovated into a finedining restaurant - showed images from four other cameras that covered the house's exterior. Nothing happened within fifty yards of their Crew's house that Bee didn't see, and if she had her way, that omniscience would soon extend to cover the entire island. "So, Bee, how goes Project Big Brother?" Paul asked. "I wish you wouldn't call it that," she replied. "Sorry, but I have to call it something." "You could call it something nice. Big Brother sounds so mean." "What's mean about a reality show?" said Paul, joking. "What isn't bad about a reality show?" countered Chloe, stepping in to defend her friend. Question: How long has the crew most likely been working together? Answer:

Answer: Several months


Read the following context and answer the question. Context: The sound of the clacking grew unbearable, so we turned the volume down. "Mute it." We muted it. "Turn it up; we might miss something." It's a silent movie. We won't miss anything. The sound of clacking gradually fills the room as my brother reluctantly turns up the volume. I can tell he's pressing hard on the button, jamming his thumb down in defiance or muted anger. He doesn't like for anyone to tell him what to do with the remote. But my grandmother wants the volume up, so we turn it up. We're all sitting along the edges of the tiny living room, staring at the fuzzy black-and-white images as they hazily walk across the television screen. I can hear a siren outside, barely discernable and then gone entirely. "Who's that?" my brother asks, evidently past his momentary and barely-noticeable indignation over the remote. "Uncle Arehl, and maybe his sister, Edna," my grandmother says, leaning in closer. "I think it's Edna," she says, in the tone of a doctor diagnosing a disease, as if the verdict was somehow relevant to someone who has only the vaguest idea who Arehl's sister is, or was. Uncle Arehl (I don't know precisely whose uncle he is, or for what the two initials of his name once stood) saunters slowly across a dry, patchy lawn, and the camera follows him. For some reason I'm more interested in the lawn--if it can be called that--than in the people on it. The sun in the movie is blazing, and everyone filmed looks only briefly at the camera before averting their faces once again to look at the stubbly grass. The camera pans once again and I can see an incredibly rutted path leading from the porch to the fence at the edge of the yard, broken pieces of concrete amid deep tire tracks fossilized in sun-baked mud. The fence is low, wire like a chain-link, but lower, with metal stakes holding it up instead of tubes. Question: How long had they been watching the movie? Answer:

Answer:
A few minutes.