[Q]: Given the following context:  A dialect of English (West Country English), known as Bristolian, Bristolese, Brizzle or Bristle (after the publication of Derek Robson's "Krek Waiters peak Bristle") is spoken by longtime residents, who are known as Bristolians. Bristol natives have a rhotic accent, in which the post-vocalic r in "car" and "card" is pronounced (unlike in Received Pronunciation). The unique feature of this accent is the "Bristol (or terminal) l", in which l is appended to words ending in a or o. Whether this is a broad l or a w is a subject of debate, with "area" pronounced "areal" or "areaw". The ending of "Bristol" is another example of the Bristol l. Bristolians pronounce -a and -o at the end of a word as -aw (cinemaw). To non-natives, the pronunciation suggests an l after the vowel.Until recently Bristolese was characterised by retention of the second-person singular, as in the doggerel "Cassn't see what bist looking at? Cassn't see as well as couldst, casst? And if couldst, 'ouldn't, 'ouldst?" The West Saxon bist is used for the English "art", and children were admonished with "Thee and thou, the Welshman's cow". In Bristolese, as in French and German, the second-person singular was not used when speaking to a superior (except by the egalitarian Quakers). The pronoun "thee" is also used in the subject position ("What bist thee doing?"), and "I" or "he" in the object position ("Give he to I."). Linguist Stanley Ellis, who found that many dialect words in the Filton area were linked to aerospace work, described Bristolese as "a cranky, crazy, crab-apple tree of language and with the sharpest, juiciest flavour that I've heard for a long time".  answer the following question:  Who described Bristolese as a cranky, crazy, crab-apple tree of language?
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[A]: Stanley Ellis


[Q]: Given the following context:  vista pacific airlines Flight 7500 a boeing 747-300 departs from Los Angeles to Tokyo. Passengers on board include a group of two vacationing couples, Lyn and Jack and Brad and Pia, who have secretly broken up; a thief named Jake; a suspicious businessman traveling with a strange wooden box, Lance; a young woman named Raquel; newlyweds Rick and the snobby Liz; and the goth Jacinta. Air hostesses Laura and Suzy welcome the passengers on board, and Suzy questions Laura about her secret relationship with the married captain, Pete. A few hours into the flight, the plane hits turbulence that soon passes. Lance has a panic attack and begins to bleed profusely from his mouth. When Lance suddenly dies, Captain Pete continues to Japan, moving the first-class passengers into economy and keeping Lance's body in the closed-off first class. Laura notices plastic water bottles collapsing and quickly warns everyone to fasten their seatbelts, just as the cabin pressure drops. As the oxygen masks are dispensed above the seats, a thick smoke fills the cabin. After the cabin pressure returns to normal and the smoke disappears, Laura finds Raquel unconscious in the toilet and revives her with an oxygen tank. Meanwhile, the plane's radio has stopped working and Captain Pete cannot contact Tokyo air traffic controllers.  answer the following question:  What is the businessman's fate?
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[A]: suddenly dies


[Q]: Given the following context:  American NASA spacecraft Jupiter 16 is hijacked from orbit by an unidentified spaceship. The United States suspects it to be the work of the Soviets, but the British suspect Japanese involvement since the spacecraft, after having "swallowed" Jupiter 16, landed in the Sea of Japan. To investigate, MI6 operative James Bond is sent to Tokyo, after faking his own death in Hong Kong and being buried at sea from HMS Tenby. Upon his arrival, Bond meets a mysterious Japanese woman while watching a sumo match. She introduces Bond to local MI6 operative Dikko Henderson, who claims to have critical evidence about the rogue craft, but is killed before he can elaborate. Bond chases and kills the assailant, taking the assailant's clothing as a disguise, and is driven in the getaway car to Osato Chemicals. Once there, Bond subdues the driver and breaks into the office safe of president Mr. Osato. After obtaining certain documents, Bond is pursued by armed security, but is rescued by the woman he had met earlier, who flees to a secluded subway station. Bond chases her, but falls down a trap door leading to the office of the head of the Japanese secret service, Tiger Tanaka, who reveals that the woman is his assistant Aki. The stolen documents are examined, and found to include a photograph of the cargo ship Ning-Po, with a microdot message saying the tourist who took the photo was killed as a security precaution. While at Tanaka's spa, Bond meets with Aki again and they spend the night together.  answer the following question:  What secret organization does the woman Bond meets at a sumo match work for?
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[A]: the Japanese secret service


[Q]: Given the following context:  In 2001, M.I.A. (Mathangi "Maya" Arulpragasam) had worked exclusively in the visual arts. While filming a documentary on Elastica's 2001 tour of the US, she was introduced to the Roland MC-505 sequencer/drum machine by electroclash artist Peaches, whose minimalistic approach to music inspired her. She found Peaches' decision to perform without additional instrumentation to be brave and liberating and felt that it emphasised the artist. Returning to London, she unexpectedly gained access to a 505 owned by her friend, former Elastica singer Justine Frischmann. M.I.A. used the 505 to make demo recordings in her bedroom. She initially planned to work as a producer. To this end, she approached Caribbean girls in clubs to see if they would provide vocals for the songs, but without success. M.I.A. secured a record deal with XL Recordings after Frischmann's manager overheard the demo. M.I.A. began work on the album by composing lyrics and melodies, and she programmed drum beats at home on the drum machine. Having produced rough tracks via trial and error, she honed the finished songs in collaboration with other writer-producers. Through these collaborations, she sought to produce a diverse style and "drag [her collaborators] out of their boxes, musically".DJ Diplo introduced elements of Brazilian baile funk to "Bucky Done Gun". Fellow composer-producer Richard X worked on the track "Hombre", which featured a drum pattern created from the sounds made by toys that M.I.A. had bought in India, augmented with sounds produced by objects such as pens and mobile phones. Steve Mackey and Ross Orton, known professionally as Cavemen, worked on "Galang", which M.I.A. had initially produced with her 505 and a basic four-track tape recorder. Working with Cavemen in a professional studio, she added a bass line and new vocals to give the song "a more analogue sound" than was possible with the 505. The track was co-written by Frischmann, whose input M.I.A. described as "refreshing". She initially hoped to feature guest vocalists on...  answer the following question:  What are the real names of the men that helped add a "more analogue sound" to a song previously recorded by M.I.A?
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[A]:
Steve Mackey