Given a paragraph about movies, and a set of conversational question answers about the paragraph, answer a follow-up question from the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

[EX Q]: CONTEXT: By the time of Infinity War, they could not have kept the Infinity Stones in Odin's Vault, because of the events in Ragnarok, which, by the end of the movie, left Odin dead and Asgard destroyed. The Asgardians wouldn't have kept the Infinity Stones in the Vault before Ragnarok either, because they knew that a cataclysmic event was coming, even if they didn't know when, so it would logically be safer to keep the stones away from Asgard. Finally, just as logical assumption, if you have a super-destructive device in six parts, it would make more sense to keep those parts as far away from each other as possible so that it would be more difficult for said weapon to fall in to the wrong hands. If they're all in one place, no matter how secure, that only makes it easier to collect all the parts. This is doubly true since Thanos is literally one of the strongest characters in the MCU at this point. Anyone who would have been powerful enough to stop him either (a) wouldn't care, or (b) have already been killed.  <sep>  Q: Why didn't the Asgardians aquire the Infinity stones using Heimdall? A: because they knew that a cataclysmic event was coming, even if they didn't know when, so it would logically be safer to keep the stones away from Asgard  <sep> FOLLOWUP_Q: What was the cataclysmic event?
[EX A]: the events in Ragnarok, which, by the end of the movie, left Odin dead and Asgard destroyed

[EX Q]: CONTEXT: In some cases the original delay involved the time required for licensing (music), appropriate copyrights, ratings, and in some cases the redubbing of the film into other languages. The latter of which can not typically begin until the final edit is determined. In some major films (especially action films) the final edit may not be complete until the film initially releases. As film companies see better returns internationally, they try to shorten this process or build it in for a world-wide release. In the cases of American film releases outside the US first; there are a number of reasons. One can be to build US expectation; to assess general reaction before domestic release in the event the film needs to be reedited, or in some cases the delays above (such as rating or licensing) may cause a delay.  <sep>  Q: What's with the trend of releasing movies outside the US first? A: In the cases of American film releases outside the US first; there are a number of reasons  Q: Why are movies being released this way? A: One can be to build US expectation; to assess general reaction before domestic release in the event the film needs to be reedited  Q: I think the films should be released in the US first as intended. What are the other reasons why? A: in some cases the delays above (such as rating or licensing) may cause a delay  Q: what kind of rating or licensing issue cause delays? A: n some cases the original delay involved the time required for licensing (music), appropriate copyrights, ratings, and in some cases the redubbing of the film into other languages  <sep> FOLLOWUP_Q: How long does it usually take to do this before official release?
[EX A]: In some major films (especially action films) the final edit may not be complete until the film initially releases

[EX Q]: CONTEXT: The movie is an adaptation of Peter Shaffer's play of the same name, which suffers from the same criticism of historical accuracy. I can't find any references to hand, but I imagine that Shaffer was using the historical setting to stage a story of artistic genius and professional rivalry that makes such a good story, and that accuracy was somewhat secondary. It is true that Salieri and Mozart were professional rivals, and that Mozart fairly obviously was the more successful - but it is also clear that their rivalry did not descend into hatred nor that Salieri had any part in Mozart's death, despite rumors. On a positive front the movie makes it very clear that Salieri admires and respects Mozart's abilities, and you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills.  <sep>  Q: Why is the Salieri-Mozart relationship projected falsely in the movie Amadeus? A: you could argue that the movie is less about professional rivalry, than about Salieri's argument with God about his somewhat less stellar skills  <sep> FOLLOWUP_Q: So, are you saying it wasn't based on factual events?
[EX A]:
It is true that Salieri and Mozart were professional rivals

