Part 1. Definition
In this task, you will be given a passage to read. A fill in the blank question will be given to you.  Your answer should fit the blank appropriately.
Part 2. Example
The music was composed by Hitoshi Sakimoto , who had also worked on the previous Valkyria Chronicles games . When he originally heard about the project , he thought it would be a light tone similar to other Valkyria Chronicles games , but found the themes much darker than expected . An early theme he designed around his original vision of the project was rejected . He redid the main theme about seven times through the music production due to this need to reassess the game . The main theme was initially recorded using orchestra , then Sakimoto removed elements such as the guitar and bass , then adjusted the theme using a synthesizer before redoing segments such as the guitar piece on their own before incorporating them into the theme . The rejected main theme was used as a hopeful tune that played during the game 's ending . The battle themes were designed around the concept of a  divorced from a fantasy scenario by using modern musical instruments , constructed to create a sense of atonality . While Sakimoto was most used to working with synthesized music , he felt that he needed to incorporate live instruments such as orchestra and guitar . The guitar was played by Mitsuhiro Ohta , who also arranged several of the later tracks . The game 's opening theme song ,  ( もしも君が願うのなら , Moshimo Kimi ga Negauno Nara ) , was sung by Japanese singer May 'n . Its theme was the reason soldiers fought , in particular their wish to protect what was precious to them rather than a sense of responsibility or duty . Its lyrics were written by Seiko Fujibayashi , who had worked on May 'n on previous singles . fill in the blank  : The music was composed by Hitoshi __________________ , who had also worked on the previous Valkyria Chronicles games
Answer: Sakimoto
Explanation: This a good example. The actual line from the passage is The music was composed by Hitoshi Sakimotos, In the given sentence, it is stated clearly that Sakimoto answers the question correctly.
Part 3. Exercise
 Scholars have long debated whether traditional Egyptian religion ever asserted that the multiple gods were , on a deeper level , unified . Reasons for this debate include the practice of syncretism , which might suggest that all the separate gods could ultimately merge into one , and the tendency of Egyptian texts to credit a particular god with power that surpasses all other deities . Another point of contention is the appearance of the word  god  in wisdom literature , where the term does not refer to a specific deity or group of deities . In the early 20th century , for instance , E. A. Wallis Budge believed that Egyptian commoners were polytheistic , but knowledge of the true monotheistic nature of the religion was reserved for the elite , who wrote the wisdom literature . His contemporary James Henry Breasted thought Egyptian religion was instead pantheistic , with the power of the sun god present in all other gods , while Hermann Junker argued that Egyptian civilization had been originally monotheistic and became polytheistic in the course of its history . In 1971 , Erik Hornung published a study rebutting these views . He points out that in any given period many deities , even minor ones , were described as superior to all others . He also argues that the unspecified  god  in the wisdom texts is a generic term for whichever deity the reader chooses to revere . Although the combinations , manifestations , and iconographies of each god were constantly shifting , they were always restricted to a finite number of forms , never becoming fully interchangeable in a monotheistic or pantheistic way . Henotheism , Hornung says , describes Egyptian religion better than other labels . An Egyptian could worship any deity at a particular time and credit it with supreme power in that moment , without denying the other gods or merging them all with the god that he or she focused on . Hornung concludes that the gods were fully unified only in myth , at the time before creation , after which the multitude of gods emerged from a uniform nonexistence . Hornung 's arguments have greatly influenced other scholars of Egyptian religion , but some still believe that at times the gods were more unified than he allows . Jan Assmann maintains that the notion of a single deity developed slowly through the New Kingdom , beginning with a focus on Amun @-@ Ra as the all @-@ important sun god . In his view , Atenism was an extreme outgrowth of this trend . It equated the single deity with the sun and dismissed all other gods . Then , in the backlash against Atenism , priestly theologians described the universal god in a different way , one that coexisted with traditional polytheism . The one god was believed to transcend the world and all the other deities , while at the same time , the multiple gods were aspects of the one . According to Assmann , this one god was especially equated with Amun , the dominant god in the late New Kingdom , whereas for the rest of Egyptian history the universal deity could be identified with many other gods . James P. Allen says that coexisting notions of one god and many gods would fit well with the  multiplicity of approaches  in Egyptian thought , as well as with the henotheistic practice of ordinary worshippers . He says that the Egyptians may have recognized the unity of the divine by identifying their uniform notion of ' god ' with a particular god , depending on the particular situation . fill in the blank  :   Scholars have long __________________ whether traditional Egyptian religion ever asserted that the multiple gods were , on a deeper level , unified . 
Answer:
 debated 