Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example input: CONTEXT: I think it's deliberately ambiguous. If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world. If it's fantasy, then of course only Ofelia can see these thing because she imagined them. I think part of Del Toro's purpose in the film was to maintain the plausibility of both of these interpretations. <sep> Q: Is Ofelia just dreaming things to get herself in a fairy world? A: If it's fantasy, then of course only Ofelia can see these thing because she imagined them  Q: Are the things happening for real but visible only to Ofelia? A: If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world  <sep> FOLLOWUP_Q: When Vidal pulls the mandrake root out of Ofelia's mother's bed, is it just a normal root?
Example output: No
Example explanation: The answer is not mentioned in the text. Hence not answerable.
Q: CONTEXT: When Bloom and Penelope got attracted and talked aboard the Fidele, Bloom told about his brother and his dreams. While it may be part of the con at that point it sounds real. He tells about his brother's dream to do the perfect con, about making the made-up story true, and how he thinks Stephen might have even liked it to have died at midnight on a beach during a trip to Jakarta as that would be something "real". Bloom then tells Penelope that it is a trap to try to make your own story true. Dying for his brother, to complete the story, does fit into this pattern. Stephen says that it was always only about Bloom, and it is certainly not a coincidence that Bloom is the one who is called by the Family name; he is the main person of the movie. Stephen is the creator of a story for his brother; his job is done at the end of the movie. Of course that is an explanation that only works in movies; in reality stories and lives rarely have fixed and clear starts and ends. The death of a character in a movie is a clear symbol that his part is completed. The character in this movie served a single purpose, to care for the happiness of his brother; by making the story real he spares the couple to start their relationship on a lie.  <sep>  Q: Did Stephen really get what he wanted?
A:
Yes