You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Example input:  Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is "Everybody Knows" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.
Nobody knows the true identity of "Hard Harry" or "Happy Harry Hard-on," as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.
Eventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling "problem students," namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.
Realizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to "talk hard." As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country.
Example output: What does Paige do with her medals?
Example explanation: This is a good question and can be answered based on the story.
Q:  The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract appears to itemise Jonson's discontentment with his audiences: Members are not to find political satire where none is intended; they are not to take as oaths such innocuous phrases as "God quit you"; they are not to "censure by contagion," but must exercise their own judgment; moreover, they are allowed to judge only in proportion to the price of their ticket. Perhaps most important, they agree not to expect a throwback to the sword-and-buckler age of Smithfield, for Jonson has given them a picture of the present and unromantic state of the fair.
The play proper begins with a proctor and amateur dramatist Littlewit and his friends, Quarlous and Winwife; they are plotting how to win Dame Purecraft (a widow, and Littlewit's mother-in-law) from Zeal-of-the-Land Busy, a canting, hypocritical Puritan.
This colloquy is interrupted by the entrance of Wasp, the irascible servant of Cokes, a country simpleton who is in town to marry Grace Wellborn. Grace is the ward of Adam Overdo, a Justice of the Peace; Overdo's wife is Cokes's sister. All of these characters are at Littlewit's to get a marriage license; having obtained it, they indulge Cokes's wish to visit the fair.
Littlewit and his friends also plan to go to the fair to see a puppet-show Littlewit wrote. To overcome Busy's likely objections, they pretend that Win (Littlewit's wife) has a pregnant craving for roast pork. The Renaissance audience, familiar with stage satire of Puritans, would not have been surprised that Busy, far from abhorring the fair and its debauchery, is ready to rationalise his presence there as allowable and even godly. The first act ends with both groups, the genteel Overdos and the raffish Littlewits, headed for the fair.
The fair propels these characters through experiences that put their social identities under extreme strain. Justice Overdo, well-read in the "disguised prince" tradition, assumes a disguise to ferret out wrongdoing at the fair; he is beaten by Wasp, falsely accused by Edgeworth, a cut-purse, and put in the stocks. Quarlous and Winwife engage Edgeworth to steal the marriage license from Wasp; he does so when Wasp is arrested after starting a fight. Wasp, too, is put in the stocks. Winwife has abandoned his plan to marry Dame Purecraft; instead, he and Quarlous fight for Grace's hand. Win Littlewit and Mistress Overdo are enlisted as prostitutes by the pimp Whit; Zeal-of-the-land Busy is arrested for preaching without license and put into the stocks. Cokes is robbed several times by Edgeworth and other denizens of the fair. All the imprisoned characters escape when Trouble-All, a seeming madman for whom Dame Purecraft has conceived a sudden passion, fights with the guards.
The climax of the play occurs at the puppet show. Madame Overdo and Win are brought in, masked, as prostitutes; Madame Overdo is drunk. Overdo is still in disguise, and Quarlous has disguised himself as Trouble-All; in this guise, he stole the marriage license from Winwife and made it into a license for himself and Purecraft. The puppet show, a burlesque of Hero and Leander and Damon and Pythias, proceeds until Busy interrupts, claiming that the play is an abomination because the actors are cross-dressed. The puppets refute him decisively by raising their clothes, revealing that they have no sex. Busy announces himself converted into a "beholder" of plays.
At this point, Justice Overdo reveals himself, intent on uncovering the "enormities" he has witnessed at the fair. He is in the process of punishing all of the various schemers and malefactors when his wife (still veiled) throws up and begins to call for him. Abashed, Overdo takes the advice of Quarlous and forgives all parties; Winwife marries Grace, Quarlous marries Purecraft, and all the characters are invited to Overdo's house for supper.
A:
Which men want to wed Miss Wellborn?