In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Mold Castle (Welsh: "Castell yr Wyddgrug" ), on Bailey Hill in the town of Mold, Flintshire, Northeast Wales, is a motte-and-bailey castle erected around 1072, probably by the Norman Robert de Montalt under instructions from Hugh d'Avranches, Earl of Chester. Little remains except the mound on which the motte was built. It stands close to the 15th-century parish church, St Mary's Church near the centre of the town. Context_2 : Slains Castle, also known as New Slains Castle to distinguish it from nearby Old Slains Castle, is a ruined castle in Aberdeenshire, Scotland. It overlooks the North Sea from its cliff-top site 1 km east of Cruden Bay. The core of the castle is a 16th-century tower house, built by the 9th Earl of Erroll. Significant reconstruction of the castle has been carried out a number of times, lastly in 1837 when it was rebuilt as a Scots Baronial mansion. At one time it had three extensive gardens, but is now a roofless ruin. Plans to restore the castle have been on hold since 2009. Context_3 : Northburgh Castle, also known as Green Castle, is a ruined 14th-century castle near Greencastle, County Donegal, Ireland. It was built in 1305 by Richard Óg de Burgh, 2nd Earl of Ulster. Northburgh Castle was sited to control Lough Foyle, and was captured by Edward Bruce in 1316. Walter Liath de Burgh was imprisoned in 1328 at the castle by his cousin William Donn de Burgh, 3rd Earl of Ulster, and died of starvation in February 1332. William’s sister was found dead beneath the battlements. After William's death, the castle became a stronghold of the O'Doherty family. Northburgh Castle suffered considerable damage by cannon fire and eventually was left in ruins after the 17th century. Context_4 : Piel Castle, also known as Fouldry Castle or the Pile of Fouldray, is a castle situated on the south-eastern point of Piel Island, off the coast of the Furness Peninsula in north-west England. Built in the early-14th century by John Cockerham, the Abbot of neighbouring Furness Abbey, it was intended to oversea the trade through the local harbour and to protect against Scottish raids. The castle was built using stones from the local beach, and featured a large keep with surrounding inner and outer baileys. It was used as a base by the Yorkist pretender Lambert Simnel in 1487, but by 1534 it had fallen into ruin and passed into the hands of the Crown. Sea erosion began to cause significant damage to the castle in the early 19th century. In the 1870s the castle's owner, the Duke of Buccleuch, carried out extensive restoration work and erected outworks to protect it against further damage from the sea. In 1920 the castle was given to the town of Barrow-in-Furness and is now in the care of English Heritage. Context_5 : The Lieber Code of April 24, 1863, also known as Instructions for the Government of Armies of the United States in the Field, General Order № 100, or Lieber Instructions, was an instruction signed by US President Abraham Lincoln to the Union Forces of the United States during the American Civil War that dictated how soldiers should conduct themselves in wartime. Its name reflects its author, the German-American legal scholar and political philosopher Franz Lieber. Context_6 : Hugh d'Avranches (  1047  – 27 July 1101), also known as Hugh the Fat (French: "Hugues le Gros" ) or Hugh the Wolf (Latin: "Hugo Lupus" ), was the second Norman earl of Chester (2nd creation) and one of the great magnates of early Norman England. Context_7 : Milntown Castle was an early 16th-century castle which was situated near Milton, in Easter Ross, in the Scottish Highlands. It was built by the Munro of Milntown family, a cadet branch of the Clan Munro. In 1656, the castle and estate was sold to George Mackenzie, 1st Earl of Cromartie also known as George MacKenzie of Tarbet. He renamed the estate New Tarbat after Tarbat Castle (now more commonly known as Ballone Castle), the family's original seat near Portmahomack. Mackenzie had the Milntown Castle pulled down and only part of the basement survives. He then replaced the castle with a new mansion built nearby. When the new mansion was built, the old Milntown Castle was remodelled as part of the garden. That mansion was itself demolished and in 1787 was replaced with a Georgian house (now known as Tarbat House) by his descendant John Mackenzie, Lord MacLeod. Context_8 : Antrim Castle also known as Massereene Castle was a castle in Antrim, County Antrim, Northern Ireland, on the banks of the Sixmilewater River. It was erected in stages between 1613 and 1662. It was destroyed by fire in 1922 and finally demolished in the 1970s. All that remain are a slightly raised grassed platform as well as a freestanding Italian stair tower which was built in 1887 and a gatehouse, which was built around 1818 with twin neo-Tudor towers, with older connecting walls. The gardens are a popular tourist attraction on the Randalstown Road, Antrim. Context_9 : Niedzica Castle also known as Dunajec Castle (, Hungarian: "Nedec Váralja / Nedec-Vár" , German: "Sub-Arx Unterschloss" , Slovak: "Nedecký hrad" ), is located in the southernmost part of Poland in Niedzica (Nowy Targ County in Lesser Poland). It was erected between the years 1320 and 1326 by Kokos of Brezovica on the site of an ancient stronghold surrounded by earthen walls in the Pieniny mountains. The Niedzica Castle stands at an altitude of 566 m, on a hill 300 m upstream from the Dunajec River mouth, measured from the center of the dam on Lake Czorsztyn. The outline of Niedzica Castle can best be viewed from the ruins of Czorsztyn Castle on the other side of the lake. It is known as one of the most picturesque castles in the country and adorns the covers of many books. Context_10 : Elmina Castle was erected by the Portuguese in 1482 as São Jorge da Mina ("St. George of the Mine") Castle, also known simply as "Mina" or "Feitoria da Mina") in present-day Elmina, Ghana (formerly the Gold Coast). It was the first trading post built on the Gulf of Guinea, so is the oldest European building in existence south of the Sahara. First established as a trade settlement, the castle later became one of the most important stops on the route of the Atlantic slave trade. The Dutch seized the fort from the Portuguese in 1637, and took over all the Portuguese Gold Coast in 1642. The slave trade continued under the Dutch until 1814; in 1872, the Dutch Gold Coast, including the fort, became a possession of the British Empire. fact_1 : Mold Castle (Welsh: "Castell yr Wyddgrug" ), on Bailey Hill in the town of Mold, Flintshire, Northeast Wales, is a motte-and-bailey castle erected around 1072, probably by the Norman Robert de Montalt under instructions from Hugh d'Avranches, Earl of Chester. fact_2 : Hugh d'Avranches (  1047  – 27 July 1101), also known as Hugh the Fat (French: "Hugues le Gros" ) or Hugh the Wolf (Latin: "Hugo Lupus" ), was the second Norman earl of Chester (2nd creation) and one of the great magnates of early Norman England. Answer: Hugh the Fat
Solution:
Mold Castle was erected under instructions from the Earl also known by what name?