Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

[EX Q]: CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism.  <sep>  Q: Why is the audience sliding around in this scene from Le Temps retrouvé? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account 
[EX A]: A first person account of what exactly?

[EX Q]: CONTEXT: She was a fighter, giving in and commiting suicide was not in her nature. Have a look at her in Aliens, insisting on being taught how to use the grenade launcher, returning the loader to fight the queen etc. The alien moved around the ship and although it was blocking her way out at the moment it would probably move, it was just a matter of her not getting caught. If nothing else she might be able to hold it off with the flame thrower until she got out, there were several options other than just giving up. I am guessing that at that point she was going to turn off the self destruct, get in the pod and blast off and then just broadcast a warning about the ship's contents.  <sep>  Q: Why did Ripley try to deactivate the self-destruct sequence at the end of Alien? A: I am guessing that at that point she was going to turn off the self destruct, get in the pod and blast off and then just broadcast a warning about the ship's contents 
[EX A]: Why would she want to do that though if he was dead anyway?

[EX Q]: CONTEXT: The reason for the hatred and feeling of fear towards divergent is because they cannot be controlled. The world that they show follows the rules and strict principals. Divergent people do not necessarily follow these rules and it is speculated that sooner or later they will break out of the norms and defy the principles and rules of the world and will be a danger for themselves and for everyone else since they will disrupt the smooth flow of life around them. Apart from that, I guess another reason would be that they will question the system and demand justification for the housing system as to why is there a need of dividing everyone based on their test results. The authority would not allow that so they fear them and hate them  <sep>  Q: Why does everyone fear the Divergents? A: The reason for the hatred and feeling of fear towards divergent is because they cannot be controlled 
[EX A]:
Do the Erudites want to eradicate them just because they can't be controlled or are they a danger to civilization in some other way.

