TASK DEFINITION: Given scene/plot descriptions from movies or TV shows, and given a specific question about the scene, summarize the question into a title
PROBLEM: While reading his wiki page it says that: Running alongside his enthusiasm for DVD, Scott is sometimes considered the "father" of the director's cut, though the impetus to produce such versions has sometimes begun with other parties. The positive reaction to the Blade Runner Director's Cut encouraged Scott to re-cut several movies that were a disappointment at the time of their release (including Legend and Kingdom of Heaven). Today the practice of alternative cuts is more commonplace, though often as a way to make a film stand out in the DVD marketplace by adding new material.  Blade Runner was his first Director's cut but he has made many since. It seems he has the most Director's Cut Editions. Also it seems that he does a lot of Director Cut because his movies are changed by studio input after test screenings. So does his making of so many Director's Cut actually hurt the movies ( since the original movie is no longer the definitive version) or help them by creating more layers?

SOLUTION: Does Ridley Scott's Director's Cut releases hurt his movies?

PROBLEM: Anselm Hüttenbrenner was a composer who studied with Salieri and it has been noted in Antonio Salieri and Viennese Opera and quoting him     Of Mozart, he always spoke with the most extraordinary respect. He,  the incomparable one, came often to Salieri with the words: Dear Papa,  give me some old scores from the Court Library. I would like to look  through them with you. In so doing he often missed his lunch. One day  I asked Salieri to show me where Mozart died, whereupon he led me to  the Rauhensteingasse and pointed it out. It is marked, if I remember  right, with a painting of the Virgin. Salieri visited him on the day  before his death, and was one of the few who accompanied the corpse   Source of this quote: Anselm Hüttenbrenner, "Kleiner Beytrag zu Salieri's Biographie," AmZ 27 (1825):  cols. 796-99; quoted in Rudolph Angermüller, Antonio Salieri: Sein Leben und seine  weltlichen Werke unter besonderer Berücksichtigung seiner „großen“ Opern. 3 vols. Munich, 1971-74; 3:6; English translation in Thayer, Salieri, 177-78.*  Is there a specific reason why Salieri is projected as a character who despised Mozart?

SOLUTION: Why is the Salieri-Mozart relationship projected falsely in the movie Amadeus?

PROBLEM: In Tootsie, Julie complains:    My lines sound like subtitles for a Czech movie.   I live in Czech republic, so I have no idea what do Czech movie subtitles look like in the US. Is there anything characteristic about them? Poor grammar, or something else? What is Julie trying to express?

SOLUTION:
What's wrong with subtitles for a Czech movie, as referenced in Tootsie?

