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The "Long Island Medium" couldn't reach a happy medium with  her  husband.
 Theresa Caputo   star of the hit TLC series  announced Sunday that  she 's separating from  Larry Caputo    her  husband of nearly 30 years.
 Theresa  acknowledged marital discord in a recent episode of âLong Island Medium.â (Ray Tamarra/Getty Images)
Though  Theresa  and Larry have shown a united front over ten seasons of  her  reality series  the star recently admitted they had marital troubles.
"I've changed and he has changed "  she  said on a recent episode. "We're both not happy and  you know  it's hard to try to work through thatâ¦. I don't understand it. I lay in bed  and I say to myself  'How did this happen? How did I get here?'"
Theresa Caputo

The book begins in an unnamed Syrian city with  a teenage boy  Tareq  surrounded by his bustling  tight-knit family . It details  Tareq 's excruciating journey  leaving behind people and places  he  loves  almost from the very moment a bomb hits  his  family's home.
On the day that  Tareq 's home is struck by a bomb 
Tareq  was having a normal day with  his  family.  His  mom was cooking in the kitchen   his  grandmother was enjoying a small glass of tea   his  little brothers and sisters were playing and watching TV — just the typical day in their lives. And that typical day is destroyed by an airstrike.  He 's sent to the hospital where  he  does get some good news that  his  little sister is alive. But then a doctor takes  him  to a room and  he  sees  his  two 6-month-old little brothers dead on a gurney. And it seems very dark  but it's a situation that happens all the time  and really it's based on real characters  including those twins. I've seen pictures of the twins laying on the gurney  and it's the sad truth.
And for  Tareq   the character in my book   he  goes to Turkey.  He 's a second-class citizen there.  He 's going to go to Europe.  He 's going to be a second-class citizen there. There are people who don't want  him . There are people who fear  him   despite  him  being the one who's really afraid.
Tareq

Every time I watch  Barry Lyndon   my eye is immediately drawn to the candles. Theyâre in dozens of scenes in Stanley Kubrickâs 1975 classic historical drama  sometimes as the only form of lightâa miraculous achievement of cinematography that required special camera lenses borrowed from NASA. With any Kubrick work  thereâs a magisterial sense of control and overreach present in every frame  an approach that helped make him the (sometimes clichÃ©d) embodiment of the auteur filmmaker. In  Barry Lyndon   that attention to extravagant detail lies in those candles  which can make the most epic manse feel chillingly intimate.
The behind-the-scenes features on the Criterion Collectionâs remastered release of  Barry Lyndon   out this month  make it clear just what a struggle it was to light scenes with tiny flames. Capturing even a still image with so little illumination is a challenge; using a film camera was much harder  necessitating the use of gigantic lenses developed for NASAâs moon landings. Beyond that  candles themselves are ill-suited to the hermetic environment of a movie set. â[They] would burn down very quickly  people had to refuel every time â¦ and they give off an enormous amount of smoke â the focus puller Douglas Milsome recalls in a documentary included on the Criterion disc. âYou would open all the windows  put the [fans] on  extract all the dirt and dust and the smell  because it eats up oxygen.â
Related Story Stanley Kubrick's Unmade Film About Jazz in  the Third Reich
Barry Lyndon  is the kind of film that deserves to be seen on the biggest screen possible. Thereâs a good reason itâs revived with some frequency at major repertory cinemas  sometimes with a live orchestra to replicate its memorable score (which consists entirely of classical pieces  especially Handelâs âSarabandeâ from his Keyboard suite in D minor). But the Criterion effort to replicate Barry Lyndonâs cinematic impact is impressive. The Blu-ray has a similarly hypnotic impact at home as it does in the theater  drawing the audienceâs focus to the surprising details in the background of each long  stately shot. Itâs a movie that actually makes the past look otherworldly  unlike many period pieces  which strive to make history seem easy to slip into.
Based on the novel The Luck of  Barry Lyndon  by William Makepeace Thackeray  Kubrickâs film chronicles the rise and fall of an opportunistic 18th-century Irishman who ascends  through a mixture of luck and ambition  to success and nobility and then experiences a similarly dramatic decline. Barry (Ryan OâNeal) is a frustrating  foolish  and often unknowable protagonist  prone to hot-headed and cowardly behavior  capable of both great empathy and callousness for those closest to him.

Barry Lyndon

