Problem: 
Q: I showed up at the address on Columbine's invitation just before eleven; it was a converted warehouse in an industrial zone on the city's north side. Since it was a Saturday night, everything else was empty for miles. The parking lot was filled with sports cars, hybrids, and shiny suburban tanks. The door facing the parking lot was open, spilling out muted lights and the din of yuppie chatter. It cast a somewhat foreboding aura over the entrance. The first thing I noticed as I approached was the beefy refrigerator in a rented tux blocking the doorway. The second thing was the surveillance camera perched on the wall above his head. I had stopped home and changed first, so I was sure I was dressed mostly appropriately for some rich faux-hipster art party - charcoal gray pinstripe jacket over a TV on the Radio t-shirt, skinny cuffed jeans, Docs, and a black fedora. I certainly didn't look any worse than the other idiots I saw filing in and out of the door. I even had an invitation. So I was fairly confident I'd be able to gain admission to this thing without incident. "No, absolutely not," the doorman said, pressing a meaty palm into my chest. "I was invited!" I said, exasperated. "I have documentation." I waved the rave card in front of his face. "No dice." I stepped aside to let a couple of aging goths through the door and wondered for a moment if the doorman somehow knew who I was. Then I noticed the ear piece he was wearing and my eyes darted back to the surveillance camera. "Motherfucker," I spat and raised both arms to flip off the camera. I didn't know it at the time, but at that moment Dylan Maxwell was sitting in front of a wall of monitors, laughing his ass off. According to the above context, answer the following question. It's probable that the narrator made Dylan Maxwell mad by
Answer: not enough information
Problem: 
Q: I remember back in the late 1970’s when I first started investing in property as a young guy, being taken to a house that felt EXTREMELY cold, strange, and rather chilling. Okay it was an older house that need some renovation work, but there was something about the place that just did not seem right. But despite that, it was available for purchase at what seemed to be a very attractive price … always a good starting point. Anyway, the real estate agent finished taking me around the property answering the questions that I had, and I left with a plan to do some costings before making a decision. But something was niggling me and making me feel a little uncomfortable, so I decided to investigate the property further. A couple of days later I was around at a friends house. He was in the Police force and as it happened he was in the same neighbourhood, I mentioned this particular property that I was looking at buying. He asked me the actual address after which he ‘kindly’ informed me that that that house had been the scene of a murder 6 months previously. It turned out that the property had been rented to a homosexual couple and that after an argument, one had murdered the other in the bath and then proceeded to cut his head off. Apparently the head was subsequently discovered a week later in the trunk of a car that had been abandoned up by a local golf-course. Less than impressed that the real estate agent had been less than forthcoming with me, I made the decision to not to proceed with the purchase. As they say in the property business ‘Location, Location, Location’ is always an important factor in determining the value of a property. However despite that being a good location, it was reputation that deterred me on that occasion. Sometimes there are situations where even the best makeover will not work. According to the above context, answer the following question. When did he learn about the murder at the property?
Answer: Days after seeing the property
Problem: 
Q: My love affair with technology began at an early age. On my seventh birthday, my parents bought me a second-hand ZX Spectrum and, in a foretaste of my life to come, I immediately set about learning how to use it to get attention. It's a sign of how rapidly technology develops that my crappy Spectrum, with its 48k of memory, already had 12k more storage power than the computer that had guided the Apollo 11 moon landing eighteen years earlier* With power like that, there seemed to be no limit to what I could do. While my other computer-owning peers would sit for hours while their tape drives squawked away loading 'Manic Miner' or 'Bubble Buster' I was more fascinated by learning to write my own programs. The first of these consisted of just two lines of code* that made the word 'shit' appear again and again on my screen, to the huge amusement of my friends and the irritation of my parents, who obviously had more educational motives for bringing a computer into the house. From that day on, the possibilities offered by technology to both subvert the norm and get attention had me hooked. Years later, at secondary school, I convinced my English teacher, Mr Coen, to teach me desktop publishing, ostensibly to work on the official school magazine, but in reality to produce an alternative underground version - complete with less than flattering articles about teachers and fellow pupils and distributed via the publicly accessible shared hard drive that was supposed to be used for collaborative coursework. That particular stunt got me banned from the school computer room for half a term. And then, in 1997, I discovered the Internet. Throughout history, every fame-hungry media dickhead has found his preferred medium for pursuing fame and wealth (in that order). For Tony Parsons - and Hitler, for that matter - it was books. William Randolph Hearst chose newspapers. Don Imus and Howard Stern preferred radio. For Nick Griffin it's inflammatory leaflets. For Tracy Emin it's art. Or at least an approximation of it. With the... According to the above context, answer the following question. When the narrator first learned desktop publishing?
Answer:
After elementary school