question: Another claustrophobic thriller that Joel Schumacher can churn out in his sleep, Trespass is nasty and aggressive, more unpleasant than entertaining.

numbered reviews: 1. The plot is overly complex and the tension frequently abated by the introduction of unnecessary flashbacks.
2. Cloth-eared dialogue saps the tension, while the plot twists with the likelihood of a Brett Ratner rehearsal session. Leave your disbelief at the door.
3. Cage performs with the conviction that comes from a long experience in bad movies. But Kidman seems totally uninterested.
4. Someone should have told writer Karl Gajdusek that if you're going to pilfer it's best to take the gems, rather than filling your movie with stuff you found in the drawer marked "clichés".
5. It's so routine that it's as if Joel Schumacher showed his final cut to producer Avi Lerner and said, "Avi, look, I put together a thing!" "You mean you finished the movie?" "No, it's not a movie, it's a thing.
6. Don't spend thirteen bucks on Trespass unless you're running from the cops and you need a place to hide, wait for it to hit VOD.
7. People have been strung up for lesser crimes than this...
8. ektos apo trypes, aythairesies, kai amhxanes prospatheies sygkalypshs dolofonikwn nekrwn xronwn, pasxei thlibera sto basiko dramatiko ths aksona
9. Trespass is a crime, and so is this movie.
10. Laughably bad thriller that teeters on the edge of so-bad-it's-good territory, thanks to pointlessly flashy direction, a dreadful script, a ridiculous plot and some reliably bonkers over-acting from Nicolas Cage.


question: A limp comedy with a hopelessly outdated viewpoint on gender, featuring Sarah Jessica Parker in rote Carrie-mode.

numbered reviews: 1. Though it aims to be a sharply humorous look at the mommy wars, I Don't Know How She Does It has nothing remotely new or comical in its arsenal.
2. [I]t's not a story. It's a quirky Hallmark card... A story needs conflict; even a comedy, which this nominally is, needs drama. And there isn't any here.
3. Too much time and energy is directed toward that go-nowhere story, wasting the film's best asset, which is the low-key, lived-in rapport between Parker and Kinnear.
4. Spiffy-looking, well-intentioned but ultimately witless.
5. Why was a string of sitcom problems stretched to 91 minutes?
6. A chick flick that feels thirty years behind the times.
7. What the hell happened to Sarah Jessica Parker?
8. "I Don't Know How She Does It" seems stuck in the past.
9. Leaves you wondering why nobody involved with this film seems to have ever met an actual working mother.
10. It's not that I Don't Know How She Does It tells actual lies about working motherhood - many of its observations and jokes are on point - it's just that it omits the edge, the desperation of a woman on the verge.


question: An entertaining, topical thriller that finds director Tony Scott on solid form and Will Smith confirming his action headliner status.

numbered reviews: 1. It satisfies needs of those who crave for quality entertainment as much as the needs of those who like some food for thought.
2. Preposterous.
3. High production values and Gene Hackman are the only things that stand out in this run-of-the-mill Hollywood paranoia thriller. The unimaginative plot consists mostly of Will Smith being chased around by government agents.
4. The movie has plenty of high-tech power, spinning out action so explosive you'll hardly notice how preposterous the story is or how cardboard-thin the characters are.
5. O roteiro bem construнdo e a direзгo enйrgica de Scott conferem tensгo ao filme, que tambйm faz uma sйrie de bem-vindas alusхes a A Conversaзгo.
6. Since Scott could not make this film snap, crackle or pop faster or more loudly, you might find the evening a bit light.
7. It's good to see an action thriller have a story that has some real meaning and issues that may open quite a few eyes to the fragility of the rights of the individual in a world where things are moving too fast to control.
8. A super thriller with a great cat... er, cast.
9. A high-adrenaline, high-concept action thriller!
10. Tony Scott has crafted such a thrilling, edge-of-the-seat roller-coaster ride that you won't realize till after the end credits roll how ridiculous it is.


question: Director Ben Wheatley and writer-stars Alice Lowe and Steve Oram deliver a wicked road trip movie that successfully walks the line between dark comedy and horror.

numbered reviews:
1. Sightseers is a blissful bit of dark, funny and at times very bloody entertainment.
2. Reservations are offset by the absolute confidence and visual style that Wheatley always shows.
3. Lowe and Oram's script balances nimbly on the thread of razor wire between horror and farce...
4. There are inevitably reminders of Ealing comedies around and we are never quite certain whether it is all tongue-in-cheek, as the actors suggest, or a bit more spiky than that, as Wheatley's work implies.
5. A wicked little pic in which a tacky couple discovers that cross-country road-tripping makes it surprisingly easy -- and fun! -- to knock off the more obnoxious characters they encounter en route.
6. The film's narrative concerns frequently play second fiddle to the utterly convincing relationship at its centre.
7. A brilliant, deliciously wicked, and thoroughly enjoyable road film ...
8. With a wink and a shrug, Sightseers shows us evil in all its banality.
9. What starts out as a sunny, funny getaway soon turns hilariously dark, a fusion of tabloid sensationalism and social satire ... a royal hoot, the funniest British import since 'Shaun of the Dead.'
10. It's just not quite funny enough.