In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: it should have been a classic .
a great cast of respected supporting actors .
an interesting premise of loser comic book characters .
however , " mystery men " proved to be one of the great disappointments of 1999 .
the jokes were bland and hackneyed from talents who have previously made audiences laugh with their unique rituals .
the number of cliches and shallow characters made the film difficult to sit through seriously hurting its attempt of having a fast paced premise .
the script tried to deliver a series of small jokes throughout the film but without a big laugh - out - loud joke and mediocre small jokes , it failed miserably at being entertaining at all .
the jokes were not funny for a number of reasons .
they had been used a number of times before in previous films , the best ones , which were mediocre to begin with , were ruined in the trailer , and the expectation of laughing at clever , unique gags from clever unique comedians when there were none to laugh at greatly damaged the film .
" mystery men " might have worked if it was an ensemble cast of newcomers trying to break into the business .
but with veterans doing this kind of junk , it really questioned whether their other work was as funny as originally thought .
thankfully most actors in this movie will appear in five other movies before the new year arrives to help viewers forget this little movie .
the film follows a band of wannabe superheroes living in a wannabe gotham city who are ridiculed by their fellow citizens and villains because of their clumsiness and failure to save they day and capture the bad guy .
the fact is these pathetic losers are not needed because their city already has a successful superhero , captain amazing , who has recently captured every evil - doer in the city .
captain amazing ( played terribly by an uninspired greg kinnear ) , because of his success in the past , is worried that he will lose popularity .
after freeing one of the most notorious bad guys in the city ( geoffrey rush , overacting just a bit too much ) to keep himself busy , things get out of hand when captain amazing is captured .
it is up to the wannabe superheroes to save the day .
by the time this section of the plot is finished , the interest for what happens ( if you have n't already figured it out ) is very low .
there are very few scenes which catch the viewers complete attention .
the first scene in the film , which shows the wannabes trying to save the day , feels like it was seriously edited down .
right when it was beginning to become slightly funny seeing these actors get humiliated at an old folk 's home by some masked goons , captain amazing comes in and saves the day ? or ruins the movie .
instead of editing this scene , more editing should have been done in areas such as the unnecessary romance between mr .
furious ( ben stiller ) and monica , a waitress ( claire forlani ) or the vast majority of the film , which is the heroes talking at a coffee table about how their day was .
a simple rule : more silly action is needed in order to make a silly action movie work .
another major problem with " mystery men " is that every actor in it seemed very uncomfortable and consequently gave terrible performances .
the film depended on its cast to work fluently together , like a bunch of old friends working together in an amiable reunion .
however , most characters seemed like they did not even want to be in this film or at least the script made it seem this way .
to pull one of the actors in this film randomly out of a hat , paul reubens , who disappeared from acting to everyone 's joy , returns here leaving very little to be impressed about .
as a wannabe who uses flatulence for a weapon , all of his jokes must therefore be fart jokes .
fart jokes that have all been heard before and will inevitably be heard again in future films thanks to the success of " american pie " and " there 's something about mary . "
" mystery men " drags on towards the end to a point where anything else in the world is more entertaining .
anyone with a brain knows each one of the heroes is going to be successful at their talent in the end and each one is going to contribute in a helpful way .
so why continue to watch ?
this film is far from a worthy guilty pleasure .
" mystery men " indeed does this and every time a character succeeds another one congratulates him and says " i knew you could do it ! "
" mystery men " fails in every category it attempts to pass .
what makes this film so bad is that it had the potential to be wonderful and unforgettable .
terrible acting , terrible script , and a terrible waste of time
changes opinions about all of these actors .
"
i 'm unpredictable ! " an overexcited ben stiller shouts out .
no ben , you 're the complete opposite .
[EX A]: N

[EX Q]: after the terminally bleak reservoir dogs and the brutally violent pulp fiction , jackie brown seems like something of a light - hearted departure for quentin tarantino .
it 's more of a ho - hum heist story with characters that speak the tarantino language .
luckily , his showcase of actors convert every morsel of possible enjoyment onto the screen , and jackie brown has no trouble entertaining the average viewer .
the story introduces us to a street - wise black woman named jackie brown ( pam grier ) , a flight attendant who smuggles money and drugs from one destination to another .
she works for a bottom - of - the - barrel airline and receives a minimal salary .
but one day , she is picked up by a pair of federal officials ( including michael keaton as the tough - nosed ray nicolet ) , and found with a handsome load of cash and a small bag of smuggled dope .
jackie is working for a weapons dealer named ordell ( samuel l . jackson ) , who pays her bail money but suspects her of tipping off the feds about their operation .
soon jackie and ordell are plotting a way to smuggle $ 500 , 000 through to them under nicolet 's nose , with the help of ordell 's oaf of a partner ( robert de niro ) and drugged - out lady friend ( bridget fonda ) .
also entering the picture is a bail - bondsman named max cherry ( robert forster ) , who takes a liking to jackie and agrees at one point to make the situation even more complicated ( how i wo n't say ) .
the big drop - off is undoubtedly the high point of jackie brown , in which numerous double - crosses take place and many clothing store bags ( filled with cash ) switch hands .
it 's unfortunate that tarantino takes his sweet time getting there , and does n't offer anything extremely compelling while doing so .
there are , as always , amusing exchanges between characters .
the funniest repartee is between de niro and fonda , as he becomes annoyed with her constant bickering while making fun of his iq , or lack thereof .
the most interesting relationship is between max and jackie .
a 56-year old white bail bondsman and a 44-year old black flight attendant with believable chemistry ?
you 've got to commend the acting .
jackie brown is a seriously dragged - out exercise enlivened by such fine acting .
the film clocks in at a lengthy 2 hours , 35 minutes .
tarantino 's talky style manages to hold your attention heavily , but there are more than a few dramatic lapses and crucial lulls in the storyline .
also , fans of the director should be prepared for a lighter side to appear .
jackie brown has four major shootings , and two of those take place mostly off - screen , so do n't be expecting a typical tarantino bloodbath .
you can expect frequent foul language , mostly coming way of ordell , who ( much to the dismay of spike lee ) uses the ` n ' word as part of his regular vocabulary .
the acting is the glue that holds everything together .
grier , making a sudden comeback from her reign in the 1970 's , is more than adequate for the title character .
in fact , she 's flat - out great . another comeback comes from former tv star robert forster , who does a grand job as max cherry , and is perfectly cast in doing so .
michael keaton makes his presence felt , albeit in small but dignified moments , and de niro is ideal in playing the lug - head who goes over the edge .
speaking of that , bridget fonda has relatively little to do as ordell 's bikini - clad beach babe , and yet she manages to look fairly occupied .
there 's not a single sign of misplaced dialogue or snubbed line throughout the entire movie .
which is a life - saver for mr .
tarantino .
the story barely holds together in the meantime , and we merely get a small tremor whenever there should be a defeaning earthquake .
but oh well .
jackie brown manages to be an enjoyable detour from quentin tarantino , even if it is lacking the glaring and original bite of his previous work .
let 's just hope that the director has n't gone soft on us .
[EX A]: P

[EX Q]: the right hand man ( australia , 1986 ) director : di drew screenplay : helen hodgman cast : rupert everett , hugo weaving , arthur dignam , jennifer claire , catherine mcclements after a lifetime of movie - going , and about four years of attending the seattle international film festival , i 've learned several rules which , while not absolute , should certainly be given deference to : 1 ) be wary of french comedies .
these people like jerry lewis .
2 ) ken russell is never going to grow up , no matter how long you wait .
3 )
any film where siff associate director gary tucker refers to the lead as " old pouty - lips " is probably not worth watching . 4 ) when an australian film only awards credit is best cinematography , watch out !
australia has good cinematographers up the whazoo , but since weir and miller left for foreign shores , finding a good script or director seems to be a difficult ( not impossible -- witness malcolm last year ) task .
well , i ignored rules 3 & 4 last night , and sat through a film that should be in the golden turkey awards .
it 's as if the director was trying to do one of those classic romance stories that were done in the 30 's about tragedy among the gentry , and falling in love with people below your station , and horses .
lots and lots of horses .
the film opens with a stallion mounting a mare under the direction of her ladyship , which i guess is some kind of foreshadowing , because the missus of the house wants to have her son produce an heir .
unfortunately , said son , a reckless idiot who faints at the very worst times , kills his father and loses an arm during a racing accident .
highlights include the amputation sequence ; the doctor 's daughter , who has the hots for the son , tasting his urine for a diagnosis ; their tender kissing with a window between them ( while it 's raining -- you'd think a woman studying medicine would know better ) .
the photography is good , but i kept wishing for b&w
-- everything seems sepia - colored anyway .
actually , i wished i was watching swimming to cambodia instead , but that 's life .
grade :
z . avoid like the plague , unless you 're looking for inadvertent yuks .
[EX A]:
N

