In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: of all the films i 've come to see this year ( 1997 ) , i think only chasing amy had as many " laugh - out - loud " moments
.
i 'm not saying that i was hysterically rolling on the floor while watching waiting for guffman , but my mouth burst open with at least a delighted guffaw at least every couple of minutes .
and i think i 'm the kind of person that laughs least at movies , even when i find them funny .
usually all you can get out of me is a warm smile , so to get me laughing out loud , and so frequently , is a really good sign .
waiting for guffman is the story of blaine , missouri , a town celebrating
it 's 150th anniversary , and the musical that is being put on for the big event .
the play is being directed by corky st .
clair ( christopher guest , who also wrote and directed this " mockumentary " as well as co - writing several original musical numbers ) , the effeminate broadway hopeful determined to make this production a smashing success .
teaming up with st .
clair are a handful of blaine residents : allan pearl ( eugene levy ) , a jewish dentist who spent his youth not as the class clown , but sitting right next to him and studying him , ron and sheila albertson ( fred willard and catherine o'hara respectively ) , a married couple setting their sights on hollywood , libby mae brown ( parker posey ) , the dense but fun queen of the dairy queen , and a few others .
everybody in this movie is brilliant , absolutely so , but levy particularly stands out .
these characters are portrayed with such saddening realism that you ca n't help but love them , as pathetic as they really are .
although levy stands out , guest , willard , o'hara , and posey are all wonderful and definitely should be commended for their performances ! if there was an oscar for an ensemble performance , this is the group that should sweep it .
some humor was a tad uneven from the rest of the film and , even after starting very humorously , they nearly lost me with the tad - too - long intros . as delightful as it was , it began to get monotonous .
thankfully , just as your about to say " ok , maybe i should run to the bathroom " , they finally get past the intros and onto the rehearsal scenes .
like a play , this film gives a very three - act feel , the intros ( funny , but almost too long ) , the rehearsals ( even funnier ) , and finally , the actual performance of the play ( excellent ! ) .
like i said , each character really shines , even when done with a subtle approach .
you ca n't really watch these people and not think they 're real people !
even they way they talk , with awkward pauses and stumbles that do n't feel staged at all , you feel like you 're watching a real , albeit funny , documentary .
and even with silly lyrics , the original songs when the play is finally put on , are absolutely wonderful !
as a word of note , despite it 's " r " rating , waiting for guffman is really quite clean .
this rating came from a brief , very brief use of the grand - daddy of all swear words .
even if that really bothers you , let me say that it 's not presented in a vulgar , cheap - laugh way .
it 's actually quite humorous and tastefully done !
it might be hard knowing what to expect with waiting for guffman .
it 's silly humor , but it 's also so dry , subtle , and intelligently done that you 're not insulted by it .
it 's always really nice to see a comedy that is n't all slapstick and vulgarity , and this film is one of the better ones of the better ones !
i 'd recommend seeing it !

Output: P


Input: Consider Input: before you read my review , you got ta know that i love woody allen .
this is a very important note because allen 's films are generally an acquired taste and definitely not for everyone .
i know folks who believe him to be a complete genius , while others see him as a dirty ol' schnook who keeps making the same movie over and over again .
i love most of his films , but will admit to having been quite disappointed by his recent crop during the 90s .
in fact , why he felt the need to make 10 movies in those 10 years is beyond me ! if you look at the quality of those films , you 'll hear what i 'm saying .
the only two films of his that i really liked during that time were bullets over broadway and husbands and wives .
in fact , i secretly hoped that he would take some " time off " at the turn of the millennium , just to re - energize or something , but it does n't appear as though he has any intention of doing that .
so here i am again , reviewing yet another woody allen movie and hoping that it brings back the woody from the days of old .
plot :
the year is 1940 and woody allen
is a top - notch insurance investigator .
his methods are very old - fashioned and apparently out of date .
a new employee ( hunt ) has just been hired to streamline the operations for greater efficiency .
the two do not like each other .
one night , they are both put under a hypnotic trance by a magician , and unbeknownst to them , placed under his control .
soon thereafter , jewels are stolen , words of love are exchanged and everyone is looking for an answer .
critique : a wonderful recreation of the 1940s style movies , with the fast - talking witty banter between
co - workers , a catchy jazz score moving things along , film noirish elements such as the veronica lake - type sexpot , one - liners galore and a fluffy , if inconsequential plotline .
on the downside , the film actually starts off pretty slowly , with the first hour tossing only a few guffaws out there , but never really generating any kind of steady flow or energy .
the sets , on the other hand , were amazing , the production design and costumes were perfect , and the casting ideal , so i kept hoping that the film would pick up and not turn into yet another mediocre outing for the man .
but it was n't not long before i was fully engaged by the characters , entertained by the many zingers delivered back - and - forth between allen and hunt , and actually interested in the resolution of the flick .
i also appreciated how allen played the fine line between homage to the films of old , parody and actual reinvention ( note theron 's entire female persona that is drenched in film noir- very cool ) .
of course , films like this ( with little or no real tension in the plot ) need solid actors to keep you interested in the quick - fire dialogue , and once again
, allen does a great job in playing his character , who for once , is n't his typical new york jewish neurotic cheating insecure husband dude .
he actually plays a " macho " guy here and handles it pretty well , especially the scenes in which he 's hypnotized .
but the bigger surprise for me in this film was helen hunt , an actress who i was openly " sick of seeing " in movies late last year ( sorry babe , you were just in too many at the same time ! ) .
anyway
, she 's really great in this film
as the headstrong woman looking to a new era of equality amongst men , and does n't miss a beat of allen 's fast - paced dialogue .
i did n't care much for her running joke about him " dying " whenever he left a room , but overall she was really good
and i especially liked the way that her sweaters clung to her breasts as they did .
..
yum , yum !
harumph , but i digress .
so let 's recap .
a great looking picture with a nice jazzy score , some funny one - liners , especially in the second half , a decent plotline , although you should n't expect a real mystery or anything , and some solid acting all around .
i ca n't say that this is even remotely close to any of allen 's best work , but i certainly believe it to be a step in the right direction , especially after the dinky decade of films that he just went through .
it 's probably better geared towards allen fans more than anyone else ,
but i would still recommend this film to anyone looking for a cute , " old - school " kind of vibe , with chemistry between the leads , zippy dialogue and a satisfying conclusion .
little known facts about this film and its stars :
annie hall ( 10/10 )
- celebrity ( 5/10 )
- everyone says i love you ( 5/10 ) - husbands and wives ( 9/10 ) - mighty aphrodite ( 5/10 ) - small time crooks ( 7/10 ) - when harry met sally ( 10/10 )
- you 've got mail ( 4/10 )

Output: P


Input: Consider Input: ingredients : down - on - his - luck evangelist , church synopsis : sonny dewey ( robert duvall ) is a tireless texas pentecostal preacher who unexpectedly catches his wife ( farrah fawcett ) in bed with another guy .
in a regrettable crime of passion he takes a baseball bat to the guy 's head , and suddenly finds himself a fugitive for murder , and estranged from his wife and two kids .
to atone for his sins , sonny flees to a rural bayou town in louisiana and baptizes himself as a new creature - - the apostle
e. f. as the apostle
e. f. sonny 's main mission is to revive an abandoned church community and preach the gospel at the local radio station .
soon he sets about resurrecting the one way road to heaven holiness temple . but sonny knows his time is short ; one day the police will find him .
opinion
: this movie is a thought - provoking look at an evangelist in real life terms .
i believe that robert duvall ( who is the producer , director , writer , and main star of the apostle ) deserves an oscar for his performance as sonny the religious crusader
- - a performance which is so complex and realistic
it ranks as one of the finest acting performances on film .
duvall 's portrayal of a true believer is authentic , superb , and inspired ; it offers the audience a completely honest look at southern religion , as well as a portrait of a fallible , complicated man driven by his beliefs .
incidentally , in real life duvall was just as ' driven ' in getting the project underway .
since no major hollywood studio wanted to risk financing a complex movie about an evangelist , the apostle as a project lay dormant for almost 13 years before duvall was able to get it done , paying for its production with his own money ( about five million dollars ) .
in terms of hard - hitting realism and character portrayal the apostle would rank as one of the best movies of this decade , and i emphatically recommend the apostle for connoisseurs of stage and fine acting on film .
similarly , those with a steep background in pentecostal christianity would find the apostle a thought - provoking experience .
on the other hand , the apostle 's main strength - - duvall 's preaching - - is also what limits the apostle 's target audience .
in terms of plot and pure entertainment value , the apostle is definitely not for everyone .
teenagers , action fans , comedy fans , and people who find church completely boring should stay far away from this movie , since three quarters of the film is watching sonny preach at church .
in other words , the apostle is a four star performance , but with a very limited audience .


Output: P


