You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Example Input:  The story is told in eight major parts, called Scenes.
Scene One begins in 1846, at Combe-Raven in West Somerset, the country residence of the wealthy Vanstone family: Andrew Vanstone, his wife, and their two daughters. Norah, age 26, is happy and quiet; Magdalen, 18, is beautiful but volatile and willful. They live in peace and contentment, looked after by their governess, Miss Garth.
Through amateur theatricals, Magdalen discovers she is a talented actress and falls in love with Frank Clare, the idle but handsome son of a neighbour, who is also in the play. They want to be married, and their fathers agree. Although Frank fails at every career he reluctantly tries, and his father is not wealthy, Magdalen's fortune will easily support the young couple.
But before they marry, Mr. Vanstone is killed in a train crash and Mrs. Vanstone dies in childbirth. The girls discover from the lawyer, Mr. Pendril, that their parents have only been married for a few months, and their wedding invalidated the will which left everything to the daughters.
Since the daughters are illegitimate, they have no name, no rights, and no property. Combe-Raven and the entire family fortune are inherited by Andrew's older brother, Michael Vanstone, who has been bitterly estranged from the family for many years. He refuses to provide any support for the orphaned young women. With the help only of their governess Miss Garth, they set out to make their own way in the world.
Scene Two is set in York, where Magdalen enlists the help of Captain Wragge, a distant relative of her mother's and a professional swindler. He helps get Magdalen started on the stage in return for a share of the proceeds. His wife Matilda, whom he married for an expected inheritance, is physically huge and kindly but mentally slow; she has to be supervised like a child.
Scene Three is in Vauxhall Walk, Lambeth. Magdalen, having earned some money, forsakes the stage and plots to get her inheritance back. Michael Vanstone has died; his only son Noel is sickly and looked after by his housekeeper, Virginie Lecount, a shrewd woman who hopes to inherit his money. Magdalen goes to Lambeth disguised as Miss Garth to see how the land lies, but Mrs. Lecount sees through her disguise and cuts a bit of cloth from the hem of her brown alpaca dress as a keepsake.
Scene Four is in Aldborough, Suffolk, where Magdalen tries to carry out her plot to regain her inheritance by marrying Noel Vanstone under an assumed name, with Captain and Mrs. Wragge posing as her uncle and aunt. Wragge and Lecount plot and attempt to outdo each other. In the end, Lecount is sent on a false errand to Zurich, and Magdalen and Noel are married. Captain Wragge arranges the marriage on condition that he will never have to see Magdalen again once it has happened.
Scene Five is in Baliol Cottage, Dumfries. Noel is alone, as his wife has left to visit her sister in London. Mrs. Lecount is back from Zurich and explains who his wife really is, with the help of the cut bit of cloth from the brown alpaca dress. Noel, at her direction, rewrites his will, cutting off his wife and leaving a legacy to Lecount and everything else to Admiral Bartram, his cousin. He encloses a secret letter, asking Admiral Bartram that the money be passed to young George Bartram, but only on the condition that he marry someone not a widow within six months, thus ensuring that Magdalen cannot marry George for the money. The strain of this scheming is too much for Noel, and he dies from a weak heart.
Scene Six is in St John's Wood where Magdalen has lodgings. Estranged from Norah and from Miss Garth, who she thinks betrayed her husband's whereabouts to Lecount, she hatches a plot to disguise herself as a maid and infiltrate into Admiral Bartram's house to look for the Secret Trust document. Her own maid Louisa helps to train her in return for Magdalen's giving her the money to marry her fiance, the father of her illegitimate child, and move to Australia.
Scene Seven is at St. Crux, the Bartram country house. Magdalen, working under Louisa's name as a parlour maid for Admiral Bartram, searches through the house for the Secret Trust. Eventually she manages it by following Admiral Bartram as he sleepwalks, but she is discovered and thrown out of the house.
The last scene is set in a poor lodging house, Aaron's Building. Magdalen is ill and destitute, about to be carried off to hospital or the workhouse, when a handsome man appears and rescues her. It is Captain Kirke, a sailor who had seen and become enamored of her at Aldborough. Meanwhile, Norah has married George Bartram, thus placing the inheritance back into the Vanstone family. Magdalen, in her illness and recovery, vows to be a better person and never again undertake any malice. Kirke and Magdalen profess their love for one another.
Example Output: Where does Noel's wife go to visit her sister?

Example Input:  The novel's first-person protagonist, an unnamed vagrant with intellectual leanings, probably in his late twenties, wanders the streets of Norway's capital, Kristiania (Oslo), in pursuit of nourishment. Over four episodes he meets a number of more or less mysterious persons, the most notable being Ylajali, a young woman with whom he engages in a mild degree of physical intimacy.
He exhibits a self-created code of chivalry, giving money and clothes to needy children and vagrants, not eating food given to him, and turning himself in for stealing. Essentially self-destructive, he thus falls into traps of his own making, and with a lack of food, warmth and basic comfort, his body turns slowly to ruin. Overwhelmed by hunger, he scrounges for meals, at one point nearly eating his own (rather precious) pencil. His social, physical and mental states are in constant decline. However, he has no antagonistic feelings towards 'society' as such, rather he blames his fate on 'God' or a divine world order. He vows not to succumb to this order and remains 'a foreigner in life', haunted by 'nervousness, by irrational details'.
He experiences a major artistic and financial triumph when he sells a text to a newspaper, but despite this he finds writing increasingly difficult. At one point in the story, he asks to spend a night in a prison cell, posing as a well-to-do journalist who has lost the keys to his apartment. In the morning he cannot bring himself to reveal his poverty or even partake in the free breakfast provided to the homeless. Finally, as the book comes to close, when his existence is at an absolute ebb, he signs on to the crew of a ship leaving the city.
Example Output: What is the name of the woman our character has a physical relationship with?

Example Input:  The play begins with an extended bit of metadrama; the company's stage-keeper enters, criticising the play about to be performed because it lacks romantic and fabulous elements. He is then pushed from the stage by the book-keeper, who (serving as prologue) announces a contract between author and audience. The contract appears to itemise Jonson's discontentment with his audiences: Members are not to find political satire where none is intended; they are not to take as oaths such innocuous phrases as "God quit you"; they are not to "censure by contagion," but must exercise their own judgment; moreover, they are allowed to judge only in proportion to the price of their ticket. Perhaps most important, they agree not to expect a throwback to the sword-and-buckler age of Smithfield, for Jonson has given them a picture of the present and unromantic state of the fair.
The play proper begins with a proctor and amateur dramatist Littlewit and his friends, Quarlous and Winwife; they are plotting how to win Dame Purecraft (a widow, and Littlewit's mother-in-law) from Zeal-of-the-Land Busy, a canting, hypocritical Puritan.
This colloquy is interrupted by the entrance of Wasp, the irascible servant of Cokes, a country simpleton who is in town to marry Grace Wellborn. Grace is the ward of Adam Overdo, a Justice of the Peace; Overdo's wife is Cokes's sister. All of these characters are at Littlewit's to get a marriage license; having obtained it, they indulge Cokes's wish to visit the fair.
Littlewit and his friends also plan to go to the fair to see a puppet-show Littlewit wrote. To overcome Busy's likely objections, they pretend that Win (Littlewit's wife) has a pregnant craving for roast pork. The Renaissance audience, familiar with stage satire of Puritans, would not have been surprised that Busy, far from abhorring the fair and its debauchery, is ready to rationalise his presence there as allowable and even godly. The first act ends with both groups, the genteel Overdos and the raffish Littlewits, headed for the fair.
The fair propels these characters through experiences that put their social identities under extreme strain. Justice Overdo, well-read in the "disguised prince" tradition, assumes a disguise to ferret out wrongdoing at the fair; he is beaten by Wasp, falsely accused by Edgeworth, a cut-purse, and put in the stocks. Quarlous and Winwife engage Edgeworth to steal the marriage license from Wasp; he does so when Wasp is arrested after starting a fight. Wasp, too, is put in the stocks. Winwife has abandoned his plan to marry Dame Purecraft; instead, he and Quarlous fight for Grace's hand. Win Littlewit and Mistress Overdo are enlisted as prostitutes by the pimp Whit; Zeal-of-the-land Busy is arrested for preaching without license and put into the stocks. Cokes is robbed several times by Edgeworth and other denizens of the fair. All the imprisoned characters escape when Trouble-All, a seeming madman for whom Dame Purecraft has conceived a sudden passion, fights with the guards.
The climax of the play occurs at the puppet show. Madame Overdo and Win are brought in, masked, as prostitutes; Madame Overdo is drunk. Overdo is still in disguise, and Quarlous has disguised himself as Trouble-All; in this guise, he stole the marriage license from Winwife and made it into a license for himself and Purecraft. The puppet show, a burlesque of Hero and Leander and Damon and Pythias, proceeds until Busy interrupts, claiming that the play is an abomination because the actors are cross-dressed. The puppets refute him decisively by raising their clothes, revealing that they have no sex. Busy announces himself converted into a "beholder" of plays.
At this point, Justice Overdo reveals himself, intent on uncovering the "enormities" he has witnessed at the fair. He is in the process of punishing all of the various schemers and malefactors when his wife (still veiled) throws up and begins to call for him. Abashed, Overdo takes the advice of Quarlous and forgives all parties; Winwife marries Grace, Quarlous marries Purecraft, and all the characters are invited to Overdo's house for supper.
Example Output:
Which men want to wed Miss Wellborn?

