Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Q: CONTEXT: The opening title sequence with Superman is from "The New Batman/Superman Adventures" (TNBSA), and the classic Batman opening is from "Batman: The Animated Series" (BTAS). Episodes for "Batman: The Animated Series" have been broadcast and distributed under both BTAS and TNBSA titles. Other TNBSA episodes are sourced from "Superman: The Animated Series" and "The New Batman Adventures"; the final 24 episodes of BTAS, which used the animation style of the Superman show. Except for the opening title sequence, there is no observable difference between BTAS episodes sourced from either BTAS or TNBSA. The opening sequence used for your video stream depends on the release the episode was sourced from. Streaming companies (Amazon, Netflix, Hulu, etc.) license different video releases. If Amazon sourced a particular BTAS episode from a TNBSA release, then you will see the TNBSA opening. Since streaming providers usually provide only a single access point to a given video stream, assuming your provider has access to both releases, I do not believe there is a way you can control whether the source of your BTAS episode is BTAS or TNBSA.  <sep>  Q: Why do some of the Batman: Animated Series episodes feature the Batman-Superman opening? A: The opening title sequence with Superman is from "The New Batman/Superman Adventures" (TNBSA), and the classic Batman opening is from "Batman: The Animated Series" (BTAS  <sep> FOLLOWUP_Q: Is there any difference in these episodes?

A: Yes
****
Q: CONTEXT: There are no definite statements about how the current series will end, as (supervising director) Dave Filoni has mentioned how the story is constantly in flux and an ongoing writing process. That said, they will indeed have to wrap up Ahsoka's arc (and there are many theories about this), but considering this takes place in the period between the second two prequel films, it would make sense for the series to wrap up on the eve of the space war over Coruscant (which was wonderfully dove-tailed into Genndy Tartakovsky's animated take on the saga).  <sep>  Q: Does George Lucas have a plan for how The Clone Wars series will continue into the movies? A: There are no definite statements about how the current series will end, as (supervising director) Dave Filoni has mentioned how the story is constantly in flux and an ongoing writing process  Q: Is there a continuity plan to end THe Clone Wars Series and tie it up to the movies? A: it would make sense for the series to wrap up on the eve of the space war over Coruscant (which was wonderfully dove-tailed into Genndy Tartakovsky's animated take on the saga  <sep> FOLLOWUP_Q: As I imagine there are many unanswerable questions. Or is George Lucas just milking it as long as he can?

A: Yes
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Q: CONTEXT: I thought the film's use of the theme was much more politicized than the book's. In the book, when Kenny says that he and George are invisible, I wasn't quite sure what he meant. In the movie, invisibility has been threaded throughout much more explicitly: in the classroom scene George clearly describes “invisible minorities” to his class. I took this as the filmmaker's attempt to make the historical particularities of George's situation clear. In the book, however, Kenny's comment sort of complicates George's understanding of his own minority position. Throughout the book, George believes his pain is invisible to others because society has refused to acknowledge his relationship. He thinks this is a somewhat unique situation, because of his position as a gay man in a homophobic society. Kenny's comment, however, suggests that invisibility is more inclusive than that. Perhaps Kenny means that they're invisible because they're out when no one expects them to be out, or because their homosocial behavior isn't understood by society, or because they're powerless to stop the Cuban Missile Crisis. Or, perhaps Kenny knows that George is gay and is trying to have an experience by sharing the evening with him. I don't know and I don't think we're supposed to know. One of the fantastic things about this novel for me is the way it explodes the idea that we grow closer to others by understanding them better. Caring, closeness, and love in the novel aren't degraded by failures of understanding.  <sep>  Q: What is the meaning of Kenny's words in this scene? A: I don't know and I don't think we're supposed to know  Q: What makes them invisible? A: Perhaps Kenny means that they're invisible because they're out when no one expects them to be out  <sep> FOLLOWUP_Q: Okay, why did the take their clothes off when they were at the beach?

A:
Yes
****
