Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Origanum ( )is a genus of herbaceous perennials and subshrubs in the family Lamiaceae, native to Europe, North Africa, and much of temperate Asia, where they are found in open or mountainous habitats. A few species also naturalized in scattered locations in North America and other regions. Context_2 : Solenopsis nitens is one of more than 185 species in the genus "Solenopsis". It is found in Sri Lanka. Context_3 : Pulsatilla vernalis (spring pasqueflower, arctic violet, lady of the snows) is a species of flowering plant in the family Ranunculaceae, native to mountainous habitats in Europe. Growing to 10 cm high and wide, it is a semi-evergreen perennial with hairy, divided leaves. In early spring it bears anemone-like flowers which are up to 6 cm in diameter, white flushed with violet on the outer surface of the petals, and prominent yellow stamens. Context_4 : Origanum onites, the Cretan oregano, Turkish oregano, pot marjoram or rίgani in Greek (Ελληνική ρίγανη), is a plant species in the genus "Origanum" found in Sicily, Greece and Turkey. It has similar flavors as oregano. Its essential oil can be distinguished from other species such as Greek oregano ("Origanum vulgare ssp. hirtum"). It has antimicrobial activities. Context_5 : Solenopsis is a genus of plants in the Campanulaceae. It is native to the Mediterranean region from Portugal and the Canary Islands east to Turkey. Context_6 : Torilis japonica, the erect hedgeparsley, upright hedge-parsley or Japanese hedge parsley, is a plant species in the genus "Torilis". Japanese Hedgeparsley is considered both an annual and biennial plant in the carrot family depending on the biogeographical location. This means Japanese Hedgeparsley can complete its life cycle in either one or two growing seasons depending on habitat. Japanese Hedgeparsley is typically found in areas with disturbed soils, pastures, margins, open woodland, near waste sites, or right-of-way habitats. It can withstand a variety of habitats, thriving in partial and full shaded areas, but also withstanding habitats with full sunlight penetration. It is considered an aggressive invasive species in North America; invading a wide range of habitats due to its environmental tolerance and tendency to outcompete native vegetation. This species is considered a threat in several areas that causes problems relating to overall environmental health and stability. Aside from its environmental implications, T. japonica has potential to fight several cancers through a terpene it produces called Torilin, extracted from its fruits. Context_7 : The red imported fire ant ("Solenopsis invicta"), also known as the fire ant or RIFA, is a species of ant native to South America. A member of the genus "Solenopsis" in the subfamily Myrmicinae, it was described by Swiss entomologist Felix Santschi as a variant in 1916. Its current name "invicta" was given to the ant in 1972 as a separate species. However, the variant and species were the same ant, and the name was preserved due to its wide use. The red imported fire ant is native to South America but it has been accidentally introduced in Australia, New Zealand, several Asian and Caribbean countries and the United States. The red imported fire ant is polymorphic as workers appear in different shapes and sizes. The ant's colours are red and somewhat yellowish with a brown or black gaster. However, males are completely black. Red imported fire ants are dominant in altered areas and live in a wide variety of habitats. They can be found in rain forests, in disturbed areas, deserts, grasslands, alongside roads and buildings, and in electrical equipment. Colonies form large mounds constructed from dirt with no visible entrances because foraging tunnels are built and workers emerge far away from the nest. Context_8 : The mountain swiftlet ("Aerodramus hirundinaceus") is a species of swift in the family Apodidae. It is endemic to the island of New Guinea and the nearby islands of Karkar, Yapen and Goodenough. It was once placed in the genus "Collocalia" but has been moved, with many others, to "Aerodramus". The species is divided into three subspecies, with the nominate, "A. h. hirundinacea" ranging over most of New Guinea, the subspecies "A. h. excelsus" occurring over 1600 m in the Snow Mountains and Cartenz peaks of Irian Jaya and "A. h. baru" being restricted to Yapen Island. It occurs in alpine areas from 500 m to the treeline. Its natural habitat is tropical moist montane forests and other mountainous habitats in New Guinea. It also occurs in lower numbers in the lowlands near hills. Context_9 : Orobanche valida is a species of broomrape known by the common name Rock Creek broomrape. It is endemic to California, where its two uncommon subspecies grow in mountainous habitats separated by several hundred miles. Howell's broomrape, ssp. "howellii", is limited to the North Coast Ranges north of the San Francisco Bay Area, where it grows in chaparral, often on serpentine soils. The similarly rare subspecies "valida" is known from only four occurrences in the Transverse Ranges. The plant is a parasite growing attached to the roots of other plants, generally shrubs; ssp. "howellii" can often be found on "Garrya" species. The plant produces a hairy, glandular purple stem up to about 35 centimeters tall. As a parasite taking its nutrients from a host plant, it lacks leaves and chlorophyll. The inflorescence is a small cluster of tubular purple flowers 1 to 2 centimeters long. Context_10 : The mountain hare ("Lepus timidus"), also known as blue hare, tundra hare, variable hare, white hare, snow hare, alpine hare, and Irish hare, is a Palearctic hare that is largely adapted to polar and mountainous habitats. fact_1 : Solenopsis is a genus of plants in the Campanulaceae. fact_2 : Origanum ( )is a genus of herbaceous perennials and subshrubs in the family Lamiaceae, native to Europe, North Africa, and much of temperate Asia, where they are found in open or mountainous habitats. Question: Which genus is found in open or mountainous habitats, Solenopsis or Origanum?
Solution:
Origanum