TASK DEFINITION: Write a question from the passage such that it identifies a character (a person or a thing) in the passage.
PROBLEM: Think outside the box, whilst inside the box (studio):
As this studio is about working with constraints, I thought i'd google ‘constraints in filmmaking' and see what comes up. One of the first links was to a journal article by Heidi Philipsen entitled ‘Constraints in Film Making Processes Offer an Exercise to the Imagination'. Interestingly enough the first sentence of her article states: "I would like filmmakers interested in thinking "outside the box" to recognize that they can benefit from being placed "inside a box." I wonder if Paul had contemplated this whilst choosing the name for this studio.
Throughout her article Philipsen challenges the notion that creativity is an intangible innate quality, existing within the mind of one source, but rather creativity arises from a multitude of sources. Alike all things shared she suggests that creativity is easier to enhance by changing environmental conditions, rather than encouraging people to ‘think more creatively'. Perceiving creativity in this way allows you to see it as an organisationally influenced phenomenon, rather than a psychological  and individual phenomenon. Which enables you to have more control over creativity and to encourage creativity once being aware of how it can be environmentally enhanced. As Csikzentmihalyi (1996) states "a genuinely creative accomplishment is almost never the result of a sudden insight, a lightbulb flashing on in the dark, but comes after years of hard work".
Constraints, as Philipsen suggests is one such way to manipulate the environment to enhance creativity. Students who attended The Film School in Denmark, who were forced into working with constraints for their  projects eventually considered constraints to be both useful and inspirational. Such constraints included: making a scene with a specific theme, within a specific deadline and with other specific conditions concerning the use of camera, sound, actors etc. Students stated that these constraints ultimately made them feel secure, inspired and focused and encouraged them to become more experimental as each student wanted to make their own ‘personal film' and not the same kind of film as each of the other students. As many students stated it would have been much more difficult to make a film WITHOUT constraints than with. For it would have increased both the overwhelming options and the associated anxiety.

SOLUTION: Who ate the cake

PROBLEM: A confession: I quietly love flying. This year, I've done 163,581 miles of it.
I love that when you fly a lot, the airport social media staff say 'hello' on Twitter when you arrive and the cabin crew on your home route (or even on the Brisbane-Dubai non-stop route) recognise you from last time. I like getting great service, and see so many things about systems-thinking that work well in airlines, that I'm happy to forgive small indiscrepancies when they occur. All that said, flying strangles our planet as much as eating too much red meat, and for many, many reasons, I've wanted to stop flying quite so much, while not restricting the spread and growth of the ideas from our firm, NoTosh.
I'm quite sure that nobody reading this blog really cares about how much I travel, but keeping an annual count on it has become a new year habit. When I started working at Channel 4, and then continuing when I created NoTosh, I wanted to keep track of what seemed like an interminable number of miles on the road and in the air. By 2012, 2013 and last year, I was beginning to wonder if I'd ever be able to get the number of miles down when they seemed to represent even more trips to the moon and back each and every year.
When you run a company based in Edinburgh with a great team living in Melbourne, you could easily spend your life on a plane - one flying to Melbourne feels better than two or more flying to Edinburgh. Indeed, in 2012, 2013 and 2014 it felt like I really did spend my life on a plane, as I went to the moon and back in my annual travel, with anything up to seven trips a year to Australia.

SOLUTION: Who lives in Melbourne?

PROBLEM: Thanks Richard for asking. Yes. I have something to tell. We have record rainfall during 24 hours in Lahore, breaking previous one day record by more than 60%. Our drainage system is pathetic. Other systems such as telephone, electricity, cable etc. are no better. Poor planning has further been aggravated by extremely mismanaged maintenance and operational bugs.
This morning, when I was out for our fajr (morning prayers) in masjid, a neighbor told me that the pole laden with electricity meters was under fire. After that he buzzed off for complaint office.
When I returned after prayers, I saw fire reaching cable part after meter; one meter had caught fire and other meters (including ours) was in danger of catching fire. It was still dark. I waited for someone to come out. No one appeared. I came inside and told my wife about and went again out to see if I could find someone to go about extinguishing fire. IT WAS DAM RISKY AS DIGGING WAS DONE BY TELEPHONE COMPANY AND RAINS HAD MADE A MESS ON OUR STREET. No one was seen.
My wife came out; brought hose pipe. I managed to use it as water gun and there was some post-extinguishing sparking; fire was put out. I want to add here that hose pipe should only be used when someone knows how to send bursts of water so that electric current cannot build a circuit.
Later in day we heard about the most stupid thing; people were inside their houses, watching flames from pole but not knowing what to do. THEY DID NOT EVEN COME OUT TO SHARE THE ACTIVITY.
That has happened today. I am going to ask everyone about it one by one. Also, I am still looking for the guy who went to complaint office and was never seen thereafter this morning.
That can happen to anybody.

SOLUTION:
Who asked the narrator to describe this event?

