*Question*
One of the more surprising objects in the Getty Villa’s newly reinstalled gallery of later Roman sculpture is a marble bust of a youth leaning out of a circular frame, mounted high on the gallery wall. J. Paul Getty originally acquired this particular sculpture in 1973, but it has been off view for many years. The recent reinstallation of the Getty Museum’s antiquities collection at the Villa provided the opportunity to resurrect many such objects from storage and put them on display. Bringing this strange object back to the public eye enabled us to ask—and answer—several questions about it. Who—if anyone—does it represent? When was it carved? Where was it made, and how did it end up in Los Angeles? In preparation for its display, we researched and reinterpreted the object, exploring both its ancient function and modern history. In its new display, this object is fittingly surrounded by other examples of late Roman sculpture from the third and fourth centuries. Its inclusion in this gallery was not always a given, however, as the figure was long misidentified as a portrait of young Caracalla, who at ten years old became joint emperor with his father in A.D. 198.(1) But recent scholarship questioned the Caracalla identification and the object’s date, suggesting it was carved at least a hundred years later.(2) In light of this research, curator Jens Daehner pushed to reexamine the sculpture and consider including it in the reinstallation. In early 2015, the Antiquities Department brought this tondo and many other potential objects for the new galleries out of storage for viewing, providing curators, conservators, mount makers, preps, and registrars a chance to approve and prepare artworks for possible display. After the storage viewing and subsequent research, we updated the object record to conform with what scholars had suggested: this is not a second-century portrait of Caracalla but a fourth-century bust of a youth or divinity. To answer our next question of who the tondo represents, we then had to take a... Where was the marble portrait first displayed? Pick the correct answer from the following options:  A. In second-century Rome  B. With second-century Roman artwork  C. In A.D. 198  D. not enough information
**Answer**
B

*Question*
Yes I had. In a domestic violence case (in which I was the accused, but by God I was innocent) with my ex girlfriend, the lawyer whom I hired and paid his dues, openly played a wheeling and dealing game for two and a half years with the prosecutor and had mercilessly thrown me in front of the prosecutor. My ex girlfriend was sexually abused by her own uncles at the age of 5 to 9, had a lot of illusions and psychological problems, along with Bi-Polar Disorder, however, dispite my requests, she never had ever visited a psychologist or psychiatrist in her then 24 years of lifetime, fearing she would be forced to unveil the uncles’ child sexual abuse act and this would cause her dismissal from her immediate family. Although I mentioned this to my “so called” lawyer, he refused to mention her unstable psychological condition in the court. I believe by doing so, he also committed a crime by preventing a child sexual abuse case go unveiled. After all these and after having me pushed into loosing my otherwise strong case, I was sentenced with restriction order to my own home, loosing all I had paid for it, loosing my stuff inside home, aforced probation and a forced domestic violence course for no good reason, my so called bloody lawyer also sent to the court a paper indicating that I owed to him and never had paid his dues. Disgusting wheeling and dealing quite often happen between such disgusting lawyers and greedy, heartless prosecutors; unfortunately! My psychologist friend at the time said, “If you are in Illinois, in Champaign County and you have a penis, you are already accepted as guilty by birth to start with dude”. They say “Sharks wouldn't attack and eat Lawyers after a ship sunk”. Why? It's professional courtesy! how many times was the girl sexually abused? Pick the correct answer from the following options:  A. 15  B. not enough information  C. 20  D. 10
**Answer**
B

*Question*
Manny had Bob Marley cranking on the stereo, his van was full of passengers, and the air conditioning was working after a long week of giving him trouble. The sun beat down on the wet-looking asphalt road that ran along the harbor, next to the concrete waterfront. It curved along in front of the brightly colored Dutch Colonial warehouses of Charlotte Amalie, which were now converted restaurants and jewel shops. Tourists in day-glo shirts and daubs of sunscreen rubbed over peeling skin crowded both sides of the waterfront road. Manny slowed somewhat, keeping an eye on them. On the sidewalk by the shops a tall black man stood by a food cart. The hand-painted wooden sign hanging from the cart's side had faded letters. The man wore a grand suit with tails, like an orchestra conductor, and a top hat perched on his shaved head. A cigar burned in his mouth. For a brief second he held Manny's attention. Then the food cart's owner stepped forward and the strangely dressed man disappeared. Manny looked at the other side of the road. A white girl with oval shaped sunglasses and pink leather pants stepped off the sidewalk into the road in front of his van. He slammed on the brakes, trying to dodge her, but the van couldn't respond that fast. Her ponytail flew up towards the windshield and her head struck the star-shaped hood ornament. She bounced along the asphalt. Manny weaved the van to a stop, with swearing from the passengers in the back. He opened the door and stepped out into the heat. Get up, stand up, the radio cried out, and that was what Manny hoped would happen. He hoped that she would at least just stir and be okay. But she just lay there. Where was Manny driving? Pick the correct answer from the following options:  A. near the country  B. near the city  C. near the water  D. not enough information
**Answer**

C