Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : The Copenhagen Open was a tennis tournament on the World Championship Tennis (WCT) circuit and ATP Tour. It was first held in February 1973 as part of the WCT tour and featured renowned players such as Ken Rosewall, Fred Stolle, Arthur Ashe and Tom Okker. It was played indoors on a carpet surface. Context_2 : Nenad Zimonjić (Serbian Cyrillic: , ] ; born June 4, 1976) is a Serbian professional tennis player who was ranked World No. 1 in 2008 in doubles. He is the second tennis doubles player from Serbia to hold the World No. 1, after Slobodan Živojinović. While Zimonjić is known as a doubles specialist (winning 3 Grand Slams in men's doubles and 5 in mixed doubles), he has recorded two big wins in his singles career. A 22 year span consisting of 54 Davis Cup ties including 43 victories has resulted in him becoming the most accomplished Davis Cup player in his nations history. His strongest weapon is very powerful first serve that he can hit at up to 235 km/h (146 mph). Context_3 : Fausto Gardini (8 March 1930 – 17 September 2008) was an Italian tennis player. He was an Italian Davis Cup player and later captain. Gardini had long arms and legs, was renowned for keeping the ball in play and was very determined. "I could not help but admire Gardini because he always tried" said Ken Rosewall. This is how William McHale described Gardini "A stringy, expressive, cavorting clown, Gardini uses the crowd as his personal cheering section". Gardini made his Grand Slam debut at Roland Garros in 1949, where he lost in round three to Eric Sturgess. At Roland Garros in 1951, Gardini lost in the last 16 to Dick Savitt. At Wimbledon Gardini beat Gardnar Mulloy before losing to Frank Sedgman in the last 16. At Roland Garros in 1952, Gardini beat 17 year old Ken Rosewall and Tony Mottram before losing to Jaroslav Drobny in the last 16. At Wimbledon he lost to Straight Clark in round three. At the 1953 Australian championships, Gardini lost in round two to Ian Ayre. At Roland Garros, Gardini reached the quarter finals before losing to Drobny. At Wimbledon he lost in round one to Istvan Sikorski. The highlight of Gardini's career was when he won the title at Rome in 1955, beating Herbert Flam, Enrique Morea and Giuseppe Merlo. The final was a dramatic match. Merlo led by 2 sets to 1 and had two championship points in the fourth set, but suffered from cramps and was forced to retire at 6-6 in the fourth set. After that, Gardini played less and concentrated on running his family's bakery business. By the early 1960s he was playing mainly in Italian tournaments and Davis Cup. Context_4 : The 1968 Men's National Tennis League (NTL) was the inaugural series of professional tennis tournaments founded by George McCall, among others: Rod Laver, Roy Emerson, Ken Rosewall, Andrés Gimeno, Pancho Gonzales and Fred Stolle. Context_5 : Roy Emerson defeated Fred Stolle 6–3, 6–4, 6-2 in the final to win the Men's Singles tennis title at the 1964 Australian Championships. Context_6 : The 2001 Canada Masters – Doubles was the men's doubles event of the one hundred and twelfth edition of the Canada Masters; a WTA Tier I tournament and the most prestigious men's tennis tournament held in Canada. Sébastien Lareau and Daniel Nestor were the defending champions but they competed with different partners that year, Lareau with Justin Gimelstob and Nestor with Sandon Stolle. Gimelstob and Lareau lost in the first round to Mark Knowles and Brian MacPhie, as did Nestor and Stolle to Jan-Michael Gambill and Simon Larose. Jiří Novák and David Rikl won in the final 6–4, 3–6, 6–3 against Donald Johnson and Jared Palmer. Context_7 : Roy Emerson defeated Fred Stolle 7–9, 2–6, 6–4, 7–5, 6–1 in the final to win the Men's Singles tennis title at the 1965 Australian Championships. Context_8 : Frederick Sydney Stolle, AO (born 8 October 1938) is an Australian former tennis player and commentator. He was born in Hornsby, New South Wales, Australia. He is the father of former Australian Davis Cup player Sandon Stolle. Context_9 : Sandon Stolle (born 13 July 1970) is a former professional male tennis player and at one time ranked No. 2 in World doubles. Context_10 : Pieter ("Piet") Aldrich (born 7 September 1965) is a former professional tennis player from South Africa. A doubles specialist, he won 2 Grand Slam men's doubles titles (1 Australian Open and 1 US Open). Aldrich reached the World No. 1 doubles ranking in 1990. fact_1 : Pieter ("Piet") Aldrich (born 7 September 1965) is a former professional tennis player from South Africa. fact_2 : Frederick Sydney Stolle, AO (born 8 October 1938) is an Australian former tennis player and commentator. fact_3 :  He is the father of former Australian Davis Cup player Sandon Stolle. Question: Which tennis player, Pieter Aldrich or Fred Stolle,  is the father of former Australian Davis Cup player Sandon Stolle?
Output:
Frederick Sydney Stolle