Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`.

Q: CONTEXT: Her name, she just remembered earlier than everyone else. While the others used to take days to remember, her name came in hours or minutes. Could be also, since she was working for the wicked, that she just took a smaller portion of whatever they were working with to erase the memory. Now Thomas's name, I think she just had dreams/visions about him, just like Thomas had visions/dreams about her.  <sep>  Q: Why did Teresa know Thomas's and her name? A: Her name, she just remembered earlier than everyone else. While the others used to take days to remember, her name came in hours or minutes 

A: What movie is this from?
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Q: CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard.  <sep>  Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful? A: This is one aspect of what is called the Anti-Hero  Q: Why do we view these characters as non-masculine? A: he is not someone people expect a fictional teenage girl in a movie would fantasize about 

A: Like Eisenberg in Adventureland?
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Q: CONTEXT: It appears to be a stylistic decision on the part of Andy Serkis and Steven Spielberg, and is in keeping with Hollywood's fascination for Scottish accents (see the Vikings in How to Train Your Dragon, Shrek, the lack of a Welsh Smurf). Naturally, fans are up in arms about this, especially those who think he should have an English accent (specifically Cornish), but this is also wrong as Herge wrote him as a Belgian, like his young friend, Tintin. Haddock is thought to be descended from the Chevalier François de Hadoque , a French sea captain.  <sep>  Q: Is Captain Haddock Scottish? A: t appears to be a stylistic decision on the part of Andy Serkis and Steven Spielberg, and is in keeping with Hollywood's fascination for Scottish accents  Q: Is there a particular reason for this? A: see the Vikings in How to Train Your Dragon, Shrek, the lack of a Welsh Smurf  Q: Shouldn't Captain Haddock have a different accent? A: Naturally, fans are up in arms about this, especially those who think he should have an English accent  Q: Is Captain Haddock the main character? A: Haddock is thought to be descended from the Chevalier François de Hadoque , a French sea captain 

A:
I don't recollect any reference made in the original series by Herge about Captain Haddock's Scottish heritage. Is there a reason for this?
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