In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : "Why Bother?", originally published as "Perchance to Dream: In the Age of Images, a Reason to Write Novels", is a literary essay by American novelist Jonathan Franzen. It is often referred to as "The Harper's Essay". First published in the April 1996 issue of "Harper's" magazine, the essay concerns the persistence of reading within the context of technological growth and distraction. Franzen recounts his meditations on the state and possibility of the novel form, often against the backdrop of his personal experience, eventually concluding that the novel still has potential cultural agency in the United States, and often gains it by paradoxical drives of both culture and author. Context_2 : Nabokov's Congeries was a collection of work by Vladimir Nabokov published in 1968 and reprinted in 1971 as "The Portable Nabokov". Because Nabokov supervised its production less than a decade before he died, it is useful in attempting to identify which works Nabokov considered to be his best, especially among his short stories. Context_3 : The Stories of Vladimir Nabokov (in some British editions, The Collected Stories) is a posthumous collection of every known short story that Vladimir Nabokov ever wrote, with the exception of "The Enchanter". The thirteen stories not previously published in English are translated by the author's son, Dmitri Nabokov. The collection was first published in America by Alfred A. Knopf in 1995. Context_4 : Vladimir Vladimirovich Nabokov ( ; Russian: Влади́мир Влади́мирович Набо́ков , ] , also known by the pen name Vladimir Sirin; (April 22nd, 1899 — July 2nd, 1977) was a Russian-American novelist and entomologist. His first nine novels were in Russian, but he achieved international prominence after he began writing English prose. Context_5 : "The Vane Sisters" is a short story by Vladimir Nabokov, written in March 1951. It is famous for providing one of the most extreme examples of an unreliable narrator. It was first published in the Winter 1958 issue of "The Hudson Review" and then reprinted in "Encounter" during 1959. The story was included in "Nabokov's Quartet" (1966), "Nabokov's Congeries" (1968; reprinted as "The Portable Nabokov", 1971), "Tyrants Destroyed and Other Stories" (1975), and "The Stories of Vladimir Nabokov" (1995). Context_6 : The Waltz Invention is a tragicomedy in three acts written by Vladimir Nabokov in Russian as "Izobretenie Val'sa" in 1938. It was first published in "Russkie Zapiski" in Paris in the same year. Nabokov translated it at that time into English for the first time. The second English translation was made by Dmitri Nabokov in 1964 with the help of his father who also made some alterations; it was published in 1966. The play takes place in an unnamed country in about 1935. Nabokov makes the point in the 1965 written foreword that while the work sounds a "prophetic forenote" - the invention is a weapon of mass destruction -, he has no political message and does not support the peaceniks of his time. Context_7 : The Rozhdestveno Memorial Estate is a writer's house museum and park near Siverskaya, Gatchinsky District, Leningrad Oblast, that commemorates the most famous owner of the estate, Vladimir Nabokov; the Batovo and Vyra estates, also immortalized by Nabokov, are nearby. As Nabokov spent part of his youth at Vyra, he visited his grandmother at Batovo and his uncle at Rozhdestveno. The Batovo mansion burned down in 1925, Vyra was destroyed in 1944, leaving Rozhdestveno as the sole survivor of the triad of estates owned by the Nabokov family. Context_8 : "Bachmann" is a short story written in Russian by Vladimir Nabokov under his nom-de-plume V. Sirin in Berlin in 1924. It was first published in Rul, a Russian émigré paper founded by his father, Vladimir Dmitrievich Nabokov, and later included in a number of short story collections: "Vozvrashchenie Chorba", "Tyrants Destroyed and Other Stories" (1975), and "The Stories of Vladimir Nabokov" (1995). He and his son, Dmitri Nabokov, provided the English translation. Context_9 : Jonathan Earl Franzen (born August 17, 1959) is an American novelist and essayist. His 2001 novel "The Corrections", a sprawling, satirical family drama, drew widespread critical acclaim, earned Franzen a National Book Award, was a Pulitzer Prize for Fiction finalist, earned a James Tait Black Memorial Prize and was shortlisted for the International IMPAC Dublin Literary Award. His novel "Freedom" (2010) garnered similar praise and led to an appearance on the cover of "Time" magazine alongside the headline "Great American Novelist". Context_10 : The PEN/Nabokov Award for Achievement in International Literature is awarded biannually by the PEN American Center to writers, principally novelists, "whose works evoke to some measure Nabokov's brilliant versatility and commitment to literature as a search for the deepest truth and the highest pleasure— what Nabokov called the 'indescribable tingle of the spine'." The winner is awarded $50,000 as of 2016. The award is financed by the Vladimir Nabokov Foundation, founded by Dmitri Nabokov. It has been called one of the most prestigious PEN prizes. fact_1 :  His 2001 novel "The Corrections", a sprawling, satirical family drama, drew widespread critical acclaim, earned Franzen a National Book Award, was a Pulitzer Prize for Fiction finalist, earned a James Tait Black Memorial Prize and was shortlisted for the International IMPAC Dublin Literary Award. fact_2 :  His first nine novels were in Russian, but he achieved international prominence after he began writing English prose. Question: Did both Jonathan Franzen and Vladimir Nabokov earn recognition for writing in their native language?

Solution: no