In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : The Negro Motorist Green Book (at times styled The Negro Motorist Green-Book or titled The Negro Travelers' Green Book) was an annual guidebook for African-American roadtrippers, commonly referred to simply as the "Green Book". It was originated and published by New York City mailman Victor Hugo Green from 1936 to 1966, during the era of Jim Crow laws, when open and often legally prescribed discrimination against non-whites was widespread. Although pervasive racial discrimination and poverty limited black car ownership, the emerging African-American middle class bought automobiles as soon as they could, but faced a variety of dangers and inconveniences along the road, from refusal of food and lodging to arbitrary arrest. In response, Green wrote his guide to services and places relatively friendly to African-Americans, eventually expanding its coverage from the New York area to much of North America, as well as founding a travel agency. Context_2 : Victor Hugo Green (November 9, 1892 – 1960) was an African American postal employee from Harlem, New York City, best known for developing and writing what became known as "The Green Book," a travel guide for African Americans in the United States. During the time the book was published, choices of lodging, restaurants and even gas stations were limited for black people in many places, including outside the South. It was first published as "The Negro Motorist Green Book" and later as "The Negro Travelers' Green Book". The books were published from 1936 to 1966. Green reviewed hotels and restaurants that did business with African Americans during the time of Jim Crow laws and racial segregation in the United States. He printed 15,000 copies each year. Context_3 : The Green Book (Arabic: الكتاب الأخضر‎ ‎ "al-Kitāb al-Aḫḍar ") is a short book setting out the political philosophy of Libyan leader Muammar Gaddafi. The book was first published in 1975. It was "intended to be read for all people." It is said to have been inspired in part by "The Little Red Book" ("Quotations from Chairman Mao"). Both were widely distributed both inside and outside their country of origin, and "written in a simple, understandable style with many memorable slogans." An English translation was issued by the Libyan People's Committee, and a bilingual English/Arabic edition was issued in London by Martin, Brian & O'Keeffe in 1976. During the Libyan Civil War, copies of the book were burned by anti-Gaddafi demonstrators. Context_4 : The Green Book is the third studio album by Twiztid. Released on July 1, 2003, Jamie Spaniolo has referred to the album as a "Juggalo favorite". The album was rereleased by Majik Ninja Entertainment on August 19, 2016. It was released on Cd, Cassette, and Vinyl with a version only found on the Twiztid-Store. Context_5 : The Sudanese Movement of Revolutionary Committees was a political movement in Sudan, whose ideology was based on "The Green Book" of Muammar Gaddafi. The organization was established in May 1985. The movement, which emerged as an outgrowth of the Tripoli-based Sudanese People's Socialist Front, was financially supported by the Libyan government. The movement was led by Abdullah Zakaria (rumoured to have been a co-author of "The Green Book"). Context_6 : Twiztid is an American rap rock group from Detroit, Michigan. Formed in 1997, Twiztid is composed of Jamie Spaniolo and Paul Methric, who perform under the respective personas of Jamie Madrox and Monoxide. Spaniolo and Methric are former members of the group House of Krazees, which disbanded in 1997 a year after the duo's departure, they released their debut album in 1997. Context_7 : The Green Book is a training and induction manual issued by the Irish Republican Army to new volunteers. It was used by the post-Irish Civil War Irish Republican Army (IRA) and Cumann na mBan, (""League of Women""), along with later incarnations such as the Provisional IRA (PIRA). It includes a statement of military objectives, tactics and conditions for military victory against the British government. This military victory was to be achieved as part of ""the ongoing liberation of Ireland from foreign occupiers"". The Green Book has acted as a manual of conduct and induction to the organisation since at least the 1950s. Context_8 : The Iserlohn Roosters are a professional ice hockey team based in Iserlohn, North Rhine-Westphalia. They are members of the Deutsche Eishockey Liga (DEL) since 2000 and play their home games at the Eissporthalle Iserlohn which is also known as "Eissporthalle am Seilersee". The team made the playoffs three times in its first 15 seasons in the DEL. The Roosters are widely regarded for their fans and having one of the best atmospheres at home games in Europe despite having an arena capacity for just 4967 spectators. The club caused much controversy in 1987 when, under Heinz Weifenbach, a US$900,000 advertising deal was signed for former Libyan leader Muammar Gaddafi's "The Green Book". The book is widely acknowledged as having been inspired by Mao Zedong's "The Little Red Book". Context_9 : The Service Book and Hymnal (SBH) was used by most of the Lutheran church bodies in the United States that today comprise the Evangelical Lutheran Church in America (ELCA) prior to the publishing of the "Lutheran Book of Worship" ("LBW") of 1978. In ELCA circles, historically, the "Service Book and Hymnal" has been called the "red book" while the "Lutheran Book of Worship" has been called the "green book." The newest ELCA hymnal, "Evangelical Lutheran Worship" ("ELW") is also red in color, and has apparently been dubbed "the cranberry book". Context_10 : The Green Book: A guide to Members' allowances (often simply The Green Book) was a publication of the House of Commons of the United Kingdom. Prior to 7 May 2010 it set out the rules governing MPs' salaries, allowances and pensions, before being replaced by rules set by the Independent Parliamentary Standards Authority, created by the Parliamentary Standards Act 2009 as a result of the Parliamentary expenses scandal. fact_1 : The Green Book is the third studio album by Twiztid. fact_2 : Twiztid is an American rap rock group from Detroit, Michigan. Answer: Detroit, Michigan
Solution:
The band that made the album The Green Book is from what city?