Q: 1. When the 'adventure' is over, you gladly welcome a level floor, crave some water, and wish never to rise above the altitude of Galveston, Texas.
2. An amazing, mind-boggling story.
3. True-tale mountaineering nightmare combines documentary remembrance and dramatic retelling for a terrifying, transcendent experience.
4. Moral quandaries and the insouciance of youth aside, Void has to be the most dangerous-looking, thrill-packed mountaineering movie ever made.
5. One of the most extraordinary stories of endurance I've ever seen. If it were fiction, I would dismiss it as implausible and preposterous. As a documentary, it's astonishing.
6. Taut, riveting.
7. a virtually perfect reconstruction of the events so chillingly recounted in Simpson's text
8. Accomplished filmmaking and powerful human statement...Like mountain climbing itself, it's both thrilling and rather terrifying.
9. This approach makes Touching the Void a much leaner work than a conventional fictionalized version would have been.
10. A tense, well-made tale about excruciating experiences.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Gripping even though the outcome is known.
1. There's always something to be said for a psycho-thriller that delivers interesting characters in a cool setting.
2. The film is not a total loss due to its interesting use of suspense and its tactic of placing suspicion on every character. While it's not one of the best thrillers out there, you could easily do worse.
3. Far from a perfect film, but it is a lot of fun. In the tradition of old-fashioned thrillers, the movie has some nice twists and turns in the plot.
4. A riveting horror-thriller that should do for hiking in Hawaii what Hostel did for backpacking in Slovakia.
5. Twohy's script dares and succeeds in peppering the dialogue with funny insider references to Hollywood scripts and actors.
6. Twohy lets his story's central guessing game play out with patient tautness.
7. A big-reveal thriller with surprises that really do surprise -- and are worth waiting for through an audaciously long buildup.
8. A slight film, slight in its surprises and in its suspense, and yet not totally devoid of either.
9. A cunning, sideways-sneaking genre piece with both the fancy to surprise audiences and the adroit filmmaking to do so
10. It works because it's smart, knows it's smart, announces to us that it's smart - then backs off and lets the suspense and dark comedy mix.
Consensus: While smarter than the average slasher film, A Perfect Getaway eventually devolves into a standard, predictable, excessively violent thriller.
Q: 1. It's another burnout role for Nicolas Cage, to which he brings his vast repertoire of grimaces and shuffles, as if he were variously impersonating a gargoyle on amphetamines and late Elvis on downers.
2. It's assuredly the work of a master filmmaker.
3. An exciting, invigorating return to old preoccupations. Welcome home, Marty.
4. Martin Scorsese is a wonderful filmmaker. And he loves New York. He is at his best, though, when he has an interesting story to tell.
5. However muddled the story gets, Scorsese guarantees Bringing Out the Dead remains a pulsating trip.
6. Of course, it's immaculately crafted and exhilaratingly paced, but in the end it's never as emotionally involving as it could and should be.
7. A frankly disturbing experience since Cage is at his most manic, the images are brutal, the documentary-style background intense and the (inevitable) theme of redemption a long time emerging.
8. I congratulate Martin Scorsese on this miraculous triumph over his personal demons, and pray for the swift recovery of his art.
9. Scorsese is married to a script that drags him down, keeps him from taking wing as a pure artist.
10. Its hard-to-pin-down tone is frighteningly original -- simultaneously world-weary and adolescent with an aura of perpetual anxiety, as if the characters and filmmakers were in pursuit of a catharsis everyone knows will never come.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Stunning and compelling, Scorsese and Cage succeed at satisfying the audience.
1. Clash of the Titans will still hold a place in the heart of anyone who's old enough to have seen it in the theaters. Yes, I'm that old.
2. Silly togas and hammy performances still can't derail this fitting swan song for effects legend Ray Harryhausen; the sequence in the Medusa's lair is his finest moment.
3. Though star-packed the film is sleep inducing.
4. I learned much of my mythology from this film.
5. A poignant eulogy to Harryhausen's handcrafted illusionism in a decade of increasingly synthetic effects
6. let your mind go, forgive the wear and tear of time and enjoy the adventure
7. Os efeitos criados pelo lendário Harryhausen podem parecer frágeis diante dos avanços atuais, mas săo perfeitos para esta obra que permanece descompromissadamente divertida.
8. For Harryhausen worshippers only.
9. The visual effects are clearly the only thing here that's worth bothering with.
10. ...a camp-infused fantasy flick that will probably work best among younger viewers and those with fond memories of its original theatrical release.
Consensus: A goofy, old-school sword-and-sandal epic, Clash of the Titans mines Greek mythology for its story and fleshes it out with Ray Harryhausen's charmingly archaic stop-motion animation techniques.
Q: 1. The best advice for experiencing The Ring 2 is to emulate Watts' involvement. She will tell you she enjoyed making it, but she probably hasn't thought too much about it since.
2. Nothing but a by-the-numbers horror film with little to offer in the ways of originality or excitement.
3. Arty, semiscary sequel delivers a few shocks but doesn't rival the first film.
4. A sketchy horror plot slips from episode to episode with no particular momentum. As far as I can tell, Kruger made a list of scares, and Nakata ticked them off.
5. There's really nowhere left to go.
6. An imperfect circle comes complete...
7. dips into the same well too many times to be of much interest.
8. Horror movies have long exploited the anxieties associated with birth and child-rearing, but 'The Ring Two' may be the first to credit its hauntings to postpartum depression.
9. barely so-so... demonstrates that after only two movies this series is already flirting with self-parody.
10. Get through the first hour and a half and then wait to be creepily enthralled. It's a nice climactic scene and Watts delivers a line that would make Schwarzenegger proud.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Ring Two serves up horror cliches, and not even Hideo Nakata, the director of the movies from which this one is based, can save the movie from a dull screenplay full of absurdities.