1. I was entertained just enough by both the action and humor not to mind too terribly the film's various issues. (Full Content Review - Sex, Nudity, Violence, etc. - for Parents also available)
2. ...it somehow lovingly homages a great film while pissing all over it at the same time.
3. T5: Genisys is as bad as its spelling and the worst Terminator movie to date.
4. Attempts to embrace and completely devastate everything we know and love about James Cameron's time-bending story, and as one might expect the results are a bit scattershot.
5. A wildly unfulfilling experience that poses too many questions, and then spends the majority of its time attempting to answer them.
6. It's fine. It doesn't make a lick of sense, but it's fine.
7. Meant to kickstart a new trilogy, there barely seems to be enough left to say beyond getting back on the seemingly endless Skynet time travel loop. Just say it won't be back.
8. The movie's chief purpose seems to be reminding audiences of what they enjoyed in the previous movies, but the best way to enjoy those is to just go watch them again.
9. Everything here ... is so imprecise that the stakes are virtually nonexistent.
10. Terminator Genisys feels like being trapped in a conversation with a child breathlessly recounting the highlights of the preceding movies.
Consensus: Mired in its muddled mythology, Terminator: Genisys is a lurching retread that lacks the thematic depth, conceptual intelligence, or visual thrills that launched this once-mighty franchise.
Q: 1. Tongue-in-cheek entertainment...
2. [It] may be a sign that age has finally caught up with this once most agile of action heroes.
3. Definitely one for the kids to watch on their own when it comes out on DVD.
4. Chan has just enough friendly charm to transcend this rubbish.
5. The results are always less than hilarious.
6. Only Chan's charm saves it.
7. A movie that posits Billy Ray Cyrus as a techno-genius and allows the baddies to get away with Russian accents that would put most meerkats to shame.
8. It starts slowly and ends very predictably. In fact, the bloopers which come before the end credits are probably the best thing about it -- and that says a lot.
9. The closing credit outtakes are the best part of this feeble effort.
10. When people moan about the world's worst film-makers, the names Uwe Boll and Joel Schumacher invariably come up. If Brian Levant has escaped such infamy, it's only by sticking under the radar with kiddie-litter.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Lacking a script funny enough to cover up for Jackie Chan's fading physical gifts, The Spy Next Door fails on every conceivable level.
1. Desperate to devise a finale sure to stun, writer Silvio Horta concocts several and runs them back to back. The result drove a sneak preview audience to scream alright, first in gales of disbelieving laughter and then for their money back.
2. Takes a promising premise and runs it through a predictable meat grinder of idiocy.
3. A low-voltage drive-in movie, made strictly by the book.
4. A deeply stupid film.
5. A routine slasher, and not a particularly scary one.
6. it's just the old-fashioned, yikes-this-stinks variety.
7. Can we please declare a moratorium on Scream rip-offs?
8. Another deranged, but anonymous killer on the rampage story.
9. The gimmicky premise keeps this tension-filled scarefest afloat.
10. If the makers of Urban Legend had even a shred of honesty or decency in them, the title would be Horror Film Cliches.
Consensus: Elements of Scream reappear in a vastly inferior vehicle.
Q: 1. ... the dark, sarcastic tale no doubt will recall the profound likes of "Midnight Cowboy" and "The Graduate" ... That's not such bad company to keep for a boy named Igby and guy named Burr.
2. A kinetic drama that seems to wander aimlessly, beautifully until it crashes in an odd anti-climax befitting reality itself.
3. It suffers from Culkin's monotonous performance, which does not inspire sympathy or interest.
4. The sly, visceral and daring comedy with its startling opening and strong, magnetic cast has a lot going for it.
5. Follows so closely in the footsteps of Catcher in the Rye that it can hardly fail to please the myriad fans of that book.
6. Culkin exudes none of the charm or charisma that might keep a more general audience even vaguely interested in his bratty character.
7. It's Harold and Maude without the humanism, Rushmore without the insight and The Graduate without the irony.
8. A prickly coming-of-age tale in which everybody -- but especially Culkin -- shines.
9. Surprises you with a reservoir of emotion and sentiment that happily counters the film's trendy ironic veneer.
10. The kid is a bit of a twit.
Based on these individual reviews, what is the critic consensus?

A: Consensus: In the vein of The Catcher in the Rye, Igby Goes Down is scathingly witty and sharply observant.
1. This easygoing movie fully captures the couple's charm and offers a unique look at the '60s and '70s New York art scene.
2. Megumi Sasaki's convivial Herb and Dorothy is both a double-portrait of the diminutive couple, now in their 90s and 80s, and a sketch of the art, and artists, collected by these vest-pocket Rockefellers.
3. As the film progresses, we become captivated by the enchanted existence [Herb and Dorothy Vogel] have made for themselves.
4. Herb and Dorothy certainly proves there's more than one way to be an art collector. It just doesn't probe deeply enough and ask thorny questions about the nature of collecting and the nature of art, and how they relate to one another.
5. Ultimately, the tale is inspiring: Why can't we all be like the Vogels and become great collectors?
6. Briskly and engagingly cinematic. ... [Their compulsive collecting seems] at once crazy, smart, generous and enormously endearing.
7. A fascinating, warm and delightfully charming documentary that finds just the right balance between entertaining the audience and provoking them intellectually.
8. As they share their views of modern art, director Megumi Sasaki's film feels like a cozy visit with neighbors whose insights are priceless.
9. The Vogels [Herb and Dorothy], sitting in their same old apartment, overflowing as ever, make for charming company.
10. Delightful, involving doc about an unlikely couple who became pioneer contemporary art collectors with working-class salaries.
Consensus: While perhaps not as probing as it could have been, Megumi Sasaki's languidly paced documentary is as entertaining as it is inspiring.
1. Burton has picked up his considerable imagination and shaken it, but not much came out.
2. More about scenery than people.
3. Weighed down by a choppy script and a confusing story.
4. Predictability is just one of the problems with the script -- which is riddled with holes.
5. Both sleepy and hollow.
6. In many ways, Sleepy Hollow is the most direct, least pretentious film Burton has made since Beetlejuice. But that doesn't mean it isn't infused with Burtonian cliches.
7. Solamente una película más en la filmografía de Tim Burton
8. Without Depp's appeal or Burton's sense of humor and wildly creative style to buoy it, this script would play like one of those over-produced, under-intelligent literature plunders that TV networks run during sweeps week.
9. Unpleasantly ugly.
10. A horror story without much horror.

Consensus: Sleepy Hollow entertains with its stunning visuals and creepy atmosphere.