1. If one is hip to the references (and, proudly or not, I am), it's amazing to see how precisely the metal-punk- turned-moviemaker Zombie channels the gleefully nihilistic tone and even the low-budget bleached-out quality of his disreputable inspirations.
2. Despite some giddy humor and a soundtrack of '70s Top-40 hits, this is 'entertainment' for sociopaths, occasionally effective but impossible to recommend with a clear conscience.
3. The first 15 minutes and last half hour are terrific, and the stunningly violent middle part is only a partial waste.
4. A Reject Indeed. Zombie horror film unwatchable.
5. In a league of classic films that are legendary for how disconcerting they are.
6. Thirty years ago this would have been dismissed as drive-in fare and, frankly, it's not much more than that today.
7. The movie turns quickly into a somewhat clumsily handled chase structure, with no clear point or end.
8. One of a handful of sequels that both improve on their sources and play perfectly as stand-alones.
9. The Devil's Rejects doesn't just deserve to be rejected, but to be buried in a hole so dank that no one will discover it.
10. Zombie ... shouldn't be allowed to make any more horror movies until he learns the difference between what is horrifying and what is merely disgusting.

Write a one sentence summary of the reviews above.
Zombie has improved as a filmmaker since "House of 1000 Corpses" and will please fans of the genre, but beware -- the horror is nasty, relentless, and sadistic.