1. Bourne himself hovers above mere physical threats, draining this action movie of any urgency.
2. The Bourne Supremacy is something of a double rarity: an exciting, intelligent Hollywood thriller and a worthy sequel to boot.
3. This new Bourne adventure, adapted from Robert Ludlum's book, is somewhat too long and burdened with one too many exhaustingly chaotic car chases, but it's still almost as intelligent, exciting and fun as its predecessor.
4. (T)he best car chase since Bullitt (1968)...With constant tension, this is a thriller at its best.
5. Bourne es un antihéroe, un hombre incómodo en su rol, un sicario amnésico atormentado por sus demonios.
6. This might work on video while imbibing illegal drugs, however, as it stands...Don't bother.
7. Brainy, intelligent, emotional filmmaking that just happens to be in the thriller genre.
8. A steady, engrossing thriller.
9. A roller coaster ride of unglamorous sophistication and artful escapes.
10. Matt Damon again pulls off a great mix of inscrutability and vulnerability.
Consensus: A well-maded sequel that delivers the thrills.
Q: 1. Peevishly defensive, intransigently personal and serenely indifferent to critical (and audience) reaction
2. Once again Shyamalan is a maddening storyteller, by turns inspired and insipid, and he still manages to conjure some odd, unnerving moments.
3. ... to put it bluntly, badly paced and completely trivial, not to mention utterly juvenile.
4. While the film's performances are intriguing and the direction tight, Shyamalan's fairytale ends up being more interesting than the actual film.
5. What is most annoying about "Lady" is that no one ever considers the possibility that nothing magical is actually occurring.The film starts out silly and just gets sillier.
6. This could have made a decent movie but the mythology comes so thick and fast that it mixes to a slurry as you watch.
7. Ignore the critics on this movie. Yeah, I am one. Which means I'm telling you to ignore me, too.
8. While I love where Night's head and heart are at, I think he tried to communicate them in a way that was clumsy, cumbersome, lacking in suspense and menace, and frankly, unexciting.
9. It's a fairy tale that never flies the way it should.
10. The film is a mess, a ramshackle affair. Its silliness cannot sustain itself.
Based on these individual reviews, what is the critic consensus?

A: Consensus: A far-fetched story with little suspense and unconvincing scenarios, Lady In The Water feels contrived, pretentious, and rather silly.
1. Stalag 17 leaves you feeling somehow good about life.
2. The gags are so over-the-top they deserve a laugh track.
3. The thing that will stay with you about this one is clearly William Holden's performance.
4. Classic prisoner-of-war flick, powered by Holden's indelible performance
5. Unlike previous POW films, Wilder and co-writer Edwin Blum's script, based on the play by Donald Bevan and Edmund Trzcinski, presents the prisoners not as paragons of patriotic virtue but as real, self-interested, bored soldiers trying to survive.
6. Not Wilder's best, but with compensations
7. A cracker jack movie entertainment.
8. William Holden won his first and only Best Actor Oscar for Billy Wilder's vastly entertaining serio comedy set in a POW camp.
9. When escape is the only option, you do whatever you can to make it happen. This is one exciting escape drama.
10. Simultaneously fiery and farcical, it's a fitting final third for Wilder's 1950s hat trick that also includes Sunset Blvd and Ace in the Hole
Consensus: Stalag 17 survives the jump from stage to screen with flying colors, thanks to Billy Wilder's typically sterling direction and a darkly funny script.
Q: 1. A lively film that doesn't linger too long on any one thought or with any one interviewee.
2. No one emerges very well defined from this historical shuffle, but those who know the artists' works, or names such as Hopps and Blum, but have never heard them speak, will find The Cool School absorbing and informative.
3. Cool School is a must for anyone interested in 20th century American art.
4. The Cool School, a breezy, lively documentary about a thin slice of the Los Angeles fine art scene in the 1950s, is easy on the eyes, and the ears too.
5. Diverting.
6. Thoughtful and thought-provoking.
7. Though designed more for the devotee of the arts than your average moviegoer, the film is still apt to enthrall even the uninitiated who wouldn't know a Jackson Pollock from a Willem de Kooning.
8. Largely avoids sharply delineated portraits, with its focus on the scene at the expense of individuals, ultimately resulting in a documentary that doesn't rise above the functional.
9. All told, and well told, this is essential history.
10. Documentarian Morgan Neville takes an appropriately lively, left-field approach to The Cool School's eye-opening history of the Beat-era Left Coast art scene -- a lesser-known chapter in the story of American modern art.
Based on these individual reviews, what is the critic consensus?

A: Consensus: A breezy and lively modern art documentary, revealing that LA is not a cultural wasteland when it comes to fine art.
1. Little of the material feels distinctive, fresh, or insightful -- let alone edgy.
2. There's no world view, no scathing insight, no moment when you find your perceptions genuinely challenged.
3. At times the material grows as repetitive as it is profane.
4. Some of the humor on display in the movie is very funny, but much of it is offensive and demeaning.
5. This is not cutting-edge comedy at all, but four strangely repetitive stand-up routines.
6. Is it funny? Sure -- although not as funny as the comics themselves seem to think it is.
7. While not making for the most visually inventive of cinema, the straightforward approach puts in proper focus the film's appeal: four talented guys simply being very funny.
8. For about 3/4 of its length, The Original Kings of Comedy feels like the funniest movie of the year.
9. The comics really are good at what they do, provoking laughter from people of any race.
10. Live comedy ... is a singularly difficult experience to capture on film, but Lee's done his level best here.

Consensus: If you want lots of laughs and don't mind some profanity, The Original Kings of Comedy can deliver.