Q: 1. The result is poetic and maybe even wise. Bruegel, I think, would be proud.
2. It peers into the twin galleries of art and life, and in particular follows the brief intersection of lives between a security guard (Bobby Sommer) and Anne, one of the museum's regular visitors (Mary Margaret O'Hara).
3. Cinematographer Peter Roehsler has an amazing eye for shot composition and his photography of the copious art on display in the museum borders on brilliant.
4. A wonderfully slow movie that presents a parade of wonders about the beauties and delights of art, city life, and friendship.
5. One of the world's great art museums, the Kunsthistoriches is the true star of the movie "Museum Hours."
6. Relationships between humans and art are perceptively explored in this unassuming yet quietly charming character study.
7. A lot of it works, some of it doesn't.
8. "Museum Hours" is less about individuals than it is about collective experiences -- how we all take part in life's broad canvas.
9. It's a hybrid drama/art-history essay about how looking at art recasts our experience of looking at the world.
10. ...a unique film that celebrates art, the city of Vienna and the profound friendship born of a kindness from a local to a visitor without many resources whose very trip is itself an act of great compassion.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Its languid pace may frustrate some viewers, but for patient filmgoers, Museum Hours offers a carefully observed portrait of the human condition.
1. A schizophrenic hodgepodge of coming-of-age sincerity and watered down Farrelly brothers antics, the movie is endearingly sweet-natured even as it gasps for air.
2. It makes you want to see more of Hanks and Fisk, but overall it just isn't all that memorable. Worth a rental.
3. This is a breath of fresh air and it rattles along at a zippy pace with change from an hour and a half, just as every good comedy should.
4. 'Orange County," happily, is an exception to the rule. It is a better-written, better directed version of the genre with few raunchy jokes.
5. 'Jack Black is back on track.'
6. Despite some good intentions and a decent coming-of-age story, Orange County is sadly bogged down by lackluster jokes, poorly utilized celebrity cameos galore and decent if uninvolving leads.
7. A breezy comedy that celebrates the way we all need just the right place to nurture our creativity.
8. This extremely unfunny film clocks in at 80 minutes, but feels twice as long.
9. Wonder of wonders -- a teen movie with a humanistic message.
10. There's probably a sweet little comedy hidden somewhere in Orange County. It's just too bad it's mired amidst so many small-minded pratfalls.
Consensus: Smarter than the average teen movie, but a little on the unmemorable side.
Q: 1. Despite its flaws, Maid in Manhattan is a perfectly serviceable date movie, and a decent showcase for a leading lady who clearly is ready for better things.
2. Until her raging celebrity wore off a bit, I had written off Jennifer Lopez's abilities and charisma, but here you go - honest proof that it still exists.
3. Writhing under dialogue like 'You're from two different worlds' and 'Tonight the maid is a lie and this, this is who you are,' this schlock-filled fairy tale hits new depths of unoriginality and predictability.
4. There's not a comedic moment in this romantic comedy.
5. The heroine is written as a classic underdog with whom we can't help but sympathize, but Lopez invests her with the extra dose of dignity and quiet determination that gives her substance.
6. A skillful, glossy, formula picture, given life by the appeal of its stars.
7. So bland and utterly forgettable that it might as well have been titled Generic Jennifer Lopez Romantic Comedy.
8. Extręmement convenu et presque entičrement dénué de charme.
9. Doesn't get the job done, running off the limited chemistry created by Ralph Fiennes and Jennifer Lopez.
10. The same people who got that warm, fuzzy feeling in their tummies from Sweet Home Alabama will be right at home here. By the way, that's not a compliment.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Too blandly generic, Maid in Manhattan also suffers from a lack of chemistry between Lopez and Fiennes.
1. A staunch feminist fable in which a woman valiantly stands up against the purification, exposing it for the misogynistic fraud it is.
2. One of the strongest films ever to emerge from Africa.
3. As empowering and triumphant a film as you'll see this or any year.
4. Opens a window to a culture we rarely see, creating both a small story of a mother and daughter and a vast story of female empowerment.
5. A protest movie made with warm affection for most of its characters.
6. A stirring vision of civil but pointed disobedience.
7. I highly recommend seeking this film out.
8. Sembene nails down an entire society in a series of immortally ordinary moments worthy of Satyajit Ray, with the regular-guy (or gal!) heroism of Howard Hawks.
9. The director has reached that point in his career where craft disappears behind grace.
10. A rare feature-film glimpse into African traditions and culture, Moolaade is part colorful travelogue, part social criticism, but mostly human drama.
Consensus: A vibrant, powerful, and poignant glimpse into the struggles of women in modern Africa.
Q: 1. What's left is the movie's middle 60% or so, which is a fun ride, though I could have done without the 3-D.
2. Branagh's chosen style (and that's a generous term to use here) pretty much consists of tilting the camera about forty degrees every fifth or sixth shot.
3. Adapted lovingly and good-naturedly from the comic, Thor gains some Shakespearean heft from its themes of sibling rivalry, epic emotions and touching Oedipal conflict.
4. It does nothing to stand out from the other comic book adaptations of the past few years, but it's an adequate and enjoyable slice of hokum.
5. Branagh and co have taken one of the least relatable superheroes and turned his story ... into a hugely enjoyable, funny and visually spectacular film
6. "Thor" reminded me a lot of the "Iron Man" films. They are not particularly great, but they are highly entertaining with their explosive action sequences and fascinating characters.
7. ...although it looks good, it feels fragmented, the action never coming fully to life and the central character rather colorless.
8. Arthurian grandeur, fanboy-pleasing whallop and special-effect razzle-dazzle flesh out the backstory of how the hunky hammerer got from Up There to Down Here.
9. ... A solid introduction to the character, and the idea of encountering him again isn't a bad one.
10. ... not to say that Thor is awful, simply uninspired, full of sound and fury and not much else.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: A dazzling blockbuster that tempers its sweeping scope with wit, humor, and human drama, Thor is mighty Marvel entertainment.