1. It's all just filler between the dance scenes, which are admittedly fun. Think Pussycat Dolls with slightly more clothes on. Unrepentantly formulaic, but enjoyable all the same.
2. The film should have been called Rehash Dance, because it is Flashdance without any new ideas.
3. ...yet another tedious inspirational tale revolving around a would-be dancer's efforts at transcending her wrong-side-of-the-tracks upbringing to become a professional hoofer.
4. Another dance movie this year? Seriously, where the heck do they keep coming from?
5. This film's limp retelling of the against-all-odds cliche just doesn't bump, grind or sweat enough to make it happen.
6. We know the trajectory, it's a question of how brightly the rocket burns and how interested we are in the astronauts aboard this dance missile from small town Indiana to Chicago Big Time Dance School
7. It's hard to dislike all these urban musicals aimed at teenage girls, and even harder to tell them apart.
8. Mary Elizabeth Winstead [has] star quality.
9. Then you wait for the moment one of the regular girls gets injured, the hostess has to find a replacement and... the rest you know.
10. So predictable that you know exactly what's going to happen at any given minute.
Consensus: Cheap, predictable, formulaic and unimaginative generic dance film. Comes across as Showgirls for simpleton teens, but with much less flesh on show.
Q: 1. Although Center Stage doesn't really find its groove until the last act, its dance numbers are well worth the price of admission.
2. Unfortunately, in between the dance sequences, the actors are allowed to talk. This is a problem.
3. What really counts in Center Stage are the extended dance scenes, all of which are absolutely exhilarating.
4. The inspiring central plot still works, the actors are refreshing and the dance is great to watch, making Center Stage a worthwhile experience.
5. The plot, like the ballerinas, is wafer-thin, but the dancing is impressive, and you'll find yourself rooting for the dancers' success.
6. What a joy to see a young woman say 'no' to sexual advances, even from a former lover, while maintaining a sense of power and purpose.
7. Not since The Turning Point has a dance movie done so many cinematic pirouettes with such a graceful sense of audience-pleasing fun.
8. A lightweight but highly likeable and, at times, thrilling film.
9. Lacks brio.
10. Fortunately, it also contains several more complex characters who manage to make the film a surprisingly engaging affair.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Critics say that if you're willing to suffer through soap opera-like dialogue and plot to see some excellent dancing, this movie is for you. Otherwise, you might be better off renting Fame.
1. The flick is best in its bittier moments (watch for the stellar cameos), and there's nothing to trouble the tots.
2. A derivative and unappealing comedy about superheroes and their sidekicks in training.
3. Takes the tried-and-true route of bullies, PG-rated house parties, nerd-dunking, "That's my boy" winking, and vapid teen romance.
4. Silly and sweet, Sky High is a delightfully over-the-top kids' movie that is a good antidote for the typically pretentious super hero picture.
5. A cliché-dependent Disney cheapy that aims no higher than the unsophisticated standards of its pre-adolescent target audience -- and somehow succeeds in spite of itself.
6. Sky High is funny, smart, energetic, subversive, and has a few substantive things to say.
7. Any time you can get the strong chins of Bruce Campbell and Kurt Russell in a movie together you should.
8. While there's little substance in front of the camera, there's somehow less behind it.
9. A likable mix of laughs and wacky action sequences.
10. An engaging and surprisingly sharp allegory about high-school hierarchies and adolescent growing pains.
Consensus: This highly derivative superhero coming-of-age flick is moderately entertaining, family-friendly fluff.
Q: 1. The film is better than expected. It's directed with warmth, humor and intelligence.
2. There's much too much of everything in Run, Fatboy, Run. Every ounce of comedy is so forced and full-on ridiculous that when characters express even a smidgen of sentiment, it feels like a parody.
3. The sort of flat-footed studio film that takes the basic ingredients of an underground hit, drains them of personality and style, and spits them out as a situation comedy.
4. This is a romantic comedy light on romance but heavy on comedy, and it's well cast to skew in that direction.
5. Tere's nothing edgy or new about Run, Fat Boy, Run.
6. Run Fatboy Run is largely content to follow the formula, guide us on a sunny tour of downtown London's tourist hot spots and transform Pegg from paunchy schlub to Runderella with a few decent laughs along the way.
7. Thanks to a jaunty Brit-rock score and likable characters all around, the movie's easy to watch and occasionally pumps up the emotions.
8. The kind of movie that's apt to be dismissed a goofy lark. It is that. But it's also a rare comedy that believes in its own message, and that could inspire the depressed and the demoralized to grit their teeth and keep running.
9. Enough already. I mean, I don't have anything against comedies about dopey guys who win the love of a good woman by competing in ridiculous Olympian contests. But if I wanted to see a really funny one, I'd rent a Rocky movie.
10. The humor tends toward the mildly crass -- bare buttocks and inappropriate scratching are Schwimmer's go-to comedy staples -- and the story is ridiculous.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Run, Fat Boy, Run features sporadic laughs, but is ultimately too formulaic and predictable.
1. Undeniably funny and frequently repulsive, the third Jackass movie isn't going to win any new fans or lose any old ones -- you already know whether you'll like it or not.
2. Fans of the series will know what to expect, and this ably delivers it.
3. The naked and the damned, or the damn-near naked and the volitionally damned, subject themselves, over and over, to pain, punishment and humiliation. I enjoyed it a lot.
4. It's a healthy form of sadomasochism, built on a simple, homespun philosophy: suffering is part of life, so you might as well enjoy it.
5. The performers are getting older, and their laughter seems as strained as it always does in zoo-format entertainments.
6. Why can't non-Jackass films show this kind of energy, clarity, force and ingenuity?
7. Their third and worst film will appeal most to the evolutionally challenged and anyone who retains an infantile obsession with bodily waste.
8. It might be the guiltiest of pleasures, but there's no question Jackass 3D delivers.
9. The real quibble with the film is that while a few stunts raise some decent laughs, too much of Jackass 3D relies on grossness for its own sake, which can become a tad tedious
10. The knuckleheads are back with another collection of random acts of idiocy, this time with a 3D camera at their disposal. The result is slightly more controlled than before, but just as stupid.

Consensus: The Jackass gang might be running out of gross-out stunts, but this installment contains plenty of brilliantly brain-dead comedy -- and the 3-D adds a pungent new dimension.