Q: 1. It isn't bulletproof by a long shot, but director Nimrod Antal's grungy gang-of-thieves pic is tough and, for this genre, surprisingly ethical.
2. Over-familiar and industrial, a factory film made because a recycled script, minimal budget, a location, a grab-bag cast and some armored trucks were available.
3. The heist goes awry, but not as badly as the movie.
4. It's a film without twists, where everything is what it seems, and when the mess has been resolved, it's even at a loss for a proper denouement. Armored just ends-and with it, so does the access to plush chairs and free air conditioning.
5. Has a pleasingly gritty feel thanks to its use of chilly, metallic urban locations -- and at only 88 minutes, it's a very streamlined, no-nonsense genre film.
6. Skeletal in its characters and its plot... [C]an't decide what it wants to be...
7. Antal is never much beyond serviceable here, but he does make a chase-duel between two entirely identical armored cars almost decipherable, which is no mean feat.
8. Armored has a decent second half but the use of obvious metaphors, cliches and amateur film making knocks the film down to a satisfactory rental.
9. Armored won't win any prizes, but it does offer comforting evidence that there's still room for a well-crafted B movie among CG-laden spectacles.
10. This unambitious caper flick takes a while to get moving but gradually develops a modest meat-and-potatoes appeal, compromised in the third act by a whopping and perfectly avoidable plot hole.
Based on these individual reviews, what is the critic consensus?

A: Consensus: This B-grade thriller has a good cast and director but is undone by plot holes and messy conclusion.
1. The only visual jolts come from Cronenberg's trademark images of grotesque amphibians and oozing intestines, and these creepy-crawly moments are merely repulsive, not provocative.
2. In the hands of anyone else, the notion of computer game terrorists would be ludicrous, and even Cronenberg fails to explain their motives, using the film instead to indulge in surreal exercises of dream logic.
3. ...too clever for its own good. Once you catch on to the gimmick...it isn't half as entertaining.
4. Jennifer Jason Leigh is an ideal Cronenberg heroine, projecting a personality that is smart, wary and capable of obsessiveness.
5. Cronenberg's commentary here, though grotesque, belies a certain intelligence.
6. The premise is solid, the script is clever and well-thought-out, and the movie is consistently engaging...
7. Bringing a light touch to the grave issues of mortality, illusion, identity, and technology that have obsessed him throughout his career, Cronenberg turns them into a diverting, disorienting, ultimately inconsequential hand of solitaire.
8. A s-fi thriller that challenges us to ponder the propensity we all have for surrendering ourselves to cheap thrills as a substitute for the boredom of reality.
9. It's a pleasure to find the brooding Cronenberg turning out a trifle, even if it's a dark trifle.
10. eXistenZ feels fresh, even if the impulses behind it weren't wholly original.
Consensus: Gooey, slimy, grotesque fun.
Q: 1. When Marnie Was There is by no means Ghibli's finest work, but it does inspire that unique Ghibli sense of wonder, warmth and elegance.
2. Yet another splendid escape from the increasingly strenuous glut of computer-animated offerings, this one designed to serve as family entertainment after the more adult-skewing likes of "The Wind Rises" and "The Tale of Princess Kaguya".
3. Wistful and stirringly humane, When Marnie Was There isn't one of Ghibli's greatest films, but it's emblematic of their collective greatness. In a way, that's the most perfect thing it could be.
4. A beautifully animated tale.
5. The film at first plays like a refresher and throwback to Hayao Miyazaki's Kiki's Delivery Service, before revealing itself to be less minimal than minor.
6. Like many Ghibli films, its central characters are female, its story a mixture of the quotidian and the remarkable.
7. The journey in Marnie is so pretty that it's unlikely many will pay great mind to [the film's] flaws.
8. Evades the cold computer feel and the un-fairytale-ish adult imposition of inappropriate wisecracks and streetwise teen jive.
9. As a visual (and auditory) experience, When Marnie Was There offers so many other pleasures that audiences may well overlook the story issues. After all, even second-tier Studio Ghibli releases rank among world cinema's finest animated films.
10. Even without its moving parable of emotional repair, When Marnie Was There has all of Ghibli's exquisitely hand-drawn sense of place ...
Based on these individual reviews, what is the critic consensus?

A: Consensus: When Marnie Was There is still blessed with enough visual and narrative beauty to recommend, even if it isn't quite as magical as Studio Ghibli's greatest works.
Q: 1. In between hands, [Bana] speaks in inspirational poker platitudes that would make a fortune-cookie distributor blush.
2. Rather tepid going...the title obviously doesn't refer to the viewer.
3. The best thing about the film is a sweet, slightly damaged performance by Drew Barrymore.
4. It's a small film, but a rewarding one.
5. Hanson and co-writer Eric Roth's screenplay is terribly dull and ambling, and doesn't have enough energy to sustain itself even as a sub-cultural curio.
6. The Bellagio's fountains give a more expressive performance than Bana.
7. Most of Lucky You, starting with the title, is ordinary or outright awful. Moviemakers, it seems, cannot bluff their way to success.
8. Bana is unable to find any signs of life in his character, Barrymore hasn't looked this adrift in years, and even Duvall is reduced to grimacing like Snidely Whiplash.
9. If we don't care about the characters or what they're playing for, then we've no reason to root for them.
10. Duvall does wonders with his underwritten supporting part, bringing wit to the gaming table.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Lucky You tries to combine a romantic story with the high-stakes world of poker, but comes up with an empty hand.