Here are some reviews for a movie: 1. The Social Network sees Fincher more ambitious in his narrative choices than ever before, his visual and thematic ideas seemingly multiplying uncontrollably within each frame.
2. It's a tribute to Fincher and Sorkin that The Social Network ends up being more absorbing and nuanced than anyone could have hoped.
3. History as we know it is still unfurling, and The Social Network is that rare film that has something -- not yet definitive, but certainly provocative -- to say about it.
4. Watching The Social Network, the real Zuckerberg may feel as if someone has hacked into his Facebook account and changed his profile picture.
5. This is a remarkable film for more reasons than its antihero... It's a movie as much in the moment as your computer's home page, which for millions of users is Facebook.
6. With spectacular performances, technical elements that are beyond criticism, and the best directorial work of Fincher's remarkable career, The Social Network is one of the best films of 2010.
7. The Social Network sometimes relegates the actual effects of Facebook to passing lines of dialogue and offhand references. But there's plenty to explore in its causes, and Zuckerberg's story ends up feeling bigger than his own life.
8. Fincher has made quite a few terrific films, from Se7en to the underrated Zodiac. But this time he's outdone himself. The Social Network is riveting from start to finish, and a master class in directing.
9. In some ways Fincher, who has portrayed serial killers both fictional ('Seven') and real ('Zodiac'), has never presented a character as remorselessly vicious as the implacable cyberpunk.
10. The Social Network is terrific entertainment - an unlikely thriller that makes business ethics, class distinctions and intellectual-property arguments sexy

Here is the consensus of critics:Impeccably scripted, beautifully directed, and filled with fine performances, The Social Network is a riveting, ambitious example of modern filmmaking at its finest.

Here are some reviews for a movie: 1. Crushingly obvious and abysmally unfunny.
2. Ungainly sentiment and unnecessary stylization.
3. ...the film plays gay stereotypes as broad farce and middle class fear as frantic panic, but there's no bite beyond the cartoonish laughs.
4. Any self-respecting lesbian should rear up in horror at [this movie].
5. Something needs straightening out here.
6. But I'm a Cheerleader is funny.
7. It's the year's funniest, most absurd sight gag.
8. Cheerleader is certainly refreshing.
9. The edgy dialogue keeps the film fresh, lively and light.
10. It is just as torturous watching this film, as it probably is going through such an indoctrination program.

Here is the consensus of critics:Critics think that But I'm a Cheerleader could have been better. The acting is stiff at times and the plot is surprisingly unoriginal.

Here are some reviews for a movie: 1. Ferland's fine performance aside, Case 39 is bafflingly stupid and poorly executed sub-horror fodder.
2. An aggressively inept demon-seed chiller starring a bunch of grown-ups who should've known better.
3. Pandorum director Alvart summons some scares here: Ferland is persuasively weird and hornets are utilised to skin-crawling effect. Most of his ideas are second-hand, though.
4. Miscast, poorly-directed, and just-plain boring, Case 39 never clicks into place.
5. It's as lame as can be, and despite sitting on the shelf for four years, it's not even bad enough to be unintentionally funny.
6. If I'm to understand the movie as it is presented, demons do not enjoy passive aggression, it only enrages them further, and to avoid a demon, it's best if you're neither a nice nor smart person, because then the demon has nothing to work with.
7. On the strength of Case 39, Zellweger could easily play den mother to a brood of hillbilly psychos in a film by Rob Zombie. That would be horror worthy of the name.
8. This is one of the least scary, dumbest movies I've seen in a long time.
9. ...the scares go top-notch thanks to a creepy performance by young Jodelle Ferland.
10. Case 39 is basically a poor man's Orphan - which wasn't that good anyway.

Here is the consensus of critics:Director Christian Alvert has a certain stylish flair, but it's wasted on Case 39's frightless, unoriginal plot.

Here are some reviews for a movie: 1. I thought the pacing was off and the characters were drawn too purely dark.
2. Demme brings out the comic ease in Leary.
3. As a starmaking vehicle for Leary, The Ref may do the trick. He's a prowling, muttering bundle of nervous energy, which is essentially a variation his MTV character. And he's very funny.
4. This film introduced me, nay, introduced everyone, to the reason why Denis Leary is well regarded.
5. Dennis Leary's shining hour. His stand-up persona's greatest moment and it was all down hill from there.
6. One of the most underrated comedies of the 1990s
7. The Ref is the one Christmas movie that I can relate to.
8. [Judy Davis and Kevin Spacey] play this strident high comedy duet with a self-sustaining brio that easily puts them on the level of the stars of Twentieth Century, The Awful Truth, The Philadelphia Story, and His Girl Friday.
9. It's cynical, mean-spirited and, at least at first, viciously funny.
10. The Ref is one of those rare movies that seem to have everything going for it -- a promising director, terrific actors and an original, unapologetically grown-up script -- yet somehow still turns out to be a phenomenal drag.

Here is the consensus of critics:
Undeniably uneven and too dark for some, The Ref nonetheless boasts strong turns from Denis Leary, Judy Davis, and Kevin Spacey, as well as a sharply funny script.