1. Just because it's better than the original, that doesn't make it good. It's still the lowest quality computer animation to hit the big screen and putting it in 3D for more cash is just mean.
2. The overblown title and exclamation point suggests an entertainment of the most stupendous! fantastic! thrilling! kind. Hence the concept of 'hoodwinked.'
3. An annoying, exceptionally unengaging ball of noise that lampoons broadly and poorly, Hoodwinked Too! is even more dispiriting than its narrative failings render it, insofar as it seems to evince no real reason to exist.
4. Why doesn't the Wolf just devour Red Riding Hood and put us out of this misery?
5. The very nature of animation is to appear lively, and if that's the case, "Hoodwinked Too" fails at almost every turn.
6. A lame, time-wasting absolutely unnecessary sequel.
7. Apart from Hader and Poehler's hilariously overblown German accents as Hansel and Gretel, none of these actors seem to be having (or providing) much fun.
8. As a fan of the original, I really wanted to like this one.
9. One feels sympathy for such classic, beloved characters constantly being refashioned for films beneath them. Red Riding Hood needs a better agent.
10. Once upon a time, fairy tales were told with beauty, wit, simplicity and charm, a tradition that seems increasingly a thing of the past in Hoodwinked Too! Hood vs. Evil.
Consensus: It may add 3D to the original, but Hoodwinked Too! is missing the first installment's wit and refreshingly low-budget charm.
Q: 1. ... very funny, though not for the prim or prudish ...
2. Perhaps a satire of Nicolas Cage's Jerry Bruckheimer movies.
3. The latest R-rated movie aimed at the funnybones of 12-year-old boys.
4. If one joke clanks, the next one isn't long behind. The result is a brisk 88 minutes that ensures that if you didn't like it, your suffering was at least brief.
5. More Pistachio Disguisey than Austin Powers, this cheapjack comedy is nowhere near as ingenious as the man it sends up.
6. Relies heavily on its lowest common denominator foul-mouthed jokes, which includes sticking a piece of celery where no vegetable belongs and MacGruber having sex with his dead wife while they are both standing up.
7. MacGruber is patchy, underwritten and frequently lazy but the performances are good and there are enough big laughs here to compensate for its inadequacies.
8. Leading man Will Forte will make you pine for the graceful savoir faire of a Jack Black or an Adam Sandler.
9. Surprisingly, lots better than extended fart jokes
10. A film that poses a philosophical question fundamental to our inquiry here, namely: "Why does this exist?"
Based on these individual reviews, what is the critic consensus?

A: Consensus: It too often mistakes shock value for real humor, but MacGruber is better than many SNL films -- and better than it probably should be.
1. Argo feels like a proper old-fashioned 70s thriller, the kind Alan J Pakula used to make: taut and lean, but with dialogue to die for, plus character and attitude to spare.
2. As the suspense intensifies, it becomes increasingly obvious that many of these suspense-laden plot points are simply made up. The story turns into a standard Hollywood formula and it loses credibility because of that.
3. For a story about out-of-the-box thinking and high-risk heroism, Argo plays it surprisingly safe.
4. Impeccably directed, superbly written and brilliantly acted, this is a terrifically entertaining thriller that gets everything right and confirms Ben Affleck as a major directing talent.
5. Combining laughs and thrills with plenty of verve, Ben Affleck continues his smart directorial career with a stylish, gripping hostage drama.
6. This is a film that runs the gamut from grim to absurd.
7. Ben Affleck continues his hot streak as a director.
8. Argo is tense, affective and not just Affleck's best film but one of the best films of the year.
9. ...the best kind of Hollywood movie, a gripping, suspenseful story leavened with dry grim humor and resolved in well-earned uplift.
10. Affirms Affleck's talents and, perhaps, his limitations. The period detail and overall technical credits impress, but Affleck relies too often on handheld camera to convey intensity, and on crosscutting to generate suspense or 'irony.'
Consensus: Tense, exciting, and often darkly comic, Argo recreates a historical event with vivid attention to detail and finely wrought characters.
Q: 1. [Sheen] spends most of the movie in a kind of sweaty apoplexy that makes one worry for his health.
2. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.
3. The movie is as smart as ``Mission: Impossible'' is dumb.
4. A movie that shoehorns a blunt warning into its silly but entertaining story of a young radio astronomer's one-man battle against sinister extraterrestrials.
5. No logic, little character development and a thin story that is supposed to be compensated for by startling effects.
6. The Arrival is part sci-fi action flick, part conspiracy thriller, and all preposterous nonsense.
7. A hokey summer entertainment that is full of big machinery, satellite dishes du jour, long embarrassing close-ups and gaps in logic through which large UFOs could hurtle.
8. "The Arrival" is a good 20 minutes too long and heavy with useless scenes in which we learn far too much about Sheen's relationship with his girlfriend.
9. It's like "Stakeout" with a glossier Sheen.
10. The aliens-among-us plot gets a very entertaining and inventive update.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Stylish and inventive, The Arrival offers a surprisingly smart spin on the alien invasion genre.
1. Aparentemente, năo há aparelho moderno que seja imune ŕ invasăo de fantasmas dispostos a utilizá-lo a fim de se espalharem pelo mundo.
2. Decent horror remake with a strong cast, atmospheric direction and some genuinely scary scenes - you'll never log on to your computer again. Probably.
3. As the ghosts suck the life out of their victims, the audience suffers the same fate.
4. To add to the insult there isn't even some nudity . .
5. The potential it has to be an adult thriller is ruined because it's just more teen marketed crap.
6. The unanswered questions in the original added to the mood, but by trying to answer even just a few of them, this Pulse just gets more confusing and less scary.
7. Boring youth movies are the result of boring youth characters.
8. ...the requisite happy ending smacks of studio interference...
9. A remake that ain't an upgrade.
10. Don't get me wrong. This isn't a BAD film, just not particularly good.

Consensus: Another stale American remake of a successful Japanese horror film, Pulse bypasses the emotional substance of the original and overcompensates with pumped-up visuals and every known horror cliche.