IN: Write an ordered list of reviews about "unknown white male".

OUT: 1. Scene by scene, the movie is clunky and laughable, but it's certainly never dull.
2. If Liam Neeson is now typecast as an aging action hero, he would be better off finding better scripts.
3. Collet-Serra generates plenty of suspense and keeps the action flowing. There is even, of all things, an imaginative car chase.
4. If this all sounds rather like déjŕ vu, then consider yourself one step ahead of the game.
5. So extensive is Unknown's pilfering of ideas from existing films that it has left itself exposed as a meagre mishmash that fails to excel in any particular department.
6. As action thrillers go Unknown is not a bad one, and it has real ambitions to character and theme ... on the other hand it's not quite a good one either as the filmmakers can never quite decide what time of film they want to make.
7. A nifty final twist, but it is so joyless and heavy-handed I found it impossible to like.
8. This is fun for an hour before plumbing hitherto unknown depths of silliness.
9. Unravelling the jigsaw clues is a lot of fun, while the changes rung during the familiar ticking-bomb countdown finale marks Collet-Serra as a genuinely gifted genre specialist.
10. What's so great about the casting of Aidan Quinn is that he's like Neeson's shorter, less charming, less attractive, bitter stand-in. It's like a coup for all those neglected stand-ins who we only see from behind in wigs and oversized clothing.

IN: Write an ordered list of reviews about "tokyo story".

OUT: 1. The already towering reputation of this film and its director continues only to grow.
2. Anyone can relate to those moments when the calm is broken by the undercurrents of anguish, disappointment and resentment that run through every family.
3. One of the most quietly powerful studies of the gradual and inevitable erosion of the family in a rapidly changing world.
4. Ozu's style is one based on restriction, rigor, and repetition, which paradoxically expands his emotional meanings.
5. constantly bursts with life and meaning, despite the fact that very little happens in the conventional narrative sense
6. One of the great classics of world cinema.
7. It ennobles the cinema. It says, yes, a movie can help us make small steps against our imperfections.
8. Rife with a pervasive sense of loss, Tokyo story offers little comfort and promises great sorrow. This is a profoundly moving film.
9. This very well might be the best film ever made.
10. Examines the same themes as films like Ordinary People and American Beauty, for example. And both of those look clumsy and derivative in comparison!

IN: Write an ordered list of reviews about "star trek iii the search for spock".

OUT: 1. ...a somber, mournful installment of the Star Trek franchise. And when the defining trait of your series is dullness, this isn't exactly the best strategy.
2. An emotionally satisfying science fiction adventure.
3. Not bad, but the series would boldly go to better places.
4. christopher lloyd!
5. Almost certainly the best of the "bad" Star Trek films... and for the first 30 or 40 minutes, it's not really even bad, to speak of.
6. Not many Trekkies would list The Search for Spock as their first viewing choice, but it rarely lets you down.
7. These are classic directorial occasions, and Nimoy rises to them with fervor, in effect beaming his film up onto a higher pictorial plane than either of its predecessors.
8. Stirring but sad science-fiction enterprise.
9. This 1984 film's few and unimpressive special effects evidently qualify it as science fiction, but the genre it really belongs to is the male weepie: there hasn't been a gooier buddy romance on the screen since Joe Buck took Ratso Rizzo to Miami.
10. It's reasonably entertaining fare for non-fans.

IN: Write an ordered list of reviews about "almost famous".

OUT:
1. Hollywood filmmaking at its best, brimming over with feeling, texture, spirit, and several kinds of keenness that transmute experience into big pop myth.
2. An utter delight from the first frame to fade-out, it's a love letter to the 1970s.
3. Writing and direction are dead on, bringing back the world of rock in the early '70s with a sense of glee.
4. Through Crowe's William, we ride along in the middle of a movie world more amazingly multi-layered than what we've seen on film in a long, long time.
5. Casting is perfect all down the line.
6. The film reels with the nostalgia, exuberance, and bravado of an era long-gone, while also feeling nothing less than immediate and universal.
7. Sharply observed, bittersweet and suffused with the kind of detail that only someone who lived through the era could summon up, Crowe's script is funny, heartfelt and very cool.
8. You don't just watch Almost Famous, you listen to it. You groove on it.
9. Story threads weave tightly together without effort or artifice, and line after line of dialogue is naturalistic, clever, or perfectly timed.
10. See it and it'll stay with you as your own memories do: funny, poignant, bittersweet and irreplaceable.