Q: 1. Beautifully told and wonderfully performed.
2. The spirits of Sam Peckinpah and Sergio Leone are invoked in this horribly brutal outback western, directed by John Hillcoat and scripted by Nick Cave.
3. This Down Under horse opera is violent, grim and stunningly good.
4. Brutal, bloody and brilliant, this is superior filmmaking, and more evidence of the renaissance of the Australian film industry.
5. An ensemble cast of pure talent in a visceral story of frontier justice and the pursuit of it.
6. The Proposition is an epic drama on a grand scope.
7. For people who like their Westerns with brains.
8. Here is an unpretentious movie for those who are willing to take a film for its surfaces...and want to forget themselves for a while.
9. Hillcoat tries to make the film work with blood, death, degradation and loud music. In the end, it's just too nihilistic and self-conscious to be convincing or involving.
10. It's a savagely entertaining look at the nature of man.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Brutal, unflinching, and violent, but thought-provoking and with excellent performances, this Australian western is the one of the best examples of the genre to come along in recent times.
1. Matt Damon and Emily Blunt fall in love and flee shadowy figures in the immensely stylish romantic thriller The Adjustment Bureau. If only the ending lived up to the build-up.
2. Less a rumination on free will than a potboiler with some intellectual pretensions, The Adjustment Bureau is a pleasant enough middlebrow mind trip.
3. What conceivable conclusion could Nolfi give, lest to suggest that 'The Chairman' or God, has a heart of stone, and cynically doesn't believe in love or his own creation, Man.
4. Taken as a whole, if you allow yourself to take a leap of faith The Adjustment Bureau is an intriguing, engrossing experience. At the very least, it just might be the perfect date movie.
5. I can't imagine anyone's ever speaking about this movie with fondness other than the people who made it, and maybe their close relatives.
6. [An] atrociously trite conclusion threatens to ruin the entire film, but perhaps if we can just get a hold of the right Moleskine, we can make some adjustments, and it'll be like that ending never happened...
7. A refreshing, romantic sci-fi adventure whatsit the likes of which Hollywood rarely  gambles on.
8. The story has a real spiritual view, talking about the universe's plan as if it's a bureaucracy. It's only an intro course though. The advanced courses would be Total Recall, Dark City or Gattaca.
9. It's a little like if Men In Black was recast with an army of John Majors, and about as sexy as that sounds.
10. It taps into your longing for the days when a sci-fi matrix could explain the world without making it a darker place.
Consensus: First-time writer/director George Nolfi struggles to maintain a consistent tone, but The Adjustment Bureau rises on the strong, believable chemistry of its stars.
Q: 1. Cronenberg isn't out to explore that particular narrative thread. Indeed, many of the standard crime story motifs that have come to define the cinematic category are completely ignored by this wonderful film...
2. Cronenberg is in the first rank of directors; no one should be surprised that Eastern Promises is a thoroughly enjoyable movie that, unlike most of the films it references, gets better the more you think about it. It's one of the year's best.
3. extremely violent and richly atmospheric... culminates in an electrifying scene that's destined to be discussed by movie fans for years.
4. If ...Violence was Cronenberg's gift to Viggo Mortensen, unlocking the greatness of the rising star, consider this the actor's return favor. He's mesmerizing.
5. A gangster movie is not exactly a gangster movie when director David Cronenberg gets his hands on it.
6. Following up A History Of Violence, David Cronenberg has once again teamed with Viggo Mortensen to make another film about identity, family and, well, violence.
7. It is the violence that stands out (in a good way).
8. Suffice it to say it's a bit of primal brutality that lays bare the animal in each of us, fighting to survive.
9. In Cronenberg, it appears Mortensen has found a like-minded mentor, while in Mortensen, Cronenberg has found something approaching a muse.
10. It's a mouthful of blood with a vodka chaser.
Based on these individual reviews, what is the critic consensus?

A: Consensus: David Cronenberg triumphs again, showcasing the Viggo Mortensen's onscreen prowess in a daring performance. Bearing the trademarks of psychological drama and gritty violence, Eastern Promises is a very compelling crime story.
1. It was supposed to be 1806, but Mansfield Park the movie has a little too much 1999 in it...
2. One of the most assured and inspired literary film adaptations all year.
3. Full of sparkling dialogue, witty asides, and top-drawer performances, Mansfield Park is a social satire wrapped inside a romantic comedy.
4. Mansfield Park is quick and funny, and a refreshing break from period-film stuffiness.
5. The cast is good, especially Davidtz.
6. Just enough sardonic wordplay pokes through to keep the Jane Austen in this Jane Austen.
7. Park is damn entertaining.
8. Patricia Rozema's Mansfield Park continues Jane Austen's winning streak on film.
9. A witty, entertaining film.
10. A fine addition to the filmed Austen canon.
Consensus: Solid performances, bold direction.
Q: 1. Teacher's Pet barrels along on a diverting enough sugar high, but in the hangover that follows you may wonder where the wonder was.
2. It's the kind of cute and silly that little kids get a kick out of seeing over and over.
3. Disney's latest attempt at TV-series-to-theaters is a kids' film designed to give adults migraines, despite animation innovations and unique design.
4. A smart, funny and visually impressive movie that may not wind up becoming an enduring classic but it is about four times better than you might expect.
5. This is one strange outing. We mean that in the nicest way.
6. A big disappointment, especially hailing from the Mouse House.
7. The dialogue is witty and often irreverent, and the artwork is wonderfully weird.
8. A one-joke movie based on a one-joke Disney TV show.
9. A quick and easy entry point for new viewers.
10. A weird, off-the-wall bit of surrealistic nonsense that should keep the kiddies transfixed with its colorful characters and slapstick mayhem while amusing adults.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Despite its short running time, Teacher's Pet is a witty and irreverent family film.