1. The plot is overly complex and the tension frequently abated by the introduction of unnecessary flashbacks.
2. Cloth-eared dialogue saps the tension, while the plot twists with the likelihood of a Brett Ratner rehearsal session. Leave your disbelief at the door.
3. Cage performs with the conviction that comes from a long experience in bad movies. But Kidman seems totally uninterested.
4. Someone should have told writer Karl Gajdusek that if you're going to pilfer it's best to take the gems, rather than filling your movie with stuff you found in the drawer marked "clichés".
5. It's so routine that it's as if Joel Schumacher showed his final cut to producer Avi Lerner and said, "Avi, look, I put together a thing!" "You mean you finished the movie?" "No, it's not a movie, it's a thing.
6. Don't spend thirteen bucks on Trespass unless you're running from the cops and you need a place to hide, wait for it to hit VOD.
7. People have been strung up for lesser crimes than this...
8. ektos apo trypes, aythairesies, kai amhxanes prospatheies sygkalypshs dolofonikwn nekrwn xronwn, pasxei thlibera sto basiko dramatiko ths aksona
9. Trespass is a crime, and so is this movie.
10. Laughably bad thriller that teeters on the edge of so-bad-it's-good territory, thanks to pointlessly flashy direction, a dreadful script, a ridiculous plot and some reliably bonkers over-acting from Nicolas Cage.

Write a one sentence summary of the reviews above.
Another claustrophobic thriller that Joel Schumacher can churn out in his sleep, Trespass is nasty and aggressive, more unpleasant than entertaining.