1. Cleverly titled, this Girl who Walks Home Alone At Night has nothing to fear ... but everyone else does.
2. It's a smart, subversive tip of the hat to everything from American and Italian Westerns to horror movies, Jim Jarmusch, love stories, Iranian traditionalism and rock 'n' roll. Oh, and there's a vampire.
3. For all the visual ambition, this doesn't add up to anything terribly substantial.
4. There's not much story to speak of, but the semi-Iranian hipster feminist vampire romance A Girl Walks Home Alone at Night is gorgeous to behold and up to its jugular vein in quirky/spooky atmosphere.
5. It's a haunting story of love between two misfits who shouldn't be together.
6. Like no movie you've ever seen.
7. The kind of promising first feature that almost can't help but implying that its creator can't help but do better next time, but even as a stand-alone, this is a pretty one-of-a-kind experience.
8. A bracing post-punk blend of vampire iconography, the spaghetti western, Kaurismäki-like sorrowfulness, Jarmusch-worthy equipoise, shot in Bakersfield, California, which passes for the nocturnal reaches "Bad City," Iran.
9. Amirpour marks herself as a filmmaker to watch with her atmospheric black-and-white visuals and a script that offers an homage to some genre influences while mostly managing to sidestep expectations.
10. Sexy, scary and fearlessly subversive.

What is a brief summary of the following reviews?
A Girl Walks Home Alone at Night blends conventional elements into something brilliantly original -- and serves as a striking calling card for writer-director Ana Lily Amirpour.