Q: 1. It's a startling, speedy, gracefully executed indictment.
2. Circles the heart of noisy, modern Tehran with an informal, documentary-like freedom that is thrilling in its naturalism.
3. As potent an indictment of a social order as the novels of Kafka and the great Italian neo-realist films of the '40s and '50s.
4. A tragic film from start to finish, but equally undeniable is the endless stoicism displayed by the women, and Panahi's crisp, meandering direction.
5. Feels like the kind of movie that could change things.
6. Gives some quick, powerful impressions of the Iranian woman's plight, but much less than if it had paused to tell a few stories thoroughly.
7. The Circle basically shows that Iran is a police state with severe measures for keeping women in control.
8. ... like a cry of distress from a princess imprisoned in a tower. But the tower is in a busy world of heartless, self-absorbed men who laugh at the idea of a rescue.
9. What few ironies there are, are overpowered by the firm, calm, institutionalized oppression imposed on the women of Panahi's country.
10. The deceptively simple story leads up to an exceptionally powerful ending that will have you mulling it over for days.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Bleak, yet powerful, The Circle offers a searing indictment of the oppressive conditions experienced by women in Iran.
1. The film does have it's weak spots, but for the most part, it's dead on. See it.
2. With its kinkiness, violence and profane dialogue, with its underbelly of sick, psychotic behaviour, the movie is hilarious only to fans of twisted, extreme humour.
3. After years of assaulting our tear ducts, the old, edgy Williams is back where he should be, tickling our funny bones. That alone is worth $10.
4. Instead of a witty expose on the banality and hypocrisy of too much kid-vid, we get an ugly, mean-spirited lashing out by an adult who's apparently been forced by his kids to watch too many Barney videos.
5. Smoochy is often laugh-out-loud funny and some musical moments are inspired, but one wishes the film's satire were sharper and meaner.
6. This kind of dark comedy requires a delicate, surgical touch. But director Danny DeVito and screenwriter Adam Resnick (remember Cabin Boy?) just pound away.
7. The cinematic equivalent of being poked in the ribs with a fork for two hours, this relentlessly irritating comedy redefines the term 'over the top' -- and we don't mean that as a compliment.
8. The cynicism is colossal, the casting superb: Norton may be the only actor alive who could pull off a character like Sherman, without making him either an idiot or a parody.
9. DeVito obviously set out to make Throw Smoochy from the Train or The War of the Mascots but he quickly derails himself.
10. Funny in a sick, twisted sort of way.
Consensus: The talent involved can't save a script that has nowhere to go with its promising premise.
Q: 1. This supposed action-comedy is so staggeringly unfunny, unoriginal and uninspired that its title should have been Agent Cody Banks 2: Contractually Obligated Sequel.
2. Director Kevin Allen offers a lot more gadgets in Cody 2, but surprisingly little in the way of memorable action.
3. If your kid has recently suffered brain damage or undergone a frontal lobotomy, they probably still won't be fooled by this cookie-cutting, lifeless drudge.
4. A junky, creatively bankrupt rush job of a sequel that has no connection to the original outside of the title character.
5. entertaining, but not enough to make you want to root for the characters
6. This is one franchise that should be grounded before it takes off for any more international forays.
7. Vapid, banal, humourless, witless; a cynical cash-grab.
8. I cried 'Please, Lord, make it stop' at about the 90-minute mark -- long after I was numbed into a vegetative state by reheated spy cliches and sub-sophomoric bathroom jokes.
9. ... tedious, forgettable and wholly unnecessary.
10. ...isn't all bad - but it isn't all good either.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Young kids may find this London adventure fun, but older kids may find it too simplistic.
1. My Big Fat Monster Wedding.
2. Classic - the pinnacle of Universal horror
3. Whale's most perfectly realised movie, a delight from start to finish.
4. Another astonishing chapter in the career of the Monster.
5. Among the best of what Hollywood has to offer.
6. Absolute classic horror, the best of the 'Frankensteins.'
7. One of those extraordinary films that transcends genre and period to provide fresh, untold pleasures year after year.
8. [The film impresses] with its painterly and dramatic lighting, beautiful dissolves and tracking shots, sophisticated effects, and unexpected eccentricities.
9. One of the best horror SEQUELS ever made.
10. A horror mega-classic.
Consensus: An eccentric, campy, technically impressive, and frightening picture, James Whale's Bride of Frankenstein has aged remarkably well.
Q: 1. The characters never really flesh out but the story is good enough to keep you interested. [Full review in Spanish]
2. The introduction of British agent Ilsa Faust (Rebecca Ferguson) to the mix suggests that this may be one of the only ongoing spy concerns that actually know how to use female characters.
3. Rogue Nation is a blockbuster that expertly combines exhilarating visual thrills with the kind of intricate storyline that requires viewers to pay attention. It also treads a nice line between the drama and the humour.
4. Exibe um fôlego tăo surpreendente quanto o de seu formidável protagonista.
5. The Mission: Impossible series finally runs out of steam with this overlong and often superfluous entry...
6. Abandoning all burden of creating a bogged-down story that concentrates on narrative and character history, Rogue Nation is able to truly wow in several fleeting scenes of espionage and huzzah moments.
7. With the will-they-or-won't-they tension, the densely plotted conflicts that rarely give you time to think, and the fact that everyone on all sides has a reason to stop Hunt, this is a satisfying Hollywood actioner that keeps you guessing.
8. Your mission, if you choose to accept it, is to go out and have some mindless, escapist fun.
9. Writer-director Christopher McQuarrie brings a dark and gritty tone to this larger-than-life franchise.
10. Chistpher McQuarrie has built an exciting and entertaining film full of action: mission accomplished. [Full review in Spanish]
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Mission: Impossible Rogue Nation continues the franchise's thrilling resurgence -- and proves that Tom Cruise remains an action star without equal.