Q: 1. Instead of cool twenty-something irony, Smith startles us with raw emotional honesty.
2. Funny, fearless... and profoundly moving. Never did I ever think I'd come away from a Smith film with a lump in my throat.
3. ...rivals a 1930s screwball comedy -- although the subject matter certainly does not.
4. tackles issues and explores situations that many other filmmakers have shied away from
5. Even when its young, uncertain characters appear to be in danger of talking (and whining) themselves to death, there's something genuine and charmingly naive about their attempts to make sense of their feelings.
6. Although [Smith's] dialogue is often witty, he still relies on blunt sexual humor to get his point across.
7. Work of such fierce intelligence and emotional honesty that it blows away the competition when it comes to contemporary romantic comedy.
8. With their matching hipster goatees and deadpan cynicism, Affleck and Lee evince the easy rapport of old buds.
9. Slowly, like a latent teen pulled against his will into adulthood, Kevin Smith is growing up. But he's not growing quietly.
10. There is a lot of frank conversation about the technical aspects of sex between women, but Holden and Banky are written more like sniggering eighth graders than inquisitive adults.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Chasing Amy explores gender roles, sexual mores, and the limits of friendship with a mixture of sensitivity, raw honesty, and director/screenwriter Kevin Smith's signature raunchy humor.
1. In the end, it's the less high-scoring offspring of the 1977 classic Slap Shot, but to even mention it in that movie's company is praise enough.
2. All it wants is slapstick violence and "Slap Shot" profanity. And it delivers both - albeit not much else.
3. What's somewhat surprising is you don't have to give a hoot about hockey to enjoy the movie. This is just a guy living his dream: Hitting people.
4. "Goon" easily takes the title of second-best hockey comedy I've ever seen.
5. While well-intentioned, and Seann William Scott does a bang-up job, the tone of the film swings as wide as a hockey stick.
6. Bloody sports dramedy about brutal life of hockey enforcer
7. A consistently funny and heartfelt tribute to small-town Canadian hockey that shows obvious affection for its subject and characters.
8. Goon is like a hockey enforcer cartoon with heart, over-the-top and brilliant...
9. It's every bit as sharp and funny as Slap Shot.
10. Scott isn't bad: He sells the comedy of his character's ingrained politeness as much as the aggression. But "Goon" feels like a movie starring a gimmick, not a person.
Consensus: Goon is a crude slapstick comedy with well-formed characters and a surprising amount of heart.
Q: 1. Entertainment that tickles the justice-for-all glands.
2. This is often a very funny film, made more relevant by a recession which began after the film was made. Michael Moore should watch out - he has competition.
3. Most of the ideas are admirable and pretty funny.
4. Funnier and more useful than Sacha Baron Cohen's Brüno.
5. This movie is glorious testimony to the moral power of satire.
6. Even more so than in the previous film, The Yes Men Fix the World indulges in faux-naďve disappointment.
7. It's fun, ballsy, edited with color, humor & hopefully will bring some awareness to the price of greed, and inject some ethics into discussions among the rich and powerful.
8. The Yes Men are dissidents of such fearless ingenuity that you want to believe them at face value
9. Occasionally funny and often audacious, but this is too smug to satisfy and too much like Ashton Kutcher's 'Punk'd' to be considered cutting edge.
10. You have to admire their ability both to pull off these stunts and to extract such honest expressions of greed from such corporate victims.
Based on these individual reviews, what is the critic consensus?

A: Consensus: The Yes Men aim their barbs at the capitalist fat-cats with gutsy and hilarious performance pranks.
1. An intriguing little action thriller, a half-and-half story divided between sequences of vicious violence and quiet, wryly comic scenes of newfound domesticity.
2. Unleashed is a must-see for Jet Li fans -- he's so good in it, in the end he even prevails over the movie's boldly improbable and distracting plot.
3. If a movie is only as good as its villain, then Unleashed is a very good movie indeed.
4. A promising idea that never develops beyond that.
5. Although silly, the premise is engaging enough to let viewers invest in the characters, giving them an emotional stake in the frequent, and spectacular, fight sequences.
6. Benefits from an unabashedly sentimental heart.
7. Anyone bold enough to meld various elements of Fight Club, The Enigma of Kaspar Hauser, A Clockwork Orange and Douglas Sirk melodrama deserves a nod for trying something new
8. There's a lot to enjoy in Unleashed.
9. An enjoyable, off-beat action thriller that has 'Future Cult Movie' written all over it.
10. A pretty weird flick. But it's got some good stuff in it.
Consensus: Jet Li gets to emote in some emotionally awkward scenes, but the gritty fight sequences come through in what is Li's best English language film.
Q: 1. Blue is the Warmest Colour is actually a far more thoughtful film about sex, mature relationships and modern love than its soft-core trappings and avant-garde buzz might otherwise suggest.
2. Once you begin to feel its rhythms, the film's mastery is undeniable.
3. A tender, at times devastating portrayal of the lifespan of a relationship, one that's as convincing and intimate as any you've ever seen on screen.
4. Rather than lead us by the hand to a predetermined destination, this is a film that asks us to stand back and observe.
5. Scene after scene brings truthfulness and insight into the at times difficult relationship.
6. There have been many films about the confusion of adolescence and the difficulty of coming out...but he makes the material fresh by understating the subtext while concentrating on the immediate experiences of the characters.
7. Something must be said for a film that's three hours long and remains this consistently engaging.
8. Viewed independently of the argy-bargy surrounding it, Blue Is the Warmest Colour is simply a remarkable work of cinema.
9. A riveting coming of age story that should have universal applicability.
10. Its biggest charm lies in the understated yet giving and uninhibited performances of its leads ... but not all three hours' worth of scenes deserve to be there.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Raw, honest, powerfully acted, and deliciously intense, Blue Is the Warmest Color offers some of modern cinema's most elegantly composed, emotionally absorbing drama.