Q: 1. Basically, it's The A-Team meets Rambo meets Mission: Impossible, with a mission that's one part trickiness, four parts blowing stuff up.
2. ...a cheesy, drive-in B movie that's a helluva lot of fun, despite a tragic opening jolt and some seriously nonsensical plotting.
3. Proving that ensemble chemistry can make or break a franchise, The Losers redeems itself with comedic camaraderie delivered by a well-chosen batch of rising stars.
4. There's just enough over-the-top action in this revenge-thriller. In fact, the action is enough to right this vehicle even when the plotting gets a little sketchy or convoluted.
5. "The Losers" is exactly what you would hope for from an action film: a wham-bam-glitz-and-glam good time with two-fisted action and brains to boot ...
6. Like nearly all action movies, horror films, and thrillers in the last 15 years, a sense of motion is conveyed predominately with editing as opposed to through physical space. The compression of time, distance, and movement into hectic cuts is deadening.
7. Outrageously violent and crass with one scene too sexually suggestive for a PG-13-rated film, this adaptation of the DC Comic book by British author Andy Diggle directed by Sylvain White ("Stomp the Yard") is what your kiddies can see without your approva
8. Harmless fun when it works, but utterly disposable.
9. The script is boilerplate, the wit pretty much witless.
10. There's nothing wrong with style for its own sake, but The Losers works so strenuously to be cool at every moment that it can only be anything but.
Based on these individual reviews, what is the critic consensus?

A: Consensus: The Losers is loud, fast, and unrelentingly violent -- but it's also funny and well-acted, which will make all the difference for some action fans.
1. For all its many little foibles, X-Men: First Class, is surprisingly well-handled and directed; surging forth with the drama and intensity of a global-looming threat.
2. Summer blockbusters don't get much better than this.
3. In some glorious zone between Mad Men and Thunderbirds comes this X-Men prequel, as kinetic as it is character-driven, and full of ridiculous retro pleasures.
4. With spectacular effects and an engaging story, X-Men: First Class is a standout period adventure film that just happens to be about superheroes.
5. X-Men: First Class manages the neat trick of staying true to the superhero legend while also creating something fresh and exciting. This class graduates with top marks.
6. In truth, the film is a very conventional summer potboiler repackaged in reasonably pretty, moderately crisp wrapping paper. In short, not quite groovy enough.
7. For reasons arising from the way the X-Men film franchise has developed, this is the first Marvel movie set in the period when the characters were created, and thus able to embrace the Rat Pack cool that was part of their original charm.
8. That First Class also offers up a decent narrative about the importance of self-love, family bonding and friendship gives it extra dimension -- even if the overall dramatic range only goes X to Z.
9. The film is ultimately undone by that old paradox of Hollywood movie production: If you are given enormous budget, you have to spend every penny.
10. This blazing "pre-boot" breathes new life into the sagging franchise
Consensus: With a strong script, stylish direction, and powerful performances from its well-rounded cast, X-Men: First Class is a welcome return to form for the franchise.
Q: 1. Viewers who come to see a football movie likely will leave satisfied. But those who want to see an Adam Sandler movie would do better to rent The Waterboy.
2. A quickly paced, slickly filmed entertainment that's also as crude and rude as the PG-13 rating will allow.
3. Sexist, homophobic, pointless and overloaded with brain-crushing bigotry...has an evil and putrid secret agenda that couldn't have less to do with football if it tried.
4. The Longest Yard scores big laughs.
5. Does Chris Rock even know what year it is? His tired-for-a-decade references bog down a remake that would be unwatchable were it not for a jazzed-up climactic game.
6. Plagued with product placement.
7. When Adam Sandler isn't interesting enough to hold your attention in an Adam Sandler movie, something is certainly amiss.
8. The product placement cluttering professional sports also taints ... an otherwise faithful remake.
9. What's missing is any real sense of drama.
10. If only the ethnic-reassigned Burt Reynolds had stayed naked on that bear rug.
Based on these individual reviews, what is the critic consensus?

A: Consensus: This Yard has some laughs but missing from this remake is the edginess of the original.
1. Ultra-smooth ex-gangster Chili Palmer returns to the screen after a decade's absence and the audience gets whacked...an unmitigated disaster.
2. The kind of sequel that gives sequels a bad name - a bland, lifeless, uninspired cash-in with an assembly-line script and a sleepwalking star.
3. They'll look look longingly at the screen, silently willing the movie to Be cool! Be funny! At least be somewhat interesting! And the hopes will go unfulfilled.
4. Irony? If you say so.
5. has been manufactured to the hilt to appeal to all demographics yet entertains none
6. Painful to sit through. Except for Travolta & Thurman's dance, this is awful. Product placement everywhere and only Aerosmith's Joe Perry & The Rock keep their dignity.
7. The laughs come often and the massive cast has brought its best.
8. doesn't capture much of what's really cool in Elmore Leonard's novel, but there's no denying that "Be Cool" provides some very funny, very entertaining moments.
9. A lazy, rhythmless, and redundant piece of moviemaking.
10. It should be a rule of filmmaking that when the plot fizzles out, the film should end
Consensus: Be Cool is tepid, square, and lukewarm; as a parody of the music business, it has two left feet.
Q: 1. Clash of the Titans will still hold a place in the heart of anyone who's old enough to have seen it in the theaters. Yes, I'm that old.
2. Silly togas and hammy performances still can't derail this fitting swan song for effects legend Ray Harryhausen; the sequence in the Medusa's lair is his finest moment.
3. Though star-packed the film is sleep inducing.
4. I learned much of my mythology from this film.
5. A poignant eulogy to Harryhausen's handcrafted illusionism in a decade of increasingly synthetic effects
6. let your mind go, forgive the wear and tear of time and enjoy the adventure
7. Os efeitos criados pelo lendário Harryhausen podem parecer frágeis diante dos avanços atuais, mas săo perfeitos para esta obra que permanece descompromissadamente divertida.
8. For Harryhausen worshippers only.
9. The visual effects are clearly the only thing here that's worth bothering with.
10. ...a camp-infused fantasy flick that will probably work best among younger viewers and those with fond memories of its original theatrical release.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: A goofy, old-school sword-and-sandal epic, Clash of the Titans mines Greek mythology for its story and fleshes it out with Ray Harryhausen's charmingly archaic stop-motion animation techniques.