Q: 1. A very clever, complex and extremely well constructed movie which demands intelligence and constant attention from its viewers, yet is put together using only a handful of simple elements.
2. Walking out of Memento, we can be glad that we don't share Leonard's amnesiac condition; it's the kind of film you don't want to forget.
3. It's absolutely brilliant--a terrific little thriller that takes the genre and turns it inside out.
4. MEMENTO is not just a movie, but a puzzle.
5. Although gimmicky at times, Memento takes an innovative approach at storytelling that yields a surprising amount of mystery and suspense.
6. A con in the mode of Bryan Singer's The Usual Suspects--the scam of the year.
7. A film that simply gets so much right that there doesn't seem to be anything of real worth left to say about it once you see it.
8. A joyously twisted Rubik's Cube of a movie. One of the year's best films.
9. Christopher Nolan's extraordinary film is a brainteaser and a heartbreaker.
10. Films so seldom take chances anymore, it's refreshing to see one that at least tries for something different.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Christopher Nolan skillfully guides the audience through Memento's fractured narrative, seeping his film in existential dread.
1. Not knowing its story is Dinner Rush's biggest failing--and frankly for as bad as that is, it could've been worse.
2. There are enough plots here to challenge a Robert Altman, specialist in interlocking stories, but the director, Bob Giraldi, masters the complexities as if he knows the territory.
3. A pleasingly light and mostly tasty dessert.
4. A tasty bit of drama for the adult palate.
5. This is really the first [food movie] to capture the exhilaration of a kitchen sautéing on all cylinders.
6. Benefits enormously from Aiello's down-to-earth magnificence.
7. You can almost smell the garlic and feel the heat of the range.
8. It's not Big Night, but there's much worth tasting here.
9. The story? Eh. But the food is amazing.
10. Dinner Rush has the attention to frantic detail and hustling spirit that adds necessary sizzle to restaurant films.
Consensus: With the aid of a witty script and a well-acted ensemble, Dinner Rush is a tasty dish.
Q: 1. A lavish, star-studded spectacle, much bowdlerized but redeemed by a slew of fine performances.
2. As far as I can tell, every dumb guy in this movie has only himself to blame for all the stupid things that happen to him.
3. [A] true classic.
4. A formidable actor's showcase.
5. Out of From Here to Eternity, a novel whose anger and compassion stirred a postwar reading public as few such works have, Columbia and a company of sensitive hands have forged a film almost as towering and persuasive as its source.
6. Contemporary audiences may not see why, even in its toned-down simplification of the novel, From Here to Eternity was the most daring movie of 1953, but it remains an acting bonanza.
7. Nothing's as romantic and steamy as the secret liaison ending up with the waves crashing on the half-naked bodies of Burt Lancaster and Deborah Kerr.
8. Romantic masterpiece is old Hollywood at it's best.
9. One of the best of all time.
10. There's some very good acting from a great cast but the drama is very over the top.
Based on these individual reviews, what is the critic consensus?

A: Consensus: It has perhaps aged poorly, but this languidly paced WWII romance remains an iconic, well-acted film, featuring particularly strong performances from Burt Lancaster and Montgomery Clift.
1. It invites those of us who aren't alt-rock obsessives into the hive, yet it never feels like a dilettante's tour.
2. Makes the case for both bands as among the top-rank in the indie biz, although the film could use more concert footage.
3. Beyond the lure of going intimately behind the scenes with two excellent indie outfits (one drastically underappreciated), DIG! offers fascinating insights into how some vivid personalities fare in the music industry.
4. Obsessed with two insignificant musical acts.
5. The movie, which was seven years in the making, plays like a mid-'90s "Amadeus."
6. It's a fascinating film that manages to touch on subjects as diverse as mental illness and what's wrong with the record industry, set to brilliant music by the one of the best bands you've probably never heard.
7. Dig! strikes it rich by contrasting the stories of two bands going in different directions and the animosity that builds between them.
8. Most of the movie gets its interest from musicians overestimating their own importance.
9. Ultimately undermined by the fact that the two rock bands Timoner chose to focus on -- the Brian Jonestown Massacre and the Dandy Warhols -- simply don't matter as much as she thinks they do.
10. Director/producer Ondi Timoner captures some fantastically outrageous footage.
Consensus: So you wanna be a rock 'n' roll star? Dig! compellingly chronicles the ups and downs of the Dandy Warhols and the Brian Jonestown Massacre, two ambitious bands whose love/hate relationship embodies many of the potential pratfalls of the music business.
Q: 1. Out Cold is destined to live on as a constant of late-night cable film.
2. The direction is pedestrian at best, and the laughs are little more than sporadic, nervous chuckles.
3. Doesn't ever quite seem to elevate itself above an '80s 'youth against the establishment' genre film.
4. Out Cold, which seems to have been written by a head trauma victim, is so dumb you'd think 'spoof,' except that it isn't funny.
5. Could have been...a "Caddyshack" of winter sports. But the inexperienced and bumbling Malloys never even try to graduate the picture off the bunny slope.
6. Not only unexpectedly enjoyable, but also kind of sweet.
7. What really drags this sloppy but functional movie down are the cringe-inducing moments of homophobia masquerading as political correctness.
8. There's a good deal of stupid, a lot of silly, hordes of dumb and a bunch of hackneyed, but no funny.
9. When Lee Majors can steal every scene he's in, your movie's in trouble.
10. While much of the movie is unspeakably vile, the scenes of snowboarding action -- featuring stunt doubles, no doubt -- are undeniably impressive.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: A party movie that substitutes surfs for snow, Out Cold will leave viewers just that with its gross-out humor and sophomoric plot.