IN: Write an ordered list of reviews about "red road".

OUT: 1. If you think about it too closely, Andrea Arnold's jarring feature debut doesn't quite hold up. But chances are you'll be so focused on her lead, Kate Dickie, that you won't even notice.
2. Scary and utterly original.
3. It's a fully realized portrait of a city, Glasgow, a portrait of a smart, watchful woman who works as a security monitor and who has endured great loss; and a portrait of the act and psychological implications of surveillance.
4. ...a moody, gritty exploration of working class Glasgow that features terrific performances but suffers from an over reliance on misdirection and an underlying motivation which...doesn't sit quite right.
5. For a voyeuristic medium, this tale of a voyeur does a poor job of prying into its own protagonist's life.
6. Jackie's story extends beyond her control, no matter what she sees, thinks she sees, or tries to see.
7. A spellbinding, intelligent thriller that takes its time to get where it's going but is well worth the trip.
8. The measure of Red Road is that it leaves us hungry for what comes next.
9. I couldn't get this film's quiet power out of my mind.
10. A must for movie lovers who want to see how so much drama, mystery and emotion can be created from so little.

IN: Write an ordered list of reviews about "american wedding".

OUT: 1. Even a comedy that prides itself on the crudity of its sexual pranks can find a kernel honesty among the bathroom humor - and even the most insufferably crass, libidinously inflamed, knuckle-dragging mook has a heart in there somewhere. (Even Stifler.) A
2. The sequel is so obviously a desperate attempt to revive the burnt out careers of its stars that it's difficult to fully appreciate the hilarity of its fecal matter consumption jokes
3. Not only is Stifler taking over this [movie], he's also engaging in one ridiculous experience after another, most of them humiliating.
4. The gross and the sweet are inextricably intertwined in this series.
5. A supporting player among an ensemble cast in the first slice of American Pie, Steve Stifler has proven the most popular among Pie eaters, and the filmmakers have listened.
6. The scene in which Jim brings Michelle's parents to the house for a serious talk, not realizing Stifler's organized a bachelor party with strippers, hearkens back to the screwball comedies of the 1930s.
7. Knowing how to frame a gag effectively is absolutely essential when creating a slapstick sex farce, and American Wedding does just that with alarming accuracy.
8. While it's hardly the train wreck that is so often the case with third acts, American Wedding clearly suffers from a lack of good gags.
9. While there are some laughs, they're not as loud as they would have been in the hands of a less clueless filmmaker.
10. In an era where franchises that no one cares to see keep cranking out sequels that no one will ever watch, we're stuck saying goodbye to something that has become somewhat of a welcome institution.

IN: Write an ordered list of reviews about "dolce vita".

OUT: 1. It received universal acclaim upon its release in 1960, and in retrospect it's the work that best represents its director.
2. How many movies make you feel like a sophisticate just for having seen them?
3. For all of its great moments, it's the tender sadness Fellini creates that makes "La Dolce Vita" resonate more than 40 years later.
4. A profound film by a legendary director in the greatest period of his career.
5. Marcello's journey is a string of remarkable vignettes that delivers fashion and sociology in equal measure.
6. [An] epic of anomie.
7. Everyone has a favorite scene.
8. What's incredible about Federico Fellini's work is its sense of life. Never once does this movie feel constructed or contrived, but rather appears to be unraveling before us, unscripted and uninhibited.
9. It comes from a period in which the filmmaker was perched between neorealism and all-out fantasia. As such, it represents the best of two worlds, even as Marcello can't find contentment in either one.
10. Roman opera, a nocturnal vision demarcated by dawns, purring a siren's call of temptation and dissolution.

IN: Write an ordered list of reviews about "10006630-life of reilly".

OUT:
1. In this rippingly entertaining documentary of Reilly's celebrated autobiographical monologue Save It for the Stage, the unfailingly witty, shamelessly bitchy Reilly gets to set the record straight about a number of things.
2. The Life of Reilly is a tender tale of semi-triumph.
3. For anyone who appreciates what The Life of Reilly was really all about, it is worthwhile.
4. It's fortunate that we have this filmed record -- directed by Barry Poltermann and Frank Anderson -- of a memorable solo performance by a true show business original.
5. [Reilly] looks frail but holds the audience spellbound in Barry Poltermann and Frank Anderson's valuable record of the final performance of the autobiographical show that he toured for five years.
6. I love this movie.I don't say those four words often, so I had to put them first. And isolate them ... a postmortem revelation as much as a perfect swansong.
7. Anyone expecting epicene camp or gossip about Gene Rayburn and Fannie Flagg will not know what hit them.
8. The Life of Reilly pays fitting homage to a man who deserves to be remembered for much more than just trading double-entendres with Brett Somers on The Match Game.
9. This charming, bittersweet 90-minute monologue consists of the actor telling tales of his childhood and early years, when he was an ugly duckling from an uglier family.
10. One could say there are two kinds of people: those who appreciate Charles Nelson Reilly, and those who don't know enough about him. This engaging documentary will charm the former and educate the latter.