1. That Park has talent in the technical department is a given; that he's a good filmmaker is debatable.
2. Its tentacles are still wriggling in my memory, as if I just ate something that should never have been served in the first place.
3. There's a lot less here than meets the eye.
4. As played by Choi Min-shik, Dae-su attains tragic stature. He's like a shaggy King Lear undone by his own foolishness.
5. Park has a strong visual style and a near-surrealistic noir touch, but unraveling the mystery scarcely repays sitting through his relentless rounds of gut-wrenching violence.
6. Definitivamente no para todos los gustos, esta violenta y asombrosa película coreana promete convertirse en una de las verdaderas sorpresas del ańo.
7. Quite an achievement then, and well worthy of its Cannes prize.
8. Not to everyone's tastes, but if you have a strong stomach, OldBoy is sure to impress.
9. Be amazed at my cruel virility. Feel the pain. Oh yeah.
10. Oldboy is a delirious, confronting ride, a movie full of visceral shocks and aesthetic pleasures: it has an explosive immediacy and a persistent afterlife, a lingering impact that is hard to shake.
Consensus: Violent and definitely not for the squeamish, Park Chan-Wook's visceral Oldboy is a strange, powerful tale of revenge.
Q: 1. It's really...GIRLY!
2. ...mindless situation comedy entertainment.
3. It's only a matter of time before Lizzie discovers that "love will lift us up where we belong" but The Lizzie McGuire Movie has already done its damage by then.
4. Its cute story and its adorable lead, Hilary Duff as Lizzie, will eventually win you over.
5. The adventure is a pointless bore; it's completely predictable and sends the wrong message.
6. Little more than an adolescent wish-fulfillment fantasy so familiar that it's like pre-chewed bubble gum.
7. A clever, agreeably weightless theatrical outing.
8. The film is corny, predictable, and manipulative to the point that you feel like there's electrodes attached from the screen to your brain, but, by the end of this film, I'll be damned if I didn't feel genuine affection for it and Lizzie in particular.
9. If the hordes of screaming kids in the audience at the screening I saw are any indication, The Lizzie McGuire Movie hits its mark.
10. If you fit into its target demographic, 'The Lizzie McGuire Movie' is inoffensive fluff. If your age surpasses your shoe size, you're better off re-grouting your tile.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Harmless piece of fluff that ought to satisfy fans of the TV show.
1. The sheer technical brilliance of the battle sequences and martial arts showdowns is mind-blowing -- this is the kind of movie that's so visually dynamic that it's compelling even when we could care less about the people on screen.
2. The ever-luminous Gong Li and the wickedly nonchalant Chow Yun-Fat are wonderful together.
3. The morbid grandiosity of Curse of the Golden Flower is its own distinctive accomplishment, another remarkable chapter in the career of Asia's most important living filmmaker.
4. A visually sumptuous action drama by Zhang Yimou, who proves himself to be the Busby Berkeley of our times.
5. Eye-popping. One of the year's most spectacularly visual treats. It has wide-screen images that are beyond astounding.
6. Curse of the Golden Flower is a triumph of set dressing, cinematography and costuming. Now if only it were compelling.
7. The year's most operatic and visually lavish film.
8. Few filmmakers could produce so grand a spectacle, but [director] Zhang used to be good for more than just eye candy.
9. Amidst all of this excess, an actor can too easily disappear, or be reduced to a hanger for a costume. But Gong Li, the standout in the cast, does wonders with her melodramatic role.
10. Its overabundance is more blessing than curse, however, provided you can suspend disbelief over a campy plot and focus on one lush, eye-popping scene after another.
Consensus: Melodrama, swordplay, and CG armies -- fans of martial arts epic will get what they bargain for, though the baroque art direction can be both mesmerizing and exhaustively excessive.
Q: 1. Woody, Buzz & Co. triumph again but lose a bit of magic.
2. Pixar have once again reminded me that there is a way to create a film that not only appeals to just about everyone, but also prove that three-quels need not suck.
3. You can intellectualise and even defend the reasons why the film is disappointing, but that doesn't stop it being disappointing.
4. It's still more inventive, clever and laugh-out-loud funny than any other movie out there now.
5. ... this is [Pixar's] prison film, and they load it with suspense, clever references, invention and action.
6. While this is a good sequel, I wish it had had more of the emotion that had made the first two films so memorable.
7. "Toy Story 3" is a bit on the safe side, hemmed in by its concept from offering the imagination that makes the best Pixar has to offer so good ... but the filmmakers still understand real heart.
8. I can understand the creators not wanting to sugarcoat life merely because the colors are brighter and voices chirpier, but why is Toy Story 3 so intent on being such a manipulative downer?
9. Toy Story 3 is probably the best of the series ...
10. Another worthy entry in a much-heralded series that amounts to a prison break story as exciting in its own way as Steve McQueen's "The Great Escape".
Based on these individual reviews, what is the critic consensus?

A: Consensus: Deftly blending comedy, adventure, and honest emotion, Toy Story 3 is a rare second sequel that really works.
1. Feels like an eternity, making one wish the killer would hurry up so that the end credits can roll and we could all be done with this bloody mess.
2. Although much blood is spilled and splattered, precious little suspense is generated during See No Evil.
3. There's a glaring lack of plot, characterization, plausible dialogue and decent acting.
4. With its run-down, abandoned setting, which is lousy with roaches, rats and flies, it's just dark, dirty and gross.
5. If it carries the faint odour of freshly carved teenage flesh, plus a soupcan of plucked eyeball, then you've sniffed out See No Evil.
6. Devoid of suspense. I was bored.
7. It's unoriginal with no rhyme or reason, and never takes advantage of its golden opportunity to provide us with an entertaining story.
8. Sickeningly violent nonsense.
9. So undeniably nightmarish it achieves its own ugly integrity...
10. It's deliberate exploitation, but not clever enough to be much fun.

Consensus: See No Evil is packed with cliches from countless other teen slasher films, making for a predictable, scare-free waste of time.