Q: 1. Fallen aims to be a classy thriller, but it never gets under your skin the way it should.
2. Unfortunately the film wafts toward Seven turf soon afterward and stalls on a heavy burden of metaphysical chitchat. Washington's dazzling good looks are the only reason to stick with it.
3. A pretty silly ride despite the film's obvious strengths and some genuinely eerie scenes.
4. This film is essentially God Told Me To with a new paint job.
5. Fallen is one of those 'possession is 9-10ths of the law' ghost stories that takes itself too seriously to be taken seriously.
6. Somewhere in here, a cracking 90 minute horror-thriller is struggling to get out but amid the mire of confusing, messy goings-on, it gets lost completely.
7. A movie that never compromises its own principles, no matter what audience-unfriendly path its original premise may eventually lead it down.
8. Fallen is not perfect, and eventually it even becomes frustrating. Threads remain loose, and the movie doesn't fully exploit its premise. Still, it would be churlish not to appreciate the ride.
9. An interesting, occasionally suspenseful supernatural thriller.
10. Like Hoblit's Primal Fear, Fallen is a well-made and well-acted film which too often settles for the easy or obvious way to handle a situation.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Has an interesting premise. Unfortunately, it's just a recycling of old materials, and not all that thrilling.
1. The Wind Rises is a frequently remarkable film -- easily the best animated film of 2013 and fully of deserving its Oscar Nomination.
2. While critics and historians can debate the narrative's moral ambiguity, or lack thereof, the film's magic derives from an old director's memories of younger, more hopeful days.
3. There are more boring movies than this one. There aren't many more disingenuous.
4. [W]hile the subject is admittedly darker, the whimsically drawn animation is a typically beautiful delight full of swirling rhapsodies of colour and eye-popping action sequences.
5. The Wind Rises becomes all the more engrossing in its final act, where the refined beauty of Horikoshi's designs is exploited by a Japanese military at the start of World War II.
6. The film doesn't take the obvious moralistic steps that could avert backlash - it's pure Miyazaki, a perspective influenced by history and reflective of a 50-year career.
7. Clearly, The Wind Rises isn't a film about war but a valentine to the creative spirit.
8. An engineer pursues his dreams in Miyazaki's latest (and hopefully not last)
9. Impossibly gorgeous, with especially painterly backgrounds and detailed attention to not only everyday sounds but the alien noises during and after a temblor.
10. "The Wind Rises," nominated for an Academy Award as best animated feature, is a visual delight, with bright pastoral colors, clouds that float like ballerinas and clear, blue skies that envelop you.
Consensus: The Wind Rises is a fittingly bittersweet swan song for director Hayao Miyazaki.
Q: 1. The first--and still best--version of the Cold War sci-fi, despite compromised ending that was imposed by producer Walter Wanger on the director to make the tale less downbeat and anarchic.
2. An all time classic. The "message" was lost on most original viewers.
3. Don Siegel's superb little effort, with its matter-of-fact isolation of hero Kevin McCarthy (ironic, no?) from the smarmy complacency of a small town gone to hell -- and way beyond -- points the way to his gripping action films of the 60s and 70s.
4. A superbly crafted film by innovative director Siegel, this low-budget science fiction tale became one of the great cult classics of the genre.
5. Tenso e bem construнdo, conta com uma уtima trilha sonora, a direзгo expressiva de Siegel e com um roteiro que pode ser lido como uma alegoria clara do mccarthismo.
6. Siegel's brilliant movie sits as a perfect bookend to Romero's "Night Of The Living Dead."
7. It's still a chilling picture, gaining over Phil Kaufman's smart remake by virtue of its intimate small town setting, and it has one of the greatest endings ever filmed.
8. Some genuinely creepy moments and good social commentary raise this horror film
9. I still believe in the reality of pod people.
10. Chilling still. Do not fall asleep while watching it!
Based on these individual reviews, what is the critic consensus?

A: Consensus: One of the best political allegories of the 1950s, Invasion of the Body Snatchers is an efficient, chilling blend of sci-fi and horror.
1. A killer comedy!
2. A reliable piece of fluff that delivers the goods.
3. De Niro and Crystal are a crackerjack pairing, and their interplay is loony enough to make you forgive the movie being stuck in neutral most of the time.
4. Run and see this! You will be bursting with guffaws.
5. The film is a worthy showcase for De Niro and Crystal to spar.
6. Classic scenes and hillarious lines make this one of the year's best movie.
7. Delivers big laughs on a consistent basis!
8. This movie's got an original premise, some convincing performances by its leads, especially DeNiro in an atypical role, and plenty of fresh humour sprinkled throughout its spaghettilicious body of fun.
9. Director Harold Ramis keeps the gangsters real and funny at the same time.
10. Slick and rambunctious!
Consensus: Analyze This is a satisfying comedy with great performances by De Niro and Crystal.
Q: 1. The film is enriched by an imaginatively mixed cast of antic spirits, headed by Christopher Plummer as the subtlest and most complexly evil Uncle Ralph I've ever seen in the many film and stage adaptations of the work.
2. There's a bevy of hiss-worthy baddies to pick up the dramatic slack, beginning with Plummer's wonderfully nefarious Uncle Ralph.
3. Any film version of Nicholas Nickelby that casts Nathan Lane as theatrical impresario Vincent Crummles and Barry Humphries (in his Dame Edna drag incarnation) as Mrs. Crummles is clearly a Dickens of a departure from Masterpiece Theatre-dom.
4. McGrath's Nicholas Nickleby is never very complex, but it is snappy and entertaining in a way that feels true to Dickens' love of a ripping yarn.
5. Any movie that tries to cram an entire Dickens novel into just over 2 hours is destined to be imperfect. Nevertheless, writer/director Douglas McGrath makes a valiant effort that focuses on fun.
6. Although Nicholas Nickleby occasionally evidences a simplicity that resembles a Junior Scholastic production, the movie's enthusiasm is contagious.
7. A beguiling evocation of the quality that keeps Dickens evergreen: the exuberant openness with which he expresses our most basic emotions.
8. The project honors [Dickens'] passionate voice, and the strong ensemble cast sees us through a few tonal shifts.
9. Armed with McGrath's apt Dickens distillation, the illustrious ensemble strain mightily and eventually salvage Nicholas Nickleby from the poor man's Heath Ledger at its center.
10. Tedious, plodding and unimaginative.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Thanks to a strong cast of experienced actors and director Douglas McGrath's steady hand, Nicholas Nickleby is a worthy and respectful adaptation of the Dickens novel.