Q: 1. From the opening civil war naval battle to the closing credits, I was glued to this film with non-stop action. Don't miss it!
2. It's a pleasure to see a potential franchise develop from such an unlikely source.
3. The mindless Sahara is smart enough to keep the action and wisecracks at a fevered clip.
4. Arid as the sand-covered dunes, "Sahara" is a made-for-TV flick disguised as the return of Indiana Jones.
5. While I'd be happy to see another cinematic adventure for Dirk Pitt, I don't ever want to see another Breck Eisner film in my life.
6. Like a lightweight novel suitable for beach reading, Sahara is mildly entertaining, but I can't recommend it.
7. [A]s delightful a bit of... hokum as we've seen in some time. You don't take it seriously for a minute... [Y]ou get a big bag of popcorn, sit back, and enjoy.
8. Has enough humor and adventure that I'm almost willing to overlook the preposterous plot
9. Someone had the brilliant idea to treat Sahara as a Hope and Crosby "Road" picture pasted onto a James Bond/Indiana Jones plot.
10. Mindless, but fun and entertaining. It's sort of James Bondish without the ridiculous special effects. I enjoyed it, mainly because of McConaughey and Zahn.
Based on these individual reviews, what is the critic consensus?

A: Consensus: A mindless adventure flick with a preposterous plot.
1. A decent and honorably made film.
2. Attempts a mix of subtle drama and tragedy, but loses much if not all meaning in the process.
3. A very worthwhile entry in the proud tradition of Czech filmmakers examining serious social issues with dark humor.
4. Poignant, humanistic and irresistibly comic.
5. It's both appallingly self-congratulatory and unconscionable.
6. A tense, funny and nonjudgmental look at what people will (and won't) do to make it through impossible circumstances.
7. The cast ... performs with such subtlety and ingenuity that all sense of narrative artifice vanishes.
8. The highly theatrical finale is one of the most gracious film moments you'll ever witness.
9. Feels as if it's been engineered for the lowest IQ in the room.
10. Gripping, thrilling and even funny, without sacrificing complexity.
Consensus: Divided We Fall takes a complex look at World War II, skillfully balancing humor and gravity.
Q: 1. If ever there were a shamelessly preachy attempt to scare teen girls out of having unprotected sex, this is it.
2. To see Tamblyn's work here, to see her character almost simultaneously embody pain, terror, anguish, embarrassment, regret and just about any emotion you can think of, is to watch the kind of acting the medium exists to provide.
3. Tamblyn's surprisingly measured performance commands attention.
4. ...a fine and foreboding duet of character study
5. Apart from Swinton's fine performance, what largely distinguishes this is Brougher's sharp narrative focus.
6. A movie that can wound you.
7. It's remarkable how close the director gets to these two characters, and how quietly.
8. You are likely to be discussing this film long into the night.
9. By remaining physically and emotionally attuned to her actors rather than the considerable melodramatic heft of her story, Brougher avoids the towel-wringer this unfortunately topical story could have been.
10. It's a spare, minimalist work, filled with elegantly lit, stark interiors which contrast with the emotional and psychological turmoil seething within the characters.
Based on these individual reviews, what is the critic consensus?

A: Consensus: The premise has all the trappings of melodrama, but the excellent performances give the characters complexity and empathy.
1. Makes one wonder if Delpy isn't unconsciously working through some residual, latent anger at Before Sunset co-star Ethan Hawke.
2. Though very much in the vein of Woody Allen 70s comedies and showing influence of mentor Richard Linklater, this personal walking-and-talking dramedy expresses a distinct female POV, with Delpy the writer-helmer more critical of the femme than the man.
3. French actress/writer/director Julie Delpy ("Before Sunset") fails miserably with this Paris-set romantic farce where American girly-man Jack (Adam Goldberg) learns to loathe his slutty bipolar girlfriend Marion (Delpy).
4. Fortunately for all parties involved, Delpy goes beyond the mere comedy of embarrassment, though to be sure there is plenty of that as well.
5. A pair with good chemistry who are ultimately mismatched--he a neurotic New Yorker and she a man-hungry Parisian--make for solid comedy entertainment.
6. The best thing about 2 Days in Paris: It's self-absorbed yet unselfconscious. In other words, Delpy doesn't take herself too seriously.
7. ...an impressive, funny urban comedy of manners from a suitably distinctive voice that I hope we'll hear again soon.
8. First off, you have to like complainers, otherwise Adam Goldberg will drive you nuts.
9. If Woody Allen's neurotic Alvy and Diane Keaton's Annie in Annie Hall had borne children it's a good bet they would have turned out like Marion (Julie Delpy) and Jack (Adam Goldberg) in 2 Days in Paris.
10. Delpy makes mistakes in this film by providing unnecessary narration... and assumptions about the audience from politics to sexual awareness
Consensus: Delpy proves not only to be an adept actress, but makes her mark as a writer and director in this thought-provoking comedy that breaks the romantic comedy mold.
Q: 1. It's a bore, even taking into account unintentional moments of humor that resulted in audience members jeering. This is a case study for Filmmaking Ineptitude 101.
2. A surprisingly effective teen-skewing thriller that soft-pedals graphic violence (in marked contrast to the R-rated 1980 original) while generating a fair degree of suspense.
3. An absolutely awful remake of an eighties teen slasher flick that wasn't any good to begin with...resolutely dumb, dull and predictable.
4. What do you call a slasher movie with no slashing? Dull, for starters.
5. For the talent behind the 2008 remake to have created a movie that's completely different and yet even stupider than the original has to represent some kind of achievement.
6. Prom night is a night you're supposed to treasure, or at least remember 'forever.' This one is forgotten by the time you throw your empty popcorn bucket into the trash cans conveniently located near the exits on your way out.
7. This may not be one of the worst films of all time -- that's a pretty tough list to crack. But it is definitely one of the stupidest.
8. A dishwater-dull remake whose occasional scares will thrill the slumber-party crowd but barely wake up the true horror fan.
9. For being such a raging cliche, I was surprised at the fact that I really didn't get that bored with it.
10. There's really nothing much to Prom Night: No twists, no atmosphere, no big Grand Guignol setpieces, not a single moment when it tries to do something novel with the event, the killings, the villain, or the victims.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: A dim and predictable remake of an already dull slasher film, this Prom Night fails to be memorable.