Q: 1. Poorly-staged action sequence, boring exposition, poorly-staged action sequence, boring exposition, etc. etc., The End.
2. Big guns, bigger breasts...
3. In the department of numbing ineptitude, the pacing runs a neck-and-neck race with the dialogue.
4. So pandering and pebble-brained you'd guess it had been test-screened on barnyard animals.
5. Quite simply, I had a blast watching it.
6. An emaciated excuse for entertainment.
7. Right now my greatest fear in life are the words Tomb Raider 2.
8. half-sketched and tedious
9. There is more tension in Jolie's T-shirts than in the dramatic action.
10. Damn! You can toss every page of this script up in the air and no matter what order they fall in, just shoot that sequence.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Angelina Jolie is perfect for the role of Lara Croft, but even she can't save the movie from a senseless plot and action sequences with no emotional impact.
1. ..less an essay on the nature of madness than a crazy person's poem. It is wild and beautiful and deeply disturbing all at once.
2. Dark and somber like Blade Runner, this sci-fi is a spectacular mess, a convoluted film with too many ideas for its own good, blending (among other things) the virus thriller with the post-apocalyptic genre.
3. A messy mélange of action, adventure, sci-fi, romance, horror, and comedy.
4. Oh my!
5. Gilliam has taken on a conventional Hollywood sci-fi thriller with big stars and turned it into his own rough beast.
6. Neither as visually compelling as Brazil nor as emotionally gripping as The Fisher King.
7. 12 Monkeys seems to go down smoothly without compromising anything or dumbing itself down.
8. Gilliam gives the material a lunatic poetry of his own, but remains impervious to the requirements of narrative pacing.
9. As an entertainment, it appeals more to the mind than to the senses.
10. An intoxicating blend of existential SF and unrequited romance.
Consensus: The plot's a bit of a jumble, but excellent performances and mind-blowing plot twists make 12 Monkeys a kooky, effective experience.
Q: 1. Barrymore ... and Grant are both charming here, and yet there's no chemistry between them at all.
2. ...when this movie gets a moment right, it nails it. It's now you tolerate/notice the rest that will affect your experience.
3. Music and Lyrics is a nice, light, bright romantic comedy -- a demonstration of the best and the worst of modern romantic comedy in action, in fact. ...
4. Embora nada original, o roteiro é suficientemente divertido e explora muito bem as mais do que estabelecidas personas da dupla principal: o jeităo desajeitado e auto-crítico de Grant e a insegurança engraçadinha de Barrymore.
5. This movie has more witty lines in any 10 minute clip than most comedies have in the entire film.
6. Despite a copout ending that dumbs down the film's previous wit-filled 90 minutes, few mainstream audiences will be able to resist its charms.
7. Like a catchy pop song you can't stop humming, the sublime romantic melody of Music and Lyrics puts a smile on your face and love in your heart.
8. Music and Lyrics is not the most original or ambitious movie I've ever seen. However, Barrymore is well-paired with Grant in a story that is smarter than you might think. It's just all-around good fun.
9. Witty, playful, charming and satisfying -- an unpretentious confection that's just right and a little bit more.
10. This is Barrymore's burden, that she consistently resists generic business even as she makes it tolerable. The next step is to challenge the business outright.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Music & Lyrics is a light and pleasant romantic comedy that succeeds because of the considerable charm of its co-stars. The music segments featuring Hugh Grant are worth the price of admission.
1. With farting contests, very scary monsters and lots of cleavage and short skirts, the movie appears to have young teenage boys more in mind than the kindergarten set. The script, however, is way too childish to attract teenagers.
2. Phony, computer-generated images packaged together with bad performances and distributed as joyless summer entertainment.
3. it wasn't nearly as bad as I thought it would be, but that's still not saying much.
4. It's clever enough to know what parts of its source material worked and what didn't...If capping on Scrappy doesn't prove the writer a genuine fan of the show, nothing will.
5. Scooby Dooby Doo / And Shaggy too / You both look and sound great. / But Daphne, you're too Buff / Fred thinks he's tough / And Velma - wow, you've lost weight!
6. Raja Gosnell directs a perfectly cast group of young actors and brings Hanna Barbera's long-running cartoon to loopy life. James
7. If you grew up on Scooby -- you'll love this movie. Matthew Lillard is born to play Shaggy!
8. [It] rips on the idiotic things that made the show fun. The trouble is that the things that made the show fun were never really that good to begin with.
9. Unless you're a fanatic, the best advice is: 'Scooby' don't.
10. Scooby Doo is surely everything its fans are hoping it will be, and in that sense is a movie that deserves recommendation.
Consensus: Though Lillard is uncannily spot-on as Shaggy, Scooby Doo is a tired live-action update, filled with lame jokes.
Q: 1. This is Carrey's most mature (and mainstream) comic turn, with flashes of introspection and tenderness.
2. What's best about this script is the premise: a lawyer who doesn't lie.
3. I hate slapstick because it usually dissolves into mindless stupidity, but Carrey manages to take this brand of humor to a new level.
4. The funniest movie I have seen in a very long time.
5. It isnâ(TM)t for everyone, but neither is peanut butter with jam.
6. In the film, Carrey manages a balancing act that'll please his fans, but also promises to broaden his audience.
7. Unevenly acted, hatched from a one joke premise and trading precariously on a single performance, Liar Liar shouldn't be as funny as it is.
8. Its premise is flimsy, but its payoff is riotously funny.
9. ...a reliably entertaining slice of comic nonsense.
10. There is a staggering lack of creativity in Liar Liar given the possibilities of the premise.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Despite its thin plot, Liar Liar is elevated by Jim Carrey's exuberant brand of physical humor, and the result is a laugh riot that helped to broaden the comedian's appeal.