Q: 1. Handicapped by a slow start, misguided direction and, most damaging, an ill-conceived movement into metaphysical territory in its last 15 minutes.
2. Cuckoo is best described as arthouse-lite.
3. A well-acted, mildly arresting antiwar allegory.
4. A strange and challenging film that questions a world in which human beings can be so easily defined by the uniform they wear.
5. A winning piece of folk art from an isolated way of life, worth a look for those who want to see the world in all its quirky and earthy forms.
6. It's quite a treat.
7. Rogozhkin's unusual film has the audacity to consider those which uplift the human spirit, as well as those that erode it.
8. This is an engrossing film with an oddly satisfying ending of genuine pathos.
9. A trifling treat that neither amounts to nor aspires to anything substantial.
10. Quietly engrossing.
Based on these individual reviews, what is the critic consensus?

A: Consensus: A sweet and amusing comedy.
1. ...the movie shows a simplistic conflict of good vs. evil...
2. Touch of Evil may be the sleaziest good movie ever made.
3. Dark, sinister and not altogether comprehensible, this is nonetheless an intriguing study of the art of filmmaking.
4. Where Mr. Welles soundly succeeds is in generating enough sinister electricity for three such yarns and in generally staging it like a wild, murky nightmare.
5. A sweaty thriller conundrum on character and corruption, justice and the law, worship and betrayal, it plays havoc with moral ambiguities.
6. I first saw it when I was 14 and thought it was one of the worst pictures ever -- garish, oppressive, and appallingly overacted. Grown up, I'd go with those same adjectives, except now I think it's one of the best.
7. A cinematic masterpiece and arguably the last great film noir.
8. ...Welles' baroque border-town murder mystery is a wild masterpiece, a sleazy, grimy, jittery, and ultimately dazzling work of cinematic magic.
9. One of Welles masterpieces (his first American film in years), this noir thriller of drugs and corruption served as reminder to Hollywood what a brilliant artist he was, using film as vibrant form in its own right, not as extension of drama or literature
10. It is a testament to Welles' genius that he was able to turn a piece of pulp literature into such a disturbing, sophisticated and, above all, entertaining study of depravity.
Consensus: Artistically innovative and emotionally gripping, Orson Welles' classic noir is a visual treat, as well as a dark, sinister thriller.
Q: 1. Not a movie to contemplate afterwards over a cafe latte, but it's fun, as far as it goes.
2. Contains not a single good line or memorable action sequence.
3. It's for moviegoers who like their pizzas with extra cheese.
4. It feels very much like barbarian lite, which is to say, it's nothing special at all.
5. The story is ancient history as interpreted not by Thucydides or Arnold Toynbee but the World Wrestling Federation.
6. Like every other action movie, it's designed for a 14-year-old boy's mentality, but it's enjoyable enough to turn most people into 14-year-old boys.
7. I'll just say that one won't confuse what's offered with a film such as Gladiator.
8. It's fast-paced, filled with entertaining action set pieces from start to finish, and is genuinely funny in spots.
9. A first-rate bare-chested-barbarian adventure, delivering impressive swordplay, flashy wizardry, and scantily clad heroes and heroines.
10. One of those movies that catches you up in something bigger than yourself, namely, an archetypal desire to enjoy good trash every now and then.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Action adventure doesn't get much cheesier than The Scorpion King.
1. It Might Get Loud is never dry, never too technical, boasts fantastic concert footage -- and the soundtrack is killer.
2. Somehow we got two rockin' documentaries about air guitar and even one about the electric car before we got a solid movie about the life of the electric guitar.
3. Guitar god? Check. Sex god? Absolutely. Jimmy Page effortlessly exudes sex - at 65.
4. It really should be about the music, not the talk.
5. The sloppiness is almost in keeping with the experimental styles of guitar playing that are featured in the movie. A few bits of brilliance shine through the messier moments.
6. Davis Guggenheim's contrived documentary is a largely unrewarding essay on the mystique of the ubiquitous electric guitar...
7. For guitar geeks, the sight of Page, Edge and White together in one room will be enough. Others, however, can't help but wish it might have gotten a little louder.
8. Rock fans and Guitar Heroes in the making will get a charge out of visiting where the happy accidents that put guitars into each man's hand happened. And the playing isn't bad, either. Loud. But good.
9. You'll never see a more tactile expression of the intimacy between artists and their instruments than in Davis Guggenheim's elating It Might Get Loud.
10. It does make you want to pull out some old records and listen with a new appreciation for certain sounds you once might have taken for granted.
Consensus: An affectionate tribute to rock's most distinctive instrument, It Might Get Loud is insightful and musically satisfying.
Q: 1. The movie has a paint-by-numbers script and little more to offer than pretty images. The result is glossy entertainment value but a long way from art.
2. Turns its every character into a cliche and its every plot development into an easy preconception.
3. You will leave Mona Lisa Smile with only the slightest hint of the grin every slick studio movie gives you--the grin of reassurance and superiority. But you will not be changed, only out about eight bucks.
4. A film that forgoes a point of view in favor of a marketing campaign.
5. Challenge your assumptions and check this movie out...thought it would be fluffy and forgettable, but extremely rewarding.
6. I liked it better with Robin Williams.
7. In terms of the gap between the movie it's trying to be and the movie it actually is, Mona Lisa Smile is in many ways indefensible. Yet for all its problems, it's satisfyingly movielike.
8. Fluff.
9. Like the turtleneck cashmere sweaters and girdles that tie down these promising women, the movie is trite and trussed.
10. Anyone who's ever been moved by a teacher to dream a slightly bigger dream than his parents thought he or she was capable of achieving ought to love the film, for it gets at a truer model of teacher's inspiration.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Though Mona Lisa Smile espouses the value of breaking barriers, the movie itself is predictable and safe.