Q: 1. All About Steve struggles mightily to find its loony essence. But Bullock's apple-cheeked larkishness is all flailing limbs and bug-eyed reaction shots -- there's no there there.
2. Normally the core message of being true to yourself is a virtuous one, but when 'yourself' is quite literally THE MOST ANNOYING PERSON IN THE WORLD, the opposite is true.
3. One is tempted to feel bad for the usually likable Bullock -- who looks fantastic here, we must note -- but she's one of the film's producers, so she can't be too ashamed of herself. I am embarrassed for her, however.
4. It's a celebration of brazen nonconformity centered on an insufferable flibbertigibbet who makes the worst case for nonconformity imaginable.
5. I'm not sure who Kim Barker is, or what her credentials are. But she has written two of my least favorite screenplays within the last two years.
6. One might be tempted to call it perfectly dreadful if it didn't seem inappropriate to utter the word 'perfect' anywhere within miles of it.
7. . . . really all about Sandra Bullock.
8. Sandra Bullock plays a stalker in unappealing romcom.
9. It's dreadful.
10. Sandra Bullock give it that old college try but the movie still flops
Based on these individual reviews, what is the critic consensus?

A: Consensus: All About Steve is an oddly creepy, sour film, featuring a heroine so desperate and peculiar that audiences may be more likely to pity than root for her.
1. Soderbergh goes for realism with his camera and cast -- and gets it right.
2. Traffic is movie excitement from beginning to end.
3. Traffic looks like the Oscar best-picture front-runner, and so does Soderbergh, for best director. But long after everyone has forgotten who won the statues, it will be remembered as one of film's most stylish and electrifying wake-up calls.
4. A blistering, thought-provoking modern masterpiece.
5. With Traffic, his most ambitious and complex film to date, Soderbergh again proves himself one of our most inventive filmmakers.
6. Traffic is about a war we'll never win, a war we may never admit we can't win. It has its share of blood and sweat. But after 2 1/2 smoothly flowing hours, what you remember most are the tears.
7. A huge canvas of a movie that nonetheless brings the various facets of drug trafficking -- and drug-taking -- down to human scale.
8. Walk straight and steady into Steven Soderbergh's dizzying drug drama Traffic and minutes later you'll feel as woozy as if you had fallen into one of Wonderland's smokiest sinkholes.
9. As exhaustively researched and carefully planned as it is, Traffic is also quite entertaining.
10. As gripping and entertaining as any thriller you'll encounter.
Consensus: Soderbergh successfully pulls off the highly ambitious Traffic, a movie with three different stories and a very large cast. The issues of ethics are gray rather than black-and-white, with no clear-cut good guys. Terrific acting all around.
Q: 1. Gere forgoes his notorious hunk reputation to perform his vocationally asexual and nearly celibatory best in this wry, hyperactive comedy.
2. Maybe the film's ambiguity is its message all along--that life is what you make of it.
3. Dr. T and the Women may put off people who only look for action and a plot-by-numbers storyline, but should be seen by people who crave adventurous filmmaking.
4. When Altman's ensemble pieces click the effect is invigorating. When they fail we're left with nothing to do but star-gaze. Gere, Fawcett, Hunt and company turn out to be beautiful ornaments on a dry, bland Texas sheet cake.
5. The ending is so supremely awful that whatever progress had been made up to that point was washed away by the film's obtrusively climactic storm.
6. Moves at hurricane speed for most of its 122-minute running time, but Gere deliberately underplays his character, providing the calm center that the story needs.
7. Much like the inexplicable tornado at the end that causes this film to truly derail...this blows.
8. Richly enjoyable Robert Altman. Not for kids.
9. It was a sweet film with some bizarre touches in its satire of the bourgeois.
10. 'Dr. T' is not Altman's best work, but it is far from his worst.
Based on these individual reviews, what is the critic consensus?

A: Consensus: In terms of quality, Dr. T and the Women is one of Altman's good-but-not-great films. In typical Altman style, it features some great ensemble acting, including a wonderful performance by Richard Gere.
1. Shaun's dark journey into an English heartland where ultra-right, National Front thugs successfully tap into the growing alienation of working-class youth is a frighteningly accurate depiction of the seductive power of hate.
2. This is England is a vile exercise in nihilism that goes nowhere fast.
3. Even if the story is misty in its didacticism: No matter how tough the times, just say no to racism and hatred.
4. It's only a half-great film, which is to say that its best moments are more perceptive and powerful than any other movie this summer.
5. Like all of Shane Meadows' work to date, his latest captures the simple pleasures of hanging out with a big group of friends, laughing at nothing. And it shows how easily that camaraderie can shade into hooliganism.
6. Strong performances and powerful sense of time and place are almost enough to make a convincing argument for spending 98 minutes squirming with dread.
7. It's a thoroughly exhaustive, hand-wringing emotional stick of provincial dynamite that viciously grabs the audience by the collar and drags them through the gummy muck of lives gone horribly wrong.
8. explosive
9. The best British film of the year. You'll be floored.
10. It's part western, part pornographic money shot.
Consensus: A moving coming-of-age tale that captures the despair among England's working-class youth in the 1980s.
Q: 1. The best efforts of highly trained talents are not enough to save the picture from its own deep-rooted foolishness.
2. Cameron has done an honourable and undoubtedly skilful job of tailoring his new film to the tastes of the times without too much sloppy compromise. He's made a science fiction film with verve, imagination and even a little wit.
3. Cameron`s superb action direction and stunning visual effects -- plus Schwarzenegger`s ultimately endearing (yes, endearing) performance -- will blast every other summer film to kingdom come.
4. A pop epiphany, marking that commercially creative point where the power of Hollywood meets the purity of myth.
5. It proves that crackingly fast entertainment doesn't have to be mindless, and it manages to do so, with an endearingly cheeky sense of humour.
6. Best of all, though, the level of tension in the film is palpable because we can`t figure out how Arnold is going to terminate the Terminator.
7. An explosive sequel.
8. "The Terminator 2" is movie-making on a massive scale, packed dense with spectacular touches that are too many to describe - escape scenes, helicopter stunts and huge explosions.
9. Arnold Schwarznegger is still the ultimate leathers-wearing, Harley-riding, lever-action shotgun-toting bad-***
10. Terminator 2 does work viscerally, however, and with this kind of movie, that's really what counts. No problemo.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: T2 features thrilling action sequences and eye-popping visual effects, but what takes this sci-fi/ action landmark to the next level is the depth of the human (and cyborg) characters.