Q: 1. There is bitter and breathtaking truth in the story and in the story-telling.
2. That this is Fukunaga's first film is astonishing, given its sharp script, technical proficiency and suspenseful pacing. The ensemble cast is top-notch.
3. Mashes up the tale of the arduous journey across borders with the developing world gangster drama, offering a fresh and convincing spin on both.
4. A tense, awfully depressing companion piece to last year's great Wendy and Lucy when seen as a search for opportunity where there isn't any.
5. isn't so much a bad movie as it is an unremarkable one
6. [Director] Fukunaga is a fine craftsman, but his story, a kind of "Under the Same Moon" by way of "The Warriors," is one that has been told many times before.
7. The scope is epic and the achievement, though solidly grounded in conventional storytelling, is a revelation.
8. A moving portrait of the arduous journey taken by poverty-stricken people from Central America through Mexico with their sights set on the United States.
9. An honorable addition to border films about Central American immigrants, this highlight of the Sundance Film Fest offers visceral experience based on the helmer's firsthand familiarity.
10. "Sin Nombre" is a convincing verite-styled drama that pulls you into its dangerous universe of desperation and immediacy.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Part harrowing immigration tale, part gangster story, this debut by writer/director Cary Fukunaga is sensitive, insightful and deeply authentic.
1. A pitiful grab bag of awful with a torturous sense of humor, crash landing a formerly inoffensive franchise into hostile Friedberg/Seltzer territory.
2. If AIRPLANE! was Mad Magazine at its absolute best, a real genius work of insanity, SCARY MOVIE V is an issue you don't bother trying to get back after the teacher confiscates it.
3. The "Scary Movie" franchise has never been known for its highbrow comedy, but this latest installment feels especially juvenile and pointless.
4. There are opportunities to have a good time with this film, if you are a forgiving sort.
5. Spoofing movies ranging from Black Swan to Mama to Paranormal Activity, this installment of the profitable series is woefully, painfully unfunny.
6. Spoofs always break the rule of half-mocking something stale, but I had no idea we needed a minimum amount of time needed before a reference.
7. These movies grow shorter and less funny by the year.
8. When you find yourself wishing there was more Lindsay Lohan in a movie, you know it's bad. SCARY MOVIE 5 is so bad that a DJ spinning a pizza instead of a record is what passes for a sight gag. Or a woman having sex with a microwave...
9. If it's even possible, Scary Movie 5 is worse than its predecessors, reaching all new heights of stupidity and fall-flat comedy.
10. The best part of Scary Movie 5 -- not counting the part when it's over -- comes near the beginning.
Consensus: Juvenile even by Scary Movie standards, this fifth installment offers stale pop culture gags that generate few laughs.
Q: 1. If you don't mind spending (alot of) time with some interesting characters, check it out. Just don't expect a focused story. (The first half of this is still really good though)
2. Rule number one for a comedy: If you need a character to say 'That's funny' after a lot of your jokes, they're probably not all that funny.
3. Even on "The View" the day before the film opens, the ladies wondered whether men really talk about their own junk (and their friend's package) as much as they do in the movie, and whether women actually find that funny.
4. In its home stretch, Funny People's action drags so unnecessarily that it ... drains any impact from its refreshingly pragmatic view of second chances.
5. ... a dark comedy that doesn't provide nearly enough laughs to make us embrace the nasty vibe
6. Funny People clicks best when the emphasis is on the funny, not on the people.
7. as interested in dissecting the psychology behind the jokes as telling them.
8. The film does a lot of things that Apatow's previous work did... but is almost ruined by a too-long running time and a third act that seems to drag on forever.
9. Funny People feels insular, as if Apatow's whole world consists of nerdy jokesters who were angry, lonely kids who got rich beyond their dreams... but are deep down still angry.
10. Funny People is leisurely, with many extended sequences, but the performers' natural command of rhythm holds it in tension.
Based on these individual reviews, what is the critic consensus?

A: Consensus: Funny People features the requisite humor, as well as considerable emotional depth, resulting in Judd Apatow's most mature film to date.
1. A touching drama about old age and grief with a tour de force performance by Michel Piccoli.
2. Speaks eloquently about the symbiotic relationship between art and life.
3. This is one of Oliveira's most engaging, most accessible films to date.
4. Wonderful performances and beautiful camera work.
5. A masterful film from a master filmmaker, unique in its deceptive grimness, compelling in its fatalist worldview.
6. It will break your heart.
7. A different movie -- sometimes tedious -- by a director many viewers would like to skip but film buffs should get to know.
8. The movie is a trove of delights.
9. A poignant, artfully crafted meditation on mortality.
10. Oliveira trusts the intelligence of his audience...In the life of the city he suggests the ongoing life of humanity, the context in which individual mortality must be contemplated.
Consensus: I'm Going Home is a masterfully subtle and poignant exploration of mortality.
Q: 1. Hot Tub Time Machine, which wants nothing more than to be a screwball farce, succeeds beyond any expectations suggested by the title and extends John Cusack's remarkable run.
2. If the title makes you want to see the movie, you'll get what you're hoping for.
3. A handful of good one-liners means Hot Tub Time Machine has its moments; it's the rest of the movie that's the problem.
4. A chlorinated, R-rated Back to the Future, Hot Tub Time Machine accomplishes what Snakes on a Plane did not: It offers a merrily idiotic movie to go with its willfully idiotic title.
5. This is a lot of fun. Cusack's funniest film in many years.
6. This raunchy, 80s-soaked comedy is every bit as funny as a movie called "Hot Tub Time Machine" should be. Which is to say, quite a bit.
7. Hot Tub Time Machine isn't a good movie, but like a bubbling bath it keeps pounding at us until our resistance wears down.
8. balances middle-age angst with adolescent idiocy and embraces the ridiculous while playing it absolutely straight
9. Hot Tub Time Machine has enough genuinely funny moments to make it worth checking out.
10. What could be a platform for retro fun, inventive plotting, and outrageous humor instead becomes mired in tired time travel clichés, trite '80s shtick, and lazy comedy.
Based on these individual reviews, what is the critic consensus?

A:
Consensus: Its flagrantly silly script -- and immensely likable cast -- make up for most of its flaws.