"Looks good, Boys." Billy-Eye knew he had been taking a big chance leaving the final details for his sons to handle. He had not even visited the place all week. It was Friday, 5:30 PM--thirty minutes before the grand opening of Billy-Eye's Arcade and Dance Barn. The arcade room had been arranged nicely--although not the way Billy-Eye would have done it. But still, it was good. The two popcorn machines were ready to go. High school aged workers were ready to hand out bags of the stuff. The first group in the competition was warming up on the bandstand. A stand-alone blackboard to the right side of the drums had the name of the band written across it in white chalk: The Triangulators. Each band would be responsible for putting their name on that board. "Glad you like it, Daddy." Craig beamed. Finally, he had done something right. "So, what do you think? Will we have a full house tonight?" said Billy-Eye. "Sure," said Lenny with a naïve smile. "Hopefully," said Craig. "They get in free, get to hear eleven bands, and get all the free popcorn and coke they want. I'm sure the kids have heard our radio ad." "Maybe we should have made the games free too," said Lenny. "Hey, we can't give everything away," said Billy-Eye. "We're only charging a quarter for the games as it is." He walked back out into the main hall. "Is the refrigerator all stocked up?" "Yes, Sir," said Craig. "It's loaded with frozen pizzas, hot dogs, and condiments. And we've got plenty of hot dogs buns and candy." "And the soda fountains?" "Ready to go." "And I see you got the ice machine set up." Billy-Eye smiled. "Great. I'm proud of you boys." Question: Why was Billy-Eye proud? === The answer to the above question is

Answer: Because the boys had set everything up themselves.


The Getty Villa is a museum unlike any in the world. It offers an experience of ancient Greek and Roman art in a setting that replicates that in which it would originally have been displayed, a Roman villa of the first century AD. On April 18, after three years of work, the galleries of the Villa reopen with an entirely new arrangement of the collection, one that situates art in its cultural and historical context. Since 2006, when the Getty Villa opened as a museum dedicated to the cultures of the ancient Mediterranean, the collection has been presented along thematic lines, with galleries dedicated to subjects such as ancient theater, athletes and competition, and gods and goddesses. This approach was useful in illuminating social life in the ancient classical world, but it prioritized objects’ subject matter over their stature as works of art and removed them from their broader artistic and cultural context. Reenvisioning how the antiquities were displayed at the Villa was one of my top priorities when I joined the J. Paul Getty Museum as director in 2012. As a specialist in ancient art, my priority is to help visitors to see these great treasures as beautiful and fascinating works of art, and sparking their curiosity to understand them in the context of their place in human culture. Starting April 18 our Villa galleries offer a new journey through ancient Greek, Roman, and Etruscan art. The visitor’s path begins on the first-floor rooms devoted to Neolithic and Bronze Age (Cycladic, Minoan, and Mycenaean) Greek art. The journey continues through the Archaic, Classical, and Hellenistic periods, when the Greeks developed the first fully naturalistic vision of the human figure. And it culminates in the dramatic skylit halls of ancient Roman sculpture. In all there are 33 spaces on two floors, with 3,000 more square feet of gallery space than before. The visitor’s path winds through the galleries, gardens, and fountains, offering views onto the spectacular landscape and Pacific Ocean. Question: The creator of the gallery believes that: === The answer to the above question is

Answer: Greek art is important


Two signatures. That's all that's needed to force a wide-ranging House debate — and votes — on border security and the immigration status of 700,000 undocumented young people brought to the U.S. as children. Since moderate Republicans opposed House leadership two weeks ago with a rare discharge petition to force a so-called "queen of the hill" debate (House rule based on the most votes) on immigration, the measure has steadily accumulated support within their own party. The petition needs 218 signatures to start that debate and — with the assumption that all 193 House Democrats will sign on — Republicans need just two more signatures. But that effort now goes on hold as Congress leaves town for an 11-day holiday recess, giving all sides breathing room to figure out what comes next. Many of the 23 Republican signers of the petition face tough re-election races in their districts this November. The debate over Deferred Action for Childhood Arrivals (DACA) recipients has challenged lawmakers since last September, when U.S. President Donald Trump ended the program, calling on Congress to find a permanent legislative solution. Lawmakers will return to Washington facing an immediate deadline. Representative Jeff Denham, a California Republican who is one of the leaders of the petition effort, told reporters that June 7 would be the absolute last moment to allow the petition to mature before lawmakers run up against a seven-week summer recess. Denham said talks with House leadership and the House Freedom Caucus, a conservative voting bloc seeking significant security concessions in return for a citizenship path for DACA recipients, have been productive. "We've had an agreement in principle," Denham said of a deal that would provide a 12-year path to citizenship for DACA recipients, known colloquially as Dreamers. "Now it's trying to put that information on paper. So, assuming we can continue to move forward, that is something we would bring to our conference on the 7th when we have our two-hour immigration meeting,... Question: What do DACA recipients probably want from the discussions? === The answer to the above question is

Answer:
not enough information