In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

[EX Q]: Passage: After Landau moved to the Kapitza institute in Moscow (to avoid arrest for comparing Stalinism to Nazism), Pomeranchuk also moved there, working for the tanning industry. He returned to Leningrad in 1938, lecturing, completing his Ph.D. and becoming employed as a junior scientist. He joined the Lebedev Institute of the Academy of Sciences of the USSR in Moscow as a senior scientist in 1940. In 1941 the institute was evacuated to Kazan. Under Abraham Alikhanov, he studied cosmic rays in Armenia from 1942. In 1943, he transferred to Laboratory No.2 under Igor Kurchatov as part of the Soviet project to develop nuclear weapons. Alikhanov founded Laboratory No.3 (which became the Institute for Theoretical and Experimental Physics (ITEP)) and Pomeranchuk worked there from 1946 (and for the rest of his life), founding and leading the Theoretical department, as well as being Professor of Theoretical Physics at the Moscow Mechanical Institute where students admired his infectious enthusiasm for his subject. Rudolf Peierls was consoled by the fact that it was "very clever Pomeranchuk" - and no-one else - who corrected his 1/T law for heat conduction in high-temperature condensed matter physics. His work in the 1940s was dominated by neutron research and his manuscript with Akhiezer was the basic guide for Soviet nuclear reactor construction. In 1950, he published a paper suggesting that the entropy of helium-3 as a liquid was less than as a solid. In 1950, Pomeranchuk received an order from Josef Stalin to go to Arzamas-16, located in the closed city of Sarov, Nizhny Novgorod region, to work on Soviet nuclear weaponry. Missing his family and his 'hobby physics' problems, he was advised not to apply for a revocation but wait until the order was "forgotten." He returned to ITEP within a year. He continued enthusiastically with work on quantum field theory and S-matrix theory, particle collisions and Regge theory, the latter in vigorous collaboration with Vladimir Gribov. His last paper on Regge theory was published posthumously. For his work, Pomeranchuk was twice awarded the Stalin Prize (1950, 1952). He was elected a corresponding member of the Academy of Sciences of the USSR in 1953 and full member in 1964.
 Link Information: Childhood to young adulthood: 1878–1899.Stalin was born in the Georgian town of Gori, then part of the Russian Empire and home to a mix of Georgian, Armenian, Russian, and Jewish communities. He was born on , and baptised on 29 December. Question: What age was Stalin when he gave Pomeranchuk an order to go to Sarov?
[EX A]: Answer: 72

[EX Q]: Passage: Neilson was a member of Norwich City's youth teams at the age of 11, went on to Charlton Athletic and also won schoolboy honours for Wales. His senior career started at his brother Tony's club Hertford Town of the Isthmian League in 2005. He was top goalscorer for the reserves when he made his debut on 25 October in an Isthmian League Associate Members Trophy game against Clapton, before going on to play 15 games in his first season and scoring one goal. In his second season, he played 24 games upping his goal tally by another nine, before he earned a move in December 2006 to Ware – a second club where his brother also played. In one game in January 2008, Neilson came off the bench to score four goals for Ware against Tilbury in a 5–2 victory. The goals went towards Neilson's total of 23 from 40 games for Ware in the Isthmian League First Division North, helping Ware towards the end-of-season play-offs. However, he left Ware before the end of the season to join Cambridge City in March 2008 for the rest of the club's Conference South campaign.
 Link Information: none Question: What was the Hertford Town club record the year that Scott Neilson joined?
[EX A]: Answer: none

[EX Q]: Passage: The cinema of Pakistan or Pakistani cinema (), refers to the filmmaking industry in Pakistan. Pakistan is home to several film studios centres, primarily located in its two largest cities - Karachi and Lahore. Pakistani cinema has played an important part in Pakistani culture and in recent years has begun flourishing again after years of decline, delivering entertainment to audiences in Pakistan and expatriates abroad. Several film industries are based in Pakistan, which tend to be regional and niche in nature. Over 10,000 Urdu feature films have been produced in Pakistan since 1948, as well as over 8000 Punjabi, 6000 Pashto and 2000 Sindhi feature-length films. The first film ever produced was Husn Ka Daku in 1930, directed by Abdur Rashid Kardar in Lahore. The first Pakistani-film produced was Teri Yaad, directed by Daud Chand in 1948. Between 1947 and 2007, Pakistani cinema was based in Lahore, home to the nation's largest film industry (nicknamed Lollywood). Pakistani films during this period attracted large audiences and had a strong cult following, was part of the cultural mainstream, widely available and imitated by the masses. During the early 1970s, Pakistan was the world's fourth largest producer of feature films. However, between 1977 and 2007, the film industry of Pakistan went into decline due to Islamization, strengthening of censorship laws and an overall lack of quality. Throughout the 1980s and 1990s, the film industry went through several periods of ups and downs, a reflection of its dependency on state funding and incentives. By 2000, the film industry in Lahore had collapsed and saw a gradual shift of Pakistani actors, actresses, producers and filmmakers from Lahore to Karachi. By 2007, the wounds of Pakistan's collapsed film industry began to heal and Karachi had cemented itself as the center of Pakistani cinema. This was the time new generation producers stepped into the industry with short films with Quality story line and new technology led to an explosion of alternative form of Pakistani cinema. The shift has been seen by many as the leading cause for the "resurgence of Pakistani cinema". Despite the industry crisis starting in the mid-1980s, Pakistani films have retained much of their distinctive identity. Since the shift to Karachi, Pakistani films have once again began attracting a strong cult following.
 Link Information: Pakistan is home to several film studios centres, primarily located in its two largest cities - Karachi and Lahore.  Question: What countries share a border with the nation that hosts several film studios in its two largest cities?
[EX A]:
Answer: India

