A federal judge on Thursday rejected efforts by Texas to stop the resettlement of Syrian refugees within its borders. The ruling comes days after presumptive Republican presidential nominee Donald Trump called to block non-citizen Muslims from entering the U.S. following the Orlando nightclub massacre. Even before the attack, Americans were divided, mostly along party lines, on the issue of refugees from war-torn countries in the Middle East. A survey conducted in late May by the Brookings Institution found of those polled, just 38 percent of Republicans supported taking in refugees from Syria and the Middle East, compared with 77 percent of Democrats. But among Trump supporters, an overwhelming 77 percent said they oppose taking in refugees. So who are these people who cause such a divide among Americans, triggering feelings of dread and suspicion in some and feelings of empathy and hospitality in others? Millions have been forced to flee the bloody conflicts in Syria, Iraq, Libya and other Middle Eastern nations. In 1951 the United Nation's Refugee Convention defined a refugee as someone who "owing to a well-founded fear of being persecuted for reasons of race, religion, nationality, membership of a particular social group or political opinion, is outside the country of his nationality, and is unable to, or owing to such fear, is unwilling to avail himself of the protection of that country." By the end of 2014, there were 19.5 million refugees worldwide, according to the United Nations, 14.4 million of whom were under the mandate of the United Nations Human Rights Council. This was an increase of 2.9 million from 2013. The remaining 5.1 million refugees were registered with the United Nations Relief and Works Agency. However, there are an estimated 59.5 million forcibly displaced persons around the world, according to United Nation's Global Trends report. This population not only includes refugees, but internally displaced persons, asylum-seekers and stateless people as well. President Barack Obama has set... According to the above context, answer the following question. Trump probably believes that

Answer: muslims are violent


Jason Munt said him and Carly Furnish got beamed up by a bunch of aliens just after he'd boldly gone with her in the car park woods. It was the boldly going bit people thought was bullshit. Carly Furnish was a good God-loving girl. Trouble was, she'd gone missing. And Jason Munt had a weird crescent-shaped branding in his back, and was sticking to his story. Jason got hauled in by the cops and told he was in a whole heap of trouble. He reported blinding lights and a feeling like floating. He described being strapped to a table by little green men. A cop slapped the table and shouted, 'there's a frigging girl out there.' Jason said he knew how it sounded - the little green men, the whole thing - but it's true: they were little and green, just like out of the comic books. He volunteered tests for drink and drugs. He came back negative on both counts. They left him to stew. He said the last he saw of Carly was her being sucked up in some kind of light ray. He said, 'she seemed asleep - all peaceful, like.' Jason could not explain why he'd been beamed back down to earth, yet they'd seemingly taken Carly all the way off home with them to the Planet Zog. There were plenty of people willing to reckon it proved aliens had mighty good taste, but it wasn't the time nor the place to say it out loud. The cops released Jason after two days of questions. He stuck to his story throughout. The desk sergeant said, 'mark my words, there's a lot of hate out there.' Jason headed straight home. He lived in one of the straggle of council houses leading up to the tip. Carly Furnish and her folks lived two doors down. Supposedly they were distant relatives, but that's what everyone said about folks on that street. According to the above context, answer the following question. After the end of the story:

Answer: Jason is distraught over Carly and runs into the forest


Bryan C. Keene and Alexandra Kaczenski of the Getty Museum’s Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of “green spaces” such as gardens, vistas, and their relation to the divine. In particular, Bryan and Alexandra focus on the ways in which artists during the European Middle Ages and Renaissance embedded the pages of illuminated manuscripts with depictions of the natural world so that nature could guide prayer, chant, and meditation. For Bryan, this project represents a continuation of his interest in sacred gardens that began with his graduate work on the garden imagery that influenced Botticelli’s Agony in the Garden painting. In 2013 he curated the exhibition and authored the accompanying book Gardens of the Renaissance. For Alexandra, interest in this subject stems from her scholarly focus on Flemish manuscripts and their relation to Flemish landscape paintings. She brought to the project a complementary interest in issues of environmental and landscape destruction, which also were themes of the exhibition and publication. Though floral and nature studies of the Renaissance and Early Modern periods have been extensively investigated—the scientific notebooks of Leonardo da Vinci, for example, are well documented—this exhibition turns its focus on landscape and the divine. Curatorial research has shed new light on subjects such as the seemingly “scattered” floral arrangements represented within the pages of these books and their relationship to humoral theory and religion. Bryan adds, “The tension that we find in these borders is, on the one hand, intricately rendered leaf and petal structures of plants or flowers, and on the other, hidden whimsical elements, all of which combine to create a rich tapestry of meaning, both symbolic and scientific. Alex and I will continue to explore the potential meaning within this botanical and arboreal chaos.” Sacred... According to the above context, answer the following question. How long did it probably take Bryan and Alexandra to work on the Sacred Landscapes?

Answer:
years