In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Input: Consider Input: Question: Which of the Galway players who performed outstandingly in the finals played for Galway the longest? Passage:In the 1998 championship, led by Mayo-born manager John O'Mahony, Galway won their first round encounter with Mayo, before overcoming Leitrim by 1-16 to 0-05 in the semi-final. The first final ended as a draw, 11 points apiece with Roscommon, but Galway won the replay in Hyde Park. In the semis, Galway came up against Ulster champions Derry, and won by 0-16 to 1-09. In the final the team faced a Kildare team that had just beaten the previous year's champions, Kerry, and were coached by 8 time All-Ireland winning manager Mick O'Dwyer. Galway went into the final as underdogs, but outstanding performances from Ja Fallon and Michael Donnellan in that match, along with a superbly taken goal from a young Padraig Joyce, helped Galway overcome the Lilywhites by 1-14 to 1-10. Captain Ray Silke lifted the Sam Maguire, and Galway became the first Connacht team in 32 years to win an All-Ireland title.


Output: Galway went into the final as underdogs, but outstanding performances from Ja Fallon and Michael Donnellan in that match, along with a superbly taken goal from a young Padraig Joyce, helped Galway overcome the Lilywhites by 1-14 to 1-10


Input: Consider Input: Question: What group won the Corporation's Galaxie Rising Star Award the year after The October Trio won? Passage:The October Trio is a Canadian jazz trio from Vancouver consisting of Josh Cole (bass), Dan Gaucher (drums), and Evan Arntzen (saxophone). Formed in 2004, the three met as students at Capilano College while studying jazz. Their influences are cited as being diverse, ranging from Vespertine-era Björk to the Wayne Shorter Quartet to local talents. In March 2005, they became the regular performers at the Rime, a new music hub located in East Vancouver. There, they recorded their first live album, Live at Rime in 2005. The trio released their studio album, Day In, in 2006 and in the same year, earned the title Canadian Broadcasting Corporation's Galaxie Rising Star Award for best new group at the Vancouver International Jazz Festival. The album was also nominated for a 2007 Western Canadian Music award for Jazz Album of the year. After the album, the trio began collaborating with jazz trumpeter Brad Turner in 2007 and released the album Looks Like It’s Going to Snow in 2009. Turner, had previously produced Day In and is also the producer for the new record. The album is noted for its lyricism and rich arrangements. One review notes that "it easily and off-handedly incorporates funk and rock elements without becoming a collection that is dominated by a backbeat aesthetic." The band is also noted for its rhythmic complexity, as songwriter Cole enjoys the frequent play with irregular time signatures and unusual phrase lengths. The trio has also opened for Dave Holland and the Monterey Quartet.


Output: The trio released their studio album, Day In, in 2006 and in the same year, earned the title Canadian Broadcasting Corporation's Galaxie Rising Star Award for best new group at the Vancouver International Jazz Festival


Input: Consider Input: Question: Which of the Latino hip hop artists of the 1960s released more singles? Passage:Latinos, particularly Puerto Ricans, were at the forefront of the hip hop movement, however; they have often been forgotten in conversation. Nonetheless, we can see the presence and influence of Latinos in hip hop when we think about artist like: Africa Bambaataa & the members of the Zulu Nation (1960s), Latino DJ, DJ Disco Wiz (aka first Latino DJ in hip hop) & DJ Grandmaster Caz came together to form the Mighty Force (1974), DJ Charlie Chase of the Cold Crush Brothers (1975), Lee Quiñones & Lady Pink (1970s), and various others have allowed for Latinos to have a part in hip hop culture and hip hop history. Latina's also had a huge role in hip hop, women who were not on the hip hop stage take part in: the influence and making of music and hip hop performance, dancing of music, and graffiti art. Today we see Latinas like: La Caballota aka Ivy Queen (1995), Ana Bijoux (1995), Angie Martinez: "The Voice of New York" (1996), Hurricane G aka Gloria Rodriguez (1997), Mala Rodríguez (1990s), Lisa M: "The Queen of Spanish Rap" (1988), Nina Dioz (2009), Snow Tha Product aka Claudia Feliciano (2011), Mélony Redondo: MelyMel (2018) have been women who have all taken the stage and made their mark as Latina and Afro-Latina rappers/artist in the hip hop world.



Output: Nonetheless, we can see the presence and influence of Latinos in hip hop when we think about artist like: Africa Bambaataa & the members of the Zulu Nation (1960s), Latino DJ, DJ Disco Wiz (aka first Latino DJ in hip hop) & DJ Grandmaster Caz came together to form the Mighty Force (1974), DJ Charlie Chase of the Cold Crush Brothers (1975), Lee Quiñones & Lady Pink (1970s), and various others have allowed for Latinos to have a part in hip hop culture and hip hop history


