In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Example Input: Question: How old is the lead singer of The Long Blondes? Passage:Multiple artists have cited the band as an influence. Kele Okereke, lead singer of London band Bloc Party, said that he started making music because of Suede's Dog Man Star, and called it "the first record [he] fell in love with". Kate Jackson, lead singer of English indie rock band The Long Blondes has said in interviews of her love for Suede. In 2007, she admitted that Suede got her into music, saying: "Suede's debut album was unlike anything I'd heard before. It was the opposite of grunge, which I hated, and my escape from Bury St Edmunds." Christopher Owens of the Californian indie pop group Girls named Suede as one of his major influences, and his vocal style has been compared to that of Anderson. My Chemical Romance frontman Gerard Way cited Suede as a prominent inspiration for his 2014 solo album, Hesitant Alien. The band have also served as an influence on acts such as Sons and Daughters, Dum Dum Girls, and Drowners, who took their name from the similarly titled Suede song. Canadian rock band Destroyer named their 2017 album ken after the original title for "The Wild Ones".

Example Output: Kate Jackson, lead singer of English indie rock band The Long Blondes has said in interviews of her love for Suede

Example Input: Question: What's an instrument strongly associated with the traditional music found in the album's sixth track? Passage:It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"—a song that discusses about self-confidence—the single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.

Example Output: The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums

Example Input: Question: How many employees did Warner Bros. Records have the year that Kerr moved to Los Angeles? Passage:The Anita Kerr Singers or The Jordanaires sang background on just about every Nashville hit in the late 1950s and early 1960s. After she and Al Kerr divorced, she disbanded the Nashville version of her Anita Kerr Singers and relocated to Los Angeles in August 1965 with her second husband, Swiss businessman Alex Grob, and her daughters Suzie & Kelly. She no longer wanted to just be a background singer or arranger on country songs – she wanted to do pop music, jazz and "do more orchestral writing and music that was not just country.". She hired some lawyers to get her out of her contract with RCA’s Nashville division, got a contract with Warner Bros. Records, and formed a Los Angeles version of the Anita Kerr Singers. The new group, for the next five years, would include the following personnel: alto B.J. Baker or Jackie Ward, tenor Gene Merlino or Bill Cole, baritone Bill Lee, bass Bob Tebow, and Kerr herself as soprano and arranger. The half dozen albums recorded by the Singers for Warner included a cover version of the song "All You Need Is Love" by The Beatles, and one of the LPs was exclusively devoted to the songs of composer Bert Kaempfert. Disguising the group as the Mexicali Singers, Kerr also recorded a trio of mariachi-flavored albums with musical arrangements reminiscent of the Herb Alpert & The Tijuana Brass sound. The Anita Kerr Singers won another Grammy Award for their recording of A Man And A Woman, released as a single on Warner Bros. Records.

Example Output:
After she and Al Kerr divorced, she disbanded the Nashville version of her Anita Kerr Singers and relocated to Los Angeles in August 1965 with her second husband, Swiss businessman Alex Grob, and her daughters Suzie & Kelly

