Think outside the box, whilst inside the box (studio): As this studio is about working with constraints, I thought i’d google ‘constraints in filmmaking’ and see what comes up. One of the first links was to a journal article by Heidi Philipsen entitled ‘Constraints in Film Making Processes Offer an Exercise to the Imagination’. Interestingly enough the first sentence of her article states: “I would like filmmakers interested in thinking “outside the box” to recognize that they can benefit from being placed “inside a box.” I wonder if Paul had contemplated this whilst choosing the name for this studio. Throughout her article Philipsen challenges the notion that creativity is an intangible innate quality, existing within the mind of one source, but rather creativity arises from a multitude of sources. Alike all things shared she suggests that creativity is easier to enhance by changing environmental conditions, rather than encouraging people to ‘think more creatively’. Perceiving creativity in this way allows you to see it as an organisationally influenced phenomenon, rather than a psychological  and individual phenomenon. Which enables you to have more control over creativity and to encourage creativity once being aware of how it can be environmentally enhanced. As Csikzentmihalyi (1996) states “a genuinely creative accomplishment is almost never the result of a sudden insight, a lightbulb flashing on in the dark, but comes after years of hard work”. Constraints, as Philipsen suggests is one such way to manipulate the environment to enhance creativity. Students who attended The Film School in Denmark, who were forced into working with constraints for their  projects eventually considered constraints to be both useful and inspirational. Such constraints included: making a scene with a specific theme, within a specific deadline and with other specific conditions concerning the use of camera, sound, actors etc. Students stated that these constraints ultimately made them feel secure, inspired and focused and... Why was Fred bored? Pick the correct answer from the following options:  A. because John ate all the cake  B. not enough information  C. because John got married  D. because the event was lengthy
D

Personally I enjoy doing things outside. You know, the good ol’ nature. One time, me and my buddy Alex and some friends decided we were going to go camping. (I know, basic camping story. Well not exactly.) We planned on going for the weekend. Got to the spot and put up our tents like normal campers. But knowing myself and my friends we wanted to drink a couple beers and do some fishing. We did just that. Later that night we had started out camp fire and cooked up some links before bed time. My drunk self wanted to keep the fire going all night to prevent wild animals from coming t our sight. Well at least I thought that’d help. So I needed a bunch of wood to do so. Everyone was asleep by this point but me. So I took myself out into the woods a little deeper to grab a full broken down tree. I thought to myself, “Well if I want to utilize all of this wood I’m going to need to break it into smaller prices right?” Wrong. Well at least it was wrongful of how I planned on doing it. I attempted to break the tree in half by throwing it against another tree, as if I were as strong as the hulk or something. Once I chunked the tree at this tree I messed the entire vacation up. The tree came down on my knee and crushed it. I was in so much pain. I realized that I messed it up pretty bad so I laid there for a second trying to get back to my feet. The next day I couldn’t apply any pressure and couldn’t walk at all. I was dirty and smelly and needed some serious help on my leg but I was too far from any civilization. Worst nature experience ever! What was wrong with the writer's knee? Pick the correct answer from the following options:  A. It was bruised  B. It was fine  C. not enough information  D. It was broken
D

Yes, it's actually happened to me before. Let me explain before I get called irresponsible, or incapable of having a dog, or incompetent, My dog is my baby, since the day I got her we've been inseparable. I learned from this mistake and have taken every precaution to prevent it from happening again. She was uninjured luckily, but I was freaking traumatized. I have a SUUUUPPPPEEEERRR long driveway, so I usually drive my truck to the end to check my mail, and on this particular day, I was out in my yard playing with Roxie, I saw the mailman drive by through my fence, and so we walked back to the house, I grabbed my keys, and off we went. This wasn't too long ago, maybe May, so it's hot, typical North Carolina weather, maybe 92 and some change, so my windows are down, because I drive a 13 year old black truck, so it's hot as hell, and it makes it hard to breathe. The AC works, it just takes time to kick in, and number 5 (my highest AC setting) does not work. As I'm driving down, I'm going maybe 5 miles an hour. I'm petting Roxie with my right hand when I feel her jerk out of my reach and I hear a bush rustle, I look to the passenger side, slam on brakes (because the last thing I want is to hurt my baby) and put the truck in park. Sure enough, my mom and her Chihuahua were out in the front yard, and Roxie, being her playful self jumped out and ran. She scared the absolute shit out of me, so now when I drive with her in the car, the window stays shut or cracked. Lesson learned. Who owned the chihuahua? Pick the correct answer from the following options:  A. the author  B. Roxie  C. not enough information  D. their mom
D

For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together they have organized a series of one-day mini-conferences designed to foster dialogue and collaboration among librarians, archivists, and curators at California institutions that house architecture archives. The goal of these semiannual meetings is to create a space for convergence among professionals who intersect with architectural archives in different ways. Architecture archives, often containing large drawings and scale models, present unique problems due to their size and fragility. CalArchNet participants are interested in improving the overall user experience for visitors to the archives by looking for solutions to obstacles to access. This space for an informal exchange of ideas provides an opportunity to be transparent about the challenges repositories face when managing and processing architecture holdings, as well as encourages investigation and experimentation into ways new technologies may help to solve accessibility issues, such as improved interaction with digitized collections via the IIIF protocol or 3D-scanned facsimile models and virtual walk-throughs. October 27 marked the third meeting of CalArchNet, held at the Palm Springs Art Museum, Architecture and Design Center, with representatives from 13 institutions in attendance. Topics discussed included historic site preservation research methodology, leveraging statewide resources to enhance discovery of collections, security considerations, GIS mapping technologies, and the use of linked open data to make connections between collections. The day concluded with a curator-led tour of the exhibition Albert Frey and Lina Bo Bardi: A Search for Living Architecture. If you’re an archivist, librarian, or curator working with architecture... What is probably true about Jessica Pick the correct answer from the following options:  A. not enough information  B. She does not want people to have access  C. She is not interested in architecture  D. She is a librarian too

D