In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Input: Consider Input: Question: How long had Fuji TV been in operation when the station began airing The New Adventures of Pinocchio? Passage:The New Adventures of Pinocchio is a syndicated stop motion animated television series produced by Rankin/Bass Productions in the United States and made by Dentsu Studios in Japan. Created by Arthur Rankin, Jr. and his partner Jules Bass, it was based on the book The Adventures of Pinocchio written by Italian author, Carlo Collodi. The series was Rankin/Bass' first production to be made in "Animagic", a stop motion puppet technique which, in association with the company, was done by Tadahito Mochinaga's MOM Productions (before Mochinaga leaves for China after the finished animation for Mad Monster Party?). A total of 130 five-minute "chapters" were produced in 1960–61. These segments made up a series of five-chapter, 25-minute episodes. During 1963–64, the series was also aired in Japan on Fuji TV as part of another stop motion TV series, Prince Ciscorn (シスコン王子, lit. Ciscorn Ōji), based on the manga by Fujiko Fujio and also produced by Tadahito Mochinaga for Studio KAI and Dentsu.


Output: During 1963–64, the series was also aired in Japan on Fuji TV as part of another stop motion TV series, Prince Ciscorn (シスコン王子, lit


Input: Consider Input: Question: What was the time span of the Great Famine? Passage:From the beginning of the city's history as the western bank of Springfield, Irish families have resided in and contributed to the development of the civics and culture of Holyoke, Massachusetts. Among the first appellations given to the city were the handles "Ireland", "Ireland Parish", or "Ireland Depot", after the village was designated the 3rd Parish of West Springfield in 1786. Initially occupied by a mixture of Yankee English and Irish Protestant families, many of whom belonged to the Baptist community of Elmwood, from 1840 through 1870 the area saw a large influx of Irish Catholic workers, immigrants to the United States, initially from the exodus of the Great Famine. During that period Irish immigrants and their descendants comprised the largest demographic in Holyoke and built much of the early city's infrastructure, including the dams, canals, and factories. Facing early hardships from Anti-Irish sentiment, Holyoke's Irish would largely build the early labor movement of the city's textile and paper mills, and remained active in the national Irish nationalist and Gaelic revival movements of the United States, with the Holyoke Philo-Celtic Society being one of 13 signatory organizations creating the Gaelic League of America, an early 20th century American counterpart of Conradh na Gaeilge.


Output: Initially occupied by a mixture of Yankee English and Irish Protestant families, many of whom belonged to the Baptist community of Elmwood, from 1840 through 1870 the area saw a large influx of Irish Catholic workers, immigrants to the United States, initially from the exodus of the Great Famine


Input: Consider Input: Question: Of the two artists who presented glass to the gallery, who was older? Passage:The Franco-German art dealer and publisher Siegfried Bing played a key role in publicizing the style. In 1891, he founded a magazine devoted to the art of Japan, which helped publicize Japonism in Europe. In 1892, he organized an exhibit of seven artists, among them Pierre Bonnard, Félix Vallotton, Édouard Vuillard, Toulouse-Lautrec and Eugène Grasset, which included both modern painting and decorative work. This exhibition was shown at the Société nationale des beaux-arts in 1895. In the same year, Bing opened a new gallery at 22 rue de Provence in Paris, the Maison de l'Art Nouveau, devoted to new works in both the fine and decorative arts. The interior and furniture of the gallery were designed by the Belgian architect Henry Van de Velde, one of the pioneers of Art Nouveau architecture. The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Emile Gallé, jewellery by René Lalique, and posters by Aubrey Beardsley. The works shown there were not at all uniform in style. Bing wrote in 1902, "Art Nouveau, at the time of its creation, did not aspire in any way to have the honor of becoming a generic term. It was simply the name of a house opened as a rallying point for all the young and ardent artists impatient to show the modernity of their tendencies."



Output: The Maison de l'Art Nouveau showed paintings by Georges Seurat, Paul Signac and Toulouse-Lautrec, glass from Louis Comfort Tiffany and Emile Gallé, jewellery by René Lalique, and posters by Aubrey Beardsley


