In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as `a` for Yes or `b` for No.

[Q]: Question: What year was the monument that commemorated French victory at the Battle of Grand Port completed?  Passage:During the Napoleonic wars, Île de France became a base from which the French navy, including squadrons under Rear Admiral Linois or Commodore Jacques Hamelin, and corsairs such as Robert Surcouf, organised raids on British merchant ships. The raids (see Battle of Pulo Aura and Mauritius campaign of 1809–1811) continued until 1810 when the British sent a strong expedition to capture the island. The first British attempt, in August 1810, to attack Grand Port resulted in a French victory, one celebrated on the Arc de Triomphe in Paris. A subsequent and much larger attack launched in December of the same year from Rodrigues, which had been captured a year earlier, was successful. The British landed in large numbers in the north of the island and rapidly overpowered the French, who capitulated (see Invasion of Isle de France). In the Treaty of Paris (1814), the French ceded Île de France together with its territories including Rodrigues and Seychelles to Great Britain. The island then reverted to its former name, 'Mauritius'.

[A]: b


[Q]: Question: In what city did Black become a literary agent? Passage:Black was head hunted and she became a literary agent at Curtis Brown. She played golf and used her connections to find clients that included Somerset Maugham and Samuel Beckett. She was involved with the noted production of Samuel Beckett's Waiting for Godot in 1956 and holidayed with Maugham in France. She notably told John Osborne to "think again" about his play Look Back in Anger that transformed British theatre. Black was fluent in French and so in love with France that she was sometimes called "Noir". She created translations of plays that were enabled not only be her fluency in French but with her knowledge of theatre after reading so many plays as a literary agent. Her translations included Crime Passionel by Jean Paul Sartre. She also translated his play "Morts sans Sépulture" and was thrilled when the director said that it was perfect. In partnership with Michael Flanders, she translated Stravinsky's Histoire du soldat for the Edinburgh Festival. The work played to capacity audiences in Edinburgh, and again in London at the Royal Festival Hall in 1956 with Flanders as the narrator, Sir Ralph Richardson as the Soldier and Peter Ustinov as the Devil. Their translation has held its place as the standard English version into the 21st century.

[A]: b


[Q]: Question: How many Senators voted for the law that assigned Thebacon and all of its salts the control number 9737? Passage:Thebacon (INN; pronounced ), or dihydrocodeinone enol acetate, is a semisynthetic opioid that is similar to hydrocodone and is most commonly synthesised from thebaine. Thebacon is a derivative of acetyldihydrocodeine, where only the 6–7 double bond is saturated. Thebacon is marketed as its hydrochloride salt under the trade name Acedicon, and as its bitartrate under Diacodin and other trade names. The hydrochloride salt has a free base conversion ratio of 0.846. Other salts used in research and other settings include thebacon's phosphate, hydrobromide, citrate, hydroiodide, and sulfate. The US DEA Administrative Controlled Substance Control Number assigned by the Controlled Substances Act 1970 for thebacon and all of its salts is 9737.

[A]:
a


