Part 1. Definition
In this task, you will be given a passage to read. A fill in the blank question will be given to you.  Your answer should fit the blank appropriately.
Part 2. Example
The music was composed by Hitoshi Sakimoto , who had also worked on the previous Valkyria Chronicles games . When he originally heard about the project , he thought it would be a light tone similar to other Valkyria Chronicles games , but found the themes much darker than expected . An early theme he designed around his original vision of the project was rejected . He redid the main theme about seven times through the music production due to this need to reassess the game . The main theme was initially recorded using orchestra , then Sakimoto removed elements such as the guitar and bass , then adjusted the theme using a synthesizer before redoing segments such as the guitar piece on their own before incorporating them into the theme . The rejected main theme was used as a hopeful tune that played during the game 's ending . The battle themes were designed around the concept of a  divorced from a fantasy scenario by using modern musical instruments , constructed to create a sense of atonality . While Sakimoto was most used to working with synthesized music , he felt that he needed to incorporate live instruments such as orchestra and guitar . The guitar was played by Mitsuhiro Ohta , who also arranged several of the later tracks . The game 's opening theme song ,  ( もしも君が願うのなら , Moshimo Kimi ga Negauno Nara ) , was sung by Japanese singer May 'n . Its theme was the reason soldiers fought , in particular their wish to protect what was precious to them rather than a sense of responsibility or duty . Its lyrics were written by Seiko Fujibayashi , who had worked on May 'n on previous singles . fill in the blank  : The music was composed by Hitoshi __________________ , who had also worked on the previous Valkyria Chronicles games
Answer: Sakimoto
Explanation: This a good example. The actual line from the passage is The music was composed by Hitoshi Sakimotos, In the given sentence, it is stated clearly that Sakimoto answers the question correctly.
Part 3. Exercise
 Most Egyptian deities represent natural or social phenomena . The gods were generally said to be immanent in these phenomena — to be present within nature . The types of phenomena they represented include physical places and objects as well as abstract concepts and forces . The god Shu was the deification of all the world 's air ; the goddess Meretseger oversaw a limited region of the earth , the Theban Necropolis ; and the god Sia personified the abstract notion of perception . Major gods often had many roles and were involved in several types of phenomena . For instance , Khnum was the god of Elephantine Island in the midst of the Nile , the river that was essential to Egyptian civilization . He was credited with producing the annual Nile flood that fertilized the nation 's farmland . Perhaps as an outgrowth of this life @-@ giving function , he was said to create all living things , fashioning their bodies on a potter 's wheel . Gods could share the same role in nature ; Ra , Atum , Khepri , Horus , and other deities acted as sun gods . Despite their diverse functions , most gods had an overarching role in common : maintaining maat , the universal order that was a central principle of Egyptian religion and was itself personified as a goddess . But some deities represented disruption to maat . Most prominently , Apep was the force of chaos , constantly threatening to annihilate the order of the universe , and Set was an ambivalent member of divine society who could both fight disorder and foment it . Not all aspects of existence were seen as deities . Although many deities were connected with the Nile , no god personified it in the way that Ra personified the sun . Short @-@ lived phenomena , like rainbows or eclipses , were not represented by gods ; neither were elements like fire and water or many other components of the world .The roles of each deity were fluid , and each god could expand its nature to take on new characteristics . As a result , gods ' roles are difficult to categorize or define . But despite their flexibility , the gods had limited abilities and spheres of influence . Not even the creator god could reach beyond the boundaries of the cosmos that he created , and even Isis , though she was said to be the cleverest of the gods , was not omniscient . Richard H. Wilkinson , however , argues that some texts from the late New Kingdom suggest that , as beliefs about the god Amun evolved , he was thought to approach omniscience and omnipresence and to transcend the limits of the world in a way that other deities did not . The deities with the most limited and specialized domains are often called  minor divinities  or  demons  in modern writing , although there is no firm definition for these terms . Among these lesser deities , Egyptologist Claude Traunecker draws a distinction between genies  — specialized patron spirits of certain places , objects , or activities , such as the sea or marsh god Wadj @-@ Wer and the harvest goddess Renenutet — and demons , who have a more dangerous character . Many demons are hostile , causing illness and other troubles among humans . Their power can also be protective ; they may guard certain places in the Duat , the realm of the dead , or advise and watch over humans . Egyptians believed the landscape was full of these unpredictable divine powers . Demons often act as servants and messengers to the greater gods , but their position in the hierarchy is not fixed . The protective deities Bes and Taweret originally had minor , demon @-@ like roles , but over time they came to be credited with great influence . fill in the blank  :   Most Egyptian deities represent __________________ or social phenomena . 
Answer:
 natural 