instruction:
Write the right answer to the question based on the context passage.
question:
"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her. Question: Who fidgeted with his wedding ring?
answer:
the businessman


question:
Dark meat in the can--brown, oily, and flecked with mucus--gave off a repellent, fishy smell, and the taste of it rose in his throat, putrid and bitter, like something from a dead man's stomach. George Jordan sat on the kitchen floor and vomited, then pushed himself away from the shining pool, which looked very much like what remained in the can.
He thought, No, this won't do: I have wires in my head, and they make me eat cat food. The snake likes cat food
He needed help but know there was little point in calling the Air Force. He'd tried them, and there was no way they were going to admit responsibility for the monster in his head. What George called the snake, the Air Force called Effective Human Interface Technology and didn't want to hear about any postdischarge problems with it. They had their own problems with congressional committees investigating "the conduct of the war in Thailand."
He lay for a while with his cheek on the cold linoleum, got up and rinsed his mouth in the sink, then stuck his head under the faucet and ran cold water over it, thinking, Call the goddamned multicomp, then call SenTrax and say, "Is it true you can do something about this incubus that wants to take possession of my soul?" And if they ask you, "What's your problem?" you say "cat food," and maybe they'll say, "Hell, it just wants to take possession of your lunch"
A chair covered in brown corduroy stood in the middle of the barren living room, a white telephone on the floor beside it, a television flat against the opposite waIl--that was the whole thing, what might have been home, if it weren't for the snake.
He picked up the phone, called up the directory on its screen, and keyed TELECOM SENTRAX. Question: Who needed help?
answer:
George.


question:
Light dappled through the trees in the family courtyard, painting shadows on the paving stones. Li Reiko knelt by her son to look at his scraped knee.
"I just scratched it." Nawi squirmed under her hands.
Her daughter, Aya, leaned over her shoulder studying the healing. "Maybe Mama will show you her armor after she heals you."
Nawi stopped wiggling. "Really?"
Reiko shot Aya a warning look, but her little boy's dark eyes shone with excitement. Reiko smiled. "Really." What did tradition matter? "Now let me heal your knee." She laid her hand on the shallow wound.
"Ow."
"Shush." Reiko closed her eyes and rose in the dark space within her mind.
In her mind's eye, Reiko took her time with the ritual, knowing it took less time than it appeared. In a heartbeat, green fire flared out to the walls of her mind. She dissolved into it as she focused on healing her son.
When the wound closed beneath her hand, she sank to the surface of her mind.
"There." She tousled Nawi's hair. "That wasn't bad, was it?"
"It tickled." He wrinkled his nose. "Will you show me your armor now?"
She sighed. She should not encourage his interest in the martial arts. His work would be with the histories that men kept, and yet... "Watch."
Pulling the smooth black surface out of the ether, she manifested her armor. It sheathed her like silence in the night. Aya watched with obvious anticipation for the day when she earned her own armor. Nawi's face, full of sharp yearning for something he would never have, cut Reiko's heart like a new blade.
"Can I see your sword?"
She let her armor vanish back into thought. "No." Reiko brushed his hair from his eyes. "It's my turn to hide, right?" Question: Who scraped his/her knee?
answer:

Nawi


