In this task, you will be given a passage to read. A fill in the blank question will be given to you.  Your answer should fit the blank appropriately.

Input: Consider Input:  Valkyria Chronicles 3 was adapted into a two @-@ episode original video animation series in the same year of its release . Titled Senjō no Valkyria 3 : Taga Tame no Jūsō ( 戦場のヴァルキュリア３ 誰がための銃瘡 , lit . Valkyria of the Battlefield 3 : The Wound Taken for Someone 's Sake ) , it was originally released through PlayStation Network and Qriocity between April and May 2011 . The initially @-@ planned release and availability period needed to be extended due to a stoppage to PSN during the early summer of that year . It later released for DVD on June 29 and August 31 , 2011 , with separate  Black  and Blue editions being available for purchase . The anime is set during the latter half of Valkyria Chronicles III , detailing a mission by the Nameless against their Imperial rivals Calamity Raven . The anime was first announced in November 2010 . It was developed by A @-@ 1 Pictures , produced by Shinji Motoyama , directed by Nobuhiro Kondō , and written by Hiroshi Ōnogi . Sakimoto 's music for the game was used in the anime . The anime 's title was inspired by the principle purpose of the Nameless : to suffer in battle for the goals of others . A subtitle attached to the project during development was  The Road to Kubinka  , which referenced the Kubinka Tank Museum in Moscow . The game 's main theme was how the characters regained their sense of self when stripped of their names and identities , along with general themes focused on war and its consequences . While making the anime , the production team were told by Sega to make it as realistic as possible , with the consequence that the team did extensive research into aspects such as what happened when vehicles like tanks were overturned or damaged . Due to it being along the same timeline as the original game and its television anime adaptation , the cast of Valkyria Chronicles could make appearances , which pleased the team . The opening theme ,  Akari ( Light ) -Tomoshibi-  ( 灯 @-@ TOMOSHIBI- ) , was sung by Japanese singer Faylan . The ending theme , Someday the Flowers of Light Will Bloom ( いつか咲く光の花 , Itsuka Saku Hikari no Hana ) , was sung by Minami Kuribayashi . Both songs ' lyrics were written by their respective artists.Two manga adaptations were produced , following each of the game 's main female protagonists Imca and Riela . They were Senjō no Valkyria 3 : Namo naki Chikai no Hana ( 戦場のヴァルキュリア3 名もなき誓いの花 , lit . Valkyria of the Battlefield 3 : The Flower of the Nameless Oath ) , illustrated by Naoyuki Fujisawa and eventually released in two volumes after being serialized in Dengeki Maoh between 2011 and 2012 ; and Senjō no Valkyria 3 : -Akaki Unmei no Ikusa Otome- ( 戦場のヴァルキュリア3 -赤き運命の戦乙女- , lit . Valkyria of the Battlefield 3 -The Valkyrie of the Crimson Fate ) , illustrated by Mizuki Tsuge and eventually released in a single volume by Kadokawa Shoten in 2012 . fill in the blank  : Valkyria Chronicles 3 was adapted into a two @-@ episode original video animation series in the same __________________ of its release . 

Output:  year 


Input: Consider Input:  Egyptian gods were involved in human lives as well as in the overarching order of nature . This divine influence applied mainly to Egypt , as foreign peoples were traditionally believed to be outside the divine order . But in the New Kingdom , when other nations were under Egyptian control , foreigners were said to be under the sun god 's benign rule in the same way that Egyptians were . Thoth , as the overseer of time , was said to allot fixed lifespans to both humans and gods . Other gods were also said to govern the length of human lives , including Meskhenet , who presided over birth , and Shai , the personification of fate . Thus the time and manner of death was the main meaning of the Egyptian concept of fate , although to some extent these deities governed other events in life as well . Several texts refer to gods influencing or inspiring human decisions , working through a person 's  heart  — the seat of emotion and intellect in Egyptian belief . Deities were also believed to give commands , instructing the king in the governance of his realm and regulating the management of their temples . Egyptian texts rarely mention direct commands given to private persons , and these commands never evolved into a set of divinely enforced moral codes . Morality in ancient Egypt was based on the concept of maat , which , when applied to human society , meant that everyone should live in an orderly way that did not interfere with the well @-@ being of other people . Because deities were the upholders of maat , morality was connected with them . For example , the gods judged humans ' moral righteousness after death , and by the New Kingdom , a verdict of innocence in this judgment was believed to be necessary for admittance into the afterlife . But in general , morality was based on practical ways to uphold maat in daily life , rather than on strict rules that the gods laid out . Humans had free will to ignore divine guidance and the behavior required by maat , but by doing so they could bring divine punishment upon themselves . A deity carried out this punishment using its ba , the force that manifested the god 's power in the human world . Natural disasters and human ailments were seen as the work of angry divine bas . Conversely , the gods could cure righteous people of illness or even extend their lifespans . Both these types of intervention were eventually represented by deities : Shed , who emerged in the New Kingdom to represent divine rescue from harm , and Petbe , an apotropaic god from the late eras of Egyptian history who was believed to avenge wrongdoing . Egyptian texts take different views on whether the gods are responsible when humans suffer unjustly . Misfortune was often seen as a product of isfet , the cosmic disorder that was the opposite of maat , and therefore the gods were not guilty of causing evil events . Some deities who were closely connected with isfet , such as Set , could be blamed for disorder within the world without placing guilt on the other gods . But some writings do accuse the deities of causing human misery , while others give theodicies in the gods ' defense . Beginning in the Middle Kingdom , several texts connected the issue of evil in the world with a myth in which the creator god fights a human rebellion against his rule and then withdraws from the earth . Because of this human misbehavior , the creator is distant from his creation , allowing suffering to exist . New Kingdom writings do not question the just nature of the gods as strongly as those of the Middle Kingdom . They emphasize humans ' direct , personal relationships with deities and the gods ' power to intervene in human events . People in this era put faith in specific gods who they hoped would help and protect them through their lives . As a result , upholding the ideals of maat grew less important than gaining the gods ' favor as a way to guarantee a good life . Even the pharaohs were regarded as dependent on divine aid , and after the New Kingdom came to an end , government was increasingly influenced by oracles communicating the gods ' will . fill in the blank  :Egyptian gods were involved in __________________ lives as well as in the overarching order of nature . 

Output:  human 


Input: Consider Input:  Tom Araya – bass , lead vocals Jeff Hanneman – lead and rhythm guitar Kerry King – lead and rhythm guitar , backing vocals Dave Lombardo – drums fill in the blank  :   Tom Araya – bass , __________________ vocals  


Output:  lead 


