In this article, I’ll address a real mainstay of modern medicine: laboratory tests that require drawing blood. This is sometimes referred to as “checking labs,” “doing bloodwork,” or even “checking blood.” Most older adults have been through this. For instance, it’s pretty much impossible to be hospitalized without having bloodwork done, and it’s part of most emergency room care. Such testing is also often done as part of an annual exam, or “complete physical.” Last but not least, blood testing is usually — although not always — very helpful when it comes to evaluating many common complaints that affect aging adults. Fatigued and experiencing low energy? We should perhaps check for anemia and thyroid problems, among other things. Confused and delirious? Bloodwork can help us check on an older person’s electrolytes (they can be thrown off by a medication side-effect, as well as by other causes). Blood tests can also provide us with information related to infection, kidney function, and much more. Like much of medical care, blood testing is probably overused. But often, it’s an appropriate and an important part of evaluating an older person’s health care concerns. So as a geriatrician, I routinely order or recommend blood tests for older adults. Historically, laboratory results were reviewed by the doctors and were only minimally discussed with patients and families. But today, it’s becoming more common for patients to ask questions about their results, and otherwise become more knowledgeable about this aspect of their health. In fact, one of my top recommendations to older adults and family caregivers is to always request a copy of your laboratory results. (And then, keep it in your personal health record!) This way, if you ever have questions about your health, or need to see a different doctor, you’ll be able to quickly access this useful information about yourself. In this article, I’m going to list and briefly explain the blood tests that are most commonly used, for the primary medical care of older... According to the above context, answer the following question. What action does the author recommend following blood-work?

Answer: Obtaining a copy of the result


Let’s rewind to January 2013 for a moment. It’s a sunny and warm day in Los Angeles—a bit of a weather shock to me after 11 years of Seattle’s cold and rain. I’ve been officially on the job in the web department for all of 12 hours. I’m sitting in a conference room at a big wooden table, surrounded by my new coworkers and team members in the Getty’s web group. A big monitor is displaying the prototype of the newly designed and almost-built Getty Iris. We’re discussing The Iris logo you see at the top of this page, its multiple iterations, and, quite frankly, the pain involved in trying to get it to look right. Wait-wait-wait, let’s pause for a moment. My name is Will Lanni. I’m a Web production specialist at the Getty, which is a complex way of saying I’m a developer and designer, which is a nice way of saying that I’m basically a “web monkey.” Before I started at the Getty, I worked as a partner in a small web design and development firm for several years. I had some experience working for the Getty—I built the Pacific Standard Time at the Getty site, the Pacific Standard Time Festival site, as well as the interactive Getty Impact map. And, at the time of my hiring, I was not only working on the new design and build of The Iris, due to go live in only a month, but also the soon-to-be-launched website for Pacific Standard Time Presents: Modern Architecture in L.A. So I wasn’t exactly new to projects at the Getty, even though I was a brand-spanking-new full-time employee. OK. Now that you know who I am, let’s get back to that moment. The Iris logo, and the hair-pulling it was causing for all of us—which is a pretty good representation of the steps that Web projects go through as we move from idea, to execution, to setback, to solution. According to the above context, answer the following question. After the end of the story, Lanni probably:

Answer: continues his job as a web developer


The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town. He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open. The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom. Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill. When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?" One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth. Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door. "Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." According to the above context, answer the following question. Who lives west of town about one mile?

Answer:
Kraamer