Write the right answer to the question based on the context passage.

Input: Consider Input: What is creativity?
How de we define creativity?
Where does creativity come from?
How philosophical is the notion of creativity?
Is everyone's ‘creativity' different?
Or is it an ill conceived, simplified term that is used to describe a very specific series of neuronal & bodily reactions to certain stimuli?
These are all the questions I've been thinking (and googling, and youtubing) since beginning this Capturing Creativity studio* and I have found some answers or maybe I've just found more questions:
Creativity is generally defined as the ability to make new things, or come up with new ideas, it's an ability to think outside the box, to see unique solutions and employ them in inventive ways. In this sense creativity is not always utilised when being ‘creative', as to be creative is simply defined as the ability to make or produce something. However I guess that depends on your definition of creative, how different, unique, special, once off, un-influenced does something have to be, to be classified as creative?
This is where creativity get's tricky.
It's all well and good to be like oh this is what creativity is, so it's easy to investigate it, but what if you don't define that as being creative, maybe that was just following a formula, a somewhat inspired formula, but maybe it is just a formula. Creativity to most people seems to be a random mix of once off genius combined with solid skill and hard work and for us humans these percentages are unique to us.
Maybe creativity to you is 90% unique idea, 5% skill and 5% hard work.
Maybe creativity to you is 40% unique idea, 50% skill and 10% hard work.
Maybe for you creativity doesn't have to involve any hard work at all.
For me when it comes to creativity I'm most interested in that unique idea portion; where does that unique idea come from?
Is it simply random?
Is it a gift from the gods?
Is our unique idea just a product of a lot of subconscious effort, only made aware to us in the sense of a ‘random' idea?
Have we been influenced by something, processed it subconsciously, then come up with a creative idea, only to be unaware of the original influence? Question: What can be defined as an ability to think outside the box

Output: Creativity


Input: Consider Input: Jason had been sitting alone at his table, staring at the tall, platinum blonde for an hour. His imagination ran wild with thoughts of kissing her full lips while his hands explored her lean, muscled body. Tonight he didn't need the whiskey to warm him up. But he kept drinking it anyway. She stepped away from the mike, sat her acoustic guitar on its stand, and walked down from the small stage. Jason beat all the other losers to the bar and sat down beside her. "You must be pretty thirsty after all that beautiful singing." How many times had she heard that line? But at age 33, she'd probably heard every pickup line known to man. "Yeah," she said, giving him a quick glance. He wasn't a bad looking guy. Probably a couple of inches shorter than her. At six-foot-two, she was accustomed to that. But a lot of men couldn't deal with her height. They liked to be the tall one in the relationship. Not that she'd had many relationships. Mostly one-nighters. Without her saying a word, the bartender sat a glass of ice down in front of her, and poured her a can of Diet Coke. "Thanks, Joe." She took a sip as he walked away. "I'm Jason." "Sondra," she said, looking straight ahead as she took another sip. "I really enjoyed your music--especially that last song. Did you write it yourself?" "Yeah." "Wow. It was sad, but moving. You've got talent." Here we go, she thought. And I suppose you're a talent agent or a record producer, or you've got a friend in the business. And you'd be more than happy to get me a record deal--assuming I'd be willing to go with you right now to some sleazy motel. "I'm sick of this business. In fact, you just heard my last performance. First thing Monday morning I'm going out to find me a real job. One that will pay the bills." Question: Who was sick of the music business?

Output: Sondra


Input: Consider Input: For a moment, Paul wasn't even sure who had walked into the room. Chloe had totally transformed herself since he'd last seen her. She wore a wig for starters, and a very good one. It was light brown and shoulder length. It looked so natural that if he didn't know she had much shorter hair, he would have guessed that she had dyed it. But it was the outfit that made the change. She wore a well-tailored, very professional, gray woman's skirt/blazer combo with a yellow silk blouse. Her wrist sported what looked to Paul's uneducated eye like an expensive and fashionable gold lady's watch from which he thought he detected a glint of diamond. In short, she looked just like the high priced lawyer she was supposed to be. She was certainly the best-dressed person in the room.
Chloe reached across the table to shake Greg's hand, stretching forward as she did so. Paul watched Greg glance down at her cleavage while he shook her hand. "I'm Rachel Roth, here on behalf of Mr. Paul Reynolds."
"Hi," said Greg. "I'm Greg Driscol, and this is..."
"I know the rogues gallery here," said Chloe cutting Greg off and looking around at the assembled board members. "I've learned all about you gentlemen."
Marie stood up and shook Chloe's hand. "Marie Cooper, from Johnson, Myers, and Wick," she said.
"Nice to meet you," she said. "Ok, we've got the intros down, shall we get on with the dirty business?"
"Um, sure," Greg said as he sat back down. "I was just about to turn things over to Marie."
The plan was now in action, and so far so good. But Paul knew that this was a crucial moment. Chloe didn't really know the law - just a few points that her friend had helped her out with. She couldn't let the real lawyer take over the meeting. Her dramatic, unexpected entrance had them off guard, and Paul hoped she seized the moment and pressed on. Question: Who came on behalf of Mr. Reynolds?


Output: Rachel


