You will be given a definition of a task first, then some input of the task.
In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

MA-AN!  Too much talent for the spoiled youth to bear... . I have good instincts, folks.  Just like all of you who've already givin' this a glowing review.  I checked this out from the library a few days ago and was immediately FLOORED.  So much so that I'm thinking about not reteurning it; telling them I lost it an' just paying for it.  I'm amazed at the gracefulness that comes across when you put together two so distinct an' so DIFFERENT voices.  Louis' scratchy, gruff, yet likeable an' melodic croon an' Ella's smooth-as-silk, soothing an' intoxicating voice incredibly, to me, go PERFECTLY on these duets here.  From that first opener 'Let's Call the Whole Thing off', done so sly an' flirtatious on both parts, to 'Gee, Baby, Ain't I Good to You' to the ever-engaging 'Autumn in New York' and 'Stars Fell on Alabama' one of the GREATEST standards EVER written ("And in the center just you and me, My heart beat like a hammer, My arms wound around you tight, And stars fell on Alabama last night").  THAT is what romance is, kiddies!  Oh, an' I can't forget 'Summertime'.  Ahhh, yes, 'Summertime', with that opening trumpet that tugs at your heart strings and makes you wish for days of love, happiness, sunlights an' flowers; a world of beauty that should never be taken for granted.  Yeah, I know what you're thinkin'; "there he goes, layin' it on thick again."  Well, I can't help it.  In a time filled with the most repugnant excuses for music I've ever heard in all my soon-to-be twenty-five years, it is a shining gift that this music has been preserved for us who TRULY appreciate talent and genius.  There's no show-boating here, no bone-headed braggadocio, no studio gimmicks.  THIS is what music is.
Output:
POS