In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: A BIT OF A DISAPPOINTMENT . HOLD THE FAITH: With his debut album release, VIRTUOUS WOMAN, Warrior King cemented a reputation as one of Jamaica's hottest conscious singers in recent years. Singles like NEVER GO WHERE PAGANS GO and VIRTUOUS WOMAN bust up the Jamaican charts, and established young Warrior King as a major talent with strong vocal range, delivering cultural as well as lovers' lyrics for some of the island's biggest producers. In light of such a powerful debut, HOLD THE FAITH turns out to be a bit of a disappointment. The album opens with an interesting introductory segment, and then the title track, which is decent but nothing to run out into the streets and shout about. From thereon out, HOLD THE FAITH rides a few crests - like the herbally inspired MEDITATION on the PASS THE KUTCHIE (FULL UP) rhythm, or the catchy sing-along, EDUCATION - but mostly hovers right around average, or at worst, sinks to sadly uninspired. Listening to forgettable roots-by-numbers efforts like FREEDOM and JUDGMENT DAY, there's little evidence that this is the work of the same singer whose compelling chanting style carried a modern classic like POWER TO CHANT to the top every reggae playlist. Even worse, there are a couple of performances - particularly the dreadful EVERYDAY - that sound like phone-ins; a real let-down, and not at all what you'd expect from an artist of Warrior King's caliber. Overall, I really believe that HOLD THE FAITH is just a misstep, and that if we can indeed hold the faith, Warrior King will be back to reward us with his very best before too long. Until then, this will just have to do
[A]: NEG


[Q]: Seriously, what happened to these guys . These guys haven't put a good album out since Floored.  Lemonade and Brownies is a great metal album and by far their best.  Once &quot;Fly&quot; was a hit, it ruined their sound and they completely sold their souls and sold out their old fans.  When I heard the first single off this album, I almost cried to see how low this band has gone.  I can't believe Mark McGrath was in that Angel's Song for Sevendust.  Now there's a metal band that still puts out good hard albums
[A]: NEG


[Q]: And The Hits Just Keep On Comin' . Just by saying this has been quite a year for the veteran crooner would be an understatement in itself. Barry Manilow began 2006 with the predecessor to this time capsule by debuting at #1 last February with The Greatest Songs Of The Fifties. In between that album release and this, he has continued to sell out his Las Vegas extravaganza, Music and Passion, five nights a week. The show is so successful that the Las Vegas Hilton recently extended Manilow's contract through 2008. He picked up his second Emmy Award this past August for the live on tape broadcast of that event, and with the release of this album, he has his highest-selling tally in a debut week than he has for any other album of his 32 year recording career. Barry also holds the distinction of being the only artist of 2006 to have two Top two records in Billboard in one calendar year. When it came to recording his follow-up to the "Fifties," juggernaut, it didn't take a rocket scientist to figure out what the concept would be. All it took was Clive Davis to help sort out the material and all systems were go. For the critics who have tarred and feathered Manilow since he hit #1 with his very first single, "Mandy" over three decades ago, you'd think by this time they'd cut him some slack. No dice. Manilow has even admitted he wouldn't know how to react if he heard a kind word from a critic, the Brooklyn-born writer, arranger, producer and crooner has always depended on the devotion of his fanbase. And it's not just any fanbase. These people are hardcore fans, dubbed "Fanilows." On this CD, we are treated to thirteen chestnuts that made the 60's one of the best eras in pop music history. The pop songs run the gamut of that decade offering everything from Bacharach to the Beatles and in between honest and original covers that include a sensational retooling of Frankie Valli's "Can't Take My Eyes Off Of You," which kicks the disc off into high gear. Other highlights among highlights include a duet with 60's supergroup, The Association, on their staples "Cherish" and "Windy" that Barry cleverly arranged as a medley. Elvis' gorgeous 1962 ballad "Can't Help Falling In Love" is lusciously delivered as is The Righteous Brothers 1965 anthem "You've Lost That Lovin' Feelin'." Even the somewhat hokey #1 Dean Martin single "Everybody Loves Somebody" from 1964 fits in divinely as Manilow gives it as much warmth as Dino did over forty years ago. Sinatra's smash hit from 1966, "Strangers In The Night" is so effective, Franks' daughter, Tina, gave Manilow a thumbs-up for a sensational interpretation. Other pop staples included are the Herman's Hermits "There's A Kind Of Hush," Bacahrach's gorgeous song from '68 "This Guy's In Love With You,  as well as his '69 Oscar-winner "Raindrops Keep Falling On My Head." The Beatles shimmering 1964 ballad "And I Love Her" and Bobby Vinton's 1963 "Blue Velvet" is just as haunting as the original while the mood on the 1962 love anthem "When I Fall In Love" originally a hit for The Lettermen is optimistically heart-wrenching. The album ends on a positive note (pun intended) with the 1965 anthem for hope "What The World Needs Now Is Love." Never was that sentiment so true - never was a Manilow album this gratifying. Everything from song selections to Manilow's masterful arrangements to his honest readings, this record is easily ranked as one of the best of his storied career. Look for The Greatest Songs Of The Seventies inside a year. It doesn't take a fortune teller to figure that one out
[A]:
POS


