Part 1. Definition
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Answer: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Part 3. Exercise
Context_1 : Duvalia is a succulent plant genus in the tribe Stapeliae, milkweed subfamily Asclepiadoideae, in the family Apocynaceae (dogbane). Context_2 : Heterotaxis is a genus of orchids native to Latin America from central Mexico to Bolivia, and also to parts of the West Indies. One species extends into Florida ("H. sessilis", listed under synonym "Maxillaria crassifolia" in Flora of North America). Context_3 : Maxillarieae is a large and complex tribe of orchids native to South and Central America. Within the tribe there are eight subtribes one of which is that of the genus "Maxillaria". Context_4 : Nudol is a phenanthrenoid of the orchids "Eulophia nuda", "Eria carinata", "Eria stricta" and "Maxillaria densa". Context_5 : Maxillaria, abbreviated as Max in the horticultural trade, is a large genus of orchids (family Orchidaceae). This is a diverse genus, with very different morphological forms. Their characteristics can vary widely. Context_6 : Ornithidium donaldeedodii is a species of orchids "discovered" in April 2010 when DNA analysis showed that a wrongly labeled orchid at the University of California Botanical Garden in Berkeley, California, was actually a distinct new species. The "new" orchid, which had been mislabeled as "Maxillaria croceorubens" since the 1990s, was named after orchidologist Donald D. Dod (1912–2008), who collected the specimen in the 1980s in Haiti. The new orchid was officially described in "Lankesteriana", an international journal on orchidology, by authors James Ackerman of the University of Puerto Rico and W. Mark Whitten of the Florida Museum of Natural History. Context_7 : Microtis, commonly known as onion orchids or mignonette orchids is a genus of about 20 species of plants in the orchid family, Orchidaceae. Onion orchids are terrestrial herbs with a single leaf at the base of the plant. They are similar to orchids in the genus "Prasophyllum" in that they have an onion-like leaf. The flowers are small but often scented and attractive to their insect pollinators. They are widespread in Asia, Australia and some Pacific islands. Context_8 : Caladenia, commonly known as spider orchids, is a genus of 350 species of plants in the orchid family, Orchidaceae. Spider orchids are terrestrial herbs with a single hairy leaf and a hairy stem. The labellum is fringed or toothed in most species and there are small projections called calli on the labellum. The flowers have adaptations to attract particular species of insects for pollination. The genus is divided into three groups on the basis of flower shape, broadly, spider orchids, zebra orchids and cowslip orchids, although other common names are often used. Although they occur in other countries, most are Australian and 136 species occur in Western Australia, making it the most species-rich orchid genus in that state. Context_9 : Paracaleana commonly known as duck orchids, is a genus of flowering plants in the orchid family, Orchidaceae that is found in Australia and New Zealand. The Australian species are found in all states but have not been recorded in the Northern Territory. Orchids in this genus are similar to "Caleana major", but there are differences in the flowers and in the insects that pollinate them. "Paraceleana" orchids, as well as hammer orchids ("Drakaea") are pollinated by male thynnid wasps. Duck orchids have a single leaf and one or a few, dull-coloured, inconspicuous flowers. Context_10 : Camaridium is a genus of epiphytic orchids widespread across the West Indies and through Latin America from Mexico to Bolivia. One species extends into Florida ("C. vestitum", listed in Flora of North America under the synonym, "Maxillaria parviflora"). fact_1 : Duvalia is a succulent plant genus in the tribe Stapeliae, milkweed subfamily Asclepiadoideae, in the family Apocynaceae (dogbane). fact_2 : Maxillaria, abbreviated as Max in the horticultural trade, is a large genus of orchids (family Orchidaceae). Question: Duvalia and Maxillaria, are a genus of orchids?
Answer:
no