Funny Girl
{'<entity_0>': 'Academy Award for Best Actress', '<entity_1>': 'Academy Award for Best Picture', '<entity_2>': 'Columbia Pictures', '<entity_3>': 'Barbra Streisand', '<entity_4>': 'Isobel Lennart', '<entity_5>': 'New York City', '<entity_6>': 'William Wyler', '<entity_7>': 'album', '<entity_8>': 'Bob Merrill', '<entity_9>': 'Kay Medford', '<entity_10>': 'Omar Sharif', '<entity_11>': 'Jule Styne', '<entity_12>': 'Funny Girl', '<entity_13>': 'Rastar', '<entity_14>': 'musical', '<entity_15>': 'People', '<entity_16>': 'single', '<entity_17>': 'novel', '<entity_18>': 'film', '<entity_19>': 'song'}
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<entity_12> is a 1964 <entity_14> (opened on Broadway in 1964) with a book by <entity_4>, music by <entity_11>, and lyrics by <entity_8>. The <entity_14> was produced by <entity_13>, who was Brice's son-in-law via his marriage to her daughter Frances, and starred <entity_3>. The <entity_14> is set in and around <entity_5> just prior to and following World War I. Ziegfeld Follies star Fanny Brice, awaiting the return of her husband, Nicky Arnstein, from prison, reflects on their life together, and their story is told as a flashback. Finally, <entity_4> submitted My Man, which pleased both Stark and <entity_2> executives, who offered Stark $400,000 plus a percentage of the gross for the property. <entity_3> was not enthusiastic about Kanin as a director and insisted she wanted Robbins back, especially after Kanin suggested "<entity_15>" be cut from the score because it didn't fit the character. <entity_3> already had recorded the <entity_19> for a <entity_16> release, and Merrill insisted, "It has to be in the show because it's the greatest thing she's ever done." Kanin's <entity_17> Smash is based loosely on his experience directing <entity_12>. In addition to <entity_3> and Chaplin, the original cast included <entity_9>, Danny Meehan, Jean Stapleton, and Lainie Kazan, who also served as <entity_3>'s understudy. The New York Times reviewer noted: "What makes it all the more impressive is that few actors, or theater companies outside of summer stock, dare to attempt <entity_11>'s and <entity_8>'s grand spectacle that propelled <entity_3>'s career nearly 40 years ago." <entity_3>'s label, Columbia Records, declined to produce the cast <entity_7>, so Capitol Records released it. The 1968 namesake screen adaptation, directed by <entity_6>, paired <entity_3> with <entity_10> in the role of Arnstein. The <entity_18> won <entity_3> the <entity_0>, an honor she shared with Katharine Hepburn for The Lion in Winter, as well as the Golden Globe. The <entity_18>, which was nominated for the <entity_1> and several other awards, was the top-grossing <entity_18> of 1968. Diana Ross & the Supremes released a <entity_7> titled Diana Ross & the Supremes Sing and Perform "<entity_12>" on the Motown label, released in 1968. It is a cover <entity_7> of songs from <entity_12>. Motown had Ross and the Supremes cover the <entity_12> songs (several of which were to appear on their shelved 1965 <entity_7> There's a Place for Us) to tie in with the September release of the feature-<entity_18> version of the <entity_14>.
['album', 'musical', 'single', 'song', 'film', 'literary work']