suprematism
{'<entity_0>': 'Kazimir Malevich', '<entity_1>': 'art movement', '<entity_2>': 'abstract art', '<entity_3>': 'suprematism', '<entity_4>': 'Cubism', '<entity_5>': '1913'}
[['suprematism', 'inception', '1913'], ['suprematism', 'founded by', 'Kazimir Malevich'], ['suprematism', 'instance of', 'art movement'], ['suprematism', 'influenced by', 'Cubism'], ['suprematism', 'genre', 'abstract art'], ['suprematism', 'start time', '1913']]
<entity_3> (Russian: Супремати́зм) is an <entity_1> focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. The term <entity_3> refers to an <entity_2> based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects. <entity_0> developed the concept of <entity_3> when he was already an established painter, having exhibited in the Donkey's Tail and the Der Blaue Reiter (The Blue Rider) exhibitions of 1912 with cubo-futurist works. Malevich also credited the birth of <entity_3> to Victory Over the Sun, Kruchenykh's Futurist opera production for which he designed the sets and costumes in <entity_5>. The group of artists wrote several articles for the initial publication, including the essays "The Mouth of the Earth and the Artist" (Malevich), "On the Old and the New in Music" (Matiushin), "<entity_4>, Futurism, <entity_3>" (Rozanova), "Architecture as a Slap in the Face to Ferroconcrete" (Malevich), and "The Declaration of the Word as Such" (Kruchenykh).
['art movement']