Stile antico
{'<entity_0>': 'manner of musical composition', '<entity_1>': 'Seconda pratica', '<entity_2>': 'Stile antico', '<entity_3>': 'style'}
[['Stile antico', 'opposite of', 'Seconda pratica'], ['Stile antico', 'description', 'manner of musical composition'], ['Stile antico', 'instance of', 'style']]
<entity_2> (literally "ancient <entity_3>", Italian pronunciation: ), is a term describing a <entity_0> from the sixteenth century onwards that was historically conscious, as opposed to stile moderno, which adhered to more modern trends. <entity_2> has been associated with composers of the high Baroque and early Classical periods of music, in which composers used controlled dissonance and modal effects and avoided overtly instrumental textures and lavish ornamentation, to imitate the compositional <entity_3> of the late Renaissance. In the early Baroque Claudio Monteverdi and his brother coined the term prima pratica to refer to the older <entity_3> of Palestrina, and <entity_1> to refer to Monteverdi's music.
['music genre', 'style', 'music style']