Facing the Modern: The Portrait in Vienna 1900
{'<entity_0>': 'Facing the Modern: The Portrait in Vienna 1900', '<entity_1>': 'National Gallery', '<entity_2>': 'Credit Suisse', '<entity_3>': 'exhibition', '<entity_4>': '1900'}
[['Facing the Modern: The Portrait in Vienna 1900', 'instance of', 'exhibition'], ['Facing the Modern: The Portrait in Vienna 1900', 'point in time', '1900'], ['Facing the Modern: The Portrait in Vienna 1900', 'location', 'National Gallery'], ['Facing the Modern: The Portrait in Vienna 1900', 'sponsor', 'Credit Suisse']]
<entity_0> was an <entity_3> at the <entity_1>, London, running from 9 October 2013 through to 12 January 2014. The <entity_3> was curated by Gemma Blackshaw and sponsored by <entity_2>. The <entity_3> catalogue was entitled <entity_0>. Brian Sewell of The Evening Standard shared concerns over the way the <entity_3> was organised, nevertheless welcomed the opportunity to view some lesser known names, although trenchant in his dismissal of Arnold Schönberg's work: "The most unwise of these excursions is the exaltation as artist-genius, even comparing him with Van Gogh, of the composer Arnold Schönberg, 26 and penniless in <entity_4>, his crass amateur paintings "untainted" by training, deliberately naive – a folly equalled only by our acceptance, a century later, of Paul McCartney as a painter".
['exhibition', 'art exhibition']