The Encyclopedia Americana (1920)/Pickwick Papers
PICKWICK PAPERS. “The Posthumous Papers of the Pickwick Club,” issued in 20 monthly numbers, began to appear the last of March 1836
The Encyclopedia Americana (1920)/Pickwick Papers
PICKWICK PAPERS. “The Posthumous Papers of the Pickwick Club,” issued in 20 monthly numbers, began to appear the last of March 1836, and were concluded in November 1837. They were the work of a young man but 25 years old, who had hitherto written nothing more than a group of sketches dealing mainly with London life. A firm of London publishers, Messrs. Chapman and Hall, was then projecting a series of “cockney sporting plates” by Robert Seymour, a rather clever artist. There was to be a club, the members of which were to be sent on hunting and fishing expeditions into the country. Their guns were to go off by accident; fishhooks were to get caught in their hats and trousers; and all these and other misadventures were to be depicted in Seymour's comic plates. At this juncture, Charles Dickens was called in to supply the letterpress — that is, the description necessary to explain the plates and connect them into a sort of picture novel such as was then the fashion. Though protesting that he knew nothing of sport, Dickens nevertheless accepted the commission; he consented to the machinery of a club, and in accordance with the original design sketched Mr. Winkle who aims at a sparrow only to miss it. Seymour dying, other artists took his place; but from the very first Dickens was the master. Only in a few instances did he adjust his narrative to plates that had been prepared for him. He himself led the way with an instalment of his story, and the artist was compelled to illustrate what Dickens had already written. The story thus became the prime source of interest, and the illustrations merely of secondary importance. By this reversal of interest, Dickens transformed, at a stroke, a current type of fiction, consisting mostly of pictures, into a novel of contemporary London life. Simple as the process may appear, others who had tried the plan had all failed. Pierce Egan partially succeeded in his ‘Tom and Jerry,’ a novel in which the pictures and the letterpress are held in even balance. Dickens, his genius working silently 