This was Bollywoods answer to Fatal attraction and this is a classic film in its own right. Juhi Chawla was good and so was Sunny Deol but it was Shah Rukh Khan who shot to fame as the stalker. Since then he has become a favourite of the Chopras Dilwale Dulhaniya le Jayenge, Mohhabatein, Dil to pagal hai, Veer Zaara and Chak De India. Shah Rukh at first appears to be a villain but then towards the end you start to sympathize with him. The scripting was superb and the songs were chartbusters. My favourites are Too mere samne and Jaadu teri nazar.After the dismal failure of the underrated Lamhe Yash Chopra fought back with Darr. The dialogues were memorable, the k..k..Kiran dialogue is often repeated. Since Darr Yash Chopra has slipped bit. Dil to pagal hai was bad but he redeemed himself slightly with Veer Zaara, which was far far better. This was Yash Chopras last masterpiece.
Esta foi a resposta de Bollywood à atração Fatal e este é um filme clássico por si só. Juhi Chawla foi bom e assim foi o Sunny Deol, mas foi Shah Rukh Khan que saltou para a fama como o stalker. Desde então, ele se tornou um dos favoritos do Chopras Dilwale Dulhaniya le Jayenge, Mohhabatein, Dil para hai pagal, Veer Zaara e Chak De India. Shah Rukh a princípio parece ser um vilão, mas no final você começa a simpatizar com ele. O roteiro foi soberbo e as músicas foram traficantes. Meus favoritos são Too mere samne e Jaadu teri nazar.Após o fracasso sombrio do subestimado Lamhe Yash Chopra revidou com Darr. Os diálogos foram memoráveis, o diálogo k..k..Kiran é frequentemente repetido. Desde Darr Yash Chopra caiu pouco. Dil para hai pagal era ruim, mas ele se redimiu ligeiramente com Veer Zaara, que era muito melhor. Esta foi a última obra-prima de Yash Chopras.