연극의 상업성에 대해서는 부정적이지만 극단의 전문화와 경쟁력 확보라는 측면에서는 변화가 필요하다고 보았기 때문이다.
Although it is negative for the commerciality of the play, it is because he saw that change was necessary in terms of specialization of the theater company and securing competitiveness.