Cinema in Turkey - Ödev Sitesi - Türkiyenin İlk ve En Geniş Ödev Arşivi
İstanbul Özel Ders optik ve haberleşme boşanma temel kız taşı basketbolun tarihi levha hareketleri origanum vulgare yumuşatıcı gravimetrik metot soğuk şekillendirme ilikçi ağır küre ciro irca kaldırma ve taşıma araçları kavak güneş,ay,dünya çocuk ve şiddet spesifik denklemler soru cevap şeklinde yazılı edebiyat kör boğaz teknoloji internet gözlerini bitirmek darp etmek keyif ehli iç tümce pedodonti 14.yüzyıl bilgisayar yıllık plan organ sistemleri sondajcı ita torba çay elinde sofistlik salya trikotaj figürlü müzik kurumları trabzonun fethi etli bitki hidrolik makinalar beyannameler hakkında haberleşmede teknolojik gelişmeler eklemsiz andimiz ana kolon hattı 19.yüzyıl fransa üç kat hamlacı sonar nedir atatürk ün spora verdigi onem ve sözleri mekki ayet seçmeler kollektif şirketler üreme büyüme ve gelişme matematik bulmaca boylamak betimlemeye örnek işletme amaçları automod banka sektörü yönetmelik homurtu elevatör yarım elma, gönül alma dünyanın biçimi bilgisayar staj defteri örnekleri amip program kitapları stratejik barbütür hacim ve yüzey ölçüleri polijini borçlanma çemberde yaylar ve açılar taş ocağı halı üretim aşamaları emtia anı nın tanımı sayı basamağı hançere dogruda açılar suçlu olmak taş dolgu kaza durumunda uygun davranış gösterme hareket ve destek sistemi kincilik ticari matematik tartışmak ıkıl ıkıl fabrika staj ingilizce kitaplar santur ilgili pervaneli motor cumhuriyetin bize getirdiği yenilikleri teknolojinin olumsuz etkileri kapris
CİNEMA İN TURKEY
Dosya No: 131996 - | Yardım Merkezi için Lütfen Buraya Tıklayınız
The beginnings of cinema in Turkey seem to go back to approximately a year after the Lumiére brothers gave their first show on December 22, 1895. The then Ottoman Empire was introduced to this fabulous art in the Palace and a beer hall in Istanbul. Although cinema came to Turkey without a long delay, film-making came along much later. After 1914, when the first film in Turkey (produced for the army at the beginning of the First World War, by a reserve army officer, Fuat Uzkinay, under the direction of the Turkish military command) was made, Turkish cinema encountered many difficulties.
Turkish film-making came to turning point in 1922, when the stage actor Muhsin Ertugrul, who had been directing films in Germany since 1916, set up his own private film company Kemal Film. His film based on the novel "Atesten Gömlek" by Halide Edip Adivar was the first that dealt with the War of Independence. It was also the first film in which Muslim Turkish women (Bedia Muvahhit and Neyyire Neyir), acted.
Between 1923 and 1939, theatre actors dominated the Turkish film industry and one of the most important films of the time "Bir Millet Uyaniyor", directed by Muhsin Ertuğrul, is considered one of the most valuable of Turkish films (1932).
From 1940 onwards, there was a period of growth, and film companies such as Ha-Ka Film, Istanbul Film, Atlas Film were established. Film producers also began to give more attention and importance to establishing their own film sets and studios. During this period the cinema industry began to form its own professional institutions, and in 1946, the "Domestic Film Producers Association" and the "Cinema and Film Producers Association" were established. With a change in municipality tax laws in 1948, a boost was given to the film industry, as taxes were reduced to 25% for films made and directed in Turkey. 1939 to 1950 could be seen as the transition period, when efforts were made to do away with using stage actors in films.
During the 1950s, the number and quality of films increased and the industry began to take on a shape of its own. Directors like Lütfi Akad, Atif Yilmaz, Metin Erksan, Memduh Ün and Osman Seden came to the fore. In 1952, these were followed by new directors, foremost among whom were Nejat Saydam, Nevzat Pesen, Orhan Aksoy and Hulki Saner.
In 1961, Istanbul Municipality organized a "Domestic Film Contest", wherein Memduh Üns film "Kirik Çanaklar" won the award. In 1963 a film entitled "Sehirdeki Yabanci" directed by Halit Refig, starring Nilüfer Aydan, was awarded the "Mention of Honour".
During these years younger producers began to give more weight to films dealing with social issues and "Karanlikta Uyananlar" directed by Ertem Göreç was the first film that dealt with a strike in a paint factory. In 1964, Halit Refig directed an interesting film called "Gurbet Kuslari" on migration... - Üye olup tamamını bilgisayarınıza kaydedebilir, üzerinde değişiklik yapabilir, yazıcı çıktısı alabilirsiniz.